#it's quite explicitly a cultural thing for her

[rei-ismyname]

Merry X-Men Holiday Special Highlights

Happy holidays, everyone! It's been about a year since I started posting about the X-Men on Tumblr and if it wasn't for all the lovely folks who engage and discuss it wouldn't be so enriching. I'm super anti-capitalist and anti cultural Christianity so it's less 'Happy Christmas' and more 'I wish y'all the best.' ❤️💚

I wonder if Lockheed speaks Hebrew

Here's Kitty Pryde celebrating Chanukah in Genosha and remembering her father. Leading the special with an explicitly Jewish character observing a Jewish holiday is great, but the notion of saving the world by becoming president of the USA is a dubious one. The USA is an imperialist entity built on deep seated systemic inequality and worse. Even the most progressive of presidents is beholden to that. It doesn't mean we shouldn't try, but Kitty is kidding herself about 'saving the world the right way.'

Nature Girl hates Christmas, and it's hard to argue with her reasons. The parts about warmth are weird to me because I live in Australia where Christmas is always hot AF. One of the few days I hope for rain, tbh.

I'm not sure if Bobby quite understood what 'eschewing capitalism' means but this looks pretty fun. That tie dye X-Men tee slaps and I want one. I wonder what Kubark thinks of this human holiday.

This story with Magneto coming around on the pointlessness of lighting menorahs does the rounds every now and then, though not as much as I'd expect. The kids are particularly plucky and eloquent, and the one who emphatically tells Magneto he's wrong is a legend. I'm fond of any story where Magneto rethinks his beliefs, and this is a nice one.

It took me a while to notice that this is written by Charlamagne tha God, possibly because it's kinda funny to imagine Ororo knowing who that is. Idk why, I've just never seen any stories indicating that she's into Hip Hop culture. I like that it's a rejection of turning the other cheek where bigoted assholes are concerned. You can't reach some people, and there's no obligation to exhaust yourself trying. Fuck em. The Michelle Obama mention is a bit on the nose.

Old man Logan is cutting firewood and being gruff, as he does. Kurt gives him a picture of himself, which is a baller move. I was under the impression that this Logan was an alternate reality Logan, and doesn't have a particularly close relationship with these X-Men. Nothing about Logans makes sense, sometimes you just have to accept it as cute and cool.

Glob does stuff! Is that meant to be mistletoe? We don't have it down here. He nails up some plant matter and then chills by himself. Little bit depressing, but I can't talk.

Bobby Drake has a party! Interestingly neither Jewish nor Christian, but a pagan holiday that's become a bit more popular (like Christmas and Easter.) Hope is watching Cable do... something, in a recorded message from when she was the universe's most unpopular baby.

Some kids are sharing the rumour that Magneto merked Santa, which is hilarious. It's obviously untrue, not least because Santa is Mags' mutant brother. Kurt lectures them.

Jubilee beats up Arcade (yay!) and quotes Home Alone, rescuing Shogo (who's spending this Christmas as a dragon in Otherworld.) I really don't like Arcade, though he has done two excellent things. Torturing Sinister and creating the Proletarian - worker's hero of the Soviet Union.

Nightcrawler and Storm show up and Christmas is really just a backdrop for a light anti-capitalist tale. Cool! I'd expect Cyclops to be in this book, but no. It's Chuck-less as well.

[nana-glass-chillhop-radio-hour]

Love how in the transcript it's even MORE clear that Carpenter is just prepared to start talking shit with Paige and Hayward immediately upon laying eyes on them. 'Oh yes! People I know and maybe kind of even like! Time to take them down a fucking peg >:) '

[needle-thread-thimble-spear]

I find the cultural phenomena of the maid as opposed to its direct descendant (the generalized domestic laborer) to be really interesting, particularly in the transfeminine sphere. This post is gonna be kinda rambly and not have much a point and involve discussion of kink topics, abusive relationships, transmisogyny, colonial violence and its consequences, etc so heads up for that but anyway.

Starting with the regency/early victorian era Europe, there's this gradual development of a complex household structure among the upper classes, which caps out in the late victorian/edwardian era. This environment forges the "prototypical" idea we have of the maid, whom you'll see in period pieces and historical fiction. She might have worn a (modest!) black and white outfit, she might not have. If her employer is relatively poor she may supply her own clothes. Regardless though, she's a servant for someone wealthy enough to keep her on. Her employer might have inherited their wealth, or found success in a relatively new and burgeoning capitalism, but they were definitely a member of one of the upper classes. She might come from a working class family, or depending on her role, from the petty bourgeois/lesser nobility (it wasn't uncommon for a young lady to have a "companion", often poorer relative with no prospects of her own). It's interesting (though in hindsight not particularly surprising) how the space from where some women might become maids, wasn't very far away from the space where a family might keep on 1-3 people on staff (if you'd like to read more on this, Emily Post's original etiquette, written in 1922 is available for free on Project Gutenberg. Its a really interesting text, here's a summary of the maid section I wrote).

Anyway. Its around the height of this period that the "french maid" is codified. Apparently (my research on this isn't the most extensive I'll freely admit) it wasn't uncommon then for the english upper classes to hire maids from France. Wealthy men became quickly fascinated with them, and before long the french maid is a staple in the erotic material of the age. My understanding is that this is how the black-and-white stereotypical maid dress entered the public consciousness, since that was common at the time (indeed, other time periods and places had different standards for uniforms!) and is what the french maid in life would have worn.

After the world wars, the social landscape of wealthy people changed, the concept of the "middle class" crystalized, and a number of household appliances changed the nature of housework quite drastically. Most of the families that would have been considered middle class a few generations earlier stopped keeping on a "maid of all things". Very wealthy households would hire fewer members of staff, or simply stop hiring a permanent staff altogether. From then on, it would be the role of the housewife to do the domestic labor, or otherwise one keeps on a cleaner or a cleaning service who comes around every once a while. Eventually we enter the modern understanding of domestic labor, where live-in servants are rare and when they do exist they are often supplemented by cleaning services with no allegiance to any one household.

Meanwhile, the french maid continues along as a stock character, not just in explicitly erotic material but comedies and even historical/speculative fiction (and thus quite removed from her possibly more apt "prototypical" counterpart, see most anime/manga maids and "butlers"). At this point she may or may not bother with being french, and she may or may not bother with any domestic labor. The maid outfit (later costume) ends up as a stereotypical, almost trite set of clothing for sexual roleplay. It's in this environment that some early culture of "sissy" or "forcefem" kink latched onto the french maid. Since that avenue of kink focuses on feminization as humiliation, the positioning of the sub as a domestic servant for the (petty) nobility (which to be frank, is a pretty humiliating role all on its own, speaking from experience) dovetails into the whole shtick quite neatly.

Others more clever (and more concise...) than I am have written about how what makes forcefem hot is the transmisogyny. The transfemme is set up to hate herself, to self destruct, to feel shame and self-disgust, to feel terrified of herself, for what she is. I'm not gonna bother spelling out the connection here. A lot of transfemmes (even if they are terrified of it and try to avoid it like I did) find their way into that space pretransition. Or if they don't, they certainly become aware of it after they begin! And then we get all this response within our own culture. We reclaim "forcefem" as a term, maids become a common motif in the form of dolls in empty spaces type literature, but that undercurrent of internalized misogyny and shame still sits there I think. Don't mistake me, this isn't some sort of sex negative tirade against maidkink (that'd be a hypocrisy anyhow!) Rather I'd like to make the argument that we're frequently reclaiming something traumatic through it, even if we don't quite realize it. As transfemmes we often self efface when it comes to (trans)misogyny I think. It's easy for us to say we had an easy ride or that it wasn't so bad. But even so, ask yourself, would you be interested in maids so much if you weren't really badly hurt?

I want to end this going back to domestic labor. It has hardly been my career to this point. In fact, I've only spent a few months of my life as a housecleaner, several years ago before I transitioned. Those also happened to be some of the most grueling and torturous months of my life. A lot went wrong that summer. The work was physically demanding and the hours were long. It was one of my first experiences really working and I felt very loyal to my boss, whom I had a tangential personal relationship toward. I was alright at the work but I did it slowly, putting me behind my quotas. But the worst of it was the cementing of the unhealthy relationship I had with my ex into an abusive one. I won't bore you with the details, and beside they're torturous to relive. I'm afraid you'll have to take my word for it, I don't think I've felt so much shame and fear so intensely and for so long a duration since then. A screening of Silence of the Lambs was involved. What we've been through, what we've been subjected to, frequently leaves us pliable doormats, eager to please and easily abused. Many are eager to use us for that, and few things can feel so good as kind words from an abuser. If you're like me, maids are a lot about those feelings. The (trans)misogyny we undergo is a real phenomena. Maids for me is an acknowledgement of that.

Post Script: I think it's important to acknowledge how the history of domestic labor has been shaped by racial violence as well as (trans)misogynistic violence. In the United States, the prototypical maid could be white or black to suite the tastes of the employer. In northern culture, the maid was generally whiter than snow, because she was presumed to be better than her counterparts, thought to be less likely to steal and better mannered. That's what made the northern lady comfortable. In the south, the maid (who was often, maybe almost always black I'll have to do more research) was either enslaved or had ancestors who had been recently. Domestic staff being black was part of the mechanism of settler colonialism in the south. The southern lady was more comfortable seeing black women explicitly beneath her, so they were maids. I say was, but these attitudes persist, in one form or another, across the US today and influence who works where. In the modern domestic labor field, a lot of the workers are immigrants. When I did work cleaning houses, I met a lot of people from the Caribbean or Latin America. Remember when I said before that live in maids are rare, and often supported by outside cleaners? One of the women I met doing that job was a live in maid from the Caribbean (I wish I remember where but I'm afraid I don't. I was going through a lot at the time my memory of it all is difficult to access in good circumstances) who was responsible for cooking and laundry. We came in to do wetwork and dusting/vacuuming. That family had more money than grains of sand, and they weren't even so rich tbqh. At my agency, we'd usually get a temp staff from Eastern Europe to do the work but they were unavailable at the time due to the pandemic, so Americans were hired instead. It should be little surprise that a settler colonial state will oft assign the women of its (oft imported) underclasses to do any sort of difficult manual labor (particularly the kind that happens behind the scenes!). The institutions of sex, which disadvantage women (and trans women still further), are but one avenue of hierarchical social violence and these intersect with one another tightly.

Hope you enjoyed reading this ramble, and that you found it illuminating!

EDIT: removed a poorly constructed sentence that doesn't read well and utilizes figurative language in a place that should be more clear

[sleepymccoy]

Now I'm about a fic where Spock and McCoy are both useless but self aware mutual pining and they're each kind of flirting but only in very specific cultural ways in the hope that the other won't notice.

Then some Vulcans get on the ship and they bully Spock in the way we expect, so he's kind of off his game. But one of them takes a right shining to McCoy and gets her flirt on a bit. But she's much less subtle that spock ever is.

I think this is the most fun in Spock's pov. Cos he's distracted and jealous and stressed and it's all kind of too much. McCoy starts spending time alone with this woman and she's clearly clocked that Spock is jealous so she's being sinde about it and McCoy is clearly into her so he's not anti Vulcan he's just anti Spock, apparently, and that's quite a kick in the guts. And maybe Spock fucks up something work related just to make him feel like shit

Anyway his observation skills go way downhill, but the audience can tell that McCoy's sweet on Spock. Especially cos McCoy's using human flirt customs when he's hitting on Spock, so it'd translate well. And they know McCoy's not into this woman. But Spock has absolutely no idea.

I figure, eventually, and off screen, this woman will cross the cultural boundary and tell McCoy she's keen on him and he learns that when Vulcans have meaningless debates in private it's a very intimate thing and he's just like. But Spock and I do that all the time isn't it just professional? Whatever, its off screen, it means that McCoy discovers that Spock has been flirting

With that he also suddenly realises that Spock has been jealous. I think he spends a day or two being kind to Spock until the Vulcans leave, then he gets a bit nasty. He plays into it, talks shit to get Spock jealous. And he knows how to flirt Vulcan style and he brings his A game. Like, full courting behaviour while still carrying on to make Spock jealous

And eventually Spock snaps and does something so explicitly possessive that he can't walk it back. And McCoy calls him on it. And then they fight about it. And then they fuck about it.

The biggest issue I have with the fic is I think you'd need quite a few scenes to really land the Spock is jealous and it escalates out of control story line, but it can't all be McCoy scenes cos a feature is that McCoy's off on secret dates. So I'd need to think of, basically, a star trek episode plot that's interesting enough to write about and explore without becoming too distracting

And I don't have an idea for that

[goodqueenaly]

Hello Good Queen Alysanne, I have a question about Jorah Mormont and Lynesse Hightower. Was the marriage doomed from the start? Was there anything they could do to make it work (e.g. Jorah temper her expectations about the Bear Island)? I remember Catelyn said something along the line of she was unprepared for a life in the North, but eventually adapted to it.

Here’s the thing, though: we’re talking about a marriage not just between two very different people from two extremely difficult cultural backgrounds, but one which had not even been on the radar for either until maybe a week or so before it took place - and that I think is being generous with the timeline. Catelyn and Ned had certainly not known each other, in any deeply personal way, before their wedding, and each had certainly grown up (though perhaps somewhat less so, for the Jon Arryn-raised Ned) in a family and a society very different the other’s, but Catelyn had been taught from a young age to be the dutiful inheritor of her father’s political designs - and from the age of 12, had understood that duty meant eventually marrying the heir to Winterfell, becoming its lady, and continuing the Stark dynasty. Likewise, while Ned had never expected to become Lord of Winterfell or marry his brother’s fiancée, he had certainly understood the wartime necessity of taking Catelyn as his bride and preserving the rebellion’s alliances via marriage. This is not to say, of course, that Catelyn immediately adapted to being Ned’s wife and that she never experienced any struggles during her marriage; it took her time to “[find] the good sweet heart beneath Ned's solemn face”, and some aspects of life in the North always remained foreign to her - the godswood sacred to Ned’s faith, or the (ostensibly) bastard son whose origins Ned angrily refused to detail . Nevertheless, I think it’s fair to say Ned and Catelyn’s marriage succeeded, at least in part, because Catelyn came into the marriage understanding the politico-dynastic duty impressed on her for a large chunk of her pre-marital life by her father, because Ned too understood and accepted the the duty he had to marry her during the Rebellion, and because both Ned and Catelyn spent years developing passion and devotion toward one another, alongside that duty.

By contrast, what could even be said of Jorah’s and Lynesse’s respective expectations going into their wedding and marriage? Jorah very explicitly had only married Lynesse because he “could not take [his] eyes off her”at the joust, purely acting on his physical attraction to her. Lynesse, for her part, had no reason to have known who Jorah even was, except perhaps on the most general level, ahead of and even during the tourney: if she was pleased to accept the favor of a hero of the recent war, a lord in his own right and a bannerman of the victorious king’s closest friend, she likely had as little knowledge of Jorah personally as he did her. Compounding that is, as I mentioned, the incredibly short timeframe of their marriage: Jorah asked for Lynesse’s hand immediately after winning the joust, and they married while Jorah was still in Lannisport for the tourney, meaning that they were going to the altar having been quite literally complete strangers at most a week, if not a few days, before the wedding. Even if Jorah and/or Lynesse had wanted to get to know each other as marriage partners before their wedding day - and Jorah certainly doesn’t seem to have been interested, in any event - there was simply no time to do so: before either, but especially Lynesse, may have realized the full implications of what to come, Lord Leyton had already signed away his youngest daughter’s future to Jorah.

In Lannisport, in those bare handful of days, it may have been easy for Jorah, and perhaps Lynesse as well, to imagine their future as one of sunshine and roses. Literally riding high on his very recent and illustrious knighthood and his unstoppable victories during the joust, in the warmth and wealth of the oldest and southernmost city in Westeros, Jorah may have thought that the realities of Bear Island life seemed physically and culturally very far away. Lynesse, still just a teenager and one who, as the youngest of a large and wealthy family, had likely lived a pretty sheltered life, may have seen Jorah as no more and no less than what he appeared as before her - a spectacularly talented tourney knight and war hero, a lord in his own right who could make her a lady of her own castle and House, as her sisters Leyla and Denyse were not. (Let’s never forget the creepiness of Jorah being almost two decades older than Lynesse.) The deliberately fantastic environment of what for lack of a better term we have to call their courtship and engagement - even for the most high-ranking Westerosi aristocrats, life is usually not feasts and tourneys 24/7 - only heightened the lack of reality at the foundation of their marriage; their entire experience of one another had been defined by a purposefully temporary world of pleasure which could never have been sustained.

Consequently, I think both Jorah and Lynesse experienced, on their return to Bear Island, disillusionment so profound that there was no making the marriage work. Jorah tells Dany that Lynesse resented that Bear Island was “too cold, too damp, too far away”, that the Mormonts “had no masques, no mummer shows, no balls or fairs”, and that the Mormont “cook knew little beyond his roasts and stews”, but I think these complaints reflect a more fundamental alienation Lynesse was feeling in her new role. Bear Island wasn’t just different from Oldtown; it was a world whose entire life and existence could not be compared to that of Lynesse’s native city. Her faith, her experience with Oldtown’s intellectual and artistic culture and the Reach’s tradition of chivalry, her training as a southron lady - none of that had any place on Bear Island. She was, as Jorah’s aunt and cousins may have reminded her (or commented in her hearing), the lady Jorah “won … in a tourney”, a lady whose “soft hands were never made for axes … nor her teats for giving suck” - in other words, a failure compared to the Mormont ideal lady who had a baby on one hip and an axe in her other hand. She had married a lord, a war hero, and a champion jouster, only to find herself stuck as lady of a castle only so called by courtesy, on an island that to Lynesse probably seemed physically and culturally in the middle of nowhere, with a husband who never again either took up arms in war (at least in Westeros) or distinguished himself on the tourney field.

Jorah clearly grew to resent and eventually hate Lynesse, but he was far from blameless in this situation. It had been Jorah who had, on no greater impulse than his physical attraction to Lynesse, taken a likely sheltered teenager from the only home she had ever known to one only he of the two of them knew and understood; it had been Jorah who had courted (again, to the extent we can call it that) the daughter of one of the wealthiest lords in Westeros from one of the most ancient reacher aristocratic families with absolutely no practical plan on how he could make Lynesse comfortable and happy in this new world; his best option in his mind was to spend money he very well knew he didn’t have and pursue a jousting career in which he knew very well he wasn’t cut out to succeed. Could Jorah truly be shocked that Lynesse “grew wild when [he] spoke of pawning her jewels”, or “moved into the manse of a merchant prince named Tregar Ormollen” after he, Jorah, became a sellsword? Far from fulfilling whatever expectations (again, likely at least founded in unreality) Lynesse may have had of this marriage, Jorah was now asking Lynesse to give up her remaining connections to those expectations and that foundation - the jewels she may have easily received as the daughter of rich Lord Hightower, the position of Westerosi lady marriage to Jorah had offered her.

Ultimately, I think this marriage was destined to fail because neither could ever be what the other may have gone into the marriage expecting. Lynesse could not be forever the tourney fantasy he had encountered at Lannisport - the beautiful highborn maid cheering him on from the sidelines as he won tilt after tilt in a tourney on the heels of his wartime fame. Jorah could not be forever the image Lynesse encountered at that tourney - the lord in his own right, the recent war hero and royally dubbed knight, the spectacular tourney champion. Jorah could not offered Lynesse the life of ease, security, and aristocratic culture she had grown up living with and perhaps consequently expecting; Lynesse could not offer Jorah the perfect highborn southron maid who would at the same time perfectly accept life as a Mormont bride.

[foone]

Speaking of the zeldas: of the Zelda game, I'm a bit unsure of the cat(as in girl)suit power up.

Because on the one hand:

Nintendo? You put an equipment item in your First Zelda-Lead Adventure that puts her into a catgirl costume?

It just feels a bit like... Nintendo, have you at least heard of gender stereotypes in storytelling?

Because I'm not saying you're wrong, necessarily! Maybe it's an innocuous choice amongst many other costumes, or there's some cultural differences, or whatever. It just seems to be the kind of thing that you'd at least consider, before you put this in your game.

Especially because this is your First Zelda Adventure #feminism.

But on the other hand, see:

The game's art style is so cartoony that it comes across as more "adorable!" than "sexy!", I think*.

But it's Really Adorable. Cute as hell, it looks almost like claymation**, I love it.

On another finger of that second hand:

I demand equality. Hashtag Put Link In The Cat Suit Too 2024.

On a second additional finger of that second hand:

Actually Nintendo you know what? Fuck you. I am a Reverse Engineer and Game Hacker when not a somewhat stoned letsplay watcher, I'll do it my self. You build this game on the same engine as Zelda: Links Awakening (2019)? I'll extract the models out of Zelda: Echoes of Wisdom and inject them back into Zelda: Links Awakening (2019)!

Bam. Link in the catsuit! The world is better place.

On another finger of that first hand, that is, the post has gone non-linear oh god:

Does it make it worst that it's explicitly a costume? As in, this is clothes that Zelda is magically quick-changing into. Zelda, the Hylian woman, has changed out of her Ninja Cloak into "Sexy Catgirl Costume Like What You Buy From Halloween Store".

She's not, for example, just turning into a different species. Which is something that's been one of the primary gimmicks of least... Two? Three? previous Legend of Zelda games!

Although reconsidering in light of footnote one, it's it's possible that they DID just mean it to be sexy, but most other people might have Opinions about the relative sexinesses of "woman in catgirl suit" versus "catgirl, as in member of species: catgirl"***. So I am maybe off base?

* I am admittedly possibly a very Spiders Georg in the area of "sexual attraction".

** someone please do this in some future game: take the style of this Zelda subseries and make it like, 25% more claymationyier. That wouldn't be to hard to do with some minor graphical design differences and shaders, and it would make these admittedly already pretty adorable games even more adorable!

*** This is presumably a continuum with "no costume but acting like a cat" further back on the "woman in catgirl suit" point, and it then continuing on past "species catgirl" to "catgirl (furry)" and "cat girl (cartoonish bipedal cat)" to "quite realistic to nature cat (who is incidentally a girl)". I mean hypothetically you could find a point that could be MORE CATS THAN ACTUAL CATS THEMSELVES ARE... But I'm not getting laid**** enough to engage in that kind of advanced recreational furryism.

**** holy typoing fuck I meant PAID! I'm not getting PAID ENOUGH! I'm dying.

[loverofstufflof]

Black Myth: Wukong rant because I’m just… so tired of you people.

I hate the community this game has cultivated. I hate looking through the tags and seeing people tearing each other apart over a game based on a story I love.

There’s two stances:

Those who say that merely interacting with the game is in support of all the terrible things the developers have (allegedly) done. Who parade accusations that many have stated were mistranslated and that the situation is far more complicated than it appears.

Those who mock the former by making a straw man of their concerns while simultaneously displaying their misogyny, racism, homophobia, and general traits that make it clear they’ve never touched a woman in their life.

One is slightly more tolerable than the other. Neither make me feel welcome in enjoying this project I’ve been looking forward to for years.

I will be talking more about purple, because I don’t speak Chinese, and feel that I have no authority speaking too much on orange.

Purple people are beyond insufferable.

I think that most of this came from a Screen Rant review that listed one of the game’s flaws as “a lack of diversity.” This is an accurate analysis, and has been warped beyond belief.

I can understand the outrage… a bit. When playing a game surrounding Chinese culture, in which you play as an inhuman character fighting equally inhuman enemies, it doesn’t make too much sense to request racial representation. And when there isn’t any romance, representation for sexual orientations also wouldn’t work. Including anything in those merit would feel forced and out of place, I agree.

But you wanna know what the reviewer wrote?

She was concerned about the lack of women.

She felt unwelcome when playing a game made by rumoured misogynists because there were no women at all.

And she explicitly said that the game was still enjoyable despite this.

She gave it such a “low score” (3/5) because of the performance issues and repetitiveness. By her own rating, the game was listed as “Worth a shot despite its flaws.”

Everything got so bad they had to take down her name for her safety.

People in the purple category took this review to mean that the “woke left” was “pushing an agenda” and “trying to cancel this game for not having pansexual nonbinary black people.” Which, as I’m sure you can now understand, was not the case. The boycott surrounding this game is purely based on accusations targeted towards the developers, not the game’s content.

Of course, I don’t expect many of the aforementioned people in this category to care too much. I’ve seen the Steam reviews where they praise the lack of women. I’ve read the Reddit threads where they feel grateful that there’s “finally a company who understands the male authority.” I’ve scrolled through post after post on Tumblr that “no one would want to play a game where females jiggle their tits around while doing nothing.”

That last one gets me. It’s really telling what you can learn about a person when they say things like that.

The point is, these people make me feel very unwelcome in a community that previously made me most comfortable.

So let’s recap:

The people who I would find community with are portraying the mere interest in this game as a sin that’s worthy of being blocked and shamed over, and the people who are actually in this community remind me why I’m terrified to walk alone.

I have a lot more that I want to say on this, but I don’t really have the words quite yet, and still need to do a fair amount of research (which I probably won’t be doing because holy shit I’m so done with this). Maybe I’ll come back and add some more, but for now I just might block the tag entirely.

I just feel shitty ‘s’all ʅ（◞‿◟）ʃ

[antianakin]

Maybe this is a weird gripe, but my least favorite change ever made to Ahsoka's design was removing the tooth headdress. It's clearly not something explicitly associated with the Jedi, even within regular canon, since the only other person who ever wears something similar is Shaak Ti, the singular other Togruta Jedi we ever meet, so you can make the educated guess that it's a Togruta cultural item, not a Jedi cultural item.

Which begs the question of why Ahsoka got rid of it after she left the Jedi. Her clothes weren't ESPECIALLY Jedi specific, but it's understandable that she might want new clothing, and she ends up in a working outfit afterwards, something better for doing mechanic work or things like it, so that makes sense. But the headdress?

And everything she's gotten since has been uglier than the tooth headdress. It's usually made of cloth or metal, and every single other headdress she's ever worn has covered up her facial tattoos in a way the tooth headdress simply didn't.

There's no good narrative reason to get rid of it, and quite honestly, none of the replacements look as good as the tooth headdress did.

[autistichalsin]

I don't know, I just find it interesting that every single one of the three characters who consent to having the player have a poly relationship with Halsin, have the fandom erase their consent using the exact same argument, which is, and I quote:

(They) don't actually want it. They just are afraid to lose you.

All of these characters will not hesitate to read the player the riot act for violating their boundaries, and there are quite a few scenes where they (especially Astarion) will outright break up with the player for going too far. These are adults who have little trouble standing up for themselves, yet we are supposed to believe that suddenly, with and only with Halsin, they are unable to consent. (Notably, this also is applied only to the poly romance; the characters' ability to consent to a monogamous relationship with the player is, of course, never to be questioned.)

Shadowheart, who practically salivates at the idea of being regaled with your story of "climbing Mt. Halsin", must not have really consented. (Women can't consent to icky, nasty sex things, see. That would imply they have desires of their own.)

Karlach, who is passionate and strong and hot-tempered, who, again, will call the player out on anything that makes them uncomfortable, is suddenly a shrinking flower who just can't tell the player, "no, I want a monogamous relationship." It can't be that her terminal illness has left her unable to examine her own feelings around polyamory; it must be that she is only saying it not to lose the player. Because Karlach is, somehow, the kind of woman who would stick around if she thought the player would sink low enough as to pressure a dying woman into an open relationship? (Again: women are always delicate flowers. They can't consent to anything, clearly.)

And then there's Astarion. Astarion, who has the most triggers to break up with the player out of ANY romanceable character. Astarion, who says he has trouble saying no to sex sometimes, but explicitly says the reason he's willing to give this a try with Halsin is his experience in this area which guarantees Astarion won't get hurt (and even says earlier that he won't have a relationship with Shadowheart too because she has no experience.) Astarion, who is eager to find his own desires again. Astarion, who wants to make choices- even wrong choices or ones he regrets, because isn't that half the fun of getting to make a choice? Getting to fail? Anyway. THAT Astarion is, coincidentally, ALSO, somehow, lying to the player and doesn't want this at ALL and only says this so the player won't leave him. He leaves if the player manipulates him into sex, he leaves if the player lets him get kidnapped, but this one boundary is, somehow, one he just can't seem to express. Because, you see, survivors are MAYBE capable of enjoying sex, but only "normal" sex with the player. Can't have him agreeing to something taboo like polyamory, because then he might not seem like a delicate flower.

Even Halsin, the bear himself, isn't immune to this: people insist that he too doesn't actually enjoy poly, and only says it because he thinks if he asserts himself too much, makes it seem like he wants the player to himself, that they won't be interested and will reject him. So he pre-emptively brings up something he can't properly consent to... despite polyamory being the default in wood elf culture. Despite wood elves specifically viewing romantic jealousy as immature and worthy of mockery. See, if a character has insecurities and is in a poly relationship, that must mean they aren't actually poly, not that they need reassuring. When a character in a monogamous relationship has doubts, that just means they need comforting, but when they're in a polyamorous relationship, well, that just means they can't truly enjoy poly!

I don't know, I just find it really fascinating that the arguments against the characters who are poly or open to poly "really" being poly are all the exact same argument applied uniformally to the characters regardless of whether that actually fits their backstories and behaviors during the scenes where it's discussed. It's like poly makes people uncomfortable, but they aren't willing to reckon with their favorite romanceable character(s) having such drastically different values around relationships, so the only way out is to insist they don't actually like it/are incapable of consenting. It's as fascinating as it is frustrating, really.

[3liza]

saw someone talking about "scary dog privilege" on here today and cant find the post again but i guess it refers to when women are bothered less in public when accompanied by a large dog, and bypassing the quibble i have with calling that a privilege, i can absolutely 100% confirm it is true.

i was approached by a 30s-40s single white man wearing the Dipshit Uniform (guy in a baseball cap who looks like he drives an f-150 and has voting opinions i would not agree with) on the street the other day and all he had to talk about was Churchgrim. that he was VERY large, looked like a good boy, obedient, what breed is he, etc. this is the only interaction i get from men in public anymore unless i do not have the dog with me, at which point it goes back to the usual bullshit. however it has to be an actual scary-looking dog and you have to visibly have control of it. this is not why i got a large dog, it's just a side benefit. it probably has a lot to do with the masculine cultural coding of any large dog breed that isnt a poodle or a sight hound more than it does the actual violence potential of the dog, but those two things are related. notably, not a SINGLE man has tried to mansplain dog care or handling to me for five years. not one. i cant explain this because its not like being visible capable at a task or skill will stop them in any other circumstance, including when you are holding a literal firearm.

i remember reading some stupid op-ed from some idiot woman who got a dog "for protection" on her jogs and was baffled when men were not intimidated by her golden fucking retriever (although they should have been; goldens bite a lot, statistically, probably explicitly because people do not take them seriously)

the fact that men's body language and tone of voice has changed so drastically from before when i had a 90lbs black shepherd mix standing next to me is pretty damning tbh. all people both intentionally and unintentionally modulate their communication styles around that type of dog to display respect, interest, or fear, experienced dog people can be identified instantly by their comfort and confidence with the dog, and people with dog phobia are the opposite. the dog instinctively puts himself between me and approaching strangers, probably not out of a defensive instinct in grim's case but because strangers are interesting and he wants to be closer to the object of interest, but the physical barrier this creates is a great benefit to me.

specifically, men talk to me much much much more like they are speaking to another man when the dog is there. part of that is men are often genuinely interested in knowing information about a large dog of grim's type and are not using the dog as an excuse to flirt with or harass me. grim has a phenotype that is familiar to certain experiences within the united states as a "porch dog" or "yard dog" or "farm dog" that everyone who has lived in rural areas has usually known or owned a few notable examples of, and thats a general class of dog that tends to be good at listening and responding to humans and has a lot of opportunities to display intelligence or good judgment, so people with rural experience tend to associate him with good memories. he's also "handsome" in the dog sense because he got to keep his balls until he was 3, on the advice of his vet, and as a result he developed nice-looking musculature and a big thick neck which you dont get on city dogs much. he gets a lot of positive attention from older ladies as well, who you'd think would be afraid of being knocked over, but who are always just besotted with him for reasons i havent quite figured out yet. maybe they like seeing a youngish woman with a dog like this, i know that i feel good and happy when i see younger women and girls in situations where they seem safe or protected to me. i think to myself, "i don't have to worry about her" and i feel relief. observing young women and girls often triggers anxiety for women who are even just a few years older than they are, out of pure empathy. its one reason it's so important to be kind to younger people than you are.

anyway it's damning to the men because of course men don't think rationally that the dog would understand and be offended or angry if they sexually harassed or disrespected me. but they are still on their best behavior because the dog is an implicit threat that i can defend myself. and perhaps not only did they have nothing real to discuss with me before now because they assumed we had nothing in common and that i was an idiot or not human, but they are watching themselves carefully to only express normal human civility. i dont get that from random men without the dog. mostly (not entirely but mostly) i get either casual disrespect/disregard, or outright sexual harassment. when i was younger and less experienced with men and had fewer cycles of these interactions, i was completely unaware of how disrespectful these approaches or comments were, which is the interpretation i can see less-experienced women making now, even if they're my age. and when i was 20, my 30 year old friends seemed pathologically misandrist and defensive to me. it was purely the difference in our actual mileage. that sucks man. wish we could just be normal around people and not have to expect the worst constantly.

anyway, good dog

[meanbossart]

Just thinking thoughts about Orin and Drow lore, and idk if this has been asked already, but

If Orin had just disappeared for like a year, not even Sceleritas could find her, with how obsessive pre-tadpole Drow was how would he handle that? Aside from being prideful and murdery, I don’t remember in the pre-tadpole Drow lore about any instance (after he made it to the temple) of him expressing anything else. Did the two ever have a wholesome moment?

Hmmmm not wholesome, no. I'm sorry to disappoint people who might wanted to see a more explicitly vulnerable side to both of them at that stage in their lives, but that's just not... How I envision things. I don't think anyone born into the temple would have had much room to express themselves in the way average people do.

What they did have was an undeniable connection and mutual understanding. This lasted for about 7 years, so between ages 18-25 for DU drow. (Canonically he's currently 28, give or take). I think that, sometimes, they also silently understood among themselves that things weren't always fair or good.

This might sound like a whole load of nothing to some people, but based on the culture within the cult, Orin's story, and the behavior of everyone involved in it, it seems huge to me that two people who were essentially groomed to be the embodiment of murder would harbor any kind of care for one another, even if it was subtle. The fact that they could share a bed, talk shit about Sarevok, and seamlessly work together and share in the glory of their deeds as equals is what intimacy looked like for them - before DU drow's ego (and the very need of a more explicitly intimate connection with someone, to be fair) got to his head.

They killed together, they rolled around in blood together, they bickered and fought and one time Orin stabbed him in the gut and DU drow punched her jaw out of it's socket. Then they flopped down on the ground and cackled about it while Sceleritas rushed in to stop the bleeding. Is that wholesome? I think for deified bhaalspawn who know nothing but that life it's the closest it gets.

There had to have been quiet moments I'm sure. Like Orin waiting around while DU drow got ready to go somewhere, him adjusting her headpiece, Orin slicing her brother's long hair off when he first arrived and looked like some sort of sinewy wood's creature. At night, they probably laid in bed in silence and sometimes stared at each other until either fell asleep.

I am very interested in not inventing an obscured, soft side to Orin that we didn't get to see, you know? While she wasn't always the level of manic we see in-game, she was completely unfit to function normally due to her upbringing, and this reflects in her relationships. DU drow is also undeniably emotionally stunted, just in a slightly different way.

I got off rambling to no one's surprise LOL but to answer the first part of your question - I don't think he would have been quite as dramatic about Orin just up and vanishing, as there's no explicit suggestion of death in that. He would have been insufferable to be around for a while, but in that scenario I could see his duties keeping him busy.

Not to mention that, while through death, she would be leaving him unwillingly - disappearing with no trace implies the uncomfortable possibility that she truly, honestly, just didn't want to be around him. That allows room for contempt and bitterness to fester until you wrongly convince yourself there was never any love there at all, even if just to soothe your own conscience.

He would have just become a much, much worse person that way in the sense that he would have nothing to focus on besides for his lord's will - as horrific as his attitude towards Orin was, it is very much a human feature to desperately cling to connection. With Orin around, he had a little bit of fucked up tenderness and love in him - it was a personal desire completely separate from his "job", a vestige of free-will. Without her, he just has Bhaal and whatever Bhaal wants.

Orin has always unwittingly anchored him, and then, later freed him. And he never ever deserved any of it.

🤷

[mossy-green-aka-ferrythem]

I like. Have not played a single Hoyo game so it is quite shocking to see people take deeper looks into the games and their themes to uncover just how DEEPLY racist Hoyoverse is.

When I say racist I mean like. Painting this fantasy, ideal, "aesthetic" world that only wears the face of multiculturalism, while explicitly making it so all the heroes and good characters are white, while making the enemy characters typically with a darker shade of skin. Like just. In fucking Genshin. Look at the Hilichurls. They've literally got pitch black skin and masks, and despite having their own culture, are constantly and consistently treated nothing more as "pests". Like just. I swear to god there are so many "Hilichurl" like examples of weaving weird racism into video game enemies in the wider media sphere, but I digress.

What really gets me is like. I saw some shit from fucking Honkai or whatever where there is an entire character who was born black, but bleached her skin out of shame. Like. What. Also this is all second hand, so forgive me for getting details wrong, but doesn't she just. Keep hating herself for her skin color and her heritage? Also the way her mother is drawn is just like. Somehow both a racist and transphobic caricature rolled into one. Like they illustrated her in a way that doesn't feel done in good taste. It fees like they want to evoke a sense of confusion and maybe disdain. Perhaps they wish for you to sympathize with the girl who bleached her own skin (???) and like. What the fuck is this writing HOW DO PEOPLE JUST NOT GIVE A FUCK ABOUT THIS??????

Also. There is of course ZZZ. The issue here is more what people have already mentioned and something I don't feel like fully relaying. Which is the sort of heavy emphasis and inspiration from Hip-Hop and Rap culture, but without any black characters actually in the setting. Ben Bigger is like. Legit the blackest character there, problem is that he ISN'T HUMAN. Like it shows that they would sooner create an anthropomorphic bear, a fantasy character, than a black character that actually displays their culture in a proud way. Not really my place to say all of this, since others have said it much better than I ever could. Last thing I would say is that the Black edits of the characters (especially Ellen Joe), make the character designs leagues better.

To cap off this messily organized tumblr post and rant, it brings me to my biggest issue: erasure. The fact that when you search up Tighnari, you only get that dogshit anime boy, hell, the issue even still persists somewhat when you specify for Al-Tighnari. I am not well read on who Tighnari is, but even skimming past a description of that man is truly breathtaking. He sounds like a very well traveled, very wise man who likely had a sizable impact on the world. Thing is. When you search up Tighnari you don't see this man anywhere. When you bring up Tighnari, it is unlikely people actually recognize who the man himself was. Instead you have this character, who's skin is as white as a sheet, actively acting like a shroud being thrown over an old cultural icon. His design has been criticized endlessly for how little it lines up, but that's not the point. The point being is that Tighnari in Genshin has uprooted knowledge of the original in the public eye. This is but one example, and doesn't even BEGIN to touch upon the absolute shitshow that is Natlan. However, people have already exhaustively described what is wrong with it so I digress there. Oh and I said I would close this out but like. Fucking Star Rail or whatever has a character with Dark Skin who has "shacklebreaker" as one of their main skills and like. This is some J.K. Rowling type racism. Like what. What the fuck?

Look what's really important here is that I am just so fucking taken aback by learning the extent of it. I always bore a minor grudge against Genshin, but the clarification, and the knowledge of how deep this shit goes... just makes me realize this. There is no longer any confusion about how this got so popular, because racism is excusable in general fandom spaces. Racism isn't considered a dealbreaker to many people, and that is the root of the issue I believe. How general online fandom communities and people as consumers are just so unbothered by racism that they will just not criticize it, pass it off as normal, and will actively engage in racist tendencies, rather than making any effort to better themselves and to be more tasteful in what they choose to support financially, and what they choose to consume.

[project-sekai-facts]

I want to preface this by saying that I’m not trying to be antagonistic! I don’t participate in discussions like this often but this event has sparked many discussions and a lot of intense feelings on this blog and I wanted to give a different perspective maybe?

While I fully agree that clpl took a cowardly route and didn’t have Mizuki state their secret on screen and that people have a right to feel upset by that (as I do as well; it genuinely pisses me off that they tell everyone off screen, locked behind a card story) I feel that saying that we were baited and that Mizukis story has no meaning and is pointless now is a bit much? Mizuki is still a queer character, their queerness wasn’t disproven or erased or anything like that. Yeah they didn’t have them literally say what they are, but that doesn’t diminish their story and what they mean.

Their trans identity is something that can’t and shouldn’t be disconnected from their character. It sucks that this aspect of them is hidden behind a (quite frankly) absurd amount of subtext. I will say though that the sentiment of ‘Mizuki is Mizuki’ isn’t necessarily a bad one? I can see a little how that could be seen as dismissing their identity, but they ARE mizuki. There’s far more to that character than just their Trans identity. While obviously it’s an important part of their character and part of the main conflict for this arc, I don’t believe that clpls emphasis on Mizuki being Mizuki was meant to dismiss her identity.

Mizuki has always been a kind and selfless character, Ena and the rest of niigo are very endeared to her and want them in their lives because of this! Ena states that she may not understand all of the grief that Mizuki has endured and continues to deal with because of being othered by people at school and in society, but that she is willing to learn and stay by their side. Their identity isn’t something that warrants the end of their friendship, it’s not something that Ena cares about in the sense that it doesn’t change who Mizuki is as a person.

I’m not sure how the Japanese fanbase is reacting to this but I feel that the Western fanbases focus on having them literally say what they are seems in line with how queerness is expressed in Western countries like the US. (I myself am an American, and a queer person.) I can only go off of what I’ve seen in Japanese media, but they seem to be a bit more reserved when talking about being queer. It’s usually alluded to, and not explicitly stated all of the time. There’s clearly a cultural aspect as to why this story was told the way that it was. (There was also most likely corporate meddling as well though, lmao)

I do believe that clpl had good intentions with this particular story. It is very unfortunate that some things happened the way that they did, but I think that it’s important to look at what we were given and try to see what was trying to be conveyed. Perhaps that is a bit naive, and I’m not saying that everyone needs to accept the story that we were given and not look at it critically. Leaps and bounds still need to be made in terms of how stories like these are told. I’m saying that we should be a bit more open minded to the various aspects that gave us the story that we got.

I hope that that was coherent, this is something that I’m a bit passionate about as well! Thank you for taking the time to read my thoughts, I hope that you have a lovely day/night!

.

[hualianisms]

Not father & son, not master & disciple, but a secret third thing

First of all, let me preface this by being clear that everyone is free to headcanon anything they want and like/dislike anything they like/dislike! That being said, sometimes I see international fans interpret FDB as LLH's son, or their dynamic as parent-child or otherwise familial, and as a native chinese speaker, I just wanted to share some reasons why I personally did not interpret them as familial.

Granted, at the start of the show, FDB is kept in the dark and also not up to LLH's level of skill in solving cases. However, FDB quickly catches up in crime-solving skills, intellect and maturity by the 2nd half of the show, after a well-written growth arc. I think the beauty of the characters and relationships in this show is that they grow & evolve, and are meant to do so. The dynamic that LLH & FDB had in episode 1 is quite different from their dynamic at the end of the show. By the later episodes, they are 2 adults who are very much equals.

Why I don't read them as father & son:

LLH & FDB act and speak in a manner that is far too informal & familiar with one another, which would be extremely inappropriate for any kind of parent & child, even a surrogate one. Several times, FDB calls LLH by just his first name "Lianhua", and sometimes even calls him "Damn Lianhua" when he is angry/upset at LLH. This would be extremely rude for a disciple to call a master, or a son to call a father. No son talks to his father the way FDB talks to LLH, and no disciple talks to their master like that. Unless the son/disciple hates the father/master, and is outright rejecting his father/master altogether. As we see in the show, not only does FDB not hate LLH at all, he instead cares deeply for LLH and would do anything to save him. Why, then would someone scold/curse someone they care about? Does the trope of the upset spouse/partner sound familiar?

For comparison, see FDB's interactions with He Xiaohui, who he is close to - he is informal & affectionate with her, but never calls her anything other than "娘 niang" ("mother"). I can't emphasize enough how taboo it is in Chinese culture to ever call your parent or parental figure by their name under any circumstance.

2. In ep 31, FDB himself explicitly rejects the idea of LLH as his shifu and himself as LLH's disciple, responding that he is too old to be LLH's disciple and it was merely a joke. He clearly sees LLH as an equal, and rejects the notion of their relationship being anything other than that of 2 adult equals. LLH also tells his shiniang that FDB is not his disciple, and a few episodes ago LLH told FDB that he has never understimated FDB.

Coding/hints as something other than platonic:

Zhiji/zhijiao - FDB calls LLH his 知交 zhijiao in ep 19, and 知己 zhiji in ep 34. "In this life, I, Fang Duobing, recognize you as my only zhiji." is practically a love declaration. And this bond is reciprocated by LLH, bc in a deleted line in ep 19, translated by forayuarchive on twitter, LLH is the one who first calls FDB his zhijiao.

To clarify, Zhiji is not specifically a romantic term, but it's what was used in both The Untamed and Word of Honor - both dramas based on danmei novels with canon gay main pairings - to bypass censorship, to code the bond between the main duo as deeper than your typical platonic male friendship. (See this post for a detailed explanation of the significance/history behind the term zhiji, and see this twitter thread for an explanation of the meaning of zhijiao in MLC - especially how zhijiao is specifically mutual, reciprocated).

2. Married bickering - forayuarchive on twitter has discussed in these twitter threads how the tone of many of LLH & FDB's interactions (especially FDB) is similar to how married couples or romantic partners speak to one another bc of the level of familiarity, tone and language. For my fav example, see this note (translation by forayuarchive) that FDB left LLH in ep 35, which reads pretty much like a note that a spouse/partner might write when leaving their shared house in a hurry.

3. "Xiaobao" - Personally as a native Chinese speaker, LLH calling FDB "xiaobao" in front of everyone is a level of intimacy that genuinely would make me feel embarrassed to hear as a third party. 小宝 xiao bao (literal meaning = "little treasure") is usually something you call actual babies/children AND is FDB's family nickname for him, so if you're calling a grown man that in front of everyone including his colleagues, family and even strangers, then one might assume he is likely either your biological family or your romantic partner. (For comparison, just imagine calling your s/o their parent's special childhood nickname for them at work.)

4. Deleted lines where FDB calls LLH "xiaohua'er". 小花儿 Xiaohua'er ("little flower") is very intimate and feels like something someone might call a lover. Or, at least, definitely not a platonic shifu, even less so a parental figure. (For meta on the names that LLH & FDB use for one another, see forayuarchive's twitter thread.)

5. More deleted scenes (translated by forayuarchive on twitter), perhaps cut due to censorship, which make apparent LLH's high regard and deep care for FDB. For e.g., a line of internal monologue by LLH in ep 40, translated here by forhenjun, shows that LLH thinks of FDB as the only person in his two lifetimes who has always treated him as a human being rather than putting him on an unfair pedestal.

6. Official MLC accounts act like as if they ship them.

As murderedbyhomework mentioned, there is a song in the official soundtrack of MLC called "Fanghua's Day-to-Day Life" (yes, the exact same words as their ship name). Sounds like a couple's daily domestic life, doesn't it?

The official iQiYi Romance youtube channel lists clips of LLH & FDB under the romance category.

The official MLC douyin account posts MVs with emotional captions (e.g. this one translated here by forayuarchive) that emphasize how much both LLH and FDB mean to one another. Another official MLC douyin calls LLH & FDB the person each other trusts the most.

The MLC clips posted by the official Guangdong TV weibo account also has captions such as these (translated by rice_jpg) that straight up describe FDB's feelings towards LLH as "when you like someone" (very similar CN phrasing as the phrasing used to describe romantic crushes).

7. They are subtly paralleled with a canon straight romantic couple (see fanqxiaobao's twitter thread on the parallels btwn LXY/QWM scenes and certain LLH/FDB scenes). MLC also made a distinct change from the novel by not having FDB get married to Princess Zhaoling, even though the drama could have easily given FDB a romance with her.

8. If you're familiar with chinese romantic tropes or the danmei genre, LLH & FDB fit many common romantic tropes e.g. sharing a drink on the rooftop under the moonlight, forgotten first meeting in childhood (and then meeting again properly as adults), power couple fighting side by side (they even held hands!), nianxia, protective younger ml, sickly older mc - just to name a few. Danmei even has many stories of shizun/shifu & disciple pairings who fall in love as adult equals.

There's honestly lots more but these are just some off the top of my head. Again everyone is free to interpret anything! This is just me explaining why as a native chinese speaker I personally did not read their dynamic as that of a father and son.

[dingodad]

What's the deal with the obscure cult thing

the trolls' introductions give us an outline of each troll's position in their society. we have to remember that, at the point of the trolls' introduction, the caste system was only kind of just starting to be born as a concept. gamzee's introduction on p. 2012, where we get the "You belong to a RATHER OBSCURE CULT" line, comes a whole 70 pages before we even get this exchange:

GC: SOLLUX, PL34S3 / GC: YOU 4R3 MR 4PPL3B3RRY BL4ST 4ND 3V3RYON3 KNOWS THOS3 4R3 YOUR F4VOR1T3 FL4VORS / GC: 3V3N THOUGH YOU TYP3 1N YUCKY MUST4RD / GC: WH1CH 1S W31RD >:\ TA: maybe there ii2 more two me than you thiink. [...] maybe ii ju2t want two giive the red and blue thiing a re2t for a change and not make iit 2o iit2 liike, oh look iit2 that prediictable fuck wiith tho2e two 2tupiid color2, iit2 amaziing how much everyone fuckiing hate2 hiim.

of which Hussie has this to say in the published commentary (Book 4, p. 101):

Terezi says it's weird that Sollux types in yucky mustard, even though his "favorite colors" are red and blue. It's really not weird at all, considering literally everyone in his blood class types in that color. But this idea may not have been fully locked in yet as an ironclad canon fact. While Hivebent continuously provides the scoop on what the facts of this culture are, it is simultaneously exploring certain nebulous ideas before fully committing to them. This is a very good strategy when it comes to improvisational worldbuilding.

when Gamzee's cult is described as "obscure", it makes no sense to interpret this as meaning "obscure within his caste", because the caste idea wasn't even fully formed in the author's mind at that point in time, let alone the reader's. what that line is saying is that Gamzee's cult is obscure within his society. and everyone seems to ignore the very sentence after that comment, which says exactly what i'm saying, almost explicitly:

The beliefs of this cult are SOMEWHAT FROWNED UPON by those dwelling in more common lawnrings.

Gamzee's beliefs are strange to commoners. the very clear implication being that among the upper echelons of Alternian society, being a juggalo isn't that frowned upon at all! sometimes Hussie leaves things unsaid about the world of Homestuck because they're not important or to deliberately leave them up to interpretation, but quite often things go unsaid because when you read between the lines they really should speak for themselves. the fact that Alternia's upper castes are more and more uncommon is one of these things (but to drive the point home, there's this comment from Formspring: "lower classes must be much more copious than higher classes. The lowbloods die off much more quickly, and so must be spawned in greater numbers.").

it's odd that this particular "obscure cult" line has become a sticking point, because Kanaya's intro does the exact same thing when it describes her as "one of the few of [her] kind who can withstand the BLISTERING ALTERNIAN SUN, and perhaps the only who enjoys the feel of its rays." we all seem to understand that this isn't claiming daywalking as a unique power of Kanaya's, but merely hinting at the fact that Kanaya is part of a rare caste with that ability. I guess many don't make the comparison because Gamzee's caste is never explicitly singled out as a rare one?

from there, what limited background we do get on the Alternian regime hammers home the point. "subjugglator" (this has the word juggalo in it. a lot of people try to get out of this one) and "Highblood" are used as functional synonyms in Scratch's intermission:

p. 4054: The highbloods were livid over the unprecedented heresy, and soon, a massive sectarian war followed, spreading across the planet and throughout the galaxy. The conflict was lopsided of course, with the Highbloods given full support from the Condesce and her sea dwellers. p. 4063: [the Condesce] could use her leverage to delegate oppression to the subjugglators, whose unique abilities and exceptional brutality made them natural enforcers. They too would delegate in their governance, exploiting the pride and loyalty of dangerous bluebloods beneath them...

the fact that the guy literally called The Grand Highblood is a massive clown is basically garnish; but the fact that the word Highblood with a capital H, even outside of the context of Gamzee's ancestor, was basically used exclusively to refer to purplebloods in the comic seems to have been largely forgotten. this only continues into Act 6, even when a lot of the fandom's misconceptions and reconceptions of the lore started to seep into the comic proper:

You're not really up on Alternian history, but apparently at some point the empress got fed up with the Subjugglators' stranglehold on the soda market, and released a drink that was said to be more loaded with sugar than even the wicked elixir itself. The Highbloods considered such marketing reports to be blasphemous lies, however. (Act 6 Intermission 1, part 2)

emphasis all my own, to make clear that basically no distinction is made between Highbloods as a political institution and the subjugglators as a religious authority. but really, Act 6 is when the whole clown thing should have started to become really obvious, anyway, with lines like "There was this sense that [the Condesce] just loved the idea of delegating the extreme subjugation of the world's population to a pair of demented clown rappers" and the increasing inescapability of Lord English's influence on the story only entrenching that the presence of these juggalos on Alternia had real significance and was not some one off joke.

years ago when it was at its peak, the idea that the subjugglators "were only ever meant to be an obscure cult" seemed to me to have originated among troll enthusiasts who dropped off the comic around Scratch's takeover and didn't really care for overarching plot points like Lord English taking prominence into Act 6. but I guess now that troll discussion has started to center the design process that went into the Hiveswap trolls, the argument has circled back around into the mainstream? but basically to answer your question the deal with the obscure cult thing is that it's bogus. people wanted to make fantrolls who weren't juggaloes because what they fundamentally forget is that a race of juggalos controlling alternia is actually meant to be, and is, really fucking funny

[weenwrites]

Hi, can I request TFP headcanons (megatron, predaking and shockwave) with a gorgon medusa s/o? The reader has a human body but has snake hair and is also a very beautiful person, and does his power to turn people into stone also work on Cybertronians? (note: the reader can only activate the powers if she wishes).

✎A/N: Hi, please keep in mind next time that I only write gender neutral readers, so as such I've written the headcanons in third person.

[ Please do not repost, plagiarize, or use my writing for AI! Translating my work with proper credit is acceptable, but please ask first! ]

Megatron

He's primarily interested in weaponizing their ability against the Autobots, and the fact that their ability is irreversible is what makes them all the more powerful when compared to the likes of the most dangerous iacon relics such as the immobilizer. He's put Shockwave in charge of conducting experiments to test the limits of their abilities, and ordered Knockout to look over your physical health during and after the experiments.

He's paid little attention to human culture and folklore, so he doesn't know of the Greek myths surrounding gorgons unless they've explicitly told him. But the most fascinating thing he's heard from these myths is how Perseus was still able to utilize Medusa's petrification abilities even after her beheading. Now, he doesn't take these myths as truths, and he swears by his very spark that they will come to no harm, but he still keeps it in mind.

Predaking

He's rather fascinated by their non-human appearance. Of course they still retain quite a lot of human features, but their hair is something unique. He never knew that it wasn't considered normal to have living snakes in place of hair, but then again he doesn't have much experience with humans in general.

Regardless of whether they're cold-blooded like a snake or warm-blooded, there's no denying that his naturally warm plating isn't nice to cuddle up against. He's good at regulating his own temperature as well, to ensure that his plating isn't scorching hot to the touch or uncomfortably chilly.

If they feel any sort of alienation from other humans, he can vaguely relate with that feeling too. However, he doesn't feel any negative feelings as a result of the stark differences between him and a "normal" cybertronian. His predacon heritage makes him proud, it sets him out as unique, stronger, and better than the others in his eyes. So the way he sees it, with your superior abilities, you're better than other humans.

Shockwave

Their ability would prove most useful against the Autobots, as soldiers on the field naturally try to broaden their view of the enemy whilst remaining concealed themselves. Primarily, his goal is to understand how their ability works in order to replicate it in weapons himself.

Why does their gaze initiate the petrification process? How does the petrification progress? Is there a way to reverse the petrification process? He doesn't notice any visible source of water permeating the flesh and replacing it with dissolved mineral deposits, and he's had them petrify animals time and time again for his own observation. He's cut the animal open and snapped limbs off the animal as it was being petrified and swiftly moved to observe the progression under a microscope, yet it progresses too quickly on such a small animal for him to properly observe and document the way it functions.

As such he's decided to upscale his test subjects to larger and larger animals in hopes of observing it better, and to gauge and possible limits to their ability. But don't think he's forgotten about his primary subject. He'll observe them over time, taking note of any little detail he notices to ask if it's a repercussion of their abilities later. He's even gone so far as to have Knockout hook them up to medical equipment to observe various factors surrounding their physical health, however it's not primarily out of concern but rather its in order to observe what happens within their eyes or body in general to trigger the petrification process.