#it's probably not the writing

[roseofnohr]

the only thing worse than writing really is not writing

[inkskinned]

please i love you i'm begging you bring back suspension of disbelief bring back trusting the audience like. i cannot handle any more dialogue that sounds like a legal document. "hello, i am here to talk to you about the incident from a few minutes ago, because i feel you might be unwell, and i am invested in your personal wellbeing." "thank you, i am unwell because the incident was hurtful to me due to my childhood, which was bad." I CANT!!!!

do you know how many people are mad that authors use "growled" as a word for "said"? it's just poetics! they do not literally mean "growled," it's just a common replacement for "said with force but in a low tone." it's normal! do you hear me!! help me i love you please let me out of here!!!

[tanjir0se]

Disclaimer these are just a small sampling of some possible writer traits I’ve noticed either in myself or in fics I read. Also consider a rb for sample size !

[mischievous-thunder]

That's the way gays find their multiversal true love

[nonebinary-leftbeef]

DEVASTATING the lyric you've been mishearing is better than the real one

[football-in-tuxedos]

What's distressing, but also important to understand, about JK Rowling hitting the "Denying trans people were targeted in the Holocaust" point is that it's kind of the last stop before she just goes full alt-right weirdo.

Joanne is denying the Holocaust (if a group was targeted, denying they were targeted is Holocaust denial) and that's going to lead to pushback from historians and experts. But Joanne is too deep in to believe what anyone who disagrees with her says, so she's just going to dismiss what those historians and experts tell her. And once she's disbelieving them about that one thing, well it's just a tiny step to start disbelieving them about other things.

This isn't by accident either, transphobic circles are swarming with far right agitators, ready to use hatred of trans people as an in to recruit people into their causes. They have handbooks for this sort of thing and they are, unfortunately, good at it. I suspect Joanne will be spouting coded versions of Great Replacement stuff by the end of the summer.

This is not a plea to try and pull Joanne out. She's too deep in, and even if she wasn't, she's already demonstrated an inability to examine her own prejudices, an unwillingness to hear criticism and a weakness to flattery. She is perfect recruitment bait for people who know what they're doing, and my impression is she's surrounded herself with people like that.

No, this is to understand two things: First is to use her as an example, to understand how a well meaning liberal can chase their own prejudices down a very dark rabbit hole. We are none of us immune to propaganda and even if we can't change what's happened to her, we can at least use it to protect ourselves.

And second is to understand that one of the main reasons you can't pull Joanne out of the transphobic pipeline is cause she is the pipeline now. She is the transphobic banner bearer now, she is funneling money and attention to these groups, she is their most famous celebrity and she is helping recruit people. Being able to show people how far she's gone, how deep into the right wing rabbit hole she's going, is important to help other people who still think she just "Had some concerns" know where her path leads.

[tossawary]

This is petty fandom salt, BUT... I've been chewing on this phenomenon that I've been calling "Fandom's Darling". It is related to things like "Author's Darling" and "Mary Sue / Gary Stu" and "Protagonist Halo" and all that jazz, where one character gains a peculiar narrative weight in a story.

"Author's Darling" is when a writer has a favorite character, and the world and all other characters sort of get... warped to put the Darling in the spotlight. It's most noticeable in TV shows with multiple writers, when a character you personally like suddenly has their previous characterization destroyed to make another character look good somehow. Every other character might become weirdly incompetent. The Darling's feelings are treated as The Most Important Feelings in any given situation. The logic of the fictional world seems broken past suspension of disbelief in order to validate this one character's beliefs or skillset or some other fantasy. And so on.

"Fandom's Darling" is what I've been calling the pattern where a fandom essentially crowns a New Protagonist for their fanfiction stories (it's often a side character rather than the original protagonist, but it can also happen to protagonists). This character becomes the self-insert for all sorts of indulgent fantasies, gaining special powers or backstories, and/or becoming the focus of extreme whump, and/or hooking up with all the various hotties, starring in all sorts of tropey AUs, and so on. They're not always an obvious Mary Sue version of themselves, but the character's original personality and interpersonal relationships tend to get warped or dropped completely, and other characters tend to become a little flat around them. I call it "Fandom's Darling" because it's not just one self-indulgent fantasy fic (you do you! Have fun!) with characterization choices that I don't vibe with (I have neither the time nor the desire nor the authority to police anything, I am just venting), but rather a prolific mini-fandom of sorts revolving around this empty doll / fanon version of the chosen vessel character, so it becomes a little unavoidable.

I am salty about this (mildly frustrated) (imagine a soft sigh of disappointment before I just go do something else) because you are FUCKED if you actually liked the canonical version of this character and their interpersonal relationships. It's almost worse than liking an obscure character that no one cares about. There's about a thousand fics starring your fave, but maybe only about a dozen of them are actually rooted in any kind of recognisable canon.

[so-you-read-the-usernames]

Female characters who are the sole voice of reason <<<<<<< Female characters who think of themselves as the sole voice of reason but who are actually just as insane as those around them

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[magulon]

adjusting to life on the surface

[blanc-ci]

Captain!! Saying stuff like that only enforces that mindset!!!

[wonkyjaw]

Quilt update. This is split somewhere in the blues and I have to sew that together and then I have to add one more yellow row to the top. Then the quilt top is finally, finally done.

[umblrspectrum]

i love learning cursive just to write text for exactly one character

[corkinavoid]

DPxDC Summoning Failed Successfully

Imagine a warehouse. Imagine a bunch of cultists in dark robes with all the candles, daggers, ancient books, and chanting. Now add Danny.

Only not as the summoned being, no. As a sacrifice.

He is sitting down, tied to a chair, in the middle of the summoning circle, looking as bored and deadpan as he can possibly be. The cultists are chanting, and he frowns, listening to their chants for a moment.

"Hey, is that Latin?" He questions, but to no avail, "You know you're not actually using those words correctly, right?"

"Keep quiet, child!" One of the cultists snaps. Danny leans back in his chair and shrugs.

"I'm just saying, you ain't summoning shit with wrong grammar," he huffs, seemingly absolutely nonchalant about the whole thing. Oracle, who is watching the whole ordeal through the surveillance cameras, raises her eyebrows. Red Robin and Robin are already en route to the building the cultists chose for their extracurricular activities, but now she almost wants to watch this a bit longer.

Gothamites are pretty used to all kinds of shitshows, but this boy is from out of town. She checked him through facial recognition. Daniel Fenton, a transfer student from Amity Park, Illinois.

A few more cultists stop chanting and turn to Danny.

"Do you know Latin?" One of them asks, and the boy makes a half-nod, making a thoughtful face.

"Not fluently, but, like, it's a dead language, I felt kinda obligated to learn it. Just for the meme, you know?" He chuckles.

The cultists, judging by their confused silence, don't know. Barbara doesn't know what he's talking about, either. But she is almost curious now, so she taps Robin's and RR's comm lines:

"RR, Robin, when you arrive, don't jump into the scene," she asks.

"Understood," Tim answers immediately, but Damian, of course, demands explanations:

"Is there an obstacle?"

"Not really," Barbara humms, "The sacrifice is in the process of de-escalating the situation."

She can almost hear the questioning silence over the comm, but, thankfully, no one argues. Meanwhile, one of the cultists pipes up, voice full of doubt:

"So, you can... like, proofread our incantation?"

"Yeah, sure," Danny nods, apparently fine with being sacrificed, "Who you're trying to summon anyway?"

"Satan," that same cultist answers, and Danny laughs approvingly.

"Classic," he nods and smiles, "I'll give you this. The circle is mostly alright, so you don't need an incantation to summon the fucker, I have him on speed dial." And with that, he leans forward, screaming towards the floor: "Ey, Satan!"

Barbara must say the act was actually convincing, but he went a little overboard with it now. She reaches to tell both Robins to get in, but suddenly, a loud, booming voice reverberates through the building.

"The fuck do you want, kid?"

Cultists fall to their knees - it doesn't seem like an act of worship, more like their knees bucking. The whole circle dimly lights up in red, smoke raising from it.

"Do you see this shit, Oracle?" Red Robin questions, and she mhm's at him, not sure what else to say. If this is still an act or a trick, she must say it's a very good one. Although somehow she suspects it's not a trick. She's seen enough magic in her life to tell the difference.

"Do you want to come to Earth, be gay and do crimes?" Danny asks, almost mockingly.

"Fuck off."

The red light flickers and disappears, and Danny looks back up to cultists, grinning cheerfully.

"Welp, looks like he doesn't wanna," the kid concludes and stands up from his chair. Barbara hadn't seen when or how he got out of his bindings.

The cultists just watch him walk out of the circle in bewilderment.

"Pursue?" Robin's voice comes over the comms, and Barbara thinks for a moment.

"I get a feeling like that's a bad idea," Tim mutters over his line.

Barbara agrees.

[simonbrain]

going to town on yourself after a long, gruelling week of work, legs spread and your face all fucked out as the vibrator between your legs buzzes deliciously against your clit. you were using the sheets to cover yourself, but they're all soaked; oh well, it's getting stuffy anyway. best to kick them off to avoid overheating.

you're so caught up in chasing your fourth orgasm that you don't realise in the fat ass window that grants you a beautiful view of the city are two men standing on top of a suspended platform, looking right at you. the one with the mohawk gawks, his mouth hanging open, maybe even a little bit of drool seeping down as he eyes the mess between your thighs. the bigger one wearing the black disposable mask sucks in a breath, his jaw clenched as he catches sight of your pretty pink tongue sticking out of your mouth.

your glossy eyes blink open; you're so fucking close. all it takes is your focus darting over to the window where those men are intruding on your privacy, and suddenly you're squirting, eyes rolling to the back of your head as you experience the most intense orgasm in your life.

(the two window washers are still staring at you when you take a peek at them, unmoving. their intense gazes manage to snap you out of your daze, and you feel around for the remote to roll down your electric blinds before you hide your face in a pillow, your stomach still fluttering.

good luck trying to go outside to run your errands later on; you don't even make it into your car before you're cornered by the same two creeps in the car park.

maybe you should have closed the blinds before you started. oops.)

[skellydun]

absolutely love reading such a well-written story and falling a bit in love with the author based solely on the way they write. like baby the way you italicize words makes my heartbeat quicken.