#it's not as easy to do that in a show that switch pov and therefore gives you a more neutral view of the events | Explore Tumblr posts and blogs

slasherholic · 5 years ago

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(psst... did someone say Mikey whump? guys I think someone said Mikey whump…)

Frisky February Prompt: Electricity~ (yes it’s 15 days too early shush) @slashthedice

synopsis: Michael gets served up some nasty, nasty revenge by someone who really, really has it out for him.

warnings: torture in a medical setting, sexual assault, mikey has a bad time ok

foreword: the opinions expressed here by the POV character about certain sensitive topics in no way reflect my own beliefs <3

No Faith in Medicine | Michael Myers x Reader | NSFW

The hospital corridor is long and grey and stretches onward toward a single bolted door, labeled by the rectangular sign hanging above it as Therapy Theater No. 5.

This deep within the bowels of the sanitarium, below the patient wards and the enrichment centers and the checkered courtyard, there is hardly any of the familiar clamour; so as you stride closer to the door the clack of your bootheels over the beige linoleum carries like thunder.

Smith’s Grove was never the sort of place you had pictured yourself ending up during all those sleepless nights studying for your Ph.D, and truthfully, you can’t stand it here. The deliberate blandness of the hospital, with its color palettes limited to inoffensive whites and blues and greys—meticulously designed so as not to provoke its residents—wears on you more than anything else.

You feel like you’re suffocating here; but it doesn’t matter.

This job was never about you to begin with. It was never about some commendable interest in the healing of troubled minds, either; oh-no. There are two-hundred-and-forty-nine permanent patients living inside these sound-proof walls, and while it may not be a very doctorly thing to admit, you don’t give a rat’s ass about two-hundred-and-forty-eight of them.

...and as for that last “troubled mind,” well…

The breezy summer afternoon that Michael Myers was sentenced to life imprisonment exists in your head as vividly as a snapshot picture.

Almost as vivid is your memory of the Halloween that a policeman had come knocking at your front door to inform you in a strictly-business-voice that your sister was found dead in her kitchen, her throat slit open from ear to ear.

You remember watching from your couch as the gavel came down and the judge ruled the man who had taken your sister’s life away as criminally insane—and not responsible for his actions on that fateful October night—and therefor not legally a candidate for the death penalty.

You remember the burning, frustrated tears streaming down your face, the shatter of glass as you hurled the remote at the television screen, and then sinking down in a heap on the floor and screaming until your lungs were raw and your voice was in tatters, because it wasn’t fair, wasn’t fair, wasn’t fair.

So when the news came out that Myers was to be transferred back to Smith’s Grove—hardly a forty minute commute from your own house—you had been out the door that very same day, speeding in your car down the highway, ready to accept any available position the Sanitarium would offer you for your credentials.

It had been your one shot at revenge on the sick, evil fucker who had ruined your happiness; and you were prepared to move heaven and earth just to bring Myers hell.

It had taken eight months before you even laid eyes on the man for the first time.

You’d landed yourself a patient therapy position, but only had the clearance to treat patients who fell under the “medium” and “high-risk” categories. In the entire hospital there were only two patients who fell under the third and final category: a spitting lunatic of a man, who couldn’t be safely approached without first being drugged half-asleep with antipsychotics...

...and Myers.

You had possessed the patience of a saint, climbing through promotion after promotion.

And the very minute that you were handed back a fresh copy of your I.D, now with a little red stamp at the bottom, the stamp that meant you were cleared to work with Myers, you had raced down to the front desk to file your recommendation for treatment.

Three days later, after hours of debriefing by Dr. Ashton, Myers’ new court-assigned psychiatrist, you came face to face with the worst criminal the sanitarium had ever known.

You had seen Myers’ face pictured in black and white on newspaper articles and in fuzzy low-definition on T.V.

And absolutely none of that could have prepared you for witnessing him in the flesh.

The thing that had startled you most when you were led by Dr. Ashton into Michael’s barren, cramped room—the thing that practically had you reeling when your eyes fell on the motionless figure sitting on the cot in the corner, chained at the wrists and ankles by a metal link fastened to the floor—the thing you still despise yourself for thinking—

—is that Myers was jaw-droppingly, stunningly handsome.

His were the kind of ethereal good looks that you might expect to find in some renaissance painting, or a Grecian statue, or a fantasy book.

You had stood staring across the room at the motionless young man, drinking in all the features of his vacant, pretty face; overcome by complete and total disbelief that this was actually the person responsible for all your grief.

And the very next second, that disbelief was shattered like a dropped vase; when you looked into Myers’ stare.

It brought down the temperature in the room like a cold-snap. It was not directed at you, only at the floor, yet it had you shuddering anyway, had all the hairs on your arms standing straight up. It was not a lights-on-but-nobody-home sort of gaze, the kind you were expecting from how Myers had been described by his former psychiatrist. His face was blank, yes; that was accurate enough.

But his eyes, they were the furthest thing from it.

Michael Myers had the eyes of a ruthless, calculating, viciously deliberate predator.

The longer you had stood there, gawking at Myers as if he were a tiger in a cage, hardly listening to Dr. Ashton’s rambling about his admiration of your interest in his patient’s treatment, the more you became aware of the charge crackling in the air; like the moment in a thunderstorm just before lightning rips through the sky. It was as if every fiber in your body could sense the danger radiating from this man; you could all but see and smell the invisible blood staining his hands.

It had turned your vision into a seething cloud of red.

Here was a murderer—the worst kind of murderer, who was perfectly, undoubtedly aware of his crimes, a fact you could tell from just his eyes—who carried in his heart not a single shred of remorse for the lives he’d ripped away. Who, when he was unable to kill, had resigned himself to sitting and anticipating the day when he might once again have his hands around a warm throat, the day when he would pick right back up where he left off and take another life as carelessly and thoughtlessly as one snuffing out a candle.

And this man had been allowed to keep breathing.

You think of all these things as you reach the end of the corridor and swipe your I.D card on the door to Therapy Theater No.5. Hidden locking mechanisms whirr and click open.

You place your hand around the cool metal handle. For a moment, you just stand there. Feeling your pounding heart in your chest.

It pounds not because you are fearful; you don’t care if you get caught because of what you are about to do. You don’t care if you get fired, or if you get your license taken away, or even if you go to jail. Those are the most trivial, unimportant things in the world. No. Your heart does not pound for those reasons.

It pounds because, finally, there will be justice.

Finally, the evil son-of-a-bitch who slaughtered your sister is getting what he deserved all along.

And you get to be the one to flip the switch.

You turn the door handle and step into the room.

Therapy Theater No.5 is bathed in bright fluorescent light and smells strongly of antiseptic and sterilization. Three people are already in the room: two armed guards, who nod in acknowledgment at you when you enter.

And laid out at the center across a white padded table, dressed in a pale blue hospital gown, strapped tightly down at the wrists and ankles by hospital-grade cuffs, looking up at the ceiling as if utterly uncaring, motionless save for the rise and fall of his ribs—Myers.

A nurse had come in before you to prepare the room for treatment. The therapy you’re meant to be administering is simple and painless: electrodes are fixed to the patient’s body and a weak electrical current is passed through, stimulating choice muscle groups—and in more recent cases, even parts of the brain.

You had emphasized that part specifically in your pitch of the therapy to Dr. Ashton, referencing a study which showed how violent tendencies could be soothed in patients who underwent the treatment.

And no, you’d reassured him, it was nothing like electroconvulsive therapy.

The electrical current used in E.S.T is never strong enough to induce seizures. The only thing the subject feels is a mild, if not pleasant, buzz...

·…or at least that’s how it’s meant to be administered.

Tampering with the wattage of the machine had turned out to be laughably easy. A few snipped wires here, a few crunched numbers there, and now the bulky device sitting atop the roll-around table beside your “patient” can deliver a shock nastier than a taser with every throw of the switch.

It’s not strong enough to stop a human heart (god, you wish.) But it is enough to make Myers hurt.

Enough to make him writhe on that table.

Maybe even enough to make the heartless bastard feel something for a change.

You thank the guards before dismissing them. They leave the room but you know they won’t go far; no further than right outside in the hall, waiting through the entire session with their hands on their batons in case Myers gets out of hand.

Their security would be a welcome thing, if you were actually about to /treat/ Myers instead of torturing the living daylights out of him. But now, the guards are just another problem in need of a solution.

Though you are almost confident that Myers will retain his silence throughout the ordeal—that he’ll uphold his veil of distance and aloofness and total lack of care with the stubbornness of an ass—you’re not about to bet your shot at justice on it.

That’s what the ball gag in your coat pocket is for.

Reaching down to check that it is still there, excitement swells in your belly as your fingers graze the black silicone.

On the table, Myers is still motionless. He doesn’t tilt his head to regard you. He pays you no attention at all, in fact, as if you aren’t even there to begin with. Never do his steely eyes move from their fixed place on the ceiling light hanging above him.

As you walk up to the roll-around table, plucking a pair of latex gloves from a box stashed on the shelf beneath before snapping them curtly on, for a reason that you can’t put into words, you find yourself hesitating to look Myers in the face.

It doesn’t matter that he’s restrained; it doesn’t matter that there are two armed and capable guards standing watch right outside. Despite both these things, that vitriolic, charged aura you had felt in his cell still surrounds him now, polluting the room, hanging like a storm cloud over your head.

It’s as if some submissive animal instinct has gripped your brain and now screams warnings at you: Predator. Danger. Don’t look it in the eye. Don’t provoke it.

You do your damndest to dismiss the feeling as nerves.

In a little white tray next to the E.S.T machine sits a filled syringe; a sedative. Dr. Ashton has insisted on it to better ensure your safety, as well as Myers’ cooperation. In the psychiatrist’s exact words:

“These days Michael is, ah, fussier about this kind of treatment—you know, the kind they gotta bring in the guards for, the needles, the cuffs, the whole nine-yards.

It’s a theory of mine that, after living with the sort of power Michael did, the loss of his own control doesn’t sit as nicely anymore. He doesn’t like it. And he’s not afraid to let us know just how much he doesn’t like it.”

Fussy. That was the word Ashton had used to describe Myers.

It had taken every shred of self-control you possessed not to scoff in the Doctor’s face at that; as if the man laid out before you now were some sort of stubborn, overgrown toddler, and not a remorseless, murderous psychopath.

You don’t spare the sedative a second glance as you unravel the bundle of wires and nodes connected to the E.S.T machine; Myers is going to be awake to feel every goddamned second of what you do to him.

Only after you’re finished with him will you finally send him under.

You can picture the conversation with Ashton now: Yes sir, the sedative worked like a charm, he was out like a light the entire time; no sir, no complications at all.

You take your time setting up the machine because you’re still hesitant to even look at Myers, let alone touch him. But when the wires are all connected, the red power button flashing idly in standby, there is nothing left to do except attach the electrodes.

You force yourself to look him in the face as you approach. You should not be afraid of this man; you should resent him, should despise him, but should not fear him. He doesn’t deserve to hold that sort of power over you, or anyone else, ever again.

So you look.

Michael is still watching the ceiling. According to his eyes, he does not acknowledge you.

But just from how the hair on your nape stands on end you know you’re being watched.

Myers is regarding you coolly in his periphery with the curiosity of a feline, feigning detachment and disinterest; but the weight and pressure of that penetrating gaze could not be more obvious if it were a ton of bricks coming right down on your head.

With a deep breath to rein in your resolve, you reach down, your fingers working to undo the first knot on Myers’ hospital gown.

Quickly, you discover that it is one thing to look at Myers; to feel for yourself his ruthless awareness, the raw intensity of his presence.

But to touch him is another thing altogether.

He draws a breath of his own as you fidget with his gown, his strong rib cage expanding beneath your fingers. You shudder at the sudden pressure of his body; whether out of disgust, or anger, or some fucked up fascination, you aren’t sure.

After undoing the ties on both sides, you lift the front of his gown up and off—

—and find that Myers is totally naked underneath.

Standard hospital procedure for a therapy like this one. Nothing new.

But it’s different when the patient looks like this.

You hate yourself for ogling him. You detest the way your eyes rove across Myers’ body, lingering on all the features that your lizard-brain decides it likes; from the stark tendons in his neck to his sharp and angular collarbones, from his broad, rounded shoulders to the beautiful definition in his abdomen, and down even further than that before you can stop yourself.

To the V of his obliques—to the trail of curly brown pubic hair on his pelvis—and all the way down to his flaccid penis.

You snatch a towel from the roll-around and drape it hurriedly over his hips. Not for the sake of his modesty; just so you don’t have to worry about your eyes straying down to the cock of the man who murdered your sister.

As far as the placement of the electrodes on his body, you honestly haven’t given it much thought. It seemed like the sort of thing that would come to you like an epiphany, as if suddenly, in the moment, you would know exactly where to hit Myers to really make him suffer.

But no such epiphany comes. Oh well; you have an hour to experiment.

Grabbing the two nodes off their holders, you run the wires across his chest and press the little round circles down flat against his pectorals.

When your gloved fingers graze Myers’ skin you nearly jerk back your hand, startled. The man is hot like a stove.

Your medical fascination is instantly piqued—Myers must have the hottest resting body temperature you’ve ever encountered. You have to force away intrusive thoughts of sticking a thermometer in his mouth to see that number for yourself.

Focus.

Tugging up on the wires, you test the integrity of the node’s suction. They don’t budge from his chest, lifting his skin with them as you pull. Perfect; It’s nearly time.

Now for the gag.

You just have to cross your fingers and pray that you can actually get it in his mouth.

Looking Myers in the face a third time proves to be no less jarring than it had been the second or the first. You’re just relieved that even after all your poking and prodding he is still pretending not to be interested in you, or in the things you’re doing to his body.

You clear your throat before speaking to him because you don’t trust it enough not to crack.

“Open up,” you command him, mustering every authoritative bone in your body and sounding very official even to your own ears.

Removing the gag from your pocket, you hold it up as if to show him, taking care to conceal the black silicone ball with your hand.

“Mouthguard.”

You doubt that Myers has seen this sort of gag before. Or that he even knows what a gag is. Still, you’re not taking that risk. If this doesn’t work then you’re going to have to drug him just to get the damn thing in place, then wait for him to sober up again—a colossal waste of time.

For a tense second, Myers does not respond to your command. He just lays there on the table, inhaling and exhaling, looking incredibly bored with you, with his nakedness, with the electrodes strapped to his chest.

Your jaw goes tense. You nearly repeat yourself.

But then, he opens up his mouth.

Beneath the harsh overhead lighting his teeth gleam wetly. You suspect immediately that he’s going to try and bite your fingers off the second you get too close.

Game on, fucker.

From the shelf below the roll-around you snatch up a small blotting rag. Walking around to stand at the head of the table, you gaze down at Myers again.

“The strap goes underneath.” You inform him. “I need you to lift your head up.”

He does.

And you strike. Faster than you had thought yourself capable.

You drape the rag over his eyes so that he can’t see what’s coming. Thrusting the gag hard into his open mouth, you wedge it firmly between his teeth. In the corner of the room, Myers’ heart monitor spikes suddenly, the electronic beeping speeding up momentarily—a sound that has you beaming with pride.

You’ve actually managed to startle him.

As you clip the strap into place around the back of his head, a strange sense of accomplishment floods your body—you’ve done it. You’ve actually done it. Everything is ready.

Every sacrifice you’ve made in these past eight months, every hour spent in this godforsaken hellhole, it was all worth it just to bring about this single moment.

The moment is made only sweeter when you rip the rag away from Myers’ face.

Oh. Now you have his attention.

Those pale eyes are looking straight up at you. Considering you with the cutting gaze of a hawk. Working out the situation.

You glare right back down at him. You stare deep into his eyes, the triumphant fire now raging in your chest burning hotter than the ice in his stare, more furiously than all the danger—and you find that you are not afraid of him anymore. Like this, Myers is nothing. He’s not a boogeyman. Not a phantom. He’s just a man—stripped of all his mysticism. Strapped to a table. Naked. Gagged.

Powerless.

Just as powerless to stop what you’re about to do to him as each and every one of the people whose lives he took away.

“Hello, Michael.” You hold his fierce eye-contact as you speak. “Ten months ago you broke into my sister’s house and murdered her.”

Myers doesn’t blink. But neither do you.

“When they tried you, you were supposed to leave that courtroom a dead man walking; you were supposed to die. That's how our justice system works—when you do the things you did, you don’t get to keep on living.”

Nothing changes on Myers’ face as you speak. Nothing changes in his eyes. Not one molecule in his body has an atom of care to give about the words you’re saying. He breathes around the gag, his heart monitor beeping slow and steady.

“I don’t give a single fuck about what that judge said,” You continue. “And I don’t care how sick in the head you really are. You knew exactly what you were doing that night. I can see it in your eyes, Myers—you loved every fucking second of it. And that’s the only thing that matters.”

You draw a long breath. One that you hold in your lungs before letting slowly out again.

“You’re the evilest son-of-a-bitch on this entire fucking planet; and you deserve to die.”

Walking over to the E.S.T machine, fighting back with tooth and claw against furious tears now threatening your eyes, you place your finger over the power switch.

Myers watches you; and you notice something flicker to life in his glacial eyes. Not an emotion. Just a realization.

Good. He understands now. He understands what you’re about to do to him.

“Someone has to make you pay. Someone has to.”

Michael just stares. Watching you. Watching your finger on the switch. His pulse on the monitor ticks as leisurely as if he were about to fall asleep.

“And guess what, you sick fuck?”

Still staring—not blinking—breaths coming slowly.

“I’m so fucking happy that it’s me.”

You throw the switch—

—the wires crackle with live electricity—

—and all of Myers’ deliberate, calculated control is shattered like a dropped glass.

His body seizes. His eyes snap shut. His fingers curl into fists that turn his knuckles whiter than the table beneath him. The tendons in his neck and forearms jump out, straining beneath his skin. His heart monitor beats erratically, the little green line on the screen spiking sharply, racing out of control.

Your eyes are glued to the grisly scene. You devour each and every involuntary reaction, relishing in the complete and utter breakdown of his control.

Fifteen gorgeous seconds pass before you remember that you were supposed to be counting to ten. Whoops. You might be frying his brain into an unfeeling stupor at this point. You flip the switch off in an instant because you need him awake, aware.

Myers’ back falls flat against the table, the current cutting off as abruptly as it began. The muscles in his chest continue to contract and seize beneath his skin long after the electricity is gone; you count the spasms as they tear through his pectorals like sets of waves.

When the spasming stops, his chest heaves up and down, winded. His breaths around the gag come heavily. His eyes are still shut; but no longer are they /squeezed/ shut.

For a moment, you really think that he’s passed out.

Then his eyes twitch beneath their lids and flutter open again. Blinking. Focusing—

—flitting right back on your face. Right back to the spot where he had left them before the current forced them shut.

Myers’ eyes are devoid of care. He is entirely unperturbed by what has just happened to him; entirely unthreatened. But now, that murderous intent—the charge which until now you’d only felt in the air around him—is written in his stare as plain as day.

I am going to kill you, says Michael’s gaze, as nonchalant as if he were stating some trivial fact about the universe, like water is wet, or the sky is blue.

It makes your blood boil.

Adding insult to injury, the speed at which Myers regains control of his body is nothing short of infuriating. You fume as you watch the way his breaths level out again, the beeping from his heart monitor falling back into the former slow, rhythmic pace.

You feel as though you should say something to him; like you should retaliate to this defiance in some way that isn’t staring, because you’ve already lost that battle; you cannot possibly hope to match the severity of Myers’ gaze.

But you don’t.

In your heart of hearts you know that your words will go right through his skull, unheard. There is only one language that Myers understands; only one language that he can comprehend down to his marrow. So you’ll speak it to him.

Without wasting another breath, your fingers find the power switch again. And those defiant eyes of his snap shut a second time.

When you shut the current off the results are the same as before; Myers is heaving on the table. But he takes back his control just as quickly, his stoicism prevailing.

By the third time however, his breaths have begun to linger in their heaviness—

—by the fourth he draws them as shallow as a winded sprinter running a race—

—by the fifth, the intervals between the violent seizing-up of his body are too brief for him to catch his breath—

—and the way he now gasps around the obstructing gag, fighting and failing to suck in air past its silicone, his nostrils flaring rapidly to compensate, is the most beautiful display of desperation that you have ever witnessed.

The sixth time you throw the switch, Myers actually does pass out.

When the current stops his body loses its tension with the abruptness of a cut wire. You wait impatiently for him to open his eyes again with your finger lingering over the switch, preparing to meet that steely gaze with another brutal jolt of electricity.

You wait; and Myers’ heart monitor chugs away like a freight train going up a hill.

Still waiting… waiting...

...and nothing happens. Myers is out cold.

The contentment now pulsing through your veins is what you imagine a shot of heroin feels like. Snapping on a fresh pair of gloves, you walk up to the side of the table to admire your work.

The first thing you notice is the sweat. Myers’ body is drenched in it. It beads up on his chest and clavicle, on his biceps and shoulders, on his brow and cheeks, the skin there flushing a shade of stark, exhausted pink. Gorgeous.

Your eyes travel down his body to continue the examination; you stop at his hands.

Myers’ hands are bloody.

Crescent-shaped cuts litter the skin of his palms, marking the place where his own blunt fingernails had dug in uncontrollably, over and over and over again. The fresh blood streaks in little rivulets down his hands and pools on the white padding of the table beneath.

You chew the inside of your lip as you stare at the mess; these cuts might be tricky to explain away. You’ll have to gauze them and tell Dr. Ashton that his patient did it to himself; maybe recommend that he be switched to a higher Thorazine dosage to really sell the lie.

Luckily, that’s a problem for the future. As for right now, you’re rather enjoying the irony of Myers’ own blood staining his hands for a change.

The inspection continues. Further down his body, you finally notice it; the bulge beneath the towel strewn across his pelvis.

Oh my god, he isn’t. You think, lifting the side of the towel for a peek.

And oh my god, he is.

Rather frustratingly, just like the rest of him, Myers is pretty down here, too. Pretty and big. Which is not a compliment, you reassure yourself. Just a medical observation. You let yourself stare this time, because you’re not ashamed anymore. You’re not threatened by the notion of admiring Myers’ physiology anymore.

Not when he’s so completely at your mercy.

Somehow, Myers doesn’t seem to be the masochistic type, so you highly doubt that actual arousal is responsible for this. Sheer adrenaline coupled with his frantically pumping heart are probably to blame, his brain mixing and misinterpreting the signals, resulting in this little accident.

The longer you stare down at the “accident,” the more you find yourself wondering what Myers would look like fully-erect.

You cannot rip the electrodes off his chest fast enough. Plucking the towel from waist and discarding it on the floor, you stick the two nodes down flat against his obliques, then hurry to rig up a third. That one you plant just above his penis; as close to its base as the curly dark hair will allow.

You stand with your finger ready on the go-button again, opting to let Myers’ still-racing pulse dip out of the red before you pull the trigger and plunge him back into hell. Bloodied hands you can explain away, but cardiac arrest? Not so much.

The beeping slows. The green lines on the monitor settle. You throw the switch.

Myers’ pelvis bucks uncontrollably up from the table—

—and he grunts.

The sound makes your heart sing. It is muffled by the gag, low and reverberating, not very loud to begin with. Most definitely not on purpose; just a reaction that’s managed to slip through while his barriers are down.

Myers’ groin is still quivering when you cut the current off. His cock stands upright, stiff and swollen, totally erect. A line of saliva now dribbles down the side of his mouth, trickling between the gag, collecting in a shimmering mess on his shoulder. He blinks sluggishly up at the ceiling light as if transfixed; still dazed, you would guess.

Something twisted occurs to you as you drink in the scene. Something that you can’t deny.

Seeing Myers like this—fighting for his very consciousness, struggling to retain some sliver of control—is the single most arousing thing you have ever witnessed. You want nothing more in the entire world than to climb onto this dangerous, wounded man’s hips and claim him.

You want nothing more than to give him a taste of what true powerlessness feels like.

It’s a lovely fantasy, a beautiful temptation, and a real shame that it can’t happen. You don’t feel like getting knocked up with the child of your sister’s murderer today; or ever, for that matter. Instead, you think you’ll make a game out of guessing how many more shocks will have Myers coming on his own thighs.

Striding up to the head of the table again, you plant your arms on either side of his shoulders, leaning over him, hardly ten inches from his face.

“Looks painful Myers.” You jest. “How about I make you a deal?”

Michael looks up at you. Unfocused. Blinking slowly.

“I flip the switch,” you continue,

“—and I keep it flipped until you’re covered in your own semen, and after that I jam a needle in your arm, pump you full of drugs, and you get to live out your next eight hours as an unfeeling fucking vegetable. Fair?”

You wait for Myers to do something. For your words to register in his brain. For some flicker of a response to let you know that he’s even still in there.

To your immense disappointment, Myers does nothing. Absolutely nothing. He just...

...well, you can’t even call it staring anymore.

He doesn’t seem able to manage that sort of focus, you realize, inspecting his face closer. His eyes are alarmingly barren; there really isn’t much of anything there, now. None of the ruthlessness, none of that predatory awareness, none of the murder.

You’ve actually shocked the bastard totally, one-hundred-percent out of it.

Whoops.

Back at the roll-around, you snatch up a hand light. Returning to the table, you shine it in his eyes, assessing the damage. His functioning pupil is slow to dilate. Worryingly slow. You click the light off with a contemplative frown.

Half of your mind begs whatever force might be listening that this isn’t a passing affliction, that whatever damage that’s done is done. If the courts insist on keeping Myers alive, then maybe reducing his brains to soup is what it takes to keep him docile. To keep him from hurting another living thing ever again. You can only hope.

As much as you’d love to do so, electrocuting the living daylights out of him some more isn’t likely to bring Myers back to awareness; and the session is supposed to be over soon.

You glance at the clock on the wall—

—Shit. Very soon.

You need to find out right the fuck now if you’ve just rendered Dr. Ashton’s patient catatonic.

Walking around the side of the table, you take Myers’ swollen cock in your gloved hand—trying not to think about the fact that you’re jacking off a condemned murderer—and pump hard, stroking him all the way from the shaft to the swollen tip, squeezing the head, massaging your thumb over it, rubbing all the way back down again.

“Come on, asshole,” you spit. “That can’t be all the fight you’ve got.”

Myers’ hips jerk slightly up from the table as you touch him. Probably just an involuntary reaction. You’ll need him to do better than that. Stroking him faster, squeezing even harder, you pray that the friction of your latex glove against his cock feels just about as pleasant as a rug burn.

As you watch his vacant face like a hawk you see him begin to blink harder, his eyes squeezing shut, twitching beneath their lids, staying closed for a beat before opening up again, like he’s struggling to wake from a deep sleep. A much more deliberate motion; he’s coming back to it.

“Can you feel that? Hurts like a bitch, doesn’t it?”

He breathes hard around the gag. His knees lurch up from the table, the cuffs around his ankles straining, holding him in place.

You give his cock another hard squeeze.

“Forget where you are Myers?”

His jaw goes absolutely rigid with tension.

Ah. He heard you that time. He’s back.

How unfortunate that his brain isn’t fried after all.

You can see it all coming back now as his eyes flit down, locking on your face, rebooting within him like a program on a script; the chilling intensity, the sharpness, all the things that had made your skin crawl in the days past. Despite the torture, nothing at all about Myers’ demeanor has changed.

“Welcome back.” You state dryly. “We aren’t done yet.”

As if to make your blood boil on purpose—as if the battered state of his body means less to him than dirt, as if he hasn’t spent the better part of the hour being brutally, mercilessly tortured by you—

—Myers just watches you. Damning you with his eyes alone to the same grisly demise as before.

An odd sense of something, not quite admiration, sparks in your gut. Looking into Myers’ eyes, there is one single thing that you are willing to give this monster credit for:

What sits before you is a creature that cannot be broken. One that will never be dissuaded from its primal, violent nature. To try it is an impossible task. You suspect that you could stand in this room for days, flipping the same switch, delivering the same current, knocking him to and from consciousness, and into all the states in-between.

And the result would never change. Not ever.

He’d still be looking at you with that same deadly stare. A stare as cold and sharp as the blade of a carving knife.

And it would only get more piercing.

And what a relief it is that your goal in the first place was never to break Myers,

just to bring the gates of hell down on his pretty, curly head.

And you have. You can hear it in every breath he takes; he’s struggling. Although he draws his inhales slowly, with mechanical control, the ragged wheezing in his chest is no longer possible for him to hide. Myers is hurting—he’s hurting bad.

As much as you would love to stay and twist the knife in even deeper, it's time to wrap things up. You’re all out of time.

Pulling the electrodes from his groin and thighs with one hand, you let two of the nodes dangle freely off the side of the table.

The third you stick against his cock.

“Count your lucky fucking stars that not everyone in the world is as heartless as you are.” You tell him, walking back around to the E.S.T machine.

Myers follows you with eyes the entire way, stone-faced, impassive. Like the fact that you’ve just fastened a live wire to his dick is about as boring to him as watching paint dry.

Flick goes the switch.

His back arches off the table like a bent bow. He scrunches his eyes shut, breathing hard around the gag, tugging furiously at the cuffs, the muscles in his calves and biceps straining dangerously, pulling upwards with a brutish force that has table whining beneath him.

You’re transfixed as Michael comes. His mess shoots out in thick ropes, reaching further than you thought possible, coating the table, getting on his legs. The sheer power of his body is a stunning thing to witness. You keep the current running to milk him down to the very last drop.

When he stops coming, you power off the machine.

The node comes away from Michael’s skin in a “pop” that is all-too satisfying. Bundling all the wires and electrodes back into place on the machine you listen to the only measurable signs of the man’s distress; the tortured intake of his breaths, the elevated beeping of his heart monitor.

Then, picking up the needle from the little white tray, you cross back to Myers’ side.

The vein in his forearm is thick and pronounced and the needle slips in beautifully. You press slowly down on the plunger, grateful when he doesn’t try to yank his arm away, relieved when he accepts the drug without a struggle. He must be exhausted.

The sedative works its magic quickly. You pull up a stool and sit down beside him to watch.

The vitriol in his eyes begins to melt and soften. One by one his strained muscles are allowed to relax again, the tension ebbing away; from his jaw, his shoulders, his abdomen, his legs. The electronic beeping on the monitor slows and slows until its powerful rhythm beats steadily again.

Evidently, Michael has decided he isn’t ready to go under just yet. Though sleep pools in his eyelids he blinks it away, clinging in a death grip to his consciousness.

Just to leer at you. Just to picture in his mind the day he will have his hands around your throat; as if it is already set in stone. As if it is just a matter of when.

Then, Michael’s eyelids flutter—

—fighting to stay open, still staring—

—closing, for just a beat too long—

—lingering shut—

—staying shut.

You move to clean him up quickly. The gag comes out first. Lifting his head to unbuckle the strap, you tug out the black ball, letting his strained jaw fall shut again for the first time in an hour; then carelessly drop his head. It thunks satisfyingly as it comes down hard against the table. Glancing at the gag’s silicone, you notice the deep markings worn into it, perfect impressions of Myers’ top and bottom teeth. You almost shudder; a bite from him would have been nasty.

You blot away the drool dribbling down his chin and shoulder with a rag, and then move on.

The last thing you expect as you begin to clean Michael’s bloodied hands is the tears that spring to your eyes. Even with your fear of the man gone and buried, you wish that you didn’t have to touch these awful hands; let alone treat them, bandage them, heal them.

You wipe away the tears on your sleeve as you gather your supplies together on the roll-around.

Grabbing each of his wrists just above the restraint cuffs and turning them so that his palm is facing upward on the table, you hastily swab him down with alcohol pads, wiping up the clotting blood from his skin, squeezing out a blob of antiseptic from a tube to smear across his cuts. As you wrap Michael’s palms tightly in gauze you try your hardest to snuff out that invasive thought when it comes searing like a bullet through your skull—

—these are the hands that killed my sister.

You simply can’t afford to linger on those thoughts right now. Maybe when you’re at home tonight, alone in your bed, you will let yourself cry; but not now. Not while you still need to clean up after Myers’ unfortunate mishap.

Toweling him down from his forehead to his calves, you soak away the sweat. And the semen. Then, you fasten back up the front of his hospital gown, knotting each and every tie.

And just like that, the job is done.

You knock on the door. The guards come in and wheel Myers’ unconscious body out of the room.

The next day, you have a debriefing session with Dr. Ashton. You feed him your meticulously rehearsed lie: that the therapy went without a hiccup, that you firmly believe this treatment could be the key to alleviating Michael’s tendencies for violence.

The moron laps up your every word.

Ashton ends the session with a delightful little surprise; he’s pulled some strings to allow for Michael’s therapy to be carried out bi-weekly. He is so impressed by your drive to treat his patient that he’s offering you a position as Michael’s secondary caretaker. He only hopes that you’ll accept.

The smile you give him is bright and sincere, one that beams from ear to ear.

“Doctor, believe me when I say that nothing in the world would make me happier.”

#Michael Myers #Halloween #Slashers #michael myers x reader #writing

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tsarisfanfiction · 4 years ago

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WIP #46

(Send me a number 1-60 [or a fandom/character I guess] for the corresponding wip) because I’m bored and brain-fried and have too many wips that’ll otherwise never see the light of day.

For @janetm74 who actually asked for ‘Thunderbirds, 31′ but 31 isn’t TAG so we’ve got the closest TAG one instead. (top tip: wips are mostly arranged alphabetically by fandom and the TAG wips are 46-59!)

It was really only a matter of time before someone hit Scott!whump, wasn’t it? Snippets of this one have actually appeared in previous ask games, so you get the whole thing this time (because I don’t remember which bits I’ve already posted). Fun fact: this was my first attempt at Virgil’s PoV!

There was always something wrong about Scott in Thunderbird Two. Of all the Tracys, he was the least likely to travel in the green behemoth that was, in Virgil’s private opinion, the heart of International Rescue.

And yes, that included John.

Gordon was his co-pilot, his wingman, his back-up. For all that the aquanaut was, well, an aquanaut, there was honestly no-one else Virgil would rather behind the controls of his beloved girl if he was needed elsewhere. Heavy lifting, or – his least favourite – medical duties could sometimes pull him elsewhere, and in those moments his immediate brother would take the helm with a joking smile but steady hands that would never let anything befall Two (if only, he thought from time to time, because without Two Four would be grounded).

Alan was all nervous energy, a genius pilot but too cocky for Virgil to ever be truly relaxed when Two was in his hands, but it was far from uncommon for his youngest brother to be perched behind him, screens and panels showing readout after readout as he assessed situations and started remote assembly of pods when time was particularly of the essence. Sometimes, often, he knew Alan desired the speed of One, but he also liked his comfort and short of pulling Three’s own seats into One (a feat done once, never repeated), there was no comfort as a passenger of their first response craft. Or even as the pilot, in Virgil’s opinion.

John was an unusual passenger, unlikely to be Earthside for a mission – and even if he was, quickly wrapping things up and ascending back to the lofty heights of Five and the world at his fingertips – but when he was Earthside, well, Thunderbird Two was his ship of choice. He didn’t pilot her, for all that he was trained, but no matter what Scott would mutter, John was stubborn about always using Two to get to the danger zone. Something about reckless flying and too much gravity. Virgil couldn’t truly say he understood, because John’s aversion to gravity had never been a point in common between them, but he did at least appreciate that Thunderbird One was fast, and generated far more Gs than any atmosphere-bound craft had any right to make.

Statistically speaking, Scott did travel in Two more than John did, but as he didn’t spend over three hundred days in the year off planet, Virgil wasn’t quite so fussed on the literal numbers. Scott in Two always, always meant something was wrong. Maybe One was out of action (again) but Scott wanted to be on the rescue anyway. Maybe the world was conspiring against them, and Scott just wanted to be with his brothers rather than haring off at triple their speed and leaving them alone and vulnerable (Virgil knew that really One was more vulnerable than Two, although his eldest brother could never see it that way).

Or maybe, the worst wrong of all that always lined Virgil’s stomach with lead and dried up all the saliva in his mouth, Scott wasn’t fit to fly.

John was hovering, holographic form always a little too dull to accurately capture his brother’s vibrancy. Gordon had flight control, gloved hands firmly on the yoke as though he was her designated pilot. Alan had co-pilot, booted feet reaching the floor with little difficulty nowadays – he would out-grow Gordon soon – as he flicked switches in uncharacteristic silence.

Virgil was in the medbay, scanner clutched in his hands like a lifeline as it told him nothing that he wanted to hear, and many things that he didn’t.

Scott was in the medbay, doing nothing.

Danger dogged their steps with every rescue. They knew that – had always known it, even before the Zero-X blew their father sky-high as he tried to save the world – but it never made it any easier when it got closer than normal.

As normal for them was less than a second’s escape – buildings collapsing the moment their trailing foot left the threshold, planes erupting into fireballs the instant they leapt clear – closer was barely possible. Closer was a Thunderbird coming home with deep gouges. Closer was broken bones and terrorised faces.

Closer was their eldest brother lying motionless in his ‘bird’s medbay because it had taken thirteen minutes to find him after the snow roared down.

Avalanches were a messy business. Survival rates were low, some of the worst odds International Rescue ever faced, and there was no denying that their own past experience did nothing to help whenever John uttered the word in a brief. This one shouldn’t have been too bad, as far as snow monsters went. Out of season, with few people in the huts that dotted the lower reaches of the slopes and fewer still outside. Ten people were reported missing.

They found nine, all fortunate and breathing, before the second one struck.

Alan had been in Thunderbird Two, holding her steady in the air because the large Thunderbird would have done more harm than good if she’d landed and providing a much-needed birds’ eye view of the danger zone. It had been entirely due to the combined information from him and John that had let them find the nine lucky people so quickly.

Gordon had been on triage in the hut deemed safest in the event of a second avalanche. Virgil had just reached him with rescuee number nine when it had struck.

Scott had been heading up the slope, travelling scant inches above the snow via jetpack, searching for person number ten. One’s drones had been with him, scanning furiously even as John hijacked them to give Five even more data than the space station had already obtained from other means. Those same drones had given them a glimpse of blue, grey and white all jumbled together before going dark.

It took two minutes for Virgil and Gordon to force their way out of the semi-buried but still standing hut. One more for Alan to configure a pod and tentatively lower it from the module even as they realised their original one would take too long to excavate from the snow. In those three minutes, John had triangulated all the data he could amass from Five to provide the most viable search area.

Five minutes to find a body, cold to the touch. Rescue number ten had never stood a chance. Face down and neck broken, he would have been killed almost instantly during the original avalanche.

Fifteen minutes was the time limit. Nine people had already defied it, surviving anything between half an hour and an hour under the snow before International Rescue reached the scene and dug them out. The Tracy family never had that much luck, and an avalanche was their own personal hell. They knew, in that cold-fist-closing-around-their-hearts way, that Scott would not be number ten.

Twelve minutes and the pod’s heat sensors showed yellow-green in a sea of blue.

Thirteen minutes and their eyes showed them blue in a sea of white.

Scott had been wearing his helmet when the avalanche struck. As Virgil knelt to ease his limp, cold, but breathing body from the frigid prison, he’d thanked their parents for that fact silently but profusely. Still intact, the helmet had stopped snow clogging his airways, and had enough of an air supply to stop Scott from suffocating to death in the thirteen torturously long minutes it had taken them to find him.

In the medbay, scan finished, Virgil finally removed the life-saving gear. The detached feedback from the scan told him as much, but he sighed resignedly when there was no response. Scott didn’t gasp dramatically as his recycled air supply was replaced with the real deal, nor did lightly closed eyes snap open.

“How is he?” John asked unnecessarily as Virgil’s hand lingered under brown hair longer than strictly necessary after lowering the now helmetless head back down onto the stretcher.

“Cold.” Virgil humoured him, knowing full well that John had been desperately analysing the results of the scan as they occurred. Their suits were well designed for the varied environments they found themselves in, and while Scott had shown up far, far too cold in their initial search for him, as soon as they’d got him into the security of Thunderbird Two the hint of a shiver had taken hold and Gordon had encouraged it with a single blanket.

Scott’s uniform was somewhere in the middle as far as easy to remove International Rescue uniforms went. While Gordon and John’s specialist environments necessitated almost vacuum-tight uniforms, and Virgil and Alan had heavy-duty but therefore less clingy attire, Scott wore a streamlined flight suit that didn’t adhere precisely to his body but wasn’t exactly loose either. Still, the zip tugged down easily enough and Virgil manipulated his rag doll of an eldest brother out of the tough material delicately before clearing away any leftover snow trying to chill him further and cradling him in blankets.

John watched in an agitated silence, the distance between their physical bodies never so apparent as when one of them was hurt and he was twenty two and a half thousand miles away. Sooner rather than later, Virgil knew the space elevator would be docking at Tracy Island, but before John could leave Five he needed to get One nestled back safely in her hanger.

The Thunderbird had escaped the avalanche by never landing, set to an autopilot hover by Scott upon his arrival to the danger zone because despite being smaller than Two, her VTOL posed just as much of a risk to the stability of the snow. With Gordon at the helm of Two, and a universal desire for the whole family to be together landing Alan in the co-pilot seat rather than their brother’s Thunderbird, it was up to John to remote pilot her home.

Hypothermia was not the only issue Scott had been hit with by the avalanche. None of them had done the exact calculations – John might have done, but if he had he hadn’t shared them – but Scott had been swept a fair distance by the sheer might of the snow and the journey had been far from smooth. Something had knocked him out in the tumble – what, Virgil couldn’t begin to decipher – and while his ribs were miraculously okay, thanks to the support of his flight suit, his left arm was bent awkwardly. Already, beneath the blankets, his skin was blossoming in the reds and purples of early bruising.

“Any change?” Alan asked, his hologram flickering into existence beside John’s. Gordon was just visible at the edge of the projection.

“He’s warming up,” Virgil assured them, eyes never leaving his eldest brother as shivers slowly intensified. “No sign of consciousness, though.” He leant forwards, running his hands gently through gelled hair. The scan didn’t indicate a concussion to accompany the rest of Scott’s injuries, but with no evidence for why he was remaining unconscious barring the hypothermia itself, Virgil needed a more hands’ on check to reassure himself that there would be no further complications.

“We’re almost home,” Gordon chipped in. “Make sure you’re both ready for the landing.”

“F.A.B.”

Securing Scott was easy, straps looping over him and cinching tight but not too tight against the stretcher. The temptation to stay standing beside him, watching like a hawk for any sign of change – good or otherwise – was strong, but John made a small noise in the back of his throat and Virgil forced himself to take the two paces away from the stretcher and collapse into a fold-out seat.

“Thunderbird One has landed,” the astronaut informed him, and Virgil managed something that was almost a smile.

“See you soon,” he said, and John returned the almost-smile before floating with purpose. With the limitations of the holograms, it was difficult to tell where he was headed, but Virgil knew there was only one place John wanted to be.

Their landing was soft, softer than Gordon had ever managed before, and Virgil shot out of his chair and back to Scott’s side as soon as he felt the wheels connect solidly with the runway. The touchdown had done nothing to disturb him, eyes still softly closed. His skin was pale, and the shivering was still gaining in intensity, but Scott’s face was as peaceful as Virgil had seen it since the Zero-X.

He pulled the scanner back out, running another one just for something to do as Gordon taxied them back into the hangar. Scott’s temperature had risen marginally, still too cold but headed in the right direction. He adjusted the blankets cocooning him as Thunderbird Two finished her rotation and the hydraulics either side of the module whirred into action, raising the body of the craft.

Someone had remembered to call ahead – a flash of guilt coursed through Virgil as he realised that should have been his job – because as the module door lowered, letting in the orange flickering light that indicated mechanical movement in the hangar, Grandma was standing there, arms crossed and finger tapping nervously. She didn’t wait for the door to finish lowering, jumping into the module as soon as she could and heading straight for them.

“What happened?” she asked, wrapping an arm around him firmly for a moment before taking the final step to Scott’s side and tutting at the results of the scan.

“Avalanche,” Virgil responded, even though he knew she knew. Old hands that had yet to lose most of their dexterity pulled at the blankets, exposing Scott’s throat enough for her to press two fingers to his pulse. “Nine survivors, one fatality.”

“Broken arm and extensive bruising,” she mused, light fingers dancing over her eldest grandson’s body as she confirmed the scanner’s results for herself. “His suit protected him from the worst of it. Let’s get him inside.” Virgil nodded, reaching out to activate the hover jets on the underside of the stretcher before releasing the clasps that held it to the wall. Hurried footsteps indicated the arrival of his younger brothers, finished with their flight checks and anxious to see their eldest brother.

“Is he awake yet?” Alan asked, blue eyes filled with hope. Virgil shook his head as Gordon placed a hand on the youngest’s shoulder.

“Your brother will be fine,” Grandma assured them all before he could find the words to explain Scott’s condition. “A little battered and bruised, and rather cold, but some rest and home cooking will sort him right out, you’ll see.”

Gordon’s mutter that home cooking would do more harm than good wasn’t as quiet as he’d clearly intended, but Grandma ignored the slight as she put a firm hand on the hovering stretcher and started to guide it towards the house. Virgil paused, checking his two younger brothers over thoroughly. Alan was pale, shaken at the sight of Scott’s limp body, while Gordon headed over to the discarded uniform and picked it up.

“He’ll be alright,” he told them. Both nodded sharply. “John’s coming down; Alan, why don’t you go meet him?”

Neither asked why John was coming down if Scott was going to be fine. It was a much appreciated fact that sometimes a hologram wasn’t enough for reassurance, and none of them would ever begrudge John the chance to be there in person. Alan nodded again and left.

“I’ll clear up here,” Gordon said. He was feeding the damp uniform through his hands, most likely unconsciously. Damp, half-melted snow littered the module, and the remaining pod. “Go help Grandma.”

Virgil didn’t protest, although he gave Gordon a final look over before turning to leave his ‘bird. They all needed to feel useful, finding something to do while they waited for Scott to wake up. He would have cleaned his ‘bird himself, but Gordon’s order had been a hidden plea: I want you with Scott.

“I want her spotless,” he said instead, and Gordon laughed.

“Yes, yes,” he dismissed. “Now go help Grandma keep Scott in bed.” Because that was going to be the hardest task of all. None of the Tracys made for a good patient, but Scott was the undisputed worst patient of all. Alan and Gordon would try for subtle, the elder blond with more success, escape attempts made when they were left alone for too long. John hid in Five, well-practiced in manipulating holograms to make him appear healthier than he actually was – although the arrival of EOS had put a stop to that particular trick. It was the thing that had finally got her into Scott’s good books. Virgil himself knew that he gave his brothers a little too much grief, largely because he knew how to treat his own ailments better than they did.

Scott didn’t bother with subtlety. The moment their backs were turned, and sometimes not even then, he would be forcing himself up and out of bed, determined to carry on working no matter what. He’d never been a good patient, but it had only worsened since their Dad’s crash. Knowing why didn’t make it any easier to deal with.

Not bothering to change out of his uniform, he ran after Grandma and the stretcher, catching up with them just outside the infirmary doors. Scott was still unconscious, a fact that bothered him considering there was no sign of injury that would cause it, but it made transferring him from the stretcher to the soft bed far easier. A pile of warm blankets were gently tucked around him, mindful of the broken arm.

As Grandma fussed with an IV line, more a precaution than a necessity, Virgil turned his attention to the limb. It was a clean break, simple enough to reset and splint. Scott let out a noise of complaint as the bones were dragged back into place, and both he and Grandma immediately looked at him. Brow furrowed, hazed blue eyes flickered open.

“Scott?”

“Vrrgg?” his eldest brother slurred, eyes slowly focusing on him. “Whh..?”

“We’re home,” Virgil told him, resting a hand on the blankets over where Scott’s right shoulder was buried. “The rescue’s over.”

Scott blinked at him slowly, the haze of confusion not quite leaving his eyes.

“Rsscu?”

“Let’s focus on getting you warmed up for now, Scott,” Grandma cut in, smoothing his hair back gently. She gestured sharply with her other hand – hidden from Scott’s view – to the reset arm. Virgil took the hint, returning to strap it up, knowing that he’d need to mix up a proper cast for it if he wanted any chance of it healing properly with Scott’s reluctance to rest of any length of time.

“Buh-”

Scott’s protest was cut off by the door slamming open, the pitter-patter of Alan’s booted feet flying into the room. Behind him, at a more sedate pace, John followed, turquoise eyes raking over the scene in front of him sharply.

“Is he awake?” Alan asked, skidding to a stop by the bed. “Scott?”

“Ara?” Scott started. Virgil lunged up to stop him as he made his first attempt to get up.

“No, Scott,” he said firmly. “You’re still too cold.” Scott didn’t fight him, a sign that he was still confused. It didn’t go unnoticed by either Alan or John, the former losing his smile and the latter narrowing his eyes for a moment.

“Go get yourselves changed,” Grandma told them. “He’ll still be here when you come back.” Hoping she wasn’t including him in that order, Virgil busied himself with fussing over Scott, fixing the blankets he’d dislodged and hushing any attempts to ask about the rescue.

“It’s over,” he repeated as his two brothers left the room with orders from Grandma to also locate Gordon and make sure he got changed, too. “Stay still.”

“Virgil,” Grandma warned, and his shoulder slumped. “You too, young man. You’re still wearing some of the snow.”

He hadn’t noticed, but when she mentioned it he realised that the creases of his uniform still carried damp white.

“I won’t be long,” he promised Scott, who looked at him with wide blue eyes. They reminded Virgil of Alan. Usually it was Alan who reminded him of Scott; he didn’t like it the other way around. “I’ll bring you back a drink. Think you can manage that?”

“Drrnk?”

Virgil sighed, and turned to Grandma.

“I’ll bring him something,” he told her and she nodded with a tired smile.

“You do that,” she said. “Now go get out of that wet uniform before you catch a chill, too!”

With a last look at his brother, still too pale but thankfully shivering properly at last, he forced himself to leave the room.

When it came to Grandma, there were fights that could not be won, and unspoken orders to be heeded nonetheless. It was not as simple as tugging off his uniform, throwing on some casual clothes and running back into the infirmary with a warm, sugary drink in hand served with a straw to sip it with, so he begrudgingly threw himself under a hot shower, allowing his own body to warm up after too long in the snow himself, albeit not buried like his big brother. Still, a shower did not have to be long to be effective, even if he would usually take the time to let his muses grow amongst the gentle hiss of pouring water, and within five minutes he was thoroughly warm and worming his way into clean clothes. A quick blow with his hair dryer got the worst of the water out of his hair, but he forwent the gel to return it to its usual style. Certain younger brothers might have a field day about his hair not being carefully sculpted, but a certain hypothermic older brother was worth a little bit of pride.

John had beaten him to the kitchen, a hot squash – blackcurrant and apple, from Scott’s personal stash – steaming on the counter. Virgil glanced around the room to make sure nothing was broken.

“You haven’t taken it in?” he asked, wrapping a hand around the container. It was almost hot to the touch. John shrugged.

“I’d drop it,” he said, plucking a blue straw from the collection in the cupboard and neatly dropping it into the top of the cup. Virgil couldn’t disagree with the possibility and scooped it up, straw bobbing in the dark liquid, before continuing on to the infirmary.

Alan and Gordon were there, both out of uniform as per Grandma’s orders, and trying to get a laugh out of Scott, if their antics were anything to go by. Scott himself, Virgil was pleased to see, appeared less confused than when he’d left.

“I have a drink for you,” he announced, passing it to Grandma as he perched on the bed by Scott. “Think you can manage some sips?” Scott was still shivering but managed a grateful smile.

“Will i’ tas’e goo’?” he asked, still too cold to pronounce his words properly. Virgil gently brought the head of the bed up slightly before propping Scott up in a more upright position with the use of many pillows. Gordon helpfully readjusted the blankets as Alan crawled onto the bottom of the bed.

“It’s from your own stash,” he promised, taking it back from Grandma and holding the straw to his lips. “John made it hot, so be careful.”

“’M alway’ ca’ful.” Scott mumbled the biggest lie Virgil had ever heard before accepting the straw and taking a sip.

“If you say so,” he said, wrapping an arm around his shoulders to help keep him in place as he drank. He was still cool to the touch, despite the blankets wrapped around him firmly.

Scott hissed as the liquid entered his mouth, and Virgil tightened his grip even as he rolled his eyes.

“I warned you,” he said lightly, as John entered the room and perched on the end of the bed, watching Scott carefully. Scott took another sip, more cautiously the second time.

...tbc one day..?

#thunderbirds are go #thunderbirds are go fanfiction #tsari writes fanfiction #wip excerpt #virgil tracy #scott tracy #john tracy #gordon tracy #alan tracy #grandma tracy #thunderwhump

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pogueshomecoming · 5 years ago

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secret girlfriend - kiara carrera

requested? yes: noticed you didn’t have anything for kie and the idea just popped into my head but maybe like she meets a girl (another kook? Idk) and starts hanging out with the boys less and they get suspicious so they follow her and see her with the other girl but kie never told them she’s queer so they’re surprised but are obviously super supportive and don’t care. this is my first time ever requesting so not sure if I’m doing this right but do whatever you’d like with it :) (you did great! haha no right or wrong way to request. thank you for sending it in💕)

fill out this survey to join my taglist, here’s my masterlist, and requests are open.

warnings: I’ve never written for a girl before nor have I been with a girl but... we’ll see how this goes. i decided to make this more from the pogues pov until the end it kind of switches cause i suck lol. FLUFF AT THE END. it’s cute in my opinion.

word count: 2.1k

“John B, can you drop me off first this time? I’m going to be late for my shift at the wreck.” Kiara checks her phone, pretending to look at the time.

“But we pass Pope’s place first... Why would we turn around and go back?” JJ scrunches his face in confusion, and Kie rolls her eyes, stomping her feet a little bit to get her point across.

“Fuck off, JJ, I didn’t ask you. JB? Come on, I can’t be late again.” Kiara whines.

“Sure, we could even come with you. Hang around out back so you can sneak us some food?”

Panic rises in Kie as she quickly shakes her head. “My dad will be there all shift, so that won’t happen. You guys can’t hang around like that when he’s there.”

She’s quick to defend, but none of them seem to notice. “Okay fine, but tell Mr. C that we said hi, maybe eventually he’ll like us if you keep doing that,” JJ interjects again, and Kie chuckles.

“Yeah, maybe.”

It’s only a few moments later that John B is pulling up to a dock. Kie jumps when she’s close enough. “Thanks. Love you guys! See ya.”

A chorus of, “Love you too” s ring out behind her as she runs away.

“Was that weird to anyone else?” Pope asks as they pull away, turning back towards Heywards.

“Nah. I think she mentioned the other day about someone quitting, so she’s covering shifts until they find someone else.” John B speaks without taking his eyes off of the water in front of him.

“Sweet, I’m going to apply,” JJ smirks, and Pope can’t help but shake his head.

“You do that.”

“Kie just texted that she’s not coming.” John B says as he exits the chateau. The four of them were supposed to go drive around the island, get up to some real Pogue mischief.

“What? Did she say why?” JJ sits up in the hammock, causing it to wobble, and Pope almost falls out of the other side.

“They’re painting the new wreck sign or something like that. Guess they haven’t hired anyone yet.” JB shrugs and shoves his phone into his back pocket.

“Well, driving around doing nothing doesn’t sound like fun when there’s no anyone there to stop us from doing dumb shit.” JJ sighs.

“Hey, I’m pretty good at that.” Pope is offended but laughs it off.

“We could go fishing? Kie hates fishing.” John B looks at the two of them, waiting for confirmation.

“Alright, fine. Let’s go fishing.”

“So you’re telling me that there’s a whole part of the island with teenagers looking for a job, and Mr. C hasn’t hired anyone in two weeks?” Pope thinks out loud. JJ and John B are pulling a net in, but Pope is lying on his back at the from of the boat.

“What are you talking about? And why?” JJ groans, giving one final pull to get the fish on to the deck.

“Kie keeps telling us she’s filling in momentarily. Do you guys really think it’d be that hard to find someone to work? Mr. C could replace anyone at any time.” Pope sits up to find John B and JJ both looking at him.

“So, what are you getting at? That Kie is lying to us?” John B asks, his head tilting to the side ever so slightly.

“Obviously, I don’t know for sure, but it seems like it.”

It’s silent for a few moments.

“Wait, Pope is right. She’s been dipping out early or not showing up at all, and her excuse is always the wreck. Why don’t we go see if she’s there now?”

“Good idea.” JB drops the net in his hand and resumes his spot behind the wheel.

JJ and Pope are holding on to dock posts, waiting as John B goes inside to find Kie. He’s not gone for very long before they see him jogging back to the boat.

“She’s not there. Mr. C was, though. Said he thought she was with us. I covered for her, but now we know.” John B shrugs as he steps onto the boat, pushing off with one leg.

“Kie never lies to us. She’s gotta be macking someone she doesn’t want us to know about. Right? Any other ideas?” JJ looks to Pope and JB individually, but they both shake their heads.

“Ugh, what if it’s a kook. Surely she wouldn’t date Topper, right? Or Rafe? I guess Kelce is a possibility. In that case, she can keep sneaking around.” Pope groans and makes a gagging motion with his finger.

“Oh my god, wait. That’s perfect, Pope. We’ve got to catch her in the act. The pogues haven’t had a Sunset Saturday to Sunday Sunrise hang out in a while. Let’s have one, invite her, and when she makes an excuse or straight up leaves, we’ll follow.” John B smiles proudly, and surprisingly, Pope and JJ praise him for his idea.

“And if she doesn’t leave?” Pope asks.

“We’ll do it again next weekend.”

Sunset Saturday to Sunday Sunrise used to be a Pogue tradition. They usually happened during the school year. It gave them all time to hang out and be with each other after long weeks of learning. As summer started creeping up, they got less and less because their time spent together got higher and higher.

When Kiara agreed and told them she’d be there, they all got even more excited to bring the tradition back.

The four brought out every blanket and pillow in John B’s house to make their beds on the grass outside. Pope and JJ always combined and shared. It gave them more blankets, therefore, more comfort. They were always very proud of their result.

As the sun went down, everyone shared a high and low from the week. JJ’s was something stupid like the actual high he got from a new strain of weed he tried. John B talked about waves he’d surfed at the beginning of the week. Pope said he liked sharing a makeshift bed with JJ, and everyone laughed. Kie said her high was finally finding time to hang out with her boys. They all side-eyed each other behind her back.

Their plan was to fall asleep, which isn’t supposed to happen on a night like this. The point is to stay up and watch the sunrise, but only a few hours in, each boy was performing their best fake snore. Kiara groaned, “Seriously? Have you guys gotten so old that you can’t even stay awake all night?”

Instead of getting up like they expected her to, Kie laid down. She snuggled into her blankets and followed them in falling asleep.

Sunday Sunrise came soon enough, waking them all up with blinding golden light casting over the water. Each one moaned and groaned, sitting up to stretch out their backs and legs after sleeping on the ground.

“Guess traditions change after a while.” John B laughs, and so do the others.

“It was still fun.” Kie smiles back at him, and he nods.

Then the four of them set up Kie’s phone on a timer and pose multiple times with the vibrant colored sky in the background. Most of them are too dark to see their faces as a result of the backlight, but no one complained. Laughter was shared, and that was all they needed.

Until Kie picked up her phone, read a text message, and made an excuse to leave. Pope, John B, and JJ all exchanged looks as they hopped into the van to follow.

The van is pretty easy to spot, so they had to be cautious of the distance they left between each other. Kie led them back to Figure 8, and when she passed her house, all three got more nervous. They parked the van at the edge of the neighborhood and began walking. It was 7am, no one would be awake this early on a Sunday.

“Wait, guys, there’s her car.” Pope sticks his head out around a corner and then brings it back.

John B leans so he can see around, JJ over him, and Pope over him. They watch as Kie gets out of her car.

“That house was for sale a few weeks ago, do you think her parents bought it? Or some family members?” JJ contemplates.

“How do you know it was for sale?” John B asks, keeping his eyes on Kiara. She’s fixing her clothes, smoothing them out, straightening her shirt, and making small adjustments.

“I look at listings sometimes when I’m at the hotel. Why not?”

The front door to the house opens, revealing you. “Wait guys, shut up.”

All three of them focus on you as you smile big and welcome Kiara into your arms.

“Bro does Kie have a sister or cousin we don’t know about? Damn.” JJ marvels at you.

Then, as you start to pull away from the hug, Kie presses her lips to yours. The boys can hear your collective giggles from here.

“Not her sister or cousin, JJ.” Pope clicks his tongue and stands up straight.

“Damn it, I’m starting to think my type is girls who like girls.” JJ groans and also stands up straight. He’s not wrong. Recently, he’s been rejected by three girls because they weren’t straight.

John B is still watching the two of you. Mostly because it’s cute, and JB likes seeing Kie happy.

While John B is preoccupied, JJ and Pope had started messing around. Pushing and shoving each other playfully, whispering insults at each other as jokes. JB doesn’t know how it started, but he does know it ended with them knocking over a line of trashcans. John B straightens immediately, and the three boys freeze.

“Are you fucking kidding me?” John B pinches the bridge of his nose while he whisper yells at them.

“What the hell was that?” They hear your voice instead of Kiara’s because Kie saw John B’s head snap out of view at the last second.

“Let’s go see.” Kie pulls you towards the corner of the house, already pissed off at the boys. The three of them nearly jump out of their skin when she rounds the corner, pulling you by your hand.

“It’s just my dumbass friends. What the fuck, boys?”

“JJ is the one that pushed me into the trash can.” Pope blabs.

“Hey! You pushed me first, I wa-”

“Dude, it doesn’t matter, you gave away our cover.”

The three of them start bickering, and Kie looks at you with an eye roll.

“Excuse me? Remember me? Can you tell me what you’re doing here?” Kiara waves her hand, and you can’t help but laugh behind her.

Pope and JJ immediately look at John B, since this was his plan, after all. JB doesn’t catch on until way after he’s supposed to. “Fine, I guess I’ll tell her.”

“Basically, Pope said you’d been acting weird, and there was no way that your dad hadn’t hired someone at the wreck, which meant you were lying about where you were going. And-”

“Wow, thank you for putting the blame on me.” Pope flashes a frown.

John B ignores him. “And we missed you. You know? You were cutting out on our plans early or not showing up, and it wasn’t as fun with you not around. So we thought you were dating one of the Kooks we hate... and that led to us following you over here.”

“And did you find what you’re looking for?” She crosses her arms over her chest.

“Why didn’t you tell us, Kie?” John B looks up at her, a serious expression on his face. John B had always confided in Kie when he thought it was something JJ or Pope wouldn’t care about.

“I don’t know, I didn’t know what you’d say if you knew I liked girls. Like I know you guys are always there for me bu-”

“No, not that part. Why didn’t you tell us that you found someone and you’re happy? That’s all we want for you, Kie.” John B stands up, and the other two follow him. Your heart is about to melt from the sweetness of their friendship.

“He’s right.” Pope nods. Kiara looks at JJ last.

“Yeah, he’s right. I mean, I’ve had a crush on you since I met you, but I’m not hurt or anything.” JJ teases, shrugging his shoulders with a pouty face. “I’m kidding Kie, we’ll support you in anything you do.”

Kiara has tears in her eyes as she reaches forward to pull them into a group hug. “I love you guys.”

She pushes them off of her gently and turns halfway, so she’s kind of facing you at the same time as them. The smile on her face is one of the biggest you’ve ever seen as she tugs on your arm to step closer.

“Oh, and this is Y/N, my secret but not so secret anymore, girlfriend.”

thank you for reading! please leave feedback and reblog if you liked it.

kiara carrera taglist: @jjfuckr

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unforth · 4 years ago

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Okay, give me the goods on Distant Shores. :p

Alright so there's a historical thing that in the 17th century Russia that...okay no I'll just quote Wikipedia. (https://en.m.wikipedia.org/wiki/Japanese_language_education_in_Russia)

So alessariel sent me this with the suggestion of making it a Viktuuri AU with Yuri as Dembei and Victor as a bastard son of Peter the Great (iirc Yuri P is an actual full blood heir) and I fell instantly in love with the idea and wrote 7000 fricken words of it in *one day* including all the research I had to do but it was so clearly going to be a huge time sink that I shelved it and haven't gotten back to it yet. Like...7000 words got Victor and Yuri to the point they'd met, and that's about it. It also heavily features Phichit who, as the Siamese ambassador, is the only person in the entire court who speaks and reads Chinese fluently (okay I'm looking at it...Victor also speaks fluent Chinese so it must be specifically that Phichit was the only one who could read it, since speaking it doesn't help Yuri one bit), and is therefore the only person Yuri can even kind of communicate with, since there's a lot of overlap between Chinese hanyi and Japanese kanji. Kamchatka is aaaaallllll the way in the East of Russia which means that when Yuri is found there he's then dragged across thousands of miles of Russia to the capital in St. Petersburg by people who don't understand a word he says or care that all he wants is to go home to his sister (it's Yakov and...someone else, I don't remember).

I have spent an unhealthy amount of time thinking about how despite seeming like a total arrogant douche bag tool Victor is the only one who is patient with Yuri and listens to him and makes a genuine effort to figure out how to communicate and that they slowly fall in love while Victor learns Japanese and Yuri learns Russian and it was gonna burn sooooooo slow and be soooooo sweet when they finally fucked.

Sigh.

I still love it.

Why don't I have time to write all the things?

Anyway I wrote the first chapter in fucking April 2017 and haven't looked at it once from that day to this here have a couple excerpts. It's dual PoV switching between Yuri and Victor but the first chapter is mostly Yuri.

Oh yeah I also devised an alternate way of sharing dialog so that the reader would know what was being said in Russian/Japanese but it would be clear the CHARACTER didn't understand. I figured given the language barrier issues the story would be unreadable if I was constantly like, "and then x person spoke in a language the pov character didn't understand."

Annnnyway. Here's some Yuri PoV after Yakov finds him.

The world shook.

No, no, not again, I can’t, not again, just let me die, please!

Or maybe it was all a dream, the last moment before the end.

Yuri opened his eyes.

The sky was incandescently bright overhead and he snapped his eyes shut again.

No tsunami crashed in around him. Something snapped, cracked, and wood rough beneath his fingers suggested he was aboard his boat. Putting a hand beneath him, Yuri tried to rise but had no strength. A gentle hand that felt heavy and harsh pressed on his shoulder.

[Easy now, you’re alright.]

The tone was cheerful, kind, clearly supportive though the words were meaningless. Turning his head, Yuri opened his eyes again. A man like none Yuri had ever seen before grinned down at him, pale skinned, blue eyed, broad, with long brown hair partially hidden beneath an orange hat with a furred rim, pulled back to drape around the shoulders of a red...something...that must be a uniform, but unlike anything Yuri had seen. It wasn’t a kimono, or a yukata, or like any item of clothing Yuri had seen before.

An oni?

No oni would look upon him so kindly.

Still grinning, the man held something out to him. [Are you hungry?] Yuri stared blankly at what was offered to him, a hard, unidentifiable tan square. [Do you speak Russian?] The man offered him the weird thing again, insistently thrusting it toward his face.

“I’m sorry, I don’t understand,” Yuri said. Until the stranger proved dangerous, he didn’t want to assume the worst of anyone, even a pale-skinned barbarian, but he feared what he didn’t know, feared what the stranger might expect from him.

[I’ll take that as a no,] the man said, still grinning. Drawing the mystery item back, he held it in his hands, snapped it in two, and put one of the pieces in his mouth with exaggerated movements. [See, it’s food. You can have some if you want.] He offered the thing again, chewing with his mouth open to show how the thing broke down and turned to mush.

Food.

Hesitantly, Yuri tried to lift an arm again, but he was too weak. His stomach rumbled, the man chuckled, and Yuri opened his mouth.

[Good, good! That’s the spirit!] With hearty good cheer, the man shoved the food into Yuri’s mouth. It was dry, hard, near flavorless, but Yuri chewed it as best he could, jaw aching with the effort, and when he struggled to swallow, the man produced a sloshing container and carefully trickled some of the contents - not water, whatever it was burned like sake - down Yuri’s throat. He wanted to protest - the last thing he needed was to grow drunk, and he’d never had a high tolerance - but he was so thirsty that he said nothing. Better drunk than dead.

I’m still not convinced I’m not dead, though...

And Victor PoV...okay no I'm not spotting any excerpts that really function stand alone but basically 'indolent' doesn't begin to cover it.

I'd love to get back to this one someday...

#unforth answers #meme #viktuuri

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theatrelove3000 · 4 years ago

Text

The Next 4000 Years

Hello Friends! This isn’t one of my best or favorite works but it seems important to put out for some reason? It’s just an explanation for a singular line that I wrote in A Proclivity to Protection about Noelle’s new immortality. This is just explaining how she got it. It isn’t very well written, kind of rushed through, but I haven’t had a lot of time on my hands recently, seeing as my job decided I need to work every single day until I’m in so much pain that I cry with every step I take. BUT THAT ISN’T IMPORTANT! THE IMPORTANT THING IS I WOKE UP THIS MORNING AND WROTE THIS CRAPPY STORY THAT I HAVE DECIDED IS GOOD ENOUGH TO SHARE!

So anyway. Onward!

Background: Noelle and Loki were “Bound” by a witch in Alfheim after a battle they fought in. This means that the witch split each of their souls in half and one half switched places. Noelle has half of Loki’s soul and vice versa. They can feel each other's emotions and hear each other's thoughts. Noelle is also Half Asgardian, half Midgardian. Her father is Tyr and her mother is of Midgard.

Summary: Noelle and Loki argue about Noelle’s mortality.

Warnings: Maybe swearing? Probably swearing. I don’t remember. It is mostly fluffiness and mention of aging.

The Next 4000 Years

Noelle PoV:

"Loki we need to have this discussion."

"I do not want to have it right now."

"That sucks because if we don't talk about it now, we never will and you know it." I stand in front of him with my hands on my hips.

He sighs, crossing his arms over his chest. "Why do we suddenly have to have this conversation at this very moment. What has changed in the last 3 weeks since we last spoke of it?"

I close my eyes and lower my hands. "Loki, I'm going gray. My hair is graying already and I'm not even thirty! Not to mention that I'm starting to recognize my own mortality."

Loki's eyebrows pull together. "So you really want to take on the commitment of immortality? It's not as wonderful as it seems."

"Easy for the immortal god to say." He opens his mouth to argue but I don't give him time, "and besides, we both know that I only get about a hundred years. You get thousands. What will you do when I'm old and gray? What will you do when I die? Just off yourself? Run away and hide in seclusion just like you did before? That's not okay with me."

He stops, taken aback. "I can't stomach the thought of you dying, Noelle. That's why I don't want to talk about this."

"Then do the spell. I know you found it because Thor told me and he may be less than intelligent but he's not a liar."

"I never lie to you. I learned that lesson years ago." His face turns angry.

"I'm not saying that you lie to me. I'm saying that he was more likely to tell me about the spell than you were." He looks down at the floor. "Please, Loki. We promised each other our whole lives. I can't bear the thought of leaving you, which is why I'm asking you to do this." I take a step closer to him, hands finding his crossed arms.

"I suppose you did vow to love me for my whole life. How can you do that if you are not in my life?" He takes a deep breath before unfolding his arms and taking my left hand. He slides my wedding ring off and stops my protests with his mouth on mine. "It is necessary for the spell." He whispers against my lips.

And then he is gone. Vanished without a trace. I groan and flop down on the couch, opening my book. There is a little knock on the door and I yell that the door is open.

In runs little Morgan with Peter not far behind her. They are giggling like little school girls and hide behind the couch. I lean over to find Pete with his hand over Morgan’s mouth and a finger to his own to tell me not to acknowledge them. I furrow my brow but turn back to my book.

A few seconds later, a fuming Tony who is covered in pink glitter sprints in. I start cracking up because The Iron Man is creating sunspots on the floor and ceiling of my apartment.

He glares at me and growls, "Where are they?"

I do my best to look innocent, "Who?"

"My wonderful children, who are going to regret the glitter canon that they set up to launch at me when I walked into my lab today."

I am crying from the laughter and Tony is shaking with anger. I hear a giggle from behind the couch but Tony is already gone. I close and lock the door behind him. The kids pop up laughing hysterically and I put a silencing charm over the apartment so Tony doesn't come back. "What did you guys do that for?" I ask them, amused.

"He told us that we could never surprise him with a prank or anything so we decided to prove him wrong!" Peter explains. I smirk and high five them both.

I keep them with me until around dinner time. Loki still hasn't arrived home yet. Morgan asked me where he was and I told her that he was out on errands. She wouldn't understand the situation. So I feed the kids and send them on their way.

It's not until the next morning that Loki returns. I fell asleep on the couch waiting for him to come back, the remote still in my hand. I am awoken by lips on my forehead and a hand on my cheek. I open my blue eyes to Loki's green ones, complete with dark circles. He didn't sleep last night. I trace my fingers over the bags and he smiles a little at me before lifting me bridal style and carrying me to bed.

I wake up later in the morning with my head on his chest, his arms around my waist. I open my eyes and look up to see his are already open, as usual. The bags are gone though, so he must have gotten a little sleep.

"Good morning, Little Dove." He whispers, kissing my nose.

"Good morning, Loki." I hum back. We lay there for a few more minutes before getting up.

"Coffee?" He hands me a warm mug.

"This is why I love you." I say and take a sip.

He chuckles and sits down across from me at the table, "Is that the only reason?"

"Obviously," I grin and run my fingers along his arm, "Your coffee is the best."

"You wound me, my love." He laughs, taking my hand in his.

We are silent for a moment before I ask him, "So when can I get my ring back?"

He smirks, "Later. Though I must tell you, darling, it truly thrills me that you are so anxious to have it back. That you are so attached to it." He kisses my fingers where my ring should be.

"Of course I'm attached. It's linked to you." He smiles and kisses me deeply. As he moves to my neck, I mutter, "And it's also sparkly so it's fun to wear." He chuckles against my neck and pulls away. He goes to take a shower and I finish my breakfast. After showering and changing my clothes, Loki and I went to the mission briefing. This is another big one so it took longer than it normally does.

The briefing finishes and Loki drags me out of the tower to go on a walk. Since it hasn't been too long since the three month mission he went on with Thor in Niflheim and we have had so many missions since then that we haven't had much time to go out. That's all he wanted: to be outside, happy to have the sun shining on him again. We walk around the park, my hand held in the crook of his elbow, his fingers playing with mine.

We are strolling through central park when we find a tree that looks almost exactly like the one we used to sit and read under in Asgard. He grins at me and pulls me over to sit under it, his back to the trunk with me between his legs, facing away from him, back to chest.

We sit quietly, basking in each other for a while. He breathes deeply and starts to speak softly in my ear. "About four years ago, you asked me while I sat rotting in that cell under the palace of Asgard if I would give you the next seventy years."

I turn my head towards him, he is looking down at me. I stare into pure green emeralds and smile at him. The corner of his lips curl up slightly and he continues, "I told you I would kill for you. I would destroy realms for you. But your kind heart would never ask such displays of me. Therefore, I will kiss you, hold your divine curves close to me, and trace threads of icy fire on your skin with my fingertips. You were and are my craving and my desire. My love and my life are yours. I intend to stand by that answer."

He kisses my forehead and I reciprocate by kissing his jaw. "With that said, I have a query for you, my only love." He shifts his body so he is facing me more, our bodies no longer pressed so closely together. I cup his cheek and he leans into my touch, seemingly lost in it. He kisses my wrist before I let my hand shift into his soft black curls.

"What is it?" I whisper.

"Will you give me the next four thousand years?" He raises his hand that was resting on my hip and shows me my ring. It looks exactly the same but the energy from it is far stronger than before.

I smile at him and kiss him deeply. He sighs and tilts his head slightly to deepen the kiss. When we break away for air, I whisper a yes to him and he slips the ring back onto its rightful place on the third finger of my left hand. I feel the magic work through my body the second he let's go of it, his hands moving to my face, kissing my forehead again. The power coursing through my body takes my breath away.

As suddenly as the magic surge appeared, it was gone again, leaving me completely breathless. Even though I am happy about getting what I want, I am anxious. It is weird, why am I so anxious?

Loki notices my panting and pulls me into his lap, resting my head and hand on his chest, helping me breathe. His fingers ran through my hand as he murmured to me in Old Norse. I listened to his heart and breathing and voice, which calms me incredibly quickly.

"Immortality is a hard burden to bear." He tells me.

"It's worth it to stay with you for eternity." I say back, kissing him again.

He chuckles as he pulls back. "I agree."

"Four thousand years?"

"Four thousand years." He brings my lips back to his.

#loki fanfic #loki x ofc #loki x noelle #loki x avenger #loki fluff #loki and the avengers #avengers! loki #the avengers are a family

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uninterestiing · 6 years ago

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i liked your post on matteo taking his time to process things, so i'd love to know what your thoughts are on david being outed?

hhhhhhhhh well from what i’ve seen in the tag, i disagree with like 90% of youse and was gonna hold my thoughts till later… but since you asked… yeah i reckon its good writing actually.

(beware under the cut, this is long)

so disclaimers before people get big mad: i’ve actually been in the situation depicted. i’m a gay trans guy who came out in year 12 & to me, it’s extremely realistic. teachers in my last year of high school pulled me aside to say all kinds of nasty shit and the rumour of my transness spread around pretty fuckin quickly. it was a fucked time in my life but i didn’t have any issues watching the last clip, i enjoyed it and found it pretty relatable honestly, especially the teacher bit because its a really common thing trans kids go through to be harassed more by staff than students, but i’ve never actually seen it be depicted before… but i’ll also say, im really not easy to upset and almost impossible to offend when it comes to trans stuff. i work as an openly trans person in the media and my skin is very thick, 17 year old me who was experiencing it real-time would have probably been shaken up a bit.

that said, like i discussed in my other post about this, realism doesn’t automatically equal good storytelling! so what is good storytelling?

big subject obviously, but rn i’m gonna define it as a consistency of theme, tone, and character. (its also how well you tie all those things up at the end but i wont comment on that because… druck ain’t finished yet and we need to remember that!) plus, of course, it’s just… whether you like it? which is completely subjective, and something i can only comment on for myself!

so i think the main issue here is that people expect things from druck it never promised them, and from the very beginning was never going to be.

take the perspective issue for example, which effects tone & character immensely. i’ve seen numerous complaints that the show isn’t depicting the trans issues from an internal perspective. which is interesting, since from the very start, we’ve known that was the case. we knew it was matteo’s season, and we knew how very, very closely skam shows follow their protagonists. everything is from their perspective. so i knew it was never gonna be about trans issues from a trans perspective because david was not the main character, he’s the love interest. that was evident from day one ya’ll it’s how the show is structured. and that is Not Inherently A Bad Thing, it’s just not what some of you wanted.

however… druck has stretched the limits of perspective more than any other version. the texts, for instance, are not just the main’s, and do a lot for fleshing out the background characters. also (and this is thematically important) it showed the way outing / spreading of rumours actually happens irl. re-watching the last clip i noticed that they leave matteo’s POV for a second, and “switch” to david as he’s coming down the stairs, realising what’s happening. not so much as to break the consistency of the show’s structure, but enough to make the audience really understand the gravity of what’s happening. it’s done really fluidly and i thought it was a genius way to both keep it matteo’s story, but also, give that moment a much needed trans perspective, because i really don’t think all that ringing distortion sound was matteo’s panic.

and really, i just don’t think a trans person needs to be the main character of the show for it to be good representation. i think they have done an exceptional job of not tokenizing david by making sure to establish his whole character & his relationship with matteo before his trans identity was confirmed on the show, in the exact same way they do with the other evens and their mental illnesses in every other version. and honestly, when it comes to trans men, there’s very little media stereotypes or negative tropes that they could have conformed to because there’s not enough representation yet for those to have actually formed. like, we know druck won’t kill david off, and i don’t really know any other tropes that exists for trans men in storytelling at the moment. a lot of the show is covering new ground subject wise, they don’t have a script to follow, so some minor blunders are to be expected.

over all, the fandom jumps the gun every damn time. the show decides to have conflict or deal with a social problem and everyone looses it, as if that’s not been the entire ethos of skam since the OG. skam / druck is a teen show that deals with identity issues. every season picks topics to educate on through the story, and they do it with a lot of care and research.that’s the whole deal, it’s why the show exists, fucking of course they aren’t going to brush over trans issues, it amazes me that people thought they would, and that there would be no conflict and it’d play out like fanfiction fluff. here’s another really good post about it.

so obviously, this season is about about being gay and being trans, but specifically about outing, and has stressed this theme all the way through, way more than any other version. so friday’s clip is what i’d call a natural culmination of theme and narrative. in terms of the queer experience, and the trans experience, i think it was a very good idea to take on coming out / outing as a central thematic and narrative through-line, because it’s one of the central things gay and trans people have in common. and then analyzing them both in comparison and contrast throughout the story, really works and makes for good fucking writing, pacing and - yup, you guessed it - consistency.

i find the choice to situate a trans man as the love interest, and therefore, an object of desire, incredibly subversive. and though yes, stories with trans protagonists are lacking, literally any form of story where trans people exist is lacking, and the creators of druck wanting to tell a story about what it means to love & be in a relationship with a trans person is just as important a story to tell as any other, and complaining about what “type” of trans story is more important to tell first, or which aspect of trans existence to highlight more, is ridiculous. at the end of the day, one story cannot cover everything, and the writers had to make choices as to where their focus would lie. and there’s literally nothing wrong with their specific choices in subject matter (being trans in the context of relationship & outing, mainly), other than personal preference.

so like i said in my previous post: wanting a comfort show where trans characters exist, but the trans experience is not plot-relevant, is fine & cool. i really want that too, but not here. getting angry or upset that druck did… exactly what skam shows do… is stupid. and then turning around and blaming your dislike, which is born out of judging a show by the wrong genre standards, on “bad writing”, is just plain wrong. this show is amazingly produced. just… c’mon guys. chill.

(also @ every weird cis person in the tag giving fuckin condolences & saying their askbox is open if someone needs to talk…… stop. literally nobody asked. its so weird. we didn’t put a call out for you to be upset on our behalf. its just a tv show. like its super important rep for us… but its also just a tv show that people can just not watch if its not your cup of tea.)

tl;dr the friday clip was fucking good and made sense because druck is well written, acted, researched and produced, is really not transphobic (in fact i’d say it’s pretty subversive), and it’s also not the creators fault when you’re disappointed by the direction taken in a show that was crystal clear what direction it was headed into!

#druck #ask #well fuck me this was long #please don't @ me i'm tired #mammamiau

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pestopascal · 5 years ago

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2019 Writer’s Round-Up

Tagged by: @erintoknow

Tagging: @vex-derolo plummmmyyyyy

Word count

according to my calculator and ao3 for actual put online and therefore living exposed, it’s pretty much entirely compromised of FHR, at 108,094. i’m pretty sure anyway i mean ao3 says 147,249 so we’ll just go between those two numbers because idk whatever it’s too early.

a solid year i think, all things considered.

Number of smut scenes

lmao too many to count. i have a bloody multi chap fic thats just different scenarios and i would say a good 50/130 chapters is smut, short things but smut, then in the multi step one at least like a generous 90/103 and then politely add another like. 20 on top probably. scattered about.

sex is rly easy to write, but it’s more the emotion and making it seem a lil more real, like having people laugh through it, cramping in weird spots, loss of drive, getting interrupted, etc. that’s the fun part about it. also it does like absolutely nothing for me i just slap words on a page and move on

New things I tried this year

second pov. never really had an interest going into it, but i think i did pretty well in the end. now its hard just switching back to writing third pov lmaoooo and tried out writing action honestly.... twas fun. maybe a lil bit of venturing into freaky stuff. it was fun writing logan and heartbreak

that’s pretty much it probably. i cannae think of anything i tried different besides that.

Favourite thing I wrote this year

i cannae pick favourites. i dont even remember what i wrote. counting the word count made me go ‘oh i did that? cool’. hrm okay maybe the more spooky stuff for logan that was fun.

my fave stuff would probably have to be the stuff i wrote for friends. either with our ocs or like canon x oc or whatnot. idk. i like making ppl i care about smile. and by that i mean mostly the private stuff that i didnt post online. a few chaps of bde sure but mostly just the more personal stuff.

Favourite fic I read this year

sry i read like. nothing. i dont read fanfics much..........................

Writing goals for 2020

murder mystery, finish my nano since i blew past the goal and turned it into something fucking longer, and do a few more other fanfic projects ive had in mind for a while. go thru my notes. finish wips. the usual shit.

Words of Thanks

ok this is gonna sound rly like. bad. im still vodka drunk let me live but i cant tag everyone like. not to get emotional on main but this yr was a ride and i wrote a lot and tried a different pov and i mean the server was shit but hey. met some absolutely amazing ppl and yknow. shit was wild. had some truly memorable moments, made a bunch of great friends, and am idk. whatever. insert a bunch of sappy stuff here like they get out of emmy award shows. my brain isnt working.

#*#this is short bc im sitting here like wooooo everything kicked in again #lmao anyway

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hardlyfatal · 5 years ago

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gary’s writing workshop: lesson 5: point of view, part 1

Defining Points of View

Points of view, which I’ll refer to henceforth as POVs, is the narrator’s position in describing the events unfolding in a story. POV filters everything in a story, so if you get it wrong, the entire thing is compromised. There are four types: first, second, third limited, and third omniscient.

First, let’s go over why they’re named as they are. Linguistically, grammatical person is the distinction between who is participating in an event. If a person is by themselves, to whom would they speak? Themselves. They are alone, there’s just one of them, so they are the first person.

If they are speaking directly to someone else, instead of one person, there are two. The other person is the second person.

More than that, by default, is three or more, so if the individual narrating isn’t first or second, all that’s left is the third person, of which there are two kinds1.

Note: This explanation is solely to explain how the terms came to be called this. It does not mean that scenes with one person must be done in first, with two people in second, and 3+ people in third.

So what does all of this have to do with us? What does it mean to us as writers of fiction?

Narrative Modes/Voices

POVs are also known as narrative modes or narrative voices. I’m still going to call them POVs to make it easier for us, though.

1. First person:

When the story is told by the narrator, filtered through the protagonist as if they’re telling it themselves. “I” tells the story. The character relates the story directly, using the pronoun “I” but also sometimes “we” if the narrator is part of a group. “We” should only be used very sparingly.

Pros: It mirrors real life, as we experience our lives only from our own POVs and think of ourselves in terms of “I” and “we”. It creates a clear and direct connection with the reader, and thus also sense of immediacy and intimacy. Excellent for getting the protagonist’s opinion of their own appearance – you get a front-row seat to how they sees themselves, through the filter of their own experiences and conditionings. Their looks could cause them pain… or pleasure, if they think they’re hot stuff.

Cons: Like all limited POVs, you’re pretty much restricted only to scenes showing what the protagonist experiences. Using “I” all the damned time can quickly become redundant and repetitive, and there’s no effective way to make substitutions for it. It’s harder to establish who, exactly, “I” is so you have to take care to pinpoint the protagonist’s identity at the start of the story, and it can feel awkward2.

There’s also a risk of too much introspection, to the point of claustrophobia since we lack exposure to any other POVs besides the primary. The character has to be particularly strong and compelling to sustain interest throughout the story. There’s a danger of the author inserting too much of themselves because it’s easy to slip into that when you’re writing a lot of “I” statements.

Examples: The Hunger Games series, The Adventures of Huckleberry Finn, Jane Eyre, To Kill a Mockingbird, The Great Gatsby, Moby Dick, and Rebecca.

2. Second person:

When the story is told to “you”, where “you” are one of the characters. It’s pretty rare to see this in published fiction, usually just when someone’s trying to be artsy, but more frequently in fanfiction, where it’s used in “you are the OFC paired with (Favorite Hot Dude) stories that don’t even try to be anything but blatant self-inserts. Gotta give them points for honesty, at least.

It works best, IMO, in an epistolary story, such as Part Two of my None But You series, where the characters were writing letters to each other. The letters were written in second person, with the assumption that the letters’ authors were directly addressing the recipients. Dracula by Bram Stoker is primarily an epistolary novel and much of it is written in this way as well.

Pros: It creates a feeling of closeness and intimacy between the narrator and reader; it’s as if the former is speaking directly to the latter. It makes the writer less likely to yammer on about backstory or engage in overlong or unnecessary flashbacks.

If your aim is to render the narrator oblivious to or disrespectful of boundaries, or to describe a dynamic between two people that is intense and encompassing, this is an excellent way to create that ambiance and hammer home the point without having to use the narrative itself; the POV does a lot of the heavy lifting in this regard.

Cons: That closeness and intimacy is kind of intrusive and can feel uncomfortable and downright unpleasant to the reader. It can seem like an assault, relentless and exhausting, since you’re dictating what the reader is supposed to be experiencing, thinking, and feeling. It’s harder to develop secondary characters, and subplots featuring them, because the focus is inherently on the narrator-and-reader duo. It’s weird and uncommon and can be distracting and hard to get through.

Examples: Bright Lights, Big City and various shorter stories by Margaret Atwood, Nathaniel Hawthorne, William Faulkner, and Leo Tolstoy.

3. Third person:

When the story is told about one or more characters: “he” or “she” or, more rarely, “they”. The two main kinds consist of:

a) Third omniscient: This POV has been extensively used in some of the most famous fictional works of all time. The story is presented by a narrator with an overarching, all-knowing POV that sees, hears, and knows everything that is happening at all times, including the thoughts and emotions of each character.

The narrator may not be a character in the story, even, merely acting as an observer from a distance who’s recounting events as they progress. Think of it as someone describing a movie they watched; they weren’t in it, but they know everything that happened, regardless of whether various characters were present in a scene or not.

Pros: It can feel ‘traditional’ in the manner of great works of literature. It gives the author freedom to explore multiple characters in a way that sees the ‘bigger picture’ instead of only what each character would be able to perceive; a forest-instead-of-the-trees perspective. Your voice as the author will end up coming through more strongly than that of the characters; if your intent is to give a sense of godliness, that the story is being relayed by a superior figure who sees it all, this would work well.

The author, and therefore the narrator, is not restricted only to what the character would be able to know because there is no filtering3 through a character to begin with. It can create an ‘epic’ format of storytelling because it grants the author the ability to dart back in time for a flashback, or ahead in time to hint at or fully reveal the repercussions of current events in the story, thus contributing to the forest-not-the-trees big picture feel.

It creates a lot of distance between narrator and reader, thus permitting a more effective and easier-to-write description of events since you don’t get bogged down with as much need for showing instead of telling. If your aim is to create a more remote dynamic between characters and reader, this is the best way to go about it.

Cons: The same distance that makes it easier to describe events can weaken the sense of intimacy and how personal the story feels to the reader, and since third person omniscient is already pretty distant feeling, that can make identification with the characters take a big hit.

Can lead to info-dumping; feels a lot like ‘telling’ instead of ‘showing’ because, as an omniscient narrator, they might know everything that’s happening, but they’re not really feeling as the characters feel, as they act and react to events. Thus it can significantly reduce the visceral feel of the story, and whatever connection the reader makes with it.

If you do try to ‘zoom into’ a character’s feelings, you then have to ‘zoom out’ again so you can either return to omniscient narration or zoom into another character, and all that back-and-forth can create not only a sense of literary vertigo but also make the story feel uneven and disorganized. That same strength of voice, with the author being stronger than the characters, can become a problem if it feels like the story is more about you than them.

Examples: The Da Vinci Code, Little Women, Pride and Prejudice, Brokeback Mountain, the Discworld series, the Lord of the Rings series, and The Scarlet Letter.

b) Third limited: The story is restricted to narration by only the main character(s). In mainstream literature, it’s usually just the single, main protagonist, but in popular fiction, including many romance novels, there are two or more characters who narrate from their POV4. The huge majority of stories are written in third limited.

Pros: This is the best of all worlds; you get the ‘bigger picture’ benefit of distance that first and second persons lack, but also have access to the thoughts and feelings of the characters in an effective, less distant way. Since the majority of fiction is written in this way, it feels effortless and doesn’t force the reader to stretch to comprehend what’s happening. Since the scope of narration is smaller, and the characters only know whatever is filtered through them, the author can write them in ways that make it easier for the reader to identify and connect – enhances intimacy between character and reader.

Cons: Likewise, with the smaller scope, narration loses that all-encompassing sense of time from past through present to future, and of space from events unfolding in a number of places – you’re limited to only what the narrating character perceives in their particular time and space until and unless you switch to someone else.

Examples: the Harry Potter series, the Song of Ice and Fire series, 1984, Cloud Atlas, Ender’s Game, Fahrenheit 451, The Old Man and the Sea, Alice in Wonderland, and The Cask of Amontillado.

Homework

Your homework is that, if you have any questions or are confused about any of it on the first read-through, write out your thoughts to help organize them, and then try to answer them on your own through in-depth scrutiny of the lesson’s contents – see if you can figure it out for yourself, without explanation from me or anyone else.

I’m hoping you’ll have epiphanies because if you can catch on without assistance it will have more meaning and you’ll get a deeper comprehension of the issue. It’s so important, I really want to you get it as well as possible.

Endnotes

1 There are actually more than two but they fit under the umbrellas of either omniscient or limited and only literary analysts actually care and none of us are here to write a dissertation about this shit so let’s just narrow it down to the main two.

2 Many a Mary Sue and Gary Stu is born because a less-than-deft author favorably describes their protagonist in a way that irritates the reader. Plus, how to go about it? Many fall into the trap of the ol’ “looking in a mirror” scene, which ends up seeming narcissistic more than not. It’s been done and done and done a zillion times since the invention of fiction a few thousand years ago – it’s gone beyond trope to cliché and now is universally considered by good authors to be lazy, shitty writing.

3 We’ll be going over filter words in more depth in a later lesson but for our purposes here: they are words that aren’t strictly necessary and act as a layer, or filter, through which the reader must pass to get to the story’s meaning. This meaning as well as urgency and intimacy can create distance between the character and the reader. Words like “saw”, “thought”, “wondered”, “felt”, etc. are filters.

4 Having numerous POVs in a single story is very difficult to keep organized and maintain, and I advise against it until you have mastered just doing two of them, as in a romance novel. I took on five POVs for Desperado, and don’t think I don’t regret that choice every damned time I have to write another chapter.

#gary's writing workshop #writing #writing tips #writing resources #writing references

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capmerthur · 6 years ago

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THE BODY SWAP (final chapter)

It’s all in the title :) Somewhere end S1 (after 1.11 Labyrinth, but pre 1.13 Morte). In a land of myth, and a time of magic, Arthur awakes inside Merlin’s body (and no, not in that way). Alternating Merthur POV. Bonus Gaius. Mentions of Will and George.

Excerpt PART XV:

" Do you feel any different, Merlin? Please tell me it's gone."

The words stab through Merlin like a knife.

"I do feel like myself", Merlin asserts in the most joyful tone he can master while his heart splits in two, answering only the first question because at least then it's *not* a lie - even knowing the words mean the contrary of the truth in Arthur's opinion.

(PREVIOUS CHAPTERS UNDERS CHAPTER XV)

XV. TELL ME IT’S GONE (MERLIN POV)

"Do you feel any different, Merlin?"

Merlin had pondered the night before about how things could turn out, after having lifted the spell - if it worked, of course. And he cannot deny that he had thought, if only briefly, about how Arthur might simply come to accept his magic afterwards, as a new part of him; at least, Merlin wouldn't have to hide such an intrinsic part of himself from Arthur anymore, huh. It would have been a lie, too, though - even a greater one than simply keeping the original truth secret; and Merlin had felt guilty for having even ever entertained the wish for the easy way.

But now, Merlin understands that it isn't even an option anyway to start with. Arthur looks definitely worried. And there is no doubt in Merlin's mind about the answer Arthur wishes to hear, even before Arthur actually pleads for it:

"Please tell me it's gone."

The words stab through Merlin like a knife.

Admitting he has (no matter always or still) magic would only create distance between them now. Not even distance because Arthur might grow to mistrust him (you bet Merlin would never give him reasons to to start with); but simply, literally, a physical distance. Arthur would send him away. Arthur would not allow him to stay - not at his service, not in the castle, and not even within the borders of Camelot. Not because he might be a threat; simply because he wouldn't accept Merlin endangering himself - especially as he would feel responsible in the first place for having brought the trouble upon Merlin. In Arthur's eyes, Merlin going along on risky patrols is acceptable because it is, in fact, Merlin's own decision; but Merlin daily having to risk death in his own home for having magic meant to be Arthur's doom wouldn't be something Arthur would simply let be. That much is crystal clear.

And Merlin just doesn't want to, cannot, won't be sent away.

Which means he will have to lie then, anyway. And even worse: Merlin will now NEVER be able to tell the truth; Arthur will never get to know him - at least not fully. There would be no going back. Confessing the truth later on would only put a spotlight on the fact that he lied now...

Merlin though doesn't even hesitate. It's not only that he doesn't want to leave Arthur's side. It's also, simply, that he can't and won't have Arthur worry on his behalf.

For about three weeks, Arthur tests him - tests *it*. Making Merlin fall, throwing things his way - anything to trigger a defensive mechanism reaction. It's lucky Merlin has years of practice about refraining his magical surges, or he probably wouldn't have lasted an hour.

It settles though finally, once Arthur allows himself to believe Merlin is 'his usual self indeed'. The smile on Arthur's face as he speaks those words is both the most heartwarming and the most heartbreaking thing Merlin has ever seen.

THE END

THANKS AGAIN FOR YOUR AMAZING SUPPORT EVERYONE :) I HAVE SO MUCH FEEEEEEEEELS FOR/ABOUT THOSE TWO IDIOTS AND I HOPE I MADE THEM JUSTICE...

BACKSTORY : WHO THE HELL DID IT ? (I'M SURE YOU ALL WONDER...)

1) I could have gone fluffy (Merlin thought about having Arthur truly knowing him, or understanding what it is to be him, or something, before falling asleep, and his magic interprets it poorly and messes up. BUT Merlin is too attuned to his magic, he deals with it since his birth, that sort of magic blunders clearly belongs in the past...

2) I could have gone naughty (Merlin dreams about Arthur being inside him and him being inside Arthur in a physical way, and his magic interprets it poorly and messes up. But 1) see 1, and 2) Merlin imo just DOESN'T permit himself that sort of thoughts about Arthur. No way. He is so DEVOTED to Arthur, it would feel like disrespect, especially as soon as in S1. (He will long as time goes by for more contact and closeness though - but I think Merlin never permits himself to think further than the fact that he longs; instead of the specifics of what exactly he might long for). Also, to begin with anyway, imo Merlin doesn't permit himself that sort of thoughts about anyone in general too. I think he's honestly cautious about sex, because it includes losing control, which means his magic getting revealed somehow (how do you think Will ever found out, huh? Headcanon time: Will is older and tells him once about masturbating feeling like magic and Merlin tries and makes a butterfly and the next time he sees Will he's like 'wow, you were right, i made a butterfly' and Will is like ?); so it's just a BIG NO, with everyone and all the time. (It also explains in part too imo why he falls for Freya - she knows magic too, therefore not only does she understand him without need for justification and explanation, but also she is a potential mate, physically too - with her, it's safe. And as the prophecy says Arthur *will* be king, as long as Uther lives he should be alright, technically, so Merlin thinks maybe he CAN have it all after all, somehow - go with Freya until the time comes for him to return at Arthur's side...)

SO: IT'S NIMUEH.

The boys got it all wrong. No one is after Arthur, neither his body, neither his mind... It's just Nimueh coming for *Merlin*.

She understood Merlin has magic in 1.03, and decided he must be gone, in order for her to have her revenge on Uther = 1.04

But Merlin survived (as she realizes by 1.09)!

So to be rid of Merlin she switches Merlin and Arthur (=this fic) - that way, Merlin can't use his magic (and Arthur neither, because you don't learn how to deal with magical abilities overnight... normally at least, she has no idea about how powerful Merlin's magic is) - and she sends the Questing Beast (begin of 1.13) after ARTHUR'S BODY (because it is in fact Merlin) (and it's not kiling Arthur, as he can live on in Merlin's body...)

But, when later in 1.13 Merlin comes to her to beg for Arthur's life, she realizes that Merlin is still in fact in his body, which either means that he is too powerful for her to put a spell on him, or powerful enough to have find a way to reverse the spell even without his magic, which can only means that Merlin is Emrys, and she wants to bring him on her side more than kill him, now that she knows of his importance. And as she wasn't as she says supposed to be the one killing Arthur, she agrees to help (but cannot take Merlin's life, knowing he's the almighty Emrys, so takes his mother then Gaius instead as she doesn't really mind who goes anyway...)

SEE? IT MAKES (SOME) SENSE (And gave me the perfect opportunity to use Bradley's idea, because honestly - WHY DIDN'T THEY USE IT IN THE SHOW! I'm not that much into body swap in general, but in this MAGICAL universe to start with, and with those two idiots? It just works. SO, for the last time, everyone, say: THANK YOU BRADLEY :))

(By the way, as we're at it, another headcanon: it is more guilt than love that drives Uther / Ygraine. The questing beast was supposed to come for him - a price he had been ready to pay to have a legitimate masculine heir. But Ygraine sprung in between or something, saving him and dying. I cannot buy the love of my life thing knowing he cheated on her behind her back; and guilt is enough of a vicious motivator on his own too...)

(PREVIOUS CHAPTERS)

I. AWAKING (ARTHUR POV)

Arthur awakes; lying on his back - unusual - and rolls over automatically.

He surprisingly falls, down, hard; and jerks fully awake now - on the floor, near a so very tiny bed, tangled in an unknown blanket (harsher than his standards, even while on errands, he can’t help but notice).

In disbelief, he eyes his surroundings…

Where is he? Has he been abducted?

Think, he admonishes himself - trying to clear his mind; to remember what must have happened, to guess who has dared to commit such an act, and, most important of all right now: Find a way out.

His eyes then suddenly meet Merlin’s, and relief surges through him somehow - Merlin is alive - before his anxiety returns; and double: because poor faithful, loyal Merlin has obviously been taken too; and it’s Arthur’s fault - he must have failed to save them both from being taken, even though he cannot remember anything…

Except when Arthur reaches out to Merlin for him to come closer (they need to share information and plan, but must be quiet as a mouse), he realizes with fright but indeniable certainty that Merlin is in fact a reflection in a mirror; and worse: *HIS* reflection!?

It his NOT his hand indeed that is stretching out in front of him; NOT his clothes on his person; and definitely NOT his own hair falling upon his eyes, as he notices the black strings in his vision range…

Arthur is dumbstruck. He sees Merlin’s mouth shaping a silent O, and he sees the dread in Merlin’s eyes… except they ARE - he feels - *his* mouth, and *his* eyes; and everything is just plainly wrong, and plainly impossible - but undeniably REAL.

He is… Merlin? Or better said, *inside* Merlin? How can such a thing have even come to be?

Sorcery, Arthur understands with horror: Camelot is under attack!

But now armed with the knowledge of his predicament, Arthur realizes he is actually in Merlin’s bedroom. He’s been in here before, once; and he recognizes it all now.

So. Not abducted. All things considered, that still counts as something, right…

And, as it surely doesn’t feel as if Merlin is still somewhere in his own head too while Arthur is inside of it, well… Maybe? Logically? Merlin might then be in return inside his own body?

Arthur suddenly finds himself praying for this to be true. It would be for the best, if Merlin was in his body - if they were the only ones concerned by this unnatural situation; because what if *everyone* was awaking inside someone else’s body this morning? That would be… precarious - the general panic leaving Camelot completely vulnerable to whoever must have plotted this? The worst though would be if the one responsible for this was right now in control of his body, and acting as Crown Prince to do, well, evil deeds… So yes, you bet Arthur truly wants to find Merlin to be the one inside his own body when he finally finds it.

Arthur jumps on his feet, ready for action. Luckily (even though Arthur feels a bit guilty, as he notices his armour in pristine state against the opposite wall - apparently Merlin has been polishing it late into the night then) Merlin hasn’t bothered to undress before falling asleep.

So. First thing first: he has to go to his chamber.

Picking some weapon on the way for good measure, you bet …

Simply walking the few paces to open the door though turns out to be a challenge. His limbs are too long, and dangly; it feels like he has two left feet, and he has to try thrice before actually getting a grip on the handle - because he isn’t used to this body, of course - but maybe it is truly NOT Merlin’s fault if he trips over his own feet that often after all…

Gaius is already out - hopefully looking for herbs and not wandering out of his mind… Arthur would have preferred to be able to test right away his theories about how many people were affected by the damn body change; but unfortunately, it would have to wait some more.

The corridors are empty too, except for a stray black cat who walks at his side long enough for Arthur to start questioning himself about asking to the cat if he *is* Merlin - because Merlin HAS to be somewhere, right, as he obviously isn’t where he should be to start with; but then the cat takes another turn… Arthur feels stupid for worrying so much about his silly manservant - but he cannot deny that he definitely will worry less only after having indeed finally found said silly manservant.

Arthur relaxes slighthly though when he enters the kitchen: people are working as usual, apparently not in shock, apparently in their right bodies. He picks up the first tray he finds, along with an extra knife that he hides in his pocket for good measure.

He tries to put on a confident grin as he walks (with the most assurance he can muster in this awkward-feeling body) towards the guards at his bedroom’s door - and can only hope it will look the same as usual to them. They let him pass without trouble, and Arthur isn’t sure whether it’s a good thing. On the one hand, he *doesn’t* doubt Merlin - he simply, intrinsically doesn’t; and would never want him to feel like he did if his guards were to search him whenever he was about to enter his chamber. On the other hand… well, it isn’t Merlin right now entering his chamber, with knifes at the ready… This time, it’s only him; but what if it happens again, and if the one then inside Merlin’s body has ill intentions…

Deciding not to dwell on this for the time being, Arthur enters his bedroom - hoping to find Merlin doing whatever Merlin always does, but preparing for a fight, if need be…

II. AWAKING (MERLIN POV)

Merlin awakes as if in a cocoon; literally. He is surrounded by softness, flush, warmth; he cannot remember ever feeling so comfortable - and the world can wait for just another few seconds before he opens his eyes, right… Merlin wriggles, shifting on his back, sighing softly as he nestles some more into the cushions…

When Merlin awakes for the second time - culpability sinking in as he realizes he has overslept - his eyes open to a Pendragon red canopy he would recognize even among hundreds. Merlin freezes: what the hell is he doing, sleeping IN ARTHUR’S BED?!

Merlin sits upright at once - blankets falling all around him to reveal that he wears ARTHUR’S NIGHTGOWN too ?!

Whaaaaaaaat?!

This… just DOESN’T make any sense. The last thing he can remind is sitting on his own bed, polishing the last bit of Arthur’s armour before letting himself fall down to sleep (*AN). He surely doesn’t recall walking to Arthur’s chamber, and even less…

Merlin’s mind is reeling as he shuffles out of bed as swiftly as he can. Oh my… What is Arthur going to think? And come to think of it - true panic now creeping down on Merlin at that thought: *WHERE* is Arthur to start with?

His attention is drawn out right then by Arthur calling out his name (Merlin feels relief, no matter his current embarrassing situation) - in one of those thousands yet unmistakably always Arthurian ways to say his name: a myriad of moods and meanings in those simple two syllables - the voice sounding odd though this morning (is Arthur sick?), and tensed (well, he just found his manservant in *his* bed, that might explain it!).

Merlin turns to face his sovereign, trying to feel less self conscious because he mustn’t look guilty, while wishing for inspiration, and buying time until it hits: “There is actually a perfectly valid explan-”

But it is NOT Arthur he sees: it is… himself? His breath catches as ‘utter confusion’ gets a new meaning, you bet…

At the same moment, Merlin notices suddenly just how *not his* his voice has just sounded, and how he’s wearing a very particular ring around one finger of what’s NOT his hand, and how *blond* hair is falling upon his eyes… And still nothing makes sense; but at least it *does* explain how he awoke in Arthur’s bed in Arthur’s clothes: he *is* Arthur?; and… Arthur… is him? MUST be him. He has been calling his name right the right way, right?!

“Sire?” Merlin barely dares to breathe out, both in wonder and in plea (because Arthur CANNOT be gone - the fear and pain and simple *impossibility* of such a concept slicing through Merlin’s mind like a knife).

There is a bright smile then appearing on his face - a smile that doesn’t entirely look like his own though - “Yes, Merlin. It’s me,” followed by a relieved sigh: “And it’s you”. And, despite the shock about them having apparently switched bodies (?!?!), Merlin can’t help but feel warm all over - because Arthur (and yes, it is so clearly Arthur, even in HIS body!) has apparently been worried about him.

(*AN) Headcanon time :

Merlin uses magic to clean Arthur’s armour in the beginning, indeed. And he still uses magic for most of the chores, as much as he can, of course (washing clothes, mending clothes, emptying chamber pots, sweeping fireplaces, preparing baths, refreshing beds, cleaning floors, cleaning everything, really (except for mucking the stables, because there are always others around, grrrr). But he quickly grows nearly *maniac* about Arthur’s food (picking at it as a way to make sure it’s not poisoned etc…) and about Arthur’s armour: it’s one of Arthur’s protections - so you bet Merlin definitely cleans and polishes and repairs and oils the leather ligaments that hold it together and EVERYTHING the hell out of it, with extra ardor and fervor, with his own two hands, all the while continuously trying to put on it any protecting spells he ever finds, and repeating those over and over at each occasion… Also, mirrors were probably not so advanced at the time… But let’s say Merlin has an enhanced one, after all he has magic, right…

On a side note, I’m never going to be over Arthur’s priority-thinking (I’m in trouble = CAMELOT IS UNDER ATTACK (babyyyy let me hold you - being Camelot Prince/King is NOT your only worth) and Merlin’s priority-thinking (what the hell is happening = WHERE THE HELL IS ARTHUR (babyyyy let me hold you - your devotion to The (brave, kind, admirable (shut up Merlin)) Prat doesn’t have to mean that you always must come second (and a bit self-preservation cannot be harmful)) *SIGH* I just love those two idiots so much !!!

III. DISABLED (MERLIN POV)

But soon, Merlin is terrified.

And not because of the puzzling body swap.

*HE HAS NO MAGIC!?*

(Not that Merlin knows of any spell to reverse their current situation at once, mind you; so he doesn’t actually try anything about it. But Merlin simply knows: there is nothing but blood running through his veins now - no vigorous warmth, no energic flow; there is simply nothing singing under his placid flesh, as he focuses on it.)

He cannot help but wish he’s wrong though, and desperately tries to move a quill on Arthur’s desk behind Arthur’s back - the simplest of things, really; yet he fails, indeed…

His magic is tied to his body. Not to his mind.

No, no, no, no, nooooooooooo.

Merlin is, to his core, *terrified* - as he has never been. Not only because he feels more powerless and utterly helpless than he has ever felt - and worse, unable to protect Arthur! But also because the longer Arthur stays in his body, the more chances he has to find out that he has magic!? (And even though Merlin has nearly told Arthur, once? He is still not ready for him to know right now… Will after all didn’t lie to protect Merlin’s secret on his deathbed for Merlin to take chances with his life so soon after…)

Merlin though decides to push his panic aside for the moment: he simply MUST focus. No matter which sorcerer has this week decided to deal with the Pendragon line once and for all, Arthur’s life is undoubtedly in the balance; and that’s dearer to Merlin than all the magic in the world - included his own.

Because Merlin’s life *has* tilted, on that rocky beach by The Great Seas of Meredor.

Merlin’s earnest readiness to lay his life down to save Arthur’s had been instinctive, beyond doubt visceral; and the concrete force of the impulse had surprised him. Because it hadn’t been related to his first supposed then anyway indeed wished upon destiny. It had merely been a reflex, a spontaneous reaction: what he had wanted to do; more than what he ought to do. And Merlin had realized right then that he had, somehow, but undeniably, actually come to *LOVE* Arthur? He had known, for some time, that he liked him. And he had felt oddly pleased when Arthur had turned up at Ealdor - maybe Arthur liked him too? But if your first thought when someone is threatened is ‘I’d rather die than see him die’? Well, there is a kind of selfishness, even in seflessness, that goes beyond ‘liking’, right…

It shouldn’t have been such a shocking revelation though. Sure, Arthur could be a spoiled, royal prat; an irritating, pompous ass; an arrogant, moronic bully - to list but the top of the iceberg of his massive shortcomings, and without even mentioning the complete dollophead he could sometimes be. But Arthur could also be truly brave, honest, and kind; willing not only to trust but also to actually defend the words of mere servants, ready to defy his father’s orders in order to save a child’s life, and volunteering to help a village not even belonging to his Kingdom, to note only a few examples. Also: at some point, Merlin had realized how what could at first appear as near manhandling tactility was in fact just Arthur’s disguised way to show (or ask?) affection (because one probably just doesn’t walk around asking for cuddles while growing up between Uther’s judging cold glares and Morgana’s sharp witty tongue; and the physical occasional playfulness of the knights training must have seemed like the only way to go…). And last but not least: Merlin owed Arthur his life - if Arthur hadn’t gone looking for a Mortaeus flower… So, in short: of course Merlin had gotten fond of the man. For his own values; and not because he was meant to be the other side of his coin or something. And notwithstanding how so annoyingly beautiful he always was (for the record on that particular subject: Gwen is so adorably beautiful, and Morgana so petrifyingly beautiful).

But, as Arthur - bound to be King one day Arthur - hadn’t even hesitate before choosing to sacrifice himself, in order to fix what he had recognized to be his error, instead of using the (even offered) life of a simple servant? Well… There is a difference still between having the conviction that Arthur is a good man ready to fight for the greater good, even knowing it could be his death; and knowing as a FACT that Arthur *is* a good man ready to *die* for the greater good, even knowing it *will* be his death. And you bet having been proven *exactly* how pure of heart Arthur intrinsically is has only cemented that burgeoning love deeper into Merlin’s heart - simply; truly; and maybe irrevocably. Merlin would now willingly die a thousand deaths to save his Prince.

(Feel free to shout with me about 1.11 because *MAJOR FEELS*!)

(And then hug me as I shamelessly cry because this is still NOTHING next to what’s to come - aka Arthur becoming ACHINGLY beautiful, as Merlin turns ready to KILL a thousands times to save his King, blackening his own heart in the process and thinking himself then unworthy of Arthur’s love because Arthur is just so BRIGHT; but wishing for it nonetheless?)

IV. PLANNING (MERLIN POV)

Arthur, miraculously (even though understandably; because he must be shaken too, right), is unaware of Merlin’s internal crisis as he shares what he’s uncovered until now: “It seems to be just us. The kitcheners and the guards all seem to be themselves.”

“So. Whoever has done this is targetting you - personnally.”

“Nice to see your wits are still so very particularly sharp, Merlin. Is there any reason for the one behind all this to be targetting you?”

It is beyond odd to *hear* Arthur’s usual tone in his own voice; but Merlin still has the grace to sigh, before pushing his point further: “But why you?”

“Well, obviously *you*’ve forgotten, but I am Camelot’s Crown Prince, responsib-.”

“Which is exactly what’s bothering me!” Merlin can’t help but interject. “Why take on the Prince when you can take on the King?”

“Oh… Do you think… Could someone be… training on us, then? Before attacking-”

“I honestly have no idea. Maybe you got targetted indeed because you’re head of security. We shouldn’t rule anything out.”

Arthur brings his fist down on the table, determinedly: “Well, whatever the evil plan might be, we just cannot permit for it to work. We’ll have to find a way to stop this nonsense - no offense. In the meantime, we must act as if nothing unusual is going on. It might be for the time being our best chance at keeping Camelot safe - making whoever planned this think the spell didn’t work?”

Merlin can’t help but let out a helpless (yet realistic) sigh: “That’s… a lot; on both accounts.”

Arthur echoes with a helpless sigh of his own: “I know.”

But if they are to keep up pretenses, Merlin is going to need to be prepared: “So. What’s on your agenda for today - besides the monthly open pleas this morning and the daily training this afternoon?”

“Nothing particular. And there are no coming feasts nor abroad visits planned for the coming time, thankfully. (worried sigh) But there’s concil, tomorrow.”

“Well, let’s start at the beginning. I should do fine enough for the pleas. It’s mostly your father’s duty; your presence is required, of course, but mostly you’re to hear and listen…” Fear grips Merlin at once: “But it’s public; so it would be a great opportunity to try to murder you!” He MUST protect Arthur’s body: “Will you please go fetch your chainmail in my room?”

“No.”

The tone is definitive, and Merlin is torn between begging, or growing impatient - because Arthur can be so obtuse sometimes (now really isn’t the time for Arthur to be feeling indignation about being ordered around like a simple servant; even though he *is* one at the moment - not that Merlin would ever think he was one, of course - but what if Arthur thinks he does and enjoys the chance at some payback?): “Arthur, please (again?). It’s the expected type of errands of the body you momentarily (because it MUST be momentarily, right?) inhabit - I can’t - You’re the target. I need your chainmail. I have no fighting skills, nor any kind of skills really to protect yo-”

“I cannot be seen wandering the castle in my chainmail without reason, Merlin; it would attract attention”, Arthur interrupts in a somehow gentler tone; and Merlin realizes that Arthur hadn’t registered at first how Merlin’s concern was about him, more than himself - and is obviously humbled by the thought. “Court clothes are required, anyway. We’re not supposed to look threatening, nor threatened, when our subjects come to present their wishes,” Arthur pursues, killing any possible protest in the bud. “Besides, the guards will be present. So don’t worry too much about anything happening to us”, Arthur ends in a lower voice; as if the last part had been more a thought to reassure himself than a phrase meant to be uttered - and Merlin just has to savour that precious ‘us’…

Merlin though isn’t reassured enough about his Prince’s safety: “Please (yes, that’s thrice; adamant much?) Sire, at least allow me to wear your thickest leather under your tunic” - willing his voice to make it sound like a not-to-be-denied demand more than a true question.

Arthur holds his gaze; and it actually feels like a blessing when he finally relents: “As you wish; but it won’t be comfortable against naked skin.”

“I’ll manage.” Merlin can’t help but fidget some before pursuing - asking Arthur to do what is and should be *his* work feeling not only weird but even wrong: “But I’ll need your help to tie it in the back?”

Arthur dimissively tousles his hair, grumbling: “I *know*, Merlin.” 'My clothes’ going unsaid.

Merlin can be relieved about one thing, at least: Arthur obviously isn’t piqued about doing a servant’s work…

Merlin picks out the largest fitting of Arthur’s clothes. He puts on the braies and trousers while still wearing the gown, respectfully tying the belt blindly around his waist. He puts on socks, and shoes. Then only does he take the gown off, and turns his back towards Arthur so that he may help with adjusting the leather’s straps.

A surprised but definitely pleased whisper (“Impressive, ain’t I?”) echoes in Merlin’s ears, as the Prat Prince seems apparently unable not to comment about his damn broad back, angling Merlin shortly that way and this way as if to assess it even better.

'Believe me, I know’, Merlin can’t refrain from thinking; feeling a blush coming over his face, and thankful that Arthur is too busy looking at his own back to notice any of it.

“I think I might even have outgrown Sir Leon - in width at least if not in height”, Arthur concludes proudly before finally starting to work the ties - leaving Merlin suddenly ashamed of his initial internal reprimand, and oddly upset. Of course Arthur would only wish to see in his physique the strength of a warrior. Of course his first thought, when finally able to actually see his own back, would be to compare it to his given models - the Knights; and most of all among them, to his own chosen model, Leon - both the noblest and strongest of them all, yet young enough to play the part of the older brother Arthur could look up to while growing up… No one has probably ever told him that he is beautiful, Merlin realizes sadly. But the fact that Arthur is so unaware only makes him even more beautiful in Merlin’s eyes…

Merlin forces himself to tease Arthur, hiding his turmoil under their usual banter: “Well, I could ask Gabriel to take measurements, if you so badly wish-”

“Shut up, Merlin”, accompanied by a rewarding hit in the back of his right shoulder, which Merlin gladly revels in, no matter the unusual fist size. This, no matter their predicament, feels normal.

And in that short moment of normalcy, when everything feels just right as Arthur ends tying the leather, Merlin notices something he hasn’t noticed before, when all he could feel was STRESS.

Oh no.

“Sire?” Merlin can’t help but wince at the intimidated tone in his voice as he turns around; and Arthur is eyeing him now with furrowed eyebrows. “I think I need - I mean you need… to… have to go?”

Arthur makes a face - with his face; except it still looks somehow like a typical outraged Arthur face (damn, this is just too confusing…): “Merlin!”

“He! Do not look at me like this is my fault! It’s *YOUR* body! Maybe you shouldn’t have drun-”

“Well, maybe you shouldn’t have brought a full pitcher at dinner then!”

They eye each other, both unrelenting over who is at fault.

And Merlin can’t help but think that somehow he is, indeed, no matter what. Because there are levels in intimacy; and he IS definitely crossing a line. There is a difference between being around and trying to avoid his gaze when Arthur walks in and out of his bath, or applying Gaius’s healing balm to bruises on Arthur’s back because it’s a place Arthur can’t reach on his own, and, well… watching and touching Arthur’s *manhood*, even if only for urinating, technically ensuring no mess is done while doing it?

Arthur suddenly sighs though, and his voice sounds kinder as he offers: “This will surely happens a few times before we sort it all out, huh. To the both of us. So. How should we proceed?”

Merlin scratches his head, summoning some courage: “Do you want to… hold-”

“Your hand, Merlin!”, Arthur demonstrates, lifting the would-be-culprit in the air and wiggling its fingers for good measure; and that’s a 'No way’ if Merlin ever heard one…

“Would you rather it to be your hand-”

“It’s *your* hand right now!” Indeed. So. Another 'No way’.

But suddenly Merlin has a solution, of sort: “What if I… go sit into the stream? There’s a quiet spot not so far from the castle I found while collecting herbs for Gaius… If I hurry I still can make it back before the pleas.”

Arthur actually claps his hands, obviously relieved: “Sometimes, I swear, you are a genius.” He hurries over, handing Merlin his tunic and grabbing the Pendragon red doublet before marching out: “Let’s go!”

“You’re coming?” (hastening to put the tunic on and grabbing a towel before following)

“Well, as I just said, it’s bound to happen to me - you - so I might just as well tag along, and know where it is.”

Once out of potentially spying ears reach, they plan the day further.

“We HAVE to tell Gaius, at the least, about our situation: no one will contest his word if he says you’re not to train for a while - because honestly how am I supposed to spare with your Knights? They will notice right away that something isn’t right. And, well…”

Merlin hesitates, not wanting to incriminate Gaius in any way. As it turns out, he doesn’t have to:

“You’re right. Besides, Gaius has heard about a lot of… stuff, in all his years. I was planning to go around Jeffrey and look for the forbidden books, but I have no ideas how many volumes are hidden down here, nor where they even *are* to start with… If anyone we know might have even the slightest clue about how to fix our problem, it’s him; even if it’s only about finding an adequate book.”

Merlin nods, relieved: “So. After the pleas, I stage a fall, and we go to Gaius, who tells you’re not to train for the time being. That leaves the rest of the day free, both for looking up about our situation, and briefing me on what I should be aware of for tomorrow’s concil. Do you address things in an established order; who’s whose specialisms; what you discussed by the latest concils which might be brought up again tomorrow; and so on…”

“I’m supposed to make the battle plans, Merlin? But as far as plans go, I have to admit this isn’t a bad one. Except I’m not you; I do not trip on my feet twice a day. So. I’ll make you fall. That’s more plausible.”

“No way! You’ll end up in the stocks!” Merlin realizes how - no matter what he might have been thinking just a few months ago - he simply doesn’t want Arthur in the stocks. Ever. “Which is NOT where you should be spending your afternoon.” Merlin quickly amends; hiding his concern under logic’s sake, knowing it to be the best way to persuade Arthur anyway. “So. You fall. I try to help you. But we both fall. I’m clumsy, as ever; you’re noble, as always; everyone get to laugh at me, and praise you; and your father might skip punishing me for you getting hurt in the process, as you obviously didn’t want me hurt to start with?” (pause, before adding earnestly, yet fiercely, as Merlin isn’t able to tone back the surge of threat in his eyes at the mere idea of having anyone disrespecting Arthur in that way) “If he doesn’t though, I’ll stand guard next to you.”

“Would you?” Arthur seems surprised; but touched: “Well, who knows, maybe I’ll return the favor the next time.”

Merlin can’t refrain a whine: “The next time?”

“Even I can’t save you from my father’s wrath every time; it’s bound to happen, either from your two left foots or your snarky mouth.”

They can hear the water now, and Arthur accelerates towards it, as Merlin lags behind, unable not to smile:

“I guess I’m supposed to say 'thank you’?”

“I might have forgotten to mention I’ll probably throw something in your face myself at the last moment. Prince’s privilege and all that…” - Arthur even turns towards him, giving him one of his goofy faces to boot (Merlin didn’t know *his* face could do *that*, by the way).

Merlin just keeps on smiling anyway. He probably hasn’t felt that brightly, positively, ridiculously happy since “I’m rehiring you - because someone needs to muck out my stables”. Arthur has a particular way to express fondness, and Merlin wouldn’t change it for the world.

V. THERE’S SOMETHING ABOUT MERLIN (ARTHUR POV)

Arthur is the first to reach the stream, and crouches down to test the water with his hand.

“It’s cold”, he warns, while Merlin walks in a straight line towards a tree with a low hanging branch and starts undressing - he does come here often, clearly.

Merlin shrugs: “Be grateful it’s not winter yet. Try bathing around Imbolc - that’s cold.” Merlin goes on; stating an afterthought while hanging his pants on the branch: “Still worth it though; everything here is just more… alive, you know. You don’t get that indoors.”

And Arthur has bathed on patrols enough to know that, honestly?: he prefers his warm baths. He can’t help but feel a smile on his face though at the words; they are so intrinsically Merlin.

Arthur had been struck, when they had met. No one had ever defied him, in any way. And it had stung; Arthur could admit. So. He had not been displeased at all when he had overmastered the fool and turned him over. The affront had been too public to be allowed to slide, and Arthur had decided he wouldn’t dwell a further thought about the goodhearted fool (Arthur knew terrorrizing people wasn’t right. He tended though to react badly whenever anyone acted cowardly (which was, well, all the time, around him); especially as he was actually *praised* for it somehow), but fool nonetheless, who should have known to mind his own business…

It had been nothing though in comparison to his surprise when their paths had crossed again. Arthur hadn’t been able NOT to taunt him - hoping, somehow… But the last thing Arthur had been actually expecting had been for Merlin to act *exactly the same*. Surely, now that he knew who he was, he would just scrabble around him as anyone else - not defy him again, knowing it would get him in chains again, right? Arthur had been *delighted* by Merlin’s untamable fire - the words, and then the look he had thrown at him while taking his jacket off? (Maybe Arthur had just been waiting all his life for someone to finally stand his ground to him, indeed…) Of course Arthur had let him go without punishment that second time - and any time since then (which was honestly difficult, as Merlin - always fighting for what was right more than for himself Merlin - frequently got riled up, be it in private OR IN PUBLIC, by literally anyone and anything).

Since he has been to Ealdor though, Arthur can’t help but see things under a new light.

Hunith is everything Arthur believes a loving mother to be. But there had been no father at home, nor any mention of one. (Arthur knows the sting of this kind of wound - missing a parent; and he had been saddened, as he had realized that Merlin bore such a wound too.) Arthur hadn’t dared to ask, but he had wondered: did Merlin ever got a father to start with; or had he been abandoned - intentionally or not? (Arthur knows how even an accident still feels akin to a betrayal in a child’s heart.) Which would be the worst anyway? But what if Merlin had been bullied through his childhood because of it? - children could be particularly malicious, when they intended to… Was it how Merlin had learned, the hard way, that fighting - both with his words and his fists - was the only way to end the pestering? And had decided it wouldn’t be only for his own sake, but for the sake of anyone who might ever need help? Was it what had brought Merlin close to Will - the fact that they both had lost their father? Was it the reason Will had wanted to learn magic to start with? (Arthur knows the near constant anger, too. As does Merlin, obviously.)

Arthur can’t help but feel grateful anew, somehow, and no matter what, still, that Merlin has had Will around: surely, no matter how bad the fights Merlin had jumped into, Will must have kept him safe - at least safe enough - *with his magic*. The thought had been unbidden the first time it had occured, and had definitely surprised Arthur; but he hadn’t been able to deny that it was what he truly felt indeed.

Because of course Arthur had come to care for Merlin. Isn’t it why he had gone to Ealdor to start with after all…

Merlin.

Definitely not an ordinary manservant. And probably not the champion manservant by any book (fast learner, and smart, and hard working, he was; but only about what *he* deemed important - hence for example his total disregard for any kind of storage? - but Arthur generally agreed with what Merlin deemed important or not anyway). But honestly the only manservant Arthur now could imagine ever having - or ever want to have.

Because Arthur likes Merlin as his manservant exactly just the way he is, and would now never wish for another - no matter (and specifically because of) how well-schooled and zealous to satisfy his every need (and whim) that hypothetic other might be… Arthur now sees what others might judge flaws as assets (Merlin’s clumsiness and chattiness are more endearing and uplifting than unefficient, especially as his opinions always sound reasonable; his sarcasm and insults are a sure way to keep Arthur’s head from ever getting inflated; and his challenging manners push Arthur to do and be better - from training with the knights to saving people’s lifes), and what others might judge insubordinate as being treated, for once, finally, as an equal, somehow (even though they both know and acknowledge they aren’t) - no matter whenever it comes out at Arthur’s expanse too, food getting shoved into his mouth and getting unceremoniously pulled out of bed included in their everyday banter, as Merlin can give just as much as he gets indeed. But that’s maybe what Arthur values the most: how Merlin’s respect feels earned and honest; neither forced by birthright or fear for repercussions, nor cajoling nor calculated.

Arthur has never had a private servant for longer than a year - his Father’s rule; but you bet Arthur is decided about keeping Merlin at his side when the year would end. He will have to strategize; he will need irrefutable arguments. But if he plays his cards well - and Merlin never ceases to hand him over cards to play - Arthur has no doubt that his Father will actually allow it: it’s in the best interest of the Kingdom after all.

Merlin.

A whirlwind. Always animated, always busy; never still, even when he’s doing nothing. But always so expressive - so easy to read - a fact Arthur has come not only to appreciate after decades around perpetually guarded scheming faces, but even to *trust*.

A chatty nature-loving poet with dangly limbs, gentle heart, and the brightest smile Arthur has ever seen - Arthur has come to know. Yet the sassiest mouth and the most unrelenting fighter Arthur has ever met; his utter lack of skills balanced by sheer defiance - Arthur has learned right from the start. (Merlin just never backs off, no matter the odds; which is very stupid, but also very brave.)

A confusing, clashing mess of contraries. But an admirable man, with a beautiful soul.

And you bet Arthur wouldn’t have him be any different.

Arthur shakes his head. Maybe - just like with his two left feet - it isn’t Merlin’s choice to be such a poet all the time. Arthur hasn’t been inside Merlin’s body for more than a few hours, and already he is turning into a maudlin bard himself, huh…

Arthur sighs; bringing himself back to the present - only to be struck by Merlin yet again.

Merlin has by now disrobed of everything except for the leather, which he has rolled up to his chest (logic; it would take too much time to tie it up all once more), and the tunic, which he now holds tightly in a bundle against his chest too, even if (and no doubt exactly because) it must get in his vision range as he enters the water. The lengths Merlin now goes again, simply to avoid to *see* - treating his body with the utmost respect, even when it is betraying him?

It should be insignificant, but the whole endeavour screams once more just how *devoted* Merlin always is, to him; and it is honestly dumbfounding.

He has been willing to die for me. And more than once.

The thought slices through Arthur’s mind; as usual charged with guilt, and heartbreaking, yet oddly sweet.

Arthur doesn’t understand: he has truly done very little to earn such high esteem - and that’s an euphemism. Getting the man in the stocks? Letting him drink poison destined for him? Having his only friend die?

But you bet Arthur cherishes it all the same. And he wants - oh, he WANTS - to be worthy of it. Not because it’s what he ought to do, repaying kindness with kindness, loyalty with loyalty; and definitely not because he owes Merlin a friend - you can’t replace a friend (even if Arthur never actually had a friend, he knows that it’s supposed to be a special, powerful, unique bond). Not even because Merlin does indeed makes him want to be a better man - even if that’s true, and definitely positive for the future of Camelot. But simply because HE. WANTS. TO. Arthur has realized by now how he is always tempted, whenever they are together: either to act silly in order to cause a smile; or to provoke Merlin until he bites. Both reactions feel peculiarly satisfying; spreading a pleasant warmth through his whole being - and Arthur just always has to smile…

So.

On impulse, Arthur disrobes Merlin’s lower half and enters the (indeed very cold) water while holding his tunic bundled up too, keeping his eyes stubbornly fixed on his own body sinking until the water reaches up to above its waist, as Merlin sits on his knees in the middle of the stream. And yes, the fact that Arthur has just chosen to abide by Merlin’s stubborn dedication on that matter, instead of letting his perpetual interest about literally everything run free, for once, (because yes, if he hadn’t witnessed Merlin’s commitment, Arthur might have taken a look at Merlin’s body, out of sheer curiosity; he wouldn’t though, not from now on…), is both a pledge and a self-serving whim.

Merlin, drawn by the sounds, turns to him with questioning eyebrows, and Arthur sheepishly drops on his knees next to him: “I thought it unfair to let you have all the fun on your own. Now, ready to scare the fish?”

Merlin howls with laughter. Arthur decides it’s definitely worth playing silly while freezing his ass off.

(Imbolc = 31 january)

Feel free to come and fangirl with me over 1.01 and then scream with me over 1.10 !

On a side note, I’m sorry but not sorry about that fish line? It was *totally* unplanned but then it just rolled out and I went 'yep, sure, arthur would, totally; it stays!’ ?

VI. THE PRINCE’S PART (ALTERNATE ARTHUR/MERLIN POV)

They get out; get dried; put their clothes back on. Merlin ties the towel to the branch, for future use.

Then, on their way back to the castle, Arthur asks Merlin about his agenda for the day.

Merlin gives him a look - like he’s unsure whether Arthur means it. Arthur gives him a look back - meaning he isn’t joking indeed.

Merlin smiles, eyes full of mirth: “Your chambers are a complete mess, your clothes need washing, your boots need cleaning, your dogs need exercising, your fireplace needs sweeping, your bed needs changing and, oh, *someone* needs to muck out your stables.” Merlin sobers up. “But we have more pressing matters at hand; so I think you can consider yourself free for the day.”

Arthur is taken aback. He recognizes his own words, of course. It’s both baffling and humbling - that Merlin can quote him, months later? and that Merlin has omitted one part and one part only in his old speech, because they both know his armour doesn’t need any repairing (the devotion Merlin shows those metal pieces echoing the devotion he shows to Arthur himself)? Arthur had first planned to give a playful thankful bow; but it would feel wrong.

“So. I’ll go bother Geoffrey. Try to get him to show me where the secret books are hidden. I’ll tell him Gaius has found a strange herb and wants to make sure it isn’t dangerous or something…”

Merlin has to give Arthur that: he is indeed insightful.

The mention of Gaius’s name though has Merlin slightly panicking again: Gaius doesn’t know yet about their current situation. What if he mentions 'something’ upon walking on Arthur thinking he is him? No. Merlin has to be there when they’ll get to see Gaius.

“Speaking about Gaius? Stay clear from his chambers. I doubt he’ll be as magnanimous as I am. He’ll do that thing with his eyebrow and have you pick herbs and brewing healing potions and concocting ointments before you even got a chance to tell him about our predicament - he’s really dedicated in my education as a physician, you know…”

“And I believe you rather enjoy it.”

“I do, indeed. I mean… It’s fascinating - do you know that the same stuff can cure you or kill you sometimes, depending on the dosis? Anyway, who wouldn’t want to know how to save lives?” Merlin can’t help but twitch. “I’m not sure I’m any good at it though…”

There is a flash of guilt in Merlin’s disheartened eyes, and Arthur realizes two things:

1) Merlin feels responsible for having been unable to save his friend Will. Which is understandable, because Merlin must have gathered by now some knowledge from Gaius’s lessons; but heartbreaking - because Arthur has seen enough arrow’s wounds to know that Will’s could never have healed - and perplexing - because Will has died to save *him*, not Merlin; so why would Merlin think the guilt was his to start with? and how come Arthur has never felt like Merlin might blame him for it either?

2) Merlin’s face is always *transparent* - a fact Arthur truly appreciates on Merlin’s face - but a fact that could turn out problematic, now that it’s on his own face…

“Let’s get back to my chambers. There is still something you should master better before the pleas.”

And that’s how Merlin finds himself positioned by Arthur in front of a mirror.

“What do you see, Merlin?” Arthur asks.

“Well, you?” Merlin feels he’s missing Arthur’s point, but he has no clue…

“Do you? Because I see my body, I see my clothes; but I do not see the Prince of Camelot - I’d like to think I play it better than that - and I must be, because my Father would not allow *this* I assure you - at least I hope or the kingdom is doomed.” Arthur ends on a sigh, shakes his head, and then turns commanding eyes back towards Merlin via the mirror. “Close your eyes, Merlin. Think of me. I mean, *picture* me; and more especially, picture me at any official activity you’ve served me through. See how I walk, how I stand, how I sit, how I move, how I look?”

Merlin does as asked, searching through his memories. After a while, he nods.

“Got it?”

“I think?”

“Then open your eyes, Merlin. What do you see?”

Merlin understands now. He can’t help but sigh helplessly. “Not the Prince of Camelot. Obviously. I’m sorry, Sire, I guess I’m just not… majestic enough to play you.”

“It’s not that hard, Merlin. Come on; I’ll explain. Ready?” Arthur grins at him via the mirror, exuding confidence - trust in him?; and Merlin would face (has faced) monsters to earn it indeed.

Merlin nods, their eyes still linked via the mirror.

“First thing first? You’re slouching.”

“Yes. (Merlin tries not to slouch; but is still not satisfied with the result) I think though the biggest problem is- There’s something wrong with your face.”

“Because you wear your heart on it, Merlin; and you mustn’t. Believe me, you do not want to be lectured for hours about this by my Father…”

Arthur moves away, and Merlin can’t see him anymore in the mirror. His voice is directing though, and Merlin focuses on the words to school his face.

“You’re a prince, so you *must* always look like one. No matter what you do, you must always, *always*, look confident. That’s the first strength of a kingdom - the strenghth of its ruler. That’s what keeps your people safe. So. Chin up, Merlin. Square your shoulders. Stand tall - stand *proud*.”

Merlin realizes the words are not Arthur’s; they’re Uther’s. He wonders how often indeed Arthur has heared those words - most probably often enough to give himself a internal pep talk before any official anything apparently…

“That’s better; but still not good enough. No matter how you feel inside must not show, Merlin. When you’re tired, hide it. When you’re sick, hide it. When you hurt, hide it. When you’re stressed, hide it. When you worry, hide it. When you doubt, hide it. When you’re bored, and even more when you disagree; hide it - it’s disrespectful; and we do not want wounded pride to fester, don’t we Merlin? When you’re afraid, definitely hide it. When you’re sad, hide it. And the trickiest part maybe: when you’re happy, hide it too - or risk whatever is making you happy to be taken away: weakening you is weakening the kingdom; and its enemies will never hesitate to bring you down, if you let them see even an inch of an opportunity.”

Merlin is shaken. He feels guilty, somehow. This is, certainly, too intimate. Merlin feels like he’s intruding. This feels even more trespassing than being in Arthur’s body. It’s like being forced in Arthur’s head, without his consent. It’s nauseating.

“Again, Merlin. Your eyes; focus. It’s a part; but it’s part of your job. So for the love of Camelot, Merlin, please try harder. Your people reckon on you to lead them and protect them; so it’s your duty to be a leader, and to be strong. Work hard; harder than anyone else. You *must* be an example, an inspiration. You must be admirable in everything, so that your people will follow you everywhere. But you must lead, Merlin; never follow. A ruler is alone - *must* be alone. Do not trust anyone; at least do not trust anyone more than anyone else, and surely not more than you trust yourself. Your own judgement must *never* be clouded.”

Merlin can’t help but turn towards Arthur at the words, both in disbelief and in ache… Because Merlin has grown up hiding, but he had never realized that Arthur had, too; and maybe even more than him. Arthur must not only always pretend and perpetually watch over his shoulder; he must pretend and watch over his shoulder *alone*. And Merlin can only imagine how hard that must have been, and be. Back at Ealdor, Merlin had (and still has) his loving mother, and he had Will. Even here, now, Merlin has Gaius. And somehow, yes: he has Arthur too, Merlin suddenly realizes; and then feels ashamed, because he can’t help but feel blessed - Arthur trusts him. Because Arthur is definitely less guarded around him, isn’t he? When it’s just the two of them; Arthur and Merlin? Arthur laughs, Arthur doubts, Arthur *shows*; maybe not everything - but that’s probably not possible as he is so trained - but something at least always shines through; even if it’s by putting his feet on his face… But Merlin knows now, how rare and precious it truly is. They can never be friends, maybe; but Arthur trusts him. That’s undeniable; and that’s everything, somehow.

“Do not look at me; look at the mirror, Merlin. Harden your eyes. Smile; always politely, even when you don’t want to smile at all; more genuinely, when it’s true - but never let it go up to your eyes. First thing about tomorrow too; as we’re at it. Hear everyone out. Listen with your full attention to everyone; whether you agree or not. Never decides right away; except if it’s necessary, in war time. Your decisions must be thought upon; never a spur of the moment. If something is unclear, do not let it show during concil. If you favor a position, do not let it show during concil. If you disagree, do not let it show during concil. You need further advice, or even only further information? Seek the appropriate person in private; ask man to man. They will see the honor in it if it’s positive, and be thankful you kept it private if it’s negative. Also. You must be ready to be impartial, Merlin; because you do not need to be kind, but you must always be fair. You may - and you will, unfortunately - make mistakes; but never ackowledge them. Fix them. If you can’t; repair as much damage as possible. Learn from your errors, in order to never make the same mistake again. But never apologize. Come on Merlin; I’m sure you can do it. You’re nearly there.”

More over, Merlin realizes the Arthur he gets to see nowadays - the true Arthur - has always been there already, even under the pretense of the moron. Kilgarrah is wrong. His destiny isn’t to change Arthur; because there is nothing to change. Arthur already has everything to be a great king, the greatest king, all on his own.

And so, Merlin is *angry*. He has now yet another reason to despise Uther, it seems - scarring his child on the inside in such a way. Of course Arthur always feels inadequate; of course Arthur feels lacking; of course the only bond Arthur values is the one with his fellow knights - ride to glory or death, together? It’s the only bond Uther has authorized him to authorize himself to ever have… But Merlin’s anger is a good thing, apparently - because whenever Merlin thinks about Uther, Arthur finds that he’s playing the Prince’s part better.

“There Merlin, you have it. See? Right there. Lock it; just like that. That’s good enough for anyone looking today; because believe me, someone *will* be looking, even if only my Father and not the one who switched us or anyone else with ill intentions - there is *always* *someone* looking, Merlin.”

Fine. Think about Uther; until the pleas are done. Merlin can do it; and he’ll gladly do it. He’ll probably gladly do anything; for Arthur. He can still have a cry or hit a wall afterwards, right…

Arthur needs a hug. I volunteer. Anyone with me? (besides Merlin, obviously…)

VII. DOOMED (ARTHUR POV)

With a last commanding yet encouraging nod, Arthur leaves Merlin by the Great Hall’s entrance and starts to make his way towards the Library.

He is stopped by Merlin’s name being called out twice - because he has failed to react right away; Arthur chastises himself. It is the headmaster recruiting hands: his Father wants his bath ready when the pleas end.

Arthur doesn’t want to bring Merlin in trouble, of course; so he takes on the ordered job - after all, how complicated can it be?

He is paired with a newcomer answering the name of George who looks up to him as if he holds the sun: the Prince’s manservant! Which isn’t that bad. Until he starts, seemingly embarrassed but curious all the same, to ask questions like “Is the Prince as terrible as they say?” or “Is it true he throws knives?” and such? Arthur tries to explain that the training field is, well, to train? He isn’t sure the message gets across though, as George only holds his eyes with a perplexed gaze…

Arthur can’t help but hope that Merlin at least understands that he’s not only training himself but also trying to get Merlin to know how to defend himself if not to attack whenever he comes at him with a mace or anything… He should maybe make his intentions clearer, apparently…

Anyway. After yet another round of carrying buckets full of cold or warmed-up water up and down and left and right, Arthur realises there is more to it than it looks; and the bath is only half full still…

And when they’re nearly done? His three coworkers and the headmasteer seem satisfied, but Arthur can’t help but think while bringing up the last two buckets that they achieved nothing more than a luke warm bath with a clean but no particular scent. Merlin’s baths are definitely of a superior category on both accounts, and Arthur doesn’t know if he should feel guilty and spoiled for regularly enjoying better baths than the king himself, or more amazed or worried about Merlin’s bath-preparing skills (is he even thinking about his safety? he wouldn’t actually carry boiling water up the stairs, would he?)

Arthur decides he should address the issue. And maybe take baths downstairs from now on just in case - a little backroom near the kitchen would be more practical than his chambers, wouldn’t it? When the space isn’t needed for banquets preparations and such of course…

Arthur misses the first step towards the second floor (it’s actually the eleventh time today that he misses a step - he still isn’t used to Merlin’s feet). This time though, his balance is too lost for him to compensate and he falls backwards, landing on his butt and ready to get soaked and hit by the water and buckets he has released when instinctively freeing his hands (one to help catch his fall; one to protect himself from the falling projectiles). Except nothing comes: no water, no hit - and no falling sound either. And when Arthur takes a look? The buckets and water are… floating above his head?

Arthur gasps in surprise, his mind going both blank and reeling…

Then only does Arthur finally get drenched and hit on the shoulder.

Arthur blinks. Twice.

What has just happened isn’t normal, at all. Only - only magic could make such a thing possible!

Arthur looks around, instinctively - scanning for a threat.

He is alone; the corridors are empty as far as he can see, and he hears no voices, nor steps.

Which is good, because no one is attacking him then.

Which is the worst though - because if there is no one around… then the only person responsible for what he has just witnessed must be - is - HIMSELF?!

Arthur gasps again; this time in panick.

His first instinct is denial. But he knows what he saw. And somehow, it just makes sense, doesn’t it?

It’s not the body of the Prince that whoever switched him and Merlin is after. It’s his mind…

Put him in the body of a servant, give him magic, and sooner or later (and most probably sooner) he is bound to die by his Father’s law. What is he supposed to say in his defense? That he IS the Prince, in another body which had been given an ounce of magic on the sole purpose of getting him executed? Who would ever believe him…

In the meantime, the schieming sorcerer must have judged that a servant in his body may be too delighted by the upgrade in status to be a threat to his plans and would gladly unknowingly collaborate, on top of being totally untrained and incompetent at any of his duties.

Then? One only has to kill the King, either by making him ‘ill’ or using the same trick again and - for sure - Camelot is doomed to get wiped out from the map by the first band of Saxons passing by (and most probably enticed to pass by very soon after its King’s death): its only true heir gone, and the supposed one obviously improper to defend it. All of it without casualties on the attacking side, and without anyone knowing how it all came to be, which means no one, even loyal to Camelot, would have a reason to stand against the new regime put in place.

Arthur is more afraid than he has ever been - and he has been in combat enough for that fact to mean something. He feels crushed; defeated, even before the battle - and honestly? He has never despised himself that much. No matter that he has never felt both so unprepared and so intrinsically useless - and not even able to trust himself: surrender is simply inexcusable. Camelot depends on it.

Besides, Arthur owes it to Merlin to fight, right. It’s after all Merlin’s body that’s to die along his spirit. Oh! The villainy, the cowardice in this attack! Use an innocent victim as a vessel to be sacrificed. Sorcerers definitely have no sense of honor indeed.

So. Arthur is angry now. A much more suited mindset, he decides - as long as he doesn’t allow it to blind him. And he won’t. Merlin’s body depends on it too.

Arthur takes a deep breath. He has been taught strategy even before he could talk, right? Time to make a plan of action.

First. He is not as alone as Camelot’s enemy has calculated him to be. He is, in fact, not alone at all. He has Merlin.

Loyal Merlin; not only willing but even devoted to getting back into his own servant body rather than happily playing the prince. Magic familiar and open-minded Merlin - which means Arthur has not only someone who won’t judge him nor fear him to confide in about his new endangering (and in so many ways) abilities, but also someone who might have some basic understanding of it; since he was Will’s friend? Heart-in-the-right-place Merlin: too kind, maybe (but he can at least get aware of it enough in order not to be lead only by it); but naturally just and fair Merlin. Brave, fierce, tenacious Merlin; too reckless though (but again: he can at least get aware of it enough in order not to be lead only by it). Ressourceful Merlin, fast-learning Merlin: he would master his body’s strength, eventually; and Leon would be here to lead the Knights in the meantime… Arthur takes an oath. Even if they fail to find a solution to their problem, Camelot won’t be left unprotected. Come what may; even the worst? Merlin *will* be ready to take his place. Having Merlin’s unique edges smoothed out feels wrong; but it just has to be for show, right?

Second. Well, there is no really second yet; at least not more than what they have already planned. They need to find some books - and pray that they will be useful. And Arthur will just have to be particularly attentive about not repeating the kind of blunder he just did with witnesses present.

Yes. Merlin. Books. Start at the beginning; and with luck, it might just work out in the end.

Arthur cleans up as best as he can, using and wringing his soaked tunic in the buckets, then runs to Merlin’s room for a set of dried clothes. Turning up to retake his place at 'Arthur’’s side while drenched would only draw unwanted attention…

So. Basically? Yep. This is a magic-reveal unreveal fic. But. I mean… It’s Arthur? Also: this fic (to me) is canon (fitting) - so it just can’t be a reveal fic. Bonus: it explains too why Arthur doesn’t get the courage-magic-strength trio hint later on. He thinks Merlin is magic; but only because there is some residual trace to sense from when his body had magic (aka this fic), not that he actually has magic still at the time… Arthur can be at the same time very aware yet very unaware, and he can be so very biased and decided to see things his way, no matter how circumvoluted, right? (Also, of course Arthur thinks in fact then that HE is magic in the trio: he was after all the one inside Merlin when his body had magic; and Merlin IS courage - Arthur has such a low self-esteem to start with…)

On a side note: Arthur would actually trust Merlin with Camelot (even despite his limits). If that doesn’t tell you all there is to tell then I don’t know how to express it. *SIGH* *GROSS SOBBING* (Gwen though is innately made to be Queen - but Arthur doesn’t know that yet. He isn’t wrong about Merlin though - for Arthur’s memory? Merlin would do his best to be a great King too, you bet…) *GROSS SOBBING AGAIN*

VIII. MERLIN’S CHAINMAIL (ARTHUR POV)

“Merlin! My boy! You’re soaked! Did you provoke Arthur again and end up under the well for it this time?”

Great. Gaius sounds half amused half concerned. Does actually *everyone* think him to be a brute?

Well; nevermind. Merlin knows better, right - and that’s what matters. Merlin is never backing away, Merlin is never really complaining; Merlin just watches him with mirth in his challenging eyes: I dare you. Of course Arthur HAS TO then… It’s like… kind of a private wordless conversation only the two of them understand. But honestly? Arthur wouldn’t trespass Merlin’s limits - if anything, Arthur would probably even feel guilty, if Merlin actually ever made one known…

But then, Gaius is patting his shoulder, pushing him towards 'his’ room; and Arthur is stunned silent, as he can’t help but relish on the (for him unusual) affectionate paternalistic small gesture.

“Get changed. Get warmed up. You’ll tell me later. I haven’t heard the bell signaling the end of the pleas, it is already so late? I’ve just finished Sir Kay’s potion, and it should be drinken warm, as you know; so I’d better be on my way. We’ll prepare Uther’s draught and the balm for Little Kathleen’s knee when I’m back. Also, I’m afraid I’ve ruined my coat; if you could work your magic on it next time you’re mending Arthur’s clothes, I’d be very much obliged?”

And then Gaius is gone, and Arthur is still stunned, but now for another reason - it was but a polite turn of phrase, of course, and Arthur knows Merlin just isn’t capable of miracles, as proven by the state of some of his shirts - beyond mending; but Gaius would better not use some idioms that carelessly around the palace - who knows who might hear and takes things the wrong way… Arthur shakes his head as he hurries to change, feeling sorry for letting Gaius down, but not planning to stay around until Gaius comes back - he wouldn’t know anyway how to prepare his Father’s nor Kathleen’s medicine, right…

Arthur opens Merlin’s cupboard.

There are only two folded set of clothes (neckerchief included indeed), and Arthur just takes the one on top.

He’s about to close the door when his eyes fall on Merlin’s chainmail.

The first time Arthur had told Merlin that he had been assigned to lead some patrol, Merlin had right away asked:

“When do we leave?”

Arthur had been surprised, then had tilted his head, apprehending Merlin while explaining that coming along was to be Merlin’s choice; and not per se his duty as palace manservant. They usually asked for volunteers; there was extra coin to be earned and such.

Merlin had only repeated:

“Sire; when do we leave?”

Arthur had been surprised again, but definitely pleased:

“Tomorrow at first light.”

“I’d better start packing right away then. What do you need?”

After having listed their necessities, Arthur had mentioned that he would have a chainmail sent to Gaius’s for Merlin to wear. Merlin had countered that he had no wish for carrying extra weight around as it would only slow him down in his chores; and that he would rather wear his everyday clothes. Arthur had said it was folly to go unprotected - they would patrol the borders, and thiefs and saxons could fall on them - and Merlin had finally relented some and agreed to wear a chainmail he would self adapt as he wished above some clothing but under his tunic. Arthur had been suspicious when Merlin had turned up the next morning without even a cap showing out, and had actually moved his neckerchief aside to make sure Merlin was wearing metal under his tunic…

Without hesitation, Arthur takes the chainmail out too, deciding he should wear it under his clothes. After all, the longer Arthur might succeed in hiding his new abilities, the more chances there are that the one responsible for their troubles might choose to turn to more expeditive measures of his own. Killing a servant might go unnoticed for awhile, and would work just as well in case whoever had planned this got tired of waiting for Arthur to betray himself and get executed. Which means that Merlin’s body is just walking around as a mark waiting to get hit… and Arthur should do his best to protect it. Merlin’s chainmail is barely worth its name; but it does cover his chest, belly and back, at least.

Arthur makes it back to the Great Hall right on time for the end of the pleas. It was the moment they had planned to stage for Arthur’s injury; but Arthur discretly but authoritatively signals 'no’ with his head. It would be too risky; what if while falling he instinctively uses magic again - in front of the whole court? Merlin gives him a curious look but follows his cue anyway, thanksfully. There is still enough time to create an excuse before training; and they can still tell he fell even without witnesses anyway. It would have been a nice added touch at make-believe, but Gaius vouching for them should be enough on its own, right?

As they walk in silence back to Gaius’s quarters, Arthur feels Merlin’s eyes upon him, boring and questioning. So when they pass by his chambers, Arthur takes the opportunity for privacy. Once behind closed doors, Arthur leads them to the most private corner, as far from the door as possible. Then he takes a deep breath, and turns towards Merlin to explain… everything.

He hasn’t got the time to start though before Merlin hushes out, worry evident in his voice, pointing to Arthur’s side where a hint of metal is visible if you pay attention - and Merlin always pays attention, doesn’t he:

“Sire? Why are you wearing my chainmail?”

AN: It’s canon after all that Arthur doesn’t force Merlin to come along - he lets him leave before Camlann, right? But yes, this is just me giving some sense to the 'just let’s Merlin accompany us everywhere without any kind of protection’ unacceptable general policy. So. Merlin *has* some protection. We just don’t see it. Okay? And the few times he’s actually in armor on patrol, it’s because they need a decoy or something… Also, just so you know: Merlin of course thought that Arthur would probably think that he didn’t want to be seen in a chainmail because he didn’t want to look like a soldier in order not to seem a danger nor a target, but Merlin just couldn’t care: he HAD to be an unconspicuous nobody - it made it easier to protect Arthur with his magic if no one really paid attention to him. And to end with a cute note: whenever they ride out ? Arthur always checks that Merlin wears his chainmail - a fact Merlin can’t help but always secretly revel in…

IX. REVELATIONS (MERLIN POV)

Arthur looks anxious - which only makes Merlin worry more.

“I found out… why I was put into your body. I’m sorry, Merlin. I wear your chainmail because your body is in great danger; and it’s all because of me… again. ”

“Wha-”

Arthur cuts him with an imperative gesture from his hand, voice hushed - even though it echoes in Merlin’s ears like a shout:

“I have- I mean you have… Magic!”

Merlin’s breath catches; panick rising. Arthur knows! Arthur knows?

Arthur seems to read his struck expression though as simple denial.

“Yes, Merlin; you heard right! Magic! I saw water and wood floating above my head - floating, Merlin! - That’s the only way to explain it! But I have no idea how it gets triggered, I have no idea how to control any of it - I fell and it happened, I guess, instinctively? Now you understand why I couldn’t have us stage a fall… If people find out? *When* people find out? My Father will have me - YOU - beheaded!”

Merlin’s eyebrow furrow. He doesn’t understand. If Arthur knows he has magic? How come Arthur looks *contrite* instead of angry; afraid *for him* instead of afraid of him? Not that Merlin is complaining about the fact that Arthur obviously doesn’t wish to see him beheaded, of course; his evident worry is even heartwarming, in a way… but heartbreaking, too, as Merlin can’t help but feel that Arthur’s reaction must be induced by some reason that he doesn’t comprehend yet but that has little to do about him having magic at all…

Arthur then fully explains his theory about their attacker using his body to get to Camelot by erasing Arthur, then Uther, and marching against a Camelot lead by an unprepared servant playing Prince. Merlin is shocked, and shaken. Because indeed Arthur’s reaction isn’t about him having magic at all, but about Arthur feeling responsible for his body’s impending doom. But what hurts the most yet is the heavy guilt that settles upon Merlin’s chest - crushing, constricting, inescapable - as he realizes that in fact everything is his fault! Arthur’s thinking may be flawed on one account; but the rest of it makes sense, indeed. And so Merlin cannot deny that Arthur has been targeted and put into his own body because whoever did this actually knows that he has magic.

And so Merlin feels panick rising again, and even worse than before. It is already complicated enough for Merlin to hide his powers - and he has had practice at it since his birth. How could Arthur ever successfully hide them for long… And to think that *HE* might be the cause of Arthur’s death? It’s worse than anything; worse than everything. And it’s devastating. Merlin can’t hold Arthur’s gaze anymore.

Arthur probably thinks he is overwhelmed by the surprise of his body being a target though.

“And I’m sorry - again, Merlin - but I can’t go and hide at some random remote place until I’ve worked out how to subdue it at least, if not suppress it. There is no time. I can’t leave Camelot; not when it’s so endangered.”

Merlin feels like screaming: Arthur shouldn’t apologize; Arthur shouldn’t feel guilty - It’s all on him!

“It’s all right, Sire. I know you’re right: we have to stay here. After all, our best shot to end this mess is to find guidance in some books; and our best shot to find said books is staying here.” (Also, you bet Merlin isn’t willing to leave Camelot either because he is going to consult with Kilgarrah… Merlin had planned to go to the Great Dragon at the first occasion right when he had realized they had switched bodies; but he now can’t help but wish for the night to come even sooner.)

Arthur looks surprised by Merlin’s easy acceptance as he lets out: “I was going to point that out too?”

Arthur seems to hesitate an instant, taking a deep breath; but then, probably finally enticed by the fact that they still are on the same page apparently, he hushes out words that Merlin had never imagined he would ever hear, even in his wildest dreams.

“Now that’s settled… Do you have any idea that might help me keep it in check? I mean… Back in Ealdor? Did your friend Will maybe ever share something with you that we could use? Anything?”

Merlin’s mouth falls open; but nothing comes out of it. He realizes just how surreal it must have been for Arthur to utter those words. But Arthur looks decided, as always. He means it. And that’s when Merlin realizes Arthur is in fact ready to *learn*. Arthur still doesn’t trust magic, and definitely doesn’t trust his magic now that he has some; he only sees it as a treacherous condition. But he is willing to face it outright, instead of wishing or pretending it isn’t even there to start with. And Merlin realizes that this isn’t only proof of Arthur’s mighty heart; but that it also might actually be their saving too, with some luck?

And so Merlin just HAS to take a chance. Anyway, Arthur *needs* him; and how could Merlin ever let him down to start with… Besides, what if it made Arthur realize that magic isn’t only to be feared; that magic can be good, too, actually?

“Maybe you shouldn’t learn how to keep it check, but how to have it *work*?”

Arthur opens his mouth now, either in shock or to retort - or both; so Merlin hurries to push his point.

“Hear me out, please. Even when we do find an helpful book? The spell we’re under must be very powerful - I mean, have you ever heard or thought this could even be possible? - so we might still require magic too in order to perform whatever will be mentioned in the book? So yes, your new abilities are supposed to be our doom; but maybe we can turn them to our advantage? You have MAGIC, Arthur. If you can control it and use it - on your terms? Maybe that’s just what we need to solve our problem?”

Merlin waits. And Arthur isn’t taking the opportunity to repel his idea. Silence goes on; and still, Arthur isn’t refusing. If anything, he looks… thoughtful, even if doubtful. But there’s resolve, too; and maybe, even, a spark of hope? So Merlin just takes the final plunge.

“As you said… I might have… some basic notions about it? It’s worth a try, Arthur. What do you say?”

Merlin’s heart is pounding so hard it’s going to break his chest for sure, as they hold gazes for a long time - Merlin silently pleading for Arthur to just trust him. Then Arthur gives him a firm nod.

“I say this is probably folly but we have to try, indeed. So. You train me? And I train you.”

Merlin tilts his head, unsure about the second part.

“There are things I want to teach you, Merlin”, Arthur explains; pleads even. “In case we stay stuck in each others body no matter what we try; in case your body should- I know it’s a lot to ask, especially as I apparently keep making your life a hell just by existing? But will you please let me prepare you to take my place, if necessary?”

Merlin’s breath is knocked out of him. Arthur would trust *him* with *Camelot*? But Merlin cannot even contemplate it. Arthur cannot be gone; musn’t be gone; will not be gone. Merlin’s voice is fierce as it simply refutes the prospect.

“Sire, it won’t come to-”

Arthur lays a hand on his shoulder.

“It would mean a lot to me.”

And what can Merlin do then, but promise - and mean it:

“Anything, Arthur.”

The hand leaves his shoulder, but Arthur’s eyes stay fixed on him.

“Thank you, Merlin.”

And Merlin takes another oath - this one to himself. They’ll work it out. They’ll make it work. They will.

They both feel guilty for endangering the other more than they are worried about themselves *heavy sigh*

X. TRAINING (MERLIN POV)

Gaius is working on finishing Uther’s draught when ‘Arthur’ surprisingly comes in without knocking.

“Sire? Do you need-”

Merlin hasn’t prepared a speech on their way (how do you announce this anyway?) So he just blurts it out, as Arthur comes in after him and takes place at his side.

“We need your help, Gaius. Our bodies have been switched. (pointing to himself) Merlin. (pointing to his body) Arthur. We awoke like this this morning.”

Gaius looks stunned - of course. Then, for the shortest of times, he looks unconvinced; but this is after all Camelot, where strange things always happen, indeed - and not only Arthur would most probably have better things to do than playing along with Merlin’s pranks; but also Merlin wouldn’t have the heart to make *such* a prank to start with - not to him. So Gaius looks concerned now, gaze jumping with worry between Merlin and Arthur, holding Merlin’s eyes with a question in his eyes - and Merlin knows what’s worrying him.

Merlin can only give Gaius though a fragile smile to assure him that he is all right along with an apologetic look in return. He isn’t sure Arthur would want anyone else knowing about the magic too, so he will have to wait for a private occasion to explain everything to Gaius. For now, he just sticks to the plan.

“Arthur is expected to train soon, and we thought you could give us a way out of it. No one should be aware that Arthur isn’t Arthur until we’ve fixed this.”

Gaius doesn’t even hesitate.

“Of course (nodding to Merlin). I’ll go and tell you injured your sword arm (nodding to Arthur).”

Gaius goes out, mentioning coming back later to make Little Kathleen’s balm. Once the door closes, Arthur says he wonders what Merlin has in mind for 'training’. So Merlin decides he should help them both at once.

Merlin looks around for something basic, and his eyes light up when they fall on two bowls - not only basic but also potentially useful, if it works? He sets them on the table in front of Arthur: one stays empty, the other one get filled with water.

“Here. Try to make the water move into the other bowl.”

Arthur looks at the bowls, then at Merlin; incredulous.

“I’m not sure- I mean, even if I make this work, how am I supposed to put ourselves back into our bodies that way? How can I perform whatever must be performed if I am out of the performing body?”

“This is just a beginning, Sire. This is just a way to have you… feel your magic? Find it, and use it as you wish, when you wish. But if you need a valid reason, I promise this will be useful too, when you’ve mastered it.”

Arthur seems perplexed. Merlin confides, voice low as if sharing a secret: “We won’t have to disturb the fish anymore?”

Arthur is apparently too stressed out to even smile, sadly. But he gives Merlin a satisfied nod. “I’d better start trying then, huh.” A helpless sigh follows though. “Any hint about how to feel it to start with? Where to find it?”

Merlin hesitates. Not only because he wonders how much he can tell without Arthur realizing he knows too much, but also because he struggles about how to put into words what he has always simply felt. He has never had to search for it; it had always just been there. But maybe he can describe it by telling what he doesn’t feel, since he’s in Arthur’s body?

“Don’t search for 'where’. It’s not in one place; it’s everywhere. Not only in your body; literally everywhere - earth, air, water, fire. Like a… warm… tingling… flow? When you’ve found it, try to concentrate on it, focus on it, in order to direct it towards what you want - with your hands, your eyes, your voice; whatever works?”

Arthur’s brow has only deepened from the explanation, and Merlin can’t help but sigh:

“I’m sorry. It’s gibberish. I don’t know how to explain-”

“What you can’t know”, Arthur cuts him with a wave of his hand. “Of course. I have to find it on my own. Thank you for trying, at least?”

And so Arthur goes to sit at the table, facing the two bowls, while Merlin starts on the balm for Little Kathleen’s knee (hopefully for the last time, as her recovery seems to be going well, thanksfully) - both to feel useful and to give Arthur some kind of privacy. His moving around though must be disturbing, because Arthur switches place, turning his back to him. But it gives Merlin the freedom to check over his shoulders from time to time without risking to meet Arthur’s eyes.

This isn’t working though, Merlin can tell, by the time he’s done preparing Little Kathleen’s balm (he waits for Gaius to check if he got all doses and ingredients right though before finishing; he has only done it once) and a sleeping draught (for the guards guarding Kilgharra’s tunnel) (Gaius has had him prepare Morgana’s draught several times already, and has explained how to up the doses while keeping it safe): Arthur looks nothing but tensed, when he would need to be relaxed in order to feel… Trying too hard is nothing but counterproductive.

That’s when Merlin realizes he’s been going at it the wrong way. Arthur is not him. Arthur is *Arthur*. And when Arthur is at an impasse and needs a clear head? He trains. Activity helps him focus. Exhaustion helps him forget. To find his inner ground, Arthur must be physically busy; not sitting hunched over a table looking at two bowls.

Merlin eyes again his surroundings: spoons should work. Gaius has them in lots of size, both wood and metal. Merlin bundles them all in his tunic, and calls for Arthur as he passes in front of him.

“Let’s try something else. You can work on the water later on.”

Arthur’s eyes follow him questioningly up the stairs. Merlin sets his collection down, then holds a spoon up.

“Try to stop it from falling to the ground.”

Merlin let the spoon fall. It hits the ground, of course; but Arthur surely looks now interested by the new challenge. Merlin smiles, and lets another spoon fall.

After five rounds, Arthur gets up and gathers the spoons before handing them over to a crouching Merlin, instead of having Merlin going down, and up, and down, and up… A few rounds later still, Arthur picks up a spoon he has missed on his way and calls out for Merlin to catch it instead of walking back. Merlin misses it though, and it lands on his arm. And that’s when Merlin thinks his new idea can even be perfectioned.

He takes the offending spoon off the ground and holds it at the ready, eyeing Arthur, waiting for him to understand. And Arthur does, of course.

“Merlin? Are you threatening me with a spoon?”

Merlin grins wolfishly. He throws, and Arthur easily dodges, laughing.

“How long have you been waiting for such an opportunity?”

“Forever?” Merlin lies, before throwing another spoon, which Arthur blocks with an upraised arm.

Merlin can’t help but scowl: “You’re supposed to make the spoon divert its course; not block it or move out of its way.”

Arthur has actually the decency to look apologetic: “I know. Sorry. Reflexes.” Then he smirks. “But please, indulge yourself and do go on.”

And Merlin does. And it’s glorious somehow, how they are suddenly both intent and carefree, spoons clattering everywhere on both sides as Arthur now throws the spoons back to Merlin too. Hits land on both sides too, as they both throw quicker and harder.

At some point, the door opens and a spoon hits… Gaius.

“Sorry”, Merlin lets out, hurrying down to check he hasn’t hurt Gaius.

Gaius looks at the both of them with incomprehension, but Arthur explains even before Merlin has even opened his mouth.

“We’re actually working on something, Gaius; not destroying your chambers. (the slightest hesitation - but if Gaius is to be their ally then Arthur has decided he should know, well, everything, it seems) I have been jinxed too, on top of the body swap. It appears I have been given… magic; to be my doom - and well… Merlin’s body end.”

Gaius looks sort of disapprovingly to Merlin at the M word, but his gaze softens somehow, even though it turns outright anxious, as Arthur further explains his theory about their attacker’s plan.

“So, now you know it all, Gaius. And we also need your help for something more than giving me an excuse not to train… We need… information. I thought… You and Geoffrey go way back, right? Maybe you could persuade him to lend you a few special books?”

Gaius nods, eyeing Merlin.

“I’ll see what I can do.”

Arthur nods back.

“In the meanwhile, I have to understand how it works, in order to prevent anyone finding it out until we’ve found a way to lift the spells?”

“Of course. Just let me take what’s necessary and I’ll leave you to it.”

Merlin then shows Gaius his previous work (safely tucked away in his room after the first round of spoons throwing - and yes, it also gives Merlin the opportunity to silently let Gaius know where his book is hidden, so that he will be able to retrieve it later on and present it to them as coming from Geoffrey or something). Gaius proudly tells he got everything right and gathers it all into a bowl.

“I can finish the balm in the kitchens. I’ll be back to bandage your arm though later on, Merlin; our Prince is supposed to be injured, and our King will want to check on his son right when he comes back from today’s hunt and hears about it.”

They start again where they had left, but nothing magical ever happens still, and after some time, Arthur exclaims in annoyance: “Maybe you should use knifes?”

And Merlin understands the logic; but Merlin just… can’t. He counters with an idea of his own.

“Maybe I should tie you up on a chair so that you can’t dodge them anymore?”

And Arthur gives a shrug… then goes to sit.

Merlin finds some rope and tie Arthur’s legs and chest to the chair. He hesitates, then tie only Arthur’s left hand behind the chair.

“In case it helps if you aim”, he explains.

Then Merlin is facing Arthur again. The spoons hit; one at a time. But Arthur glares at them - never at Merlin; and so Merlin goes on.

And then… (they’ve been going at it for so long that Merlin has stopped counting rounds) a spoon finally *stops*, mid-air, before simply falling vertically to the ground instead of keeping its course.

Merlin’s mouth falls open as Arthur keeps looking at his hand in wonder.

“Did you see-”

“Yes!” Merlin can’t help but shout happily.

Arthur meets his eyes, looking even more resolute than before.

“Again.”

Arthur doesn’t stop lots of spoons (yet, hopefully); but he regularly stops or redirects one.

And then, Arthur looks at his hand, and then at him, both in wonder.

“It *is* warm!”

And that’s definitely progress in the right direction, if Arthur has *felt* it.

The look they share is actually hopeful, for the first time since this began.

After some time, Merlin decides they should take a pause. Arthur still has to prepare him for tomorrow concil too, right?

So Merlin starts asking about what he should know for the coming concil right while untying Arthur’s legs.

“Will was definitely lucky to count you as a friend.”

Merlin’s eyes jump to Arthur’s in surprise; not only from the compliment, but also from the repeat mention of Will. Before today, Arthur had never mentioned Will, since they had left Ealdor.

Arthur doesn’t notice. Or - more probably - Arthur notices but goes on anyway; he is nothing but brave after all.

“I never had a friend, but I believe friends are supposed to help each other out, right? And well, you’re good at helping out, is all. And I know I have little to no right to talk about him; but I think you should know that I’m grateful, and that he has my respect, Merlin.”

Merlin is utterly speechless. Arthur has finally found, it seems, a way to shut him up. And to get him teary-eyed to boot. Merlin lowers his eyes to the ground.

“I believe he was a kind man. I mean- He must have been, of course - I don’t see you befriending someone cruel or-… But even taking only my own judgment into account? I suppose he could have probably done more harm than a whirlwind. But he didn’t. He wanted to defend, more than to attack; there is nothing malicious in that. It’s unfair his kindness caused his end though. Sometimes, maybe, it’s necessary to be the first to strike; even if you can never know how actually well-founded that decision then is; and you have to live with it.”

Merlin feels guilty, again. And angry. Does Arthur have to remind him that Will’s death is his fault? For all his magic? Merlin is indeed nothing but *useless*, indeed. He works on finishing to untie Arthur as quickly as he can.

Arthur must have read the inwards directed angry shake of his head for something else though, as he lets out a somewhat apologizing sigh.

“I realize I’m very biased, Merlin; because if he had used his powers in a harmful way? I would probably have been the first to accuse him of being a monster. (pause) But he hasn’t. And I haven’t searched for any magical powers - yet here I am.”

Another sigh; nothing but helpless this time. So Merlin *has* to look up. He has failed Will. He won’t fail again. He won’t fail Arthur. Arthur’s gaze is lost inward though.

“Sire”, Merlin pleads, hunting Arthur’s eyes then locking onto them.

Arthur fidgets; Merlin can’t help but note the oddity and rarity.

“I just- I realize this is the strangest thought to have while we are yet again under a sorcerer’s threat, but… Maybe not everything is always as black or white as I’ve been told all my life? Maybe not everyone with magic is actually evil? … Will? Me? … Again, maybe I’m only very biased. Because who knows then how many might have been wrongly punished- (a heavy sigh; wondering and remorseful this time, as Arthur shakes his head, apparently thinking about his Father’s deeds as his own - as he has allowed them to come to pass without opposition for so long…) But I *have* to believe that it’s possible to have magic without being corrupted by it. I mean… What if it sticks? Even after…”

“Arthur”, Merlin starts again as Arthur’s voice falters - even though Merlin still has no exact idea about what he wants to say; at least not in what order. Arthur’s genuine regrets and palpable fear are boring a hole right through his heart; just as Arthur’s words about Will and about magic (it is a step in the right direction; no matter how small) spread warmth through it too. Merlin’s possible soothing or grateful words in return all feel just tangled and messy and worthless and not enough and-

Arthur clears his throat, then softly exhales as he finally looks away: “I don’t really know what I’m trying to say, Merlin. Except… I’m glad you’re here?”

Maybe Merlin has conveyed what he couldn’t put into words through his eyes after all…

And then Arthur stands up, and his voice is back to his usual, assured tone.

“Now. One problem at a time, right? About the concil tomorrow…”

And Merlin listens, you bet.

So yep, yet another 'I’m glad you’re here’ (MY HEART). And spoons just had to be involved, indeed (I’m weak, blame 5.03)

XI. DESTINIES ARE TROUBLESOME THINGS (MERLIN POV)

Merlin can’t help but be on his guard. He has no idea, he realizes as he enters Kilgarrah’s cave after having successfully put to sleep the guards in front of it (after a shortened dinner with Uther and Morgana), about how the Great Dragon will react to a stranger’s presence in his lair.

But Merlin needs some guidance; and so, he calls out to him…

“Young warlock, what has happened to you?”

“You know it’s me?”

“Of course. Even though I am surprised indeed by your current appearance.”

“Arthur and I- Our bodies have been switched.”

The Great Dragon straightens up.

“So this is Uther’s heir’s body?”

“Yes. And I need - we need - help. Do you have any idea about how to reverse such a spell?”

“I do not have such knowledge. I can only tell you what you already know; that there is some very powerful magic at work here. (pause, tilting his head) But maybe you are not supposed to reverse it to start with.”

“Excuse me?”

“You are now *literally* two sides of a coin - both at once in the same body. Maybe this was the intent of the prophecy all along.”

(helpless, shocked sigh) “No.”

Merlin cannot believe his ears. But the idea is not only incongruous; it’s also outright enraging, and simply *impossible*.

“No”, Merlin repeats, firmly this time; a denial.

“You would throw away the opportunity to fulfill your destiny? You would carelessly discard the chance to bring forth the greatest time for Albion?”

Merlin doesn’t even flinch under the Dragon’s ire. *Arthur* is his destiny; and only Arthur. Albion’s welfare is in Arthur’s hands. And Arthur *will* be its greatest King; not Merlin. The notion only makes him sick. It’s not even about a possible guilt at cheating Arthur’s crown (which he doesn’t want to start with). It’s simply that Merlin wants - needs, and will not (and never) accept anything less - Arthur to be Arthur, intrinsically. Besides, Merlin knows the burden of pretending already; and he wouldn’t wish for anyone, and certainly not for Arthur, to have to shoulder it too. How can Kilgarrah not realise any of it?

“This just cannot be the way. It only feels wrong.”

“You should at least think about it, Merlin.”

“It is all decided. I cannot and will not abide to the belief that this masquerade could ever be our true fate. And if you don’t - can’t or won’t - help, we’ll look for a solution on our own - no matter how long it might take.”

They hold each other’s gaze; and Merlin won’t relent.

“I can only hope you will not come to regret your choice, young warlock”, Kilgarrah finally says as he flies away.

Merlin is still fuming as he enters Arthur’s chambers.

His fingers itch, longing to search through his spells book. He hasn’t had yet the opportunity - between being a Prince taking most of his day, and Arthur being at his side when he had been off duty. Unfortunately, it will have to wait until tomorrow - it would look suspicious if he went out in the night.

So. He should rest. After all, a clear mind will be necessary in the morning, both for council and for finding a way to break the spell they’re under, right?

Only looking at the bed though makes Merlin’s entrails twitch in disgust. This is wrong indeed; and will never feel otherwise. And no matter how comfortable that bed is, Merlin now knows (he might grow understanding of Arthur’s lack of will to leave it on some mornings from now on, huh), you bet he will never even contemplate sleeping in it.

Merlin makes his bed for the night on the floor, wondering if Arthur has been able to fall asleep yet.

Bear with me. The Dragonlord bond is an intrinsic link between souls, which is why it isn’t affected by the body swap. Whereas magic inhabits everything it’s in, and is therefore by nature anchored in physicallity. It explains too somehow why magic in general can be learned/found, but that the Dragonlord bond can only be inherited. Oh well, it makes sense in my head, at least…

Also :( I’ve really hurt myself with Kilgarrah’s last line :( Because of course Merlin *will* wonder about this, *for centuries*, later on (my heart:(). Anyone willing to hold me while I cry, pretty please?

XII. SOMETIMES, YOU PUZZLE ME (ARTHUR POV)

“Sire, you should rest.”

“Just a little bit longer, Gaius. Until the candles are out.”

“As you wish.”

A respectful bow; then Gaius is on his way to Merlin’s room, giving Arthur space and quiet - and only when the door closes does Arthur realize that he just kicked an old man out of his own bed?

Well, let it be worth it then, right! Arthur closes his eyes, breathing deeply, trying to connect with the magic inside. He actually feels it, now that he knows what to search for. He has no idea still though about how to have it work, apparently…

He can’t help but wonder briefly if Merlin has been able to fall asleep yet, before concentrating again on that damn water…

Arthur awakes, wincing, still at the table. Gaius has left bread and jam out for him, and he hastily eats before running out to help Merlin prepare (both physically and mentally) for concil. It is still earlier than he thought it was it seems, luckily. The kitcheners have just begun their work; Gaius does prefer to pick herbs in the early morning indeed. Arthur takes some bread and jam for Merlin, as little else is ready yet, and makes for his chambers.

When he gets in, Merlin is putting his clothes on. He is nearly finished; only the tunic and the coat are still laid out on the already made bed. Arthur approaches to help him with fastening the ties, and so notices the spread-out covers and pillows on the floor behind the bed.

“Merlin? Did you actually sleep on the floor?”

“Well, that bed of yours is way too soft”, Merlin retorts (even though Arthur DID see him getting out of said bed just the morning before: it hadn’t been too soft apparently, when Merlin hadn’t known it was Arthur’s, huh…), trying to cover his embarassment before walking out, heading for the stream. And Arthur has no choice but to follow, shaking his head while wondering if there would ever come a day when Merlin would stop astonish him…

After having left Merlin at the concil’s door, Arthur gets back to his bowls and water.

He has no progress to show though still when Merlin comes in and gives him a very detailed summary of what has been discussed. Arthur is thankful - even though he hasn’t doubted Merlin’s capacities (Merlin acting like an idiot or being clueless about etiquette doesn’t mean Merlin isn’t clever, indeed).

Then Merlin takes up the spoons, and helps Arthur train more actively about his magic again. They are both pleased to discover that Arthur is now able to divert about a third of the projectiles.

“Why am I getting better with the spoons and not making any progress with the water?”, Arthur wonders aloud.

“I am certain you will figure it out, Sire”, Merlin only has time to pledge as Gaius walks in, holding out a book and placing it on the table - which definitely ends the spoons training as Arthur and Merlin come to gather around it.

Gaius and Merlin seem to be waiting for his cue, so Arthur is the one to open the book, feeling both hopeful (this book might contains the answer to their predicament!) and worried (what if this book is simply full of evil?).

Arthur starts to read silently, both cautious about eventual passers-by overhearing and unwilling to invoke any probable further disaster on themselves by reading what could be spells aloud, a finger tracing along the opening line.

“Magic is potential, and possibilities. Its use is a choice, and a responsability”, Merlin whispers, echoing what Arthur is reading.

Arthur is stunned, and can’t help but blurt out in disbelief, turning his attention on Merlin:

“You know how to read?”

Merlin only shrugs.

“Sure I do. My mother taught me, along with the other kids from Ealdor. You know, the fact that it surprises you that a peasant can read probably says more about Camelot’s rampant illiteracy than about me?”

And Arthur can only admit it’s true:

“You’re right. We should probably ask Geoffrey to organize something about it.”

Then Arthur points at the book:

“But of course you may read along; it concerns you too. It might be safer though not to read aloud, you know…” (gesturing around, waving a hand)

“I can do that too”, Merlin assures.

So Arthur sits down on the bench, motioning for Merlin to do the same next to him. Gaius sits on the opposite bench - ready to give advice or help if needed; or ensuring they do not damage the book before it gets returned to the vaults?

They read further in silence, two pairs of eyes following the path of Arthur’s finger.

Arthur quickly realizes though that the first part of the book focuses on magical creatures, and skips through it - it might be handy, but it’s not what they need at the moment (he can’t refrain from briefly pausing though passing by the unicorns page)…

Then they reach the spells section, and Arthur turns tense.

And rightly.

When he understands what the first spell is about, he can’t help but shout out, pushing the book away:

“This is what Valiant did! How can we trust this book of tricks?” - this is nothing but evil indeed.

Of course Merlin just HAD to read that opening line aloud while in Arthur’s presence, huh…

XIII. PROGRESS (ALTERNATE MERLIN/ARTHUR POV)

“This is what Valiant did! How can we trust this book of tricks?”

There is fire in Arthur’s eyes - an anger at Valiant’s deeds that Merlin doesn’t wish to see grow blinding. Gaius gives Merlin a look, and Merlin understands that Gaius wants to be the one explaining - to protect him, surely. Merlin signals ‘no’; but Gaius is speaking anyway before Merlin has even opened his mouth.

“Sire, Valiant’s actions were definitely condemnable indeed; but the book is not to blame. It simply explains how to animate figures - it doesn’t tell *why* the spell should be used; that intent is entirely the responsability of the one using the spell. So yes, Valiant used such a spell to kill; but such a spell can be used to save or help too; can be useful and good.”

Arthur doesn’t seem convinced at all, judging by the growling tone in his voice:

“How could such a spell ever be used for good?”

Let’s say you need to animate snakes out of a shield at your will to confound an evil man and save a noble one; Merlin thinks but does not say, pleading Gaius to let him deal further with Arthur’s ire. Merlin has often pondered of course, even if with little success, about the best way to explain it all to Arthur. But he realizes, suddenly, that using Arthur’s own words and opinions might be the most helpful in that regard.

“Remember what you told me, Sire; about Will? So. Having magic is *not* having a weapon. It’s simply having *a tool*. You can use an axe to build a shelter or to break down a door - and even then, you might only be breaking that door to save blocked-in people from fire. You can use a shovel to plant an apple tree or to dig a grave - and even then, it might be out of respect and love, in another culture. The axe or the shovel have nothing to say about why they are used for. In the end, maybe, the only thing magic actually reveals is what’s truly in one’s heart.”

This approach works better, apparently. Palpable facts he experienced himself weigh more than rethorical theories in Arthur’s thoughts process. Arthur tilts his head, actually considering now, instead of refusing it all at once.

“So. This spell? Let’s say you badly injure yourself while alone and away, and you conjure a horse to carry you back home quickly enough to be saved? Let’s say a child is crying and you create a butterfly or something, to bring up a smile?”

“A butterfly, Merlin?”

Arthur looks incredulous but sounds, if anything, teasing - which Merlin interprets as a sign of progress, a smile growing on his face. He only shrugs though, playing along.

“What’s wrong with a butterfly?”

“Nothing, I guess, indeed. Let’s go on then.”

They read further for about an hour, Gaius preparing potions behind them. Arthur never shouts out again, but expectantly looks at Merlin on the few occasions he apparently feels like he might maybe be missing the whole picture. And Merlin just goes with it; the surprised yet somehow satisfied glow in Arthur’s eyes each time in some way worth the risk of possibly divulging too much…

Until dinner time comes, and Merlin has to go. He takes his leave, telling Arthur he should read on. Arthur’s answer leaves him breathless.

“I’d probably see things only one way on my own; who knows what I’ll miss… I’d rather bring the book to my chambers while you eat, and you can read further later. Besides, I should work on my water, you know… Be ready for it, in case you find something.”

Merlin can only nod, speechless from Arthur’s obvious trust.

As he opens the door, Arthur surprises him yet again, talking to his back: “And just so you know, I wouldn’t put you in the stocks for sleeping in my bed while you’re, well, me. What would the guards think if they saw me sleeping on the ground? ”

The tone is more gentle than gloating, and Merlin feels warmed up as he realizes Arthur is being simply honest. It doesn’t change his view on the matter though.

“I told you, Sire; I do not find your bed comfortable to start with.”

He doesn’t dare to look at Arthur as he walks out.

Gaius has proposed to bring the book to his chambers. He said he had to bring Morgana her sleeping draught anyway; but Arthur couldn’t help but sense that there was more to it - maybe he’d rather not have 'Merlin’ seen with such a book, maybe Geoffrey has made him sworn an oath to never let it out of his sight… Anyway, Arthur doesn’t have it in his heart to deny Gaius the demand.

Once alone, Arthur sits again in front of his two bowls. He closes his eyes, reaching *inside*.

It’s a tool. He tells himself when he senses the flow. Not a weapon.

There had been something in the way Merlin had talked. It had sometimes felt more like mentioning actual events than thinking aloud (Had Will ever performed any of the spells they read about?); especially - even though surprisingly - about…

It’s harmless. Merlin says it can be used to make butterflies.

Arthur takes a deep breath; focuses - visualizing in his head what he wishes to achieve.

When Arthur opens his eyes, the water has switched bowl.

Arthur blinks.

Then a loud “Yes” echoes in the room.

Arthur makes several times the water switch from bowl; then the books on the shelves from order (size, alphabetical, themes (as it was originally)) - he doesn’t dare mess with Gaius’s ingredients though, of course. At some point, he eyes the chamberpot and tests it too, like Merlin had mentioned they could once Arthur would have gotten how to. And indeed, it works too! Arthur can’t help but feel proud, trying to imagine the look on Merlin’s face come morning…

Then Arthur realizes maybe they do not have to be under the spell to start with any longer! What if he can just wish it away? Sadly, though, it doesn’t work; no matter how much nor how hard Arthur tries. Feeling a bit defeated now, even though he knows he definitely booked progress, Arthur decides he should go to sleep. With any luck, he might need all his energy tomorrow, if tonight turns out to be as fortunate for Merlin as it has been to him…

Gaius hasn’t come back yet - he probably stayed with Merlin to study the book; after all, as Court Physician, no one would question how long he stayed by his injured Prince… Arthur opens the door to Merlin’s bedroom - he doesn’t intend to keep Gaius out of his own bed tonight too…

As soon as possible, Merlin excuses himself from Uther’s and Morgana’s company to get to his book.

Since Gaius has given it to him, he hasn’t really had time to study it - mostly, he’s called forth through his magic the necessary spell or information when he needed any. He hopes though that the book will help them again, as it has in the past, and that he will find something useful in the over two thirds of the spells section he hasn’t read yet…

It’s late into the night when Merlin’s heart skip a beat. A spell-breaking spell? This might work, right! After all, one doesn’t have to reverse a spell to have it undone! Merlin rereads the pages again, and wishes the morning to hurry in order to show his finding to Arthur and Gaius.

Arthur saw magic as a weapon, of course. Which was sort of getting in the way of having his magic work for more than blocking the spoons attacks, because he felt still somehow that he *shouldn’t* use it, no matter the need to use it to fix their problem. But now that Merlin has had him understand, at least for a while, that it isn’t by definition a weapon, Arthur somehow feels like it is all right to use it. Which is why it works this time? It makes sense in my head, at least?

And imo Merlin wound’t link magic to a weapon both because he wants to unmake that precise link existing already in Arthur’s mind; but mostly because, well, he doesn’t see it that way - HE USES IT TO MAKE BUTTERFLIES, RIGHT (and I love him for it, HUGE sigh…)

XIV. THE SPELL (ARTHUR POV)

Arthur reads the pages Merlin just put under his nose with the utmost attention. A spell to break any spell? That sounds promising indeed!

Arthur can’t help but worry though, as he realizes that the primary condition for the spell to work is that the enchanted person(s) has to be truly, entirely, honestly willing to see the spell lifted for it to work (AN: which explains why Merlin cannot use that spell later on whenever Arthur is bewitched by the way…). And it is not about Merlin (positively-glowing-from-hope-right-now Merlin, sleeping-on-the-floor Merlin) Arthur has doubts about; it is about himself.

The truth, Arthur realizes with a shock, is that he likes it now, somehow - having magic!? Since Merlin told he saw it as a tool - not a weapon; and since Arthur has been proven that he could master his new abilities? Arthur has started considering apparently, at the back of his head, how it could turn out handy, how it could turn out good, for his people? What if he could multiply crops on bad years, ensuring no one would starve that winter? What if he could protect the borders, ensuring no one with ill intent could pass? *What if he could*- And that? That is the most dangerous, treacherous thought Arthur could ever have. Not only because it would be ill advised to rely on something that might disappear just as quickly as it has appeared to start with, but because the fact that he feels *tempted* to use it at all might be a signal of its luring, corrupting qualities. Who knows what he might get tempted to use it for, in time? Will there even come a limit? And that is what frightens Arthur the most - to succumb to its call. It would start with a genuine heart, but who could know how so much power might ever alter his first intentions?

So. No; indeed. He mustn’t entertain those thoughts. He should use magic to fix their current situation, and he will, simply because it is the only way to fix it to start it; but it would be for the best if it just disappeared along with it the moment their problem is solved. Besides, he owes it to Merlin, right. Because what if the magic stayed in Merlin’s body, instead of staying with his mind after they get back into their own bodies anyway? He would never wish to see such a risk, and a burden, on Merlin’s shoulders - particularly as he would know he would be responsible for it…

Arthur takes a deep breath, letting go of what could be, to focus on wishing for what must be.

The preparations are quite quick - Gaius already has everything they need in stock. It’s merely a mix of relaxing herbs, Merlin says as he aligns several pots of herbs in front of Arthur, that Arthur will have to crush into his hands. If anything, it smells nice, Arthur can’t help but notice with satisfaction. Somehow, the fact that it isn’t nauseous makes it feel not-evil.

The incantation is more tricky. It’s about six lines of text Arthur has to memorize and chant; and most of the words Arthur has never heard, so… Again, why can’t he simply wish for the spell to disappear - like with the water? Merlin explains that Arthur has to make the words his own while focusing on what he wishes - because it’s not only about working his own magic but also about lifting their attacker’s magic control on their bodies (even though it’s all a bit unclear whether the words of the spell are actually what makes it happens, or if they only help him achieve a certain level of inner focus that makes it happens - but Merlin might not know everything anyway, and whatever the reason, Arthur just HAS to master the incantation then anyway.)

It doesn’t seem to work, though. Hours later, and still nothing has changed; no matter how often Arthur has recited the spell nor the amount of herbs he has crushed into his hands. It’s not only frustrating and disheartening - it’s simply infuriating: Merlin and him were both so hopeful this might be it!

“It will work. *You* will make it work, Sire,” Merlin swears, voice steady, clear eyes unwavering, each time Arthur starts again.

Arthur closes his eyes, takes a deep breath, and tries again. He owes it to Merlin’s faith in him to keep trying.

And then, suddenly, it’s done. Arthur has no idea what finally did it but he knows it’s done: he hears HIS voice chanting as Merlin gasps. And when Arthur opens his eyes, he sees Merlin, and not his own body. And the crazy thing? For a split second, it feels weird.

“This is real, right?” Arthur can’t help but ask, still in disbelief.

“I told you you’ll do it,” Merlin answers, beaming at him - proud of him, even.

They exchange a winning grin. Then Arthur howls.

The surge of victory and relief ends quickly though, replaced by crushing worry.

“Do you feel any different, Merlin?”, Arthur has to ask, as he doesn’t feel any warm tingling when searching inward. He is relieved to feel free from it; but not if the cost is that Merlin is tied to it now.

Merlin blanches, most probably from realizing the danger he could be in, and doesn’t answer right away - which is good, because it means that Merlin is actually doing an internal thorough check; but the silence is simply excruciating.

“Please tell me it’s gone,” Arthur can’t help but whisper, as if speaking the words could make it truth, even knowing he’s lost any ability to make it so.

#merlin #merthur #bbcmerlin #bbc merlin #merthur fic #merlin fic #my own two spells #the body swap #the once and future fic #text #fic #fanfic #complete

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