#it's not a surprise HAHA

[inkykeiji]

Every time you mention rockstar Dabi a tear falls from down my thigh…😭😭😭 God hand him over..eeeee

HE'S COMING HE'S COMING I PROMISEEE i'm so sorry i've been away from this blog like all week waaah i've been doing landscaping every single day for hours upon hours hahaha but we just finished today (yay!) <3 anyway, he's super summery so i want to post him (ALL of him; three parts) throughout the summer <3 my bsd hyperfixation has been curbed and i am back on track to finish him + flawless part two!! <3

[humming-fly]

was anyone gonna tell me shadow saved rouge's life in sa2 or was I just supposed to find that out playing the game myself

(this worked out as a rather fitting closer for the Final Day in Year of Shadow haha, hope ya'll have a fun new year! 🎉🎉🎉)

[doctorsiren]

The books reveal that Ford is actually a secret partier

(Available as a print on my Etsy Shop)

(wips under cut)

[willosword]

Fake, facsimile, forgery.

[hayden-christensen]

God rest my soul I miss who I used to be The tomb won't close Stained glass windows in my mind I regret you all the time

[vampmilf]

i have fantasies where i slowly choke him with a spiky rope until hes just on the brink of death and i let him recover a minute before i go at it again and i do that over and over and over again until his body shuts down from exhaustion and then i feed his body to my backyard chickens for dinner ♡ #reducereuserecycle

[vaguely-concerned]

what a day lucanis is having during his recruitment mission. welcome back from your year at The Horrors camp man. your grandma is dead (you missed seeing her again by hours), your hometown is under brutal occupation, the demon situation is going to be permanent I'm very much afraid, and incidentally the reason everything seems to be on fire is that the world is actively ending. yeah you've heard about the blight? we're at double blight right now. how did his day start at 'I'm in hell' and get worse from there I'm crying

[bashzzey]

oh yeah i've gone webfishing 💖

[carameatea]

Poster Boy

[starwarjotta]

“Not that I’m complaining (quite on the contrary, actually), but you couldn’t have waited for two more minutes until the end of the battle to do that, sir.”

“How could I, with you giving me a smile like that, my dear?”

“...fine. I’ll allow it, this once. Sir.”

“:)”

my second @codywanfirstkissbingo work, for “battleground kiss”

[felis-rach]

remebered how insanely good the second dimension movie was and how it changed kid me forever

[takingasterix]

Queen Guinevere's guard dog (AKA the Court Sorcerer of Camelot)

quick little thing because i got bored and LOVE this concept

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[cloudinal]

Some character doodles from last night

[biolumien]

hello!! I loved your rooftop smoke fic so much oh my goodness could I ask for literally anything hoshina I would love to read more of your works... It would make my day if hoshina fell first/if he was the one hopelessly in love but anything that is easier to write for you I would love to read

ALSO PLS FEEL FREE TO IGNORE THIS IF ITS NOT EXACTLY IT FOR U!!! TYSM IN ADVANCE

notes: bwahhhh omg… thank you for liking my first work…  i havent written hoshina before… but uh. i hope this is good. same reader-insert from last time for this one too!

hoshina falls first (or tries not to, because to love is to be known)

soshiro hoshina x gn!reader i turned it into kind of a character study, forgive me word count: 1103

let’s get this right off the bat, to clear any misconceptions. hoshina’s not a romantic. he doesn’t fall for anyone first. he’s built up the demeanor of a sly, wily little fox not because he wanted to, but because he had to. tread lightly around others, and they will never know what lies in your heart, the insecurities that bubble and eat at you alive. never let them know how you feel, because as soon as your inherent, weak-willed intent is shown, you’ll be devoured alive.

well.

that’s what hoshina tells himself, anyway. 

it’s what he has to remind himself of constantly when he sees you.

you’re not allowed, he reminds himself, to get under his skin. not in any mean way, not in the way where you play up his insecurities–except you do, don’t you? you don’t mean to, but he gets the impression that if he were conventionally stronger, more impressive, that he’d deserve your attention, the small smile that crosses your lips and lights up your eyes when you see him, the faint exhale of breath when you see him–he’d deserve that if he were better. if he were just simply better, he’d deserve it. he’d feel worthy of it.

hoshina’s not a romantic.

he signed up for a line of very dangerous, practically suicidal work knowing it might mean the death of him.

all to prove that he was worth something.

he’s not the ashes you throw away, he’s a brilliant ball of fire, can’t you see–but he needed to prove that he could shine alone, under his own merit. he didn’t need anyone, except he needed mina to get him into the third division anyway. 

he didn’t need you, except he kept making excuses to get close to you, and not even in any particular suave way. hoshina practically pines for your affections and attention, but the key thing about it is that he refuses, in a way that’s either very cute or insanely frustrating, to make it seem like he’s making the first move. fleeting kisses he shared with you, he never properly initiated himself–he’d stand there, make a big show of leaving, and you’d pulled him by the collar to kiss him. 

but at the very least you seem to be accommodating about it, in any case. you sometimes end up preparing him a cup of tea when you go on break, as if instinctually expecting him.

hoshina wonders if he’s pavlov’s dog in this case–drawn by you, trained to behave around you.

he doesn’t know how he feels about it.

“you keep coming here,” you say to him one day in the lab. at your desk is a wide variety of papers–notes on chemical formulas for bullets, the blueprints for one of mina’s new absurdly-large guns shoved haphazardly under a stack of notebooks, a coffee cup clasped between your hands, and you blow some of the fresh steam off. “i’m starting to think the captain’s going to find you slacking off.”

there’s a sardonic smile on your lips, but hoshina’s gotten better at reading you. you’re happy to see him–he can see it in the tiny way you fidget a little bit when he takes the spare coffee mug from your desk, finding it full of coffee already. does he feel his face softening, his drawn-up shoulders relaxing? no, surely not. he’s better than that. he won’t be influenced by you–and yet. and yet. 

“you have a lock on your door if you don’t want to be disturbed,” hoshina says simply, taking a sip of the coffee. black with a single spoonful of sugar in it, because as much as it was impressive to drink your coffee purely black, hoshina quite frankly couldn’t take it. and he’d built as much a complex around that, too, as if a simple coffee preference might define how worthy he is of love. respect. the works. he watches you, sees dark under-eyes from days of restless work and the writer’s bump on your middle finger, and feels his heart squeeze.

god, he hates it. does he? does he hate it? is he insecure about that? does he hate that he doesn’t hate it? does he hate that by pining for you, by forcing his way into your life, that he’s created the rumblings of his own downfall? no. the worst part of it all is that he can’t hate you. can’t hate the way you watch him, and he wonders if you’re watching him the same way he observes you–like a prey animal, almost, twitchy and nervous, in an attempt to grasp at feeble understanding. 

“if you keep coming back here, i’m going to assume you’re in love with me,” you say.

and you have no idea what those words do to him, really. you don’t know, because hoshina has learned to obscure most of his emotions, at the very least. 

so why does his face feel so hot?

“hm.”

he can’t even come up with a proper retort. you’re staring at him expectantly, as if waiting for the classic hoshina quip–a cackle or giggle, a casual slap on the table with a you wish! attached to it. but it doesn’t come. hoshina stands there, gagged for a moment–and suddenly his grip on his coffee cup feels a little weak.

“hoshina.”

he wishes the smile on your lips didn’t trigger some gut instinct of delight in him.

he’s better than this, damn it. he’s better than this.

your smile quirks up the corners of your cheeks, and there’s something like a shy flush across your skin. and–

“i wish i could take a picture of your face right now,” you say. “you look like you’re coming down with something.”

hoshina scoffs, the sound a little more high-pitched than he’d like for it to be.

“you wish,” he says. 

“so are you?” you press. “in love with me?”

hoshina stares at you–there’s a sudden tightness in your shoulders that wasn’t there before–you’re worried about his answer. and despite it all–his bravado, his hatred of the mere idea that he might rely on someone else–that he would ever need someone to know his heart, that he might be cowed and tamed like a dog–

he loves you.

he doesn’t want you to be worried about the surety of his answer.

“yeah,” he says. “i love you.” and when that sudden tightness in your body language disappears, he finally finds the strength to quip, “just don’t faint over me, alright?” 

and when you reach out to hit his shoulder, he grasps you by the wrist and pulls you in to kiss you.

[buggachat]

seeing a lot of talk of the season 5 finale, which is fun, i get that it was controversial (honestly the fact it was really risky is kind of one of the things i like about it lol) and wanting to add my two cents but can't think of much i haven't already said before

but something i do want to emphasize is that season 5 ending on Marinette telling the biggest, boldest faced lie she's ever told (that goes far beyond "protecting her identity") to kick off the Lila arc is by far the coolest thing they could've done imo, because I was not at all excited for the Lila arc before but now I'm totally invested. Now Lila isn't the Evil Liar to be taken down by Good Marinette. Marinette is the liar to be taken down by the very liar that she took down. It's not a story of "defeat that freakishly evil girl" anymore, but instead a story of "Marinette's own actions and decisions coming back to bite her". And the lie itself (WHICH LILA KNOWS IS A LIE!!) only exists because, and is most impactful towards, her relationship with Adrien, which is the core of the series!! I CARE about their relationship, and that's the stakes!!!

I just cannot get over how cool that is, and how much I didn't expect it. I know we all were expecting a big fight with Ladybug and Chat Noir just defeating Gabriel and then watching Chat Noir cry or whatever in the few remaining minutes of screen-time and then it's all over and done with, but that's a series finale. This was a season finale. And they did something really unique and unexpected with it, while making sure it's a juicy season-finale conflict that leaves me actually excited about season 6

also, a side note— I think the framing of the finale made this confusing so I totally get why discussions about it are kind of all over the place, but... 90% of the post-wish stuff we saw had nothing to do with Gabriel at all. It was all Mayor Bustier, who was already running for mayor and wanted to enact green laws and projected to win (she was up against D'Argencourt, the character whose schtick is that nobody ever votes for him in elections). I don't think Gabriel's wish included "Please, Gimmi, I want my son's school teacher to win the mayoral election this year" lol. So a lot of talk of "why is Gabriel's World presented in such a positive light?" is kind of weird to me. That's not Gabriel's World. That's Caline Bustier's. All we know so far about Gabriel's World is that Nathalie is in it and he is not. And frankly, the fact everyone is so happy and cheerful and living it up after his death is more a roast than anything

( also, just a reminder that the presentation of Gabriel's statue— the only scene discussing Gabriel in a positive light by someone In The Know— was done by Tomoe Tsurugi, a series antagonist, vowing to continue his work, with a song in minor key playing in the background. i feel like the question of "was this meant to be unsettling or triumphant?" is pretty obvious. just wanted to remind everyone. also by definition characters cannot celebrate gabriel as a "hero" without in the same breath celebrating monarch's, aka gabriel's, death. yknow? )