#it's me i'm white people

[levil0vesyou]

(idea for the second to last one is stolen. the rest is mine)

[eastgaysian]

[dualcasterjay]

white people will see a cute coaster set and be like "oh :D i could use more coasters"

[tbc2]

white people are dirty little sluts for some bread

[tuttle-did-it]

You know, it's genuinely sad to me that aging favourite character actors no longer have any fun murder-mystery tv shows to guest-star as murders on.

[babacontainsmultitudes]

RIP Will Campos the only person who was murdered this episode.

[erinwantstowrite]

trying to get used to drawing Clark because he's gonna be in LoF soon (for a couple chapters) and I think it's going well :3

[geneticdriftwood]

persephone's in hell; a rooftop conversation

for @mysterycitrus

persephone's in hell, @mysterycitrus // white winter hymnal, fleet foxes // assorted dc comics

[lizzybeeee]

DATV explaining the 'Regret Prison'

A REGRET PRISON IS STUPID AND I'M TIRED OF PRETENDING THAT ITS NOT

TL;DR: a prison can serve as a metaphor but it shouldn't be entirely comprised of a metaphor.

From what I understood from what the game gave us: Solas has made a new prison to move the God's too - since bringing down the veil would free them from the Black City. This new prison is separate(?) from the fade or so far removed/contained that bringing down the veil would not compromise it...apparently. We interrupt his ritual, Solas gets sucked into the new prison he made, and the elven gods are free.

When Rook gets kicked into the fade they're physically there - which means it's a physical place in the fade, like how it was a mixture of physical/thought when we entered it in DAI. Which makes sense - the gods are real and living beings, they need to be in a place, there must be some aspect of physicality to it.

Alright, cool, it's a Black City 2.0 - I assume it's better defended to prevent people breaking in/out again?

NOPE.

We get there and it's a 'regret prison'?? It's tied to the regrets of those within it? Composed of regrets??? Solas had to wait for the right moment for Rook to be sufficiently 'full of regret' that they could switch places?

So is the prison tied to Solas's regrets? If so, how can Rook escape? The prison seems to work around the idea that it relies on the regrets of the person it's holding to work - which is how/why Rook was able to be trapped and later free themselves (along with whatever remains of the team apparently being able to do something on their end, not that we hear about it).

WHICH IS STUPID!

Are you telling me the prison intended to hold to megalomaniac elven gods was going to imprison them based on their own regrets? Is Solas assuming that Elgar'nan and Ghilan'nain are as self-pitying as he is? They'd break out quicker than Rook did! He made a time out corner for the elven gods to sit in and gave them an out if they reflected on their emotions/regrets or decided that they don't regret what they did. Elgar'nan, a spirit of tyranny, is not going to 'regret' his actions - he is going to justify them by telling himself and others that he knows what's best.

We can come across some of Solas's regrets in the prison if you run around a bit and explore:

Remnant of Failure - talking about the orb from Inquisition.

Remnant of Parting - talking about Mythal

Remnant of Reflection - more vague, talking about the Titans I believe.

So maybe he altered it - maybe he intended the prison to be 'locked' with his own regrets because after a millennia of having a pity party he still can't bring himself to self-reflect and look to the future. But what if Solas died? Or if his guilt lessened - would it diminish the strength of the regret prison?

We already have pre-established lore (though DATV has shown they don't really give a crap tbh) that once the being that has claimed/altered an area of the fade is slain, it's influence diminishes both in and outside of the fade. So if the prison was tied to his regrets then it would require Solas to basically live forever to keep it stable - especially if he brought down the veil and removed the one barrier that kept the world and the fade apart.

Rook and Solas needed some assistance to exit - but it doesn't seem like it was much! Solas used his dagger and Rook just...got out through a fade tear? This is Solas's 'more secure' second prison? It has a worse track record than the Black City! If Rook - who is not an elven god - managed to escape the regret prison what is to stop anyone else from breaking in and out of the prison?

And what did Solas intend to do with the blight - the bulk of which is apparently in the black city?? If bringing down the Veil would free the gods in the black city doesn't that mean that the blight would also be released?! Did he have a plan? Why does he go fully ahead with bringing down the veil at the end if the black city is still there and filled with blight?!

I get it: the 'regret prison' is a metaphor for how Solas holds onto the past and how Rook can move past their regrets and grow. He's trapped by the past - it's a prison. Cool. But this prison is supposed to by a physical place to contain the gods - not just to solely contain Solas. The mission is literally called 'A Cage for Gods'.

The Black City is an actual place that's so far out of reach of anywhere else in the fade that no mage can ever reach it while in dreams - let alone physically, which was only done once and took tremendous effort/blood sacrifices. It made sense - it was cool to see floating in the sky in DAO!

Though it's not said specifically, it's strongly implied that Arlathan is the Black City. You can see in the concept art that floating elven city is exactly the same as the black city in DAO! It's this foreboding thing just lurking in the sky - a constant reminder of the sin that led to the horrors of the blights and darkspawn. A real place with lore and history that also serves as a metaphor for the hubris and destruction of those who call themselves gods and act as tyrants -> for both the evanuris and the magisters.

I WANT TO UNDERSTAND THIS BIOWARE!

WHAT IS THIS KINGDOM HEARTS NONSENSE???!!

[pjharvey]

the fact that trump is somehow still up for re-election and everyone is acting like he is a normal candidate and he's out here spouting like 1800s levels of racism and has a dozen rape allegations is crazy. stupid ass country.

[poorly-drawn-mdzs]

Chu Wanning, kit-tea man. (Part 2)

(for @onionlings)

[bixels]

a drawing of miku by a white person wearing a hoodie is not indicative of culture

they think i'm white, chat.

[gorillawithautism]

the mr beast pyramids thing is fucked up for several reasons but here are some of the ones that i personally have been thinking about

1. historical significance and capitalism (aka "why does this white man get special privileges? why is he allowed to rent out a world wonder and why do we live in a world where that's possible") - it's not that renting out the pyramids is unheard of because it's definitely happened before. @jehadism even mentioned that the location was rented out for a rave recently. but why do we live in a world where it's possible to reserve access to historical monuments for the rich white foreigners? and how is it that one (1) man has enough money to do this?

2. contemporary cultural significance and the egyptian government (aka "my egyptian mutuals hate this and i've been friends with them long enough to at least have an introductory understanding as to why") - how much access does the average egyptian have to their own history? what with white foreigners looting graves and the egyptian dictatorship destroying monuments, how much easier is it for a white american like myself to go to a museum in person and see the results of white colonialism in "ancient egypt" exhibits as if egyptians aren't a real, still-living community of people? and how much harder is it for an egyptian under dictatorship to visit historical monuments in their own city? what hoops does the average egyptian need to go through just to view artifacts that should be preserved by egyptians, for egyptians, in egypt? why is it that mr beast doesn't have to go through these hoops and can make a public youtube video about it and yet egyptians get disappeared by their own government if they try to speak up against that very government desecrating historical sites?

3. information dissemination and the indoctrination of white supremacist youth (aka "what does this mean for future attitudes towards egyptians and egyptian culture") - mr beast's fanbase is predominantly children which is something mr beast himself has full knowledge of and has stated as such. especially with the more recent allegations against him and his various business pursuits, any adults who happen to watch him already don't care about the moral truth of his actions. the children that watch his channel are the target audience here. he has an ethical responsibility to carefully consider what he shows to the public. he has a moral obligation to show these children how to be a good person and to educate them. or at the very least he has a duty to not model 'how to be human scum' for the kids on the other side of the screen. and yet, here he is, promoting an orientalist view of egypt. planting little seeds in their minds that (white) egyptology is cool and mysterious and fantastical. not to mention he has no historical or archaeological certification. he's showing these kids that it's okay for the most average of white americans (albeit very very rich but other than that still extremely average) to waltz into an egyptian burial ground and play make believe about solving mysteries and getting trapped in mazes and chased by the living dead despite having zero certification. even when the white people invading egyptian historical sites are literally trained historians and archeologists, they still exemplify white supremacist, orientalist notions about egypt. the problem isn't that mr beast's opinions about egypt will inevitably suck (well. it's a problem but given that he's a rich white man and literally mr beast, i'm treating that as a given and it's not what i'm gonna focus my thoughts on) no the problem here is that he's teaching children that it's okay to have said opinions. he's teaching white children to mistreat the nonwhite children around them and to grow up and continue to oppress egyptians in the exact way they saw their childhood idol do. he's teaching any egyptian children who watch him that white people will always devalue their history and their culture

[literaryspinster]

I hear a lot of talk about how Hollywood isn't comfortable with showing romantic relationships, interracial or otherwise, without a white person involved. But I'm not sure that fans are actually comfortable with that either? And I don't think they're comfortable without a significant white (white male specifically) presence in their favorite genre shows.

[uncanny-tranny]

Quick tip: If a trans passing guide is focused on thinness, whiteness, or getting rid of anything about yourself that is "too clockable" (regardless of if that thing about yourself makes you happy), maybe it isn't worth fretting about, since it is clearly coming from a homogenized idea of what passing looks like

[okadaizoirl]

getting severely clear just how many people have never heard someone tell a trans man "honey, gay men call each other 'sis' and 'queen' all the time"

(or maybe never listened when a trans guy opened up about it)