#it's like. easily explainable

[lazylittledragon]

mombin pt 6 and look who showed up

(1)(2)(3)(4) (5)

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[kettlefire]

As Good as Good Gets (DP X DC Snippet)

Richard "Dick" Grayson is the golden child. In the eyes of the public, and in the eyes of the league. Dick is a sweet, caring son, a man who went from being a sidekick to being a hero. The pipeline from Robin to Nightwing had many people applauding his dedication to keeping Gotham safe.

No one knew the full story, not truly. No one but Bruce Wayne himself. And maybe a certain butler. Many don't know that Dick only became Robin to stop him from hunting down and killing the man who killed his parents.

No one really knows about the harsh fights and arguments he has had with Bruce. The times when Dick would find himself cut off from the Wayne name for a week or so. No one knows that the first person Dick warmed up to was Alfred. Having been bribed with cookies.

Things weren't always this good, trusting, happy relationship between Bruce and Dick. It had been a rough ride, a complicated one. But that was okay, because it got better.

Dick stopped being so moody and angsty. He grew up, he learned, and he changed. He became an older brother, found people that needed him. Needed him in a way that the citizens of Gotham didn't need him.

His brothers like to call him annoying. A goody two shoes who Bruce trusted more than everyone else. They couldn't fathom how someone like Dick could be so stupid and bubbly at all times.

All times, except when shit hits the fans. Despite the name calling, despite coining Dick as the stupid Wayne. They all knew better. They knew that when it mattered, Dick Grayson always pulled through. He was a force to be reckoned with when needed.

The whole Wayne family was a force to be reckoned with when called for. It didn't have to be under the guise of costumes and vigilante acts. Whether he was Officer Grayson or Nightwing, Dick was a man with his morals and values.

One night on patrol as Officer Grayson, Dick found someone who needed that force. A force willing to protect and care for the innocent. The hurt. The damaged, yet still good.

It started like any other night. A call of shots fired by an empty warehouse. There was no sighting or knowledge of any rouges being there, so Dick took the call. Told the team he'll contact them if it seems more than just a civilian incident.

The warehouse was dark, reeked of copper and oil. It didn't take long for Dick to find the trail. The liquid he found looked like the person had been dragged before walking. There was a clear struggle, even with the mess and emptiness that was the warehouse.

That wasn't Dick's biggest concern. The concern lay in just how much blood there was. Too much for any normal person to lose and still manage to stumble through the warehouse.

It wasn't just blood. It wasn't that much, but Dick could spot the strangeness in the liquid. The mixed in green that had an eerily similar color and glow as a certain pit.

Without thinking, Dick followed the trail. Barely remembering to make contact with his family. Give them an update on what he found. Words telling him to stay put for backup went in one ear and out the other.

Something in Dick's gut was telling him he couldn't wait. He needed to find the source. Whoever was currently bleeding out in this warehouse. He silenced the comm, moving further through the dimly lit building.

Then Dick found it. Or more so, he found him. It was just a boy. A boy that reminded Dick too much of the youngest Wayne. A boy sat against a wall, looking pale and weak.

Red and green coated the front of the boy's shirt, arms wrapped tightly around his middle. An attempt to stem the bleeding. A puddle had already started to form beneath the boy, and Dick moved without thinking once again.

He quickly found himself kneeling beside the boy, hands carefully reaching out. Before Dick even touched him, the boy flinched. Eyelids suddenly opened, wide and terrified blue eyes landed on Dick's.

In just that one look, Dick knew what he had to do. The haunting, terrified, and pained look in the boy's eyes told Dick everything he needed to know. The boy was in danger. Someone had hurt this kid, and it was clear it wasn't the first time.

The boy struggled weakly against Dick's touch, terrified whimpers, and barely coherent pleas spilled from the kid's lips. It had Dick's heart aching, clear as day the poor kid has been through hell and back.

It took a lot of reassurance, gentle touches, and promises of help before the kid let Dick take a look at the bleeding wound. A promise on Dick's soul had been the final thing that earned him any semblance of trust. A strange promise, but Dick was willing to make it.

That concern turned to pure anger the moment Dick managed to pull the sticky shirt away from the wound. The sight of a Y-incision cut perfectly into the skin, stitches tight on the skin, but blood still leaking heavily from the wound.

It didn't take long for Dick to realize why. Despite the perfect surgical care of the wound, a good couple of stitches had broken. Leaving gaping spots for that red and green liquid to pour out of.

The boy was deathly silent, tears streaking down his cheek as wide blue eyes stayed trained on Dick. In that moment, Dick knew he had to help. Had to get the kid to safety, patch him up, and find out what kind of monster would do this.

It didn't matter if the kid was human or not. It didn't matter if the kid had special abilities or not. No one, absolutely no one, deserved to be vivisected.

The kid was shrouded in mystery, but that mystery only seemed to grow and become clearer when Bruce had entered the scene. The boy had tensed, eyes flashing a bright glowing green.

Lazarus pit green.

It set a pit of dread in Dick's gut. His mind brings forward memories of Jason. Jason, after his revival, after his dip in that cursed pit. The same flash that his brother would get if he got too angry. Too emotional.

As much as Dick wanted to focus on finding who did this, if it had any connection to Ra's al Ghul. He couldn't. Not when the kid tried to get up, to pull away as Bruce and the others made their way closer.

Right now, Dick only cared about making sure the boy was okay. Fixing those stitches, getting him a meal, and a warm bed.

He needed to get this kid someplace where he felt safe and secure. Comfortable and protected. Dick wasn't sure why. Maybe it was the promise he had made, but he wasn't letting anyone get to the kid.

That included his family. As strange as it seemed, Dick put himself between the others and the kid. Shooting them all a glare that they had only ever seen a handful of times.

Dick lifted the poor boy up in his arms, cradling the crying child close as he led the way out of the warehouse. Ignoring the questions or confusion coming from Bruce and the others. As Dick walked, feeling the trembling boy clinging to him, he made a rather obvious realization.

Maybe the eldest son really was more like Bruce than he expected. Just a few short moments the the boy, a boy that Dick didn't know his name, and he was ready to pull out adoption papers. To give the boy a safety he so desperately needs.

Give him the chance that Bruce had given him all those years ago.

[apollos-olives]

me trying to keep a straight and polite face every time the queer people around me start shitting on neopronouns, knowing damn well i have a set of neopronouns

[jjkyaoi]

how different the atla main group and the lok main group are is Still the funniest thing in the world to me. like, the gaang are real sweet best friends, would die for each other and kill for each other, probably, a sprinkle of found family, friendships CAN last more than one lifetime, etc. and then korra has dated literally all of her three best friends. everyone in that group wanted a piece of the avatar’s ass

[acekindaneat]

I don't want this to end.

A cute little date scene that I really liked from the fic The Big Woo by @tinkertoysdamn !!!!!

[bigskydreaming]

Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....

And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.

The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.

And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.

Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.

HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.

But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.

That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:

His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.

Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.

[wizardsix]

local guy claims intellectual superiority by declaring people who criticise veilguard just haven't played long enough and don't really know what bad writing is. it must be very peaceful to have such an empty head.

[quadrantadvisor]

DP x DC, revenant!Jason Todd

Shortly after meeting, Danny and Jason have a late night conversation about what it means to come back. 1281 words

On AO3

-

Danny woke groggily, in a dark place that he didn't recognize, and took a moment to get his bearings.

He felt the warning ache in his neck that came from being propped up against an arm rest. There were two sources of dim light in the room—the glow of city street lights, muffled behind a curtain, and the green eyes of the man whose lap Danny's feet were propped on.

Right. Danny hadn’t meant to fall asleep on the revenant’s—on Jason’s—couch, but they’d been talking for so long, he must’ve dozed off.

Jason had had so many questions, about ectoplasm, about the zone, about Danny’s own experiences. Danny had done his best to clear up everything he could. A revenant may not be quite the same as he was, but still, it made Danny happy to be able to pass on his hard won knowledge and maybe save someone else a bit of the hurt and confusion that he’d gone through. It was what he’d always wished someone would do for him.

Jason was slumped into the couch, but he didn’t look relaxed. Danny examined his still profile, cast in strange shadows by its own green glow, and wondered how long it had been since he’d moved.

Danny shifted slightly, purposefully producing the fabric sounds of a body against upholstery, to make sure Jason knew he was awake. No reaction. Danny gave him one more moment, then asked, “You okay?”

Jason didn’t look at him when he answered, “You told me I’m basically possessing my own corpse, and I’m supposed to not be upset about that?”

Really, Danny should’ve predicted something like that. How long had he spent, trying to pretend that death hadn’t really touched him? It wasn’t an easy thing to accept.

“What’s the difference between a body and a corpse?” Danny asked.

Jason’s eyes snapped to Danny, their glow intensifying. “I am not dealing with riddle bullshit right now, I swear to-”

“No, I’m being serious,” Danny interrupted, pulling his feet from Jason’s lap and sitting himself up. “There’s one difference between a corpse and a living body, and that’s that someone is living in it. Jason—” he reached out, gripping one of Jason’s hands in his “—you’re alive. That’s what matters. The rest is details.”

Jason’s shoulders bent inwards, his other hand raising to rub at his chest. “You don’t get it,” he said, quiet. “People don’t just come back from what they did to me. It doesn’t make any sense.”

“However you died, it’s not-”

Jason huffed an ugly sound, a short and bitter laugh that Danny hurt to hear. “Is it crazy that that isn’t even what I was talking about? I meant after.” The motion on his chest was repetitive, like he was tracing something underneath his shirt, and Danny got the sinking feeling that he knew just what sort of scar it might be. “I was gone, okay? I was gone, and this body was still here. And they took it, and they cut it open and rummaged around inside to figure out what happened. Which is—” he cut off, sniffed, and Danny gripped his hand tighter “—which is stupid, right? It’s not like it wasn’t obvious.” His fingers twitched, and he continued, haltingly, “I mean, I’ve read the report. Pulled it off his stupid files. The smoke inhalation did me in. After everything that happened, it was the smoke.”

Jasons’ hand pulled out of Danny’s, and they both rose to cover his face, cutting off the glow while he curled in on himself even tighter. His voice was slightly muffled when he said, “And then they had to ship me home, right? So they bled me dry and pumped me full of formaldehyde, and they prettied me up so they could pretend I wasn’t just some empty thing, and Bruce held the tiniest most depressing little funeral known to man and put my ass in the ground, and I had to wake up down there.” His words and his breaths were coming too quick, and Danny didn’t know how to help. He didn’t want Jason to stop, not when it seemed like he needed to say all of this, but he could see just how badly the revenant was hurting.

“But you did wake up,” he whispered.

“Woke up in my own mutilated corpse!” Jason snarled. “Everything I’ve forgotten, and that memory is still crystal fucking clear! It stank in there, like death and vinegar and mud, and it was so small, and I couldn’t even try to scream for help because they sewed my fucking mouth shut—!” He broke off into a sob, and Danny couldn’t stand it anymore, had to lean into Jason’s side and wrap an arm around him as he shook with all the emotion he couldn’t reign in.

“Okay,” Danny said. Not you’re okay, just okay. “Okay, so that’s the most horrible thing I’ve ever heard, and I regularly hang out with a guy who wants to skin me.”

Jason sniffed. “What?”

“Nevermind. It’s just-”

“No, I think we should go back to the skinning thing-”

“I just don’t want you to let it define you,” Danny interrupted. “I did that. I got into my head about it, the whole ‘being dead’ thing, feeling like I was…” Danny gave himself a second, swallowed, “like some sort of freak. A thing that didn’t belong anywhere. But I’m still alive, and you’re alive, and even if we weren’t, it wouldn’t matter, because we’re still here, and as long as you’re here you can find something that’s worth staying for.” Danny rubbed what he hoped was a soothing pattern into Jason’s admittedly impressive bicep.

Jason let out a sigh. “I must really be pathetic if you’ve gotta pep talk me like that, huh?” he said, and Danny pretended not to see him wiping at his eyes. “Sorry,” he added, “about all this. I’ve got some shit I haven’t dealt with, and this ‘revenant’ stuff brought it up pretty bad.”

“I get it,” Danny said, and hoped Jason could tell how much he meant it.

Jason sighed again, heavy, like he was trying to release something else with his breath, and said, “It still doesn’t make any sense. Logically, I can’t be alive. Where did my blood come from?”

Danny shrugged. “Do you have blood?”

“I definitely have blood. I’ve seen a lot of it.”

That gave Danny pause. “Just like, around?” he asked.

“Yeah,” Jason said, deadpan. “I’ve got a surplus, so I like to leave some here and there, make sure everyone gets a chance to appreciate it.”

“I have no idea how much you’re joking and it frightens me,” Danny told him.

“Weak,” Jason replied.

“Anyways, you gotta not think about it too much. The interdimensional goop is already logic-defying, and you’re mixing magic with it with your special soul willpower or something. Your brain will explode if you try to make it make sense.”

Jason huffed a little laugh, bouncing Danny on his shoulder, and this time it made him feel lighter. “Can I just say that I hate that I’m full of interdimensional goop?”

“Valid,” Danny said.

Even without looking at Jason, Danny could tell that he just rolled his eyes by the way the soft green light moved.

Danny had his ear pressed to Jason’s shoulder, feeling his warmth, and if he focused, he could just make out the revenant’s pulse. Personally, Danny thought it was pretty cool to be full of magic and goop and blood. Much cooler than Danny, who was way more science goop than magic goop. They’d have to compare notes on that sometime.

Maybe Jason would come around to it.

[the---hermit]

Not my mom coming up to me randomly asking "how did the roman empire fall" out of nowhere hoping for a quick answer. Mother people have been talking about this for over a thousand years how am i supposed to give you a one sentence answer jfkfllddk

[darlingod]

It’s just… it is everything that Cardan thought Jude would notice his “SO OBVIOUS” exile riddle and thinks Jude to not hesitate to come back. Beside his certainty of her cleverness to piece the riddle together, he believed he was that clear about his feelings toward her; he had thought she absolutely ought to know how he feels for her.

Like oh buddy. BUDDY. Your wife had thought of the answer to your little riddle like you thought she would. But guess what? She has detrimental TRUST ISSUES. (Like… Ur super mean and hot, I can’t blame her.) Anyway.. it’s SUPER adorable of him to so wholeheartedly believe she wouldn’t question his trust. It reveals so much about his pov of thier relationship.

Jude thought Cardan’s (silly) trick was a (vile) trick, when it was simply a: “Im trying to impress/pay you back in kind with our romantic metaphorical sparring and eventually get you out of political drama for a bit,” trick.

I’m fucking laughing wow these delusional ass children I fucking love them.

[dykedvonte]

I think it’s so ironic that the Pony Express escapes a lot if not all blame in discussion. I can’t even say I am excused from it but it’s just how hard people circle back to the characters alone without considering the environment they were made to be in.

Why would they design a ship where only two of the rooms lock? Not the bathroom? Not the sleeping quarters? We assume that all the companies in the universe are this shallow and careless to their workers but we explicitly know the Pony Express in extra vile. They are fed processed slop pack they can’t even really cook and the ration of those pack is meager at best. They hired and made people with a plethora of conflicting demeanors and beliefs work together on a mission where cohesion is important if not an outright necessity and punish them for not being happy about it. There’s no social protocols, not chain of command other than Captain’s word/choice and the only way to enforce that is with a literal firearm. They don’t allow them to celebrate freely and even took away leisure activities that would make them less stir crazy. They are only allowed a few hours of sleep despite their being no other real responsibilities or work on the ship, no matter the position or its importance. With any crew, with any level of synergy, this was a powder keg waiting for a spark.

I’m not saying characters that made mistakes didn’t make huge ones, but I think part of the horror is that at least for some (this is targeting Jimathan) those mistakes are partly made by a force of the hand. There’s a running theme of lack of choice and being forced into something and the very nature of how The Pony Express expected them to function plays a big part.

[sonknuxadow]

am i the only one who still thinks that they didnt do enough with rouge in sonic prime. and not in a "she didnt get enough screentime" sort of way but in a "they didnt seem to be putting as much thought into what they were doing with her as they were with the other main characters" sort of way

[st4rstudent]

i'll bring these out to the public actually

[skrunksthatwunk]

actually i'm still thinking about the moral orel finale.

he has a cross on his wall. do you know how much i think about that bc it's a lot.

a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).

but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.

and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.

he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.

and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal

[momowoah]

Every time I start doubting Buddie canon again I literally just rewatch any scene with them together and all my doubts evaporate instantly. 3 minutes 17 seconds??? do you wanna go for the title??? I just feel like she sees me??? what you always do??? are you hurt??? do more??? trying to dig by hand through 40 ft of mud??? there's no one in this world I trust with my son more than you??? will??? this doesn't change anything??? you can have my back any day??? we should go as crockett and tubbs??? Literally no reason whatsoever for them to do ANY of these scenes if they weren't going canon like what do you mean someone wrote this down and didn't mean it to be romantic???? And my mind just keeps circling back to 7x06 for some reason because they sang What I Like About You together. And Eddie was the one to suggest the costumes. And T thought it was supposed to be from a movie about a couple who's dating the wrong people. And you expect me to believe it isn't foreshadowing???? That it's all just a coincidence and not planned whatsoever???? Yeah right.