#it's just that if i identify it + explain my reasons for liking it this post will be super. long.

[a-minke-whales-tale]

I was going to make a long-detailed essay about the discourse, but honestly, I really am just so tired of it all. I am tired of us being a source of discussion and debate. I am tired of everyone and anyone needing to have a “take” on our existence and our community even if they never post in our tags otherwise. I do not want to turn this into discourse and just vent my experiences which is why it has no title or word count.

My experience with therianthropy has been a really quite isolated one. I have clinical zoanthropy, and because of that I was never really welcomed into normal therian spaces, more of a tolerated interloper so long as I understood that my experience was not real in the same way theirs was and I did all the double bookkeeping and other dances they demanded.

Therianthropy is a pretty wide range of experiences, though the acceptable range is often quite narrow. I was often told that therians are a sort of Human+, and while that leaves room for plenty of people, it also excludes very many. There are those of use whose experiences are much less human with an animal soul or of psychological reasons but is far more visceral and literal.

When I came to tumblr I was not expecting to find others like me, it was mostly a way for me to log my process on constructing this whale suit. But I did find others like me. If you have not been so horrendously isolated and rejected by what is supposed to be your own community, it is hard to explain how freeing and comforting it is to find others and community. I imagine to some extent; a lot of therians can relate to this being rejected from wider society and finding therian spaces.

However, since then, I am feeling more and more pushed out of the spaces we curated for ourselves. It has happened with physical nonhuman, it has happened with holothere (not that I personally connected to that term), people have in the past at least appeared to appropriate zoanthrope and clinical zoanthrope, and it is happening now with transspecies. Most of the people using physical nonhuman even six months ago were talking about visceral physical experiences, but now much of the tag and much of the discussion is focused purely on this philosophical notion of ‘I identify as [X], therefore I am [X], therefore my body is that of [X]’.

This has happened for a lot of terms and subcommunities. Therians seem to have this overly entitled attitude and demanding constantly to be included in communities and practices and that they cater to them. Although this discussion is on how therians appropriate terms and take over spaces, this sense of entitlement extends beyond them to continued use of slurs towards intersex people to describe their type or the use of a spirit-creature from a number of northern American indigenous cultures despite both those groups asking repeatedly for people to stop. It also extends to the creation and demand of the use of the term alterhuman, or even of the term therian itself demanding others submit to those terms even if at the same time making them unwelcome.

There is this attempt of overinclusion to make sure that anyone can feel represented by a term. Physical nonhuman has gone from having a wide range of meanings to being dominated entirely by the philosophical argument. Even as we can celebrate physical nonhumans being more accepted in the community, looking beyond a surface level still shows the same biases. People with “delusions” that is that our animality is literal and not of metaphor were pushed out of the community – it is hardly a month since discussions of a zoanthrope exodus were filling our tags. Similar has happened with the term holothere. There was even a thing recently of methylation as figurative.

This is happening again with transspecies. The tag even a month ago focused far more on physical experiences and processes or plans to transition (at least for the parts that weren’t porn bots or radqueer tagspam). There was a trend recently of species transition plans. At first it was cool to see different ideas people had, but it very quickly turned into consumption and shopping lists. Since then, the tag has been different – less physical and more metaphor and I and others are starting to feel pushed out of our community again.

[Therians,] Not every term has to be for you. Not every community has to cater to you. Not every space has to include you or your experience. In these sorts of spaces, therians, you -are- the hegemonic power. You find a new term, appropriate it, and effectively colonise the community, demand definitions change to meet you, and then throw ablism back at us until we feel we have to leave.

It is not wrong for us to want our own communities and spaces to discuss our experiences that are unique to us. My experience as a zoanthrope and as someone who is transspecies is not something I can simply take off. My struggle to properly interact and imitate human behaviour. My crutches and gait from a body that does not fully understand what legs are cannot be taken off. The gloves I cover my hands in so I do not see my human skin are something I can literally remove, but metaphorically I cannot when I do literally remove my gloves (either because of heat or need for function) I need to be careful not to look at my hands where I would see the human flesh (though this has improved over the past year). My schizophrenia which the humans use to explain how I experience the world is not something I can take off. It defines how I exist, how I interact with the humans around me, what care I can receive, and even what opportunities I have. This in particular also affects how and where I can interact with the therian community and how they in turn treat me. There is nothing metaphorical about my experiences, and my hopes to return to the water are very literal.

The reality for myself and others is that we cannot relate as fully to others whose identity is less literal. I am very glad for the people I have met here in particular Sonar and Sigr, I am glad to no longer be alone. Still as I look at the feed and my tags, I am watching as my community is again taken over. I am reminded over and over that to many therians we will never really be equal or welcome and we will never have our spaces. They will constantly be taken over as therians seek terms they think will make their experience sound more “real” or unique or special while further subjugating marginalised sections of their own community.

I am watching seemingly in real time spaces that were once special for me and welcoming to those like me be taken over and destroyed. The freedom and community I once felt is being destroyed by entitled therians demanding every space. And I am left now feeling once again isolated on here except for my kind friends in the personal messages.

With how things are going this is really only going to end one way. Eventually our communities will go from semi-open and public, to private and closed. We will have to secure ourselves and our communities to be allowed to exist as anything beyond lunatics and delusional. We will also likely need to bring back the harsh grilling people used to experience so the people that join our communities are genuine and will not try to appropriate and dominate our spaces. And unfortunately, this means that inevitably, people will be hurt. Some will be hurt in the way I was - a crushing isolation and understanding you are not really welcome anywhere and unable to find others like yourself. And others will be hurt by bad actors who use the new situation for power and control as people commonly reference with P-shifters. If things continue as they do, this -is- an inevitable outcome. We have already been forced out of many tags, and others have sustained harassment and have left the site, some forums have even already started to be made, there are discussions of making a new term though that seems only a temporary measure until that too is taken from us. Just let us alone.

[quatregats]

Had a conversation about being perceived as South Asian with my cousin and her kids and I'm still rotating it around in my head because like. Did everyone suddenly forget that I am also half white. Like did you forget that I do not have two South Asian parents

[paintedrecs]

"Creative inbreeding" is such an apt term. It is, quite frankly, why I've pretty much given up on reading fantasy YA for the time being. A lot of the popular ones I'd been picking up - widely discussed, pretty covers, interesting summaries - are nearly indistinguishable from each other in terms of actual writing style.

Lead characters with copy/paste personalities. A love interest that hits all the popular tropes, even if the relationship doesn't really work within the story structure. A narrative arc that hits all the key stops along the way, like it's following a map. The same types of descriptions of food, clothing, towns, etc. I set the book down when I'm done and can't even remember who the author was without flipping back to that nicely illustrated cover.

I don't mean to criticize the authors, because obviously they're working hard, and it's amazing that they got their books out into the world. I'm just...tired of reading so many of the same stories, with different hats.

Part of it, I'm sure, is that people are writing what they think sells - and agents and publishing houses are probably picking up specific stories for the same reason. It's like Disney doing endless remakes of stories that were originally something creative and inspiring.

But you can tell when you're reading something that's sort of just...cobbled together from all the other books that person has encountered from within the same exact genre. They're assembling bits of everyone else's voices instead of developing their own. It might be readable, but it's not terribly memorable.

In one of my college lit classes, our final exam was to read excerpts from various literary works and write a short essay response identifying the authors and explaining our reasons. It wasn't a test to check whether we'd read and memorized everything by these authors - it was to see how closely we'd been paying attention to the ones we had read and discussed in class.

For instance, the Jack London excerpt wasn't from White Fang or The Call of the Wild - it was a paragraph from a short story we hadn't read, where you could pick up on setting, style, themes, tone, etc to say hey...I think this was probably written by him.

I still remember that exam because it was a pretty cool exercise that showed how distinct an author's voice can be, even for ones that carry over into different genres. (Jack London is a little bit of a cheat if you go "oh it's set in Alaska.") It's like hearing a song you've never listened to before and recognizing their voice, or identifying a painting without having to look at the signature.

And yes, you can see this in fanfiction, too: I used to enjoy trying to identify authors in fandom exchange festivals, before the anon switch flipped off and they were revealed. Sometimes I was wrong. Sometimes I got it right, and it was so fun!

My favorite fic authors do often have a distinct tone and style that they carry through their writing, even while drawing from canonical sources and keeping it "in character." Just like the paintings from two artists sitting next to each other in front of a bowl of fruit will depict the "same" subject on the canvas, but with their point of view and personality in the brushstrokes.

Which is all just to say that I agree, so strongly, with the need to not only read if you're going to write...but to read widely and across genres. Across time periods and languages, too: I very much recommend reading stories from other cultures and other countries, to develop a wider view of the world.

If you only read modern YA fantasy written by US-based authors, your stories are...going to sound a lot like theirs, even if you don't intend them to.

If you read a ton of fic, you'll probably learn how to write something that aligns well with what everyone seems to like and gravitate towards in fandom. Maybe that's the goal. But even if you don't have the drive or the energy to write or try to publish original works, all the advice from earlier in this thread will help you in fandom.

If you want to write a story that isn't an entirely unique concept but IS your unique voice, you have to develop that voice through wider experience.

I've seen fanfic authors brag about how they never read at all, fic or otherwise...and quite frankly, it shows. You can only improve through practice, and some of that practice includes studying and learning from others, which can really be as simple as just sitting down with a cup of tea and a stack of books.

They don't have to be "literary." They don't need glowing 5 star reviews. They should just be what books are meant to be: a way for you to dive into a whole bunch of different worlds and time periods and discover the huge range of creativity that's out there for you to enjoy.

fascinating that when you tell people "you have to learn the rules to break them" when talking about drawing/painting etc everyone nods and agrees but the second you say "you have to read books if you want to write better" there's a horde of contrarians begging to be the wrongest people ever all of a sudden

[phinnking]

oh ok. so im gonna kill this guy

[mortal-ethos]

I've found that other queer people genuinely don't understand that masc, trans masc people, and trans men struggle with this excessively. Once hegemonic cis people find out you're trans, they rarely treat you the same. You are instantly viewed as a guy with a vagina/a hysterical woman. You are seen only as your genitalia or as mentally ill.

I can't enter many lesbian spaces anymore because they don't see me as a lesbian and they don't care to. Because I can "pass" as a man in my everyday life from HRT, though any possible benefits I get up from that are devalued by how afraid I am everyday. By knowing that the minute someone learns I'm trans, I'm worth less than I was before.

I can't enter gay male spaces (well I'm not a gay man but I know many other gay trans men and trans mascs have struggled with this) because I'm a fucking fetish to many of them and they don't see me as an equal because so many gay men are fucking sexist for some fucking reason.

I can't enter many trans spaces because they only talk about trans women and don't want to hold space for trans mascs, or are dismissive of our issues, or sometimes literally forget we exist.

I've seen so many trans masc people get misgendered constantly in online trans spaces because EVERYONE FORGETS THAT NOT ALL TRANS PEOPLE ARE WOMEN.

I'm not safe in male spaces because I have to perform masculinity that fucking isn't who I am in order to be safe. I have to hide who I am and sometimes lie about who I am in order to keep myself safe.

I have to vet any place I go to extensively online beforehand if I know I will have to be shirtless or possibly using a public locker room or restroom. And many times I just decide not to risk it and I don't go. This includes the gym, public pools, amusement parks, beaches, etc.

Many trans masc people need to wear packers, yes often for dysphoria, but also for safety and there's a reason why many packers say they can pass the "squeeze test." Because transphobes have come up to trans masc people and sexually assaulted them so many times trying to "prove" that they're trans.

When I got my degree, in my final WGS class, I had to out myself as trans because all the other women in the class actively would not engage in discussion with me anytime I tried. Only after I came out in fucking class did they start to respond to me, because I was close enough to a woman to be allowed an opinion. Note, I am nonbinary but transitioned physically and socially and I present male because of my masculine gender expression. I am not bothered and do at times identify with being a woman, my problem is I was alienated for my gender expression and had to out myself in order to not be.

Fuck I CANT EVEN GO TO PLACES FOR SEXUAL ASSAULT SURVIVORS BECAUSE OF THIS.

In order for us to be seen and heard within these communities that we were previously extremely connected to and still feel that connection even as others sever it, we need to often possibly put ourselves in an unsafe position (as other people feel way too fucking comfortable with telling everyone they know that you're trans now) and explain ourselves fully (through not only personal history but also your fucking medical history) while others don't in order to be seen and heard - in order to connect with the communities that we never fucking left. It's the same thing like when parents say their "daughter/son died." I've always fucking been here, and I'm here now, just as the person I've ALWAYS BEEN. The person you accepted at the start but just didn't fucking see. And now you still refuse to see us.

Transmasc transition often involves so much loss of community. Especially if you already were in feminist or queer spaces before your transition. It's not true that we gain relevant social status within patriarchial structures by transitioning (if patriarchy supported the choices of those who they see as women to be anything other than a wife and a mother/to transgress gender-norms we wouldn't have to have most of these conversations) but we do noticeably lose social status within our own community. And along with that access to safe-spaces and ressources that we need for physical and emotional safety and well-being.

[burinazar]

incomprehensible Sages shitposts. context explanations are in the tags but they are not going to help i promise

[nowendil]

been thinking a lot about womanhood lately

[235uranium]

gonna be real i have yet to see anything actually compelling for antipsych to be a decent methodology other than "psychology and psychiatry havent been very good at doing science, so clearly science cant answer this question"

[inkskinned]

which is fine, because love is love, and you're getting gay-married, so it would be kind of ironic if love was only sometimes love.

except The King Of Demons (his is Edmund) is always late, to everything, always. which is fair, because time doesn't work in hell, and it's not like he can just catch a bus. except that you specifically asked him not to do this, didn't you, because he's always doing things like this.

He splays out his hands, the light catching on long, ivory claw tips. god, doesn't he know not to wear white to a wedding?

so many people are screaming right now.

it's not that he's the golden child. you guys had normal parents, middle-class. your mom was kind of an "almond mom," according to your fiancée, who pursed their lips when they found out about how your mom used to wrinkle her nose any time you asked for an extra snack in your lunchbox.

you close your eyes for a moment. think of your beautiful almost-spouse. ashe. their name like a bloom inside you. how the dress looks on ashe's body, their shy little smile. how they'd walked down the aisle, and you'd both been half-laughing, half-crying. your hands had trembled when you saw them. like the whole world was pouring down your throat, golden. like you were catching a moment and casting it in amber.

ashe'd been the one to help you when your parents were pushing for you to invite edmund. god, the amount of fights you'd gotten in with your parents - the same six sentiments, over and over again.

you'd been sitting on your bed, biting your lip, your fingers hovering over the little button send. ashe'd nuzzled your neck. you used to be close, and i think that's important. but you know your relationship to him the most. i'm willing to make the effort, and i love you no matter what you choose, they'd said. we don't have to if you don't want to, though, no matter what your parents say about him.

you'd thrown yourself down, supine, arm over the eyes. he's just... we are just.... you tried to phrase that-which-is-love-and-rage.

you're the normal twin. your "big thing" was only "being a lesbian." in high school, edmund started being able to make birds die by looking at them. you came home, trying to tell your parents i kissed a girl. i think i'm - and they just kind of nodded at you. edmund was eating the bible in front of them, like a goat.

on the bed, you'd held your hands out vaguely to ashe. edmund is a just always a lot.

ashe had shrugged. don't invite him then. and it was that - that they were okay with either of your decisions - that is why he even got an invite, in the end.

and now here he is, like how you wanted (?), and your hands are red, clenched hard around your bouquet. the officiant is crying. some people are on their knees, praying. some are trying to touch your brother, like he could impart a blessing.

"i made it!" he's triumphant. "i know i'm late, i'm sorry, there was - do you know anything about right-wing politicians?"

"i'm going to fucking kill him," you say, although you're not actually sure who you're talking to, or if he can be killed.

ashe is blinking, their face in a tiny oh of surprise. you take their hand, drop their hand, take their hand again. they blink at your brother. their voice is low but steady. "there's, um. is there a dark halo around him?"

you duck your head to meet their eyes. "fuck, ashe. i'm sorry. he wasn't supposed to -"

"did i miss it?" Edmund is swinging his head around far-too-wide. his 2 sets of horns leave little red mist any time they scour through the air. "I didn't miss the kiss, right?"

the town clerk is in the audience, and she's frowning. you send her an apologetic look. she shakes her head. "as we've discussed," she manages to throw her gentle voice over the din, "the wedding isn't official if someone objects. that is the legal statute. which people tend to be understanding of." she sends a dirty look to edmund, and that makes you love her. she seems completely calm, which makes sense, because she works in the town hall, and this probably isn't even her first demon-showing-up-at-a-wedding.

he somehow hears her, holds his hands up. "i'm not objecting!" the back of the event hall catches on fire. of-fucking-course. "i'm not - don't mind me, uh, please continue." edmund sends a look to the back-of-the-room fire and it whimpers and gutters out. he flashes you a winning smile, and then puts his hand to his king's-garb chest and mouths sorry! and then cartwheels his glittering talons to say go ahead.

"i think i'm going to throw up." the officiant's voice is barely a whisper.

you watch in horror as edmund tries to awkwardly slide into a waiting line of chairs. the sound of begging follows him, people on their knees at hell's king. he pats a few of them on the head, holding up his finger in a sheepish shh! while his touch leaves a bleeding rune on their skin. his hooves click, and his footprints leave ruby-bright fireroses in his wake.

he tries to sit down, but the wooden chairs are made for people and not the lord king of demons, so he has to span his furred hindquarters over two seats. he smiles again, offers you a little wave.

the room is dead silent, minus the weeping. you look back to ashe. you ruined this. you shouldn't have invited him. you spent so much money on this event, and ashe looks so fucking handsome, and you haven't even gotten to kiss them. to make it official.

ashe looks up at you, manages a little smile. "could be worse?"

you feel yourself start to smile too, but then edmund's chairs give out, and he falls directly on the floor, and with his startled yelp, everything around him bursts into the cold whip-crease of hellflame, disintegrating everything that isn't-a-person, including the flowers and the decorations and the cake and the tables. everything you saved for months to be able to afford. the venue that you both agonized over choosing. you picked this place because it was significant to both of you and was equidistant from both your parents and had a deal with the local hotel for people coming out of town. two years of planning, literally burning down around your ears.

edmund manages to stop the fire pretty much immediately, but it's too late. the officiant faints clear away. the town clerk gives you a sympathetic look and mouths see you soon and steps neatly out of the room, taking ashe's parents with her, chatting gently. an arched flower frame collapses into dust with a loud whoomp. pretty much nobody is left in the building, and you're standing at the top of the steps, at the fucking hour of your marriage, and there is nothing left but blue-cold embers, the lights blown out in favor of the eerie hellfire glow.

you sit down, hard. after a few seconds, you feel ashe sit down next to you. you put your head between your knees so you don't puke with rage, which would be somehow more humiliating than everything else happening at the moment.

"okay, it's definitely too soon," they whisper in your ear, "but i have to admit there is something that's going to be so funny later about my name being ashe and my wedding going up in flames." they wrap their hand in yours. "i can't believe we worried about candles. we should have just gone with them instead of worrying about safety. are you okay?"

you send them a look. "am i - am i okay? this absolute bitch -" you gesture with your free hand out to where edmund is trying to piece together the cinders of his chair, "ruined my fucking wedding."

your mom is standing awkwardly in what used to be the "family" row of chairs. your father is absent, of course. she makes a noise at you. "don't call your brother a bitch."

"oh my fucking god." you have to put your head between your knees again, fighting that stupid fucking rage-puke urge. your blood pressure has obviously reached "skyrocket".

"he's here, isn't he? you're not being particularly grateful," your mother says, because of course she does.

"oh my god! ohmygod. ohmygod." you feel yourself hyperventilating, and then you start laughing, and you hate the hyena hysteria of it, the way it pitches dangerously close to a sob. "this is just - this is just like you! this is the fucking - you blow out the candles on the birthday cake! you curse the kids i'm trying to babysit! you get straight-A's on every test without studying, and get all the friends, and everyone is obsessed with you! and then when i graduate from art school, do i fucking get a party? nope! but hey, let's throw edmund a party for his 300,000th tortured soul! and his 300,001st! and fucking everything else. and fuck me, i guess! edmund gets hurt on the playground, let's burn down the playground. i got fucking bullied, and our parents don't even notice. i am fucking struggling, but we need to pay attention to edmund. he gets fucking everything. while we're at it, why don't we let him fucking ruin my wedding!"

you are dimly aware of ashe wrapping one arm around you and then the other, and then you are sobbing into their shoulder.

"oh, come on. stop with the hysterics," your mother chides you. "you had a perfectly fine childhood. all kids fight. you should have gotten the ceremony done faster. and you know i didn't approve of you spending all this money when you have student loans to -"

"respectfully," ashe's voice is cold and cutting while they rub circles on your shaking back, "and i know you're about to be my mother-in-law, but -" you hear them force a smile, "maybe you could choose this moment to leave your daughter the fuck alone?"

you are so fucking in love with ashe at that moment that it stops your weeping like you got hit by a truck. you look up at them, and want to go back to crying, just overwhelmed by the sheer fucking amount you care about them, but then you look over at your mother, and her shocked expression, and you burst out laughing.

your mother makes a few almost fish-like motions with her mouth, and then turns on her heel, stomping over cinders on her way out. and then it is just you and ashe and edmund and how you are half-crying half-laughing quietly to yourself, like a tap that won't stop dripping.

edmund has put the chair down. he is staring at his hands. he is at least 500 pounds and over 7 feet tall (he doesn't use metric, he's the devil). and somehow, right now, he just looks... small. crestfallen.

"yeah, i mean." his voice cracks. there's no boom of thunder or hellhound echo. he sounds like he did as a kid, before the strange powers and the levitating and the souls of the damned. he sounds like he did the night he accidentally melted most of the pieces in your first glass art show. he sounds - like your brother. he puts the heel of his palm against his eye. "i ruined my sister's wedding."

ashe offers him a little half-grin. "i do just want to say i love the aesthetic, by the way. but you did very much ruin my wedding too."

he points at them, finger-guns. "....ruined their wedding too." something in the attempt at humor - how his voice breaks on the words, how lonely he sounds. it makes you have to close your eyes against the sound. "....you seem cool," he says. "it's... it was nice to meet you."

you hear him come over, his hooves clacking slowly on the floor. when you open your eyes, he's sitting closer to you.

he opens his hand. inside are two little ceramic figures. wedding cake toppers. "i... i made them for you two. i figured i would try - how you make art, without magic. i... i took a class, and i made - i made them." he looks down at the little white-dressed people in his wide, calloused palm. "it's... i wanted to be ... good. i..." he looks at you, and then at ashe. "i tried, you know?"

ashe reaches up, lets him roll the figures into their palm.

he stands up. folds his hands in front of himself. "i don't. know how to be good. i know it doesn't come naturally to you, either. i saw you... choose. to be kind. you could have treated me different, too. like everybody? i was weird, and everyone knew. if you'd been ... mean? it would have been okay. but you." he shrugs. "one time you tried to kill me in the bathroom."

you don't know why you're crying. you look up at him through the cracks between your fingers. "twice," you croak. "but the second time i had a knife." you tuck your hair behind your ears. "but that was only after you pushed me down the stairs at grandma's and i broke my leg before a dance performance. you fuckin' deserved that one."

"i pushed you because you were being a wretched bitch."

"hey now," ashe says, a little edge to their voice, "that's my wife."

you squeeze their hand. "no, he's right. i had deleted his pokemon gold save file right before the elite four."

ashe drops your hand like you scalded them, showing the only horror you've seen this whole time. "you - girl, what the fuck?"

you shrug a little. "i was being a wretched bitch. and he did break my leg about it."

edmund shifts a little. "i just - you are...." his voice dies.

in your family, you don't say i love you. in your family, you don't touch each other or show affection. in your family, you just show up for each other, quietly. neither of you knows how to speak or process what needs to be said. you can see that lacking flashing over his face, literally playing out in shades of crimson. you get that weird twin-sense of something unsaid.

ashe sets the little ceramic people to the side. "she treated you like a person when everyone else treated you like a prophet."

you cut your eyes to them, and then edmund, who gives you one very short, sharp nod. "i, uh. i can. never try." he clears his throat. "i can never try hard enough. for that. i can - what you gave me. by. doing that. by ... just. i made. one thousand. wedding toppers. so it could be perfect. because - i ... it needed to be perfect." he appears to be dying of embarrassment, which does imply he might be capable of dying. oh good. in case i need to try to kill him a third time.

the thought makes a weird, wet laugh bubble out of you. "remember that one time i failed my math test and you set mr. fog's car on fire about it?"

edmund looks shyly at you, and a very small grin spreads across his face. not the dark lord - just a 30-something year old man who has just upset his one-and-only twin.

"you're throwing us the most ostentatious, egregiously expensive wedding," you tell him. "above land."

he frowns a little. "okay, but i'm not doing anything in miami. the vibes there give me the heebie jeebies."

ashe holds up their hand. "and you'll be repaying the deposit on literally everything. oh, and replacing the cake."

you kiss their cheek and then point to him. "and you'll be on time for it."

he shrugs a little. "okay, i literally can't perform miracles, so like. set the bar lower. i can't promise i'll-"

you look down at your feet. "i'd like you to be my man of honor this time. like. by my side. so. you can't be late this time. okay? we do it the right way. finally."

"huh," ashe says, looking between the two of you. "you guys have the same smile."

edmund's grin becomes a little wider, a little easier. he raises an eyebrow at them. "okay, i get that you're cool, but you're like, very cool about this whole thing."

ashe lifts a shoulder. "used to work for the monster under the bed."

"oh shit, simon? fuck." he points to them. "remind me not to mess around with you."

you want to tell edmund i love you and i missed you, but you can't. instead, you pick up the figurines. they're not perfect, but you can tell hours of his life went into each. his hands are so big - it must have taken him so much work to make these things so small. you picture him with his back bent over a workbench, trying to get a face into a tiny clay figure. the ceramic version of you is smiling. he's given you little fangs and a unibrow. he gave ashe a tiny yellow crown. you make the two figures kiss.

snow is falling indoors, little icicles of hellfire. ashe reaches out and take edmund's hand, and then, very awkwardly, he reaches out and takes yours too.

for a moment, it's just the three of you, and the beautiful quiet of the room.

You’re standing at the altar, about to get married to your beautiful fiancée. When suddenly the king of demons bursts through the door of the room, which naturally causes panic. You tried to warn everyone that inviting your sibling to the wedding would mean trouble, but they kept insisting.

[snekdood]

bitches prolly out here psychoanalyzing my old art on behalf of my abuser to cushion their belief that im a Horrible Person but then dont see the irony when I point out the shitty things my abuser has drawn and how I see it as clear evidence of their mindset and beliefs (of what's okay to do and how to treat people) descending and pairing that along with everything else they've done and it paints a clear picture of how this person got to the point of thinking it was okay to abuse me the way they did and then the people looking for reasons to hate me through my art will act like "they're just drawings !!!" about their art. which one is it. does someones art say something about them or not? or does it only say something about them if you hate them?

[clone-wars-retteyo-au]

YOU. YOU GET ME.

Canon genders the clones, both individually and collectively, pretty aggressively. They're men, brothers, boys, sirs. Omega is notable for being the "female" clone, to the point where she's not recognized as a clone in a meaningful way.

But the clones grew up without gendered social groups! Despite how clones are gendered by external factors, gender is functionally a nonentity in their lives until they meet civilians, and civilians do a load of other weird shit anyway.

So why do they still use gendered language?

My argument is that feminine language isn't used as a gendered form of address, but as a form of address that reflects a specific kind of power dynamic and relationship between parties.

Given the structure of the clone army, the only people a vast majority of young clones interact with who could insist on being called ma'am are exclusively kaminoans.

The kaminoans view clones not as autonomous subjects, but as property. They have and expect complete control over their lives and actions. Incidentally, the female kaminoans we see (such as Nala Se) tend to demonstrate an even more proprietary perspectives on the clones.

You can question a sir, like your superiors or trainers, at your discretion, but you can't question a ma'am. A sir is someone who has power over you, but is somewhat responsible for you. The have personal accountability to you in some way. Sirs are responsible for men under them. A ma'am is someone whose power over you is absolute, an authority without accountability, who is not beholden to you but that you must obey. You are tool or a number to a ma'am.

And when you bring clones out into the wider galaxy, I'm not sure anyone would figure it out that quickly.

Say you're a new jedi general. You meet your men, and they address you as "ma'am". Maybe you correct and move on, figuring that they've grown up surrounded by thousands of identical men and aren't great at guessing genders based on social and appearance cues. Scuttlebutt has your forms of address spread through the men by the end of the day, and you don't think about it again.

The clones, on the other hand, take this correction as he/him jedi stating that they want to work with them and suppourt them despite having so much power over them, which fits with both what they know of the jedi and, most often, their leadership style.

She/her jedi (see Shaak Ti especially!), clones maybe treat a little more as absolute authorities. This gendered divide in behavior gets met with, "hm, maybe they're just not used to women." For many jedi, they eventually switch to calling them sir as well, especially as they build rapport.

For Shaak Ti specifically, she is an absolute authority as the representative of the Jedi on Kamino, not just as a figurehead but as a decision maker and educator. Even as the clones grow to trust and love her, she's a relatively distant and all-powered figure. She has near total authority over them, and clones might ask for help or suppourt, but there's no social obligation for those requests to be met, she's just kind. It's compassion, not duty.

Senators, there's a good mix of different factors that make it confusing. "Senator" is always an acceptable form of address if you're not sure how'd they react, even if they should be ma'ams by default, but they're either trying to build rapport for some reason or genuinely want to work with you when they say to call them sir, regardless of the actual power dynamic at play. The she/her senators that respect the clones are in the same boat as Shaak Ti: Padme Amidala may care about clone rights, but I am still just one of hundreds to her and she has no personal accountability to me. Her position is such that she should not and cannot owe me anything. Same with Riyo Chuchi, Mon Mothma, etc. etc.

And a civilian that insists on being called ma'am or sir is going to be an asshole either way, and they technically have power over clones without personal accountability or responsibility for them. It works.

Finally, Palpatine.

He's a slimy rat fuck who pretends to be affable and kind, so of course he's going to laugh and say, "Oh, no, call me Sir!" when you call him ma'am. He is not personally accountable to you, and he does not care about you, but it helps his image and it helps him manipulate people to pretend, so of course he's making you use sir to build false intimacy despite the fact that he's the ma'am of ma'ams, both in power gaps and lack of accountability for his treatment of clones.

So having clones using sir vs ma'am not as a reflection of gender but as a reflection of power? Yeah, I think it works.

[keferon]

Sigh. I wasn’t strong enough to stop. I wrote a fic too

———————————

Pilots have to be constantly monitored by special people who are trained to do diagnostics. Not just medics. Scientists, engineers. There's a surprising number of things that can go wrong with a person hooked up to a machine.

The thing is.

The procedure is designed to help.

Jazz isn't sure Prowl is getting help.

Organics are fragile.

Most of the ones Jazz had met were, at least. Flesh is more susceptible to environmental influences than metal. Flesh accumulates damage faster, both external and internal. It often generates it itself.

The processes and causes are often a mystery to Jazz, but he's familiar with the general concept.

Organics are fragile.

That's why Jaz isn't very surprised by the crowds of medical personnel scurrying around a human military base.

As Prowl explained to him, humans don't have the built-in ability to open a HUD and perform self-diagnostics. Most of the time all you get is a vague signal in the form of pain in the injured area or nausea or changes in body temperature and things like that.

Pilots have to be constantly monitored by special people who are trained to do diagnostics. Not just medics. Scientists, engineers. There's a surprising number of things that can go wrong with a person hooked up to a machine. It's weird for Jazz. He's used to coming in for physical exams only when something's obviously wrong. Pilots are supposed to get checks just in case anything about them in theory could start breaking down in the future.

The thing is.

The procedure is designed to help.

Jazz isn't sure Prowl is getting help.

He spots the scientist in purple pretty quickly. A crowd of white-haired pilots is a nightmare to identify but this particular organic catches his attention almost instantly.

He's quite...extravagant looking. And he's practically glued to Prowl. They're involved in something together that Jazz isn't sure about, but Prowl looks...wobbly...when he returns from his visits to Tarantulas. And not in a funny way.

Tarantulas holds a special interest in Prowl. Special access, too. Whenever Prowl is injured, Tarantulas is the one who must be contacted immediately. Prowl's mech system needs an upgrade - Tarantulas must be consulted.

Tarantulas slips into the crevices and oozes between the plates. His hands are all over Prowl's personal space and Jazz doesn't really know what he should do about it because Prowl apparently doesn't mind.

Tarantulas dictates what he can and can't eat. What medications he should take and what software he should use.

Tarantulas gives him these little white bracelets with the information he writes on them for the other medics, because Prowl is special for some reason and only Tarantulas has instructions for him.

Knockout wipes his hands with some kind of special napkin and jerks his head around

���If you're looking for Prowl, he's in the labs for a physical.”

Jazz pretends this information is as mundane to him as it is to everyone else on this base

“Why can't you or the other medics examine him?”

“None of us have time to deal with the creepy experiments Prowl is constantly involved in” snorts Knockout ”Last time I checked his blood could dissolve plastic. Haha figuratively of course! Don't look at me like that!”

Jazz smiles, but there's no friendliness behind that smile

“Is this scientist doing experiments on Prowl?”

“Ah. As a matter of fact. Yes. Listen...” Knockout hastily picks up the first aid kit and walks towards the med bays “You'd better ask him yourself. My shift ends in ten minutes, I'm not in the mood to start anything now.”

Jazz nods

“Suuure , no problem.”

“Can I ask what you do in there?”

Prowl has this...look. The one that shows up usually after he gets back from the labs.

In his head, Jazz calls it “'Wobbly.” It's like Prowl's little organic body's joints are coming loose. If he had joints of course (Wait, humans have joints? Right?).

Prowl squints glumly, looking up at him

“Working on improving my mobility on the field.”

Jazz lets out a quiet “oooh.”

Then pulls himself back together

“Shouldn't that involve working on your armor, and not ..uh. you?”

Prowl leans his back against the wall.

“Installing new thrusters on a mech of my class doesn't make sense. They'll increase its speed, but they'll also burn fuel faster.

And installing larger fuel tanks is something reserved for Strikers. There's no way Orion would approve such an upgrade for me.”

Jazz carefully sits down on the floor next to Prowl. It still doesn't give him a good angle on his human's face, but Prowl stares at the floor anyway so...

“And you found some kind of loophole huh?”

Prowl gives a barely perceptible shrug.

“I did some calculations and noticed that the fuel used to run the Heavy Mechs is much more efficient. It's slower to burn out, and gives significantly better performance. Which makes sense, considering it's needed to compensate for the weight of the heavy armor. Used in my mech, it would give me a ten percent increase in speed and twice as much active usage time.

Jazz glares at the top of Prowl's head.

“Sounds like an epic idea, but I'm sensing a 'but' coming...”

“But it's highly toxic.”

“It's what??”

Prowl rubs the bridge of his nose with his fingers

“Only heavy mechs can run this type of fuel because there's enough room in them to insulate the cockpit well enough from any possible chemical exposure.”

Jazz nervously pulls the servo toward Prowl but hesitates at the last second and places it on the floor next to him.

“Prowl. Prowl your armor is lovely but it's anything but heavy.”

“It is” nods Prowl “There isn't enough room in my mech to shield me from any negative effects, so Tarantulas is working on making me immune to them.”

“But that....kind of...why are you letting him? I'm no expert, but sitting inside poisoned armor can't be good for you. I don't know what he told you, but if you had asked even one other medic...”

Prowl finally lifts his head and stares into Jazz's optics for a couple seconds

“He didn't convince me of anything. I asked him to do it myself.”

“Prowl...”

“People have biases against Tarantulas but I assure you, he doesn't do anything I didn't consent to him doing. He likes to go outside the box in his research. He doesn't dismiss my ideas as too harsh. We collaborate.”

“.....”

“The result will be worth it. You'll see.”

Jazz is uncomfortable admitting it, but he sees.

The result is impressive.

Prowl can not only move fast, he can do it for a long time. He's getting more efficient (again), faster (again), better (Prowl's subjective assessment).

The maintenance team wears special masks when working on the internal systems of his mech. The fuel is toxic. Not to Jazz, but even Jazz wouldn't want it to get on his plating.

And humans are fragile.

All organics tend to be fragile.

And Prowl... little flesh-and-blood Prowl gets into this poisoned armor and it's considered acceptable? Because his organic body seems to have developed enough resistance to this kind of damage he only gets a “”mild, easily treatable“” poisoning? And Tarantulas adds another white bracelet to his arm with notes on what substances Prowl needs to put in his drinks to keep his internal components from accumulating damage.

Jazz isn't sure what to think about this.

Jazz doesn't know what to do about it.

And frankly. Does he have the right to get involved if this is what Prowl has chosen for himself?

Tarantulas is a creepy, haunting shadow hanging over Prowl at the slightest opportunity. Tarantulas takes Prowl to a lab and runs poison through his veins. Tarantulas adores Prowl for allowing him to do this.

Prowl insists that Tarantulas is helping.

Jazz doesn't think Prowl is getting help.

[porcupine-girl]

An important message to college students: Why you shouldn't use ChatGPT or other "AI" to write papers.

Here's the thing: Unlike plagiarism, where I can always find the exact source a student used, it's difficult to impossible to prove that a student used ChatGPT to write their paper. Which means I have to grade it as though the student wrote it.

So if your professor can't prove it, why shouldn't you use it?

Well, first off, it doesn't write good papers. Grading them as if the student did write it themself, so far I've given GPT-enhanced papers two Ds and an F.

If you're unlucky enough to get a professor like me, they've designed their assignments to be hard to plagiarize, which means they'll also be hard to get "AI" to write well. To get a good paper out of ChatGPT for my class, you'd have to write a prompt that's so long, with so many specifics, that you might as well just write the paper yourself.

ChatGPT absolutely loves to make broad, vague statements about, for example, what topics a book covers. Sadly for my students, I ask for specific examples from the book, and it's not so good at that. Nor is it good at explaining exactly why that example is connected to a concept from class. To get a good paper out of it, you'd have to have already identified the concepts you want to discuss and the relevant examples, and quite honestly if you can do that it'll be easier to write your own paper than to coax ChatGPT to write a decent paper.

The second reason you shouldn't do it?

IT WILL PUT YOUR PROFESSOR IN A REALLY FUCKING BAD MOOD. WHEN I'M IN A BAD MOOD I AM NOT GOING TO BE GENEROUS WITH MY GRADING.

I can't prove it's written by ChatGPT, but I can tell. It does not write like a college freshman. It writes like a professional copywriter churning out articles for a content farm. And much like a large language model, the more papers written by it I see, the better I get at identifying it, because it turns out there are certain phrases it really, really likes using.

Once I think you're using ChatGPT I will be extremely annoyed while I grade your paper. I will grade it as if you wrote it, but I will not grade it generously. I will not give you the benefit of the doubt if I'm not sure whether you understood a concept or not. I will not squint and try to understand how you thought two things are connected that I do not think are connected.

Moreover, I will continue to not feel generous when calculating your final grade for the class. Usually, if someone has been coming to class regularly all semester, turned things in on time, etc, then I might be willing to give them a tiny bit of help - round a 79.3% up to a B-, say. If you get a 79.3%, you will get your C+ and you'd better be thankful for it, because if you try to complain or claim you weren't using AI, I'll be letting the college's academic disciplinary committee decide what grade you should get.

Eventually my school will probably write actual guidelines for me to follow when I suspect use of AI, but for now, it's the wild west and it is in your best interest to avoid a showdown with me.

[copperbadge]

I'm getting depressingly good at identifying the formula for Pop Academic Books About ADHD.

Regardless of their philosophy it pretty much goes like this:

1. Emotionally sensitive essay about the struggle of ADHD and the author's personal experience with it as both a person with ADHD and a healthcare professional.

2. Either during or directly following this, a lightly explicated catalogue of symptoms, illustrated by anecdotes from patient case studies. Optional: frequent, heavy use of metaphor to explain ADHD-driven behavior.

3. Several chapters follow, each dedicated to a symptom; these have a mini-formula of their own. They open with a patient case study, discuss the highly relatable aspects of the specific symptom or behavior, then offer some lightweight examples of a treatment for the symptom, usually accompanied by follow up results from the earlier case studies.

4. Somewhere around halfway-to-two-thirds through the book, the author introduces the more in-depth explication of the treatment system (often their own homebrew) they are advocating. These are generally both personally-driven (as opposed to suggested cultural changes, which makes sense given these books' target audience, more on this later) and composed of an elaborate system of either behavior alteration or mental reframing. Whether this system is actually implementable by the average reader varies wildly.

5. A brief optional section on how to make use of ADHD as a tool (usually referring to ADHD or some of its symptoms as a superpower at least once). Sometimes this section restates the importance of using the systems from part 4 to harness that superpower. Frequently, if present, it feels like an afterthought.

6. Summation and list of further resources, often including other books which follow this formula.

I know I'm being a little sarcastic, but realistically there's nothing inherently wrong about the formula, like in itself it's not a red flag. It's just hilariously recognizable once you've noticed it.

It makes sense that these books advocate for the Reader With ADHD undertaking personal responsibility for their treatment, since these are in the tradition of self-help publishing. They're aimed at people who are already interested in doing their own research on their disability and possible ways to handle it. It's not really fair to ask them to be policy manuals, but I do find it interesting that even books which advocate stuff like volunteering (for whatever reason, usually to do with socialization issues and isolation, often DBT-adjacent) never suggest disability activism either generally or with an ADHD-specific bent.

None of these books suggest that perhaps life with ADHD could be made easier with increased accommodations or ease of medication access, and that it might be in a person's best interest to engage in political advocacy surrounding these and other disability-related issues. Or that activism related to ADHD might help to give someone with ADHD a stronger sense of ownership of their unique neurology. Or that if you have ADHD the idea of activism or even medical self-advocacy is crushingly stressful, and ways that stress might be dealt with.

It does make me want to write one of my own. "The Deviant Chaos Guide To Being A Miscreant With ADHD". Includes chapters on how to get an actual accurate assessment, tips for managing a prescription for a controlled substance, medical and psychiatric self-advocacy for people who are conditioned against confrontation, When To Lie About Being Neurodivergent, policy suggestions for ADHD-related legislation, tips for activism while executively dysfunked, and to close the book a biting satire of the pop media idea of self-care. ("Feeling sad? Make yourself a nice pot of chicken soup from scratch and you'll feel better in no time. Stay tuned after this rambling personal essay for the most mediocre chicken soup recipe you've ever seen!" "Have you considered planning and executing an overly elaborate criminal heist as a way to meet people and stay busy?")

Every case study or personal anecdote in the book will have a different name and demographics attached but will also make it obvious that they are all really just me, in the prose equivalent of a cheap wig, writing about my life. "Kelly, age seven, says she struggles to stay organized using the systems neurotypical children might find easy. I had to design my own accounting spreadsheet in order to make sure I always have enough in checking to cover the mortgage, she told me, fidgeting with the pop socket on her smartphone."

I feel a little bad making fun, because these books are often the best resource people can get (in itself concerning). It's like how despite my dislike of AA, I don't dunk on it in public because I don't want to offer people an excuse not to seek help. It feels like punching down to criticize these books, even though it's a swing at an industry that is mainly, it seems, here to profit from me. But one does get tired of skimming the hype for the real content only to find the real content isn't that useful either.

Les (not his real name) was diagnosed at the age of 236. Charming, well-read, and wealthy, he still spent much of his afterlife feeling deeply inadequate about his perceived shortcomings. "Vampire culture doesn't really acknowledge ADHD as a condition," he says. "My sire wouldn't understand, even though he probably has it as well. You should see the number of coffins containing the soil of his homeland that he's left lying forgotten all over Europe." A late diagnosis validated his feelings of difference, but on its own can't help when he hyperfocuses on seducing mortals who cross his path and forgets to get home before sunrise. "I have stock in sunburn gel companies," he jokes.

[tanadrin]

Can you explain in what what you think eugenics doesn't work? Does this basically boil down to skepticism about the accuracy of GWAS studies? My understanding is that academic consensus is "G probably exists, disentangling direct genetic inheritance vs genetic cultural inheritance is complicated but possible, we can identify a number of alleles which we're reasonably confident are directly causally involved in having a higher G factor"

when it comes to intelligence, its heritability, and its variation at the population level, my understanding of the science is:

highly adaptive traits don't, in fact, vary much at the genetic level between populations of a species because they are strongly selected for. in an environment where a trait is being strongly selected for, a population that failed to express that trait strongly will be rapidly outcompeted.

intelligence is probably the quintessential such trait for humans. we have sacrificed a great deal of other kinds of specialization in favor of our big brains. we spend an enormous amount of calories supporting those brains. tool use, the ability to plan for the future, the ability to navigate complex social situations and hierarchies in order to secure status, the ability to model the minds of others for the purposes of cooperation and deception means that we should expect intelligence to be strongly selected for for as long as our lineage has been social and tool-using, which is at least the last three million years or so.

so, at least as a matter of a priori assumptions, we should expect human populations not to vary greatly in their genetic predisposition to intelligence. it may nonetheless, but we'd need pretty strong evidence. i think i read this argument on PZ Myers' blog a million years ago, so credit where that's due.

complicating the picture is that we just don't have good evidence for how IQ does vary across populations, even before we get into the question of "how much of this variation is genetic and how much of it is not." the cross-national data on which a lot of IQ arguments have been based is really bad. and that would be assuming IQ tests are in fact good at capturing a notion of IQ that is independent of cultural context, which historically they're pretty bad at

this screed by nassim nicholas taleb (not a diss; AFAICT the guy only writes in screeds) makes a number of arguments, but one argument I find persuasive is that IQ is really only predictive of achievement in the sense that it does usefully discriminate between people with obvious intellectual disabilities and those without--but you do not actually need an IQ test for that sort of thing, any more than you need to use a height chart to figure out who is missing both their legs. in that sense, sure, IQ is predictive of a lot of things. but once you remove this group, the much-vaunted correlations between IQ and stuff like wealth just straight-up vanishes

heritability studies are a useful tool, but a tool which must be wielded carefully; they were developed for studying traits which were relatively easy to isolate in very specific populations, like a crop under study at an agricultural research site, and are more precarious when applied to, e.g., human populations

my understanding based on jonathan kaplan articles like this one is that twin studies are not actually that good at distinguishing heritable factors from environmental ones--they have serious limitations compared to heritability studies where you actually can rigorously control for environmental effects, like you can with plants or livestock.

as this post also points out, heritability studies also only examine heritability within groups, and are not really suited to examining large-scale population differences, *especially* in the realm of intelligence where there is a huge raft of confounding factors, and a lack of a really robust measurement tool.

(if we are worried about intelligence at the population level, it seems to me there are interventions we know are going to be effective and do not rely on deeply dubious scientific speculation, e.g., around nutrition and healthcare and serious wealth inequality and ofc education; and if what people actually want is to raise the average intelligence of the population rather than justify discrimination against minorities, then they might focus on those much more empirically grounded interventions. even if population differences in IQ are real and significant and point to big differences in intelligence, we know those things are worth a fair few IQ points. but most people who are or historically have been the biggest advocates for eugenics are, in my estimation, mostly interested in justifying discrimination.)

i think the claims/application of eugenics extend well beyond just intelligence, ftr. eugenics as an ideology is complex and historically pretty interesting, and many eugenicists have made much broader claims than just "population-level differences in intelligence exist due to genetic factors, and we should try to influence them with policy," but that is a useful point for them to fall back onto when pressed on those other claims. but i don't think even that claim is at all well-supported.

[couldeatthatgirlforlunch]

Paint Me Red

Synopsis: You and Damian like horror movies for the same reason.

Pairing: Dark!Damian Wayne X Dark!AFAB!Gn!Reader

Tw: 18+ pwp; Kinda gore?; Cannibalism kink? Definitely hinted; Biting link; Blood kink; Fingering; Watching straight porn; Torture porn? It's all fake and no one’s suffering; Pain kink maybe; They are freaks and they are in love; Worshipping?; A hint of love-bombing? I repeat, they're freaks and they're in love, your honor; Mention of hipersexuality; Damian enjoys pain, gore and death, despite not killing anymore, Reader likes it too; Reader has long hair and is implied to be wearing a shirt or dress with straps and bare thighs; English isn't my first language.

Word count: 1,2k

Requested? No.

Extra notes: Inspired by the movie May and everyone who yaps about yandere!Damian being cannibal coded. I also love when someone writes Damian a little psycho, a little sadomasochist. And a Damian who worships his S/O is the best Damian!!! I recommend reading this while listening to Tear You Apart by She Wants Revenge. Not sure I like my writing here tho, especially the title, there were many good options that also seemed bad options

General masterlist

Damian was odd, you knew it from the start. Everyone who interacts with him knows it from the start.

That didn't stop you from being flustered when he confessed his — in his actual words — all consuming, undying love. You never thought anyone would actually use those words while declaring their feelings for someone, but as always with him, Damian was different.

And maybe you were different too.

You came back from your weekly date with him to the apartament you recently started sharing, despite being so young and having been dating for only a month when he asked. Your friends called it love-bombing. You had never heard of a more romantic term.

He took you to the bedroom as soon as you crossed the threshold, excited about a surprise he planned for you, but there was nothing different there, until he pulled his laptop out, fiddled with something, connected to the overhead projector you bought once on a whim, after watching a tiktok, only to realize it wasn't any better than just watching on your television or laptop. At least it wasn't as expensive as one would think.

Regardless, you still used it sometimes, even if for the sake of being spontaneous — and making your money worth it —, and your boyfriend was clearly looking for that.

You sat on the edge of the bed, and in less than a minute, Damian was sitting beside you, while a weird video started playing.

— I found it online, beloved. — Damian explained. — A short film, made by a group of independent artists, I think. — You nodded along, this level of cinephilia was not exactly your thing, but you did enjoy watching movies and leaving reviews on Letterboxd, if it caught Damian's interest, then it must be something.

— Yeah, very Texas Chainsaw Massacre. — You commented, not because it actually looked to be a horror movie, but more because of the quality of the camera, the eery atmosphere, and the scenario being filmed in the middle of nowhere. It seemed like an actually calm movie, but you knew something was up, there was only a young couple having a cute picnic.

Damian looked at you with wide, almost innocent eyes, boyish excitement coupled with some glint you couldn't identify.

— Exactly!

You felt some satisfaction and pride. You were the one who presented him with the classic slasher movies — one of your favorite genres — and were surprised by his eager acceptance of them, since a lot of them didn't have much quality. But he seemed interested in the death scenes and gore. Maybe it was the remnants of his childhood on him, but you didn't have that past and still related to him, much to his delight. He also commented about how unreal a lot of it was, from experience, no doubt.

It was almost cute. And hot.

Damian's hand laid on your thigh, while his thumb started rolling circles on your bare skin.

You let out a gasp when the girl in the movie, out of nowhere, bit hard on her boyfriend’s finger while he fed her a piece of pie with his hands. An exaggerated amount of blood started sliding down her lips and his hand, but he didn't scream, he just stared at her while she had mischief and desire in her eyes.

Damian's hand squeezed your flesh.

— How did you find this on YouTube? I'm pretty sure they wouldn't allow it there. — You wondered out loud, squeezing your thighs when the guy used his bloody hand to push the strap of her sundress down, revealing her supple breast. He leaned forward and peppered kisses down her chest, while pushing the other strap down, revealing her torso even more, until he bit her ribs’s flesh just as hard, face partially covered by her left tit.

Now, they were both smeared in lots of blood, from his hand travelling her body and the new wound.

— I did not mention YouTube. — He answered, and you hummed, paying extreme attention to the movie, intrigued, and half surprised to be turned on. But it was shallow, a thin layer of lust that went unnoticed by you, mistaken by intrigue and excitement.

You only noticed how hot you were, when Damian did the same thing to you. He slowly and deliberately got closer, pushed your hair back from your shoulder, and left wet, slow pecks down your neck, while pushing your straps down. You just stared at the images while he did his thing.

You were interrupted when he bit down on your shoulder, hard, leaving teeth marks, but not enough to bleed. You couldn't help the yelp of pain that escaped you by surprise, but didn't feel like reprimanding him when he soothed the feeling by still kissing you, and buried his hand between your legs, invading your underwear.

You opened your legs to give him more space, while your lips also parted to let out a deep breath, not out of nervousness, but anticipation. When you paid attention to the movie again, the guy was lying between the girl’s legs, leaving a nasty bite on her inner thigh. The blood dripped down and ruined her white underwear, but her boyfriend just started eating her out with the fabric still on the way.

Meanwhile, Damian played with your wet clit with his thumb while he inserted two fingers into your moist hole with ease, catching you both off guard with how wet you were with basically nothing. He had a hunch you would like his surprise, but not that much.

In need to let out some pent-up desire, he bit your flesh once more, this time above your breast. A low whimper of pain forced its way out of your throat. You looked down and noticed Damian's full-on boner.

You reached and pressed your hand against him, making him hiss and finally stop lapping at your skin, to look at you with desire. You kept eye-contact while rubbing him through his pants.

Damian pressed his lips to yours in haste, eager to taste your tongue while pumping his fingers faster and deeper against your walls, focused on abusing your sweet spot. The kiss was more sensual than ever, a dance which consisted in sharing heavy breaths, exchanged pecks, sucking lips and caressing tongues. While you both were like rabbits a third of the time, you being hipersexual and him being in love with you, the newfound shared taboo kink definitely turned things up a notch. And you expressed it by interrupting the kiss with a hard bite on his bottom lip.

Damian hissed like a cat until you let his lip go. When he glared at you, anyone would think he was livid like you just kicked his dog, but you knew him better than anyone. In fact, you were the only one to ever see him in the vulnerable side that came with intimacy, the only one he would ever want and trust to either lay beside his naked body, or willingly allow to leave a mark on his scarred flesh. Taste his muscles. Drink his blood.

He used his free hand to touch his lip, and found blood there. You licked your own, bright crimson and wet.

When he looked at you again, you wondered if you had finally ruined him for anyone else forever, and he made sure to paint both your faces red with a kiss, while he made you cum on his fingers.

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