#it's just not smth i want to write abt myself

[teddybeartoji]

i hate when people mischaracterize toji as some cheater playboy who fucks and flees like that man would sneer at anyone trying to flirt w him and take out a picture of his beloved (and say smth slick that sends the person running)

yeaahhh in my head he's a 1000% loverboy idc honestly i do think he gets jealous but more in like an.. insecure way?? like he loves you so fucking bad but he has a bit of a hard time accepting that you love him and he still sometimes thinks that he's bad for you yk? so when he sees others hitting on you he might throw a hand over your shoulder but overall i feel like he'd go a bit more quiet. obviously he seems like a tough guy and he acts very cocky but he's got some big and strong walls up around himself and it's all just a bit of an act. aaaand if it is later in the relationship and when he feels more comfortable i truly think that he'd be very unbothered when it comes to people hitting on him . no sneer or anything i feel like he'd just say that he has a partner and that's it lmao he just wants to come back to you already he doesn't care for making a big thing out of it

[cheswirls]

set of drabbles i did for @februairy's cute badminton au :)

-

"what do you mean you have us in different rooms?!"

"exactly what i said." shanks raises his hands to rest on his hips as he puts his metaphorical foot down. "this is an important competition, and i need you both to be all-in, one hundred percent. that means no needless distractions."

he raises his index finger when sabo opens his mouth to argue. "none of that. i've given you my reason and your only choice. unless you'd rather find somewhere else to stay on your own dime?"

sabo's mouth snaps shut. this time, when shanks offers him the room key, sabo wordlessly swipes it from his hand. he picks his training bag back up off the floor and storms away further inside the gym, muttering over his shoulder about getting in more reps while everyone else goes out to eat.

it's to blow off steam, so shanks doesn't say anything against it. hopefully the extra exertion will clear sabo's head.

-

when sanji opens the door to his hotel room, he finds his doubles partner on the other side instead of his assigned roommate. he can't help the surprise that pulls across his face. "what about sabo?"

"he kicked me out!" usopp exclaims, going from looking bashful to suddenly being very indignant – literally kicking the air. "then he made me switch him room keys!" his hand falls away from his suitcase handle so it teeters on its own to stay upright on the plush hallway carpet. "do you see what the problem is with that? it wasn't even his room to dictate what happens in!"

his other hand slides away from the strap to his overnight bag, essentially leaving both arms free to cross over his chest. "but if anyone asks, ace told me to say it was actually him that did all this. like anyone would believe that, hm? ace wasn't the one who stormed off earlier when we all got room assignments."

no, but he did stay behind to deal with his petty princess, sanji drily thinks as he finally holds the door open wider. usopp slouches where he stands and moves inside with all his luggage.

"well, look on the bright side, hm? neither of us has to deal with having a roommate that wants to be with someone else."

usopp nods wordlessly, still feeling prickly and dejected both at once. "really i'm just glad there's no cover story i have to keep up with. at least we won't have to deal with the fallout."

neither of them mention that it probably won't be an issue at all, because when shanks is personally traveling and organizing his athletes, his oversight is notably lax most of the time. it's not like he'll come upstairs to personally check everyone is where they're supposed to be for the night. aside from the grief given at the beginning, it's over now, for all intents and purposes.

besides, he'd meant what he said. he'd much rather room with usopp than have to deal with the world's most pouty prima-donna for the next four days.

-

sabo puts his arms in the sleeves of his pullover and then stretches them above his head in a last attempt to pop his spine. he's not given a chance to lower them and shrug the rest of the pullover on because ace comes up behind him and sags into his still-arched back.

sabo carefully resists a forming shudder when he feels ace's arms worm around his middle, fingers immediately roving along his sides. "ace, we really should go down to eat breakfast," he tries.

"gimme one more minute," ace mumbles into the back of sabo's jersey. "i need more sabo time to myself before we have to go out in public."

sabo snorts, because it's not like they'll be coming right back up or anything. he's not stuffing his feet into anything but slide-ons before 10AM if he can help himself. and he doesn't want to deal with bringing any of their practice stuff downstairs if they're not immediately going to leave.

his attempt at thinking of a snappy reply fails when ace's lips start working up the back of his neck. sabo does shudder this time, back finally relaxing from the unnatural position, and his arms come down from overhead to land lightly on ace's own. "ace, c'mon. let's go get food."

ace releases him to finish getting dressed himself, leaving sabo alone to resume putting his light jacket on. his commentary still filters over to sabo, though, both unnecessary and unwarranted.

"we could just go out to eat. there's that bakery down the road along the way to the training facility, and the woman who owns it likes watching us compete."

"we're trying to save money," sabo reminds him lightly, then smirks as he recalls exactly what they're saving money for. "hotel breakfast is free. if you want something specific later, we can nag shanks into taking everyone to eat again."

he opens the door for ace and doesn't attempt to decipher ace's mumbling after being met with a dull look. it was probably about how they could've gone to eat last night (or at least ace could have, if he hadn't offered to stay late with sabo) and sabo's better off leaving the exact wording of such a mystery.

but he does tune back in once they're in the elevator, ace speaking a bit louder and from a bit closer when he wonders aloud if they'd get something for free from the bakery if they let it slip that they're engaged now.

sabo puts an elbow in his side before the elevator doors can slide shut.

-

"you're late" are the first words koala says to sabo that morning when he sets his food tray down in front of the modest table she's claimed. she's said it for the sole purpose of riling him up and it works. she looks on in amusement when he pulls his chair out more harshly than intended.

"there's no set meal schedule, dearest, but thanks for grinding my gears. i can always count on you for that."

koala puts a hand over her heart. "what are friends for?"

sabo sits down heavily and leans into the backrest of the chair with a long-drawn sigh. "yeah, well, if you want someone to blame, then it's totally ace's fault for not getting up."

koala raises a brow at the wording. come to think of it, she had watched the two of them walk into the dining hall together. "you stayed with him? how'd you manage that? didn't you send me a whole long angry text last night about shanks being a literal demon from hell?"

"i switched rooms," sabo bites, throwing his head back to say this as snootily as possible. (ugh. it's too early for her to deal with this attitude from him.) "it's fine. shanks obviously doesn't understand the needs of teammates who are together romantically, so i just corrected his mistake on my own."

"and does he know about this correction?"

sabo purses his lips and ducks into his small bowl of porridge. "no," he mumbles.

"your 'needs' huh?" koala prods, smirking when sabo glances back up at her. she raises a brow instead of verbally asking the question.

sabo rolls his eyes and stabs his spoon back into the pile of mush. "we didn't do anything like that."

"like what?" ace pipes up, finally within hearing distance. when sabo only shrugs his shoulders, he wordlessly looks past his head to koala, but she only seals her lips. "well, glad you two are having fun with your secrets," he mildly snarks.

he pulls out a chair next to sabo and slides into it. "i still think we should've hit the bakery instead, by the way. the sesame cookies are already out, and when i asked, a server told me they were done making them for the day!"

"could've woken up earlier," sabo mutters. then, louder, "and we're still trying to save money."

"hah!" ace leans back precariously in his seat, ignoring his plate of cannoli to be petulant. "so when you want something, it's suddenly a necessary expense, but when i do the same it's a waste of money to even consider?"

"yes, that's right!" sabo proclaims haughtily, stabbing his spoon back into his breakfast. across from them, koala can't help but laugh at their comedy performance.

"aren't you used to him being this way by now?" she asks ace when ace glares at her. she also reaches into her bag at the same time to pull out a collection of thumb-sized cookies she has wrapped in a napkin. "you're lucky i'm so thoughtful," she says to him before he can get out a retort, offering him the small handful of the same sweets he'd been complaining about not getting to eat. "and that i thought of you earlier when i saw these and realized how quickly they were going."

"you're right, i completely forgive you and love you," ace rushes to say as he accepts the gift. at his side, sabo purses his lips and huffs at the wording, but ace ignores him completely in favor of tossing a small cookie into his mouth. "you're literally the best."

koala inclines her chin, leering over at sabo when he happens to look up at her. "i'm the best," she gloats.

she should have expected sabo to snap at some point, yet the heel suddenly digging into her shin makes her realize she'd thought of this a tad too late.

-

"oh, that? i can tell you about that," robin says to sanji and usopp during lunch. she'd heard an abridged version from koala earlier of the conversation she'd had with sabo that morning. "shanks found out those two got engaged recently and thought rooming them together would be a needless distraction."

that's the short of it, but it sure does paint matching looks of surprise on both of the athletes sitting across from her. they've both paused with food halfway to their mouths. she chuckles at the sight, hiding her open lips behind one hand.

"oh," both of them say simultaneously. then, from just sanji, "ok, yeah, i'd be pissed too. what a dick move. that's a valid reason."

"how long have they been engaged?" usopp asks around a bite of his sandwich. "was that supposed to stay a secret?"

"i don't think so, it just hasn't been too long," robin assures him. "i actually don't know the specifics. you'll have to direct your inquiries to either of them."

"yeah, no thanks," usopp mutters. "if shanks nearly had his head bitten off, i'd hate to see what happens to me."

"well, he did incite them," sanji reminds him. "i'm sure ace wouldn't mind telling us."

he specifically says ace because they both know he's the more easy-going of the pair, and also when sabo is confronted with something he doesn't want to share, he immediately becomes the world's most frigid ice queen.

"sabo might be happy to spill details, if you catch him at the right time," robin mentions. "it's his engagement too. i wouldn't be surprised to learn he's more excited than ace."

alright, yeah, that's a good counter-point to consider. both sanji and usopp think that over.

"after dinner?" usopp suggests.

"no, neither of them drink during a competition." sanji shakes his head. "maybe after the plane ride back home? if he's too tired, he might reveal something without thinking on it."

"if he's too tired, he just won't give us the time of day," usopp counters.

"what about after they win this week?" robin suggests.

which. is a good idea, in theory. but they would have to win, which is not a one-hundred percent guarantee.

but it is something to think over.

-

koala bites on her lip and sags into sabo's side again to bemoan her fate. below them, the current women's singles match-up is their own teammate reiju versus an athlete from sweden. "how can someone look so hot while sweating so much?" she says, completely aghast.

she makes the mistake of glancing up at him after saying this, bearing witness to the large smirk taking up his face. he opens his big mouth and already she knows she wants no part in this. "well–"

"yeah, i don't need unnecessary commentary from the man with a boyfriend," she gripes, leaning off of him. thankfully, sabo shuts his mouth and only shrugs, still looking smug but at least remaining silent about it. "speaking of which, where did ace go? wasn't he just here?"

sabo looks to his other side to confirm ace has indeed disappear. he looks miffed at this but keeps his answer perfectly indifferent. "how should i know? i'm not his keeper."

"you're right, he's just yours," koala says before she can help himself. sabo gasps, completely and justly indignant, and the look on his face is the perfect reward for ruffling his feathers again.

-

koby notices ace and sabo from the distance, but it takes him getting closer and a moment of observation to realize they're monitoring their competition and not merely engaged in conversation.

because from further back, it does look like something different. he stops short to watch ace wrapping an arm around sabo's back, tugging him closer with a hold around his middle. from the angle koby is to them, he can see ace gesturing down to the court with his other hand. they're both talking quietly with their heads huddled close together.

casual intimacy between doubles partners is nothing new, but koby can't help but add another mental notch to the running total he has in his head telling him this is another moment between this specific pair that qualifies more as pda.

he's kept this count going since the olympics ended, when he'd first begun to notice the change in the pair's affection for each other. it's not relative or important, really, but sometimes he can't turn off his observant eye. not for the first time, he thinks about asking after it in an unofficial capacity. maybe if it's off-the-record, they'd tell him if something had changed.

before he can think more on this, someone is calling out to him. specifically, someone says "hey four-eyes!" and from experience and the cadence, koby knows it's luffy before he turns around to acknowledge the athlete.

"hi," he greets luffy a bit lamely, still caught up in his thoughts. "you have another match?"

"no, i'm done for the day," luffy reveals. "i'm just sticking around to watch ace and sabo." he pointedly looks over koby's shoulder to see the duo not far away, realizing koby had been facing that direction. "do i need to get them for you?"

"oh, no, that's fine," koby insists, raising both hands to wave luffy's suggestion off. he peers over his shoulder as well, noting that the pair are even closer together than they were before, and quickly turns back to face luffy. "they, uh, look preoccupied as-is. i'd hate to ruin their concentration."

luffy looks at the pair again and takes koby's words into account. "oh, they're always like that now."

now implies that something has changed recently, though koby's not hell-bent on knowing anymore. the distance between the four of them isn't large, and he'd hate to be overheard, even if he is still curious.

luffy steamrolls along, though, not realizing the gravity of the situation. "probably because they're getting married soon? they've been a lot more touchy-feely since getting engaged."

sirens blare in koby's head, and he has to resist the temptation to look back behind him again. "oh, ok," he says, suddenly overwhelmed. that does make sense. it is a good explanation. it's also probably something he should not be privy to, especially if it's a recent development.

luffy must realize this too, because he perks up and grabs koby by both his shoulders. "i'm saying this to you as my friend, koby, not as a journalist."

"yeah, i got it," koby wheezes. "you can trust me. i won't say a word."

-

"maybe we should come back to korea," ace says at the end of their stay. they're both outside on the veranda, some light alcohol still in either of their glasses though neither are keen on finishing it off. it had been a celebratory move that both are regretting, especially with the summer heat bearing down on them. even in the dark of night, the blush on sabo's fair-skinned cheeks is still evident.

"after the season is over," ace says aloud, though they both know the implication. after we get married, he means. "we can book a room at the shilla and sight-see for a few days. or just chill in there. not like there's a lack of things to do."

sabo had been about to reply, but at the mention of the luxury resort hotel, he chokes. gasping for breath, he swallows the rest of his champagne in an attempt to quickly recover. "isn't that just a tad too expensive??"

"eh, we can splurge a bit." ace shrugs, then grins over at sabo. "it'll be another thing to save up for. if you want to."

"well i don't not want to," sabo admits, which is progress. as long as he's considering the possibility, that's good enough for ace.

"they even have their own bakery inside," ace adds, which only makes sabo groan.

"will you let that go already?"

[puppyeared]

If I close my eyes and concentrate realllyyy hard I can pretend im in my animal crossing room

[lemongogo]

[danothan]

i’ve been having a hard time realizing and grieving my naivety/lack of intuition, especially relating to autism and ocd. there’s smth so helpless in feeling like you can’t trust yourself. but i think i’m starting to reach a point of balance. ik i don’t have the best judgment, but maybe my intuition can be the kindness i judged as naivety

i just couldn’t accept the idea that kindness (as far as i understood it at least) could have led me into harm’s way, especially bc protecting myself feels so “cruel,” so maybe that’s not the narrative i have to accept. sometimes i feel like i’m slipping into old habits when i catch myself giving someone a second chance, or the benefit of the doubt, but it’s not the same now as it was before. kindness never led me into harm’s way, it was my lack of trust in myself. i don’t need to dial in my kindness, i just need to strengthen my trust. i need to practice informed kindness

[lavellane]

do i make ashara more devoted to mythal post trespasser or do i alienate her from the evanuris entirely. is she immune to propaganda by virtue of how badly solas damaged her ability to believe in anything or is she especially vulnerable to it now bc she still WANTS to believe in anything. is she sporting subtle mythal details in her costume design or is she not

[bunnihearted]

ཻ۪۪♡.

[piplupod]

and i often get upset with myself for complaining and venting as much as i do, or also for being as anxious as i am, but given the circumstances that I live in, I do think realistically I am being ... incredibly "well-behaved", all things considered. i could be acting so much worse.

but i do still wish i weren't so ... [gestures vaguely at this whole mess] because it's off-putting for people! and understandably so! but i wish i could make friends!

[daz4i]

i'm def doing it wrong bc the whole point of acting is to bring your own feelings into what the characters experience so you know how to express them. but i'm kind of going at it backwards bc. the reason i'm good at acting is i am simply autistic lol i was almost doll-like as a kid and didn't show emotions or talked much so i had to learn how to do it like others did and then start faking it. and that's what acting is 👍

[kuiinncedes]

me puttingon the filters "remote" and "data science major" on this job site from my university and just scrolling thru and applying to a ton that don't need cover letter without reading the qualifications/requirements 😀

[rainofthetwilight]

i want to share a specific au of mine but im like. scared

me n my friendo have been ranting together abt for like 2(?) yrs n i was thinking of posting abt it n never did (i wasnt completely involved in the fandom at that time as i am today)

now that i am i wanna post it but im nervous

might tweak it a little not sure

(more of the rant in the tags, important ig)

[puppyeared]

what if i snapped and made an oc carrd

[silverislander]

i have 7 assignments, total, left in school. once i finish those i'm going to be done- i graduate in may which is WILD to think about. i just have to fucking do them

[floorpancakes]

i refuse to let clamp off the hook for underutilising himawari's fucking fascinating character setup and traits but on a less serious level im obsessed with the concept of her as an instigator of chaos.

like she's way less airheaded than she seems and it doesn't come off like Default Airhead Girl Behaviour or even Default Girl Companion That Ships Her Friends primarily (like not as hard as some other series by comparison I mean she's very I KNOW WHAT YOU ARE by default) specifically she just seems like someone that thoroughly enjoys being a little shit in a sincere way and giggling at her dumbass friends and has a shade of high emotional intelligence about it all. like she's just girl of all time. she's i don't know where im going with this just take this low effort meme from when i watched the holic stage play on youtube this isn't a coherent thought it's like 2am ill come up with better thoughts later

[dimiclaudeblaigan]

Wrt localization, I can understand wanting to change let's say a joke if the context of the joke would be lost on people due to play on the language. But when someone changes the content of a story and characterization to the point where it's a completely different experience and then they have the audacity to say "have respect for the localizers. You support gg" or some nonsense in response to criticism, it's really disingenuous.

Not sure if you saw when I mentioned it before, but yeah. There are times when they have to make cultural changes (Pokemon did it with food to make more sense to the western audience!), change jokes that won't land in translation, etc. Those are reasonable changes that have to be made or the audience will just be confused/uninterested/disconnected.

Sometimes there are also jokes that in different cultures would be deemed inappropriate (like the sex joke aimed at Edelgard in the middle of the night - that makes sense that it was removed because western culture would've been largely uncomfortable with it). Age differences also account for this, in that what's seen as appropriate to a teen audience in JP is not necessarily considered appropriate in the west.

My viewpoint toward localization is that it should only be that. Everything else should be a faithful translation as much as is able, i.e. doesn't alter the message given in the original script. It doesn't matter if the content is from Japan, if it's a JRPG or what have you. If it was of French origin, I'd still say the same thing: that the messages and narrative of the French originating story should be handled faithfully and should be telling the same story/characterizations/etc to all audiences in any location.

Obviously in translation you can't make everything one to one or the sentences would sound off and/or broken. That's why you reword things to have the sentences structurally accurate in the translated language. Doing that, however, should not involve changing the meaning behind the sentence or trying to sell a different narrative. Doing that becomes a different story, even if only in bits and pieces. When a story nudges really fuckin' hard trying to tell you something that's wrong is right or that something right is wrong, but that narrative is only added into a loc and didn't already exist, it's a disrespect toward the writers and their original intention.

Even if, yes, the writers were very bias toward Edelgard (which they were as that was, again, confirmed in an interview), it didn't come at the cost of other characters. It didn't come at the cost of Rhea being worse, Dimitri being worse, or Claude being worse. It didn't come at the cost of her allies all being disgusted by their enemies that they were invading. They loved Edelgard when they were writing her, but they didn't make that cloud how they treated other characters (and while yes, the Nabateans get largely ignored in favor of focusing on Edelgard and such, it's not at the cost of their characterization or to make them seem worse).

Even if the loc heaps praise upon praise toward Edelgard and that doesn't harm the original intent, it's what they do to other characters that disrespects the original content. It would be like if they took FE10/RD and had Ike (who was actually just and a good person) spouting nonsense about Micaiah that just wasn't true, hyping up his allies to kill her because she Must Die.

Personally, I'm no Micaiah fan. She was one of my most hated characters in the franchise until Edelgard (and Berandetta) showed up. I still am not fond of Micaiah and she's still pretty low on the rung for me. That said, I would not enjoy a narrative where Ike wrongfully labeled her and her allies and provided his people (and the Laguz Alliance by extension) a false narrative about her. If those things about her were true I wouldn't care, but they wouldn't be. Why does that not work for Ike? Because it's not who he is as a character to say those things, and thus if he did, it means something is off.

The original has some ??? points about Edelgard that favor her/lift her up, but again, it's not doing harm to other characters. Yeah, we get the whole "they are the enemy" stuff from her side, but like... that's the point. If you team up with her, you're on her side and are seeing the story through her perspective, which makes her enemies, well, the enemies. They're viewed in a bad light on that one route.

But when you actually come into contact with the characters in question? It's not as bad as she makes it out to be. She, as the protagonist of her own story, makes other named characters and their ways of living sound very bad because she views them negatively, but we don't actually see what she claims if we personally come into contact with those characters.

What the loc does is have her say those things, understandably from her side, but then trash the characters' very characterization and personality to match her and her/her allies' opinions of them. The characters reflect her views with no pushback whatsoever, when it should be that the pushback is how those characters she talks about behave.

There should be a dissonance between her thoughts about them and who they truly are. It should make you question, "is this really right?". You should feel bad when you kill genuinely good people (like Sylvain. You shouldn't feel like he's some trash scumbag, but feel upset about his death and find yourself questioning why he had to die - not cheering for his death).

Point being, the loc changed that stuff because ??? I guess they wanted Edelgard to shine at her very absolute brightest, and the only way to do that was to harp on all the characters who opposed her. I don't understand why they would do that tbh (like I know the intent, i.e. making her look good, but I don't know why they went to such lengths to vilify her enemies and not just say hey, maybe she's wrong about these people but I'm still going to fight for her, if fighting for her is what you decided to do. The one idea I have is the final paragraphs of this post).

It just makes it feel a lot like purist culture, where if you've sided with her than they can't possibly let her be actually bad and do bad things. You've sided with her, so she simply cannot be a villain! It makes the loc team seem afraid of a concept of siding with the villains, feeling the need to change it because it's BaD to play a game/route where you do that. It feels like it's portraying the idea that if you do bad things in a video game, you condone those bad things irl.

Whether that was their thought process or not, that's exactly what it comes off as, and that since they loved Edelgard they couldn't portray her poorly unless there was no other option. In the times they do finally portray her poorly via other characters, there's always pushback in some form, like someone defending her, giving her the benefit of the doubt after everything she'd already done and still intended to do, or being sad about fighting/killing her. In the original that was still there, but the loc just added to it - just by doing a whole lot of damage to other characters in the process.

Meanwhile with Rhea, there's always negative pushback. If she does something good, there's a negative thought following her good actions. Obviously there isn't space for that to happen literally every single time, but when possible it's there. Again, this is another thing the loc amped up, and I can only guess it's because she's the head of the Church (and churches are viewed as the enemy in most JPRGs) and the main person Edelgard opposes (with no acknowledgement from the loc team, about why that is, being a bad thing).

It's like, the one time there's a game where the Church isn't actually the enemy, they... made it so that the loc reflected that the Church is still actually the enemy. Churches being the enemy are so common that it was intentionally used in the original script as a red herring. You think they're gonna be the big bads because they always are in JRPGs.

The point of that was meant to fulfill itself as a red herring, making you focus on them and scrutinize everything they said and did even heavier than you would anyone else. It makes everything Edelgard does get swept under the rug and causes the player not to notice until it's fastballed at you. That's why you end up fighting her and not the Church except if you're specifically on her route.

That was lost in loc, of course, and it got so overwhelmingly popular in the west (which I do believe is a reason they did it to begin with, i.e. made the Church the baddies by western viewpoint because the west apparently eats that shit right up) that Hopes catered most strongly toward the western audience, making the Church the big bads (who... don't even do anything wrong whatsoever in this game and hardly even exist to do so, but I can only guess they got largely ignored because they were so hated, and less positive interaction with them meant less worry of killing innocent people/more not caring about them as the enemy) of two routes out of three; not because that was the original script's intent, but because they just went with what was popular even if it went against their home game's intention. I was pretty unsurprised to find out this went over very badly with JP players.

In other words the loc was so widely understood as the true canon/intent of the story (despite its vast and drastic changes) that Hopes was crafted around the loc more than it was the original script. The loc of Houses altered so much that it changed the perception of the audience consuming it, so whether the JP writers are aware that that's why the game was consumed the way it was or not, they just knew a chunk of the western audience loved Edelgard and hated Rhea.

When I play a game I want the same story and experience that everyone has playing it. I don't want to understand it differently than it's meant to be understood and was understood in the region it was created in. If it's a dark and mature themed game, it should stay that way. It western audiences can't handle that, then the game shouldn't be played by them whether it comes out in the west or not.

If you can't handle the content of a video game, you shouldn't play it, plain and simple. No amount of "oh but I like this portion of it!" changes the overall narrative that you can't handle and/or don't like (and you wouldn't know you like a part of it if you didn't play it at all, which you did play it despite knowing it's largely not for you. If you didn't know but play it and find out, you put it down and move on). The game's messages should not be altered to fit purists or baby the players. If it needs to be edited that strongly to work in the west, my feeling on it is that it should not be released in the west.

If it is released, the story should not be altered to baby its audience. If people do play it despite that and can't handle it, it's their responsibility to stop playing it and not bitch at the people who released it (in any region) or bitch at the loc team for not changing anything (i.e. bitching that the loc team didn't change creative aspects of the story to fulfill another region's agenda).

Why does that happen though? Capitalism, quite frankly. Companies prefer the money added to their coffers than to keep the originality of a creative piece of art. They'll follow any political agenda that's popular, any social media agenda that's popular, etc, even if it means changing creativity.

They want the most people possible to purchase it, so if more people will buy the product, even if it means sullying the creative work of the original writers, they'll do it. That may not be true worldwide, but it absolutely is with many western companies. If the narrative of a game doesn't fit what western culture agrees with, they'll change it to make it so that western culture agrees with it (re: the Church).

Localization shouldn't exist to change a work of art/to change any media form for the sake of just releasing it in another region for the profit, but it does happen; hence why I prefer translation to loc. Over the years I've grown to hate western localization more and more.

If localizers have to work that badly to change what already exists (including changing the intent of the creator(s)), I have zero respect for their "efforts" for trying to alter a story and possibly even pursue a particular agenda (because we play games to have fun and enjoy something, not to have irl agendas thrown back in our faces).

Translators who go through loops upon loops to make sure the story stays as intact as possible with only changes of necessity are the ones I respect. Translating things to keep the meaning of a story is a lot more difficult and trying than just going "well how about we just completely change this and then we don't even have to think about how to work it out".

Also, there's a difference between pursuing an agenda or writing something to fix a glaring issue like racism. If there are aspects of a media that got changed in the west to eliminate racism (which is often, especially in Japan from my understanding based on other media I consume, done because of ignorance and not genuinely harmful intent), that's understandable.

That alone shouldn't alter a whole story though, and if it has to because the racism or whatever it is is that bad, then the work should simply not be released in the west! Simple as that! If it's that bad, why support those things by changing them to sound nicer/better and let the original product still generate revenue?

Now, is all localization this bad? No. Is Houses' localization bad enough that it changed an entire region's perception on the contents of the game? Yes. That's a no no for me.

I respect localization that does its best to keep the same story and change what won't work in another region (including what may be deemed unacceptable in said region or really toes a line of general regional discomfort).

I do not respect localization that sticks in the team's own biases or tries to push any kind of agenda to appeal to certain people. If a piece of creative media is created without the intention to push any kind of agenda, it should remain that way and not suddenly have things added to it for that purpose.

I respect creative media. I don't respect capitalism and changing content to cater to a specific subset of an audience, including the staff's own.

[cheemken]

Thinking abt Unova kids again

Like,,, how Hilda and Hilbert sees Iris now

How Hilbert was the first one to ever notice the sudden change in her personality. How he was the first one to ever reach out to her. How he just wanted to help her because she's his friend and he loves her he cares about her, and seeing what kind of person she's gonna turn out to be scares him, bc Iris isn't like that, Iris was kind and was fun and she was always there for him, she isn't cold or distant or temperamental, impulsive maybe, but it just shows she's passionate.

How Hilda tried so hard to believe that there was nothing wrong w Iris, then she started wearing that cape, then she started wearing those dragon tamer robes, then she started becoming more and more emotionless as the days, month, years went by them. How she hated Iris' Champion persona bc it's not the Iris that she knows and love, it's not the same Iris who got excited when she became champion, not the same person that tried her hardest to prove herself worthy to be Unova's champion, she became more strict, quick to anger when someone threatens anyone in the region, going as far as almost killing someone.

The two of them wanting to get their friend back, bc that isn't the Iris that they know, that's not how she's supposed to be and they all know that. And god they just love her yknow, she's their friend, she had always been there for them, so they should be there for her too. But how could they if she keeps pushing them away?