#it's just a window icon with a blue background

[commissionsdarian]

[lamentationsofalonelypotato]

Chapter 11: It's Giving Kidnapping?

Pairing: Soldier Boy x f!reader, Reader POV, Soldier Boy POV

Summary:  When you decided to work with Butcher and his merry band of supe hunters to take down Homelander, you neve expected to be saddled with a sullen, grumpy, jerk like Soldier Boy when the job was done. The more you're around him the more you hate him, but you can't help but wonder, is he really as big a jerk as you think? Reader is a supe with plant powers. This takes place in an AU about a month after the end of The Boys Season 3, in which Butcher has let Soldier Boy continue to work with him on his team.  (I'm real bad at summaries, please forgive me!)

Tropes: Enemies to Lovers (Not in this chapter), Slow Burn, Age Difference (Reader is in her 20s), Soft Ben/ Soldier Boy, Protective Ben/Soldier Boy

Word Count: 10.1K

Warnings: I'm going to label this 18+ because Soldier Boy (he's a warning and everyone knows it) and because there is an unwanted sexual advance (not Soldier Boy) (it's more someone making the reader feel uncomfortable and the person talking to the reader, not so much touching, but it's still there and it's wrong), Violence, Swearing, Mentions of sex, Thoughts of Sex, Kidnapping, GASLIGHTING, Threatening, Denial, A whole lot of denial, Sexism, Creepiness, Manipulation, Talks about weed, Super manipulative trash man, And another Super Manipulative Trash Man but this time he's even more creepy, Ben/Soldier Boy might be a little bit OOC.

Note: This is told from Reader's perspective. Any references to the reader is made using you or your. There is minimal use of y/n. I tried my best to proofread, but nobody's perfect. If you don’t like, don’t read, but if you do like, you’re my favorite!

Internal monologue is in italics and is in first person.

Series Masterlist

Main Masterlist

Reader POV

"So where is it that we're going again?" You ask your brother Darren while looking absentmindedly out the passenger side window of his car watching the other people on the bridge.

The sun was shining, bathing the interior of the car in a warm light, the clouds puffy and the sky a beautiful blue that faded into the background behind the iconic New York Skyline as the buildings raised their hands to worship the beautiful day. It was the perfect day for you to grab a paper back and a cup of iced pineapple tea and make your way to Central Park, instead you were stuck in a car with your brother who was taking you God knows were.

"I told you it's a surprise." Darren replies, hitting the gas to cut off someone in the fast lane who honks at him, but Darren only flips them the bird and continues to speed down the bridge.

You had been in the car for over thirty minutes, a car that Darren said was a "loan" from his new BFF, the same person that he was ecstatic about you meeting.

The car was fancier than what you were used to, state of the art with butterscotch colored leather seats so supple and smooth that it felt like you were being hugged by the passenger side chair. The windows were made of thicker glass and you guessed that they must be bulletproof given how sturdy they looked, not to mention they were also darker than average so no one could see into the vehicle, but you could see out. The car was four doors and was made by a European company that you'd never heard of, but you were sure it was expensive. The car probably cost more than the entire inventory of "Please Don't Die" and the building the shop inhabited.

This is weird. You think to yourself, squeezing the leather seat in your hand.

Most of the "friends" your brother introduced you to were as down on their luck as Darren and just as eager to ask for a loan from anyone they could. You'd never met one that could afford a new car let alone a car that looked like it should be owned by the wealthiest man in New York City.

Your frown deepens as you try to figure out where the two of you are going and who it is Darren wants you to meet.

Truthfully, Darren was acting like you didn't hate surprises, you did. Every time your brother dropped by unannounced made you furious. You'd told him over and over again to call first, but no matter what you did each time he showed up without so much as a text.

You sigh audibly. "I just want to be prepared for wherever it is we're going."

"And I told you it's a surprise." His hands tighten on the wheel as if you're annoying him, before he glances over at you with a tight smile. "Come on sissy, it's like you don't even trust me."

The word "trust" makes you frown at him and drags you back to your apartment thirty minutes ago when Ben told you that you were stupid and "too trusting." You didn't understand why Ben got so mad at you going with Darren.

He's my brother, what did Ben think was going to happen? And why was he so angry?

You cross your arms over your chest and lean back into the plush seat.

Who did Ben think he was? He's not my dad! And I am not just some stupid little ditzy girl who needs a big strong man to protect me! I am a grown woman who has survived this long without someone like him butting into all of my business.

The more you sat there in the car, the more your frown deepens, and the more angry you became. You didn't understand why he treated you that way when you hadn't done anything to warrant his temper.

He's just a temperamental petulant child who thinks that he knows everything and that his opinion should be treated with the highest regard!

Usually, you would feel bad about what you had shouted at Ben about his old team and about his son, but not right now. You didn't understand why he was getting so angry and why he cared so much about what you were doing with your brother.

Does Ben really think that Darren would do anything to hurt me?

The whiplash that Ben kept putting you through where he seemed to care and then he didn't was getting old quick…

"Do whatever the fuck you want. It's not like I give a shit about her."

You wince as Ben's words ring in your ears making something stick in your chest. They had hurt more than you thought they would, maybe because you were starting to care about Ben and you thought that he was starting to care about you.

Because what other reason would he walk with you to work, pick you up, and bring you coffee sometimes? And why did he seem to be almost worried when Darren suggested that you meet his friend?

But he doesn't care about you. He's made that much perfectly clear.

You chew the inside of your cheek contemplating the conversation the two of you shared. Maybe I did say some things that were a little harsh, but Ben was being a total dick and he deserved what I said!

A flash of Ben and you tangled in one another this morning comes roaring back bringing a wave of heat flashing through you. Your cheeks flush and the wildflowers growing on the opposite side of the bridge outside of the car all flare bright pink in the sunlight when Darren drives the car past them.

You had been so close to kissing him, so close to letting yourself sink into his warmth and lose yourself in all he was. He was so strong and broad and warm in all the right ways, not to mention he looked really cute this morning with his eyes still a little hazy from sleep and his dark hair falling forward into his face, mused just slightly against the pillow. You could still feel his body laying on top of yours, but the weight wasn't oppressive, it was perfect, like a weighted blanket that made your anxiety fade away. The feeling of his powerful chest beneath the palms of your hands as you dragged them up to tangle his hair ghosts through your body.

Despite Ben's gruff exterior those few soft moments this morning you wished hadn't slipped through your fingertips, you wanted to kiss him, wanted to feel what it was like for him to kiss you softly as if he wished to savor you. The one you'd shared outside your apartment was hungry and frenzied, but you had a feeling deep down in your gut that the kiss Ben and you would have shared on the couch would have been different. The moment felt different too. The way he looked at you, the way he smiled when he noticed the apple tree flowering, and the way he held you close to him with care.

No. I am not going to think about any of that right now. He was a jerk for no reason and even if he wasn't Ben said he didn't care about me. Which is exactly what I've been trying to say since I first met him, he doesn't want to date me, he just wants to fuck me and move on.

When you'd walked out of your bedroom in a fresh outfit, Ben had already gone, and Jake had answered you back saying that it was okay for you to take the day off. Jake rarely said that it was a bad idea, he had said that he would "miss you" but instead of that filling you with warmth it did absolutely nothing. You figured that it was because of the fight Ben and you had. The anger, frustration, hurt, and rage was still currently swirling around your head and whenever it came to a peak you'd get a flash of how good it felt to wake up with Ben on top of you.

"How did you meet your friend?" You ask to keep your mind from wandering back to Ben.

"The usual."

"Usual, meaning?"

"Met him at Richie's poker game, we hit it off." Darren adjusts the radio and flips it to an 80's rock song that you can't remember the name of.

You sigh. "You owe him money don't you?"

"No I don't!" Darren clams up, his hands tightening on the wheel for a moment. "Well, just a little…"

Typical, just typical. Should have brought my damn checkbook.

"I thought you said that you didn't need money?" You pinch the bridge of your nose doing another mental calculation of how much you could give your brother.

"I don't, we worked something out." Darren answers vaguely, turning off of the expressway and onto a side street.

The buildings outside the window begin to be more and more spaced out, becoming more industrial. Each one you pass is fenced in and are quickly changing into giant warehouses and desolate streets. There aren't any other cars on the road with you and you hadn't seen another person in a few minutes.

"Well this looks… murdery." You frown at another empty warehouse with rusting sides and a roof that’s caved in.

Why are we all the way out here?

"It's not murdery, it's just eclectic. Don't be so judgmental." Darren rolls his eyes at you as he makes a left turn in front of a warehouse that is larger than the others, but in much better shape.

It's fenced with barbed wire swirling along the top of the chain links, but there's a man standing at the gate with a leather jacket, sunglasses, and a clip board, the first person you’d seen outside of the car since Darren got off the expressway. He gestures for Darren to roll down the window with the clipboard.

"Hey there Joe." Darren says smoothly, leaning his elbow on the window frame, the picture of ease.

"Darren." Joe states eyes falling on where you're sitting in the passenger seat. "That her?"

"Yeah this is my sister." Darren flashes the usual smile, the one you've seen him use countless times when he needs to schmooze someone or close a "deal."

"Hi." You say awkwardly, smiling at the man identified as Joe.

Something about this feels wrong. Why does he know who I am? I thought I was just meeting Darren's friend?

All Joe does is frown at you. "Doesn't look like a supe."

You turn to look at your brother surprised. Darren knew that it was something you didn't share with everyone, that it was something you only revealed when you had to.

Darren shrugs it off with a laugh. "She is, trust me."

"Hmm." Joe grunts. "And you're late. The boss doesn't like it when people are late."

"Sorry it was her fault. Told her to put on something nice and you know how women are." Darren is completely in his element, gesturing with his hands, and smoothing down any ruffled feathers.

But the whole situation makes you more uncertain.

Who was "the boss?" Is that Darren's friend? And why the fuck did he tell Joe that I was a supe?

You pull on the end of your long sleeved blouse nervously. Darren hadn’t let you leave the house before approving your outfit and finally when you'd walked out of your bedroom wearing a long sleeved green with white polka dot blouse and a pair of dark jeans and your converse he had said that you were "presentable" but then insisted that you leave your hair down.

It made you feel like you were about to go to a job interview. You didn't understand why Darren made you change so many times or why he cared what you wore to meet another one of his skeevy friends. They never seemed to dress up to meet you, so why should you dress up to meet them? Not to mention Darren wasn't wearing anything different than his usual outfit.

He was wearing his black army jacket over a pair of black ripped jeans and a Meatloaf t-shirt. He'd changed out the gauges in his ears for black pointed spikes and the two rings in Darren's right eyebrow were now bright blue. Darren runs his hand over his buzzed hair, giving you a flash of his onyx skull ring on his thumb.

"Yeah I get it, my old lady does the same thing." Joe eyes you appreciatively and winks. "Cleans up nice though."

"Thank you." You reply dryly.

Joe waves Darren through and as he does, you see a gun in a holster hanging against the left side of his chest under his leather jacket.

"Darren what is this? Why was he armed? And why the fuck did you tell him I was a supe?" You shout at your brother as soon as he rolls up the window.

"Oh well, my friend is kind of important and Joe is just some extra security." Darren pulls the car into a parking spot just outside of the building. He says it like you're overreacting, but you didn't think you were. This entire situation was suspicious. "I told him you were a supe because he's just trying to keep my friend safe. He asked an honest question and I didn't want to lie to him."

Bullshit. Darren doesn't give a fuck about lying to other people.

Sometimes you even wondered if Darren gave a fuck about lying to you. That thought was usually brushed away by the reassertion that Darren was your brother and you trusted what he said.

But everything about this situation made you feel odd. You didn’t understand why Darren had to bring you here to meet his friend or why his friend wanted to meet you in the first place or why his friend seemed to need so much security. You'd never had one of Darren's friends ask to meet you before, most of the time you just showed up to meet Darren and they were there scratching something in public that they shouldn't be.

"Come on Darren, you know how much I hate telling people that I'm a supe-"

"Relax. It's already done, let's just move on." He waves a hand, ignoring you.

"Please, tell me what I'm doing here. This is more than me just meeting your friend."

"Hey." He brings his hand down on yours where it rests on the middle console. "I know you're nervous, but I would never do anything to hurt you." Darren's blue eyes are wide with sincerity. "Do you really think I would?"

"Well-" You bite the inside of your cheek.

He's your brother. He wouldn’t hurt you. You say it to reassure yourself, but it doesn’t stick completely.

"Come on." Darren sighs it as if he's genuinely upset that you thought he would. "I'm your brother, I'm your only family and I love you sis. I just want to do what's best for you. And my friend is really nice and he keeps saying that he wants to meet you. Not to mention he's loaded and I know that you struggle with things like that and he said that he'd help you out."

"What?" You sputter in surprise. "Why would he do that? Why would you talk to him about me?

"Because he's a nice guy and I like to brag about how amazing you are to everyone I meet." Darren smiles. "Now come on I don't want to keep Eli waiting and we're already late."

"Eli?"

It was the first time that Darren had used his friend's name and somewhere at the back of your mind it rang a bell.

"My friend. You're gonna love him. Come on I don't want to keep him waiting." Darren repeats as he gets out of the car first, but you stay in it for a second absorbing the entire situation.

You had half a mind to text Butcher or Annie, something about the whole situation made alarm bells go off in your head, and as mean as Ben had been, you wondered if he was right, if this was something you should be worried about.

And weirder still a piece of you wished that Ben was here with you. You didn't know why, but you did.

Instead of calling or texting someone, you discretely unlock your phone and check that the tracking software Annie and you downloaded to keep tabs on one another when you moved into the city was on. No one else knew about it, in fact the app was disguised as a period tracker on your home screen so if someone were to take your phone all they would see is another general app and they'd immediately pass over it. 

You'd never had to use it before in an emergency situation. Annie and you both used it when you went on a date with someone you barely knew as an extra precaution in case the guy turned out to be a freak or a secret cannibal. The horror stories you saw on the internet made you worry about that and the last thing you wanted to do was go on a date with a guy who had a taste for human flesh or wanted to turn you into a skin suit.

You open the passenger side door of the car and step out into the sunshine, tucking your phone into your pocket back pocket while looking up at the building. It glints a dull gray in the morning light, but the general appearance of the building does little to make you feel better about the whole situation. Memories of all the other times you met Darren's friends came flitting back across your mind, all of which occurred at a fast-food restaurant or a random poker game or a bar. Not to mention you'd never had one of his friends specifically ask to meet you before and you'd never met one in the middle of nowhere at a warehouse that was fenced in and patrolled by armed guards.

Darren adjusts the collar of his jacket flipping it down before he looks back at you. "Come on."

"Darren I don't think-"

Darren looks up to the sky with a heavy sigh as if your apprehension is annoying him. "Sis come on." He walks closer to you. "That asshole, Ben, is in your head. Are you really going to trust some random guy you live with or me? Your own flesh and blood?"

"Well-"

"Have I ever put you in a dangerous position before?"

"No."

"Exactly. I care about you so much and I would never do anything to hurt you." He takes your hand, eyes soft in the morning light. "I love you. You're the only family I have left that matters. And I promise if anything in there makes you uncomfortable we can leave. Just say the word."

"Really?"

"Yes." Darren nods once. "Fuck, sissy I'm not taking you here against your will. If you don't want to go in we don’t have to, but you said that you would come with me and you never break your word. Not to mention it would make me happy."

He's my brother. He loves me. He would never hurt me. It's going to be okay.

You let out a soft breath and squeeze his hand. "Okay."

Darren leads you to the thick metal door and opens it for you so you can walk in first and as soon as you do, you stop mid-step. The inside of the warehouse is covered with tables, but they're not empty, each table holds more weed plants than you can fit inside your entire apartment. The room is so green that you have to squint for a moment for your eyes to adjust from all the brightness outside. There are large fluorescent lights hanging above each table trying to give the plants the sunlight they need, but the plants don’t look good.

The plants are wilting, dying, and some have a strange black substance that fans out over the leaves in a vein-like pattern, choking the green that remains. Dead plants in piles are stacked on the edges of the room, already succumbing to whatever the hell was wrong with them.

You'd never seen a plant have something like that before. Even the energy given off by the plants is not the usual one you feel when surrounded by so many, it feels wrong, sickly, almost oppressive. You've never felt something that felt so wrong from any of the plants that you had encountered in the past.

You walk up to one of the tables, examining the black veins that are creeping along the gentle bend of the leaves up from the stalks. "What happened?"

"No idea." Darren shrugs. An unlit cigarette is perched between his lips and he's searching through his jacket pockets for his lighter. The one he'd had for years that looked like a silver dragon. "Eli said that he came back from somewhere and he found them like this."

"Oh."

"Do you think you can fix them?"

"What?" You turn to look at him incredulously. "This is weed. This is illegal why the fuck would I fix this?"

"Come on. Don’t be so high and mighty." Darren groans. "They're plants. You've told me countless times that you hate it when plants suffer. Well all of these are suffering!"

"Not the same thing!"

"You're telling me if Newton's dad's cornfield was suffering you wouldn't wave a hand and work some of that plant lover shit to save it?"

"That cornfield is his family's livelihood this is-"

"It's Eli's livelihood. It's how he makes so much money!"

"Is this why you brought me here?" You shout crossing your arms over your chest. "To fix all of these?"

"No. I wanted you to meet my friend and he's waiting for us so we might as well fucking go." Darren grouses, turning to walk up a rickety staircase that leads to the second level of the warehouse.

But you don’t believe him, because why else would Darren bring you to a place with a plant related problem, not to mention why would Darren get so angry when you refused to.

Did he really think I was going to fix an entire warehouse full of weed plants? The last thing I'm gonna do is help Eli cultivate his crop.

You weren't surprised that Darren's friend wasn't as above board as everyone else. You knew that your brother tended to get involved with people who weren't as law abiding, not to mention your brother's moral compass didn't always point North when it came to other people, but you didn't think that he would involve you in something like this.

Occasionally the moral boundaries you had were pushed when it came to what you did for Butcher, but at least he respected you when you said no.

Darren continues to stomp up the stairs angrily, another reason why you believed that Darren was lying to you.

He knew that if he mentioned any of this I would never come with him.

He throws open the door at the top of the stairs not bothering to knock and you follow behind him, fuming.

The room just inside is not what you were expecting. The entire wall to the left is made entirely of glass giving whomever is inhabiting the room an amazing view of the water beyond, water that you didn't realize was so close when Darren pulled up to the building. There's a giant wooden antique desk at the back at the room with a large maroon leather desk chair sitting behind it and two smaller leather chairs in front of the desk. A few bookshelves line the non-windowed walls, but there's no one else in the room, just Darren and you.

Where's his friend?

Darren sighs and exhales a breath of smoke, before he turns to look at you with an apologetic smile. "I'm sorry sis. I shouldn’t have reacted like that. I know that you've always been more on the straight and narrow than me and I shouldn't have yelled at you."

"What?" You weren't expecting him to sound so sorry, if anything you thought that your brother would have started yelling at you all over again. Why is he apologizing.

"Yeah." He rubs a free hand over the top of his buzzed hair sheepishly. "I shouldn't have gotten so mad about it. Of course you don’t have to do anything you don't want to do."

"Thank you." You sigh. "And I'm sorry. I do hate to see plants suffer, but that out there is different than what I do regularly."

"I know. And I don’t want you to be uncomfortable" Darren grabs your hand with his free hand, before he looks around the room. "Guess Eli is also running a little late huh?" He smiles and it reassures you that you've been forgiven.

"Yeah. Weird that he's not here. Especially when Joe said he was waiting for us and-"

"Oh shit!" Darren interrupts you, lets go of your hand and smacks himself on the forehead. "I completely forgot."

"Forgot what?"

He's frantically patting down his pockets looking for something. "I was supposed to call Richie. I told him I would and I-" He continues to check his pockets, the cigarette still burning between his lips. Darren talks around it. "Can I borrow your phone real quick? I think I left mine in the car."

"But-"

"Please it'll take like, two seconds. I told him that I'd meet up with him later and I want to take you to lunch after this to make up for all that shit." Darren nods his head back towards the door where the tables of weed plants are.

"Oh you don’t have to take me to lunch Darren, I can-"

"No." Darren smiles. "I want to. It’s the least I can do, driving you all the way out here and making you meet Eli."

"Um-" You look around the empty office expecting Eli to materialize out of nowhere. "Sure. But please make it quick. I don’t want to be in here alone with this random dude."

"He's not a random dude, he's my friend. And he's a gentleman, definitely a better person that that dick you have at your apartment." Darren waves a hand before he takes your phone. "You'll be fine. And we can go wherever you want for lunch."

You frown at Darren's comment about Ben as he disappears out the door and leaves you in the large office.

Honestly you did think that Ben could be a dick at times, but there were other times when he was almost sweet, well, sort of at least.

Not before he left today.

You think about what you yelled at him, about him needing people, but just wanting to push them away. That you were sure about. You believed that Ben did need people, but he had so many trust issues about everything that had happened in the past that it made him suspicious and not want to admit it to himself. That and you figured if he believed he was such a "manly man" he thought that it was ridiculous and feminine to admit that he needed someone.

Which again, you thought was stupid because you'd always seen emotional maturity in a man as an attractive trait. You liked when men could be vulnerable around you, you liked when they were honest, and you liked when they had the confidence and security to break around you so you could help them. And you found yourself wanting to help Ben, even though you thought you shouldn't.

He's not a bad guy, he's just got a ton of trust issues, machoistic ideas, and an inability to open up to anyone.

You tap your fingertip against your bicep where they were crossed in front of your chest and make your way to one of the bookshelves to look at the books. Some were antiques, others were versions of classics that you had read when you were a child, but you were sure that each volume was worth more than the apartment building you lived in. Some of the spines were so faded that you could just barely make out the flecked golden lettering and others were in another language that you couldn't understand.

Honestly, you could see yourself sitting in the big maroon chair curled up with one of these books, reading through the book with a large cup of tea while looking out over the water and admiring the iconic New York Skyline across the bay. It was a nice office, but your mind began to drift back to the quiet moments Ben and you shared a few days ago when you curled up on the couch beside him and read through your current obsession while he sat with the paper on the other side. It was nice and you were surprised that the two of you could share such a quiet moment together without ripping each other's heads off.

Maybe I should call and apologize. You think to yourself while you stroke your fingertip down one of the spines. I shouldn’t have said those things about his team or his son. And yes maybe he shouted some things at me too, but maybe he also feels bad and he's just not man enough to tell me that he's sorry. Or maybe he doesn’t give a fuck and he couldn’t care less about me.

The words he snarled at your brother, vibrate through your head again.

"Do whatever the fuck you want. It's not like I give a shit about her…"

You hear someone come through the door and because you expect it to be Darren, you don’t turn to look at him.

"I'm sorry to keep you waiting darling." The voice says in a warm and low rumble, the ends tilting in an accent that you can't place. But your entire body freezes, because you knew that voice.

You slowly turn to look at the man who just entered the room eyes widening.

"Ms. Worthington. It is so nice to see you again. How was the drive?" Elijah Black asks with a pleasant smile, one eyebrow raised at you. "Not too much traffic I hope."

Elijah Black looks almost exactly the same way he did at the fundraiser a few days ago and the use of the fake last name you used only reminds you that he hadn't forgotten meeting you. His greying black hair curls behind his ears in waves that have been slicked back over his head. More of his sun-kissed golden skin is revealed to you, showing tattoos that curl up his muscular arms and disappear into the rolled up sleeves of his navy dress shirt. The top two buttons are unbuttoned revealing more of his muscular chest and the dark ink that swirls up from his pecs and licks up onto his collar bones. He's wearing a gold chain to offset the dark swirls of the tattoos, but he still is built like a body-builder, bigger than Ben across, not taller, but taller than you.

Oh fuck. This is not good.

You reach for your phone in your back pocket, prepared to send an emergency text to Butcher and Annie, the one you should have sent before when you were outside, but talked yourself out of. But then you remember that Darren still has your phone and he's not back yet.

"Mr. Black. Funny seeing you here." You clear the fear from your voice, fighting the shudder of fear when you watch Elijah's eyes trace up your figure, clinging to places that make you wish that you hadn’t worn something so tight.

"Please call me Elijah." He purrs, taking another step forward into the room. The door is closed behind him and Darren is gone. "I was disappointed when you used a fake name the other night. I was hoping to get to know you better." Elijah almost looks a little hurt, before his lips twitch into a smirk. "Of course Soldier Boy also seemed to be opposed to the idea, but he's not here now is he?"

"He's outside actually, just give him a second."

"You’re a terrible liar." Elijah chuckles. "I'd hate to see you try to play poker."

"Well give me a chance and I'm sure I'll surprise you."

Elijah is blocking the only exit. The windows could be an option, but it would mean that you’d have to throw something at it or you'd have to throw him through the window. You were strong, but not strong enough to do something like that. Not to mention you had a feeling that Elijah was a supe. The way he carried himself with a careful confidence seemed dangerous.

"Oh I can’t wait to see just how many surprises you have." His eyes trace up and down your body again in a way that makes your throat tighten and a wave of revulsion prickle over your skin. Even though you're wearing a long sleeved shirt and pants, you feel naked under his gaze.

"Darren said that Soldier Boy and you had a fight." Elijah taps his fingers against the edge of the wooden desk. "I hope he didn't hurt you."

Why did Darren tell Elijah that we had a fight? And where the fuck did my brother go?

"That's none of your business-" You say taking a step back moving around the back of the desk, preparing to run the other way and make a break for the door.

Elijah shrugs.  "I like to know everything about the women I get involved with."

"We're not involved. I don’t know a fucking thing about you." You spit backing away.

This is bad. This is very bad.

There weren't any plants in the room and you didn’t have any seeds with you. The other option would be the plants out in the warehouse, but each time you tried to reach for them, all you could feel was the sickly energy they had, and honestly it was making you feel a little bit nauseous. You’d never encountered that before, usually plants made you feel stronger, but they were all so sick that it was overwhelming your senses. You wondered if Elijah planned that.

"Well let's change that. I'd love for you to get to know me better." Elijah continues to move forward through the room slowly. "It’s a pity that the two of you had a spat, especially because you seem to care so much about him and he seems to care about you, and especially  because what he said must have hurt you, but I suppose it's better for me."

Ben doesn’t care about me, but Elijah doesn’t have to know that. If he knows who Ben really is, then he knows how dangerous he is, and if Elijah thinks that Ben will come to get me, that might be everything I need to make him back off.

"Why is that?" You inch around the table with Elijah following after you.

He's still smiling as if he believes that he's won.

"Because he won't come to save you if he hates you. Darren told me that the things you said to him were quite cruel. And I guess none of your team will be coming either."

Darren heard what we yelled at each other and he just pretended not to. He knew that Ben and I had a fight. He knows that Ben is Soldier Boy. Why would Darren do this? He's my brother-

"Of course my team will come to get me. They're on their way right now. And if I were you I'd let me go now, before this becomes an even bigger problem than it is." The lie isn’t completely out of your mouth before Elijah starts to laugh at you.

"No. They're all in Boston, including Soldier Boy." Elijah's smirk grows like the cat who caught the canary. "A thing about those anonymous tips, none of them seem to be that helpful. But Butcher wanted to catch that electric buffoon so badly I thought I might as well give him a push, not in the right direction unfortunately. I was hoping that Solider Boy and you would catch him the other night. He's been causing some trouble for me. Someone like him is bad for business, especially when I'm expanding into auto-motives."

"Oh no. The drug business isn't working out for you? So sad." You snark eyes flicking to the window for a minute and wondering if you could grab a chair and throw it out before he stopped you.

Elijah looks delighted. "I see you've noticed the problem. A rival of mine broke in and poisoned them, and instead of throwing away that much product and wasting more money I thought of you."

"What about me?"

"Well, your brother mentioned something in a game about his sister being able to 'make plants grow.' Honestly, your brother has a problem keeping his mouth shut about lots of things, but I was intrigued. He didn't see the value of such a gift as I did. And when Darren accumulated such a large sum of debt after the game I offered a deal."

"And what deal is that?" You take another step back, not looking away from Elijah.

"You."

Your entire body goes cold. "He wouldn't do that. My brother wouldn't do that to me. He wouldn’t give me to you as fucking payment!"

Because that was what Elijah was suggesting, he was suggesting that Darren would use you to pay off his gambling debts. Darren had done some shitty things in the past, but this seemed to be too much for him.

He wouldn’t do that to me. I'm his sister not some stranger. Darren is a lot of things, but that is too cold to consider.

"Oh my darling." Elijah sighs and throws you a pitying look. "He did. Do you really think he had to call someone? That he left his phone in the car? He needed your phone so you wouldn't call Butcher." Elijah looks at you as if you're a kicked puppy in need of solace. "But don't worry. I always take care of my toys, especially ones that are as beautiful as you."

"If you touch me I'm going to-" You begin to snarl at him

"You've got spirit." He smiles continuing to move towards you as you back away towards the door. "It always makes it more fun. More of a challenge to break."

"Stay away from me."

"I can't wait for you to beg for me to touch you."

"I mean it." You leap backward to grab the doorhandle, but as you do Elijah lunges across the room, grabbing your right arm to pull you away from the door.

He's still holding on and you bring your foot up between his legs hoping to find something soft, but when you do Elijah only laughs and tightens his grip on your arm and you hear a high-pitched snap that vibrates through your body.

At first you don’t understand what the sound was, but a wave of pain surges up and you realize the high pitched snap was the sound of your right arm breaking. The nausea comes roaring back, but the pain is almost excruciating as you try to pull your now broken arm from his grasp.

"Don't worry." Elijah purrs again. "I'm going to take good care of you."

And it's the last thing you hear as everything goes dark.

Soldier Boy POV

4 Days Later…

Ben leaned back in the faded floral cloth armchair in the corner of the crowded motel room, his head thrown against the back of the chair, as he takes a hit from the blunt in between his thumb and forefinger.  The other people in the room continue to bicker and shout at one another pouring over a map and a laptop on the lone table pressed under the window in the corner of the room and it was ruining his buzz.

It had been four days since Ben had been shoved into the back of a car and taken to Boston, four days of listening to Butcher bitch and moan about why none of them could locate the electric supe, and four days since Ben had last seen you.

He exhales a cloud of smoke remembering the conversation the two of you had before he left. Honestly, he hadn’t meant to make you cry and he had no idea where any of what he shouted at you came from, but he was just so damn frustrated about the way your asshole brother was treating you and how damn trusting you were that he just exploded.

Everything he told you, he thought was obvious and something that you could see for yourself. And yet you stood there, eyes wide with tears, while he shouted those things at you and then you had the audacity to yell back at him.

He'd never met anyone so completely clueless and trusting before and it was infuriating. He hated that you let that asshole use you, hated how submissive you got whenever your brother brought up the fact that he was your only family, and Ben hated how you couldn’t see what was directly in front of your face.

All he'd wanted to do was tell you to be careful, and instead he insulted you. And then he'd had to listen to you cry to yourself quietly in your room like you also hadn't insulted him.

Why the fuck do I give a shit? She's just being damn hormonal and never wants to listen to anyone, but herself.

Ben's frown deepens when he remembers what you shouted back at him. He'd never allowed anyone to speak to him that way, then again no one had ever had the balls to and he respected that. Well, respected it, but wished you would fucking stop.

Worse still was that Ben didn't understand why he couldn't stop thinking about you. He'd never had that happen before, usually all it took to get a woman out of his mind was a quick fuck with whatever walked by, but that hadn't worked when he tried it last night.

He'd changed his location on tinder and gone out with a girl who looked nothing like you, and seemed to be the stupidest person Ben had ever met. This time he had bought her dinner, and Ben could feel himself zoning out while she talked about nothing at all. He thought of you while she talked, thought about how you always seemed to speak with purpose and how when you spoke about things they always seemed interesting and important. Not to mention he liked it when you talked because he wanted to learn more about you. You were so different than the women he'd met over the years and it was refreshing. Ben didn't like that he felt that way. He'd never been one for talking, he thought it was fucking boring, but for some reason talking to you was different.

The only time his date shut up was when Ben took her back to her apartment and yet on the walk home all Ben could think of is if you were okay. He didn't like that he had left you with your brother and he had been debating to tell Butcher to fuck off and follow Darren and you, but he hadn't wanted to after you said all that shit about his son and his old team.

Why the fuck do I give a shit what happens to her? All we do is live together. I'm not fucking her, I'm not-

He wasn't used to worrying about someone else, but he was worried about you and again Ben didn’t like it. He didn't like it so much that he almost walked back around the block to his previous date's apartment to see if she was ready to go for round three, but he didn't. Instead he went back to the motel room and tried to sleep, but he couldn't.

Over the past four days, each time Annie's phone rang or chirped he perked up hoping that it was you on the other line and every time it wasn't he seemed to sink further into the chair.

Ben puffed on the joint, but it wasn't as soothing as it had been in the past. The buzz wasn't taking the edge off the thoughts he had of you and it only pissed him off more.

Ben hadn't ever met anyone like you before. You were different and most of the time he never understood you, but he liked that about you. He liked that you were different than all the other women he had met in the past and he liked that you seemed to surprise him. He also thought that was why he liked talking to you, because he wanted to learn more about you so he could understand more.

Ben had never wanted to do that with anyone before, most of the time he just moved on, but not you. As much as he hated to admit it, it was making him want to spend more time around you, because you were interesting, odd, but interesting.

Especially because you kept refusing to sleep with him. It was a point of pride for him, being able to work whoever he wanted into bed with him, but not you. He had tried time and time again to get you to sleep with him using every trick in the book and yet, nothing.

Ben's mind flashes back to the other night at the party when you told him that you wouldn’t sleep with him was because you thought he "threw women away." It struck a nerve more than he thought it would when you said that to him. In fact, women had said similar things to him in the past, but he'd only laughed in their faces, but when you said it to him, it hit something deep inside that he thought he had locked away a long time ago. And weirder still Ben didn’t like it when you said that he wasn't "one for relationships" as if he couldn’t do it if he really tried.

I can do anything.

Ben downs the scotch in his other hand considering what you said and thinks of Countess. He thought that he'd loved her, he'd been in a relationship with her, an open one, but still it was something.

He remembered when you said that sex meant something to you and Ben had never met someone who felt that way before. Someone who thought that sex was special and should be shared with someone you loved. It was weird for him to consider that and Ben supposed that the only way he was ever going to have sex with you was if you fell in love with him or if he fell in love with you.

Yeah, like that'll fucking happen.

He rolled his eyes at the thought. He didn't think that he'd ever be able to fall in love with someone like you. Not with someone who infuriated him as much as you did and was so different than him in every way. Not when you made him angry and annoyed all the time because you refused to listen, talked back, and yelled at him.

The memory of you in his arms when he woke up four days ago surfaces and Ben swallows. He was going to kiss you, and you were going to let him, he knew it.

When he'd kissed you outside of your apartment the first night he came home with you, he'd only done it to make Mike leave you alone, but he hadn't expected to like it so much. And he'd wanted to kiss you badly when he woke up next to you. He thought you looked cute, your body soft against his, your hair flaring out over the pillow, your eyes wide, and your lips supple and welcoming. He'd wanted to trace his thumb over your lower lip, wanted to taste your lips again, and lose himself in everything you were.

I sound like a fucking pussy.

Ben sighed to himself again and closed his eyes, hoping to drown out his thoughts of you with the conversation Butcher and Annie were having over the laptop. MM was cleaning a gun and glaring at Ben while Kimiko and Frenchie were talking in rapid fire sign language that Ben couldn't understand and he wished you were there to translate or at least there to talk to him.

It's always so boring when she's not here.

Ben froze, thumb and middle finger pressed tightly on the blunt. He'd never done that before, never wanted a woman around to talk to, but that was what he meant. Even with Countess it was different. He wanted her around for a good fuck but they didn't talk about anything important and they certainly didn't sit around on the couch and watch his old films and he never sat with her while she read a book.

Ben's mind went back to the other day when you'd sat with him quietly on the other side of the couch, your gaze so focused on the pages of a book that you hadn't seen him watch you read. He noticed that when you did, you sometimes stopped breathing, like you'd forgotten that you needed to and whatever was in the book was more important than oxygen and that you sometimes formed the words with your lips as you did. Ben didn't know why he thought it was so interesting when you read, but he couldn’t look away. Sometimes during the day he'd have some free time from Butcher and he'd walk past the plant shop to see what you were doing and would see you sitting at the counter reading to yourself. He always thought about going inside, but you looked so peaceful that he didn’t want to interrupt you.

It was better than when he found you talking with that idiot Jake. Ben rolled his eyes to himself at the thought of your boss.

He definitely wants to fuck her. Ben sighs crossing his legs. And she wants him to. She shouldn't. She needs someone that'll actually be able to handle her. That guy's built like a fucking twig, not to mention he's not a supe.

Ben's jaw tightened with the thought of walking in on the two of you fucking in the apartment. You had made a rule about Ben not having any women there, but you'd never said anything about you bringing back someone. You hadn't yet and Ben hoped that you wouldn't bring Jake there anytime soon. His grip on the arm of the chair tightens to the point that he pierces through inside to the stuffing. Ben wasn't sure he'd be able to go into the apartment to listen to the two of you, let alone smell him all over you when you were done.

It was bad enough when you'd come back to the apartment smelling like the plant guy and Ben didn't want to experience what it was like after you'd had sex with him and have to smell him all over you. That also made him a little confused. Ben had fucked plenty of women who had significant others, women who threw themselves at him, and he hadn't cared about sharing. Not to mention Ben didn't get jealous, ever, whenever Countess had messed around with someone else at Herogasm Ben would watch, but with you… The sound of the arm of the chair breaking in his hand is audible when he thinks about someone else touching you, but no one else notices.

What the fuck is wrong with me? Why do I care? She's infuriating! And she's always so damn angry with me all the time that I'm pretty sure she'd never let me kiss her ever again let alone touch-

"Hello?" Annie held her phone up to her ear interrupting Ben's train of thought. "Oh hey Jake what's-"

Ben perked up at the sound of Jake's name with a frown. He hoped again that while he was gone you wouldn't sleep with him.

"I'm worried, I haven't heard anything from her and she didn't come in for her shift this morning." Ben heard Jake say on the other side of the line referring to you.

His muscles tensed slightly. Ben hadn’t wanted to leave you there with your brother, something about the guy made him antsy. Ben had met men like him in the past, men who used things like family and love to manipulate people into caring about him. He knew that  Darren was your brother and you were just so kind and open that you would do whatever he asked without question. 

Darren knew that. He knew exactly what to say to her to get her to give in.

Ben wondered how much you’d let Darren get away with in the past and quietly made a promise to himself that he wouldn't let Darren get anything out of you ever again for as long as Ben was around.

"Do you think she's running late?" Annie asks diplomatically, but Ben doesn’t miss the way her eyebrows scrunch together and the worried look she throws Hughie who is sitting across the table looking up at her.

"Not three hours. I tried to text her and when she texted back the message was weird." Jake presses.

"What do you mean weird?"

"Well, she used a lot of emoji's and she never does that."

Ben watched Annie's smile pull down into a frown. "Huh. Here I'm going to try to call her and I'll call you back okay."

"Sure."

Annie hangs up the phone and scrolls her finger on the screen to find your number.

"Everything alright?" Hughie asks leaning back in his chair.

"I'm not sure." Annie puts the phone up to her ear again.

Ben can hear the ringing on the other side of the line and he finds himself leaning forward, waiting for you to answer.

"Come on. Pick up the phone." Annie whispers while tapping her foot on the ground.

When you don't she opens the text thread of messages the two of you have and texts you. When you moved to the city the two of you had come up with phrases and words that you used to warn each other of danger. Annie insisted on it. Two single women living in a big city meant that the two of you were targets even if you were supes and as capable as the two of you felt handling your own, it was a comfort to have someone else.

Annie: Hey babe! I'm thinking about dying my hair blue again. Thoughts?

She waited patiently staring at the screen. Ben couldn't help but watch her with interest, he didn't know what was going on, only that Annie seemed to be worried. Something that he had never seen her be.

You: Hey girl! I think you should go for it! You always rock it.

Ben hears Annie's sharp intake of breath and rises from his chair understanding that something is wrong.

"Fuck." Annie mutters.

In middle school as an act of rebellion, Annie had tried to dye her hair blue with a box of cheap hair dye the two of you bought at the pharmacy in town while Annie's mother was away. But when it was done, something had obviously gone wrong. The dye must have been old or maybe just too cheap to do any good because it had dyed Annie's hair a vomit colored green. And to make matters worse, Annie had a terrible allergic reaction. It was that day the two of you realized that she was allergic to the chemicals most hair dyes. Her entire head had swelled up and she had to go to the Emergency Room.

Not to mention when Annie's mother showed up she told Annie she "deserved it" for doing that to her hair. The only way the Doctors could help her was to wash her hair out with bleach and then when that didn't work they cut it all off.

Annie had to wear itchy wigs for months after.

The correct response you were supposed to have was:

"Fuck no. Do you want to shave your head again?"

"Butcher-" Annie says raising her eyes from her phone.

"Yeah?" He doesn't look up from the map in front of him, trying to find out where the supe is hiding.

"We have to go back." She touches his shoulder to get his attention.

"Why?" Butcher looks at her annoyed, and he was. He had devoted a lot of man power to finding this supe and a lot of his own personal time. The last thing he was going to do is to come up empty handed.

Annie says your name. "Is in trouble."

"What do you mean?" Ben asks.

"She didn't show up to work today and she never just skips." Annie explains. "And we have code messages we made and she answered wrong." She holds out her phone to show Butcher the text thread.

“Hair dye?” Butcher still doesn’t look convinced.

“She knows I’m allergic. And she didn’t show up to work today.”

“Maybe she slept in-“ Butcher didn't want to drive all the way back to NYC for no reason, not when he believed he was close to catching the electric supe.

“She loves that job. And yes maybe she runs late, but she’d never just vanish or not go into work without calling Jake.” Annie pulls her phone back and begins to swipe through.

“What are you doing?” Ben questions. By now he could feel something unfamiliar tightening in his chest, a weird feeling that he couldn't place.

“We share our locations with one another.” Annie replies typing something on her phone. “I just have to find the app and-“ She looks down at the screen for a moment before raising it so Butcher can see. “See look! Why would she be all the way in Brooklyn?” 

“Maybe that’s where her brother took her.” Ben grunts taking another puff from the joint in his fingers, hoping that it will relieve some of the weird tension he was feeling, but it doesn't.

Annie swivels her head around to glare at Ben so fast he gets whiplash. "Wait a minute. Darren's in town? Why didn't you say anything?"

“Yeah. Fucker spent the night four days ago.”

“And you left her with him alone?"

“He was going to take her to meet his friend-”

“For fucks sake Ben, why didn’t you just slather her in honey and tie her to an ant hill?" Annie shouts waving her hands dramatically at him.

Guess she doesn't like him either.

"Well-"

Annie isn't interested in what he has to say, instead she begins to type something on her phone and raises it one final time to her ear.

"Where the fuck is she?" Annie snarls into the phone and it doesn’t take Ben much time to figure out that she's called Darren.

"Who?" The voice of your brother fills the phone and Ben's hands clench together into fists at his sides.

Ben can tell he's lying from just one word and he feels rage begin to replace the odd feeling, licking up against the walls of his chest like an unquenchable fire.

"You know who you fucking leech." Annie spits.

"I don’t know. I took her back to her place after she met my friend. Think they hit it off." Darren sounds casual and Ben can almost imagine the sick smirk on his face.

"If you’re lying, I’m going to roast you alive like the pig you are."

"Oh baby the way you talk to me."

"Darren I’m serious."

"I don’t understand why you’re getting your panties in a wad Annie. She’s fine. I took her back to the plant shop four days ago after she met my friend, because she wanted to go to work. I haven’t heard from her since."

"Darren-" Annie begins to say, but Ben crosses the room so fast he didn't remember moving and snatches the phone from Annie.

"Listen to me you little shit." Ben growls into the phone. "If she's fucking hurt I am going to show you what it's like to be turned inside out."

"Whoa easy there Benny boy I don’t know who the fuck you think you are but-"

"For your sake I hope you're telling the truth, because if you're not there's going to be no where for you to hide from me and there's not going to be enough left of you to wipe up with a tissue." Ben hits the off button on the phone call and as he does he realizes that everyone in the room is staring at him with wide eyes, but he ignores it.

"Oi what the fuck was that mate?" Butcher says, but Ben ignores him.

"You can either give me the fucking keys to your car or I can take them from what's left of you." Ben snarls. "You get to pick."

Butcher eyes him for a minute, considering. "Come on yank, let's go."

A/N: And we have the reappearance of Elijah Black who is just as creepy as he was the first time. Maybe more? Wanted to throw in a little bit of Ben POV because it's a lot of fun to write and he's just so conflicted about everything, not to mention just as clueless as the reader when it comes to how he really feels.

As always thank you for reading! Reblogs and comments are not required, but are always appreciated. Feedback is always welcome. If you'd like to be added to my taglist for this series please let me know :)

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[hannahssimblr]

Photoshop Tutorial #1 - Change Background & Add Reflections

Before & After

You will need

Photoshop

Internet Access

I was inspired to make this tutorial after facing a dilemma in my game. I wanted my sims to swim in Brindleton Bay, but, shock horror, the water there is not swimmable. Luckily, I know how to change the background of my screenshots to make it appear as though it is - and I'm going to bring you through the process of how!

Starting off, in game, I brought my sims to Tartosa and got my desired shot. Then, heading over to Brindleton Bay, I got some shots of the horizon that I wanted as a backdrop.

Here's a picture I took:

Okay! Let's open up Photoshop!

For reference, I have Photoshop 2024, but most if not all of the features I've used should be included in older versions too.

Here's our image! Now I'm selecting the Background layer in the layers panel and press CTRL J twice to create two duplicates.

I'll turn off the bottom two layers for now, (by clicking the eye button, for newbies) and go to the properties panel. this should be on the right hand side, above the layers panel, but if it isn't, simply go into window > properties to switch it on.

With the layer selected, I click remove background and voila! Photoshop has... er... done her best to remove the background (she sometimes gets it wrong, but at least it's a help)

You'll see that a layer mask has been created. (circled in image).

If you haven't used layer masks before, the only important thing to know is that black will erase and white will add.

So with my brush tool (shortcut B) selected and set to black, I can go around the image and erase all of the parts I don't want.

If you have a steady hand and a tablet/cintiq you can do the same job a little quicker with the lasso tool (shortcut L) by selecting any unwanted area and simply pressing delete

Once I've removed all that needs to be removed, I see that there's a little slice of her hair that needs to be added. I can change the brush colour to white and paint it in.

Done! Easy!

Okay, let's switch off this layer for now, and switch on the one beneath it.

This is the layer I want to make look like the Brindleton Bay sea. So I'll make sure to pull an image of the water up as reference for colour.

This time I'm going to create a layer mask using the polygonal lasso tool

It's easy.

Find the lasso tool in the tool panel on the left of screen (the third icon from the top - or by pressing L on your keyboard)

Left click & hold, and a menu will pop up. Select the polygonal lasso tool.

Click around the area you'd like to mask, in my case, the sea. Tip: if you hold down the shift key while clicking, you will be able to create perfectly straight lines.

Click on the layer mask button at the bottom of the layers panel (pictured)

Everything except the selected area should disappear!

A small thing here, but I don't want the reflection of the rock in the water in my picture. I'll select the layer (not mask), take the eyedropper tool (shortcut i) with the sample set to all layers, and use a soft brush (B) to paint it away.

Next I'm using adjustment layers to edit the colour of the water, to try and make the blue turquoise paradise look more like the horrible green bog water of the bay.

You'll find these next to the mask button in the layers panel.

For my picture, I'm using hue/saturation for the colour and levels for the light. you can fiddle around with any of the adjustment layers to find what works for you.

I've shown the adjustments I've made for my specific scene below, just for reference.

When I'm happy with the colours/lighting, I select all adjustment layers (shift + L click to select multiple), then right click and choose create clipping mask. This is to ensure that the adj layers don't affect any other parts of the image, just the area I want it to.

And there! My water is looking sludgy, just like I wanted.

Okay! I've decided that I'd like some texture in the water. It always annoys me that sims water looks so flat. So here's where Pinterest enters the story.

I like Pinterest because unlike Google, the majority of the images are not watermarked. You're also slightly less likely to find AI slop.

I wanted some water ripples, so I searched for something like Water Texture, found one I liked, and dragged and dropped it into my photoshop file.

From here, I transformed it (CTRL + T) by resizing & rotating the bounding box, then grabbing the corners while holding CTRL to create some kind of perspective that works for the image.

I didn't bother bringing it all the way to the horizon, because I intend to fade that out with a gradient anyway. I had to sacrifice the bottom of the image for the sake of correct perspective, but that's fine. I will crop that out later.

With the texture layer selected, set the blending mode to soft light. It blends nicely!

Now! Another layer mask! These are our friends

With the texture layer still selected, I create a layer mask.

This time, because I had nothing in the image selected first, the layer mask will appear white. That just means nothing has been masked yet.

With it selected, I find the gradient tool (shortcut G) if you press G and the paint bucket tool is activated, simply navigate to the tool panel on the left of the file, hold the paint bucket tool down and select gradient.

I'll change the colour to black, and make sure I have the foreground to transparent gradient selected.

Other settings are pictured.

I'll drag the gradient over the area I want to mask. In this case, the top of the water texture to make it appear as though it's fading away towards the horizon.

(Doubly make sure you've selected the mask, not the layer while performing this action.)

Looking good!

Time to drag the layer above your adjustment layers and create a clipping mask again.

Alright! Let's do the background.

I'll drag that image of Brindleton Bay that I took earlier into the file.

I want to place it below my sea layer, and above that original background layer (I am going to leave that untouched for insurance reasons)

Then, using the move tool (shortcut V) I'm simply going to move it to the correct place. Basically I just want the horizon lines to match up.

Tip: hold the shift key to drag an image in a straight line.

Enter to confirm.

You can see that the sky is now unfinished, but it's such an easy fix. I'll just select the sky colour with the eyedropper tool, then use the paint bucket tool & brush tool to fill in the sky.

Done!

Now - note that the sea doesn't quite blend in with the background. To fix this, I'm going to take my eyedropper tool (shortcut i) and select some of that dark green colour beneath the mountains.

I will create a layer (+ button on the base of the layer panel) and drag it above that sea texture layer I created earlier.

Then I'll create a layer mask to clip it to the sea.

I'm grabbing that gradient tool again (G) and creating a nice gradient on the horizon.

The horizon line is a little sharp, in my opinion, I want it more faded. So, using a soft brush (B) and that same green colour, I'm going to create a new layer & place it above that green gradient, this time I'm not clipping it.

Holding down the shift key, I'm going to draw a straight line right across the horizon. This helps to blend it all together a bit better.

Now! for Reflections!

Firstly, I'm going back to that sky layer with the Brindleton Bay mountains, and I'm going to duplicated by pressing CTRL + J

I'm dragging it above the sea layer, but below all of the other clipping masks. This will automatically create a clipping mask for the new layer.

Next, I'm going to edit > transform > flip vertical

With the move tool (V) I'm moving the image upwards so that the horizon lines meet and it looks like the lighthouse and mountains are reflecting in the sea.

Note: make sure auto select is off while using the move tool on a layer that lies beneath several others.

This leaves a little bit of a mess on the bottom on the canvas, which can be fixed by creating a layer mask & the gradient tool set to black, and dragging a gradient over the bottom of the image until it blends nicely into the sea.

With the mountains reflection done, I'm going to move onto the people.

I'll turn that top layer that I worked on earlier back on.

Then I'll duplicate it (CTRL + J)

Right click on the layer mask of the duplicate and select Apply Layer Mask from the dropdown. This simply bakes the layer mask into the image. Usually I try to edit non-destructively as much as possible, but in this case it's fine to destroy.

I'm going to rename this layer Reflection

With that new, reflection layer selected, I'll go to Edit > Transform > Flip Vertical, just like before.

I want to add a little water/shimmer effect to their faces, so I'm going to Filter > Distort > ZigZag

I'll just mess around with the settings here until I find something I like.

This is optional, obviously, I've done reflections in edits without doing any of this, but it just adds something a little extra to water scenes, I think.

Here's a time I didn't do that.

anyway, my sims are looking a bit crazy now, but it's fine, because I'm going to, you guessed it, add a layer mask and gradient.

But first, using the lasso tool (L) I'm going to draw around one of the characters and drag her into place. I can move the bounding box around a bit to make her shoulders meet in the right place.

Then I'll do the same for the other character.

Tip: Hold CTRL while moving, warping or resizing something for a smoother, more precise experience.

Now, I'm doing what I said I would, and I'm creating that layer mask. We know how to do it by now, right?

Make sure everything is deselected first by pressing CTRL + D

Create layer mask

Select Gradient (G) set to black

Drag gradient over bottom of reflection (If you ever need more precise gradients, you can select the round gradient at the top of the file. I needed it to blend the reflection on the right more, because the characters are not at an even height.)

In the Layer panel, change opacity to 20% (or whatever you like) and hit Enter to confirm

Using Crop (shortcut C) I'm going to crop my image, cut off that pesky strip at the bottom and just basically make the framing of the picture a little bit nicer.

And viola!

I could edit this image more, throw in bounced light, splashes etc etc but I'll leave it like this.

The only thing I will add in is a little lens flare to indicate sun, so again, I'm taking to Pinterest and searching for one that works.

Tip: make sure the background of a lens flare image is completely black. Otherwise it will be harder to use.

Below is the one I have chosen.

I'm simply changing the blending mode to screen, moving it and resizing it with the transform tool (T), and fiddling with the opacity until I'm happy.

That's it!

I made a video running through this whole process, with all of my shortcuts in the bottom right hand corner so that you can see exactly what is happening.

If there are other tutorials you'd like to see in future, please let me know!

And I'm more than happy to answer any questions!

Good luck <3

[anachronisims]

How to EFFECTIVELY Use Empty Standby List to Reduce Flashing and Crashing

This tutorial is for TS2. Obviously. This is virtually the last "chapter" of advice for the Pink Flashing Survey Report (still forthcoming as a single readable thing but posted in bits and pieces over the last six months). PS it's a lonnnnnnng post. Ctrl+F "tldr" for the very short version once you open the cut.

"Part 1" of the Empty Standby List ("ESL") tutorial was already written comprehensively with screenshots by Digi at her wordpress. Following Digi's tutorial will get you set up with ESL as a routine automated background task your computer runs, typically every five minutes.

@gayars set up two instances of the routine, each running every five minutes, staggered two/three minutes apart. In other words, task 1 runs at 12:00, task 2 runs at 12:03, task 1 runs at 12:05, task 2 runs at 12:08, etc. However, I found that this negatively impacted the graphical performance of my game, notably by having the ESL task window flash over the game window, which I had never seen before, nor since reverting back to a single 5-minute task routine.

Anyway. Go do Digi's tutorial if you haven't already; I'll wait.

Background on Why this Matters

So, now your computer will be wiping the standby memory every five minutes. The thing is, this won't be able to have much impact on your game unless you wait to let it wipe before you do a major loading action.

Major loading actions are, in general order of strain (most to least strenuous):

Loading a full neighborhood.

Loading a large (3x4 or bigger) populated lot.

Loading a large unpopulated lot.

Loading actual CAS, if you have a lot of non-defaulted CC.

Loading a medium (3x3) populated lot.

Loading a medium unpopulated lot.

Loading a small (2x3 or smaller) populated lot.

Loading a small unpopulated lot.

Loading CAS catalogs from within a lot (e.g. using FFS clothing tool, "Change Appearance" on the mirror, shopping for clothes/trying on clothes on a community lot).

Turning up your lot view settings (generating other lots' lot imposters within your current lot)/panning the camera around.

You should already be doing at least all medium- and large-lot loading with the Lot View Settings Juggling Method, and “uint LotSkirtIncrease” removed from your userstartup.cheat - otherwise whenever you load a lot you are compounding the strain by also having the neighborhood load at the same time.

Using Resource Monitor Effectively

If you watched the Jessa Channel tutorial on flashing, she recommended downloading a third-party RAM usage monitoring software. This is unnecessary. For purposes of reducing your crashing, all you need is the native Windows program "Resource Monitor" that she also recommends.

To open it:

Click the Windows symbol/start menu.

Begin typing "Resource Monitor."

Click Resource Monitor when it shows up.

Once it is open, get to the useful information:

Click the "Memory" tab.

Make sure the "Processes" and "Physical Memory" subs are fully open, as above.

Sort by "Commit (KB)."

Each time you reopen Resource Monitor, it should restore your last view settings, so you won't have to repeat these steps.

While Resource Monitor is still open, "Pin" it to the taskbar so it will always be readily accessible.

Right-click the icon on the taskbar.

Click "Pin to taskbar."

If it says "Unpin from taskbar" you have already done this step :)

Now comes the monitoring part. You will focus on the dark-blue "Standby" block of the bar graph on Physical Memory.

Every fifth minute, when the ESL task runs, this will flash down to 0 and then pop up to about 30-75, depending on what you are doing. It will go higher faster if you are doing stuff, obviously, and hover pretty low if your computer is just sitting still. TLDR the remainder of this tutorial: only take stress actions when Standby is below 100.

As we all know too well, TS2 has a 4gb RAM limit. The problem is, TS2 seems to count the memory that is in standby, too, not just the committed/working set. Thus, before you take a major loading action (that is going to push up to 1.5gb into Standby), you need to wait for Standby to wipe so the game doesn't accidentally think it's using more memory than it is. Got it?

This is how much RAM my game is using when my neighborhood opens, pretty closely zoomed in on any particular lot. If it is zoomed out further - like a whole city block - both committed and working set are easily over 2.2gb. When I pan around the neighborhood, it continues going up. Portions of the hood that go back out of view seem to get relegated to standby, but yes, my game has crashed just from looking too much at my neighborhood from too wide an angle. Unless I slow down and let ESL run before moving on to the next section.

Six months of diligent Resource Manager monitoring has resulted in substantial reductions of crashing and flashing on my first hood view load and first lot view load. It is not 100% guaranteed, but it cuts it back to Very Playable Levels. And when I have tested the theory by purposefully not letting ESL run before a stress point, it always flashes and/or crashes within the next couple minutes.

SO! Here's what I do when I'm launching my game.

Because of overheating concerns, I always fully shut down my computer when I'm not using it for more than an hour. If I have been playing and experience a flash or crash, I will restart before trying again. @infinitesimblr, a survey Respondent who reported virtually no flashing or crashing despite a vast CC catalog, also recommends restarting between using Bodyshop or SimPE and the full game. I have found it may make a difference with Bodyshop (which I use too rarely to make a pseudoscientific claim) but that I have found basically no impact going from SimPE to the game. YMMV.

Immediately after Windows is done loading, I open Resource Monitor and wait a few minutes. Often background updates begin running and the Standby bar goes crazy - sometimes filling up the entire available RAM - and I just let it sit and do its thing. (Usually I start the computer right before my kid's bedtime so I am not actively waiting on it or anything. Go take a shower or make a sandwich or drink some water, like you did in the old days when the game itself took 20 minutes to load.)

Once the standby bar levels out and is consistently peaking no higher than about 250mb between ESL wipes, after the next ESL wipe, I will launch the game. (Usually between logging into Windowsat the beginning of storytime and checking Resource Monitor before we go do tuck-in, it is reliably hanging out below 100 unless a big TS4 or Windows update was downloading.)

Reminder: do not delete thumbnails anymore prior to launching the game. I also have turned off RPC's clear caches option and have observed faster loading times with minimal increases in crashing.

After the neighborhood selection screen comes up, wait for ESL to run again before opening your neighborhood.

If you have continue to have more than VERY sporadic hood load flashing after taking these steps, you should try launching into a subhood if you have one, then pivoting to the main hood if that's where you're playing that session after yet another ESL wipe. If that doesn't help you simply need to thin out your hood or accept the flashing. (I ended up deleting about 25% of my deco trees and 10-15 outer-lying lots that will be re-placed in a subhood.)

After the hood is loaded, navigate to the lot you want, but DO NOT actually load that lot until ESL runs yet again. Ditto for CAS - Do not select "Create New Family" until ESL has run again.

Play should be proceed as normal at this point. You probably don't need to alt-tab back to Resource Monitor again unless your sims are going traveling or you are changing play lots.

BONUS TIP #1: You can put a shortcut to the ESL routine on your desktop and push it manually (just double click the icon) if you don't feel like waiting once the game is loaded. I have had imperfect results with this vs. just waiting the five minutes, though, because the game wants to run through some stuff and flush it. But it's an option for you to experiment with.

BONUS TIP #2: If you have a really deep clothing/hair CC catalog, try to avoid using the FFS clothing tool option where you select every outfit for the sim, and their hair and makeup, at the same time. Instead, choose individual outfits by type and use the regular mirror option to change appearance (or SimBlender has it, I think, so they can do it where they already are).

[felassan]

Neve's outfit just has such a great design!! the silhouette it has - iconic, delightfully Tevene. Neve's piece really reminds me of the feel and vibe of her DA: The Missing cover. In the background are the towers and streets of Minrathous, the city that is her home - including the iconic floating castle. with its white/pale blue light, shimmer and the impression of ice crystals the magic she is casting has, it looks like she's using one of her ice mage abilities. It's cool, even the chair she is sitting on has that diamond, rhombus (not sure if I'm describing this right, but hopefully you know what I mean ^^) kinda design Tevinter things tend to have. you can see it in like their doorways and windows and stuff. I love the unique design of her staff/wand, and in this painting it reminds me of a cane. as in like, you know, didn't Sherlock Holmes sometimes carry a stick or cane? like Hercule Poirot? that kind of vibe. fitting for a detective and private investigator. :) in one of the past trailers they talked about "hard-boiled detective stories", which on reflection now I feel can surely only be in reference to Neve! a lil touch of film noir.

In the background, spotlighted (as if by one of the spotlights from the floating castle) against the wall and looming over her, is the ominous shadow of another person, or entity. the staff they carry implies they are a mage. A random Venatori? A Venatori leader? she has had dealings with them in the past, they don't like her and in the gameplay reveal we can see that they basically want to kill her and her allies; as someone affiliated with the Shadow Dragons, she's opposed to them. this could represent that opposition (Venatori/Neve) and the threat that they pose.

there's something off-looking about the shadow though - Tevinter magisters and Venatori etc wearing robes and getups that give them startling outlines is nothing new, but still. their arms are too long (unsettling), and the one without the staff, though it could just be the fancy trailing sleeves and embellishments on the person's robe itself, is drawn in such a way as to resemble a claw or talon. something demonic-y. their arms are all spiky, the waist over-narrow and waspish. A corrupt[ed] magister? An ancient magister? A demon? some combination thereof? ^^ There is something about it which reminds me of the designs of figures like the Architect and Cory, and they were not the only members of their group. the demonic vibe and recent Venatori plot stuff in general also makes me think of the trapped demon sealed in the Catacombs beneath the city of Minrathous, as detailed in The Streets of Minrathous in Tevinter Nights, in which Neve appears. in that short, she prevents the Venatori from releasing the demon, but it's not dead or defeated. Also, the way in which it was described in that short was 😀 extremely worrying. whatever it is, it feels like Neve's art piece is giving a glimpse at what her storyline in the game might involve.

[source]

[hollow-prior]

3 Criminally Underrated Musicals (And why you should listen to them)

1) The Mad Ones

[Image Description: Kerrigan and Lowdermilk's The Mad Ones. It shows an empty road disappearing into the distance under a starry sky. Full ID in alt text. End ID.]

You know that feeling of driving fast down an empty road with the windows down, the wind whipping through your hair? You know that feeling of being able to do anything you want, like the world is right at your fingertips, just waiting for you? You know that feeling of sitting in the middle of the woods with a good friend and thinking about how incredible it is that you live on the same planet at the same time?

Well, this is that feeling.

The Mad Ones is about Sam, who just graduated high school, and her friend Kelly, who died in a car accident before she could graduate. It's about Sam's journey in remembering Kelly and learning to live in the moment without her. It's also about freedom, and expectations, and living life to its fullest.

Also it has the phrase "kidnapped by aliens with enormous genitalia". What's not to love?

Seriously, this is one of my all time favourites and it has a very special place in my heart. I love to listen to it on those rare days when everything seems to be falling into place and it feels like life is actually going somewhere.

From a writing perspective, this is just an incredible masterpiece. The lyrics just stir something in my soul and the friendship between Kelly and Sam is just <33333 (Heart). It deserves so much more love than it gets.

2) The Lightning Thief

[Image Description: The cover of The Lightning Thief: The Percy Jackson Musical. It shows a blue brick wall with a yellow glowing lightning bolt symbol against it. Full ID in alt text. End ID.]

Okay, so the books are iconic and the movies sucked and the TV show is looking good but everyone's been sleeping on the musical for far too long. I had my doubts at the beginning too, I'll admit it, but honestly this slaps.

Although it isn't an exact one-to-one with the books, the vibes are spot on which is the most important thing anyways.

Percy is a sarcastic little shit, Annabeth is a total smartass, and Grover is... well, the impossible-to-explain awesomeness that is Grover Underwood. As funny as it is, though, there are some moments that just hit you right in the feels. The Tree on the Hill, anyone? My Grand Plan?

Also the Luke reveal gives me literal chills every time. It's so SO well done, much better than any other depiction in my humble opinion.

The whole thing is just an excellent balance of feels and humour and has some truly iconic lines. Case in point:

Percy: "Grover, you're a good friend." Grover: "Awwww. Dude, I'm your only friend."

Mr. D: "Oh, you're alive. I suppose that's good news for you but it means a lot more paperwork for me, so don't expect me to be happy to see you. Of course, being alive is temporary..."

Luke: "The Hermes cabin takes anyone who hasn't been claimed. You know what that means... we're literally the reject cabin. Welcome to the dysfunctional family!"

[Literally just the entirety of Luke's part in Their Sign]

Grover: "You hurt his feelings. Tell the squirrel you're sorry." Percy: "I am not saying sorry to a squirrel." Annabeth: "He's very sorry. Tell the squirrel you're sorry, Percy."

Alright, anyways! This is the Percy Jackson website, right? It's great, just listen to it.

Moving on!

3) 35MM: A Musical Exhibition

[Image Description: The cover of 35MM: A Musical Exhibition. It's a red background with a black, ink-like camera design from above. Full ID in alt text. End ID.]

God, how do I even begin to explain 35MM?

There's so much going on here in the best way possible. It's not a traditional musical, at least not in the way people immediately think of musicals.

The idea behind 35MM is that there's multiple separate songs, each based on a photograph. That said, there are some theories about the level of connection between the songs and if they're even connected at all. Either way, it's absolutely incredible.

The songs all have different themes including babysitting a murder doll, a homicidal prom queen, a vampire love story, the young love car crash tragedy that lives in my heart forever, and many more! If you're a fan of the strange, unusual, and vaguely unsettling, this is the musical for you.

Although the fandom is small, it's incredibly dedicated and there are some truly wonderful animatics on YouTube to check out as well as some theory threads on Tumblr, Reddit, and basically anywhere else if you look hard enough.

I made the mistake of accidentally introducing my English professor to this musical so now you all can be introduced too!

And now some honourable mentions:

Islander

Islander is an acapella musical done entirely by two women. It tells the story of an island nation that was split in half long ago, with two girls (Each from one of the halves) meeting for the first time. It has a super cool Scottish folk song-style of music to it and just an incredible plot.

Jekyll & Hyde

Jekyll & Hyde is the musical adaptation of the famous gothic story. It's intense and dramatic in all the best ways and I Need to Know always sends shivers through me. The voices are incredible and it's just AHHH!! Wonderful! Also Confrontation is a work of art and nobody can tell me otherwise.

36 Questions

36 Questions is kind of unique in that it's a podcast musical, meaning that there's no stage performance. In the most basic terms, it's about two people trying to fix their marriage with the whole '36 questions to help strangers fall in love' type thing. Part of one of the songs, For the Record, was a popular song on TikTok a few years back so it may be somewhat familiar to folks. Either way, worth a listen!

[ryeallytired]

Its finally done!!!

After getting back into BBC's Merlin recently (read: a couple months ago) I realized I no longer trusted streaming services to still have it available long term and managed to buy a complete DVD box set.

But because the slip case had quite a bit of wear to it (and due to some minor scopophobia) I made it a box that looks like a book!

(More rambling info & video under cut)

Materials:

The base construction is cardboard and paper (used to cover the exposed cut edges and strengthen corners). The box's faux paper edge is a printed texture on cardstock that was then waxed. The interior is black cardstock with silver vinyl. The 'book case' is that same cardboard construction with faux raised bands (made with some scrap foam I had) wrapped in Cialux's night blue bookcloth (hence the minor wrinkles) with Cricut HTV in metallic gold and 'reflective rainbow'.

Design:

Cover: Obviously Pendragon logo had to go front and center, no argument on that one. (Also partially cause Merlin doesn't really have his own symbol to him? The triskelion just doesn't make sense to me because although Emyrs is a symbol for the druids, Merlin himself isn't a druid and I'd imagine would instead choose icons of Camelot and Arthur to represent himself besides.) ANYWAY- Behind the crest, filligree containing a blade and the sidhe staff in that subtle reflective HTV that blends into the bookcloth exactly how I wanted until it catches the light (something something, hidden magic in the background something something).

(Appologies for the unsteady hands)

Spine: Mortaeus flower! Because it really felt like a turning point for the two (you've known each other... what a week? and you're going against your father to travel to some far off cave to get a flower?? that's some good as dnd-adventuring-party type shit I love it). Minor detail are the top and bottom shapes: pulled from some cool windows we see a lot in season one (I just think there' neat, okay?)

Back Cover: Excalibur with two butterflies cut from the blue-toned area of the rainbow HTV :)

And finally the Inside!: The cup of life! Because it felt just a little empty. I'm still tempted to put something small on the bottom left corner of the inside cover... maybe a crown? not sure yet

And that's everything! Thanks for reading! If anyone wants to make something similar for their own dvd set I'd be happy to share the .svg or .png file of the cut outs, just shoot me a message 👍 Before you go, wanna know the worst part about this project???

.

.

It doesn't even fit on my DVDs shelf :)))) It sticks out by about an inch and a half 😭So we maaay have to be relegated to the 'actual books' bookshelf...

[realareturns]

A bunch of smaller/miscellaneous NiGHTS findings using the Free Look Camera under the read more

(Sorry if this is kind of disorganized— it was originally a thread on Twitter lol, also this might be part 1 of these because I forgot there’s a photo limit here lol)

The doors in the Dream Gate have little lions on them— kind of hard to see with the game’s usual quality lol

Bomamba’s boss area has some hidden cats that are hard to see normally. There are also fish bones on the ground 😟

The buildings in Bella’s boss area have eyes on them (???)

Chamelan’s boss area— not as interesting as I had hoped but still looks kinda cool from above

This sign in the background of Delight City seems to show some very very simplified pictures of NiGHTS and Reala along with Nightopians

Before the Nightopians appear in this cutscene, they bunch together off camera

If you zoom out during a loading screen, you can see that the regular purple void is contained inside of a larger black void

When NiGHTS gets a key, their hand doesn’t change to show them holding it. Instead it just pokes through their hand (FIRMLY GRASP IT)

Reala’s eyelids are black in cutscenes, but turn blue during his battles or in 2P mode

Most of Lost Park’s rides are very detailed, but you usually can’t see them through the clouds. You can also see inside the blimps for some reason

Also the roller coaster starts violently spinning after a few laps on the track

The 2P race mode has this cool color-changing Ideya icon (orange, purple, and pink Ideya confirmed 👀)

Not a camera thing but still kind of interesting: like the bosses, the enemies also have different file names. Most just state the animal the Nightmaren is based on, but there isn’t a bat enemy in the game, and its files correspond to attacks and features of the moth Nightmaren. Might be a remnant of an earlier idea?

Speaking of bats, the pattern on the train carts in Lost Park kind of look like bats… but the faces remind me of mandrills 😟 bat monkey Nightmaren confirmed

Also a Goodle jumpscare

When NiGHTS takes off their Persona in the intro cutscene for Crystal Castle, they remove it so hard that it goes underground twice

(Sorry this photo is really small) The glass patterns on the windows are probably just random but this one kind of looks like Jackle a little?

You can also mess with the camera to the point their eyelashes fall off :(

Icons from 2P battle mode (also used in JoD’s display at TGS 2007, with what might be a slightly earlier design)

And finally spinning 🫵 That’s all for now lol

[byuljoonie]

Virgo’s Groove // knj (preview)

pairing: dom!namjoon x fem!reader

genre: hard smut, drabble

warnings: you’ll see when it comes out 🕴🏾

note: I miss my man so last post of the year! Thank you all so much for supporting me and my writing I pray you have an abundant and peaceful new year! anyways enjoy lovelies. -dubu♡

You turned over in your bed annoyed that you were spending this Sunday night alone. You let out a frustrated huff, slapping your weighted comforter like it was the reason for your conundrum. You missed your fiancé.

Namjoon was out with his friends for a boy’s night and you were lonely to say the least. You tried doing skincare, watching a movie, and maybe even masturbating once or twice.

Nothing satisfied you, you threw your toy back in the drawer, thinking of what Joonie could be doing to you. His fingers trailing down your body, his pillow soft lips kissing your weakest spots, and the way he’d whisper the nastiest words in your ear.

Ugh, I’m gonna text him. You thought out loud, grabbing your phone from his side of the bed. You turned over to lay on your stomach, tapping his icon in your messages.

I miss you Joonie. Your heart palpitated at your first attempt of persuasion, following your message with a handful of hearts. The bubble message popping up immediately showing he was typing.

What’s wrong baby? He sat his drink on the bar, tapping his ring covered finger to the rhythm of the blues song playing in the background. His friends were laughing loudly, clearly inebriated in the laid-back space.

You placed the phone in front of you, snapping a close range selfie that intentionally showed your low cut top in frame. Just need you home Daddy, you captioned the photo sending it quickly. You needed to get him home, the feeling between your legs wasn’t going to dissipate.

His eyes widened slightly at your message, smirking at his phone in delight. He looked over his shoulder at a table near the window, eyeing his group of buzzing degenerates. His phone began to vibrate in his hand, your face and name covering his screen.

“Princess?” He answered deeply, clearing his throat of the desperation that lingered in the shadows.

“Baby come over…” you whined charmingly, laying your head on the cold comforter. Listening to his breathing through the phone you patiently waited for an answer, smiling when you heard shuffling and the distance sound of goodbyes.

“On my way.”

[golvio]

Since Echoes of Wisdom is a top-down Zelda game, I’m not expecting the game’s story to be super complex or involved, but I’ll admit I am curious about certain characters & implied background events.

In particular, I’m curious about who these three unique NPCs from the Gerudo Desert region are:

The woman with the golden trident is most likely the current Chief, given that I’ve seen screenshots of her standing up from a throne holding the trident aloft are circulating around. But who are those other two people?

I suspect the woman in white might be the chief’s sister, since her hair resembles the chief’s hair and the gemstones she’s wearing are the same color as the Chief’s. Also, Nintendo would not have the gonads to put an official confirmed lesbian couple in their kid-friendly game no matter how G-rated “This lady’s the queen and her wife is also the queen” is as a concept. However, the woman in white also seems to be a person of importance to the Gerudo given that the guards are answering to her. There was mention of an “Ancestral Cave” elsewhere in the trailer. Could she maybe be a high priestess or keeper of some sort of sacred site of worship or burial who acts as a spiritual leader to the community?

As for the figure in blue with the gloves and the hat—they’re definitely also Gerudo, but they’re dressed in a very unusual way that sets them apart. My first guess was that this was an older woman, maybe the chief’s mother, who’s acting as an advisor given that they were standing next to the throne in the aforementioned screenshot. However, they don’t look that old, given that we’ve seen old people with wrinkles in Zelda’s court in the form of Imoa and her brother, so I have another guess.

This person might actually be a boy, the current Gerudo prince, who’s either too young to take an active part in political life, or is maybe the younger brother or spouse of the chief who’s relegated to acting in a more supportive role because of his age and gender. Their style of dress is much more formal and masculine, being somewhere between the draped turban and robes you’d expect Indian royalty to wear and the iconic blue and gold khepresh crown that some Egyptian pharaohs wore.

It’d be really interesting to get some insight into Gerudo politics, particularly if a prince who isn’t Ganondorf is involved! Also, partly because it’d give us some insight into what “went wrong” with this particular version of Ganon if we have a baseline about what the role of prince in Gerudo culture is normally supposed to be like.

Speaking of Ganon, assuming he himself isn’t just an “echo” sent by some greater force, it looks like he himself might’ve been actively looking into whatever force Tri was connected to based on how the tablet behind Zelda in the room where she was being imprisoned resembled the waypoints Tri can use to warp you around.

Given that the Rifts seem to be “stealing” land tiles and making phantom echoes of monsters, and that the rift opening ability is tied to Ganon’s own “wand” that he uses to cast spells, could he have his own little helper buddy who’s given him the power to play Sim City in his own little pocket dimension? Is Ganon’s motive like the angry guy from the popup window in Sim City 2000, where he’s picking up his toys and starting a new Hyrule in the Dark World because Zelda’s dad cut back on transit funding for that year’s budget?

Seriously, though, it’d be really cool if Ganon functioned as a “dark mirror” to Zelda during what will presumably be his actual final boss fight. (Come on, do you really think he’d be fine with playing second fiddle to a new antagonist if he had even the tiniest glimmer of his original personality left instead of being a soulless shell like in ALBW? He’s absolutely gonna be the final boss.)

[catboy-autism]

Webcore/Retro Computer ID Pack

[PT: Webcore/Retro Computer ID Pack/ End ID]

[ID 1: A picture of a IBM PC microcomputer. Its screen is black and is displaying many lines of bright green text. The background of the image is plain white. ID End]

[ID 2: A blue rectangle. On the left is a small star-like symbol, accompanied by white pixelated text that reads "Winamp.NET". On the right side, the blue is a little darker and there are 3 small icons, from right to left they are the window close button, displayed with a small white x surrounded by red, the maximum window button, and the minimize window button. ID End]

OP Note: Consider taking any of these names, pronouns, and titles, and replacing certain letters with matching numbers, like L33T SP3AK (leet speak)

[PT: OP Note: /PT End]

Names: Ace, Aero, Alexa, Ali, Benjamin/Ben, Blue/Blu, Courtney, Cyber, Cypher, Delphine, Dottie, Error, Gigi, Glitch, Hacker, Hal, Hewie, Hijack, Lenny, Lotus, Malware, Memphis, Missa, Missy, Nana/Nano, Neo, Nova, Oliver/Olivia/Olive, Pearl, Pixel, Ruby, Starz, Tecna, Terabyte (Tera), Vapor, Virus, Webster, Wilbur, Winnie

[PT: Names: /PT End]

Pronouns: .exe/.exes, 404/404s, aero/aeros, alt/alts, beep/beeps, bot/bots, byte/bytes, caps/locks, code/codes, ctrl/alt/dlt's, cyber/cybers, disk/disks, dot/com, error/errors, flash/drives, giga/bytes, hack/hacks, hi/jacks, html/htmls, jpeg/jpegs, key/keys, leet/speaks, mal/ware, meta/data, micro/softs, pdf/pdfs, png/pngs, ram/rams, sim/sims, tera/bytes, world/wide/web's, xe/xem, ze/zim, zip/files, leet/leets, 🤖/🤖's, 💽/💽's, 💾/💾's, 💿/💿's. 📀/📀's, 🧑‍💻/🧑‍💻's, 👨‍💻/👨‍💻's, 👩‍💻/👩‍💻's, 💻/💻's, 🖥️/🖥️'s, 🖨️/🖨️'s, ⌨️/⌨️'s, 🖱️/🖱️'s, 🖲️/🖲️'s, 🛜/🛜's, 👾/👾's, 🎮/🎮's, 🔈/🔈's, 🔉/🔉's, 🔊/🔊's, 🎧/🎧's, 📁/📁's, 📂/📂', 🗃️/🗃️'s

[PT: Pronouns: /PT End]

Titles: [Pronoun] Who Exists Only Digitally, The File Eater, The Hacker, The One Who Surfs The World Wide Web, The Shimeji, The Virtual [Noun], The Virtual/Digital One, Traveler of the Internet, Your AI Assistant,The Error Code

[PT: Titles: /PT End]

Labels: 2010scoric, Autistic Computer, Codestelic, Compgirlthing, Comphonum, Computerboygirl, Computercatic, Computergender, Computergijinka, Computerkin, Computerredacted, Compuvesil, Compuvior, Comrowth Cat, Database, Digiminalwebic, EdgyWebcoric, Errowebic, Gendercodex, Genderdotcom, Genderprogram, Gendersoftware, Guy.exeic, Hackgender, HTMLgender, Keyboardsoundic, Liqusecompic, Mechakeyboardic, Motherboard, Nyanwebia, Oldwebcitian, Phostechial, Purplewebpopup, Robotthing, Sillywebic, Technarian, Technogender, Trappedinacomputergender, Virisic, Virusthing, Web1.0spinnic, Webcoric, Webcoricatgen, Webcoristalgic, Webicannibal, Webirus, Y10Kglitchic, Virtualboygirl/Virtualgirlboy

[PT: Labels /PT End] Requested by Anon!

[ID 1: The same as ID 1. ID End] I lost the post I got the divider from and despite searching I just. dont know where it is, But if anyone can find the post its from lmk and I'll add a link ! thank you

[salemsimsrender]

Beginner Blender Tutorial Basic Render: Part One (Importing a Sim and Adjusting Textures)

To learn the basics, we'll begin with a super simple render: one sim, one pose, one background.

But first, the anatomy of blender.

(image & list courtesy of Blender's online manual)

Yellow - 3D viewport (workspace) The 3D Viewport is used to interact with the 3D scene for a variety of purposes, such as modeling, animating, texture painting, etc.

Green - Outliner The Outliner is a list that organizes data in the blend-file, i.e. the scene data, Video Sequencer data, or anything that gets stored in a blend-file.

Blue - Properties The Properties shows and allows editing of many active data, including the active scene and object.

Red - Timeline The Timeline editor, identified by a clock icon, is used for manipulating keyframes and scrubbing the Playhead.

The tools I use most I've highlighted below:

I won't outline their uses just now, but we'll be going over them as we use them.

Different creators like to split their blender window up in different ways, but this is my preferred setup when I'm working:

I use the yellow half of the screen as a render preview/3D workspace

I use the blue half for shader editing, posing, etc.

You can set yours up like mine or find what's comfortable for you.

When you first open blender, you'll be greeted by the default cube, lamp, and camera.

Delete them! You can do this two ways:

Click and drag your mouse over all 3 and delete or Select all 3 in the side menu and hit x on your keyboard

Step 1: Importing our Sim

After deleting the default items, we'll import our sim. This tutorial assumes you've already ripped your sim (if you haven't, check here for how to do so!)

Now, let's import.

Click file -> import -> collada (dae) Select your DAE and click "import"

Your sim will look a little... off (thick eyelashes and a weird shine), but that's okay we're going to fix it! Your sim might also look solid white. If that's the case, make sure you're in the right mode. You can adjust modes by clicking on one of the four circles in the top right of the screen.

These are your viewport modes.

Wireframe (far left) - good for mesh editing Solid (middle left) - good for posing Material Preview (middle right) - what we work in most, shows everything with textures (color) Rendered (far right) - this shows your render preview We'll be working mostly in Material Preview

You can also switch between modes by hitting z on your keyboard then selecting which one you want I'll be using mostly keyboard shortcuts but I'll show you how to do both as we go along

Step 2: Adjusting Our Sim's Textures

Let's fix our sim's textures.

First. set up your workspace. Separate your workspace into two windows (as shown in the picture above with a yellow half and a blue half) and select "shader editor" in your right-side window. Like this:

Next, navigate to your Outliner and click the little dropdown beside "rig"

Under "rig" you'll see your sim's body parts listed. We're going to select "Body" When we click "Body", these colored blocks will appear in our shader editor window.

These are called Nodes. We use Nodes to adjust textures for various items in blender (sims, walls, furniture, etc). To add a new Node, you can select "add" in the top bar, or hit Shift+A on your keyboard and add in the node you need.

We're going to add in a Mix Shader and a Transparent Shader (both found under the Shader tab) and adjust our nodes this way:

Snug the Mix Shader between the Principled BSDF and the Material Output. Now we have to connect our Nodes and adjust our Principled BSDF. For the sake of this tutorial, I'll show the basic Node & Shader adjustments, but we'll go into each of them in a later tutorial.

Adjust your Principled BSDF like this, then connect your Node lines exactly like this:

You'll see that our SIm's body looks a bit different from her head, hair and shoes. That's good! Now we need to duplicate that texture to the rest of our sim.

Navigate to your Outliner again, and use Shift+Click to select the rest of the body parts in the list Don't select pose or rig.001 and make sure the Body is selected first EDIT: You'll only see "body" if your sim has a full body outfit on! If they have a shirt and pants, you'll have "Bottom" and "Top" instead! In this case, select "bottom"!

Now, hover your cursor over your sim/the 3D viewport window, and press Ctrl+L on your keyboard. This brings up the Link/Transfer data window. Select "Link Materials"

Our sim is looking better, but her eyelashes are still dark, let's fix that now.

In your Properties area, navigate to Material Properties (the little red ball)

Change your Blend Mode to Alpha Hashed We will always set Blend Mode to Alpha Hashed

Now our sim looks right!

In Part Two, we'll pose her, set up the scene, and run the render!

[hinamie]

ok i have composed myself i have transcribed the lyrics for wish you were here as best as i could. i am going to listen to this and only this until i lose interest or the ability to hear, whichever happens first

this song is SUCH a bop the soft guitar intro in2 the main beat is so good but can we TALK . about how . HE STARTS IT WITH A "MWAH" WHAT A FUCKING ICON I LOVE HIM I LOVE THEMMMMM the percussion is so good i love the soft offbeat claps in th bg they add such a nice lil pep n especially in verse 2 after "love you even if you hate my guts" they add like 4 extra clap beats and i am !!!!!!! ASCENDING

verse 1 is iconic i love the line "pack up my head might mail it back to your house" its so fucking funny it reminds me of that post thts like "i didn't know how to deal with the fact that i had a crush so i wrote her a note that said get out of my school" . but listenok listen. verse 2 is the one they posted a snippet of last year and first of all i love the electric-y/tv-turning off/guitar slide/quiet video game laser effect as the vocals start it makes my brain buzz aNYWAY this verse is my favourite between the two and has absolutely s tier lines such as "as long as you think of me I don't care what" and "love you even if you hate my guts" PLUS the lil clappy bits i mentioned they r so GOOD. not to mention his voice pls.,,, he sounds so good when he belts,,, his voice has a slight rasp to it that they lean into with the slightly muffled old speaker sound god he sounds so good all the TIME his vocals are so clear when he hangs on the words "singing" and "myself" into the chorus PLS. also the bg vocal 'a t-t-t-touch too sentimental' is so gd CATCHY

speaking of the chorus oh my god the CHORUS. the desperate cry of "don't you miss me? / don't you want me around?" is so devastating and heartfelt head in HANDS also the lyrics . im so excited abt them i cannot put into words how !!!!!!!! they make me just. gestures helplessly

wishful thinking is all that’s holding me down  lost on a blue moon  i wish you were here right now

in chorus 2 especially the way the beat cuts out after "lost on a blue moon" n comes back after "I wish you were here"??? AUDIBLE SEROTONIN TO ME ((plus in the final chorus changing the "lost on a blue moon" to "not like you used to" ??????? OW ???????????? that had a lil kick that got me a bit.. , being stuck with ur own wishful thinking as a stand-in for the physical affection of the person u like,,, ....fushiguro touch starved megu- *is shot dead*)))

HOWEVER the absolute lyrical Backbone of this song is the fucking bridge. i knew it would be i heard the snippet ages ago and i was like holy shit these lyrics go hard what are they from only to b dismayed to find that whatever song they were from did not yet exist. but now it DOES and i can listen to the way the bridge sounds like lights dimming. like headlights passing through a hazy window. it sounds like clouds parting

nobody else in this life or next  will ever have me the way that you do nothing in hell, heaven, earth, or the rest could ever take me away from you

THAT FUCKING EMOTIONAL BOMBSHELL against the original soft guitar from the intro drop the drums just reverb-y lyrics and background vocals and some of the most romantic fucking lyrics i've had the pleasure of reading let alone hearing one of my favourite artists sing.

i am going to once again fuse my fv brainrot with my megumi brainrot. realistically ik this is probably a missing your ex song but i do not care. this is a longing megumi song to me i dont CARE argue with a WALL (said to no one). the verses and chorus are pine-y and a bit snarky n very i like-like you and don't know what to do with how much i miss you. it's wry and frustrated n just tsundere enough but then u get to the bridge n there lies the sheer undying devotION god im unweLL this is all i'm going to listen to. this was worth waiting a year for if this is part of a new album they have in production im actually going to die

[wolfofcelestia]

I have a few question about the Autumn pass if you don’t mind. If you don’t have it, feel free to disregard this. How does it work exactly? Is it pay once and get rewards for 30days? Also what do you use the rewards on? This is my first time whaling on a game so I’m so confused 😭

Welcome to the pond, little guppy 🐟🐟🐟

Yeah, they got me hooked pretty quick so I think I've been on the aurum pass since like March or something asdlfkdj. The diamonds, stamina, and customization you get just makes the experience in the game a little better

How the Aurum Pass Works

You pay once every 30 days. With the pass, your max stamina goes up to 170 and you'll be able to claim your timed stamina (on the supply page) even after the time window closes

Every day, you can go to the shop and redeem 100 diamonds and 60 stamina (highlighted in the blue box). This won't happen automatically so you'll have to do this manually every day

Whenever you buy the aurum pass, you'll get 300 purple diamonds right off the bat. These are the same diamonds as the "top up" diamonds so you could use these to buy outfits, etc. But I recommend saving these for the aurum chest (highlighted in green). The aurum chest is like the free daily chest where you randomly get one item inside it, in this case it's different amounts of diamonds

The aurum chest is also a daily manual chest so you'll have to open it in the shop every day

The aurum gifts (in red) are pretty new. They are paid shop items that are exclusive to aurum pass holders. So if you don't have the aurum pass, you won't be able to buy them. Compared to the regular packs in the shop, these are pretty cheap packs if you need a little boost in stamina, ascension crystals, or diamonds

If you buy the 7 day pack, you'll have to check in every day to claim them as well since there's a daily limit of 1 per pack

Customization

You can customize your experience in the settings by choosing your login background, login bgm, your game icon, who you get notifications from, and your profile header

Your login/loading page background has some presets, but you can also choose from any card you own. If you choose a 5* card, it will play the kindle segment of the card like a video

Same with the login bgm. If you can set it to play in the cafe, you can set it to play on the login page

As for the game icon, it will show on your phone as your chosen icon (choices are limited), but when you get notifications, it still shows as the default Rafayel icon... which is kinda lame tbh? It could be Zayne talking but it still shows Rafayel...

I actually have no idea how to change this? It might just be my phone or something aslfksjdf

I think that's all there is to the aurum pass. If you have any more questions, feel free to ask!

[batemanofficial]

how to remove the live tab (and other annoying marketing ploys) from the desktop tab menu using ublock origin

i'm not good at html, so there's probably an infinitely easier way to do this, but here's what i did if anyone finds it useful!

note: i'm using ublock origin and firefox, so if you're using a different browser or adblock program, your process may look slightly different, but the html stuff should be the same!

step 1: right-click on the tab you want to remove, and select "block element..." from the drop-down menu.

this will open a dialogue box on the lower-right corner of your screen, which looks like this:

[image id: a dialogue box for ublock origin. the top half of the box contains a white text field with black text, with a menu of buttons underneath: a grey button reading "preview," a blue one reading "create," a grey one reading "pick," and another grey button reading "quit." below this is a light-grey menu labelled "cosmetic filters," which contains several line html line items notated with hashtags. end id]

right now, there will probably be red boxes around both the live tab and other tabs on the side menu, like the home and inbox tabs and other things you probably want to keep.

[image id: the tumblr sidebar menu. the menu is dimmed, with a slightly darkened background and text. red borders exist around the home, explore, live, inbox, settings, get a domain, and go ad-free tabs. end id]

if you click "create" on the ublock window right now, this will remove all tabs that have that red box around them, so don't click "create" just yet.

step 2: select the "pick" tool from the ublock window, and click on the live tab.

[image id: the same ublock dialogue box from before. this time, the grey "pick" button has a red circle around it. end id]

step 3: once you've got the live tab selected, in the "cosmetic filters" menu, scroll until you find a line of text that contains the words "nth-of-type" and click that.

it'll be preceded by hashtags and will have a number in parentheses after the "nth-of-type" section. when you hover over this line of code in the menu, the live tab should be the only one with a red box around it. looks like this:

[image id: the "cosmetic filters" section of the ublock box. several items are listed, but one of them is highlighted in a slightly darker shade of grey. this highlighted section contains the words "nth-of-type(4)." end id]

[image id: the tumblr dashboard with the ublock box open. the cosmetic filter containing the "nth-of-type" string is highlighted, and the live tab in the sidebar is contained in a red box. no other tabs have red boxes this time. a draft of this post is visible in the background. end id]

step 4: click "create."

this should remove the live tab from the menu. if you do what i did the first time and click the text and not the actual button, there will still be an empty space where the tab used to be, which will link you to the live landing page. to remove that, follow steps 1-4 again, this time selecting the empty space where the live tab used to be (it'll still highlight like a button would when you're using the pick tool).

here is what selecting the text vs. the button looks like:

[image id: the "go ad-free" button on the tumblr sidebar menu. the text "go ad-free" is contained in a red box, but the sparkle icon beside it is not. end id]

[image id: the "go ad-free" button again. this time, both the text and the sparkle icon are contained within the red box; there is also a wider margin of space around the text. end id]

i did this for the live, explore, tumblrmart, domain, and ad-free tabs, and now my sidebar looks like this:

[image id: tumblr user batemanofficial's sidebar menu. the home, activity, messages, inbox, and account tabs are visible. the account drop-down menu is open, and batemanofficial's url and icon are visible at the bottom of the menu. end id]

like i said, there's probably an easier, more efficient way to do this, but this solution (if done with ublock) will stay in place even if you refresh the page.

anyway that's the tutorial, please lmk if anybody has any suggestions for improvement lol!

[felassan]

Just poring over some of the new images. ◕‿◕

Docktown, Minrathous (in the daytime, in contrast with the gameplay reveal video), reminding us that Minrathous is built on an island. maybe the magic-monorail-looking bridge here is actually the single bridge that goes to Minrathous, like in the lore?

Docktown is the home of Neve. the distinctive floating building is in the distance again. compared to Ferelden, the buildings in Minrathous are like another planet entirely! Tevene architecture/design is so hostile - spikes on chairs, spikes on the sides of buildings.. I wonder if the doorway here is the entrance to the tavern/bar here [second image]. if you look in the window to the left of the door, the figure on the right could be the 'bouncer' at the top of the steps in the bar image. also, outside of here are tables and barrels, like you might expect outside a tavern establishment.

I'm curious about the heraldry of the boat in the harbor with the blue unfurled flags. it reminds me a bit of this Fereldan heraldry, but the animals are the wrong way round and it isn't quite right. either way, the heraldic animal is also present as the prow of that boat and one other.

Elf Rook (either City or Dalish but without vallaslin applied in CC), Emmrich and Harding. Rook is a sword-and-shield warrior here, Veilguard symbol on their chest plate, Warden symbol on their shield. Maybe this Rook has the Grey Warden background? anyways, looking closely at Rook's chest plate here, with the gray metal armor, the purple Veilguard symbol on the left, the 'bandolier' of three brown leather pouches across their chest, and the diagonal lines on the plate going the other way, it looks like maybe this Rook is wearing the same 'iconic[?] Rook outfit' as in the key art, or at least the torso piece. They both also have the metal shoulder plates, purple fabric over the elbow area, brown leather gauntlet etc. It's just that in this screenshot Rook isn't wearing a helmet/hood (or has them toggled off in the Options menu? ^^). anyways, I love that purple seems to be the 'iconic[?]' color for Rook, and also look at how this long-haired Rook's hair flows and sits around their neck and shoulders! and again the detailing is cool, like scratches on the shield and stuff.

Harding's arrow is glowing. Is her bow or arrow enchanted or have some kind of stat buff, or could this be an example of her magical powers in action, like her tarot card art might suggest? also, we can see from the tall skeleton/undead statues in the background and the skull-lid vases in the foreground that this shot is from the Necropolis.

The groupshot at HQ is so [cat crying screaming].. 🥺🥺 I love it so much, with the round table it has like Knights of the Round Table vibes or something and it's so nice to see everyone together and in their casual outfits too. I hope there are lots of moments like this in the game. ^^ Davrin is whittling wood, something that reminds me of Halsin and my Inquisitor (who is Dalish, and also had that hobby). Did some people.. bring their chair of choice to the meeting room hh? Davrin's looks like it was carved from a tree stump. Harding and Neve have a comfy sofa. Emmrich's looks kind of gothic and Nevarran. Taash's stool [?] is gold and practical-looking.

Taash looks so bored hhh. here we can see Bellara without her magical gauntlet. Do you think Manfred and Assan come to the team meetings..? :D Lucanis has impeccable tailoring, with lil bird-skull looking buttons at his collar. he's buttoned right up and professional looking even in his casual downtime, even when some of the others are the opposite. unsurprisingly his casual clothes have that blue-black corvid feather sheen. surely he has coffee in his mug. ^^ I wonder what Neve's drink of choice is though? from the way Lucanis leans here, do you think Lucanis and Emmrich is one of the companion-companion relationships that might develop like Taash and Harding?

Harding looks so cute and cozy on the couch with the cushion and her slippers, I can't take it. and I really love Neve's casual look with her scarf and hair like that!!

I think this scene is probably from the Lighthouse. Game Informer mentioned that it had a library, which is the central area of the The Lighthouse, and that it's there the party will often regroup and prepare for what’s next. Could this be one of those moments in there? ^^ in the background are stacks of books, and books on shelves, like a library would have. on the table is an assortment of scrolls, maps, papers. you can see a feather quill pen and red wax seals. having the maps in front of Davrin, a Warden and monster-hunter who has probably travelled far and quite a lot, is a nice touch. some of the books look quite ornate and arcane-ish, and are there a few of the 'Bellara'-style triangles on the table as well? and what do you suppose is the blue diamond-looking thing with white veins on the table?

(I'm also curious what the golden thing in the top right is.)

we can tell from the way it looks but we also know from a file name that this is the Rivain Coast. it's beautiful, it looks so bright and hot, the water is so blue. we first saw this locale in the Thedas Calls trailer from Dragon Age Day 2023. again, in the distance, we can see that statue.

From a file name, this is Arlathan Forest. everything is suffused in soft golden light, almost whimsical and Fable-like the Game Informer piece said. this shot is framed with those familiar trees with orange foliage e.g one, two, three. this place reminds me of some of the elvhen ruins we got to see in Trespasser. in the top right is green Veil/Fade shenanigans. a place where the Veil is weak, or the edge of this particular Veil bubble? past the wall of green it looks like some of the buildings are broken thanks to the warping, and there are floating rocks.

and look closely at some of the assets -

there's an owl, which are associated with Falon'Din and Andruil. lots of those howling Fen'Harel wolf statues. they look just like they do in DA:I (I don't mean that they look bad graphically or old or anything, just that the details are the same!!) which is awesome for consistency (also cool to see these return, so many of the art assets in DA:I were rly cool), and might even be the same assets being re-used (which is sensible and sensical for game design, something Mark Darrah talked about before). nb, just in case, I'm not saying this as a comment against asset re-use, it makes sense to do and I was excited to see these DA:I or DA:I-style ones in these caps!