#it's fine as an adaptation but it does make changes

[raven-at-the-writing-desk]

Given we have finally gotten news regarding the anime what do you think about it being an adaptation of the manga?

I have some mixed opinions since we'll be seeing the same story for the 4th time at this point (game/manga/novel/anime) but there does appear to be some differences with each especially with each unique Yuu. I do think the OBs and fight choreography is best animated over a slice of life show.

I'm not expecting any major changes from the manga if any at all but I'm happy to see it animated at all. I do hope it is successful so that the other books get animated. I feel like we are in a purgatory of early TWST with how often we go back to the earlier books in different mediums.

[Referencing this news!]

Gonna be honest with you, I’m kinda numb to getting yet another adaptation of the main story (a story that, mind you, we've already heard ad nauseum). At this point, it really does feel like a never-ending purgatory or time loop where we are forced to relive Heartslabyul over and over and over 😅 Of course, I'm still looking forward to seeing the anime and watching some of the more complicated scenes play out (fights, flashback sequences, playing magift/spelldrive, etc.). However, I think I would have preferred something new...? For example, vignettes, the event stories, etc.

The anime being an adaptation of the manga is... fine? But that means the anime may also have the same issues that I have with the manga. Those would be:

We will never really be able to fully bond with or know Yuu on a deeper level since Yuu is constantly changing between books/seasons. We won't get to see how the Yuu of Heartslabyul interacts with characters in later books, we won't get to see how the Yuu of Octavinelle handled the Heartslabyul and Savanaclaw conflicts, etc. We won't see any of them grow or change as a result of interacting with the NRC cast. This sucks particularly because if you really love a particular Yuu, you know they won’t be sticking around.

Despite the Yuus being designed as foils for the OB boys of each respective arc, no special meaningful interactions come out of it. The reader/viewer is just left to draw the parallels but there is never a moment where Yuu and the OB boy reconcile about their similarities/differences, which would actually justify the frequent changing of the POV character.

Barely any alterations are made from the game's story, since the manga isn't allowed to deviate in significant ways. No matter how different the Yuu is, they cannot ever make a decision or even have dialogue that would actually change the story in interesting ways.

General time constraints (manga arcs are 20 chapters, seasons have a limited number of episodes).

Limited showing/screen time of some characters. Because the adaptation will be of the main story, some characters that make very bad first impressions (hi, book 2 Leona… hi, Sebek without the vignettes…) will maintain those bad first impressions and won’t have a chance to redeem themselves simply because the bonus content (vignettes, event stories, etc.) aren’t adapted. Other characters won’t get as much focus simply because they aren’t the OB boys. The former would mainly be a concern for anime/manga-only fans.

Most of my disappointment comes not from reliving the same story, but that we are reliving the same story with minimal changes. I would enjoy adaptations more if they actually played around with the source material and explored new avenues! It feels like a missed opportunity, you know??

As I said earlier in this post, this is NOT meant to be overly negative; this is healthy skepticism. I'd describe myself as still excited, but not as excited as I would be if the anime were about something else set in the Twst world. Hope that makes sense 🙏

I would also caution readers to take my concerns with a grain of salt; for all we know, maybe the anime will add new scenes or fix some of the issues I pointed out. We should wait until the anime is out to judge its content and quality for ourselves.

On a positive note though 🤡 M-Maybe we will see. Shirtless L*ona animated… because… y’know… Episode of Savanaclaw technically canonized it… HAHAHAh JK… unless…? 🥺 👉👈

[umgeorge]

george russell is interviewed during the press conference on media day, las vegas - november 20, 2024 (transcript under the cut)

Interviewer: "George, let's come to you now. Brazil last time out seemed like a missed opportunity for you and Mercedes. What lessons were learned?" George: "Yeah, it definitely felt like a missed opportunity. I think, having reviewed the race, you recognize how quickly things can change, and we made the pit stop, which with the perfect benefit of hindsight, that was incorrect. But had that virtual safety car stayed for ten seconds longer or fifteen seconds longer it would have been absolutely the right thing to do. So it just shows how quickly an external decision can change your race and how you need to be very quick to adapt to that, and we kind of were a little bit too focused on that pit stop and not actually seeing that a car that was beached on the road was being pushed off and the VSC was ending." Interviewer: "And how much encouragement do you take from the pace of the car in Brazil; the front row start? I mean, you've had a stack of points finishes since the summer break, but how close are you to having a race winning car again? George: "I mean, Brazil was definitely a bit of a one-off, I think. When it rains, it presents opportunities, and for ourself it was an opportunity. For everyone at Alpine it was a huge opportunity, which they capitalized. And I think we need to look back to the sprint qualifying and the sprint race for a bit of a fairer picture of where we are, and that was behind the front four teams. Interviewer: "George, final one: When you look at this season as a whole, look at the races you've won, but look at also the frustrations as well, how will you review the season?" George: "I think now we've done almost a full season, we totally understand why the car is so up and down. It has just such a narrow window, and when we can set the car up in a way that we exploit that window, we have a race winning car. But when you go to different circuits and you have to change where you position the set-up, we totally fall outside of our working window. So it's obviously frustrating when you know the car has that potential, but I think for everyone you have these fluctuations in performance. We've done a good job to capitalise on races that we did, had the pole positions when the car was capable of pole positions, and ultimately we just need to make a more consistent car over the course of 24 races." Interviewer: "Alright. Thanks to all three of you. Let's now open this to the floor, to the broadcasters first. David."

Journalist: "David Croft, Sky Sports F1. George, to you and with your GPDA hat on, please. In between the last race and this, the FIA have dispensed with the services of Niels Wittich, the Race Director. Is this something that the GPDA were aware of before it happened? Are you concerned that there are three races to go and we now have a new Race Director, especially coming in to a street race like Las Vegas, which we saw last year can have a whole load of unforeseen problems?" George: "Yeah, we definitely weren't aware. It was a bit of a surprise, I think, for everybody, and it's a hell of a lot of pressure now onto the new Race Director; just three races left. So I think for us… Often, as drivers, we probably feel like we're the last to find out this sort of information, and when it involves us kind of directly it would be nice to sort of be kept in the loop and just have an understanding of what decisions are being made. So yeah, time will tell. I'm sure the new guy will handle the position just fine, but definitely not an easy race for a new race director." Interviewer: "Okay. Thanks George. Yep, next one." Journalist: "Nelson Valkenburg, Viaplay. Also for George, but I'd love for you both to chime in, as well. Last week, a pointed statement from the GPDA towards the FIA and especially towards the President. The tone seemed stronger than I expected. Does that reflect the mood in the field of drivers, as well?" George: "I mean, talking as a fellow driver, as opposed to sort of my role with the GPDA, I think everybody felt, with certain things that have happened over the course of this year, that we wanted to sort of stand united. At the end of the day, we just want to be transparent with the FIA and have this dialogue that is happening, and I think the departure of Niels is also a prime example of not being a part of these conversations.

And, ultimately, we want to work with the FIA to make the best for the sport that we all love, so I think it's kind of us now putting the pressure back on them to work with us and work with everyone, including F1 as well, just to maximize this opportunity which Formula 1 is in at the moment, which is an amazing time to be a part of." [time jump] Journalist: "Diego Mejia, Fox Sports. Question to George: I think that the GPDA created an Instagram account to publish this letter. Is there going to be a different way of… Was there a need to make things more public now from the GPDA side when creating this more public forum?" George: "Yeah, well I think times are changing and the fans are a huge part of this sport, and I think if we're talking about openness and transparency and including everybody in this for the greater good, then having it on a social media platform makes perfect sense." Interviewer: "David?" Journalist: "David Croft, Sky Sports. Sorry, George, GPDA public forum, this one. Did you and the GPDA think that the Race Director needed replacing?" George: "I mean, I can only talk on behalf of myself here, as opposed to any of the other drivers, but… Yeah, I think there's no secret that some were not happy with what was going on, in terms of the decisions that were being made. But, at the end of the day, I think if you worked together with us, that we could have helped improve the matter, and I think sometimes just hiring and firing is not the solution. You kind of need to work together to improve the problem. So let's see what this new sort of era is going to bring, but every time there is a change, you have to take one step back before you make the two steps forwards."

[hunkygreenbean]

Y'know, having a sense of nuance and using that to form your own, unique opinion on the internet is fucking exhausting. Specifically in feminist spaces.

Like I'll be over here saying "The beauty industry is inherently misogynistic, racist and predatory; most cosmetic procedures are targeted at women, and the traits they see as flawed or ugly are rooted in white supremacy, as well as upholding a rigid beauty standard that is constantly changing." And I'll get libfems in the notes going "OH, so you're just a FUNDIE PRUDE who hates WOMENS RIGHTS TO CHOOSE!!!!!"

And then I'll go say, "Historically, there have always been accounts of trans people. Several pre-Christian and pre-Colonial cultures had mixed sex events and living spaces and were fine. Patriarchy is upheld not by men, but by Western Colonial and Christian doctrine. Patriarchy also hurts trans folks because it upholds the rigid classification of male and female, girly and manly." And I'll get radfems in the notes saying "OH, so you want WOMEN TO GET RAPED BY TIMs???? you just hate all the women who've BLED OUT and DIED in BIRTH???? You want to legalize BEATING UP WOMEN??? YOU CAN JUST BE GNC THO!!!!"

And I'm like....y'all, how have you made it this far without basic reading comprehension.

EDIT: Made this in another post but I'm editing it here to make sure the assclown TERFs in my notes see this.

Since my last post blew the fuck up with corrections, I wish to administer an errata.

Patriarchy does predate Christianity. Patriarchy adapted Christianity to suit their needs and uphold misogyny. All Abrahamic religions have issues with misogyny, however since I mentioned Christianity in my original post, I will be addressing strictly Chrisianity.

There are cultures that were misogynistic pre-contact. However, there were dozens more that were matriarchal or egalitarian and that recognized third genders.

We do need to address the sex based issues that are still present in these cultures (honor killings, menstrual huts, child brides, breast ironing, etc.). These most definitely are serious issues that most libfem Western feminists don't touch, as they are too caught up in surface level changes and kissing the patriarchy's ass.

However, my original idea was that TERFism is inherently ahistorical as it treats ALL cultures as though they have all always been misogynistic throughout all time, and TERFs ignore historical accounts of trans folks that were completely normal in said cultures.

[bethanydelleman]

Because today I woke up a chose violence, I'm going to point out everything wrong with this scene in 1995 P&P:

Upon seeing Wickham and Denny, Lydia crassly calls across the street and the gentlemen walk to her, though in the book she is not as vulgar.

All were struck with the stranger’s air, all wondered who he could be; and Kitty and Lydia, determined if possible to find out, led the way across the street, under pretence of wanting something in an opposite shop, and fortunately had just gained the pavement, when the two gentlemen, turning back, had reached the same spot.

This change is likely an attempt to display Lydia's vulgarity, but it goes overboard. She has enough propriety to not call across a street.

Lydia suggesting that Wickham come to their Aunt Phillips' makes Mary give Mr. Collins this side eye:

However, Mary shouldn't even be present:

Lydia’s intention of walking to Meryton was not forgotten: every sister except Mary agreed to go with her; and Mr. Collins was to attend them

This builds up the Mary/Mr. Collins ship, something the book does not do.

Only Bingley joins the party upon seeing the Bennets, though Darcy also joins in the book:

On distinguishing the ladies of the group the two gentlemen came directly towards them, and began the usual civilities. Bingley was the principal spokesman, and Miss Bennet the principal object. He was then, he said, on his way to Longbourn on purpose to inquire after her. Mr. Darcy corroborated it with a bow, and was beginning to determine not to fix his eyes on Elizabeth, when they were suddenly arrested by the sight of the stranger

Mr. Darcy not coming down off his horse to say hello makes him ruder than he is in the book.

Now here is the biggest issue:

Mr. Wickham touches his hat, Darcy just rides away. That is also not what happens:

Mr. Wickham, after a few moments, touched his hat—a salutation which Mr. Darcy just deigned to return. What could be the meaning of it? It was impossible to imagine; it was impossible not to long to know. In another minute Mr. Bingley, but without seeming to have noticed what passed, took leave and rode on with his friend.

Also, Darcy 1995 just freaking abandoned Bingley! That is very rude.

Does any of this matter? They are small changes but I would argue they are significant. Many people tell me that Mary was so in love with Mr. Collins, and her coming to Meryton and sharing a glance with Mr. Collins supports that theory. Darcy's strict sense of propriety is lost in these scenes, he's quite openly rude, even to Bingley! And Lydia is made worse than she is, she also insults Kitty:

Kitty asks if a bonnet will look good on her and Lydia replies:

Lydia never insults Kitty in the novel (though she does brag about her trip to Brighton). It's actually odd, since Kitty and Lydia are very close in the novel. 1995 makes their relationship more toxic than the book portrays.

Also, the actor playing Wickham was 38 during this mini? He looks his age here. Wickham is most likely 26 years old during the action of Pride & Prejudice.

But mostly, everyone tells me 1995 is SO accurate, but it does get important things wrong or different enough from the book that people remember them incorrectly. I just want to point out that this adaptation takes many liberties and isn't perfect. *ducks and runs away*

[deanpinterester]

having sally yell at baby percy feels so fundamentally wrong. i didn't mind when she got frustrated with him in the pool because that was just one instance of sally losing her temper but now it's like oh. this is just how the show version of her is.

like. idk. one of sally's defining traits was that she never got mad at percy. that didn't mean she was weak. that was her strength. that she could pull through tough times by putting a smile on her face, so that she didn't scare percy, so that she could protect him.

i just feel like it would have been a much more well-defined scene if we got to see how sally manages to talk percy out of the car by. being nice?? coaxing him??? explaining the situation in a way he would understand instead of just saying "there are things i have to do that you don't understand" (if you say that to a kid they are 100% not going to listen to you bc. yeah they don't understand!! so you have to explain it in a way they WOULD understand!!)

if sally had already been dating smelly gabe at this point, she could have leveraged this. she could have put a funny spin on it and said "i'm just trying to get you away from smelly gabe's stinky gym shorts." if she wanted baby percy to not feel like she was abandoning him and separating him from the rest of society, she could have said "the kids in there are just like you." she could have given him a keepsake, to show she will always be with him. there are SO many ways the writers could have spun this and they just didn't. they went the easy way out.

all of these flashback scenes are painting a very unfortunate picture that percy didn't actually have a good relationship with his mom. and i know that's not the vibe the show is trying to go for, but they've got to understand!! that not everyone who's watched the show has the read the books! we don't all automatically know that sally and percy have the bestest mother-son relationship ever! if you only show sally being frustrated at baby percy, we start to think oh dang, maybe this whole time percy doesn't actually have a good relationship with his mom!

[lpbear]

I can’t believe they made me prefer Shyamalan’s adaptation. I can’t believe they’ve done this to me.

[here-there-were-dragons]

judging by the "fixes" they've applied to fern and i'm fairly sure also to a few other genes, they likely intend to flatten and generic-ify EVERY gene that does anything interesting with especially the top feathers portion of the wings. :/

[opens-up-4-nobody]

...

[icharchivist]

i have my grips with the anime but there’s really some scenes it completely nailed (like Itaru’s gamer reveal), and when i reach those specific scene in the VN i really can’t stop thinking about just how good the anime was for those scenes in particular.

Case in point right now: the moment they’re trying to give out flyers for RomeJuli in the street and no one is stopping, so Masumi ends up, unprompted, to act out one of the scene as to bring attention to it.

i’ve rewatched the anime so many times it actually surprised me how abrupt the transition from Flyers to “Masumi is acting” is, it’s nice but, man. 

The fact the anime really shows when it clicks for Masumi that it would work, then having him, in silence, give his flyers away so he can then focus on acting, and seeing Izumi and Sakuya look at him, perplexed, before he starts acting and they catch on on what he’s doing, makes it flow so much better

A3 is a VN that really utilize the VN format extremely well, so it’s not especially a tackle on the VN itself, and there’s really a few things i think the anime did considerably worse, but this scene? kind of justify the anime’s existence for a bit because just remembering it gives me chill. 

[opheliac]

what do you do when your boyfriend sucks ass and you feel unloved and inferior all the time and you hate what you've become and he probably does too and you know it's all because of him because you changed for him and he hasn't changed at all

[britneyshakespeare]

"What was it?" Ruffino's little face asked, inquiringly and wistfully, knowing that they looked for something, but not knowing what; unless, indeed, it were the yellow cat. But she, he came to think, it could not be, because every evening from the loggia he saw her sitting, in bumptious and insolent security, upon roof or lintel or gutter, and of her his master took no kind of notice whatever. Ruffino came to the conclusion, so painful to all of us, and coupled with such sad disillusion, that what he thought was of such supreme, universal, imperial importance really did only interest himself alone.

End of Chapter XI of Ruffino by Ouida

[raven-at-the-writing-desk]

Well if given how the anime will adapt the Manga, it makes me wonder about the savanaclaw adaptation given how many delays due to the artist's personal life that octavinelle Manga came around and is now have overblot Chapter before Savanaclaw does. I wonder if the author will have time to finish it and given how heartslabyul will release in October 2025, it might take awhile to animate savanaclaw.

[Referencing this news!]

Decided to put these together because the topics were similar enough and I have similar advice for both asks. To briefly clarify the second ask, I believe the Anon made a typo and meant to say "Yana Toboso was NOT involved in the anime's production". This is because Yana made a tweet recently stating that she and her team were surprised and honored that they were making an anime adaptation based on the manga.

Now, about the first ask: we are not aware of what the manga and anime creation process looks like for Twst. Yes, the Savanaclaw manga has had a number of delays, but we cannot be sure if this impacts the anime at all. For example, we don't know how much of the Episode of Savanaclaw anime is even done yet. We don't know if the anime team is going to be in talks with the mangaka to coordinate things. We don't know when the Episode of Savanaclaw will air (and for all we know, it could give the mangaka ample time to finish up). There are many things we do not know, so it would be VERY hasty to conclude anything now.

Regarding the second ask: Yes, it does seem like Yana had no involvement in the anime. This, however, should NOT be taken as an immediate sign that the anime will be poor quality or that the anime will deviate from the main story in large (and bad) ways. Nothing of the news we've heard so far would indicate any sweeping changes. This is equating a past occurrence with something that has yet to even happen without even knowing if the production circumstances are even the same between them. The only thing we know that is linking the animes of early Black Butler and Twst is Yana's lack of involvement. This doesn't account for ANY other factors in production, and it's also assuming that Yana's mere presence makes a product good--and, conversely, her absence automatically makes a product bad. I don't think this is the way to go, as it's jumping to conclusions based on minimal evidence and it's putting way too much weight on Yana's shoulders to carry the quality of the Twst anime.

And that brings me to the thread linking together not just these two asks, but a lot of the anime-related posts and asks that I've been seeing as of late: fearmongering and doomposting. Lots of it.

As I’ve said multiple times now, it's fine to be hesitant about the anime. I'm hesitant of it myself! However, let’s not draw preemptive conclusions or fret over what are ultimately hypotheticals. It’s so far off, and we have zero of the actual final product to look at and judge the quality of. I'm seeing so many people make mountains out of molehills, working themselves up over nothing, assuming the worst-case scenarios... 💦 and again, all of this based on little to no information. I can't help but that time and energy could be better spent on other fandom efforts or things we actively enjoy. It's valid to be anxious about the anime and how it presents something we care so much about, but putting those feelings in a public space paints the fandom in a bad light. It gives the impression that we'll jump the gun and claim something is bad before letting the product speak for itself. If you're a current Twst fan that is excited for the anime, it may not feel so good seeing others theorizing about how bad it will be. If you're a potential new Twst fan seeing this stuff, you'd feel very unwelcome or unwanted. I worry this will fester and create divides in the community... unintentionally creating an environment that isn't fun to be in, and that's the antithesis of what I think fandom should be. I guess I'll end on this note: There is a difference between being healthily skeptical and assuming the worst of a production. Please take a moment to reexamine your concerns about the anime and ask yourself "Is this a reasonable fear?", "What am I basing this off of?", and, "How, if at all, will this affect my own enjoyment of Twst?" If it gets to be too much for you, then please, please step away from social media (where a lot of these fears are being touted) and take a break. Do something you like, take a walk, whatever. I just beg of you, don't allow yourself to be consumed by feelings that will bleed the fun of fandom out of you 💦

[lxkeee]

MY HEART IS BROKEN SO I NEED TO CRY First of all, I LOVE how you write, and I wanted to make a request about Lucifer breaking reader's heart, it doesn't matter how, I just want a broken heart 😔note: Sorry for the English translator, I don't write it but I understand it, TOTALLY CRAZY

TWO SIDES OF THE SAME COIN

—Part One

Pairing: Lucifer Morningstar x Seraphim Angel! Fem! Reader

Fandom: Hazbin Hotel

Genre: angst (for now)

Warnings: none.

Notes: this one is short, 450 ish words but will serve as a foundation for the entire series lolol. Also, it's okayy:) your english is finee^^

PART TWO | NAVIGATION

Life was good in heaven. Having been brought to existence by our creator, we were given a chance at life. The world is still currently in progress, slowly changing to adapt to newer life forms.

We angels were tasked to help this new world grow into such an amazing world. Speaking of worlds, I am very much grateful to be alive as I am given a chance to love. As one of the first few angels created, I was able to befriend Lucifer. God's most beautiful angel and whom I have the honor of calling mine.

Lucifer was such an awkward romantic lover, showing off his affections in his ways. Giving flowers, a pretty stone he managed to pass by while flying around, or perhaps by giving her kisses.

They've been married for some time now, being together for a few decades and recently got married. The wedding was amazing, friends and their creator attended the celebration. It was a very beautiful celebration, the wedding night was awkward yet romantic, two innocent angels experimenting, learning about the art of making love. It was wonderful. Despite being inexperienced, both had a great time being each other's firsts.

Life was truly good, until God announced that he made new creatures, mortals or humans as he calls them.

They looked like angels but without wings. They will be the very foundation of humankind.

Slowly and surely, Lucifer began to act weird. Ever since he visited the garden of Eden, he's been purposely avoiding [y/n]. Making up excuses to not spend time with her.

Rumors started to spread that Lucifer has begun to form ideas that threaten the order of heaven, [y/n] tries to stop him but Lucifer is stubborn. He believes that mankind needed this.

[Y/n] was heartbroken, why is the love of her life acting like this? Why doesn't he look at her with love and passion in his eyes like he usually does.

Why does it look like he doesn't love her anymore?

Deciding to spy on him, she followed him to the garden of Eden. There he saw her husband looking at the mortal woman, named Lilith with so much love and adoration in his eyes.

[Y/n] felt her heart and entire world shatter. Broken hearted, she quickly fled the garden. Returning back home and sobbed into her friend's slap.

She cried the whole night, Lucifer didn't even notice she wasn't home.

Not long after, Lucifer was cast out of heaven along with Lilith. [Y/n] was heartbroken beyond her understanding. She couldn't understand, her emotions all over the place. Her husband doomed humanity and was cast out of heaven with another woman.

[Y/n] didn't even get to tell him she was pregnant with his child.

Happy Valentine's Day:)

Also, guess whose lap she was crying on? His name starts with A;)

[lycanlupins]

NSFW Alphabet - Remy Lebeau/Gambit

Warnings: NSFW talk obviously! I love this kinky cajun and hope you do too

But seriously, I hope y’all like this, it was something to write while I recovered mentally and physically from being sick for so long

A = Aftercare (what they’re like after sex)

He’s kind and caring, he’ll crack jokes while cleaning his partner up, maybe even run them a hot bath and give them a quick once over with a warm wash cloth

B = Body part (their favorite body part of theirs and also their partner’s)

On him its his cock, he’s loud and proud about it. He’s quite skilled with what he does and it doesn’t hurt that he’s well equipped

On his partner he loves thighs and ass. He’s 100% a thigh and ass man, anyone with a fat behind is right up his alley. He likes to hold and grab and grip and he can’t do that if there’s nothing there

C = Cum (anything to do with cum, basically)

He likes to cum mark his partner, making sure that it’s on their tummy or face, taking a long hard look (and maybe a few pictures) just to remember the occasion

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

He likes to fuck his partner in their sleep (consensually) and thinks its a wee bit hot when they wake up full of his cum dripping all over the sheets

E = Experience (how experienced are they? do they know what they’re doing?)

Very experienced, Remy is so good at what he does and he knows it. Especially when he’s going down on his partner and they moan about what a good job he’s doing, he’s smirk and say something they don’t understand before going back to doing his duties

F = Favorite position (this goes without saying)

Nasty man likes it kinky, he’ll start off with a nice 69 and end in Lotus or Mating Press depending on his mood. He rarely does missionary unless its romantic or his partner requests it

G = Goofy (are they more serious in the moment? are they humorous? etc.)

He can be goofy for sure but most often than not he’s serious in a sexy way, not a quiet and boring way. He’ll occasionally make sex a little humorous by whispering funny things while he’s trying to catch his breath or between changing positions

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

This man is natural to a tee, not to say its a bad thing but he doesn’t trim it at all. He naturally has softer hair so its not uncomfortable and its not too hairy by any means either

I = Intimacy (how are they during the moment? the romantic aspect)

He loves intimacy but he can turn that off quick if its a one time thing. He’s an adaptable lover through and through and he’ll give his partner all or none of the romance if they wish

J = Jack off (masturbation headcanon)

He gets off in risky places ie. common rooms, the kitchen, anywhere he might get caught by his partner or even someone else

K = Kink (one or more of their kinks)

Vouyerism

Threesomes (or more)

Anal

Role play (CNC, kidnapper, etc. he’s in when it comes to fun consensual kinks)

Breath play

Food Play

Breeding Kink

JOI

L = Location (favorite places to do the do)

Anywhere, anytime. He has no qualms about where and when he wants to have sex, he’s ready to go at a moments notice

M = Motivation (what turns them on, gets them going)

Teasing of any kind, him or his partner teasing the other is a sure fire way to end up folded under him, getting pumped full of cum

N = No (something they wouldn’t do, turn offs)

He doesn’t like physically hurting in the way of impact play to the face area, spanking is fine but he rarely if ever slaps his partner. Its kind of uncomfortable for him, it feels too much like abuse to him

O = Oral (preference in giving or receiving, skill, etc.)

He prefers to give but its an equal 50/50 in his relationships, he’s good at what he does and he likes to teach his partners just how to please him

P = Pace (are they fast and rough? slow and sensual? etc.)

He changes the pace often, sometimes quick sometimes slow, usually somewhere between rough and not but he’ll make sure his partner knows he’s fucking them

Q = Quickie (their opinions on quickies, how often, etc.)

Quickies are frequently needed in his line of work so he’s not against them whatsoever, especially if its in a pretty public place

R = Risk (are they game to experiment? do they take risks? etc.)

Risk would be his middle name if he didn’t already have one, he’s up for a good pregnancy scare or getting caught by someone unsuspecting

S = Stamina (how many rounds can they go for? how long do they last?)

2-3 rounds before he needs to recover, and those rounds could be 10 or so minutes excluding foreplay (which is his favorite part when he can get it in)

Quickies are always a problem when he’s as insatiable as he is but he still gives his partner a quick round or two

T = Toys (do they own toys? do they use them? on a partner or themselves?)

God he loves toys, he doesn’t find them competition but gladly welcomes their use on him or his partner, especially anal beads/anal plugs and vibrators

He also has a small remote controlled vibrator to match his partner that both of them have control to so they can mess with each other when they feel horny

U = Unfair (how much they like to tease)

Big tease, especially with the remote controlled vibrator mentioned previously. He loves to turn it on while he’s watching his partner lecture about something or when they’re watching movies just to fuck with them

V = Volume (how loud they are, what sounds they make, etc.)

Loud and proud, especially when he starts speaking in his native tongue. He’ll start praising and cursing loud enough for someone to hear if they walked by the room or lived in the room next to his/his partners

W = Wild card (a random headcanon for the character)

He uses his staff to fuck his partner and then uses it in fights just so he has a little extra luck, at least in his mind

X = X-ray (let’s see what’s going on under those clothes)

9 inches, curves slightly up and to the left, BIG balls. Mean vein on the left side of his shaft and a dark pink tip

Y = Yearning (how high is their sex drive?)

Insatiable but he’s not annoying about it, he’ll wait if his partner isn’t in the mood but once they are its all bets off

Z = Zzz (how quickly they fall asleep afterwards)

He makes sure his partner is all set and taken care of before he lets himself relax enough to sleep afterwards. He can’t go to bed knowing he didn’t take care of his beloved first

[mcflymemes]

THE TORTURED POETS DEPARTMENT - THE ANTHOLOGY BY TAYLOR SWIFT PROMPT LIST *  assorted lyrics from the album, some lines slightly adapted for meme purposes but feel free to adjust as necessary

even if it's handcuffed, i'm leaving here with you.

trust me. i can handle a dangerous man.

i love you. it's ruining my life.

does it feel all right to not know me?

i am who i am 'cause you trained me.

quick. tell me something awful.

i loved you the way that you were.

we were just kids, babe.

i can fix him.

you and i go from one kiss to getting married.

you said i'm the love of your life.

way up there, i actually love it.

i just don't understand how you don't miss me.

do you hate me?

did you think i had it in me?

what if i told you i'm back?

i still miss the smoke.

i'm not trying to exaggerate, but i think i might die if it happened.

you look like stevie nicks.

it's hell on earth to be heavenly.

i still can't believe it.

this happens once every few lifetimes.

didn't you hear? they called it all off.

it's happening again.

my friends say it isn't right to be scared.

i might just die.

fuck you if i can't have us.

tell me about the first time you saw me.

are you gonna marry, kiss, or kill me?

no one's ever had me... not like you.

stay away from her.

there wouldn't be this if there hadn't been you.

i don't think you've changed much.

that's where i was when i lost it all.

life was always easier on you than it was on me.

i hoped you'd return.

do you believe me now?

what if your eyes looked up and met mine one more time?

what are the chances you'd be downtown?

is it something i did?

oh, we must stop meeting like this.

they say what doesn't kill you makes you aware.

i'm not a donor, but i'd give you my heart if you needed it.

looking backwards might be the only way to move forwards.

the story isn't mine anymore.

what a charming saturday!

none of it is changing.

wild winds are death to the candle.

one bad seed kills the garden.

i'm bitter, but i swear i'm fine.

this place made me feel worthless.

i didn't want to come down.

everything had been above board.

blood's thick, but nothing like a payroll.

you can mark my words that i said it first.

the professor said to write what you know.

all of this to say, i hope you're okay.

your words are still just ringing in my head.

i built a legacy which you can't undo.

who do i have to speak to to change the prophecy?

the effects were temporary.

no, i'm not coming to my senses.

babe, you gotta fake it 'til you make it.

you know you're good when you can even do it with a broken heart.

i guess a lesser woman would've lost hope.

thought of calling you, but you won't pick up.

you're a professional.

long may you reign.

you're an animal. you are bloodthirsty.

now i seem to be scared to go outside.

i don't believe in good luck.

i hate it here.

if i'd been there, i'd hate it.

only the gentle survived.

i'm lonely, but i'm good.

you have no room in your dreams for regrets.

i thought it was just goodbye for now.

are you still a mind reader?

let it once be me.

i haven't decided yet.

i still dream of him.

i'm so afraid i sealed my fate.

it was always the same searing pain.

i can't forgive the way you made me feel.

it wasn't a fair fight or a clean kill.

she used to say she wished that you were dead.

tell me all your secrets.

they tried to warn you about me.

you're in terrible danger.

i'm the life you chose.

yes, i'm haunted, but i'm feeling just fine.

no one asks any questions here.

tell me i'm despicable. say it's unforgivable.

i'm running back home to you.

you should see your faces.

you knew the price going in.

was any of it true?

who the fuck was that guy?

i don't ever want you back.

did you sleep with a gun underneath our bed?

you don't get to tell me you feel bad.

you wouldn't last an hour in the asylum where they raised me.

am i allowed to cry?

there's no such thing as bad thoughts. only your actions talk.

they're going to crucify me anyway.

i know i'm just repeating myself.

that's the closest i've come to my heart exploding.

[lookingforhappy]

Five should never have been with the CIA, he should have been with the Keepers

the CIA is incredibly reminiscent of the Commission, the thing that Five has been trying to escape since s1, and that has repeatedly dehumanised, manipulated and hurt him.

not only is it a secret organisation that aids in the manpiluatation of the lives of others by a higher power but he is also constantly monitored, with and without his knowledge -

he has to report to his boss, he is constantly followed/attended to by Derek (who is lightly implied to also be a keeper), and the keepers are undoubtedly reporting back to his boss to keep him in line without his knowledge.

(just look at how many are keepers.. thats insane for Five not to have noticed anything after spending so long in the commission on high alert - what happened to him always checking the surroundings first??)

sounds similar to him having to report the handler, constantly being followed by her (into the bathroom, the tube room, etc) and always being watched by the infinite switchboard and his tracker.

there's also the "Five is one of the top agents at this secret and shady org. and Diego is the butt of the joke because he wants what Five has and Five won't give it to him & when he does get it it's a comedy scene" thing.

which is honestly just another nail in the "cia is too similar to the commission to be comfortable for five" coffin for me..

he is also constantly referred to as "Mr. Five" a name that is only ever seen used by the Commission,

and which is supposed to show the Commission's false respect for Five by tacking a "Mr." onto his name while also refusing to add on a surname (Hargreeves) - or in the circumstance that Five doesn't accept a last name, then addressing him by his full name "Number Five" or "00.05" or just "5" - which dehumanises and detaches him from his family aka his reason for leaving.

Five also calling his boss "sir" is incredibly out of character as at no point in the series has he called anyone by a honorific, not the Handler, not his father, and especially not someone younger than him.

and also that he calls the cia director (lance ribbons) "boss"

like not even "my boss" or "the boss"... just "boss". it just feels like such a young mans word, which Five decidedly is not. if i had to pick how he would address ribbons id have him say "ribbons", "director" or maybe "director ribbons" if he was in a formal situation. never "sir" or "boss"

There's Five adapting to the timeline/circumstance and then theres Five's entire personality changing.

and honestly, if this is a survival technique for Five in this timeline, to play into his apparent youth, then why not show that?? or even explore it in a more interesting way like how the comics had him disguise as a kid with a backpack, bike and binoculars???

instead they kept giving him stupid little props that only served to further hammer in the obvious "hey! five works for the cia now!"

all it does is make him look ridiculous, and i know that five is holding the gun and torch in the correct way but god it makes him look like such a cop. and after hes been fighting authority for his entire life it feels so fucking weird.

what's interesting though, is that he would have fit in fine with the Keepers! and we see this demonstrated perfectly in their first scene

just.. the way that perfectly sums up Five.. plus our concerns that he wouldn't have anything to do after the apocalypses are solved and aidan's comments that Five was feeling like he had nothing left/suicidal.. for there to be a group of other people that not only believe him but support him unconditionally?

(aaand im out of pictures... great)

for Five to be able to say this to other people? and to not be thought of as insane?? thats big.

and then for Five to be hinted at not keeping up with his siblings aside from Diego - the deleted scene with Klaus at the party shows that Five doesn't know how long Klaus' been sober for, he also asks Luther where Viktor is, clearly hasn't seen Allison or Ben in a while.. it's all such a perfect set up for Five to join the keepers.

and not only does this set him up with other people, in a support group setting. but it also perfectly sets up his arc to have conflict with his siblings without losing their trust (sorry fivela stans but i cant get on board bc it destroys his relationships with the family).

while Viktor was negotiating with Ben, the others could have been negotiating with Five. which would have brought us full circle, of five disappearing and fighting like hell to get back home, to returning but not feeling like he belongs, to being brought back into the fold. this is also the perfect opportunity to bring Lila in, as she would have the best understanding of where he stands after being manipulated by the commission.

it's also the perfect opportunity to have Five cause the apocalypse, instead of save it. people have talked about Five being set up to cause the next one since forever, and Klaus has a perfect set up for it too.

I personally think that each season should have rotated who causes the apocalypse instead of randomly making it Viktor's fault. this way we could explore the siblings individually and their trauma and recovery. give them all a seasons worth of focus.

season 1 gave us Viktor's apocalypse.

season 2 should have given us Diego's via JFK's survival causing the apocalypse (exploring his hero complex and how his ignoring his family in favour of pursuing his own ego/comfort isn't good for anyone etc)

season 3 should have been Allison's via her desperation to get Claire back - the kugelblitz shouldn't exist (because it doesnt work with the established laws of space time) but instead her deal with Reginald should have caused the apocalypse maybe as a way to motivate the others like Five into finding a solution.

season 4 can still be Ben's but ultimately for the final season it should have been a joint effort or at least come full circle and actually been impactful with more connections to Ben's death instead of the 2 second reveal of him getting shot in the most anticlimatic and confusing reveal i have ever seen. Ben has literally haunted the narrative for 4 seasons, between his death being the reason they disband, to his ghost being the reason they survive at the end of s1 and s2, and his alternate reality self in s3 and s4. he didn't get the send off he deserved for someone who has influenced near everything in the show.

there should have been 8 seasons - 7 to deal with the issues of the individuals, and 1 to deal with their recovery as a group, almost acting as an epilogue.

instead we got 4 poorly planned and incomplete seasons..

anyway, thats what i think Five should have been doing this season, not joining the CIA