#it's especially frustrating to me when the topic is genuinely interesting and i want to see how you present it to me but you're wasting time
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Picky but.. when watching a docco/docco style video, while it can be interesting to hear about how you ended up in contact with certain relevant people, or how there were plans to contact people that fell through, or that you couldn't get in contact with them... I hate when the filmmaker harps on and on about their 'investigative' process and try to dramatise it.
Sorry but. I don't really want a 15-20+ min detour of you lamenting over trying to get in contact with certain people when all that's happened is you sent an email and didn't get a reply.
#not gonna single out any particular vid but I'm reminded as I watch a docco style vid on YouTube about niche/lost anime#and i hate it every time. it's a self insertion of the filmmaker trying to make their efforts shown or signalling for attention and shit#and i get it!! there's a lot that goes unappreciated and unnoticed when you're making videos and such#but if you're presenting your videos in a documentary style that's one thing.. calling yourself a documentarian is another#it's amateurish and uninteresting!!! it's a complete detour and distraction when you're talking about yourself in this way#like.. sigh. nuance. i know I've personally enjoyed some doccos/docco style where we hear about the process as they present it#there ARE ways to make it interesting and keep it relevant#but when you're essentially whining that all your cursory Google searches and 'deep dives' into people's LinkedIn's and IMDb pages#isn't yeilding the response you want... SHUT UP PLEEEAAAASSSSEEEE#this is the kind of detail that makes it look amateurish (imo) and is probably making it harder for you to get in contact lol#ANYONE can go looking through a person's online presence. ANYONE can find an email or a phone number and try to get in contact#your whole thing as a docco maker is to do that work and curate it in an interesting and informative way so i don't have to lollll#like i know I'm being picky. there's plenty of awesome videos on YouTube made by YouTubers who have put effort in#but there's such a difference between the standard of professionalism and ethics when you're doing it on YouTube#it's not the only thing that frustrates me BUT it's one of the key things i notice that's indicative of the docco not being of quality#for what i want to view it for#it's especially frustrating to me when the topic is genuinely interesting and i want to see how you present it to me but you're wasting time#when you go on and on about yourself!!#there was one yt docco covering an artist and their body of work that i thought was interesting! but#they were already getting on my nerves even tho i stuck it out for a few hours... AND THEN THEY JUST TALKED ABOUT THEMSELVES#FOR LIKE HALF AN HOUR AND I COULDN'T TAKE IT. I DON'T WANNA HEAR YOU COMPARE YOUR AMATEURISH SHIT TO THIS ARTIST#save it for the back end or an after credits or in some section that's for people who want to hear about you#don't grind the pacing of the docco to a halt cause you're desperate for attention and recognition. you're ruining the docco lol#also yes I'm aware that this is harsh coming from someone who's not even made a docco of any sorts but#if i do get into making it i expect this kind of feedback if i go awry and these are the standards I'll be holding myself to#WHERE ARE THE STANDARDS IN THE YT DOCCO SCENE!? there are a few great creators but there's so much shit#to me i think it overall grates cause like. it's not always being made with the intent to share.. it's made to get clout#and that's a philosophy i just disagree with#anyway wherever. pretentious film bro rant quota filled. i dont wanna hear about how 'difficult' it was waiting for an email that never came#rads talks
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Sealioning 101
So if you don't already know, "sealioning" is a term for a type of bad faith behavior where someone repeatedly asks for information or evidence that they're not actually interested in. It's a form of trolling.
For example, a young earth creationist might go around saying something like, "Can anybody show me proof of evolution? I keep asking people, but no one will answer me."
Then well-meaning people come and and provide resources. The troll, who of course isn't actually interested in learning or changing their mind, will just keep acting like nobody's answering their question, and keep demanding answers. It's frustrating and exhausting.
A big sign that you're being sealioned is demanding information that's incredibly easy to find. Now of course, people sometimes genuinely just don't know where to find certain information that most of us take for granted, and sometimes people are just lazy and treat random Internet strangers like their personal butlers. (Having a pinned post with a FAQ will take care of most of these people, btw.)
What gives a sealion away is their refusal to accept and engage with provided resources, and their favorite lie, "I keep asking, but no one will answer me."
Think for a moment: how likely is it that someone went around asking a bunch of biologists or at least biology nerds for evidence of evolution, and no one gave them anything? Does it seem that likely that no one gave them any links or made any book recommendations? Does it seem likely that a bunch of people who really love talking about biology just suddenly clammed up around this person for no reason?
Trolls will sealion over anything, especially hot political topics. For example, they've been sealioning with JK Rowling's transphobia, asking for evidence that she ever said or did anything transphobic while claiming no one ever answers them when they ask. Trolls have been sealioning for Donald Trump for years now, pretending they just don't understand why people are so worked up over Trump, and that nobody they've asked will give them a real answer.
Again, ask yourself: how likely is it, really, that someone on Tumblr Dot Com can't find a single person who can tell them what these people have done and said that have so many people displeased with them? And do we think that this person who is supposedly soooo interested in seeing what all the fuss is about, never once tried Google or something?
Seems pretty unlikely, when you actually stop and think about it. In fact, it's a pretty obvious lie, because we know damn well that lots of people are more than happy to explain why they don't like Trump and Rowling, and any determined person could find the information they want in like five minutes on any search engine.
Sealioning is troll behavior. If someone is sealioning, they are a troll. It's that simple.
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I Knew Your Were Trouble When You Walked In 3
Warnings:Â non/dubcon, medical procedures including dialysis and chronic illness, and other dark elements. My username actually says you never asked for any of this.
Characters:Â Pete Brenner, short!reader
My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.
As usual, I would appreciate any and all feedback. Iâm happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging.
The clanging is enough to drive you crazy. You snap shut your laptop and let out a huff. A day where you can just stay home and get your work done and the landlord is doing maintenance. It has to be that day.
You check the time and rub your eyes. You look down at your pajama pants mournfully. Youâre going to have to wear real clothes. You change into a pair of cords and a gray button up. You pack up your bag and shrug on a jacket as you step into your shoes.
You jingle out with your keys, locking the door behind you before quickly fleeing the echoing metalling thrums. You take the stairs down and tuck your chin down against the crisp autumn air. A tea will help with that, maybe something with a kick of caffeine to wake you up.
The cafe is only a block away. You order some ginger tea and take it to a table in the corner. You set up and hunker down to get through the last of your emails. You cup your chin as you lean your elbow on the table, entranced by the screen.
The rush of the cafe is almost soothing. The white noise helps you get through the overstuffed email sent by your supervisor. Check, check, got that done. You sip your tea as it cools and sit up to type your reply.
âYou can have coffee?â The voice interrupts your frantic typing. You look up with brows furrowed. How on earth? âGenuinely curious,â Pete sits across from you, setting his paper cup down on the other end of the table, âwith dialysis and everything.â
You blink at him and refocus on your laptop. You donât want to know how he found you. Whether itâs cruel fate or something more sinister, you have more important things going on.
âYou pack a real blow, you know that? I had a bruise and everything,â he complains, ânot very nice and Iâll say Iâve been really nice to you.â
You continue to ignore him as you resume your response to Caroline. In hindsight, you would rather sit through the clanking of wrenches and pipes. You swallow your agitation, tuning out the silhouette just on the other side of your screen.
Suddenly, your laptop crushes your hands and your eyes pop up. Peteâs hand lingers on the cover as you snatch your fingers out from under it. You tilt your head in frustration.
âYou look like a sweet girl,â he says, âbut youâre not, are you?â
âExcuse me?â You hiss.
âAh, come on, loosen up," he winks.
You shake your head and contemplate your options. You could pack up and go but you risk leading him back to your building. Telling him to go away isn't going to do too much and ignoring him only seems to encourage him.
"You like sweets? They got a great chocolate croissant."
"I'm not hungry," you insist and go back to typing. "I'm busy."
"Lonely too, by the looks of it," he leans forward, "let me buy you something, sweetheart."
Your eyes flick up and you give him a glare. You don't understand this man and he surely doesn't understand you. You're less than interested in any guy but especially not him. Your life has order and you value that. What little you can control, you hold close.
"You don't just come down to the cafe looking like you do and not want attention," he pushes on your laptop again and you stop it from closing. "I mean⊠how many dudes are gonna hit on a sick girl anyway? I accept you, babe, kidneys and allâ"
"That's it," you snap, "get away from me. Now."
"Hey, it's a complimentâ"
"Leave. Me. Alone."
"It's fine, we can move past this, I like a little fireâ"
You flutter your lashes at him as your chest burns. You want to scream and cry at the same time. You look around, reminding yourself of your audience and take a deep breath.
"I'm asking you nicelyâŠ" your voice cracks, betraying you, "to go."
"I didn't do anything wrongâ"
"There a problem here?" A deep growl has you shrinking further as Pete turns in his chair to look defiantly up at the man in the black apron.
"No problem. None of your business, bus boy."
The man with the black apron crosses his arms and scoffs, "big problem. I own this place so if you don't leave in the next fifteen seconds, I'll have you trespassed."
"Whatever, bro, me and the lady are having a chatâ"
"He bothering you?" The man in the apron asks. You nod, breathless. "On your feet before I throw you on your ass," he growls at Pete.
"Like to see you try," Pete stands and puffs out his chest, "you're getting a one-star, bud." He crushes his cup into the man's apron, spilling the coffee down it, "coffee tastes like dirt anyway."
"Have a good day," the owner sneers, staring until Pete finally retreats, not without sending you a lecherous leer.
You watch after him and swallow, "I'm sorryâ"
"You okay?" The man holds the dripping cup, foam on his name tag that reads 'Curtis'.
"Yeah, thanks," you murmur, "I didn't mean to make a scene."
"No worries, you need anything, just ask for Curt," he gives a curt bow and backs away, leaving your to wallow in a stormy rush of nerves.
#pete brenner#dark pete brenner#dark!pete brenner#pete brenner x reader#drabble#series#pain hustlers#i knew you were trouble when you walked in
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In the books Rand completely rejects his Aiel heritage. Jordan seemed to be going with telling the story of an adopted kid who decided only his adopted family mattered. But that's not the only way to tell that story so the show has the opportunity to do something different there if they want to. My preference would be not to have Rand reject his Aiel heritage but to refuse to abandon his Andoran heritage/Two Rivers upbringing. The Aiel canonically want him to become fully Aiel so for him to refuse to give up part of himself could be another way to frame it . They also resent the fact that Rand is only half Aiel and wasn't born in the Waste so they could do more of that imo
i'm trying to think of a useful response but my brain is too occupied by the sudden realization of the Bi Metaphor of rand being too aiel to fit in with wetlanders and too wetlander to fit in with aiel hahaha
anyway, from what i can remember, i don't know if i would say rand *completely* rejects his aiel heritage in the books (at least until the point when RJ himself shuffled the aiel off to the side in general because he wanted to play with the seanchan instead). i may be misremembering but i think rand DOES put in genuine effort to learn about aiel ways, but is just really bad at it and gets easily frustrated with trying to keep track of all the intricacies (which is completely understandable, especially since the aiel are making very little effort to adapt to HIS culture or meet him in the middle). and he IS curious about shaiel and janduin and is emotionally affected by hearing about them from the wise ones, even if he ultimately decides that tam and kari are his true parents (as he should! like you say, it's a great repudiation of the "blood family>adopted family" trope that is so prevalent in media and especially in fantasy where the Normie Adopted Family so often gets swept aside once the hero finds out about their Super-Special Secret Birth Family.)
and he knows that he needs to *be seen* adapting to aiel culture in some way in order to get the aiel's support, which is another interesting wrinkle in the whole situation, because his public behavior and his internal feelings are not necessarily aligned (i'm thinking of the alcair dal scene where i think all those lines about tam being his real father are just in his head as he's talking aloud to the aiel about being janduin's son). i'm not bothered by that sort of "i need to publicly buy into my aiel heritage but in my heart it's not who i am" attitude because i think it's pretty realistic for his situation. and maybe he starts shifting from "i just need to be seen doing this for political reasons" over to "i genuinely do respect aiel culture and want to learn about it, even if i'll never consider it MY culture" as he gets emotionally closer with aviendha and some of the other aiel.
but at the end of the day, while i like the aiel and find their culture interesting, i'm not nearly as invested in them as i get the sense many WOT fans are haha (see: me finding the glass columns sequence quite boring and being utterly bamboozled to discover that most readers list it as one of the best scenes in the series) and so i just don't feel very strongly about what route the show takes re: rand's relationship with aiel culture and his aiel heritage. and also probably have a fuzzy memory on a lot of the book details on this topic!
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An ask you had recently mentioned American-Centrism (which is it's own topic, and was just a jumping off point for my line of thinking here), and one of the comments on it talked about how people in the USA, Canada (and Australia and New Zealand, etc) will talk about their ancestry. We've all seen people say they're Irish, for example, before they say they're American, even though their family has been in the USA for several generations. Or Italian American, or a Canadian who's "German and Irish", and so on with other countries and other nationalities. It's a veritable plague in many ways.
I'm not saying it's wrong to be frustrated by this by any means--it's a massive pet peeve of mine. I'm from the Balkans, and while I won't get into my own ancestry, suffice to say my family has been living in the same area for centuries, and likely longer. There are buildings in my small town centuries older than the USA. We have rich traditions that the "New World" (so to speak) simply doesn't have. Hearing someone say they're as "Balkan as I am" is frustrating, especially when they try to lecture me about my own culture. It leaves a sour taste in my mouth, and in many cases the push back against these people is well deserved.
But I don't ant to ignore how complicated this all is either. "White American" (or Canadian, Australia, New Zealand, etc) is seen as a cultural void almost--just look at the jokes about people having no culture. But humans cling to ancestry and want to learn more about where they come from, as that's human nature. When your family has done everything to remove their culture and fit in with a new society, it effects you, and that in turn effects how these people interact with the culture they feel like they're missing. There's a reason why diaspora populations have their issues after all, and why those issues are so unique. Culture is entrenched in humans, but a lot of people don't have access to it in a way they once did. My country isn't rich. It's pretty shitty in a lot of ways, but you can FEEL the culture and entrenched traditions here. You can't in a lot of the places people who cling to their perceived past live (in my experience in moving for school and living briefly in the USA and through my area of study).
I have an aunt who moved to the USA in the 80's. She didn't teach her children her mother tongue so they could fit in, and did everything she could so that she, her husband, and their children, could fit in and have "American dream". And in some ways, they did and still do. But as we all know, the American Dream is hardly perfect. Seeing how desperate my cousins now are to have a connection to their culture, I think I can understand why people cling so hard to what they feel like they're missing.
I'm not saying that they're in the right, and I do think these people who cling to that whatever percent (insert ethnicity) need to sit down and fucking listen. They're showing themselves as ignorant more often then, and need to stop talking over others. That's a sure fire way to have everyone hate you.
Going back to the example of my cousins. One was horrible about this for awhile, and she's first gen. She grew up with people saying they were X percent this, and Y perfect that. So she parroted it. And I hated her for awhile. But she eventually (thankfully) grew up, and came to visit and asked to learn and to grow. That makes such a huge difference. Most people, in my experience, are happy to share culture when it's done in a respectful manner and coming from a place of genuine interest.
I know this is all incredibly nuanced, and I'm not expressing myself perfectly. The push back against American-Centrist is well deserved in many ways, but that doesn't mean there aren't other parts to the conversation. Maybe it's because my area of study is anthropology and human culture is deeply entrenched in my day to day research, but I find it both fascinating, and incredibly sad.
*note, I'm not saying there is no culture in America. But responding to people here and in the internet in general, and stating some general observations.
--
People are also just used to communicating with other locals.
In the US, me being a specific flavor of Irish/Scottish/English/German/Protestant French mutt is what distinguishes me from other white people. It's not weird to talk about your background in a context where a lot of people's families aren't originally from here. You're a such-and-such-American as opposed to some other kind of American.
It's just that when one goes online into a highly international space, local shorthand doesn't really work.
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Side Character Roles/Functions
I've been thinking about the roles of side characters in this series and how they function as narrative devices. I have no specific point to laying them all out other than I think it's interesting to take a look back at what they've shown us about the main characters.
Yo & Plug - I'm putting them together because they're almost always in scenes together. To no one's surprise, I think they are intended primarily as a mirror to SandRay's relationship. What is first presented as a seemingly ideal relationship turns sour fast when Sand and Ray catch their breakup outside of the bar. Yo is afraid of commitment much in the same way that Sand is afraid of setting boundaries or rejecting people he cares about lest he lose them. In that way, Yo's behavior almost contradicts Sand's own--Yo is so afraid of losing someone that she opts to leave them first, while Sand is so afraid of losing someone even if they treat him badly. There are so many juicy comparisons to Sand and Ray's commitment to each other.
Atom - Also unsurprisingly, Atom functions as both a point of conflict for Boston and, more importantly, a turning point for Boston in his own self-reflections. What makes Atom different than Boston's other hookups is that Boston had established a genuine friendship with him prior. Not only that, but Boston was under the impression that Atom was 100% straight up to the point that Atom asked if he could try things out with Boston. Judging from Boston's reaction, the fact that this friendship leads to a sexual encounter is disheartening in that it once again affirms Boston's worth as coming from his body. This topic hasn't been explored in too much detail, but I like that the situation with Atom subtly hints at it. Additionally, we see Nick tell Atom that he knows what it's like to be in love with someone who doesn't love him back (right in front of Boston!) which is a poignant line for Boston to hear. Boston was already aware of this, but in light of his recent revelations, I think it hits harder to hear Nick say it in the interaction between AtomBostonNick.
Boeing - Boeing is here to ruin everybody's day. I think he serves multiple functions given that he is involved in multiple relationships (I'm sure he will have an important function in BostonNick's relationship as well judging from the Ep12 preview). For TopMew, Boeing is both another road block for them to move past and proof that though Mew wants to forgive Top, he still wants to take revenge against him. Boeing is a convenient way for Mew to take that revenge; Boeing even invites it. Mew deciding not to take the bait though is what allows him and Top to move forward. For SandRay, Boeing is a source of conflict that they must overcome too, but he also plays a very integral role in illustrating Sand's boundary issues.
April - April is here to be the unproblematic gf of the year. In my own personal opinion, I think she deserves better than Cheum. I do not think Cheum is a bad person, just like I don't think anyone in this series can be considered a bad person, but her behavior--especially with the Atom/Boston incident--frustrates me to no end. But back to April. I think her relationship with Cheum is important in that it remains fairly consistent even though it has its own issues. I'm glad they encountered some conflict to remain realistic and show the audience that not even the lesbians are safe from drama.
Moms/Dads - I won't go too deep into this since there are so many avenues (might be better-suited for a longer post), but moms and dads play an important role for many of the main characters, particularly Sand, Ray, Boston, and Mew (with variation of course). Contrasting the relationship that Ray had with his mom to Sand's mom/Mew's moms illustrates how Ray has been lacking in a familial support system for much of his life. On the other hand, Sand's father is an absent figure while Ray's father is only mostly absent, though he does care about saving Ray from his mother's fate. We also see small glimpses of Boston's father and Nick's father; Boston's father is an especially good indicator of the role of reputation, expectation, and even toxic masculinity in Boston's life.
#I really hope I didn't forget anybody#only friends the series#ofts#sandray#raysand#bostonnick#topmew#only friends meta#only friends analysis#only friends episode 11
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I always enjoyed reading LO, though as of late I've gotten more critical of it and aware of the flaws in storytelling, art, pacing, etc (one can still like trash while recognizing it's trash, I guess), and it's been super weird being the only one in my friend group who's not seeing it as this perfect flawless comic anymore. Your retelling so far has been super refreshing and a joy to read, the art and character design is recognizable yet distinct and great on its own (I LOVE YOUR DIONYSUS SO MUCH HOLY CRAP HE'S SO GOOD), and like... I'm interested in where things are going! It's fun reading this! I still do enjoy LO (maybe it's the sunk cost fallacy, idk), but I'm invested in your version so much more now. So thank you for your work, it's really great :)
I know the story is focused more on H&P than the mostly cast of side characters, but are there any other myths that might get revisited as well? Eros/Psyche, maybe Ariadne since Dio is here...?
Absolutely, I say it a lot when the topic of "LO stans vs. LO critics" comes up but none of the criticism is meant to be persuasive debating, while it can be frustrating to voice our criticisms and be met with "yeah well that's just your opinion", we're also not criticizing the comic purely to convince you that it's trash, we're legit just engaging with the comic in our own way. The best way any LO fan can react to it is either to acknowledge the criticisms and move on, or not go out actively seeking the criticism in the first place if it's something that bugs them. But in the end, no one is talking about the comic in this way as a means to strong arm people into riffing on LO, we'll still be talking about it way past everyone's bedtimes regardless of whether or not you chime in and/or agree. I think a lot of people who enjoy LO have a hard time separating those two things because they love the comic so much that any criticism is automatically flagged as "they're trying to make a hater out of me". And yeah, maybe we are a little bit (because it's fun to riff on this comic and the crit community has genuinely some of the nicest and funniest and most creative people I've ever met) but for the most part it's not our goal to make you hate the comic, we can't take your enjoyment of it away from you, even if you do recognize its flaws yourself. By all means, enjoy LO if you want to, we won't try and tell you not to! Just don't think that gives you permission to tell the critics to stop criticizing because that's a double standard we just ain't gonna stand for LMAO
All that aside, I'm glad you're enjoying Rekindled! As for the other stories, I'm trying to reel in Rekindled's plot to focus solely on H x P because I feel like that's what it should have stayed as. One of Rachel's biggest mistakes IMO was when she stated she "wanted to include as many myths as possible" because it's clear it's resulted in her prioritizing low effort Google-level lip service and Marvel-esque nostalgia referencing over telling an actual cohesive story. I'm taking a lot of the additional myths that Rachel tried to do in LO and leaving them on the cutting room floor, but when Rekindled is done, I'm hoping to pick up what was discarded and do them as little side stories after the fact. I feel like that's the best way to do it especially considering so many of the myths Rachel included didn't happen until after Hades and Persephone were married (including Eros and Psyche). I'd especially love to tackle Orpheus and Eurydice, it's one of my favorite myths :) Dio x Ariadne is also one I'm hoping to tackle, though that one I'll probably work more into Rekindled itself as Dio plays a huge role in Persephone's character arc, we'll see !
#lore rekindled#lore rekindled comic#lore rekindled ama#ask me anything#anon ask me anything#anon ama#ama#lore olympus critical#lo critical#antiloreolympus#anti lore olympus
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for so long I have felt like a weirdo for thinking that the jro pregnancy stuff is deeply unhorny. but I am going to say it now: it's only horny in the way that the alien franchise is horny: there are definitely people who are horny about it, but it's primarily about the non-sexy aspects of pregnancy. i get that it's a funny joke but a non-insignificant people genuinely act like it's "the writer's barely disguised fetish". birth is weird and scary and fascinating, even more so in robots. im probably more defensive about this than I should be but it's kind of upsetting to me that this is where the discussion always ends
I'll put this under a cut so as not to spam anyone's dash bc yeah I went off on this ask haha (positive).
I actually felt so insane about this very topic I ran a damn poll on my NSFW sideblog and the thing is: the majority of folks voting agreed no, it's not inherently, textually horny. (I would know; I know horny when I see it, ffs!) Which vindicated me! Because I agree it's so ridiculous a thing to unironically, sincerely insist is super horny, given the text, lmao.
Like, it's extremely obsessed with pregnancy, but this is not the same as 'a fetish', and tbqh I think the 'fetish' joke just shields any actually interesting discussion of what it's doing. I think the Alien comparison here is actually really telling; it's absolutely a visceral thing, a thing concerned with the body and how it functions, sometimes against our will. And it's not unconnected to sexuality or eroticism in how those things are discussed more broadly, in the sense it's talking about a thing that intersects with those elements in the abstract, but it's not. Like. It's not a "fetish" thing, and if the characters it involved weren't referred to as 'he' in text I think less people would be calling it that, and actually it kinda sucks that every time I bring it up I have to block people who see 'pregnancy mentioned' on my completely sfw posts as an excuse to go off on their personal fetishes in detail, or their desire to speculate on the imagined fetishes of the writer in equally graphic detail. (BTW, it's genuinely uncomfortable seeing people obsessively speculate on the imagined fetishes of a creator, I think. We should all do that a little less in public.)
I mean not to be a total killjoy or anything but like... treating pregnancy in itself, even in the most abstract way, as inherently fetishistic and inappropriate (the people reblogging my innocuous posts about pregnancy metaphors with fucking trigger warnings! 'mpreg trigger warning' being a normalized way to tag pictures that are just Trans Dude Who Is Pregnant!) is uh. I mean we live in a world where pregnant people are often massively marginalized by society period, and seen as somehow inappropriate for public life, and especially anyone who is remotely GNC. Like the idea that something is inherently obscene about a pregnant person is, shall we say, not apolitical. It is in fact a thing that people actually have to fight against in real life. I mean. Fandom doing this to a text that in fact is most notable for treating pregnancy weirdly neutrally in these terms is... frustrating! I think we all lose out when we refuse to engage with weird, funny texts that have things to say about these topics that fall outside our expected frameworks, like, say, 'this is A Fetish TM'. That's limiting! If we want to talk about what IDW1 phase two does with gender, we cannot do that properly if every time we talk about MTMTE we get weird about it doing sexless genderfree pregnancy metaphors, and instead make them funny mpreg jokes, tbh! IDK! Seems counter intuitive! And I genuinely think MTMTE/LL's bizarre approach to the thing is so interesting precisely because it's so odd and offputting. What if we actually examined it. I think we can find some good stuff in there, frankly.
And truly the especially frustrating thing is that the comic itself, for all it is objectively weird and hilarious and 'why the fuck is this even HERE' about it... is just never that. Like. I posted those excerpts because it IS weird and it IS wild and it IS quite funny in its way! It's alien robot body horror in a kids' cartoon franchise turned to an unexpected end! But you know what it actually manages, somehow, to never be? One: weird and misogynist about pregnancy. Two: weird and transphobic about it involving vaguely, ostensibly 'male' characters. Make all the mpreg jokes you want I guess, but MTMTE is many bizarre things but it never gives one single shit about the gender binary, and tbh I think it's genuinely kind of embarrassing the fandom saw a comic that did insane robot body horror pregnancy shit and was like. Okay well. But the mpreg tho.
Like. I've joked for years that I want to do a transmasc read of the pregnancy stuff Roberts did in TF seriously, same as I think a transmasc read of how Alien presents fears around "male pregnancy" in a trans context would be great. And for all my jokes, I genuinely would, actually. I think it's legit very interesting how Roberts manages to divorce the presentation of horror of pregnancy from gender in a way that mitigates the gendered subtext somewhat and gets at the loss of autonomy in a broader sense.
anyway it truly sucks that fandom is so fucking shitty about this. to give a little extra context, i talk about a particular transmasc humanformer AU sometimes that involves pregnancy and. i have had to Delete Some Fucking Asks about that thing, which. well that happens in normal regular real life and people talk about it like a fanfic trope (derogatory). so. i am a little sensitive to people getting Like This about the topic, aha.
sorry i went off on one anon, can you tell. i also find this frustrating. i relate. i am totally with you. god it would be so much less interesting to read it as horny so like, why is this the ONLY MODE we seem to have tbh
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Sometimes I feel conversations surrounding ace-spec and aro-spec experiences are presented to monolithic. Of course I'm not referring to when people are specifically describing their own experience; however, when speaking about the communities as a whole I wish there was more emphasis on the diversity of experiences amongst ace and aro people. I'm not saying this is always an issue in ace and aro spaces, but it has negatively affected me personally. If this isn't something that you've noticed that's fair. Maybe this is a niche topic, not sure.
For example when people broadly say aromantic people don't date that generalization feels exclusionary to me. A lot of aromantic people myself included do date and even if most aromantic people don't date it doesn't make that generalization a good representation of the community as a whole. I have a similar issue when people broadly say asexuals don't have sex. My friend's old partner one time essentially harassed me in my own discord server for identifying as a sex favorable asexual because I was apparently misrepresenting the community. She also repeatedly told me it just sounded like I'm demisexual.
Though I don't personally identify as demisexual or demiromantic myself I do have the impression this issue is part of why demi people are often so othered. I've noticed this in the ace community especially, demisexuals are sometimes othered and seemingly seen as kind of separate from the ace community. I think this is also because demisexuality is a very misunderstood identity too. I just wanted to highlight demi erasure because I think it's a part of this conversation even though I'm not demi myself.
I think in conversations about asexuality and aromanticism it's sometimes forgotten the orientations describe having little or no sexual and/or romantic attraction. Having little or no attraction doesn't necessarily dictate your desires. Yes asexual and aromantic can also describe a disconnect from normative societal expectations, due to feeling repulsed by sex/romance, or being uninterested in sexual/romantic relationships, but they're not mutually exclusive. You can have little or no sexual attraction or romantic attraction and still be interested in sex and/or dating. You can want to participate in traditionally sexual coded and/or romantic coded things and still be asexual and/or aromantic. Both are valid experiences that should be equally represented while defining the community as a whole.
Rather than saying, "aromantic people don't date" if that person said, "a lot of aromantic people don't date" I feel simply including the "a lot of" part would make the statement so much more inclusive. I recognize that it's likely most asexuals don't engage in sex and it's likely most aromantics don't engage in romance as a part of their asexuality or aromanticism, but that doesn't change that there's still a chunk of ace and/or aro people who do.
I feel kinda bad making such a big deal of this, but again it is something that has genuinely negatively affected me. I understand do to amatonormativity not being interested in sex or romance can be an extremely alienating experience in our society and I want to respect that. I understand why it's so important emphasizing the validity of not being interested in a sexual or romantic relationship for example and I want to uplift aces and aros with that experience so I feel kind of shitty making a big deal out of this. I recognize because I do date for example in that way I fit more into amatonormative standards and I'm not trying to overlook that. At the same time as an aroace who does participate in sex, dates, etc I often feel like I don't exactly belong in either space which is very frustrating.
I just wanted to share my feelings on this and feel free to give constructive critique.
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:D for your twc girlies, âĄâ„â?
tysm, Bunny! <33333 ngl, it was an effort not to turn some of these into full-on essays lmao.
⥠- romantic headcanons
Petra loves naps. To the extent that she semi-regularly blocks time on her calendar for a power nap if she knows sheâs in for a particularly long day. Once Ava realizes this, blankets start appearing on the backs and arms of every chair or couch Ava has ever seen Petra fall asleep on at the warehouse. (Did Ava enlist Natâs help for picking good blankets? Signs point to yes.) Holland has what is, at this point, a frankly embarrassing number of never-to-be-sent love letters in various states of completion hidden in a shoebox in her closet. These notes (obviously) contain all of her Sappiest Nate Feelings âąïž and would fully expose all the dreamiest romantic parts of herself that she likes to pretend donât exist (v delusional of her to think they arenât obvious đ) on the topic of not-so-secret sappiness, Leila has SO many doodles and sketches of Morgan in her notebooks, the margins of meeting minutes, etc. I know this is probably going to be obliterated by actual canon, but to me, the first time Del says âI love youâ to Felix is totally accidental. he does something that makes her laugh so hard her sides ache, and when she catches her breath, she says, âoh, I love you,â out loud without meaning to.
â„ -Â family headcanons
canon be damned, Leila has a great relationship with her grandparents and has always spent a fair amount of time with them. This has continued into adulthood. Sheâs especially close with her grandfather, who inspired her love of cooking (and taught her how to make perfect tahdig). Petra doesnât want a family in the traditional, married-with-kids senseânever has, really, but certainly not in her current line of work! sheâs much more flexible on the marriage part than the idea of having kids, though (so, if that were something that were important to Ava or if she proposed, Petra would be fine with it; she just wouldnât care if they didnât, either). Despite her stated lack of interest in children, Holland is the one who broaches the idea of adopting the supernatural orphan who ends up at the facility one day after falling through a portal. (this hc is based solely on vibes/a random thought I had literally years ago; my brain latched onto it and now itâs her canon, I cannot explain myself further.) Del snoops for more info on Rook in the Agencyâs databases pretty much as soon as she learns he was also a human liaison for Wayhaven. Rebecca wonât talk about him, and she wants to know everything she can (few things frustrate her more than feeling left in the dark).
â - old age/aging headcanons I meannnn this is just (im)mortality/Turning vs Not hcs, yes? Because thatâs how Iâm taking it :D
Delaney thinks eventually becoming a vampire is more or less a no-brainer decision. Iâm not sure when sheâll start making any kind of serious plans, but she might be the only one for whom itâs a very clear and definite âyes, this will happen at some point.â A rare instance in which Petra doesnât make a purely impulsive decision haha. She absolutely wants to see All The Data on success rates, procedural notes, etc. Of all my twc girlies, sheâs probably the one with the most practical concerns/considerations re: not staying human. I think she ends up deciding to go for it(?) Leila is another relatively easy âyes, why wouldnât I?â with the caveat that she has a bit of an identity crisis afterwards â and especially as the ramifications of her decision start to sink in (friends/loved ones aging, etc.). She wonât ultimately regret her decision, per se, but there will definitely be Some Feelings about it! aaaand I genuinely have no idea where Holland will land. She has the most anxiety about it by FAR. She really struggles with wrapping her head around what the realities of living forever would be like, day to day. (Also, she has a deep-seated fear of choosing immortality and having it force her to learn the definitive point at which people (âŠokay, Nate) stop(s) wanting her around.) She ends up having a number of conversations with Adam, weirdly enough (sheâs definitely least close with him, out of all of UB), about most of her concerns, which is a cool bonding opportunity for them.
headcanon asks
#the family one was weirdly difficult - didn't realize how little I think about that in general for them!#but it was fun to noodle on#answered#ocs + hcs#oc: petra carlisle#oc: holland townsend#oc: leila ghazdari#oc: delaney keaton
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You can't just ask me this crow, I'm so bitchy bestie-
So I'm gonna give you two I'm most bitchy about :)!
Ghoul characterized wrong? It's Rain. Oh my god. It's rain all the way, people either make him a shy little thing uwu boy or he's a massive bitch. Not even a fun bitch, like genuinely I've seen some people write him as being so snarky and nasty for literally no reason and it drives me up the walls!!!!! Like yes he can be bitchy, he's a little sharp tongued at times, but he's not? Malicious? Or cold-hearted? Honestly it's more recent I've noticed the shift towards bitchy Rain than anything else, like end of last tour coming into this one but this one especially. It frustrates me to nooo end because like, stop it, I'm putting him up on a shelf you can have him back when you learn to be nice to my babygirl.
Ghoulette? Cumulus but especially Lus when she's shipped with other ghouls. By herself she's seemingly always the mom casted character (I'm pretty sure you've heard my feelings on this already so I won't bore you with that rant today) and just sooooo bland, but when she's shipped with any of the boys (90% of the time it's Mountain specifically) it feels like she literally doesn't care about them? Feels like she's written as just tolerating their affections, its rarely ever her being actively in love with someone else.....?? I think thats why I'm so fond of the way you write her and Mountain tbh, because it actually feels like she, yknow, likes him.
Anyways
I have opinions man.
- Void
we're here to biiitch lets goooo (though i said it already, when it boils down to it, there is very little i seriously have a problem with when it comes to how we as a community write ghouls that technically dont even have fucking names lmao. its just interesting to see what irks people, and how true some of the patterns can be amongst fellow creatives)
malicious is def the word i was trying to find when speaking about dew being written as mean. look, i love mean rain as much as the next person. bc mean rain is hooot. but hes not 'mean for the sake of being mean' like i said. as a person. obviously kink and scenes are very different, i'll try to stick to speaking about character as a whole. but, i get what you mean, its like, im pretty sure he exists somewhere in the middle there?
and some others have some thoughts about the 'uwu boys' as well. and yeah, honestly? i want my ghouls to read as old as fuck hellbeasts. i dont want them reading like innocent children. and i dont want to get in a debate about agre either, bc thats a different boat, but thats part of the reason i dont read or write agre. rain is not a dainty shy innocent uwu little creature. he is strange and offputting and confident and reserved when he needs to be etc etc.
again, ive got specific stuff to go over about lus. but, i do think you bring up a good point about writing the ghoulettes in relation to the ghouls. which, as a bi woman, why dont we write different gender pairings moree????? hello????? again, different topic, not the task at hand. but i think it has to do with what you're saying here. its like there's a piece missing in their interactions. and sometimes it can get into objectification territory bc they arent fleshed out properly.
if were saying the ghouls are poly....then the GHOULS. ARE. POLY. you know what im saying?? its not just the group of 'boys' and the group of 'girls'. i want the in between too. and i'll always make a point to write more of it. thank you for being fond of my mountlus, bc i am very fond of them and their relationship.
@divine-misfortune
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Hello đ I love ur TMNT AU đ which is saying something because I usually avoid angst like the plegue. Especially with such heavy topics. I usually find that most AUs like this are just angst for the sake of angst with no other purpose except for shock value. But this AU is very well written, thoroughly thought out, and is very realistic in the interpretation of how abuse and violence effects children growing up. Other types of "angst" AUs and fics usually have me unreasonably angry and annoyed with how they practically glamorize abuse. While ur stuff has me feeling sick and disgusted (a positive thing really! Those are the feelings ur supposed to have when reading stuff like this.) because of how absolutely RAW everything is. Abuse is messed up and leaves its mark on u that'll effect u the rest of ur life. It fucks u up mentally, emotionally, socially, as well as physically. It is an ugly part of life that you quite elegantly bring to light with ur wonderful storytelling and art! Wonderful job! đ
i mean you probably like it because it's not really an angst AU, if i'm honest. The point isn't that everything sucks or that people are in pain, that's just kind of a part of it? i dunno if that makes sense. I really appreciate that you like it, but I'm also kind of weary to put down other AU's.
I get where you're coming from with not really vibing with angst AU's, I don't really get into them much myself. they can seem gratitous nad pointless if you don't find them interesting on their own. But I think they're going for something a bit different than i am.
I think there's value in both creating and seeking out unrelenting trauma and horror and torture and pain in your fiction. Some of them can feel a bit stale or tropey at times but if those are the tropes you like then hey, you're probably have a great time!
I don't get bent outta shape about it cuz at the end of the day, it's just something some people do in their free time for fun and to express themselves. I like expressing myself with lame comedy about dark situations and bitter comics about not being allowed to die, haha. but if some ppl wanna draw gore and suffering then like, more power to them i guess!
THAT BEING SAID, I do genuinely find this flattering, that you like something that deals with dark themes even when you usually don't. it's like, AWWWW!! little old me?? and I don't want you to think I'm lecturing you or anything, I'm just giving a response I think is relevant. you're frustration makes total sense if you keep hoping or expecting one thing and getting another and it's just NOT what you wanted haha.
So yeah, thank you <3
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I know I'ma regret this. #9 for the angst prompt!
â Golden Thread â
ă âOf all the times to tell me, why now?â ă
ANGST ONELINER PROMPTS FOUND { HERE } Send an ask with a number
Summary :: A conversation between Feyre and Elain doesn't go as planned.
Pairing :: SQUINT Elucien
Word Count :: 1k
Authors Note :: It's been so long since you requested! BUT I have been trying to figure out the right way to write this. I'm sorry you waited forever! But here we go!
âYou arenât who he would have chosen as a mate.â
Before the words had even fully sunk in, Elain had turned her head to her younger sister, only to see shock, mixed with frustration on her face. It wasnât until the words, and their meaning, settled into her mind, that she fought, and failed, the urge to flinch back.
âThat didnât come out the way I meant for it to.â Feyre spoke up again, fully aware of how her original statement affected Elain, even though she wished it wouldnât have.
Elain, proving to be more stubborn than either her sisters remembered, especially surrounding this topic, simply turned her head, and looked away. She hoped to give the impression that she did not care, nor did she wish to discuss him.
He was visiting, of course. Elains sisters only ever brought up the subject whenever he was around, but not near.
âHe thought he had a mate, but the bond never snapped into place.â Feyre spoke, as though Elains dismissal of the topic had not happened.
Closing her eyes, she fought against the surge of jealousy that reared its ugly head. It was not hers, it did not belong to her. The emotion came from that thin golden thread that came from the deepest part of her being, and connected her to the red haired male. The emotion, though she knew what it was, and why it was there, was foreign.
âThey loved each other so deeply, they genuinely believed they were mates.â Elains younger sister continued. She continued, ignoring, or just not knowing, the jealousy growing.
Elain hated it. She had no right to react this way. She did not wish to react this way. Yet here she was, jealous enough anyone who did not know the situation, might think that she had not ignored that thread.
âClearly, they are not.â Elain clipped back. Her words, sharper, her tone, harder than she had planned. She hadnât intended to respond at all, yet she could not help it.
âNo. They arenât.â Feyre responded, seeming to finally get a sense of where Elains mind was at. âIt didnât stop him from believing she was, even in the centuries after her death.â
Elain, as much as she loved to believe she was great at controlling her reactions, when it came to the golden thread, or him, she had a hard time keeping any reaction to herself, especially when she could not control it.
There was a small flicker of relief at learning this unknown female that he loved so much, had wanted to be his, had wanted the golden thread to tie him too instead, had no longer been alive. She couldnât help it. She desperately hoped her face remained neutral. What kind of person had any sort of glee learning someone had died, no matter how long ago?
But there was one thing Elain could not figure out. This was not her sister's story to tell. She knew why her sister was telling her. Elain wouldnât speak to him. But it still wasnât Feyreâs story to tell.
Beyond that though, Elain was curious.
âOf all the times to tell me, why now?â Though she asked, she refused to look at her sister. Asking the question may have been too much, letting her sister think she was giving too much interest in him. Turning her gaze to her sister wouldnât help Elain.
âI thought you should know, you arenât the only one who found yourself in this bond, having had hope for a past love.â Feyre responded.
It was the first time anyone had mentioned, even though indirectly, Greyson, at all since the war. What he had done, had said to her.
He was the reason Elain had started ignoring the heartbeat she could still hear. Greysons cruel words, and the harsh way he spoke to her was the reason Elain would not look within herself, knowing she would only see the golden thread. The way Greyson had broken her heart was the reason Elain refused to look at the male with the red hair.
Refusing to listen to her sister any longer, Elain stood, and walked out of the room, without another word.
She was tired of everyone expecting her to do something about her situation. She couldnât even try to distract herself, like Nesta could, without this situation ruining it.
Maybe she hadnât done anything because maybe she may want to be happy like her sisters one day. But that day kept getting pushed further, the more her sisters brought up the topic like she should take pity on him.
Elain hadnât realised where she was walking, hadnât caught the flash of red through the window, hadnât heard his laugh as she turned the corner. She wasnât expecting anyone to be here.
Yet, when Elain had entered the town house, thinking she might be free of the entirety of him, she ended up face to face with him, barely registering his human friends.
He still had the laughter in his eyes, though it was quickly dying, as he realized that it was Elain who stood in front of him.
Elain couldnât help the longing, the pain, the sadness upon seeing how quickly his laughter and joy died. She did that to him. And this was the worst part of this bond. The guilt, seeing his expression fall, anytime he saw her.
Though, now, her mind had something new to supply, seeing the fallen joy. Even though her sister hadnât meant it in a way to be painful, her words came back, which added more uncontrolled, and unwanted pain in Elains chest.
âYou arenât who he would have chosen as a mate.â
Without saying a word, Elain turned on her heel, and walked back out the front door, completely forgetting why she had come to the town house to begin with.
The only thing on her mind was how Lucien Vanserraâs face always fell, whenever she came into the room, and how it was probably because she wasnât who he wanted.
THIS, is the first thing I've written in a while! It's short, sorry. But also, tried to keep that angst. Hope I did well?
#you wanted angst?#heres angst#NEW FIC#ficlet?#elucien#lucien vanserra#elain archeron#acotar#elucien fanfiction#a court of silver flames#shae writes fanfic
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Going insane because what the fuck is that remake/remix/cover of Where Is My Mind in The Inseparables /pos
I typically HATE pop/modern remixes/covers/remakes whatever the hell of classic rock songs, but imo, The Inseparables version of Where Is My Mind fucking slayed, devoured, ate and left no crumbs. It's majestic and I love it to pieces. Nearly started crying when I heard it. THAT'S HOW MAJESTIC THAT STUFF IS
Really fits with Don's whole "you are a toy, you can't fly" moment where his whole reality and imagination was shattered and smashed to bits, especially considering the song's abt being high and dissociating or being out of it in general. And DJ's lines/quotes telling Don that it's all in his head fit so well, almost rap-like (at least in spanish lol) and i was like WHATT HOLY SHITTT
Once more, sorry for the sudden ramble, I just HDKSJSHSH I FUCKING LOVE LOVE LOVE THIS SILLY MOVIE
NOO BECAUSE LITERALLY ITS SO FUCKING GOOOODDDD. LIKE THE FIRST TIME I HEARD IT I WAS LIKE NO FUCKING WAY PUGGY IS REMAKING THAT PIXIES SONG. puggy is already iconic with several other of that studios films, cause they made the soundtrack for the bigfoot movies (which were also directed by the same guy as the inseparables btw!) and the score for chickenhare and likely will be scoring chickenhare 2. AND LIKE, FOR THIS MOVIE THEY LITERALLY MADE EVERYTHING SO PERFECT, AND THIS????? LIKE THIS SONG MAKES ME FUCKING CRY TOO
AND LIKE OH MY GOD HIS WHOLE REALITY CHECK MOMENT IS SO HEARTBREAKING CAUSE LIKE. all he wanted was to find a way to use his creativity for something better, to not be confined to one thing all the time (especially one that gets him picked on), and of course, to gain some respect. ending up contradicting himself on every goal he was initially after and thus developing a tunnel vision of one conforming dynamic, like before, but different. he wasnât wrong for committing heroism for others, but in the process he started forgetting to not just respect the couple people that actually try to respect him, but also forgetting to respect himselfâ which he realized in the beginning but completely lost track of after vaguely loosing his mind. AND THE FAKE CASTLE SCENE SHOWING THAT HES CHASING AFTER NOTHING IS SO FASCINATING TO WATCH GENUINELY. AND THE SONG JUST ADDS TO IT.
ALSO THE ART OF IT ALL IS HOW IT TIES BACK INTO THE END. CAUSE LIKE Don doesnât really need anyone to build him back up, he humbled himself, but still remembers what he intially promised and still believes whatâs right. he goes in with more self respect and still holds in his heart how to use creativity to save others. allowing others to respect their own strengths as actors, because nobody should have to be seen as one thing
TANGENTIALLY RELATED TO THE MUSIC but i also really love how rap is represented in this movie. usually rap isnât taken as serious as other music genres and itâs frustrating to see all the time. so having this movie value and even encourage it is actually very interesting to me
ALSO DONT EVEN WORRY YOURE SO GOOD I LOVE TO HEAR FROM YA!! i also tend to ramble a lot about it and it gets pretty off topic but i just feel like the music ties everything together so well, i swear i could write an essay on everything about this movie HA
#griffin speaks#the inseparables#nwave#I TALK ABOUT THEM TOO MUCH#the silly puppet movie that drives me up walls#tee hee
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A Less Obvious Toxic RPer: The Overaplogizer
I see a lot of RP resource blogs that talk about toxic RP partners in the cases of people who are overtly controlling, aggressive, demanding, and/or cruel, but rarely if ever do I see posts about a different sort of toxicity: The over-apologizer. These RPers donât get defensive or aggressive, they get so submissive and self-hating and apologetic over the SLIGHTEST criticism or even suggestion. Itâs not a problem of ânot saying sorryâ itâs a problem of TOO MUCH sorry. Here are some examples: Sally: âHey there, I know we planned for our muses to end up together eventually, but some of your recent asks seem to suggest theyâre already a close couple. I was hoping for a longer slow-burn sort of thing, moving in too fast will definitely scare my muse off. Could we dial it back a bit?â Bill: âIâm so sorry, I completely fucked up! Please donât hate me ! I should never have started RPing! Letâs just drop the whole thing Iâm sorry I wasted your time!â Sally: âHey, so in your last reply, you had a whole bunch of spiders come out of the walls. I probably should have mentioned this before, but spiders are kind of a trigger of mine. Could we change that to something else?â Bill: âOMG Iâm so sorry Iâm such an asshole! I should delete my blog, Iâm so terrible at this! This is why nobody likes me!â Sally: âHey, I really love our threads, but our last three have all focused on my muse saving and comforting yours, and the new plot you just suggested seems the same. I like writing with you, but I was wondering if this time around, your muse could help mine instead?â Bill: âI hate myself, Iâm such a selfish prick. I push everyone off, why did I think this would be different?â Sally: âI love talking to you OOC, but could you stop messaging me about New Show? Iâm just not really interested in that.â Bill: âIâm sorry, I didnât mean to annoy you, Iâll just shut up now. Iâm sorry Iâm such a loser.â So, why is this bad? Well, for one thing, insulting yourself isnât what someoneâs aim is when they ask you to change something or cease a behavior. It makes the Sally in this situation feel bad, like theyâve just bullied you, when all theyâve done is politely communicate a reasonable request. It changes the topic of the conversation from Sally communicating a need about RP, to Sally having to personally reassure Bill that she doesnât hate him, he isnât a terrible RPer, etc. This is really, really uncomfortable for the Sally, and usually, in my experience as a Sally, ends up taking a lot of time and emotional labor all focused on Sally comforting Bill and apologizing a lot herself simply for speaking up about something bothering her. All of this combines to making Sally more and more unlikely to voice any further concerns or requests to Bill, because she doesnât want to go through this again and again. Which means Sally either suffers through threads that bother her in some way and arenât fun for her. . .or she gets tired of that and just ghosts. This sucks for both Sally and Bill. Now, I donât think most people are trying to be deliberately manipulative when they act like Bill. Some certainly are and I hate them, but it can also be that theyâre genuinely extremely insecure, anxious people who think they have to over-correct due to either mental issues, trauma/abuse in the past, or both. So I genuinely try to be patient and kind, but I wonât lie, it is still manipulative and it gets my hackles up. It leaves me conflicted between wanting to comfort the person and reassure them, and at the same time being pissed at them. Itâs definitely a frustrating experience. And honestly? I still donât actually know how to handle this when Iâm in the Sally position. So I tried to do the next best thing, and write this for the Bills out there, who might not REALIZE this is toxic behavior or why. Bills, youâre not a bad person, and I know this behavior can be hard to rein in, especially when itâs a trauma response, but please do what you can to try! I wish I had advice for how, but I donât. All I can do is point out that this behavior, while it may have helped you survive a bad situation in the past, is actually really shitty to others now. And if someone WANTS this behavior from you? If someone WANTS you to scrape and grovel and insult yourself when they point out the slightest thing wrong? Get the hell away from them, because thatâs toxic as hell too.
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Hey there
I saw your post about Cornelius and Franny and your perspective on their relationship, and I just want to say that I think it's really interesting (in a good way!) that you don't necessarily care for them as a couple.
What I really love about Meet the Robinsons is that it's a lot of people's comfort movie for a whole plethora of reasons, and those aren't going to be the same for everyone. I love it because Lewis finally gets adopted by people who accept him for who he is at the end, and that's something I desperately wanted as a kid and never really got.
I also know a lot of people see a little bit of themselves in Lewis, and that's the character that they most relate to.
For me, Franny and Cornelius are my comfort ship because I just love the idea that they were really close best friends who just kind of fell in love and get married and live happily ever after. But I know not everyone is going to see that, and it's totally okay!
I actually really love your headcanon of them being best friends with benefits, at least in an AU âșïž I just love imagining their friendship, even without any romantic aspects. It's okay not to ship them, there's not law that says you have to. Like I know a lot of people who think Benedict Cucumber (I can't spell his last name lol) is the sexiest man alive, but I genuinely don't see it. đ€š
I also want to say that, as someone with a kid who never listens, I can understand their frustration with Wilbur. I think Cornelius is just tired of his kid's shit since he's probably told him a trillion times not to touch his inventions đ
But I understand that it's triggering to see stuff like that, especially in a movie that's all about acceptance and I hate that those aspects make it difficult to watch.
Anyway, I know this was really long and kinda came out of the blue, and I hope this doesn't come across in a negative way. Your artwork showing their relationship in a different light as well as your AUs is really sweet, and I hope you never lose your spark.
Also, can confirm the straights are not okay đđđ¶đ«„
Hey, thanks. I needed this. Sometimes I look at what other people are doing within this fandom and I feel like the odd one out because my headcanons all lead towards the dark and triggering side of things due to my own trauma. Then again... when am I not the odd one out? Heh heh heh.
On the topic of people seeing themselves in Lewis... He was actually me as a kid. Down to the leading with anger as an emotion because I was autistic and nobody taught me how to regulate mine. Dude, I even related to the parts in the montage where he was up teaching the class. I did that too, because I was reading middle school level chapter books when I was six.
Lewis' safe spot seemed to be the roof, and I related to that for... obvious reasons, if you saw my previous art post. That's why I developed the headcanon he thought about jumping off that roof a couple times. Some people may ask what the hell is wrong with me, but who are you to judge how I cope with my trauma? If that means making a fictional character suicidal, then all you gotta do is leave it alone. It doesn't affect your life in any way. Just mine.
Anyway, I'm happy to know someone likes my interpretation of their relationship. I'm definitely gonna do more with them, I already have some ideas I might spring for. I was originally gonna do "Ask Agoraphobic Lewis" as my new ask blog, but now I'm thinking I might do "Ask Bestie Lewis and Franny." We'll see on that one, heh heh.
Yeah the straights are never okay when we check up on 'em, huh?
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