#it's because of his bad hip!
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thetomorrowshow · 1 year ago
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a stuffed deer
empires superpowers au masterlist (currently out of date)
this story takes place about one year after the end of ‘poisoned rats’.
cw: past abuse, religious trauma, referenced past death, deadnaming/misgendering of a character (but the person isn’t really doing it out of mailce, and said character is dead)
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The closer they get, the more anxious Scott becomes. His hands grip tighter on the steering wheel, he checks his mirrors more often, he glances over at Jimmy every couple of seconds.
This is fine. This is normal, even. He knows what he’s doing. He’s done far more terrifying things than this. He’s nearly died several times, he’s graduated college, he’s been a superhero for years.
He can face his birth parents.
He’s been talking to Nora about it for several months, and he’s come to the conclusion that he needs closure. Not about himself—he fully understands their feelings for him, and made peace with them long ago. No, he’s here for closure on Xornoth.
In the last minutes before their death, Xornoth had declared themself to be Scott’s sibling. As far as he knows, he’d been an only child. If what Xornoth said was true, that puts Scott in charge of any and all of their possessions currently being held by the city. Not that he wants them, but the mayor had asked him to pursue any leads he found on Xornoth’s next of kin and, even though it had taken him an entire year and a half, he finally feels ready to pursue the only one he’s ever had.
Jimmy’s fiddling with the radio next to him, switching between gospel and country. There’s not much else that comes through out here, and they’re going through a dead zone for their data plan, so Jimmy eventually just turns it off and sits back, not-so-subtly watching Scott. Scott resolutely keeps his eyes on the road.
They pass the exit for Milford. If Jimmy’s feeling all right after the visit, maybe they can stop by there, visit the library and community college and homeless shelter.
Half an hour until Briarsville. Scott shifts in his seat, taps the steering wheel lightly.
“What did you think of that motel breakfast?” Jimmy breaks the silence. “I thought it was decent—waffles are always good, at least. But I wouldn’t have touched those sausages with a ten foot pole.”
Scott had only eaten a slice of toast with some watery coffee, too nervous already to have any faith in his stomach. “Not the worst I’ve ever had,” he offers. Jimmy’s just trying to help him relax. He can humor his attempts.
“Well, yeah. I can remember a time when I would’ve killed for a motel breakfast—literally.” Jimmy chuckles nervously, tugs on his seatbelt. “Um—how much longer?”
“Half an hour,” says Scott too quickly. He checks the radio clock, then his rearview mirror. They’re almost there. His heart is really beginning to jump now.
The car is quiet again until they reach exit 42. Briarsville.
Jimmy straightens up, looks between Scott and the town that they’re pulling into. It looks like any run-of-the-mill midwest town, Scott knows. Even the Order of Heaven private school isn’t much of an indicator of anything abnormal.
“We can turn around, you know,” Jimmy says softly. Of course he’d noticed the nerves. Scott’s knuckles have turned white around the wheel, his back is ramrod straight, he’s barely spoken all morning. Jimmy’s not an idiot, and he’s more observant than most people know.
Scott forces himself to relax. “No. I need to do this.”
Jimmy nods and doesn’t argue him any further. That’s something that Scott will always love about Jimmy: he understands. He sees that this is important for Scott and would never try to keep him from it.
And then he’s turning onto Bloomfield Avenue, and he thinks that maybe Jimmy’s right. Maybe he ought to turn back now and cut his losses.
It’s still his last name printed above the door of the house three houses down. The welcome mat is that ugly, waterlogged brown thing that it had been before he’d left. His parents still live here.
Scott pulls into the driveway, then freezes.
“What if we just went home?” he says, voice pitched an octave higher than normal. “We can stop by the country music museum. Or the Appalachian one, I heard it’s—”
“Scott,” interrupts Jimmy. “Normally I would be fine with that, but you just told me you have to do this.” He takes one of Scott’s hands, runs his thumb over his knuckles. “This is important to you. I don’t want you to be kicking yourself for the rest of your life because you got all the way here only to turn back.”
Scott takes in a deep breath, holds it, and lets it out. Then again. Jimmy’s right. Jimmy’s absolutely right. “Yeah,” he whispers.
“And,” Jimmy continues, “if they try to hurt you in any way, I will kill them.”
“You’ve got to stop saying that about everyone we talk to.”
“Hey, I’m just really good at making things look like an accident. Some might even say it’s a superpower.”
“Jimmy.”
“Just saying.”
Scott laughs, kisses his boyfriend on the cheek. He’s ready now. He can go in.
He pulls the key out of the ignition and hops out, then circles round to offer his hand to Jimmy and help him up. Jimmy stops to grab his cane out of the backseat, then gestures encouragingly for Scott to lead the way.
Right. He has to actually go up to the door.
It’s the longest walk of his life, Scott thinks. Even the walk across the stage at graduation hadn’t been this long. But seconds yet seemingly hours later, he’s in front of the door, hand poised to knock.
He swallows, then bites the bullet.
Rat-tat-tat-tat.
It’s only a couple of moments before the door swings open, and his mother is standing before him.
She looks much the same, but changed. Her hair, once grey at the temples, is nearly completely grey with only a few streaks of its former blond. There are a few new lines in her face, only serving to add to the sallowness, the laugh lines he’d once known long-faded. Her hairstyle is the same as ever, her classic Christian mom fashion sense not any different. He takes in all of this, then properly meets her eyes.
“Hello, Mother,” he says, a shiver running up his spine.
She doesn’t say anything at first, eyes passing over Scott to examine Jimmy briefly, sizing him up like a bird of prey. Then she steps aside, pulling the door open wider.
“You’d better come in, hadn’t you,” she says, and the resignation lacing her tone is somehow so much better than the anger he’d expected yet so much worse.
The living room is different. There’s a new couch, pushed up against the wall opposite where it used to be. The easy chair is the same, but also tilted weird and there’s a coffee table for some reason when all it does is take up space. But Scott keeps his complaints to himself and steadies Jimmy as he lowers himself onto the couch, propping his cane up against the coffee table, then sits beside him.
His mother looks at the two of them with something unreadable in her expression, before leaving the room. She returns moments later with two glasses of water.
It’s a test, and Scott doesn’t know if she’s set it up like this or if he set it up for himself, but he takes the water from her hand and sends a little burst of freezing air to chill it, eyes trained on hers the entire time. She doesn’t react.
Jimmy takes his water with a muttered thank you, then she sits down in the easy chair across from them, crossing one leg over the other as she waits for Scott to break the silence.
He takes a sip of his now-cool water (Jimmy passes his own over and Scott forms some of the water into an ice cube before handing it back), takes a deep breath, and speaks.
“Is Dad home? Because—”
“He’s dead,” his mother interrupts. Scott blinks.
Two for two, his mind unhelpfully supplies. 
Is he supposed to mourn an unloved parent? Is he supposed to mourn someone he used to care very deeply about, but proved that they didn’t care for him?
He’s not sure how to feel.
“I’m sorry for your loss,” Jimmy says beside him. “That must be terrible.”
“How long?” is all Scott can manage.
“Nearly two years, now,” she replies. “Heart attack while at work.” She clicks her tongue. “I was always telling him to lay off the salt, stop working so hard. Guess he suffered the consequences.”
Scott’s really not sure how to feel. The last memory of his birth father he has is of his face closing off, declaring himself to have no son, and banishing Scott from the house. Would he have liked to reconcile? Is parting easier with his last words being unforgivable?
“I’m so sorry, Mrs—”
“Heidi,” his mother corrects Jimmy, and Jimmy amends his words.
“I’m so sorry, Heidi. I can only imagine the pain.”
That’s the first thing to incite emotion in Scott, because Jimmy can’t only imagine that sort of pain. Jimmy’s lived through the death of loved ones without a house to live in afterwards or a community to support him. Jimmy’s had it worse off. Jimmy shouldn’t have to be placating his terrible excuse for a mother.
He must be getting tense, because Jimmy’s hand runs comfortingly along his knee, and Scott can almost feel the love and support that Jimmy imbues the touch with.
Heidi’s eyes follow the movement, and after a moment, she says gruffly, “Are you going to introduce me to your friend?”
Right. This could go very badly.
“Mother, this is Jimmy, my boyfriend,” Scott says stiffly, before adding, “as in, romantic partner. We kiss. Each other.”
Her nose wrinkles in disgust. “Are you a gay now, then?”
Scott stares her down. “And if I am?” he challenges. “What are you going to do, kick me out again?”
She stares back for a long moment, a moment during which Scott’s certain she is going to kick them out—then she chuckles, shakes her head.
“You always were a bit sassy,” she says. “I ought to have known, really. But that can be said for a lot of things.”
“Speaking of things that ought to have been known. . . .” Jimmy hints, nudging at Scott. Scott nods, takes a deep breath, and forces out the question that’s been on his mind for so long.
“Did I . . . did you have any children before me?”
Heidi looks away suddenly, toward the TV. Her expression gives away absolutely nothing. “I thought that was Noah,” she says eventually. “His voice was already starting to change when he left.”
“Sorry—Noah?”
She looks back at him. “Your brother. He was fourteen when we noticed he was one of them. You were so young, I’m not surprised you don’t remember.”
Right, because it’s such a normal thing to destroy every trace of your child’s existence and raise the other to believe he never had a sibling.
But that means—
“I’ve seen the two of you on the news,” his mother continues. “Your father, too. He regretted what he did, Scott, after he saw how good your heart was.”
“So he just wanted to send me to conversion therapy instead, huh,” Scott mutters. “And that’s so much better.”
Heidi sighs. “We did what we thought we had to do, for both of you. We always hoped you would repent and come back.”
Scott wants to scream. He wants to scream and yell and freeze the entire house, because that may be the most insensitive thing he’s ever heard and his own mother is supposed to love him unconditionally, not act like this!
His hands are shaking. He doesn’t even notice until Jimmy eases the glass from his grip and rubs his arm. He needs to calm down.
But he can’t bear to look at the woman’s face for a moment longer.
“I think we’ll be going,” Scott says icily, moving to stand. Heidi stands as well, taking their glasses, then pauses on her way back to the kitchen.
“We donated your things,” she says, “but not all of it. Do you want any of what’s left?”
And as much as Scott wants to get out of here, he knows he needs to see whatever it is his mother decided to keep. So, after an encouraging squeeze from Jimmy, Scott follows her into the attic.
There’s only two things in the attic—two small trash bags, leaning against a wall to the side. With a nod from Heidi, Scott opens one of them up.
His monogrammed bible is on top. He has no interest in that. His Boy Scout pins and kerchief are here as well, more stuff he doesn’t care about. His birth certificate, which he does set aside (he already has a copy of it that he’d requested from the government, but it can never hurt to have the original), and a small photo album, which he sets aside as well. At the very bottom of the bag is his plush turtle, scruffy and old.
That he pulls to his chest, burying his nose into it. It smells pretty musty, which makes sense. It probably hasn’t been out of this attic in a decade.
It brings back feelings, looking at it. Not memories, not exactly, but feelings of a simpler time. Feelings from some vague past, where he had no troubles and his only concern was getting to school on time.
And more feelings. Feelings of deception, of hate, of guilt. The feeling of his world being flipped upside down and this plushie not being near enough to anchor it.
He wants to set it with his birth certificate and the photos, but it holds so much of this place that he’s not so sure.
He sets the turtle to the side and looks in the other bag.
Much the same stuff, and at first he inexplicably thinks this is an exact replica for some odd reason—but the name monogrammed onto this bible is not his.
Scott weighs it in his hands for a moment, then sets that aside.
There’s no photo album, but the same boy scout items and a birth certificate. There’s a plushie here too, though, a floppy deer, one of the antlers torn off and the hole it left carefully sewn shut. The fur is wearing thin in places, the beads for eyes have lost their shine.
It’s well-loved, as loved as Scott’s turtle, and for some reason, that makes him want to cry.
He’s not sure what to do with it. He still hasn’t really processed what his mother confirmed downstairs.
This stuffed deer belonged to the sibling he never met.
This stuffed deer belonged to Xornoth.
Can he take it?
Does he want to take it?
He sets it aside next to his turtle. At the bottom of the bag, there’s one last thing—a photograph, bent at the corner.
It’s older than any in the photo album, and Scott knows instantly that the child in the photo isn’t him. It’s a small child with a mop of dark blond hair, maybe three years old, wearing little red overalls and a white sweater, sitting on a push-bike and smiling up at the camera.
He can’t quite force his brain to make the connection. This child, so happy and young, grew up to be Xornoth. This toddler tried to take over the world.
He can process it later, he supposes, and he upends one of the bags to make sure there’s nothing else (there isn’t, so few of what once were his possessions leftover), then stuffs both his turtle and the deer in it, along with his birth certificate. He hikes the bag over his shoulder and picks up the photo of—of the child—and the photo album, before holding both out to his mother.
“Do you want any of these?” he asks brusquely. She takes the loose photo, then waves off the album.
“I’ve kept some of yours downstairs,” she says dismissively. “This is my only picture of Noah, though.”
Scott leaves the attic without another word, photo album chucked into the bag over his shoulder. He meets back up with Jimmy in the living room, who looks up from his phone with a questioning glance.
Scott sets down the bag, pulls out the turtle plushie. “This was mine growing up,” he says. Jimmy’s face immediately softens and he coos, reaching out for it. Scott hands it over, then removes the second stuffed animal.
This one he holds farther from Jimmy, because he’s still not sure if he wants to take it with him, despite the strange sense that he owes it to his lost sibling. “This,” he says carefully, “belonged to Xornoth.”
Jimmy’s face goes carefully neutral, and his hands still. “Oh,” he manages, and Scott can hear the change in his exhales as he immediately kicks into breathing exercises.
“We don’t have to take it if you aren’t okay with that,” Scott is quick to reassure. “We can leave it here, that’s fine. I’m sure my mother would appreciate it.”
“Why—why do you want it?”
That’s harder to answer, because Scott hasn’t figured out why yet. He’ll know when he comes across the answer, he’s certain, but it hasn’t made itself known to him in the five minutes that he’s known of his sibling’s existence.
“I don’t know,” he says eventually. He stares at the deer, at the faded pattern of its coat. “There’s some reason I want it, but I’m not sure what that is, yet.”
A little color has already returned to Jimmy’s face, and he doesn’t stutter when he speaks. “Is it part of your closure?”
He doesn’t know how, but Jimmy’s right. He nods. This is, in some way and fashion, a very important part of making peace with his sibling’s identity in his head.
“Then take it,” says Jimmy, handing back the turtle. He stands, slowly, supporting himself with his cane.
But it’ll hurt you, Scott wants to say. It’s clear that Jimmy doesn’t like the idea of taking this deer plushie home, doesn’t like the idea of it being in their house.
“Don’t worry about me, yeah?” Jimmy says, as if he can hear Scott’s thoughts. He smiles weakly, squeezes Scott’s arm. “I’ll be fine. This is about you.”
They leave with a quick goodbye, no attempts on either side to set up further contact. Scott just throws his things into the backseat with Jimmy’s cane, then drives away.
-
It’s just a week later when Scott drives out of the city to a park.
It’s a quiet park, just some trails and benches through the trees, and Scott stops at one of these trees and digs with the shovel he’d brought from home.
He digs alone, in the quiet shade of the trees, a light breeze rustling through them. And when he’s finished the job, a small pile of dirt beside him, he lays a shoebox containing a small stuffed deer in the little hole he’s dug.
He scrapes the dirt back over it with his shovel, pats it down a bit, and stands there. Just . . . stares.
Then, silently, Scott turns away and heads home.
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kacievvbbbb · 2 months ago
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I’m just very obsessed with the idea that mihawk is useless in a weapon less fight like he cannot throw a punch or get out of a pin to save his life like one he can’t kick he’s done out for the count, and this is why Shanks ends most of their duels this way. Because he’s a filthy cheater and Mihawk is even worse off because it’s Shanks pining him and he has eaten a lot of dirt.
Shanks decides to teach him the art of fighting dirty cause he’s nice that way but also let’s just say that Shanks likes being in a pin a little too much
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dawnofiight · 1 month ago
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Rare pair of the day:
Elliot x Asher
Now I can't really say shit because I don't know TEW MUCH ABOUT Elliot
But I know in my heart that this could be my everything.
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bizlybebo · 1 month ago
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going out with a mobility aid is scary but going out for the first time without it is just as if not even more scary
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ratatatastic · 4 months ago
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hey that hand...
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glassdecanters · 1 year ago
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dick grayson aka “my playlist consists of mitski and 80′s rock and i will be performing this medley for you at any times i have my headphones in and you will gradually begin to worry for my mental state”
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sysig · 7 months ago
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Getting closer, getting really close now I swear (Patreon)
#Doodles#Just Desserts#Villainsona#True Villainy AU#Just ignore how many times I've said that up to this point lol - I'm serious this time!#I always feel so bad designing TVAU outfits because Charm is always so miserable as a model haha#Could this be a contributing factor as to why it's taken so long?? No I enjoy drawing her like that lol#Made some design notes about the important elements of what I want for her True Villain look - more than just ''Her but Kaiein influence''#I'd still really like a nod to dragon scales of some kind but honestly her classic design is more that#Always going on about her spider theming how to make it dragony! It's the one thing I'm still hung up on lol#As for the rest I think it's Really getting close :) I got to actually turn her little ''shawl'' - I always knew it was Kaiein-related -#Into something that properly mimics his shape! It's all controlled by her tho it's not a part of his body - just magic-infused matter#Made to look like him so there's still that creep factor but it's more her body than his - she can control its shape :D#And I got to keep the jewels! Yesss - made it a motif! Now it's also on her hips and knees to break up her visual space yes very good#It's drips :) Y'know - like ink :) Finally figured that one out lol good job setting up my own symbolism me#And then some elegant drapey bits to match her ''shawl'' and continue to break up her space!! Yes! Good!!#I still haven't decided on a colour palette I think black and white is too obvious and too Kaiein but hmmm - she has a lot of colours#Lots of options to pick from but which is the Correct one - her hair would stay pink so maybe some of her pinks or purples#I'll play with some digital swatches later :)#I'm also so glad I could implement the hood design from one of the scrapped outfits ah <3 I love her in a hood she's so cute#I'm rather pleased with the way the spider web design breaks up her form as well - it's more subdued than the full bottom/shoes stripes but#It's also not very clear here lol the long ones that all the way down to her feet are the third from the center ignore that second one#The second lines out from the center host her wings! Very important!#Kinda reminds me of my holosona in a way actually :0 They /are/ both Evil-aligned hmmmm#All the more reason to colour palette! Differentiate the colours in my head#Really do feel like I'm approaching it now fdjsklafd getting close now!!
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my-thoughts-and-junk · 3 months ago
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thinking about fallout 4 against my will
#random thoughts#fallout#unfortunately nora compels me#the fact the 'hi honey!' tape specifically mentions her 'shaking the dust off' her law degree is interesting#like she gave up her job to stay at home with her husband and kid. why?#like that's a whole year. at LEAST.#love the idea of nate pressuring her into it <3 maternity leave turns into 'isnt it so nice being with sean around the clock?'#'too bad you won't have this quality time when you return to work'#turns into 'you can always return to work if you feel like it but we DO have a lot saved up . . .'#and it's like. okay so fallout 4 would be so much better if it were set in the 1960s. literally no reason it shouldnt be#yknow beyond complying with lore which. it isnt that faithful to in the first place#i just think it's weird the game is like 'here's the FUTURE' and then it's like 'here's the FUTURE FUTURE'#anyway make it the 1960s. give me time-appropriate fucked up family dynamics#and nora's a laywer and a feminist who promised herself she'd never compromise her career for a man#and nate seemed so NICE and like he understood until uh oh. frog in a slow cooker#and he makes everything seem like it's her idea until she's barefoot in the kitchen with a screaming baby on her hip and burnt food in a pan#and she doesn't even realize she's trapped until it's too late. isolated from friends and family#idk ill do more research later to make it more time-accurate (ESPECIALLY interested in second-wave feminism)#anyway i think she cheats. with a door-to-door salesman selling places in the bomb shelters#(honestly probably the only adult social interaction she's had in weeks beyond her husband)#i like to think at some point she had a bit of a car accident due to the stress so nate took her keys#probably just a minor fender bender he blew out of proportion but she believes it because oh god what if she hurt sean#her feelings toward sean are complicated. i dont think she quite loves him which she feels guilty about so she overcompensates#with trying to keep him as safe as possible and she feels like he KNOWS and HATES her#(honestly when the bombs drop everything happens so quickly and when she's in the future and registers sean's gone she feels. so relieved)#(followed by heavy shame)#nate sabotaged her birth control btw. love evil 1960s patriarchs#never outright stated but heavily implied!#anyway nora in the future (while she felt very progressive for her time) feels very out of place#like her ideals have no place. like she has no place
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visro · 10 months ago
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am i supposed to know what james dashner is talking about in this book? is there a secret other book in between this one and the old ones that i missed? what is going on? and why has his writing gotten even worse
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depressedhatakekakashi · 1 year ago
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What is your favorite rare pair and why?
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marc--chilton · 3 months ago
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hello yes i have more data for your polling of lesbians about wilson
as a lesbian myself i do not think that i would do him if he were a man. because yknow. lesbian. but if wilson was genderbent? sure. is he as attractive to me as other women on the show? no. cuddy, thirteen, and amber are all much more my type. do i think he'd be a very beautiful woman who i would want to be in a relationship with? yes. now, genderbent house... that'd be popular among the girlgays.
i love the wilson stretchmark idea. make that man a tiger. you've established that his forearms get big af but do other areas also get swol? because i've never seen forearm stretch marks (i mean i'm not the arbiter of stretch marks but i've got a good deal of anecdotal experience being a certified tiger-woman myself) which i assume means that bodies require a lot more for marks there (i have stretch marks on pretty much everywhere except my arms and i've seen upper arm marks but again not forearm) so surely if he's got stretch marks on the rut-swollen forearms he's also got stretch marks elsewhere? idk. maybe this is Not How Stretch Marks work. but wilson with purple (eventually fading to not-purple but IME they start purple) striae all across his back and hips and ass and thighs and knees and pecs is something i think would be nice. i also think that House would enjoy the bumps. nice added texture and that man is fidgety af.
is wilson insecure about them. do those creams even work (never tried i embrace the tiger). or is wilson like "hell yeah i'm a masculine manly alpha man with bigass muscles every few months and that makes me look like i've been mauled hell yeah"
-🎸
wilson's arm marks aren't on his forearms, they're.... actually i'll make a diagram
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(tbh he probably has them on the back of his thighs and his ass too)
i'm full of stretch marks as someone who loathes lotion texture and only got fatter after puberty so trust me
he's super insecure about them even if in reality it's a sign he's in good health. to him they're just unsightly. imagine his surprise when what got him feeling better was a talk (lecture?) with house when house explained in that smartassy way of his that no one outside of wilson even cares, but if they do, it's not because they think he's ugly, but because they wonder what he must look like in rut to get those marks. not that they're gonna see them at their most visible. house has a monopoly on wilson and he's bad at sharing.
house is weirdly comforting sometimes if one knows how to read between the lines
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bionicdogs · 6 months ago
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booker hip update since it’s relevant:
his hips suck. thanks to the librela his day to day pain is minimal to nonexistent but he’s a high energy, high drive dog. keeping him chill enough to not hurt himself is near impossible without heavy doses of sedatives, which i’m not willing to do to him. he has oral meds on standby for bad days. he doesn’t need them often, really just for camping trips. thankfully swimming doesn’t cause him any pain. we built our pool with an 18” sun shelf so the dogs wouldn’t have to jump in the water to swim and it definitely paid off. the dog is obsessed with swimming so i’m glad he can do that, at least.
his birthday is next week, he’s turning four. our local boutique dog shop brought back their dog birthday cakes so he’ll be getting one of those. i intend to go all out since i don’t know how many birthdays he’s going to get and each one could very well be his last.
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teatitty · 1 year ago
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Re-read Oboro's backstory in Vigilantes tonight [Lyre will see it when they wake up later] and I am once again so pissed off at how fucking stupid the fanon is about Aizawa. Genuinely have no idea how so many of you could read through that and come to the assumption that he's a terrible horrible friend to Hizashi when there's a whole year of time that we never get to see between the death and their graduation
If Aizawa had really pushed Hizashi away, then Hizashi wouldn't have been with him when he was training. If he'd actually pushed his friends away, he wouldn't have been playfully smirking at their graduation when he erased Hizashi's quirk because guess what? He wasn't being a dick there, he was just doing what friends do. If he didn't want to be seen at all, he would've left before Hizashi started calling out for him, but it's very obvious he was standing there waiting for him. He erases Hizashi's voice because he doesn't like large groups and photos but he still smirks and holds up his graduation scroll to have a private, personal moment with his best mate
It's nothing more than a "Hey. Look at us. We did it" gesture. Some of you really do read way too far into things. And as for Hizashi's reaction to his voice going, this is just a general "wait what happened to my voice? Shit did I overstrain it - oh it's just Aizawa nvm" moment
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sysig · 5 months ago
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By the skin of your teeth (Patreon)
#Doodles#SCII#Damned#DAX#ZEX#Pyramid Head#The Captain#Blood#The cuts themselves are just black and white because I'm controlling myself lol - clearly not That much with the rest but hey!#Still it is a very nasty cut for how nonchalantly I've drawn them all haha - ZEX's back too he's just facing forward#I also momentarily forgot that he was in his uniform it's fine don't worry about it lol#All these speculations on where and how about the injuries and then just - What Uniform That I Am Enamoured By? Haha#I've done the same thing with DAX I keep forgetting about his poor ankle and then it comes up and I'm like ''Oh yeah haha I knew that''#How are some details so sticky and others so smoke-like! Some stay in my brain and others - pffbtl how silly#All the same it's still the Funnest Fun <3#There's something so Extra delightful to have Seen a setpiece - an object - an idea - and then get to interact with it <3 <3#Hitting Pyramid Head with Zelnick's frying pan! Forget PH I can't believe we had the budget for the skillet's appearance fee ♪♫ Hehehe#No but honestly Pyramid Head was incredible ✨ Wonderfully scary and distressing and tense and full of fallout! Terrible things!! ♪♫#I've never drawn him before so it was interesting! :0 His appearance in SH2 looks all squished#Like his belly is jutting out across from a broken spine! Quite spooky#I don't think I fully managed to capture that - kinda just looks like his hip bones are very prominent hehe - but maybe some other time :)#I hope they don't run into him again - for their sake tho haha ♪#DAX continually pulling ZEX behind him to try and protect him (and failing) was something I really Had to put to paper <3#As well as snuggles!! Even before they got Really hurt I was like Oh everyone needs hugs so bad :'0 And they do!! They need so many hugs!#Maybe especially Zelnick poor Captain :'0 Give this boy a break#The injuries are more of a self-guide hehe I'm not sure how accurate they are - they Feel accurate based on handedness et al#I was the least sure for Zelnick since he got tossed (poor thing!) but at least bruises are always fun to draw hehe#The return of my rainbow bruises lol - I only use three colours they're just so vibrant!#DAX trying so~ hard not to be taken in hehe what could these feelings be! Familiarly repressed? No surely not ♪#Be nice ♫
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pawsitivevibe · 1 year ago
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Technically he's purpose-bred to stand on grooming tables and trot in a circle.
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tariah23 · 7 months ago
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He’s such a loser bro
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#rambling#ppl only watch his streams to see him get drunk and cry#I really used to watch his videos bro what the fuck was wrong with me#back when he was doing the war in chiraq but stopped after Vic Mensa called him a bitch to his face and didn’t do anything about it but sit#there while abandoning that same channel he used poor black ppl in Chicago to get his first bit of clout off of#aka is literally drake’s number 1 dick eater I’m glad I stopped watching his videos years ago#he never used to talk about real hip hop news only drama and Drake#Kendrick got the Pulitzer award and all sorts of accomplishments over the years and i remember aka literally never making any videos about#them despite him being a popular hip hop news outlet#like he legit would hardly ever mention Kendrick on his channel#because he’s a Drake fan he’s so embarrassing bro#all of these hip hop media outlets have been so bad for the culture surrounding the genre for years man#aka being erm. ground zero for more of the really loud and obnoxious shit that’s been going on for the last ten years or so#then you have nbs and whites like adam22 speaking on the genre as if their opinions actually matter#and cam’ron and mase being in drake’s pocket and criticizing Kendrick for replying back to drake’s diss 17 days later despite Drake taking#weeks to almost a full month to do so himself#and the fact that he never responded back to pusha t… like what kind of line of thinking even is this and they’re supposed to be some of#the ‘real hip hop’ guys folding like barbz
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