#it's because i'm a fucking idiot

[lazylittledragon]

what if i broke all the bones in your legs actually

[egophiliac]

do skully have pokemon?

Pumpkaboo is the obvious one, but y'know, sometimes the obvious one is the right one! (we'll say SUPER SIZE Pumpkaboo, just for fun. big pumpkin for big skeleton boy.) and another person actually also suggested Greavard, which I somehow hadn't considered, but feels so perfect that I feel like I should have. dangit.

(they can also have little Nightmare Suit costumes :D)

[spotsupstuff]

I'm still working on getting the gardening ending for myself, but I've been collecting some ponderings I'd like to write down. So:

A congregate of thoughts on Watcher lore (as of now):

• I really like that this DLC is right now three kids in a spiritual trenchcoat. None of them is normal. I bet they'd all be friends if they met.

• I really like the color coding of these 3, as for what I've assumed regarding to colors' symbolism in this world: - Black stands for Nirvāṇa, the Void, being outside of the reincarnation cycle - Gold/yellow stands for holiness, ascension - Blue/purple stands for damnation/stagnation - White stands for Saṃsāra, the cycle of reincarnation, the physical world (the Watcher lingers in the physical world, unwilling to leave it)

On the account of blue and yellow being on opposing sides on the color wheel, I'd also gander a guess that the Rot and the Void don't entirely agree with each other/may be on opposing sides.

• Therefore, I don't think the gardening ending was exactly what the Rot Prince wanted to achieve, supported by his last two dialogues with the Watcher:

[Greeting lines]. As with all great deeds, my work is not without great challenge. It has taken eons and the light fades. The paths close and change. I can almost feel... a will... at odds with my own.

[Greeting lines]. Forgive me if I go on! You have done so much for me, I will not burden you with my troubles. Please, rest here as long as you wish. You are always safe here, my dear friend. You, who were there for me.

My guess is that the content that hasn't dropped yet will introduce either a new character/s in a sort of godly roles, or will explain the powers playing behind the wheel flowers and the Cycle.

• A light at the end of the tunnel (or something white/bright with a way to it?) is mentioned by both Spinning Top (at her ending) and the Prince (both as a flowerbud and in that first paragraph I copied up there).

I don't know what to do with this yet, I just found it interesting. Something something the white light within the Void Sea in the original game?

• ,,Outer Rim...?"

The Buddhist cosmology says the world is made out of 9 mountains (Mount Sumeru [the axis mundi], 7 golden mountain ranges and 1 outermost iron mountain range [maybe the withered buildings here are made of rusted iron, buried in stardust]) and 8 seas (7 freshwater and 1 saltwater), with 4 continents within the salt sea who's inhabitants each have a little something extra (except the South I guess, that's where *we* are. well apparently all Buddhas appear here actually, so you know. that's a something).

For an interesting example, the north continent called Uttarakuru is said to house the wealthy, owning no private property, where their food grows by itself and they live in the skies (Iterator cities, nudge nudge).

The name of this region could point to the Buddhist cosmological map being a physical fact for this world. I'd like to think that the dimension hopping aspect to the Watcher's worming through the space-time is at least limited to 4 continents(/realities?).

Also a fan fact: in Chinese mythology it is said the waters flow and stars fall slowly, because a water god with a bad tamper, Gònggōng, broke one of the pillars supporting the sky. Combining this fun nugget with the established lore in a pearl that everything is once eaten away by the Void down below, I'd say it is safe to assume on 89% that the dust mentioned in that pearl comes from the heaven itself and creates a sort of a cycle of the physical matter.

Suppose stardust is what creates everything, powers everything (just as is said in science). Suppose the Starcatchers are superstructures made for conversion of it into desired forms, these ones perhaps in the West of the world specifically, because of their circular shape.

(Meaning Signal Spires are perhaps of the South, while original game- aka Pebbles and Moon- are in the North of this world.)

• I find it fascinating and validating that Spinning Top needed some sort of an Embrace from one of the Five Urges/Hindrances (the third one, companionship) to be able to pass on.

It points to my idea of what the religion is Really supposed to be about: the Five Urges are what they are- urges- and they cannot run rampant. The point isn't to absolutely *eradicate* violence, pleasure, companionship, hunger and desire to live from oneself. The point is to be able to control these things and not cling on to them.

Because if one clings on to something, they stagnate, they cannot progress, they rot and they *fear* losing the something more than they can truly enjoy it or they get far too lost in it to feel it right anymore. To cling on to life means being afraid of taking risks, trying something new and really Living.

But now that doesn't mean going for the opposite is the correct way to go about it- that still creates a desire, a clinging- an urge for death is just as good as urge for life. It binds. It's extremism without careful consideration for what is really the best to do, feel and think in any given situation.

(This goes for love, too, it is GOOD to love, but going too far becomes unhealthy obsession instead of love. Going the other way results in hatred, another utterly useless and harmful thing to harbor. Same as indifference - that is stagnation again, that isn't picking up something, working with it to move forward. Love is a forward motion that is required, but cannot be overdone because as so it would be bastardized into something else, possessive and caging.)

Spinning Top could move on only when she knew that the flipside of the Third Urge- a sickening loneliness- wasn't something to fear anymore.

• Yeah, I don't think we can count on backgrounds too much when it comes to size calculating on the basis that they are probably shaped around gameplay. Specifically thinking about how the spinning top toy changes sizes between it's in-game model and the art. When it comes to Ancients, I'd say the best one can do is do what feels right.

• The Rot Prince is some sort of a boosted up Preta, I swear to heavens. Hungry guy. Maybe the Rot as a whole is a Preta stand in, just way more physical.

• Can't believe my ,,Respawning is real" headcanon has been officially given the thumbs down... The *Strand* Theory is real. (Even though DP is separate from the Watcher, this at least explains why Artificer didn't just go back to the last shelter she slept in when her cubs were still with her. They went to a different strand, where a different Artificer managed the situation better and we are stuck in this reality without them.) (We see them in her Void ending either because they are the one thing her heart wishes for [the Void gives comfort to those who are passing, as far as I am concerned], or because the Void is where all the reality strands and times coincide into one another.)

• On that note, no Fucking wonder the Ancients wanna bail - we don't really know to what extend they were aware of reality's unwounding nature, but assuming it is Pretty Thorough, I too wouldn't wanna live with the knowledge that in one reality I might've died on my loved ones, leaving them broken, while in the other everything is just fine and dandy.

The endless wondering of ,,Did I die in a different reality at any point in my life? Did I leave these people I love behind to hurt, alone, and I can't do anything to help them? I can never know, I'm not allowed to comprehend..." would slowly kill anyone with a heart, I think.

• I wonder if the Prince is a puppet/the Rot made itself a puppet, - because the Starcatchers were Iterator-esque biomechanications with a different directive than iterating on the Big Problem and this is a consumed Starcatcher (something about its budding dialogue feels to me like there was a sense of a Self beforehand that was drowned out by the Rot and then was pulled forward again with additions) - because the Rot is at the edge of the universe (humming a tune) where a messed up slugcat decided to start ripping holes in the reality, therefore connecting different strands including to places where the Rot already existed as a plague upon Some Iterator, which gave spark to sapience and inspiration to a new mind

• The new karma set is definitely a droplet and the ripples it leaves behind. Makes sense, too, there's more ,,movement" within it the more Spinning Top yanks the Watcher around in time-space (accidentally, I'd guess. or the ,,blame" is more on Watcher *somehow*), messing up their physical existence more and more.

Maybe the karma symbols or the imagery itself have something to do with a combination of an axis mundi and the strand form of existence.

Something about there being a main timeline in which each action and decision creates a new ripple, a new strand.

• I wonder if the Watcher could've come across Spinning Top and effectively latch on/follow her, - because they were already dead/echoed (the dream sequence upon reaching the final karma level could mean they did go to the Void Sea and swam pretty deep but turned back and that resulted in Echo-ification? then again why can a lizard bite me. Spinny's laughing at me for it. Goddammit.) - because of their nature as someone who's so damn hesitant about things, who hangs in the backlines, only observes and learns. Very Echo-esque personality - because of their desire to have someone there

• Just realized that we have a canonical design for Spinning Top's mask, hot damn. ,,How do children's masks look like?" answered.

I don't know why, that kind of creeps me out.

• The portals existing outside of us are made by Spinning Top, I'm pretty sure. She's always over them.

Is it normal for Echoes to leave tears like that? I think if the Rot Prince met her and knew she's the one who started this whole journey that resulted in him coming to exist as a consciousness and to bloom, he'd see her as a friend the same way he sees the Watcher.

• I wonder if his approach to the Rot Triple Affirmitive is ,,it's going to get worse before it gets better". He has suffered, too- while he normally speaks gently, calmly, orderly, when he is a flowerbud he seems frantic to me. Like someone breathing through death before getting better.

• Is the concept of the Rot Prince created for the first time in all existences' or is he a repeating pattern, too? The Rot in the least seems to be a pattern, because of what Spinning Top says when we meet her in one of the original regions, eaten through by the Rot.

,,You shouldn't have come here. It's too far." Does that refer to this strand's/ripple's distance from the axis mundi/the water drop creating all these realities? The further out the little wave carries out, growing smaller and weaker, the more rotten through it is? Is it because still water is stagnation, just as the Rot is?

So the Cycle is change and movement, life and love, that exists in a hurtful matter not out of its design, but because it has to contend with absolute stillness/stagnation/the Rot? Or it's all part of the same system, truly designed like this?

Could a Mass Ascension be seen as an escape plan from a ripple growing old? Man...

• A quick attempt at illustrating the previous thought:

Some Pepe Silvia level nonsense going on here.

[fuzzandfeathers]

This comic takes place during Seeing Stars while Blitz and Stolas are on their way to the studio!

Hope you enjoyed! Mild art ranting below the cut 😂

I had to drag this piece kicking and screaming over the finish line. When I first got the idea and started working on it, I had a very different rendering approach I was experimenting with. I finished the entire comic in that style then immediately decided I hated it 😂 I liked the lines for the most part, but not enough to keep, so in the end I just... redrew the entire thing using the original as a reference (don't do what I do). And still this comic irks me. From a technical perspective I actually like it quite a bit; I'm satisfied with the way I drew Blitz and Stolas, at the very least. But in terms of what the comic evokes(?) I'm not not 100% happy with it (or even 90%). It's like a 'this art doesn't make me feel what I wanted it to make me feel' type of dissatisfaction, which is, unfortunately, kinda tough to resolve. I'm a big believer in embracing your failures (and in moving on when frustration is no longer serving you) so this was getting posted no matter how it turned out and eventually I'd run out of desire to work on it further. But I still wanted to let some of these feelings out because it's been awhile since art made me feel that way! And I think it's nice to let other people see the artist perspective sometimes even when it isn't totally positive. On the bright side, it was fun to experiment with a lot of things in this piece! Also this comic was actually finished weeks ago and I've already moved to a better place with my art. This kind of frustration is usually a precursor to growth anyways, so it's best to just be patient and ride it out 😌 Hope this little rant wasn't too much of a downer! The last thing I want is to take away people's enjoyment of the art by being too critical of myself <3 Here's a little peek at the original style! In retrospect, it actually wasn't that bad, I'm just more a fan of the starker, un-rendered look I eventually went with:

[neverbelessthan]

JET LAG THE GAME | Benjamin 'cardinal directions and vibes' Doyle (1 / ?)

[justskyla-art]

rhinestone eyes

[rowyndodendron]

Diomedes really cranked the "simp-o-meter for Odysseus" from 0 to 12 in approximately 0.6 seconds in book 10 (choose ur spy buddy) and im snort-laughing.

Partially because of how Unnecessarily Extra Diomedes is.

And then even more so because of how Extremely Done Odysseus is in his reply (every time he uses the "long-suffering Odysseus" epithet i fucking DIE laughing. I can FEEL the -_-)

But also, because I feel like the opposite is more typical (Odysseus having the flowery flattering speeches and Diomedes just, like, "read at 2pm"-ing him in return):

I am choosing to headcanon that Dio is very subtly/very gently teasing/mocking Odysseus. And that Ody has done the "oh i pick Diomedes the incredible, the unmatchable, unwinnable force of the gods' will!!!" thing to him recently and Dio is now just throwing it back at him in a "do u hear what u sound like when u talk???" Kind of way.

Which is why Ody is peak "i am Unamused by this, diomedes" in the scene. Because he knows he's being gently roasted in a way the others likely won't pick up on/which is Just For Him.

And i think that's beautiful

[oblique-lane]

more mercenary analysis, whichever merc you want <3

Not a mercenary but... Okay!

Let's dissect Pauling

Always so collected, responsible and efficient. The one who is not afraid to get her hands dirty for the sake of a goal, and her performance is always one hundred percent. What could possibly be not cool about her?

Well, maybe the fact that this all is, in fact, an act. Of course it is.

I'm not saying her determination and dedication to her job aren't sincere decisions of her heart, she really enjoys it and shines in her work. It's just a matter of WHY and WHAT she's doing it for. And on what scale.

For her, her job is EVERYTHING. Eagerly working 364 days a year with barely any rest, masochistically putting herself in so much danger, blindly following the boss's instructions, not even hesitating to kill people standing on the way...

Wow, there's gotta be something going on here.

Well, obviously the Administrator plays A HUGE role in this situation. Why would Pauling trust her so much? Referring to the comics, Pauling trusted her wholeheartedly on whatever the Administrator was planning, even though she didn't know what it was. This blind following that vaguely resembles nothing less than a weird somewhat child-to-a-mother attachment. It's just a Boss, just a job, why?

Because that's what it is. Mother issues. Very apparent.

We don't know anything about Pauling's past, so there's where the headcanons begin:

I'm assuming her birth mother was very neglectful and dismissing, never acknowledged her daughter's accomplishments and struggles. No matter how hard Pauling tried to become "worthy" in her eyes, it seemed to be never enough, as if she didn't even exist at all. Maybe her mother was a substance addict or something and their household wasn't safe and stable, so Pauling had to become an adult early and run away from home as a teenager and find a job to get by.

(I assume that because I believe there was a mention in the canon lore that Ms.Pauling had been working for the Administrator for long long years (don't remember exactly), indicating that she started working when she was still a minor).

So, being taken under the Administrators wing, her young wounded brain found a substitute for a very thing she was lacking, subconsciously clinging onto the Administrator as a newly mother figure, in order to "get it right this time".

Administrators Strictness, responsibility and demandingness were the most favorite qualities of a person of authority in Pauling's eyes, in contrast to the laziness, unaccountability and indifference of the environment in which she grew up. She could finally strive.

This time she would show the mother figure that she's worthy, she's important and irreplaceable; she exists. She would prove that no amount of hardship is too much for her if it means approval for the Administrator.

And the Administrator kind-of-sort-of gave Pauling this pseudo-love in return, encouraging her to sacrifice herself even more for their work. Which is at the very least unfair, and at most just predatory. Administrators "love" was conditional, in contrast with when the real motherly love Pauling unknowingly expected. Administrator was too immature for a mother figure, too much in power for a partner or a friend, yet too close for a formal boss. What is this!? Something not nice.

The Administrator doesn't love Pauling for Pauling, she loves her working qualities. And thus, Paulings subconscious guess was confirmed that "I'm only important when I'm doing the job. I AM the job."

Tying your worth to what you DO instead of what you are is a huge dangerous existential rout one could choose. But she never really knew her importance outside of her skills, so she wouldn't know.

Now imagine how actually painful that character arc was for her, when the Administrator proved herself to be unreliable and secretive, and when Pauling started to question her intentions for the first time.

"... Because I trusted you!"

"Then why are you questioning me now?"

It wasn't even the real conversation between them, just Pauling's mind torturing her.

It reminded me of the crisis of a 4-year-old when they realise that their parents aren't perfect; they don't know anything and they CAN hurt you.This shattering illusion of almighty love. When a child stops believing that the "harsh love" their mother treats them with is simply an abuse.

Wouldn't it be terrifying to realise in your 20s thar despite running for "the mother's approval" all your life, you will never truly get it. If your mother failed to provide it to you at such a young age, nothing will truly substitute that, especially now, when you're an adult, no one will love your inner child the way it was supposed to be loved.

Unless you yourself decide to take that role.

...

Realistically speaking, it's not nearly that sever with Pauling! She's happy in the environment she's in, there's lots of interests for her to explore (Guns, fights, killin'!) So many adventures every day! Even if Pauling has her inner suffering, it's not that bad aa I describe it. Her mother problems may actually be an advantage, a reason she is such a good and caring boss for the mercenaries.

I'm just edgying things down for the sake of the clearer analysis. But still...

If the Administrator will be gone and Pauling loses her life-dedicated job... What will be left? Who is Pauling once Mann Co is no more? Can she answer that?

References:

– A video that helped me better understand the Good Girl mask:

– "Lise Bourbeau's 5 soul wounds model: Injustice"

[hypomanicbirdie]

Edward's thoughts while hiking to the meadow: god I'm so anxious I am the undead a creature of the night made of nightmares out to kill Bella once she sees me for the freak that I am she will run and of course I will have to let her go but thinking about it hurts me I can't believe I can afford to think about vanity right now but I am a monster and I cannot be with her

Edward: here goes nothing (sighs dejectedly) ✨✨✨✨✨✨✨✨✨✨✨

Bella:

[greatbananaboat]

so infuriating to me the way ambessa, jinx, viktor, and jayce COMBINED have less anti posts than caitlyn fucking kiramman. they have less than HALF of caitlyn's anti posts! i was curious so i looked up the tags, and here's what i found

anti ambessa medarda: one post

anti jayce talis: one post

anti viktor: six relevant posts (the others are about different characters named viktor)

anti jinx: three relevant posts (the others are about different characters named jinx)

anti caitlyn kiramman:

i'm not wasting my time counting that shit. but clearly and obviously it's more than 11 posts. oh and it's not including posts from the many antis i have blocked.

i'm tired of caitlyn antis. if y'all are shitting on her and not showing that same fucking energy for characters like ambessa, jinx, viktor, and jayce? you can kindly fuck right off. now excuse me while i individually block every one of these people.

[the-stars-are-warring]

Took a little longer but I now also understand the appeal of Walon Vau. Mr 'surely I have surpassed my generational trauma and not become a slave to it' Vau

Mr Walon 'My dad never expressed any positive emotion towards me which was deeply scarring but surely my kids trainees know intuitively that I care about them and I don't have to say anything.' Vau

[zivazivc]

my brainrot about these two can be measured in liters

[anqelbean]

The "Binghe fell in love with Shen Qingqiu because he was an authority figure and he has abandonment issues" jokes are funny and all, but my GOD if I see another person actually believing that's the whole reason Luo Binghe fell in love with SQQ I will go insane.

[liedownquisition]

Jason Todd's timeline and "Age"

So, there's a lot of discussion of Jason Todd's age esp as relative to other sidekick vigilantes, particularly Tim and Mia. I believe the exact words are usually something about a "grown ass man beating up/trying to kill teenagers."

DISCLAIMER: This particular post is specifically regarding the "grown ass man vs teenagers" statement, I have posts regarding the "tried to kill them" portion and other stuff like "seriously Jason Todd is like being shot by a marshmallow gun compared to what goes on directly before and after him in these incidents, also you don't bitch about the right stuff, also a lot of you prop up characters who are Objectively Worse, and no that's not hate on your fave it's just me calling out hypocrisy". It just takes time to find digital copies of the panels I'm using. NOTE I AM NOT JUSTIFYING HIS ACTIONS. I'm just saying y'all blow it out of proportion for petty character hate. Like, shit, they're superheroes. Jason's soooo fuckin' tame. He's not even framed as a big deal to the teens it's only the adults that think it's that much of a problem.

Courtesy readmore post cut:

Now, to start off, we all know Jason died at 15 & a few months off from 16 (if you want me to dig up panels, sure, but I figured at this point that wasn't in question). Tim at this point is somewhere between 12-13, and we have this panel in Lonely Place of Dying which takes place a few months later:

So that's a ballpark of 2-3 years between Jason and Tim.

But Tim's age is really fucky and they keep de-aging him tbh. We can extrapolate that his confrontation with Jason was between the ages of 16-17 bcs it's after the arc where he has his incredibly shitty 16th birthday in Robin Vol2 #116 and before Red Robin where he's stated to be 17. This would put Jason between 18-19 at the time. (If you really want me to find panel sources for Tim's birthday and his age in RR then, sure, but I don't think they're necessary. I used it more as a guidepost for Jason's age, since we have a clear idea of what the age gap is.)

At least, on paper.

Mia for her part I've had a hard time finding like, on panel mentions of her age and if anyone can direct me to it being explicitly stated I'd love that. I'm rereading old comics but it's a LOT of comics to hunt down & dig through. To my understanding she was fifteen when Ollie first met her, and there's at Minimum of about a year and a half between that to her meeting Red Hood, more likely at least two? because there's at least few months between that and her joining the Titans, the Doctor Light stuff, then One Year Later, and then returned to Star some 3 months after Ollie came back to run for mayor? And then Jason not too long after. So, two years feels safe. Puts her at 17-ish, Jason at 19-20

Once again, I specify: on paper.

People would happily point out at this point that the upward stretch of a 4 year age gap is a "huge gap in maturity." And yeah, under normal circumstances, I'd agree.

But, and this is going to get contradictory bcs I found Two different timelines (BOTH written by Winick, lmao), and depending on how you read it it could be up to three different possibilities. Let's Start with Batman Annual #25: Daedalus & Icarus.

Timestamp before Jason's resurrection, which is pretty well known at this point:

Next, him waking up from a coma afterwards, when he escapes the hospital:

Now the above could be interpreted as either 1 year after he died if we're assuming that it's using the same "start" point to count as the resurrection (unlikely), or one year after he came back (more likely).

Next, the timestamp right before a guy recognizes him and sells him out:

And, finally, the timestamp before being put in the Pit:

That is, count it up, between 3-3 1/2 years where Jason was dead, in a coma, or otherwise not particularly... cognizant of the world around him. His ass is NOT developing emotionally, socially, or mentally like this, which pretty handily bridges the gaps there. Taken at face value, Jason's maturity level is going to be, unironically, younger than Tim's in the wake of these setbacks.

Now, if we go to Lost Days issue 1, it doesn't specify how long he was dead, nor how long he was in a coma, so we'll just carry those two over, what we DO have is this from just after Talia brought him home:

This puts him as being on the streets for five months, so we're at just shy of two years so far. And then we have this:

Which is right before Talia puts him in the Pit.

So, in summary: 6 months dead, 1 year coma, 5 months on the street, and something like 1-1 1/2 years with the League which...

Actually puts us on almost the exact same timeframe either way. 3 to 3 1/2 years. It just changes whether Jason was on the streets or with the League for longer.

And is utterly incomprehensible because comic timelines are a freaking nightmare.

If we're being generous, then that would put Jason at a minimum of 19, maybe toeing the line of 20 for UTRH, again, on paper, because like hell are you convincing me he did less than a year's worth of training abroad throughout Lost Days. Yeah maybe they trained him in fighting while he was catatonic, muscle memory and all that. But the other teachers that we KNOW of? The bombs, guns, probably something to get him up to date on handling all that tech we see him using, Egon, potentially arguably All-Caste if you want to draw from n52...

but you'd have to knock at least a year and a half off of his internal/personal development from death & coma, at minimum. Maybe you could argue he was somewhat developing while in his "the lights are on, but nobody's home" phase, you can't say it's at the same level as a normal person might when going about their day to day life, and it's difficult to measure. But he's not hitting the kind of milestones that he should be for his age. I wouldn't put him at anything less than two years behind. So if we use our upper estimates on Jason, and lower estimates on both the developmental setbacks and Tim/Mia's ages that gives us:

Jason toeing 20, mentally 18, fighting Tim at 16. 2 year gap, kind of stretching the physical age gap if we assume Tim had just barely turned 13 when he showed up to be Robin. - OR LESS

Jason maybe 21, mentally 19, fighting Mia at 17, two year age gap again. Honestly, still not that big of a difference - OR LESS

And, to be frank, that's not even counting the mental development issues that come from the intense physical trauma from dying - and I swear to fuck don't give me the "He's not the only one who died he's not special" speech.

HOW MANY OF THE OTHERS YOU'RE USING AS A GOTCHA LOST, *GESTURING AGGRESSIVELY ABOVE*, LITERALLY MULTIPLE YEARS OF THEIR LIFE.

Not counting adults, of course. Barry lost years, Hal lost years, Ollie I think also lost a couple years? but A) they came back still adults, bodies pretty much the same. B) While Jason's body didn't go through a magic growth spurt in canon, it did still grow esp while with the League.

I'll eventually get around to Titan's Tower & GA#72 (tbh, there are other people who've already done Titan's Tower and it'd probably be better than what I do, so I'm more going to focus on the latter, but there IS a specific part of the former that drives me nuts that I don't see brought up a lot), and maybe if we're feeling spicy all my issues with UTRH starting with how Winick is just as guilty of retroactively writing Jason as being inherently a bad penny since his Robin days as any of the other "modern" writers. Like, bud, Severe enough Head Trauma is legitimately enough to change someone's personality, not to mention trauma. It wouldn't hurt your narrative for that eerie difference, the Shade of What Once Was if you're really going for RH being Like that.

Final addition: I swear to god if you use my post to start up some kind of petty-ass ship war or flame other characters I will immediately turn off reblogs and replies I am Not Dealing With That Shit, please and thank you.

Anyways, @glitter-stained, your interest made me decide to actually put the work in now to pull it up rather than passively gather stuff to dump whenever discourse pushes me over the edge so, here ya are. Looks like you did have it closer on the mark than I did.

[liketolaugh-writes]

More Like Home - Timeline

Present:

Bruce - 44

Dick - 28

Jason - 25

Cass - 24

Tim - 22

Duke - 18

Danny - 16

Damian - 15

History:

22 years ago (DP) - Vlad has his accident

19 years ago - Batman (age 25) begins, Dick (age 9) is recruited

17 years ago - the Justice League is founded

15 years ago (DP) - Vlad begins accruing wealth illegally

13 years ago - Dick (age 14) runs away to form the Teen Titans, Jason (age 12) is recruited

10 years ago - Jason (age 15) dies

9 years ago - Tim (age 13) is recruited

8 years ago - the Metahuman Protection Act is passed, No Man's Land happens

7 years ago - Jason (age 18) returns to Gotham

5 years ago - Damian (age 10) is recruited

4 years ago - Bruce is lost in the time stream

2 years ago - Duke (age 16) is recruited

2 years ago (DP) - Danny (age 14) has his accident

1 year ago (DP) - Danny (age 15) defeats Pariah Dark

Six months ago (DP) - the Anti-Ecto Acts are passed

[erasefdp]

"Pathologic classic is fine, people are overselling the difficulty, the mood is not as heavy as they say and I'm not even terrified to go out at night, contrary to patho 2" I confidently say, 5 seconds before getting beaten to death by three ambushed thugs while exiting the theatre during the first night