#it's basically an entirely different relationship/personalities just with the same physical characteristics

[theduchessofnaxos]

Suddenly had the realization that my ideal relationship dynamic is Han Solo running back into the rebel base on Hoth to check on Princess Leia (me) and make her leave because he knows she'll stay and die in the battle unless someone drags her out.

... Does "wanting a handsome rogue to drag me out of a battle" damage my feminist credentials if I identify as a man also?

But the REALLY concerning part is that I've been using *FrUK* as my go-to "project onto them about my ideal relationship" (according to my therapist) and Han and Leia end up breaking up despite still being in love. Which is a super FrUK thing.

Idk what that says about me but I don't like it 😂

[alectoperdita]

Honestly, your lure series has a death grip on my brain and if you are willing to share about the abo au of that fic, I'm very willing to listen. The alpha/alpha aspect is so coooool, I wish more ppl play around with it!

You and me, anon. Lure cannibalizes my brain nearly 24/7.

The A/B/O version is very similar to "vanilla" Lure. They meet in the same way, and Jou starts "working" for Kaiba. They definitely butt heads a little more because of that alpha/alpha angle. It may take longer for Kaiba to coerce Jou into bottoming for him because of alpha pride, but Kaiba is even more determined to mold Jou in this AU.

Warning for discussion of non-con/rape subjects

Knotting Jou is his first big project, and that's not easy since Jou is also an alpha so his body isn't naturally accommodating to taking girth that size (doesn't have the omega hormones/resulting elasticity that allows most omegas to take an alpha knot). It requires extensive stretching beforehand, and Kaiba can't knot Jou too often. It's a very emotionally fraught experience for Jou, and the first time it happens, it's probably best labeled as non-con. Jou tells Kaiba to stop and push him away, but that's not physically possible once the knot locks into him.

The next major point of divergence is that two week-long sexathon after they graduate in Nothing comes free is where Kaiba chains Jou in an isolated room and starts the active process of bitching him. That involves Kaiba fucking and knotting him as often as possible, trying to put as much alpha semen into Jou, and keep him plugged with it. In addition to that, he has some hormone injections bought off the black market. Pair all of that with some heavy psychological conditioning.

At first, Jou just thinks Kaiba's lost his mind or is being his usual terrible self. Cuz hey, he does not object to a few days of intense sex marathon, and Kaiba's dirty talk has always been degrading and kinda creepy. Except Kaiba isn't unchaining him ever. His stomach sinks when it finally becomes sinks in that this is different from Kaiba's usual brand of crazy. Kaiba is actually trying to bitch him, but they're multiple days into the process, and Kaiba's started the injections. (Enabler and I decided for this AU, this is not a clear-cut or sure process, bitching is one of those rumors that not everyone believes is possible, but it probably works narratively the same if it was more a sure thing.)

Days later, when Jou starts to produce slick from his hole and show signs of a heat, even Kaiba is caught a little by surprise. But make no mistake, he is both very smug and pleased with the result. He's successfully made his own personal omega.

There are a lot of ways to play with the bitching trope, including giving the bitched male omega intersex genitalia and shrinking/changing their dick and knot. For this, I tend to favor less extreme physiological changes. Jou keeps his knot, which Kaiba likes anyway. While he produces slick and begins to have regular heats, he's not fertile and can't get pregnant. (Again, that's a plus in Kaiba's book because for all his breeding kink, he doesn't want children.) Basically, this is about Kaiba's need and desire to control, now extended to being able to control how Jou's body operates and presents to him. He likes Jou's alpha characteristics too, and in this setting, his homosexuality includes his attraction to other alphas while being an alpha (generally no interest in omegas otherwise), and now he's transformed Jou into something unique that is entirely just for him.

Ironically, it's a two-way street. Their weird trauma-bonded, codependent relationship now has a major hormonal/pheromonal component further reinforcing their bond (even before you bring the question of the mating bite/bond into the picture). They're attached and soon pair-bonded, but won't admit it.

[chatnoirwithblackhair]

What I wish my dear system understood is, it's completely normal for us to avoid being around people who have certain disorders. It doesn't make us ableist. It doesn't make anybody ableist, in fact, because trauma does not equal discrimination unless the person chooses to engage in hateful behaviors, which is a completely separate topic. Ableism, by definition, "is discrimination and social prejudice against people with physical or mental disabilities. Ableism characterizes people as they are defined by their disabilities and it also classifies disabled people as people who are inferior to non-disabled people."

It is not the same as trauma.

There is a line drawn between being ableist and traumatized. Until you are actively speaking out against certain people and discriminate against them, until you are actively trying to put them down, to hurt them, to speak of them with hate, you are not being hateful by avoiding certain groups of people depending on characteristics they have. That goes for ableism too.

The easiest example of this I can give are women who are avoiding men because of sexual trauma. You wouldn't immediately assume that they are being sexist, you would think they have trauma around them, understand them, and while these women would still have to engage with men from time to time, you'd support them (women) in wanting separation from them (men) in every other way. Then how is it the same with disabled people?

My dear system, we have been around narcissists our entire lives non-stop. We had narcissists who used their disorder as an excuse to hurt us, and we felt too guilty to stand up for ourselves because we thought we would be ableist if we were to tell them to stop. "They just don't know any different," we told ourselves. But the harsh truth is, no matter the amount of empathy, no disorder allows you to hurt others. No matter if you can control it or not, it is not an excuse, ever, and we have always had a right to say we do not want to engage with people with NPD. We are not being hateful towards them. My darling heamdates, we tried to understand them the best we could and find ways to work with them. And we know that if those people decided to abuse us again, we would fall for it immediately. We were always allowed to sat "no." We were always allowed to avoid them.

No person is being ableist if they set a boundary in order to not hurt themselves. We have no kind of prejudice against them other than basic trauma and a desire to not get into yet another relationship/friendship that would retraumatize us. We are allowed to join support groups for those like us. The people who we have been with put us through literal hell, and we can't even admit it due to there being so much that if we're not in denial, we are going to spiral into insanity.

We ourselves barely experience empathy, if at all, and we never gave ourselves the opportunity to hurt others.

And people out there with same experiences, you are allowed to avoid certain groups of people because of your trauma. Or just simply because you're uncomfortable. I know that there are disorders that are stigmatized to the core, and so people are trying to defend them the best they can, but it should not enable abuse. If a person is abusive, they are abusive. If they are abusive because of their disorder, they are abusive because of their disorder. If they have a disorder that makes it hard for them to understand empathy, social cues, etc, they can still listen to a "no," "stop," "I don't like this," "you're hurting me," "you're making me uncomfortable." Therapy exists, and if it's not available, basic human decency works, too. Nobody is saying it's fun for people with certain disorders to be stigmatized because of them and treated like garbage. But it also doesn't give said people the "okay" to treat others like garbage either.

Ableism is not the same as avoidance due to trauma.

The existence of stigma and ableism and people suffering from it is not an excuse to enable abuse.

Your trauma isn't any less valid just because somebody had a mental/physical disability that influenced/cause their behavior.

And whoever decides to tell us, or wheoever's reading it, otherwise, should go to hell.

[ob1anuju]

We are not humans

Our purpose is to study heterogeneous cosmologies: Igbo, Guarani Mbyá, Fon, Yanomami, Yoruba, Macuxi, Hausa, Guajajara, Bantu, and so on. For example, back in the 18th century, during the Western European Enlightenment, rationalist thinkers were all about classifying stuff, putting everything in neat little boxes. So Carl Linnaeus, a Swedish scientist, in 1758, during the 10th edition of Systema Naturae, named our species Homo Sapiens. Yeah, the same name that’s still used today. He used this binomial nomenclature system, which basically slaps together the genus (Homo, meaning "man") and the species (sapiens, meaning "wise" or "intelligent"). So what do we get? "Wise man," "intelligent man", which implies an inherent segregation of gender and of planetary ecosystems, as it justifies environmental degradation resulting from the Anthropocene logic—"man dominant over other forms of life." Man, look, MAN. An entire species reduced to a sneaky, insidious strategy of domination!

Now, let’s flip that around and look at the Yoruba worldview, which has a whole different approach to understanding life and our species is named using a rich vocabulary with variations and nuances. When referring to ourselves individually, we generally say: Ènìyàn, ènì (one who) + yán (act of choosing), which means "one who is chosen," and we can add, "one who is chosen to fulfill a destiny," given that Yoruba cosmology incorporates predestination. While, when referring to ourselves as a species in a group, we say: Aráyé, ará (one who physically inhabits, physical body) + áyé (Earth), thus we have "inhabitants of Earth" or "bodies on Earth." And it is just because I didn't talk about how many names one Ènìyàn can have depending on their characteristics. Because Ènìyàn is a general term, but to the yoruba, our species are an ecosystem, like lots of different kinds of flowers. So yeah, way more thoughtful than just "man."

To someone who smells good, for example, the term is olóorùn (oní + òórún). Oní (sometimes shortened to "olú") means "the one who has" or "owner of," indicating possession or association with a specific characteristic. Olóòrun (oní + òórún): A person who has a scent. In this case, "òórún" means scent, and the combination gives the meaning of "a fragrant person" or "the one who has a scent."

In the Yoruba language, there are a variety of prefixes used to refer to someone of our species, each with a specific meaning that highlights characteristics, qualities, or relationships. These prefixes are a rich way to identify someone's qualities or roles within society. Examples:

Ìgìrìpá (someone who is strong)

"Ìgìrì": Can mean something "heavy" or "resistant."

"Pá": The act of striking or hitting with force.

Opolongo (someone who does gossip)

"Opo": Means "a lot" or "large."

"Longo": Can refer to something spread out or disseminated.

Opolongo refers to someone who spreads a lot of information, especially gossip. It is a personality that talks a lot about others, spreading news or rumors.

Do you see? Different kinds of flowers.

***In this 2D animation, I show you my grandfather. I saw him walking on a hill 17 years after he had passed away. Then, there's my encounter with Damballah (who looks like a sperm, lololol), and finally, an obvious accusation of who are the real thieves of this planet.

[three-headed-monster]

⭐️⭐️⭐️⭐️⭐️ (five, tk take separately, luv uuu)

bestie you always come through thank you :))))

i hope that you're okay with me choosing from a variety of ships and fics cause that's what i'm doing lmao

long post incoming so inserting a cut here

and i can see us lost in the memory: muskoka lake cabin scene

really want to highlight this one cause i sort of feel like no one realizes that i ever wrote for them? probably because it was 3 years ago at this point and also has a lot of key characteristics of my early writing opposed to my writing now. but this is probably one of my favourite actual confession scenes that i've written. i knew the whole time when writing this fic that i wanted it to end in muskoka, with them together on the pier talking to one another. i think at the time, i was just so in love with the idea of muskoka being this place that connected both of them when they were pushed so so far apart. it felt right.

this is also where i kinda started like obsessing over eyes lmao. you can see that a common thread throughout my fics is the idea of eyes "crashing" into one another and eye contact being a sort of simultaneously clarifying and intense moment for the characters. i think that's personally because i hate making eye contact with literally anybody and find that you're most vulnerable when you're looking somebody right in the eye. The bond snaps into place as soon as Connor’s clear blue Muskoka eyes make contact with his is one of the best lines in the fic in my own personal expert opinion lmao because it signifies the beginning of the two characters finally starting to open up with each other, alongside a physical indicator that they do.

another one of my favourite lines is: They’ve both changed.  They’re both older, wiser.  They both look a little different.   But this place?  And these feelings?  Hasn’t changed one bit.

i love the idea of places holding weight and meaning. i just think that everything has memory in it you know? that'll never change, no matter how hard you try, and when you revisit those places, you're brought back to how you felt the first time you experienced them. you'll never forget them, but it's also always compounded with the new way you look at the world. and when you can connect those two things together and still end up feeling the same way, it's beautiful.

anyways this is basically me just plugging myself like please go read this fic cause i think this confession scene is beautiful !!!!!! i wrote it very well me thinks!!! it's probably the best part of the entire fic and definitely taught me the importance of a good closing scene.

2. i don't need your closure (i have my own)

more like a ficlet than an actual fic, but actually so necessary to how i write going forward tbh (i mean all of these fics are really important parts of my writing journey but like there are specific things that i got from all the fics you know)

this one is SUPER introspective on bo and it really lends to my writing style. i like when characters soul-search a little bit. i tend to lean that way more when putting down fic, thinking about what is logical for a character to feel during certain situations as opposed to the action actually happening around them. when characters really look deeply at themselves and realize why they're doing certain things, or why they're feeling certain ways, that's what is most exciting for me to write as an author. you'll notice that i often overuse this in fics though, with less dialogue/action focused scenes and more like "oh my god what the fuck is happening in my head rn" scenes.

i also am a sucker for best friend relationships. almost every ship i read and/or write for must have a deep friendship i think, before i can even consider seeking out content for them. this isn't to say i don't enjoy a good enemies to lovers, but i love the aspect of friends being there for one another and that transitioning into a deeper connection, into love. there isn't any tagged ship in this fic, but dylan and bo's friendship is at the forefront of it because the comfort that dylan provides to bo changes how he thinks and views things. he and dylan have a strong platonic love for each other, and i think it shines through! the best line in this fic is: We have to go inside now yeah? Don't worry, I've got you. and it perfectly sums up what this fic is. like a warm hug from a friend after a hard day.

3. i didn't just come here to dance: handfeeding scene

handfeeding is one of my favourite tropes in fic and i wish i gave myself more opportunities to write it because the intimacy of it!!!!! being cared for by someone in ways you know you don't need but want to give them anyways!!!!!

i wrote this one into this fic in particular because of the character dynamics and characterization of the two leads. i think this is one of the first fics where i really started to explore that idea, of having my own headcanons for characters, and integrating that into how they interact with others and with the object of their affection especially. in this case, one of the big things i wanted to highlight was jack's big fear of never being enough. he's never been enough for anyone (or so he thinks) and how does that inform his interactions with noah? it certainly tinges them with a sense of desperate connection with the one person who does see him as enough. i feel like all of my characters tend to have something like this (like owen's constant paranoia about not being interesting enough for kent to stick around).

also this serves as a good consent scene for the both of them, both of them sane and coherent enough to say yes to one another. which is always good! consent is necessary and sexy!

4. the boy who sits at the front of the class: breakup/makeup scene

another really underrated and really short one! i never get an opportunity to talk about this one, mainly because i have a lot of fucking fics lmao, and it's one that i released kinda under the radar.

i felt like this scene was needed mainly because i didn't want their relationship to be perfect. it's unrealistic to expect that, especially as a high school relationship. right person wrong time is something i believe in so strongly, and it just wasn't their time after high school going into college. that didn't mean they stopped loving each other though, and i think i say it in that scene that both of them were devastated by it.

you'll also notice the repetition of 3s rule in this scene (p much throughout the entire scene) and that's another trait of my writing. i love using that for dramatic effect and also to really emphasize what is going on. i think it makes it easy to add a ton of detail to scenes without feeling like there's a disconnect with what's actually going on. i mention 3 unrelated moments, but they're all kind of connected by the "there..." thread. great literary technique, highly suggest to all writers!

my favourite line from this fic is: Kent, Kent, Kent. It’s all him in the end.

because it could really be a synopsis for the whole fic and how i view owen as a character lmao. reading through the rest of my owen/kent fics, you'll notice that my owen characterization develops throughout, to really highlight that as one of his key traits.

5. lover of mine (maybe we'll take some time): nail scene in amsterdam

one of my favourite scenes i've written for this fic, mostly because i think it's one of the only ones that perfectly balances the angst, the pining, and the humour of it all. if i had to introduce someone to this fic, i would probably use this scene to do it tbh because it has everything i want to show from it.

funnily enough, this was a scene i started over at least three different times when writing out this fic. truly, i have no idea why it was so difficult, but in general, i find that this one of the most difficult fics for me to write. i think it's because i don't have a very firm grasp on kent's characterization at all, what makes him tick and what not. the au setting does make it a bit easier for me to mold him to whatever i want him to be, but there's a reason i tend to write from owen's pov instead of kent's. i feel like i really understand owen as a character (and you'll find i tend to lean one way in all of my ships in terms of understanding their characters), and with kent, i feel that less so. i wanted this scene to show owen and kent's genuine friendship, and how owen cares for him enough to do things like this with him. owen cares enough to pay attention to the fact that this is what kent wants, and to ask him the truth about what's going on. he doesn't push, because he knows kent well enough to know he'll tell him anyways. i wanted to give the audience an idea of how far their connection goes and how good of a friendship it is. add in a bit of owen clearly wanting to tell kent how he feels about him (spoiler: he's kinda in love), and some humour, and you have a great scene.

i think this scene is also a really good indicator of how kent views owen too. it's a lot of foreshadowing for how they will inevitably end up together, through the dropping of little hints. like really, kent shouldn't want to be so observant of what owen is doing, but he wants to because there's something more than friendship simmering under there. and because he finds he's really good at it.

the vibe is this scene is truly something i want to try to capture in most scenes going forward in this fic. and hopefully i do! the next chapter is great chapter and when i do release it, i think you'll find that a lot of the amsterdam vibes do reflect on it.

[mercurytrinemoon]

Another post on Moon signs you can drag me for

Before we get into the actual thing, I'd like to say this post initially started as something else but ultimately, what I tried to put across is, sometimes Moon signs aren’t that easy to decipher. It’s easy to grasp overall characteristics of the signs and then learn how to identify their specific traits. But what people seem to forget it that Moon represents the deepest side of us & our inner world - it’s uncommon to really see someone’s side of it unless you really pay attention. Sometimes I’m surprised to see what someone’s Moon sign is even if I know this person well. Meaning, people usually hide that part of them - or they just simply process it internally and others can’t see their emotional reactions. It’s also uncommon for folks these days to fully express their emotional needs so it gets even trickier to pin-point their Moon characteristics. I don't think I have to mention this but, of course, your entire chart should be taken into account, as well as house placement, aspects. Personally, I like to also look at Moon's dispositor.

Let’s start from my friends, Gemini Moons, who, I feel, get a bad rep for not showing their feelings and scanning every emotion like an AI. Nah-ah. I know this one Gemini Moon whose immediate emotional reactions aren’t very cerebral in the sense of processing everything in the mind and intellectualizing it aka, what people like to label as being un-emotional. Instead her reactions are often fast (air energy) but physically expressed through Mercury (Gemini Moon’s dispositor) and Sun (overall identity) – she has them both in Aries. She’s a crybaby who can burst into tears in a matter of seconds. So she’s not something that would stereotypically be assigned to a Gemini Moon. But what I did notice is that all Gemini Moons tend to have this weird look on their face when they’re processing stuff. As if they were about to have a brain malfunction; they stop and have that specific worried look. They also like to either gossip or tell stories (either real or made up lol); they’re great with words - they can talk for hours if they feel comfortable with you. They just crave interaction and mental stimulation. Their quick reactions tend to make them effortlessly witty. Even if they’re a withdrawn Gemini type, they make up for it through social media and technology or just a quiet exploration. My shy Cancer pal with Moon in Gemini is now a brand/website designer and an instagram queen who travels the world. This is great energy for content creators in general. And don’t forget that Geminis need to have their fingers in many pies. It’s because they always have a backup plan… and they get bored easily so they need that chaos around them to feel at home. They like to have options in everything, which is kind of funny cause it’s hard for them to make up their minds and actually choose something. And they store a lot of information in their brains… I feel like it must be exhausting, no? 

On the other side of the axis, whenever I see someone with a Sagittarius Moon, I can immediately say “yup, a Sag Moon indeed” (probably thanks to my Sag stellium), meaning, they all seem the same to me. Sag Moons often find comfort in exploration - best if it’s literal travel. They always seem to need to free themselves from their surroundings, family, roots or their own culture to discover something new and exciting, even if it’s only in the imaginary words - through books, movies and other medias. Their happiness always lies somewhere else from where they currently are. Like, I think all Sagittarius Moons that I know have left their parents and went their own paths early on. And they have this yolo attitude. Just like Sagittarius Suns, they’re massive dorks, probably also obnoxious… sometimes in a REALLY annoying way. They’re either a) very wise and curious b) lil preachy and stuck up c) just plain dumb clowns with no filter. But they’re all funny. And they take things lightly, with a natural ease. This means sometimes they may offend other people just because they assume everyone’s as chill as they are; „relax! I was just kidding!” - that’s a phrase you’ll hear from them often… I mean, unless you’re a jokester yourself and you’re unmoved by their sarcastic or teasing words. They have somewhat spiritual or philosophical nature so besides making you laugh, be prepared for deep monologues. They want to believe everything will eventually fall into place. It’s also hard to bring them down - or I should say, it’s hard to make them acknowledge that they're feeling down - they always try to distract or cover it up with a joke, usually a self-depricating one. If Sagittarius Moon (or Sagittarius in general tbh) is telling you that they’re unhappy, then it’s serious.

I’ve noticed there comes a point in life for a Libra Moon where they just have enough. They’re too nice for everyone and one day they wake up and yell about how they have to do everything for everyone and everyone wants something from them and bLah bLah. Makes me think of when Bieber was this overly nice kid and then he was like “I’M NOT TAKING PICTURES WITH FANS ANYMOREEEE AAGhJFJFUWIUq”. Yup, a Libra Moon, everyone. They know how to charm and appeal to people, I think overall they’re easily liked by others. Sometimes it’s simply because they like to kiss people’s ass just to avoid being rejected. That’d be a Libra Moon’s nightmare. They like other people’s company too much. And they thrive in relationships and in a big circle of friends. What they hate is confrontations (like every other Libra placement omg). They may be good mediators when it comes to other people but if they’re involved in an argument they get sooooo passive aggressive. They just don’t know how to handle conflicts - it’s as if their nervous system wasn’t designed for emotional outbursts (because, you know, everything needs to be peaceful and harmonious Venus-style). A fussy or angry Libra Moon will suddenly get loud as they blame someone for something… and then they’ll leave the room cause they’re scared to even hear the other side of the argument. Or, alternatively, they’ll make a doormat out of themselves just to stay quiet and avoid causing any rift. And making decisions? I think it’s common for them to have two different romantic interests and feeling so dramatically torned between them *Alexa play Agony from Into the Woods*. Then when they decide, they have problems breaking the bad news to one of them.

On the other end we have Aries Moons. *deep breath* Listen, I think I’ve said enough about having Moon in Aries (or rather purely dissing it) but last time it made a bit of controversy so why not wreak even more havoc. I have a good description for this one: I will punch you but be gentle with me cause it’s easy to break my fragile heart. So basically, imagine putting Buttercup and Bubbles into one person. And honestly, I need to say this, women with this placement are just hot badasses, look at friggin Angelina Jolie. The queen of badass. The queen of hot. People say because Aries folks move quickly (literally and figuratively lol), they often get bored with whatever got them excited last week... or yesterday. Ha, yeah, right. You get their heart to open up and they’re going to have their eyes for you ONLY, like a lil puppy. Give us treats and we’ll build our world around you. But NOT in a clingy way by any means, we need our space and independence after all. My lil niece is an Aries Moon and ever since I started playing guitar with her, she became my #1 fan or something. That’s the energy. But we get easily bored with day-to-day stuff so yeah, there’s that. Innocent and clumsy yet raw in their emotions - so there’s potential to make mistakes sometimes (or a lot of times) or having this tunnel vision, like „I want this and I don’t care about anything else!”. And then excusing it with some „but the heart wants what it wants” crap (looking @ ya, Selena Gomez). They experience constant inner movement and turbulence that needs a physical outlet in order to feel satisfied. WE NEED PASSION IN OUR LIVES, OKAY?!?!?? now leave me alone

Aquarius Moons aren’t as cold as you might think. People like to describe them as if their Moons actually disappeared from their charts: dEtaCheD, uNeMotiOnaL, tHey fEeL nOtHinG. It’s just they don’t sit and dwell on things, they find solutions to the problems. If something doesn’t make them feel right, they just leave that situation. They do care about other people’s well-being, they’re very sensitive in that regard, they’re humanitarians after all. Yeah, they detach, but from their own emotions - in order to make sense of them. They may seem like snow queens sometimes (and this comes from an Aqua rising) but they’re really friendly and if you pique Aqua Moon’s interest, they’re going to be curious about you. They like new exciting things so if you’re cool enough, you have their attention. Usually they’re pretty progressive as well and can’t stand injustice. That’s why you’ll see them standing up for those who are in need. Uranian energy gives them a specific type of sharp intuition and wit. Idk they’re just cute in a quirky way. But this buzzing, fast energy is a great recipe for anxiety, over-thinking and frequent changes of heart. Similarly to Sadges, they need constant exploration and stimuli. Intelligent, people-oriented (but not people-pleasing! Look to Libras for that), individualistic. They definitely need their own space and independence. Their decision-making is fast and it’s easy for them to just say „screw it, I’m doing this”. My Aquarius Moon friend just casually decided that she’s moving to Turkey cause nothing in our city (or even country) seems interesting or helping her expand… So she was like, see ya suckers, I’m leaving.

Leo Moons shine from within. You’ll spot them from a mile away even if they’re on the shyer side. They’re all lil stars no matter their profession. Very expressive people & easily excitable. Art galleries, live shows, theater - they love a creative environment even if they don’t pursue that lifestyle themselves... One of my Leo Moon friends is an art junkie – suggest taking her to an obscure play at the local bar, a music festival, a weird museum – she’ll say yes in the blink of an eye. And she loves discussing these things. A Leo Moon may not see themselves as artistically inclined, but usually sooner or later they at least try dipping their toes in music, arts, acting, dancing... you name it. They’ll learn a simple 3-chord song on a ukulele and then play it to you in excitement. Imagine a lil kid making you a puff piece and being super proud of it. Sometimes they just need some encouragement. Remember, Leos feed off of praise, that’s their fuel. Doesn’t mean they’re all proud, egotistical people but what it does mean is that they need a lil assurance to gain their self-confidence. I lived with a Leo Sun/Moon for almost 15 years (who’s a musician btw so yeah, a classic creative Leo type) - he did have some issues lol but ego wasn’t one of them. Drama followed him everywhere but I’m pretty sure he disliked it himself. BUT, with that being said, I feel like Leo Moons tend to dramatize themselves internally. People say it’s something Virgos or Geminis would do - because of their tendency to overthink, but Leos can just go straight to a worst-case scenario in their heads simply because they exaggerate everything. So don’t be surprised to see a Leo Moon feeling down and anxious. On the bright side, be their cheerleader and they’ll give that to you in return. They need sparks and dullness kills their upbeat spirit. They need to feel their own heartbeat so the feeling of excitement is crucial for their well-being. Romantic, giving and kind. They’re fixed fire so once they’re set on something or someone, they give their all and are rather loyal.

I feel like my chart low-key tells me I should dislike Taurus Moons but I just want to melt in their arms and just stay there? Like, forever? Low maintenance but a bit slow-moving and stubborn. They won’t settle easily, at least not officially, so you need to have a lot of patience with them. They need 3 things to feel secure and at peace: physical stimuli, time and a stable place they know they can always come back to. And it’s not like all of them are total lazy homebodies, they may be active spirits & travellers but they are going to have a reallyyyyy nice cosy flat somewhere near their childhood place (gotta be be close to their moms, you know). Not necessary materialistic but they may have one thing that they collect throughout their entire life and they won’t. ever. get. rid. of. it. There needs to be at least one constant in their life - like you know when Elton John decided to go to therapy but one thing he stuck to was shopaholism? Very Taurus Moon of him. Also, they’re very affectionate. In fact, may have issues differentiating between affection and passion - this is actually something Taurus Moon and Aries Moon have in common. Pro tip - and this is in regard to all Taurus placements - don’t smell bad when you’re around them (I mean, don't smell bad in general, no one likes stinky people lol). They have a sensitive smell. Doesn’t help that they like to smell everything. EVERYTHING. I swear, Taurus, stop sticking your nose in every single thing!!! You don't need to know how that piece of utensil smells like. Jeez.

Scorpio Moon (shoutout to those who remember me accidentally calling them sporpio last time I made a post on Moons lol). I honestly don’t know what to tell you... I feel like all you hear about Scorpio Moon is 100% true, there’s nothing to debunk here. It’s the Moon of extremes. Prone to jealousy and surpressing emotions; severe trust issues; they’re instigators. I was low-key bullied by a few Scorpio Moons when I was in school so there’s that. Very secretive and private. Scorpio Moon will be like “I’m in control of the situation!!!!” and you’ll just look at them and think, yeah, right, looks like the situation is controlling you. But keep being in denial, sure. Like, don’t get me wrong, Scorpios in general can be TOTAL SWEETHEARTS OMG but ya’ll have issues. Even celebrities who have this placements... Think Beyonce or Lady Gaga, Miley Cyrus... I feel like they have issues lol, especially with control and the need for everything to be perfectly the way they want it to be. To be fair, that’s probably why they’re all so influential and high status: it’s either their way or highway. They need constant reinvention; they’re the ones to wake up one day and decide they’re going through a spiritual awakening blah blah. They also like to talk about dark and shocking topics while having casual lunch with you... So like, be warned that you may end up with a depressed mood after talking to them for 10 minutes. And their mood swings... don’t even get me started on that.

I don't know where to start with Virgo Moons... I feel like they're very calculated and nit-picky but they're a lot warmer than Virgo Suns. I think I called them softies in my last Moon post. Very sweet people but prone to anxiety. You gotta experience seeing them having a heart attack over someone mixing bananas with milk or messing with their stuff that’s been put in a perfect arrangement. I saw a Virgo Moon once literally squealing shouting "YOU'RE GONNA RUIN YOUR LAPTOP WITH THAT SUPERGLUE!!!" Highly entertaining to watch, not gonna lie. Gordon Ramsay has his Moon in Virgo - it’s conjunct Uranus and Pluto so that’s an extreme but I think him being fed up with people over small inconsistencies in their food prep is a perfect example of this energy (btw his chart is hilarious, it literally explains EVERYTHING). They're VERY picky with their food as well, just as Virgo Suns tend to be. Like, they’ll only have a specific type of single origin coffee or they’ll be vegan or something. Self-critical over their work, which is a plus... except for when finishing a simple task takes them a few hours because they want to make it perfect. They take everything seriously. This of course doesn't mean they're total bores - on the contrary, Mercurial energy gives them witty approach and a talent for choosing the right words at the right time. Tho they can be a bit awkward or shy with it. Can be as bubbly as Gemini but the grounded earthy energy gives them more practical and almost nurturing nature - earth signs are providers after all and Virgo is the sign of service - helping others is like their second nature. I’ve noticed they often find comfort in devoting themselves to a choosen task - this is why if they pursue something, they’re really good at it. They’re also very likely to dissect their emotions.

I’m not a fan of water Moons in general but Pisces Moon is the best water Moon in my opinion. Maybe because I like Pisces overall. I think it’s like a tweaked Sagittarius Moon - just more internalized, withdrawn & gloomy. But unlike Sag, who has a tendency to be an adventurous optimist, Pisces likes to focus on the negatives instead. Obviously, they can be very upbeat, they’re Jupiter-ruled after all, but there’s somehing whiny about them lol. Just like Sadges, they dream big and have their standards put up sooo high but if there's not much active energy in their charts, they’re often too passive to actually fullfill any of that - or I should say, they’re stuck daydreaming about it, believing it’ll just magically manifest for them... OR they do everything with an apathetic approach. What I do like about them is that they’re funny. And really chill - sometimes to the point of coming off as confused or hazy. I feel like a lot of them would just love to sleep all day... or sit by the lake and just think about the world. Most of them are also compassionate folks - again, maybe a bit too much. Hey Pisces, you don’t have to take everything to heart, it’s okay. On the bright side, they have big imagination and the ability to disconnect and just create. I have a few Pisces Moons in the family: one’s that sleepy artistic type with grand visions, one is an asshole-ish but funny entrepreneur with a questionable work ethic and one is a witty IT guy who’s actually a workaholic and likes to shut in his own world of computers and numbers or whatever he does there... So there’s this factor of tunnel vision, escapism and, on the more negative side, being kinda iffy and almost addicted to the way they want things to be. Once they set their eyes on something it’s done deal…

My issue with Capricorn Moons is that they're often trying to be sooooo mature omg, like, loosen up a bit. It usually starts when they're in their later teens... They can be the most rebellious kid that likes to have fun and suddenly they'll be like "I'm too old for this ugh grow up" *judgmental stare*. My 18-year old niece once literally roasted my sister that she's in her 30s and still doesn't have her own place (well so do I so I guess she also indirectly roasted me as well???). And she was SO deadpan with it. Because she herself wants to be independent and start a family before turning 25. This is classic Capricorn Moon energy. They suck out joy out of everything lol. Of course, OF COURSE, it depends on the whole chart but I feel like worst-case scenario is that at one point in their life (or maybe even a few times throughout it) they go through a massive shake-up that makes them change their attitude and re-evaluate their structures. There's this multi-instrumentalist Yvette Young - she's a sweet, funny Cancer/Leo mix but her Moon is in Capricorn. She used to be a competitive pianist but the pressure that was put on her has led her to severe health issues. Like yes, she’s now an extremely talented musician - thanks to family’s expectations & a rigid schooling system (Saturn) but it did cost her a lot. She has recovered since then but I think it's a perfect example of this energy. It’s very ambitious and hardworking but emotionally demanding in the sense that you have to actually put your emotions aside in order to deal with the rest. Another thing, because Moon can be associated with family, there's often a weird dynamic surrounding this topic. I don't think I've met a Capricorn Moon that had a completely healthy and happy relationship with their fam or one of the family members. Or, alternatively, there can be a strong bond between one of them but usually created in the atmosphere of hardships.

Last but not least, Cancer Moons. I had three school friends with this placement and all of them made this sad, whiny face as they said „oh I don’t knoooow anymoreee”  when they were feeling torned or frustrated. To be fair, two of them are water Suns so for them, it added to the mushyness. All Cancer Moons I know are family people or better yet, baby people. One of those school friends is now a guidance counsellor, working with kids; the other turned her instagram into a gallery of her own child after she gave birth. So much kid content, omg. There’s also something very indecisive about them… or I should say, hesitant. They’re not very fast at making decisions. Also, what’s interesting, they’re kind of like walking libraries, they remember a lot – so they store a lot of information in their brains just like air signs but they process it in a completely different way – emotional, obviously. I think this also makes them hold grudges a lot. For them it’s more of a question of „how does it make me feel?” rather than „how valid is it?”. There’s certain stubborness in them in that regard because they don’t keep their minds open. It’s also hard for them to walk away from people and situations, like a crab pinching you with its claws – it won’t let go. Sensitive but not easy to open up; very protective of themselves and their loved ones & they tend to shut down in their crab shells. But they may crave connection and the feeling of belonging. Also very caring and with a big imagination. They’re very receptive of their environment so mood swings are a thing for them.

[astermacguffin]

In previous posts, you can see my attempts of unraveling the mystery of fics and their relationships with canonicity and character.

But really. What is a "character"? When we claim that something is "out-of-character" in a piece of media, what concept are we really invoking?

I will start right away with a FIRM denial of the necessity of a Platonist account of character. I don't think you need to posit the existence of this otherworldly realm of Forms in order to meaningfully talk about characters. (I mean, you certainly can and I'm not stopping you. It's just that. You don't exactly need to do that in order to make sense of characters, you know?)

So if characters aren't these entities floating around in some Realm of Ideas that we mysteriously have access to, then what exactly are they?

Here comes my primary claim (and basically the main driving force of this entire essay): characters are inferential constructs. The creation and reception of characters are the products of inference, the same way the conclusion of an argument is a product of inference.

Let's unpack this definition I'm proposing. To do that, let's first look at the process of creating and consuming media (and, in turn, characters).

The Author

The Author (referring to either a singular person or a team of creatives responsible for bringing the piece into existence) usually has a characterization in mind when creating characters: "I want Character A to have X, Y..., Z properties." This spans from physical characteristics all the way to their personality. This is what I call the Properties View of Character: the notion of character as a collection of properties.

The Text

When writing the piece, The Author then has to convert these sets of properties in their head(s) into people and events that unfold on their own. They can't just say "this character has X, Y..., Z properties," they have to actually show us those properties and make them manifest in the piece.

This conversion happens through The Author asking: "What would Character A do in a Scenario T?" Which is just another way of saying "What would a person with X, Y..., Z properties do in a Scenario T?" This is the first inference schema (which I call the Agentive Schema) of the process:

If any arbitrary person S with properties {X, Y..., Z} is confronted with a Scenario T, then they would likely do Action U.

Character A has properties {X, Y..., Z}.

Character A is confronted with a Scenario T.

Therefore, I shall write Character A doing Action U (because doing so will show The Audience that Character A has {X, Y..., Z} properties).

This schema has a counterpart I call the Experiential Schema, where instead of asking "what would this type of person do in this scenario?", we instead ask: "what type of person would result from experiencing certain scenarios?" This is the schema we use when coming up with backstories or plot points that cause a change-of-heart in characters.

If a person S with properties {L, M..., N}* experiences an Event H, then person S would likely obtain properties {X, Y..., Z}.

Character A has properties {L, M..., N}.

Character A experiences Event H.

Therefore, I shall write Character A experiencing Event H (because doing so will explain to The Audience why Character A has {X, Y..., Z} properties).

*(The set {L, M..., N} is there to denote that different people with different sets of properties can react differently to the same scenario)

It's also important to note that these two schemas aren't as separate as they appear and that they often interact in a dynamic way. For example, the actions that a person do (i.e. agentive) are technically also events that happen to the person (i.e. experiential).

For example, let's say your character is forced by circumstance to kill someone to save a loved one. This is also the very first time they took a life. This example can be looked at under both an agentive lens ("What does this say about this character that they are willing to kill for the sake of a loved one?") and an experiential lens ("What does killing someone for the first time do to a person?") This example is meant to emphasize the fact that characters aren't static machines or mathematical functions where you just feed an input and wait for an output. If you want to stick with the machine analogy, then the act of feeding them inputs actually change the machines themselves as they spit out their outputs.

Both of these schemas are used by Authors in order to establish a set of evidences that the Audience can use to infer what kind of people these characters are and will become.

If we are strictly speaking in terms of the text, then characters actually aren't collections of properties, but instead collections of events, hence why I call it the Events View of Character. From this angle, characters aren't presented as "this character has Properties X, Y..., Z" but rather as "this character did Actions P, Q...,R // this character experienced Events H, I..., J // this character has Internal States (e.g. thoughts, beliefs, emotions, etc.) & Dispositions (values, preferences, desires, etc.) D, E..., F". The things that characters do, think, feel, and experience all contribute to who they are as a person, and all of these are better categorized as "events" that happen in the text rather than "properties."

The Properties View is an abstraction that only happens when there's actually a person there to do the abstracting and inferring.

The Audience

Most of the time, you don't actually have access to what set of properties are in the Author's mind that they wanted to convey about their characters. And even at the cases where they do disclose the intentions behind their characterization, the fact that it's even possible to argue about whether or not their intended characterization actually manifested successfully in their work should tell you something about the very nature of characters and character-making.

The Events View is very cumbersome and difficult; when you're talking to someone about a character, you're rarely (if ever) gonna cite every single thing they did or experienced in the text. The most likely option is that you'll summarize these into the core traits that you think make their character. Therefore, The Audience (referring to either a specific person or a group) returns to the Properties View by abstracting and inferring from the evidence in the source material.

Notice how different the relationship of the Author and the Audience is with the Text. On the one hand, the Author has a "deductive" relationship with the text: they start from general principles (e.g. "Character A is brave and kind") and instantiate those into specific things and events in the text (e.g. "Character A does brave and kind things").

On the other hand, the engagement of the Audience with the text is more "inductive" and evidentialist. You start from specific instances in the text (e.g. "Character A does Actions P, Q, R") and then based on how you assess these "evidences," you infer the qualities that this character has as a person. For example, if you judge that "P, Q, and R are actions done by a brave and kind person", you might end up concluding that "Character A is a brave and kind person."

In a future post, I will then talk about the Audience versions of the Agentive and Experiential schemas and what they reveal about audience disagreement when it comes to interpreting canon.

[interact-if]

I’m sending this in because it seems like I could get good opinions from not only you but also the people who follow you. I have an idea for an IF, and I’m very excited for the story. My question is, would people be offended if I made the playable MC physically female that identifies as female and all the ROs physically male that identify as male? I have seen some out there that are strictly M/M or F/F, and I’m so happy they exist because I feel that population is underserved. I just feel, not having the experience, I could bring justice to writing LGBTQ+ (and I don’t want to offend anyone in that community by writing something incorrect), mostly when it comes to sex (which I plan on including in my game). I support games that have those relationships in them and admire them, even play those games, and I don’t care who plays my game. The more the merrier! I still want the characters to be diverse. One of them will be of a descent that is based on Japanese culture and many others, based on Persian culture. I also want the playable MC to have any skin tone/features the player wants. I just want to know if this…will have people coming after me? I want to tell my story, but I don’t want to be attacked for it, if that makes sense?

I really don’t mean to offend anyone. I just don’t want to cause trouble, and I just want to respectfully ask for people’s opinions on this.

Hello! So, before diving into our response, we’d like to emphasize that we are but five individuals running a blog devoted to interactive fiction. We are neither the end-all-be-all voice on this matter nor necessarily a representative mouthpiece for the community.

First off, you can write whatever you would like to write; as the author, you have absolute control over what you produce, so nobody is going to stop you from writing what you want to write. It’s also important to write what you enjoy.

That said, the community is, in our experience, very inclusive, and largely devoted to providing a space for the queer community. We can understand the desire to have an appropriately inclusive and diverse game, and why you particularly want to turn to characters of color to bridge the gap; however, substituting characters of color for queer characters to claim diversity in a project is possibly something that will receive the wrong kind of attention. Furthermore, assuming that writing characters of color well is any less complex than writing queer characters potentially suggests that said characters could end up underdeveloped or tokenized. (See Nines' and Roast’s response below for more context)

All of that doesn’t mean you can’t make a game that’s genderlocked and restricted to M/F romance, and I don’t think anyone will be offended by such a game, but it might limit your audience. At the same time, there are (many) other visual novels that have this format, so it’s not something unheard of. As far as CoGs and text-based games go, as far as we’ve seen, they are rarely genderlocked unless for plot reasons, etc.

There is also a chance that you may receive feedback requesting that the MC be un-gender locked, or for additional ROs to be added of different gender, or for the ROs to be made gender selectable. These requests may be gentle, insistent, kind, or aggressive, and they may only occur at the beginning of your work, or may occur throughout your game development. Maybe they’ll never happen at all. It’s impossible to predict the future, but in our experience, we have often seen this occur to games in the past with RO gender imbalances, locks, etc.

As for searching for feedback, if you’re looking for feedback but you’re not pursuing the CoG format, may we suggest the Reddit subforum? It’s a little difficult for you to get the feedback/dialogue going here that you’d likely like to get, so Reddit’s format may be more conducive to your needs.

In the meanwhile, those who would like to provide their thoughts are encouraged to respond in the comments of this post. Please remember to be polite with your discussion!

— — —

The above is our general mod response; a few of us wanted to offer some individual thoughts as well, and those can be found below. These are personal opinions and reflect each individual mod’s thoughts, rather than a collective response.

While it can be a little daunting to write about something you’re not familiar with, writing often broaches topics with which we don’t personally have first-hand experience. Additionally, queer relationships are ultimately still relationships between people—they’re not all that different from heterosexual relationships. If you’re worried about the way you’re portraying your content, that’s something well-curated beta readers/testers (from the population you’re trying to represent) can help test for, and give feedback on. And on top of all of the above, that’s not to mention the potential issues associated with substituting in POC to replace queer people, which is perhaps not what your intention is, but is what it feels like your intention is (see Roast and Nines for all the ins and outs on why this is an issue). Ultimately, I stand by the opinion that on the most basic level, most will not be offended by a game that’s about a straight, cisgender female MC—yet some, or even many, may be off-put by such a game. I know I, personally, am. (P. S. Also consider that the MC has to interact with the other ROs that she isn’t romancing, as friends, enemies, acquaintances, what have you—having selectable ROs, for example, also allows the player to “diversify” their acquaintance group, if they so wish.) — Dani

I understand that this ask is coming from well-meaning intent but I would just like to state that writing characters of color is not easier than writing queer characters. One of them isn't a substitute for the other. Writing characters of color and writing queer characters are separate matters entirely, and both come with its own difficulties. Wanting your characters to be diverse, while admittedly lacking the perspective to back such identities, is still a murky water to navigate.

Personally speaking, and I really do have to be transparent about this, the way certain sentences were phrased in this ask rubbed me the wrong way. Still, I understand that this isn't malicious, just someone who is asking for guidance, which is something I can't fault. We all have to start somewhere, you know? That being said, if you really want to write diverse characters, my general advice is to do research. Lots and lots and lots of research. No author is exempt from that, honestly.

Find helpful articles, journals, studies, video essays, etc. to aid you in writing your characters. If you still feel like that's lacking in some way, which is a valid concern, being open to feedback from the appropriate people is also a good way to improve. The integrity of a project is important, but so is reasonable criticism against, for, or about it. Keep an open mind, educate yourself, and don't be afraid to ask for help or clarification should it be needed. — Nines

Nines says it well that queer people and poc are not interchangeable nor any 'easier' than the other. The fact that you're willing to do research and include characters of color yet not include queer characters tells me that you're afraid yet misconstruing how much effort actually gets put into cultural research.

There is a 'purity culture' that goes around tumblr that claims that diverse characters have to be perfect, have to have no flaws, cannot die, cannot have trauma, cannot face adversity, they must be perfect and good and happy.

I think this is bullshit.

I also think the backlash from this 'purity culture' community is what is creating so much fear in authors (including queer authors!!) in making characters with different backgrounds and identities than their own. In making queer characters with flaws and tragedy and negative characteristics.

If we only ever wrote what we knew, what we've personally experienced, fiction would be a very boring world.

Being afraid of representing a community wrong is a valid fear, but it shouldn't stop you from trying. You can write what you want to write, but it shouldn't be limited by fear.

Do your research. Get sensitivity readers. Be open to feedback. Be willing to be afraid, but do it anyway.

If, in the end, you decide to gender lock, make it an informed decision at the very least, and if you are including characters of color, know that that is a heavy amount of research too, and should be handled with the same care as what we've said on queer characters.

And like we've said before, we are not the voice of the community, we cannot give you permission or our blessing or flawless feedback, we are just five people running a blog. — Roast

Alright this was already mentioned a bit before but I wish to add my two cents: M/F relationships are the norm anywhere else in real life, and if you feel like there's no space for you and your relationships in a mostly-queer community then you might want to recheck if this is the community you wish to have as your target audience.

No one's going to be offended if your story is cishet, as we said, but you are extremely reducing your audience by doing such. The appeal of interactive fiction is that a good bunch of us have played female-mc-straight-love-interest visual novels in the past, having to endure being misgendered or romancing people we might not be attracted to.

The current interactive fiction community we're trying to promote has opened a million doors for everyone to explore themselves, so don't be surprised if your story, no matter how good, is ignored due to this aspect. Most of us have no interest in being forced to play as something we're not.

Again, we cannot tell you what you can or cannot do. We don't speak for the community, we speak for ourselves and for this blog. Maybe every comment we've made was incorrect and your game turns out to be successful, really, but it's what we believe you should keep in mind. — Cruz

Honestly, I don’t have much to add since everyone here mentioned and discussed important facets of this ask! At the end of the day, we are not a group who can or will ever dictate what you can or cannot write. That is not the purpose of the blog or the reason why we’re working as hard as we are. 

There have always been games with this specific set of characteristics: gender locked MCs and/or ROs. Some people may enjoy it, others may not, for whatever reason. 

Unfortunately, we cannot guarantee anything in terms of how people will respond to a game, because people will react to content differently. All we can do is offer our perspective and the potential things that may happen in the future based on the experience the lovely devs above have had. (fellow interact-if mods, my beloved ❤️)

It’s always admirable for people to reach out when they’re unsure, and I’m sure there are infinitely more opinions that vary or are similar to the ones in this response. But there you have it, some of our thoughts! 

Goodluck with your project! — Mars

[number5theboy]

Please elaborate on how Five could've turned into the most insufferable character to watch

Thanks for asking me to elaborate on this text post:

@tessapercygranger​, @waywardd1​ and @margarita-umbrella​ also wanted to see a more detailed version of it, and I ended up writing an essay that’s longer than some of my actual academic essays. So buckle up.

WHY NUMBER FIVE SHOULD BE THE MOST OBNOXIOUS CHARACTER IN TV HISTORY, AND HOW HE MANAGES NOT TO BE

Number Five: The Concept That Could Go Horribly Wrong

Alright, let’s first look at Five in theory in an overarching way, without taking into account the execution of the show. The basic set-up of the character, of course, is being a 58-year-old consciousness in a teenager’s body, due to a miscalculation in time travel. Right off the bat, Five is bar none the most overpowered of the siblings; by the end of Season 2, no one has yet been able to defeat him in a fight. He is a master assassin – and not just any master assassin, but the best one there is – and a survival expert, able to do complex maths and physics without the aid of a calculator, shown to have knowledge of half a dozen languages, has very developed observational skills and, to top that all off, he can manipulate time and space to the point where he can literally erase events that happened and change the course of history. And Five knows how skilled he is; he is arrogant, self-assured and sarcastic, and his streak of goodness is buried deep inside. David Castañeda once described Five in an interview as 90% chocolate with a cherry in the middle, meaning that you have to get through a lot of darkness and bitterness before knowing there is a good core, and I think it’s an excellent metaphor. However, Five is also incredibly, fundamentally terrible at communicating with anyone, and, because he is the only one with time travel abilities, the character a lot of the actual plot - and the moving forward of it - centres around. Also he’s earnestly in love with a mannequin, who is pretty much a projection of his own consciousness that functions as a coping mechanism for all the trauma he has endured. All in all, this gives you a character who looks like a teenager, but with the smug superiority of a fifty-something, who a) is extremely skilled in many different things, b) has a superiority complex, is arrogant and vocal about it, and most of the superiority is expressed through cutting sarcasm, c) has one very hidden ounce of goodness that he is literally the worst at communicating to other human beings, d) is what moves the plot along but is also bad at talking to anyone else, meaning that the plot largely remains with him, and e) his love interest is essentially a projection of himself. Tell me that’s not a character who is destined to be just…obnoxious, annoying, egocentric, a necessary evil that one has to put up with to get through this show. There are so many elements of this characterisation that can and should easily make Five beyond insufferable, but the show manages to avoid it, and I’m putting this down to three aspects.

That Trick of Age and Appearance

Bluntly put, Five as a character would not work if he was anything else than an old man in a 13-year-old body. Imagine this character and all his skills and knowledge, but actually just…a teenager. Immediately insufferable. Same goes for him being around 30, like his siblings, all of which are stunted and traumatised by their father’s abuse. If Five, being comparatively unscathed by Reginald to the point where he explicitly does not want to be defined by his association with his father, were 30 like his siblings, it would just take the bite out of that plot point and also give him a lot less time in the apocalypse, reducing the impact it had on him as a person. And making Five his actual 58-year-old self would make him very similar to Reginald, at least on surface level, with the appearance and attitude. Five and Reginald are two fundamentally different people, but having one of the siblings being a senior citizen that’s dressed to the nines and bosses his siblings around in a relatively self-centred way does open up that parallel, and would take away from Five’s charm as a character. Because pairing the life experience of a 58-year-old with the appearance of a teenager gives you the best of both worlds. You get the other siblings (and a lot of the audience, from a glance in the tags of my gifsets) feeling protective and paternal about Five, but his age and experience also give the justifications for his many skills, his arrogance, in a way, and his ability to decimate a room full of people. It’s the very interesting and not new concept of someone dangerous with the appearance of something harmless, a child. This is also where Five’s singular outfit comes in. I know we like to clown on Five to get a new outfit, but I think what gets forgotten often is how effective this outfit is at making the viewer take him seriously. The preppy school uniform is the perfect encapsulation of the tension between old man in spirit and young teenager in appearance. The blazer, vest and especially the shirt and tie are quite formal, relatively grown up. They’re not something we, the audience, usually associate with a teenage boy wearing; it makes Five just a little bit more grown up. But there is also a reason characters in this show keep bringing up Five’s shorts and his socks, because those are not things that we associate with grown men wearing; they’re the unmistakably childish part of his school uniform. Take a moment and imagine Five wearing a hoodie or a t-shirt, jeans, and sneakers; would that outfit work for him as well as the uniform does? Would he be able to command the same kind of respect or seriousness as a character? I don’t think so; the outfit is a lot more pivotal in making Five believable than a lot of people give it credit for.

Writing Nuance

The other big building block in not making Five incredibly insufferable is the writing. Objectively speaking, I think Five is the most well-written, and, more importantly, most coherently written character on the show (which does have to do with the fact that the show’s events are all sequential for him), and his arc and personality remain relatively intact over the course of the two seasons. More to the point, a giant part of what makes Five bearable as a character is that he is allowed to fail. He is written to have high highs and low lows, big victories through his skills and his intelligence, but also catastrophic failures and the freedom to be wrong. His superior intellect and skillset are not the be-all end-all of the plot or his character, just something that influences both. His inability for communication has not (yet) been used to fabricate a contrived misunderstanding that derails the plot and left all of us seething; instead, it’s a characteristic that makes him fail to reconnect with the people he loves. This is a bit simplified, as he does find common ground with Luther, for example, but in general, a lot of the rift between Five and his siblings is that they can’t relate to his traumas and he does not understand the depth of Reginald’s abuse, which is an interesting conflict worth exploring. Another thing that really works in Five’s favour is that he is definitely written to be mean and sarcastic, but it is never driven to the point of complete unlikability, and a lot of the time, the context makes it understandable why he reacts the way he does. Most of the sarcastic lines he gets are actually funny, that certainly helps, but in general, Five is a good example of a bearable character whose default personality is sharp and relatively cold, because it is balanced out with many moments of vulnerability. Delores is incredibly important for this in the first season, she is the main focus of Five’s humanising moments, and well-written as she totes the line between clearly being a coping mechanism for an extremely traumatised man and still coming across to the viewer as the human contact Five needs her to be. In the second season, the vulnerability is about his guilt for his siblings, it’s about Five connecting a little bit better to them. There’s also his relationship with the Commission and the Handler specifically – which honestly could be an essay on its own – that deserves a mention, because the Handler is why Five became the man he is, and this dynamic between creator and creation is explored in a very interesting way – their scenes are some of the most well-written in the entire show. And TUA never falls into the trap of making Five a hero, he is always morally ambiguous at best, and it just makes for an interesting, multi-faceted character, well-written character, and none of the characteristics that should make him unlikeable are allowed to take centre-stage for long enough to be defining on their own. I know a lot of people especially champion the scenes where Five goes apeshit, but without his more nuanced characterisation, if he was like that all the time, those scenes would not hit as hard.

Aidan Gallagher’s Performance is Underrated

But honestly, none of the above would matter that much if the Umbrella Academy didn’t luck out hard with the casting of Aidan Gallagher. I think what he achieves as an actor in this show is genuinely underappreciated. Like, the first season set out to cast six adults having to deal with various ramifications of childhood trauma, and a literal child that had to be able to act smart and wise beyond his years, seamlessly integrate into a family of adults while seeming like an adult, traumatised by the literal end of the world, AND had to be able to create the romantic chemistry of a thirty-year-long marriage with a lifeless department store doll. The only role I could think of to compare is Kirsten Dunst in Interview with a Vampire, where she plays a vampire child who, because she is undead, doesn’t age physically, but does mentally, so she’s 400 in a child’s body. And Kirsten Dunst had to do that for a two-hour movie. Five is a main character in a show that spans 20 episodes now. That’s insane, and it’s a risk. Five is a character that can’t be allowed to go wrong; if you don’t buy Five as a character, the entire first season loses believability. And they found someone who could do that not only convincingly, but also likeably. As I said, he is incredibly helped by the costuming department and the script, but Aidan Gallager’s Five has so much personality, he’s threatening and funny and charming and arrogant and heartbreaking. He has the range to be convincing in the quiet moments where Five’s humanity comes to show and in the moments where Five goes completely off the rails. Most child actors act with other children, but he is the only child in the main cast, and holds his own in scenes with adults not as a child, but as an adult on equal footing with the other adult characters. That’s not something to be taken for granted. But even apart from the fact that it’s a child actor who carries a lot of the plot and the drama of a series for adults, Aidan Gallagher’s portrayal of Five is also just so much fun. The comedic timing is on point, he has the dramatic chops for the serious scenes, the mannerisms and visual ticks add to the character rather than distract from him, and his line deliveries, paired with his physical acting, make Five arrogant and smug but never outright malicious and unlikeable. It’s just some terrific acting that really does justice to the character as he is written, but the writing would not be as strong if it wasn’t delivered and acted out the way Aidan Gallagher does. He is an incredible asset for this show.

Alright, onto concluding this rambling. If you made it this far, I commend you, and thank you for it. The point of all of this is that Five, as a character, could have been an unmitigated disaster of a TV character. He is overpowered, arrogant, uncommunicative and could so easily have been either unconvincing or completely unlikeable, but he turned out to be neither. It’s a combination of choices in the costume department, decisions in the writing room, and Aidan Gallagher’s acting skills that make the things that should make him obnoxious and annoying incredibly entertaining, and I hope you liked my long-winded exploration of these. Some nuance was lost along the way, but if I had not stopped myself, this would’ve become a full-blown thesis.

[kyidyl]

Kyidyl Explains Bones - Part 3

Well, I had this halfway done and then TUMBLR ATE IT, so let me start again.  UGH.  

(These posts are collected under the KyidylBones tag. Do with that information what you will, lol.) 

So what are we getting into today? Sex determination! 

Ethical Note: I’m adding this bc not everyone who sees this post saw my post yesterday and this is important info, especially on Tumblr.  Anthropologists of all stripes are well aware that sex and gender are extremely complicated.  Trust me, we know.  But we still do sex determination for a few reasons.  First, because missing persons databases are arranged on a male/female binary, and if we’re comparing a set of remains to that database to identify the remains then we need that info.  Second, demographic info for populations that have disappeared is important, even if those populations are historical.  This might shock you (<--sarcasm), but written records are usually either lacking or inaccurate.  Third, if we know the sex of the skeleton we can compare that to the grave goods and learn some interesting cultural things, including possibly being trans, because none of the signs of being trans survive physically in the skeleton.  So I am going to be using male/female binary language, but it isn’t to exclude the wide variety of sexes and genders that don’t exist on that binary, it’s because it’s what I’ve got to work with.  And if you have questions about this, feel free to ask, but please be respectful.  

Alright, so there are some vocab words for today’s post and I had them all nicely written out in an easy to read paragraph, but it got eaten, so I’m just gonna present them in list fashion this time: 

Characteristic - All physical markers of human variation exist on a spectrum because humans are varied and we invented the categories to begin with.  If something is characteristic of, say, a male? It means that it is very, very distinctly male.  It matches the stereotypical expectation of what you’d see in a male.  It’s a standard for an obvious example of a given thing.  

Landmark - A landmark on your bones is a feature of the bones that is always in the same place.  We use this to help us identify a bone and to help us know what side it is on.  IE, your lesser trochanter is a bump on your femur (thigh bone) that is on the inside towards the back.  It’s always in that spot, so we know which direction it should face and ergo which side it would be on.  Landmarks are unique to the bone in question.  

Foramen - A hole on a bone.  The big one in your skull that your spinal cord goes through is the foramen magnum and it literally means big hole.  But there are a lot of little ones all over your skeleton so your nerves and blood vessels can do to your skeleton what the weirwood did to Bryden Rivers.  I said what I said. ;) 

Bilateral - Both sides.  Humans have bilateral symmetry and so one side is symmetrical (externally and WRT your skeleton, but not always your organs.) to the other.  You can split us down the middle and the two sides are basically the same.  

Ok, so there’s another set of terms that you need to know, but I’m going to be copying and pasting this into every post going forward so I’m making it separate.  Anyone who works with any kind of anatomy uses these terms to be very specific about the location of something on the body.  They are: 

Anterior/Posterior - Front and back respectively.  I remember them because my mom used to say posterior when she didn’t want to say butt, and because A comes before P the way front comes before back.  Sometimes people say dorsal and ventral, and I remember that because a dorsal fin is on a whale’s back.  

Proximal/Distal - Near and far vertically in relationship to the center of your body.  I remember it because one end of the bone is in close proximity to me and the other one is distant.  

Medial/Lateral - Near and far horizontally in relationship to the center of your body.  I remember it because medial is closer to the middle of my body, and lateral isn’t medial.  Also, if you are reading left to right L comes before M and you’d get to a lateral body part before a medial one.  

So, where to begin? How do we know what sex people were assigned at birth from just their skeleton? Let’s start with what everyone is most familiar with: 

The Pelvis

The pelvis of an adult human is a really common thing for an archaeologist to find.  And by the time we find it, it’s usually in three pieces (excluding your tailbone aka last vertebra).  Your left and right hip bones, called the innominates, and your sacrum.  Mind you, the pelvis is made up of a number of bones, but they all fuse in adulthood except these three (fun fact: I’m so used to using the individual names for them that I had to *google* the word innominate.), so this is what we usually find.  If it’s a kid, they still survive well because they’re thick, heavy bones, but they aren’t fused.  Another fun fact, the bumps of bone that you feel under your ass are called your ischium and I’m only telling you that because I think it’s a fun word to say.  Your hop bones, like the actual entirety of the flat bladed part at the top, that’s called the Illium.  I like that word too.  Aaanyway, here’s a human pelvis: 

(Source)

These are actual bone specimens in the top down view, both are women, but they are of different ethnic origin.  

(Source)

This is a cast (IE, plastic), front view of a male pelvis.  

You can see those 3 pieces I’m talking about.  The only joint there that remains unfused is the sacroiliac joint, IE, where the two halves of the pelvis join the sacrum.  However! You sacrum is technically a series of fused vertebrae and your spinal cord runs almost all the way to the very tip.  There are some conditions which cause these not to fuse, or to not fuse properly, or to not properly encase the spinal cord and it causes all KINDS of issues.  But anyway, yeah, your sacrum is a really tough hunk of bone because it carries a lot of weight.  The bit in the front is called the pubic symphysis and, despite what certain tumblr posts would have you believe, having children does NOT leave a notch on the inner side of it from the muscle tearing away tiny chunks of the bone.  In fact, it is hotly debated whether or not pregnancy leaves behind any skeletal evidence at all.  

Alright, so basically speaking, females make da babies and males don’t, so the different equipment is differently shaped......

.....wait, no, that’s not right.  Let’s back up.  Male and female humans are differently proportioned and their center of gravity is, on average, different.  This is the whole thing about men having upper body strength and women having thighs that can crush watermelons.  This is on *average* (I will be saying a lot about averages in these posts.) true.  And so the physics of the forces exerted on your bones is different.  Males are top-heavy, and so their pelvis is shaped in response to their gate and muscle structure because the pelvis supports and distributes the weight of your entire body.  And bipedalism means that the shape of the pelvis is very, very different depending on the weight distribution.  These changes to the pelvis are really obvious, which is why we can tell from just a few bones whether or not a hominin was bipedal.  It changes the *entire* body.  

It is true though that the pelvis of a female is different than a male, because a female pelvis has to be able to support the weight of a developing child while still allowing the individual to walk.  So the interaction of average size, a uterus, and the bipedal gate means that male and female pelvises are a different shape.  

Here is a comparison: 

(Source)

So firstly, that angle is called the sub-public angle, and because a females pelvis is wider and flatter than a male’s (when viewed from the front) it’s wider in the front.  This also gives any babies more room.  Secondly, you can see the difference in the tilt of the sacrum - in the female you can’t see the tailbone.  This, again, is due to the confluence of weight distribution and the necessity of passing a baby’s head through that space.  It would be a lot harder to push it out if you had a tailbone in the way.  Lastly, you can see that the shape of the circle when you look top down and bottom up are different - wider on the woman because of the same reasons I’ve already mentioned.  There is one more major difference between the male and female pelvis, and that’s the sciatic notch: 

(Source)

Characteristic of male on the left, intermediate in the middle, and female on the right (and dang, she was young, too.).  Thinner is male, wider is female.  Usually you can fit your thumb in a female’s notch but barely or not at all in a male.  I personally find the subpubic arch and the sciatic notch the easiest to use because, fun fact #2, those 3 sections are a bitch to hold together with your hands and that makes it hard to see the other shapes.  The amount of sacrums and pelvic bones I’ve accidentally dropped while trying to determine sex....it’s a lot, ok? It’s a lot.  I only have two hands and pelvises are big.  

There are also several less obvious ways of determining sex from a skeleton, so you guys should definitely visit the source for the above image because they go into it deeper and there are several excellent images of public bones.  

So how else do we determine sex? The next easiest way is from the skull, because the features are distinct and skulls survive well.  

The Skull

In my opinion the easiest landmark to use on a skull for sex determination is the jaw.  There are several features of the jaw that can be used here - and, mind you, when determining sex we measure every small and large sex-linked feature according to a scale and then average it all out.  We never look at any single thing (although sometimes the individual has something so characteristic that you can’t help it.  The individual in my position has a brow like a neanderthal, so it was pretty obvious.).  Anyway, there are several features here but the easiest is to look at the shape of the lateral distal posterior portion of the jaw.  It’s called the masseteric tuberosity.  Basically, it’s a little bit of bone that sticks out of the back of your jaw.  It’s one of the attachment points of the masseter aka chewing muscles attach.  Because males have stronger muscles pulling on that part of the jaw and exerting more force, it flares out further for them when you look at it from the front, like this: 

(Source)

It’s that sticky-outy thing thing that I circled in red.  Here is an example of the same thing on females: 

(Source)

Female jaws are rounder, and so that bit is less defined, flares out less, and is not as sharp as it is on males.  And this is a reminder that these measures aren’t absolutes - humans have a lot of variance in them.  The female asian and the male on the right both have somewhat atypical structures, while the female european and the two other males have a very characteristic structure.  

The two other easiest to identify are the shape of the brown line and the shape of the chin (the mental protuberance).  Here is an image of the comparison: 

(Source: Pinterest, but this images are from the Human Bone Manual text that I use and I used this image so I wouldn’t have to make my own. :P) 

You can see in the profile that the female skull has a higher, more vertical forehead with less pronounced brow ridges.  If you look, you can also see that her chin protrudes less in profile, and is softer and less pronounced in the frontal view.  The angle under her teeth is less severe.  

So these three things, the chin, the brow, and the jaw, are the easiest to identify the most likely to be characteristic of the sex of the individual.  But, if you compare the images I’ve used here you’ll also notice that there are other differences in the skull.  Females have more of a slope to the bottom of their jaw, the bump on the back of their heads (the occipital protuberance) tends to be far less pronounced; and this is the case for all muscle attachments generally speaking.  On average, males are more easily able to build muscle mass and are larger, and so their muscles pull harder on their skeletons and create larger muscle attachments.  The round, blunt thing to the right of the back of the jaw that sticks out from the skull (the mastoid process), is also at a different angle and is larger in males.  This is another case of the muscles being bigger and stronger - the mastoid process is where several of your jaw and neck muscles attach.  

There you have it, then.  The easiest ways to tell the sex of a skeleton.  :) 

This post has been approved by Gage the science doggo: 

[hanadolphieron]

different sexualities/genders and usage of pronouns~

author’s note- if any of this information is incorrect or offends anyone, please feel free to pop into my inbox or dm me to let me know and i will fix it asap! also, if you have any identities to add, dm/send an ask about their description and i will do some research and then add it to this post!

_________

there are so many different sexualities, genders, pronouns, and identities in this world, and i know that sometimes it can be confusing. this is meant to help explain a few of them!

_________

SEXUALITIES

homosexual- a person sexually and/or romantically attracted to people of the same gender as them.

lesbian- a woman (whether intersex, cisgender or transgender) who is sexually and/or romantically attracted to women. lesbian is can be an umbrella term for all gender identities who are attracted to women.

he/him lesbian- a person who uses he/him pronouns but is still a homosexual woman.

they/them lesbian- a woman or nonbinary person who uses they/them pronouns and is sexually and/or romantically attracted to women.

gay- a man (whether intersex, cisgender or transgender) who is sexually and/or romantically attracted to men. this term is also used at times by people of other sexualities within the LGBTQ+ community who are attracted to the same sex as a slang. for example, many bisexual women use the phrase “i’m so gay” whenever they see a woman they’re attracted to, even if they’re technically a bisexual, and not a gay. this term includes people who use different pronouns but still identify as men, or do not identify with a specific gender but are attracted to men.

bisexual- a person who is sexually and/or romantically to multiple gender identities, but not all genders. for example, a women being attracted to women, men, and nonbinary folks. a common misconception is that bisexuals are only attracted to men and women, not any other identities. this is not true for all people, just some. another misconception is that bisexuals are transphobic, which is the untruest of all untruths, because not only is that implying that transgender peeps are not the gender that they identify with. it also implies that attraction is the only form of respect, along with being incorrect, as many bisexuals are attracted to transgender peeps. sometimes bisexual is an umbrella term which people use even if they are attracted to more than one gender, whether that be some or all. bisexuality can be divided into two categories- attraction to same and unsame genders.

pansexual- a person who is sexually and/or romantically to all gender identities. sometimes people prefer to describe themselves as pansexual if they base attraction off something different than gender entirely. some people who are attracted to all genders still use the term bisexual- this is just a preference.

asexual- a person who does not feel attracted to the idea of sex and/or are repulsed by it. asexuals can still experience romantic attractions, they just don’t desire people sexually. asexuals can still have sex, watch porn, or engage in sexual activities, it just doesn’t give them the same thrill as it does for non-asexuals. some asexuals may not feel no sexual attraction at all for some gender identities, but be sexually attracted to others. 

demisexual- a person who does not feel sexual attraction to a person unless they have formed a strong emotional bond with them first. demisexuals may not feel sexual attraction to all genders, and may only need an emotional bond with some gender identities to experience sexual attraction.

queer- a term that refers to people who do not identify with any particular sexuality label and/or reject cultural norms surrounding sexuality. this term can be used if you are unsure of your sexuality, but know that they are not heterosexual. it is also an umbrella term that spans all sexual identities within the LGBTQ+ community. people with complicated sexual identities often use this term because explaining themselves becomes exhausting after a while. nonbinary peeps use this term because some terms, like lesbian and gay, would be inaccurate if they used them. however, they can still use those terms. they’re cool like that :)

panromantic- someone who experiences romantic attraction to all genders. someone could be panromantic but also a lesbian if they are able to experience romantic attraction to all gender identities but only sexual attraction to women.

aromantic- someone who does not experience romantic attraction

omniromantic- someone who experiences romantic attraction to all genders, but has a distinction or preference between them. for example, feeling attracted to nonbinary peeps but also women, however preferring nonbinary peeps and feeling a different sense of attraction between those two identities.

biromantic- someone who experiences romantic attraction to two or more genders, but not all genders.

pluralian- a term that refers to anyone who experiences romantic and/or sexual attraction to more than one gender.

viramoric- a nonbinary peep who is attracted exclusively to men. 

enbian- a nonbinary peep who is exclusively attracted to fellow non-binary peeps.

feminamoric- a nonbinary peep who is exclusively attracted to women.

polyamorous- a person who has the capability or desire to be in relationships with more than one person. polyamorous people can have any sexuality.

_________

GENDER IDENTITIES

transgender- a term that describes people who do not identify with the gender assigned to them with at birth. this might be confusing for some, but basically, your genitalia do not determine what gender you feel on the “inside” or identify with. for example, a woman who has a penis is still a woman, and you can not say they are not.

cisgender- a term that describes people who identify with the gender assigned to them at birth.

nonbinary- someone who does not identify with being a man or a woman. some nonbinary people can identify with being one of those two genders in part, just not completely. nonbinary humans can also be transgender.

stellarian nonbinary- someone who is nonbinary and neutrally aligned, and does not lean towards being a man or a woman, however they still identify with having a gender

solarian nonbinary- someone who is nonbinary and male-aligned, and partly identifies with being a man

lunarian nonbinary- someone who is nonbinary and female-aligned, meaning they partly identify with being a woman

nebularian nonbinary- a mix of lunarian and stellarian nonbinary

novarian nonbinary- a mix of solarian and stellarian nonbinary

*the above genders in bullet points are according to the galactian alignment system

agender- someone who does not identify with a gender, or is genderless.

gender queer- a term for people who do not have a normative gender or prefer not to have a certain gender identity.

genderfluid- someone whose gender changes over time. this could be day-to-day, week-to-week, month-to-month, on an inconsistent schedule, etc.

intersex- a term for someone who is born with physical characteristics that can not be classified as male or female.

_________

PRONOUNS

they/them- someone who prefers to be referred to as they/them 

she/her- someone who prefers to be referred to as she/her

he/him- someone who prefers to be referred to as he/him

*any combination of they/them, she/her, and he/him is possible and can be interchangeable. for example, genderfluid people may use he/him one day and then prefer she/her the next. some people may prefer more than one set of pronouns. some examples of this- he/they and she/they

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i know, this can be a lot to take in and it can be worry to use the correct pronouns, but most people won’t be mad unless you purposefully mean to offend them. 

asking considerate questions is appreciated if you don’t understand someone’s identity :)

if someone says they’re pansexual while also being lesbian and gay at the same time, just go with it, it’s none of your business and who cares?

have a nice day everyone! love you all!!! <3

[that-scouse-wizard]

David Willows MK 2

A/N: Just an updated version of David’s profile, complete with a few changes and a more in-depth description of certain characteristics. Hope you guys enjoy and if you’d like your MC to be friends with him, message me and let’s chat about it.

Some more things to note:

-Merula is not the mole.

-I’m using the female version of Rowan as David’s best friend because to hell with game restrictions. Also, she survives, at least... David’s Rowan does.

-Drastic alteration to the Quidditch storyline. Skye is in David’s year and a Gryffindor. Orion, Murphy and Erika are two years above David and are in Hufflepuff, Ravenclaw and Slytherin respectively. Also including Andre and Charlie while introducing Oliver Wood and Lee Jordan.

-It goes without saying but spoilers for my ideas. Some are kept deliberately vague and some aren’t covered entirely more so because I intend to write about it someday. Let me know what you guys think of those that are given though. 

-------------

General Information

Name: David Owen Willows (Formerly David Owen Hall, changed to mother’s maiden name in 1982).

Gender: Male

Age: 11-18 (1984-91), 19-25 (1992-98)

DOB: 30/03/1973

Species: Human

Blood status: Half-blood

Sexuality: Straight

Alignment: Chaotic Good

Ethnicity: White-British 

Nationality: English (maternal side of family is Irish, paternal grandmother is Scottish, paternal grandfather and father are English).

Residence: Liverpool/ Lancaster (during his Hogwarts years and depending upon who he’s staying with).

Wimborne (during his career as a pro Quidditch player)

Hogsmeade (final place of residence after becoming Charms professor)

Myers Briggs Personality Type: ENFP, The Campaigner

Character summary: Though he may come across as stand-offish at first, David Willows is a friend as loyal as he is bull-headed. A student of Erika Rath, he became known as Hound on the Quidditch pitch for his relentless pursuit of opposing players. A skill in duelling and the muggle martial art of muay thai (also a pair of knuckledusters) ensures David is a formidable opponent with or without magic.

Personality:

Aggressive: While he tries to reign in his anger, David is known to have a short temper when it comes to certain taunts. Chief amongst them, comparing him to Jacob. In his early years he was even willing to physically fight much older students despite the clear difference in both size and strength.

Aloof: For all of his first year and a good portion of his second year, David isn’t the one to initiate a friendship (except for Chiara but that was when there was no one else to really talk to while spending a night in the Hospital Wing due to the Devil’s Snare incident). However, while undergoing his first time as a quidditch player, he’s taught by Penny how to be a bit more social at pre and post-match parties.

Artistic: David was taught by his mother Rue to draw in greyscale sketches, something he improves on during his time throughout Hogwarts. In the midst of Jacob’s disappearance, his parent’s divorce and especially the stress that comes at Hogwarts, drawing provided an escape for him. His favourite things to draw are people and creatures.

Competitive: This aspect of David tends to come out the most when it comes to sport. With Erika as his mentor, he nurtures a healthy sense of competition as well as a determination to best the other houses and put Hufflepuff on top when it comes to quidditch.

Courageous: Largely as a result of his loyalty, David is willing to throw himself headlong into danger. The Sorting Hat didn’t nearly put him in Gryffindor for no reason.

Determined: When David sets his mind to a goal, he wants to accomplish it to the best of his abilities. In the case of finding Jacob however, it led to a sort of tunnel-vision, one that was finally broken when Chauncy and Philip succumb to injuries sustained under the sleepwalking curse.

Empathetic: Throughout his years at Hogwarts, David starts to empathise with people in his life. Even in the case of Merula, he sees how lonely she must really be and tries to reach out to her on numerous occasions. If he doesn’t fully understand it, he’d like you to share your feelings with him, at your own behest of course.

Loyal: In spite of a prickly exterior at first, once you win David’s loyalty, he’ll return it ten-fold. The type of friend who would take a bullet for you.  

Snarky: David has a sharp tongue, preferably he tries to shut down an argument with his wits. Only going for duelling when he feels it necessary. That being said, he isn’t shy about getting petty in a verbal spar, for example his response to Merula when first being taunted about Jacob supposedly teaming up with Voldemort: “At least that’s just a rumour, can’t say the same about your parents.”

Stubborn: A self-described ‘stubborn git’, David is quite notorious for not budging from his position once he thinks he has all the facts he needs. If he’s being especially difficult, just get Merula.

Appearance

Face Claim: Dave Franco (as an adult at least).

Voice Claim: Paul McCartney.

Game appearance: 

Physique: Athletic, broad shouldered and fairly bulky as a result of weight training with Erika.

Hair Colour: Dark Brown

Hair style: Chin-length (1st-2nd year), crew cut (3rd-4th year), short but long enough to slick back (5th year-present).

Eye colour: Dark brown.

Height: 5′11″ (as of 6th year)

Weight: Approx 80kg (when fully grown)

Scarring: A few small ones sustained during duels and the occasional mishap in quidditch, mostly on his upper body with a few on his legs. Sustains a burn scar on the left side of his waist during the battle with R.

Body modifications: Get’s the phrase “You’ll never walk alone.” tattooed on his right bicep at eighteen. Later gets a ram skull tattoo on his upper back just between the shoulder blades at age twenty. Finally, gets a shepherd crook just below the ram skull tattoo at age twenty-one.

Inventory: His wand, a pair of knuckledusters, a sketchbook, a pencil case containing stationary.

Fashion: He trusts Andre’s advice on what looks good on him though knows what works for him and what doesn’t. Partly influenced by his musical tastes (mainly punk, and rock and roll), has a love of leather jackets and slightly ripped jeans.

Background/ History:

Pre-Hogwarts:

-David was born in Liverpool, living in the suburb of Allerton. One of his favourite things to do was play football with Jacob and his dad.

-His mum would teach him to draw, most often on rainy days.

-Close to both of his parents as a result but it all changed when Jacob disappeared. He knew Jacob and his parents had arguments after being expelled but hadn’t heard any of it on account of the use of a muffling charm. Furthermore, Rue and Matthew were driven apart, Matthew blaming Jacob’s change in attitude and eventual disappearance on magic in its entirety.

-Sometime after Jacob disappeared and when the general shitshow stirred up by the Daily Prophet had died down, it was settled that Rue and Matthew would divorce. Given that David would go to Hogwarts as well, they thought it would be best for David to take Willows as his surname, hopefully not being recognised as Jacob Hall’s brother.

-This was fruitless, Rita Skeeter caught wind of the proceedings and sensationalised them, exposing the name change in the process. The stress and grief caused both parents to distance themselves from David in some way. Rue threw herself into work and became even more strict with David’s freedom while Matthew just left.

-David however, was fighting his own battles, it became known at his muggle school about Jacob going missing as well as his parents divorcing. This caused him to become quite reclusive from his classmates and would lash out at anyone who said a bad word towards him, especially if it concerned his family drama. He lost any friends he did have and refused to make any more.

During Hogwarts

-Year 1: He first meets Rowan, even being introduced to her younger brother, Alder (basically male Rowan). 

David, Rowan, Tonks, Diego, Chiara and Penny first begin to form what becomes known as the Hufflesquad. 

Also befriends Ben and Charlie.

Angelica Cole takes him under her wing despite not being in the same house and even shows David a group of trolls she’s been tending to in preparation for her apprenticeship in training security trolls.

Meets the Booths during the Christmas break and despite a rocky start, begins to develop a positive relationship with them even coming to an understanding with his dad.

During one of his expeditions with Angelica, he’s confronted by Needle, an acromantula that previously belonged to Jacob. 

Finally stands up to his mum properly, resulting in him staying with the Booths for the summer in Lancaster.

-Year 2: David meets those who are involved in the Quidditch scene at Hogwarts, including Erika Rath, who he briefly develops a crush on until he’s let down gently at the end of Year 2.

He duels Merula for a second time, winning once more, which makes her cry albeit in private. This then results in having his first encounter with Barnaby Lee, who confronts David about upsetting Merula. David tries to get past but Barnaby wraps his hands around David’s throat. Not actually choking him mind, more to get his attention. David panics as it reminds him of the Devil’s Snare that wrapped around his throat and lashes out at Barnaby.

David puts Barnaby in the hospital wing, much to the anger of Liz Tuttle.

The last Quidditch match for the House Cup between Hufflepuff and Slytherin is interrupted by the spread of the cursed ice. Ultimately resulting in Gryffindor’s victory in the cup for that year. 

Rue comes back, mentioning how Corey Hayden (David’s American cousin in this AU) would like to transfer to Hogwarts.

Year 3: Amelia comes to Hogwarts as a first year and gets sorted into Hufflepuff. Similarly, Alder starts at Hogwarts and is sorted into Ravenclaw. 

Amelia brings Dusty, her cat, along with her. However, Dusty goes missing shortly after arriving at the castle.

Later, in a COMC class, Barnaby mentions that he found a cat matching Dusty’s description. Initially, David is very suspicious to the extent of threatening Barnaby if he harmed Dusty in any way. Barnaby refutes this and returns Dusty to him unharmed, causing David to apologise for both for the accusation and the events that happened last year. Eventually, he even befriends Barnaby.

In a similar vein, when tending to some of his creatures on the reserve, he bumps into Liz and winds up introducing her to Needle. The two get a friendship going, David admiring Liz’s passion for creatures and Liz appreciating David for not finding her weird when she rambles about animals. To the extent that they go out on a few dates.

Close to the end of the year, he rants at Merula. Effectively asking the question of why she seems to hate him. Yet despite the rant he closes off with how he understands Merula, he’s been that lonely kid lashing out at the world and it’s not fun. Despite her reluctance to admit it, Merula knows David is right.

He gets the chance to verbally unload on Rita Skeeter for the articles she wrote about his family when she comes to the school looking to interview an interesting student. Later, several of his friends plus Merula of all people step in to put Skeeter in her place when she successfully provokes him into a fit of rage to make him look bad. The situation is eventually diffused by McGonagall.

Year 4: 

Corey officially transfers to Hogwarts from Ilvermorny after exchanging letters with David throughout third year.

Though David wasn’t particularly close to them, Chauncy and Philip (two of his dormmates alongside Diego) succumb to injuries sustained when they were attacked by a red cap under the Sleepwalking curse. When he learns the truth of what attacked them, David slays the creature.

David starts to realise he has a crush on Merula after assisting her in casting Expecto Patronum. Later in the year, he takes her out on a date to Hogsmeade, gets her a songbook for Christmas and even takes her out to the Celestial Ball.

Merula’s parents are freed from Azkaban by R, her mother even meeting Merula in secret throughout the year. During one of their meet-ups, she has a hunch Merula is starting to develop a crush on David (something which is true but not something she would admit it at the time). 

In order to eliminate this apparent threat to her family’s blood purity, she asks Merula to bring him to her in the Forbidden Forest under the guise of allowing the two of them to join R like she has. Instead, she subdues David with Petrificus Totalus, attempting to convince Merula to leave him, that David isn’t worth it.

Merula sides with David even though it pains her initially. David stays with her over the summer, where they try to figure out... whatever the hell their relationship is at the moment.

Year 5: Throughout this year he dates Merula in secret until Valentine’s Day. It’s here that she confesses she’s ready to have their relationship out in the open.

One of the most major event for David is Rakepick’s betrayal, he had actually grown fond of her as a mentor. Being stabbed in the back wasn’t a good thing for him.

The second is Jacob leaving immediately after David finds him. It’s hurtful and David becomes a bit reclusive for a while. Finally, he’s comforted by Bill, Orion and Erika, the older sibling figures in his life.

Year 6: Jacob returns, under the watchful eye of Alastor Moody, acting as the DADA  teacher for that year. Naturally, there’s tension between the brothers, which eventually resolves.

Jacob does join David for the Christmas break, where he gets along well with the Booths and reunites with his parents.

As well as this, R attempts to come after Amelia, resulting in the death of Alder Khanna. As well as being a devastating loss, it causes a rough patch in David and Rowan’s relationship when in her grief she winds up shouting “I wish I’d never met you, David Willows!” She only realises what she just said when the words leave her mouth but regardless, it causes a fracture within David’s larger circle of friends.

Eventually, the time comes for when David, Jacob and their allies take on the vaults like they had always dreamed of. Together, they face off against the guardian of the Sunken vault, an Ammit (based on the creature of Ancient Egyptian Mythology). Eventually the beast is defeated and they claim the treasure of the vaults, what seems to be the base of a necklace.

In a celebration at the Three Broomsticks, R attacks and murders Jacob. This sends David spiralling into grief, hitting his truly lowest point. He worked so hard, he rebuilt his family at home and forged a new one at Hogwarts, all the while hoping Jacob would be able to join them. And what was it all for? Nothing.

Before the school year is up... he snaps his wand and runs away from Hogwarts. Not to Liverpool, not to Lancaster, just anywhere but there. It will keep his friends and family safe or so he reasons. Deep down though, he thinks it’s cowardly.

During this time, he finds his way to Glasgow and starts sleeping rough on the streets all the while battling with grief, anger and self loathing. This goes on for two months before Moody tracks him down, apparating him to a secluded area of the Scottish countryside, kicks his arse and talks him down. Taking him to Grimmauld Place afterwards with the intention of formulating a plan to take the fight to R. 

Where he finds most of his remaining friends waiting for him. At first he staunchly refuses their help, feeling he’s already put enough people in danger. Yet they refuse to leave.

This is actually the moment where the Circle of Khanna is formed, this time named for Alder. Reconciling with Rowan after a serious heart-to-heart.

Year 7: ...Let’s just say R is going to regret setting David Willows on the warpath.

R’s destruction becomes widely regarded news, however David allows Moody to take the credit for it. Frankly, by this point he’s sick of any attachment to the Cabal and just wants to play Quidditch.

He’s able to pass his NEWTS and win the Quidditch cup for Hufflepuff one last time, resulting in him being offered the position as beater on the Wimborne Wasps.

Post-Hogwarts:

David and Merula work things out, moving in together. Though it’s odd with David still keeping at his Quidditch training and Merula now working for Gringotts as a curse-breaker. After winning the British and Irish League for the Wasps in 1993, he proposes to Merula which she accepts.

In 1994, they have a wedding in the summer time with Rowan being David’s best woman. They did plan on having kids until Cedric’s murder at the hands of Voldemort. With Quidditch cancelled and Merula being affiliated to Gringotts, both are approached to work for the Order. 

Though initially very hesitant, David agrees. Eliminating Death Eaters, rescuing their hostages and even fighting in the Battle of Hogwarts.

He returns to the Quidditch scene when it starts up again in 1999, helping the Wasps win the cup three more times. 1999 is also the year in which Merula and David have their first kid, Robin. After the latest victory in 2002 he discovers Merula is pregnant again, and his retirement from Quidditch is looming on the horizon. He’s convinced by Judith Harris (@judediangelo75) to teach for a few weeks over the summer at KC’s (@kc-needs-coffee) quidditch summer camp.  It’s here that he develops a love for teaching. Getting in touch with professor Flitwick to work as his assistant before becoming the Charms professor. 

In early 2003, he welcomes his son Nicholas into the world.

Family

Matthew Hall (father): 

Face Claim: Ben Miller

A stern but fair man and CIMA-qualified accountant originally from Yorkshire, Matthew met David’s biological mother Rue when he was on a business trip to Dublin in 1956. Encountering her in a quiet pub being told “I’ve dealt with a real dragon today” when he asked if she was okay on account of how tired she looked. Matthew took it as a joke but Rue was being entirely serious. They struck up a friendship and began dating, eventually getting married in 1961 and having Jacob in 1964. 

initially, he was fascinated by the existence of the wizarding world but soon came to fear it after Jacob’s disappearance. Divorcing Rue afterwards and cutting off contact from David aside from agreeing to send child maintenance. However, after being chewed out by his girlfriend Lyra, he all but begs David to come visit him in Lancaster over Christmas in 1984. 

The reason being that Amelia’s magical abilities finally began to manifest, which became a cause of conflict between David and Matthew, largely from David thinking that was the only reason he was invited. Eventually, they come to an understanding and try to work on improving their relationship.

Rue Willows (mother): 

Face Claim: Fiona O’Carroll

A dragonologist from Dublin in the employ of the Dragon Research and Restraint Bureau. Though she was strict, she was generally attentive towards David, being the one who taught him to draw.

After Jacob’s disappearance however, she became very withdrawn and austere. It was her way of opting for a ‘tough love’ approach, thinking she had been too soft and in her misguidance tried to control David’s life. Even then, she still grieved, frequently getting into arguments with David about his behaviour at school, bringing up Jacob when David tried to make her proud of him and other such things. 

During the start of the summer break between first and second year, David finally stands up to her properly. The words that get through to her are the following, “That stranger’s name is Lyra and she’s been a better mum to me in the weeks I’ve known her than you have for me in years.” and “I love you too mum... but I don’t know if I like you anymore.”

She does a lot of soul searching after that, staying with relatives in America for a year before coming back and promising to do better with her and David’s relationship.

Lyra Booth (nee Robinson) (step-mother):

Face Claim: Ruth Wilson

A muggle and CIMA-qualified accountant originally from London, left widowed in 1980 after her first husband, Peter died in a car accident. She met Matthew when working at an accounting firm in Lancaster shortly after his divorce from Rue. After a couple months of knowing each other, the two began dating, Lyra introduced him to her children, who he hit it off well with.

She knew he had a son who he sent child maintenance to but it wasn’t revealed until Amelia accidentally made a plant pot explode in a fit of frustration that Lyra learned the truth. Consequently... she blew up at Matthew for as good as abandoning as his son. Insisting on inviting him around for Christmas.

While David was prickly when he first came around, he eventually warmed up to her and the rest of the Booths, being a positive maternal influence on him.

Jacob Hall (brother) (deceased):

Face Claim: Tom Holland

David’s only biological sibling, a gifted though trouble-making student, first became interested in the cursed vaults during his first year when he was informed about the legend by seventh year Patricia Rakepick. In his sixth year, he stood up for fellow Gryffindor Angelica Cole when she was being bullied (at the time she was a first year).

His investigation into the vaults would put him into conflict with the mysterious cult known as R. A conflict that would put his family in danger and even cost him his life.

Alex Booth (step-brother):

Face Claim: Jody Latham

The eldest of the Booth siblings, Alex is a highly protective big brother and was worried upon realising his little sister was going to be part of a world none of them had any knowledge about. He tried to make David feel welcome despite the younger boy’s hostility.

When David attempted to run away during his first stay with the Booths, Alex caught him in the act and made a deal, get past him and he wouldn’t tell anyone he’d left. Though David was tenacious, Alex stopped him every time even pointing out the flaws in David’s technique if he tried to physically fight Alex. After David finally gave up, Alex didn’t breathe a word of his run away attempt to anyone. David would take up Alex’s offer to teach him muay thai during his first visit.

Sarah Booth (step-sister):

Face Claim: Emilia Clarke

The middle child of the Booth siblings and also the least welcoming, Sarah was most vocally against Amelia being part of the wizarding world. She treated David coldly at first, going on a grouse hunting trip with her friends the day after he arrived to stay with them for Christmas.

However, at some point, she caught him reading an old copy of a Shooting Times magazine and after some persuasion by Alex, took David clay pigeon shooting. Becoming quite impressed, and even a little endeared from how quickly he picked up shooting.

Amelia Booth (step-sister):

Face Claim: Maisie Williams

A muggleborn witch and the youngest of the Booth siblings, Amelia was surprised to realise she possessed magical abilities. Though was even more shocked to learn Matthew already knew about it.

When she was five years old, she was involved in the car accident that killed her father. Resulting in her being scarred with a gash on the right side of her forehead, a similar one on her left cheek and a larger one that cuts across from shoulder to her chest. Though she repressed the memory, she did indeed see her father die, thus Thestrals are visible to her. Another thing the accident did was give her motorphobia, though can tolerate it as long as she’s A) In control of the vehicle and B) It’s not motorised.

However, she does have a love of cycling, she was taught to do so by her dad before he died. Similarly, gymnastics helped her get some of her confidence back after the accident and still keeps up with it. A love of plants and animals prompts her to excel in Herbology and Potions, then later COMC.

Allegiances

Hogwarts House: Hufflepuff

Affiliations: The Circle of Khanna, The Wimborne Wasps, The Order of the Phoenix, Hogwarts School of Witchcraft and Wizardry.

Professions: Beater for the Wimborne Wasps (1991-95)

Agent of the Order of the Phoenix (1995 - 98)

Resumes position as beater for the Wasps (1999-2003)

Charms Assistant Teacher (2003 - 05)

Charms Teacher (2005 - present)

Hogwarts Information

Class Proficiencies:

Astronomy: E

Charms: O

DADA: O

Herbology: E

History of Magic: A

Potions: A

Transfiguration: E

Electives:

Care of Magical Creatures: A

Muggle Studies: O

Quidditch:

Hufflepuff Beater (1985 - 91)

Hufflepuff Captain (after Orion graduates) (1989 - 91)

Extra Curricular:

Duelling Club (Becomes known as one of the best duellers in Hogwarts)

Art Club

Football Club (Founder)

Apparition Class (in 1991)

Favourite Professors:

Professor Sprout, his head of house and someone he feels he can go to if he needs advice. One of several people who warned him about being careful with Patricia Rakepick.

Professor Mcgonagall, his Transfiguration teacher and head of Jacob’s house when he was at Hogwarts. Though they disagree entirely on him tackling the vaults, he always pays attention in her lessons as while she’s often stern she can be a great teacher.

Professor Flitwick, as his Charms teacher, David always found Flitwick to be respectable. David especially respects Flitwick for teaching him Expelliarmus, even after he was honest in what he intended to do with it (i.e. use it in a duel against Merula). Also came for Flitwick’s help in developing Cometa.

Least Favourite Professors:

Professor Binns: Finds his droning entirely too boring and really only passed History of Magic thanks to Rowan.

Every other professor he’s either neutral on (Snape and Trelwany) or he likes but aren’t his favourites (Kettleburn).

Best Canon friends:

Rowan Khanna

Diego Caplan

Nymphadora Tonks

Penny Haywood

Chiara Lobosca

(David plus the above five make up the original members of the Hufflesquad)

Bill Weasley

Charlie Weasley

Erika Rath

Orion Amari

Badeea Ali

Barnaby Lee

Liz Tuttle

Love interest:

Erika Rath (crush)

Nymphadora Tonks (first kiss)

Liz Tuttle (dated briefly in third year but broke things off fairly amicably when they realised they were developing crushes on other people).

Merula Snyde (began dating in fourth year, later marries David in 1994)

Best MC friends:

Judith Harris (@judediangelo75): The closest of his MC friends, David and Judith first get acquainted by being pushed into friendship... somewhat subtly by Penny Haywood. Both of them catch on when Penny mentions they should try out for the Quidditch team. Both of them still go for it, bonding over a shared love of martial arts and proving they have the potential to be fearsome beaters.

Throughout their time at Hogwarts, David and Judith would demonstrate a fierce loyalty to each other, being as close as siblings. David even becoming godfather to her children, Bakari and Kendrick.

Cato Reese (@catohphm): David was first introduced to Cato by Penny. The two find themselves sharing very similar values, having a great love their friends and absolute ruthlessness towards their enemies.

Like anyone involved in the Quidditch scene at Hogwarts, David has a bit of a rivalry with him. Tending to trash talk him (though with no real weight behind it), Cato understands that David doesn’t mean it.

Katriona Cassiopea (KC) (@kc-needs-coffee): The two of them are sports fanatics, they could talk to each other for hours about Quidditch. While David definitely knows more about footy, he’s eager to learn about any sport, such as baseball which KC is highly knowledgeable about.

KC would be one of the first to jump at the football matches David organises during his time at Hogwarts. 

Lizzie Jameson (@lifeofkaze​): Like David, Lizzie is an avid fan of LFC. Even meeting up at some point with their respective partners to watch a footy match at Anfield, where Liverpool were playing. 

On the quidditch pitch, Lizzie is a chaser and knows she can count on David to keep the bludgers off her back.

If any of your MCs would want to be friends with David, let me know!

Rivals:

Merula Snyde (For most of his time at Hogwarts).

During Quidditch: Erika Rath, Skye Parkin, Andre Egwu, Charlie Weasley, Angelica Cole, Oliver Wood, Cato Reese and Katriona Cassiopea.

Enemies:

R (including Patricia Rakepick, Fenrir Greyback and Peter Pettigrew).

The Snyde family (minus Merula)

Voldemort

Death Eaters

Magical Abilities

1st Wand: Blackthorn, unicorn hair core, ten and a quarter inches, slightly springy and flexible. Snaps it in half shortly just before the end of sixth year, citing, “What kind of warrior can’t even protect his own brother?”

Blackthorn, which is a very unusual wand wood, has the reputation, in my view very well-merited, of being best suited to a warrior.

Unicorn hair generally produces the most consistent magic, and is least subject to fluctuations and blockages. Wands with unicorn cores are generally the most difficult to turn to the Dark Arts. They are the most faithful of all wands, and usually remain strongly attached to their first owner, irrespective of whether he or she was an accomplished witch or wizard. Minor disadvantages of unicorn hair are that they do not make the most powerful wands (although the wand wood may compensate) and that they are prone to melancholy if seriously mishandled, meaning that the hair may ‘die’ and need replacing.

2nd Wand: English Oak, Dragon Heartstring core, twelve and a half inches, unbending.

A wand for the good times and bad, this is a friend as loyal as the wizard who deserves it. Wands of English Oak demand partners of strength, courage and fidelity. Obtained from Garrick Ollivander while being accompanied by Alastor Moody.

As a rule, dragon heartstrings produce wands with the most power, and which are capable of the most flamboyant spells. Dragon  wands tend to learn more quickly than other types. While they can change allegiance if won from their original master, they always bond strongly with the current owner. The dragon wand tends to be easiest to turn to the Dark Arts, though it will not incline that way of its own accord. It is also the most prone of the three cores to accidents, being somewhat temperamental.  

Animagus form: A ram, specifically of a Dalesbred Sheep. Rams symbolise determination, initiative and leadership, factors that are put to the test more than once during his time at Hogwarts.

Misc magical abilities: Legilimens, Rue informs him of potentially inheriting her legilimens ability between third year and fourth year when he tells her of his delve into the Vault of Fear. David prefers not using it on people, rather using it to see through the eyes of animals as his great grandfather Reuben used to do.

Occlumency: Snape, at Dumbledore’s behest begins teaching David the art of Occlumency in fifth year.

Non-verbal magic: David began learning the non-verbal use of magic in fifth year thanks to professor Flitwick. Becoming highly skilled in it by his seventh year.

Spell creation: Assists in the creation of Stella Cascadia alongside Badeea Ali. Given how dangerous the vaults could be, he begins to work on another spell inspired by Stella Cascadia alongside several of his friends, Cometa, the comet jinx.

Boggart Form: Initially, Jacob as a death eater after hearing about the rumours of him taking Voldemort’s side.

From year four onwards, himself as a dark wizard as he worries about the path the vaults will set him on.

Riddikulus Form: Death eater Jacob’s mask turns into a pie that promptly splats him in the face.

Later, his dark wizard self in the uniform of Everton Football Club with a blue clown nose and wig to match. Since he’s a Liverpool Football Club supporter, seeing himself in one his rival team’s colours as a clown is hilarious to him.

Amortentia (what do they smell like?): A sea breeze and heather.

Amortentia (what do they smell?): Freshly mown grass and clear air after a rainfall.

Patronus: African wild dog, a symbol of his loyalty and relentless pursuit of his goals.

Patronus memory: -Attending the LFC vs Nottingham Forest semi final match of the Football League Cup at Anfield on the 12th February 1980 with his dad and Jacob. They drew 1-1 and LFC didn’t get through to the final but David was still happy to be there with both them.

Mirror of Erised: Jacob being back, alongside all of his friends and family. All of them are safe and well.

Specialised/ favourite spells: 

Cometa, a spell that David creates in sixth year with the help of Badeea Ali, Rowan Khanna, Merula Snyde, Diego Caplan and professor Flitwick. Inspired by Stella Cascadia, and using some principles from the Ice Jinx, the spell initially creates cricket ball-sized pieces of ice that explode into a mist when they impact against something. This makes it especially useful for blinding or disorienting a target. Later they develop the more-powerful Cometa Maxima in seventh year. Its main limitations are maintaining eye contact directed at the target (as is the case for all jinxes) and its general range is quite short (about twenty five feet) due to the “comet” (really a mix of ice, dust and gases) disintegrating quite quickly.

Protego Diabolica, A spell taught to him by Felix Rosier in sixth year, nothing says “Get away from my friends!” Like a massive wall of blue flame that incinerates enemies and leaves allies unharmed.

Expelliarmus, the Disarming charm taught to David by Professor Flitwick in first year is one of his go-to spells when duelling.

Protego, learned in order to protect himself from spells and other projectiles.

Healing spells: Largely taught to him by Chiara throughout their time at Hogwarts, healing spells have come in handy more than once when he needs to preserve his own or his friend’s lives.

Expecto Patronum, though niche, a spell that can get rid of a dementor is nothing to scoff at. Plus it’s a sentimental reminder of his friendship with Tonks.

Incendio, good as a fire-starter and a duelling spell, also reminds him of a time when Merula stood up to Rita Skeeter for him by burning her camera.

Misc Information

-David is a huge supporter of Liverpool Football Club (LFC), so much so one of his casuals is a club uniform.

-As well as Needle, David has other creatures on the reserve, Lucky (Knarl), Clop (Porlock), Bonita (fairy), Mori (thestral), and Chen (Chinese fireball).

[briarthorne]

Yes, Cids yes. I mean, there are people shopping Blithe X Ezra or Izumi X Ezra so how about we shift it and make it Cids X Ezra versus/or Dior X Crusher! 😏

ALRIGHT.

Cids x Ezra vs. Galactic Disasters!

Zeg Cids x Ezra Vanto

So, this ship is a bit random, tbh.

Well, let's start off with Cids's characteristics since I know him better than Ezra. Cids is the kind of person who will prioritize both of your needs equally. He was raised in a caring home with 4 dads and those dads showed him what healthy relationships are. Ezra is a person who is mischievous and likes to steal and con people. He didn't have a nice background growing up and living in space basically toughened him like a rock.

Their compatibility is like water and oil. Both of them will disagree with a lot of things, especially when Ezra steals. Zeg doesn't like stealing. Zeg would probably try and correct Ezra's bad habits (unlike Izumi) and try to change him for the better. But Ezra doesn't want to be better. He was fine the way he is and he doesn't want to change himself for a lover.

But there are also some recipes that could need both oil and water. Zeg would comfort Ezra in whatever way he can and whatever way possible when he's sad. He would do anything to make sure his lover is happy and healthy emotionally, physically, and mentally. Ezra would practically fight anyone for Zeg because Zeg is too soft to fight other civilians.

They're the couple who will argue about the other's lifestyle but will have each other's back, no matter what.

Galactic Disasters

Babies. Absolutely. Precious babies.

Anyway, Darington Dior, also known as a reckless bastard who only thinks about himself. He's got childhood trauma, a shit attitude, and a lack of self-preservation. The perfect recipe for a misunderstood villain. Crusher Vanto is a sweet kid coming from an abusive family, then got adopted by aliens and was given supernatural powers, then went back to Earth and dealt with hard relationships. Sounds like the perfect protagonist.

Darington and Crusher had crappy birth parents but lead different paths. Crusher was lucky enough to be raised in a loving home and gain abilities while Darington spiraled down a slide of unhealthy coping habits and developed a sense of apathy towards romance.

Darington can and will hurt Crusher in more ways than one. He wasn't a good lover to Stripes nor was he to Izumi, so how good can he be with Crusher? And with Darington's life goals being entirely different than Crusher's, that could lead to arguments. Crusher needs someone emotional, someone, that could relate to him and at the same time, teach him how to better treat himself. Darington is the least emotion-sensitive person out there, so, oof.

However, Darington being with Crusher forces him to adjust. With Crusher's powers being acted upon by emotion, Darington had to tread carefully and be sensitive for once in his lifetime. Darington helps Crusher with his self-worth and even if he gets hurt, that's just part of the experience.

Aaand, I think that's a wrap.

Hope you enjoyed my little ted talk.

[ginmo]

...This response took me a million years, because there’s so much textbook abuse and mislabeling that I was like where do I even fucking start and how do I come at this. I’m still not happy with my approach but here we go. Sorry. This is going to be long. 

Why do people abuse?

Domestic violence and abuse stem from a desire to gain and maintain power and control over an intimate partner. Abusive people believe they have the right to control and restrict their partners, and they may enjoy the feeling that exerting power gives them. They often believe that their own feelings and needs should be the priority in their relationships, so they use abusive tactics to dismantle equality and make their partners feel less valuable and deserving of respect in the relationship. [x]

Abuse is habitual. Everyone on the planet has either intentionally or unintentionally done an abusive act, emotionally or physically, in one of their relationships at some point in their life, but that doesn’t mean that relationship was abusive or that the pair was mutually abusive.

It’s also not uncommon for an abusive relationship to have a degree of abuse from both parties involved. Many victims will unconsciously do something abusive as an attempt to bring balance to the relationship and gain some control, but those incidents are isolated and not “habitual,” which puts them in the overall victim category. 

In this abusive relationship: 

Jaime is the main victim. Cersei is the main abuser. There’s nothing “mutual” about it.

“lmaoooo Jaime CHOSE to be in this relationship”

I’m aware that GRRM probably intended Jaime to totally jump in 100% by his choice, but that doesn’t change the fact that literally every person in an abusive relationship appears to have chosen to remain in that relationship. Hell, I knew my abuser was abusive before I even got into a relationship with him, but I did it anyway because, man, he was charming and persuasive. He unconsciously used that charm, manipulation, and seduction to keep me hooked while chipping away at my identity. Victims of abuse all have a choice, in theory, but the reality of it is messy, because there’s manipulation at play and a great degree of delusion.

Cersei is guilty of narcissistic abuse. 

It’s perfectly valid to view Cersei as a narcissist. She obviously isn’t diagnosed with anything, but I’m reading her as a textbook narcissist so… let’s play. Before I dive into all the abuse, I’m going to dig into Cersei’s narcissism, because it plays into the interpretation of their dynamic. 

“You can argue, well, does she genuinely love her children, or does she just love them because they’re her children? There’s certainly a great level of narcissism in Cersei. She has an almost sociopathic view of the world and civilization.” (Also look up: malignant narcissism and sociopathy)

GRRM then immediately makes a comparison to Jaime, contrasting their abilities to love. 

“At the same time, what Jaime did is interesting.”

He goes on to describe Jaime’s action of pushing Bran, implying he did it out of genuine love for others (since he used the word genuinely for Cersei and then compared). [x]

“LMAO BUT JAIME IS A NARCISSIST TOO” 

No lmfao. Someone can appear narcissistic at times and swing on that spectrum, but that doesn’t make them a narcissist or show they have “a great level of narcissism.” One of the main defining characteristics of a narcissist is a lack of empathy. I’m not even going to dig up all of the empathy examples, because the above comparison from GRRM should be enough to tell you he isn’t writing Jaime as a narcissist and going that route would take this way off topic. Just… read his chapters lol. You don’t even have to get far into his POVs to see empathy and how his thought process is intentionally written to be different than Cersei’s. 

Anyway, my level of sympathy for Cersei is entirely wrapped around her narcissism. To me, what’s sad here is the idea she can’t experience true intimacy and is completely unaware of it. She loves Jaime, and I truly believe she believes she loves Jaime, but in reality it’s only at the capacity that narcissism allows. 

Narcissistic Abuse: 

“Narcissists don’t really love themselves. Actually, they’re driven by shame. It’s the idealized image of themselves, which they convince themselves they embody, that they admire. But deep down, narcissists feel the gap between the façade they show the world and their shame-based self. They work hard to avoid feeling that shame.

Many of the narcissist’s coping mechanisms are abusive — hence the term, “narcissistic abuse.” [x]

I mean… that’s kinda sad? I feel for her in that sense, but, as the article says, “Abuse is abuse, no matter the abuser’s diagnosis.” 

Needs to Look Like Her

There are several examples of Cersei commenting on his changed appearance and how she doesn’t like it. That isn’t too weird, since people have their own personal preferences and hey, maybe she just doesn't like beards? But no. That’s not the case. She doesn’t like the changes, because it means he looks less like her. It 100% is about Jaime being male Cersei - an extension of herself. 

“Nor did Jaime help her mood when he turned up all in white and still unshaven, to tell her how he meant to keep her son from being poisoned. - AFFC

“his face was thinner, with hollows under his eyes and lines he did not remember. I don’t look as much like Cersei this way. She’ll hate that.” - ASOS

(and lol so tempted to go into how Jaime’s facial hair is symbolic of his identity shift and how that relates to the separation with his twin). 

“Jaime likes looking like Cersei too”

Oh does he? If that’s still so then why isn’t he shaving his beard for her? 

Has he ever been disgusted by her looks? Does he ever look at siblings and get irritated if he thinks they look more alike? When he noticed his change in appearance did he think, “I hate that we look different” or did he think, “Cersei will hate that”...? (Also, when he thinks that he would be Cersei in fucking ASOS - *pre-handchop which is pre-arc-* that’s a laughably obvious set up for the identity aspect of his arc with that belief being destroy, you dense- ...*deep breath* moving on)

I’m sure he romanticized the looks to an extent, but it’s been made clear that it’s far more important to Cersei than it is to him, since she often makes note of his change in appearance. This is even shown in a scene where Cersei is observing Loras and Margaery and getting annoyed that they look more like twins than she and Jaime do. 

For some context, Cersei was watching them dance.

“They could be twins, Cersei thought as she watched them. Ser Loras was a year older than his sister, but they had the same big brown eyes, the same thick brown hair falling in lazy ringlets to their shoulders, the same smooth unblemished skin. A ripe crop of pimples would teach them some humility. Loras was taller and had a few wisps of soft brown fuzz on his face, and Margaery had a woman’s shape, but elsewise they were more alike than she and Jaime. 

That annoyed her too. -AFFC”

Narcissistic abuse includes emotional and physical and is used as an umbrella term for the two when they’re done by a narcissist, therefore slightly changing the context of the abuse. 

I’m not going to pretend that GRRM sat down with a sexual narcissist checklist, created from the hours of research through his dinosaur computer, BUT he clearly is aware of basic narcissistic and abusive dynamics. It’s… really not that hard. And even if you don’t think he consciously did it, her behaviors are still aligned.

“LmAo CeRsEi’S ‘EvIL VaGiNa’ - MiSoGyNiStS!”

…manipulation through sex is an actual fucking thing that’s genderless.

Right lmfao this is going to be long.

“A sexual narcissist is a person who uses sex as a tool to emotionally manipulate their victims to get what they want.”

People admit that she uses sex as a tool to get stuff done, claiming its her form of power in the patriarchy. What they fail to consider is that Cersei does this frequently to Jaime - a person who is meant to be her lover - which… makes him a victim of narcissistic abuse. Don’t believe me? 

I’m going to be using this article to break apart sexual narcissism. If you want more just research. They all pretty much say the same thing, but I chose this one because I prefer the structure. The article breaks examples into categories: 

Sex is used to manipulate/persuade

Excessive focus on physical over emotional

You Exist to Serve the Narcissist’s Needs

Constantly Puts You Down

Reacts Negatively When You Don’t Give Them What They Want

Treats You Poorly / Neglects You After Sex

Infidelity, Violence, and Sexual Addiction  

This whole post has been a nightmare to organize. Tbh most of the examples I’ll use fall under MULTIPLE categories. The scenes are like fucking Russian dolls of abuse. Or like… Abuse Inception. Abuse within abuse within abuse, so I had to just pick and choose which ones to put where. 

Charming and Romantic – But with a Catch 

“Many sexual narcissists can come across as alluring and attractive, especially during the initial stages of a relationship, when they’re trying to win you over. Like a master salesperson, they use charisma to get your attention, flattery to make you feel special, seduction (flirting, gifts, dinners, get-aways, etc.) to lift you off your feet, and persuasion to get you to give them what they want. Some sexual narcissists are very good in bed (at least they think they are), for sex is used as a tool to impress, entrap, and manipulate.

While there’s absolutely nothing wrong inherently with being charming, romantic, and a good lover, the narcissist crafts these traits in order to use others. He or she is not really interested in you, but only what he wants to extract from you (often to fulfill an inner emptiness due to the inability to create true intimacy).”

You can even find some meta that almost word for word says what’s described above, but they erase her doing this to Jaime - her partner- and frame these actions as feminist lol. 

Eel Alley. 

“But,” Jaime said, “there’s Casterly Rock …” 

“Is it a rock you want? Or me?” 

She then starts to seduce him to show him what he can have, to have the scale weigh in her favor. Manipulation through sex.

“He remembered that night as if it were yesterday. They spent it in an old inn on Eel Alley, well away from watchful eyes. Cersei had come to him dressed as a simple serving wench, which somehow excited him all the more. Jaime had never seen her more passionate. Every time he went to sleep, she woke him again. By morning Casterly Rock seemed a small price to pay to be near her always. He gave his consent, and Cersei promised to do the rest.” - AFFC

There's no indication whatsoever that Jaime had any intent to NOT wed and be Lord of Casterly Rock. He wasn’t really into Lysa but he never straight up refused to take on the role he was born into. In fact, he even kinda fancied Catelyn lol.

“Lord Hoster kept me for a fortnight whilst mulling his reply, and sat me beside his daughter Lysa at every meal.” 

“Small wonder you took the white. I’d have done the same.” 

“Oh, Lysa was not so fearsome as all that.” She had been a pretty girl, in truth; dimpled and delicate, with long auburn hair. Timid, though. Prone to tongue-tied silences and fits of giggles, with none of Cersei’s fire. Her older sister had seemed more interesting, though Catelyn was promised to some northern boy, the heir of Winterfell …”

And lol

“but at that age, no girl interested Jaime half so much as Hoster’s famous brother, who had won renown fighting the Ninepenny Kings upon the Stepstones.” - AFFC

He doesn’t even say, “but at that age, no girl interested Jaime so much as Cersei.” No. The Blackfish. Had Catelyn been unbetrothed, it’s not a stretch to think that Jaime would have been entertained by the idea of their betrothal. This was before Cersei seduced him at Eel Alley.

“hE GaVe HiS ConSenT”

Yeah, after she manipulated him through sex LOL. IT’S RIGHT THERE. 

“Jaime always wanted to join the KG!” 

“He had joined the Kingsguard for love, of course”.-ASOS

(HEY! Just like that tall, blonde, “beauty” he’s been hanging out with HHMM)

He wasn’t going to join the KG before Cersei gave him “love,” which is why he was asking about Casterly Rock and talking about Tywin, as if this was an idea he hadn’t thought of before. (Knight and KG are not synonymous). He joined “for love” AFTER she gave him intimacy, showing him what he could have if he agreed to stay by her side forever. 

She even murdered Melara -HER FRIEND- for saying she wanted to marry Jaime one day. She kept trying to rob Jaime of a life outside of her, and yes I use the word “rob,” because it was through narcissistic abuse. She literally turned up the passion and kept waking him up with sex until he gave his consent. 

And “by morning” Casterly Rock was “a small price to pay.” A SMALL PRICE TO PAY. That means it was worth something of value to him and then “by morning,” after she woke him up over and over and over until he agreed, it became a “small price.” 

Also keep in mind that when Cersei was begging Jaime to join the KG to be close to her, she was legitimately crushing hard on Rhaegar not long before... she’s allowed to fantasize about marriage with Rhaegar, but Jaime isn’t allowed to fit his role and marry?

“once she had drawn a picture of herself flying behind Rhaegar on a dragon, her arms wrapped tight about his chest. When Jaime had discovered it she told him it was Queen Alysanne and King Jaehaerys. [...] By night the prince played his silver harp and made her weep. When she had been presented to him, Cersei had almost drowned in the depths of his sad purple eyes. He has been wounded, she recalled thinking, but I will mend his hurt when we are wed. Next to Rhaegar, even her beautiful Jaime had seemed no more than a callow boy. The prince is going to be my husband, she had thought, giddy with excitement, and when the old king dies I’ll be the queen.” -AFFC

Like… fuck… 

Later on, when Jaime is developing into his own being and becoming aware of the bs, the Eel Alley scene is brought up again.

“Cersei.” He spoke slowly, like a man waking from a dream, still wondering where he was. “What hour is it?” 

“The hour of the wolf.” His sister lowered her hood, and made a face. “The drowned wolf, perhaps.” She smiled for him, so sweetly.” 

There’s the use of charm. Normally you could argue that she was honestly happy to see him. But what does she say next and what does he associate with that encounter? 

“Do you remember the first time I came to you like this? It was some dismal inn off Weasel Alley, and I put on servant’s garb to get past Father’s guards.”

 “I remember. It was Eel Alley.” She wants something of me. “Why are you here, at this hour? What would you have of me?” His last word echoed up and down the sept, mememememememememememe, fading to a whisper. For a moment he dared to hope that all she wanted was the comfort of his arms.”

And he wasn’t wrong. She did want something from him. So no. It’s not in his head. 

“Jaime, Kevan has refused me. He will not serve as Hand [...] “You must be Tommen’s Hand.” -AFFC

This time he realizes what she’s doing. Using her outfit, she’s causing a recall to a past manipulative event that worked, exposing her intent, which is why Jaime immediately recognizes it as something she wants from him. This also implies that he now views their encounter at Eel Alley as Cersei wanting something of him since the two encounters were directly associated.

Here’s another moment of manipulation by a sexual narcissist.

“My sister wanted the girl to lose a hand. The old penalty, for striking one of the blood royal. Robert told her she was cruel and mad. They fought for half the night … well, Cersei fought, and Robert drank. Past midnight, the queen summoned me inside.”

Failing to get Robert to side with her and do something, she then summoned Jaime to give him the attention she knows he wants. You see where I’m going here?

“The king was passed out snoring on the Myrish carpet. I asked my sister if she wanted me to carry him to bed. She told me I should carry her to bed, and shrugged out of her robe. I took her on Raymun Darry’s bed after stepping over Robert. If His Grace had woken I would have killed him there and then. He would not have been the first king to die upon my sword … but you know that story, don’t you?” He slashed at a tree branch, shearing it in half. “As I was fucking her, Cersei cried, ‘I want.’ I thought that she meant me, but it was the Stark girl that she wanted, maimed or dead.” The things I do for love. - AFFC

This isn’t Jaime interpreting the incident incorrectly. This is character growth. 

GRRM is speaking through Jaime by destroying the illusion and becoming aware of the reality he has been living. Because the lights are turning on for him, the things I do for love can take on a new meaning here. It’s more like the things I do to earn intimacy. He’s jogging down memory lane and realizing that every time (shown or told about in the books) she approached him she was trying to get something from him or trying to get him to agree with her. There was always a motive apart from a genuine desire to give and receive love, no strings attached. 

Excessive Focus on Physical Over Emotional 

“The sexual narcissist’s style of love-making is often focused on appearance and image, with a keen dislike for flaws and weaknesses from oneself or the partner. The love-making is less about two human beings connecting, and more about measuring up to idealized expectations. Try as the sexual narcissist might at physical grandiosity, there’s inevitably something missing in their performance: genuine human emotions.”

Mm yes.Going back to this as an example:

“his face was thinner, with hollows under his eyes and lines he did not remember. I don’t look as much like Cersei this way. She’ll hate that.” - ASOS

“The Targaryens wed brother to sister for three hundred years, to keep the bloodlines pure. And Jaime and I are more than brother and sister. We are one person in two bodies. We shared a womb together. He came into this world holding my foot, our old maester said. When he is in me, I feel … whole.” - AGOT

“I need you. I need my other half.” He could hear the rain pattering against the windows high above. “You are me, I am you. I need you with me. In me. Please, Jaime. Please.” - AFFC

People use Cersei’s romanticized twin comments as evidence to show that she genuinely loves Jaime. This also can connect to the GRRM quote mentioned above about her genuine love capabilities which can be argued as “lol no”. 

She does not have “genuine human emotions,” because her words and feelings are from a narcissistic desire to be whole through the idea that Jaime is an extension of herself. So… yeah, if she thinks Jaime is herself as a male (“you are me, I am you”), then she’s missing half of her until he’s inside her, making her whole. Her, her, her, her. 

Also, that’s a move to try to strip him of his own identity, his own person, and is a fucking massive red flag that this is how the relationship began. Does he ever try to persuade her to do shit by reminding her that they’re the same person? Like ffs. 

She does this while trying to manipulate him using sex. He’s not listening to her, so she begs him to be inside her. Hey, why not? We’ve seen this work before. 

“Every time he went to sleep, she woke him again. By morning Casterly Rock seemed a small price to pay to be near her always. He gave his consent, and Cersei promised to do the rest.” - ASOS

You Exist to Serve the Narcissist’s Needs. 

“After the initial courtship period during which he or she tries to impress and please, a sexual narcissist may begin to demand that you cater primarily to his own selfish needs. He may expect you to be “on call”

Okay I bolded that “on call” bit, because she does go to him when she wants something, and then gets hella mad when he refuses. But I know some people will use this to be like BuT JaImE TaKeS hEr WhEn He WaNts and like.. Yeah, fair enough, you can make that argument, but… that’s leaving out context. He goes to her because she’s withholding intimacy and only initiates when she wants something from him. I’m going to play devil’s advocate and say it does fit. Remember what I said in the beginning that it’s not uncommon for victims to act in ways that are problematic (hate that word) to try to get back some control? Yeah. Apply this here. His unhealthy response is a reaction to her using intimacy as a tool.

“and satisfy sexual desires at his pleasure, require you to engage in sexual acts which only he enjoys [doesn’t really apply], or demand that you limit your other activities to be more available. Rather than being an individual with your own thoughts, feelings and priorities. The sexual narcissist expects you to exist merely as an extension of his or her wishes. ” 

Cersei resents Jaime for disagreeing with her and thinking on his own. Literally the “you are me” bs and how she gets really angry when he begins to challenge her and goes against her wishes. She views him as someone who needs to cater to her, All he’s doing for her to slap and throw nasty words and cups at him is just... not doing what she asks him to do... his existence in Cersei’s life is simply to cater to her. 

Constantly Puts You Down 

“In order to put up a facade of superiority, and disguise hidden insecurity and inadequacy, some narcissists will constantly put other people down, to boost their own desirability and acceptability. In a sexual relationship, some (but not all) narcissists may also target their partners for ridicule, blame, shame, sarcasm, and overall marginalization. By subjecting the partner to an inferior psychological position, the narcissist is able to exercise a greater degree of dominance and manipulation.” 

I mean… Do I really need to provide examples here? This is actually similar to the next one, so I’m going to put my examples there.

Reacts Negatively When You Don’t Give Them What They Want

“Since many sexual narcissists can't stand disappointment or rejection, they will frequently react negatively when you don’t give them what they want, in the way they want it. Some of the common responses include:

Anger – Tantrum. Negative judgment. Personal attacks. Ridicule.

Passive-Aggression – The cold shoulder. The silent treatment. Withhold of love and affection [which ties in to withholding intimacy examples I provided above]. Sarcasm. Calculated separation.

Emotional Coercion – Blame. Guilt trip. Calling the partner ungrateful. Threaten to withhold love and intimacy (such as it is). Pretend narcissistic victimhood.

None of these responses are those of a mature, reasonable adult. The sexual narcissist, by acting like a petulant child or a bully, hopes the drama and manipulation will hook you back in, so you’ll once again “belong” to him or her.”

Some of this is physical abuse too, so I’m sticking those under here. And yes, slapping counts as physical abuse and it doesn’t matter who the hell does it.

“Rule? I said naught of ruling. I shall rule until my son comes of age.” 

“I don’t know who I pity more,” her brother said. “Tommen, or the Seven Kingdoms.” She slapped him. Jaime’s arm rose to catch the blow, cat-quick … but this cat had a cripple’s stump in place of a right hand. Her fingers left red marks on his cheek. - AFFC

Keep in mind that every time Jaime’s reflex goes to his face to block a blow it’s a sign that this is a behavior he’s used to. Sometimes people use the, “I don’t know who I pity more” line as well for “mutual abuse.” Context and… where’s the lie? Lmao. 

Most of the time he’s being straight with her. Snarky ass? Sure. Abusive? No. Intent is key. She puts him down to shame him and attempts to decrease his self-worth. This is a control move, because she throws cruel words at him when she is unsuccessful in getting what she wants. He sometimes calls her a fool and one time asks if she’s drunk or stupid, because she’s legit spiraling into a paranoia and he’s going wtf lol. He’s not trying to make her dependent on him through the use of his poor language. 

Anyway, back to physical.

Jaime felt his anger rising. “True, Loras does not leer at your teats the way Ser Osmund does, but I hardly think—” 

“Think about this.” Cersei slapped his face. Jaime made no attempt to block the blow. 

“I see I need a thicker beard, to cushion me against my queen’s caresses.” He wanted to rip her gown off and turn her blows to kisses. He’d done it before, back when he had two good hands.”

People love to use this against Jaime. Ffs. He’s literally trying to fucking defend himself from physical abuse by trying to diffuse the situation through sex, turning “blows to kisses.” This is one of those messy situations where it’s a victim trying to gain back control in an unhealthy, arguably abusive way. Does that make them anywhere near “mutually” abusive as if they’re 50/50? LMFAO no.

“Would Your Grace honor her white knight with a dance?” She gave him a withering look. “And have you fumbling at me with that stump? No. I will let you fill my wine cup for me, though. If you think you can manage it without spilling.” - AFFC

She turns him down with her disgust over his missing hand and then allows him to fill her cup I- 

“Get out, I said. I am sick of looking at that ugly stump of yours. Get out!” To speed him on his way, she heaved her wine cup at his head. She missed, but Jaime took the hint.” - AFFC

Alright this big one… 

WST:

“You mustn’t let Father take him from me. Jaime, please. 

“I can talk to him, but he will not listen …” 

“He will if you agree to leave the Kingsguard.” 

“I’m not leaving the Kingsguard.” His sister fought back tears. 

“Jaime, you’re my shining knight. You cannot abandon me when I need you most! He is stealing my son, sending me away … and unless you stop him, Father is going to force me to wed again!” 

Guilt tripping and playing up the loving language. 

Also, off topic, but I just want to point out that it’s funny Cersei came to him in Eel Alley to persuade him to join the KG to be with her. Jaime said they can’t get Tywin’s approval, so then she fucks him all night and he agrees. They played as lovers before that moment, but that was the night that sealed their affair to one another, to remove himself off the market and stay by her side forever. In this scene, she’s coming to him to ask him to LEAVE the KG, knowing Tywin would approve, and when he’s questioning the idea she tries to have sex with him, BUT he refuses her so her plan doesn’t work, making this moment the solid beginning of their downfall lmao. The opposite of Eel Alley. 

“It makes no matter who they wed me to, I want you at my side, I want you in my bed, I want you inside me. Nothing has changed between us.” 

Increasing the level of manipulation through intimacy since her previous persuasive strategy wasn’t working.

“Let me prove it to you.” She pushed up his tunic and began to fumble with the laces of his breeches. Jaime felt himself responding. 

“No,” he said, “not here.” They had never done it in White Sword Tower, much less in the Lord Commander’s chambers. “Cersei, this is not the place.” 

“You took me in the sept. This is no different.”

She drew out his cock and bent her head over it. Jaime pushed her away with the stump of his right hand. “No. Not here, I said.” He forced himself to stand. For an instant he could see confusion in her bright green eyes, and fear as well. Then rage replaced it.

Angry reaction due to refusal of sex. Childish reaction from not getting what she wants which quickly turns into bullying.

Cersei gathered herself together, got to her feet, straightened her skirts. “Was it your hand they hacked off in Harrenhal, or your manhood?” As she shook her head, her hair tumbled around her bare white shoulders. “I was a fool to come. You lacked the courage to avenge Joffrey, why would I think that you’d protect Tommen? Tell me, if the Imp had killed all three of your children, would that have made you wroth?” 

Lol people thinking she was there to hang out with him. She admits to only being in there to ask something of him. “I was a fool to come.” Don’t miss out on the angry, nasty response because she was rejected and couldn’t use her favorite go-to manipulation tactic. 

“You great golden fool. He’s lied to you a thousand times, and so have I.” [...]

“You had best go, Cersei. You’re making me angry.” 

“Oh, an angry cripple. How terrifying.” She laughed. “A pity Lord Tywin Lannister never had a son. I could have been what he wanted, but I lacked the cock. And speaking of such, best tuck yours away, brother. It looks rather sad and small, hanging from your breeches like that.” 

She’s trying to establish superiority by attempting to break him down, using his disability against him and attacking his manhood. 

More?

“Gold? Or silver?” Cersei plucked a hair from beneath his chin and held it up. It was grey. “All the color is draining out of you, brother. You’ve become a ghost of what you were, a pale crippled thing. And so bloodless, always in white.” She flicked the hair away. “I prefer you garbed in crimson and gold.” - AFFC

I mean…I think that’s enough. 

 lol jk 

“Tell him what has happened, and write … write …” 

“Yes, Your Grace?” She licked her lips, shivering. “Come at once. Help me. Save me. I need you now as I have never needed you before. I love you. I love you. I love you. Come at once.” 

“As you command. ‘I love you’ thrice?” 

“Thrice.” She had to reach him. “He will come. I know he will. He must. Jaime is my only hope.” 

“My queen,” said Qyburn, “have you … forgotten? Ser Jaime has no sword hand. If he should champion you and lose …” 

We will leave this world together, as we once came into it. “He will not lose. Not Jaime. Not with my life at stake.” - AFFC

!!!!!!!!!!!!!!!!!!! 

SHE

FUCKING

THOUGHT

ABOUT 

HOW TO WORD IT

TO GET HIM TO COME BACK

SHE CONSCIOUSLY, FORMULATED A PLAN TO WRITE “I LOVE YOU” 

SPECIFICALLY THREE TIMES 

TO “REACH HIM.” 

SHE. LITERALLY. ADMITS. TO MANIPULATING HIM. THROUGH EMOTIONS. 

“Come at once,” she said. “Help me. Save me. I need you now as I have never needed you before. I love you. I love you. I love you. Come at once.”

 Vyman was hovering by the door, waiting, and Jaime sensed that Peck was watching too. “Does my lord wish to answer?” the maester asked, after a long silence. A snowflake landed on the letter. As it melted, the ink began to blur. Jaime rolled the parchment up again, as tight as one hand would allow, and handed it to Peck.

 “No,” he said. “Put this in the fire.”-AFFC

And Jaime had so much character growth by that point that IT DIDN’T FUCKING WORK LMAO. Her game isn’t working anymore. And not only is she trying to manipulate him through loving words, she’s also NOT GIVING A FUCK ABOUT HIS LIFE OUTSIDE OF HERSELF, because she’s acknowledging that if she’s going down then she’s taking him with her. T

he loving thing to do would be, “Jaime, I won’t allow you to be my champion. You’re missing your good hand and can’t win. I don’t want to be the one to cause your death.” But Cersei never gave a shit about his life outside of her so... not a shocker. (Also I just lmao that around the same time Cersei is trying to get Jaime to come back for his death sentence, Brienne is out there willing to literally hang by a noose to save him. Great contrast.)

On to Jaime… 

I did a bit of research to see why the fuck people think Jaime is abusive towards Cersei. Almost all of the examples involve their type of sex play, his thoughts (WHAT LMAO), and… not understanding the difference between toxicity and abuse. Abuse is always toxic, but toxicity isn’t always abusive. 

I’ve been in both an abusive and toxic relationship and the difference was that my partner in the toxic one wasn’t trying to establish constant control through various different methods. He wasn’t using me for his own gain or trying to make me feel like garbage about myself. He didn’t become physical when I went against him. In my non-abuse toxic one, we were like each other’s “drug.” Extreme highs and lows, propping each other up on a pedestal, losing ourselves within the relationship by wrapping our happiness around the other. The twins are definitely toxic, mutually, but some of Jaime’s unhealthy behaviors are confused with abuse and, ironically, his more questionable actions stem from Cersei’s abuse on him. 

Quoting this again since it’s like a million pages up:

Why do people abuse?

Domestic violence and abuse stem from a desire to gain and maintain power and control over an intimate partner. Abusive people believe they have the right to control and restrict their partners, and they may enjoy the feeling that exerting power gives them. They often believe that their own feelings and needs should be the priority in their relationships, so they use abusive tactics to dismantle equality and make their partners feel less valuable and deserving of respect in the relationship. [x]

There is a difference between UNHEALTHY/TOXIC and ABUSIVE. 

Don’t come at me about the patriarchy being the reason why Cersei can’t be abusive towards Jaime (yes… I’ve actually seen that hot take). Within their own personal dynamic, Cersei has power over Jaime just by the nature of him being in the KG. She literally uses her position to tell him where to go and what to do, and even oversteps her boundaries sometimes by giving orders for him. 

As stated above, she manipulated him into joining the KG with implied promises of being together always. She then had affairs behind his back, used intimacy to persuade him, and cruelly put him down when he didn’t want to do the things she asked of him. That’s Cersei trying to maintain control of their dynamic. This is a “pattern of behavior” that dates back to at least Eel Alley. 

Unhealthy/Toxic

There isn’t a clear line when a relationship becomes unhealthy or abusive. This means it might be hard to figure out what kind of relationship you’re in. Remember that abuse is all about power and control. An unhealthy relationship might involve a power imbalance, being mean, ignoring boundaries [x]

Unhealthy behaviors can appear to be abusive behaviors, and certain toxic acts can turn into abusive over time, but they’re not the same thing.

For Jaime’s side of the “abuse,” he falls more often into the “unhealthy” category. I’m going to respond to a meta I came across recently.

“Jaime has channelled all his sexual desire into Cersei for most of his life (even thinking “I’ve been too long away from Cersei” when he experiences some arousal upon seeing Brienne naked), and that is not something one partner should put upon another. He judges the attractiveness of other women in reference to Cersei: Brienne, once, and Hildy the sex worker in ADWD. Cersei is a person, not a standard of idealised beauty.”

People twist the entire context to make him appear to be somehow abusive in a situation that actually…. sounds like a victim. Cersei wants that level of devotion from Jaime (and so do some of her stans), which is literally exactly why they don’t think Jaime and Brienne are a love story and why Cersei is like LMAO HER? Jaime would never leave me for that creature! SHE’S UGLY. 

She lived her whole life knowing that Jaime only had eyes for her, and the irony of “not a standard of idealised beauty” is that Cersei wants to be the standard of idealised beauty. He’s not “putting” anything on her. He’s reflecting what she wants and what has been reinforced since childhood. 

Besides that, I don’t see why it’s so wrong for Jaime to think Cersei is the most beautiful woman on the planet lol. And way to miss the entire fucking point, because the point is that YEAH, their entire relationship is superficial. Superficiality is unhealthy to an extent, but it’s not “abusive.” Jaime has only been with one woman his entire life and now he’s finally starting to encounter women away from his sister, so of course he’s going to compare. It’s like if you never left your town but one day decided to venture out into the world outside of it. You’re going to compare the buildings, the culture, etc because your mind is going to be expanding. 

“ Until late in ASoS, he does not value his Kingsguard vows except as they allow him to be close to her. (Again, mutually abusive relationship; Cersei’s actions were vital in getting him into this position where he has nothing but her.)”

HOW IS THIS ABUSIVE ON JAIME’S END? And I already discussed how she manipulated him into that situation with Casterly Rock being something of value to him. 

“Cersei has no meaningful relationships with anyone or anything outside of Jaime and her children. This is bad for both of them. So much of their emotional energy goes into each other, fostering the sense that they are not independent, whole people, and reinforcing the sense that the relationship is the only thing of value in their lives.”

Yeah! It is! And since Jaime is in the KG because Cersei convinced him to join, and she literally murdered her friend because the girl expressed wanting to marry Jaime, I WONDER WHY JAIME HAS NO FUCKING LIFE OUTSIDE OF CERSEI? As for Cersei, she CHOOSES to limit herself to Lannisters. Jaime isn’t forcing her to not have friends what the actual fuck. Cersei murders her friends lmfao. 

This is unhealthy, not abusive, on Jaime’s end. HE isn’t the one “fostering the sense that they are not independent, whole people.” As explained above, CERSEI is the one repeating this over and over, using it to convince him, to control, to attempt to rob him of his identity when he tries to stray. So on Cersei’s end, yeah, that’s abuse.

“For all his idealisation of her and their relationship, Jaime’s trust in Cersei is also a very brittle thing. When Tyrion tells Jaime “she’s been fucking Lancel and Osmund Kettleblack and Moon Boy for all I know,” while still believing Cersei’s declaration that Tyrion has “lied to you a thousand times, and so have I” was “a clumsy attempt to hurt him,” he doesn’t do what someone in a healthy relationship would do, and ask her. Whatever trust he has in her vanishes in two sentences, one about Cersei’s honesty, one about her fidelity.”

And… his… lack of trust was justified anyway? LMAO. He even thinks at some point that Tyrion IS lying. And when he’s away from Cersei in ASOS, he doesn’t imagine her fucking other people while he’s gone, because he trusted her. He genuinely believes that she’s faithful to him (which is precisely why he felt so betrayed). But he also trusts Tyrion, so he went back and forth, wondering wtf was the truth.

AND HOW THE FUCK IS LACK OF TRUST ABUSIVE? This is another case of IT’S UNHEALTHY to have little to no trust in your relationship. Not abusive ffs (!!!)

“Jaime is abusive because he coerces her into sex”

BTW, a person who laughed at me and said this also is a huge twincest shipper which… why… do you… romanticize it and claim their love to be True.. If… you think… he does that?!

Pretty much everyone brings up “sexual coercion.” And you know what? Fair. 

But... Jaime and Cersei are drawn to a messy push-pull sex play. She says no and then “weakley” pushes him away. 

There were soft, wet sounds. Bran realized they were kissing. He watched, wide-eyed and frightened, his breath tight in his throat. The man had a hand down between her legs, and he must have been hurting her there, because the woman started to moan, low in her throat. “Stop it,” she said, “stop it, stop it. Oh, please …” But her voice was low and weak, and she did not push him away. Her hands buried themselves in his hair, his tangled golden hair, and pulled his face down to her breast. -AGOT

This is GRRM trying to clarify that this is their messy sex dynamic. I mean, he has a fucking little kid observe this all “oh hey but she isn’t pushing him away guys! It’s all good, guys! That’s just them!” Like he’s taking down notes. The 4th wall being broken here is almost jarring. 

This sounds a lot like the scene at WF. 

“No,” she said weakly when his lips moved down her neck, “not here. The septons …” 

“The Others can take the septons.” He kissed her again, kissed her silent, kissed her until she moaned. Then he knocked the candles aside and lifted her up onto the Mother’s altar, pushing up her skirts and the silken shift beneath. She pounded on his chest with feeble fists, murmuring about the risk, the danger, about their father, about the septons, about the wrath of gods. He never heard her. He undid his breeches and climbed up and pushed her bare white legs apart. One hand slid up her thigh and underneath her smallclothes. When he tore them away, he saw that her moon’s blood was on her, but it made no difference. “Hurry,” she was whispering now, “quickly, quickly, now, do it now, do me now. Jaime Jaime Jaime.” Her hands helped guide him. “Yes,” Cersei said as he thrust, “my brother, sweet brother, yes, like that, yes, I have you, you’re home now, you’re home now, you’re home.” She kissed his ear and stroked his short bristly hair. Jaime lost himself in her flesh. He could feel Cersei’s heart beating in time with his own, and the wetness of blood and seed where they were joined. - ASOS

In both scenes she’s weakly protesting which implies it’s a form of their sex play, and she’s being turned on by him “taking” her. This depiction of sex was actually really trendy in the media not too long ago, so honestly the sex scenes for this “edgey couple” just exposes his age. That push-pull, yes/no, “he can’t resist me” wasn’t nearly as controversial as it is now. He was literally writing what used to be seen as hot. It obviously did not age well. 

And GRRM never meant for Jaime to be interpreted as a rapist.  

"If the show had retained some of Cersei's dialogue from the books, it might have left a somewhat different impression – but that dialogue was very much shaped by the circumstances of the books, delivered by a woman who is seeing her lover again for the first time after a long while apart during which she feared he was dead. I am not sure it would have worked with the new timeline. That's really all I can say on this issue. The scene was always intended to be disturbing … but I do regret if it has disturbed people for the wrong reasons." [x]

“Jaime thinks of her as a whore”

WHY IS THERE A THOUGHT POLICE? How is it abuse that he thinks a word with zero abusive action attached to it?? And like fuck LMAO Cersei is the one that goes off with the word “whore” quite often, in a misogynistic way. 

What’s even stupider is when Jaime thinks of her as a “whore,” he’s just reciting what Tyrion told him, word for word. The words came from Tyrion, so Tyrion’s words are playing out in his mind.

“Cersei is a lying whore, she’s been fucking Lancel and Osmund Kettleblack and probably Moon Boy for all I know. And I am the monster they all say I am. Yes, I killed your vile son.” - AFFC

Oh, how Tyrion was sniggering.… a lying whore … fucking Lancel and Osmund Kettleblack … - AFFC

And he even removes the whore bit. 

“If so, we might have coaxed the truth from them.” … she’s been fucking Lancel and Osmund Kettleblack and Moon Boy for all I know … - AFFC

Ser Osmund Kettleblack paced beside them in his white enamel plate and white wool cloak. “… she been fucking Lancel and Osmund Kettleblack and Moon Boy for all I know …” - AFFC

Jaime could feel his phantom fingers itching at the sight of him.… fucking Lancel and Osmund Kettleblack and Moon Boy for all I know … - AFFC

Strong and vigorous and handsome, Jaime thought.… she’s been fucking Lancel and Osmund Kettleblack and Moon Boy for all I know … - AFFC

He wanted to kiss her, carry her to her bedchamber, throw her on the bed … she’s been fucking Lancel and Osmund Kettleblack and Moon Boy … - AFFC

That only made her laugh. “We all have secrets, brother,” she replied. … she’s been fucking Lancel and Osmund Kettleblack and Moon Boy for all I know … - AFFC

Now there’s this time where he says, 

Jaime gave a shrug. “My apologies if I mistook you for something you’re not. My little brother has known a hundred whores, I’m sure, but I’ve only ever bedded one.” -ADWD

OMG EVERYONE STOP WHAT YOU’RE DOING NOW IT’S TIME TO OFFICIALLY STAMP HIM AS A MISOGYNIST AND THIS AS MUTUAL ABUSE towards someone who isn’t even fucking there and for bitterly thinking of his cheating partner as a whore in a world that throws that word around like it’s candy at a parade. 

Since “whore” in Westeros is more loosely thrown around than it is in our world, the incredibly hurt and angry Jaime thinking she’s a whore for sleeping with multiple people behind his back is not that fucking wild. Do I think that's sexist? Yeah. Do I think it’s healthy? No. Do I think it’s a realistic response that a very hurt person would think, especially in a world where it’s a common term? Absolutely. 

“He dreams about hurting her though so lol he’s clearly violent against her”

(yes I’ve unfortunately seen this a lot)

Hey all... I have a confession to make... 

I dreamed about pushing a certain politician in front of a bus and bashing D&D’s teeth in. I also had a dream where I kicked my sister because she ate my last piece of cheesecake. I’m so sorry. Please lock me up and throw away the key until it’s time for me to be executed. 

Last night he dreamed he’d found her fucking Moon Boy. He’d killed the fool and smashed his sister’s teeth to splinters with his golden hand, just as Gregor Clegane had done to poor Pia. -AFFC

… he DREAMED it. 

PEOPLE ARE FUCKING USING THIS AS EVIDENCE FOR MUTUAL ABUSE BECAUSE HE DREAMED IT.  

You know partly why? Because they THINK he’s going to murder her or harm her, so they’re prematurely calling him abusive and removing literally all the context because... IT HASN’T HAPPENED. They’re essentially accusing a man of doing something before he even does it without even knowing FOR SURE if he’s even going to do it, USING THIS DREAM TO ACCUSE HIM LOL. 

god THIS FUCKING FANDOM I- 

DREAMS. ARE NOT. ABUSE

I’mcryingwhydoIhavetosaythat

Not only is it in a dream, but like, idk, why do you think he’s having those violent dreams? Did she do something to really hurt him so his pain is manifesting in his subconscious as violence? IDK just a wild guess! Maybe he specifically thought about smashing her teeth in, because just previously they were speaking about how Ser Gregor did the same thing to Pia. You know... kinda like me dreaming about angrily pushing my cheating ex down the stairs after I watched a murder mystery documentary where someone was pushed down a flight of stairs. (Oh but my ex was a man, so it’s just viewed as a dream). 

… the cringe of the thought police... 

Yeah. I’m done. I didn’t even dig up all of Cersei’s instances of abuse and this thing is like fucking 20 pages long. So even IF you view Jaime’s thoughts (!!!!) as abusive and IF you believe he was full on coercing or raping her, they still aren’t nearly MUTUALLY abusive, as in 50/50 abuse, and I’m just going to circle back around to what I said in the beginning about the main victims reacting in problematic ways. 

Anyway. I always start these as calm and cool and then end with all caps and a glass of wine to chill me out. All I have left to say about whatever that “mutually abusive” meta was is

[weevil-wallflower]

I just created an entire demon family...pt1

(aka my demon OCs. All are full demons so only gonna mention it once 👀)

My Demon Lore:

My understanding regarding demons is that not all demons are evil and thus not all tempt human beings to sin. Many simply live their lives peacefully, sometimes even among humans. Many even follow different religions much similar to humans. And of course due to that, the many good ones don’t align themselves with Satan which means they can neither be banished to hell nor does Satan has any jurisdiction over them. These demons are also not repelled by religious artefacts or places of religious worship or just religion in general, especially if they happened to be religious themselves. But no need to worry; these kinds of demons are peaceful for the most part and do not mean anyone any harm unless provoked or threatened. (This understanding comes from the knowledge I have about my religion uwu)

≧ω≦ ω ≧ω≦ ω ≧ω≦

Winfryd Wright

General:

Full name: Winfryd Wright

Nickname(s): Winnie (by Zinnia), Win

Age: 37

Birthdate: 30th January, Aquarius

Gender: Male

Pronouns: He/Him

Sexuality: Heterosexual

Ethnicity: Caucasian

Nationality: British-American

Religion: Islam

Relationship status: Single (for now (・ω<) hint: it’s Zinnia, my very first oc)

Occupation: MD / Military Psychiatrist; Medic (previously)

Title/Rank: Doctor / Major

Physical appearance:

Complexion: White

Eyes: Light blue

Hair: Blonde

Height: 6′ 3″

Build/body type: Muscular and well-built

Weight: ~210 lbs / 95 kg

Unique trait(s): Polydactyly; 6 fingers on each hand with the 6th one, the pinky finger, being fully functional

Voice Claim: Jason Isaacs

Family:

Oliver Wright (son)

Zinnia Frost (girlfriend for now >:3)

Peter Wright (paternal uncle)

Wilhelmina “Mina” Wright (paternal aunt)

Anthony Winters (cousin)

Emma Winters (cousin-in-law)

Jody Winters (nephew)

His aunt and uncle don’t have children of their own. They raised Winfryd when his parents passed away when he was a child.

Psychology:

Moral alignment: Chaotic Good

Personality: Ambivert, benevolent, kind, sympathetic, open-minded, patient, polite.

Likes: His family, helping people, keeping a strict doctor-patient confidentiality, terrifying his enemies to death.

Dislikes: Those who harm others especially his family & friends, disorderliness, injustice, inequality.

Demonic Characteristics:

Physical appearance: (Since no one knows what demons really look like, my headcanon is that demons have two natural forms; their human form and their demon form. And they can willingly switch between those two forms)

Winfryd’s demonic form consists of:

Tough, pale skin.

Black sclera.

A third eye 👁️ - The ones on his hands aren’t always there. They are a product of his shape-shifting abilities.

Extremely sharp teeth; Unfortunately, his teeth remain same even in his human form.

Forked tongue.

Four long tentacle-like appendages protruding from his upper back. (Inspired by one of my favourite characters in MGS4, Laughing Octopus. I just love her design and how she moves :3).

Two black horns (Can’t have a demon without horns uwu).

Claws.

Powers & Abilities:

A very capable psychiatrist.

Proficient at close-quarters combat.

Knowledge in firearms.

Superhuman strength (not superhuman to the extent of superman. imagine Captain America).

Supernatural Durability.

Is religious himself so not repelled by artefacts or places of religion.

Sharper senses.

Accelerated healing.

Pyrokinesis.

Razor-sharp teeth.

Telescopic vision via third eye.

Human possession.

Can use his tentacles to bludgeon, impale, grab and smash or wrap and crush enemies easily. He can use them to climb and hold on to structures, even walls, ceilings etc and even use them for locomotion.

Claws sharp & strong enough to tear apart bodies without breaking or snapping off.

Umbrakinesis: He can generate and manipulate darkness and travel through shadows and phase through matter. Thus he’s untouchable as a shadowy. Can also draw the shadows to him if in dire need of healing, 

Very acidic blood. Not exactly a power though... It’s said demons bleed fire since they are created from fire but that felt too over the top so I’ll stick with acidic blood.

Shape-shifting: It’s said that all demons can shape-shift to a limit, being able to take form of other humans & animals but Winfryd takes it to a whole other level. He can shape-shift into anything & when he wants to scare his enemies to death, he either appears in their room at night as a shadow figure or turns into eldritch things like these (an expert in body horror >:3):

All in all, Winfryd is a pretty powerful demon, not invincible but more powerful than most. And many things people use, for example the bible, the cross etc don’t work on him because he’s not a “Satanic demon” so to speak. He’s not repelled by religious things. He can even go inside the church and other places of worship.

Weaknesses/Limitations: Now, he may be powerful but that doesn’t mean he has no weaknesses:

Can be forced to reveal his demonic form by those who have knowledge on the occult.

Weak against ultrasonic weapons: Since demons have sharper senses than humans, these weapons would affect them more readily and would do a pretty good job of incapacitating them.

Extremely limited shadow manipulation in both total darkness and total light.

Intangible in his shadow form so can’t deal out any physical damage to his oponent.

No wings so can’t fly.

His pyrokinetic abilities weak against water.

Obsessive-compulsive personality disorder (OCPD): a personality disorder that’s characterized by extreme perfectionism, order, and neatness. People with OCPD will also feel a severe need to impose their own standards on their outside environment.

≧ω≦ ω ≧ω≦ ω ≧ω≦

Oliver Wright

General:

Full name: Oliver Wright

Nickname(s): Ollie (by Zinnia)

Age: 3

Birthdate: 30th March, Aries

Gender: Male

Pronouns: He/Him

Ethnicity: Caucasian

Nationality: British-American

Occupation: He’s a baby! >:O

Physical appearance:

Complexion: White; with freckles (cause freckles are cute uwu)

Eyes: Light blue

Hair: Blonde

Height: 2′ 11″

Build/body type: Small toddler

Weight: ~30 lbs / 14 kg

Family:

Winfryd Wright (father)

Zinnia Frost (stepmother; later on uwu)

Peter Wright (great uncle)

Wilhelmina “Mina” Wright (great aunt)

Anthony Winters (uncle)

Emma Winters (aunt-in-law)

Jody Winters (second cousin)

Unknown mother: His mother (also a demon) abandoned him so to speak. When he was born, she wanted to give him away but Winfryd said that he’ll look after the child. That didn’t sit well with her because she never wanted kids and so she made him choose between her and the baby. (Later on, this would be one of the reasons Winfryd will come to love Zinnia so much. That she treats his child, that’s not even her biological child, like her own.)

Psychology:

Moral alignment: Just a smol bebey.

Personality: A very sweet & well behaved little kid, albeit a bit possessive of his stepmom.

Likes: His stepmom i.e. Zinnia, his dad, his great aunt & great uncle, his cousin Jody, playing with building blocks, candies, cartoons, hugs.  Definitely also gonna develop a liking for video games cause of his stepmom :3

Dislikes: Mean people, being yelled at - it scares him qwq, other people hugging or kissing his stepmom even if one of those people happens to be his dad.

Demonic Characteristics:

Physical appearance:

A third eye 👁️, just like his dad.

Yellow eyes.

Tiny lil razor-sharp baby teeth.

Cute lil bat-like wings.

Pointed ears.

Forked tongue.

Two horns (seems to be the right height to ram a person in a certain delicate spot 👀).

Powers & Abilities: Practically a baby so there aren’t much & those that he has aren’t fully developed yet & thus has no control over them:

Pyrokinesis: Ability to create, shape and manipulate fire. However, since Oliver is so young, he’s unable to control it. For now, it’s affected by his emotions for e.g. if he happens to be feeling frustrated, something nearby will spontaneously light on fire.

Adhesion Manipulation: basically can stick to surfaces, walk on walls, ceilings etc. But doesn’t have full control over it either.

Sharper senses.

Accelerated healing.

Very sharp teeth: Will resort to biting anyone who provokes/threatens him.

Acidic blood.

Telescopic vision via third eye.

Not repelled by artefacts or places of religion.

Weaknesses/Limitations:

Physically, he’s as strong as a normal human child so no superhuman strength.

Weak against ultrasonic weapons.

Can be trapped by those who have occult knowledge/practice. (But seriously, who would want to trap this cute lil kid? :’3).

Powers not yet fully developed.

Wings aren’t big enough to enable him to fly. Can only glide for now.

No claws yet.

His pyrokinetic abilities weak against water.

Is a baby so can’t possess.

Can’t pronounce Rs and Ls very well

Is a lil, innocent baby and must be protected at all costs.

≧ω≦ ω ≧ω≦ ω ≧ω≦

Peter and Mina Wright

General:

Full names: Peter Wright (left) & Wilhelmina “Mina” Wright (right)

Ages:  Peter: 65 & Mina: 60

Birthdates: Peter: 21st March & Mina: 23rd March, Aries

Sexuality: Heterosexual

Genders: Peter: Male & Mina: Female

Pronouns: Peter: He/Him & Mina: She/Her

Ethnicity: Caucasian

Nationality: British-American

Relationship status: Married to eachother ;3

Occupation: Dentists/Farmers (They met at dental school :3)

Physical appearance:

Complexion: Peter: White & Mina: Light Olive

Eyes: Peter: Light blue & Mina: Green

Hair: Peter: Grey & Mina: Blonde

Height: Peter: 6′ 0″ & Mina: 5′ 6″

Build/body type: Thin but lean, I guess? They’re getting old but they’re demons so still fit

Weight: Peter: ~159 lbs/72 kg & Mina: 117 lbs/53 kg

Voice Claims: (TBD)

Family:

Winfryd Wright (nephew): took him in after his parents’ death when he was a child. Treat him more like a son than a nephew.

Zinnia Frost (niece-in-law later on. Think of her as more like a daughter tbh)

Oliver Wright (grandnephew)

Anthony Winters (nephew)

Emma Winters (niece-in-law)

Jody Winters (grandnephew)

Psychology:

Moral alignments: Neutral Good.

Personality:  kind, sympathetic, open-minded, patient, polite.

Likes: Their family, showing kindness, helping people, their jobs.

Dislikes: Cruelty, rudeness, inequality.

Demonic Characteristics:

Physical appearance:

Peter: Black wings, two horns, sharp teeth.

Mina: Red wings, red horns, sharp teeth.

Powers & Abilities:

Superhuman strength.

Supernatural Durability.

Sharper senses.

Accelerated healing.

Sharp claws & teeth.

Flight.

Acidic blood.

Human possession.

Weaknesses/Limitations:

Weak against ultrasonic weapons.

Can be trapped by those who have occult knowledge/practice.

Lack telescopic vision.

≧ω≦ ω ≧ω≦ ω ≧ω≦

[transthaumaturge]

Queer Zelda Theory

The Legend of Zelda universe has some interesting lore about the Gerudo Tribe and today I’d like to argue that one of the prevailing theories about them, namely the one about how they have children, isn’t as likely as the one that I’m about to propose.

The Gerudo Tribe was introduced in Ocarina of Time as a desert tribe comprised entirely of women. They have persisted in later games along more or less the same premise. We know that they have children, because 1) they need to keep making new Gerudo, 2) we see adorable Gerudo children (all girls) in Breath of the Wild, and 3) there’s that weird BS patriarchal prophecy from Ocarina of Time that the first boy born to the Gerudo in a century will grow up to be their king--that boy ended up being Ganondorf.

The prevailing theory seems to be that the Gerudo have babies with men of other races, namely Hylians, and that they integrate any girl babies that they have into their tribe while leaving boy babies with the father. The primary evidence put forward for this is the fact that a Sheikah Stone in OOT says they go to Hyrule Castle Town to look for boyfriends, and the fact that if you go to Gerudo Town in BOTW, many of them have plans to depart from the city and meet a voe (”man” in Gerudo) to fall in love with.

But I’ve always had a big problem with this theory: if the only way that Gerudo women can have babies is through interbreeding with males of other races, how are they not getting shorter and lighter-skinned over time? How do they look different from the other races that they’re having babies with after thousands of years of interbreeding? One possible explanation is that for all of the physical characteristics that we know the Gerudo for (dark skin tone, tall, etc.), the Gerudo genes are dominant to any of the other races they have children with. But that seems like a long shot. How would all of the genes coding for their characteristic body type, hair type, face shape and skin tone be dominant when genetics itself is so random? I think there’s a more likely theory.

The Gerudo women are genetically isolated from other races in Zelda because they’re having babies with each other.

Hear me out. First off, the Gerudo are not the only race in Zelda that’s all one presumed sex. We have no problem accepting that all Gorons are born male, or that they at least look male to the races like Hylians who have a sex binary. Maybe that’s because there aren’t any other races that Gorons could plausibly interbreed with, but still. They’re a race that only produces “males”. So what if the Gerudo are the same way? There are no Gerudo men because all the Gerudo are born looking female to races with a sex binary. That’s just what their species looks like. We further infer, because there’s an false but automatic assumption that sex and gender are synchronized for everyone, that all Gorons are men and all Gerudo are women.

Some Gerudo want to fall in love with men from other races, but that’s not unheard of for non-Gerudo either. Before the Great Calamity, Link and Mipha were basically a couple. And they’re not even the only instance of Hylian-Zora romance in that game! All we know is that Gerudo women sometimes get romantically involved with men from other races, full stop. We don’t know anything about their genitals, so why would we assume? Some Gerudo women have penises or don’t bear children, get over it. Maybe they can reproduce with each other and other races, or maybe their genitals and reproduction don’t look anything like what you would see on a Hylian. It doesn’t matter, because that’s not what determines how they look. It’s just us attempting to apply a cisheteronormative framework to a species that doesn’t fit those constraints.

Gerudo women call themselves women because that’s the closest approximation in common tongue to what they look like, at least in terms of what races with a gender binary can understand. Gorons do this too when calling themselves “men” and referring to their close friends as “brothers”, and they’re a notable exception to the “no men” rule in BOTW Gerudo Town. The Gerudo recognize that, like them, the Gorons are a race where everyone has a similar body type and no gender binary.

Some Gerudo have relationships with men from other races, but it seems impossible that some Gerudo wouldn’t also have relationships with one another or with women from other races. We don’t hear about these “same-sex” relationships either because we’re shown the game’s narrative through a biased lens, or because the Gerudo know that folks from other races can get homophobic and they don’t want to deal with any of that shit. You can’t tell me that Gorons, a race made entirely of rock, really have any need for clothes. They wear the bare minimum needed to not offend the other races. Us only seeing Gorons with clothes across all of the games they’re in doesn’t necessarily mean that they have anything under those clothes, so why should we assume that Gerudo only have “heterosexual” relationships because Link only sees them romancing men across the different games?

This opens the door to a lot of exciting genderqueer analysis of Gerudo culture. Are they agender? Do they have gender variation, but it’s based on things like personality types or aesthetic preferences? After all, if they all look similar to one another they would have an understanding of gender that’s different from ours and unbound from what their bodies look like. Finally, what does it mean for Gerudo to have a “male child”, like they did with Ganondorf? Was he a particularly rare genetic phenotype? Are there trans Gerudo, who identify with the concept binary races have of ‘men’ and identify as men themselves? Do the concepts of ‘Vai’ and ‘Voe’ just exist to appease the other races and define the Gerudo relative to those races, or do they mean something different in the Gerudo native tongue than what we think they mean?

There’s a lot to unpack here, but this solves the issue of why the Gerudo are still genetically isolated after so many thousands of years in a way that the prevailing theory doesn’t. The only reason more people aren’t thinking about it this way is because it doesn’t fit into a gender binary framework, and Gerudo look enough like Hylians that we want to use the gender binary to define them. Plus, Nintendo isn’t going to risk the controversy of implying that the Gerudo have babies with one another or don’t experience gender the way we do.

Some clarifications so you know where I stand on things, because sex and gender analysis is often a touchy subject:

1) Sex isn’t a binary for any species, neither is gender. Anytime that I referenced a ‘sex binary’ or ‘gender binary’, I was saying that some races act in a way throughout the series that suggests they believe there’s a binary for sex, gender, or both. In reality, I’m sure there are plenty of nonbinary Hylians, intersex Sheikah, trans Zora, and a whole slew of other gender identities and biological realities that don’t fit within a binary construct.

2) The goal of this theory wasn’t to “make The Legend of Zelda about genitals”. If that’s what you got out of this, then you’re missing the point. I’m just taking one theory about how the Gerudo have babies and suggesting a likelier alternative. If you’re unhappy with that, you’re probably also unhappy with the fact that BOTW show us what Gerudo children look like or that we see a pregnant Hylian woman in Twilight Princess.

Do you agree? Disagree? I’d love to hear your thoughts, especially if you have anything to add about how this might fit within queer theory. Thanks!