#it's amazing i've done this at all

[iamanartichoke]

I don't know who needs to hear this, but as a creator -

I am fine with "the audience" -

downloading my fics

printing my fics

copy/pasting or screenshotting my fics

sharing your saved copy of my fics with anyone else who might want them in the unlikely but never impossible case that my fics are no longer available on ao3

making a book of my fic(s) and running your fingers across the pages while lovingly whispering my precioussss

doing these things with anything I create for fandom, such as meta, headcanons, au nonsense like 'texts from the brodinsons,' etc

I am not fine with "the audience"

doing any of the above with the purpose/intent of plagiarizing my work or passing it off as their own in any capacity

feeding my work into ai for any reason whatsoever

Save the fandom things. Preserve the fandom things. Respect the fandom things.

Enjoy the fandom things.

[reasonsforhope]

People ask me sometimes how I'm so confident that we can beat climate change.

There are a lot of reasons, but here's a major one: it would take a really, really long time for Earth to genuinely become uninhabitable for humans.

Humans have, throughout history, carved out a living for themselves in some of the most harsh, uninhabitable corners of the world. The Arctic Circle. The Sahara. The peaks of the Himalayas. The densest, most tropical regions of the Amazon Rainforest. The Australian Outback. etc. etc.

Frankly, if there had been a land bridge to Antarctica, I'm pretty sure we would have been living there for thousands of years, too. And in fact, there are humans living in Antarctica now, albeit not permanently.

And now, we're not even facing down apocalypse, anymore. Here's a 2022 quote from the author of The Uninhabitable Earth, David Wallace-Wells, a leader on climate change and the furthest thing from a climate optimist:

"The most terrifying predictions [have been] made improbable by decarbonization and the most hopeful ones practically foreclosed by tragic delay. The window of possible climate futures is narrowing, and as a result, we are getting a clearer sense of what’s to come: a new world, full of disruption but also billions of people, well past climate normal and yet mercifully short of true climate apocalypse. Over the last several months, I’ve had dozens of conversations — with climate scientists and economists and policymakers, advocates and activists and novelists and philosophers — about that new world and the ways we might conceptualize it. Perhaps the most capacious and galvanizing account is one I heard from Kate Marvel of NASA, a lead chapter author on the fifth National Climate Assessment: “The world will be what we make it.”" -David Wallace-Wells for the New York Times, October 26, 2022

If we can adapt to some of the harshest climates on the planet - if we could adapt to them thousands of years ago, without any hint of modern technology - then I have every faith that we can adjust to the world that is coming.

What matters now is how fast we can change, because there is a wide, wide gap between "climate apocalypse" and "no harm done." We've already passed no harm done; the climate disasters are here, and they've been here. People have died from climate disasters already, especially in the Global South, and that will keep happening.

But as long as we stay alive - as long as we keep each other alive - we will have centuries to fix the effects of climate change, as much as we possibly can.

And looking at how far we've come in the past two decades alone - in the past five years alone - I genuinely think it is inevitable that we will overcome climate change.

So, we're going to survive climate change, as a species.

What matters now is making sure that every possible individual human survives climate change as well.

What matters now is cutting emissions and reinventing the world as quickly as we possibly can.

What matters now is saving every life and livelihood and way of life that we possibly can.

[teaboot]

you're so like. inspiring. or i wish i could be inspired. you reblog that post with the blue critter and you're like "im glad i was born on this planet". how do i manage to get that mindset. how do i manage to not want the pain to stop at any cost and enjoy what's still possible to enjoy

It's my first time here and I'm never coming back

[egophiliac]

I feel like F/P/S was still a pretty weird one, even by Lance's standards.

sorry for (in an ironic twist) not doing much Ride Kamens art now that it's actually started; I've been pretty slow going through it and I feel weird posting about things I'm not caught up on! though I'm. definitely gonna have to set aside some time to actually get through episode 13, after what they posted today. (w-what did they do to my Leon) (NOBODY TELL ME I HAVE TO FIND OUT ON MY OWN) (LEOOOOOOOON)

[songthursh]

Our first collab comic with @stupidlynx!!! Some steppe romantic x)

[demaparbat-hp]

Almost

[iwannascreameurekaa]

As much as I dislike caleo, calypso herself is not an inherently bad character (only talking about pjo, if we're talking about the accurate calypso from Greek myths then I'm tying up my hair and putting my hands up she's awful there)

but the thing is that TOA caleo ruined any development that she could have had

You had a boy who never felt loved and a girl who always fell in love with people that couldn't stay and threw them together? It's a good ship in concept

but then you get to the plot holes and stuff

like calypso being 6000+ years old and Leo being 16

and calypso being insanely rude and demeaning to Leo throughout TOA

it's just not a good ship and I'm sorry because it could've been cute it really could've but it's not

i really really hope that rick realizes that caleo isn't a good or healthy relationship bc it would be better for both calypso and Leo to break up

imagine calypso, someone who has been cursed to never find true love (JUST LIKE REYNA!) finally getting in the mindset that she doesn't need a guy to be happy that she can live her own life without relying on romance

imagine calypso joining the hunters of artemis. would that not be the most perfect thing for her character?

and Leo, who has never found someone who stays with him and loves him for who he is, going on a mission (similar to Orpheus and Eurydice) and bringing Jason back to life and them living together

it's my silly valgrace obsessed brain but seriously??? THIS WOULD BE SO GOOD

And the fanfic writers that I know have written "sequels" like this and did it so perfectly prove that this COULD be done

please Rick I am begging you make my tragic gays happen PLEASEEE

[eggwishing]

messing around with lineart

[sunlightdrop]

happy first of october !! here's my annual witchy rapunzel ♡

[tadc-harlequin-au]

RagaPom fan kid when🥺?

Jk but I ADORE your art so much i might as well be called a believer of it 🙇‍♀️

Harlequin!Jesterdoll fankid - Anya!

I gotchu homie I should probably also clarify that the fankids aren't canon-

This is Anya, or Aanya Belle. She is Pomni and Ragatha's child, and is the second child puppet to ever grace the world. Quite possibly the most emotional one too, earning her the title "Little Sensitive Poppet". She's sweet and empathetic like Ragatha, but she doesn't have a temper. She instead inherited her harlequin mom's intense emotional reaction, but for other emotions. Her classification is a Mannequin.

She gets scared quite easily and ends up crying for hours, which made Jax give up a teddy bear he had been keeping near and dear to him. Aanya has been never seen without the teddy bear ever since.

Yes, to everyone's surprise, Jax is good with kids.

She has the largest sense of empathy out of anyone, a trait clearly inherited from Ragatha. So much so to the point that she's willing to abandon her "safety spot" (which is any furniture she can hide behind) and comfort you with her teddy bear if she so much as senses you're upset.

Her relationship with her half-brother was a little rocky at the start; Cade was overexcited over the idea of a new playmate (that wasn't Bubble) and kept wanting to bite her fingers off, and so had to be kept in his favorite box to calm him down, and make him get used to his new half-sister's presence. Soon enough, he learned to get along, and eventually, their sibling bond strengthened.

Cade would hug Anya if he notices that she's distressed (which is something that my irl baby brother does and I used it as inspo here) and would not hesitate to step in the big brother role to protect her if there's a threat.

He also attends her miniature tea parties, although for some reason he likes to stay in his box when the tea party commences. He never touches the teddy bear either, and even seems to want to avoid to touch it. Pomni thinks it's because he doesn't wanna end up ruining it.

When Cade turned six months, Ragatha started avoiding Caine, which made the puppetmaster confused. There were no more invites to tea parties, no more friendly talks, and no longer did Ragatha ask Caine if he had another vinyl she could listen to. All the more, Pomni looked extremely guilty everytime they would talk, and looked like she really wanted to tell Caine something.

Caine didn't prod at the girls' relationship, since he knows it's not exactly his concern/nor is it his business. But when one day that Pomni came rushing in to his office for help because Ragatha collapsed in pain, Caine wasted no time rushing to her aid.

Once all symptoms were described to him, he immediately managed to connect the dots that Ragatha's die was also housing two souls, and that it went on for so long, it was already starting to kill her off FOR GOOD. When the puppetmaster asked why she had kept it a secret, Ragatha admitted that she felt guilty; Cade was already in this world and that she had no right to have a child with Pomni, yet here it was.

Caine was immensely disappointed, but not because of the little soul's existence. Instead, he was upset that Ragatha would rather risk her very own life for something so non-trivial, and that the doll was freaking out over nothing. After an intense and dangerous procedure since the incomplete soul's grip onto Ragatha was stronger than Cade's was, Caine managed to extract and transfer the soul, but Ragatha remained unconscious for three moons because of the exertion it took.

He told Pomni to keep the die for now, and wait until Ragatha wakes up, so they can both decide whether they want to keep the little one or not. Pomni, guilt-ridden, questions why he's remained calm, and not exploded over the fact that she and Ragatha created a new existence without his permission, and Caine simply replies "Whoever told you that you both needed my blessing for it, needs their heads bashed in"

Eventually, Ragatha wakes up and apologizes to Caine for giving him so much trouble. The puppetmaster is quick to comfort the mannequin, and that he's relieved that Ragatha survived. He then reassures both Puppets that they didn't have to keep secrets like this from him out of shame, since their polyamory relationship was consensual from both parties in the first place. After a reconciliation, Caine asked the question: Will they keep the soul, or not?

They chose to keep it. And in only a few months thanks to Caine's prior knowledge, Anya was officially welcomed into the world.

[fictionadventurer]

I'm fascinated by the ways in which the things a creator is good at making don't necessarily line up with the kind of art that they respect or even enjoy.

This has haunted me ever since I saw a Youtube video about the downfall of The Band Perry, a country band that I had liked until their music got weird and they kind of fell off the face of the earth. Well, it turns out that they tried to reinvent their image and their style of music several times before the band finally fell apart. When they started, they had this weird Southern Gothic homeschooler style that really worked for them and was reasonably popular, but then they tried to switch to a cooler type of pop music--a style they supposedly admired and enjoyed--and it just did not work at all. They failed because they chased what they wanted to make instead of sticking with the style that they were good at.

It's a tension that's present in all creative work. At one point does "going outside the box" go too far? Can one be happy making good work even if it's not the kind of stuff they like or admire? Are the techniques and styles that are most appealing to us appealing because they're things that we can't create ourselves? As in, our minds don't work that way, so seeing these things from other creators is exciting, but the fact that our minds don't work that way is exactly why we can't imitate those things. Where's the line between creative integrity--pushing yourself to make better things--and pride--wanting to make something more prestigious and impressive instead of humbly making the type of art you're best suited to make? Can one even clearly see what they're best at making, and appreciate the good that's there rather than chasing after styles and techniques that seem better? There are no solid answers, which is why I'm going to be endlessly thinking about this.

[hero-of-the-wolf]

This is a callout post. 🫵🏼 You're doing a great job. The content that you've already created is wonderful and gives a lot of people joy, and the content that you're still creating will be wonderful too. It's okay to take your time.

(I'm going to tag the creators I know the best. Please feel free to tag others too and show them some love!)

@crazylittlejester @luna-lovegreat @skyward-floored @adrift-in-thyme @rustic-space-fiddle

[monstermoviedean]

i'm not saying dean hasn't said or done some shitty things but for me. for me. i think if someone said "hey that hurt my feelings" or "that's fucked up man" he would immediately stop, apologize, and cease that behavior in the future. and that doesn't have to matter to other people but it does matter to me.

[kitkatsgalore]

you have my soul, you have my heart ♡

[bleaksqueak]

Honestly, I'm really grateful that my brain isn't wired to jump from hyperfixation to hyperfixation. It has its own unique drawbacks, sure, but I've always found it really comforting that I know what to expect from myself.

[firethekitty]

for vash

tears for fears - everybody wants to rule the world // beach house - on the sea // of monsters and men - human // lord huron - the balancer's eye // radical face - welcome home, son // marty robbins - tall handsome stranger // orville peck - the curse of the blackened eye