#it's all post canon of course

[yuviur]

Summer vacation, 4am.

Tons of easter eggs in this one! Click the image to find them (and for better quality ofc)

Close ups and process shots under the cut, description in alt text

[chiquilines]

In honour of mha ending, have some old (and i mean OLD) miryumi scribbles i never got around to posting. They were the main characters in my heart

[hinamie]

もう一回、もう一回

[poorly-drawn-mdzs]

Parallel Lines and Brothers.

[First] Prev <–-> Next

[segernatural]

sure it was a perfect storm of a pressure cooker but i promise destiel was about destiel

[unproduciblesmackdown]

Lackadaisy Enrichment

[snurtle]

I've been thinking about the templars lately. they were promised honor, virtue, told that they would be charged with protection of the innocent... And then those same people are systemically exploited and abused, abuse others because they're taught to regard everyone else as either sheep who need to be lead or potential threats. Never equals, except in their brothers/sisters-in-arms. They act as the guard-dogs and military arm of an entirely different organization that they're only a functionary member of but have no governing say in. Even the chantry aren't their equals- they function as the templar order's supervisors! And all this isolation and closing of ranks ends in disability, addiction, death, and abandonment by the system they spent their bodies in service of.

To top that off, retaliations against them just confirm the paranoia they were taught to embrace. It's probably a long hard road to get out of that hole.

Like, listen. the dichotomy of mage vs templars is a satisfying and easy one, but the system is tearing them apart too. have you ever heard of a retired templar?

at the end of it, mages and templars need to unite against the real threat. the chantry.

[peargreen-jellybean]

random, poolverine hurt/comfort idea. wade is a little less insane in this bc i think he mellows out a bit at home and bc i’m too lazy to write more

(below cut if you give a shit)

after the time ripper

logan wakes up and expects to be in an alleyway or the back of a bar bc the owner was too nervous to make him leave. expects a hard surface and broken glass in his chest. but he’s on a crappy couch, in clothes not belonging to him, and inside what looks like an apartment

the memories sluggishly come back, almost too absurd to believe, but when he’s fully awake he hears a radio and cautiously follows the sound to, he discovers, a kitchen

and there’s wade fucking wilson, wearing “i <3 hot dads” shorts, an apron, crocs. no shirt, no mask. turning a toaster this way and that, and shaking it like he wants information from it

wade notices the lingering man in the doorway, chirps a ‘good morning peanut’, gestures to a “hero’s breakfast” and tells his guest to help himself. the toaster is being a dick right now and he’s trying to fix it

a bit taken back, at the sheer domestic-ness of it all, logan drops into a seat at the wobbly table and takes the tabletop in. half burned toast, mostly scrambled eggs, and an assortment of other breakfast time items he hasn’t really seen, much less eaten, in years

what does it? old memories and guilts, recent events and their pains, the familiar smell of coffee, wade grumbling at the counter over a broken toaster like a strange picture of domestic living? really it could be anything, but logan starts to tremble in his seat. something is tight in his chest, too tight and still tightening. it’s overwhelming. too much at once

is he really going to break down here, now, in wade fucking wilson’s kitchen, wearing his worn-soft clothes and listening to a quiet song on the radio?

yeah, he is. fucking pathetic

but logan is startled out of his spiral by:

fingers sliding into his hair. a hand tugging at his head. his face pressing into a warm, solid body

wade has abandoned his toaster and now cradles him to his hip

logan yanks his head away with a ‘what the fuck are you doing’, or he tries to. wade doesn’t let him escape far, pulling him back into the dip of his hip. gently holding him and rubbing his scalp with his fingertips once he feels logan give up the fight

‘easy peanut.’ wade hesitates for a moment. ‘vanessa used to do this… when shit got really bad.’

he doesn’t elaborate. he doesn’t have to. the weight of the softly spoken words is enough.

and while he wants to fight it- he doesn’t need sentimental crap or pity- logan takes a breath just long enough to pause here in this moment, and let’s himself feel

wade is constant, steady; the weight of his hand gentle, but grounding. the dip of his hip holding his head near perfectly. the warmth of him seeping into his skin, then flesh, then bones, settling in his chest

wade is anchoring him

maybe he should fight this, or be annoyed, or just generally pissed at the coddling, but when was the last time he was held like this? comforted like this?

wade will be insufferable after this, probably smug and a whole new level of too comfortable touching him, but right now, right here, he’s calming. he’s- something logan can’t quite name

and call him weak, call him pathetic- because maybe he is- he’s gonna savor this for as long as he can

~~~~~~~~~~~~~~

that’s it. that’s all i got. enjoy, or don’t. that’s up to you ig

[clearancecreedwatersurvival]

Look people can discourse about how problematic a ship is and how terrible people are for shipping it all they want, but the reasons they try and assign for shipping something are usually pretty ridiculous. The only actual point of discrimination on whether or not I’m gonna ship a pairing is just how narratively compelling the character dynamic is. Do they play off each in an interesting way? Is there some good narrative symbolism involved?? I’m there.

Yes that does mean I’m often a basic bitch and end up enjoying whichever slash and femslash ships are popular BUT there’s usually a reason why a bunch of writers have gotten into something! Tbh! Shit being popular doesn’t mean it’s bad, stuff usually pops off for A reason, regardless of it’s a reason you personally agree with.

[tentacledwizarddraws]

they are silly

[mdr-reikas]

I'm so glad that my mxtx fandom of choice was svsss from the start because what in fucking tarnation are the rest of you doing

[forgotmysword]

Sorry to all the girlies mad about the possibility of alicent going to oldtown instead of dragonstone in the finale but im here for the long haul. I want alicent exhausting every last option before going to rhaenyra. I want her as desperate as possible, begging for forgiveness after fully coming to terms with her life and her sacrifices truly being all for nothing. The day her life ended was the day otto had her go comfort viserys. Her and rhaenyra being torn apart was where it all went wrong. But maybe her youngest son, who she didn’t raise, who wasn’t poisoned by her or life in king’s landing, could be the one who saves her.

But he won’t be.

Bc in the end, even in chains, it will be rhaenyra who sets alicent free. It was always going to be rhaenyra.

[vegaseatsass]

You know, these past two episodes I was thinking to myself, Su Yin is almost perfect in every way, simply the ideal devoted, protective, loyal, dedicated sworn brother, call him Da-ge indeed!!!, but my one piece of constructive criticism is that he needs to learn how to give real hugs - he does a lot of manful shoulder clasping, but Xiaobao is a shivering chihuahua desperately in need of cuddles and body heat, you gotta HUG THAT BOY - but now I see that Su Yin's hugs are simply reserved for his horrible little gremlin of an imperial cousinwife.

[yujeong]

I know the fandom loves making Pete have low self esteem in the sense of finding himself ugly and unworthy of being Vegas' "boyfriend" (to the point of having seen the tag "Pete's canonical low self esteem issues" in fics), but can I suggest the opposite?

Can we make Vegas feel self conscious about his appearance post canon?

Vegas, who now can't wear the clothes he used to because his scars will be visible, Vegas who now can't ride his bike or drink or party or torture or kill or stay awake all night or FUCK like before, Vegas who finds showering a chore, which leads to him letting his hair turn greasy on his head, who smells, whose breath stinks because he can't get up to brush his teeth, Vegas who now has to expose every single part of his everyday life to the most important person in his life, even the ugly parts, even the disgusting parts that he hates.

How could he bear Pete watch him struggle like this, how is it fair for Pete to have to deal with him unshaven and smelly and rotting in bed all day?

(Vegas, of course, is a huge hypocrite, because he kissed a feverish Pete who hadn't brushed his teeth in days, and found the taste sweeter than any type of candy he's ever eaten, because he ate Pete's ass when it had barely been washed at the safehouse and it was so good he couldn't stop, even after Pete had lost his mind in pleasure, because the black bags under Pete's eyes made him look otherworldly, because he became obsessed with Pete looking sick and tired as he laid next to him on the hospital bed, below all the layers of guilt he felt for putting Pete through hell multiple times.)

Please, please, I need it, and I need Pete to have the most confused look on his face as he hears Vegas whine and obsess over things he deems unimportant, because what Pete wants, what Pete has always wanted, is Vegas in his life, alive and with him.

[teamsasukes]

people rightly criticize how team 7 reacted to sasuke's pursuit of justice for his clan, but one thing i feel is always overlooked in these discussions is how sakura literally is not granted the option by the narrative to learn about what sasuke has been through — not in the way that naruto, kakashi, or even team taka are. throughout all of part 2, she is operating under the assumption that sasuke killed itachi and then turned on the village for no apparent reason.

in part 1, she offers to help sasuke with his plan to kill itachi and even says she'll come with him so he won't have to handle a clearly dangerous and unstable sannin alone. she tells him she wishes he would be more open with her because she wants to understand what he's going through. (all of this stands in stark contrast to naruto, who says he'll break every bone in sasuke's body to bring him back, or kakashi, who projects his own traumas on to sasuke.) then in part 2, she can't bring herself to hurt him despite ample opportunity and even though (as far as she knows) he's become a violent criminal. throughout the series, she's averse to inflicting harm on others (aside from the punching naruto gag). is it really so unreasonable to imagine that if she knew sasuke was avenging the state-sponsored genocide of his clan, she would respond differently? with more empathy and compassion for his circumstances, and anger of her own towards konoha?

[kindahoping4forever]

Pretend I gave this a hinged and appropriate caption