#it's all about character development and what changes and what doesn't

[fairsweetlonging]

new idea: shen yuan transmigrates into a pidw version with abo dynamics, but he doesn't know about it.

he knows what abo is, but it's so far removed from his expectations that it simply doesn't cross his mind at all. with that, cang qiong is a respectable, upstanding sect, so there is no growling, claiming, scent pushing or primal instinct stuff going on. people also don't mention it, as it's simply not relevant most of the time, and is considered rude to discuss unprompted.

shen qingqiu, of course, is an omega (the characters who make the best omegas are the ones who would hate it the most), but he has suppressed it with his qi for most of his life because he doesn't want to be seen as weak. the other peak lords assume he's a beta.

now, i'm not a traditional abo dynamic fan, but, there is something very appealing to me about the nesting and scenting aspect of it.

it starts out slow and painfully oblivious, with shen yuan assuming cultivators must have a really good sense of smell, and it's simply book logic that every character seems to have a signature scent. all those romance novels always mention characters smelling of pine and flowers and scotch and leather, so this isn't a foreign concept. liu qingge, for instance, is the bai zhan war god, girls fall for him left and right, it's only natural he smells of musk and deep woodsy notes, like the earth after it rains. right?

besides that, shen yuan has always been a homebody who loves his creature comforts, so him getting extra blankets and pillows and soft fabrics for his bed to curl up in isn't odd at all. or him collecting soft pretty things. shen qingqiu already has fans and night pearls and hair ribbons and silky clothes, so nothing changes.

then without-a-cure hits.

the poison breaks down the suppressors that the original shen qingqiu put in place, and his body starts restoring the balance. this worsens the cravings, and sets off his omega instincts.

he gathers more blankets, but it doesn't fill the need, like there's something missing. then liu qingge forgets his outer robe in his house after a meridian cleansing to deal with an emergency, and that robe ends up in his bed. he tries to reason it's a comfort thing—he wore his dad's sweater when he was young and had nightmares, and liu qingge does smell very nice, so is it really that strange that he holds it at night and presses his face against the collar where the scent is the strongest to soothe himself?

his own scent starts to develop as well, much stronger than the mild, watery green tea flavor from before, and people notice.

thing is, though, that there are many formalities and rules of conduct around omegas, one of which is not to bring up their status in any improper or unbidden way. so even though the alpha lords now notice a very distinct omega scent coming off their shixiong, they can't mention it out of societal pressure. so, they don't.

shen yuan still doesn't notice a thing.

the first time liu qingge smells it is during their bi-weekly cleansing session, when shen qingqiu leans in and liu qingge gets a mouthful of green tea, bamboo and honeyed jasmine, soft and sweet and pleased and so very content it sets off his alpha brain and he has to rein himself in before he starts releasing his own pheromones like some inexperienced teenager—

he's only just grown used to their amity and their habit of sharing tea and cakes after the cleansing, but now shen qingqiu is sitting there smiling at him and smelling like—like liu qingge is spoiling him and, making him feel safe...

he doesn't bring it up, downs his tea, and leaves.

meanwhile shen qingqiu keeps happily nesting away, filling his bed with all kinds of soft fabrics, some clothes of other people that he's trying really hard not to think about. everything is going well, binghe just turned sixteen and the girls are calling him an 'alpha', so his little bun is growing well into his protagonist charms! yue qingyuan comes by more often, acting a little strange but shen qingqiu is used to that by now. he looks very bashful offering him a ribbon of his, a pretty silver one that smells of incense and ozone, and shen qingqiu happily accepts it.

one time binghe comes back bruised and scuffed from a fight with bai zhan disciples, and shen qingqiu tsks at the strange smells on him, do those brutes ever bathe?? he rubs his hands over binghe's sleeves to try and get some of it off, and his poor bun must still be in shock because he stares wide-eyed at his shizun. he must also be getting forgetful because shen qingqiu finds that same robe still unwashed a week later in binghe's bedroom.

he also loves it when people brush or play with his hair, it's his favorite part of the evening when binghe helps him take down his hair for the night. the combs feel so nice on his scalp, if he could purr he would! (binghe's heart sobs quietly behind him, in complete disbelief his master is purring at him).

his icy, lofty demeanor has all but shattered, because now every time he tries to act aloof, like when yue qingyuan gives him a present or liu qingge shows up on his doorstep, his sweet, pleased scent betrays him.

the opposite is true, as well, when without-a-cure flares up and he's in pain and his scent goes sour and distressed, even when he's waving everyone off saying he's fine. the entire house smells of burnt tea leaves and ash after a nightmare, and shen qingqiu is very confused when liu qingge comes to pick him up for a meeting but then refuses to leave.

anyway he doesn't find out until after the conference when airplane tells him to keep his acrid scent under control, his house is starting to stink.

[enixamyram]

I truly do not get the "Angel sexually harassed Husk!!! He's awful and it's gross the writers never addressed it!!!" mindset some of the anti's have. Especially when the show very much did address it very clearly in a way that I, personally, believe was very well done:

"Maybe I'd treat you better if you were real, and not some bullshit version of yourself. Always pushin' my boundaries."

Husk openly calls Angel is a jerk for the way he treated him. He (and the writers) make it very clear that Angel's constant sexual advances bothered him. And this isn't a revelation moment either since it's obvious during every moment prior that Husk doesn't like the way Angel behaves with him, even if he puts up with it. He physically expresses his discomfort and dislike for it each time and you'd have to be blind to miss it.

People like myself may find a line of Angel's to be funny, but it's the same way we find other lines funny. (Like Val's: "Not off camera you're not!") As in, it was amusing the way the line was said. But that doesn't mean we're ignoring or missing the seriousness behind the issue in reality. (I mean, some people might be, but in general I think most of the audience is not like this.)

More importantly, all of this is literal Character Development. In all further episodes, Angel stops acting this way with Husk entirely. And only after he stops acting this way, is when Husk and him start to genuinely get on as friends.

I've seen some people complain that Angel never officially apologised for his actions. And yes, while we don't seen an on screen "I'm sorry for what I did to you", it's very clear that there has been something based off of the very next shot of them:

Even if he hasn't said those exact words, Loser Baby was an entire song about how they understand where each other is coming from, why they act how they do and how they can now change that by leaning on each other for support instead. Loser Baby is, in its own kind of subtle way, an apology between them. Just because we're not spoon fed scenes doesn't mean they didn't happen off screen.

Anyway. You don't have to like the ship. But can we stop trying to find problematic reasons why no one else should like them either and just grow up and say it's personally not your thing?

[shantechni]

Natsume's Fear of Thunder

I'm gonna be honest, this can hardly be considered an analysis. It's more of a "sporadic and unnecessarily deep observation" of how Natsume's astraphobia has been presented in the series over the years, both in the anime and in the manga. So, please for the love of God take all of this with a grain of salt.

Yes, I'm using the term "phobia" very loosely, but I'm not about to get into that rn. Natsume has an irrational fear and strong dislike of thunder, that's an undeniable truth.

Before I dive in, I'd like to briefly explain why, of all the little bits of information Midorikawa has given us about Natsume, this one is the one to ceaselessly bump around in my brain like a DVD logo. This series is not in the horror genre (it's serialized in LaLa DX after all), but it does get suspenseful, and pretty disturbing depending on whatever topic it touches or the types of situations the characters may find themselves in. I don't fault anyone, particularly Natsume, for growing up with valid fears and preconceived misconceptions about most youkai; they can sound scary, they can look scary, and they can do some scary stuff if they really feel up to it.

That's why I'm so fascinated to see Natsume develop and still harbor an irrational fear for something like the everyday phenomena of storms. He's landed himself in all sorts of trouble and has come face to face with many beings, both natural and supernatural, who didn't have his best interests in mind, and yet the clap of thunder somehow keeps its spot on the list of things that has him scared stiff.

Aight, spoilers for both the anime and the manga beyond here, you've been warned👏🏽

Our first introduction to Natsume's fear is near the beginning of chapter 42, when he and Tanuma accidentally stumble across Taki's home while seeking shelter from a sudden shower. He questions how Nyanko-sensei ended up at her home as well and the youkai, much to Natsume's visible dismay, cheekily explains:

That doesn't end up happening since the rain remained light until its swift end, and the mention of Natsume's fear is glossed over rather quickly to save him the embarrassment, but it's an interesting mention made by Midorikawa nonetheless since it adds another layer to whatever image the audience has of Natsume and the series itself. Nyanko-sensei, having been around this kid long enough to know a lot of his vulnerabilities and insecurities (even the ones his dreams unwittingly reveal to the youkai), has seen and grown accustomed to a side of him that the audience had yet to be formally introduced to for once.

Right about now, you may be wondering how the anime adapted this scene. It didn't💀.

While the start of the episode (S3 EP5) is a one-to-one recreation of the chapter with virtually the same dialogue and scenery, any mention of Nyanko-sensei following Natsume to pick on him when it thunders is nonexistent and entirely skipped over so the gang can go straight to cleaning out the storeroom.

Most fans who have read the manga will tell you how notorious the anime is for excluding some of the characters' lines or scenes that take place in the manga, or just straight up rearranging or changing up those same factors. Sometimes those alterations work wonders, and other times they leave more to be desired, mainly if you know what happened in the manga counterpart of the episode. This such example is one of the times that'll leave people scratching their heads and wondering what warranted getting rid of a scene so insignificant that it'd have no effect on the plot of the episode whether or not it stayed. The only answer I can think of for that is the directors likely wanting a smoother progression of events to make for a viewing experience better tailored for an anime episode rather than a manga chapter.

Or, they genuinely didn't have enough space in the episode to squeeze in that little bit, which I highly doubt, but what would I know, I don't work for them. At the end of the day, we didn't get to see that scene in the episode.

After some more anime switcheroo shenanigans go on behind the scenes, along with an original episode pulling a retcon during a lightning storm, we receive our next moment in a surprising scene from the anime team in S3 EP10 (adaptation of chapter 28). Though the scene itself is short and not exactly an example of Natsume's astraphobia, I feel it should still be included because of its relation.

The chapter originally starts with Natsume and Nyanko-sensei searching for a tree that was struck by lightning during a storm the night before. However, the anime makes an addition of their own by rewinding time to that very night and showing Nyanko-sensei excitedly watching the storm take place while Natsume is tied up with his homework.

Nyanko-sensei goes on to tease him by suggesting that he doesn't want to watch the storm because he's scared, but Natsume dodges the youkai's mocking and begins to tell him to close the curtain before a crack of lightning cuts him off and illuminates his room.

Not only does Natsume not simply deny Nyanko-sensei's claim of him being scared, but his reaction to the thunder is seemingly more sudden than Nyanko-sensei's. Both of these points could subsequently lead the audience to interpret this entire sequence as the anime's first acknowledgement of his phobia, and it'd make for a very intriguing choice on the anime team's behalf after taking their ommitance of the previous scene into consideration. It could be a stretch though ngl, I tend to stretch like crazy, it makes sense to close a curtain when a pet is being noisy—

Finally moving on from S3, we eventually reach the most overt instance of Natsume's astraphobia, and potential origin or exacerbation of it, in the S4 finale (adaptation of chapter 46). This three episode arc is a largely intimate and heart wrenching one as it focuses on Natsume's journey to revisit his childhood home before it gets renovated by its new owners, a task he initially denied himself the permission of doing before realizing Touko and Shigeru would never deny him something so personal. Of course, he wouldn't be Natsume if he didn't attract a youkai along the way, and he's being pursued by one that seeks to feed on the tragic memories he formed while staying with the Aoi family, who was strongly implied to be the first family (if not, one of the first families) he was taken in by after his father's passing.

One of those memories shown to the audience is a younger Natsume relaxing in a shrine while memorizing where his childhood home is located, all in the hopes of gaining more discernible memories of his father and no longer being a burden to Miyoko and her parents.

Unfortunately, he falls asleep at the shrine and consequently loses track of time before having his slumber disturbed by a violent boom of thunder. He's so frightened by the ordeal that he can't even bring himself to rush back to the Aoi family's place, and his exhaustion puts him back to sleep until he's eventually found by some of the neighbors who went out searching for him.

The anime, with the natural strengths it has over the manga, goes the extra mile by not only keeping this portion relatively untouched, but further setting up the scenery and depicting just how rapidly the area goes from peaceful to turbulent. The character animation and voice acting make for a splendid combination and do a wonderful job of capturing this image of a helpless childhood version of Natsume.

What comes soon after this scene is a depressing sequence of events on its own, even more so when we can see he's still reeling from the storm and believing he caused the Aois to get into trouble by not getting back before dark. The adults obviously don't fault Natsume for getting stuck in the storm, but he doesn't see it that way in his shocked state.

The way Miyoko reacts by throwing her frustrations onto him doesn't help either.

And so, after aimlessly running off in his last unsuccessful attempt to find his childhood home, the memory fades away with a somber note as his present self recalls the moment he finally stopped calling for his long gone father.

Now, one could argue that Natsume had his fear of thunder prior to his time with the Aois since we don't have much reference material to work with when concerning his short period of time with his father, and they could be right for all I know. It's common for children to be startled by loud noises and bright flashes since they just aren't quite accustomed to those loud noises and bright flashes being customary for weather disturbances. Natsume, who we know grew up to be pretty sensitive to the things that go on around him, may have been one of those children who felt apprehension anytime a bad storm rolled in, and his father may have been the one to quell his fears back then. So, if we go with the conclusion that his fear didn't originate here, then this scene likely could've aggravated it. But I'm personally leaning a bit more towards the concept of this being the cause of it (partly due to how appealing that conclusion is to the obsessive part of my brain).

His initial reaction to the thunder is seemingly one of surprise rather than fear, and his behavior suggests that he's more concerned with making it back down the mountain before the thunder halts his progress. Although he's seen trying to talk himself down and fails to do so with how relentless the thunderstorm is proving to be, he doesn't need to have preexisting fears or anxieties over thunder to resort to calming himself down.

The dialogue differences strike me as something to consider too, but they're likely irrelevant.

Setting aside everything I just ranted about in the above paragraph, I should specify that I'm not simply pointing to the storm scene as the singular root cause for his future woes. Many psychological problems often aren't so black and white that someone can definitively point to one person or thing as the sole reason for the existence of their psychological problems. And phobias obviously don't always develop as a result of going through or observing a traumatic event; people can grow to fear or strongly dislike something merely by its association with an unpleasant memory or stressful situation. I know I'm starting to stretch hard rn, and this part of the post is getting awfully wordy, just hear me out—

Going back to that aforementioned short period of time with his dad, it's plain to see just how innocent of a time that was for Natsume. He was playful and affectionate with his dad like many children growing up in a healthy environment would be at that age. He doesn't even appear to have an awareness of youkai (if so, only slight enough for it to not become a problem for him just yet). We're shown later on that he would commonly draw around the house too, as evidenced by the nearly two decade old pieces of artwork his father never removed from the kitchen area and closet.

Natsume even proceeds to make a comment about this childhood version of himself likely being the mischievous type for him to run around drawing on surfaces without a care in the world.

He undeniably had his own troubles at that stage of his life though, with one of those troubles being his mom and the empty spot left behind by her passing away. Apart from his heartwarming portrait of a family with both parents, he's also shown lamenting to Miyoko after the death of his dad about not being able to remember his mom. We've seen with those two examples that her absence indeed left an impact on him early on in his life, but he doesn't stay too broken up over her considering how little he got to bond with her, and he doesn't openly despair about the loss of his dad until his growing sense of loneliness and longing becomes too much for him to smooth over.

The point I'm trying (and admittedly struggling) to make here is that after moving in with Miyoko and her parents, the worries on Natsume's plate increased tenfold and weighed him down far more than he was willing to accept at first. Suddenly, this kid had little to smile about in life, taking a glance at his only picture of his parents causes grief and envy to flare up in his chest, he's afraid of being a burden to those who took him under his wing, he's eating less than Miyoko because he's concerned with coming off as too greedy, he feels responsible for Miyoko getting picked on because of his relation to her, he's still learning the way back to the Aoi family's home, and now he's surrounded by all of these weird creatures that apparently no one else can see.

Suddenly, he's no longer that carefree toddler we saw sitting on his dad's lap as the two of them watched over his late mom's garden.

I feel moderately certain about Natsume's experience with the storm, coupled with this pivotal and devastating shift in his life, being the plausible cause for him developing his irrational fear of thunder as a child.

After this arc, we aren't greeted with another scene featuring or centered on his astraphobia until chapter 85 (which doesn't appear to be adapted in S7 judging from the PV😭), and it focuses on Natsume, Tanuma and Taki viewing a limited exhibition at an old inn that has a deep history with youkai. Not too long after the owner engages in conversation with Taki, Natsume and Tanuma briefly comment on how peaceful the inn is making the both of them feel, and a sudden lightning strike cuts through the tranquility of the inn.

It catches everyone off guard and, unsurprisingly, has Natsume frozen in place as Tanuma asks him and Taki if they're alright.

Much like Nyanko-sensei's first time mentioning Natsume's fear, the moment doesn't last long as the gang soon realizes they'll have to spend the night at the inn while they wait for the sudden storm to pass.

By this point in the manga though, Midorikawa has evidently decided to make Natsume's astraphobia a recurring element of the sorts. She could've easily left his astraphobia as another facet of his that we get to see once or twice and never again since it's not serviceable to the story as a whole, but she's started using his phobia as an additional means of displaying his discomfort in any given situation. Having a thunderstorm suddenly appear during a moment of serenity, immediately after Natsume tells Tanuma the place is making him feel strangely good, was a brilliant move of jarring him. And it works especially well here as a sign of the looming threat that'll find its way into the inn over night and slowly creep upon the group the longer they remain there.

Midorikawa pulls this same stunt again to slightly greater effect in chapter 117, where Natsume, Tanuma and Nyanko-sensei happen upon the Kisaragi Manor and find themselves taking part in a ritual for summoning youkai.

It starts with the trio meeting up in the evening to view the bamboo lanterns, but a woman claiming to be in search of a mansion requests their help to find it before it gets too dark, as well as to avoid getting caught in a downpour should the drizzle grow heavier. While Tanuma shows interest in the ritual, and the people they meet are treating them somewhat cordially, Natsume is disconcerted by the arrangement they've found themselves in. He's surrounded by five women he's never met in his life, is once again in an unfamiliar place that feels weird in Nyanko-sensei's own words, and is thrown for a loop by everyone's enthusiasm with the idea of meeting youkai rather than being put off by them.

The group isn't even a minute into their summoning ritual when a huge boom of thunder shakes the room and causes a power outage, sending them into a brief stint of darkness until Hitomi relights the candle.

While waiting for the candle though, Natsume answers Tanuma's question by for once admitting that he's bothered by thunder, leading to Nyanko-sensei characteristically picking on his phobia by calling him a chicken.

Again, the moment is subtle and restricted to one corner of the page, but it sticks the landing. Instead of using the lightning or thunder as a sign of things to come as she's done before, Midorikawa uses them here as an integrant of an already somewhat concerning scene slowly veering towards being disturbing. In addition to selling just how uncomfortable of a situation this is for Natsume, it also depicts how far along he is in his friendship with Tanuma to be honest about an irrational fear we know he'd rather not speak of.

Alas, chapter 117 was our last time seeing thunder scare Natsume, at least until the next time Midorikawa chooses to use his fear to her advantage, unless the anime miraculously surprises us with its own original take as we've seen it isn't afraid to do. What we've been given so far though is plentiful in comparison to many other plot points or quirks that get reused or called back to far less than this one. I won't throw a tantrum if his never gets referenced to or utilized again (which I doubt will happen knowing Midorikawa's writing), but I eagerly anticipate seeing it again should it reappear.

It's captivating to watch this minor detail frequently make it's way back into the story somehow, to the point that it eventually cemented itself as a miniscule yet effective way of shedding different shades of light on the many complexities of Natsume.

[kaoskuantico]

I'll answer by parts:

she was reclaiming that space

That's a weird statement and you're just repeating what the writers said just because they said so. First of all, they didn't address Vi's trauma at all, and maybe it's just me but doing it with sex is a weird way of doing it.

jinx literally told her to

That felt OOC, even at her lowest point. As Vi said, Jinx saved Caitlyn's life despite her not willing to do the same. So Caitlyn thanked her by keeping Jinx in that ISOLATED cell? She said other people took her in before she got the chance to react. Okay, BUT I have two points about this.

Why didn't Caitlyn free her after the shock?

WHO took Jinx? In the battlefield it were only Cait and Ambessa's army, and the latter stayed with Ambessa to bury the dead. So...Who?

“it wasnt the time or place” ok so then what is the time or place?

Maybe...Not in Jinx's cell? Not right after Jinx told Vi she was going to "break the cycle"? Vi already knows or should know her sister is suicidal, in the first Act she saw it firsthand. And all this without having a proper conversation between Vi and Caitlyn, not even an apology for what happened in Act I, not for making her lose her father, permanently now. Cait was manipulated but she still played a crucial role in all of that.

Amanda said it herself, it was meaningful for Vi to free herself or her trauma related to being locked up both physically and mentally

The writers can say whatever they want, but as I said in another post (click), they can't do X in the show and say Z in interviews, that's just bad writing on their part. If they wanted to make Vi reclaim her trauma in that way, they should've dedicated time to it, not making up things AFTER the show ended. They lost the opportunity to show it.

yall just wanna take ANYTHING away from lesbians i swear

The only ships I like are wlw so this doesn't even apply to me. And for other personal reasons.

they barely got any screentime this season after the writers built up their relationship and arc SO MUCH in season 1 can we just have this one thing….

Whose fault is it? You said it yourself. They didn't develop their relationship properly. They fight, they suddenly are okay, they have another small fight and then suddenly have sex in her suicidal sister's cell.

even just IN the show stop blaming the characters for being horny in a weird place like their lives are MESSY and so is their relationship, they both went through hell especially vi, let them have this.

I still think it's weird. All I'm asking is have the same scene but in a bedroom??? After the war at least????? Just change the time and place and we're all good.

but it was so powerful how quickly Vi understood that Cait was on her side and supported her choices

Look, when Caitlyn pulled away the first time I thought "good, she's realizing Vi isn't in the right state of mind, they'll talk things through" and then Vi just says she doesn't fucking care.

Such a wasted opportunity to make them TALK and repair their relationship. Vi called her out once and all Cait said is "I know". Okay girl, we know you know, but that doesn't erase anything you and Ambessa did.

All of this can be summarized as "Amanda said it!", but if Amanda (and the other writers) failed to show it to the audience, that's their problem. They can't fix it with interviews.

can yall stop saying caitlyn came in the cell to f ck with vi like VI INITIATED IT😭 she was reclaiming that space she was finally letting herself be happy, like jinx literally told her to

“it wasnt the time or place” ok so then what is the time or place? their city is at war lmfao they just indulged in this for a very short time (the scene was only 2:28 btw.) and they deserved to, the place isnt as weird as yall make it to be, Amanda said it herself, it was meaningful for Vi to free herself or her trauma related to being locked up both physically and mentally

yall just wanna take ANYTHING away from lesbians i swear😭 they barely got any screentime this season after the writers built up their relationship and arc SO MUCH in season 1 can we just have this one thing…. even just IN the show stop blaming the characters for being horny in a weird place like their lives are MESSY and so is their relationship, they both went through hell especially vi, let them have this.

that being said i still do believe the scene would’ve carried a little more weight even with a few more lines of them talking about it all, or even caitlyn just saying “you didn’t lose me” before rizzing her up lol but it was so powerful how quickly Vi understood that Cait was on her side and supported her choices

[idolomantises]

What do you think of The Owl House? Like, I liked and respect Dana a lot for what she's accomplished, but I also feel like everyone is just pretending that the show doesn't have any problems, as I felt that the cast was always very poorly developed from the beginning.

I like the show, I don't love it, but i think it's pretty good. TOH has a lot of really cool world building and lore, but I also found a lot of the characters really lacking. Three of my biggest annoyances were Luz, the characters having altered personalities after one episode and the underutilization of Luz's friends.

I think Luz is actually a great protagonist, my issue is when the show really loves to tease her as this flawed and morally complicated protagonist when... she isn't? any time she does something bad, its completely accidental. It's funny when the show first came out and people negatively compared her to Mabel because Mabel actually did make a lot of selfish and careless decisions that she had to grow from.

The show also had a bizarre habit of giving characters new personalities after their first appearance, and I think Amity is the worst offender of this. Her first appearance she's the generic mean girl bully, and this is used to create conflict and for Luz to befriend Willow. But then after that, all of a sudden she's super "cold" and keeps to herself, and the characters act like she's just the popular quiet girl? and then the show has the audacity to blame a lot of the bullying Amity did on her friends and parents. I have no clue why the flashback episodes portrayed it like Amity just watched as her friends bullied Willow, SHE was a part of that! Similar issue with Hunter. Introduced as a snarky brat, and then his next appearance he's incredibly angsty and depressed so the audience could sympathize with him. Willow and the Collector were also ones that stuck out to me, but it was a change that was subtle enough that I didn't notice.

I don't know why writers do this. I like it when your characters are messy and flawed, give them unlikable traits so we can watch them slowly be better people. Don't tell me someone is flawed and then don't give them flaws and don't tell me to sympathize with a character by just giving them a new personality.

I think everyone is pretty aware of how poorly utilized Luz's friends are but there are seriously so many episodes where I was like "why aren't Willow and Guz taking Amity's place". They really feel like a studio mandate.

Also Lumity is kind of boring but honestly, I don't really think its as big of a deal as some fans think it is. Lots of cartoons have straight couples that quarrel, get together and their relationship isn't the most compelling in the world, but its still pretty cute. If anything I do wish Amity would work through her issues more than have what little personality she had disappear when she dated Luz.

With your point about how fans handle criticism, admittedly I think part of the reason why people don't want to admit the show's problem is because Disney fucked it over MASSIVELY and it feels like punching down (at least to them). I think there's a very common mentality of "is it fair to criticize a show that never really got a chance to fully find its stride?"

But I also know this is just a massive problem with shows that have queer characters in general. There's just this prevalent attitude that if you have a problem with a piece of media that also happens to have queer characters, it means you're "ungrateful" or trying to insult it on purpose. Though personally, I think TOH fans are a lot better at handling and giving criticism.

[sunllghtt]

Hi are you up for a messy scene analysis thing

Ofc it's this scene who do you think I am

I've been wanting to do this for God knows how long but I never had the balls and neither the words to (still don't) but I wanna try to properly talk about this scene. My primal instinct is to sit here and tell you how much this 30 second scene changed the trajectory of these characters in the next movies, how it made their friendship grow and develop and how much of a storytelling lesson it is (oh the so so deep understanding you need to have of your characters to have them say things so vaguely and still express exactly what they mean). I could also go down the emotional and subjective road and ramble about how much it means to me and how I resonate with it, but I've done that at least 837382 times and I think everyone knows it by now 😭 so!!! Let's get to the real thing

(I'm trying to keep it as analytical and straightforward as possible but please note that this is my favorite scene that's ever existed so neutrality is not really a possibility)

Rocket is a brat. He's restless, he's loud, he's always puffing up his chest and yelling at someone and picking fights with the wind cuz it was blowing in a way he didn't like and he's just an overall bastard. In this scene, though, we see him inside out. His head is low, his shoulders are slumped, he has his tail between his knees and he looks tired. He speaks quietly (curiously like he doesn't want anybody else to hear him), he's not deliberately insulting anyone and he's just..... defeated??

Up until that point I don't think we ever got to see Rocket like that. From what the movies have shown us he'd never had to. But in the past few days that led to this, Rocket had stolen batteries for no apparent reason (which we'll later learn why💀), ruined their ship, got literally kidnapped by Ravagers, blew up a creepy planet-guy-thing and oh my god attended his friend's dad's funeral. At least half of these things were directly or indirectly his fault and he knows it.

I don't think he ever doubted it was (we see it earlier in the movie when the Guardians leave to "The Chain" by Fleetwood Mac and Rocket scowls and winces like he either stepped in a pile of shit or got hit in the face by regret), but he still argued with Peter even knowing he was in the wrong just to keep up apparences or hold on to a little thread of pride when he was already feeling ashamed for being caught red-handed stealing shit he didn't need AND destroying their ship etc etc, and he just kinda fucked up big time. And I think that's (besides the general exhaustion of parenting a tree and fighting a planet and Yondu's death) is what got him so devastated in that scene.

Ofc Yondu played an extremely important role in that. He was the one to open Rocket's eyes, to give him some sort of reality check and show him the only thing isolation is ever gonna bring him is regret and bitterness (or, in other words, Yondu). Rocket is most of all hopeless and tired and just sad like that because he knows he hurt his friends. He knows he's chasing them away, that he yells at them, that he's always mean and that he steals batteries he doesn't need. He knows he's not awesome to put up with and seeing what happened to Yondu and his former friends probably made him terrified it'd happen to him and the Guardians too. He's stuck in this cycle of pushing them away with everything he can (and we could get into all his trauma regarding betrayal and death and literally endless other things but it's all very clear at this point) and he knows patience doesn't last forever. He's just scared, he feels bad and he's tired.

Now on the other hand we have Quill. He's also destroyed, he lost two fathers (3 if you count what Ego could've been, what he wanted him to be), basically relived his mother's death and had to watch literally every single one of them die. He's also scared and tired, yes, but all he has left is this unstable family of weird idiots who are learning how to show care and he's... pretty much fine with it. He wants it.

And when what Rocket's saying clicks, when he realizes who he's talking about, Quill, who's usually all smirks and teasing and bickering and name-calling, looks at his best friend like this,

because

(From vol 2 script!! Won't even try to comment on that last part before Quill's last line but I also really like that Peter just "shakes his head" over and over like he's just barely listening until he realizes what Rocket really means cuz it also shows a lot about his character. He's naturally a little slow and downright stupid when it comes to this kind of hidden emotional thing and he's also exhausted and depressed from everything that happened and STILL he stops and just. Sees Rocket, and sees Yondu.)

He's not doing well. He's probably sore and hurt and sad and miserable and yet he takes his sweet time to look down at Rocket, let go of his resentment from before and see right through him. In order to understand this scene it's important to remember he most likely doesn't know what Yondu told Rocket at all, he doesn't know anything they said to each other and how Yondu showed him they're mirrors. He doesn't know any of that. He just knows his best friend and his father and how much they resemble each other. He puts up with Rocket's bullshit because he knows how to deal with Yondu.

He could've just ignored him or pretended he didn't know what he was talking about. He could've made Rocket swallow his pride and "teach him a lesson" by making him say what he means without hiding behind metaphors and vague self-deprecation, because Rocket was probably vulnerable and defeated enough to be honest in that moment. And yet, he just looks at his friend, who's usually a loud and mean and restless brat, and is now staring at the floor with his ears droopy and his tail between his knees, and just says, as a form of reassurance and tenderness that's just as subtle and shy as Rocket's insecurities, "Well, of course not."

(The kind and soft and sweet DETERMINATION on his face tho like no!!! No we're not ditching you even though you suck I'm!!! Serious!!!!)

[pixieswashere]

First off, I agree with everything with what OP said here. I want to also add onto this that it makes no sense for AU!Jinx/Powder not to have her mental illness/psychosis, not only bc of the fact she had it since she was a child....but also bc in that universe.....Vi is dead...like SHE IS GONE. If anything the trauma and psychosis would still be there, if not worsen overtime.

Like at first when I started it, I didn't think much thinking that in this universe she had professionall help in coping with it healthily.....but then the Vi reveal and the fact we didnt see her having some hallucinations or voices is what ruined this......her ONLY last remaining family to her parents and who was very close to her clearly...is DEAD. Jinx loved her sister so much and had a mental breakdown as a kid when she LEFT her to go and find Vander. The only person who was there that BELIEVED in her, STUCK up for her, and practically raised her along Vander. You're telling me, Jinx wouldn't have any slightest of a breakdown or crisis over that??? At all??? Even when considering her mental state???

Adding to this for Viktor (bc I love him and I 100% agree that his character was fumbled)

Viktor NEVER hated himself in s1 let's get that straight. In S1, he makes a very big POINT to show that he has always carried himself and that in whatever he does, he is proud of it because he believed in himself enough to accept who he is and DOESN'T care about what others think of him

"When you're going to change the world don't ask for permission."

"I didn't have the benefits of a patron or a name, I simply....BELIEVED in MYSELF."

You could argue that while yes he is self-assured and confident, he still has some insecurities of how people close to him perceive him....and that could be true, but it's not really ever alluded. He DOES care about making connections but hes isolated himself bc of these judgements that its almost second nature if not a rarity. But he does value companionship, its just not something he is accustomed to a degree, and he sometimes without consideration distances himself from it if it gets in the way of his aspirations (Ex: Sky/Jayce, Heimerdinger/Singed.) In the latter acts of S1 he was DYING he wasn't hating himself because of his "terminal illness" that was killing him or his disability....He was in a vulnerable and solemn state because he felt like his accomplishments meant or achieved NOTHING. This is a character that is selfless, altruistic and a workaholic who worked his way up with dreams of something better and now after so many years in developing Hextech he's seeing that what he strived to achieve for the improvement of his home that's also DYING because of Piltover's ignorance and oppression, is unable to do NOTHING about it now.

He is angry that he has no CONTROL over his fate and the assuredness of his Legacy = helping those in need for the Undercity because of Jayce and Piltover's lack of understanding, especially after they had complied building the Hexgates for their trade disputes first.....over the disputes of lives. Viktor has contemplated death because he knows time is fleeting and he wants to make it count for something good, he doesnt want to be remembered as PERFECT, he wants to be remembered in the contributions that the people of Zaun will FINALLY heal/be helped after so long and not have to live short lives bc of unsafe work environments, manual labour, illnesses cause by toxic chemicals and etc.

He even brushes the idea of when he'll die off, and you could even add that he is ticked off by the fact that hes now being perceived as a "dead man" before he even died (Ex. Heimerdinger convo and Jayce in the hospital, etc). He doesn't like being seen as powerless or as his terminal illness now because he ISN'T and never was. Furthermore, he doesnt use the Hexcore to "PERFECT" himself, he's using it to heal himself of his terminal illness/expand his lifespan so that he can continue his research in helping Zaun.

If he is going to use Hexcore, he needs to make sure that it will work. So, to tests its capabilities, he tests it on HIMSELF. Only to find out that the same thing he created to HEAL ended up killing someone that meant a lot to him. He wasted NO TIME telling Jayce to destroy it bc it harmed someone and he finally realizes that ensuring a legacy = saving people....ended up at the cost of harming people in return.

P.s. sorry this was long. Hope you enjoyed reading it if u did !

I don't have perfect thoughts on it, but I do want to note that I'm not loving how Arcane handles disability.

Viktor hating his disability so deeply, feeling that it needs to be "fixed" so thoroughly, that he succumbs to ~ultimate eugenics for everyone ~ ?????? fucked up

Jinx's psychosis being a manifestation of her being "unhinged" and encouraging her to act out either to challenge or appease them, and then her psychosis magically disappearing in the "perfect" universe????? also fucked up

Vi's alcoholism and (albeit mild) psychotic symptoms never being brought up....ever???? just created as fodder to make her a more angsty and submissive lapdog to facism????? also also fucked up

Let me have my mad/cripple characters who have their shit recognized as parts of their humanity rather than trauma porn plot or things that need to be corrected or traits indicative of rash violence please

[majimaisms]

Do you think Majima has ADHD?

well. its not something i think about when im writing him, so i guess in a functional sense the answer is no. but that's mostly because i haven't analyzed his behavior through this framework. the question to ask there, for me, is "is it useful to analyze majima through this framework?" does it explain things about him? is it conducive to developing a better understanding of him as a person? does it explain why he has the problems he has? because that is my primary concern as a writer, to understand a character. and i guess my gut feeling on that (as someone with ADHD) has been that, no, it would not be useful to me.

that being said, we could certainly try to make an argument for majima having ADHD, and failing that, explain why he might not have it with something more substantial than a "gut feeling" lmao. so. long answer under the read more (be warned that it is very long)

keep in mind that ADHD unfortunately remains a poorly understood and understudied disorder, and that i am by no means an authority on the subject. here's what it takes to reliably diagnose someone with ADHD, which, even if i were a trained professional, i would not be able to do, because i can't interview him. but we can still work with what we have.

first, lets look at what ADHD is.

to make a case for majima having ADHD, you could point to his apparent hyperactivity, and i think you could be inclined to take his boredom during meetings and lack of interest in anything business-related as a manifestation of his inattentiveness symptoms. he can't pay attention because he's easily distracted, etc.

similarly, this line from him in dead souls made me think about how people with ADHD also often tend to find their own way of doing things, which may seem counterintuitive or nonsensical to others. there are more references to him "doing things his own way" in dead souls, y0 and kiwami (that i can remember), so this is just one example. he certainly has a unique way of going about things and he takes pride in that, even if people think it's odd. this is definitely something neurodivergent people across the spectrum experience.

however, this is a pretty surface level analysis. let's look at a more detailed description of how these symptoms may manifest

Attention-deficit/hyperactivity disorder in adult life (Silver, 2000).

re: hyperactivity, his career choice certainly is an active one, but he didn't choose it for that reason. we see him in meetings many times, and yes, he's bored, but he never fidgets or exhibits any of the behaviors described here. he doesn't seem to find it difficult to "sit still". he likes being active, yes, but he's not restless in this way. he gets restless before fights, but i would consider that an exception, not the rule.

re: inattention, i don't think majima struggles with any of the problems described here. i don't think we see him being "distracted" or "spacey" at all in any of the games. in fact i remember him calling someone a "space-case" in y0, so it's something he actively notices and dislikes in other people. majima doesn't have trouble "filtering out unimportant thoughts", he has the opposite problem of being too single-minded. guy has tunnel vision when it comes to carrying out tasks. he finds something to do and doesn't stop until he's done. his life is anything but "full of incomplete tasks or activities." and i don't think his disinterest in meetings is due to an inability to stay focused, i think he just finds it boring and doesn't want to hear about it. because there's nothing to suggest this is something that causes a problem in his life, or that he couldn't change it if he wanted to.

as for impulsivity, i also don't remember him interrupting anyone, but of course impulsivity doesn't begin and end there. Moeller et al. (2001) define impulsivity as "a predisposition toward rapid, unplanned reactions to internal or external stimuli without regard to the negative consequences of these reactions to the impulsive individual or to others."

i elaborate on this in the analysis essay im working on, but i argue that majima is not impulsive. he pretends to be impulsive as part of the mad dog act, but when you look at what he's actually doing in his day-to-day life, he's always planning. majima everywhere is a great example of this. he doesn't let himself be derailed by momentary distractions, he doesn't compromise his plans like that. and he basically deals in plans, they're his bread and butter. both short term and long term plans, and it's especially the latter that i would like to emphasize here.

what makes ADHD as a disorder so disruptive to not only daily life but life in general is that it makes you disorganized and unable to follow through on plans or tasks. in my very limited literature review (that i conducted to answer this as properly as i could, lol) i found Barkley's explanations to be very useful towards understanding ADHD as a disorder, especially as someone who lives with it, so i'll share some insights from him below

ADHD and Executive Functioning

there's evidence pointing to a strong relationship between ADHD and executive dysfunction. however, it's important to note that they are not synonymous, so problems with executive functioning may not be necessary for an ADHD diagnosis if other symptoms are present.

majima is a master of executive function. i can't speak to #3 or #4 because i don't have access to his daily internal thoughts, but everything else on this list is something majima is very good at. the only exception to #2 i can think of is him hitting mirei, and there's a reason that was so out of character for majima. the reason is that he is not impulsive. he has incredible levels of self-restraint. he's aware of the consequences, too aware if anything. it's part of what makes him so good at what he does.

i think an interesting thing you realize about majima as you go on analyzing him is that he's not doing half the shit he does despite the consequences, he's doing it because of them. and the rest of the time, it's not that he was momentarily unaware of the consequences, he just doesn't care. he's not rude or blunt or aggressive or physically violent because he's not thinking about the consequences in that moment and acting on impulse. he just doesn't care. again, mirei is an exception, but i don't think that qualifies him as someone who generally struggles with self-restraint.

he's always doing things deliberately, intentionally. he is too good at planning for the future. he's very calculating and in control of his behavior. impulsive behavior is something you might regret doing, but couldn't stop yourself from doing. even with simple things, such as deadlines, or literally any plan at all. majima does not experience this very often if at all, and he certainly doesn't experience it often enough for it to be an overarching pattern causing problems in his life.

again, he does not struggle with executive dysfunction. he is very good at organizing and planning for the long term and carrying out those plans. he's very good at getting what he wants, and what he needs. there's no obstacle to that that arises from his own impaired ability to see things through.

to go back to impulsivity for a moment, there's another form of impulsivity that often gets overlooked, and is understudied in ADHD research, and that is emotional impulsivity.

there's a lot of debate around this, with people saying emotional symptoms are too nonspecific to be used as diagnostic criteria, but a 2018 study suggests emotional impulsivity and disrupted emotional self-regulation may be specific enough to ADHD to be part of the diagnostic criteria. however, they specifically excluded irritability from these symptoms, and i would say that irritability is maybe the one thing that we can observe in majima that he regulates poorly. but again, even that i would argue is mad dog. we see him in y0 being incredibly, i mean just unimaginably patient. and his emotional states don't seem to persist, he can self-regulate better than most people i know. he talks to himself, hypes himself up, talks himself down, etc. we see this a lot in y0.

i think this is true for majima, so again, points to him not having ADHD.

that being said, i do wonder if his "let's fight it out" outlook on life isn't related to emotional impulsivity. the study suggests that people with ADHD might "prefer the immediate reward of a quick emotional response (e.g., relief of distress) rather than the longer term rewards of self-regulation (e.g., not aggravating an already demanding situation)."

majima prefers to get everything out in the open and resolve the conflict with violence instead of trying to regulate his emotions through other means. he doesn't ignore his emotions, if he's frustrated or annoyed, he wants to fight you about it. but him being yakuza complicates things here, because he's doing this with the express purpose of resolving the situation, not accidentally escalating it. and it works. because that's the norm in his community. so, again, i don't know if this counts. the y0 examples with sagawa and shimano are so strongly against this reading of him that i can't think of any counter-evidence that would cancel it out.

so, to summarize, we can see some overlap between ADHD symptoms and majima's behavior. but all of this is to say nothing of other potential causes for these symptoms. depression, anxiety, bipolar, these are all things that can manifest in similar ways, or even be comorbid with ADHD. so without screening him for other conditions, we can't say anything definitive.

there's also different frameworks to consider. you could certainly turn to psychiatric conditions to explain some of these things, but nothing in life is so simple. you could also point to poverty, a dysfunctional home environment, trauma, cultural factors, all of which are things that interact with each other, which complicates things further. and i could talk about that for another hour.

also important to note here that i have ADHD myself, so i think that is actually another complicating factor that makes me averse to seeing majima as having ADHD, because i look at him and i just see all the ways in which we're so different when it comes to executive function.

ultimately, i think a good approach to take with diagnoses is to look at whether or not it would be useful to the person to have that diagnosis. would it help them understand themself better, would the diagnosis help them with things they are struggling with? would it increase their likelihood of getting treatment they need? would it help them connect with people who share their diagnosis and build a support system? and i simply don't see this to be the case for majima. i don't think he has problems in his life that are caused by ADHD, and i don't think he would benefit from a diagnosis.

however, i think it's also important to take a step back and ask, does it help you to see majima as someone with ADHD? is that useful to you? because ultimately, majima is a fictional character, and one of the most valuable functions of art, in my opinion, is that it can act as a bridge in your relationship with yourself. what i mean is, dont let my answer discourage you from headcanoning him however you want <3

lastly, i want to say thank you for sending me this ask, because i got super excited about it and fell down a research rabbithole and that is something i really, really enjoy. i also care a lot about this subject so i'm happy i got to yap about it. i think there's a lot of conversations to be had around this that i find fascinating, especially as it relates to queerness and neurodivergence in general, but i'll maybe save that for another time lmao

[queen-lance]

If death ever comes your way and won't let you pass... Make sure you scream right back in his face

Evolution

[sskk-manifesto]

Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me

[thewistlingbadger]

To me it's like, why even introduce new characters? There's so much shit going on in S2 we LITERALLY don't have the time for any of this. It's no surprise why we couldn't get invested in new characters there was already so much happening, I can only focus on so much at a time. And the cast from season 1 is large. They should have spent more time fleshing them all out instead of giving side characters WHO ALL DIED in the season. Sevika deserved the exploration, as did Sky and Ekko. They're all a part of S2 but they don't really feel like it. Season two was the opportunity to bring side characters into the spotlight and they said "naw. Stay backstage." It's silly that Jayce, Mel, Heimerdinger, and ekko are basically MIA for almost the entirety of the series. Like these were central characters last time around why are they barely here??

No. I just can't with the characters because I don't think I can genuinely say I enjoyed and understood the development of any of the characters fully. Like yeah characters developed but do I know why? No not really.

Mel gets introduced as a Mage but the black rose is never explained and it was just very confusing to me.

Jayce has the best development in the season imo most of what he did and went through made sense. My only thing is that I still don't understand why he shot at Viktor.

Viktor completely changes in S2 and we're never told why. He's completely cold and unfeeling and suddenly has an ideology that wasn't really hinted at in s1. We assume it's bc of the hexcore but we shouldn't have to assume we just know from what the show shows us

Vi literally doesn't change at all. She never has to reflect on her sister or Caitlyn or herself or the current circumstances. Nothing. She's the exact same imo. Isn't it weird how anti jinx she was in act 1? She was Literally about to kill Jinx had Isha not stepped in, even though that confrontation was like. In the same week Vi said they would always be sisters. And the only reason Vi starts liking Jinx again is because she's acting more like "powder". She never actually has to accept the fact her sister is changed bc her sister low-key reverts into who she used to be

Ekko didn't get shit this season let's be serious. No exploration of his character or his views.

Jinx's change comes from left field and this is because of how the show treats her relationship with silco and Isha. Isha basically pacifies Jinx and the show can't decide what it wants to do with Jinx's relationship with silco. Why does she decide to come back and save the day? Idk they didn't show us the scene where ekko and her reconciled.

Caitlyn. What a shit show. What thoughts are there to even express that haven't already been expressed? She becomes a fascist and that's not explored. She decides fascism bad but we don't see how or why she comes to that conclusion. She's treated like a hero when she acts like a villain. She never has to take accountability for her actions.

Poor Sevika she got nothing.

Singed has the best development out of everyone here ngl and I don't know how to feel about that lol sksks

Despite being the season's main antagonist, we sure don't learn anything additional to Ambessa. Probably bc they put her backstory in a music video and not the show.

I don't feel any sympathy for anyone that cried for Isha. Be so serious, the moment I saw Isha's music video before act one came out, it was obvious she was gonna die. Isha wasn't a character, she was a plot device used to further Jinx's narrative and I personally didn't like the way she changed her. Not to mention her sacrifice makes no sense bc she's shooting at Vander and jinx wasn't in any trouble. AND her death isn't mentioned in act 3. It's like she never existed.

Maddie is just confusing bc I heard the creators say she was manipulated by Ambessa but the show didn't show that. They didn't show anything of Maddie, she was just a side character. Was her betrayal surprising? Absolutely not.

the way Arcane wasted character in season 2 is actually insane. They gave us good character design but no good character. Especially the new ones. Is there honestly ONE, one you genuinely cried over?

I cried over Mylo and Claggor. I cried over Vander in season 1. I cried over Powder screaming and sobbing after Vi in act 1 of season 1. I felt deep emotional pain over all of this because they gave me character and an understanding of the world we are in. And they did all of that in 3, THREE, episodes.

What did they do with Isha? Well I sure didn't cry when she died. Her character, while interesting just wasn't fleshed out at all. What I felt when they killed her was how idiotic the writers were for that because okay? like huh. They had 5 episodes with Isha and somehow managed to not make me care enough to cry. Not because Isha's potential wasn't there but because killing her was stupid and pointless, just to further another characters pain which could happen way more naturally without introducing a character to die.

What did they do with Loris? They tried to make him Vander (which okay weird why do that? especially if you want to bring Vander back anyway like uhm? what was the sense of introducing Loris as a Vander stand in and then bringing Vander back??). But he WASN'T Vander because they never showed him to be. They just told me he was. Which doesn't work. okay, he died. Did not care. The only thing I felt was rage again because it was so unnecessary and dumb, they could have made a lot with this character.

Maddie. Well Maddie is a whole other thing, isn't she? She was introduced in a way that already raised a lot of eyebrows. But in a "she is a cop" way and not she is on Ambessas side way. There is so much questions coming up with that. Had she been on Ambessa's side from the very start? Even when we first saw her on screen? Did she come with Ambessa? But how was she an enforcer then? Did she always live in Piltover but how did she then turn towards Ambessa? When she made that fist sign, was the plot between Ambessa and her already going, or did it happen after that? Why were we not shown any of this? this is NECESSARY to understand her character and why the end happened. We should have been able to feel betrayed as well but like? I did not feel betrayed I was just like "okay well, that happened off screen I guess."

Steb had not one talking line, like why was he here, was I meant to feel bad when he ran into The Grey, I can't even tell, help.

And then the side characters of Zaun, especially the Jinxers. The one woman who then died with Vi's hand in hers while wearing the uniforms of Piltover. Did not feel sad. Felt absolute huge amount of unfiltered rage. Her character should have MEANT something. I feel they tried to make her mean something but they failed there too.

Lest?? LIKE LEST COULD HAVE ALSO BEEN USED IN SUCH AN INTERESTING WAY. She just never came back. Okay. Great, at least she didn't die but like? Was I meant to get invested? Was I meant to care? Usually I should be able to tell if I should care about a character in a show or not but in Arcane s2 they tried to make me care and failed or if I cared well then they failed, too

anyways just the side characters especially were a huge disappointment this time around.

[struggling-jpg]

Yanqing and Yunli Appreciation Post

Keep Reading cut due to 2.4 spoilers~ (also relatively long-ish post)

These two bounce off each other so well! As a writer, it feels so satisfying to see their characters shine through the quest and the event in the way their interactions highlight them. So I'm gonna use this space to ramble about it!

My previous post pretty much talked about it already, but Yanqing!!! My son!!! I was quite worried that any potential arc for him would be shoved down the road or to the side due to the scale HSR has, but the game's been actually holding up to his ongoing arc. As a result, at least to me, he's come through as one of the best written/developed characters on the Xianzhou so far.

The nature of the length of the updates lets what we get in previous quests settle in for a long while, and considering the mentioned of flow of time in-game, Yanqing's had the time to think and develop as a person. The fact that so many players have had their view and opinion of him finally turn around in this quest is a testament to that. We get to see more facets of him, as in, doing his job and the responsibilities of doing so, and how his insecurities are mentioned in a main quest for all to see. He's constantly referencing others and his past encounters. You can tell that Jing Yuan raised him with his manner and approach to things, which is highlighted by the contrast to Yunli (will get to that soon).

His position as a child soldier has made him mature faster, be quiet even when he's been wronged (filial piety/saving face (aka thank you person on Reddit who makes the banger character Yanqing (and other characters in general) appreciation posts)), take a step back and have to be able to read the room (though, reasonably, he doesn't catch on all the time), and much, much more. The fact that other official content has described him as being more worried about diplomacy and all that. He doesn't have the luxury to be as carefree or brash for someone his age.

There's a lot to unpack there still, even with the development he's had now and that's good! If the Hoyo writing team was wild enough, it'd be cool to see them address the grayness of his role and Jing Yuan's mindset in raising him as he did (We love Dad-Yuan and he loves his son dearly no question, but it'd be so interesting to explore his flaws/mistakes in this perspective!).

Now onto Yunli.

I'm saying straight off the bat, I'm irritated by her!

And that's a good thing!

Her being annoying or bratty or irritating doesn't automatically make her a badly written character! She only would become one if they don't do anything with her, and HSR most probably will, and she should be given the same room to develop in her own arc.

She acts like her age, and she doesn't have the same pressures as Yanqing does. Just like how you can see Jing Yuan in Yanqing, you can see Huaiyan in Yunli, if anything he says is to go by. She's tempremental and outspoken to a fault, and based on the way how quickly Huaiyan relented when she talked back, you can tell that Huaiyan isn't as strict/stern with her to give her a sense of being humble.

I had this thought that she's technically what the general fandom viewed Yanqing as initially, and I'm not saying that as a 100% thing, by the way. But like by some traits and the vibes. She, of course, has a lot more nuance that will be explored at one point or another.

But back on topic, she's a foil. They represent two different approaches and lifestyles and can clearly learn from each other. Her inconsideration of the fact that she's on the Luofu but enforcing Zhuming practices (which I noticed people were upset by, and same; which I imagine is the point), her bluntness to no matter who she's talking to—there's a lot to work with here.

Just like with their swordplay, Yanqing could learn from her mental strength while Yunli can learn from his focused speed and defense. He can learn to regain a more firm grasp of his recently found purpose while she can learn to mature and take in her surroundings and be more thoughtful in that front.

Another interesting note is that where we are with Yanqing currently is in the middle of his arc, we've had the time to see him take a long route of struggle to get to this point, exacerbated by irl players views of him. He's in the middle of his growth and we've had since 1.0 to get to know him. But with Yunli, she was introduced very recently, so we're technically at the "beginning" of her character arc. In a way, Yunli now highlights how far Yanqing has come and changed, and in a way Yanqing now is a potential show for the arc that Yunli can have (not being the exact same as him of course).

I think the idea with these two is that they develop to be more balanced. Balance is such an important thing, especially in Chinese culture (Daoism (Yin-Yang), etc.), and 2.4 has shown how much potential they have to make for amazing character arcs.

It's cool that while they have such similar base traits, they're so different from each other. Calling Yunli a female Yanqing or Yanqing a male Yunli is simply outright incorrect. Their backgrounds, upbringings, ideals, swordstyles, perspectives, and positions in life are so distinct. I'm looking forward to their futures!

[kay9leo]

At First Glance Part III

Fanfic Inspired by: https://www.tumblr.com/eternalremorse/751163260305342464/seb-x-mc-coded?source=share

1.1K+ words

Chapter 2 <<<||| Chapter 3 |||>>>Chapter 4

...At Feldcroft

The Feldcroft home visit went worse than Sebastian expected.

Not only was his uncle rude to him and rash when he destroyed the shivelfig he brought for Anne, Solomon completely embarrassed him in front of his best friend. Anger and shame filled him like never before and he found himself leaving the house before he could make things worse.

Since that’s all he could do when he went home apparently.

Sebastian kicked a few weeds here and there, walking away from that house he was forced to call home since he was six. He hated his uncle. He hated it here.  He hated the fact that he told MC to give him a moment when she went looking for him. He could only watch from the corner of his eyes as she nodded back with an “okay” before she made her way back to his uncle’s house where hopefully Anne could do damage control.

Because apparently all he could do was cause chaos whenever he came home.

And all he could hope for was that MC would still be friends with him after this embarrassing episode. The last thing he wanted her to see him was weak as he held back his tears from the angry and hurt he felt whenever his uncle would act like this.

Then when she came up to talk to him, it seemed as if his worries were for nought. She was worried for him. While he had to explain how Solomon was like this all the time, how he was the only one who still seem to care to try to find a cure for his sister or at least make her current state better, MC never saw him as less, glanced at him as a misfit that everyone –even Ominis– did.

MC saw him as himself.

As a brother trying to save his sister.

Sebastian wasn’t hesitant to take her to the place where it all happened. Hoping that maybe she would be able to find something he couldn’t before. Nor was he hesitant to attack when he spotted Ranrok’s loyalists.

The two quickly shifted into their dueling stance when they partnered up, knowing this time there was something bigger to lose than pride here. It was here that Sebastian could finally let out all his frustration, his hurt, his anger at the very beings that caused his life to spiral downwards since Anne was cursed.

He tried to keep his best friend close to him, but soon the number overwhelmed them and they were split. Emotions powered his magic.

Sebastian wasn’t going to lose another loved one here. Not again.

It was here where he was also reminded who he was fighting with as he saw her Ancient Magic be put on display when he took down the last of his attackers that surrounded him.

MC’s eyes glowed a bright blue as she called down lighting on the commander who refused to yield, like some goddess out of a story book. The goblin commander still stood and continued to fight, but Sebastian saw that lighting blue flash of light again –the same one from he saw during that troll fight– strike the red-glowing goblin commander. He glowed purple.

A blink later, he was gone.

Nothing but ash in his place.

So awed by her display of god-like power this time around, he didn’t even notice the goblin behind her until she was wacked in the head with a frying pan and collapsed.

While Sebastian didn’t have god-like power, he had enough magic in him, enough anger to confringo the menace to death before he ran to his friend, hoping he wasn’t too late.

“Please be alive, please be alive –oh thank th’gods ye’re still breathing!” He heard himself say as he rolled her onto her back. There was a goose-egg swell that already started to develop on the side of her head.

It was a heavy reminder that for as much of a goddess in human form MC was with her Ancient Magic powers, at the end of the day, she was still human.

MC could still be killed.

Sebastian didn’t know what to do other than hold her, watch her breathe as a reminder that she was still alive. It wasn’t until she woke up that he felt all the tension leave his body like a ghost no longer processing him.

“Se-Sebastian?” She said as she opened her eyes, blinking at him.

“I’m here. How are you feeling darling?” He sniffed, never more grateful than the fact that she was alive.

That she was still here.

Sebastian didn’t lose her.

“I feel like I got wacked with a pan.” She groaned. Sebastian couldn’t help but laugh, the nerves finally getting to him.

“Good tae see that you’re still up tae make jokes. And tae remember what happened.” He said as he gave her space to slowly sit up, arms ever ready to catch her in case she fell.

“If I’m doing down, I’m– shite. Sebastian are you okay?” She said.

“A’m fine. Why dae ye ask?” He said, unable to stop the Scots accent from slipping into his posh English speech anymore.

MC frowned as she placed her hand on his cheek and wiped the tears he didn’t realize was there. “You’re crying.”

Sebastian couldn’t help himself as he pulled her in for a hug, inhaling her citrus orange perfume in, listening to her heartbeat as he laid his head against her chest. Listening to her breathe.

It was the most wonderful sound in the world.

“Ah thought ye died.” He cried as he broken down.

Her arms surrounded him, rocking him as if he was a little boy. Holding him like the six-year-old boy in him needed when his parents died.

She’s alive. She’s alive. She’s alive. He thought with each breath as she rubbed his back, soothing away a nightmare he didn’t want to re-live through again.

Never again.

…

Chapter 2 <<<||| Chapter 3 ||| >>> Chapter 4

[theonescreencap]

OUGHHH the hat, whenever she has it it's just such a simple and effective symbol of their friendship i love it ;w; and this whole bar fight scene is so fantastic

[navree]

me @ you calling Lucerys boring! 😆 come on, he's just a kid! cutting out aemond's eye was bad, i agree, but i don't think he was as bland as everyone says. his imposter syndrome in 8 and 10 was interesting to watch at least. he was a brave little boy.

I mean I don't really see anything brave about bringing a knife to a fight he not only had fuck all to do with but where he was clearly at fault (Aemond did nothing wrong, he tamed a free dragon, Baela and Rhaena get a pass because they're grieving but Jace and Luke had no business being involved and certainly no business escalating into 4 v 1 violence against the clear cut victim), trying to literally murder someone because I don't know what the fuck you're trying to do when you stab a knife at someone's face but it's certainly not a warning shot, showing zero remorse for it at all, and at worse acting like a little snot when in the same room with your victim. The fact that Luke got away with this scot free (didn't he literally say "I didn't do anything" you boring little asshole you stabbed out someone's eye that is the opposite of not doing anything!) is an absolute travesty of justice that stains everyone involved (mostly Viserys and Luke but I'm not letting Rhaenyra "pls torture the ten year old stabbing victim until he tells me how he figured out that these white dark haired children aren't the sons of my black platinum blond husband" Targaryen off the hook either). Aemond could have died, not only from the initial wound, but from the myriad of infections or other issues that could have plagued him during the healing process. For God's sake, Viserys nicks himself on the Iron Throne and they have to lop off his arm, his infected injuries and their treatment have already made him pretty firmly decrepit by Driftmark, the fact that Aemond healed without any serious and lifelong and further damaging complication is a goddamn miracle. And even kids know that murder is bad, I'm pretty sure that if I were Lucerys's age and I tried to commit homicide I'd have to deal with some consequences.

And I'm sorry, but I call him boring because he is! They wrote a boring character! That's not on me for picking up on it, that's on the writers and the myriad choices they made that led to them severely underdeveloping several characters, most prominently Lucerys (Jace and Baela and Rhaena at least get another season of life to develop further, Luke gets four episodes and they knew that going in). This is a song I've been singing literally since the show was airing and it's not gonna change, cuz he's dead and therefore stuck with his boring character and complete lack of characterization.

Him being a kid is not a character trait, and it certainly doesn't make him more interesting anymore than, say, his eye color would. The impostor syndrome thing they kinda tried didn't really work because 1) it's not impostor syndrome if it's true, he's not a Velaryon and Vaemond was 99% in the right in that entire thing (I don't like him throwing out misogynistic slurs, you can point out that these aren't Velaryons but Strong bastards without stooping to calling Rhaenyra a whore, I hate men sometimes) 2) in episode 8 it exists for one single line and is not a driving force for him at all for the remainder of the episode to the point that it could be cut out and mean nothing, especially since that scene was only there to introduce adult Aemond and 3) it doesn't even make sense because the person who was set up as having issues with his lack of Velaryon heritage and Harwin being his father was Jace. Jace is the one who hears the rumors and clocks it early on in childhood, Jace is the one who is deeply affected by it to the point of bitterness towards his own mother, Jace is the one who grieves Harwin but also feels angry that he can't express it. All of that was set up as part of Jace's arc, not at all Luke's, who is literally set dressing up until he decides to commit criminal offenses in the middle of the night. And then time skip, and suddenly Jace is A-OK and Luke, who has shown no issue before now (or any personality at all) is slightly concerned about it for one line in episode 8 before going back to being a piece of cardboard until episode 10.

And I'll be honest, the second that scene came out in episode 10, I immediately saw it for what it was, which was a very obvious patch job. The writers were clearly aware that they had not given the viewers any reason at all to care about Luke one way or another, so we weren't going to feel a lot when Vhagar (deservedly, imo) munches on him. So they hastily added in this really heavy-handed scene of poor uwu soft boy Lukey who is so concerned with doing right and needs to blink up tearfully at Mommy and be her sweet boy and get little kisses to assuage his worries, so that we'd feel some emotion and then be said when he becomes the Jonah to Vhagar's whale. It just doesn't work because there was nothing for him before then and therefore I don't care, I just feel bad Rhaenyra.

Luke is a bland and boring character. That's not an attack, that's just what the writers did. They tried to cram too much into a ten episode season, literally twenty years of history, and it caused a lot of characterization problems for a lot of characters, particularly for the Team Black ones. And a consequence of that is that the character with the least amount of time for development got not development and no personality. He's a plank of wood, he's a platonic version of the sexy lamp trope; there's nothing there and he exists only for us to feel bad when the lamp is smashed. Seriously, name me five individual character traits that Lucerys has. He's a momma's boy, even though I'm not really sure that's a character trait but I'll give it to him, and I guess he's devoid of empathy, considering that he doesn't appear to feel literally any remorse for mutilating Aemond (seriously, is it like the Dothraki and "thank you"? does the word "sorry" not exist in Valyrian languages? you can't even send an apology gift basket or a note?). But he's not brave, as there is no scene that shows any bravery or courage, and he's not noble or kind or thoughtful because there's nothing that shows any of that, or anything that shows him being the opposite, cruel or cowardly or weak, because he's a basically a character who could be played by sticking a wig on a mop and waving it around. And any characterization of insecurity exists as something hamfistedly crowbarred in at the last minute in his final episode to try to manipulate the audience's emotions with less sensitivity than D&D trying to tug at our heartstrings by having Drogon try to nudge Dany awake after she's killed.

But there is a character that I do consider to be a brave little boy, though I regret to inform y'all that it is Not a fourteen year old with no depth or personality or written characterization whose main claim to fame is maiming a person without apology and then dying. Nah, the brave little boy title goes to post-Driftmark Aemond. Aemond, at ten, is delivered a life altering injury whose recovery was likely very slow and very painful, involved a lot of worry about whether he'd have to deal with infection or further risk of death, and had to relearn how to do literally everything now that he was half blind, and he did all of it. He survived, and he thrived. He relearned how to walk, how to balance, his spatial awareness. He learned how to fought and even became incredibly good at it, and maintained his bond with Vhagar, as well as trying to keep himself mentally sharp as well. He did all of that, despite the huge setback he was dealt with at age ten. That's brave, go Aemond.

[scribblingface]

I went into bg3 fully ready to have a good time and have done so despite many ways in which the game is not good and have not worried too much over various dramas about patch changes but my chill streak has finally ended and I am wailing gnashing my teeth etc. about patch 7 (the supposedly final one with story/content changes) not adding companion reactivity for any of the durge content in act 2