#it's about the journey between life and death
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Having the whole plot between Nico and Percy be resolved simply with “You’re not my type” in Blood of Olympus was such a huge disservice to both characters
They are pivotal parts to each others journey. No person in PJO influenced Nico as much as Percy did, aside from Bianca, and no person represents Percy’s guilt and the responsibility he had to shoulder more than Nico does. The writing for both characters really suffers through this lack of a real satisfying resolution.
First to talk about what Percy represents for Nico:
Percy, first of all, represents Nico’s introduction to the mythological world
He is the first demigod Nico ever came in contact with
He saved him and Bianca from the manticore (somewhat)
Nico stated in Blood of Olympus than Percy had reminded of the heroes of his mythomagic game come to life
Nico wholeheartedly believed that Bianca would be safe, if Percy was with her and created this image of the perfect hero in his mind, putting Percy on a pedestal
2.
In Nico’s mind Percy is irrevocably intertwined with Bianca and everything that happened to her
Despite Nico naively believing, that Bianca would be safe if Percy were around, he was instead the last person to ever talk to her, and present when she died
Percy informed Nico of her death (Dead silence. I stared at Chiron. I couldn’t believe nobody had told him yet. Then I realized why. They’d been waiting for us to appear, to tell Nico in person, Titan’s curse)
Nico turned him into the scapegoat for her death, so that he could let all his grief and anger and bitterness out on him
Bianca sent Iris-messages to Percy, so that he would find and help Nico (“Percy has been worried about you, Nico. He can help. I let him see what you were up to, hoping he would find you.”, Battle of the Labyrinth)
Her ghost only appeared to Nico when Percy was with him
Percy is the only person Nico knows of, who also grieved for Bianca (“Bianca,” I said. My voice was thick. I’d felt guilty about her death for a long time but seeing her in front of me was five times as bad, like her death was fresh and new. I remembered searching through the wreckage of the giant bronze warrior she’d sacrificed her life to defeat, and not finding any sign of her. “I’m so sorry,” I said. Battle of the Labyrinth)
3.
Percy is the person who protected and cared for Nico more than anyone else in pjo
Tried to convince Bianca to think more deeply about her decision of joining the hunters, especially thinking of him (“Biance, this is crazy,” I said. “What about your brother? Nico can’t be a hunter.” (Titan’s curse)
Searched the woods in the dark for hours after he had disappeared (Annabeth and Grover helped me search the woods for hours, but there was no sign of Nico di Angelo.)
Didn’t tell Chiron about Nico’s parentage to protect him from the Gods. (I don't think Nico understands who he is. But we can't go telling anyone. Not even Chiron. If the Olympians find out—") Titan’s curse)
Decided to completely commit to the prophecy, solely so Nico didn’t have to bear that burden and go trough any more suffering(It was the last thing I wanted, but I didn't say that. I knew I had to step up and claim it. "I can't let Nico be in any more danger," I said. "I owe that much to his sister. I… let them both down. I'm not going to let that poor kid suffer any more." ) Titan’s curse)
Searched for Nico in the months after Titan’s Curse (Now, six months later, I hadn’t even come close to finding him. It left a bitter taste in my mouth. Battle of the labyrinth, chapter 3))
Saved his life on Geryon’s farm. (“Either way, you get my friends,” I said. “But, if I succeed, you’ve got to let all of us go, including Nico.”)
Always offered Nico a place at camp half-blood to the best of his abilities (“We missed you at dinner,” I said. “You could’ve sat with me.”“No.”“Nico, you can’t miss every meal. If you don’t want to stay with Hermes, maybe they can make an exception and put you in the big house. They’ve got plenty of room.”, Battle of the Labyrinth)
Invited him to join him on his birthday (“Is that… is that blue birthday cake?”He sounded hungry, maybe a little wistful. I wondered if the poor kid had ever had a birthday party, or if he’d ever been invited to one. “Come inside for cake and ice cream,” I said. “It sounds like we’ve got a lot to talk about.”, Battle of the Labyrinth)
Reminded him that he was still a child (I smiled. “Maybe it’s okay to still be a kid once in a while.” I tossed him the statue, Battle of the Labyrinth)
Helped him to get the sword of hades back to impress his father (Then I looked at Nico. Unfortunately, I recognised the expression on his face. I knew what it was like wanting to make your dad proud, even if your dad was hard to love., Sword of hades)
Acknowledged everything Nico did in The last Olympian and is one of the main reasons why Hades has a cabin at camp. ( “But your children should not be left out. They should have a cabin at camp. Nico has proven that.”)
4.
Percy was Nico’s first, and after Will, his biggest love
Nico had feelings for Percy, which didn’t leave him for around 2 1/2 years, and accompanied him throughout the most challenging parts of his life.
Feelings, which were so deep, the god of love personally acknowledged them.
Favonius even called Percy, the person Nico cares about most in House of Hades.
This was more than just a mere crush
Percy is so completely intertwined with most aspects of Nico’s character arc, in both PJO and Hoo, be it his feeling of ostracism, his relationship to Bianca or him coming to term with his own sexuality, that them not having a final interaction, makes his writing feel shallow and unfinished. Especially Nico coming to terms with his crush on Percy opens up the opportunity for a really heartwarming conversation and a moment of character growth and maturity for both of them, instead of it being wasted on one throw-away line.
And it’s the same the other way around. Nico is also a huge part of Percy’s journey.
He especially represents Percy’s biggest failure.
The first five Percy Jackson books are characterized by Percy having to take up responsibility and him being afraid of not being able to fulfill them. Be it responsibility for camp, the world, Bianca’s death, the prophecy, his friends, teh unclaimed demigods, or everything else. Most of the time, Percy was able to make sure everything turned out fine. He saved camp, he saved Olympus, he finished his quests, made the right decision for the prophecy, and he made the gods swear upon teh styx. But there’s one exception. And that is Nico.
Percy did everything in his power to make sure Nico would be spared any more hardships. He took up the burden of the prophecy, explicitly, so that Nico doesn’t have to go through any more hardships
He searched for him after Titan’s curse, kept his identity a secret and even risked himself, Annabeth, Grover and Tyson dying if it meant saving Nico
Still, Nico is one of the characters, if not the character, who has suffered the most in PJO and Hoo, even partly because of Percy (though, of course, Nico having a crush on him was not Percy’s fault at all)
He lived alone at 11 years old on the streets and in the labyrinth, while getting manipulated by an ancient evil spirit
He was isolated and ostracized at camp half-blood
He experienced the horrors of Tartarus completely on his own
He got captured by the giants and slowly suffocated to death in a small jar
He had to deal with internalized homophobia and his complicated feelings regarding Percy
He has been a vital part of two wars at only 15 years old
Had to admit his crush involuntarily in front of Jason, etc.
One of the things Percy battles with in Heroes of Olympus is this overwhelming sense of guilt. He blames himself for almost everything that went wrong over the last few years. Be it for Iapetus, Calypso, or especially Nico. Having Percy acknowledge this complicated relationship he has with him during House of Hades, but not allowing the two of them to talk it out is genuinely baffling to me, and one of the (albeit many) reasons why I really don’t like most of Percy’s writing during Heroes of Olympus, despite the fact that he is my favourite character by far. This could have led to a moment of character growth, where Nico helps Percy to aknowledge that he feels guilty for things he had little to no control over, while Nico himself realizes how important he actually is to Percy.
They are also so similar in terms of who they are and what they’ve been through, that even if you ignore their history with each other, it seems insane, that they didn’t interact in any meaningful way:
Both were ostracized at camp half-blood because of their parentage, and so far are the only two half-bloods we know of with that experience
They are (together with Hazel) the most powerful demigods in the Riordan verse, and have feats which far surpass anyone else’s
Both are in some way afraid of their powers
Both went through Tartarus
Both have relatively similar relationships to their godly parents
Both have gone through immense trauma and loss
And if you read heroes of Olympus, it actually very much seems to build towards a final resolution of their relationship
Percy and Nico were, aside from Frank, the two people closest to Hazel; both saw her as a little sister, and Hazel treated them both like her brothers
Nico was the first person Percy met from his old life
Percy was the one, who received the visions of Nico being captured
From everyone present, Percy trusted Nico to lead the others to Greece in his moment of greatest desperation
They both had introspections about the other in house of Hades, Nico having to deal with his crush and Percy with his guilt in Tartarus
But, in the end, after they met again, nothing happened. The only scene we really got was the “You’re not my type” line and Percy being surprised by it for a couple seconds. That’s it.
We saw no meaningful conversation between the two of them, no acknowledgement of what they’ve been through together, no lasting feelings. Nothing.
In regards to their relationship, Percy acknowledging everything that Nico has been through led to nothing. Nico acknowledging his feelings for Percy and finally letting go of this pedestal he had placed him on led to nothing. You could argue that their entire relationship, which has been built up since Titan’s curse led to nothing. And considering that they are so important characters for each of their character arcs, their characterization very much suffers from this writing decision.
The two of them, together with Hazel, are my three favourite Riordan verse characters by a long shot, but some very important aspects of both of their characters fall so flat to me through this lack of a satisfying resolution.
Both of them deserved so much better.
They are the friendship with the most missed potential in the entirety of the Riordan verse and probably the most fleshed out and nuanced relationship Rick ever wrote.
R.I.P. Nico di Angelo, and Percy Jackson, you will always be brothers in my mind.
#rant is over#I could talk essays about their relationship i fear#thank god ao3 exists#percy jackson#heroes of olympus#rick riordan#pjo hoo#percy jackon and the olympians#rr crit#hoo crit#nico di angelo#house fo hades#blood of olympus#the brother who never were#my roman empire
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“The whole creation is the dance of one consciousness.” — Sri Sri Ravi Shankar
Dance of Shiva and Kali Talon Abraxas
Kali and Shiva: The Divine Dance of Creation and Destruction
Two of the strongest figures from Hindu mythology are Goddess Kali and Lord Shiva. They all represent a different dimension of God, yet their story and symbols intertwine. The bond between Kali and Shiva is unique and perplexing depicting the incessant cycle of birth and death. Vedas and Puranas also have tried to explain the intricate dynamics between Mahakali Rudraani and Mahakal Shiva Rudra. Despite appearing as two distinct entities, they embody a unified essence, a concept both simple and profoundly complex. The Vedas, with their illustrative examples, approach this relationship with reverence, acknowledging the limitations of language in fully capturing their essence.
Goddess Kali: The Fierce Mother
The goddess, which represents the chaotic, fierce aspects of life, is referred to as Kali. The depiction of this image frequently includes her form coloured in dark tones; has unruly, tousled hair, and an amulet consisting of severed demon skulls that adorns her neck. One of her hands is holding a sword while the other holds a separate demon’s head. Kali’s ferocious appearance stands for the destruction of evilness, selfishness, and inadequacy.
Kali is most commonly perceived to be all-conquering. She is called upon for protection and courage in face of tribulations to protect her worshippers from harm. Nevertheless, her destructive side should be looked at without fear and understood as an essential item in the cyclic scheme according to which the old forms should make room for the new ones.
Shiva: The Supreme Ascetic
One of the main god in hindu gods worshipped as a demolisher as well as a transfigurer Shiva. Ash covered body, snake encircling on his body while he mediates in the Himalayans mountain can easily define him. Shiva symbolises the formlessness side of God, the supreme being that exists beyond matter. Destruction by Shiva represents an inseparable component of Cosmic cycles. This symbolises the saying whereby destruction is preceded by new creation of something or someone. Therefore, he dissolves the universe so as to pave way for its rebirth and re-creation. Within the cosmic dance of Shiva, the position of Kali emerges.
Relationship between Shiva and Kali
The relationship between Shiva and Kali is one of divine union and cosmic balance. This is epitomized in the “half-feminine Goddess” form, where Shiva and Kali merge into an androgynous deity. Shiva appears on the right side, and Kali on the left, symbolizing the inseparable bond between the masculine and feminine cosmic forces. Their union is further illustrated in the cosmic dance of “Tandava,” where Kali’s dance of destruction is halted only by Shiva, highlighting their dynamic interplay of creation and destruction.
This divine union teaches profound lessons about the cyclical nature of life, urging us to embrace both creation and destruction for balance and growth. The stories of Kali and Shiva inspire us to face challenges with courage, seeing destruction as a path to renewal. This relationship emphasizes the importance of balance, understanding, and connection in our spiritual journey, encouraging us to seek wisdom and courage in our lives.
The stories of Kali and Shiva hold profound lessons. They highlight the cycle of creation and destruction of life and urge us to embrace it all for balance and growth. We learn to face challenges with courage and see destruction as a path to renewal. This divine union encompasses two aspects of life, emphasises the importance of balance, understanding and connection in our spiritual journey, and encourages wisdom and courage in our lives.
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Izzy Hands: The Moon.
Re-imagined from the traditional Rider-Waite-Smith tarot, this version of the Moon shows Izzy taking the shape of a lone Lover, longing for what he cannot reach.
Longer exploration of the card's symbolism under the cut.
Symbolism of the card
I initially meant this card to be specifically Izzy's, but he is once again unseparable from Ed. Though the moon itself is depicted as Ed, it is through Izzy that I interpret the journey of the card. Feel free to invent your own interpretation as well!
In the original version of the Moon we see a dog, a wolf, and a crayfish. Izzy takes the place of the wolf, marking him as wild and untameable. He is accompanied by a dog, symbolizing his loyalty. The crayfish has retreated, and we can see a monster lurking in the depths of the water, reminding us of the beasts that lie within.
Rachel Pollack (2011) writes: "The Moon signifies the dangerous time between the end of one world structure and the beginning of another. On the emotional level it can indicate the strange state when something powerful has ended and you find yourself thrown back on your instincts."
In the card Izzy already has his wooden leg. He his stepping into his role as the Unicorn, marking a shift in his loyalty and his place in the world. His reign as Blackbeard's first mate is ending, and a whole new world order is being imagined.
Ed is also seen in a new light. With his short beard, he is at the end of his captaincy, possibly even at the end of his piracy. He as the Moon is illuminated by the light of the Sun, personified by Stede in another card, The Sun.
Izzy bears witness to their combined light, unreachable to him on the ground. He teeters at the edge of the water illuminated by that very light, and is faced with a choice. Will he turn, follow the path and try to reach the unreachable? Or will he explore the unknown waters in front of him?
In tarot, water symbolizes emotions, intuition and subconscious. Pollack writes: "Here in the unknown territory our animal selves take over. We cannot suppress the wild emotions but only travel through them." The message of the Moon beckons Izzy to step into the water and face his emotions.
However, there are also dangers in the murky waters of the subconscious. Pollack continues: "The Moon card calls forth powerful dreams, visions, and the power of the feminine." In tarot water is a feminine element. Izzy, a beacon of masculinity, has in the past confused the feminine with the monstrous. He is now dared to invite the feminine within him to the surface. His posture already mirrors that of the feminine lover from the Lovers-card. It also calls back to the Fool, to someone at the beginning of their self-discovery.
Tl;dr: Izzy, the Fool and the Lover, is on a journey from one world to another. Will he follow the path and try to reach the unreachable, or will he find the courage to plunge into unknown waters?
A comparison between the original Rider-Waite-Smith card from 1909 and the re-imagined version
Izzy's pose mirrors the feminine Lover
Sources
Image source: Pamela Colman Smith, 1909, republished as Tarot of A. E. Waite, 2016, AGM-Urania, Germany
Text source: Rachel Pollack, A Journey of 78 Steps, 2011, as cited in the booklet for instruction and guidance of Tarot of A. E. Waite, 2016, AGM-Urania, Germany
#there is even more symbolism in the lighthouses that are topped with the domes from the Tower but it's so much already#it's about the journey between life and death#ofmd#our flag means death#izzy hands#edizzy#steddyhands#blackhands#i'm tagging this as ships cause i ship them all and i made this with shipperly intentions#even if it's not like explicitly shipping content#ed teach#edward teach#blackbeard#gosh i went to some deep waters with this myself#i mean there is so much to interpret here#is izzy shooting for the moon with ed? has he lifted ed high on the pedestal himself?#what does it mean that the water is lit by moonlight?#to me this is the point in fics where izzy does not yet know how he would fit in the steddyhands triangle and doesn't see it possible#and maybe it won't be unless he accepts some things and allows himself to feel#but it can also be read that he needs to let ed go#in either case water is discovery and acceptance#i am planning to make ed the star and stede the sun as well!#my fanart
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i like my body when it is with your body.
#death note#meronia#near#mello#mihael keehl#nate river#mello dn#near dn#artists on tumblr#horreurart#been working on this one here and there for a long while. i love drawing mello's scar >:) it's like a brain coral or a very shitty maze.#also i cannot remember the last time i posted something even slightly racy so this feels rather scandalous#2024 is the year of posting sexy blorbo art i've decided...#anyway this literally happened in canon it just wasn't relevant to death note's journey. source: trust me#something kind of melancholic about this piece i think. it's like spying on them. it pulled that one ee cummings poem from the#deepest receses of my mind -- i hadn't thought about it in years. it's sooo romantique. to me#girl help the anime boys are in doomed love...#in my mind this forbidden rendezvous is happening in one of those abandoned love motels with heart shaped tubs and round mattresses and#mirrors on the ceiling and wall carpeting. it's kind of gross.#sometime between spk control room meeting and mello dying. rip king at least you got the love of your life laid once (1) one time
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I love being the always single person in my family, mad respect to my sister for constantly dating guys for the last 8 years, I would have shot myself
#whenever my mom asks if i have love news of my own while we're talking about my sister's newest catch and i say no#i hope she doesn't feel pity because like. this is the life that i choose. my sister's ex boyfriends were enough for ME even#and i only met a handful of them personally but heard more than enough shit about them#i just always think i'm only flirting with some guys only to never talk to them again or ghost them because it's fun#fat girl who's always been seen as ugly by other people gets to flirt with good looking people is the ultimate ego boost arc#if i ever date anyone seriously again it better be true love and end in kids and marriage until death or i'll live as a hermit#until that happens tho...... life is a party i don't wanna miss a thing break some men's heart get revenge yolo etc etc#also the thought of actively dating freaks me out. if i meet someone and we tolerate each other long term that's good#but dating apps or going on dates with several people and deciding who's the best like on the bachelorette?? death first#plus i lowkey don't like men as a concept. at least the type i've dated. i guess you could say my last ex traumatized me hahaha 👍🏻 (🔨🔨)#i think i'm too young to be in a committed relationship anyway. or even to seek getting into one. there are much more important things rn#i know former classmates my age are having kids or getting married but idgaf the one who got engaged last year has been with him for 7 year#which is a decent time tbh you change quite a bit during that time and if it feels right why not#but i can't wrap my head around searching for a relationship when you don't even have a stable job and know what else you want in life#rambling again sorryyyy but yeah proud single here and i'm not saying this out of spite because i genuinely enjoy it#all relationships i've been in were so draining (tbf they were long distance too) and got me at rock bottom and had me filled with regret#also these men can be so controlling and jealous when you just wanna go out with friends while they do whatever they want too#but when you say you don't want a jealous partner they think that's a free pass for them to cheat like what the actual fuck#do you see the difference between being unnecessarily jealous when you hang out with friends and being rightfully jealous when they cheat??#at this point idk what to say. i'm very entertained by my friends' dating journeys but that couldn't be me#all the gossip i provide for them is which people i flirted with for the ego and who i ghosted and who ghosted me#mel talks
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this is a formal apology for every time i've read ur fnaf theories, gone "ah... of course! yes!" and then forgotten to respond
This is a formal apology for every time I've read one of your asks, not immediately had a TQ&/E, and forgotten to respond
#The box can wait my questions that need to be answered are why there is already a body in a Fredbear suit before the Bite#and what can 'I will put you back together' mean solely within those four games#like yeah it's robot kids but it wasn't then#that isn't 'four games; one story' that's using the next game in the series to elaborate on the previous one#(and the then new addition of books)#also what the hell was Fnaf World on about but I think I'm the only person that's thought about Fnaf World in years#yeah yeah Happiest day it's about CC I got that WHAT DO YOU MEAN THE PLAYER WAS ONLY CREATED FOR THIS PURPOSE!!!#Okay yeah that's probably just an explanation for why the game exists but what the fuck is glitchy Fredbear#and why do *we* need to be told to rest#It's fucking important that they're clocks goddamnit#As of the Halloween update the story of Fnaf 4 still remained 'completely hidden'#So (I think) what Sister Location (AND THE SILVER EYES) tells us about it is the version of Fnaf 4 that the version of it that the communit#''''would accept''''#But the pieces didn't vanish into thin air after the custom night update for sister location dropped#And I think their being put together is reliant on the constant separation put between the GF kid and the rest of the MCI#And the body in the parts and service room#Could not tell you what CC saw though since I should hope that that kid's body hasn't been there for weeks#When I was talking about 'what if this isn't the first time CC had died' I mean basically dream theory with extra steps#I don't think I'm right but in literally every part of this franchise what is hammered in over an over is going into memories#and setting past events right to rest their soul#Happiest Day + Into the Pit being the biggest examples#And tangentially spirits not being fully anchored or aware after death#and reminding them of what happened to them involving crayon drawings and/or being shown their body#(The Fourth closet + Coming Home + the movie)#(and maybe Give Gifts Give Life....? it'd be stretchy)#Regardless of whether the Fnaf 4 gameplay and minigames are CC reliving the events leading to his death over and over as a wandering spirit#or pre-mortem nightmares or the effects of sound illusion disc gas on Micheal(/CC?) or any combination of the three or whatever else#I don't think the Crying Child's spirit was settled and aware until Happiest Day#(that being the first and only time a spirit is shown wearing a Fredbear mask and the kid has to put it on while the other four are already#And if for some godforsaken reason I am right about nightmare spirit journey Fnaf 4 then post Silver Eyes/Fourth Closet
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playing science telephone
Hi folks. Let's play a fun game today called "unravelling bad science communication back to its source."
Journey with me.
Saw a comment going around on a tumblr thread that "sometimes the life expectancy of autism is cited in the 30s"
That number seemed..... strange. The commenter DID go on to say that that was "situational on people being awful and not… anything autism actually does", but you know what? Still a strange number. I feel compelled to fact check.
Quick Google "autism life expectancy" pulls up quite a few websites bandying around the number 39. Which is ~technically~ within the 30s, but already higher than the tumblr factoid would suggest. But, guess what. This number still sounds strange to me.
Most of the websites presenting this factoid present themselves as official autism resources and organizations (for parents, etc), and most of them vaguely wave towards "studies."
Ex: "Above And Beyond Therapy" has a whole article on "Does Autism Affect Life Expectancy" and states:
The link implies that it will take you to the "research studies" being referenced, but it in fact takes you to another random autism resource group called.... Songbird Care?
And on that website we find the factoid again:
Ooh, look. Now they've added the word "some". The average lifespan for SOME autistic people. Which the next group erased from the fact. The message shifts further.
And we have slightly more information about the study! (Which has also shifted from "studies" to a singular "study"). And we have another link!
Wonderfully, this link actually takes us to the actual peer-reviewed 2020 study being discussed. [x]
And here, just by reading the abstract, we find the most important information of all.
This study followed a cohort of adolescent and adult autistic people across a 20 year time period. Within that time period, 6.4% of the cohort died. Within that 6.4%, the average age of death was 39 years.
So this number is VERY MUCH not the average age of death for autistic people, or even the average age of death for the cohort of autistic people in that study. It is the average age of death IF you died young and within the 20 year period of the study (n=26), and also we don't even know the average starting age of participants without digging into earlier papers, except that it was 10 or older. (If you're curious, the researchers in the study suggested reduced self-sufficiency to be among the biggest risk factors for the early mortality group.)
But the number in the study has been removed from it's context, gradually modified and spread around the web, and modified some more, until it is pretty much a nonsense number that everyone is citing from everyone else.
There ARE two other numbers that pop up semi-frequently:
One cites the life expectancy at 58. I will leave finding the context for that number as an exercise for the audience, since none of the places I saw it gave a direct citation for where they were getting it.
And then, probably the best and most relevant number floating around out there (and the least frequently cited) draws from a 2023 study of over 17,000 UK people with an autism diagnosis, across 30 years. [x] This study estimated life expectancies between 70 and 77 years, varying with sex and presence/absence of a learning disability. (As compared to the UK 80-83 average for the population as a whole.)
This is a set of numbers that makes way more sense and is backed by way better data, but isn't quite as snappy a soundbite to pass around the internet. I'm gonna pass it around anyway, because I feel bad about how many scared internet people I stumbled across while doing this search.
People on quora like "I'm autistic, can I live past 38"-- honey, YES. omg.
---
tl;dr, when someone gives you a number out of context, consider that the context is probably important
also, make an amateur fact checker's life easier and CITE YOUR SOURCES
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CALL OF THE SEA / PART FOUR
pirate poly!141 x f!reader tw: NSFW, MDNI, violence, kidnapping, angst, blood, 141 are still mean pirates ): kind of, very brief mentions of death masterlist
When a group of unhinged pirates invade your small village, you're whisked away from your peaceful home and thrown on to a voyage out at sea. Forced to obtain a new role as their medic, you have no choice but to accept your fate as you join their forces and aid them in their treacherous travels.
There were no ifs, ands, or buts about sleeping arrangements. Price, the Captain that he was, would have it his way, and his way was keeping you secured in the stuffiness of his own quarters.
It was uncomfortable, the way you shared the bed with him. He was a large man, much larger than you, and his bed only had so much space to fit the two of you. In the midst of the nights, you’d feel his leg brush against yours, or feel the soft rumble of his quiet snores from where he laid beside you.
It was far from ideal. As much as you hated it, it was an upgrade from your cell down in the brig. Price’s bed was softer, more plush, and it sank you in every time you slept on it. The situation was no better, but it wasn’t any worse, either.
The downside, though, was that you were just as much a prisoner as you were in the cell. Price made it known that you weren’t to leave his quarters under any circumstance.
They brought you meals in rotations. Sometimes Soap would show, cracking a horrible joke that left you rolling your eyes. Or sometimes it’d be Gaz, who hardly spared you a word of conversation, though you could see the faint glimpse of pity in his eye.
Then there was Ghost. A pure enigma, darkened by shadowy demons that were hidden beneath his mask. He never uttered a word to you, nor looked at you. He did his bidding by slapping down a bowl of poorly made stew and immediately making his exit before you could get a single word in.
Price wouldn’t bring you your meals, though you convinced yourself it was because he was avoiding you. You thought his original plan of having you sleep in his quarters would be for something diabolical and sinful, yet he made no effort to touch you nor get to know you. It was nice, knowing he wasn’t there to do things against your will, but it was also confusing, wondering what his real plan was for you.
It was as if sleeping with a wall, which you weren’t sure whether to be grateful or not. These men were far from people you wanted to be a part of, but the desire for a friend was beginning to outweigh your spite.
You were an outcast aboard this ship. Secluded from the world, and isolated from the only people you were surrounded by. It was a dreadfully lonely life to be living. Your only friend was the sea, and even that was something you were torn away from, locked away in the quarters with only a small window to offer a view of it.
The door of Price’s quarters barged open, disrupting you from your woe. None of them ever bothered to knock. They were savages, bred with no proper manners in the presence of a woman. But really, you weren’t a woman to them. You were labor. An inconvenience.
“Get up,” Ghost grumbled from his stand in the doorway, hand knuckling the rusty knob. “Goin’ shoppin’.”
“We’re on land?” you asked, standing from Price’s cot. Ghost grunted in response. “And I’m to… join you?”
“You need supplies, don’t you?” he gruffed, eyes narrowing in on you. “Don’t make me change my mind.”
The door abruptly slammed shut, leaving you alone in the quarters once again.
Land? They were allowing you to join them on their journey to land, to aid you in getting supplies necessary to work as a proper medic? It seemed surreal, yet bittersweet.
Gaining new supplies set your position on their crew in stone. They intended to keep you as theirs, and only trusted you enough to let you get off of the ship under their watch.
Yet, you’d be able to feel the grass between your toes once again. To feel the summer sun soaking in your skin, to hear the chatter of villagers fill your ears. You’d feel the liveliness of people apart from these heartless, savage pirates.
You’d be able to escape.
If you remained clever, you could leave the hands of Captain Price and create a new life far from their ship. This was your one and only opportunity to venture towards the life you always wanted for yourself.
You appeared as neutral as ever when you left the quarters to join the four men where they stood, clearly speaking amongst each other. You couldn’t show the rushing adrenaline coursing through you, not if you wanted to get away alive.
“Ach, there ye are, dove,” Soap huffed in annoyance, grabbing hold of your bicep to surge you towards him. You collided with his side, knocking the air out of your lungs. “Yer with me.”
“Stick with Soap,” Price ordered. His glare sent chills down your spine. “You are to get what you need under his watch. Try anythin’ funny and he won’t be so kind with you.”
“She’s fine, Cap, no need to worry. She won’t do anythin’ silly. Ain’t that right, dove?” Soap beamed, a touch of crazy leering down at you.
The plan in your head was beginning to feel too soon and too dangerous. You could only swallow nervously, giving a firm nod in return before they helped guide you off of the ship.
The town was lively around you. It was nothing like your home. Where you had grown with the quiet chirps of nature and gentle conversation, you were now greeted with an angry bustle of rushing townsfolk, brushing past you as if you were a ghost.
You felt out of touch with your surroundings. Others were dressed in fresh fabrics, altered to their frame. The women were pretty, hair unmatted and braided to frame their lovely faces while the men were covered from head to toe with the finest of coats.
Not all were as fortunate. There were a select few you caught glimpses of as you passed who were as dirty as you were, shoeless and hopeless. Begging for scraps of food or cheap coins, only to be spat on like the scum of the Earth.
You were no different. Next to Soap, you looked like a helpless, little mouse with dirty bags of fabric that fell loosely on your body, with your feet blackened from the lack of cover. It was utterly humiliating.
Soap kept a solid grip on your arm as he led you through the heaps of shoppers. He kept his eyes forward, scoping out any possible threat. You could see the hardwired focus geared in his brain, as if working on pure muscle memory.
“Pretty neat of a place, aye?” Soap asked, attempting small talk. He glanced over at you, wearing that boyish grin of his.
“It’s wonderful,” you replied, taking in the sights.
You meant it. Shops lined every corner of the dirt paths, windows displaying pretty dresses or tailored suits. Where you expected the town to look depressing, you found color, filling you with a warm dose of serenity.
This was a town you could grow to love. It was busy and loud, but the opportunity seeped out through every corner, calling your name. Your freedom rang out like a bell, offering you a place for your dreams to come true.
You had to escape if you truly wanted it. Your plan would have to unfold, even if it meant being patient.
“Yer bound to see a whole lot more towns better than this one, dove,” Soap boasted, grinning with pride. “Ye will grow to accept us one day.”
You stared up at Soap while the two of you walked. It was a shame, really, that he was the only one decently kind to you. Kind was far too generous of a word to describe any of these men, but it was the closest thing to what Soap was being towards you.
He was still a pirate, though.
“I am not so sure of that,” you confessed, unsure of why you did.
“Ach, ye will. The rest are secretly a bunch of softies,” he claimed, waving a dismissive hand. “We’re still human even if we’re pirates.”
“You’ve kidnapped me,” you stated.
“Mm. Yes.”
“You burned down my home,” you continued.
“Perhaps.”
“You killed my people,” you finished.
“You know nothin’ of what we do, dove. How about we keep shoppin’ for ye and stop worryin’ about the past?” Soap asked, not unkindly. He was surprisingly composed despite your accusations.
You stared at him for a moment longer before looking away. There was no point in arguing when the plan was to escape the moment you had the chance. Today would be the last day you’d ever have to converse with Soap and his men, if you played your cards right.
“You’re right,” you said quietly. “I apologize.”
“There ye go, dove.” Soap returned to smiling, giving a mocking pinch to your grimy cheek. “Now, what all do ye need?”
Soap made escape increasingly difficult. His hand remained secure around your arm for every shop you went in, keeping you by his side. It was as if he had a secret sense that let him know of your plans. Or perhaps he was following Price’s orders.
He stuck with you with every purchase. You gathered herbs, freshly made medicines, and a new book and quill to jot down notes in a journal. Soap allowed you the pleasure of collecting expensive items, unwavered by the prices.
He paid for them in gold, little round coins he’d slap on to the counter and leave behind without waiting for the shop tenant to gawk at such a rare sight of payment.
It wasn’t until you passed a clothing shop did he falter. His steps had stopped, eyes peering into the window. You stopped with him, dissecting his reaction.
“Sorry, dove. Makin’ a stop for myself,” he stated, tugging you into the shop. To your surprise, he let go of your arm, leaving you standing near the entrance. “Stay put. I’m trustin’ ye, so don’t make me regret it, aye?”
Your heart pounded in your chest as you gave him a nod. He threw you a beaming smile before stalking off into the store, disappearing just out of sight. You remained firm in place, hands clasping in front of you.
The pit in your stomach twisted from the nerves that wracked you. This was your moment, your only chance of escape. If you didn’t take it now, you may never be lucky enough for another one.
As if fate was sealing itself, your eyes caught sight of a group of guards walking past the store, wooden rifles at the ready on their shoulders. They were speaking amongst themselves, oblivious to your inner turmoil from where you stood in the entrance of the shop.
A quick glance behind you showed that Soap was still occupied, unbeknownst to your plan. You could only see the top of his head, the messy mohawk sticking out like a sore thumb.
With the opportunity in front of you, you took it.
You moved slowly at first. Unsure, cautious. But once you made it out of the shop with Soap realizing, you amped your speed. Your dirty bare feet clambered clumsily along the dusty streets, digging into the little pebbles that littered them.
The dull sting of pain as you sprinted to the guards was disregarded. It was nothing compared to the ache of freedom you desired.
“Hello!” you shouted, garnering their attention. They turned, eyeing you with a judgmental glint at the state of you. “Please, I need help!”
“What can we do for you?” one of the guards asked, suspicious. His eyes were set on your feet, which were caked with months of filth. “A lass like you shouldn’t be out without a chaperone.”
“You don’t understand,” you gasped, catching your breath from the anxiety that rattled you like a drum. “I’ve been kidnapped by— by pirates and I’ve only just escaped. Please, I need your help, or they will take me back.”
“Pirates?” The guards perked up, glancing between one another as if sharing a secret you were unaware of. “How many pirates, lass?”
“Four,” you explained. “The Captain— his name is John Price. He is the one that took me from my village and I have been imprisoned on his ship for so long, I do not recall the days. Will you help me?”
You were frantic. Desperate. It showed in the way your voice shook, the way your frame shivered with nerves.
“It is not,” Guard Two said to his companion.
“It is,” Guard One said, the one who had spoken to you first. This time, they spoke to one another rather than to you, as if you were invisible. “There is only one Captain Price. It is 141.”
Guard Two looked over at you, face set firm. His eyes were piercing and cold, and it made you shrink down into yourself. They were not welcoming or kind like you expected a guard’s to be.
Guard One fumbled in the pocket of his britches before pulling out an aged paper. On it were the faces of the pirates with the exception of Ghost, covered by his signature mask. All of them were plastered on the page with a bounty over their heads, as well as a promise of exile for their arrest.
Execution. The pirates would be executed publicly if they were caught. The punishment was inked in bold letters beneath their pictures, and each letter was taunting you with the blood that would be spilled on your hands for turning them in.
An unsettling guilt began to gnaw at you. You were unsure of why. Captain Price and his crew had stolen you from your home and made you their medic. They had you sleeping in a cell for nights uncounted, eating slop out of a bowl like a dog.
Yet, to kill them was much too burdening on you. They were mean, heartless, and unworthy. Yet, death was unkind. You were not so shallow.
“Is this what they look like?” Guard One asked, holding the paper in front of you. It was undoubtedly them, down to every detail.
“Yes,” you confirmed, though not as confidently as before. There was now a weight in your tone, as if holding back. “Yes, that’s them. You— you will kill them once you find them?”
Guard Two laughed, though it was bone chilling. There wasn’t a hint of warmth in it, only distaste and rage. “Of course. They’re to be hanged for their crimes. They are savages.”
He took a step closer to you, leaning down to your level. His aura was threatening, and you could feel yourself cowering away. “You must tell us where they are at once. We will help you once we have captured them.”
You took a step back, deflating. Everything within you told you that you made a mistake. If you went through with exposing their whereabouts and having them captured, their deaths would be because of you. You would be a murderer.
“I—“ You swallowed, clenching your clammy hands into nervous fists. “I do not know where they’ve gone. I ran away as soon as I could.”
“Not a problem,” Guard One gruffed, taking hold of your arm, just as Soap had done before. Now, more than ever, a part of you wished it was Soap rather than the guard. “You will guide us to their ship.”
“Please let go of me,” you murmured brokenly, covering the guard’s hand with your own to pry his fingers off. They didn’t budge. “Please.”
Your pleas were shadowed by their greed. You recognized the look in their eyes, and it scared you to the bone.
Bloodthirst. They were hungry to capture the pirates, hungry to be the ones to guide them to their impending death. It was not about helping you. It was about the handsome reward they would receive for turning in the most wanted criminals of the sea.
You began to panic. The air in your lungs felt weak, and you could feel the world around you closing in.
This was not the outcome you wanted. You simply wanted your freedom, yet it would come with a cost that you weren’t sure you could afford.
You did the only thing you could think of doing. Your fist collided with the guard’s face with a nasty crunch, causing blood to spew from his nose like a spout. It speckled on your dirty cheeks, tainting them further.
The guard let out a shout, releasing your arm. When his companion attempted to make a grab for you, you bolted, legs carrying you back to the shop Soap had been left in.
Chaos ensued from behind you. You could hear the clamber of guards, racing after you, yelling profanities in the air. The townsfolk stopped to observe, women placing their hands over their mouths in bewilderment, men torn between watching or intervening.
It was a commotion you never planned on starting, and now, all eyes were on you.
Soap came into sight from in front of the store. He looked focused and angry, eyebrows pulled together, jaw set taut. When he locked in on you as well as the guards behind you, there was no relief. His eyes were as intense as the guards had been, if not more.
“I’m so sorry, I’m so sorry,” you sobbed pathetically, but he gave you no chance to pause your running.
Soap grabbed your hand in his, lugging you along the dirt paths. He swerved the streets, pulling your arm harder every time you fell behind. You struggled to keep up, spots of blood dotting the ground beneath you from the newly open wounds from pebbles that sliced open the soles of your feet.
You were pulled into a narrow alleyway with Soap, out of sight from the guards. Soap’s large hand shoved your head, urging you to crouch down behind a row of barrels that crowded the alley.
Your heart was nearly lurching out of your chest from your hiding space. Pounding footsteps raced past the alley, a cloud of dust filling the air and burning your nose. Voices could be heard shouting nearby, but not close enough for you to make out what they were saying.
Soap and you stayed put, his hand muffling your mouth, body smothering yours. He held his breath, ears listening in for the guards.
After what felt like an eternity, the footsteps grew farther away, voices fading into the wind.
“I trusted ye to stay put, dove,” Soap whispered, voice full of anger and betrayal. “I’ve been nice to ye. Why couldn’t ye just stay like I told ye?”
You whimpered into his hand, low and depressing. You felt defeated. Your fate was undetermined more than ever before, and you feared what the pirates would truly do to you now that you went against their word.
“C’mon,” he huffed, letting go of you and standing from behind the barrels. He grabbed hold of your arm, hauling you up and keeping you in his grip.
Soap crept the two of you through the town, slipping through every crack in the buildings to remain unseen. If people saw you, they remained silent, fearful of the pirate amidst their town.
The closer the two of you got to the ship, the more your heart sunk to your stomach. You were wracked with terror, horrified of the punishment you’d endure. The only thing you could do is let Soap string you along like a puppy on a leash.
“We need to go,” Soap barked at Price. The other men had long returned from their shopping, only awaiting your arrival with Soap. “Now.”
Gaz fluttered away without question, preparing to undock the ship and leave no trail in the town behind. Price and Ghost, on the other hand, were far more concerned.
“What the hell happened?” Ghost asked, voice gruff and dark, eyes narrowed on you.
“Dove tried rattin’ us out,” Soap hissed, throwing a glare your way. You shrunk in his hold, avoiding his eyes and bowing your head low. “Guards are lookin’ high and low. They know we’re here.”
“Fuckin’ hell,” Ghost grunted, leaving the three of you to aid Gaz in prepping the ship for sail. He walked with a looming shadow over him, black and scary, oozing out the mist of pure acrimony.
Price stood tall and terrifying, arms crossed over his chest, the lines of his face firm and tight. He stared at you with a guise of disappointment and resentment, and if looks could kill, you would surely be one of their many victims.
The Captain took a step towards you, leaning down to your height. His hand grabbed hold of your face, fingers digging into your flesh as he forced you to look at him. His eyes were glaring, stabbing you with millions of daggers.
He shifted your head from side to side, inspecting the specks of blood that dotted your face. He was silent, making everything much more unnerving, and when he let go of you, he spared you not another glance.
“Take her to the cell,” Price ordered Soap. “We’ll deal with it later.”
Soap nodded grimly, tugging your arm aggressively so he could guide you to the brig doors. The sight of them made you sick, and you fought in his hold, which did nothing but make you look like a fool.
“Stop squirmin’,” he hissed, irritated. Seeing him without his signature smile made your chest fill with sickening guilt, and it twisted your insides in a painful knot.
The cell welcomed you when you stepped down familiar stairs. It was a slap in the face, seeing it once again, and you wanted nothing more than to take back everything you’d done and apologize to Price until he let you back into the comfort of his quarters.
But there was no going back. The deed was done. This was your price for freedom, and before it was handed to you, it had been snatched right out of your hands.
Soap shoved you into the cell with enough force to ensure you went inside, but gentle enough to make sure you didn’t topple over. Even now, when you’d betrayed his trust, he didn’t aim to hurt you. The pill was suffocating to swallow.
The cell shutting behind you rattled through your ears like a deafening shriek. The lock clicked, and Soap made no effort to move, not yet. Instead, he stood there, eyes boring into you through the bars of your cage.
You opened your mouth to speak but nothing came out. So, you stood shamefully, staring at the floor beneath your aching feet.
Something clattered on the floor, and when you shifted your gaze to find it, what stared back at you was a pair of shoes. New, unworn, and pretty. For you.
Looking up at Soap, his expression was unreadable. He no longer looked at you. He seemed just ashamed as you did. It was as if all the anger he had before had diminished, and he now looked like a hurt boy, betrayed and ridiculed.
“I hope they fit,” he said quietly. While you stared at him, he was now the one avoiding looking at you. “Didn’t know what ye liked.”
Soap turned on his heel, trudging up the stairs with the weight of the world on his shoulders. He made no effort to look back at you, to study your stunned expression. Instead, what greeted you was his back as it filtered through the brig doors, shutting behind him with a loud slam.
You looked back at the shoes, careful when you picked them up. They were bland in taste, yet the prettiest thing you’d been gifted in your life.
Soap trusted you to stay while he went to surprise you with a new pair of shoes, and you had only gone behind his back out of fear of his pirate crew that had taken you from your home.
You felt no better than a pirate.
#call of duty#cod#cod x reader#simon riley x reader#gaz x reader#soap x reader#price x reader#kyle gaz garrick#simon riley#john soap mactavish#john price#captain john price#ghost cod#simon ghost riley#soap mactavish#soap cod#kyle garrick#kyle garrick x reader#gaz cod#john price x reader#pirate!141#poly 141 x reader#poly 141#141 x reader
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heyy, I just saw the first episode of season two and I’m completely destroyed. I need to read something with Jacaerys in which reader gives him a hug after what happened 🫶🏻
Request: Helloooo! I saw you were open to requests sooo with this episode- how about instead of Baela being the one to take Jace to Rheanyra, its reader who had been waiting for him since he landed? Jace x reader relationship is up to you!
I have written this a few weeks ago, but let's do a small blurb. Seeing Jace break was just so sad. Grab your tissues 🤧
Warnings: mention of character death, grief
my taglists are here + you can send requests here at any time
—
On the journey back to Dragonstone, Jacaerys swallowed back his tears. Vermax could feel that his rider was in pain, but he stayed focused on flying home.
Although you couldn’t predict when they would arrive, you knew Jacaerys would fly home immediately upon receiving the letter.
You greeted him outside when he landed, but Jacaerys refused to meet your eyes, focussing on princely duties because he could not bear to face his role as brother and son in that moment. He spoke like a prince, asking to be taken to the Queen so he could give her his report.
Without speaking a word, you walked him to Rhaenyra’s chambers. The guards opened the door for you, nodding their heads at the prince. As you stepped inside, Rhaenyra turned at the sound of your footsteps on the stone floor.
You bowed to the Queen, casting a last glance on Jacaerys before you left the room. ‘’You know where to find me,’’ you whispered to him, your voice barely audible.
He didn’t respond.
While he spoke to his mother about the Vale and the North, Jacaerys was trying to remain professional and keep his composure. He needed to stay strong for her. His voice was steady until he mentioned the North. The name of Cregan Stark brought back the images of the northman delivering the news of Lucerys’s death, causing Jacaerys to choke up on his words.
Rhaenyra held her eldest and they cried together.
When he thought the tears were over, Jacaerys left his mother’s chambers. Servants were politely nodding their head at him on his way to his own chambers, a veil of sympathy on their faces. But Jacaerys paid them no attention as his emotions were threatening to spill again.
As promised, you were sitting on his — your — chambers when he stepped in, waiting for him. You stood when hearing the door, and he broke down completely, his body shaking with sobs as he collapsed into your arms.
You held Jacaerys tightly as he sobbed uncontrollably, his grief pouring out with each shuddering breath.
You always knew him as the strong son of Princess Rhaenyra who held his head high and never let anything affect him. The strength he usually exuded was gone, replaced by the vulnerability of a boy who had lost his brother. It was gut-wrenching to see him cry, his hands clutching at your dress to anchor himself through the storm of his emotions.
‘’He died because of me,’’ he whispered between sobs, his voice raw with pain. ‘’It was my idea to go on dragonback instead of sending ravens.’’
Guilt laced his voice, and you pulled his head back, seeing his eyes red and swollen. You knew no words would stop his guilt. He would have to live with his for the rest of his life. But you could try to show him he was not entirely at fault. It was Vhagar at the commands of Aemond targaryen who killed Lucerys. Not him.
‘’Mayhaps it was your idea, but you couldn’t have known Aemond would be at Storm’s End asking for support from Borros Baratheon. He is the one responsible for this barbarous act,’’ you said, holding his gaze.
—
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wealth indicators in astrology
The 2nd House and its Ruler The 2nd house rules personal wealth, income, possessions, and material resources. A well-placed ruler of the 2nd house (in dignified signs or making favorable aspects) can signify strong potential for financial success. Wealth in this house is not just about material resources, but also about how we value ourselves, our talents, and our ability to manifest abundance through self-worth.
Jupiter and Venus (Benefics) in Key Positions Jupiter represents expansion, luck, and abundance, while Venus governs pleasure, wealth, and beauty. Their placement in angular houses (1st, 4th, 7th, 10th) or making harmonious aspects (trines and sextiles) can indicate financial prosperity. Jupiter and Venus bring grace and fortune, but their spiritual lesson often revolves around generosity and the willingness to share abundance. Wealth is also cultivated through relationships and faith in higher principles.
The 8th House and its Ruler The 8th house deals with shared resources, investments, inheritance, and other people's money. A strong 8th house or a well-placed ruler can suggest gains through partnerships, inheritance, or financial support from others. Wealth from the 8th house comes through deep, transformative experiences and often asks for a surrender of control. It's the wealth of vulnerability and trust, leading to shared material or emotional resources.
Strong Earth Sign Placements (Taurus, Virgo, Capricorn) Earth signs are practical and grounded, making them naturally inclined toward building wealth through hard work, perseverance, and material stability. Earth placements teach the lessons of patience, discipline, and respect for the physical world. Wealth is accumulated over time through effort and practical application, but it also reflects our connection to the body and the material environment.
Pluto and Transformation of Wealth Pluto is often associated with power, control, and transformation. When in aspect to the 2nd or 8th house or their rulers, Pluto can signify major transformations in one’s financial situation—often through crises or periods of intense regeneration. Pluto teaches that true wealth is the result of deep inner transformation. Pluto forces us to face our attachments to material security and transforms our relationship to wealth through cycles of death and rebirth.
North Node in the 2nd or 8th House The North Node in the 2nd or 8th house suggests that the soul’s evolutionary journey involves learning how to master finances, resources, and self-worth. The North Node points to the soul’s spiritual work. Wealth accumulated in these areas is not just about money, but about understanding one’s true purpose and karmic lessons related to material possessions.
Saturn in the 2nd or 10th House Saturn represents discipline, structure, and long-term success. In the 2nd or 10th house, it often points to delayed but enduring financial stability through consistent effort and hard work. Saturn teaches us that wealth is earned through time and dedication. It can also represent karmic lessons around financial responsibility and the maturation process necessary for true success.
Venus-Jupiter Aspects Harmonious aspects between Venus and Jupiter are considered one of the best indicators of financial prosperity, as these are the two most beneficial planets. While this aspect can indicate material wealth, it also highlights spiritual abundance and the capacity for joy, love, and appreciation of life’s pleasures. It's a reminder that wealth is more than money—it's the richness of life.
MC (Midheaven) and Career-Related Indicators The MC, 10th house, and its ruler are tied to one’s public image, career, and long-term achievements. Favorable planets in the 10th or supportive aspects to the MC can point to career success and financial gain. Success comes through aligning with one's higher calling and being of service. True wealth is found in fulfilling a vocation that resonates with one's spiritual purpose.
Favorable Aspects between the 2nd and 10th Houses Harmonious connections between the 2nd and 10th houses or their rulers can signify the ability to generate wealth through career pursuits. Career and personal values must align for wealth to be truly sustainable. There’s a spiritual dimension to finding purpose in work that also brings material rewards.
follow for more astro insights like this and head on over to @quenysefields or my etsy --> sensualnoiree to grab my new astrology guidebook on reading your own natal chart :)
#astrology#astro observations#wealth#sensualnoiree#ask#astrology signs#astro community#astro blog#astro posts#astro#astro notes#astrology chart#astro placements#money#values#astrology readings#astrocom#astrology fyp#astroblr#astrology observations#astronotes#astrology notes
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if your country has or could have commuter trains would you take a train to a destination cooly without thinking much of it OR would you play it a little coy whenever the train shows up to the platform and flashes open its sexy little doors at you yearning for your attention for you to fall into its mouth but you look away seemingly uninterested and as it closes its doors defeated and leaves the station and you catch a glimpse of all the seats and handles and even tables in some compartments and as it pulls away you allow yourself to shudder with pleasure at the sound of the engine and you think about what it would be like to get consumed by this megafaunal steel block so you show up to the station day after day never quite getting onto the train but giving it just enough teasing to build the tension between you and this 500 ton beast of steel and plastic and you want to be trapped like a little fly inside its maw and explore its teeth and throat and trachea and into its stomach and feel yourself dissolve into the walls and become one with it but that can't happen just yet maybe it can never happen and it certainly cant be of your own volition to step in and get swallowed because whats important to you is that the chase never ends whats important is that it can never catch you or else the fun is over it can never stuff you into its jaws because its locked into a destiny of eternal edging unless you give it release and you stand at its precipice with its teeth and tongue and lips slick with oily salivation but you never quite fall no matter how much the poor trapped train flaps its stupid pathetic flimsy doors and coaxes you with the desperate voice inside the cabin announcing arrivals and departures no what really gets you off is the cruelty of it all the way you can burden it with human desires far beyond its own capacity to form them the way you can transform its dutiful burden of carrying passengers to and fro into a frustrating hateful drive of pleasure and you hope that one day it'll slide off its steel guides and finally squish you like the bug you are like a little defenseless prey-thing so naughty for having teased it for so long you want utter annihilation at the hands of a great big nasty oily puffing charging engine with no care for its own life just solely wholly focused on getting you in, on, or around it and you want to make sure both you and the train become so twisted by the chase that the pleasure awaiting you at the destination can no longer be distinguished from the pain of the journey and the hedonism just keeps adapting to baser and baser wishes until sex and death are a singular simultaneous yearning? which one would you pick
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ATTENTION:
I am doing art commissions in exchange for donations to the gofundmes of the many Palestinians that have reached out to me. Any donation will get you something as every bit counts, but the higher the donation the more I will make for you
For under 5$, you can get:
A profile picture in black and white, traditional or digital.
A sketch of any animal traditional or digital.
A color palette based on a prompt.
For 5$, you can get:
A full color profile picture of anything.
A Chibi drawing of any character in black and white.
A color palette with simple drawing.
For 10$, you can get:
A short fanfic about anything you want, about 1-2 pages.
A simple colored drawing, digital or traditional. Any subject.
2 Chibis of any characters in full color.
For 15$, you can get:
A 5 page fanfic of any subject.
A drawing on any character in simple cartoon style, fully colored.
For 20$ or more, I'll draw, write, or edit anything you want! Just ask and I'll do it!
THIS IS ONLY PART ONE! I LITERALLY COULD NOT GET TO ALL OF MY ASKS IN TIME, SO I WILL ADD ADDITIONAL CAMPAINS LATER
HERE ARE THE GOFUNDMES TO DONATE TO!:
@abdalhadiaburas Rebuilding Hope For My Family And Saving Them
@abdelmutei Please help save my family
@abedalazeiz Help us build new hope for me and my family
@abedallhferwanagaza Urgent Appeal: Save Ola' family evacuate Gaza war
@abood-gaza2 Help Abood From the War
@aboodnemer From War to Education: Abdelrahman Resilient Journey
@/Abu-samir Save Gaza: A Brighter Future for Shady and Family
@ahedalshaer Help Gazans family get to safety
Anonymous Donate to Help Bisan and Her Family Survive In Gaza
@ahlam910 Help Mahdi family to survive to get better life
@ahmadelser Help Ahmed’s family escape the war
@ahmad-syam-blog Help Ahmed Jehad and his newborn survive!
@ahmadresh Donate to Ahmed's Journey to Safety and Education
@ahmeadhilles Helping the Ahmed Fathi family achieve a better future
@ahmed4palestine Save Ahmed and His Family in Gaza
@ahmed79ss Help my family to get out of Gaza
@ahmedalnabeeh11 Help Ahmed, Abedelrahman, and family Escape war
@ahmedabuomar Help Ahmed to get essential needs
@ahmedkhabil Help my family to live and go to a safe place
@ahmed-mohammed1 Urgent Help Needed to Evacuate My Family from Gaza
@ahmed-ziad Help Ahmed family to travel to a save place
@alaakhaled0 Help the child survive the Gaza war
@alhabil Assist in evacuating my family from the war in Gaza.
@alimeq92 Help us survive 10 months of hunger, aya & ali
Amira-world Amira's Story: Between Hope and Resilience
@anasalshrofa Donate to allow my family to survive.
Amjadshiltawu Support my uncle's family to survive the war
@amnyaburas Help me to give a save life for my children
Anas-from-gaza Help Anas family in Gaza ,Save us from war and bombing
@areej1982 From Gaza, help me to study and follow my dream
@asala-almashni Help me to protect my only daughter's childhood
@aseelo680 Support Asil Fight for Life and Family in Gaza
@ashraf-baker5 Hope for Gaza: Support Ashraf's Family Rebuild Their Lives
Asmaameqdad Help us to survive
@asmaayyad Help me and my family escape the war in Gaza
@a-ss-123 Save Our Children: Emergency Relief for a Family in Gaza
@atalah-mohammed Bone Grafting Operation for Muhammad & House Reconstruction
@aya2mohammed Assist in evacuating my family from the war in Gaza.
Ayaalanqarsblog Save Gaza: A Brighter Future for Aya and Her Family
@ayayassir Help me and my family in Gaza
@ayoosh-gaza Helping my family to evacuate from Gaza
Azaxa Support Family escape from rafah to save place
@burningnightgiver Help my family to get out of Gaza
Colorfulgladiatordelusion Donate to Caroline Smeerah Mahmoud
@darinedawoud Help future Dr Darine and her family evacuate Gaza
@d-imtthal Help Imtsal and her family have a better future
@dinamahammed99 Help me save my children from death in the Gaza war
@doaaomar1234 Help my son to live a normal live
@emanzaqoutt Help my family survive famine and have secure life
@eslamfamily Help Eslam Save Her Family
Esraayyad14 Help me and my family escape the war in Gaza
@eyad-alanqar255 Help my family EVACUATE from Gaza..
@eyadeyadsblog Help me and my family to evacuate from Gaza Strip
@ezzaldeens-blog Rebuilding Hope: Help Ezzedine Escape the War in Gaza
@falestine-yousef Help Palestine and Family Survive the Gaza Crisis
@family1234567 @familyetaf1234567 Familymaria1234567 Please help us get out of life's crises and the woes of war.
@fatimaalbalawi2 Help save my family to survive the genocide in Gaza
@fatma--gaza Support Fatima's Family in Gaza After Heartbreaking Tragedy
@fedao Help Tahrir's Survive in Gaza
@fidaa-family2 Help Fidaa and her children
@free-gaza2 Help Doaa Reunite her family
@freepaleatine95 Please Save What's Left of My Family
Grandmoonpersona Donate to Angeline Ikwabe
@haneenmohamed Help haneen and mohamed evacuate and get treatment
@hani-family Rebuilding the Homeland and Restoring Hope: Hani's Journey
@hasanamasi22 Help Hassan and his family get out of Gaza
@hashemabd Help Hashem's Family Escape Gaza, organized
@hashemsh92 Help my family survive and start a new life
@hashem-fromgaza Help evacuate our family and complete our studying
@hayanahed Emergency: Help Evacuate My Family From GAZA WAR
Hazemsuhali Help my family survive and start a new life
@helpfamily Please Save What's Left of My Family
@hillesmahmoud Save my children from death
Hsalem-2 Stand with Hatem family
@hyamshehab222 Help Zaen and Yehya to get out of Gaza
@ibrahimposts Help Ibrahim's family escape the Gaza war
@isra-elazaiza Aid Gaza's Displaced Family Find Sanctuary
@jody-family Help jody and her family evacuate from Gaza
Please look in the reblogs for the full list!
#palestine#things i’ve said#free gaza#free palestine#gaza#gaza genocide#all eyes on rafah#save rafah#queer#my art
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Okay bear with me folks, I have some ~thoughts~ about the Vanessa/Wade relationship (or frankly lack thereof) in Deadpool & Wolverine. I should start by saying that I am analyzing this with the (likely erroneous) assumption that everything on screen is 100% intentional and mindfully written to deepen the characters and inform their arcs. For the record, I don't necessarily believe that's true - there is certainly room for mistakes, lazy writing, confusing plot elements, or in this case, sidelining a potentially strong and important character for nebulous reasons (I'm guessing scheduling conflicts + run time concerns + actor's strike complications but idk for sure). (Also thanks to @gossippool and @kendyroy for encouraging me to post my thoughts instead of just rambling in the tags in the first place, y'all are the realest)
Long rambly post below the cut fyi
Now, granted, it has been a while since I watched the original Deadpool so I am not as well-versed in their early relationship as I am in the handful of scenes Morena Baccarin has in dp3, but I do think it is pretty canon that Wade generally struggles to express his deeper worries and feelings (without filtering it heavily through crude humor, sex, and pop culture references of course), especially after the events of dp1 and the physical and mental damage he sustains, and Vanessa is frankly no exception despite how much he cares for her. The entire first movie hinges on the fact that he doesn't really believe she could love him in his post-Francis mangled state, which is pretty contrived imo given that the film has established already how bonded they are, and she doesn't strike me as being written to be so shallow as to reject him based on a physical deformity. I mean iirc she wanted to stick around through chemo despite him being literally riddled with inoperable cancer, so she clearly is in it for the long haul (at least in dp1), messiness and all.
Now, in dp2, obviously she is shot and killed early in the film, and Wade spends much of the rest of the film wallowing in his very profound grief, trauma, and guilt over losing her due directly to his violent lifestyle. He goes to prison, he basically gives up on life and seems very resigned to dying once he has the power suppressant collar on, even excited to do so so he can be reunited with her. She is mostly sidelined as a Fuzzy Dead Wife trope basically, but the important thing here is that he spends weeks if not months in the throes of despair over losing the love of his life just as they were trying to start a family, and trying to reach across the boundaries of death to be with her.
Now, my first couple times watching dp3 I was frustrated by the trite narrative presented in the interview scene towards the beginning - specifically Wade's whole "my girl is getting tired of my shtick and I need to show her I matter". It felt contrived and disingenuous, and I just brushed it off as iffy writing, a means to an end, but the more I reflect upon it the more I think it is based in an emotional reality that is just handled with a very light touch by the film in favor of fanservice and Poolverine content (NOT that I'm complaining in the slightest - I think this movie is a masterpiece in many ways, albeit a flawed one but that's beside the point here), which for the record I am not against because I think it lends it an air of realism. This is Wade's story after all, Vanessa is a part of it but it is ultimately about him and his journey.
Basically, I think the combination of what happened to him in dp1 (the brain damage, the trauma, the awareness of the fourth wall, etc) followed by the events of dp2 (Vanessa's death, his grief and the associated guilt and trauma of being the direct cause of her death) led to an unbridgeable emotional gap between the two of them that ultimately leads to their breakup.
It's important to note that I don't think Vanessa has any recollection of her own death, given that Wade goes back and saves her before she can take the bullet, and so of course she can never fully fathom what Wade went through grieving her and their life together and their potential family, for however long he spent between her death and bringing her back with Cable's device. She can try (and she clearly does in the one scene I'll talk about next) but I fear she accepts, maybe even in that scene, that she can never succeed. He is beyond her reach by this point, and vice versa, his experiences having fundamentally changed him.
The one scene we really see from their relationship between dp2 and dp3 is the one where Cassandra mind-gropes Wade in the Void and we see Vanessa struggling to reach Wade across this aforementioned gap - she wants him to open up, she wants him to share what he's going through, she wants him to be the person she initially fell in love with (not even selfishly - to her nothing has changed really, because to her no time has passed). But not only does he not understand what she's really asking for but he responds in such a way that makes me think he has unprocessed issues that are only tangentially related to what she's saying - ie the stuff about mattering, about asking her if she even wants to be with him, etc. And he's not the Wade Wilson she met back in dp1 anymore. He watched her die and grieved her and brought her back, believing it would make everything go back to normal and they could resume their life together as if nothing had changed, but he has been fundamentally changed in a way that she can't grasp, even if he WAS good at externally processing his trauma openly without the artifice of wry jokes. She didn't "come back wrong" - instead, she came back exactly the same as before, but HE'S different now. Not wrong, per se. But changed.
It's an interesting scene because it's obviously a memory, and a crucial one at that, but you can see how Wade is misunderstanding what she's saying, viewing it through the prism of his own lack of self-worth and his own hopelessness - he takes away that she thinks he doesn't matter (even though like he says she didn't actually say that, but I don't think Cassandra invented that wholecloth - I think she pulled it out of his psyche because that's what he believes deep down, hence why his fixation on mattering even though she never said those words exactly), he takes away that she doesn't want to be with him, that she thinks he's nothing. Which would be frustrating as an audience member to witness as a pretty simple misunderstanding which could potentially be solved with one conversation, but it feels believable to me that these two people who have shared a great love would be fundamentally separated by unimaginable, cosmic trauma, and the on conversation they would need to have to rectify the misunderstanding is one that is impossible for Wade to verbalize and equally impossible for Vanessa to conceive of. It was one thing when they had shared trauma like violence and SA in dp1, but what Wade has gone through in dp1 and dp2, humor aside, is unfathomably traumatic, brain-breakingly so even, and that's not even factoring in the possible mental illnesses he now struggles with (I've seen folks suggest schizophrenia, DID, depression, etc. but I won't get into armchair diagnosing a fictional character here - suffice it to say he is canonically unwell as a result of what has happened to him, and yes it manifests as quirky fourth wall breaks and cheeky one-liners, but within the universe of the movies he is undeniably profoundly mentally ill, and that includes this humorous alter ego he created to cope with his trauma).
I think off-screen Vanessa probably really tried to reach him, maybe for years (the six year gap implies to me that they didn't break up immediately, that they tried for a while to stay together), trying to get her Wade back, but that Wade is gone. He struggled to express that to her until eventually he started to feel rejected because he couldn't express his trauma or how much he has changed, because even he can't fully conceive of the gulf that has formed between them. The truth is, he WANTS to be that Wade again, for her and for himself, but that Wade died when she died. Or maybe he had already started dying when Francis got a hold of him in dp1.
Anyway, all this is to say, I think Morena Baccarin WAS criminally underutilized in dp2 and dp3, but I think there is a strong argument to be made for the believability of their breakup regardless. I think even relationships built on enormous love can crumble due to trauma, and what Wade suffers over these movies is mind-bogglingly enormous trauma. It's especially heartbreaking that he blames himself for their relationship ending, talks like she just got tired of him, thought he didn't matter, whatever. But it is a credit to him that he never seems to feel anger towards her about it. He doesn't seem to feel entitled to her, though he longs for her and what they had and what she represented (hope, love, a future, a family), but ultimately she becomes more of a symbol of what he lost when he gained his powers, because let's be super fr right now - even if they had succeeded in having a baby, not only would they have lived in fear of her or the kid getting killed, but ultimately Wade would likely outlive both of them even if they managed to die natural deaths. The moment he gained his powers he was already destined to lose her, which is heartbreaking because she was the only reason he opted for the treatment in the first place - so he could stay with her.
I think a big part of Deadpool & Wolverine is watching Wade continue to process his own motivations (vis-a-vis Vanessa but also his other friends) and how he does eventually let go of the idea of "mattering" in favor of just saving the people he cares about (*cough* and being saved right back *cough* by Wolvie, as the final line and shot implies). And in the process he finds someone new who cares about him, who thinks he matters, who tries to sacrifice himself for him and his friends after mere days of knowing him, who comes home with him at the end of the story, who breaks his own centuries-old patterns, who has also experienced unimaginable grief and trauma, who has struggled with wanting to die and being unable to, who not only matches his crazy but matches his FREAK and also not only won't die on him but CAN'T die on him - and more importantly cannot be randomly killed by a stray bullet.
Idk if any of this makes much sense but I do think if you read between the lines and consider the potency of trauma and grief, guilt and emotional damage at play here, Vanessa and Wade's off-screen breakup is actually pretty realistic, and really heart-breaking to boot.
You can tell she still cares about him in so many ways - she shows up for his birthday party, she shows up to his welcome home party at the end, she finds excuses for physical contact multiple times, her eyes get soft when she looks at him, but there is a distance there that Morena Baccarin does an incredible job of portraying. She cares about him deeply, she has mourned the loss of their potential life together, she has let him go and accepted that the Wade she fell in love with is gone, but she wants him in her life even though she's moving on because she realizes he's gone somewhere she can't follow (literally and figuratively). And she wants him to be happy which is why I fully believe she would immediately clock the Poolverine of it all and not-so-subtly encourage them to make it official.
Anyway. Poolverine forever. Nothing against Vanessa at all - I think she delivers a nuanced and beautiful performance, I think their relationship is sweet and heart-wrenching in large part due to her acting chops, especially given how little she is given to work with - but I think their relationship was sadly doomed from almost the very start, because Wade becomes this traumatized superhuman and Vanessa would always be at risk in his orbit, but also would always on the outside of his multiverse superhero experiences. I think it's weirdly beautiful, even if I am filling in a lot of gaps and giving the writers maybe undue credit.
Anyway... thoughts? Please DM me or write in the tags, I am feral about this movie and just want to talk about it with anyone haha. If you have further insight into these characters too I'd love to hear it - I am by no means an expert in these movies or characters!
#wade wilson#deadpool & wolverine#deadpool and wolverine#poolverine#deadclaws#wolverine#deadpool#deadpool 3#deadpool x wolverine#vanessa x wade#rambly meta thoughts#anyway thanks for reading if you made it through#I def didnt edit this much just sorta wrote it out#I have more to say but it will have to wait I think#deadpool meta#vanessa meta
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Slowed to Anger
Alastor x reader
Synopsis: You loved the hotel and yet you risked your life for it
“Omg! Alaster I can’t believe you’re doing this and it looks so nice, I can’t wait to decorate” You gushed looking everywhere around the hotel making him chuckle.
“I’m glad you find this Journey to find this exciting my dear, I wish I could say the same but i’m stuck on a leash” Alaster sigh still smiling but with a broken one. You wrap your arms around his neck forcing him to wrap his around your waist.
“We’ll break this deal so we can go back to living happily together” You said kissing his temple as he closed his eyes as your kisses. “We have been married for decades it’s nothing we can’t handle My love” You continued saying.
Little did you know this was gonna be very different from those decades.
A war broke out between heaven and hell and you were against Lute and keep in mind you weren’t the best in combat nor fighting but you did have powers and you were gonna try your best to survive for Alastor.
You are a doe it made you fast but you felt like a prey everywhere and every time.
You created multiple shadows to corner Lute making her struggle until she actually stabbed you making clueless before looking down at your heart.
“Oh fucking hell” You whispered until your eyes went wide realizing what’s happening. You held onto the sword before Lute pulled it out of you before this time stabbing you in the stomach making you instantly let the life leave from inside of you.
Lute was about to check your pulse until a shadow elopes you making you disappear within an instant.
“M-My dear?” He asked hesitantly in horror seeing you gone and dead. He quickly held you into his arms rocking back in forth trying to heal you he couldn’t because he was trapped.
“No, No No No No NO NONONONONO” He yells out his smile vanished as tears leaked down his face and onto your body.
“This place reeks of death, there's a chill in the air
And I barely escaped being killed by a hair
My wife risked her life just to see the hotel thrive
"Great Alastor, altruist, died for his friends while wife takes the fall"
Sorry to disappoint, that is not where this ends
I'm hungry for freedom like never before
The constraints of my deal surely have a backdoor
Once I figure out how to unclip my wings
Guess who will be pulling all the strings?” He sang before hiding your body somewhere safe to keep so when he gets your soul, you can come back home to him just like you wanted to do.
#alastor x demon reader#alastor x you#alastor x reader#hazbin hotel x reader#hazbin hotel imagine#hazbin hotel x you#alastor imagine
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Let's Talk About Un-ironicizing Art!
In light of a lot of the conversations i've seen surrounding Death Grips and recent events concerning them, I want to take the time to point out that this is a good time to start thinking about how we engage with art on the whole!
For a long time, the irony poisoned method of consumption went unchecked in all facets of internet culture. As an internet musician in current day, I have noticed a sharp disconnect between artists and enthusiasts/casual listeners when it comes to attitudes surrounding music specifically, though I've witnessed it permeate all forms of art in some way.
I see people who have grown scared to engage on deeper levels, intentionally severing any resonant connections or knowledge learned from a piece of media before it has the chance to take root. In short, dare to be vulnerable! Dare to enjoy something on the basis that you yourself resonate with it, and not for any other nebulous reasoning. When masses of people relegate art to a spectacle, not only do artists become more likely to be disenchanted with the passions that fuel their work, but the audience ultimately suffers as well. All art at that point becomes less an extension of ourselves, less a vehicle to explore our identities, and is rendered a meaningless hulking sludge, or worse, the opponent to an already shrinking and narrow worldview.
Be not afraid to be unabashedly in love with the work that inspires you. Be not afraid to have the things you love misunderstood by some. When you engage with work new and old, make sure to do it for yourself. Making and observing art is inherently selfish, but being selfish is not inherently misguided. Allow yourself to learn, grow, discover, and repeat that cycle until the day you die.
To speak more candidly about my own experience, throughout the course of my life, there has been art that I've held near and dear to my identity, and own journey of self discovery that I seldom find others who hold the same sentiments to. I've always found this exciting. Exciting to hold something close to my chest as something so personal, and even more exciting when I can ease up on that grip when I find someone who I can share that with. However, I've also been through the throes of how the internet tends to chew up and spit out art that generally isn't understood by the many. I've fallen victim myself to the hive mind mentality that circles some artists and the cult of non-identity around them. This off-color ouroboros of knowing all about an artist's work and simultaneously upholding this facade of vapid complacency. I've come to the conclusion that if being openly supportive and connected to an artist's work or a particular piece of work automatically renders a person uninteresting and unambiguous at the very least, then I will live happily as an uninteresting open book. At the worst times, we see this line of thinking contribute to Death Grips being mocked and belittled en masse by people who are unwilling to engage with their art before they even get that far. It's heartbreaking, to me at least to see people put so much effort, emotion, and passion into transforming culture for the better to be rewarded with a crowd that's plugging their ears.
I realize I run the risk of sounding self indulgent, or even patronizing to an extent; I apologize because that isn't my intention, I'm hoping to see gears shift at least on a micro level surrounding attitudes towards art appreciation. Remember to dare to be in love holistically with the art you engage with! Speak of the things you love in a way that makes that clear to others, and consider your peers to do the same! You and the people around you can only be better off for it.
#long post#really long post#music#death grips#the internet is full of bright and beautiful art so why not help yourself
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Creating Compelling Character Arcs: A Guide for Fiction Writers
As writers, one of our most important jobs is to craft characters that feel fully realized and three-dimensional. Great characters aren't just names on a page — they're complex beings with arcs that take them on profound journeys of change and growth. A compelling character arc can make the difference between a forgettable story and one that sticks with readers long after they've turned the final page.
Today, I'm going to walk you through the art of crafting character arcs that are as rich and multi-layered as the people you encounter in real life. Whether you're a first-time novelist or a seasoned storyteller, this guide will give you the tools to create character journeys that are equal parts meaningful and unforgettable.
What Is a Character Arc?
Before we go any further, let's make sure we're all on the same page about what a character arc actually is. In the most basic sense, a character arc refers to the internal journey a character undergoes over the course of a story. It's the path they travel, the obstacles they face, and the ways in which their beliefs, mindsets, and core selves evolve through the events of the narrative.
A character arc isn't just about what happens to a character on the outside. Sure, external conflict and plot developments play a major role — but the real meat of a character arc lies in how those external forces shape the character's internal landscape. Do their ideals get shattered? Is their worldview permanently altered? Do they have to confront harsh truths about themselves in order to grow?
The most resonant character arcs dig deep into these universal human experiences of struggle, self-discovery, and change. They mirror the journeys we all go through in our own lives, making characters feel powerfully relatable even in the most imaginative settings.
The Anatomy of an Effective Character Arc
Now that we understand what character arcs are, how do we actually construct one that feels authentic and impactful? Let's break down the key components:
The Inciting Incident
Every great character arc begins with a spark — something that disrupts the status quo of the character's life and sets them on an unexpected path. This inciting incident can take countless forms, be it the death of a loved one, a sudden loss of power or status, an epic betrayal, or a long-held dream finally becoming attainable.
Whatever shape it takes, the inciting incident needs to really shake the character's foundations and push them in a direction they wouldn't have gone otherwise. It opens up new struggles, questions, and internal conflicts that they'll have to grapple with over the course of the story.
Lies They Believe
Tied closely to the inciting incident are the core lies or limiting beliefs that have been holding your character back. Perhaps they've internalized society's body image expectations and believe they're unlovable. Maybe they grew up in poverty and are convinced that they'll never be able to escape that cyclical struggle.
Whatever these lies are, they'll inform how your character reacts and responds to the inciting incident. Their ingrained perceptions about themselves and the world will directly color their choices and emotional journeys — and the more visceral and specific these lies feel, the more compelling opportunities for growth your character will have.
The Struggle
With the stage set by the inciting incident and their deeply-held lies exposed, your character will then have to navigate a profound inner struggle that stems from this setup. This is where the real meat of the character arc takes place as they encounter obstacles, crises of faith, moral dilemmas, and other pivotal moments that start to reshape their core sense of self.
Importantly, this struggle shouldn't be a straight line from Point A to Point B. Just like in real life, people tend to take a messy, non-linear path when it comes to overcoming their limiting mindsets. They'll make progress, backslide into old habits, gain new awareness, then repeat the cycle. Mirroring this meandering but ever-deepening evolution is what makes a character arc feel authentic and relatable.
Moments of Truth
As your character wrestles with their internal demons and existential questions, you'll want to include potent Moments of Truth that shake them to their core. These are the climactic instances where they're forced to finally confront the lies they believe head-on. It could be a painful conversation that shatters their perception of someone they trusted. Or perhaps they realize the fatal flaw in their own logic after hitting a point of no return.
These Moments of Truth pack a visceral punch that catalyzes profound realizations within your character. They're the litmus tests where your protagonist either rises to the occasion and starts radically changing their mindset — or they fail, downing further into delusion or avoiding the insights they need to undergo a full transformation.
The Resolution
After enduring the long, tangled journey of their character arc, your protagonist will ideally arrive at a resolution that feels deeply cathartic and well-earned. This is where all of their struggle pays off and we see them evolve into a fundamentally different version of themselves, leaving their old limiting beliefs behind.
A successfully crafted resolution in a character arc shouldn't just arrive out of nowhere — it should feel completely organic based on everything they've experienced over the course of their thematic journey. We should be able to look back and see how all of the challenges they surmounted ultimately reshaped their perspective and led them to this new awakening. And while not every character needs to find total fulfillment, for an arc to feel truly complete, there needs to be a definitive sense that their internal struggle has reached a meaningful culmination.
Tips for Crafting Resonant Character Arcs
I know that was a lot of ground to cover, so let's recap a few key pointers to keep in mind as you start mapping out your own character's trajectories:
Get Specific With Backstory
To build a robust character arc, a deep understanding of your protagonist's backstory and psychology is indispensable. What childhood wounds do they carry? What belief systems were instilled in them from a young age? The more thoroughly you flesh out their history and inner workings, the more natural their arc will feel.
Strive For Nuance
One of the biggest pitfalls to avoid with character arcs is resorting to oversimplified clichés or unrealistic "redemption" stories. People are endlessly complex — your character's evolution should reflect that intricate messiness and nuance to feel grounded. Embrace moral grays, contradictions, and partial awakenings that upend expectations.
Make the External Match the Internal
While a character arc hinges on interior experiences, it's also crucial that the external plot events actively play a role in driving this inner journey. The inciting incident, the obstacles they face, the climactic Moments of Truth — all of these exterior occurrences should serve as narrative engines that force your character to continually reckon with themselves.
Dig Into Your Own Experiences
Finally, the best way to instill true authenticity into your character arcs is to draw deeply from the personal transformations you've gone through yourself. We all carry with us the scars, growth, and shattered illusions of our real-life arcs — use that raw honesty as fertile soil to birth characters whose journeys will resonate on a soulful level.
Happy Writing!
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