#it's a thing now <333< /div>
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lady-nuggetz · 2 months ago
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BORED ASF????
DRAW ON MSPAINT!!!!
RETURN TO YOUR CHILDHOOD WAYS AS A PPG ARTIST OR SPEND 6 FUCKING HOURS DRAWING WHATEVER THE FUCK THIS IS [I love you Kurt you are babygirl]
Im 100% serious though when I say I spent 6 hours listening to nothing but nightcore making that second one... 😋
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hinamie · 2 months ago
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i'm exactly as normal about him as I thought I'd be
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rendevok · 4 months ago
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40 :3
40~ an impulsive kiss
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My handwriting is messy, but i intended it as 3 speech bubbles:
Phoenix says (1)“Come here” while interrupting Edgeworth as he says (2)“W-”, and after he turns away, Phoenix says “They’re gone now”.
Hope you enjoy the not-so-healthy 7yg narumitsus!! Thanks :D
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blackbatcass · 21 days ago
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cass fans. happy to inform you that we have never been so back
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marshmallowgoop · 8 months ago
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no thoughts just Heiji Hattori (HD)
#detective conan#case closed#amv#my amvs#eye strain#heiji hattori#harley hartwell#conan edogawa#shinichi kudo#funimation english dub script#video#happy two-year anniversary to 'no thoughts just heiji hattori'!#while it's not my first amv (it's maybe my... fifth?)#it was the first one i made with davinci resolve and the amv that really got me into editing amvs for real#it's the amv that made me believe i could make amvs 🥺#and in remastering it i deeply understood how ambitious it was! i thought i did a lot of audio mixing for 'messed up'#but that's not even close to all the audio mixing i did here--cannot believe that i did all this for my first big amv project#it took about 20 hours *just* to remaster!#which is something i've been meaning to do for a while now so i'm very happy to finally share the results!#to make this a 'remaster' and not a 'redo' the only changes i tried to make were to the source footage and audio#video now uses almost entirely hd remastered footage from my blu-rays or netflix rather than my dvds#but oh gosh was it *hard* not to touch anything else! i'd do so many things differently now#but this video will always be really special to me (and i can't believe i did it at all tbh!)#i hope seeing it in hd is fun too! i'm so blown away by all the love this vid's gotten#and that it helped increase interest in funi's old english dub is amazing and 100% what i was trying to do with it!#thank you everyone for all the support <333 i wouldn't be the video editor i am today without this vid or your encouragement for it <3333#like the original the sources used are mostly from what funi dubbed (but mixed in hd by me!): eps 48-49 57-58 77-78 117 and 118 and movie 3#but i also used episodes 141-142 174 189 239 263 277 291 293 345 479 491 517 and 522#and ova 3 and tv special 6 (episode one) and movies 10 and 13 and ops 27 31 and 33 and the funi 5.2 dvd blooper for the one line lol#the song is 'you're stupid aren't you' by toshio masuda (from jubei-chan 2)
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pup-pee · 13 days ago
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bart hair kinda acts like horse blinders 4 him
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glasscitadel · 4 months ago
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Guys... after working on this incrementally over the past 8 months between other personal work and commissions, I finally did it. I have kicked clothing design's ass and have served my archael heirus, Eden, the finest religious sci-fi drip... Very minimally shaded so this can serve as a good reference!
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And a version without wings <3
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d8tl55c · 3 months ago
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#--/ art#--/ story#ava the dark lord#⬇⬇⬇ context in the tags ⬇⬇⬇#alan becker#animator vs animation#animation vs minecraft#ava the chosen one#it is done !! ok ill give y'all the intro context synopsis now#the story goes that way way way way before Showdown cho and dark used to sneak into abandoned-looking buildings in the city at night#and one such target they stumble upon happens to be a storage room containing artifacts from Minecraft#the most interesting being the beds.#on this particular outing cho and dark were returning from other shenanigans and could use a place to rest. perfect!#dark belly-flops onto the right bed (scooting them out of alignment) and strikes a pose.#while chosen is shoving them back together again... oh. he's already asleep? ...???#!!! the beds draw you in if you get too close!#so what was supposed to be half an hour at most rest turned into the whole night. they skedaddled and forgot about the freaky beds.#until. a certain someone goes and dies :333#you get it now ! ! !#it was dark diesn't ALL ALONG-#yeah and then for extra spice i threw in that the hooded stick King meets with during his episode to buy a command block...#...happens to own that storage room.#thus and so begins more brand new shenanigans with dark interacting with this shady rando. i call em seafoam#i highly extremely doubt there's a tag for seafoam . . . wiki calls them only 'hooded stick figure'#anyhow. behind the scenes this was also a practice of drawing things in 3D... keeping on model... and composition for storytelling#and i learned some things about how Whiteboard works too :o i. didn't know about the fill tool. it is cool#yayaya!! so that's been in my head for a while.#thx for reading <3 <3 ill be posting some close-up shots of this and other things i put on the whiteboard later#Minecraft bed
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emulation-0 · 1 year ago
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in sync
[Image ID: A five panel comic of Satoru Gojo, Suguru Geto, and Shoko Ieiri from Jujutsu Kaisen. In the first panel, half of Suguru's face is in shadow and faces the screen. Satoru is lying on his bed playing on a DS and Shoko sits on the bed next to him. Suguru asks, "Hey, Satoru, where's my phone?" Satoru says, "Over there." Shoko comments dryly, "You didn't even look up..."
In the second panel, Suguru is on the other side of the room, holding up his phone triumphantly in his right hand. Shoko whips her head toward him in confusion and disbelief as Suguru says, "Found it!! Thanks, Satoru :3" and Satoru responds, "Ur welcome"
In the third panel, Shoko wears an expression of disgust against a background of swirling radial lines, saying, "What the hell... That's so creepy..."
In the fourth panel, Satoru is leaning up on his elbows on the bed and Suguru is sitting next to him, sagely nodding his head as Satoru says, "You're just bitter cuz you're short." Shoko, irritated, says, "What does that even mean..."
In the fifth panel, Shoko holds her chin and contemplates, "Does the Six Eyes include telepathy...?" Behind her, Satoru is sitting on the bed with his fingers to his temples and his mouth open in concentration, levitating a slice of pizza. Suguru sits on his knees next to him, cheering him on.
Next to the first four panels is a drawing of the three of them. Suguru and Satoru have their arms slung around Shoko's shoulders, who smiles around a cigarette in her mouth and whose hands are in her pockets. Suguru, on Shoko's right, makes a three-fingered peace sign with his right hand and leans slightly down. Satoru has his legs crossed and his left arm up in a fist, mouth open in a smile. In hiragana written above them is Sashisu! (さしす). ]
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pl0tty · 3 months ago
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✍️ wip snip 💭
i was tagged by @edieblakewrites and @soliblomst to share an excerpt from something i've been working on :') thank you for tagging me bbs!!! <3
this started out as an entry for a fest but is now just a regular ol' wip i sometimes fantasize about finishing heh.
junior auror potter gets saddled with draco malfoy's parole visit one sunny day and has to check out his potions laboratory while he's there:
There was a furious flush on Malfoy’s face. Harry was clutching his throbbing kneecap when Malfoy swiftly levitated the book into the air and, with a flick of his wand, produced several sheets of paper next to it. He flicked his wand again and the book shot across the room, slamming into an open cabinet, its wooden doors shutting and locking in its wake. The papers fell on top of Harry’s head, then scattered around the floor. “Oops. Sorry,” Malfoy said, sounding extremely unsorry. “Well, those are your copies of the ledger.” Harry glared at him. He pointed his wand at the papers, and they promptly gathered into his outstretched hand. “I wasn’t going to duplicate your weird porn sketches, Malfoy.” “They’re not—!” Malfoy looked pained now. “They’re scientific illustrations, Potter. It’s research. You wouldn’t understand, of course, anything more cerebral than Quidditch Through the Ages goes straight over your head—”  “What kind of scientific purpose requires you to analyse the anatomy of an arsehole?” Harry pressed, completely forgetting himself. It was like Hogwarts all over again, the scarlet colour of his robes at the edge of his vision barely tethering him to his painstakingly cultivated adult persona. “It’s not just the—! It’s also the surrounding…!” Malfoy paused, took a few sharp breaths while looking as if he’d really like to be stomping his foot. “It’s for my formula, alright! For my lubrication potion!” He did stomp his foot then. Harry frowned. “Your what?” “I don’t expect you to understand, of course. Hetero Hero of Our Hearts, Protector of the Straight and Narrow—” “What are you even—” “However,” Malfoy went on, looking bored all of a sudden, his annoyance devolving into his usual, devastating drawl. “Some of us are a little bent, Potter. Some of us are very bent, actually, and keen on exploring ways in which we can bring pleasure to our bodies beyond what we get from the very utilitarian Lubrico.” Harry felt the fight leak out of him. “You’re…bent?” “Yes,” Malfoy said, raising his chin. “Are you going to write that down in your little form?” Heat rushed to Harry’s face. “Er, no. That’s. Not necessary.” “Whatever,” Malfoy said. “You can. I don’t care. Write it all down, see if I stop you.” “Of course I’m not going to—” “Please,” pressed Malfoy, voice coming out kind of reedy now. “I can help. The parolee has been spending his time on house arrest renovating his mansion and perfecting his formula for homemade lube. How’s that sound?”
tagging @appleslightning @fluxweeed @itsphantasmagoria @fastbrother @fanarthasmyheart if u wanna share ur lovely sketches/words 💕
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iridescentmirrorsgenshin · 2 months ago
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I have no other place to yap this to so I apologise in advance.
I find it interesting in Alhaitham and Kaveh’s voicelines they tend to talk about each other A LOT in a way of complaining. Such as in Alhaitham’s Good night voiceline where he says that he’d prefer that Kaveh wouldn’t be home at all because all the chaos and noise he makes in the dead of the night. Or in Kaveh’s Good Morning voiceline where he says that he hopes that you don't run into someone who ruins your day first thing in the morning.
I guess it’s what makes other people think that they despise each other’s company. Yet they’re always viewed as a pair and Alhaitham could’ve kicked Kaveh out of the house ages ago. But what’s your opinion on that?
Hiya! there's no need to apologise, this is a safe space for all haikaveh! When I tell you your ask is scratching my brain I mean ITCHING, I have so many thoughts about this part of their dynamic so thank you for enabling me <3 This turned out to be rather long, so I hope it’s helpful to you!
The contention in both Alhaitham and Kaveh’s character stories and voice lines seems to be to create intrigue about the two as individuals, and, in turn, their relationship.
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Alhaitham’s ‘good night’ voice line instantly serves as a contradiction to his character. It’s interesting, and telling, that Alhaitham, who is essentially Kaveh’s landlord, and mentions this within his fourth character story, alludes to Kaveh by using ‘roommate’ rather than ‘tenant’. ‘Landlord’ evokes a position of authority over the tenant, whereas ‘roommate’ indicates an equality between two people sharing a house – since it’s Alhaitham who advocates for the term ‘roommate’, it’s telling that, as opposed to what Kaveh believes, Alhaitham wants to establish equality between them.
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In terms of what Alhaitham says in this voice line, it explicitly raises a contradiction in the form of a question: if Alhaitham is truly bothered by his roommate’s antics, why doesn’t he simply evict Kaveh?
This is relevant as this question is also posed when we initially meet Kaveh within the Archon Quest, as Kaveh states he dislikes Alhaitham’s personality, to which Alhaitham responds by saying if he bothers Kaveh so much, Kaveh always has the option to move out of the house – to which Kaveh perceives as a threat, only to then dismiss this as Alhaitham ‘changing the subject’, which seems to mean that this ‘threat’ is taken as baseless. As this isn’t called back to, this seems to be the case.
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There is no real threat of eviction, and regardless of their disputes, Alhaitham ultimately gives Kaveh no ultimatum to move out. In fact, as discussed here (page 27), as we are meeting Alhaitham and Kaveh for the first time, Alhaitham allowing Kaveh to live with him contradicts his established character of living a life free of inconvenience. This instantly creates intrigue around his and Kaveh’s dynamic – who is Kaveh to Alhaitham for this exception to be made to Alhaitham’s peaceful way of life?
(An additional note of interest is that Alhaitham’s solution to the noise problem seems to be more uncomfortable than calling on Kaveh and telling him to stop his work. Alhaitham says that he’d rather not wear his noise-cancelling earpieces to bed, implying that he does so when noise is a problem at night. However, there’s no mention of Kaveh being stubborn when confronting this issue, which is why he takes to wearing his ear pieces, or any mention of confrontation at all. From this voice-line, it seems that Alhaitham avoids interaction by opting for the least comfortable option, which can be a contradiction to his character. As this is a rather brief voice-line, it’s difficult to ascertain why, but I like the idea that Kaveh is productive at night, and Alhaitham prefers not to impose on Kaveh’s work process – but this is more a headcanon than evidenced interpretation.)
Returning back to the contradiction within this voice-line, at a surface glance, this does appear to be a general complaint about Kaveh, and this can be found in Alhaitham’s lines about Kaveh, and also when discussing Tighnari. Alhaitham refers to Kaveh as ‘overly sensitive’, and ‘constantly making a fuss’.
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These can easily read solely as complaints, but when looking to the original CN translation, another interpretation can be found here. Alhaitham describes Kaveh as ‘caring’ or ‘tender’, which is exactly how Kaveh is described within the 3.6 special program (as per minimushiroom on twt), which can allude to how Kaveh is considerate to a fault, in that this serves as a detriment to himself.
This can be seen in Alhaitham’s other Kaveh-centred voice-line, in which he describes Kaveh buying keychains in order to provide meals for sick children, even though healthcare is free in Sumeru. Alhaitham clearly holds the view that this was a redundant action, as Kaveh, being in debt, most likely doesn’t have the money to spend on such investments that are, evidently, dubious.
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As Alhaitham provides a rational view here, this contrasts with Kaveh’s act of generosity fuelled by emotion – which highlights the contention Alhaitham has with Kaveh, in that Kaveh places himself in dangerous situations for the sake of others. However, as this can be perceived as a solely derisive line, this essential context is lacking, and can be easily misconstrued. (I think the EN translation here also coincides with this narrative, as minimushiroom notes that the original CN has Alhaitham refer to Kaveh’s sensitivity in a positive way, rather than contemptuously, as the English can be interpreted as.)
Kaveh, similarly, can be seen to complain about Alhaitham in his own voice-lines. This can be seen in the 'Good Morning' voice-line you've mentioned, where Kaveh complains about having to see Alhaitham in the morning, which 'ruins' his day. Additionally, Kaveh's voice-lines discussing Alhaitham refer to Alhaitham as ‘infuriating’ and not wanting to give Alhaitham the satisfaction of thanking him, despite Alhaitham helping him out. However, there is more nuance in these voice-lines than Kaveh simply ‘disliking’ Alhaitham, as this dislike is never stated - rather that he and Alhaitham have a difficult relationship in comparison to the ‘close’ friendship of their past.
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Kaveh describes their relationship being a ‘mixed bag’, of both negatives and positives, as well as establishing a thorough understanding of Alhaitham, where other people may misinterpret Alhaitham as they ‘don’t know him well enough’. Additionally, Kaveh notes that he knows that Alhaitham can present himself in a more ‘likeable’ manner, but that Alhaitham refuses to do so, which refers to Kaveh’s contention with Alhaitham discussed within his character stories. This, in turn, generates curiosity, as it appears that Kaveh holds an in-depth knowledge of Alhaitham that the player isn’t privy to.
Referring back to Alhaitham’s ‘Good Night’ voiceline, the question raised is, if Alhaitham has a problem with Kaveh, why doesn’t he just evict Kaveh? And the answer can be found by digging further into Alhaitham’s character stories. Looking to Alhaitham’s fourth character story, it states that he is aware of the dissatisfaction Kaveh may have with their living arrangement but  that ‘it matters not to him’.
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This means that he is aware that Kaveh may be unhappy with having to rely on someone else for a stable livelihood, something which his pride doesn’t naturally allow, but that this is also exacerbated due to their previous falling out and the current contentions Kaveh has with him.
At first, this can seem rather abrasive, which does fall in line with Alhaitham’s egoism as this doesn’t directly impact ‘the self’ (discussed further here), however, what immediately follows is Alhaitham’s belief that he and Kaveh are mirrors, in that his own perspective of the world will be enhanced - in the og CN, ‘completed’ -by Kaveh’s own world view.
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The implication generated here with the explicit term ‘mirror’, is that, just as Alhaitham benefits from Kaveh, Kaveh, in turn, can benefit from Alhaitham. (As a side note, it is interesting then that the voice-lines in question can be seen to mirror each other – Kaveh mentions Alhaitham in ‘Good Morning’ whereas Alhaitham mentions Kaveh in ‘Good Night’.)
Returning back to Alhaitham’s character story, rather than merely reflecting each other philosophically speaking, I’d say that this also points to their respective progression as people, not just scholars.
To me, this is reminiscent of what Alhaitham says to Kaveh in A Parade of Providence – being ‘correct’, ultimately, doesn’t matter, as there is no ‘correct’ path in life, meaning that there is no ‘correct’ philosophy to shape and guide a person. Rather, Alhaitham asserts that, ultimately, their opposing philosophies are not the issue that exists between them.
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The issue that does exist, then, can be surmised from Alhaitham’s actions during the event (discussed further here), in which he researches into Sachin to gauge his influence over Kaveh’s father journeying into the desert, with implicit hopes of providing closure for Kaveh, and potentially assuaging Kaveh’s guilt. This is a personal act with a personal motive; the underlying motive being concern, as opposed to an assertion of ‘correctness’.
In my opinion, I think Alhaitham’s actions during A Parade of Providence are a direct reference, and fulfilment, of Kaveh’s fifth character story. I’ve discussed here that the main reason for the ending of their friendship was them asserting the correctness of a philosophy over the other, and proposing one philosophy as the ‘solution’ to the other’s perceived flaws.
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Here Alhaitham can be seen to use Kaveh’s past as the reason for his excessive altruism, implicitly referring to Kaveh’s guilt over being the supposed catalyst for his father’s demise. This final comment of Alhaitham’s appears to be the first time this has been mentioned between them, and it’s enough to be perceived as weaponisation – leading to Kaveh severing their friendship.
In A Parade of Providence, Alhaitham is shown to only have taken the role of commentator to research into Sachin, whose research we are told (by Kaveh), he has no explicit interest in, and it is heavily implied that the only reason he looked further into Sachin, was to prove to link between Sachin and Kaveh’s father. Alhaitham seems to want to absolve Kaveh of this past guilt in hopes that Kaveh will stop placing himself in the cycle of self-sabotage.
For me, when viewing this as a parallel, it highlights that Alhaitham’s motivation in speaking out during their days as students was out of concern for Kaveh, although while holding egoism as ultimately beneficial, and therefore perceivably ‘correct’. The ‘issue’ they’re currently debating is not expressly stated, and although it is unclear if Kaveh understands the implication (as discussed here), as ‘correctness’ has been overturned, there seems to be little left than the personal.
Relating this back to Alhaitham’s fourth character story, for me, Alhaitham referring to Kaveh as a mirror isn’t just referring to Kaveh as a scholar, but a person as a whole. As Alhaitham seeks to improve himself, personally, through Kaveh, it seems that he hopes to be able to benefit Kaveh in turn.
As for Kaveh’s complaints regarding Alhaitham, these can be contextualised within his own character stories. As Kaveh ultimately severed the friendship between him and Alhaitham, Alhaitham offering Kaveh to live with him, despite Kaveh revoking his previous understanding of Alhaitham (as discussed here, page 67), causes Kaveh to be overtly suspicious.
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In Kaveh’s Old Sketchbook, it is mentioned that Kaveh believes there to be an ulterior motive for Alhaitham inviting him to share a house, as he believes that Alhaitham wouldn’t do something for someone else without an exchange.
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Kaveh, then, openly distrusts Alhaitham due to this unspoken motive, and although he takes on chores to ease his sense of guilt of being a perceived burden, a contention arises here. Due to their previously ended friendship, and with how Alhaitham hurt Kaveh, and how Kaveh may believe he hurt Alhaitham (discussed here), Kaveh sees no reason for Alhaitham to want him around – he treats their relationship as an exchange, asking what Alhaitham could possibly want for him.
Although Alhaitham views Kaveh as a mirror, and therefore, respects Kaveh’s perspectives, Kaveh can potentially view their opposing philosophies as a negative rather than a positive as he had done in the past (as discussed here), as it, perceivably, was what led to the end of their friendship. In this, Kaveh views Alhaitham as disparaging him and his views. As mentioned in his character story, he has no reservations in telling Alhaitham of his debt as Alhaitham has already seen through him in the past, and yet again, upon meeting at the tavern.
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Although Alhaitham perceivably views him unfavourably, and his comments and complaints appear to propagate this interpretation, Alhaitham also seems to have no issue with keeping Kaveh around, and interacting with Kaveh, regardless of the problems Kaveh expressly has with him.
To Kaveh, it could be that as Alhaitham has already seen the worst of him, and appears to have no real issue with their stilted rapport, there is no point in donning a front and using niceties. He is open with his issues with Alhaitham, and, in turn, Alhaitham is open with him.
This appears to be a dual negative and positive for Kaveh, as he describes Alhaitham’s constancy as ‘the most unshakable part of one's past is a friend that will never change’. In this sense, his unsteady rapport with Alhaitham is reliable, and therefore, has no reason to change.
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Clearly, there is a large disconnect between Alhaitham’s view of Kaveh and how Kaveh perceives Alhaitham’s view of him. As previously mentioned in the discussion of A Parade of Providence, there is an unspoken ‘issue’ between them, and this can be interpreted as dire misconceptions borne from miscommunication.
As discussed, Kaveh and Alhaitham reference each other a lot in their respective voice-lines and their character stories. This alone is enough to connect them, regardless of the cruciality of their mirror motif, as they are key figures of each other’s past, present, and seemingly, future. Despite this, it’s as you say, there’s a common perception to view them as mutually disliking each other, and, to me, this is based upon their first initial interaction, and the way they refer to each other in their own character stories and voice-lines.
It’s notable that Alhaitham refers to Kaveh in his voice-lines when Kaveh is not explicitly relevant, such as in his Good Night voice-line, and, most interestingly, when Alhaitham discusses Tighnari.
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This could be because Alhaitham knows of Tighnari through Kaveh, but as this connection isn’t stated, it reads as Alhaitham mentioning Kaveh for no other reason than to complain about his perceived naivety regarding relations with others. But as this is a voice-line designated to discussing Tighnari, it’s interesting, and incredibly noticeable, that Alhaitham then discusses Kaveh instead. It’s similar to what Kaveh can be seen to do, and is observed to do by others, in relation to discussing Alhaitham.
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When it comes to Kaveh, however, his complaining of Alhaitham can be seen to link with his process of dealing with troubles in his work. In his Hangout, he states that he takes his work to heart because he cares about it, which is expressed in the same quest in which Kaveh and the Traveller run into Alhaitham in the House of Daena (discussed further here, page 219).
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Drawing a parallel here can further contextualise Kaveh’s complaining of Alhaitham – if Kaveh truly disliked Alhaitham, there seems to be no reason for Alhaitham to remain so relevant to him, both in conversation, and in private thought. Additionally, Kaveh is described as an empathetic person, and when dealing with others, he is thusly seen to look for another perspective rather than act on his own subjective perspective.
Looking at his voice-line on Dori, for example, expresses his distaste for Dori pressuring him for Mora due to his debt, however, he also empathises with her, and states that he senses there must be a reason why Dori acts in such a way.
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In contrast, this empathy can be perceived as missing in his treatment of Alhaitham, and therefore Kaveh complaining about Alhaitham can be perceived as blatant dislike – which contradicts Kaveh’s benevolence and empathy, which A Parade of Providence particularly stresses.
Kaveh’s treatment of Alhaitham can be seen as deliberately contradictory, as it can cause the player to question why Kaveh reacts in such a singular way to Alhaitham, just as why Alhaitham reacts in a singular way to Kaveh.
In reference to Alhaitham, whilst Alhaitham tends to complain about Kaveh in turn, his actions reveal him. He invites Kaveh to live with him, gives no eviction date, pays for Kaveh’s tabs willingly, (supposedly) buys wine as an apology, and goes out of his way to ensure dialogue with Kaveh – which contradicts his own character stories, in which he appears to favour solitude, and only greets those he considers his friends ‘with a nod or two’.
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Moreover, Alhaitham is established as considering Kaveh a necessity to his ‘peaceful life’ he seeks to maintain (as discussed here), and can be seen to implicitly consider Kaveh one of his priorities within his Story Quest.
The idea that Alhaitham dislikes Kaveh seems to stem from Alhaitham being taken literally when voicing an opinion, or an issue, or simply joking, in reference to Kaveh – despite his character stories highlighting that Alhaitham often uses sarcasm in order to subvert expectations.
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Alhaitham expressly states that he prefers to be seen as inscrutable, and unknown, by the general public, and uses subversion as a means to do so. In these character stories, Alhaitham openly encourages speculation of his own words.
Without this context, it seems easy to simplify Alhaitham to purely speaking factually when first addressing Kaveh in the Archon Quest – stating that having to explain things to Kaveh is ‘a nuisance’, and yet, it is overlooked that Alhaitham stays in the House of Daena, regardless, knowing Kaveh would find him again.
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On the whole, in my opinion, Kaveh’s feelings towards Alhaitham cannot be simplified to ‘dislike’ as this is dually an inherent misunderstanding of his character, and of his and Alhaitham’s relationship, just as Alhaitham’s feelings towards Kaveh cannot be simplified to ‘dislike’ for this same reason.
In the beginning, Alhaitham and Kaveh are not supposed to be perceived as friendly, as Kaveh denies the association of ‘friends’, and Paimon describes them to the Traveller as ‘problematic’.
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The reason for this is due to their character arcs being intertwined – the core issue is posed in Kaveh’s fifth character story, in that the question is raised if a compromise can be reached, if both sides of the mirror, can be balanced. At the beginning, they are entirely at odds, but even footing must be found.
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I’ve noticed a shift in online discourse after Cyno’s second story quest, as the progression in Alhaitham and Kaveh’s relationship is noticeable – deliberately, due to the flashback scene within their house (which I’ve discussed in detail here, page 122). To me, it’s more common to form the assumption that Alhaitham and Kaveh dislike each other in the Archon Quest, but with recent developments, and, hopefully, future ones, this perception is being overturned in online communities. Perhaps that’s just wishful thinking, but I’m still hopeful!
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sk-yay-sk · 26 days ago
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I've gotta say I'm not a huge fan of putting Dragonese into the HTTYD movie franchise. The concept of a full-on dragon language they all share, that can just easily be translated into English, just really doesn't fit imo
I imagine they're a lot more like Orcas
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There are universal ways to communicate with strangers of different species, like it's pretty easy to signal things like "i want to fight you" "i want you to leave" "it's dangerous here" "i'm in pain" etc. by just body language and vocalizations- but ways to communicate more complex ideas have to be developed and learned as unique dialects by different groups, especially flocks of dragons consisting of different species.
I imagine a terrible terror flock or a group of Speed Stingers have a lot of an easier time communicating with each other than a Thunderdrum and a whispering death do.
Dragons with their own dialects, cultures, and habits depending on location and group is really cool- I just don't think it should be a direct translation of how humans do these things, such as straight up language or mythologies or such.
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hinamie · 4 months ago
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ik i've done like 5 panel redraws from 265 alone but this is the last one promise
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matd0 · 2 years ago
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CW// blood
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finished an old wip i didn't rlly like but it actually turned out alright !! yippee
idk i kinda want to add more textures to my art lol :3
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also idk if anyone cares about my headcanons orwhatever but jsdhjdhejd i think he kindof reminds me of snakes !!! like have you guys ever seen a snake eat??? cool ashell (this post was sponsored by my pet snake dahlia, shes rlly cool) and also. did you know that some snakes have infrared vision??? like that is so fucking cool omg??? so yea i think he can also see stuff based on temperature :3 (but hes otherwise blind) (imo) (you can disagree) (ijust think its cool) (♡)
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chitsangenthusiast · 2 years ago
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for @chiptrillino 🧡💚
↳ the lily pad frogs love hanging out with zuko when he comes by the pond! zuko, on the other hand...has mixed feelings
(it spins! video below the cut)
hop around the floaty lord 🐸
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ananinidraws · 1 month ago
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Miscelanious doodles of Off the Hook
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