#it's a long poem so i used a cut

[kitchen-light]

Detail of the Rice Chest

by Monica Youn

In the 2015 Korean film The Throne, the rice chest sits in the center of the vast, symmetrical courtyard of Changgyeonggung Palace.

The film is called The Throne in English; in Korean it is called Sado.

A Korean-speaking audience would be presumed to know in advance who Prince Sado was.

An English-speaking audience is presumed not to have this knowledge.

Although this is a historical film, for a Korean-speaking audience the well-known story functions as mythology, at the level of symbol.

For an English-speaking audience the unknown story functions as narrative, at the level of plot.

There is an “I” in this poem.

I know who Prince Sado is, I can read the Hangul word Sado. But I do not speak Korean.

I am a member of the English-speaking audience.

I know about Prince Sado from The Memoirs of Lady Hyegyeong(1804). But I know about The Memoirs of Lady Hyegyeong from Margaret Drabble’s The Red Queen (2004).

Margaret Drabble’s The Red Queen is about Lady Hyegyeong. But Lady Hyegyeong was never a queen, nor is she associated with the color red. The name is misleading.

The name of the film The Throne is also misleading. The film does not focus on the throne; it focuses on the rice chest.

Like a magnifying glass, the stone courtyard focuses the gaze on the rice chest. The gaze increases in intensity and heat.

July temperatures in Seoul average 84 degrees Fahrenheit, with average humidity of 78 percent.

I have been to Seoul in July, I have worn hanbok on a summer day, but only once.

I have never seen a rice chest.

The rice chest is a functional object and stands in contrast to the highly decorative architecture of the palace courtyard. Its plainness renders it inscrutable, impenetrable.

According to the website Hanji Happenings: “The solid rice chest was generally made of pine but never decorated as a reminder of the importance of its presence in the home.” I learn from that statement that in Korean culture to be decorative is not to be important, and, conversely, that to be plain, inscrutable, is to be important. I do not know whether this is true.

According to the book Things Korean, the rice chest “always looks chock-full. There are always those four pillars at its corners which seem to be holding up a massive roof, as if this were some imposing religious edifice.”

Because of its oversize lid, the rice chest appears top-heavy, charged with kinetic potential. With four small feet it seems to be crouching on its haunches, to be hunkering down.

“Hunker down” is a Scottish term that refers to squatting on the balls of one’s feet, low to the ground but in readiness. It implies an apprehensive stasis, tense with the potential for sudden movement, poised to flee or to attack.

I have hunkered down, but only once.

Midway through the film, the rice chest is bound with thick rope, with a knotted webbing of four or five thicknesses of coarse, fibrous rope. The quantity of rope exceeds the function of the rope to such an extent that the rope binding seems decorative, symbolic.

I have been bound with rope, but only once.

There is something almost comic about such an excess of rope to bind a single imprisoned and dying man, the way there is something almost comic about a circle of guns pointed at a single unarmed man. I say almost comic rather than actually comic because, although these images provoke the same pent-up tension as suppressed laughter, I do not know who would find either of these images funny.

After it is bound, the lid of the rice chest is heaped with grass.

For a Korean-speaking audience, the grass-covered rice chest would resemble a traditional grassy burial mound, would evoke ancestral tombs, or even the prehistoric dolmens, which feature massive rocks perched on four small feet.

I have seen the grassy burial mounds of my ancestors, but only once.

For me, the rope-clad, grass-covered rice chest resembles a barbarian idol.

According to the Online Etymology Dictionary, the word “barbarian” originally comes from the Greek meaning any non-Greek and carries a derogatory connotation for those who speak a language different from one’s own.

When I say “barbarian,” it means I find the rice chest foreign, inscrutable, although it is Korean—Koreans speak a language different from my own.

In the film, the walls of the rice chest are made of thick planks, with chinks between them that admit slim shafts of light, drips of water.

But the walls of Korean rice chests are made of solid panels of wood. Planks with chinks between them would admit pests, especially insects, into the rice chest. Such a design would not be functional.

Partway through the film, we see a multilegged insect enter the rice chest through a chink between the boards. “We” here refers to both English-speaking and Korean-speaking audiences.

The single insect is followed by a horde of identical multilegged insects wriggling through the chinks in the walls. We understand the insects to be a hallucination of the dying Prince Sado. Their function is symbolic, the danger of allowing chinks in the walls.

In the film, through the chinks in the walls, Prince Sado is able to see and to speak to his dog and to his ten-year-old son, the Grand Heir.

But in fact these incidents never took place. They are not hallucinations but fabrications of the filmmakers just as the multilegged insects, the chinks in the walls of the rice chest are fabrications of the filmmakers.

The chinks allow the gaze to penetrate what would otherwise be impenetrable, to penetrate the inscrutable, barbaric figure of the rice chest, to reach the human inside.

In A Midsummer Night’s Dream, which is familiar to both Korean- and English-speaking audiences, Tom Snout, a “rude mechanical,” plays the part of a wall that features “a crannied hole or chink.”

The joke is that a human being portrays an inhuman object, since only an inhuman object would feature such a chink. I do not know who would find this joke funny.

When asked to “Show me thy chink,” Tom Snout holds up two fingers.

I have seen boys hold up two fingers. Calling me a chink, they would place their two fingers at the corners of their eyes, stretching their eyes into narrow slits through which it must have been difficult to see. They found this joke funny.

I have seen men hold up two fingers. They would use their tongues to penetrate the chink between their fingers, rendering the gesture obscene. The tongue thrust between the fingers reads as sexual, whereas an outthrust tongue without the fingers would be merely rude. Neither gesture is intended to be funny.

Both the boys and the men would use their two fingers to symbolize my body, a body that, without a chink, might seem impenetrable.

The primary meaning of the English word “chink” is a split or crack, a narrow fissure or valley. It derives from the same root as germ, as in “germinate.” “The connection being in the notion of bursting open,” as the Online Etymology Dictionary explains.

Chink also has a racially derogatory meaning, referring to a Chinese person, or, by extension, to any East Asian person, since an English-speaking person using a racially derogatory term would not be expected to differentiate among East Asian peoples.

I have asked boys to differentiate among East Asian peoples. Upon being called a chink, I would say, “You’re so stupid! I’m not a chink, I’m a gook!”

The Korean-American comedian Margaret Cho later used a similar statement as a punch line to a joke. I find this joke funny, and some members of a Korean-speaking audience might find this joke funny. I do not know whether other members of an English-speaking audience would find this joke funny.

The term gook was used by English-speaking soldiers to refer to Korean people during the Korean War. It was later used by English-speaking soldiers to refer to Vietnamese people during the Vietnam War, since English-speaking soldiers do not differentiate among East Asian people.

The term gook may derive from the Korean word for “American”—miguk. Hearing Korean people say this word, English-speaking soldiers thought the Korean people were calling themselves gooks (“me gook”) and followed suit.

The word miguk in Korean means “beautiful country.” Miguk is a transliteration of the Chinese characters meiguo, which also mean “beautiful country.”

I know how to pronounce miguk but not meiguo.

There are several accounts of why meiguo came to mean “American.” Some claim it’s simple phonetic approximation; others claim that meiguo was selected out of several possible phonetic approximations by nineteenth-century American missionaries and then made official in the 1901 Boxer Protocol after China’s defeat by eight foreign powers. I do not know which account is true.

All commentators seem to agree that neither Korean people nor Chinese people literally believe that America is a beautiful country.

But both Korean people and Chinese people must call America beautiful in order to speak its name.

Neither Korean people nor Chinese people refer to themselves as gooks or chinks.

Neither Korean people nor Chinese people refer to themselves as Korean or Chinese.

Korea is an English word, which seems to derive from a mispronunciation of the name of the Goryeo Dynasty by Silk Road traders that was first recorded by Marco Polo.

China is an English word, which seems to derive from a mispronunciation of the name of the Qin Dynasty by Silk Road traders that was first recorded by Marco Polo.

I have said Marco Polo’s name many times in a game that requires you to say his name many times. I do not know the origin of the game. Because of the r and the l, “Marco Polo” would be a difficult name for Korean speakers to say, but I am not a Korean speaker.

I have called myself a gook many times.

I have called myself a chink only once, when a white high school friend used the term in conversation, then stopped, realizing her gaffe. “Don’t worry,” I said. “I know what you mean. [X] is such an FOB.” “What’s an FOB?” she asked. “Fresh off the boat,” I said. “I may be a chink, but at least I’m not an FOB.” We laughed together, to relieve the tension, although I do not think either of us found my joke funny.

I used the term “FOB” to show that I considered [X] to be foreign, a barbarian. I called myself a chink to make myself seem more American.

Fresh Off the Boat was my white husband’s favorite television show during the time we were married. When we watched it, I hoped that laughing at the pushy Chinese immigrant mother on the show would lessen his dislike of my pushy Korean immigrant mother.

I hoped that allowing my white husband to treat my parents as endearingly foreign, fresh off the boat, like the endearingly foreign TV family of Fresh Off the Boat, would make me seem more American.

None of the actors in Fresh Off the Boat are fresh off the boat. Nearly all of them were born in America. By pretending to be foreign, they make English-speaking audiences feel more American.

My parents are not fresh off the boat. They have been in America for over fifty years. They speak both Korean and English.

A television is a box that allows us to put people inside it.

The television is sometimes called an “idiot box,” from the Latin for “private person,” from the Greek idios, meaning “one’s own.” But those inside the box have no privacy.

We put the inscrutable into a box so they may be scrutinized.

I made [X] inscrutable. I put [X] into the box.

I made my parents inscrutable. I put my parents into the box.

I decorated the box so it seemed foreign, barbaric. I made the box inscrutable so it seemed like a distant ancestor. I buried it so it seemed like a grave.

I made a chink in the box that the gaze could penetrate.

I stayed outside the box. I treated what was inside the box as a joke.

I was the English-speaking audience.

I watched Fresh Off the Boat on the idiot box.

I watched The Throne on the idiot box.

In The Throne a parent puts his son in the rice chest.

After the son’s death, the rice chest is forced open.

After the son’s death, his mouth is forced open. Three spoonfuls of rice are forced into his mouth, rice that might have kept him from starving to death in the rice chest.

After the son’s death, a name is forced into his mouth.

The name is Sado, a name which has meaning for Korean-speaking audiences.

I have said Sado’s name many times.

The son never called himself Sado.

There was never a chink in the rice chest.

No one could see into the rice chest.

There is a “you” in this poem.

You are a member of the English-speaking audience.

I let you see into the box, into what is private, into what is foreign, into what is inscrutable, into what has been buried.

I am the chink in the box.

from "From From", Carcanet Books, 2023

[teddybeartoji]

aanyway this is what i did todayyy:33333

+ the "man is a moral animal" poem quote poem is by frank bidart btww!!!!!

ta– daaa!!! these are nothing big nothing special but it is really fun to make them hehehehe

[crispycreambacon]

Cut Through The Noise

Even as the strike ends, the Palestinian genocide has not.

Now more than ever, there are so many conflicting voices. People with their own self-serving, hateful motivations speak over us, and sometimes our own voices can turn against us. We may feel like our voice isn't enough or we aren't doing enough.

This is why it's so important to learn to shut down that noise. No matter how much people scream that what we're doing is useless or a waste of time, keep talking. Keep talking about Palestine. Keep talking about Palestine for as long as this goes on, both online and in real life. If Israel won't end their genocide, we won't end our protest.

Below is a list of what you can do and the poem transcript.

Check and spread this post which contains a comprehensive list on how to help Palestine.

Learn about the history of Palestine and how the displacement and eventual genocide of Palestinians started in 1948.

Learn more about Palestine, the myths surrounding it and the arguments debunking it.

Boycott companies who are either directly or indirectly supporting and finding Palestine's genocide.

Click a button to raise funds for UNRWA – an organisation aiding Palestinian refugees.

Attend a protest.

Help Gazans stay connected by purchasing eSims for them.

Donate to the following organizations – any amount, no matter how small, goes a long way:

UNWRA

Care for Gaza

Medical Aid for Palestinians

Palestine Children's Relief Fund

Islamic Relief

Here's another post detailing more charities you can donate to

And most importantly of all: Don't Stop Talking About Palestine! However you interpret it as – creating art, talking to the people in your life, emailing and calling your representatives, even reblogging and making posts – make your voice loud and clear!

— Poem Transcript —

There's a lot of noise right now

Screams dehumanizing poor souls

Groans from those in willful ignorance

People digging deeper and deeper holes

And it's overwhelming, it really is

I do not blame you

Sometimes you feel that your voice is too small

I feel that way too

But despite that, I urge you to keep going

And demand for what's right

Even it sounds like a whimper

You're still joining in the fight

And soon the rest of us will join

We can stand together here

We can cut through the white noise

And make our message clear

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[waitimcomingtoo]

A Film By Peter Parker

Pairing: Peter Parker x Reader

Synopsis: Peter gets back into making little videos once the two of you start hanging out

warning: extreme 2017 homecoming era nostalgia

Masterlist

Of course he went for Liz.

Liz was the ingénue. She was perfect in every possible way. Perfect grades, perfect face, and the perfect boy pining after her. You’d been crushing on Peter since the third grade but with Liz around, he never noticed you.

But Liz was gone now. She had moved to Oregon following her dad’s arrest and taken Peter’s feelings for her with her. Now that she was gone, you decided it was time to stop pining after Peter from afar and start pining from up close. And so, when you walked into the cafeteria that day, you didn’t sit at the end of the table like you usually did.

“Oh, hey.” Peter smiled in surprise when you sat down next to him. Smiling was good. Smiling meant he wasn’t creeped out by you sitting so close. You gulped before giving him best smile back.

“Hi.”

“What are you doing here?” Ned asked, making Peter give him a look. You immediately regretted your decision and wished you’d just stayed in your usual spot.

“What do you mean? She always sits with us.” Peter pointed out.

“No, she always sits down there. She’s never actually sat with us before.” Ned replied and gestured to the end of the lunch table.

“Yes, but I’m sitting here today because I needed Peters help with the chemistry homework.” You said and put your chemistry notebook on the table. You knew you couldn’t just randomly sit with them without a reason, so you came prepared.

“Oh, for Mr. Eddie’s class? It’s easy. I’ll show you my notes.” Peter’s offered with a smile. You returned the smile as he pulled out his own notebook. It was a win/win for you since you actually needed help with the homework and it would start a conversation with Peter. While he was explaining the problem to you, you never once looked down at the notebook. You were too focused on the curve of Peter’s suspiciously long eyelashes, the longest you’d ever seen on a boy. Ned noticed the way you were staring his his best friend and frowned a little.

“Does that make sense?” Peter’s asked when he was done explaining.

“Yeah, it does. Wow, thanks Peter. It sounds so easy the way you explain it. I wish this stuff came as naturally to me as it does for you. You’re so smart.” You said as if you had listened to a single word he had said.

“That’s nice of you to say but I’m really not that smart. I just like chemistry.” He replied as he blushed from the compliment.

“Oh, come on. You’re the smartest guy I know. You’re the only one that answers questions in that class. And you always get them right. When Mr. Eddie asks if anyone has any questions, I don’t raise my hand because I don’t even know what I’m confused about yet.”

“That’s I feel in English. I can barely make it through the first line in a poem and you’re already going back and forth with Ms. Teague about Pindaric odes or whatever they’re called.”

“You listen to when I talk in English?” You asked with a soft smile.

“Of course I do.” Peter shrugged. “I always find the reading boring until you raise your hand and talk about how you interpreted it. You make it interesting.”

“I liked that book we read when the kids ate the other kids.” Ned said and interrupted the moment. Your smile dropped as you and Peter looked at him with disgust.

“The one with the flies-“

“We know.” Peter cut him off.

“Anyways, thank you for helping me with the homework. I’ve been stuck on it all week.” You said to Peter.

“Ugh. That’s been me with my paper for Mrs. Teagues class. And it’s due tomorrow.” Peter groaned.

“Oh, the analysis essay? I could help you with that.” You offered.

“Really? You’d help me?” Peter smiled in surprise.

“Yeah. I already wrote mine. It would be no problem.”

Ned was watching this back and forth conversation for a while until it clicked it in head. He gasped and slapped the table, making you and Peter look at him.

“Oh my God.” Ned said. “That’s why you’re sitting here. You have a-“

“Can I talk to you for a second, Ned?” You quickly cut him off when you realized where that sentence was going. Before Ned could even answer, you grabbed his arm and pulled him outside the cafeteria to talk in private.

“You like Peter!” Ned whispered harshly. You clamped your hand over his mouth and pushed him up against the wall.

“You need to keep your mouth shut.” You hissed. “Yes, I like Peter, okay? I’ve had a crush on Peter since middle school. He never noticed me when Liz was around but now that she’s in Oregon, I might finally have my chance. I don’t want to scare him off so just keep your mouth shut and let me handle this.”

You took your hand off Ned’s mouth and he started to gasp for air.

“Oh, please. Your nose wasn’t covered. You could breathe just fine.” You said with a roll of your eyes. Ned stopped pretended and straightened up.

“So you actually like Peter? For his personality?”

“Yes. Is that so hard to believe?”

“Kinda, yeah.” Ned admitted.

“I like everything about him. And I’m gonna tell him that. Just please, don’t say anything before I do. I’ll tell him when I’m ready.”

“Are you going to cast a love spell on him using a lock of his hair?” Ned whispered to you.

“What? No. Why would you even ask me that?”

“Because you’re a witch.” Ned said like it was obvious.

“I’m not a witch.” You groaned. “I just accidentally cackled that one time but it was only because I had phlegm in my throat.”

“Then about that time on the bus?”

“We’ve been over this. It was just a coincidence that that biker fell off his bike after I gestured with my hand. I didn’t move him with my mind.”

“And that one time in physics?” Ned narrowed his eyes.

“I still don’t know how that guys shirt caught on fire.” You shrugged. “It’s a mystery to me.”

“It caught on fire after he made fun of you for being a witch.” Ned pointed out.

“Maybe he was just standing too close to the flame.” You shrugged.

“He was standing in the doorway. There was no flame.” Ned reminded you.

“The magic of science.” You shrugged again.

“But what about that time-“

“Don’t bring up the nosebleed.” You whined.

“I am gonna bring up the nosebleed.” Ned hissed. “In sixth grade, our Spanish teacher got a nosebleed right after he told you to stop staring out the window and made everyone laugh at you. How do you explain that?”

“You’ve made your point, okay? Now are you gonna tell Peter or not?”

“Look, I’m not gonna expose your gross secret feelings, as gross and secret as they may be.” Ned sighed. “But Peter is still my best friend so I have to look out for him. I don’t want any spells cast on him.”

“That’s fine. There will not be any spells.” You held your your hands in defense. Just then, Flash walked by and laughed when he saw the two of you talking.

“Woah. What is this, the friendless loser convention?” Flash snorted.

“Shut up.” You snapped. Flash immediately tripped over his feet and fell to the ground, making Ned look at you with wide eyes.

“Witch!” He whispered harshly as he pointed a finger at you.

“Shut up. Let’s go back inside.” You rolled your eyes and pulled Ned back into the cafeteria.

Later that day, you met up with Peter in the library to go over your assignments. You started with his English essay and finished that within an hour before moving on to your chemistry homework.

“You can plug the numbers into your formula now using the method I taught you. And then you just solve for x.” Peter explained as you worked out a problem together.

“Hm. You make it sound so simple.” You sighed and leaned on your hand. Peter saw the way you were staring at him in his peripheral vision and felt his face heat up.

“It’s, uh, it’s pretty easy once you get the hang of it. I never liked the way Mr. Eddie taught it. I figured this out myself and it’s worked much better for me.”

“Thanks for helping me. You’re a good teacher.” You said and put your hand on his arm. Peter laughed shyly at the contact and cleared his throat.

“Thanks. And so are you. That was the best essay I’ve ever produced. I honestly worry she won’t believe I wrote it.”

“Well if she says anything, I can vouch for you. You put in good work on this essay. You deserve the credit.” You assured him, making Peter blush all over again. It occurred to Peter that he never realized how pretty you were. You’d been classmates since 3rd grade so he always looked at you as just another girl in his class. Now that you had his full attention, he didn’t feel like looking away.

“Thanks. I appreciate you helping me write it. I know it can be frustrating to work with me because of my dyslexia.”

“It’s no problem. And it wasn’t frustrating at all.” You shrugged. Peter smiled at felt better about how long it took him to write the essay.

“Thanks.” He said. You had successfully gotten him to spend time with you one on one but now you needed to commence the next phase in your plan which was to hang out in a non school related setting.

“Would you ever want to hang out socially?” You blurted.

“Like, and not do homework?” He asked. You nodded your head and he smiled before nodding as well.

“Yeah. Sure. I’d love to.”

“Cool. Me too.” You smiled. You hadn’t meant to blurt it out like that but it worked nonetheless.

“Does this weekend work?” He asked you.

“Yeah. What do you want to do?”

Hard cut to that weekend. You were on the subway with Peter and he had his phone out to record himself.

“Firts social hang out with a girl. A film by Peter Parker.” He said in a low voice before flipping the camera to face you.

“Staring me.” You smiled and waved to the camera.

“Are you sure you’re cool with me filming this?” Peter asked as he flipped the camera back to himself.

“Yeah, of course. The other ones you showed me were so cute. But why did it seem like there were so many missing parts? You were always talking about something cool that I didn’t get to see.”

“Uhhh, no reason.” Peter said and looked to the side. He had skillfully edited out any incriminating superhero activity that you were not ready to see yet.

“Well I like it. I feel like I’m on Modern Family.” You said and posed for the camera.

“Which family member would you be?” Peter laughed and zoomed in on you. With his phone blocking his face, he could shamelessly admire your face on his screen.

“Duh. Lily.”

“I can so see that.” He chuckled. The subway lurched suddenly and you both grabbed onto the pole, coincidentally putting your hands in top of each others.

“Oh, sorry. Our hands touched.” You laughed shyly.

“Oh my God. So romantic.” Peter joked, making you blush and look into his camera.

“Stop it.” You laughed and covered his phone with your hand. He laughed as well and put his phone away.

After learn you had never been, Peter decided to the Lego Store. He’d been hyping it up to you all week over text and now that it was finally happening, he hoped it impressed you. You walked in together and Peter heard you gasp.

“Big Lego Aladdin.” You gasped and ran to stand under the giant magic carpet and Aladdin made of Legos.

“That’s the first time I’ve ever heard that string of words come out of someone’s mouth.” Peter laughed and went to stand under it with you. You looked over at him and were surprised to see he was already looking at you.

“This is even better than you described it. You need to show me everything.” You said and excitedly shook his arm.

“I can do that.” He blushed and nodded his head towards some of the sets.

Peter took out his phone to film you as you looked at everything in the store. The way you were looking around like a little kid brought a smile to Peter’s face. He zoomed in on you and caught himself staring at you fondly through the camera.

“Come on. I haven’t even showed you the coolest part yet.” Peter said and brought you over to the build your figure own station. He laughed when you gasped again and started to excitedly rummage through all the pieces. Peter didn’t bring his phone out again until you had built each other.

“Show me what you made.” He laughed from the other side of the phone.

“Looks! It’s a little Peter. He has a backpack and a beaker.” You said as you proudly showed the camera the little Peter figure you had made.

“This is Y/n. I can’t believe I found the shoes you always wear.” He said as he filmed the figure he had made of you.

“You notice my shoes?” You asked with a smile. Peter didn’t catch it because he was too busy fitting the hands of your Lego figures together.

“Look. They’re holding hands.” Peter gasped.

“Aw.” You laughed. “Us on the subway.”

“We should give them some privacy. They might not want us to hard launch their relationship.” Peter said and put his phone away.

“You’re so cute.” You laughed without thinking about it. Peter looked up at you with rosy cheeks and you gulped when you realized what you said.

“I mean-“

“Come on. I wanna take you somewhere else.” He cut you off before you could explain. He brought you to Delmar’s and ordered his usual for you to split. You sat together inside and you tried your best to remain calm. You always wondered what Peter got up to when he wasn’t at school and now you were in one of his favorite places and eating with him.

“Okay, this is Y/n’s first time eating at Delmars since he reopened. Let’s get her reaction.” Peter said as he filmed you unwrapping the sandwich.

“Wait, why is it so flat?” You laughed and held the sandwich up.

“Oh, sorry.” He chuckled. “I forgot to warn you that he always squishes it for me. But you’ll like it. Trust me. It’s much better when it’s squished down real flat.”

“Well I’m glad I now know you like your sandwiches to be squished. I would not have expected that about you.” You said and took a bite of your half before giving him a thumbs up.

“Yeah? You like it?” He asked hopefully.

“I do. Your squishy sandwich was surprisingly good.” You admitted.

“Well, I’m very pleased to hear that.” Peter smiled and phone away. “So to make it even, you have to show me one of your favorite places next time we hang out.”

“Oh.” You smiled coyly. “I didn’t realize there would be a next time.”

“There better be. I had a lot of fun with you today. How come we’ve never hung out before?”

“I don’t know. I always wanted to but you were busy running around with Ned or staring at…” You trailed off and chose not to mention Liz in case he was still hung up on her.

“It doesn’t matter. I’m just glad we’re friends now.” You said instead.

“Me too. I’ve never had a girl friend.”

“What was that?” You said and started choking on your saliva.

“All my friends in my life were guys. It’ll be nice to have a female influence in my life.”

“Oh. Girl friend.” You smiled tightly.

You hung out another hour before taking the subway back to your respective apartments. Peter walked to you the front doors of you building and you had an awkward moment where you didn’t know if you should hug or not.

“We uh, we should probably get an ending for your film.” You said with a timid smile.

“Oh, right. Thats a great idea.” Peter smiled and pulled out his phone. He pressed record and you waved to the camera with both hands.

“So, can you give our first time hanging out a rating?” He asked you.

“9/10.” You grinned and held up two thumbs.

“What? Why’d I only get a 9?” Peter scoffed and pretended to be offended.

“I had a 10/10 time but I have to deduct a point because we saw that guy cutting his hair on the subway and I was scared he was gonna throw the scissors at us.”

“Well I would’ve just protected you with my lightning fast reflexes.” Peter said simply. You smiled at him through the phone and he smiled back. He put the camera down and looked at you with a content smile on his face.

“Seriously, though. When’s the next time we’re hanging out?”

It ended up being just a few days later. And then again a few days after that.

“Peter’s first time!” You cheered as you filmed him during one of your hang outs.

“Trying boba.” He clarified. “I don’t understand this drink. Do I eat the balls?”

“Yes. Sip it slowly so they don’t all go down your throat.” You instructed. Peter took a big sip and immediately started choking.

“Peter! I said slowly!” You said as you slapped his back until he stopped choking. You quickly put the camera down to help him recover.

Your hangouts started getting more and more frequent and Peter soon considered you a best friend. Your weekends became each others and school days were often spent together in the library or at one of your apartments. You were quickly moving up the ranks in Peter’s life, just as you hoped. And the closer you got, the more Peter could not believe he had never noticed you before.

Little did you know, Peter often found himself watching the footage he had taken of you during your hang outs with a big smile on his face. He’d rewatch the videos he had taken and realize that they were slowly becoming less of a documentary and more of a highlight reel for you. He never imagined a girl as cool as you would for him so when he realized he was starting to fall for you, he quickly repressed his feelings. Little did he know, the feelings were mutual.

“Did you always make these little videos?” You asked Peter one day as he filmed you trying to balance on the curb of the sidewalk.

“I used too make them all the time but I hadn’t for awhile. I only started them again when we started hanging out.”

“Really? Why?” You wondered and stumbled off the curb.

“I don’t know. You remind me of the time before my life got crazy. It made me want to do these again.” He shrugged. You couldn’t help but smile at that information and turned around to look at him.

“So I could be the star?” You asked and posed for the camera.

“Exactly. You’re my muse.” He played along, making you laughed shyly. When he watched the video back later that night, he knew he had meant every word of that.

Peter sat in his bedroom one day and filmed himself wearing your glasses while you did homework at his desk. He looked over you every now and then just to admire the back of your head.

“Don’t break those.” You called without looking up. All you needed to hear was the sound of your glasses case opening to know what he was doing.

“I’m not even wearing your glasses.” He lied and admired himself in the camera.

“Yes you are.”

“No I’m not. But yes, I am.”

“Knew it.” You snorted.

“Hey, how come girls always smell so good?” Peter wondered. “Your hair hit me in the face when you turned too fast before it smelled like a baby in a damn meadow.”

“It’s just my womanly essence. Now can you stop looking at yourself long enough to help me with my chemistry homework?”

“It’ll be hard but I can try.” Peter dramatically sighed and set his phone down. You got yo from the desk and went over to the bed with a cheeky smile on your face.

“Incoming.” You announced and patted your elbow twice like a wrestler.

“No, don’t.” He pleaded. You ignored his pleas and jumped on top of him. He groaned and pushed you off, leaving you laying in the bed beside him.

“Ow. My ribs.”

“You’ll heal.” You rolled your eyes. “Now can you help me with number 7?”

“Oh, yeah. No problem. Can you check this email before I send it?” He asked and handed over his laptop. You handed him your worksheet before reading over his email draft.

“Oh, honey.” You grimaced just a few words into the email.

“Is it bad?”

“Good evening, Mrs. Howard. I hope this email finds you well. I’m so sorry for bothering you. I was just wondering if I could possibly have an extension on my midterm paper? No worries at all if an extension is not possible. I apologize for any inconvenience this email may have caused. Thank you for reading, Peter Parker.” You read out loud.

“What’s wrong with that?”

“After your name, you included the name of the class, the time you have it, and a description of yourself. She knows who you are!” You laughed and turned the laptop around to show him his mistakes.

“She may have forgotten.” He pointed out. “I can’t take any chances.”

“Peter, this email is way too submissive. You sound like such a bottom.”

“Well excuse me, genius.” He said sarcastically. “How would you write it?”

“Here.” You said and handed the laptop back after retyping his email.

“Oh, wow. That’s actually really good.” He said once he read your updated version.

“This is why we are such good friends. You have all the math and science knowledge in this little, beautiful head of yours-“

“Little?” He interrupted.

“You’re right. Sorry, I was just being nice. What I meant to say is that your head is huge.” You corrected. “Anyways, you have the math brain and I have the literary brain. It’s like you’re Einstein and I’m Victor Hugo.”

“Who the hell is that?” He laughed as he peaked at your mirror to see if his head was actually huge.

“The guy who wrote Les Mis.” You said like it was obvious.

“Never heard of it.”

“What? You’ve never seen Les Misérables?” You asked in a thick French accent.

“Huh?”

“We have to watch it. It’s so good.” You said and snatched his laptop back. You pulled up the movie and handed it back to him.

“Oh my God. It’s two hours and 38 minutes long? And a musical? Hell no.” Peter shook his head and pushed the laptop away.

“But it’s so good.” You urged. “We can just leave it on in the background while we work. It’s super light and easy to watch.”

“Really? What’s it about?”

“Oh, you know. Just war torn France.” You mumbled.

“No. Absolutely not.”

“But you’ll like it! There’s prostitution and con men and um…oh! And orphans! You can watch it and feel represented.” You said and shook his arm.

“I hate you.” He laughed but nearly gave in to your request just to see you happy.

“Fine.” You huffed. “I finished editing your midterm paper, by the way. You don’t actually have to send that email.”

“And here is your completed chemistry homework.” Peter smiled and handed your worksheet back.

“Aw.” You gushed. “Look at us. I love cheating with you.”

“So do I. We make a great pairing.” He chuckled as he looked over at you. You looked back at him and gulped. You hadn’t realized how close you were with your arms and legs pressed against each other as you sat together in your bed. Peter knew his sheets would smell like your perfume that night and smiled at the thought.

“Now that we’re all done with our work, you know what we should do?” He asked as he moved in closer.

“W-what should we do?” You stuttered now that he was right there.

“You know what I’ve been dying to do with you for a long, long time?” He asked.

“No. I mean, I don’t know. What?” You laughed nervously. Peter moved in even closer and right when you thought he was gonna kiss you, he reached over and grabbed his laptop back.

“I wanted to show you a real musical. Not this French miserable bull crap. Have you ever seen a little movie called Hair-“

“No. I’m not watching Hairspray with you again. You scream-sang every lyric last time and I couldn’t even hear it.” You cut him off and reached over home to take the laptop back. He pulled it away at the last second and you ended up on top of him. You looked into each others eyes and both froze in the positions you were in. Your faces were almost touching but neither of you tried to pull away. Your eyes were going back and forth between his lips and eyes and he was doing the same. Like magnets, you two started to lean towards each other but before your lips could connect, May opened the door.

“What did you guys want- oh! Sorry! I didn’t realize I would be interrupting something. My bad.” May smiled sheepishly and pretended to cover her eyes. Peter burned bright red as you quickly climbed off of him.

“May.” He said warningly.

“Sorry. But maybe lock the door next time. And use protection.”She whispered the last part before shutting the door.

“May!” He groaned and threw a pillow at the door. There was a long, awkward silence before you were even able to look at each other. When you finally did, you smiled awkwardly and kept your distance.

“That was so weird. What did she think we were doing?” You laughed nervously to break the silence.

“Psh. I know.” Peter scoffed. “She said she was interrupting but we weren’t even doing anything.”

“Yeah. What did she think? That we were gonna kiss or something?” You asked and laughed like it was the most ridiculous thing you could ever suggest.

“Us? Kissing? How silly. Imagine that.” Peter forced a laugh as well and looked to the side. The awkward silence returned and you struggled to look at each other.

“Do you think she made dinner?” Peter asked after a beat of silence.

“Let’s check.” You said and quickly got off the bed.

You didn’t discuss the almost kiss and went home shortly after. You couldn’t sleep that night because you couldn’t stop replaying the moment in your mind. No matter how much you wanted him to like you back, if Peter reciprocated your feelings, he would have kissed you.

Your pity party didn’t last long because on the subway the next day, you felt Peter put his earbud in your ear. You heard the Les Mis soundtrack playing in your ear and looked up in surprise. Peter was already filming you with a huge smile on his face.

“This guy 24601 should stop stealing bread and stick to singing. He has serious pipes.” Peter said.

“You listened to it?” You melted into a smile and held your hand over your heart.

“Yep. I stayed up all night watching lyric videos because I couldn’t understand what they were saying with their accents. It’s actually really good. I love Eponine. I just wish Marious wasn’t such an idiot. How does he not see that his best friend is clearly in love with him?” Peter asked with exasperation. You looked directly at the camera and hoped it picked up the irony before looking at Peter again.

“He’s not an idiot. He’s a romantic.” You sighed. “He doesn’t notice Eponine because he’s in love with Cosette. And course he is. She’s prettier and richer and has perfect hair. He doesn’t even see Eponine.”

“Good hair isn’t everything. Eponine is way better than Cosette.” Peter scoffed. “I’m team Eponine all the way.”

“Are you really?” You asked hopefully.

“Oh, for sure. I see why you like this stuff. These songs are awesome.” Peter said and put the other earbud in his ear. He then flipped the camera around to film the two of you sharing earbuds. As Heart Full Of Love played in your ears, you couldn’t help but longingly staring at Peter. The fact that he had stayed up late just to listen to something you suggested made you overcome with fondness for him. If he had done something like that, maybe he actually did feel the same.

“I forgot how good this album is. I haven’t listened in a while. I used to listen to it all the time back when you…” You stopped short when you realized you were about to say too much.

“When I what?” Peter wondered. You looked him in the eyes and decided that it was time to be honest. The song ended and a new, much louder one began to play in your ears.

“Back when you liked Liz. She was Cosette. I was Eponine. I was the one pining after a guy who never noticed me because he was in love with another girl. You were never mine to lose.” You admitted. Peter stared at you for a minute before pulling his earbud out.

“I’m sorry, I didn’t hear a word you just said. Master of the House is such a banger. What did you say?” He asked you.

“Never mind.” You smiled. “It wasn’t important.”

He smiled back before getting a text on his phone. You looked at his phone when you heard it buzz and realized he was still recording. In other words, he had just recorded you saying you liked him. Your eyes went wide but you only had a second to panic when you read the text he had gotten.

“Did Liz just text you?” You asked in a quiet voice. You felt like you were about to throw up. Years of crushing on a boy who liked another girl turned into months of pinning for your best friend and now turned into a rock in your stomach. Peter stopped recording the two of you to answer her text, which felt a little like a slap in the face.

“Oh, yeah. We’ve been talking lately.” He absentmindedly replied to you as he laughed at whatever she had written.

“You have?” You asked with a dry mouth.

“Yeah. She says Oregon is pretty cool. But she wants to come back and visit this summer to see everyone.” He told you.

“And see you?” You asked with a sad smile.

“I guess so.” He shrugged. “It would be nice to see her.”

“Yeah. Totally.” You said weakly. “So how long have you guys been talking?”

“I don’t know. A few weeks? She texted me a little while ago and we’ve been catching up.”

“That’s awesome.” You lied.

“I know. I didn’t think I’d ever hear from her again after she moved.”

“Neither did I.” You said through a forced smile. You needed to get off the subway and away from Peter before you started crying. So as soon as the subway doors opened, you bolted out.

“I gotta go. See you later.” You called to him before running through the subway station. You wiped tears as you went up the stairs and didn’t stop moving until you were in a bathroom stall at school. You gave yourself five minutes to be upset before drying your face and leaving the bathroom. It sucked, but it could have been worse. Now, Peter never had to know how you felt about it.

Peter was beyond confused by your exit on the subway but he wasn’t about to get any answers from you. You dodged his texts throughout the day and didn’t dare go into the lunchroom where you knew he and Ned would be.

“Y/n isn’t here yet?” Peter’s huffed as he sat down at your usual lunch table.

“Not yet. Actually, I haven’t seen your girlfriend all day.” Ned realized.

“She’s not my girlfriend.” Peter blushed. “And I’m pretty sure she’s avoiding me. She’s been so weird ever since this morning. Everything was fine on the subway until we got to school.”

“Well did anything happen on the subway that would weird her out? Oh no. Did you graze her boob with your hand again?”

“No. That was one time. And it was her boobs fault, not mine.” Peter whispered harshly. “We were just listening to music together and I was filming her like normal. But she could not get away from me faster once the doors opened. It was so weird.”

“Did you say anything weird to her? Girls don’t like it when you say weird things to them.”

“I know that. I didn’t say anything weird.” Peter replied as he pulled out his phone. He watched the video he had taken on the subway with no sound to see where he had gone wrong. All he saw was you looking at him with heart eyes which made his face heat up. But still, no evidence of where he messed up.

“I knew it. We were having a normal conversation about Les Mis and then I got a text from and then she ran. It makes no sense.”

“What was the text? Was it May saying something weird?”

“No. And stop saying weird. It doesn’t sound like a real word anymore.” Peter ordered. “And the text was just from Liz.”

“Oh shit.” Ned said when he heard this.

“What?” Peter wondered.

“Oh, Peter.” Ned sighed. “Peter, Peter, Peter.”

“What?” He asked again, annoyed now.

“Peter, Peter, Peter, Peter, Peter.”

“Are you gonna tell me what happened or just keep saying my name?”

“I can’t tell you. I’m sworn to secrecy. And I don’t want Y/n to put a hex on my family.” Ned said and held up his hands.

“Y/n swore you to secrecy? About what?”

“Can’t say.” Ned shrugged and zipped his lips.

“Does she not like Liz? And doesn’t want me to know?”

“Dude. Dude, dude, dude, dude. You are so close but so far.”

“So she does like Liz? Oh my God. Does she a crush on Liz? And she’s jealous that Liz texted me and not her?” Peter whispered with wide eyes.

“You’re getting colder.” Ned waved his hand. “I don’t even know how you got there.”

“That was all my guesses. Just tell me.” Peter whined.

“Hell no. I don’t want Y/n to curse my crops and make not grow for all of eternity.”

“You don’t have crops.” Peter pointed out.

“I could develop some.” Ned snapped.

“I just don’t understand what she would tell you something but not tell me. We’re best friends. She usually tells me everything.” Peter said right as his thumb accidentally hit the volume button on the video. Your confession to Peter on the subway was heard loud and clear by the two boys. Both of their jaws dropped as the video ended with you asked if Liz had just texted Peter.

“Well I wouldn’t have beaten around the bush like that if I knew you had video evidence of her saying she liked you right in your hands.” Ned sighed dramatically.

“I need to find her.” Peter said and ran out of the lunchroom. He looked around the school until he found you under the bleachers in the gym. You were sitting with your back against the wall and your knees drawn to your chest with your earbuds in your ears. When you saw Peter coming up to you, you quickly pulled them out.

“Hey.” He said and waved cautiously.

“Hey.” You smiled sadly as he sat beside you. You sat in silence for a minute as neither of you knew what to say.

“What’s going on with you? I haven’t seen you all day.” He started off. You looked at your hands to avoid making eye contact and sighed.

“Why didn’t you tell me you’ve been talking to Liz?” You asked quietly.

“I don’t know. I wasn’t hiding it. I just didn’t think it would interest you.”

“Well you have no idea how interesting I found it.” You laughed dryly. “What do you guys talk about anyway?”

“Well, she originally texted me to ask me to confirm I had an internship at Stark Industries because her boyfriend didn’t believe her when she told him she knew a guy who worked there. Apparently he’s been trying to get an internship there for years and he wanted to know how I landed mine. Then we just started catching up. I only talk to her here and there, though. And it’s only ever about school or work.”

“Oh. I thought you guys were talking talking.” You couldn’t help but smile a little when you heard the word “boyfriend.”

“No.” He shook his head. “Just regular talking. When you saw her text on my phone, she was telling me about her cat getting spaded. And I didn’t know what that meant so she had to tell me. I should’ve just googled it.”

You laughed softly at that and he did too. The tension was let out of the conversation and you could finally breathe again. When you stopped laughing, you finally looked in his eyes.

“Do you still have feelings for her?” You asked quietly.

“For her? No.” He laughed. “Those are long gone. I have feelings for someone else now.”

“Oh God. Don’t even tell me. I don’t want to know.” You groaned and buried your face in your hands. Peter looked at you for a minute until an idea came to him.

“Actually, uh, I came looking for you because I was just making another video. Wanna be in it?” Peter asked and took out his phone. You looked at him like he was crazy and could not believe he had just asked that during that moment.

“I’m not really in the mood right now, P.”

“Come on. I can’t make it without my muse.” He said and nudged you slightly. You couldn’t help but to smile at that and reluctantly nodded. He propped up his phone against the bleachers and pressed record.

“In a world where two best friends have no idea how to communicate despite spending way too much time together.” Peter said in a fake deep, gravely voice.

“Okay. Shade. That’s fine.”

“What will it take for them to admit they have feelings for each other?” He kept the voice as he looked at you.

“Wait, what?” You asked and looked at him with furrowed eyebrows. Peter smiled softly at you and shrugged a little.

“What’s it gonna take?” He asked again in his normal voice.

“I don’t understand.” You laughed nervously.

“I watched the video from before. From the subway. I heard what you said.” He admitted.

“Oh shit. You watched it?” You grimaced.

“Uh huh. So if you’re Eponine, I guess that makes me the idiot who didn’t realize his best friend was in love with him?”

“I guess so.” You said with a tight smile and still didn’t understand why he wanted to film this incredibly awkward conversation.

“You know, if I didn’t have a video of it, I never would have believed that you liked me.” Peter told you.

“You wouldn’t? Why not?”

“Because it doesn’t seem possible that the coolest girl I’ve ever met liked me.” He replied.

“You think I’m cool?” You asked skeptically.

“I think you’re the coolest. And you know, I watch the videos I take of you all the time. And half of them are just clips of you existing. So I do notice you. It just took me a second to catch up.” He told you. A smile tugged at your lips as you stared into his big brown eyes.

“You’re my best friend.” You told him. “I’m sorry I want more.”

“I’m not sorry.” He shrugged.

“You’re not?”

“I’m just sorry it took me so long to wake up and find that what I’ve been looking for has been here the whole time.” He said as he hooked his pinky under your chin and brought your face close to his.

“Wait, why does that sound so familiar?” You wondered.

“Don’t think about it too hard.” Peter whispered right before your lips touched. You kissed for the first time under the bleachers but it could have been in a palace for all you knew. The world disappeared around you as Peter slipped a hand behind your head to deepen the kiss. When you pulled away, you rested your foreheads together and laughed nervously together. It was a good nervous, a happy feeling of anticipation.

“Was that Taylor Swift?” You realized when you finally placed where you knew that like from.

“Shh. No.” He shook his head. “But yes, it was. You’re not the only one with good music taste.”

Tag List 🏷️

@thebookwormlife @imanativeofswlondondahling

@tom-hollands-wifey

@whatareyouhidingpeter @takenbyheartstrings

@imyourliquor-youremypoison @andreasworlsboring101

@peterparkoure

@justcallmehitgirl @jackiehollanderr

@emmamarshmellow @unbelievableholland

@sovereignparker @every-marveler-ever @undiadeestos @eridanuswave​ ​

@solarxmoonchild @canyouevencauseicant

@quaksonhehe @lovelessdagger

@thesuitelifeofafangirl @marshxx @nooneinvitedfascistbarbie

@maybemona

@alexxcorona113 @lethal-wisdom

@pandaxnienke

 @officialsimppage @peterbenjiparker @itsemohours

@freakofmusic25 @tomholland85

@olixerwxxd @leilanixx

@whereismytelephone @so-very-asleep @white-wolf1940

@spideyspeaches @hihiweezing

@mathletemadison  

@dhtomholland @insomniac-nerd-posts-things @prancerrparkerr

@hallecarey1 @adayasgeorgia @blackwidowisthebest @imawhoreforu

@ciarahollands

@nellabellaa @pinklxmonade @boogywoogywoogy

[reiding-writing]

Can i get a workshop session? How about spencer with a reader who's actually smarter than him? Maybe she's younger too, thanksss

GENIUS² — SPENCER REID!

working alongside another genius was a blessing, in more ways than one.

early!seasons!spencer x reader | fluff | 1.3k | event masterlist.

main masterlist.

a/n— the genius x genius trope is great i love it

Spencer Reid prided himself on being one of the smartest people in the room.

At 24 years old, he was a genius with an IQ of 187, three PhDs under his belt, and an eidetic memory that made him practically a walking encyclopaedia.

His mind moved faster than 99.7% of the world’s population, processing information, analysing patterns, and solving puzzles with ease.

But none of that prepared him for you.

You were younger than him by two years, and while you didn’t have a wall lined with degrees like Spencer, your intelligence was undeniable.

A bachelor’s degree in Theoretical Physics had been enough to earn you a spot in the BAU, something that had surprised even you.

Hotch had seen something in you—your ability to not only understand the unsub’s behavior but to intuitively connect pieces of information in ways most people couldn’t. It was something the team found invaluable.

And it didn’t take long for Spencer to notice.

Where Spencer excelled in academic brilliance, you had a talent for thinking outside the box. You connected dots faster than most people even realized there were dots to connect.

Spencer was used to being the one with all the answers, the one who could solve problems others struggled with, but you? You were different. You weren’t afraid to speak up, even if it meant contradicting his carefully constructed theories. You didn’t care about bruising egos, least of all his, and it fascinated him.

The first time Spencer realised you were special was during a particularly tough case.

The team had been chasing down a serial killer for weeks—a cryptic unsub who left strange, undecipherable messages at each crime scene.

Spencer had spent hours poring over the notes, scrawling down numbers, symbols, and trying to make sense of the pattern, but nothing clicked. His frustration was palpable; his fingers were tapping restlessly on the desk, and his usually sharp mind felt like it was hitting a wall.

An iron wall, covered in spikes and barbed wire.

Then you had walked in. Quietly, unassuming, you hovered over his shoulder for a moment before making a suggestion that cut through his fog of confusion.

“You might be thinking about this too literally,” You said casually, your voice breaking through the silence.

Spencer looked up, frowning slightly, both intrigued and a bit defensive. “What do you mean?”

You slid into the chair next to him, your eyes scanning the pages spread out across his desk. “You’re trying to solve this like a mathematical puzzle, but uh— the letters in the corners of his notes are literally just spelling out ‘library’, so I went to the nearest library and spoke to the librarian on staff, she gave me this,”

You pull out a scrap piece of paper from your pocket and hold it out towards him, a handwritten poem.

Spencer blinked, the pieces clicking together in his mind with almost audible force as he took the poem from you.

You’d identified the connection instantly, something Spencer would have done himself had his mind not been knotted up in frustration. But instead of feeling defeated, he was astonished.

“How did you-?” He asked, genuinely curious.

You shrugged, as if it were obviousLooking at the bigger picture can be really useful sometimes,”

Spencer stared at you for a moment longer, watching as you calmly began jotting down more notes, your mind racing ahead as if you’d never even paused for breath. He realised, in that moment, that you weren’t just another member of the team. You were his equal—possibly even more than that.

From then on, Spencer found himself constantly intrigued by you. The two of you often ended up working side by side, bouncing ideas off each other in a way that was both exciting and intimidating for Spencer.

You were quick, your mind moving in a different way than his, and he found himself almost eager to keep up with your train of thought. You saw things he didn’t, caught details he might have missed, and he wasn’t sure how to handle that. No one had ever made him feel… not inferior, but challenged in such a unique way.

The conversations between you were often odd. Both of you were too intelligent for typical small talk, so you found yourselves discussing obscure facts or debating over scientific theories in the most random of moments.

Spencer would mention something about a 14th-century mathematician, and you would immediately counter with a parallel discovery made in physics centuries later. Neither of you really knew how to navigate personal conversations, so you stuck to what you both understood—facts, theories, and knowledge.

One evening, after a particularly long day spent on another complex case, the bullpen was empty except for the two of you. The team had gone home, but you stayed behind, just like Spencer always did, combing through the evidence again, searching for a missing piece.

You were seated across from him, your brow furrowed in concentration, scribbling notes onto a pad of paper.

Every few minutes, Spencer found himself glancing at you. It wasn’t something he could control—his curiosity about the way your mind worked was something that pulled him in, a constant mystery to unravel.

You were focused, absorbed in your task, and Spencer couldn’t help but admire how quickly you picked up on things. Sometimes, you were faster than him, and that realization both thrilled and unnerved him.

“You’re staring again,” you said, your voice breaking the silence without even looking up.

Spencer’s eyes widened in surprise. He wasn’t used to being caught off guard, and you did it effortlessly. “I—I wasn’t staring. I was just… thinking.”

You finally looked up, a faint smirk tugging at the corners of your lips. “What were you thinking about?”

He swallowed, his brain scrambling for an answer that didn’t sound ridiculous. “You’re really good at this,” he blurted out before he could stop himself.

Your smirk softened into something more genuine. “You are too.”

Spencer opened his mouth, then closed it again, unsure how to respond. Compliments weren’t his strong suit, and he wasn’t used to receiving them either. “I mean, you’re younger than me, but you’re just as—no, sometimes more—effective than I am. It’s… impressive.”

For the first time since he’d met you, you looked almost shy. “I’ve always looked up to you, you know,” You admitted quietly. “When I first started here, I thought you were kind of untouchable. Like, how could anyone keep up with a guy who knows literally everything?”

Spencer stared at you, speechless. The idea that you—someone he viewed as his intellectual equal, if not superior—had once looked up to him was almost unbelievable. It made him see you in a different light.

“Well,” he said, after a long pause, “I guess we keep each other on our toes.”

You smiled at that, leaning back in your chair. “Yeah, I guess we do.”

A comfortable silence settled between the two of you. It was a strange dynamic—two people too intelligent for normal conversations, yet too awkward to fully acknowledge the unique bond that had formed between you.

But it worked. You pushed each other, kept each other sharp. Whenever Spencer stumbled over an obscure reference, you were there to catch it. When you went too far into the realm of abstract thinking, Spencer reeled you back in with hard logic.

You were a perfect balance—an unstoppable team, even if neither of you would say it outright. And in a world where people rarely understood either of you, you had found something important in each other, an unlikely equal.

[sakkiichi]

CASTLES CRUMBLING.

Memories of you are both cathartic and painful when he visits your grave.

ft. Kaedehara Kazuha, Xiao, Scaramouche/Wanderer, Lyney, Neuvillette x gn! reader.

cw/genre: angst.

if you enjoy this, reblogs and comments help more than likes !

✧ KAEDEHARA KAZUHA

Autumn. The time of year that brought warm memories to the wandering samurai despite its chilly winds.

Shades of scarlet coated Inazuma’s grassy plains, like a rain constituted by droplets of dawn light when the maple leaves swayed to the ground.

And amidst this scene, you.

You, who danced to the tune of the foliage floating in the breeze; you, who snuggled his red scarf closer around your neck when he wrapped it around you, taking in his sweet cinnamon-like scent; you, whose hand used to fit perfectly in his, as you ran your thumb over the scarred skin under his bandages.

Kazuha finds himself staring at those now. He remembers all too well how you used to wrap them around his hand. Your lips brushed over every indentation in his burnt skin, overwriting storms with sunlight and blue skies.

“All healed now.” You sing-sang, the tenderness of your kiss over the wrapped scars.

It feels empty now, his grasp, still searching for you every morning, but you’re out of reach.

Even now, as the wandering poet’s head rests against you, he can’t quite feel your touch.

“Hello, my dove.” He begins, fingers brushing over the dendrobiums surrounding you. Moondust lashes kiss his cheeks when the sunsets in his stare cloud over, the image of your smiling face behind his lids. “It’s already autumn, remember how you called it our season, my angel?” He softly says, turning his head slightly, so that his forehead partially leans on you. “The leaves are turning red already, I’ve picked some for you.” Kazuha utters, as he gently threads them around the stone.

Hard. Cold. So unlike the warmth you radiated. He sighs, opening his eyes, tender hearths to warm your paralyzed heart.

“I’ve been writing too…” Dampness pools around his lashes. “Haikus, poems, because I know you love them, hummingbird…” The samurai’s voice cracks, vision blurry, as he traces the letters of the name he used to breathe in between kisses.

Your name. The only one that will forever echo through his sweetest dreams, double edged now.

Droplets of molten moonlight slide down Kazuha’s cheeks, colliding with the earth separating you from the world.

“We will meet again, my dove.” He vows, kneeling on the grass, moist by his tears. “In some corner of the next life. I promise, love.”

As he stands up, retracing his steps, the wind picks up.

Kazuha clutches his red scarf closer to him.

Your scent still lingers.

✧ XIAO

Spring had never felt so cold.

The sun over Liyue’s mountains is too dull; the glaze lilies appear closed off; the days feel too long.

The conqueror of demons makes his way through Guili Plains, his steps slow, as if that would keep away a cruel reality that’s set in stone.

He’s coming to meet you, and yet he’s never felt so far away from you.

In the few steps that separate the yaksha from you, an infinity of memories and bittersweet dreams seem to wash over him. They mingle with the scent of morning dew over qingxins bloomed anew.

Qingxin. What he used to call you.

“Xiaooo!” You cooed, a smile sweeter than the treat you offered him alight on your lips. “Dessert’s ready, love.” You called, offering him the plate of delicious almond tofu.

It was always his favorite, especially the one made by you.

His cheeks took on a tint not unlike the lipstick marks you left on him when you felt like teasing him, peppering his face with your honeyed kisses. You always used to chuckle at the sight.

“Qingxin…” his voice quivered, in awe, gaze of gold widened, sparkly. “There is no need for you to go through this trouble for me…”

“Nonsense!” You cut him off, hands cradling his cheeks. “I love making your favorite food for you, baby.”

Now he brings one of his own scarred hands to his face.

It’s so cold in comparison to your comforting warmth.

Yet even colder is the grey hue of the heavy stone that comes into view: the one marking the spot where you were laid to rest for good.

Slowly, resigned to the inevitability of reality, the vigilant yaksha reaches you.

Even though he knows he will no longer have you.

Xiao’s whole form trembles when he leaves the handmade butterfly over your gravestone. Its petal wings are all crooked, his grip vice-like in his anguish.

Now the flower-made insect will never fly again. A crystal bubble, lit up on his darkest nights, inside which dreams warm and sweet were recounted, as long as the adeptus stayed in your embrace; now shattered, only sharp fragments left to pierce his heart.

“I’m sorry…” is all the demon conqueror can manage as greeting, the moment he sits before you, head hung low.

The karma he bears had never crushed him this badly.

✧ SCARAMOUCHE

Winter squalls leave nothing but ashes behind.

The layers of snow have started melting, decrepit twigs following, the aftermath of a furious gale, death in its wake.

The wanderer seems to verse in the bony hands of it often, after all. This life, this world… they only ever took from him, shattered mirrors as the only remains of promises to never come.

He rests the back of his head on the frigid stone. He doesn’t care about the last remains of snow seeping into his very crafted bones.

Scaramouche’s hand closes into a fist, dirt and melted ice on his skin.

“They took you away too…” The puppet breathes, inexistent puffs of his words sifting against the blackened skies in the cold. His indigo gaze is clouded over, despite stars littering every corner of the midnight above.

A lie.

Make believe. Like thinking he could be happy for once.

Turning around, Scaramouche presses his forehead against what’s left to symbolize you.

“Why?” He asks, teeth gritted, to stop the helpless quiver of his lip. “Why you too?”

The softness of your human embrace takes ahold of his memories, as you both lay beneath the endless firmament above.

“Have you ever wished upon a star, Kuni?” You asked, your warm fingers combing through the distant nights contained in his shiny locks.

“Pft, are you serious?” He used to retort, the mirrored galaxies of his stare coming into view as his eyelids opened.

“Very.” You stated, without stopping your movements, eyes never leaving the starfields above.

“Why?” He asked, focused on your profile, as if a part of him knew how ephemeral instants like this would become, committing to memory the only constellation that lit up his hollow heart.

“Because it’s nice, to hope, to believe in things… wouldn’t you agree?” You smiled down at him, tender hands cradling the coolness of his jawline.

“Huh, if you say so…”

“You know I’m right!” You chuckled, poking his cheek playfully, his nose scrunching up in feigned annoyance.

“Ugh, whatever.”

“Make a wish?” Your fingers found his in the night breeze, entwining together, the warmth of a small sun just for him.

“Fine…” He sighed, closing his eyes, lashes of concealed dreams leaning on his perfect cheekbones.

“I wished for forever with you.” He croaks out now.

An almost god brought to his knees by the treacherous fate written in devious stars.

His vision blurs, headed skyward, the universe above, a multitude of molten wildfires to him, raining down in flammable rain, his own tears the match to ignite them.

The failed god weeps. Winter burns.

✧ LYNEY

“You never know what can happen in the blink of an eye.”

Those were the words the magician once uttered, as your eyes lit up in wonder. He believes to recall it was a summer night, when his dusky gaze set on you for the first time.

Beaming and shining with excitement, you marveled at his sleight of hand, as the lumidouce bell on the performer’s hand vanished, only for its petals to have tinted in rosy shades of rainbow when the bloom next appeared in your hair.

If anyone had told Lyney, in that moment, that you’d end up putting his heart under spell, he wouldn’t have quite believed it.

But thinking back on it now, the time spent next to you certainly feels like mere seconds.

A peculiar figure sporting a top hat makes his way towards Fontaine’s graveyard.

His steps are monotone, the usual cheshire-like grin on his visage is nowhere to be seen, and in his hands, flowers abound.

Lumidouce bells.

The color of goodbyes, separations.

And the summer nights under which he used to kiss you.

“Please, Lyney! I want to see another one!” You begged, hands clasped together, eyes reflecting the last rays of the setting sun.

Your lover hums, his gaze, the backdrop against which the sunsets in your stare sparkled.

“Well, mon coeur,” the magician leaned forward, “I’ll have to charge you for it this time, you know.”

You pouted, marcotte colored lips irresistibly sweet, a bite of sugary peach in the heat of an early midsummer’s night.

“Close your eyes, my rose.” Lyney breathed, in the little dusk-lit millimeters separating you two.

“Okay.”

Warmth flooded around him the instant his lips enveloped yours, akin to fairy lights in the coziness of a familiar room, fiery arrows that linked two hearts. Your lover’s hands cupped your jawline, spells written in the caress of his gloved touch over your skin.

A new breed of magic, with the sun dipping behind the nation of hydro’s mountains to give the lovers privacy.

When he next opens his eyes, the allure has faded.

No trace of you remains, save for the emptiness and cold beside him.

And the only nightmare he can’t undo; your tombstone all too palpable, too real.

“You really never know how everything can change in the blink of an eye, huh?” Lyney utters, his voice raw, hoarse.

Despite the lumidouce bells’ petals shifting from dusk to dawn the moment he lays them to rest over you, the magician feels like he’s shooting arrows made of shadows; there’s no fiery beacon to light up this night.

The curtain closes when he steps away, rainbow roses bleeding and lonely in his wake.

The sun has set.

✧ NEUVILLETTE

Off-key birdsong and steely skies.

Those are Fontaine’s Chief Justice’s companions today.

Alone, he sits next to the ghost of someone he used to adore.

Someone he still loves.

Crystalline amethyst eyes scan the horizon. Even the seas seem turbulent today, relentless waves colliding against jutting rocks, as if by persistence alone they could cut through them.

The wailing ocean mirrors Neuvillette’s actions; as if by staring in the distance, he could somehow conjure you up back into the world, on forgotten dreams and pieces of flashbacks alone.

“It looks like it will rain soon, my dearest.” He softly says, the words lost in the monsoon overcasting the heavens.

Naturally, no answer follows, except for the agonized cry of a fallen sparrow.

The Iudex of Fontaine sighs. An upheaval in the blowing mistral combs through his hair, the sensation unlocking the pages of a diary once rose-colored, now only scattered petals over a lake that’s gone still for good.

“Isn’t the weather so nice lately, Neuvi?” You chirped, knees folded over the azure flowerbeds. Your hands were carded through your lover’s long locks, silver seafoam running almost hypnotizingly between your fingers.

Sunbeams glittered all around you when his eyes opened up to you, enigmas from the depths being laid bare for you alone.

“It is, darling…” He trailed off, one of his hands touching the side of your face, eliciting giggles from you.

Pink dusted over the pallor of his cheeks whenever you did that.

If only all days could be sunny, if only he could have kept the symphony of your laugh forever playing…

The sea’s surface turns charcoal, undulating with the low whistling of uprising gales.

Dark spots start appearing over the stone where your name’s been eternally put to sleep.

Beneath the blindfold, Justice mourns.

It’s raining again.

[lild00td00t]

Hi, I hope you are doing well! Can I request headcanons on how Crocodile, Buggy, Mihawk and Doflamingo would propose to their s/o or how they would react if their s/o was the one to propose to them? (Which ever you feel like is fine! :))

Have a great day!

One Piece War Lords: Proposing to their S/O

This was so adorable thank you for requesting the War Lords!! I’ll have to write a part 2. Buggy was honestly my favorite for a bit… 👉🏻👈🏻 but these are gonna be so HELLA friggin cheesy. I’m a hopeless romantic.. so please… COURT ME LIKE WE’RE IN PRIDE AND PREJUDICE.

Buggy

• He’s so nervous, his hands are clammy, even on the inside of his gloves sweat is lining along the fabric of them. He’s talked it over to himself multiple times, rationalizing the best and worst case scenario.

• He can’t help but melt when he sees you with the promise ring he gifted. He sweats bullets when you tease him about getting married… at dinner he nearly choked, and poor Mr.3 nearly had a heart attack just trying to dislodge the food that got caught in his throat. But he felt like that a majority of the times you discussed it. Like something was lodged in his throat and cutting off his air.

• So when you’re watching the crew bring a haul back on the ship, hands on your hips in a relaxed stance, you barely notice when he slips a ring on your finger, and he discreetly prays you don’t say anything about it until you screech and throw your arms around him, his body probably splits in 2 out of shock- this poor man -

• “ How does it feel knowing you’re going to be married to the future pirate king ?! Flashy ?! As it should feel?! “ Then the second you romanticize over the idea he practically hemorrhages 🥲

Mihawk

• The most poetic. God - he probably leaves you little poems every where, and they’re all based on you <3

• Your dates are so adorable. Like picnics, or going on row boats. It’s so quiet on the water, so you don’t notice when he slips down on one knee, clasping your hands in his while presenting a ring.

• You nearly flip the boat when you finally comprehend what’s happening but luckily your better half is much more calm and collected.. he was prepared for this reaction.. atleast he thinks he was -

• He kisses your knuckles, then overlaps your hands with his and holds them to his heart

• “ It seems as though the love saga of my poems will continue until death do us part…“

Crocodile

• Posessive..

• He truly is materialistic and is telling the truth. You genuinely will get what you want. But he can see it in your eyes that you’re not after his money, or his valuables or even his status. He can see the way you adoringly look up to him when he talks. And he’s not used to such an innocent form of love you offer.

• He feels that you must be protected, for what you make him feel is vulnerability. Which scares him. Because no one has ever made him feel that way before. So when the time is right, most likely on a starry night when you’re on a walk he’ll stop, just long enough to kneel and pull out the box, just long enough for you to realize what he’s doing. And with that, he confesses his love

• “ With this ring, you are mine.. whatever you want you can have. You will always be treated with my respect and my love, nothing will ever be enough to satiate how I feel for you. No amount of gold compares to that ring on your finger, for it holds the greatest power in all the world.. my promise to you. “

Doflamingo

• Like crocodile he’s possessive.. but with a sweet?? Spin ?? To it ???

• The moment he slips the ring on your finger he brings your hand to his lips for a sweet kiss, giving you that bone chilling smile while keeping his lips pressed to your skin.

• He doesn’t make a big, fancy show out of it. Because he knows that you don’t need everyone to know. It’s obvious that you’re his

• You listen when he talks. You’re never put off by his nightmares or bad moods. You urge him to talk about his brother and family. You talk about starting a new one… as a second chance.

• “ A second chance for the Heavenly Demon.. “ he thinks to himself, lost in thought. You weren’t scared to say that he was flawed, but it didn’t matter, because you could work on it together

• “ As long as you are mine, you will be taken care of and no one, I mean no one, will ever mistreat you ever again, lest they want my wrath… “ And he means it. He means every word of it. He would wage wars in your name, bring cities to the ground, and split the ocean in two if he could, unlike crocodile, who is alittle more materialistic with his promises. <3

[markscherz]

Can I ask how you feel about your Tumblr fame?

I get the impression you just made this account for normal casual funsies reasons, but it kinda blew up by happenstance. If that's right, I'm curious if now you feel like it's kind of a more serious thing, where you have an opportunity to sorta act as a science communicator with a reach you otherwise might not?

Or maybe something else? You gonna see if you can somehow leverage your Tumblr fame to get research funding? Deputize us to harass polluters and developers destroying habitats? Crowdsource name ideas for new species?

It's a bit bizarre, in that it has very little real-world-ness to it. I showed my mother the ongoing tumblr celebrity poll, and she was like 'how many people could possibly be interested in frogs?', to which I replied 'well as of today about 46,000 and counting'.

I have always had an unhealthy relationship with fame. I spent most of my teen and young adult life fawning after it, as is I suppose very often the case.

More after the cut…

I always really wanted to be famous, but I was never really interested in changing who I was or what I represented in that pursuit. That is to say, I wanted to be known for what I was already doing, or for things that were already interesting for me, rather than things that might have much higher chances of success but require more effort or be less in line with the things that I am interested in.

I had my first brush with virality in 2012, when a poem I wrote went a little viral (largely thanks to StumbleUpon). I remember the rush of seeing how much attention it was getting, and staying up late to keep refreshing the page as the visitor numbers went up and up and up.

But not long after that, I had some closer encounters with fame and people becoming famous. That was extremely eye-opening. I witnessed first hand how strongly that can affect someone's life, for good and for bad. That experience also made me realise, quite jarringly, that famous people are still just people; that celebrity is something extrinsic to them; that they also wipe their own butts (if they are able); and that in many cases, it is a substantial inconvenience if not downright pain in the ass for them. I think this is why we see so many of the big celebrities having mental health crises or trying to live as much of their lives out of the public eye as possible.

That experience pretty much stifled my desire to achieve fame, and really changed my relationship with it. I should add that I could say much more on this topic, but nothing so coherent or insightful as John and Hank Green, who have given me so much clarity on this topic over the years through their thoughtful commentary on youtube and their podcasts.

Anyway, in spite of the fact that fame itself doesn't really appeal to me anymore, I do still have a problem wherein I quickly became addicted to the microdosing of euphoria associated with every reblog and like and follow. So I put huge efforts into social media in order to try to gain traction in the space that I felt I could really compete in—Very Niche SciComm™—and build up a following.

Tumblr was the first platform where I felt that really succeed; I managed to fight my way to a few thousand followers with a thick queue of regular posts about herpetology and other science. At that time, there was a great community building up in the rudimentary private messaging system—I am still friends with several other tumblr bloggers from that era (none of whom I have ever met in person). From that early time (2013), I think my most successful post was probably this one about germination of 32,000 year old seeds—a post that, as of today, has 836 notes, but at the time felt huge and exhilarating.

As I went through gradschool, I got more and more active on twitter, and less and less active on tumblr (by the time I wound down, I had about 8,000 followers on tumblr). This was partly because of the pornbot takeover on tumblr, which meant I basically could not go on the platform in public or at work, but also because the audience and interactions are just fundamentally different. Twitter had a different kind of vibe and energy than tumblr, and there were real SciComm experts there, who were doing it just completely differently. More importantly, I became more focussed on doing outreach aimed at colleagues, rather than non-experts.

Then, in 2017, I hit headlines for the first time. The description of Geckolepis megalepis made it big on social and traditional media, and I had my first experience with real media attention. I had a flurry of late-night phone-calls with journalists in the US. This was a different animal altogether than the few viral posts I had had until that point. It was extremely stressful, but exhilarating. Then in 2018, our chameleon fluorescence story made similar headlines, and in 2019 the Mini frogs, and in 2021 with gecko fluorescence and the smallest chameleon.

Seeing my name on the BBC News website and in the New York Times and National Geographic—those things have been the most surreal moments of near-fame I have experienced so far. The number of followers on social media is quite difficult to conceptualise, but seeing your own name in a media outlet that you consume regularly, or have grown up with, is more palpable.

In any case, I continued to run with twitter as my main platform for years, because I found the interaction with colleagues and other academics highly stimulating. In 2021, I even posted a twitter thread about a different species of frog from Madagascar every day for the full year. All this work was ultimately greeted with mediocre success; I just crested over 10,000 followers a few months before the Musth takeover. But then the platform became basically unusable. And in the fallout, I came back to tumblr, where, just by chance, I happened to find a post about the Mini frogs and reply to it and it went properly viral and now here we are. In the space of a year, I went from having 8000 followers to having >46,000.

How do I feel about that? It's bonkers. I think it is great that so many people are interested in hearing the Good News about frogs and other creatures. But I also feel like I am not really on the same playing field as most of the others in that poll mentioned above, in that I do not have any of the celebrity that several others have. And I know for a fact that there are fanblogs with far, far larger followings than I have. But perhaps that is the great thing about tumblr; that the playing field is somehow levelled…

What's the point of this ramble? Well, first I guess it is to outline that I have given fame a lot of thought over the years, and I have a long-standing and complicated relationship with it, and take it quite seriously. Second, to illustrate that I have been working on as a science communicator or person in outreach for many years—it has kind of been my social media brand since I started gradschool in 2013. And third, to kind of outline how we got here, because I often feel like you have to know where an arrow has come from in order to figure out which direction it will continue to fly.

You asked if I would somehow try to leverage my tumblr fame to get research funding—I already do that. In fact, my social media activity had a signfiicant role in landing me my current job, and will continue to help me achieve tenure. Outreach is an important part of my job, and funders like it too.

I would love to have the community-building power and tenacity of the brothers Green; Nerdfighteria has achieved some incredible things over the years, and the power of that community is now being seen at an unprecedented scale in their battle for equitable access for tuberculosis diagnosis and treatment. But I do not have that in me; this platform is the wrong one for community activation, and my community is still too small for that. Moreover, it is not organised or structured, in the way that I think effective deputisation would require.

As for the crowdsourcing of name ideas, that is currently off the table. I like to try to name things on my own or with my colleauges; it is a very good part of the process. And I have yet to hear a suggestion for a Mini species epithet that I had not already come up with myself, so I am not convinced that this would really augment the experience.

So for now, I hope that the main way I use the platform, and the power that comes with a few thousand followers, will be to spread the Good News about frogs and other wonderful animals, and the other kinds of science happening around us (and occasional other off-topic content). I hope that you are encouraged to explore the world around you, and to do your own reading to find out more about the subjects that interest you. And also I will continue to try to make meme-worthy content, because it does nice, if addictive, things in my brain when I get the clicks.

Thanks for asking, anon, and sorry for the Wall of Text.

[stellamancer]

beyond the unending night (reader + satoru gojo)

notes: it's finally here. the long awaited halloween fic. yes, i know it's march, but i did start working on it in september. haha. there's so much i could say, but i will leave it at that this fic is, in every sense, a fic that i would not normally write. and yet here we are.

contains: f!reader (no physical description or gendered language is used), no explicit romantic pairing (though you don't have to look hard to find the reader x gojo implications), major character death (played with), semi-graphic depictions of death, blood and violence, minor suicide ideation, canon retelling (lines of dialogue are pulled from the jjk english dub because i'm a dirty dub watcher). opening poem is from higurashi no naku koro ni (minagoroshi-hen). fic title is from giga's beyond the way.

please note that this is a time loop fic and, by nature contains repeating scenes (particularly from canon). please do not read this fic if you do not like that sort of thing.

wc: 21,883 read on ao3 (account required) || playlist

Please tell me what happened in this night. It's like the cat inside the box.

Please tell me what happened in this night. You don't know if the cat in the box is dead or alive. Please tell me what happened in this night. The cat in the box was dead.

The first time, it is instant— you don’t even know what’s happening.

The second, it is by flame, but you barely realize it, barely feel it— a second of mind numbing heat before nothing.

The third time, it is something slicing across your throat; you see the blood spilling everywhere, then the pain follows— a moment of pure agony before nothing.

The fourth time you realize what’s going on; what’s really going on.

You realize you’ve been dying.

You think your head is going to explode.

At first, you think it’s because the subway platform is crowded, insanely so— there are hundreds of people shoved into this space alongside you, packed like sardines in a can. You’ve never been one for crowds, but it’s the reality of things when you live in Tokyo. For the most part, you’ve learned to accept it, but even this crowd is a little much and you wish you hadn’t listened to your friends when they said you should go party in Shibuya for Halloween; you don’t even like partying.

There’s a sharp pain in your temple followed by a thought so loud that it feels like someone is screaming it at you through a megaphone positioned right next to your ear.

It’s the night of October 31, 2018— Halloween in Shibuya.

For the eighth time.

Before you can even question the thought, images flash in your mind’s eye, blurry at first before they come into focus. The platform gates open. Chaos ensues. People dropping onto the subway tracks— spontaneously bursting into flame— their heads, necks sliced off, stomachs cut open—

Bile rapidly builds up in your throat, and you clamp your jaw shut, trying to force it down. Not here. Not now. You try to focus on something else, anything else happening outside of your brain. There’s a pair next to you musing about the people standing on the subway tracks, wondering what the two (the four?) of them are talking about. You blink back tears as you look. You can only see two: a freakishly tall man with white hair dressed in all black, and another man, dressed in strange, yet more traditional looking garb. Are those costumes too? You don’t have a lot of time to think about it as another image forces its way into your brain.

Your corpse— lifeless on the ground.

Your corpse— burning to ash.

Your corpse— bleeding out.

You can’t hold it in any more. Every fiber in your being screams at you to get away from the subway tracks, but instead you rush toward them, shoving people left and right as your hands desperately reach the stability of the gate. You grip it like a lifeline as you retch over the side of it, the contents of your stomach spilling all over the subway tracks.

There’s a quiet murmur of disgust behind you but you can’t be bothered to respond. You need to get out of here. You need to leave. You need to do it before—

The gates open and the crowd starts to move like a tidal wave, pushing and shoving their way through the gate. You’re swept away, vomit long forgotten as you and a few dozen others tumble onto the railway.

Alarm bells go off in your brain, loud and deafening. A voice in the back of your head screams for you to get off the track! Get off the track now before—

The platform erupts into a cacophony of screams, drenched in horror, saturated in fear. You are surrounded by people, by corpses— beheaded, sliced open, bursting into flames.

Your terror roots you to the ground as the carnage ensues around you. It’s only when another person, another corpse, dressed in a magical girl costume collides with your body that you can finally move. But it’s too late, you realize, despaired and helpless, as your bodies fall to the ground.

It’s too late.

You die an eighth time.

You think your chest is going to explode.

At first, you think it’s because it’s so hard to breathe, frustratingly so— there are hundreds of people squeezed into this space alongside you, packed like cattle for slaughter. You've never been one for crowds, but it’s the reality of things when you’re in Shibuya. For the most part, you’ve come to accept it, but this crowd is way too much and you wish you had just stayed home and ordered a pizza; though honestly, the thought of pizza kind of makes you sick.

There’s a dull throbbing in your forehead, followed by a thought so loud that it feels like someone’s hollering at you from a loudspeaker that’s been installed in your brain.

It’s the night of October 31, 2018— Halloween in Shibuya.

You think it's the ninth time now.

Behind you, you hear a woman screaming, her voice crazed and terrified. You turn your head automatically to look at her and when you see her you realize you recognize her yellow and white magical girl costume. You can say with certainty that you’ve never seen her before and yet—

Before you can ruminate more on it, images— memories assault your mind’s eye with a clarity that is absolutely sickening. That woman colliding into you, your bodies slamming into the subway tracks before you both— Your stomach churns violently,

and you feel like you’re going to puke, but you force it down— can't afford to right now. Instead, you make your way over to the woman.

Her head is in her hands as she mutters over and over again about how everyone is going to die. People around her figure that being stuck in here with the crowd has probably gotten to her. You, however, know better.

“...hey,” you say softly.

Her muttering comes to an abrupt halt and slowly she raises her head to look at you. There’s a flash of recognition in her eyes and she grabs you violently by the shoulders. “You! You know, don’t you? That we’re going to die?”

If it weren’t for the fact that you have indeed experienced death here eight times already, then you would have thought she’s lost her mind. Slowly, you nod and she seems relieved by it, her grip on you loosening.

You can’t help but feel a little relieved too— glad to know that you’re not the only one experiencing this nightmare. There’s a voice in the back of your mind that’s confused though. Why is she only remembering now? But then again, it took you a few times before you realized yourself.

Around you people start to gasp, and you glance back toward the railway to see an abnormally tall man with white hair and dressed in all black jump down from the atrium onto the railway. He lands rather gracefully for someone who jumped at least one floor and starts to converse with the other three people (you think they're people— two of them are in some pretty wild costumes) on the track.

Wait. Isn’t it supposed to be just two people: the tall man and the one in the traditional clothes? Where did the other two come from?

“We have to get out of here,” the woman says. “Before they kill us.”

Her grip shifts from your shoulders to your arms and she starts to shove at everyone around you, trying to force her way through. She seems to know, just as well as you do, that any second now the gates will open and the crowd will start spilling onto the railway, littering the tracks with bodies and ash. Neither of you can let yourselves get swept up with the rest. If you do and you end up on those tracks, you’re as good as dead.

People move aside at a snail's pace, many of them too focused on trying to see what is going on on the subway tracks. This isn't good. You need to move faster or else—

The collective sound of the gates opening echoes in your head, a metallic hiss that makes your stomach fold into itself. Before either of you can stop yourselves, you both whip your heads back to look, to confirm, but it’s a mistake.

The briefest lapse in attention is enough to pull you both into the current of people, and try as you might to fight against it, the crowd splits you and the woman apart as it swallows you both whole. You’re both spat onto the tracks at the edge of the platform and your head collides with the metal rails of the track. It feels like your skull is about to crack in two, and it takes every fiber in your being to scramble to your feet. You're close enough to the platform that if you can just climb up it, then you'll be—

“Help! Help!”

It’s the woman’s voice. You turn to see that she ended up a couple meters away from you. She’s staring at you, eyes brimming with fear filled tears as she extends her hand in your direction. You take a step toward her, reaching out.

And then, her entire body is engulfed in flames, the skirt of her magical girl costume a ring of fiery death around her.

Her blood curdling scream is the only thing you can hear, her burning flesh, the only thing you can see. You don’t know what to do.

You can’t save her.

There's something touching your back. You can barely feel the pressure, but it's hot, scorching hot, mind numbingly hot, painfully hothothot.

You know this sensation. You have felt it before. The scent of burning cloth, burning hair, burning flesh clogs your nostrils. It's too late, you realize, helpless, despaired as the flames eat at your body— your soon to be corpse.

It's too late.

You die a ninth time.

It’s October 31, 2018— Halloween in Shibuya.

This is the tenth time.

Your head hurts, but you ignore it. There’s something more important that you need to attend to. You immediately make your way to the woman you met during your last round, the one you watched burn to death. Her costume is still pristine, unmarred by fire and death.

For now.

She’s not screaming this time and while there’s a little voice in the back of your mind that’s concerned by this, you try to ignore it.

“Um, excuse me?” you say when she doesn’t acknowledge you as you approach.

The woman turns to look at you. You’re taken aback by the distinct lack of recognition and it feels almost as if the woman you encountered previously and the one before you now are two separate people. In a way, they technically are.

“Do I… know you?” she finally asks when you don’t say anything.

Your mouth is dry. How do you even answer that? You don’t know her. You just watched her die twice. You know her. She begged you for help. You couldn’t save her.

If you explain all of this you know she’s just going to think you’ve lost your mind. Maybe you already have— you’ve died nine times after all.

You give her a weak smile. “I… just wanted to tell you that you think your costume looks great.”

She blinks, taken aback by your words. There’s no doubt that she wasn’t expecting you to say that. It’s the truth though, her costume is nice; she’s dressed up as a character from a magical girl anime that was popular a couple years ago.

“Thank you! I made it myself!” The woman breaks out into a genuine smile and your heart hurts. In a few moments she’ll die and the costume she worked so hard to make will be nothing but ash on the subway tracks.

“Sorry,” you blurt out before you can stop yourself.

“For?”

For watching her die. For not being able to save her.“...I just kind of came up to you all of a sudden…”

She laughs. “It’s okay.”

It’s not.

You consider telling her that she should try to move. That if she stays here she will die. You don’t want her to die. Again. You can still hear her screaming in your ears as she burned to death. You want to tell her.

You don’t.

“Stay safe, okay?” you say. It almost sounds like you’re begging.

She gives you another smile, kind and gentle and you think you’re far too undeserving of it for not telling her what fate will soon befall her. “You too.”

“I’ll try,” you say and move away from the woman just as the gates open and the crowd surges toward the railway. You do not fight it as you are swept up into the crowd and despite what you said, you do not try, this time, to stay safe.

You die for the tenth time.

It’s October 31, 2018— Halloween in Shibuya.

This is the fourteenth time.

There’s a slight ache in your head, but it’s subtle enough that you can ignore it. The pain you feel lessens with each round and you think it’s a sign that your body no longer feels the need to remind you of the precarious situation that you’re in.

Or maybe you are just becoming numb to everything: your death, the death of the people around you, the death of the woman in the magical girl costume—

You try not to think about it too much as you reach into your bag to check the time on your phone: 8:37PM. There’s not a lot of time: you need to move.

At the very end of your last attempt to escape this nightmare you realized something. You need to know exactly what is going on around you so you can plan accordingly: where to not stand, where to not go. Up until now, you’ve relied almost solely on the knowledge gained from your previous failures to try and survive, but obviously it’s not enough to keep you alive. You’re not sure why you didn’t realize this earlier. The panic, maybe? The fear?

Maybe you really are becoming numb to all this.

Unlike previous iterations, this time you elect to move closer to the gate, positioning yourself somewhere against it where you’re unlikely to be pushed off the platform in a couple minutes when they open. You take great care to place yourself where you can see the ones responsible for the slaughter very clearly. At the beginning, you could only see one, the one who looks the most human, but with each repetition, the other two have become more and more clear. You wonder why. You don’t have time to think about it.

Murmurs nearby alert you to the arrival of the fourth major player involved in the night’s events. You look up and see the white haired man dressed in all black descending upon the platform like an angel from the heavens. This is your first time really looking at him and you realize there’s something almost inhumanly attractive about him. You can’t quite put your finger on it, but it occurs to you that you shouldn’t even try; you don’t have the time to be drooling over some handsome stranger.

You’ve naturally never taken the time to try and listen to whatever the conversation the man and his opponents have before all hell breaks loose on the platform, but you try and lean closer to listen. It’s hard to hear over the dozens of conversations going on behind you, but you try anyway. There might be a clue to what’s actually going on— or better yet, a clue on how to get out of it.

It’s obvious that you’re missing context from what bits of the conversation you do manage to hear, but honestly it all sounds like stuff out of a shounen battle manga. There is one part of the exchange that you manage to hear with a startling sort of clarity. It feels almost as if your heart stops beating as your blood turns ice cold in your veins.

“If I run away, you’re just gonna kill everyone here, right?” the man in black asks.

There’s a pause, and if your heart was still beating it’d be long enough for just four heartbeats.

“If you run away?” The monster with cane repeats, the sadistic grin spreading wide across its features, displaying its charcoal black teeth. The gravelly sound of its voice sets fire to the blood in your veins, your stilled heart thumping wildly, in fear, in anticipation. Soon. It’s happening soon. You brace yourself. “We’re going to do that even if you don’t!”

You die a fourteenth time.

It’s October 31, 2018— Halloween in Shibuya.

This is the seventeenth time now.

Things are going surprisingly well, even as the people around you tumble onto the tracks. You manage to hold on, desperation keeping you from falling into the abyss. This is good, you tell yourself, despite the fact that it’s not the first time you’ve achieved this. Every little victory is worth celebrating, but you have to remain vigilant. This is yet another information gathering loop, and while you know that maybe this time you’ll be lucky and live, there’s still a chance, a big one, at that, that you will die again.

You have to make the most of each and every death.

It’s such a morbid thought, but the ends justify the means, or so you tell yourself. If you have to die a few times to make it out of this unending nightmare, then so be it.

The spot you’re in is a good vantage point; it’s easier to see everything happening below you. It’s so good that it’s actually sickening. You watch as the monster with the cane and one with what looks like branches for eyes slaughter the people on the track, mowing them down, setting them aflame. In another life, in another many lives, that was you down there, and for what feels like the first time in forever, you feel like you’re going to be sick. You feel like, at some point, you likened the scene before you to some kind of shounen battle manga, but you think that was wrong.

This is borderline horror.

Everything plays out before you like a scene out of an action horror flick. If you didn’t know better, you’d think you were just an extra on set, but you know the reality is that you’re just an extra to whatever phantasmal battle is taking place in front of you. The monsters and the strangely dressed man all try to attack the man in black, but he manages to block every hit effortlessly, as if he is protected by some sort of invisible barrier. When it seems the two monsters are about to hit him, he merely jumps out of the way and the two monsters seem to collide, the force of their combined strength sending a gust of air throughout the crowd. The man in black neatly lands on a nearby platform half wall and says something about curse users, whatever those are, to the monsters, before he starts to mock them, pulling down his strange blindfold in the process.

And this, you’ve found, is where you start to get in trouble.

You clearly remember thinking, at some point, previously, that there was something attractive about this man. You still don’t know what it is. You haven’t had the time to try and figure it out, but there is one thing that you do know: you can’t keep your eyes off of him.

He drops back down onto the tracks, antagonizing his opponents in an arrogant tone as he approaches. When he comes to a stop between the two monsters, the second round of their fight begins. They try to hit him, but he dodges still, gracefully, fluidly, like the three of them are embroiled in some sort of passionate, yet violent dance.

You cannot turn your eyes away as he cruelly rips off one of the arms of the one-eyed monster.

You cannot turn your eyes away as he brutally kicks the branch-eyed monster in the abdomen, sending them flying to the other side of the platform.

You cannot turn your eyes away as he effortlessly hurls the one-eyed, now one-armed monster in the same direction, sending them smashing into the wall.

Only when the man in black seems to fly to the other side is the spell over you seemingly broken. Still, your eyes give chase, and your body too, rushing from one side of the platform to the other. You can’t lose sight of this fight, you tell yourself, settling in a spot you recall being safe during your last round. Doing so could mean another death, another loop, another October 31.

You watch as the man in black acrobatically dodges what looks to be vines or roots that the monster with branches for eyes seems to have summoned from the depths of the Tokyo metro. He lands on the monster’s shoulders, balancing on them as he uses its branch-eyes for leverage. The look in the man’s eyes is so crazed that you can see it from where you’re standing. He says something to it and then—

With a feral and sadistic smile, he rips their eyes straight out of their skull.

Your heart is pounding wildly in your chest as you watch the fight unfold. It is horrifyingly, disgustingly violent, yet still you watch as people on the track are killed by the human-like person, blood raining down as their freshly beheaded skulls go flying into the air. He and the one-eyed monster launch their counter attacks against the man in black and the blowback is so intense the power goes out causing everyone to scream.

There’s a faint glow where the man in black is standing that starts to grow brighter and brighter. You can make out his form turning to face the wall, and it seems almost like he’s slammed the monster that had branches for eyes against it with some sort of telekinetic power. Despite the panic from the people around you, you manage to hear him, chuckling like a mad man as he draws closer and closer to the monster.

The one-eyed monster yells out a name, a name you think must belong to the man, but he doesn’t hear it. He doesn’t hear the one-eyed monster as he extends his hands out toward the eyeless monster, exerting some kind of force that you can’t really see. He doesn’t hear the one-eyed monster as the eyeless monster’s entire body is vaporized in a flash of blue light. He doesn’t hear the one-eyed monster, as the lights flicker back on revealing a smoking crater stained with purple blood where the eyeless monster once stood.

But you do.

Satoru Gojo.

You make sure to remember that.

It’s October 31, 2018— Halloween in Shibuya.

And this is the eighteenth time.

You watch as the man called Satoru Gojo stalks through the crowd of people on the subway tracks, chasing after the one-eyed fire monster. It throws people at him, in a clear attempt to slow him down.

It does not work.

Satoru Gojo climbs back onto the platform in a way that you can only describe as inhuman, and the people nearby shriek and move away from him, out of terror, out of fear. You, on the other hand, draw closer, refusing to lose sight of him.

He is relentless in his pursuit of the one-eyed monster. It continues to throw person after person at him, but he does not stop and the people float there, suspended in midair before they are gently lowered to the ground by some unseen force and scramble away.

No one dares get close to Satoru Gojo, everyone on the platform seems to know that doing so means certain death, yourself included. But you still feel the need to keep an eye on him. The monster and the strangely dressed man are focusing more on him than the crowd— anyone in between is just collateral damage.

But not you.

Especially since you’ve made it this far— you’ve never made it this far before.

A voice echoes throughout the platform; you realize it’s the automated announcement.

An eight car train is pulling in. Please wait behind the yellow line.

You can hear everyone’s relief coming from all sides. The train is coming! The train is coming! A ripple of hope makes its way throughout the crowd. With the train comes the chance to get off the platform and the senseless violence that’s been happening here. Some of the people around you are talking excitedly and others are running toward the gates, toeing the yellow line they’ve been instructed to wait behind. And you, you should be excited, you should be hopeful.

All you feel is dread.

It eats at your stomach, at your chest, at your mind. Clawing and gnawing at you in a way that leaves you paralyzed on the platform. There’s something wrong here. You can’t be sure because you’ve never made it this far, never survived long enough for the train to come, but something is just not right.

No.

You must be paranoid. The train coming is a good thing. It has to be a good thing. You are just paranoid. It’s normal. It’s natural. Dying seventeen times would do that to anyone— rob them of hope, condemn them to an existence full of fear.

It is not lost on you that the thought of dying more than once, much less, dying seventeen times is not normal or natural in the very slightest.

But you need hope, you crave it, wildly, desperately. The hope of freedom, of escape is the only thing getting you through this unending nightmare. Every time you die, every time you wake, it is with the hope that maybe, just maybe this iteration will be different, maybe this one will be the one where you make it out, make it back to your friends who must be waiting for you, make it back home where you can be safe and sound. You need the hope to keep going. Because without hope, what will you have left?

The train screeches as it pulls into the station and the people around you laugh in both disbelief and relief. They start to push and shove toward it, fighting to be able to board because there’s no way everyone here will be able to get on an eight car train and being left behind at this point is practically synonymous with death. Unable to decide if you believe in the train as a symbol of hope or a new layer of fear, you are pushed along with the crowd toward it.

The doors of the train cars slide open and the current passengers all rush off as they disembark. You as well as everyone else on the platform can see with a horrifying clarity that the train is filled to the brim with monsters. Monsters that reach out and grab anyone their hands can reach. The woman to your left. The person to your right.

You.

Hope is gone.

What do you have left?

You die for the eighteenth time.

It’s October 31, 2018— Halloween in Shibuya.

This is probably the twenty-sixth time now.

If there is anything this entire ordeal has taught you, it is that you are resilient. Whether it is some innate trait that you never had any reason to uncover before or just a byproduct of being trapped in an unending cycle of being dead and not dead, you don't know. What you do know, though, is that even if you no longer have hope, you at least have your resilience.

Whether you want it or not.

You check the time. It’s 8:35PM. Something flickers in your chest, like a faint light in a sea of darkness, but you ignore it. You don’t have time right now.

With a nimbleness born from your previous failures, you weave your way through the crowd. You’ve done this enough times to know where the gaps are— who will yield and who won’t. Your destination is the escalator that leads off the platform and up to a higher part of the station. You’d noticed previously that the escalator along with every other entrance onto the platform will eventually be blocked by vines or roots of some sort (the work of the branch-eyed monster probably). It’s not a perfect plan because you don’t know what happens on the other side, but whatever it is has to be better than whatever is happening on the side that you’ve been on.

You’d tried to get to the stairs during your last two rounds, but you’d just missed it. You hadn’t been fast enough and had gotten caged and slaughtered along with the rest. But this time, this time you have more time. It’s just one minute, but it’s enough. You know it is.

The flickering in your heart grows stronger. Hope. You try not to pay attention to it— you don’t want to be disappointed yet again. But you want to so badly. A voice in the back of your mind tells you to focus on the good, tells you that if there was truly no way out of this endless nightmare, then why would you get more and more time with each round to escape your fate?

With that thought in mind, you break out into a run, recklessly rushing through the crowd, shoving anyone who will not yield to the side. Out of the corner of your eye you can see the stark white of Satoru Gojo’s hair as he descends upon the platform.

You need to get up those stairs.

Now.

If you remember correctly, the roots and vines don’t close off the area the moment he touches down, but a little after they start talking, so you think there is probably some time, but you can’t leave it to chance.

The stairs are packed, and for some reason no one is moving. The escalator right next to it is just as full and the power doesn’t seem to be working. You don’t have time for this. You clamber onto the escalator’s rubber handrail, ignoring the weird feeling that passes through your body as you do so. You don’t have the time to worry about whatever that is. The people around you start exclaiming around you, but you don’t care, you don’t listen. You wobble as you try to balance yourself and when you think you’re steady you try to run.

But you trip.

And you die for the twenty-sixth time.

It’s October 31, 2018— Halloween in Shibuya.

This marks the thirtieth time.

And you have, finally, finally made it up the escalator, up the stairs with barely a second to spare. You pause, glancing back as the roots or vines or whatever the hell they are seal off the entrance to the platform. You notice that the area where the plants come down is actually fairly clear, despite the crowd. It seems weird, but you don’t dwell on it.

A strange feeling envelops your entire body and your legs turn into jelly. As you sink to the floor, you realize what you’re feeling is relief as all the tension, maybe thirty iterations of Halloween 2018 worth, seeps from your being. You don't remember the last time you felt anything other than fear and dread; it’s weird, but not unwelcome.

That voice in the back of your mind tells you that you can't relax just yet: October 31st isn’t over. Even though you have repeated this night again and again, burning the events that play out on the platform into your memory, you do not know a single thing that happens over here. It would be smart to scope everything out.

Legs still shaky, you rise to your feet and start walking. You think it’s probably for the best to try and head up to the surface and you make your way up to the next floor.

It’s packed with people here too, but relatively peaceful, especially when you compare it to the pandemonium taking place beneath your feet. Still, you can make out the undeniable hum of displeasure resonating throughout the crowd. People complaining about how uncomfortable their costumes are, people complaining about how much they want to go home, people complaining about how much their nights have been ruined because they couldn’t meet up with their friends and—

A thought hits you like an eight car train.

You were supposed to meet up with your friends.

That’s why you were on the platform in the first place— you were waiting for them to arrive, but then the trains stopped working, and people just started pouring into the station out of seemingly nowhere (you think you heard some people say they’d come from the crossing?). Soon after that is when everything went to shit.

You check your phone, though, for once it’s not to look at the time (8:56PM). Instead, you open LINE to check your friends’ group chat. There’s no signal here, for whatever reason, so if there are any new messages, you haven’t received them. The last one was from Kei, mentioning he was enroute, but as far as you know, you’re the only one who made it to Shibuya before the trains stopped.

Did one of them maybe make it here though? Surely, you would have run into them if—

The image of a woman in a magical girl costume fills your vision, burning to death before your very eyes as her screams echo in your ears. It is the first time in what feels like forever that you’ve thought about her and your stomach churns violently. You couldn’t help her, you can’t even help yourself, so how could you even expect to do the same for your friends if they were here? The mere thought of having to watch them die over and over is almost enough to send you over the edge. You don’t know if you could do it.

Would you even have a choice?

No. You can't think like that. You have choices. You've had choices. If you didn’t then, you would still be down below, among the fire and brimstone. Dying, if not dead already. However, instead, you are up here, where, for the moment, it is quiet and peaceful.

That thought, in of itself, is enough to give you a shred of solace, a glimmer of hope.

You take a deep breath and fiddle with your phone a little more, changing your lock screen to a picture you and your friends took at a photo booth not too long ago. The four of you are huddled together, faces squished as if you're all struggling to fit in the frame, despite there being plenty of room. You're mid-laugh because it's the first time you've been in a photo booth in years, Mio and Shin are grinning mischievously and finally, Kei is smiling, but only just slightly, the embarrassment clear on his face. It's probably only been a few months since you all took this picture, but the fact that it feels like it's been years makes your heart ache.

You press your forehead to the screen, like a prayer, like a promise.

You will make it out of this nightmare.

No matter what.

A shrill scream yanks you from your thoughts and you are instantly on your feet, alert as your eyes flit around frantically to identify the source. It doesn't take long for you to find it and when you do, you think you might have stumbled upon a new layer of horror to this nightmare.

It’s not the corpse, dangling by a noose, that terrifies you— by now you’ve seen dozens upon dozens of dead bodies that the sight of just one more doesn’t faze you in the slightest. The thing that’s the most mortifying, that’s the most disturbing is that right next to where the body is tied are two girls, two teenage girls still dressed in their school uniforms.

You can accept monsters and weirdly dressed men being responsible for the carnage tonight, but children too? Both girls look like they’re barely in high school and try as you might to rationalize things, to chalk it up to coincidence, you cannot ignore the ominous energy radiating from them.

The very notion that these two children could have killed someone here is a hard pill to swallow, but so is the fact that you’ve died.

And you’ve had to swallow that pill thirty times now, so what’s once more?

“Listen up!” one of the girls yells over the crowd, but she is mostly ignored; you don’t think everyone here has noticed her and the corpse dangling from the rafters. She scowls and turns to the other girl and says something quietly to her. The other girl nods and almost instantly she’s stringing up another person, another example. You want to look away so badly, and yet you cannot bring yourself to and you watch the poor soul choke to death.

“I said listen, you dumb monkeys!” the girl shouts, and this time she’s caught most of the crowd’s attention. “If you don’t want to end up like these two, you’ll listen to what we have to say!”

There is clear dissent among the crowd, people dismissive as they utter their disbelief. Some seem to think it’s a prank, but you know better. It takes two more examples before the crowd goes silent before the two high schoolers.

“About damn time!” The girl roars and then points toward the atrium, which is currently covered by roots and branches. “All of you move over there!”

You have a bad feeling about this.

Still, you comply; the girls have made it abundantly clear that failure to do so will result in death, though, at this point, you're almost certain this iteration is a bust and death is all but imminent. You try to keep positive— thinking you can at least gather information or, who knows, maybe there's a chance that this one is the one.

Yet when you step onto the mound of vines and branches that cover the atrium it feels as if you've crossed the threshold into hell. Your footing is stable… but for how long?

An eight car train is pulling in. Please wait behind the yellow line.

It's faint, but you can hear the announcement from below. The liquid in your stomach curdles at the sound as you recall the train and, in particular, what is on board. Soon enough, those monsters will be swarming the platform, massacring everyone in reach, guzzling down their blood, feasting on their flesh—

It dawns on you that the people on the platform are the monsters' first course.

And you, and those around you here in the shrubbery, are the second.

As you realize this, the branches and vines disintegrate beneath your very feet and suddenly you are mid air— falling, falling into the abyss below.

You die for the thirtieth time.

It’s October 31, 2018— Halloween in Shibuya.

You've done this nearly sixty times now.

After countless failures, you've decided that you're just not going to go upstairs any more. No matter where you try to go, you still end up herded onto the death trap above the platform where you ultimately fall to your death. You've tried positioning yourself in the same spot, tried bracing yourself for the drop— but nothing seems to work: upon landing, assuming you manage to land without hurting yourself or dying in midair (which has happened a couple times) you get grabbed and killed by one of the monsters from the train. It's probably not impossible, you just don't have the physical prowess or reflexes for it.

If anything, you can try again later, but you sincerely hope you don't have to.

It's 8:32PM, and you have plenty of time to get to your chosen spot for this loop— it's close to the stairs, in the very center of the platform. Here, there's little risk of getting pushed off onto the tracks when the gates open. You'll probably have to move when the train comes, or even before (assuming you survive) to avoid the monsters, but you'll get to that when it's time.

You can't really see the fight once it breaks out after Satoru Gojo arrives, but you still try to keep track of it as best as you can. You see when he hurls both monsters across the platform and you're not sure if it's muscle memory or what but you have to fight the urge to move to the side and watch. It's been a while, yes, but you've seen the fight countless times before— it doesn't change. Satoru Gojo will give chase. He will rip the branches from the branch eyed monster's skull. He will use some kind of power to eviscerate them.

You don't need to watch, but there's something in you that wants to.

It doesn't make sense, you've seen it all before; if you're unlucky you'll see it all again.

The lights go out and people start screaming; Satoru Gojo is ending the life of that one monster. Soon enough he'll be back on the platform, in pursuit of the other. You think at that point it would be good to move, reposition yourself as far from the incoming train as possible.

When he rises from the tracks like a demon straight from hell, you realize it's the first time this loop that you've actually gotten a good look at him. You remind yourself, again, that this isn't the first time you've seen this man, this scene. You can't help but watch, but stare at Satoru Gojo as he stalks through the crowd in pursuit of his prey. His expression is an eerie sort of calm that's at odds with the acts of violence you've seen him commit— his eyes an unnaturally bright blue.

He's a terrifying sort of beauty and you can't help but be captivated by him.

An eight car train is pulling in. Please wait behind the yellow line.

The sound of the announcement sends your heartbeat into a frenzy, snapping you out of your little trance. The train is coming and you need to get moving. As you dart to the edge of the platform, the thought occurs to you that even if you avoid the initial wave of monsters, it's likely you will inevitably be caught by them and killed. It wouldn't be impossible for Satoru Gojo to turn his attention to them instead of the two he's currently facing, but he's just one man— can he truly defeat all those monsters?

You can see the train pulling in and you brace yourself, praying that it'll work out somehow.

The doors hiss open and the screaming starts again as the monsters come bursting out of the train, biting and mauling anyone they can get their hands on. Those who were lucky enough to not be at the front start to scramble away and the monsters give chase. Your body is taut, ready to try and dodge any that come your way.

Out of the corner of your eye you notice something moving through the air. A person? With blue hair? You take the risk to look— they're attacking Satoru Gojo. He tries to punch them but they fly away from him to dodge— disappearing into the crowd.

You hear a loud cracking sound over the cacophony of the crowd and your stomach twists; you know what that sound is. The roots above the atrium disintegrate and bodies from above start to rain down onto the platform.

And then, you're not sure what happens— it's so quick that you only manage to see what looks like an explosion of blood surrounding Satoru Gojo. Corpses litter the ground around him and even from here you can tell he is shaken by the carnage.

The monsters have finally reached where you're standing, and you duck under one as it lunges at you. Although it's big and scary, you realize it's moving kind of slow. Right after it another one comes at you and you take a side step to avoid it; this monster is kind of slow too.

Maybe you can do this.

As soon as you think that a strange feeling courses through you. Every hair on your body feels like it's standing on edge and the voice in your head is telling you to look at Satoru Gojo. You don't understand why because you think he's the least of your worries right now, but you do it anyway.

He's in some sort of stance, one hand raised to his face, fingers bent in some kind of gesture. There's some sort of aura, oppressive and frightening emanating from his form.

Satoru Gojo is doing something.

You just can't tell what.

It’s October 31, 2018— Halloween in Shibuya.

And you are utterly confused.

Barring your first few loops when you weren't fully aware of what was happening, you have very distinct memories of how each of your previous iterations of this night have gone— of each and every one of your deaths. But for your last round, the last thing you remember was feeling the immense power radiating from Satoru Gojo's body, but that's it.

You do not remember dying.

In fact, you don't think you did.

And yet, here you are again, back at the start: it's 8:32PM and the monsters and strangely dressed man are standing on the subway tracks waiting for the arrival of Satoru Gojo.

You don't understand what's going on; you didn't die but you're still stuck in this damn loop. Up until now, your death has served as the trigger to restart the loop. It's not impossible that maybe you suffered a quick and painless death but you're almost certain that isn't the case.

Something else must have happened.

Something having to do with Satoru Gojo.

You have to find out what. If you don't, you won't know how to avoid it, and if you can't do that, then you really might spend an eternity stuck in this nightmare. And so you take great care to repeat the steps of your last round. You need to make sure to survive to the same point you made it to last time.

Miraculously, you do.

The moment you feel that sensation again, a prickling sort of feeling that envelops your entire body, your eyes are on Satoru Gojo— trying to figure out what the hell he's doing. His eyes are crazed with a desperate kind of focus. You see his mouth move— he's saying something. A spell? A prayer? A curse?

You don't know.

You do know.

Your brain feels like it's going to explode.

Again.

It’s October 31, 2018— Halloween in Shibuya.

Again.

You do not know how many times it's been the night of Halloween in Shibuya: you stopped counting around the hundredth loop. It feels like it's been a while since then. Or maybe it hasn't? You don't know any more.

What you do know is that this night ends up going one of two ways before you are forced to repeat it. Either you die, in some way, shape or form or something happens just after nine that forces you to reset. You still don't know what it is exactly; you only know that Satoru Gojo is responsible for it.

You do prefer it to dying— it's far less painful.

But if anything, you wish you could just die permanently and never have to repeat this night ever again.

Unfortunately, you know better.

The only good thing you’ve noticed about all of this is that you really do seem to keep waking up earlier and earlier. The last time you checked, it was at around 8:30. It might take hundreds of thousands of loops, but eventually you’ll certainly wake up early enough to avoid this damn entire mess.

But by the time that happens… will your sanity still be intact? Will you really be able to go back to a normal day to day life after living the equivalent of hundreds of years, repeating the same night over and over again? You don’t even know how you’ve managed to stay sane all this time and as much as you want to believe you could do it…

There has to be a breaking point.

For both your mind and this time loop.

If you’re lucky, you’ll reach the latter first.

There’s a dull ache in your head that feels foreign yet familiar. Your mind is foggy, all your thoughts hazy as you try to recall what the word for this feeling is.

Groggy.

It feels as if you’ve woken up from a nap and you blink the sleepiness away from your eyes. When was the last time you took a nap? It’s been a while… You think you maybe tried once or twice, but you were too nervous, too on edge. Awake or asleep, it didn’t matter because, either way, you were doomed to repeat this nightmare.

As you think this, you realize that something is different.

You’re used to how the start of each loop feels like waking up suddenly and abruptly and it becomes clear to you that you haven’t looped. This is completely uncharted territory.

You need to find out what’s going on.

The first thing you notice is that it’s quiet. Almost eerily so, especially when the last thing you remember was screaming and chaos. You glance around you and find that it looks like all the monsters from the train are dead, the ground littered in their bloodstains and corpses. There were so many of them, you don’t know how someone could have wiped them out so quickly… Could it possibly have been Satoru Gojo’s doing?

More concerning than the complete eradication of the monsters is the fact that nearly everyone else on the platform is standing stock still, their mouths ajar with blank expressions on their faces. It’s almost as if their souls have completely vacated their bodies…

Were you like that too before you woke up?

You hear voices, and your body immediately goes tense as you turn your head in their direction. A little ways ahead of you, you see a man dressed as a monk conversing with the blue haired person from earlier and before them is—

Your heart nearly stops: it’s Satoru Gojo, restrained and on his knees.

Honestly, you can’t make heads or tails of the conversation they’re having; it’s more shounen battle manga nonsense. Satoru Gojo doesn’t seem to be enjoying their conversation either, and he interrupts them, clearly annoyed.

“Are we gonna do this or what?” he asks. “The view sucks and I’m just kinda bored.”

“I wanted to enjoy this sight for a little bit longer, but you are right,” the monk says. “I wouldn’t want anything to happen— gate, close.”

When he says that, Satoru Gojo’s restraints move, the weirdly shaped cubes at the ends of them closing in around him, trapping him in a giant red cube. It starts to shrink until it’s small enough to fit in the monk’s hand.

You gulp and hope they don’t notice that you’re awake. The fact that they haven’t slaughtered the rest of the people standing around you is a good sign, but you don’t want to find out what happens if they know you’re cognizant.

It’s not hard to play the part of a living statue, especially when you compare it to everything else you’ve had to suffer through on this night. You watch as the monk’s allies, the ones who had attacked everyone on the platform, wake up, but before they can do or say anything, the box holding Satoru Gojo slips through the monk’s fingers and makes a dent in the concrete. The look on the monk’s face makes it clear that it’s a problem he wasn’t expecting.

You don’t know a damn thing about Satoru Gojo, but you feel like this kind of thing is the norm for him.

The blue haired person suddenly looks in your direction and you nearly stop breathing. Have they noticed you? It takes everything in you to keep perfectly still, in hopes that maybe they didn't, that maybe they’re looking at something else. They raise their arm and it extends, their hand acting like some kind of projectile. You almost shut your eyes and brace yourself for impact, but their hand flies upwards and hits something on the ceiling, destroying it.

Inwardly, you breathe a sigh of relief— you’re still safe.

For now.

You listen to their following conversation and while you still don’t fully understand everything, it’s clear they’re talking about what to do next since they’ve taken care of Satoru Gojo. Something having to do with someone named Yuji Itadori? The group seems split on what to do about him but it’s clear he’s their next target.

Eventually, everyone but the monk (you heard the blue haired person, who is apparently named Mahito, call him Geto?) runs off, probably to find this Yuji Itadori person. Once they’re gone, Geto speaks and, at first, you think he’s talking to you, but it becomes clear he’s addressing someone else. “Those cursed spirits are actually smarter than the two of you.”

“Give him back!” a voice hidden among the crowd hisses. Your blood runs cold at the sound. You recognize it; it’s one of the high school girls from the upper floor.

“We cooperated with you fully and kept dropping monkeys for you,” says another voice; it must be the other girl that was with her, the one who hung all those people.

“Now give us back Master Geto’s body like you promised!”

“Don’t toy with Master Geto any further than you have!”

You blink in confusion. Isn’t the monk named Geto? The way the girls are talking it sounds like they’re talking about someone else… Is it possible that the body is ‘Geto’ but the person they’re talking to is someone else possessing it? It sounds kind of crazy, but then again, so is every single thing you’ve experienced tonight.

Your suspicions concerning this ‘Geto’ are confirmed only seconds later as he says, “Now begone, or is it your desire to be killed by this body?”

One of the girls vows her revenge and you hear shuffling somewhere else in the crowd as they scurry away. Now you think it’s just you and whoever it is that’s puppeting Geto’s body. You see him plop down in front of the box (the prison realm, you think he’d called it) that’s holding Satoru Gojo.

“You can come out, you know,” he says after a while.

You freeze. The rest of the platform is completely silent. This time you think he might actually be talking to you.

“I know you’re there,” ‘Geto’ adds, his voice casual. “If you’re insistent on hiding, you should know that I’m not afraid of using whatever means necessary to smoke you out.”

Given everything his allies have done, there’s no doubt in your mind that he’s serious. You were hoping to hide out among the crowd until he decided to leave, but it looks like you won’t be able to now.

Looks like this loop is a bust after all.

Your heart starts to race as you weave your way through the crowd. In every single one of your loops, you were always treated like a bit character, never noticed or singled out by any of the major players of the night. Although this is your first time encountering this ‘Geto’ it’s clear to you that he’s involved with everything that’s happened here and honestly, you get the feeling he might actually be the mastermind behind the massacre.

That makes you even more nervous.

You come to a stop in the place where Satoru Gojo was once kneeling before he was put in that box. Now that you’re out in the open, ‘Geto’ looks you over with some sort of nonchalant curiosity.

“You’re…” he starts, sounding thoughtful, "not a sorcerer, are you?”

Sorcerer. You heard that term thrown around by him and his group a few times. It’s what they’ve been referring to their enemies as. It probably wouldn’t be smart to lie and say you are one; you get the feeling he’d see through your lie anyway. “I’m not.”

He hums. “How interesting.”

“...what do you mean?” you ask before you can help yourself.

“It’s just you have an abnormally large amount of cursed energy for a non-sorcerer,” he explains. “Though, I suppose that all just sounds like gibberish to you."

You nod and look down at the box lodged in the floor. It has eyes, big creepy looking eyes. "...are you going to do the same thing to me as you did to that man?"

He laughs, "...fortunately for you, the prison realm only holds one person at a time and I need him sealed away more than you."

"...does that mean you're going to leave him in there forever?"

"If I'm feeling nice, I might unseal him in a hundred years or so."

One hundred years? At this point, you've probably lived roughly that amount of time through your loops alone, but for Satoru Gojo… "Won't he die first?"

"Only if he decides to," 'Geto' says, looking completely and wholly unbothered. "Time doesn't doesn't flow in the box, so when I unseal him, he'll be the same as he was just now. Physically anyway. Who knows how deteriorated his mind will be after all that."

Time doesn't flow in the box.

The words echo in your mind over and over. Time doesn't flow in the box. In other words, that means time has stopped in the box, and if that's the case then—

"Anyway, rather than worry about him, shouldn't you be more worried about yourself?"

You look at 'Geto' and he's smiling at you, it's friendly, but ominous. There's no doubt what is going to happen next, though you had already resigned yourself to this iteration being a bust; it was only a matter of time.

Time doesn't flow in the box.

"I was thinking I might keep you around, even if you aren’t a sorcerer, your wealth of cursed energy would serve my plans well," he muses. "But… it would be too much trouble trying to teach you how to use it in time."

As he talks, you realize this is probably the first time your death is intentional— every other death you've suffered has just been a byproduct of the ongoing slaughter. You were just another casualty, a victim, never a target.

You're scared.

Even though you know that once he kills you, once you die, you'll just loop back to around 8:30 again. You'll be on the platform again. And you'll play out some sequence of events before you eventually die again. And again and again.

Time doesn't flow in the box.

"I'll be nice, though," 'Geto' says, raising a hand and another monster appears out of nowhere. You don’t even bother trying to figure out from where. It doesn’t matter, especially since this monster will surely be the one to end your life. "I'll make it painless."

"...I appreciate it," you say and close your eyes hoping that he's not lying about it.

Time doesn't flow in the box.

He didn't lie.

You die again.

It’s October 31, 2018— Halloween in Shibuya.

And you're trapped.

You don't know how and you don't know why, but you are stuck in a time loop— forced to suffer through the horrific events of the night before you die and begin it all again. It's been a long time since you stopped counting how many loops you've gone through, but if you had to guess, it's probably somewhere in the hundreds now.

You are so very tired.

But it doesn't stop. It won't stop no matter what you seem to do. You are stuck. You are trapped. You are doomed.

“Time doesn't flow in the box.”

Ever since that first loop where you heard whoever is possessing Geto's body say that, the words have been stuck in your head, playing on loop.

You finally realize why.

“Time doesn't flow in the box.”

It's 8:25PM when you wake up; that should be plenty of time.

You need to find Satoru Gojo.

After hundreds of loops you've come to a singular conclusion: you need to prevent him being sealed in the prison realm. You've witnessed it enough to know that you won't be able to do it alone; you'll need his cooperation.

You rush upstairs as fast as you can, ignoring the shiver that runs down your spine as you step onto the stairwell. According to your previous loops, Satoru Gojo arrives on the subway tracks at 8:40PM. With how crowded the upper floor is, you don’t know if you’ll have the time to intercept him and talk to him, but if you can at least figure out where to find him, then you can try and talk to him during a subsequent loop.

When you reach the fourth basement floor, however, you don’t know where you should even start. He’s pretty tall so you think you could spot him in the crowd, but… there are still so many people. It occurs to you that maybe it would be better to try and look from a higher vantage point so you head to the stairs that lead up to the third basement floor. You check your phone again. It’s 8:35PM; you need to hurry.

Luckily for you, you find him very easily on the third basement floor.

The only problem is that he’s in a hard to reach spot— squatting above a sign hanging over the crowd.

You check your phone again. It’s 8:38PM and he’s starting to move, presumably to meet with those waiting for him on the subway tracks. It’s good that you found him, but there’s no doubt about it.

You’re going to need more time.

The moment you wake up, you immediately bolt toward the stairs. It's taken many, many more loops, but you've finally brought the time you wake down to around 8:15. You're still not sure if it's enough time, but there's only one way to find out.

You barrel your way up to the next floor and zig zag through the crowd to get to the next flight of stairs. By the time you get to your destination, you're completely out of breath, your chest heaving as your lungs clamor for air. You’ve done this so many times, yet your body acts like it’s always the first. It sucks, but there’s nothing you can do about it. You slow to a brisk pace to catch your breath and check the time. It’s 8:27— a new record. Hopefully it’ll be enough.

The goal is to catch Satoru Gojo before he moves to his lookout point above the crowd. While not impossible, it would be difficult for you to follow him there. You eye the safety barricade that blocks off the area where he’ll be moving in just a few minutes warily.

Yes, getting over there would be extremely difficult.

You don’t want to think about it right now; you’ll deal with it when the time comes.

Especially since Satoru Gojo has now entered your field of vision.

Your heart starts to race at the sight of him and it feels like it’s beating a million times a second. There isn’t a lot of time. You need to talk to him, but your legs only wobble, your feet planted firmly to the ground. This is not good. You need to move. You need to move.

Finally, after what feels like both an instant and an eternity, your feet finally budge, propelling you in Satoru Gojo’s direction. The beating of your heart only grows louder as you make your way toward him, mingling with the single thought that’s echoing throughout your mind right now: will he even hear you out?

You need to make him.

“Excuse me!” The words nearly come out in a stutter as you realize that you are actually talking to Satoru Gojo. You have watched this man at a distance for so long that it almost felt like he wasn’t real, like he was just another fixture in this nightmare that you’ve been living for far too long. And yet, here he is, right in front of you, in the flesh.

And his attention is on you.

All sound stops: the crowd around you, the thoughts in your head, the beat of your heart. Even though you cannot see them through that blindfold of his, you know that Satoru Gojo’s eyes are on you and the thought of that, the knowledge of it is actually a little overwhelming. Your mouth is dry and suddenly you don’t know what to say, but you need to say something. You need to say something before he thinks maybe you bumped into him by accident and just walks away without a word.

“I need to talk to you!” The words just burst out from your mouth and something about it is just absolutely embarrassing. You’re not sure if it's desperation or the fact that you haven’t really talked to anyone other than the existence occupying Suguru Geto’s body in nearly forever.

Satoru Gojo’s lips slowly start to form a smile, “Oh, yeah?”

The sound of his voice makes your mind go blank. There’s something different about it right now; more playful, amused even. Maybe it’s because he’s talking to you, a harmless human being and not a monster trying to kill him. It’s almost kind of jarring, but you know, with certainty, what Satoru Gojo’s voice sounds like. And the fact that he’s actually talking to you right now has you kind of excited. You nod, doing your best to not show how thrilled you are that he’s not ignoring you.

He hums thoughtfully, “Sorry… but unfortunately I kind of have some business to attend to right now.”

“I—” You start to say that you know that he’s headed down to the platform below to fight with…Choso and Jogo, you think their names are— you don’t know the name of the monster with the branches for eyes. “It’s— it’s really important!”

Gojo tilts his head a little, clearly thinking. You should probably say something else, something to try and convince him to stay a little longer and hear you out, but your mind is both full and blank. Where do you start? From the beginning? Or do you start with what is most important? Maybe you should say what you think will get his attention. You’re not sure, and you realize you really should have thought about this earlier because you’re running out of time right now.

“...mind handing me your phone?”

You stare at Gojo, completely and wholly confused, but he just holds out his hand expectantly. When you don’t move, he wiggles his fingers a little, a silent gesture telling you to hurry it up. Without thinking, you reach into your bag and unlock your phone before handing it to him.

“Kind of sucks that cell service isn’t working right now,” he remarks as he types something into your phone before handing it back. “But! Here's my number.”

You look down at your phone and, sure enough, Satoru Gojo has added himself as one of your contacts. He’s even added a little star to the end of his name. That’s… a little unexpected. Why his number though?

“Are you… hitting on me?” you mutter in your confusion.

He laughs, “Well, you said you had something really important to talk to me about, right? So just give me a call when you get home or some time tomorrow and we can talk then!”

You’re not going to make it home, or even to tomorrow, and neither will Satoru Gojo. As you start to tell him this, he steps past you. Desperate, you try to grab him, but somehow, for some reason, you can’t. You remember he did this with Jogo and the other monster, made himself untouchable.

This is not good.

He gives you a little wave, cheery as he says, “I’ll talk to you later!”

You watch, helpless as he hops over the barricade beyond your reach.

Gripping your phone tightly, you take a deep breath. It's fine, it's not like you didn’t expect things to go well anyway.

You'll just have to try again.

Every time you’ve tried to solicit help from Satoru Gojo, it has gone the same way. He just won’t give you the time of day, and in some ways you can’t blame him; he’s clearly here to deal with the monsters down on the platform. You’re fairly certain that he probably thinks that whatever is going on with you is a much lesser issue in comparison.

Plus, it probably doesn’t help that in the times that you’ve approached him, you haven’t been able to articulate yourself particularly well. Once you start talking to him, you just get hit with something akin to stage fright and the connection between your mind and your mouth just stops working. It’s gotten better with each attempt, but…

It’s just so frustrating.

It is interesting that Gojo has given you his number every time, star symbol and all. You’re not sure what kind of person you were expecting him to be, but after witnessing him literally and viciously rip monsters apart, you’d figured he’d be a little more somber. However, in the fragmented conversations you’ve had with him he’s come off as far more friendly and playful than you would have thought. Is he the type of person to get more serious when the situation calls for it? You can’t help but wonder, but ultimately, it doesn’t really matter.

What really matters is that you’re able to convince him to help you.

You have to convince him.

“Excuse me!” you say, stepping in Satoru Gojo’s path. You don’t stutter this time, and your voice is more sure. This is good.

“Yes?”

His head turns in your direction and you gulp. Gojo’s gaze, despite that blindfold of his, still feels just as overwhelming as it did the very first time you approached him. You have no doubt that he’s sizing you up, but there’s just something about it that makes you feel like you’re being picked apart.

You take a deep breath and step closer to him, hoping your voice sounds firm enough as you say, “I need your help. I’m trapped.”

He chuckles a little, “I know, but yours truly is on his way to go beat up the bad guys keeping you all trapped here, so soon enough you’ll be all free to go on your merry little way.”

Right. You were so caught up in your own plight that you nearly forgot that technically you’re not the only one ‘trapped.’ Satoru Gojo obviously knows that everyone else is confined to this station, but you doubt he knows that you’re confined to this night alone.

“That’s not what I mean!” you sputter.

“Then what do you mean?” Gojo asks. Should you tell him that you mean that you’re trapped in a time loop? You’re honestly not sure— in the movies and manga you’ve read about time travel, revealing that sort of thing risks creating a time paradox which seems to be a bad thing. If you have to tell him, you will, but— “Oh, I get it.”

You stare, bewildered. Did you maybe just spew all of that aloud?

Gojo gives you a mischievous smile. “You’re hitting on me, aren’t you?”

“No!” The word comes flying out of your mouth. You can’t deny he’s attractive— you’ve thought it all this time, but that is not what’s happening here.

“No need to be embarrassed,” he continues, ignoring you. “I totally get it, so if you want, I’d be happy to give you my number!”

Again? There’s really something odd about how he keeps giving you his number. Part of you wonders if he’s got some sort of ulterior motive, but you haven’t thought too deeply about it. There are way more important things going on.

“I don’t need your phone number,” you say. “I need to talk.”

Your response seems to give Gojo pause. Did you somehow manage to get through to him? No way. Your suspicions are all but confirmed when he gives you that familiar apologetic smile.

“Like, I said, I’m sort of in the middle of something, but…” Gojo reaches into his pockets and rummages around until one hand fishes out a folded up piece of paper. The other hand keeps digging around in his pocket and when Gojo seems to give up on whatever he’s looking for, he turns his attention back to you. “Got a pen?”

What?

Gojo tilts his head. “Well?”

“I do, but…” You trail off, unsure why he’s asking.

He holds out his hand waiting for you to just hand him the pen. You still don’t get it, but you reach into your bag’s front pocket and pull out the pen and hand it to him. Gojo looks almost like an excited child when he takes it from you, quickly scribbling something onto his paper before shoving it and your pen back into your hand.

You look at the paper; it looks like a receipt. For a disturbing amount of mochi that Gojo bought earlier today. The amount of money he spent is almost sickening; way too much to be paying for mochi. More importantly, you notice something juxtaposed over the receipt’s print.

It’s Satoru Gojo’s name and number.

He even drew a little star next to his name.

“If you change your mind later, just give me a call!” he tells you cheerily. “I promise I’ll make it worth your while!”

You gawk at him. He cannot be serious. You literally just told him that you didn’t need it and yet he still gave it to you. He must want you to contact him later, but you can’t even begin to understand why. It can’t have been something you said or did, right? Unless, he’s actually—

“Later!” Gojo’s voice cuts through your thoughts and you notice him walking off with a wave.

You can’t let him get away.

Again.

You crush the receipt in your hand and rush after him. Despite the crowd, Gojo seems to move through the people with ease and it almost seems like they are yielding to him naturally. It’s good for you. Makes him easier to chase.

“Wait!” you yell, but Gojo doesn’t even look back. Bastard. Your muscles strain as you try to run faster. You know you won’t be able to grab him if you get to him, but there has to still be something you can do to stop him. Circle around him? Cut him off before he—

Satoru Gojo reaches the barricade.

“Wait!” you yell again. “Satoru Gojo, wait!”

He does not even acknowledge you.

You’re almost there though. Almost. If you reach out your hand, then maybe, maybe you can grab him. Something in your head tells you that it’s useless; you’ve never been able to touch him. But, you don’t care, you don’t care because you have to try. You stretch out your hand, desperate and hoping, but just as you do, Gojo effortlessly jumps over the barricade, moving to survey the crowd.

Due to your momentum, you almost collide into the barricade, but you manage to stop yourself. You stare at Satoru Gojo through the glass. He watches the crowd for at most three minutes. Is this just another bust? Is there really nothing you can do? There must be a way you can get his attention. Is it possible to climb over the barricade? No, it’s too high. There’s nothing you can grasp onto or use as footing either.

This fucking sucks.

Another minute or two and Gojo will be on the move again, and there will be no way you can follow, no way you can get his attention. You press your hands against the glass, pushing against it. Naturally, it doesn’t budge. Why would it? If only you could get it out of the way. If only you could break it. This stupid barricade is the only thing between you and Satoru Gojo and there’s no way you can climb it, but if only you could break it.

If only you could fucking break it.

Suddenly, the glass feels warm. Satoru Gojo’s image starts to look a little distorted as the warmth beneath your fingers grows. Something is happening. The glass starts to vibrate and shake. Violently. The tremors grow stronger and stronger. You should stop. You should back away.

You don’t.

The barricade starts to crack and fracture and soon the sound of shattering glass resounds throughout the entire room. Everyone starts screaming. No one knows what’s going on— not even you. But you don’t care. It’s gone. The barricade is gone.

You take a step forward, toward Satoru Gojo. He’s on a beam that’s about a two meter drop from where you’re standing. That’s fine. That’s okay. You can make it. You have to. Without a second thought, you jump—

And you land on the beam. You look up and Satoru Gojo’s attention is back on you. He’s finally, finally turned toward you, face twisted into an expression you can’t decipher or even comprehend, but—

Something’s wrong; your world is turning on its axis, but—

Satoru Gojo is looking at you, and—

Up is very quickly becoming down, and—

Satoru Gojo is coming closer, but—

You’re slipping—

But he’s right there, and—

You’re falling, but—

He’s trying to catch you, but—

It’s too late. It’s too late.

The last thing you think you feel—

—is Satoru Gojo’s arms around you.

It’s October 31, 2018— Halloween in Shibuya.

And you are causing a commotion.

“Shit! Fuck!” you curse loudly. The people near you start to shift away but you barely notice; you don’t really care.

You were so close, so fucking close and yet… yet here you are again. It’s quarter past eight and you are back on the goddamn platform. You don’t know what happened; you remember falling and thinking you were going to die, but you are absolutely certain that, once again, this time, you didn’t die.

Is Satoru Gojo at fault again? Did he do something? Like he did all those other times you looped without dying? When you think about it more, you don’t think so. You don’t know what happened; all you know is that you tried to get to him, but you slipped.

And he caught you, you definitely remember that.

You still don’t understand why you looped, but there’s not much you can do about it now; it’s not like you can go back anymore. It just sucks, because you think he might have actually listened if you’d talked to him.

Or he would have come after you for… whatever happened with the barricade. It could have been taken as an attack on the crowd… But if he thought you were doing that, then why would he catch you?

You don’t know.

All you know is that you have to try again.

The only problem is that you don’t know how you managed to shatter the barricade. You think about it as you make your way up to where you’ll find Satoru Gojo. There is the possibility that it wasn’t you and something else happened to it instead, but that feels way too coincidental. It had to be you. That’s the only thing that makes sense. You just can’t figure out how you did it outside of wanting, wishing, praying for the barricade to break. It’s not like you have supernatural powers like Satoru Gojo and his enemies.

Despite your mind being completely and wholly occupied by trying to figure out how in the world you managed to break through that barricade, you still manage to make it to the second basement floor of Shibuya Hikarie by 8:25PM— a brand new record. Satoru Gojo doesn’t show up until around 8:34PM, so that gives you almost ten minutes to try and figure out what you need to do to try and replicate shattering the glass barricade again.

Except—

Except Satoru Gojo is already here.

The thought that maybe you’re mistaken flashes in your mind before it’s quickly dismissed; there’s no way you’d mistake anyone else for him. There is absolutely no denying it: that is Satoru Gojo. Bewildered, you double check the time on your phone. Maybe you misread it and you’re actually late but sure enough you read it right— Satoru Gojo is here early.

What the hell is going on?

Of the thousands of times you have experienced this night, this hell, this sort of thing has never happened before. Everything happens at a specific time, as if adhering to an unseen schedule. It’s likely that what happened in your last iteration did delay Satoru Gojo’s arrival onto the platform, but other than that there has never been a deviation to the time table.

And yet, here Satoru Gojo is, nine minutes early now.

You realize that that’s not the only thing that’s strange: he’s not moving. In previous rounds, when you encounter Gojo here, he’s walking to the lookout spot beyond the barricade. But, right now, he’s just standing there, hands stuffed in the pockets of his jacket. It almost looks like he's waiting for something.

Or someone.

This unexpected turn of events has you rooted to the spot. You’re not sure what you should do. No. This shouldn’t change anything. You need to talk to him. As concerning as a change like this is, the extra time it gives you should be a good thing. Despite knowing that, your feet are still firmly planted to the ground.

The crowd shifts and you see Satoru Gojo start to move. Toward the barricade? No. He’s not heading in his usual direction, rather he’s—

You stop breathing.

He’s headed toward you.

All sound stops: the crowd around you, the thoughts in your head, the beat of your heart. Even though you cannot see them through that blindfold of his, you know that Satoru Gojo’s eyes are on you and the thought of that, the knowledge of it is absolutely mind numbing.

He comes to a stop before you, lips curled up to form an amused sort of smile as he says, “Soooo, you needed to talk to me?”

You try to answer but no words come out of your mouth. Are you dreaming? You have to be, right? There's no way that this is actually happening. Could it be that, after thousands of loops, you’ve finally lost it? Your mind shattering along with the glass of the barricade at the end of the last one?

Gojo tilts his head, indicating that he's still waiting for an answer. When you open your mouth, at first, nothing comes out, the words stuck in your throat. You force them out, your voice cracking, “...how did you know?”

He smiles, looking almost mischievous as he reaches up and lightly taps the side of his head. “I remembered, of course!”

All you can do is stare at Satoru Gojo. He remembered? How is that possible? From his perspective, this is the first time you’ve met and while it shouldn’t be possible for him to remember there’s something in your mind that’s keeping you from completely dismissing the possibility.

Gojo laughs, “I take it from the look on your face that you’re not used to this sort of thing happening. Is this the first time?”

“No.” The fact that the word is out of your mouth before you can even really think about it surprises you and you really have to think. Your face scrunches together as you try to remember. Is this really not the first time? Then, the memories assault you, overlapping as they replay simultaneously in your head— a woman in a yellow and white magical girl costume— begging you for help as she burns to death— smiling as she tells you she made her costume herself. “...it happened just once a long time ago.”

“‘A long time ago,’ huh. Sounds like you've been at this for a while now.”

“...unfortunately.”

Gojo hums. “So when you said you didn’t need my phone number…”

“You’d already given it to me a few times,” you say, figuring that’s where this conversation is going.

“Really now?”

Does he not believe you? Or is he just being an ass? You’re not sure, but since you had taken the liberty of memorizing Satoru Gojo’s phone number you recite it back to him to prove your point.

Just when you think you may have stunned Gojo into silence he starts to laugh, obviously finding something funny about the fact that you know his cell phone number. “Seems like you've got quite the fascinating technique there.”

Technique? What is he talking about? Your confusion must be plain on your face because he adds, elaborating, “The time travel.”

You continue to stare at him. You don't think you'd consider what you've been going through time travel, because traveling implies moving from point A to point B, but you've been stuck walking in circles at point A for a long time. What really gets you is… “What do you mean by ‘technique?’”

“You mean you don’t— oh. I get it; no wonder you’re trapped.”

That does not answer your question in the slightest. “Can you please explain what you're talking about? What do you mean by ‘technique?’”

“Right, right… So basically, a technique is like a special sort of power,” he finally explains. “Like I said, your technique seems to be a kind of time travel. Whenever you activate it, your mind is sent back in time.”

What he's saying makes sense, but… “How come you were sent back too?”

He laughs again. “Isn't it obvious? Think back to before— do you remember that I caught you as you were falling?”

You nod slowly. The memory of his arms around you is almost embarrassingly vivid. “...is it because we were touching?”

“Ding, ding, ding! That's correct! Anyone you happen to be touching when you activate your technique gets affected by it too!”

Something about his tone annoys you, but you try to ignore it. He could have just told you rather than make you guess. “How do you know that for sure?”

“Well,” he continues. “You’ve done your little time loop a bunch of times, right? If your technique affected everyone, or even a few people in a select range you would have noticed for sure. And if it affected only just you then we wouldn’t be having this conversation right now, now would we?”

When you think about it, you do think that the woman in the magical girl costume might have bumped into you before the loop where she remembered.

“That’s honestly just conjecture, but I've got pretty good eyes, so I’m hardly ever wrong.”

Gojo gives you a grin and while you do think that his reasoning is sound enough his confidence is a little grating. More than that, though, you’re glad that this conversation is actually going really well.

“Either way,” he says thoughtfully. “It doesn’t look like you can control your technique. Usually a person’s technique manifests when they’re a kid, but you seem to be a special case… in fact, I bet your technique activated for the very first time tonight— probably under some pretty extreme circumstances, too.”

“...dying counts as an ‘extreme circumstance,’ right?”

“Oh, absolutely. Or legitimately thinking that you’re gonna die, but it seems like your body has been unconsciously activating your technique as a sort of defense mechanism. Which is why you’re trapped.”

“So, if I could control it I’d be able to make it out of this time loop.”

“Yeah, but in this case it probably wouldn’t end very well for you,” he points out with a chuckle. “It’s not like you actually want to die, right? I mean, if you did, then your technique wouldn’t even activate in the first place.”

You don’t; what you want is for this night to finally end. To be free from the endless cycle of dying over and over again and again. You don’t think death is quite the answer; even if you were to learn how to control this supposed technique of yours, there’s no guarantee that you would just unconsciously activate it when the grim reaper comes knocking on your door. No, the answer is…

“Anyway!” Gojo’s cheery voice cuts through your thoughts. “I highly doubt that you’re the type that makes a habit of jumping off ledges for the funsies, so the fact that you’ve been dying tells me that some pretty gruesome stuff is about to go down, so, tell me what happens tonight.”

The sudden drop of his voice sends a shiver running down your spine. If it weren’t for the fact that you’ve seen how serious Gojo can get, the sudden shift in demeanor would probably freak you out a bit, but it doesn’t. This is the Satoru Gojo you’re familiar with.

You do have one concern though. “That… won’t create a time paradox or anything, will it?”

“Nah,” Gojo shrugs. “You wouldn’t cause one with the way your technique works, besides, if you’ve only been going back at most an hour or two in time it’s hard to believe you’d be making a really big impact… unless you really believe in the butterfly effect.”

You’re still not quite sure.

“Trust me, it’ll be fine.”

His voice sounds strange. Gentle. Kind. It's the most soothing thing you've heard in a long time and it makes you want to believe him.

“...okay.”

Anxiety is still gripping at you, but you try to dispel it, taking a deep breath before beginning your explanation. For the sake of brevity, it’s probably best that you’re as concise as possible. There isn’t much need to really get into the nitty gritty of things unless he asks specifically.

Naturally, you begin with his arrival onto the platform and how soon after a fight breaks out and how the crowd is unfortunate enough to be involved. Gojo’s expression is passive for the most part, but he does crack the faintest hint of a smile when you mention how he manages to eviscerate one of the monsters.

It disappears once you tell him about the arrival of the train. Between the dozens upon dozens of people being dropped onto the platform by those two high school girls and the hoard of monsters disembarking from the train, everything devolves into pandemonium.

“Wait,” Gojo holds a hand up and you pause. This is his first interruption since you started recounting the night’s events for him. “Everyone is able to see the monsters?”

You stare at him. What a weird question. “...yeah?”

His mouth twists and it looks like he’s thinking about something. You can’t even begin to imagine what. Finally, he comments, “Makes sense.”

It does not, but you don’t ask him to elaborate. Surely if it was important he would have just done so.

“Anyway, in the middle of all that, you… you do something.” Your brows bunch together as you remember the stance Gojo took, the crazed and desperate look in his eyes, the feeling of your head about to explode. “I don’t know how to describe it. At first, it would just force me to… activate my technique, I guess. But now, it just knocks me out for a few minutes.”

Gojo frowns and he rubs at his chin, obviously thinking about what you’ve said. Eventually, he raises a hand and bends his fingers into a familiar gesture. It’s the one that preludes whatever he does on the platform. “Do I do this?”

“Yeah.”

He hums. “Interesting.”

You wait to see if he’ll explain. He doesn’t. Great. Even if he doesn’t think you need to know, it certainly would be nice to. It’s annoying otherwise, but you ignore the feeling and continue. “I can’t tell you what happens when I’m knocked out, but when I come to everyone is basically a zombie and all the monsters from the train are gone. I think you kill them.”

“I probably do,” he says casually. “But what about Volcano Head?”

“...you don't…get a chance to kill him,” you say slowly. Gojo tilts his head, waiting for you to elaborate, but you hesitate. You have to tell him, you know you do, but…

You have seen the interaction so many times and though you don't know the exact nature of the relationship between them, you can tell that seeing Suguru Geto (or rather seeing his body) shook Satoru Gojo to his very core.

There's no doubt in your mind that he will not take this news well.

“Come on now,” Gojo's tone is light-hearted, unaware. “Don't keep me in suspense here.”

It's as if you're withholding the punchline to a joke. In a way, you suppose you are, but you don't think he's going to find it funny.

You take a deep breath. You need to tell him. The worst thing that could happen is that he doesn't believe you, but if that's the case… you'll probably just end up repeating this all again until you find a loop where he does.

Having made it this far, you'd like to avoid all that.

“Before you can get Volcano Head you get restrained by something called the prison realm,” you say slowly, “by someone calling themselves… Suguru Geto.”

The second the name leaves your mouth, there is a clear and obvious shift in the air. Gone is Gojo’s laid-back and frivolous demeanor, replaced with something more somber and almost frightening. The tension grows more and more palpable to the point that you think it might almost choke you.

You almost wish that it would.

“You can’t be serious,” Gojo finally says, once your words have fully sunk in.

“I—” You start to speak, but come to an abrupt stop when you see him shove his hand into his pocket to yank out his phone of all things.

The both of you know full well that there’s no reception here, but you don’t think that he’s planning on making any calls. Gojo scrolls and scrolls on his phone before he stops and shoves the screen in your face. It shows a picture of three people— a teenage girl with a cigarette in her mouth, a younger, happier version of Gojo sporting a pair of round sunglasses and—

“When you say ‘Geto’ is this who you’re referring to?” Gojo demands, using his other hand to point at the third person in the frame— a handsome young man with long dark hair pulled up into a bun.

“Yes, but—”

“That’s impossible. It can’t be him,” Gojo interrupts, his voice firm, cold even. “He’s dead.”

There’s a note of finality in his words that is definitely meant to leave no room for argument. It doesn’t stop you, though. Instead, you glare at Gojo’s stupid blindfold and say, “...being dead doesn’t mean a damn thing! I’ve died hundreds of times and yet I’m still fucking here, but—”

“Your situation is different,” he interjects, the temperature of his tone hiking up, his words like heated hissing. “I killed him almost a year ago. There's no way—”

“You didn't get rid of the body properly!” You cut him off, raising your voice in hopes that he'll take even just a second to stop and listen. It seems to work and you add something you remember ‘Geto’ saying. “You should have had Shoko Ieiri get rid of it, but you didn’t and now some… some kind of gross brain thing is possessing the corpse!”

The air between you both is silent as the grave. Though you can't see it, you can feel the weight of his gaze pressing down on you. He’s definitely having second thoughts about everything you’ve said so far. There’s a chance he might even think you’re his enemy now. You stare him down though, refusing to look away. You’ve made it this far, you can’t— you won’t back down.

“...you’re not lying, are you.” Gojo’s words are more of a statement than a question. There’s no doubt in your mind that he knows the answer, and yet he’s still asking. You wonder if maybe he’s clinging onto some vain hope that maybe, just maybe this all a sick, cruel joke that’s gone way too far.

“I’m not.”

Gojo holds your gaze for a second longer before he lets out a curse. “Fuck!”

“...I’m sorry,” you say quietly, mostly because it feels like the most correct thing to say at this moment. You don’t know the whole story, but it seems like they were close. If so, then it must have hurt Gojo a lot to have killed him, and must hurt even more to know that someone is desecrating the body. You hate that you, a complete and utter stranger, happened to be the person to tell him, but…

It had to be done, for the sake of getting past this unending night, it had to be done.

Gojo runs a hand through his hair and lets out a ragged sigh. “Okay. What happens after that?”

You give him a rundown of what follows; he gets sealed, the monsters wake up and all but ‘Geto’ leave in search of their next target. When you mention the high school girls demanding the brain give Geto’s body back, Gojo snorts loudly.

“Fat chance of that,” he says derisively.

You nod in agreement. It was clear to you that the brain parasite has no intent on giving it up any time soon. “After they leave, he… talks to me.”

“Probably couldn't ignore all that cursed energy you have,” Gojo remarks offhandedly.

You stare at him, expression twisted in a way that shows that you have absolutely no clue what that means. It should be fine for you to ask this one question; it actually concerns you after all. “What does that even mean?”

“Exactly what it sounds like, though… probably doesn't make much sense to you, does it?”

You give him a pointed glare and all Gojo does is laugh.

“Just think of it like having a lot of MP.”

“...Like in a video game?”

“Exactly!” Then, Gojo tilts his head, clearly thinking. You don't bother asking; you don't feel like he'll explain.

“He does ask me if I'm a sorcerer, whatever that is. Is that why?”

“Probably. Ordinary people don't have even a fraction of the energy you're packing.”

‘Ordinary people’ he says as if you’re not an ordinary person who got caught up in all this supernatural sorcery bullshit. Or at least you were, but if the time loops are really a product of your own doing…

“Does he kill you when you answer?” Gojo asks to get the conversation back on track.

“Not right away. What happens next kind of varies,” you answer. “He usually lets me have a question or two before he kills me; I've asked him a couple different things.”

“Really taking advantage, aren’t you?” Gojo says and you're not sure what to make of his tone. Is he mocking you or is he easing back into that laid-back persona of his?

“If I’m doomed to repeat the same situation over and over, I might as well make the most of it,” you respond flatly.

“You know, your technique kind of reminds me of save scumming.”

He’s definitely gone back to acting almost completely unserious— all signs of his earlier agitation are nearly gone.

“So what did you learn?”

“Well, the prison realm only holds one occupant. Once they’re sealed, time stops for them and the only way out is if the bearer unseals them or if they choose to kill themselves.”

“I see… And what about our body jacker?”

“He didn’t go into detail but he said something about… striving toward the evolution of mankind?” You frown a little at the memory. He didn’t explain further because he said that you wouldn’t understand.

“Huh. Interesting. Wonder how he was gonna go about doing that.”

“I don't know, but I can't imagine you'd like it since he goes out of his way to seal you into that box,” you say. “Said you’d get in the way because you’re too strong.”

Gojo shrugs his shoulders and grins a little. Cocky. “Well, I am the strongest sorcerer around, you know.”

You would think him overconfident if you hadn't seen the magnitude of his strength first hand.

“Anyway, that's as far as I ever go. When he's decided he’s done talking to me, he kills me and I loop back.”

“So, in short, what you want help with is getting past that point, right?”

“More or less.”

“And all I have to do is avoid getting caught by the prison realm?”

You nod.

“What’s it look like?” he asks. “A big cage with a bunch of metal bars?”

Now that you think about it, you haven’t woken up early enough to see it before it traps him, but you can’t imagine it looks that much different. “No.. It’s a small box with eyes… It gets big enough to fit you in it, though.”

“Huh.” He stretches his arms out above his head as if he’s trying to emphasize how large he actually is and shoots you a grin. “Should be easy enough then. I bet our body snatcher used the shock of seeing Suguru to trap me but since I'll see it coming, avoiding it'll be a piece of cake.”

Gojo makes it sound so easy, and maybe it really is as simple as that, but you can't help but be worried still.

“Don't tell me you don't think I can do it,” he says, tilting his head.

“It's not that,” you admit. “I'm just concerned I might die before we can get to that point.”

Truthfully, since you know that will just result in another loop you're less concerned with dying itself and more worried about losing the progress you've made in convincing Gojo to help you. Even though it's been clearly proven you can loop him as well, there's no guarantee you'll be able to make the physical contact needed to do it upon death.

“You've made it pretty far on your own, though, right?”

“Yeah, but… I’ve messed up plenty of times.” More than you can even count. “There's also the possibility that taking the time to talk to you might have thrown things out of whack.”

Speaking of time, you check your phone. It's 8:39PM. You curse.

Gojo leans over to check your phone. “Let me guess, I'm supposed to be somewhere right now.”

“Yeah, this is when you’re descending down onto the platform.”

“You know where I am down to the exact minute?” He asks and you tilt your head back and forth a little. It’s not exact per se, but it’s close enough. Gojo chuckles a little. “Man, I didn’t realize that you were actually that into me.”

That earns Gojo a glare from you, but he just laughs it off. “I doubt being a few minutes late is going to make a big difference.”

You certainly hope so.

“Don't worry,” Gojo says and you notice he's using that tone from earlier. “You won't die.”

It’s hard to argue with him when he uses such a reassuring sounding voice and yet, you still open your mouth to try— to voice your doubts, but what he says next silences you before you even can.

“I'll protect you.”

You think your heart stops beating in your chest and your words dissolve in your throat.

He grins at you. “Did you fall in love with me just now?”

That catches you a little off guard. You're willing to admit he's hot, but surely he must be joking. “How could you even think of something like that at a time like this?”

Gojo laughs again. “Well, since someone is so worried about their time table being all messed up, I better head down there; can’t keep Volcano Head and friends waiting, right?”

You blink. Is that it? “Wait, shouldn’t we make a plan or something?”

“Isn’t the plan for me to not get caught in the prison realm?”

Yes, but… “But what about me? Is there anything I can do?”

Gojo stares at you, or at least you think he does. “...I don’t know, is there?”

You’ve seen the encounter between Satoru Gojo and those monsters so many times and you try to picture a version of it where you intervene and… all you can see is yourself getting in his way. You’re no fighter, no… sorcerer, or whatever he is, you’re just some ordinary person that was unfortunate enough to get all caught up in this mess. The most you can probably do is kick the prison realm out of the way when the time comes, but otherwise… “...no, I guess not.”

His expression turns sympathetic. “You’ve done plenty by telling me everything that happens. So just wait up here, and let me handle the monsters.”

You almost nod. Almost. But then you remember what transpires up here above the platform. You know it sounds safer up here where you’re less likely to get involved in the carnage, but… “Wait, no, if I stay up here then I’ll fall to my death when those girls—”

Gojo laughs, interrupting you. “Don’t worry about that. It’ll be fine.”

“How?”

“Just trust me.”

“I…” It’s hard to. After everything you’ve gone through it’s hard to trust in anything, to believe in anything. Even though you’ve made it this far this time, the worry that something will go wrong and that you’ll have to do it all again still lurks in the back of your mind.

Despite all that, you want to believe.

You want to believe that you can make it past this unending night, that one day you’ll wake up and it’ll no longer be October 31, 2018. And the first step towards that is trusting in Satoru Gojo.

“...okay,” you say quietly. “Okay.”

Gojo chuckles then asks, “Anything else before I head off?”

You start to ask if there’s anything you should say, in case things don’t work out, but you stop yourself. You’re choosing to trust him, to believe in him— you can figure out that stuff later if things end up going south after all. So, instead you give him a smile and it feels a little weird because you don’t remember the last time you did. “Good luck!”

For a split second, Gojo looks almost surprised, but then he laughs again, beaming widely at you. He starts to move past you and reaches out to give you what you think is meant to be a reassuring squeeze of the shoulder and then he’s off. You turn to watch him go, the crowd, once again, parting almost naturally for him.

When he reaches the barricade, he pauses, raising his hand as if he’s giving you one last wave. Then he jumps over it onto his little perch and then less than a minute later he’s gone, descending to the platform below.

Now, all you can do is wait.

You check your phone again and it’s 8:44PM. If you remember correctly, the high school girls start threatening everyone right before 9PM. With Gojo’s arrival being shifted back almost five minutes, does that mean that they’ll be shifted back too? It would make sense, but you’re not too sure.

Out of habit, you keep checking your phone and at nearly 9PM, you hear the shrill voice of one of the girls over the crowd, commanding everyone to do what she says, her partner stringing up bodies until everyone listens. Everything plays out just as you remember it, which is mildly comforting, though you know that the events that happen up here are more or less independent from what happens below.

Surely, just as Gojo said, a few minutes aren’t going to change anything, but—

No.

You agreed to trust him. To trust that everything would be fine.

When the girls start to demand that as many people as possible climb onto the roots and vines covering the atrium your heart starts to hammer in your chest. In just a few minutes, all the foliage will disintegrate beneath you, and you and everyone else here will fall into the abyss below.

You are afraid.

There isn’t a single loop where you’ve really survived this fall. If you don’t die in midair, you die right after landing. It’s a death trap, and that’s why you’ve stopped coming up here. There’s a part of you, the part that knows what’s about to happen, that wants to try and run back onto stable footing. But you can’t, because you know if you do then the girls will kill you for sure; you have to stay.

It’ll be fine, you tell yourself, it’ll be okay.

You just have to trust Gojo.

An eight car train is pulling in. Please wait behind the yellow line.

You hear the announcement faintly below you. It’s almost time. You brace yourself and try to stay calm. Gojo said he would protect you, that you wouldn’t die. You don’t know how he intends to keep that promise, but all you can do is believe in his words.

It’ll be fine. It’ll be okay.

The vines and roots start to crack and the ground beneath you starts to give out. You squeeze your eyes shut as that sickening weightless feeling overtakes you. It occurs to you that this is actually quite literally a trust fall— will Satoru Gojo really be able to catch you?

As you fall, you realize almost instantly that something is different.

You’ve experienced this fall dozens of times and so, even though it has been a while since you’ve gone this route, you are very familiar with what it feels like. Something is different. You’re falling faster. The trajectory is changing. It’s like some force, other than gravity, is pulling at you.

Is this Gojo’s doing?

Just as your body collides with the ground you hear the sounds of mutilating flesh meld with the screams surrounding you. Blood and severed limbs litter the ground, but you try to ignore it. You need to focus on your own survival right now. Quickly, you scramble to your feet scan the area around you; you’re on the platform right now and right in front of you is—

Right in front of you is Satoru Gojo.

His back is turned to you, his focus currently elsewhere. Looking at him you realize you recognize this scene, though it’s much closer and at a different angle. He’s about to do that thing, that thing that knocks you out.

Something in you tells you to move closer to him, after all, he used his mysterious powers to deliberately bring you closer to him, right? You rush toward him and as you do something he said earlier pops up in your mind.

Anyone you happen to be touching when you activate your technique gets affected by it too!

Whatever he’s about to do… Is that his ‘technique?’ And if it is, would it work the same way as yours? If so, there’s only one way to find out: you need to touch him. You dodge monsters and other people as you run toward Satoru Gojo and—

A monster still manages to grab you, its large hands wrapping around your wrist. You try and yank it free, but it's much stronger than you are.

“Shit!” you hiss as the monster starts to pull you toward it and away from Gojo. What do you do? Your other hand is still free, should you try to punch it in the face? Or—

Before you can do anything, something blasts the monster’s head clean off. Shocked, you stare as the monster’s body slumps onto the ground, its grip loosening on you instantly. You whip your head around to find that while Gojo still has his back to you, his arm is bent back in your direction, his palm open as if he fired some invisible blast from it.

Then you feel it again, something pulling at you, but this time it's more forceful. Your body is yanked toward Gojo and the second you feel his hand press against you, you see him make that gesture with his other hand.

“Domain Expansion,” he whispers in a strained voice. “Infinite Void!”

Something happens and your vision flashes for a fraction of a second. And then—

The room is enveloped in an eerie stillness; all the violence and bloodshed coming to an abrupt stop. Monsters and humans alike stand like the living dead, unconscious with their eyes wide open as if they are staring into an infinite abyss. You recognize this scene, you’re familiar with it because it’s similar to the one you wake up to after being hit by Gojo’s ‘domain expansion.’ The only difference is the presence of the monsters, who are all but gone when you regain consciousness.

The pressure from Gojo’s hand is gone and he says to you, his voice still low. “If you’re squeamish when it comes to blood and gore, it might be best for you to close your eyes.”

And then he’s gone.

You do not take his advice. You do not close your eyes. How many loops were you unable to witness what’s about to unfold? A few hundred? A few thousand? And if all goes to plan, then you will never get another chance again: there’s no way you could possibly look away.

And what you see unfold before you is that Satoru Gojo was right.

He is the one to kill all the monsters.

It’s not as if you really had any doubt, after all, it seemed like the most logical conclusion to come to and yet…

There’s a difference between knowing and seeing.

All the violence resumes and the platform is engulfed in the sounds of carnage and slaughter once more. The lack of terrified screams makes everything more disconcerting— without them, all you can hear is the squelching echo of mangled flesh and blood splattering all over the place. You can’t really see him, but you can tell where Satoru Gojo is in the crowd as he leaves dozens upon dozens of decapitated heads soaring in his wake. Once or twice, he leaps out of the crowd and even from where you stand you can see the crazed glow of his inhumanly blue eyes as he massacres monster after monster.

Even though you don’t think you have anything to be scared of, you are still terrified: Satoru Gojo is no longer a man, but violence incarnate. You want to move closer to where Gojo gets trapped, but you’re afraid to. What if you get in his way? What if he kills you by accident?

Dying again when you’ve made it this far is definitely not ideal, but isn’t being killed by Gojo the best case scenario? Because then the two of you would probably loop together again and—

No.

Gojo said you wouldn’t die.

He said he’d protect you.

It’s hard to believe when he’s in the middle of a massacre, slaughtering monsters left and right, but you remind yourself yet again that you have to believe in him.

You take a deep breath and start moving, taking care to keep an eye on where Gojo is. You don’t know how long this is supposed to take, but you do know where he ends up when he’s just about done. The closer he gets to that spot, the sooner the prison realm will be unleashed upon him.

There’s a small group of zombified people nearby and you settle yourself among them. It’s not super close, but you think it's close enough that you'd be able to run over and kick the box away from Gojo if you have to. You do a quick survey to see if you can spot the body snatcher, but he's nowhere to be found. Hopefully, he hasn't noticed you moving around, or, if he has, he's more concerned with Gojo than he is with you. Given that you always seem to be the last thing he acknowledges, you'd like to think that he doesn't consider you a threat.

Which you're not, not really anyway.

The sounds of slaughter start to die down and you look to see Gojo approaching the spot where he gets caught. He looks beat, his eyes unfocused and his breathing heavy. You do another quick scan around him and notice a small box a few meters away from him, wrapped in what looks like paper charms or seals or whatever they're called. That has to be the prison realm— though it looks different than what you saw before. Gojo seems to notice it right after you do, his gaze honing in on it, examining it with some measure of bewilderment. Then, some invisible force slices through all the paper seals covering the box and it expands, the corners of the box floating up in midair to reveal what looks like a large sheet of dark red flesh with a large bloodshot eye stapled to the middle.

Disgusting.

If Gojo didn’t realize before, he seems to now, because he takes a step back, away from the grotesque thing. Good, good—

“Hey! Satoru!” Your blood runs cold at the sound of the body snatcher’s voice. He emerges from the crowd, smiling widely as he gives Gojo a wave. “Long time no see!”

Satoru Gojo’s entire body goes rigid. Shit. You told him, you warned him about what was going to happen, who he was going to see, but was that not enough? It’s possible that no amount of warning would have been enough to mentally prepare Satoru Gojo for the sight of the man he said he killed a year ago. After all, you know that there’s a stark difference between knowing and seeing. Even then, if Gojo doesn’t gather his wits and move now then he’s going to get caught and you can’t let that happen.

Your body moves before you can even think about it.

You scramble out from your hiding spot in the crowd and throw yourself in between Satoru Gojo and the prison realm. There’s no way you can kick it away from him now, not when it’s in this form, but maybe, if you get between them you can at least keep it from capturing him.

The eye quivers erratically, as it flits from Gojo to you. Every hair on your body stands on end as it watches you, the pupil dilating and contracting uncontrollably. You can’t look away from it, your own gaze fixed to your image reflected in the black abyss of the pupil. Something in the back of your mind tells you to stop, to get away, it’s dangerous, but you keep your feet firmly planted to the ground.

A second, or maybe even a minute passes and the prison realm shifts, its fleshy form morphing to restrain you.

The body jacker looks at you, his frown tinged with disgust. “Don’t you think you’re being rather rude by butting into what could have been a touching reunion?”

You scowl. Is he still trying to play the role of Suguru Geto?

He sighs and looks past you at Gojo. “Satoru, I thought bringing lesser sorcerers to fight alongside you was more trouble than it was worth?”

You hear Gojo snort from behind you, “It is… but this person here isn’t a sorcerer… Just like you aren’t Suguru Geto.”

The faker almost pouts and presses his hand to his chest as if Gojo's words have wounded him. “Satoru, I’m hurt, how could you say such a thing to your best friend?”

“Cut the bullshit,” Gojo snarls. “You can’t fucking fool me. You might be in Suguru’s body but I know with all my heart and soul that you’re not him.”

The corpse snatcher stares at Gojo, expression blank before he sighs once more. Then, his gaze shifts back to you, his eyes narrowed as he looks at you with sheer disdain. It feels as if you’ve been drenched in ice cold water. There's no smile this time but you already know what's going to happen.

He’s going to kill you.

“I intended to deal with you later since you seemed harmless enough,” he says, raising a hand to summon a monster— the same one he always uses to end your life. “But you’re in the way. So, I think it’s for the best if I just get rid of you right now.”

Instinctively, you try to take a step back but the prison realm’s restraints keep you in place. Not that it would have mattered much, even in the loops where you’ve tried to escape the faker’s monster, it still kills you, too fast and too agile for an ordinary human like you to avoid. All you can do is squeeze your eyes shut and wait for the monster to kill you. At least, it’s always painless.

Something touches your back.

Your eyes shoot open.

Before you is the monster, wiggling and writhing only mere centimeters from your face. It gurgles and snarls at you, desperate to fulfill its master’s wishes and kill you but it doesn’t move any closer. You stare at it with wide eyes, unsure of what to do.

Someone behind you clicks their tongue— Gojo. You try to turn your head to look at him, but your movements are too limited, the most you can do is turn your head to the side. The sounds the monster is making start to change, sounding more frenzied, almost as if it’s in pain, and you flit your eyes in its direction just in time to see its entire body explode. The monster's guts and bright purple blood fly off in every direction, getting on the floor, the ceiling, the zombified bodies of the people unfortunate enough to be nearby, but not on you.

This is Satoru Gojo’s doing.

He steps in front of you, half turned towards you as he moves in between you and the body snatcher. His hands are shoved in his pockets as he loudly says, “Did you really forget about me?”

You’re not sure if he’s talking to you or the body snatcher.

Past him, the imposter scowls, raising his hand once more, probably to summon even more monsters, but Gojo’s quicker, and it almost looks like his eyes are glowing even brighter, the blue looking almost white as he whips his head in the faker’s direction. The sound of mangling flesh and breaking bones echoes throughout the room as Gojo, using that mysterious power of his, seems to break the faker’s arm.

The body snatcher hisses loudly and despite the fact that his face is twisted in very obvious pain, he tries to shoot Gojo a mocking smile. “Do you really think you can kill your best friend again?”

“I already told you,” Gojo turns to fully face the monster inhabiting Geto’s corpse. He tilts his head a little to the side and some force starts to squeeze at the faker’s neck. “You’re not Suguru.”

You hear a loud crack as Gojo telekinetically snaps his neck.

The head rolls onto the ground and you almost look away, but then you notice his eyes still moving, looking around. Is he still alive? Then you remember: the thing possessing Suguru Geto’s body was some kind of parasite. “Gojo! Wait! The brain!”

He reacts almost instantly, head turning and in an instant the skull is crushed and all that remains is red splotch on the ground.

You almost relax. Almost.

But the body is still standing.

Horrified, you watch as it quivers violently before falling to the ground. Then what looks like dozens of black spirits start to erupt from the corpse and the entire room is engulfed with a shrill howling.

What the hell is going on?

“Those must be all the cursed spirits he consumed,” Gojo explains uselessly, voice barely audible over the screaming. “Guess he was empty before.”

You don’t bother asking what he means. There are bigger problems right now. “What do we do?”

“No choice to exorcise them,” he answers plainly.

For him to exorcise them, he means. You both know that there’s not much that you can do. You still can’t move and honestly, you don’t even know if it’s possible to get out of the prison realm’s restraints. Not without dying. And if you die now…

Everything will have been for naught.

You’ll reset time and have to do this all over again— assuming you can even get to this point again.

There has to be something, you just have to think outside the box.

Or rather—

“Gojo!”

He glances back at you.

“You need to seal me in the prison realm!” you exclaim. He turns to face you fully, looking bewildered and you start to explain as fast as you can. “Those things are going to attack any minute right? I can’t move or try to hide and I can’t expect you to protect me the entire time and if I die then I’ll end up looping time again, but— but, if you seal me in the prison realm then that won’t happen.”

Gojo frowns, looking conflicted. “You don’t think I can do it?”

“Wouldn't it be easier if you didn’t have to?”

He tilts head and you think he’s conceding your point.

“Please,” you beg, staring at him desperately. “We don’t have much time. The other… cursed spirits will wake up soon too!”

You don’t have to explain that you mean Volcano Head and friends.

It takes only a second for Gojo to consider the very few options you have. “...how do you seal it? Do you know?”

“I think so,” you answer. “There’s no guarantee it’ll work but I think that if you say ‘prison realm, gate close’ it should seal me inside.”

If anything, it’s worth a shot.

Gojo nods. “Do you know how to break the seal?”

“I… don’t,” you confess. You never asked, and you don’t think the body snatcher would have told you even if you did. He only told you that it holds one and that…

That time doesn’t flow in the box.

“...you don’t have to break the seal.”

Gojo frowns, “Wait a sec—”

“Even if I make it past tonight… What if this all happens again? What if I inadvertently trap myself in another time loop?” you ask. “I… I don’t want to have to go through all of this again. It’s better for me in a place where time doesn’t pass.”

You don’t know for sure if it’ll be better, but right here, right now, it seems like the best option.

It feels like an eternity passes before Gojo says anything.

“...fine,” he agrees and you don’t quite know how to feel about it. The howling around you all grows louder. You wonder why the cursed spirits haven’t attacked yet. Maybe Gojo’s power is holding them at bay… for now anyway. You both know that he can’t ignore them forever.

“...before I do, though, mind if I ask you just one thing?”

You blink. “Not sure what I can do for you in this state…”

He laughs. “I just want to know your name.”

What an odd request. Though, now that you think about it, you don’t think that during this loop or any other loop really, you’ve ever told him your name. It only seems fair to tell him, since you’ve known his for longer than he’s known of your existence.

You tell him your name.

He nods, looking as if he’s committing to memory. Probably easier to remember than his phone number. “Any last words?”

You try to think of something. Nothing comes to mind and you just shake your head.

Gojo takes a deep breath, “Alrighty then… Prison realm, gate close.”

Just as it did the many times you’ve seen Satoru Gojo sealed away, the boxes and restraints around you vibrate a little before they start to close around you, growing large enough to fit your body as they approach.

You won’t see it, but once you’re inside the box will shrink and become small enough to fit in the palm of someone’s hand.

Will it be quiet inside?

In your final seconds, some words, some last words come to mind, and you say them, hoping that he hears them in time. “Thank you, Satoru Gojo.”

You burn the glittering glow of his brilliant bright blue eyes into your mind.

And then, everything is engulfed in an unending black.

It’s November 30, 2018— morning on the campus of Tokyo Prefectural Jujutsu High School.

Satoru Gojo strides through the school grounds, casually tossing a small silver box with eerie blue eyes known as the prison realm up and down in his grasp. Walking at his side is Shoko Ieiri, a pretty woman who’s been unfortunate enough to have been Satoru’s friend since high school.

“Are you sure this is a good idea?” Shoko asks, twirling a few strands of her long brown hair.

“What do you mean?” Satoru responds nonchalantly. “All my ideas are good ideas.”

Shoko hums in clear dissent, but doesn’t say anything more. Even she knows better than to try and waste her time trying to argue with Satoru. “I’m just worried about their mental state. Didn’t you say that time doesn’t flow in the box?”

“I’d be worried if it was some normal person,” Satoru says. “But after what they’ve gone through I think they’ll be fine.”

“...well, if you say so.”

The two arrive at their destination: the largest training area on the Jujutsu High grounds. Satoru places the prison realm at the center and takes a few steps back with Shoko standing behind him, in case anything happens.

He doesn’t think it will, but it’s always good to take at least a few precautions.

“Gojo, are you sure we should be doing this?” Shoko asks again. “Didn’t they want to remain in the box?”

“Of course I am,” Satoru says with his usual air of confidence before looking back at the prison realm nestled in the grass. He grins and then—

“Prison realm, gate open.”

if you made it this far. thank you. it's my sincerest hope that you enjoyed the ride.

[pomefioredove]

Hiii! I adore your writings especially the vill fics thank you for blessing us vil fans 😭🙏💕

Can you please write soulmate au with vil and the perks of being soulmate with him? Thank youuu

thank you so much, that's so sweet!!! and OHHH soulmate.... so good

summary: soulmates type of post: fic characters: vil additional info: romantic, reader is gender neutral, reader is not specified to be yuu, FLUFFY, lovesick vil forever

Vil Schoenheit had always deemed the existence of "soulmates" to be a thing confined in the lines of a poem.

Ever the rationalist, Vil hadn't even entertained the fantasy of meeting his "perfect match", if such a person even existed. His life was not that of a cheesy movie script he'd turn down.

Finding someone who could cope with his strict lifestyle would be a miracle in and of itself.

...And if you had asked Vil Schoenheit what his image of the perfect partner would be, he would say exactly that.

Someone beautiful, intelligent, responsible, with the dedication and discipline to keep up with him.

Spoken with a sardonic smile and honeyed words, Vil knew that his chances of actually finding someone to meet his standards, to keep up with him, were slim.

He couldn't have possibly imagined having to keep up with you, instead.

You were like a shooting star; swift and bright, moving faster than he could fathom, cutting through the dark parts of his life like a hot blade.

Something for him to wish on.

Beautiful.

Like nothing he could have ever imagined.

There was a radiance in everything you did, one that made your skin glow with or without products, a certain warmth that so contrasted the refined and elegant image he'd grown to associate with beauty.

Vil would eagerly tend to your every need. It was a dream just to touch you, to have the honor of pushing your hair out of your face.

He would savor every second of grazing your skin, of tracing your features with delicate fingertips, if only just to cleanse your pores after a long day.

With you, every simple action is beautiful.

Vil enjoys pampering people he cares for, and thus your life is full of high-end products, the best groceries money can buy, and his personal advice from the very second he sets eyes on you.

He would gladly do your personalized skincare routine with you every night and every morning if time allowed it.

2. Intelligent.

In such a way that makes him eager to understand you.

Really, it's your insatiable curiosity that draws him in.

He could spend hours upon hours simply listening to you talk. Your interests begin excite him just as much as they excite you, your passion for learning and creating capture his attention with ease.

There's never a dull moment between the two of you.

What others might consider useless conversations about trivial matters, Vil holds to the highest regard.

It comes to the point where he begins asking you for opinions, even if he knows he'll disagree with your answer, just to hear your perfect voice, just to watch your expression change in the way it does when you're thinking.

He's infatuated with your thought process, with the way your mind works.

Understanding you is not a labor, but a privilege.

3. Responsible.

To where all he could ask for is you and your gentle touch.

You care. Whether you're aware of it or not, you care so deeply about the people in your life, it almost puts Vil to shame.

Paired with your determination and resilience, and your ceaseless sense of independence, it's absolutely irresistible to him.

Vil is so unfamiliar with the way you treat him. Tenderly, and softly, like he's something that needs to be taken care of. You don't put him on a high shelf like a trophy, but carry him at your side, like a beloved doll.

He's never been at the receiving end of such consideration.

On the days where it feels as if the world is coming undone around him, he has somewhere to go. A place to hide, where he can forget all that he's supposed to be, and just simply be instead.

You are a home to him.

Vil knows that the both of you are perfectly capable (exemplary, even) at minding yourselves, though that's exactly what makes this tenderness you share all the better.

Independence is a gift, though one that he'll gladly set aside for a time, to be alone and soft with you.

4. Keeping Up.

Some days, it feels as if he's hanging onto you for dear life.

Afraid that if he looks away for even a moment, you'd vanish, leaving him alone with all of his naive, shallow thoughts on what his soulmate should be.

You're a dream to him. Far better than anything he ever could have asked for, or even imagined. He would be a fool to let you get away, he knows as much.

And perhaps he doesn't have the words to express it yet, perhaps he does. Perhaps these thoughts of his are tucked away in a journal, imbued in the lines of a poem, or in the color choices of a floral arrangement. Perhaps he whispers them to you in the early hours of the morning, still caught in that dreamlike space between sleep and wake.

One thing has become clear to him, though: Vil could never adequately describe all that he wants in a soulmate.

You're far too complex to put in a single sentence.

[annecoulmanross]

So it's been a while. But I couldn't let James Fitzjames Finding Day pass without some celebration—thank you Doug Stenton, Stephen Fratpietro, and Robert W. Park for giving us this wonderful and terrible knowledge. I've made an emotional playlist of all of us currently experiencing whatever emotion this is:

Selected lyrics for each song included below the cut!

Strange Ships | PHILDEL

Strange ships won’t let me sail out Passed by the ice and stone now

2. I, Carrion (Icarian) | Hozier

If the wind turns, if I hit a squall Allow the ground to find its brutal way to me

3. Howling | Wild Rivers

Howling out here for the morning light I can’t sing no more

4. The Yawning Grave | Lord Huron

I tried to warn you when you were a child I told you not to get lost in the wild I sent omens and all kinds of signs I taught you melodies, poems, and rhymes

5. Sax Rohmer #1 | The Mountain Goats

Ships loose from their grins, capsize and then they’re gone Sailors with no captains watch a while and then move on

6. Long Wave | Dessa

Starve the guard dog And see what hunger does It’s easy when we’re well fed To talk of love

7. Achilles Come Down | Gang of Youths

Throw yourself into the unknown, With pace and a fury defiant Clothe yourself in beauty untold, And see life as a means to a triumph

8. Eat You Alive | The Oh Hellos

I’ve seen the true face of the things you call life The song of the siren that holds your desire Death, she is cunning and clever as hell And she’ll eat you alive

9. My Ego Dies At The End | Jensen McRae

Leave my body and my ego early Kill it kind with a surgeon’s mercy Claim I put it out of its misery

10. Who We Are | Hozier

Darling, we sacrificed We gave our time to something undefined This phantom life sharpens like an image But it sharpens like a knife

11. Devourer | Aidoneus

Beams of light, show me how to feel Light the gloam, find my Achilles heel I will welcome my mortality—let me go

12. Sound the Bells | Dessa

Go lift your sails up For one last swell Go lift yourselves up To sound the bells

13. Your Bones | Of Monsters and Men

Said goodbye to you my friend As the fire spread All that’s left are your bones That will soon sink like stones

14. Wildflower and Barley | Hozier, Allison Russell

This year, I swear it will be buried in actions This year, I swear it will be buried in words Some close to the surface, some close to the casket I feel as useful as dirt, put my body to work

15. These Bones | Azrai, Momo O’brien

It’s a savage sea we’re made to roam Every tide can turn to haunt us But the ocean reaches past these ghosts And I will always sail for more

16. By Way Of Sorrow | Cry Cry Cry

You have come by way of sorrow You have come by way of tears You’ll reach your destiny Meant to find you all these years

17. Gracestone | PHILDEL

When I open my final door I’m gonna sail much wilder seas than your ships were built for I’m turning into dust across that cove You know, I have known enough to not feel owed

18. Glowing | The Oh Hellos

You’ll rise, like land, pulled up at the sound of some strange commandment A moon alight, reflecting fully And I guess it would feel like rebirth, out of some kind of dying To see yourself so glowing

[inkskinned]

for the longest time my family used to host one of the biggest haunted houses on my block: elaborate, themed amateur haunts that pearled out along our lawn for one-night-only. spinning circus wheel-of-terrors and walkthrough alien crash-landings and spiders that arched over our driveway, leaking venom onto your feet.

we didn't have a lot of money; and honestly i don't know how we afforded what we did have. there were not going to be pneumatics or projectors or any supply over 20 dollars - and even 20 was a stretch. we were lucky, and we lived in a town that had a "swap shed", where people would drop off any banged-up-but-usable items that they wanted to get rid of. the whole year, my family would pick over someone else's discarded fans and lights and weird decorations, asking each other - what do you think? for halloween?

we would strip the motors out of rusted fans and spraypaint vases and saw broom handles in half and apply a very thick coat of cardboard and duct tape to everything. for our pirate year, i made the mistake of individually drawing woodgrain onto each strip of cardboard that made up the ship. i then gently painted and distressed the "boards" so they'd each have lichen and cracks and unusual patterns. i hid eyes in the knots and shaped skulls. you couldn't see any of it in the dark, even under our "spotlight" (someone's target-branded workshop flashlight).

i have a lot of very strange skills as a result. i know how to make a flying ghost appear both physically and in the mirror. i know how to make a witch's brew that stirs itself. i know how to burn and cut and paint until there is an iron throne you can sit on, or an alien brushing your ankles, or a hearse trundling along. i can't say we ever made it beyond our local newspapers, but we tried so hard that the town would regularly shut down our street.

i can't put any of these skills on a resume, and i haven't been able to put them to use for a while. i live in an apartment, there's no lawn for me to decorate. for years i've wanted to do an alice in wonderland theme, and have been collecting ideas like coins in a fountain. at other houses, i am transfixed by 12 foot skeletons and paper mache spooky lanterns; easily wooed by the knowledge of how much time people put in.

someone asked me once - so what was the point? and why didn't you guys charge anything to show up?

in truth, we probably needed the money. for years there, we were a 1-meal-a-day kind of a family. i was being polite earlier up in this essay: we furnished both our house and our halloweens using things left a recycling center. we live in new england and still didn't turn on the heat until the end of november, no matter how low the temperature.

every year we would collect donations for unicef and other charities. on an average year, we would collect enough to pay for our food for weeks. every year, without fail: we donated every penny.

this endeavor took months to plan and design and execute. we had to organize any volunteers and check safety and hope-for-the-best. it took at least 24 hours to set up, a week to take down. the motors and fans and lights all had to be packed tight. the cardboard would scatter, pangea in the rain and sleet. i remember picking up a plank from that pirate ship, the paint blown clear off, all my hard work completely erased. a new kind of driftwood.

if this was a poem, and not a memory, i could wrap this up prettily. i could say that these skills landed me a cool job in the haunting industry or that it taught me the value of friendship and responsibility. but i actually think it's something better, something very pretty: there wasn't ever a moral to it.

the night was a long one. yes, there were assholes, people who broke stuff. but mostly it was just kids like us in cardboard costumes, dressed as an incredibly niche kind of truck. good parents who were friendly and laughing. teenagers who slunk in at late hours, wide-eyed and secretly delighted; who asked us can i help next year? like, do y'all take volunteers, or whatever? every year more people came, and told their friends, and offered to pay. and every year we said maybe next year and meant absolutely never.

we did it because it was enough to love something, and to make that love visible. we did it because there is very rarely an excuse to have fun. i think maybe especially, for me - we did it because every year, there was one first "customer" somewhere around 3-4PM, while we were still putting on the final touches. the sun would still be up, and we were frazzled and always-running-late, and these kids saw our vision unfinished in the bright light of day.

something about their parents murmuring say thank you and telling my mom this setup is so sweet while this little kid would grin up at us, dazzled by our artistic mediocrity. the fall air and the chill and their coat-over-a-panda-princess-costume. that first phrase of the night awkwardly managed over a pair of overly-large vampire teeth: a beautiful and excited trick or treat!

[lubilli]

𝗸𝗻𝘆 𝗵𝗰𝘀 ➠ "cutie!"

synopsis: the hashira men when you call them cute/a cutie

ft. rengoku, giyu, sanemi, obanai, muichiro, tengen

warnings: they're all softies here 💔

r. kyojuro

• he was training while you were watching

• "you're doing so well, kyojuro!"

• he was all blushy cuz u complimented him

• he's used to compliments but it just felt different when you did it

• maybe bc you never really compliment anyone

• and maybe bc he has a praise kink

• "awww, kyojuro, you're such a cutie!" you squealed when you saw the pink dusted all over his cheeks

• his brain almost short circuited

• not even joking

• he's been complimented on his looks before.

• he's been called handsome, good looking, but...cutie? that was a new one

• "kyojuro? are you okay?"

• "yes, y/n! i am completely fine!"

• he said that while his cheeks literally looked like tomatoes

t. giyu

• you just got back from a mission looking half dead

• when giyu saw you, his face literally looked like this -> 😨

• how tf did you even manage to hurt yourself this bad..

• he DEMANDS to patch up ur wounds

• that brings you to your current situation, sitting on giyu's bed while he tends to the wounds

• you winced when he got to a certain cut on your thigh, he glares at you

• "you wouldn't be in this situation if you weren't so reckless, y/n." he scolds you

• you just laugh, "you're cute, giyu."

• it takes him a while before he realizes what you said.

• "did you call me..cute?" he furrows his brows

• "yes..because you are cute."

• continues tending to your wound even though he's literally dying inside

s. sanemi

• he's so aggressive its so hard to find him in a vulnerable state

• ur literally the first hashira to see him all calm

• when he's not screaming and yelling, he's actually really cute

• he loves cooking for you

• he's doing that rn

• "is it good?" he asks

• "it's a little salty..."

• "why can't i ever get this recipe right?!"

• he's so frustrated

• he's tried to cook this one recipe 5 times now but there's always a little too much of a certain ingredient

• you chuckle at his reaction & ruffle his hair

• "you're really cute, y'know?"

• wtf did u just say

• did u just call him cute...

• "WHAT'D YOU JUST CALL ME?!"

• those manic eyes found their way back onto his face

• he's yelling at you but you can see the pink dusted all over his cheeks

• you started calling him cute more often

• acts like he hates it but he literally loves it sm

i. obanai

• you started getting close to him recently

• you found out he actually really likes poetry

• you'll just be sitting under/on a tree and he'll be reading his lil poetry books while you're just dreaming

• you think its so cute when he shows you lil poems he really likes

• "this one reminds me of you" he points to a poem on a page

• you shift your attention from the clouds to his book

• it reads, "A faint clap of thunder,

Even if rain comes or not,

I will stay here,

Together with you."

• bro.

• you died

• why is he so cute sometimes

• scratch that, he's always cute bro

• you smiled so big, "you're really cute, obanai."

• you moved a strand of his long hair and tucked his behind his ears, seeing his beautiful heterochromatic eyes.

• he looked at you with so much love bro

• "cute?" he tilted his head

• "yes, so cute."

• he's a mess but he just nods and continues his reading

• although he literally can't focus bc ur now the only thing on his mind

t. muichiro

• you don't know how you even got close to him

• but he will NOT go cloud-watching without you now

• takes you to his favorite spot

• he just talks abt the clouds while you mess around with his hair

• sometimes braiding it, sometimes doing pigtails or ponytails

• "woah," he stares into the sky with awe

• "what happened?" you ask

• "that cloud looks like a turtle." he pointed

• you looked at it and it really did look like a turtle

• "oh and look, that one looks like a heart." he pointed somewhere else

• wtf hes so cute

• "so cute," you squish his cheeks

• he looks at you dumbfounded

• takes him 4-5 business days to process what you just said

• when he realizes his cheeks flushed pink

• he's literally never felt this before

• wtf type of witchcraft did u put on him

• you tilt your head, "what's wrong, muichiro?"

• "i don't know, but my cheeks and ears feel really warm."

• you laugh, "you really are cute, muichiro." you ruffle his hair.

u. tengen

• you and tengen are close friends

• his estate is like your second house

• started getting close to u bc ur flashy in his eyes

• then he got sent on a few missions with you and your bond grew even more

• anyways you were in tengen's estate rn

• "tengen," you frown

• "hm?"

• "my stomach hurts."

• he frowns, "should i get you a heating pad? do you want water? medicine? chocolate? massage?"

• you smile, "its fine. no need."

• "yes need. i'm not gonna let you endure your pain, y/n. that's very unflashy." he crosses his arms

• "you're such a cutie, tengen."

• he lifts a brow, "cutie? yes, i suppose being a cutie is very flashy." he nods. "now, tell me what you want—heating pad, chocolate, medicine, water, or massage?"

• "you're so stubborn." you shake your head, "but a chocolate sounds nice."

• "done deal. stay here and i'll get you some."

• he came back w some delicious ass chocolate

• "call me that more often. its very flashy."

• "call you what?"

• "cutie."

• you smile, "your wish is my command." you took a bite of the chocolate.

• he pat your head, "get well soon."

[hellojusthereforabit-blog]

Past Lives Pt. 1 - Bucky Barnes.

Time - travel. Angst. Unrequited love. Fluff. Ft. Sam Wilson.

"I think I'm in love with you." Out with it I go. James Buchanan Barnes, the former Winter Soldier, my partner, my teammate, my best friend, stares back at me, unblinking.

You could hear a pin drop fifty miles away if you tried.

I take Bucky's silence as a sign to keep going.

"We've known each other for two years now and, mission to mission, catastrophe after catastrophe, we have had each other's backs," I take a breath. Steady myself.

"It wasn't always easy, and we've had our differences and fair share of disagreements, but there's no one else I want to do this with, Bucky." I sigh, heart frozen in my chest, "You're it for me."

Bucky has the most unique set of eyes I have ever seen. The kind that pulls you in deep, leaves you frozen on the spot and inspires you to quote comically cliche poems at him in hopes of being spared a glance. Truly, Bucky is so beautiful that most days it's hard to look straight at him, but now I choose to face danger head on as I bare my heart out.

Bucky opens his mouth, but it takes him a second to collect himself enough to speak.

"Doll, I…" He's looking away, anywhere but at me, I realize.

My heart clatters inside my ribcage until I'm sure it caught on a fractured bone and exploded.

"Yes?" I say, quiet now, meek. I expected it. After all, Bucky is a go-getter - if he wants a girl, he'll go right after her. I should have known.

I'm so fucking stupid. Always over-estimating my place in other people's lives.

Bucky seems to take in big breath, but I can barely see him. My vision is hazy, blurred. I vaguely sense the burning of my eyes.

"I can't do this, doll," is all he says, "I'm sorry."

How long it takes, for one heart to trust another. How quickly it all shatters, I think.

"I-" Mortifyingly, my lower lip quivers. "Is it me?"

"No! Doll, don't be ridiculous." Bucky corrects quickly, reaching out to caress my cheek with his flesh arm. I realize he must be wiping a stray tear.

"Then why?"

"I'm just - I don't know if I'm ready."

I nod. Try to smile. Step away.

Instinctively, Bucky reaches for me, but his hand falls short at the distance between us and drops to his side instead.

"Are we…going to be okay?" He asks, wincing.

That nails the coffin. I feel my face crumble, so I tilt myself away from the man of my dreams, the man that's breaking my heart. I push through the pain and nod again.

"Dude, yeah, don't even stress it." I whisper, voice hoarse.

Bucky doesn't take the bait, doesn't laugh, just stares at me with big, sad eyes. He reaches a hand out to me again, but I roughly push it out.

"Don't you dare feel bad for me, Barnes. I don't need your pity." I snap, embarrassed.

"Doll, that's not-" he starts, but I cut him off.

"And don't fucking call me that! Don't be so condescending. This whole time I thought there was something here, that I wasn't crazy. You call me sweet names and hold me close after nightmares and look at me the way you do only to not - ." I stop myself, gesturing at the space between us. "If you were just using me for comfort and company, then it's done." I breathe hard.

I know it's not fair to my sweet, gentle Bucky. But laying your heart bare to someone and them pushing it back into your open arms is a different kind of pain. Don't judge until you try it.

Bucky's ocean eyes grow heated. I won't let him speak more, everything's said and done now.

"I'll see you Monday." I say finally, slamming Bucky's apartment door as I leave.

Bucky doesn't call out. Doesn't chase me down the street.

I can't believe I was so fucking stupid. I shake outside of Bucky's apartment complex until I'm sure all the makeup of my face has been wiped clean.

I dial the only other living friend I have left.

"What's up?" Sam's commanding voice is a welcome change from Bucky's soft and apologetic rumble.

I sob into the phone for long enough for Sam to trace my location.

"Oh, kid." He crouches by my slumped form on the floor. "Let's get you up and outta here."

I cling to Cap for dear life.

--

"He's the only man I've ever loved" I tell Sam, nursing the drink in my hand.

Sam stares at me with the sympathy and understanding he only ever reserves for his family - Sarah, and, more recently, Bucky.

He sighs, grimacing into the distance. I realize how this must look for him: his small team of surviving heroes - falling apart at the seams.

"I'm sorry you have to deal with this." I whisper, suddenly captivated by the bubbles fusing at the bottom of my glass.

"Hey," he says gently, head snapping back to me, "You cut that shit out, right now."

"Yes, sir."

"Smartass. You're my friend - I'll do just about anything to ease the pain you're in right now. Hell, I was just looking for a reason to beat Bucky's cyborg ass."

I snort, barely fighting a smile.

"There she is," Sam teases.

Then his face turns somber.

"Can you still work with the guy?" he asks, leaning in. "This mission we got on Monday, it's tough, Y/n."

I look up but don't respond.

In all my drama I overlooked how deep the lines in Sam's forehead had been etched there for a while. I don't remember the last time he relaxed, or even took a break from being Captain America.

"We need all hands on deck," he insists. "Which is just three pairs of hands but it's still something."

I let myself contemplate for a minute longer despite already knowing the answer.

"Yeah, 'course, Sam. I'll be there."

--

To say the atmosphere in the room is tense is a grave understatement.

"So, I'll start," says Sam, taking the lead of the mission brief. He eyes Bucky and me with careful measure. Bucky stares straight ahead, and I try similarly to concentrate on the copy of the files printed and carefully laid out in front of me. In the time that it took me to read and re-read my copy, Bucky kept his untouched.

I pretend not to see the deep dark circles that blossomed under his eyes when we exchanged equally cold "good mornings".

"We're time-traveling, now?" I ask, unamused by the idea in light of recent events.

"This is a very high-profile mission," explains Sam, devoid of his warmth from a few nights ago. This was Captain America speaking.

"There's been a breach at the base - some high-tech equipment from Tony's lab has mysteriously disappeared. We have reason to believe that Tony's time machine has been activated last week, sending one or possibly several armed suspects back into the 40s. The mission is to find and bring them back to this timeline, where they will be dealt with by our laws and regulations without causing more trouble."

"What makes you think they're hiding out in the 40s?" Bucky speaks up for what feels like the first time today. I dig my nails into my clothed thigh, trying hard not to think about how deep and smooth Bucky's voice is.

Bucky is figuratively perfect, it's hard to believe that he's walking around like this without a girl on his arm. Or maybe he already has someone - which would justify him turning me down.

I tell myself it would hurt less if he was already taken.

"I'm not actually sure," says Sam. "That kid - Spiderman - or whatever kids like to call themselves these days - pretty much handles all of Stark's leftover equipment and labs. He says that's where they're at." Sam finishes with a shrug.

"So, let me get this straight," I clear my throat. "You want us to undergo this incredibly dangerous mission in completely uncharted territory just because some kid's got a hunch?"

From the corner of my eye, I can almost see Bucky nodding along with my words, equally displeased.

"It's not uncharted - our team has done this before to bring everybody back." argues Sam.

"And how many of them came back?" I snap, remembering red hair. Ballerina slippers. Knowing green eyes.

I feel both men flinch beside me.

"That was different." rumbles Bucky from the far end of the table.

That wound is too fresh, too deep.

"Don't." I retort. "My best friend didn't die just for us to use that goddamn machine like a toy." Of course, we all know who I'm talking about. Plus, Yelena will kick both of their asses if she hears about this, which makes me wonder if that's why she isn't included in this mission.

"Not us," Sam quips.

"What was that?"

"Not "us"," Sam repeats again, voice loud and clear the second time. "Just you."

"Absolutely not." Bucky interrupts, sitting up and fixating Sam with a glare harboring the force of a thousand suns.

Sam ignores Bucky, taking a seat across from me, "I can't go, things are still too tender for me to just disappear for days on end. They'll appoint a new Captain America and storm in to put us all in prison again if they think we're weak," he goes on, taking a gentle hold of my other arm extended across the table.

"Bucky would get recognized by someone within minutes, it's too complicated." Sam continues.

"Sam," Bucky warns from the other end of the room.

"You're our only option." Sam finishes with another sigh. He did that a lot lately, I noted.

"It's not happening. Y/n, tell him you're not going to do it." Bucky's authoritative voice echoes around the conference room. A sense of urgency I can't begin to analyze is there too.

I contemplate.

"Y/N." Bucky speaks again, something that was beginning to get on my nerves.

"How dangerous is this equipment again?" I ask Sam, ignoring the forceful sigh from the other end of the room. I didn't care what Bucky thought about me in that moment. Who was he to choose for me, anyway?

"I wouldn't be asking if it wasn't serious." Sam affirms. I know this too, Sam is above all things reliable.

"Well, let's see," I pretend to draw a score board in the air with my finger, "In the event of my death, my family will be heavily compensated. That's one." I shrug.

Bucky's chair scrapes against the floor as he crosses the room to where Sam and I are sitting. "Tell me you're not actually considering this."

Under different circumstances I would have believed that he was pleading.

"I've got nothing to do this week and no one waiting for me at home. Two and three," I drop two more points in the imaginary "pros" side of the board.

"Guess I'm in." I flash Sam my signature grin, one he did not return.

"Y/N, No." Bucky orders.

"No one's talking to you!" I snap, whipping my head around to face him directly for the first time today.

He had let a strong stubble grow over the weekend and now looked disheveled on the whole - I quickly push away thoughts of him waking from nightmares, alone and shivering, too stubborn to call me.

His gorgeous blue eyes widen and freeze over as he takes a step toward me.

"Are you doing this to get back at me?"

"Not everything's about you, Barnes." I say, "Sam, I'm in. Let's fuckin' do this."

--

Let me know what you think & if you want pt2 with 40s Bucky :)

[trsrina]

valentine’s day with zerobaseone

gn reader, established relationship, fluff !! mentions of food, not proofread

jiwoong

- even after being in a relationship with jiwoong for some time now, you still kick your feet and get all excited when you receive your yearly valentine’s surprise from him

- sends a box of chocolates and a bouquet of blue roses to your workplace in the middle of the day with a love letter in it (probably some cheesy love poem he racked his brain to come up with and feels very proud of)

- it will probably be something like “roses are red. my face is too. that only happens when i’m around you” written with crayons and decorated with silly childish stickers and doodles ,and you had to resist letting out the loudest laugh ever at that since you were still at work

other members under the cut!

zhanghao

- sorry but YOU have to ask him to be your valentine, not the other way around and you have to do it fast before anyone else (hanbin) snatches him away from you

- no but seriously he would’ve cleared out his entire schedule for that day just to spend it all with you going out just idk eating at some cute but overpriced café (don’t worry, he pays), shopping and just gossiping over some coffee

- ends the day with a night stroll at a park with your hands intertwined and swinging by your sides maybe feed some ducks you saw while chatting the night away and just giggling to each other about something silly. it was simple but meant so much to the both of you

hanbin

- this is so serious for him like no one takes valentine’s day as serious as him so he makes sure to give you princess treatment throughout the whole day

- you wake up to the sound of a grizzling pan and smelling the aroma of the breakfast he’s preparing for you and damn this man CAN cook. serves you a five course meal at 8 am in the morning with like heart-shaped pancakes and eggs like this man is not real (sorry i just love domestic hanbin)

- after breakfast, you two return to bed since you were still feeling sleepy. he cuddles you to sleep, your head buried in his chest and literally clinging onto him, him with his arms tightly wrapped around you in a comforting embrace, gently patting you to sleep as he leaves small pecks all around your face and he probably has even more stuff planned later in the day

matthew

- matthew biggest green flag. spent so long planning the perfect valentine’s date for you and surprised you with a romantic picnic at the beach. he even sets up a table and chairs for the both of you, made sure all the food was perfect

- i can envision him covering your eyes during the walk from the car to the beach then surprising you. pulls out your chair for you and pushes your hair behind your ear and when you ask why he’ll say, “just wanted to take a better look at your pretty face”

- makes you giggles at his jokes the whole time and at last, gives you a final surprise which was an adorable cake with ‘happy valentine’s day’ written on it with icing that he spent the majority of yesterday making for you (u have no idea how many times he had to redo it)

taerae

- he serenades you. that would be the most taerae thing to do like seriously. he would start planning since christmas, writing a whole love song for you, him writing and composing it for you all by himself

- he would be so nervous when the day arrives. he would take you out to a nice restaurant, surprising you with flowers and all, then when the both of you return home, he sits you down on the couch and takes out his guitar

- starts strumming and you’re like, “i don’t recognise this song?” and realises that he wrote it and it took everything in you to not start crying on the spot. serenades you with his honey-like sweet voice while looking into your eyes like a lovesick man, literally making heart eyes at you and smiling like an idiot

ricky

- sends you a text in the morning which reads, “morning, baby. happy valentine’s day. i reserved a table at xxx restaurant for us at 6 pm. i’ll pick you up at 5:30 pm. i love you.”

- the moment you receive that text you start giggling and kicking your feet while burying your face into your pillow, only ricky can make you feel this way.

- you dress up for him and the moment you see him, he’s leaning against his car in a button up with the first few buttons unbuttoned and a huge bouquet of flowers. holds your hand the whole time, during the ride and dinner, listens intently to all of your rambling during the whole of dinner and also pays !!! (bc he’s young and rich)

gyuvin

- rings your doorbell enthusiastically with flowers and gifts dressed in his best attire, fixing his hair every few seconds to make sure he looks perfect for you. shyly hands you the bouquet he arranged himself when you open the door

- he would drag you to a dog café for your date and he’s most likely even more excited about this than you, just looking at the bright grin on his face and the giggles he lets out while he plays with the puppies makes a smile appear on your face too

- would probably point at every dog and says it looks like you because it’s cute just like you. no but imagine you guys sharing a pasta together and accidentally recreating the lady and the tramp scene omg

gunwook

- bowling date with gunwook omg okay his jaw will literally drop the moment he sees you arrive all dressed up like he thinks you’re drop dead gorgeous and won’t stop giggling and blushing every time he glances at you

- pays for everything and takes the chance to show off his skills in bowling. coolest guy ever just the way he confidently strikes the bowling pins with the bowling ball but gets so shy and blush when you cheer for him and compliment him

- and when you’re getting food together at a restaurant, he would not stop staring at you. his head propped up on his hand as he stares at you hopelessly, utterly lost in your eyes and down bad. he’s the type to wipe your mouth for you when you have something on the corner of your lips.

yujin

- your first valentine’s day together so he would be so anxious about it and shy. he would make sure everything goes smoothly and plans it all out like buying tickets to that movie you said you wanted to watch in advance and making reservations for a restaurant you mentioned you wanted to visit before (most likely the first time he ever made a reservation by himself in his lifetime)

- takes you to the movies and insists on paying for your popcorn and drinks. probably watching some cheesy romcom together and since it’s valentine’s day, you’re surrounded with couples which just makes him even shyer

- holds your hand and whispers silly comments about the movie in your ear throughout the movie. he couldn’t focus at all because you were right beside him

short little valentine’s headcanons that i rushed to make it on time 😓