#it's a given that he has the most of both

[lostfracturess]

say it again — satoru gojo x f!reader

you've been married to satoru gojo for so long, but you've kept it quiet, so you can imagine his satisfaction at finally hearing you call him "husband" in public.

You've managed to keep your marriage to Satoru Gojo under wraps for nearly two year now. It isn't that you're ashamed—far from it.

Being married to one of the most powerful sorcerers simply comes with complications, especially given his clan's tendency to meddle in everything.

So you both agreed to keep it quiet. No flashy announcements, no public displays, just you and him. Sure, it means wearing your ring on a chain under your clothes and careful planning for your living arrangements, but it's worth it for the peace and quiet.

That is, until you slip up at the most mundane possible moment.

You're both at an official appointment regarding some property documentation. The clerk has been droning on about paperwork when she asks about your relationship to Satoru for the forms.

"Oh, he's my husband," you reply absently, still scanning the documents in front of you.

The scratching of Satoru's pen stops abruptly. You look up to find him staring at you with the most ridiculous expression—somewhere between absolutely delighted and utterly self-satisfied.

"What was that?" he asks, a grin spreading across his face.

You blink, realizing what you've just said. "I mean—"

"No, no, say it again." His eyes are practically shining now. "What am I to you?"

"Satoru," you warn, very aware of the confused clerk watching your exchange.

"Come on," he says, leaning closer. "One more time. What am I?"

"We're in public," you hiss, but you can feel your cheeks warming under his gaze.

"Please?" He bats his eyelashes at you in that ridiculous way of his. "For your beloved husband?"

"You're impossible," you mutter, but you can't help the small smile tugging at your lips.

"Impossibly charming? Impossibly handsome? Impossibly perfect as your husband?"

The clerk clears her throat. "Should I... put down 'married' then?"

"Yes!" Satoru answers before you can. "Put down that I am this wonderful person's husband. Their spouse. Their better half. Their—"

"She gets it," you cut him off.

But Satoru isn't done. For the rest of the appointment, he manages to work the word "husband" into nearly every sentence. "As her husband, I think we should sign here." "My lovely spouse and I would like copies of that." "Do you need both myself and my better half to initial this?"

By the time you leave the office, you're ready to strangle him.

"You're enjoying this way too much," you say as you walk to the car.

"Can you blame me?" He wraps an arm around your waist, pulling you close. "It's not every day I get to hear you call me your husband in public. Usually it's all 'this is Satoru' or 'we're together' or my personal favorite, 'yes, I do unfortunately know him.'"

You roll your eyes, but can't help leaning into him. "You know why we keep it quiet."

"I know, I know. The clan would be insufferable." He presses a kiss to your temple. "But maybe we should tell them anyway? Can you imagine their faces when they find out we've been married this whole time?"

"They'll have our heads for this."

"Perhaps. But you have to admit, the thought is tempting. No more sneaking around, no more hiding that ring." He catches your hand, thumb brushing over where your ring should be. "I want everyone to know exactly who you are to me. And what I am to you. What was it again?"

"Don't push your luck."

"Come on," he coaxes, "just say it once more."

You pretend to consider it. "And what do I get out of this?"

"My eternal love and devotion?" He gives you a long look. "And I'll do the dishes for a week."

"You're supposed to do those anyway," you point out, but he's already pulling you closer, that insufferable smirk of his growing wider.

"Say it again, love," he says, and the way he looks at you then—eyes soft and full of adoration—makes your breath catch in your throat.

All your defenses melt away under that gaze, the one he reserves just for you, the one that makes you forget why you ever try to deny him anything.

"Husband," you breathe, and feel him tense slightly against you.

"Just like that," he whispers. "Though I prefer when you add my name to it."

"Don't get ahead of yourself."

"That's what I do best," he says. "Besides, my darling wife, I think you secretly love it when I am."

The way he says 'wife' sends a shiver down your spine—something you know he notices from the satisfied look in his eyes. "You're impossible."

"Impossibly yours," he corrects, and despite his playful tone, there's something sincere in his gaze. "What do you say? Ready to scandalize some elders?"

Looking at him now, you can't remember why you ever wanted to keep this secret. "With you? Always."

He doesn't wait for more, just leans in and captures your lips with his, and you think maybe going public isn't such a terrible idea after all.

© lostfracturess. do not repost, translate, or copy my work.

[reignpage]

The Other Woman

Pt 1

The doctors and psychologists said it’d be great for your husband’s well-being to be with friends and family. And for the most part, that’s proven true. 

Insisting on welcoming Satoru back properly, his students organised a party and invited anyone who had a remote connection with their teacher. Even Nanami had taken time off from work to be here and had given a polite pat on his shoulder and a genuine greeting. 

That brought a huge smile to the white-haired man who pounced on the poor guy without remorse, giggling about how he knew he ‘always liked him really’. It felt great to watch him be surrounded by and showered with so much love and support, the kind he deserves; you could tell it was bringing life back to him. After all, it must have been painful for him to have been cooped up in the house trying to reconcile his new reality with the one he remembers. 

You keep reminding yourself of that. 

Satoru needs this. 

He needs normalcy. The normal he remembers, the normal he went to sleep thinking about and not the one he had suddenly woken up to, years passing him by. 

Everyone knows this. He knows this. Just as you do. 

So why is every person in the party sneaking you pitying and concerned glances?

Sure, no one could possibly think this is easy for you, to be the stranger that Satoru still gets surprised to see in the morning. The one he hesitates to say goodnight to, unsure of the boundaries, the etiquette, the right thing to do. He sometimes forgets to text you if he’s going out, shocked and annoyed, you’re sure, to see the many missed calls and messages from you. And you know he studies the picture frames all over your house like a textbook that would give him all the answer he needs.

All he gets, you’re willing to bet, is the realisation that you’re both the tether he needs to keep grounded, that guides him through the sea of memories he cannot touch, and the leash that binds him to a role he doesn’t remember signing up for. 

Are they looking at you with worry because of the inevitable toll this sudden shift has taken on your mental health or because your husband is talking to his ex-girlfriend the way he used to talk to you?

It can’t be the latter, right?

Because there’s nothing to be worried about. 

Satoru is simply catching up, trying to stitch up the crater-sized hole in his memory with a familiar face. There’s no reason for your hand to shake as you sip your drink or for your eyes to keep darting back over to them, sat alone at a table like they’re the only people in here. 

He’s laughing, throwing his head back and making that obnoxious cackle you love to hear. Loved. Because this one isn’t for you. It’s for her. The woman he shouldn’t be near, the woman he shouldn’t even think about, shouldn’t let touch his arm. 

You’re the wife. 

You’ve got the ring to prove it. 

He’s wearing it. Just not on the hand attached to the arm strung over the back of her chair like he’s protecting her from the rest of the world. Hell, maybe he is. Maybe his infinity is on and covering her. But you don’t have it in you to throw something at them to find out. Either result would be just as humiliating as the other. 

There’s nothing to be done. 

You can’t interrupt. 

Because Satoru needs to know what he said goodbye to all those years ago to know what he says ‘hey, pretty lady’ and ‘good morning, gorgeous’ to now. Or used to say. Now, you’re lucky if he even looks at you without shuffling his feet. 

Eventually, the night draws to its natural end. 

People bid their farewells twice, once to him and her, and then to you. Each time breaks your heart even more until you feel it crumble inside, little shards falling to pieces he won’t pick up. She stands before you, a small, shy smile, like she knows what she’s done. And says it’s ‘lovely to meet you’, and of course you can’t say it back. 

Not when you had been introduced by your name, ‘my beautiful wife’ going nowhere near the tip of his tongue as if those words had never been uttered by your husband. And not when she had been introduced in a hastily withdrawn, stuttered freudian slip of hell. 

“This is my girlfr— Sorry, I mean, my friend. From high school. Yeah, high school.”

Satoru blushes, scratching the back of his neck awkwardly as he waves goodbye to her. And you can tell he finds the act lacklustre, an uninspired, unnatural way to say goodbye to the woman you woke up to and slept beside. 

“Did you have a good time?”

He nods, a soft smile playing on his lip as he casts his gaze across the room, sweeping by the empty hall like he can still see every single person that came. “It was nice to see everyone and catch up.”

You’re thankful he doesn’t ask if you enjoyed the evening because you can’t lie to him but you also can’t tell the truth, can’t burden him anymore with the reminder that he doesn’t fill the shoes of your husband, that he continues to stumble with every step, dragging you down with him. 

So, instead, you fill the silence with a question that is so harmless, so normal it slips out before you can even think to anticipate the devastating crack that goes through your very soul. 

“Ready to go home?”

Satoru nods.

But he’s looking at a seat in the back. 

A seat that’s probably still warm. A seat you could never fill because you aren’t the woman he thought, hoped, he would marry. 

You’re just the woman he did. 

[xetlynn]

Can I ask for claggor x a piltover reader? She was raised in piltover and is very smart but was never ignorant to the condition of zaun and always tried her best to advocate and help the suffering people. I can imagine she would have a strong sense of guilt for loving claggor because she doesn't really understand the struggles he went through but will always try to help. <33 thank youuuu

Of course, I think I made this a little more dramatic than I meant to😭 but I hope this is good!

Arcane Imagines- Claggor

Mysterious

[arcane] [main page]

Prompt: In which reader is from Piltover and makes a friend in Zaun. Feeling guilty for liking him since she doesn't understand his struggles.

My feet achingly moved seemingly before me. My back hurt as I carried a box full of stuff from Piltover to give to a friend in the undercity.

When I was younger I was so fascinated by the people of Zaun. About the difficulties they’ve been through. My mother was always bitter about them. Going on tangents about how the people from the undercity should be more grateful since everything is better now. And whenever she does that I have to remind her of their struggles to get to this wonderful position they’ve been creating for themselves. Supporting them only pisses her off further than before. She asks what about Piltover’s struggles which is never the point of my argument. 

We’re privileged enough to never know what it’s like going without food, running water and a roof being over our heads. Most of Zaun could or still to this day can not say the same. It’s something I’ve written about in school essays, joining groups to learn more about the undercity. 

As a younger teen I snuck into Zaun, wanting to understand them better, know them rather than read about their history. Hear it from the people themselves. I won’t truly ever know their struggles but I still wish to help them. Advocate for their history and their growth as a community. Help them be one with Piltover eventually without there being discourse of if they deserve it. 

Everyone deserves happiness, love, and a life without ridiculous danger. They deserve peace as much as the next person.

I was reckless when going to Zaun. Sneaking out of my house as a teen and somehow to the undercity without being caught will forever blow my mind. The reason I kept doing it though was after I sat down in this bar. It’s called The Last Drop. I just needed a place to rest after walking for miles. 

Talking with the people there. Not really a scene a young teenager should be in but I didn’t care. I just wanted to listen to their stories. And they always enjoyed having me around. Seeing me as a niece of some sort.  Hearing the first one made me want to hear more. Hence why I kept coming back. And more recently there's a new reason.

I met a new friend. His name I still don’t know. He never properly introduced himself to me. Not by his birth given name but by the first letter. He wanted me to guess. 

It’s been 3 months and he has yet to tell me what it is. Or in his words I didn't guess good enough.

I guess his father was the owner, Vander is his name. I’ve met him a few times but I never sat up at the actual bar. Just in a corner keeping to myself before I went to adventure out into Zaun after hearing random stories.

When I met C he had started working more hours at the bar to help out since it was getting busier and busier after some time with people from the Uppercity decided the place was a hit. I guess he worked earlier shifts so that’s why we never crossed paths when I first started going there. 

C and I hit it off slowly in the beginning.  

It was a rough start since we both had different upcomings. I didn’t know what it was like to have to get my hands dirty and work for things I want or need. I’ve always just… had it. 

Talking about C’s childhood and things he went through as I had nothing bad to say except for the fact that my mother is a witch of a woman. It made me realize how weird I am for being so interested in others' lives. It made me realize I don’t have a life of my own. I want to fix people who don’t need to be fixed. They’re perfect the way they are, no matter what they went through. They don’t need me to stick up for them. I also figured out that I’m falling for a friend, who again… I don’t know the name of and we will never share a similar story. He deserves someone who understands the same livelihood he knows. Someone who can appreciate things more than I ever could.

“[Name]!” A voice shouts, shaking me from my thoughts. “C!” I grin, shimmying the box in my hands. “Is this everything?” He takes it from me with furrowed eyebrows, looking it over. “Mhm, every single thing you asked for.” I place my hands on the back of my hips, stretching to crack my back. Letting out a small sigh of relief afterwards. 

“You alright?” He asks with a chuckle, leading me into his apartment that he and his brother share. “Yeah, I definitely got my exercise in for the day.” I half-heartedly joke, shutting the door behind us and he places the box down on the counter. “What is the food for, exactly?”

When he first requested the stuff from me, he told me it was for an experiment. Not really saying much after that. A few foods and then things you can really only get in Topside. 

“To eat.” He grabs an apple and bites into it. My shoulders fall, not expecting that answer. For some reason I thought it was going to be something cooler. “Oh.” I let out a breathy laugh. “I was hungry when I was putting in that request.” He rubs his stomach sadly. 

I shake my head with a smile. “It’s okay. So can I know what this project is now?” I hop up on the barstool in his kitchen. “It’s a secret.” He says briefly, putting the food away in his counters. I frown. “Dang, keeping another thing from me, C?” I tilt my head. 

“Gotta keep you on your toes, by being a mysterious, interesting man. Don’t want you getting sick of me.” He quipped, now giving me his full attention after placing the box on the ground. I glanced down at it then back to him. “I’ll always find you interesting. Maybe even more if you just tell me your name.” I pout.

Have I mentioned that I don’t know his name? No? Yeah, don’t know it. 

“Soon.” He reaches over and messes up my hair. I smack his hand away. Attempting to fix what he did. “I hope so.” I cross my arms. 

“I wish you could guess it. You didn’t even try hard enough.” He exclaims, my jaw drops at his words. “I can’t think of anything else! It has to be some sort of crazy unique name!” I utter, throwing my hands in the air. He lets out a belly laugh, “It’s not super unique.” He shrugs his shoulders. 

“Whatever.” I roll my eyes, jokingly annoyed. “I told you my name.” I murmur. “That’s because you’re not mysterious like me.” He purses out his lips, doing a little peace sign. “I know almost everything else about you. You are not mysterious.” I point a finger at his chest. “Really? What’s my favorite color?” 

“You tell people it’s blue but it’s actually yellow. Like dandelion yellow.” I raise my brows, making a face that expresses that he should try me. “Okay, pssh, lucky guess. Favorite food?” 

“Halibut, but only when it’s fried because you’re weird.” I tease, his eyes seem to widen at my words. “See, not so mysterious, huh?” I cross my arms. “Two things. That’s all you answered.” He walks away over to the living room. Plopping down on the couch. I stand up, rushing over to him. Bouncing on the cushion beside him. My hands holding his shoulder as I shake him. “Then ask more questions. I have the answers~” I sang out, leaning back. 

“Fine, how old am I?” He raises a brow. I put a finger on my chin, pretending like I was thinking. “21.” I simply say. “Okay, I never told you that. How’d you get that?” He scrunches his nose in confusement. I laugh. “Honestly I truly guessed that time. I’m 21 and I always figured we were the same age.” I snicker. 

“Wow, okay. Next question, how many siblings do I have?” I think back to conversations we’ve had or the time I bumped into his brother Mylo. He always talks about a girl named Powder. I want to say there’s one more though. I just can’t remember…

“... three?” I estimate. “Or two.” I perk up my posture. “Hm, it’s three. You really do listen.” He hums out. “Yeah, it’s Mylo, Powder and I’m sorry but I don’t think I ever got the last one’s name.” I press my lips together, trying to rack it in my head. “Violet. She passed away when we were younger.” He sighs, I look at him through my eyelashes not wanting to make full eye contact as my heart drops.. 

“I’m sorry.” I whisper. “It’s alright, [Name]. You didn’t know.” He gives me a smile. It goes silent between the both of us. “Um… can I ask how? If not I totally understand. I don’t want to push that topic.” I shake my hands at the thought of forcing him to say something he wasn’t comfortable with.

“We were doing a stupid thing in Piltover. Sneaking into someone’s house. Just trying to get a few things for our dad. Extra money in his pocket. Something exploded. The impact unfortunately killed Vi.” He seems spaced out as he tells the story. I reach out and grab his hand.

I remember when that incident happened. It was all anyone talked about for a while. An undercity child passes away in an explosion after breaking into a scientist’s home. My mom… was an ass about the situation. 

“Any more questions?” I make an effort to switch the conversation so he doesn’t get upset due to my questioning of his sister's death like the dumb idiot that I am.

He looks down at my hand that was on top of his. “Claggor.” He suddenly says. I scrunch my eyebrows together. “Claggor?” I question, was that something I had to answer? “My name.” He mutters out. 

My mouth goes into the shape of an 'o.' Claggor... An interesting name for an interesting man like him.

“Hm… cute. It fits you.” I squeeze his hand before letting go. I didn’t even notice the dusty rose color across his cheeks. He mutters out a small thanks before we continue the conversation of me knowing certain things about him.

The entire time I think back to his sister, my chest aching. They were only kids trying to help their father. Not knowing that one of them wasn’t going to make it back home. How devastating. 

“You okay, [Name]?” He sits up, turning his body to face me. I fake a smile, waving him off. “Yeah, yeah I’m fine. Just thinking. Sorry.” How am I supposed to be his friend if I carry guilt that has nothing to do with me? How can I like him and not be able to understand him? It’s idiotic looking. It makes me look selfish, turning other people's problems into my own. “Thinking about?” 

“Your name. How I never guessed it.” I force out a chuckle that sounds like a high pitched animal making me wince in embarrassment afterwards. “Are you sure you’re okay?” He asks me again. 

“I’m fine, Claggor.” His name rolls off my tongue easily. Like it was meant to be said from my lips.

“I remembered I have somewhere I need to be. My mom will kill me if I’m late. See you later?” I ask him, blinking tears away as I abruptly get up. “Um, yeah. Tomorrow?” He gets up with me, rubbing the back of his neck. “Ah, I can’t. Family thing.” I lied. “Oh, maybe the next night? Mylo wants me to go to this party where his crush is djing. I do not want to go.” He laughs, walking me to his front door. My stomach flips, not knowing how to respond. “Maybe, I’ll let you know the day of.” I swallow down the lump in my throat. “Okay, okay. I don’t mean to cling. I just like spending time with you.” He smiles softly. I avoid eye contact. “Me too, Claggor.” I whisper before pulling him into an embrace. 

He lets out a small yelp of surprise before his hands slowly snake around my waist. “You’re a good friend, [Name].” He mumbles into my shoulder. Tears begin to threaten my eyes once again. “You’re a better one.” I pat his back before letting go. “See you.” I curtly wave before leaving. 

Man, I’m an idiot. 

It’s the day of the party, I haven’t left my bed since I came home after leaving Claggor’s house. My head racing with a million thoughts about how selfish and ridiculous I am. Cringing at all the conversations I’ve had with my friends about the Undercity. How incredibly obnoxious it always sounded. 

How strange I look just being this upset about everything. I wonder if Claggor thought the same about me. How strange it was that a girl was so wrapped up into his struggles. I would never want to tell him that either because I’m overthinking. I know I am. 

He’s my friend. He would tell me if I was being over the top.

Right? 

Right.

Stop it brain. 

A knock at my door echoes in my room. “Yes?” I call out, not bothering to get up. The door creaks open. “[Name] there’s someone here to see you.” A house worker tells me. I sit up, tilting my head confused on who would be here. “Um, tell them I’ll be right down.” I say, climbing out of bed. “Yes, ma’am.”

I grab my robe from my vanity, throwing it on over my pajamas. I slip my feet into my house slippers. I look like a mess but I don't care. It’s probably just a school mate to ask about some homework we have. 

I exit my room, heading down the stairs. I see Claggor and my body freezes in place. Staring down at him. Shit. I look like a mess! And that is not a school mate. 

He was looking around my home before his eyes locked with mine. His face erupts into a smile. “Just wake up or something?” He teases and my face flushes in response. “Uh- yeah, slept in.” I awkwardly chuckle, walking towards him. “How’d you know my address?” I asked him. “Also, why are you here?” 

“Well, first I bumped into one of your friends I met before. She told me you lived here. Second ouch, I can just leave if you want me to.” He points to the front door and I roll my eyes. “Sorry, sorry. I was just wondering, I was gonna come to you.” I cross my arms, and when I do his eyes flicker down to what I’m wearing.

Suddenly I’m extremely aware of how I look. My hair a mess, face puffy, and wearing a fancy robe with slippers. Weird combination. 

“I felt like when you left yesterday it was a bit… off? You seemed like you were about to cry so I thought I’d come here and maybe talk to you about that.” He fidgets with his hands, I observe his demeanor. He seemed extremely anxious. “Oh, I told you I was fine. Might’ve had something in my eye.” I shrug lying straight out of my teeth. 

“You know how I said you are not mysterious like me?” He asks. “Vaguely.” I smile but not understanding why he’s saying that. “It’s because you aren’t a mystery at all. Maybe I’m not either since you seem to know quite a bit about me. Anyways, not the point.” He lets out a heavy breath. “You don’t hide your emotions well. You’re an open book just by looking at you.” He chuckles and I tense up, feeling a little offended. He notices and sighs.

“What I mean is, when I first met you I knew you were a very empathetic person. Your emotions are what drives you to be who you are. I really enjoy that about you. I never thought someone could cry over a bug they killed until I met you.” He laughs at the memory of when we were hanging out one day at the bar and a bug was on the floor by my foot. I stomped on it and immediately felt bad. Thinking about the fact that it could’ve had a family. 

“You care so deeply for people you’ve never met. Wanting them to succeed even if it means you are risking your own happiness to do so.” He says softer than all his other words. “I hope you know that you have never upset me by asking your questions.” His eyes find mine and I open my mouth to say something but nothing comes out. He read me like a book. He practically studied me. I don’t even know how to respond. 

“I know that’s why you got upset. My sister passing away. I don’t mind that you asked. It happened as unfortunate as it is. You didn’t know and you wanted to. Because you care.” He places a hand on my shoulder. I look down at his arm then back to his face. “Please don’t feel bad for caring.” 

My eyes begin to water and I pull him into a hug. “I don’t deserve your friendship.” I mumble into his chest. “I think you do.” He disagrees. 

“I like you, Claggor.” I told him. “Like a lot. I care for you more than anyone else I’ve ever met. I’m scared that I can’t be what you need. I want to be. Everything and more.” I confess, pulling away from him. “Did you know that? Was I not hiding that emotion well either?” I try to uplift the mood. 

“I didn’t have a clue actually.” He grins. “I like you as well. Like a lot. You are everything I need and more. I promise you that.” He pulls me back into his arms, looking down at me as I look up at him. 

He closes the distance between us, his lips landing on mine. It was a short, soft kiss but it was something I never felt before. Shivers sent down my spine. I flutter my eyelids open, both of us smiling ear to ear like giddy little kids. Taking in the moment for a few seconds.

“Does that mean you’re going to join me at this party that I’m soooo excited about?” He sarcastically asks and I giggle in response. “I guess so. I definitely need to clean myself up first though.” I motion to my hot mess of a state that I’m in. “I think you look beautiful in this. Don’t even need to worry about changing.” He jokes and I lightly hit his arm. 

“What a liar.” I fold my arms. “Hm, maybe a little. Want me to come back to pick you up?” 

“You could hang out in my room while I get ready. Maybe choose my outfit?” I propose and his eyes light up. “Yeah, let’s go.” He happily responds. 

[xinganhao]

✏️ data science major!jeonghan x reader.

if there's one thing you've never been able to decode, it'd be your ex-boyfriend jeonghan ✶ part of my svt university milestone event

⤿ college exes, jeonghan is a menace™, suggestive coding pickup lines, [slight] angst, terrible pseudo-html for the hc (shoutout to w3schools). more content under the cut. ♡⸝⸝ prompt from @choco-scoups & anon!

<!doctype html> <html> <head> <title> decoding the breakup </title> <subtitle> yoon jeonghan (est. 2024) </subtitle> </head> </body> <script>

if (you still love them) {   // remind yourself of why you broke up in the first place   // date other people who don't even come close to them   // bury yourself in schoolwork or literally anything else that will make you forget } else {   // accept that you still have feelings }

if (you want them back) {   // be annoying enough that you're always on their mind   // reverse psychology them into thinking that they want you back   // reference your relationship so they might want it back, too   // hit them with the world's worst pickup lines so you can catch their attention } else {   // keep on trying until you succeed }

<p> confession time: running into you at what's supposed to be our spot was completely unintentional. that wasn't part of the bigger plan, of the grand scheme of things. that was just me trying to find some comfort in something familiar. in the quiet places where you once loved me. i'm a fool who likes to pretend, here and there, that our little corner of campus still remembers what it was like for us to be together. </p>

if (they still hate you) {   // accept it  // settle for what you're given } else {   // live for the hope of it all }

<p> confession time, part two: i still love you. of course i do. why the hell would i be doing all this if i didn't? <a href="https://www.svtuni.com/jun">jun</a> says love isn't a once-in-a-lifetime thing, but i beg to differ. at the risk of sounding like a bigger fool, i truly believe that i don't think i'll ever love anyone as much as i've loved you. </p>

<p> even <a href="https://www.svtuni.com/mingyu">mingyu</a> has gotten his sequel. and he's asked me, time and time again, if that's something i want with you. some second chance romance, one that won't end with me being 'Maybe: Jeonghan' in your phone. </p>

<p> <a href="https://www.svtuni.com/vernon">vernon</a> will be the first to tell us both that the body doesn't lie. some bullshit about the heart knowing what it wants, about it not being good for us to deny our most basic instincts of what it truly wants. our friends don't know how to keep their opinions to themselves, unfortunately. </p>

<p> <h1> anyway. what matters are my thoughts, right? </h1> </p>

<p> and my only thought is that i love you. i loved you when we were together, and i love you even now. i loved you, and i was bad at it, and i will live the rest of my life wondering what i could have done differently. as it is, i'm worried that i'm still not good enough for you. that i'll make the same mistakes that i did back then. </p>

<p> i'm happy to just love you, if you'll let me. i'm happy to be petty, to make up all these terrible pick up lines. to make you smile and scoff and roll your eyes. i want to love you and to want nothing in return. not until i deserve it. not until i can finally, finally say i'm worth your time. </p>

<p> <small> please. </small> </p>

</script> </body> </html>

[kairoot]

NO GOOD FOR ME ──── PJS.

ׂ ִ 𝐬𝐲𝐧𝐨𝐩𝐬𝐢𝐬．𝗐𝖺𝗇𝗍𝗂𝗇𝗀 𝗍𝗈 𝗋𝖾𝗄𝗂𝗇𝖽𝗅𝖾 𝗒𝗈𝗎𝗋 𝗉𝖺𝗌𝗍 𝗅𝗈𝗏𝖾．． 𝖾𝗏𝖾𝗇 𝗂𝖿 𝗂𝗍’𝗌 𝖻𝖺𝖽 𝖿𝗈𝗋 𝗒𝗈𝗎 — 𝐩. 𝖼𝖾𝗈！𝗃𝖺𝗒 𝗑 𝑓．𝗋𝖾𝖺𝖽𝖾𝗋 — 𝐠. 𝑎𝑛𝑔𝑠𝑡，𝑙𝑜𝑣𝑒𝑟𝑠 𝑡𝑜 𝑒𝑥𝑒𝑠，𝑠𝑢𝑔𝑔𝑒𝑠𝑡𝑖𝑣𝑒 — 𝐰. 𝗉𝗋𝗈𝖿𝖺𝗇𝗂𝗍𝗒，𝗃𝖾𝖺𝗅𝗈𝗎𝗌𝗒，𝗄𝗂𝗌𝗌𝗂𝗇𝗀，𝗂𝗇𝗍𝗈𝗑𝗂𝖼𝖺𝗍𝗂𝗈𝗇，𝗅𝗆𝗄 𝗂𝖿 𝗂 𝗆𝗂𝗌𝗌𝖾𝖽 𝖺𝗇𝗒𝗍𝗁𝗂𝗇𝗀．𝐰𝐜. 𝟤.𝟧𝗄

✉️ ──── jay fic from kairoot, we cheered !!

HOME.

The building was bustling with its usual noise, the sound of keyboards clicking and the employee’s chatter. The familiar scent of coffee and freshly printed paper hung in the air as everyone occupied themselves with answering old emails or discussing the company’s next design.

You, on the other hand, had just walked in the building, already wanting to head straight back to your car and drive home. Everyday was a struggle, coming into the job that your now ex-boyfriend had given you. Now, you worked for him but you weren’t together.

It drove you insane. You were so used to driving to work with him, your favorite song playing on the radio while his hand was placed on your thigh as he sang to you. Or picking up a quick meal from a nearby cafe as you both talked about your future. It was sickening to think that you couldn’t do that anymore and things were only strictly business between the two of you.

It hurt to have to converse with him, even if it was just a quick greeting or him telling you about the plans for the company’s next fashion show.

You just couldn’t bring yourself to hold a conversation with him. Or even look at him. Any time he tried speaking to you, you uttered a one worded response before quickly walking away to resume your duties.

You were still angry with him. He ended it all. He put an end to what you thought was your happiness.

You sighed, walking over to your desk as you placed your belongings down on the smooth surface. You hadn’t noticed the presence behind you, too busy with powering up your office computer and pulling out your sketchpad full of possible designs.

“Y/n,” a deep, but familiar voice spoke from behind you. You froze, closing your eyes before forcing out a response.

“Jay.”

He walked toward your desk, standing in front of it so he could look at you. He cleared his throat before speaking again.

“Did you, uh, finish the fall collection designs? Ms. Lee and I are planning a meeting for the show, so we’ll need final designs by Monday.”

“I have most of them.” You replied flatly, sitting in your chair and opening up your files. Jay hesitated for a moment, unsure of whether he should continue speaking or not.

“Well, just.. email me when you’ve finished.” He finally said, before walking away. He glanced back at you for a second, before walking back in the direction of his office.

You let out a relieved sigh, not realizing you were holding your breath. The smell of his cologne was still lingering around your workspace which only frustrated you more.

Peering into the far corner of the building, you could see Jay laughing with his executive assistant, Ms. Lee. You couldn’t stand her. Even when the two of you were together.

But now it was worse, considering that was no longer the case. Now that you and Jay were separated, she took matters into her own hands. Literally.

She’d always squeeze his hand or place her hand on his arm, letting it glide up and down in a sweet, gentle manner. It made you fume with anger, but there was nothing you could do about it.

Knocking you out of your trance, your coworker and best friend, Chaewon came knocking on your desktop.

“So,” she began, following your gaze over to where Jay and his assistant stood.

“That’s gross, am I right?”

You sighed, turning back to your computer, “Not today, Chae, please.”

“What? I’m just saying—once you two aren’t together anymore, little Ms. Perfect has to swoop in and finally make a move.” She said, rolling her eyes.

You don’t respond, only shaking your head.

“Speaking of which, how are you?”

You shrug. “It’s been almost two months, Chae. I’m fine.”

“A month and two weeks, to be exact. And no, you’re not, Y/n. I see the way you look at him.

She sat on the desk, placing a hand on your shoulder.

“You can talk to me. You know that.”

You didn’t say anything for a moment, only resting your head in your hand, rubbing your temple.

“After work.. but right now, I really need to get this stuff done.”

She smiled down at you before hopping off of the desk to walk back to her own.

“Right, well, I’ll see you later, Mrs. Par—“ she cut herself off, a wide grin plastered on her face.

You turned to look at her, jaw dropped. “Chaewon!”

“Oops! I mean, Ms. L/n.”

The day had finally ended, the clock reading 5:36 pm. You stood up from your chair, stretching a bit before starting to gather your things and head home.

You turned off your computer, letting the machine rest before you came back the next day.

As you walked out the door, the cool autumn air brushed against your face, making you shiver a bit. You walked to your car, the clicking of your low heels echoing as you walked.

Before you could open your car door, you could see Jay standing by his car, taking a phone call. You stood there, just looking at him for a moment. Not to eavesdrop or anything, but just to admire and think about him.

He paced slowly as he conversed with the person on the other line. You hadn’t realized how long you were staring until he looked up at you, catching your gaze.

You looked down to break the tense eye contact, fidgeting with the things in your hands so you could find your keys. You clicked the unlock button on the remote, quickly opening your door and throwing your bag to the side.

You placed the key in the ignition, turning it to start your engine.

Today was a bit harder for you to get out of bed, but you did it. The urge to quit your job was getting stronger and stronger as the weeks passed.

As you walked into your workplace, Chaewon came walking up to you in a hurry, ready to talk as if you both didn’t have several different conversations the night before.

“Y/n, did you really buy a new dress just for this meeting..?” She asked, looking at you up and down.

The dress was tight-fitted, the fabric hugging your curves and accentuating your hips just right. It was a beige, neutral colored material with a boat neckline. One of those corporate dresses like in the movies. The ones that Jay likes.

“Um, well,” you bit your lip to stop yourself from letting out a snicker.

“I needed new clothes, anyway.”

Chaewon shook her head in disbelief, a small smile forming on your face.

You both approached the conference room with all of the employees from the company following you in. Jay stood in the doorway, greeting everyone with a smile and ‘good morning’.

When he saw you, his expression flickered with surprise. His eyes lingered on you for a moment, scanning you as he took in every detail.

“Y/n,” he started, letting out a breath. “Good morning.”

“Morning, Mr. Park.” You walked past him without keeping contact once again. You took a seat at the large table while Chaewon placed her things down next to yours, sitting by you.

She nudged you slightly, staring at you in shock.

“What the hell was that?”

“I said ‘good morning’.” You replied calmly, taking out your notepad and a pen.

“No, no, no,” she shook her head, laughing in disbelief.

“He practically drooled over you, Y/n!”

You shrugged, opening your mouth to speak but was cut off by another voice.

“Okay, good morning, everyone!” You looked over to see the woman you despised the most. Her hands were clasped together as she greeted everyone with a friendly grin.

To your right, you could hear Chaewon scoffing quietly, making you chuckle.

“As you all know, Mr. Park and I have called everyone here to discuss our big event.” She said, grabbing her laptop so she could pull up the presentation.

Jay walked in just as she was explaining the concept of the meeting, his eyes wandering over to you again. You tried to ignore the feeling of his gaze on you as you listened to whatever his assistant was saying.

“All of our designs for this season’s show were created by the lovely, Ms. L/n.” She smiled, turning to you. Your employees clapped for you, some smiling in your direction. You smiled back at them, thanking them silently.

Ms. Lee clicked the next slide, which had pictures of some of the ideas you had.

“These are… interesting. Not quite what we were expecting, but you know, creativity is subjective.” The woman stated, sarcastically.

Your eyebrows furrowed at her comment, “What’s that supposed to mean?”

Her head turned toward you as she flashed another one of her signature fake smiles.

“Well, I just mean that these looks are not as… wearable as we’d like.”

“‘We’ or you?” You asked, tilting your head slightly. Chaewon was laughing quietly next to you, covering it up with a cough, but you were serious.

The room was filled with an awkward silence as Ms. Lee shifted, contemplating on whether she wanted to respond to you. You continued to look her in the eye until she backed down, pushing her pettiness to the side.

“I think Ms. Lee meant that these designs are like nothing we’ve ever seen before, Y/n. They’re extraordinary.” Jay spoke up, trying to clear the tension between you and his assistant.

“No. No, I don’t think that’s what she meant, but we can go on with this meeting.” You replied, clearly irritated at the both of them.

His assistant continued the discussion without making any more snarky remarks on your designs. You sat there silently, seething with rage. She was clearly doing that to embarrass you and you didn’t need Jay’s sympathy to deal with it.

The next evening, Chaewon dragged you to Jay’s office get-together, to which you rejected her offer multiple times but she insisted. You really didn’t feel like interacting with him or anyone that was close to him. It reminded you too much of the past.

The party was your average office gathering, champagne on one table and small snacks on the other. People were scattered around the building, socializing and dancing while you sat on the side, watching and sipping your drink slowly.

“Y/n, come on. You can’t sit here all night.” Chaewon whined to you for the third time, begging you to get out of your seat. You ignored her, downing the whole glass of champagne in your hand.

She sighed, standing up to go straight to the dance area.

“I’m gonna go dance with Jay’s new employee, Sunghoon. You sure you don’t wanna join me?”

You nodded, “I’m positive.”

She gave you a sad smile before heading to her new dance partner. You inhaled deeply, standing up and heading over to the drink station for the second time that night.

There were people still hanging out by the drinks so you had to push your way through to the beverages. You poured some of the liquid into your glass, sipping some before pouring more.

You turned around to go back to your seat but your drink was knocked into you, the beverage already seeping through the fabric of your dress.

You looked up to see the familiar face of Ms. Lee, giving you a look of faux sympathy.

“Oh, gosh, how clumsy of me.. Maybe you can fix the design of this dress, too?

You looked at her with pure disgust as you scoffed at her words. Your hand tightened around your glass before you flung the remains of your drink in her face, watching as her makeup began to run instantly.

She gasped loudly, wiping the liquid off of her face before opening her eyes to glare at you. Before she could get anything else out of her mouth, you were pulled away by your wrist.

“Jay?! What the hell?” You yelled as you turned to see who was now pulling you into the dimly lit printer room.

“No, I should be saying that to you! What the hell was that out there?”

“I don’t know, maybe get your assistant and new partner in control. She started it!” You shouted at him.

He ran his hands down his face as he stood in front of you.

“Y/n, what are you talking about?”

“Oh, don’t act like you don’t know. She’s had it out for me since we were dating, Jay. And now that we aren’t, she can finally get what she wants.”

He shook his head at you, chuckling, “You’re unbelievable.”

You scoffed, “Me? You know now it’s true! I know you see it!”

“Gosh, would you stop it already?! This is why I ended things with you, Y/n— you’re so quick to jump to conclusions!” He exclaimed, his words laced with venom that stung more than you expected.

Your eyes began to water as you swallowed the lump that was forming in your throat. You looked at him before taking a step back, blinking away the tears before they started to fall.

Jay didn’t say anything else but you could tell he almost regretted the words that came out of his mouth.

“You always do this,” you sniffled, turning your head so that he wouldn’t see how much it hurt.

“You always blame me when all I want to do is make things right. You know that I—“

You stopped mid-sentence as he stepped closer, his hands gripping your arms to hold your attention.

“What? What do I know, Y/n?” He challenged, his voice low but intense.

“You know that I only wanted good for us both. And that I care about you.”

Before you could get a response from him, Jay pulled you in for a kiss, his lips crashing into yours with a desperation that nearly broke you. For a moment, you let yourself sink into it, clutching his white button up as if holding on could fix everything.

But then he pulled away abruptly, breaking the moment as his hands fell from your arms. He stepped back, shaking his head.

“No,” he said, his voice firm but tinged with sadness. “We’re not doing this, Y/n. It’s not gonna fix anything between us.”

“You kissed me,” you whispered, blinking back the tears once more.

"I know," he admitted, running a hand through his hair as he avoided your gaze. "And I shouldn't have. I'm sorry."

His apology felt like a dagger to your chest. You opened your mouth to say something, anything, but the lump in your throat silenced you.

"You need to move on," Jay added, his voice soft but resolute. "We both do.”

“But Jay, I—“

“Don’t make this any more difficult than what it already is.”

Without waiting for a response, he turned and walked past you, leaving you standing alone in the dimly lit room, his words echoing in your mind like a cruel reminder of what you could never have again.

• • •

﹙ 🔖 ﹚ ──── @haechansbbg @contyynishimura @sasfransisco @kgneptun @jungwonderz @enha-stars @dioll @jakesangel @cupidscourt @violetwitchmcu @haohaoshoe @randomgirl02228 @wonsdoll @powerpuffstuts @elysianiki @mmygnolia @nshmuras @who-tf-soddhi — send an ask to join

﹙ 🌐 ﹚ ──── @k-films @en-diaries

[elysiuminfra]

i want to talk about walmart for a second. if you haven’t worked or known someone who worked for walmart, you probably don’t know how bad it is. most people don’t, so i want to talk about it.

there’s a points system for absences. if you miss work, and can’t cover it with accrued time off (because you don’t just Get time off - it builds up over time. it takes about a month of straight work to get a day off.) you get a point. five points and you’re at risk of termination. all managers - team leads, and above them, coaches - have the power to excuse points so that you don’t get fired. some do, so you don’t lose your job. most don’t. five days, that’s it.

if you miss more than three shifts of work due to a medical issue, you have to go through a third party company (which isn’t really third party.) to get a medical exception so you don’t lose your job. it is hard to get this. they need a lot of documentation to prove that you somehow deserved to miss work. they don’t accept regular doctors notes. this is somehow nebulously legal. you are also forced to work while sick and infectious. flu, strep, covid, doesnt matter for all departments except produce and deli. even then, they only send you home if you throw up *at work* or have food-related illnesses. every other department you’re not allowed to go home. more than likely you are being exposed to someone who’s sick at walmart, because its either come in sick or get fired.

i work hard. everyone *has* to work hard. you are on your feet 8 hours a day. you can’t sit. there are no surfaces to sit on. some departments are harder than others. i worked in OPD, the online grocery fulfillment department. i would walk, bare minimum, 7 to 8 miles a day, hauling sometimes over 200 pounds of groceries. every day. now i work in the deli. you are constantly moving. this is very typical for the deli - you are given too many tasks to perform in one day. most days i can barely get enough done. i know people don’t take their legally entitled second breaks. I know people who have to work off the clock just to get everything done. my department - as is *most other departments* - is understaffed. i cook, clean, work the slicer, and dispense food at the same time. and trust me when i tell you the standards of cleanliness in my department is high, but in practice it is very, very poor. simply because there is usually only one of us working back there, and we just can’t do everything right all at once.

none of the “fresh” food in the bakery / produce area is fresh. the bread is baked in store, but the dough is made and frozen elsewhere. sometimes it’s been frozen for weeks. everything is shockingly artificial. same with produce. you’re better off buying your produce elsewhere, or even locally. walmart has been fraught with recall after recall.

people are cheated out of retirements. so many people I know that are at retirement age simply can’t. there are people working here in their 70s. they are being overworked. there are a lot of teenagers that work up front. they are being overworked. I know two kids who are disabled that work the register. they aren’t allowed to sit. one had to fight to be able to get a medical accommodation and only got one when he threatened to sue, because not taking a doctor’s note for an accommodation is illegal. they do it anyways. there are so many people i know personally that are disabled, have chronic pain, have mobility issues, and can’t sit. or walk miles and miles a day. one of my coworkers recently quit because she tore both rotator cuffs in her shoulders from this job. this job disables you. it kills you. (just look up how many people have died on the job due to negligence. it is not a small amount.)

even the prices are fake. sales are fake. rollback is fake. i notice how things are priced and they rarely change, even when they say they’re on sale. it’s a scam. you are being scammed.

we are overworked and underpaid for our labor. (speaking of, wages used to be higher by several dollars a couple years ago. they lowered them. my department paid 20 an hour. it only pays 16 now. almost all other departments are at a flat 14. it used to be 16.)

wage theft, lack of breaks, overtime violations, lack of sick leave, chronic understaffing and chronic abuse from management, not terminating employees that sexually harass coworkers, and piles and piles and piles of responsibilities. all of this is to say, walmart only operates because of how much they exploit their workers, and it’s in the top of the Fortune 500 list. it is impossibly dire. and it is in EVERY SINGLE store, because that is just how the work culture operates.

all salaried management is also given guides on union busting. unionization is impossible. there was one store that they completely shut down because of successful unionization efforts, laying off hundreds of people, and blamed it on “faulty plumbing.”

one last thing - if you are assaulted by a customer, you cannot defend yourself. nobody can help you, because none of us are allowed to put our hands in any capacity on a customer. if you are assaulted, you have no choice but to run and hide. I’ve heard of a worker at my store that was assaulted repeatedly over several days from people who would come in and beat her. they weren’t banned, and she was fired for fighting back. if you fight back, you’re fired immediately, no exceptions.

all of this is to say shop elsewhere. buy locally. buy at other stores. you will get better quality items and produce literally ANYWHERE else. if you can’t, be kind to Walmart workers. theres abuse at every step of the chain. even on the supply side. walmart is a corporate dystopian monster that only makes its money off of intense labor violations.

tl;dr don’t shop at walmart. it’s not worth it

[prettiestgrlinthemorguexo]

could you do steb relationship Hc's (sfw or nsfw its totally up to you!!) :)

Steb relationship headcanons SFW/NSFW

I’m legit clawing at the bars of my enclosure because of final projects but I legit need to make something and I wanna do my little head canons for our favorite fish boy

I don’t proof read shit and I’m dyslexic so if there are typos…ignore it

Note- his partner is a enforcer

Warning: spoilers for all of arcane, Nsfw headcanons, mentions of fish anatomy

⛧☾༺♰༻☽⛧ ⛧☾༺♰༻☽⛧ ⛧☾༺♰༻☽⛧

SFW

𓋹 - I truly think this man is the most slightly more talkative (like 1%) with his partner in private.

𓋹 - Around people he’s still his perfect quiet self.

𓋹 - With him being quiet, his partner had learned to read him well. His little ear flickes when he’s aware.

𓋹 - What his love language? Yes.

𓋹 - It’s all the above

𓋹 - If it be leaving lunches for you, getting you little treats you’ve mentioned you love, tucking your hair away, All the lovely stuff.

𓋹 - Will always keep his partner safe, he know their capable, he never doubts that for a second, but they’re his love how could he not keep you safe.

𓋹 - Loves taking them on dates, he wants them to feel truly loved

𓋹 - He’s not one for PDA but when alone in their private chambers, his touching you in someway

𓋹 - His arms around their waist, his face buried in their neck or hair, playing with their hair. Kisses.

𓋹 - Speaking of kisses..

𓋹 - Loves to leave little kisses all over their face.

𓋹 - Kiss him once, even on the cheek, and he goes red.

𓋹 - Every enforcer ( definitely Maddie, hate her btw) loves to tease him when our blue fish turns red from even just a compliment.

NSFW

𓋹 - a concent KING

𓋹 - When a make out session gets heated or cuddling turns to little looks and hints he’ll always ask before touching anywhere private.

𓋹 - When given the go-ahead he loves to crease every inch of they’re body, their hips, thighs, chest, all of it

𓋹 - I personally think he has sharp teeth (thing like piranhas and sharks) and will leave tiny little bits (he’s not a monster, he knows better)

𓋹 - Loves pulling on their lips his a heated make out session.

𓋹 - Boys a switch (I think mainly top but he’s still both)

𓋹 - I personally think he has gills on his neck and abdomen, and they are SENSITIVE

𓋹 - Glazing fingers against them sent shivers down his spine and his whole body flushes all different shades of red.

𓋹 - Steb might be skinny but he’s far from scrawny. He’s has a muscular build (sleeper build) and he’s tall (he’s taller then Caitlyn and she’s 6 ft)

𓋹 - If he hasn’t already, he really wants to have water sex. Shower sex, bath sex, pool sex, ocean sex, any body of water he loves. Might just be is fish part talking

𓋹 - He might not be a talker but he definitely a moaner. He moans and grunts during sex. It simply can’t be help, he loves the euphoric pleasure of sex with his partner

𓋹 - His cock is something out of this world, him being a fish he’s useally flat down there but when aroused his pelvis oven to reveal his cock, it’s teal and blue with ridges. It curves up a bit, and it’s about 7 1/2 inches not to girthy.

[sage-nebula]

The more I've thought about it over the past several days, the more disappointed I am with Mel's arc in season 2 of Arcane. Aside from how she was sidelined for most of the season (given that she spent most of it imprisoned), I feel like her magical abilities are actually a step down for her in terms of power -- that they're flashy and bright and meant to impress, meant to say "look, she can hold her own in battle now!" but that they exist at the expense of taking away the strength and power that Mel did have previously.

In season one, Mel's establishing character moment is when she's looking over a selection of items, and ends up choosing one that she is told is nothing more than a children's toy. In her next scene, she presents it to a fellow councilor as a birthday gift, and he is delighted, thinking that it is an intricate and complex puzzle that only the most brilliant minds can solve. This is such, such a strong characterization moment for Mel; it shows us that she is not only intelligent, but clever, able to work the people around her to her advantage without them noticing it.

And while the fandom has been nasty to her ever since season one aired, I don't think Mel being manipulative in this vein is at all a negative character trait. I think it is a strength. It shows how competent she is in her field, which is politics. And what's more, it's necessary for someone like her, who is a.) a foreigner, given that she only came to Piltover after being exiled from Noxus, and b.) quite young by political standards, given that she's only in her early 20s in act 1 of season 1.

We see this strength of Mel's continuously in season one, though not in the way her most ardent haters (and Jayce in act 3 of season 2, because of bad writing) believe. No, she did not pull the wool over Jayce's eyes and force him to make any decisions. He was a grown man who made choices all on his own, and choices that Mel supported him in making, at that. But she was able to see the potential in hextech, and help both Jayce and Viktor navigate and clear road blocks that would have otherwise impeded their progress. Jayce comes to her complaining that Heimerdinger is blocking progress of their research using the power of the council, and so she gets him on the council, for instance. And this was a feat; Jayce was seen as the "man of progress," but being a scientific innovator does not a politician make. But Mel was able to put him there, in a place where he (of his own volition!) called for the vote and made the speech that got Heimerdinger ousted from the council. Not that Mel was going for that -- she is clearly shocked in the scene and only raises her hand after Jayce nods at her for her support -- but still, it goes to show how Mel was able to influence situations around her, and navigate a political field that, by many measures, was set against her.

(Because while Mel was obviously not sent to Piltover with nothing, and therefore was undoubtedly housed in the luxury part of Piltover even in the early days of her exile, let's not make any mistake: she was still a foreigner to Piltover, and a child at that, when she arrived. Though her wealth gave her a leg up, she still had to work to get to where she was, and work hard; she had to shed whatever childhood innocence she still had in order to be able to navigate the political landscape of Piltover to get herself onto the council. No doubt Piltovan natives on the council wouldn't have wanted a foreigner sat among them, but she still managed it. And she managed it due to her own intelligence and inner strength.)

So in season one, we see that Mel is a powerful character in the narrative. She may not be participating in combat, but that is far from the only type of strength. Mel affects how things in the narrative go; she has agency in her own decisions, and she can move the narrative along due to the choices she makes and the actions she takes. She's one of the strongest pieces on the board in this respect.

Season two . . . takes that away from her.

Before her kidnapping, she's still in a position of power, albeit one that is slipping due to Ambessa partnering up with Salo in order to fight against Mel on the council. It doesn't help that a good chunk of the council is dead, and Piltover is shaking after Jinx's attack on the council building. Mel's position, of still wanting peace between Piltover and Zaun, is precarious. But she is still holding it. She holds against sending hextech weaponry against Zaunites (in order to protect Jayce's dream, of which he himself betrays not too long after). She stands against her mother and Salo. She's doing the best she can in the position she has and is still, however diminished her position may be from people (including her own boyfriend!) undermining her, affecting change.

But this changes after she gets kidnapped. Not only is she completely removed from the Piltover and Zaun plot for at least half the season (if not more), after she finally gets free and returns to Piltover in season three, it's as if all of her political savvy and sway has been stripped from her. We don't see her making any meaningful decisions regarding the future of Piltover. We don't see any indication that she has anything to do with Piltover's reconstruction and reformation of the council following the big battle. In said battle, she does fight (and kill) her mother using her shiny new magical abilities -- but that makes her just like any other combat-ready character on the show, able to kick ass in the physical arena. Yes, her abilities themselves are different, but the effect? Particularly when the abilities themselves strip Mel of not only the life she built for herself, but her home since her childhood, I can't be happy about them.

Because that's the crux of it. Yes, Noxus is where she was born, and where she spent early childhood. Yes, it's where her family is from. But your home is not necessarily where you were born. Mel was exiled to Piltover as a child, and she built a life there. She had her home, she had friends, she had a boyfriend. And while Elora, Jayce, and Viktor all died, I find it hard to believe that Mel had no other friends, even if we didn't see them. At the very least, she was friends with Caitlyn. At the very least, I believe she would have been an ally to Sevika on the council, given that she knows how it is to be a foreigner on that stage (Zaun is treated as foreign -- look at the way the other councilors glared at Sevika when she took her seat). And hell, her work on that council was dedicated into making Piltover a better place to live. It isn't as if she was just passively living in Piltover as her home; she was actively working to make it better.

But that is taken away from her at the end of the season, because she got these shiny magical powers that allowed her to kill her mother, and that means she has to return to Noxus. She has to return to a country that is as foreign to her now as Piltover was when she was exiled, completely alone, expected to lead a military when that isn't where her strength was. Her strength was in politics, not military command. But none of that matters now, because Mel was completely ousted from the position where she held her strength and power, with the show claiming it's okay because look, she can fight now!

(Also, side note, but I hate that fucking body suit she's in after she unlocks her mage powers. It feels grossly sexualized. Anyone who knows me knows that I fawn over Mel's beauty, because I am a lesbian and she is drop dead gorgeous, not to mention I love color contrasts and that gold with her dark skin and hair? OHKO on me. But although Mel was always designed to be gorgeous, I never felt she was designed in a sexualized way until that body suit. Something about the way that the implication is that it's just grafted onto her skin after she awakens her mage powers (because she wasn't wearing it before, but now she's wearing something so skin tight it looks painted on) makes it feel like she would be naked if the TV-14 rating would allow it. The way it exposes parts of her breast and her back don't help this. It feels like a, yeah, Mel has these incredibly strong new magic powers, but she also looks like more of a sexual object to take gratification in. Like they're "powering her up," but also powering her down at the same time. It feels very video game character design of them, compared to how beautiful and empowering all of her previous outfits were. Maybe I'm the only one to feel this way, but I just really hate it.)

This isn't a formal essay and so I'm sure my thoughts are all over the place, but ultimately, I just can't be satisfied with Mel's arc. I can't be satisfied that she was removed from the plot and allowed to affect so little of it after that was her greatest strength (and made her a truly standout character!) in season one. I can't be happy that she loses the life and home she built for herself in Piltover, to be sent back to a country she didn't want to return to alone. I can't be happy that the excuse for removing her from the plot was to give her magic powers so She Can Fight Now, when plenty of other characters already fight and so it doesn't make her stand out. I can't be happy that Jayce was made to spew anti-Mel talking points that the fandom had been putting out for years, none of which were true. And I really can't be happy that they put her in that ugly fucking body suit, which feels really demeaning for reasons I don't think I explained properly.

Mel deserved better. Point of fact, she deserved better. I'm happy she didn't die, but god, she was still done dirty.

[shapelytimber]

Wanted to paint some of my favorite characters, nothing more nothing less

[COMMISSIONS]

Way too much yapping like an embarrassing amount, the individual portraits and the template I used below vvv

I shouldn't be allowed to talk about my favorite characters- especially to people who (presumably) don't know them xjfkdk apart from the very popular ones ofc

ILLYA KURYAKIN (The man from U.N.C.L.E)

gay ass little Russian spy I love him he is so *dramatic* and a huge nerd and a Beatles fan and into fashion design- perfect pocket size blorbo ;w; also seeing a Russian character being given a positive leading role in an American tvshow from the 60s ?? Yes he lives in New York and works for UNCLE America.... But he is still a communist ?? Incredible ! Also I really like the fact he isn't given the cliché personality traits often given to Russian characters i e anger issues drinks a lot violent ect (looking at you shitty(imo) modern remake... What did you do to my little guy ;;). In a close contest with Spock for the "gayest man from tvshow" of the 60s..... And in my heart he is winning djdkd for me the gay subtext of muncle hits so much more because it's not a scifi show- it's closer to home, Napoleon and Illya were *like that* in the present day of the 60s, they were both human, and no alien fuckery made them go to the village more than once or play house in the suburbs or get attached ass up to get pegged on a regular basis... Truly a show that feels written by an old queen and a guy with the biggest fem dom fetish jkvjjkb (don't get me wrong tho I adore star trek tos and spirk too <3)

KUROO HAZAMA and PINOKO (Black Jack)

sometimes I rewatch some of the oavs from the 90s when I'm sad :) I had a huge phase a couple years back when I read nearly all the manga (should really finish it... Or reread the whole thing frankly), watched *all* the shows (bar young black jack, hated that shit) and idk I just love this venal bitch so much- him and his daughter and his conflicted feelings for his tboy ex that he still loves kfkfkf btw I'm dying for a modern take on this like please please please I'd love to see Kei Kisaragi's story rewritten a bit (trans character in the 70s sure was progressive but oh boy-), because him and black jack's relationship makes me so *weak*.... And maybe see him a bit more than in one story- anyway ! When it comes to his daughter Pinoko, it's very hit or miss- when the writers lean on the cute father adoptive daughter relationship it's great, when they lean more on the whole "she has a crush on him" (very much like a child in most case, and he *never* reciprocate thank god) and bring up the fact she is technically 18 a lot (she was an evil tumor trapped in her sister before he created a body for her- black jack shit dw), and she gets jealous of other women.... Well it's terrible and I'm uncomfy :(

EVA KANT (Diabolik)

Look.... You just can't show me danger diabolik 1968 and not expect me to become insane djdkdkdk she is so cool ;; !!! Her and her devious eel of a man (here as a panther, because even tho I haven't read the comic yet, I'm taking an educated guess that all the panther imagery is here to represent him, the lethal twunk always in the all black gimp suit... And if it's not then fuck my entire life ig fjfkkd), the cuntiest het couple you've ever seen, such freaks I love them ! Partners in crime that will blow up the tax offices of the whole country if you try to put a bounty on them <3 they are in the guilty faves category only because I'm this invested in these characters after 1 (one) movie fkfkf watched the first two remakes and was hmmm let's say underwhelmed, could have been worse but going after the 60s one ie peak cinema was hard... I went in fully invested in these heterosexuals and they still fucked up their romance and relationship ;; (don't spoil me the third one btw haven't seen it yet ! I know it's the yaoi one- which doesn't give me much hope for Eva tbh...) I'll soon start reading the comics tho ! Managed to find all twelve volumes of "Il grande Diabolik" in french for pretty cheap so I'm excited for that :D (might scan them and upload them online because omg I tried finding scans in *any* language and only found a dubious website that sold digital copies for 7€ a volume ??? What is this)

UTA (The Void / Тургор / Turgor / Tension)

Apathy girlyyyyy she just like me for real for real nfkfk what absolutely charmed me about her is yes her design, but more importantly her chamber's design (if you've never played the void, a sister's chamber is a space that represent her. You get a sense of who she is by exploring her chamber before finding her and talking to her soul it's great). The lonely island out at sea, her laying down on a suspended steel boat in a grotto, looking passively at the moon by a crack on the ceiling.... And the moon is looking back. Incredible ! I love this game so much

KIM KITSURAGI (Disco Elysium)

Do I really have to explain this one ? When I played the game with quiji I remember I kept saying "when Kim talks, we *listen*" djkdk we did get a good grade in Kim Kitsuragi and got him to dance in the church <3 this fucking centrist cop wormed it's way into my heart and many others because of course he did. The only Kim K in my eyes. Also funny anecdote : before I played Disco Elysium, I had one concept art masterclass where a kinda famous concept artist came to give advice, make us really stressed then give us a shitty grade.... And when I tell you this man looked so much like Kim ??? Same haircut, glasses, face with a scar *exactly* where Kim's portrait has a stark shadow on his cheek and he was dressed in an orange top- truly uncanny. Anyway, Kim is so fucking cool how does he do it

DARK VADOR (La guerre des étoiles)

*sight* not surprising if you know me... and to be clear when I say Vader I don't mean Anakin Skywalker, post barbecue only zouz here. I refuse to yap about this man djdkdk I already do that way to much in ao3 comment sections

And here is the template I used ! Don't know who made it tho sorry...

PS : all these where made in 2-3 hours each :D wanted to challenge myself by painting quickly, and I mostly (looking at the Eva Kant one that gave me trouble) succeeded !

[spotsandsocks]

Had to write this it’s been bothering me!!

Give me a moment 2.6k

Eddie’s ready to go to Texas, Buck's ready to say goodbye. Then the conversation takes a surprising turn and Buck finds out the whole truth about what happened with Kim on the day that changed everything for them all.

The boxes are all piled up, ready to go and Buck can hardly look at them. If he’s told himself that it’s for the best once then he’s said it a thousand times. 

Despite that it’s the deepest, darkest most secret wish of his heart that this wasn’t happening but it is and he’ll just have to deal with it. It’s for the best. It’s what Eddie needs to do. It’s what Chris needs too. He can visit, FaceTime, it won’t be the same, he’s not stupid but he can survive. Probably. 

At least the house is just being rented out for now. At least Eddie has given him that much to hold onto. The hope that they might actually come back one day. It’s not much but it’s  something.

“I wish…”

Buck turns his head to Eddie’s voice. It’s the first time he’s spoken in an hour. They’re both lying on the floor, the couch is already in storage along with the other things Eddie’s not taking with him to Texas. 

“I wish, I hadn’t walked past that shop, that I never saw her. I wish none of it had happened.”

Buck looks back up at the ceiling. Right, her; Kim - Shannon mark 2. The woman Eddie lost his mind and his kid for. 

The woman who looked enough like his dead wife that he threw everything away for one more one more time together.  

The woman that Chris found in his house. 

Her. Buck wishes that Eddie had never seen her too, which is probably unfair to Kim. None of this was her fault after all. She’d  seemed nice enough when he’d met her at the station, after the shock of seeing the spitting image of Eddie’s dead wife wore off of course.

The likeness was remarkable with just enough differences between them to know it wasn’t really her. They’ve never talked about this, looks like they are now.

“I didn’t tell you but I told her about Shannon, about why I wanted to spend time with her. I showed her pictures, I said I was sorry.  That it was wrong. She was upset but I stopped it. After you talked to me, I realised I was being…” the pause last a while, 

“You know, I still don’t know what I was being or what I really wanted from her.”

Lifting himself up off the floor to rest on one elbow Buck studies the profile of the calm, still face of his best friend. It’s the face of a man who’s resigned himself to his fate. Eddie’s flat on his back, eyes closed lying in the remnants of a life he’d tried to build for himself and his son. A life that collapsed around him after one or maybe two bad decisions.

“When she left I thought it was over. I was relieved, thought it would be ok but then she came back.” 

If Eddie was looking at him he’d see the frown land on Buck’s face at that brand new piece of information. What does Eddie mean she came back? 

Next to him, the calm facade falters and Eddie’s face crumples, his feelings escaping in the thin lines of distress. Buck knows it’s just a weak echo of the distress he must have felt that day, made smaller, quieter by Eddie’s rigid self control. 

“She came back Buck and she looked…” 

It sounds like a confession, Eddie’s breath shakes on the way out and Buck’s heart beats faster. There’s something bad coming. Something he doesn’t know about.

A voice that doesn’t really sound like Eddie at all continues slowly, each word forced out. 

“She looked.. just.. like… her. She’d …” 

Eyes squeezed shut Eddie’s hand waves vaguely around his head. 

“It was a shock, it hurt to look at her. I said no. I asked her to go, to stop because…  because I knew… I knew it was wrong,  before I always knew she wasn’t Shannon but when she came back and she looked, like that…”

The pained look deepens, Eddie eyes open, glassy and full of unshed tears. It makes Bucks chest ache. 

“It was her. It really was.”

Unsure what he’s hearing Buck just tells the truth. 

“Eddie I don't understand what you’re telling me.”

The laugh that leaves Eddie’s lips is painful to hear, broken and hurt. It slices at Buck’s chest. 

“Neither do I. She was an actress  but I don’t know how she did it. The hair yeah, she’d cut it, dyed it and the clothes she’d seen those in the photos.”

An uneasy feeling stirs in the pit of Buck's stomach. Eddie’s not said anything about this before. He’d assumed… he’d assumed something very different.

“But she was Shannon… it felt like  I was looking at her, that she was right there in front of me.”

Again for a second his face shows the truth, before it’s packed away like all his other belongings. 

“She looked just like her Buck and I wanted to know. I wanted to know so badly.”

Chest tight Buck asks a question, worried he already knows what’s coming.

“Eddie? What are you saying?”

There’s no direct answer but the truth is bleeding out into the room and it’s making Buck feel more than a little nauseous.

“She was trying to be kind. Trying to help me, to say goodbye. Ask the questions I didn’t have answers to. I told her no, I said go, but I  I wanted to know why.”

The voice telling the story breaking Buck's heart cracks. 

“She, she was as close as I could get to knowing why.”

Then in a moment Buck knows will haunt him, Eddie’s sad brown eyes open and find his. The hurt in them is breathtaking, sharp and raw and enough to make him check he hasn’t actually been punched in the chest. 

With a hand held just above his aching heart, he clutches at the fabric bunched beneath his fingers to stop him from reaching out to his friend. He feels helpless, there’s no way to change what’s already happened to Eddie, all Buck can do is listen and finally understand the truth of what he went through the day he let Christopher leave.

“I just wanted to know why. Why didn’t she love me, why didn’t I get a letter. Why did she want to leave me twice?”

Blinking back his own tears Buck understands that he’s made a mistake. A big one. And probably not just him. He’d thought that Eddie and Kim had… but no, he was wrong about that. That’s clear now, the tears rolling down Eddie’s face, silent and helpless tell a very different story. 

continue on Ao3

@actualalligator @bekkachaos @beyourownanchor6 @buddiediaz118 @becausebuckley @bi-buckrights @caroandcats @daffi-990 @dangerpronebuddie @dr-shortsighted-owl @darkrose6578 @diazsdimples @doctorkinney @diazheartsbuckley @eddiebabygirldiaz @exhuastedpigeon @elvensorceress @fiona-fififi @giddyupbuck @honestlydarkprincess @hermscat @hippolotamus @inell @jesuisici33 @lonelychicago @lover-of-mine @monsterrae1 @pirrusstuff @repressedqueen @ronordmann @rainbow-nerdss @spaceprincessem @stagefoureddiediaz @steadfastsaturnsrings @shipperqueen6 @tizniz @thekristen999 @thelikesofus @theplaceyoustillrememberdreaming @theotherbuckley @underwaterninja13 @watchyourbuck @weewootruck @wildlife4life

[shantechni]

Natsume's Fear of Thunder

I'm gonna be honest, this can hardly be considered an analysis. It's more of a "sporadic and unnecessarily deep observation" of how Natsume's astraphobia has been presented in the series over the years, both in the anime and in the manga. So, please for the love of God take all of this with a grain of salt.

Yes, I'm using the term "phobia" very loosely, but I'm not about to get into that rn. Natsume has an irrational fear and strong dislike of thunder, that's an undeniable truth.

Before I dive in, I'd like to briefly explain why, of all the little bits of information Midorikawa has given us about Natsume, this one is the one to ceaselessly bump around in my brain like a DVD logo. This series is not in the horror genre (it's serialized in LaLa DX after all), but it does get suspenseful, and pretty disturbing depending on whatever topic it touches or the types of situations the characters may find themselves in. I don't fault anyone, particularly Natsume, for growing up with valid fears and preconceived misconceptions about most youkai; they can sound scary, they can look scary, and they can do some scary stuff if they really feel up to it.

That's why I'm so fascinated to see Natsume develop and still harbor an irrational fear for something like the everyday phenomena of storms. He's landed himself in all sorts of trouble and has come face to face with many beings, both natural and supernatural, who didn't have his best interests in mind, and yet the clap of thunder somehow keeps its spot on the list of things that has him scared stiff.

Aight, spoilers for both the anime and the manga beyond here, you've been warned👏🏽

Our first introduction to Natsume's fear is near the beginning of chapter 42, when he and Tanuma accidentally stumble across Taki's home while seeking shelter from a sudden shower. He questions how Nyanko-sensei ended up at her home as well and the youkai, much to Natsume's visible dismay, cheekily explains:

That doesn't end up happening since the rain remained light until its swift end, and the mention of Natsume's fear is glossed over rather quickly to save him the embarrassment, but it's an interesting mention made by Midorikawa nonetheless since it adds another layer to whatever image the audience has of Natsume and the series itself. Nyanko-sensei, having been around this kid long enough to know a lot of his vulnerabilities and insecurities (even the ones his dreams unwittingly reveal to the youkai), has seen and grown accustomed to a side of him that the audience had yet to be formally introduced to for once.

Right about now, you may be wondering how the anime adapted this scene. It didn't💀.

While the start of the episode (S3 EP5) is a one-to-one recreation of the chapter with virtually the same dialogue and scenery, any mention of Nyanko-sensei following Natsume to pick on him when it thunders is nonexistent and entirely skipped over so the gang can go straight to cleaning out the storeroom.

Most fans who have read the manga will tell you how notorious the anime is for excluding some of the characters' lines or scenes that take place in the manga, or just straight up rearranging or changing up those same factors. Sometimes those alterations work wonders, and other times they leave more to be desired, mainly if you know what happened in the manga counterpart of the episode. This such example is one of the times that'll leave people scratching their heads and wondering what warranted getting rid of a scene so insignificant that it'd have no effect on the plot of the episode whether or not it stayed. The only answer I can think of for that is the directors likely wanting a smoother progression of events to make for a viewing experience better tailored for an anime episode rather than a manga chapter.

Or, they genuinely didn't have enough space in the episode to squeeze in that little bit, which I highly doubt, but what would I know, I don't work for them. At the end of the day, we didn't get to see that scene in the episode.

After some more anime switcheroo shenanigans go on behind the scenes, along with an original episode pulling a retcon during a lightning storm, we receive our next moment in a surprising scene from the anime team in S3 EP10 (adaptation of chapter 28). Though the scene itself is short and not exactly an example of Natsume's astraphobia, I feel it should still be included because of its relation.

The chapter originally starts with Natsume and Nyanko-sensei searching for a tree that was struck by lightning during a storm the night before. However, the anime makes an addition of their own by rewinding time to that very night and showing Nyanko-sensei excitedly watching the storm take place while Natsume is tied up with his homework.

Nyanko-sensei goes on to tease him by suggesting that he doesn't want to watch the storm because he's scared, but Natsume dodges the youkai's mocking and begins to tell him to close the curtain before a crack of lightning cuts him off and illuminates his room.

Not only does Natsume not simply deny Nyanko-sensei's claim of him being scared, but his reaction to the thunder is seemingly more sudden than Nyanko-sensei's. Both of these points could subsequently lead the audience to interpret this entire sequence as the anime's first acknowledgement of his phobia, and it'd make for a very intriguing choice on the anime team's behalf after taking their ommitance of the previous scene into consideration. It could be a stretch though ngl, I tend to stretch like crazy, it makes sense to close a curtain when a pet is being noisy—

Finally moving on from S3, we eventually reach the most overt instance of Natsume's astraphobia, and potential origin or exacerbation of it, in the S4 finale (adaptation of chapter 46). This three episode arc is a largely intimate and heart wrenching one as it focuses on Natsume's journey to revisit his childhood home before it gets renovated by its new owners, a task he initially denied himself the permission of doing before realizing Touko and Shigeru would never deny him something so personal. Of course, he wouldn't be Natsume if he didn't attract a youkai along the way, and he's being pursued by one that seeks to feed on the tragic memories he formed while staying with the Aoi family, who was strongly implied to be the first family (if not, one of the first families) he was taken in by after his father's passing.

One of those memories shown to the audience is a younger Natsume relaxing in a shrine while memorizing where his childhood home is located, all in the hopes of gaining more discernible memories of his father and no longer being a burden to Miyoko and her parents.

Unfortunately, he falls asleep at the shrine and consequently loses track of time before having his slumber disturbed by a violent boom of thunder. He's so frightened by the ordeal that he can't even bring himself to rush back to the Aoi family's place, and his exhaustion puts him back to sleep until he's eventually found by some of the neighbors who went out searching for him.

The anime, with the natural strengths it has over the manga, goes the extra mile by not only keeping this portion relatively untouched, but further setting up the scenery and depicting just how rapidly the area goes from peaceful to turbulent. The character animation and voice acting make for a splendid combination and do a wonderful job of capturing this image of a helpless childhood version of Natsume.

What comes soon after this scene is a depressing sequence of events on its own, even more so when we can see he's still reeling from the storm and believing he caused the Aois to get into trouble by not getting back before dark. The adults obviously don't fault Natsume for getting stuck in the storm, but he doesn't see it that way in his shocked state.

The way Miyoko reacts by throwing her frustrations onto him doesn't help either.

And so, after aimlessly running off in his last unsuccessful attempt to find his childhood home, the memory fades away with a somber note as his present self recalls the moment he finally stopped calling for his long gone father.

Now, one could argue that Natsume had his fear of thunder prior to his time with the Aois since we don't have much reference material to work with when concerning his short period of time with his father, and they could be right for all I know. It's common for children to be startled by loud noises and bright flashes since they just aren't quite accustomed to those loud noises and bright flashes being customary for weather disturbances. Natsume, who we know grew up to be pretty sensitive to the things that go on around him, may have been one of those children who felt apprehension anytime a bad storm rolled in, and his father may have been the one to quell his fears back then. So, if we go with the conclusion that his fear didn't originate here, then this scene likely could've aggravated it. But I'm personally leaning a bit more towards the concept of this being the cause of it (partly due to how appealing that conclusion is to the obsessive part of my brain).

His initial reaction to the thunder is seemingly one of surprise rather than fear, and his behavior suggests that he's more concerned with making it back down the mountain before the thunder halts his progress. Although he's seen trying to talk himself down and fails to do so with how relentless the thunderstorm is proving to be, he doesn't need to have preexisting fears or anxieties over thunder to resort to calming himself down.

The dialogue differences strike me as something to consider too, but they're likely irrelevant.

Setting aside everything I just ranted about in the above paragraph, I should specify that I'm not simply pointing to the storm scene as the singular root cause for his future woes. Many psychological problems often aren't so black and white that someone can definitively point to one person or thing as the sole reason for the existence of their psychological problems. And phobias obviously don't always develop as a result of going through or observing a traumatic event; people can grow to fear or strongly dislike something merely by its association with an unpleasant memory or stressful situation. I know I'm starting to stretch hard rn, and this part of the post is getting awfully wordy, just hear me out—

Going back to that aforementioned short period of time with his dad, it's plain to see just how innocent of a time that was for Natsume. He was playful and affectionate with his dad like many children growing up in a healthy environment would be at that age. He doesn't even appear to have an awareness of youkai (if so, only slight enough for it to not become a problem for him just yet). We're shown later on that he would commonly draw around the house too, as evidenced by the nearly two decade old pieces of artwork his father never removed from the kitchen area and closet.

Natsume even proceeds to make a comment about this childhood version of himself likely being the mischievous type for him to run around drawing on surfaces without a care in the world.

He undeniably had his own troubles at that stage of his life though, with one of those troubles being his mom and the empty spot left behind by her passing away. Apart from his heartwarming portrait of a family with both parents, he's also shown lamenting to Miyoko after the death of his dad about not being able to remember his mom. We've seen with those two examples that her absence indeed left an impact on him early on in his life, but he doesn't stay too broken up over her considering how little he got to bond with her, and he doesn't openly despair about the loss of his dad until his growing sense of loneliness and longing becomes too much for him to smooth over.

The point I'm trying (and admittedly struggling) to make here is that after moving in with Miyoko and her parents, the worries on Natsume's plate increased tenfold and weighed him down far more than he was willing to accept at first. Suddenly, this kid had little to smile about in life, taking a glance at his only picture of his parents causes grief and envy to flare up in his chest, he's afraid of being a burden to those who took him under his wing, he's eating less than Miyoko because he's concerned with coming off as too greedy, he feels responsible for Miyoko getting picked on because of his relation to her, he's still learning the way back to the Aoi family's home, and now he's surrounded by all of these weird creatures that apparently no one else can see.

Suddenly, he's no longer that carefree toddler we saw sitting on his dad's lap as the two of them watched over his late mom's garden.

I feel moderately certain about Natsume's experience with the storm, coupled with this pivotal and devastating shift in his life, being the plausible cause for him developing his irrational fear of thunder as a child.

After this arc, we aren't greeted with another scene featuring or centered on his astraphobia until chapter 85 (which doesn't appear to be adapted in S7 judging from the PV😭), and it focuses on Natsume, Tanuma and Taki viewing a limited exhibition at an old inn that has a deep history with youkai. Not too long after the owner engages in conversation with Taki, Natsume and Tanuma briefly comment on how peaceful the inn is making the both of them feel, and a sudden lightning strike cuts through the tranquility of the inn.

It catches everyone off guard and, unsurprisingly, has Natsume frozen in place as Tanuma asks him and Taki if they're alright.

Much like Nyanko-sensei's first time mentioning Natsume's fear, the moment doesn't last long as the gang soon realizes they'll have to spend the night at the inn while they wait for the sudden storm to pass.

By this point in the manga though, Midorikawa has evidently decided to make Natsume's astraphobia a recurring element of the sorts. She could've easily left his astraphobia as another facet of his that we get to see once or twice and never again since it's not serviceable to the story as a whole, but she's started using his phobia as an additional means of displaying his discomfort in any given situation. Having a thunderstorm suddenly appear during a moment of serenity, immediately after Natsume tells Tanuma the place is making him feel strangely good, was a brilliant move of jarring him. And it works especially well here as a sign of the looming threat that'll find its way into the inn over night and slowly creep upon the group the longer they remain there.

Midorikawa pulls this same stunt again to slightly greater effect in chapter 117, where Natsume, Tanuma and Nyanko-sensei happen upon the Kisaragi Manor and find themselves taking part in a ritual for summoning youkai.

It starts with the trio meeting up in the evening to view the bamboo lanterns, but a woman claiming to be in search of a mansion requests their help to find it before it gets too dark, as well as to avoid getting caught in a downpour should the drizzle grow heavier. While Tanuma shows interest in the ritual, and the people they meet are treating them somewhat cordially, Natsume is disconcerted by the arrangement they've found themselves in. He's surrounded by five women he's never met in his life, is once again in an unfamiliar place that feels weird in Nyanko-sensei's own words, and is thrown for a loop by everyone's enthusiasm with the idea of meeting youkai rather than being put off by them.

The group isn't even a minute into their summoning ritual when a huge boom of thunder shakes the room and causes a power outage, sending them into a brief stint of darkness until Hitomi relights the candle.

While waiting for the candle though, Natsume answers Tanuma's question by for once admitting that he's bothered by thunder, leading to Nyanko-sensei characteristically picking on his phobia by calling him a chicken.

Again, the moment is subtle and restricted to one corner of the page, but it sticks the landing. Instead of using the lightning or thunder as a sign of things to come as she's done before, Midorikawa uses them here as an integrant of an already somewhat concerning scene slowly veering towards being disturbing. In addition to selling just how uncomfortable of a situation this is for Natsume, it also depicts how far along he is in his friendship with Tanuma to be honest about an irrational fear we know he'd rather not speak of.

Alas, chapter 117 was our last time seeing thunder scare Natsume, at least until the next time Midorikawa chooses to use his fear to her advantage, unless the anime miraculously surprises us with its own original take as we've seen it isn't afraid to do. What we've been given so far though is plentiful in comparison to many other plot points or quirks that get reused or called back to far less than this one. I won't throw a tantrum if his never gets referenced to or utilized again (which I doubt will happen knowing Midorikawa's writing), but I eagerly anticipate seeing it again should it reappear.

It's captivating to watch this minor detail frequently make it's way back into the story somehow, to the point that it eventually cemented itself as a miniscule yet effective way of shedding different shades of light on the many complexities of Natsume.

[mythalism]

in my rook hating mindset now after that post this morning and cannot stop thinking about how they are literally the worst protagonist maybe in any story i have ever experienced JRHGKJERHGJERG. and like if you love your rook i am not saying you shouldn't. if you love your rook i am so so happy for you genuinely but you are also probably brilliant and have a huge brain because what the game gives you to build off of is so abysmal.

i literally cannot stop thinking about how insane it is that rook literally causes a double blight and worldwide catastrophe on a scale which thedas has not seen probably since the creation of the veil itself and just. experiences no remorse. and the story tries to tell us thats a good thing and makes them better than the villain/their foil. JHREGJKHERGJKHERG. HELLO?!!??!?!?! literally no one ever goes "hey maybe you shouldnt have done that" except solas and hes framed as the VILLAIN!!! WHAT!!!!!!!!!! hawke blames themselves for not putting the pieces together fast enough when a bouquet of white lilies arrived at their door? the narrative gleefully condemn anders with the immediate opportunity to kill him for his crimes. nearly every single character in origins immediately puts the entirety of the responsibility for the fifth blight on loghain's shoulders, regardless of the CLEAR SUGGESTION that the battle at ostagar could never have been won. and all of these makes sense for the world and characters!!!!! of course hawke would blame themselves for their families deaths when they were given the role of protector by leandra after malcom dies. of course the city of kirkwall is going to want anders dead for his extreme act of violence rather than start the uncomfortable process of acknowledging the beloved chantry's complicity in large scale abuse happening in the mage circles!!!! of course alistair and the warden are going to blame loghain for the blight and cailan's death!!!! it doesnt matter if they are right or wrong, it makes sense for their perspective and worldview to feel this way!!!!

have yall gotten the low approval conversations in inquisition????? solas's "Inquisitor. Tell me. How does it feel? Being you. Are you blissfully unaware or, deep inside, is some part of you banging on the walls, screaming?" cassandra getting drunk and practically spitting in your face how she regrets raising you up to such power? blackwalls' "Are you proud of yourself, of what you’ve built here? How about the lives you’ve destroyed along the way? Given much thought to those lately? Is this Inquisition all you wanted it to be? Because I’m disappointed. All I see is a gang of thugs led by a self-serving tyrant." and these SCATHING comments from those who once believed in the inquisitor enough to join their cause come from decisions that affect a fraction of the population that dies under the southern double blight. people will rip the inquisitior to fucking shreds when they fuck up. THATS THE ENTIRE POINT OF THE TRESPASSER DLC EHRGKJHERGKJHERG. like holy shit every decision carries the weight of "oh my god whos gonna hate me. who is going to die because of my choice. how is this going to come back to bite me." have we forgotten what its like to return to varric after leaving hawke in the fade and confess what we did? the call we just made? to look him in the eye and tell him that we sacrificed his best friend? WHY IS ROOK NEVER ASKED TO PARTICIPATE IN ANY OF THIS INTROSPECTION?????????? TO EVALUATE HOW THEIR DECISIONS AFFECT THOSE AROUND THEM BOTH PERSONALLY AND SOCIETY AS A WHOLE????? OH MY GODDDDD

the regret prison scene is so insane. first its insane because its solas at his best and most cunty. but secondly it makes no fucking sense even if im largely distracted by pookie being fun and villainous. solas tries desperately to play up rook's regrets during their conversations and we are supposed to believe that it was that manipulation that allowed him to swap with them in the prison. how does this actually work? blood magic? dont worry about it, kitten. but then when we get into the prison.... the only two regrets that manifest are things that just happened within the last 3 hours - your two party sacrifices. lets be clear that these are not even real sacrifices because literally all of these people volunteer to go and then argue about why they should go. this is so fucking stupid. then rook looks at the statues and says "i dont regret this because this was your choice". YEAH????? OF COURSE YOU DONT FUCKING REGRET IT WHY WOULD YOU. HELLO???? THIS WAS NOT ROOKS CHOICE THIS WAS ROOK JUST SAYING "SURE I GUESS". AND THEN THATS ENOUGH! THEY JUST LEAVE BC THEY CONQUERED THEIR REGRETS!?!?!?!?!??! WHAT!!!!!! there is no discussion of rook being responsible for the blight in the south that we find out via ooc inquisitior letter has KILLED LITERALLY EVERYONE. no suggestion that their recklessness and willingness to act WITHOUT ALL THE INFORMATION at the ritual is the reason for every single thing the evanuris do following their release.

and let me be very clear bc i know this was causing drama on twitter last week. i am not saying the double blights is rook's fault. i actually dont think it is their fault, although i do think they are stupid and reckless and shouldn't have acted so carelessly. but although rook is responsible for ghilly and edgar breaking free, rook is not responsible for the their actions following that freedom, and rook is not at fault for being put into an impossible situation (the need to stop solas's ritual) without all of the information on what the ritual was and what stopping it might incur. however, the double blight is rook's fault in the same way that the veil, the fall of the elvhen empire, elven mortality, and every demon's existence is solas's fault; which is to say, it is and it is not. solas was backed into a corner, in a desperate situation without knowledge of the potential consequences, and was forced to make a decision for the good of the world when he imprisoned the evanuris and blight with the veil. rook was backed into a corner, in a desperate situation without knowledge of the potential consequences, and was forced to make a decision for what they thought was the good of the world when they interrupted solas's ritual. but while solas feels immense guilt and responsibility for the choice he made, rook feels.... absolutely none. and the game tells us that... they're right? people should just not take accountability for anything? i will give credit where it's due here that varric's contribution to this scene is quite good and his line where rook tries to take responsibility for his death and varric says smth like "no, that was my own choice and you dont get to take that from me" is B A N G E R. WHERE WAS THAT ENERGY IN THE REST OF THIS FUCKING GAME!?!?!?!?!?!?!?!!?

THAT was the lesson solas needed to learn, not that his regret was wrong but that it was MISPLACED!!!!!!!!! and that is why it is mythal acknowledging that their burden is shared and not his alone is the culmination of his entire story and what finally allows him to move on. pride stands alone, wisdom seeks out the input of others to make an informed and wise decision. this is also why he leaves such breadcrumbs for the inquisitor (a high approval one, at least) because he respects their opinion and their input and their existence and the way they treat him turns him back into wisdom from pride. this is why a romanced inquisitor mentions his name being pride and how its possible that hes not even CAPABLE of changing his mind because it would be so against his nature, and he needs someone whose opinion he values to show him the way. his flaw is his SELF INFLICTED LONELINESS!!!!! NOT HIS REGRET. varric even fucking says this in some random banter you get with his ghost in the infirmary but im too lazy to go find it on my desktop. its something about how he sees attachments as a weakness rather than a strength. his pride causes him to take on responsibility that is not his, his wisdom -> pride corruption has led him to believe he is the only one capable of fixing the world's problems and he will destroy both himself and those he loves in the process. he asserts that he is just a man but is unable to stop making decisions for the world like a god.

THIS is the solas/rook foil that should have been: rook relies on their friends and that reliance is ESSENTIAL; after all, the neve/bellara and davrin/harding sacrifice is essential to win. in contrast solas refuses to rely on anyone, and this isolation makes him increasingly cruel. when he has no one to mirror the way a spirit should, he becomes Pride, too proud and too god-like. his attachments make him more human. he is terrified of depending on others and will kill them rather than risk the vulnerability of dependence after what it has done to him (mythal, felassan). he has to unlearn this avoidance and fear, he has to admit that there "could have been a better way" that someone else saw and he did not. he must learn that he does not have all the answers. he is not Pride. its NOT that rook doesnt experience regret and doesn't take accountability for mistakes while solas is trapped by his own regrets. the message we got instead is so incoherent. but it was SO CLOSE TO BEING GOOD. the bones of this are littered everywhere in both the game and in the datamined content and for some reason it just could not be brought together in a way that makes sense.

the message that rook is "right" and better for not having regrets is genuinely insane, especially when the "regrets" they have to conquer are literally just. other peoples decisions. the fact that rook has the audacity to say to solas that he could never escape the prison while they could so easily because he is trapped by his own regret as if rook is better than him is genuinely so fucking dumb it makes me want to claw my eyes out for having been forced to read it. rook sacrifices nothing and learns nothing. the sacrifices within the game belong to the characters that make them, rook does not order people to their deaths in the same way that solas or even THE INQUISITOR do. rook never is asked to grapple with the fact that they ACCIDENTALLY unleashed a double blight, no matter how good their intentions. WHY DOES NO ONE BLAME THEM FOR THIS???? regardless of if it is their fault or not, the objective truth of fault does not matter, what matters is that you make decisions and PEOPLE JUDGE YOU FOR THEM!!!!!!!!! THIS IS LIKE FOUNDATIONAL TO THESE GAMES JEHRGJKREHGJKRHG. this is what the entire game is about doing to solas. judging him. based on his choices. and the game clearly wants you to have empathy for him in the end. but its so OBVIOUS that the vessel for building up that empathy should have been ROOK EXPERIENCING THE SAME THING!!! THE SAME JUDGEMENT!!! THE SAME GROWTH!!!!! FEELING THE BURDEN OF THE WORLD ON THEIR SHOULDERS. FEELING THE DREAD OF GUILT AND SHAME AND REGRET. TRYING TO DEFEND THEIR INTENTIONS!!! I DIDNT MEAN TO I DIDNT MEAN TO IT WAS A MISTAKE!!!! LEARNING THAT THEY HAVE TO OWN UP TO IT BUT THEY ALSO HAVE NO CHOICE BUT TO MOVE FORWARD!!!!!! HELLO!??!?!?!?! they BARELY even express remorse for the treviso/minrathous sacrifice, even when faced with neve/lucanis's anger they just go "a decision had to be made and i made it". well. YEAH? LIKE YEAH THATS RIGHT BUT HUMANS HAVE FEELINGS??? YOU ARE SUPPOSED TO BE A PERSON, NOT A BLANK SLATE VIDEO GAME PROTAGONIST!!!!!!!!!!!!!! ITS OKAY TO FEEL BAD!!!! YOU MADE A DECISION THAT RESULTED IN PEOPLE DYING. ANY HUMAN BEING WOULD FEEL BAD ABOUT THIS. ITS KIND OF FUCKING WEIRD THAT YOU DO NOT. HOW IS ROOK JUST BORN BEING OK WITH THIS. ITS SO ROBOTIC AND ARTIFICIAL LOL

rooks actions are such a clear, perfect parallel to solas putting up the veil and the guilt that haunts him afterwards that i KNOW it was intended that way and somehow it just got completely shafted. it literally feels like they did have a coherent parallel going and for some reason were forced to change directions last minute and thus we got some mish mashed barely cobbled together incoherent nonsense with clear echoes of its former self. instead rook has no flaws, makes perfect judgements at all time, has unconditional support from all of their friends who also make perfect judgements, are immune to making mistakes, and the message is its actually just really easy to not have regrets if you just choose right every time and refuse to take responsibility for anything as long as you had good intentions :D

[youcouldmakealife]

Owen/Willy, ScratchnMoney; team huddle (for warmth)

For the prompt: Anything Willy/Owen

Feat. shenanigans, as contractually required of all Scouts prompts.

Sometimes Tate thinks it’s a very good thing that Owen got to know the Scouts before anything ever happened between them.

This would be one of them.

Owen’s pretty accustomed to all of them by now, unfazed by the usual antics, but when he opens the door to the three of them, Tate shivering and dripping wet, flanked by Scratch and Money, like particularly negligent bodyguards, his eyes go a little wide.

“Um,” Owen says. “Hi?”

“It wasn’t my fault!” Money yells over Scratch’s, “It was Money’s fault.”

“No one’s at fault,” Tate says.

His teeth are starting to chatter. He has a decent cold tolerance, and Missouri winters are a far cry from some of the ones he’s endured — pretty much anywhere will feel balmy after you spend some of your formative years in Winnipeg — but it’s certainly too cold for what he’s wearing. Well, it was perfectly fine, but that was when it wasn't sopping wet.

“Why don’t we get you inside?” Owen says, and Tate gratefully steps into the relative warmth, struggling to get his shoes off with stiff hands as Owen and the Tweedles talk, Money’s last insistence that it wasn’t his fault cut off by either Scratch hauling him off or the door closing on him mid-sentence. Scratch, probably. Owen’s too polite to close the door on anyone. Scratch is absolutely not too polite to stick his hand over Money’s mouth and drag him forcefully back to the car.

“Was it Joey’s fault?” Owen asks. He’s trying to look solemn, but his lips are trembling with the laugh he’s trying to suppress.

“It wasn’t not his fault,” Tate chatters.

“Why don’t you tell me after you take a shower?” Owen says, because he is, in fact, the most perfect man alive, then, “Do you want some tea?”

Like Tate said.

*

Even after a hot shower long enough that the tea Owen’s made him is bitter and tepid, changing into sweats and a hoodie, thick wool socks, grabbing a throw off the couch and bundling it around himself like a cape, Tate can’t seem to get warm.

Owen disappears from the table, returning with a beanie he tucks over Tate’s wet hair.

“Lose 40% of my body heat, right?” Tate asks. “Or is that a myth?”

“A myth,” Owen says. “But you’re still shivering, and it’s just about the only skin left uncovered. If this doesn’t help, the next step is going to grab you some mittens.”

“Then a balaclava?” Tate asks.

“As if you’d let anything cover your pretty face,” Owen says, and Tate laughs. “The step after that is probably body heat.”

“We can skip straight to that one,” Tate says, and this time Owen’s laughing.

“Drink your tea,” he says.

“It’s not hot,” Tate protests, and Owen disappears into the kitchen, returning a few minutes later with a fresh cup of tea, a warm compress he wraps around Tate’s neck and shoulders like a scarf. Tate tucks his face into the warmth, tucks his fingers around the mug.

“Was there another fountain?” Owen asks. And he's officially used to the Scouts by now, because he says it with weary humor, but absolutely zero surprise.

“It wasn’t a fountain,” Tate says. Which is a major silver lining, considering showing guys the fountain video is one of the way he prepares new teammates to meet the team. He thinks it gives a pretty good idea of the general vibe, and then he can add the proposal video to give them an even better idea, along with a pretty good litmus test on how well a guy's going to fit in the room, watching the way they watch it. But he’s sure, given the circumstances, ScratchnMoney — well, mostly Money — would show no mercy if they had video of Tate in a similarly compromising position — location? — as would be their right.

Which leads to the second silver lining: that ScratchnMoney were both panicking far too much at the time to think about pulling their phones out and hitting ‘record’.

“Don’t tell me you—“ Owen says, pure, undiluted horror on his face now.

“If I fell in the Missouri I’d still be in the shower,” Tate says. Possibly forever.

Owen lets out an audible sigh of relief. Tate takes a sip of tea. It’s just shy of boiling, and he’d usually wait, but that’s perfect right now.

“There may have been a pond,” Tate admits.

Owen’s smiling again. “Why was there a pond?”

“Someone was complaining his dinner was too heavy and he needed a digestive walk,” Tate says. A far cry from the drunken pizza run that lead to The Fountain Incident. They’ve all gotten old. Old men who need digestive walks.

“Somehow I don’t think Nick was the one suggesting it,” Owen says.

Tate tilts his head, giving him the point. Scratch spent the entire time grumbling that some people didn’t need digestive walks, and bickering with Money about how his ‘shit diet’ seemed to suit his digestion better than Money’s ‘rabbit food’ did. Tate did not get involved. He was honestly just glad Money had suggested before he did.

“Is that why it was Joey’s fault?” Owen asks.

“Oh,” Tate says. “No. It’s his fault because he pushed me in the pond.”

“Tate!” Owen says. “Why did you say it wasn’t his fault?”

“Because he would have stuck around to argue and I would have said or done just about anything for a hot shower at that point,” Tate says.

“And that’s why they made you the captain,” Owen says.

“I think it’s more that everyone else had too much sense to take it,” Tate says.

“You’ve stopped shivering,” Owen observes.

“Is that a good sign or a bad one?” Tate asks.

“Depends on the circumstances,” Owen says.

“Do you think we need to try the huddling for warmth part of the plan?” Tate asks. It’s a come on, sort of, but he’s a little embarrassed to admit just how nice it sounds, crawling under the covers right now. It’s far too early for that — if it were a game night, he’d still be out on the ice — and Tate is very serious about his sleep hygiene, but if Owen thinks they should huddle for warmth, then, well — he’s the expert. That’s biochemical, isn’t it? Biological, at the very least.

Owen traces his finger over the palm of Tate’s hand, and Tate shivers. It’s entirely unintentional on his part, as are the goosebumps rising in wake of Owen’s touch, but he couldn’t have timed it better if he tried.

“If you think it’ll help,” Owen says, then takes his hand away. Tate feels cold everywhere Owen’s touched him, overheated everywhere else.

“I think it’d be very helpful,” Tate says, all honesty.

“Then finish your tea,” Owen says, and Tate curses himself for requesting another cup, because if it were lukewarm he’d be able to swallow it in two gulps. As it is, he sips it as quickly as he can, and between the hot drink, layer after layer of clothing, and Owen puttering around now, turning lights out, setting the security system, he feels very warm indeed.

“Coming up?” Owen asks from the hall.

Tate takes one final gulp. He’d usually bring it back to the kitchen, but he thinks he can make an exception tonight, the same way he made an exception for the clothing puddled in the master bathroom, wearing a hat over wet hair, which he’s pretty sure his grandmother told him was fatal, though maybe she just meant outside.

“Right behind you,” he says, and flips the last light off as he follows Owen upstairs.

[suzukiblu]

Thank-you sentences for Roosterwhale behind the cut; “we are so pleased with this match". (( chrono || non-chrono ))

“. . . what,” the scientist says, and Kara ignores him to revel in the perfect synchronicity that Kon and Match outright throw themselves at each other with. That's just very satisfying, as a beta. Especially as the beta who led this alpha to this omega. 

As the beta who led her only sem-zahm packmate to the kyn-tul who’s been waiting so long for him to come and let him be a good bitch for him. 

Kon and Match crash together and Match immediately tries to rip Kon’s throat out, which Kara considers very restrained of him under the circumstances, and Kon smashes him into the floor to keep from getting his throat ripped out, and Match hisses viciously and backhands him across the jaw. Kon snarls back down at him and Match claws at his face and Kon bares all his teeth, and Match’s breath–hitches, very noticeably. 

And then he tries to bite Kon’s throat out, which is also very restrained of him under the circumstances, Kara thinks. 

“About goddamn time,” the scientist mutters. “Subject Match will deal with this. You three, get the–” 

“Uh, sir . . .” one of the guards interrupts him warily, the other guards looking somewhere between confused and alarmed. Kara assumes it has something to do with them actually being combat-trained and therefore capable of noticing things like, oh, body language and intent and specifically how Kon and Match are fighting each other, and the equally specific ways they very much aren’t fighting each other. 

Like–very, very specifically, on both grounds. 

“Don't interrupt me!” the scientist snaps at the guard, who grimaces. “Call the collections team and tell Lab 4 to prep for a new sample set. Vivisection or necropsy, whichever we get.” 

Didn't even say “autopsy”, Kara reflects idly. Well, she already knew the asshole deserved this. 

 He deserves much worse than this, in fact, for keeping Match all locked up down here in a cell instead of letting him have what a kyn-tul on their cycle deserves. 

And for keeping her packmate’s kyn-tul from him, he deserves even worse. 

She is not in any way whatsoever going to even pity the Agenda, no. 

Kon and Match are wrestling more than anything else right now–well, as much as “if Kon fucks up Match will murder him” can pass for “wrestling”, anyway–and Kara remains impressed with Match’s restraint. She cannot imagine what her father would’ve done if her mother had left him alone in . . . how many heats must Match’ve had by now, if he presented about when Kon did? 

Kara does a few conversions to Earthling calendars and some quick math in her head. 

. . . actually, she needs something stronger than “good bitch” to go with here, because any Kryptonian-raised omega would’ve gelded Kon for putting them through this. 

The El packs owes Match such nice nesting materials. And his pick of places for nesting in, too, up to and including all their own personal homes and bedrooms and laps. And also literally every single thing he ever wants when he’s in heat or pre-heat for the entire rest of his natural-born life. 

She should probably text Kal and her other self about collecting some of those things after they get out of here, she thinks. Once Match has gotten fucked into a more talkative mood, anyway, and can tell her what said things are. 

Though the nesting materials she is definitely already making plans for. 

Match slams Kon into the floor hard enough to crater it–hard enough to shake the room–and Kon struggles underneath him clumsily, clearly overwhelmed and trying to keep control of things he doesn't actually need to be in control of right now. Kara obviously understands why, given he's never done this before, but . . . 

“K-Kara, I . . .” Kon pants from where he’s pinned and struggling underneath Match, his eyes flared wide and pupils almost as dilated as they can get. He keeps most of the alpha out of his voice, which is honestly fairly impressive too. “I feel . . . I wanna . . .” 

“Don’t pay attention to her!” Match hisses down at him as he grabs his throat and starts to choke him, leaning all his weight and an obvious amount of muscle into it, and Kon grabs onto his wrists with a strangled wheeze. “I’m right here!” 

“I told you, Kon, you have my permission,” Kara reminds him patiently. Again, she understands why he's trying to keep a rein on his alpha, because he's never gotten to not keep a rein on his alpha, but that's the literal opposite of what the current situation calls for. “Don't you know what your Match needs from you? Don't you know how bad your Match wants you to give him what he needs from you?” 

Kon makes another strangled sound, and Match looks away from him just long enough to glare at her, baring his omega teeth in an alpha sneer–

Baring his neck, and leaving it unprotected. 

He doesn’t know what he's doing, doing that. 

But Kon's alpha does. 

Kon’s eyes snap into full eclipses and he lunges up and throws his arms around Match as he buries his teeth in his exposed throat with a full-on alpha snarl, and Match–well, Match doesn’t have irises to eclipse, but his eyes still flare the exact same way Kon’s did even as his body reflexively stiffens–as whatever these stupid humans taught him makes his body reflexively stiffen–and then, as its actually honest reaction, just melts completely down into Kon’s teeth. 

Because of course it does. Because Match is a good bitch who Kara can very clearly smell just slicked up enough to soak his hole over that bite, and is willing to let Kon prove that he’s a good alpha. 

Kon drags Match down and rolls them over and slams the other to the floor flat on his back, and Match’s expression goes all dreamy and heat-drunk and he tries to smash Kon’s temple in with a fist. Kon digs his teeth in harder and catches Match’s wrists, and Match makes a breathy, omega-soft sound and then brings a knee up into his gut, and they both shove down and claw at and cling to each other. 

Kara watches contentedly as Kon and Match thrash and struggle and crack the floor underneath themselves, all hisses and snarls and gasped-out little grunts and moans. They’re a little clumsy about it, but it’s their first time together, and she still can’t help finding it sort of adorable how their pheromones are all tangled up and smell like–well, a candy she’ll never taste again and a roaring fire, but also the quiet intimacy of a human bonfire off alone in the dark and the kind of sticky-soft-melty marshmallows that humans roast on them. 

. . . or toast, maybe? Maybe it’s toast, she doesn’t really know. Mostly she just burned hers to charcoal, the times Kal got her to try it. 

It’s a nice scent, though. Kara likes the thought of it all intermingled with and absorbed into their pack scent: the tangled mess of a compatible alpha and omega, all mixed up in each other ‘til even their own packmates won’t be able to tell the difference between their scents half the time. It might break her heart a little every now and then, but so does everything that’s ever mattered to her, from her parents to Krypton to Kal to their pack to finding out this was even a option. 

For now, though, it’s just a submission bite and not actually a mating one–obviously, because Kon isn’t the kind of bastard who’d ever force something like that–so for now their scents are still separate enough to recognize as separate scents. Kon’s teeth are still in Match’s throat, and he and Match are still struggling on the floor, and all tangled up like this they smell warm and melty and burningly horny, which is both a good sign for their compatibility and also zero percent surprising at this point. Especially since their “struggling” is increasingly less and less about the “struggle” part and more and more about getting their hands all over each others’ bodies and dragging and grinding them both together. 

And maybe about one other thing, Kara can’t help but think when she notices Kon fist a hand in the symbol on the chest of Match’s suit and shred it off him. She understands the temptation, with some other pack’s crest sitting there. 

Also now Match is showing significantly more skin, which seems like a very Kon kind of solution to the problem but is also an undeniably effective one. 

Kon pulls back just enough from Match’s throat to snarl down at him, his fistful of torn emblem held balled against the other’s chest, and Match stares up at him with eyes that can’t eclipse, that already look like moons anyway, and then–very obviously, and very deliberately–tips his head back against the floor and pushes his chest up against Kon’s clenched fist, fully displaying–and exposing–his throat and pectorals to him in the process. 

Rao, that’s the kind of submission display most omegas wouldn’t even do in porn, Kara thinks, barely resisting the urge to cover the nearest guard’s eyes for propriety’s sake. 

Well–Match doesn’t know any different, does he. He just knows what his omega is telling him it wants. 

And Kon, presumably, knows what his alpha wants, but is just holding himself still and frozen above him; above that exposed offering of a posture from an omega who probably doesn’t even really understand why he’s doing it or what it really means; from a compatible omega who very obviously differentiated to be specifically compatible with him. 

“Aw, I knew you liked each other,” Kara hums approvingly, mostly to confuse and stress out the Agenda’s idiot lackeys even more than they already are. They deserve a lot worse, frankly. And also, Kon and Match are stuttered to a stop and do both need and deserve to hear some encouragement. “The House of El is very pleased to see it.” 

“What the hell are you talking about, you alien freak?!” the scientist demands, visibly sweating from nervous tension and struggling to regain his composure. Kara doesn’t bother looking at him, but bares her teeth sweetly all the same. 

“Come on, Kon, give your Match what he needs,” she coaxes lightly, and Kon starts panting harder again, his own chest just shy of outright heaving. “He’s so angry all the time, isn’t he? So unsatisfied. Doesn’t he need someone to treat him right?” 

“I really . . .” Kon chokes, a shudder going all the way down his spine and to his respective grips on Match’s wrists. “I really . . . Kara.” 

“Doesn’t he smell so good, Kon?” she asks, just a little more coaxing in her tone–and her pheromones, obviously. “Isn’t it just how you’ve been waiting for him to smell?” 

Kon makes a strangled sound, and she hears Match’s teeth grind together. They’re both still stuck in their standstill, neither taking their eyes off each other or moving to either accept that offering or retract it. 

So Match doesn’t want to stop, and Kon doesn’t know how to start, and again: they don’t know how this goes, but Kara does. 

“Relax, Kon,” she says, dropping her voice and pheromones both into soothing notes. Betas soothing anxious or overwhelmed or overemotional alphas and omegas through their cycles is as natural as cycles themselves. “Go with it. Your body just wants you to sympathy-cycle for your Match. Wants to put you in condition to take care of your Match. So let yourself go. Give him what he needs. It's alright.” 

“Subject Match!” the scientist snaps sharply, his voice just barely avoiding cracking. “Kill Superboy! Kill him now!” 

“Little late for that idea, don’t you think?” asks Kara, who is very much aware that Kon now smells like a Rao-damned forest fire to Kryptonian senses.

[beware-of-pity]

You believe me like a god

(I destroy you like i am)

Your family was dead; everyone had been killed. The war had been fought, many had died, and the victor had ascended the throne in the name of Rhaenyra Targaryen, Queen of the Andals, the Rhoynar, and the First Men. Lady of the Seven Kingdoms and Protector of the Realm. Everyone was dead…..except you, your mother and your little niece, Jaehaera.

Jacaerys Velaryon x reader

TW: Self-hatred/Implied Self Harm. Complicated family relations. The reader is a Targtower.

A/N: This is a blend of both the show and the book, so if most characterisations (mostly the greens) don't add up to you, it's because of that. (since the show has been....something, as of late). Also, Silverwing is now your dragon, for story's sake.

Cross posted on Ao3 : Chapter 1: I fell in love with a war (nobody told me it ended)

Chapter 1: I fell in love with a war (nobody told me it ended)

Your family was dead; everyone had been killed. 

The war had been fought, many had died, and the victor had ascended the throne in the name of Rhaenyra Targaryen, Queen of the Andals, the Rhoynar, and the First Men. Lady of the Seven Kingdoms and Protector of the Realm. 

Everyone was dead…..except you, your mother and your little niece, Jaehaera.

After the Blacks captured the capital and killed your brother Aegon and the rest of your family, your sister ruled the Seven Kingdoms unchallenged. Prince Jacaerys, her son and your nephew, was named the prince of Dragonstone in front of the whole of the realm. Her other sons were given high places of honour at her court, her family was praised and became the subject of songs and tales through the realm, while you and your remaining family became royal afterthoughts. 

Rhaenyra had been unsure of what to do with you when she had taken hold of the capital. At the time, you had the comfort of your older sister Helaena, who you comforted and held most of the time, especially after she had fallen into the grief of madness at the death of her eldest son. She had allowed you relative freedom, more than your mother was allowed, as she had been confined and chained to the dungeons of the keep, gaining her the name ‘The Queen in Chains’. In her ways, you suppose, she had tried to get close to you in an effort to reconcile the break the war had caused to your family, and despite how you had never seen her in the same way your mother had all her life, you remained unresponsive to her approaches. The wounds were too deep, and you weren’t sure you could forgive what had taken place the night Blood and Cheese stormed the castle, even with the knowledge that she had not been the one to orchestrate the siege but rather your uncle Daemon, in the name of revenge for the death of your nephew Lucerys. 

But when Helaena had thrown herself off the highest window of the keep, losing her life after getting impaled by the spikes surrounding it, Rhaenyra had given up hope for reconciliation.  Helaena was the closest family member you had, after your mother, never properly gettin' along with your brothers, except for Daeron. Safe to say, her death had broken you and left you unresponsive to each news of peril coming to your faction. 

When the news of Aemond’s death at the end of your uncle Daemon reached you, you did not shed a tear, and when Daeron died you said you had no time for them. They would be futile, tears did not reach the dead, after all. 

Amidst bloodshed and warmongering, there was but one person you allowed in the solitude your life had taken hold of; Your nephew, Jacaerys. 

It was he who had dismissed the attempts of his mother’s council of sending you away to Old Town to become a Septa or making you a lady in waiting to his step-sisters Baela and Rhaena, who they too took no comfort in the notion. You were their prisoner, yes, but no one must forget that you and Jaehaera were their family, of royal blood, and with peace now upon the realm, proving discord lingering still was not how the House of the Dragon would rebuild itself.  

Jacaerys had convinced them to keep you hostage, using you to keep in line the great houses that had fought alongside the greens - but that was a notion he used only for his allies and councillors. You were more than just a hostage for him, always having been. You were his aunt, one he cherished so. 

Since you were the same age, you had grown up together. You shared a wet nurse in infancy and were often taught your lessons by the same measter. 

You never shared the same dislike your brothers had for him and his brothers, and even so, you thought the notion of Jacaerys stealing Aegon and Aemond’s birthrights, which they and your mother believed in, to be utterly ridiculous. He couldn’t steal something that was not theirs in the first place; he got what he had from his mother, your sister, who had rights over the iron throne long before they were even born. To say you were heartbroken when your sister had taken residence on Dragonstone, taking her children with her, would be an understatement. You were more pained when the next time you saw him was the same night Aemond lost his eye. 

Aemond played the helpless victim of a deliberate attack by your nephews and cousins in public as he spouted devious words about them in private while gloating at his great accomplishment, claiming Vaghar for the greens. Words you tried to reprimand him for, which, in turn, turned his anger to you. It’s not that you didn’t condone his lost eye, but for him to be rid of guilt and his part in the ordeal always ticked you in the wrong way. His anger had always been his least strong suit, narcissism only growing from there, thinking himself invincible, which only resulted in him making rush decisions that gained him but a brief advantage, such as marching to Harrenhall and leaving King’s Landing undefended, giving the perfect opening for your sister to fly and claim as her own. 

You had been among the few asking for Aegon to send for peace. The damage was done, the throne was usurped, though everyone refused to call it so, and you couldn’t do anything about that. When Helaena suggested peace terms, she did so with your support as well as that of your mother and grandmaster Orwyle.

 But Aemond had to go and ruin everything. 

You thought of escaping then, wanting to bring along Helaena and her little ones, flying on Silverwing and Dreamfyre to Dragonstone, bending the knee and seeking protection before Rhaenyra’s wrath befell your family. But how could you? Helaena and you have been separated from Rhaenyra since you two were young, occasionally seeing her when her family visited King’s Landing, you didn’t know the woman or how she would react to you showing up at her doorsteps. 

Besides, you two had been securely under Alicent's thumb for your whole lives, and the thought of your mother thinking you a traitor filled you with panic. You couldn’t betray her or make her believe you had. You and Helaena had been robbed of autonomy your entire lives, but you did try to help Rhaenyra when you two could. So, when Helaena was punished alongside Aegon for something Aemond had done, you felt all the more guilty for not having done more for your siblings. 

If before you had been worried about losing everything, now that you had nothing, you spent your days mute, not doing anything. When your mother was allowed to visit, you turned her away, not wanting to hear of her maddening and secretive plans to place you or Jaehaera on the throne. 

You were told she mostly cried, ripped her old gowns and threw the books given to her out of the windows of her room. You cared for her still, but not enough to deal with her when you too were not doing any better. 

You were not allowed outside, in case you tried an escape, unless Jacaerys or a group of guards accompanied you. You were not allowed to dine with everyone in the great hall and most of all you were deprived of Silverwing. The last you saw or rode her was before Rhaenyra had taken King’s Landing…..and how long ago was that? A year….two? You couldn’t tell….you had lost perception of time.

Jacaerys always proved courteous and kind, just as he had before the war. Even when you were stripped of your room and placed in a smaller one, your staff diminished to only a few trusted maids of his mother, and your gowns relegated to simple, black ones, he always made sure you had everything you needed, which you were grateful for. What he couldn’t give you though, was the thing that pained you the most. 

He brought you books, needles and points to pass your time, and kept you company when he was free of his duties. But it was all futile, nothing could quelch the sting of pain in your heart. 

You wandered the halls like a ghost, the black of your gowns making you blend in the darkness. Some say you were dead inside or having died the day your sister had. Nevertheless, Jacaerys’ attempts at bringing light to your life never ceased. He brought you flowers which you kept in vases in your room, but that with barely any light or air in the smallness of it all, died by the days. As so, he’d let you plant your flowers in the gardens of the Keep. Even though you barely spoke after the death of your entire family, taking care of the flowers made you happy.

You were allowed to bring Jaehaera with you, the little girl taking to you as if you were her mother, and if you were mute, she was another case altogether. Jaehaera was born tiny and slow to grow. She did not cry or smile or act as babies normally would. Her lack of emotion continued as she grew older. She is sweet but a simple girl in mind.  She loved the flowers you planted, which you encouraged for her to pick and take with her to her room.

You two were often asked to attend court, to remember others of your presence and what they meant. Jaehaera would clutch your hand as you held hers, standing as close to you as she could and more so she could hide behind the panels of your skirt. Those days were those she dreaded most; she hated being looked at, especially by so many people, but your presence beside her gave her enough strength and courage to withstand the ordeal. 

Those were also the days you had begun begging your sister to allow you for things. You would kneel, if necessary, in front of the iron throne which she set upon, asking her in front of the eyes of the court to allow you for simple things, the simple pleasures you had long forgotten the taste of, such as one more gown for you or Jaehaera, the companionship of more maids, or for you to see your dragon.

She would accept every request of yours except for the last, she never accepted the last. But you held the same stubbornness every Targaryen was born with, one she had, and saw in her children too. Your requests became more frequent, sometimes, they were frantic, at times, you cried, while at others, you just asked with the monotony of a dead woman. How low of you, some thought, a royal princess, the daughter of a King long gone, having to beg her sister on her knees. 

While it pained Rhaenyra to turn you down, the pain you felt was one she would never understand. Jacaerys would watch from the sideline all the time, knowing he couldn’t interject with his mother’s word, but none of it made it easier for him to see you so torn down by the reality which you now lived in.

So, one night, he went to his mother, suggesting the one thing he could only come up with.

“Let me take her on Vermax” he had said “if you’re worried about her flying away, with me beside her and on a dragon not of her own, she surely will have nowhere else to go”

Rhaenyra couldn’t object to her son’s words, as so, she relented, though not without a few warnings and orders on her part, which Jacaerys was more than happy to relent to. 

At last, when he came to your room the morning after, he did so with an air so light, it startled you. 

“You wouldn’t mind dressing in your riding fit, would you?” He asked, taking you by slight surprise 

“What do you mean?” You didn’t know if he was making fun of you, and if he were you thought he was doing so in a really bad taste

“I want you to come ride with me” he walked closer, taking your hand in his “Fly on Vermax with me. I know you wish to take to the skies, and Mother has agreed to my request,” he said.

Vermax was small, having grown only to the size of a middle-sized dragon. When you sat upon his saddle, which was tight for two people, such as you and Jacaerys, you only reminisced about Silverwing’s leathery one. Only having to hang around the handle, not being able to pull at the reins or command the dragon, only deepened your yearning for the many rides you had taken in the past and the freedom to do so again. 

You had thanked him, but the gratitude felt hollow when your heart ached so much, and perhaps he had seen through you too. You felt guilty for complaining about such an opportunity and the rarity you had been given. You should be grateful, but what was here to be grateful for when you were a caged bird, in a golden cage, whose wings were ripped from its body? 

You had become hot-tempered, wishing harm on others and yourself, cursing in despair, and picking up one of your mother’s most destroying traits, her nail picking. Your cuticles were often raw and bloody from you either picking at or chewing at them. You did the same to your lips, pulling at the dead skin, drawing blood, the sting making you hiss and following you for days.

You ordered for the curtains of your room not to be drawn, preferring the glow of candles and the scent of incense, even during the day. You visited the sept, the royal one in the Red Keep, not the Grand one in the city, always followed closely by your Septa and guard, lighting candles for the lost souls of your family and for those that had fought for you.

You picked at your food, often leaving it untouched; you had no fondness for meat and mead, leaving you famished and pushing down food when your stomach was begging you for substance. 

Eating yourself alive was the last thing you thought you would be doing if you were to look into your future long ago, but now even the feel of your skin made your fingers crawl over it with the intent to rip and tear apart. How hypocritical of you to send your mother away because of her descent into madness when you were carrying yourself down your own. 

But you weren’t mad, you were unhappy, and unhappy people often were also depressed, which you were.

You only wanted to be happy, to be free, to do as you pleased after years of having been conditioned to the bids of others. First, it was your mother’s, and now they were Rhaenyra’s and her family's. You dream of a time when you could live for the simple pleasure of living, not someone else’s life but your own, not the one others envisioned for you but the one you dreamt for yourself. To breathe the open air, to walk where you wished, whenever you wished so. 

Was it so wrong of you?

The gods are cruel, that’s why they’re gods, and the curse of your family being usurpers now laid all on you. You suffered from the sins which your mother perpetuated, from those her own father sowed the seeds he planted with his ambitions in the dirt laid and worked by your ancestors. You held the rage of all those women before you, your mother’s, her mother’s too, that of your sister and the people at her heel and call. 

All because of who you were. 

[cripplecharacters]

Hey folks, fully abled writer here! I've got a question about nicknames/descriptive names related to physical differences and abilities. I write a lot of fantasy fiction with differing name and language systems than the real world. I'm also fond of using compound names, such as "Dawnbringer, Hardcutter, Bluemark, Bearhunter, etc." So in a fantasy world where much of this society has given names and clan surnames following a specific theme of strength and durability, I have a character that has both his given name but also a nickname many people call him. This nickname is "Firebrand," and I invented him many years ago when I wasn't very critical of my writing or biases and just wanted a cool-sounding fantasy name. He is is a city guard in a city that is regularly attacked by fantasy animals for plot and environment-related reasons, and as I developed this character more I decided that rather than his original dark edgy backstory where he was called Firebrand because he was tortured, he now gains the name Firebrand because he survived a dragon's fire breath and came out of it with burn scars up his chest neck and arms, particularly on his hands that limits some of his movement and dexterity. I intend to make it clear in the story that it isn't a derogatory name, it's part of their society's theme of having names that signify how people survive things.

He likes the nickname and the meaning it has in his culture, because to him it means he's good at his job and he has survived hard times. Right now, the story is told through third-person P.O.V, and he is primarily referred to in non-dialogue narration as his nickname. In dialogue, he usually introduces himself with his given name and surname, but many people including the rest of the city guards refer to him with the nickname . His family and boyfriend will use either name for him depending on the context and company. At a later point in the story, when he and some others end up in a situation where they are dealing with fairies and the magical rules about giving them your name, his nickname gives him an advantage against the fairy rules.

Is this a reasonable concept at all, or is it all very weird to use an injury and acquired physical difference to identify someone with? Or, if the concept is alright but the name itself is bad, do you have any suggestions for how I might want to come up with a different nickname? I'm thinking if the use of the word "brand" in the nickname has too much of a negative connotation, I could try to replace it with something like "Firehand" or "Firebrave" that might have a clearer positive connotation to readers as well as his in-story society.

And although it's not the purpose of this question, I have been doing research about burn scars and treatment; this blog has been helpful! Since the burns were deep and he has limb tremors and cramps as well as scars, he has exercises and ointments to keep his scarred skin flexible, and he takes care not to take long tasks that will strain his hands with fine motor skills or whatnot. When on duty, his uniform includes gloves and a high collar for protection, but in casual clothing his hands are bare and his clothing doesn't hide his scars unless it's for weather protection. I may come back in the future with more questions about that, but I've determined what I need to start with about the physical effects his injuries have on him.

Thank you, and I hope you're all having a good day!!

Hello!

This sounds fine and pretty cool to me. The most important part is that the name isn't intended to be derogatory and that he actually likes it.

As a different disability-related example, "Wheels" and all its variants is a surprisingly common nickname that wheelchair users use (mostly younger guys). Sometimes you have a few of these dudes in one group and three people look at you when you try to call for one of them, it's just a fun nickname. Could it also be a cartoon-bully level derogatory insult if it was used for a character that hates it? 100%. It's very context dependent.

That's the same sentiment that's crucial here I think. Your character likes it and is proud of it? Go ahead. It makes sense in his cultural background and his nickname falls under a similar naming convention so it fits. I like the mention of how it reminds him that "he has survived hard times", since it's something that I've heard from burn survivors who explain why they choose "survivor" over "victim" to refer to themselves.

To answer your actual question: yes, I think it's a reasonable concept that makes sense in the character's setting. In another context yeah, it could be weird to identify with an acquired physical difference like that, but other people will do it anyway, you could as well make it "yours" and be proud of it, wear it as a positive. I don't think it's something that is an automatic "no" even if kinda weird. I'd go case-by-case and in your character's case it seems great.

As for the actual name, I agree that "brand" does have a negative connotation in English, all the criminal/cattle/label associations are less than ideal. I don't think it's detrimental to the concept like some other potential nicknames could be (looking at all the No-Faces and Half-Faces, which I do think are strictly derogatory) but if changing it to something less loaded wouldn't be an issue I'd probably do that. Both -hand and -brave are pretty awesome (the latter kinda reminds me of a warrior cat name but that's definitely a me problem), since they're either neutral or very positive in their connections.

Personally I care more about the fact that you're researching your character thoroughly, don't think that him being a burn survivor comes with some intrinsic negative traits, nor seem to put him in one of the Four Boxes. That's more important than terminology and vice versa - one could use the most up-to-date correct terms to refer to their OC and still make them into an offensive nightmare with bad execution. It doesn't mean that specific words aren't important but they (generally) aren't what breaks or makes representation that people want to see.

You seem to be doing good: my advice is to rethink the -brand part due to its connotations, and just keep researching as you write him.

Hope this helps,

mod Sasza