#it’s true i saw them

[4rk4n4]

I’m gonna be real honest with you, not once did I ever think that Vander and Silco were actual brothers, because they referred to each other as such in the context of a shared political struggle for freedom which signified to me that “brother” is a term the collective uses to organize and mobilize and fight for their freedom. I’m impervious to the discourse surrounding whether or not it’s moral to ship them on the basis of real or perceived familial ties thanks to the amount of historical knowledge I have stored in My Huge Brain. Some! of you fans are not so lucky. Y’all stay safe out there.

[naomistares]

short comic about a queen's peculiar tower activities

(this is kind of unrelated to the rejoice mini comicverse i just wrote this dumb thing in 10 minutes cause i wanted to try horizontal comics pages 😭)

[bookinit02]

i really do think there’s a huge disconnect on here w/ people who have never used tiktok as to what it actually is and who actually uses it. the number of people i’ve seen call it a “teen dancing app” is actually insane. it has not been a teen dancing app since i was in high school, around 2016 - 2020. the main communities i saw on a daily basis were 1) black history/anti-racism educators, 2) high school & college teachers sharing in-classroom strategies and frustrations with the education system, 3) local/state political leaders giving real-time updates on behind-the-scenes government decisions, & 4) community activism & leadership. like tiktok is an adult platform. almost every person i interacted with was my age or older. and yes it completely depends on your fyp and how you interact with the app, yes there’s still teenagers and dance videos and literally anything else you can think of. but these communities of adults aren’t insubstantial at all, they have literally millions of interactions on a daily basis. there’s about a million other types of communities that i could name just off the top of my head, because the range of users was SO diverse and thriving. it’s a long-distance community tool, just like any other social media—and honestly much better than any other social media, because it relies primarily on the kindness of strangers. i saw at least 5-10 videos today of queer people in rural areas panicking because they don’t have any access to queer community on any other platform or in real life. and before i end this i do want to say i think tiktok is coming back, i think this is a highly orchestrated political move, etc., but i do know it won’t ever be exactly the same. people are panicking about free speech violations because tiktok was a place where people fucking SPEAK. i have never seen mass mobilization and communication in this same way for as long as i’ve been alive. it is the people’s app, not just a silly teenage thing. if you’re not on tiktok and never have been, please stop talking about it like you know anything at all😭

[gaywineauntsstuff]

Me: I really like dc canon and frankly I think that fanon flanderizes the characters to the point where they are unrecognizable

Also me: Dick and Jason are drinking buddies,

Tim has put kon, Bernard and Steph in a gc called “the roster” and dipped.

Dick is not allowed to meet Barbara’s friends bc they all like him too much and then it’s rlly hard to bitch about him. (This is actually kinda canon thank u Dinah lance in birds of pray lmao)

The reverse of this is also true but for Dicks exes and Barbara like they get along TOO well.

Babs and Kori are friends.

Babs and Donna are sworn enemies. (Mutual)

Dick gets a different signature food with each of his siblings except Steph cuz they get smoothies. 

Dick keeps trying to get Steph and Donna to meet up but Everytime he tries Gotham gets blown up

Damian refuses to sneak pets in a trench coat bc it’s bad for them to be squished.

Duke is the only bat who knows about the mpreg joker story

Tim and Jason’s only texts to each other are “help” or “you lil shit what did you do!!?!”

Tim, Jason, Cass and Duke all like the discowing suit

Steph and Damian hate it

Damian says he’s spending the weekend not with his dad and everyone assumes Bruce and talia are trying split custody but he needs to bitch about Bruce so he goes to bludhaven

Donna and Dick get drunk together and get progressively more and more sappy about how they should move in together and how much they love each other, you’re amazing no you’re amazing.

Roy and Dick are besties who text like a divorced couple trying to coparent

Dicks exes are in a discord server called “raw. next question” and they have channels called “red heads only” “also dated his brother” “tried to kill him” etc

The redheads don’t have names in this discord “redhead 1” “red head 2” “redhead 3” and so on

They also don’t discuss dick in this server at all

Bruce calls dick for ideas about the Brucie Wayne persona and also when he just doesn’t get why people are mad at him.

Dick calls wally for help with menial tasks

Tim is a big big big fan of THC (same)

Dick goes to raves

Jason is actually the DARE Robin

An image of Dick at a rave went viral on Twitter and Bruce had a mental breakdown so did Jason

Stephanie will never ask Bruce for anything but she buys a 10$ coffee every morning on his card bc of that video of people saying young people can’t buy houses bc of Starbucks and avocado toast.

Jason has a video of 19 yr old Dick spitting at a police officer and he sent it on the family gc when he found out dick went undercover as a cop. It is one of 5 messages he has sent.

Everyone of the Bats is some shade of bisexual

Dicks house is the defacto Bruce is being a lil bitch for the bats and literally everyone who is affiliated with Bruce as long as you bring liquor you’re welcome

Garth and Dick watch sad movies together

Tim and Bruce watch all the bond films together

Damian and Dick watch bird documentaries together

Jason doesn’t watch tv bc he’s a secret hipster (he doesn’t have a tv they keep blowing up.)

Linda has absolutely asked Dick to swing with her and Wally and Dick told Wally about this and Wally’s only reaction was…”soooo is that a yesss or a no?”

The fab 5 titans all hate each others exes, refuse to acknowledge any guilt their friend had in the matter , and will absolutely pretend none of them have dated (they have all dated)

Bruce is in absolute denial that his children date. Like he knows dick has dated people but he assumes that it is kindergarten dating “ah dick spent the night at Barbara’s they must really like holding hands” “Bernard and Tim are moving so fast I mean I saw one of them kiss the other on the cheek??” Meanwhile he has traumatized all robins to ever Robin bc him and Selina Kyle can’t keep their hands right themselves

Also me: cognitive dissonance thank you for your service

Dick has like 25million ig followers, donna does his photos

Tim has a very popular shitpost account on Twitter from his pre Robin days that has statements like “if i was Batman I would simply barricade Arkham” and “stalking Nightwing rn we are up to 120 flips and 30 quips…. There is no else here”

[notwithoutafight]

max & daniel + eye contact

[bacchuschucklefuck]

she turns, makes direct eye contact with you, smiles,

[doberbutts]

Recently Youtube's algorithm really wants me to watch Schindler's List and I never had so the other night I sat down and actually watched it.

Having a lot of thoughts about it but a major one I keep coming back to is how even an immensely and deeply flawed human being can go against "just following orders" and instead put in the work to actually help.

It may never be fully enough. It may never save as many as you'd hoped. But when you have a choice to either follow orders or save your fellow humans in front of you, I hope you choose the latter.

Schindler died in poverty. He was not a renown war hero nor was he at all famous or widely beloved. But he saw that he could help, even in some small way, and so he helped.

He was a Nazi who saw what the Nazis were doing to Jews and said no more. Enough. If I can even spare those under my charge, maybe a few extras, then at least I will have tried to do something about this.

I think a lot of people do not fancy this type of activism. It is messy, dangerous, and often completely thankless. Schindler survived as long as he did after the war due to those he saved helping him with donations. He was not popular in his hometown due to his association with Nazis, he was not popular in Germany, he was not popular in Argentina. His businesses all failed. His wife left him. A movie about his deeds was released several years after his death, where he would receive none of the benefits. He went to prison multiple times for simply refusing to hate Jews.

I think a lot of people like to think they're activists, but are sorely unprepared for doing this type of work, and then in truth become activists in name only. This is hard work. But without him, another thousand or so people would be on that death toll.

He took his position of extreme power- a Nazi owning a factory almost entirely operated by Jews, making oodles of money off that cheap slave labor- and said you know what? No. I'm not doing that. I can't save everyone, but as long as they are within my factory, you will not kill my workers. As long as I'm here you aren't harming one hair on the head of any Jew under my care. You're not sending or keeping them in Auschwitz. You're not randomly executing them for entertainment. They're people. You're not murdering them.

"Just following orders" they say. But they didn't have to. They could have helped. They could have did what he did, look around and say "what the fuck am I doing here", and stop. He did. They could have. They didn't.

[undeaddrabble]

[shalom-iamcominghome]

I am absolutely begging people to stop treating nazism as their big, bad blorbo caricature they can just invoke when they're mildly irritated about people who (they think) have Bad Opinions.

Nazism is not just "any time a Bad Guy does Bad Things." Nazism is not your final jojo stand you can invoke to win discussions or debates. It is a real life ideology that is intrinsically linked to the radical antisemitism it espouses and ignoring that is fundamentally harmful to the point of being radically antisemetic.

Since this is on-topic, I've been reading People Love Dead Jews (I am on chapter two), and I think downplaying nazism is absolutely part of de-emphasizing and reprioritizing antisemitism to make it about everything else but the antisemitism. When nazism is everything, then it can't be fundamentally antisemetic. You won't have to acknowledge that jews are the primary target of nazis and nazism if nazis are everything else. It's not a coincidence, especially seeing how many jews people call nazis. This is part of the dead jew that people love - if your eye is turned away from the fact that jews both exist still and are affected by violence and oppression, you get to say, "the jew is dead!".

Regardless, you will never live in a world without us**

עם ישראל חי

[nachofuck3r]

JAMES WAN APPRECIATION POST BC YALL SEEM TO FORGET HE WAS LITERALLY THE DRIVING FORCE OF SAW 2004!!!!

😭☝️ I will not stand for people saying Leigh made Billy— anything to do with puppets is Mr.creepypuppets work!!!!

Can’t wait for The Monkey movie!!! He’s so skrunk and truly an icon for the red streaks

[secriden]

Going legitimately insane because all my brain has been able to chew on has been this particular callback and what it means for the headspace that Fadel is in at the end of episode 6.

It's insane that Fadel even said that to Bison in the first place because the Fadel of episode 5 knew better than to believe it was possible for anyone to truly bare themselves to another person, knew better than to want to know and be known and chosen despite it all. To the Fadel of episode 5, "laying yourself bare" was an impossibility because of how much power it gives the other person, and Fadel's mind is too practical, his circumstances too complex, his heart too fragile to ever give that to anyone ever again.

But Fadel's walls began to crack in the face of Style's honesty and the shared pain of knowing what it is to loose someone precious; cracked under the weight of Style pressing kisses to his scar and laying Fadel bare to bring him pleasure; shattered in the face of Style giving himself over to loving Fadel for a whole night -- and Fadel woke up half underneath the spread of Style's body and found himself already in love.

And do you know how I know this? Because of all the things Fadel could have said he liked about Style, he chooses this. It's not that Style is effortlessly kind and thoughtlessly generous at times. It's not that Style is hot and sexy and frankly kind of a slut (specifically for Fadel). It's not even that Style has secret, hidden depths and an unexpectedly shared pain which allows him to understand and empathise with Fadel in a way that no one but Bison has been able to for a very long time.

No, it's his cockiness. His arrogance. The way Style is unabashedly himself and makes no apologies for it. The way Style will literally dance to his own tune and sing at the top of his lungs with no care for anyone else's opinion unless it's to appreciate it. The way Style walks into the room and has the confidence to put his body on display and already know that he will be welcomed and wanted -- and this confidence meant that he assumed Fadel would find him attractive, and would not stop until Fadel eventually gave in to that attraction.

It's telling that it's these specific instances that come to mind when Fadel thinks about Style's lips. There are so many scenes and shots they could have chosen (because lbr here Dunk, and therefore Style, really does have amazing lips), so it feels very intentional that Fadel thinks firstly of the time Style refused to back off when Fadel pretended not to miss him, and then the moment when Fadel finally admitted that he did and was rewarded with Style's reassurance and reciprocated vulnerability and wholehearted embrace. Also, because this was the last episode that Style did not Know, and therefore was still being fully honest with Fadel. Both instances are Fadel appreciating in hindsight the way Style's very nature -- the way he would not give up, the way he keeps pushing and pushing even in the face of Fadel's seeming impassivity -- gives Fadel not only the opportunity but the impetus to finally let go of his control and acknowledge his feelings for Style.

It's explicit confirmation that Fadel enjoys and appreciates and has grown to love Style's personality and antics and the way he expresses himself.

So the Fadel in episode 6 dares to ask for Style's honesty and gives with it an explicit promise of trust and acceptance in return. After recognising the effort Style has had to put in to find ways to connect with Fadel (heavy metal vs pop rock), he now asks for Style to be real with him because Fadel understands himself to be ready to love, and in loving Style, is able to offer the very thing he wants the most from Style: "acceptance of who he really is".

We also see the evidence of Fadel's unspoken promise in the way that he now responds with an almost easy openness to Style's questions in stark contrast to the Fadel in the early part of the show. If he wants Style to accept him, he can't continue keeping all his secrets. So now, he gives Style pieces of himself with barely a thought, and lets Style use them to push and prod and drag to light the very things he used to keep hidden because he thought they weren't useful or helpful or worthy of being loved (see @sherrymagic's gorgeous gifset + my tags on it).

It's also in the way he now allows Style to take him outside of his comfort zone because he trusts that the private joys he's kept to himself are safe in Style's hands; that, moreover, Style will look to Fadel's happiness and not make a mockery of it.

I'm obsessed with the moment in the screenshot on the bottom right because Fadel looks so completely out of his element and almost in a state of shock. He's literally standing separated from the rest of the group in the composition of the shot, hesitation writ in every line of his body, while Style, who isn't even a fan of this band or this music, fits in with the band seamlessly.

But this hesitation isn't because of discomfort, it's nervousness and an almost joyous disbelief because Fadel could never have done this on his own, he would never have allowed himself the indulgence of actually showing his love for his favourite band if Style hadn't taken the initiative to drag him there and ask for the photo. And, oh, how wonderful it must have felt to see Style prove his own words by being right there by Fadel's side as he lets himself go, as he lets himself be himself without fear, for the first time in what must have felt like forever.

In a single, perfect night, Style has been exactly, precisely, breathtakingly everything Fadel could ever have wanted; because in a single night of Fadel finally having the courage to bare himself to another person, Style gave Fadel not only acceptance but a celebration of who Fadel is. With everything Style does that night, he ties himself to Fadel; he ties his happiness to Fadel's and his comfort to the warmth of Fadel's embrace. Style fashioned himself into exactly what Fadel wanted -- and now that Fadel has had a taste of it, how can he possibly go back?

Which is why Fadel already knows that it's too late for him, he knows that he is already in love; knows, moreover, that he has rewritten parts of himself to seek out and miss and yearn for Style; has even learned to love Style the way he understands Style wants to be loved.

So Fadel might as well keep the promise he made to Style with his lips pressed shut against the lies he didn't want to keep telling Style. He might as well give Style more days and nights and chances to spin his lies, because at least Fadel has the meager comfort of knowing he spoke the truth.

Because if Style wants to keep playing this game, if Style is able to so be so convincingly deceptive that Fadel can no longer trust himself to tell when Style is lying, then Fadel will take the punishment of choosing honesty in the face of his betrayal. Fadel will fashion himself into a heartless tool and allow himself the indulgence of playing this tantalising part -- because he may just find a way to save Bison in the process.

And to Fadel, it does not matter if his own heart gets broken along the way, because Fadel deserves the punishment of laying himself bare to the man who does not love him in return; he deserves to give Style the power of knowing the hold he has over Fadel.

But doing so is a punishment for Style, too, because if Fadel must love, then he is going to weaponise his own feelings in the fight he now thinks he has to wage against Style. Because two can play this game of cruelty, and Fadel does not care if this sword is double edged because cutting himself to pieces is a small price to pay if it means dragging Style along with him into hell.

After all, what's another crack when his whole entire world has already been so utterly and completely shattered?

[clownsuu]

Clownsuu, i think your goober wally is popular now. I've seen so many artists make their own style of da goober. GOOBER WALLY WILL LIVE ON!!!

GOOBER WALLY UPRISING

FORFEIT ALL YOUR VALUED POSSESSIONS TO THE GOOBER-

[bifrutas-tropical]

i like their dynamic

[ranarenee]

Lol when your cool ancestor is hella dead.

[kindaorangey]

"are you asking me or making me?" is soooooo interesting to me because i think armand only asks it when he can't gauge whether he's letting louis down. it's barely even sexual - it's a hail mary. it's a show of trust, indirectly admitting that he wants to do something other than what louis expects of him, but that he's willing to obey louis anyway, for the sake of their relationship. it's sort of heartbreaking watching them at the sacré-cœur, because if louis had said "i'm making you" armand would've done it in a heartbeat. he would've taken it as a show of committment on louis' part, and he wouldn't have betrayed him. but louis takes the question just as an expression of disagreement, and so he doesn't play the game. ironically, he respects armand's independence too much to make him turn madeleine if he doesn't want to. and so armand isn't convinced of louis' commitment to him, and he betrays him.

and by the time we see them in san fransisco, louis knows what the question means now, and answers "no, arun, i'm not asking" without question. and armand accepts it without complaint, even as it pains him. companionship really is the most important thing in the world to armand, just like it is for lestat, and he's willing to do any number of horrible things to louis and himself just to keep him as a companion, just like lestat. louis' biggest mistake is not realising how to use that to his advantage sooner.

edit: HELP people are reblogging this again. i misremembered the context of the scene - louis is asking armand to witness the turning, not do it himself. still, if armand had gone along to witness, that would have 100% been taken as implicit permission for louis to turn madeleine (thereby adhering to the first of the great laws) and, in essence, "agreeing" with her turning where before he ordered claudia to drive madeleine out of town. this hypocrisy, and the further bending of the rules for louis' sake (he's given permission to turn a mortal despite neither of them being in the coven), would have been seen by the coven as betrayal. armand knows this; he doesn't think madeleiene should be turned for these reasons; that's why he asks, "are you asking me or making me?"

still. if louis had said "i'm making you" i think armand would've gone along to witness, implicitly giving his permission for madeleine to be turned and functionally changing his allegiance from the coven to louis once and for all. so the core point of the post still stands.

[chiquilines]

They will find each other again and again and again, and in one life, they will be happy