#it’s the most similar dynamic to us that I’ve seen

[dwynwenscottage]

Out of curiosity, what’s everyone’s main reasons for loving Gilmore girls / re-watching? What was it about the show that made your brain go ‘I must watch this perpetually, for my whole existence and dissect in depth its themes’

Also, when did you start watching?

[qwimblenorrisstan]

Hey guys the Worms are coming back so I’m having thoughts,

tw: a/b/o dynamics, major angst no aftercare, panic attacks, past abuse, military

I love the stories where the 141 (in a/b/o context) are all alphas or a mix, but I also haven’t seen much of them being all omegas, which I think would really make sense.

Imagine it, omegas are more sensitive to their surroundings I think, with sharper instincts and reaction time imo, and they’re probably smaller than the stereotypical alpha so they can move faster. They can stay relatively calm under pressure and suppressants deal with the issue of a heat. I’ve always more imagined the 141 as four omegas, but four that stand out, and are used to criticism from people not in the military that don’t understand their team bonds.

So imagine they one day get news of a new transfer onto their team (maybe replacing soap as he’s recovering from his bullet wound HES NOT DEAD MW3 NEVER HAPPENED) and they’re not worried until they’re told it’s an alpha. An American alpha, too, if I let this get really self indulgent. Americans are loud and proud and annoying, so they fear the worst, you could throw off their team bonds, or make fun of them, or mess up their missions, etc, etc.

But in this imaginary world imagine that omegas also have more societal power than alphas, not physical power though, and you happened to be a victim of alpha-abuse. So what if the alpha that comes is shockingly quiet despite your imposing height and strength, and even looks nervous. The 141 would be absolutely ready for a brawl, I think, scents stinking up the room, only for you to stiffen as your nose stings from the potent mix of scents.

They’d observe you the entire time of the initial scenting, your stiff posture, uncomfortable behavior, and most of all the odd texture and scarring of your scent gland on your neck. Not unusual in your line of work.

After that, they made it clear you were an afterthought.

They wouldn’t let you get them food in the mess, or let you enter their shared nesting area, or even linger in Price’s office. If you covered them on a mission they’d nip at you or give you little low growls. They didn’t like the change to it, having to adjust, or just wanted to prove that they didn’t need an alpha, especially not to replace Soap.

You were trying. You knew you had to work your ass off for their respect and trust, and you were trying so hard. They didn’t seem to care.

Before they’d met you, they’d never thought that an alpha could have anything similar to a distress, nothing even close to the physical and psychological damage and pure stress someone had to be put through to reach that point. That was, until, one day when Ghost yanked you down to his scent gland to take a whiff when you ask how he covers the gunpowder from missions in his scent (spoiler: he doesn’t) and you just completely…freak out.

Shoving him away, eyes wide and looking through him, heart rate and breathing too fast. You’d absolutely booked it to your lone, sterile room that was the opposite of their cozy nest. It had taken a good hour just for Price and the rest to drag a medic and find out what the hell was wrong, only for you to be diagnosed with “Cane Baker Condition”,

“It’s, essentially, a form of PTSD related to a secondary gender, or experiences with one in a negative light. Think like a panic attack that lasts until their body is convinced they’re safe. Keep them out of bright light, away from loud noises or anything triggering for them, and give them some recognizable items from the nest, and they’ll snap out of it.”

It was then that they’d realized you had no recognizable items. Because they’d not let you even have a chance to enter their nest, and here they were now. You, lying underneath your piss poor bed in a pitch black room with one blanket in a sad mockery of a nest for comfort, getting as close to a panicked whimper that an alpha could between every breath.

Now they had to figure out how to earn your trust and respect, especially after they’d given absolutely none to you, neglected and abused you, for weeks.

should I make this a series?? (midterms are almost over so I’ll be more active soon, so far I’ve passed all of them!)

Part 1 | Part 2 | Part 3 | Part 4

[standamianwayne]

yandere!batfam/damian’s twin!reader

stepmom selina anyone?? anyone interested in some stepmom selina?? (me, i am)

i feel like selina would be such a girl mom but also i have this image of damian’s twin being like his opposite. sooo i think the dynamic between her and selina would be fun cause it’s like black sheep & white sheep.

selina would try and teach her the art of stealth and reader would teach her the art of idk friendship?? no but fr i feel like reader and selina would be such a fun duo. bruce’s girls tbh like they team up and they’re unstoppable. also can you imagine the boy advice selina would give? “yeah just steal one of his prized possessions and he’ll come after you. works every time 😏” like okay thanks queen! in terms of like yandere behavior, i feel like she’s one to plant the little seeds of doubt in reader’s mind about others. like “aw sweetie it’s okay, you’re way too good for them! you never do anything wrong 🥹.” meanwhile the person in question is filing for bankruptcy cause their valuables are gone.

barbara is so ‘cool older sister’ coded it’s actually insane. she’s incredibly smart and good with tech, plus she’s really pretty and cool as hell??? reader is like “hiii hello hiii ” and she INSTANTLY becomes her newest role model.

her like ‘yandereness’ would probably be similar to tim’s but instead of trying to keep reader home, she more so just watches her. like if reader wants to go to a party and it’s on a bad corner of town, barbs will give her directions to go to avoid the most trouble. probably the least likely to kill someone tbh i just can’t see her doing it.

reader and cassandra they were both raised by assassins so they probably bond over that and then how life is after leaving. it’s canon that cass can speak (which we’ve seen her do) but she uses body language instead of words. with this, i like to think that she can teach reader how to read people easier. you know, as a little bonding activity! also damian is canonically good with music (the violin specifically i believe), so reader is likely the same. so now just imagine reader playing an instrument while cass dances 🙏.

cass’s type of yandere is mostly just watching from the shadows. like reader brings a boyfriend home and cass is in the corner standing like mothman. if anyone does reader wrong TRUST cass will be kicking the hell out of them 🙏🙏.

stephanie, like duke, is the closest to the normal sibling experience one can get 😭 but tbh i see her as being more as a best friend that’s a ‘sister figure.’ plus i like stephcass so screw you that’s canon now. having improvised fashion shows at 4am, gossiping about everything and everyone (which she then tells cass but shhhh), having self care days like that’s her bff! with steph i feel like she’s not the type to actually attack anyone directly, but instead just telling cass and/or tim about whatever (or whoever) it is reader is having problems with. now if they’re patrolling together and reader gets attacked? yeah she’ll beat the other person up! (or at least get a couple hits in if reader already took care of it)

now that the fam is written for, please please please send any requests y’all wanna see! romantic (outside the batfam ONLY!!! no sweet home alabama here) or platonic, feel free to send an ask or leave a comment!

heyyyy… heyyyy…. how yall doing….? 😔😔 sorry for disappearing buuuut thanks so much for sticking around! sorry if this part doesn’t quite live up to the other two but somehow the girls are harder to write for?? i hope i got them but honestly any criticism would be appreciated. also i kinda skimped over the yandere part for helena so sorry abt that😭. might go back in and change it but who knows.

also i’ve been fixated on conner kent for some reason???? that’s my pookie guys yall dont get it.

anyways love love LOVE yall so much bye byeeee ❤️

[raven-at-the-writing-desk]

Hi Miss Raven! I'm really enjoying reading the things you wrote for the future event and trien sensei event! Wonderful writing as usual ^^

If you don't mind me asking, I actually want to see some yume content to certain twst characters from japanese players but I don't know what tag to use or where to look Do you know where I'm supposed to look? I'm not sure how jp player tag their content.

NOTE: I know shipping can be a sensitive thing, but please, please, please be civil about it. This is meant to be an informative post; if I list particular tags or examples here, they are just meant to be that: TAGS and EXAMPLES. It is not equivalent to me endorsing certain content or ships.

Thank you for the feedback 🎵 I have a lot more requests to write so you’ll be fed for a while please look forward to those~

The Japanese fandom LOVES to tag works so it's easy for other fans to find what they are interested in and to avoid what they dislike. Keep the fandom etiquette in mind and practice it yourself! This means don't use unrelated tags to boost exposure when sharing your own posts; it's seen as disrespectful and rude. It also means you do NOT go out of your way to find content you know you dislike and attack the creator.

I believe the general tag for Twst is # ツイステファンアート or #ツイステ. #twstファンアート or #twstイラスト are used for Twst fan art. Most people I know look for Twst stuff on Pixiv, Twitter, or doujin purchasing sites.

If you're looking for shipping content, there are different tags for that:

# twstプラス is for any Twst character x Prefect

#女監督生 is female Prefect

#男監督生 is male Prefect

#男装監督生 is female Prefect dressed in male clothing or pretending to be male

#twstプラスNL is for Twst character x female Prefect

#twstプラスBL is for Twst character x male Prefect

#twstBL can be used for Twst character x Twst character (no Prefect)

#オリ監 (may also include 創作), #顔あり, and #監督生顔あり refers to the creator's OC or their interpretation of Yuu; Prefect generally has a "face" in these works

#モブ is a generic or “mob” character; typically means Prefect is faceless or can easily be self-inserted or projected onto

#ツイステ夢 or #twst夢 is “yume” or self ship works

If you see a B or Q in the tag, the former means male and the latter means queer or genderfluid

Here are tags that may help you find a particular genre or more specific content:

#夜のツイステ or #夜のツイステプラス refers to general 18+ Twst content

#夜のtwstプラス is for 18+ Twst character x Prefect

#twstマイナス is for yandere Twst character x Prefect

#夜のtwstマイナス is for 18+ yandere Twst character x Prefect

#女化 or #にょた is a scenario in which a character's gender changes to female

#ケモノ is animal features, generally ears and tail (ie kemonomimi); this doesn't refer to beastmen (who already have these traits by default), but generally refers to Prefect or a non-beastman gaining them

#ツイステプラス or #twstプラス is typically “feed good” romantic content

#ツイステマイナス or #twstマイナス is basically angst or content that makes you feed bad

#twstパロ is literally “parody” or an AU; you can add other phrases ahead of it to denote the kind of AU

#卒業後 is "after graduation" and generally means a work setting

受け refers to a submissive or passive personality while 攻め refers to a more aggressive personality; these typically describe the dynamics in a romantic relationship

If you’re looking on Twitter, specific emojis tend to refer to the characters or groups of characters, which I have listed below. I’ve also included the first 2-3 katakana of each character’s first names.

The beginning katakana are combined with one another in order to write ship names. For example, if you want Leona x Prefect, you’d combine the first few katakana for Leona, レオ, and Prefect, 監 or ユウ, to create レオ監 or レオユウ (LeoPrefect or Leona x Prefect). Use a similar formula for your desired character. For example, swap out the レオ (Leo-) part for ジェイ and you get ジェイ監, or JeiPrefect, or Jade x Prefect.

Generally for yumeshipping, it’s the canon character’s name first and then Prefect in the end.

If you’re looking for a BL ship, name order matters. The name that appears first is the “proactive” one in the relationship, while the name that appears second is the “passive” one. For example, カリジャミ (Kalim x Jamil) has Kalim as the lead in the relationship, but ジャミカリ (Jamil x Kalim) has Jamil as the lead in the relationship. YOU DO NOT CROSSTAG; the name order basically makes the ship two entirely separate things and they are treated as such in the JP fandom.

Heartslabyul -> 🃏 ビュル

Riddle Rosehearts -> 🌹 リド

Ace Trappola -> ❤️ エー

Deuce Spade -> ♠️ デュ

Trey Clover -> ♣️ トレ

Cater Diamond -> ♦️ ケイ

Savanaclaw -> 🏜️ サバナ

Leona Kingscholar -> 🦁 レオ

Ruggie Bucchi -> 🐆 / 🍩 ラギ

Jack Howl -> 🐺 ジャク

Octavinelle -> 🐚 オクタ

Azul Ashengrotto -> 🐙 アズ

Jade Leech -> 🐬 ジェイ

Floyd Leech -> 🦈 フロ

Tweels -> イド

Scarabia -> 🕌 / 🧞‍♂️ スカラ

Kalim Al-Asim -> 🦂 / ☀️ / 🦦 / 🕌 カリ

Jamil Viper -> 🐍 ジャミ

Pomefiore -> 🍏 / 👸‍ ポメ

Vil Schoenheit -> 👑 ヴィ(ル)

Rook Hunt -> 🏹 ルク

Epel Felmier -> 🍎 エペ

Ignihyde -> ⚙️ / 🔥 イグニ

Idia Shroud -> 💀 イデ

Ortho Shroud -> 🤖 オル

Diasomnia -> 🐉 ディア

Malleus Draconia -> 🐲 マレ

Lilia Vanrouge -> 🦇 リリ

Silver -> ⚔️ / 💤 シル

Sebek Zigvolt ->⚡ セベ

Ramshackle -> 👻 オンボロ

Prefect -> 🦐 (🌸 or 🚺 = female, 🚹 = male) 監 or ユウ

Manga Prefect (usually refers to Yuuken) -> 🦞 コミ監

Grim -> 🐱 / 🐈‍⬛ グリ

NRC Staff -> 🎓 NRC(の)職員

Dire Crowley -> 🎭 / 🐦 クロ

Divus Crewel -> ⚗️ / 🐶 クル

Mozus Trein -> 📚 / 📖 モゼ

Ashton Vargas -> 💪‍‍ バル

Sam -> ☠️ / 🎩 サム

Lucius -> 🐾 ルチウス

Halloween Characters

Rollo -> 🔔 ロロ

Fellow/Ernesto -> 🦊 フェロ

Gidel -> 🐱 ギデル

Skully -> 🎃 スカ

Family Members and NPCs

Ace’s older brother or Anippola -> 兄ッポラ

Dylla -> ディラ

Chenya -> 😺 チェーニャ

Cheka -> 🧶 チェカ

Falena -> ファレ

Kifaji/Neji -> キファジー

Najma -> 💫 ナジュ

Ambrose the 63rd -> 🧙‍ ア ン

Neige -> ❄️ ネイジュ

Marja -> マーヤ

Baur -> 🐊 バウル

Dawn Knight 🌅 -> 夜明けの騎士 (this is his full title since we don’t know his actual name), have also seen 夜明パパ and シルバーパパ (“Dawn Papa” and “Silver Papa”)

Maleanor -> マレノア

I hope that helps you out ^^ Happy hunting, English-speaking Twsties!!

[infinitepunches]

Monolith's Wonder Woman game has been cancelled.

I’ll tell you why this is a terrible tragedy.

It would have been an open world single-player game set on Themyscira.

It would have involved Diana returning to Paradise Island to protect her home from an attack from an army of monsters. This would have created an interesting dynamic between Diana and her sisters, as she is now assumedly a member of the Justice League and very familiar with the world of men. Perhaps they would doubt her loyalty at first after her time away from home.

You would have been able to recruit other Amazons to fight alongside you in battle, Assassin’s Creed Brotherhood style. The concept art shows one of Diana’s allies using futuristic armor and weapons. It’s unclear whether or not these are other Amazons who have returned from the outside world or mortal women coming to the aid of the Amazons.

You would have fought manticores, orcs, Minotaurs, and various other creatures all being controlled by the evil goddess Circe. Concept art also shows Cheetah allying with Circe.

We would have likely learned about Circe’s history with Hippolyta and the Amazons and why she would want to destroy their paradise. After coming more into the public eye in Creature Commandos, this game could have shown the scale of threat that Circe represents as she conquers a nation of superpowered immortals.

This game would have been made by Monolith, a company I’ve loved since they made Tron 2.0 in 2004. They are most famous for making the Lord of the Rings game Shadow of Mordor and its sequel Shadow of War, which in in my top 3 games of all time. These games have beautiful open world maps that give us a bit of an idea of what Themyscira may have looked like. One of the coolest things I’ve ever done in any video game is to tame a dragon and ride it around an open world Middle-Earth.

The most unique thing about Shadow of War is the Nemesis system. Every villain you encounter is procedurally generated with unique aesthetics and abilities and immunities. Any time a villain defeats you, he gets a name, he grows more powerful, and he moves up in the ranks of the hierarchy of the enemy’s forces.

Killing enemies merely opens up their spot for another enemy to fill. But defeating them nonlethally and forcing them to pledge loyalty to you allows you to take control of all the forces under their command. The Wonder Woman game would have implemented the Nemesis system for Circe’s army.

Citadel strongholds are where the most powerful enemies fortify themselves. With the former enemy commanders and armies under your control, you lead assaults and take over these citadels, assigning one of your own commanders to be its new leader.

The combat system of Shadow of War is somewhat similar to Arkham Knight. Fast-paced and combo focused. Taming creatures also adds a fun layer to fighting large groups of enemies. It has my favorite sword combat in any video game and it would have been interesting to see how they would have incorporated the Lasso of Hestia into the gameplay.

We would have likely seen skins and customization for Diana.

Ferdinand the Minotaur could have been your first new ally to abandon Circe.

Kangas could have been a tamable creature type you could ride around the open world.

The Invisible Jet could have been used for fast travel.

We could have gotten some great exposure for some of the lesser known characters in the Wonder Woman mythos.

Rocksteady killed Wonder Woman unceremoniously in their suicide squad game. (And then said every other character who died was just a clone.) The failure of that game and the $200 million profit loss that it caused is the primary reason why Warner Brothers decided to kill Monolith Productions, a company that has been producing games since 1997.

Meanwhile, Rocksteady gets to make a Batman Beyond game.

This is one of the most regrettable missteps in gaming history.

[bengiyo]

BL 2024 Review

It’s been another year of BL. I wrote a review of 2023 and 2022, and I find myself struggling to write about this year. I feel like I had some incredible projects that I connected with this year, but I also found myself far more bored and frustrated with certain things than I was expecting. The most disheartening thing this year for me was the drop off in the number of quality Korean productions, and the end of my patience with Thai BL squandering viewer time and attention. Let’s get into some of the big ideas.

Japan is Still Here

Last year I commented that a third of all Japanese BL I had ever watched came out in 2023. We got even more this year, and we had longer runtimes! This is good for the kind of viewer I am. I find that I enjoy Japanese shows more often than any other BL-producing country, and they held down the bulk of my watching for the year.

This year I was blessed with two shows tackling a similar premise (actors falling for each other as they film a BL) and they were both good! I loved I Became The Main Role of a BL Drama so much, and we’re getting a sequel in 2025! I wasn’t sure if I would enjoy a moodier take on this premise when At 25:00 in Akasaka showed up, but I ended up enjoying that, too!

I properly watched Ossan’s Love and The Novelist at the start of this year, and I’m so glad I did, because goddamn did I enjoy Ossan’s Love Returns.

I also remain thankful for Tadaima Okaeri and Twilight Out of Focus for giving us worthwhile BL anime.

I'm thankful for Perfect Propose for giving me a man in his mid-20s leaving his horrible job after getting fed and jerked off by an old friend.

I'm thankful for Takara no Vidro for unpacking obsession in a relationship and solving it with healthy communication.

Finally, I'm thankful for Love is Like a Poison for blending a legal drama with a BL so effortlessly, and making it such a fun ride. I love that Shiba Ryoma can't fight for shit and was so down bad for his man.

The Cross-Cultural Adaptations Brought Out Great Discussion

I was glad we got Cherry Magic Thailand and My Love Mix Up Thailand this year in the order in which we got them. It was useful because they both came from GMMTV, and I had opposite reactions to both. I loved what they did with Cherry Magic, and stand by what I said on the podcast that I think it’s the best version of Cherry Magic (even if the anime is my favorite). This was useful, because I was really put off by the attempt at My Love Mix Up, and think they got a lot wrong. I’m glad the good show came first so I didn’t feel like I was being a Japanese version stan.

Adapting from danmei, I really wanted to like My Stand In, but bounced off the show not taking the horror of Joe’s situation seriously. Moreover, I think the commerce of the BL pair required them to soften and redeem Up’s character in a way that felt disingenuous for me. I wanted that man to be unhinged and far more toxic than they portrayed him. If this is the trend, I’d rather Thai teams invested in BL pair commerce avoid toxic danmei in the future.

In Taiwan, I was so impressed with Unknown. Despite the missteps on the sexual turn, that was one of the most engaging dramas we had within the genre this year. I was impressed at how seriously they took their family dynamics. That being said, Meet Me at the Blossom didn’t land for me. I would very much like to see a wuxia BL that hits for me without the dubious and non-consensual bits.

Over in Japan, I don’t think I’m enjoying Our Youth that much, and I wonder about whether certain aspects of the source material didn’t translate properly with some of the changes I’ve seen mentioned by viewers. It’s been a difficult experience, because I loved the scene of Minase fleeing Hirukawa’s room, but the show has really lost its emotional core for me.

However, I actually really enjoyed the Japanese version of Love in the Air, and think MeMindY timed this well with The Boy Next World starting right as the last episode of Love in the Air Japan finishes. It was clear to me that the Thai team was involved in the adaptation, and that the makers of the Japanese version loved LITA. I think both versions bring out something noteworthy in the characters, and I hope that the show is successful so we get more work from MeMindY as a result of the connections made here, because it’s clear that the money situation in Thailand might not be so hot right now.

Thai and Korean Money Must Be Drying Up

We’ve been wondering when the BL peak would hit and the decline would begin, and I think we’re starting to see some of those changes. I worry about how little we got from Korea this year, despite three incredible showings from Love for Love’s Sake, Let Free the Curse of Taekwondo, and Love in the Big City. Beyond those three, I don’t really feel like anyone missed out that much on the other offerings (maybe Time of Fever, but I have qualms with that show).

Beyond that, I remain worried about how much talent has consolidated at GMMTV. It’s a worrisome sign that they continue to gobble up all of the talent. Regardless of personal tastes for a particular brand of BGP (business gay performance), it’s pretty bad for all of us when one corporation is the only one making money on boys kissing each other (@respectthepetty).

Despite how much Thai BL I dropped, I did genuinely enjoy the relationship and friendship dynamics of Cooking Crush, Knock Knock Boys, Love Sea, and The Trainee.

The Gay Things I Loved

Enough musing. Let’s just talk about other things that I loved. This is the section where I beg you to watch the gay things that matter to me, and not just the boys whose IG reels get reposted here.

I absolutely loved the entire experience of the Love in the Big City book club. When @lurkingshan pitched the idea, I had no idea how many people would earnestly participate, that Anton Hur would share his time with us, or that the show would actually be so good. LITBC was so good that conservative Koreans protested its airing. I loved everything we did this year around that book and show, and wanna say thanks again to everyone who engaged with us.

I also adored Marahuyo Project. I love that ANIMA Studios didn’t end after Like in the Movies. JP Habac came back with a banger. That show said it was LGBTQIA+ and it meant it with its whole heart. I really loved this show as a true examination of the evolving landscape of youth queerness in the modern era more than anything else I watched this year. Go watch it.

I did not expect a show about a reformed misogynist to be my favorite show of the year, but here I am still begging all of you to watch Don’t Care For An Old Man’s Underwear! (@isaksbestpillow)This show made me cry every single week because of how good every moment hit. I have rarely experienced such an immense feeling of compassion as I received from this show.

In 2022, we watched She Loves to Cook, and She Loves to Eat, and we wondered if NHK would come back and finish what they started, and goddamn did they deliver. I think about Nomoto and Kasuga about as much as I think about Shiro and Kenji (What Did You Eat Yesterday?) now, and if Japan doesn’t figure out a way for both of those couples to meet, I will be forever disappointed. Go watch it. (@furritsubs)

Finally, I will be forever thinking about the confession through the wall in Let Free the Curse of Taekwondo, how they intercut the youth and adult sex, and the way Dohoe apologized to Hyeonho. Hwang Da Seul finally got all of the pieces right here. She loves to see a couple get back together after a big separation, and she succeeded here. This show earned its youth romance, and earned its reunion. She understands how important it is for gay people to stop trapping each other. We threw that cross in the trash, and cried because of Yahoo answers. We all won.

My Tastes are Changing

Last year I engaged with about 99 productions. This year it’s under 75 with 26 that I didn’t finish. I hesitate to say that the genre is getting worse, when I feel like things are where they’ve been for a long time. However, it’s clear that I’m changing and am less interested in seeing what I deem to be weak attempts at familiar storytelling tropes.

I think what I’ve noticed the most about my tastes changing is that it’s making me write less. The fandom has contracted dramatically on Tumblr, and I find myself growing distant from the predominant reactions. With there being less people to vibe with, I’ve been reacting less in real time. Despite that, I hope to continue posting round ups with my BL blurbs and @the-conversation-pod.

All in all, 2024 is a difficult year for me. I think I enjoyed BL less overall, but the things I did enjoy I enjoyed more than previous years. It’s a difficult space for me to navigate, because I think this is actually what I wanted. I will continue to appreciate that the BL genre enables the funding for the big gay projects that I love. So, even if I think GMMTV going literally all-in on BL is going to lead to a ton of garbage, I still remain hopeful that the homos with something interesting to say can make the projects they want.

[the-starlight-mistress]

Thinking about the “buddy is a key” theory from Cinderella boy.

Usually the old but not aging character x the super young barely legal character really bothers me. It seems like barely concealed fetish and usually normalizes bad dynamics and toxic situations.

However it hasn’t bugged me so far with stargoth and I’ve been trying to figure out why.

Here’s what I think it comes down to.

For me the big issue with a much older character and a much younger character is the older character has the ability to use their experience in the world to manipulate the younger one. Even accidentally. The older one may know more sexually, socially, or emotionally and can use that against the younger person whether they mean to or not.

For example: this is the reason that vampire romances can be really hit or miss. It’s often the vampire using their knowledge and skills in the human world to control the human because the human is too young and impulsive to know better. Even if the vampire looks like they’re 20 they will still act and think like someone who has had 5 times the experience of a 20 year old.

But if buddy is a key, then he doesn’t have this sort of upper hand since he doesn’t have experience as a human. Not only is his only time being human relegated to story books (notoriously non realistic) but most likely he’s been in key form for most of his existence (given the fact that silver mentions often not knowing how much time has passed since she was allowed to be in not key form) which significantly lessens his years of consciousness (I think. please correct me if I’m wrong).

So even if he is technically some random number in the 100s years of age, he’s still got the mind and behavior of a young man, as we have seen throughout the comic.

Idk if I’m explaining it well but to me it’s a bit similar to those anime girls who look, talk, and act like children but are 120 or whatever. people try to justify sexualizing them because “well they’re 120 so they’re legal” but outsiders know that that’s a child even if the age supposedly makes them technically older. Same with buddy. He may be whatever age but he just doesn’t have the life experience to justify saying that he’s emotionally that much older than chase.

Anyway idk if any of this makes sense. It’s mostly just me rambling my thoughts. And I thought maybe it could help some of the people who would walk away from the fandom if it’s confirmed that buddy is indeed a key.

[jamestclair]

After my reread of Dark Heir and looking at people’s recent theories on what will happen in book 3 I’m more sure than ever in my hope that the collar is fucking with James’s mind to some capacity. Anharion turning out to be a sub who willingly gave himself over to Sarcean without any magical compulsion would be cute, sure, but it removes any and all narrative tension from the collar and by extension the dynamic between James and Will. It renders both Will’s horror at James being collared at the end of book 2 and James’s attempted suicide to avoid the collar unnecessary. I don’t think anything would be gained in the story and would in fact actively harm it if that’s the route Pacat decides to take.

This also ties into a similar topic I’ve seen get thrown around, which is the idea that Sarcean was a secret good guy and that the Light were the bad guys all along. I don’t know why anyone would want this to be canon. The whole point of the series is that the world and the people who inhabit it are shrouded in shades of grey. If Sarcean turns out to be an unequivocal good guy fighting against the Evil Light Monsters than that’s just the political dynamic of the first book in a different font, and I think most of us agree that the best part of that dynamic was the realistic subversion, not a complete 180 that keeps the dynamic but the colors are switched around.

Anyway uhhhhhh TLDR: hope book 3 is fucked up in a way that makes me giggle in fear

[autistic-ben-tennyson]

In Defense of Shinji/Rei

Out of all the pairings in the Evangelion fandom, Shinji/Rei is one of the most controversial and least popular, especially here on tumblr. It did have some popularity at one point but that has died down in favor of Kawoshin and Asurei. It’s a ship that I, and many others, feel is often mischaracterized and dismissed due to its more controversial elements but one that is honestly very emotional and deserves less hate in my opinion, as do it’s shippers who people also have a misguided view of. Fandom in general has become more moralistic and puritanical in recent years. It’s like no one learned a thing from the SU fandom discourse where people were bullied or called homophobic for liking a certain pairing over the other.

Argument 1: she’s his mother/sister

The most common criticism of the pairing is that it’s incest and that their relationship is that of a brother-sister or mother-son. First, Rei’s whole arc in the show is that she’s not just a clone or copy of Yui or Lilith. She’s her own person with her own desires which is why her loyalty to Gendo wanes as she becomes more of an individual. Her DNA also isn’t that similar to Shinji and only a small amount of Yui’s was used. The rest was affected by Lilith hence the differences in their appearance. So there is a little bit of blood relation but it’s not on the same level of say Bwen or Pinecest. Incest is terrible because it’s a betrayal of family trust and abuse but Shinji and Rei met as teens and were not raised as siblings, nor did he know of her origin until Ritsuko explained it.

I’ve also seen the argument that their bond is sibling-like or Shinji views her as a Madonna/mother figure. Anno has stated that he intended there to be a “love triangle” with the pilot trio and show’s proposal described Rei as having “learned about feelings when she fell in love”. While that info comes from Reddit and may not be reliable, it does challenge the idea that there was no intention for their dynamic to be romantic.

Next, antis really take that elevator scene out of context where Shinji was complimenting her on being like a mom while ignoring him telling her she’d make a good housewife. The rebuilds and manga make their connection more blatant but it was always there. Misato, Toji and Kensuke all tease Shinji about his crush and the two act as friends after warming up despite their icy first interactions. There may be some maternal aspects to it but it’s rather simplistic to dumb their bond down to a family connection. It seems antis argue that they’re siblings because the romantic implications are uncomfortable and antis don’t want to admit that they do have feelings for each other.

Argument 2: it’s misogynistic and queer erasure

Okay, this is a less common argument against it but one I’ve seen from popular Eva analysis writers that view Kawoshin as the only valid pairing for Shinji. I’ve seen it used against Asushin and Marishin too. This goes hand and hand with the idea that Shinji views Rei as a Madonna and is misogynistic. I have a lot of thoughts about the “Shinji is an incel misogynist and Asuka did nothing wrong” discourse but that’s for another day. He’s not a perfect uwu soft boy but fans seem to base his entire characterization off the hospital scene in rather single issue Eva analyses that cherry-pick certain scenes or dialogue.

The argument that it’s queer erasure is one I’m starting to despise. Yes, there are homophobic dudebro fans who hate Kawoshin but not everyone who prefers a “straight” pairing is anti gay. Shinji could still be bisexual and be in a m/f relationship. I’ve also seen some ship him in a polycule with Rei and Kaworu. Plus, not everyone has to interpret the show or character the same way. The writers made it so people can view Kawoshin as romantic and Shinji as queer, but never demanded that be the only possible interpretation.

This kind reminds me of something I’ve occasionally seen in the Ben 10 fandom too. A few fans, not all of them, treating the wholesome gay ship as the only good pairing because of the problematic elements in the m/f ships or because they view the male protagonist as a misogynist. The “male character is sexist or a bad boyfriend so let’s make him gay” is also a fandom trope that kind of irritates me. Not every ship has be gay or a girlboss romance either.

Argument 3: they’re kids and you can’t ship them

This is one of the least common criticisms but one that I’ve occasionally encountered. First, they’re 14 which is around the time a lot of teens start dating. Second, romance =/= sex and child/teen characters can have romantic feelings for each other. Yes, ship wars over fictional kids can escalate but there’s nothing wrong with just liking a pairing. This post about Chihiro and Haku’s bond from Spirited Away kind of applies here too.

My thoughts: why do I love this pairing?

I first fell in love with this ship because I watched the rebuilds first on Amazon Prime and didn’t know the series was on Netflix because my account, embarrassingly, still has parental controls on it. I know they’re not everyone’s cup of tea but I liked them. Shinji was a character I really connected to and so was Rei. Their relationship got me a bit emotional and the scene where Shinji attempts to save her had me on the edge of my seat, while the scene where Shinji accepts Rei Q got a tear out of me as did the apology scene in 3.0+1.0.

If I had to compare them to any other pairing, which I’ve done before, it would be Hodaka/Hina from Weathering with You which also is a bit divisive and a bit of a tearjerker. Ironically, EoE is one of Makoto Shinkai’s favorites and he considers Anno an inspiration. Everything from their bond to Hodaka’s character and Hina’s arc of a blue haired girl, blackish-blue in Hina’s case, that’s lived a difficult life and who’s only purpose is to be a sacrificial lamb, learning to pray for herself is a lot like Shinji/Rei, down the ending of WWY being a lot like that of 2.22. The scene where Hodaka gives Hina a promise ring is also a little like the “smile” moment from Episode 6/1.11.

Conclusion

In short, Shinji/Rei isn’t a bad pairing and is overhated and misrepresented by many in the fandom. It’s fine to dislike it or prefer another ship but one can do so without chomping at the bit to paint its shippers as homophobes, misogynists or people with incest fetishes or Oedipal complexes. Many of us like it because it’s one of the least toxic relationships in the series and is honestly a very powerful story. Are there some questionable elements in it? Sure, but you can like a ship even if it’s not up to golden moral standards and expecting every pairing to be unproblematic is ridiculous. Real life is much more grey than what moralistic fans claim.

[c0nfessions-of-a-writing-freak]

Winner Winner, Stormfly's Dinner

Pairing: Hiccup 'Horrendous’ Haddock III x fem!oc

Word count: 6.7k

Hiiii I was wondering if you could write a fic about the dragon races? I’ve seen your fic about the Lightfury stealing a dragon rider and really enjoyed it and I loved the dynamic the Lightfury had with your oc, Toothless and Hiccup even tho she doesn’t seem to like him too much. I was hoping you could incorporate that dynamic into an x reader fic? Also, you're free to use Stardust as the name of the Lightfury since I thought it was so cute. Since I know it probably wouldn’t fit into your original story I thought it might be easier to do it as something completely new with similar characters if that’s alright? Love your work and can’t wait to see more! From Anonymous

Hiii i was wondering if u could do something like a dragon racing fic with the sheep since I thought that might be fun. I’ve seen most people have requested Hiccup so I’m just going to request him as well since that’ll be fun and easy for you. So maybe like just segments where the reader is singled out with each rider so she can have some fun banter or moments with them and then maybe she gets the black sheep and wins the whole thing and hiccup is super proud of her <33333 From Anonymous

(Y/N): Your name

(H/C): Hair colour

(D/N): Dragon name

A/N:

A loud horn rang out as (Y/N) stepped into the old dragon training arena, her Lightfury–Stardust–following behind her. The noise signalled the nearing of the annual dragon race, letting those know to start making their way over soon. The stands were empty but the pit of the arena was full of dragon riders and their dragons, applying paint to the wings and heads of their dragons.

"Running a bit late now, are we?" Astrid called out as (Y/N) passed her. She wore a smug grin on her face, coloured orange and blue just like Stormfly behind her. Stormyfly perked up at the sight of (Y/N) and Stardust, trying to take a few steps towards the pair to greet them. At the sound of her talons scraping along the stone floor, Stardust's head snapped towards her, and a flash of teeth and a wrinkle of her nose deterred Stormfly from getting too much close. (Y/N) placed a hand on Stardust's head, lightly pushing it in the direction of where a mass of darkness sat patiently and with his chest puffed out slightly as its one-legged rider smeared paint across his head. At the sight of the other fury, Stardust went gracefully over without a second question, leaving (Y/N) to fend for herself.

"Hi, Stormfly. Looking good," (Y/N)'s voice rose as she ran her hands under the Deadly Nadder's chin, earning an elated hum from the beast. A bubble of joy rose from the pit of (Y/N)'s stomach to her chest, lighting her up until her soft laughter rang out around the arena. Astrid soon joined in on the laughter as she followed after her wayward dragon. "You ready for today, Astrid? Been feeding Stormyfly as much chicken as possible?"

At the mention of chicken, Stormfly lit up. Rising from (Y/N)'s grip and stomping her feet lightly in excitement. Astrid raised both her hands to try to calm the Deadly Nadder down, shooting (Y/N) a feigned annoyed glare. "We've definitely been getting some extra practice in, though I wouldn't say… you know what is needed to beat all these knuckleheads. What about you? Got any secret flights in with Stardust in preparation for today?"

(Y/N) ticked her head to the side, the corners of her lips lifting. Her body language showed indifference, but Astrid could tell something was going on that (Y/N) wasn't telling her. "Stardust and I will do just fine without any extra help. We always have a few tricks up our sleeves."

"We'll see about that once we get in the air," Astrid comments as she leads Stormfly back to her painting station. She dabbed a small sponge into the bowl filled with orange paint before lifting her arm to run it along Stormfly's outstretching wing, leaving a trail of paint behind that she would later go over to make the colour brighter and the lines steadier. "I took the liberty of setting up your station near Hiccup's. I hope the colours are to your liking."

"I'm sure whatever you picked out will make Stardust and I stand out amongst the rest of you," (Y/N) called over her shoulder with a laugh ringing through her words, choosing to ignore any undertones of teasing that she could find in Astrid's voice. (Y/N)'s eyes now landed on a new target. A target that she wouldn't be able to reach as quickly as she would have hoped to.

"(Y/N), I need your honest opinion–well, not too honest, or I might cry–about my battle paint!" Tuffnut called out as he saw the (H/C) haired girl walking past. As (Y/N) turned to take in the mix of colours on his face, she jumped back at the closeness of the boy. Tuffnutt had run up to her and was standing with his face pushed outwards with his eyes widened. On it was a yellow skull with the rest of his face blacked out. "Is it too much? Too little? I think I should add more paint but Ruff disagrees."

"It's, uh, very you," (Y/N) said slowly, her palms extended in front of her and faced up as she acknowledged the thought-out design. (Y/N) took half a second to think out her answer before she was closing a fist and lightly punching Tuffnut in the shoulder with it, "You know, I think you should go with your heart. If you think you should add more, then by all means, add more."

Tuffnut stared at her for a few seconds before he threw both hands into the air, "This is one of the many reasons you are my favourite," He exclaimed with a large grin overtaking his feature before he was spinning around and walked back towards his sister, arms still in the air. "You hear that, Ruff? (Y/N) thinks I'm brilliant!"

A smile displayed itself on (Y/N)'s face as she watched Tuffnut happily run back over to his paint station, his half of Barf and Belch looming over as he watched Tuffnut happily smear more paint on his face. The groan that rang out did little to wipe the smile off (Y/N)'s face as she turned to see Ruffnut glaring at her with her arms crossed. "Great, now I'm going to have to deal with the aftermath of all that."

"If it makes you feel any better Ruff, you get to dunk water on his head later. Maybe even repeatedly," (Y/N)'s words got an evil grin stretched across Ruffnut's face as she rubbed her two hands together, shooting her twin brother a sideways glance as she imagines the future that awaited for her.

(Y/N) didn't stick around for too much longer after that since she was losing time. Everyone else had finished painting at least themselves or their dragons and were now either going in for more details or working on whatever they hadn't done yet while she was still yet to even see the colour of her paint. Her hope for getting started didn't stay around for long as a short Viking called out to get her attention.

"Oi, (Y/N)," Snotlout yelled as he waved a large hand at her. Hookfang stood behind his dragon rider, sporting some red and yellow paint along his wings and a little bit on his jaw and cheeks. (Y/N) quickly walked over to greet the boy, not one for ignoring anyone. "You mind helping do my face? I would use the mirror normally, but the twins shattered it earlier while trying to call dibs on it."

"Are you sure you weren't in on the shattering of said mirror?" (Y/N) questioned with a grin as she came to a stop in front of Snotlout. The shorter boy's shoulders dropped as he tried to fight to string a sentence together to defend his honour. It only ended up causing a laugh to rise from (Y/N). "I was kidding, Snotlout. I totally believe it was just those two causing their normal ruckus."

"Good, because you know I would never stoop so low to join in or whatever it is those two get up to," Snotlout puffed out his chest as he said this, earning another huffed-out laugh from (Y/N) at his actions. "Now, about that face paint?"

The laughter slowly died down as the question was brought up for a second time. One of (Y/N)'s arms was raised as she wrapped it around the forearm of her other arm. Trying to let the boy off gently, she spoke softly, "I don't know, Snotlout. I haven't even started on Stardust or my own paint, so I don't think I have the time."

"It will only take a second, I promise," Snoutlout said as he tried to push the bowl of paint into (Y/N)'s hands.

But at the sound of a second horn (Y/N) shook her head and pushed the paint away from herself and back to Snoutlouts chest. "I'm sorry, Snoutlout, but I don't have time. How about if I finish myself and Stardust and still have time afterwards, I'll come back over and help y

The offer was a good one, and the best (Y/N) would be able to give as she could already hear the first group of Vikings arrive early for the race later. Snotlout seemed to ponder the offer, taking his time in weighing it out in his head before giving a single nod of his head. "But I want you coming straight back here once your done. No faffing around with Hiccup afterwards."

One of (Y/N)'s hands shot up to her forehead in a salute as she looked down at Snotlout. "Hearing you loud and clear, soldier."

(Y/N) could hear the huffing of Hookfang, along with some muttering from Snotlout, as she turned away from the flaming duo and tried, once more to get to her desired destination. This time she thought she'd finally be able to. She had gotten through nearly all the dragon riders, and Fishlegs wasn't one to socialise much before a big race, having some pre-race ritual he had to forgo. But as she started walking once more, a Gronckle-loving dragon rider attempted to get her attention.

"Ooh (Y/N)! (Y/N)," He called as he left Meatlug behind, the Gronckle happily snacking on some rocks. Fishlegs held a card in his hand as he made his way over to the (H/C) haired girl, a nervous grin on his face as he came over. (Y/N) came to a stop even though she was a little annoyed at being stopped for the fourth time. She tried to hide that annoyance as Fishlegs hadn't done anything wrong. "I stayed up late last night trying to finish this new card I made for Lightfury's. I thought we needed a newer version since we've found out so much more about Stardust and her species."

A smile fought its way onto (Y/N)'s face as she saw the carefully drawn Lightfury on the small trading card. (Y/N)'s eyes widened as she swore she could see every detail on the small picture that replicated her very own dragon. "Wow, Fishlegs, I don't know what to say. It looks amazing."

"This one's for you," Fishlegs quickly said, placing the card in (Y/N)'s hand before she could decline. "And before you say anything, I have a second one at home. I made this one just for you since I know you love everything and anything dragon related."

"Thanks, Fishlegs. I don't even know what to say," (Y/N) grinned as she stared at the small card before delicately placing it in a small pouch she had attached to her belt so it wouldn't get ruined while she was racing. As she thought about the race, she realised how much time she lost between getting to the arena late and having to talk to all the different dragon riders. "Good luck with the race, yeah?"

"I'll see you out there," Fishlegs concluded as they both turned away from each other.

This time, (Y/N) was finally able to get to where she needed to be.

"Hi, Hiccup," (Y/N) said as she trailed her fingers along the brunette's arm. The taller boy looked up at (Y/N), a soft smile on his face as he watched the girl dance around him. "And hi, Toothless. Red is such a good colour on you."

A gargling noise quickly erupted from Toothless' throat in his way of saying hello. Stardust was wrapped around the other dragon, head resting under his chin as she was careful not to smudge any of the red paint, mainly because she didn't want any of it getting onto her scales.

Before (Y/N) could take another step forward, she felt two arms wrap around her waist and pull her backwards. As she fell back into Hiccup's chest, a bubble of a laugh rose from her chest as she felt him pull her down to sit on his lap as he rested his head on her shoulder. At the action, Stardust let out a small growl. Her nose scrunched up as she threatened to take a step forward, the gentle coaxing from, Toothless stopping her from doing so.

“I was wondering when you were finally going to make your way over here,” Hiccup said as he rocked the both of them back, completely ignoring Stardust’s warning as he was already used to the untrusting behaviour on her part. He was sure he was slowly starting to get a breakthrough with the dragon. Having Toothless around certainly helped with that. “Once Stardust over there came bounding over, I knew it was only a matter of time before you would follow. I didn’t know it would take that long though.”

“All the other dragon riders seemed to want to keep me as far away and for as long as possible,” (Y/N) said as she wiggled out of Hiccups grips to the Viking's annoyance. She quickly turned around however and stood between his legs, forcing the Viking to look up at her from where he sat as he extended both of his arms so they could gently rest on her hips. “I’ve got a lot of time to make up for. So, if you could help me by painting Stardust with me, I’d appreciate it.”

At the mention of her name, Stardust stood and stalked a few steps away from Toothless, getting ready to be coated in paint. But when she heard her name in the same sentence as the Viking (Y/N) likes to keep around, her head shot around so she could watch Hiccup with a heated gaze.

“I’m not too sure Stardust likes the sound of that,” Hiccup said slowly. Rising from his seat, he followed after the shorter girl as she moved over to where three bowls of paint sat. Of course, there was the bowl of red paint that Hiccup had used for Toothless, but the other two bowls were left untouched.

“Nonsense. Stardust will stand still as you help me,” (Y/N) announced confidently as she picked up a bowl filled with light blue along with a sponge that sat near it. As she turned back around she sent Stardust a warning look, silently telling her to behave. “I want to do a sort of spiral along Stardust’s back where the colours intertwine with one another. But I don’t know what markings I want to do on her wings or face yet.”

Hiccup came up next to (Y/N), a step or two away from Stardust as he watched (Y/N) dip the sponge into the paint and slowly start to trail it along Stardust’s back. A soft purring began to emit from the Lightfury as (Y/N) worked her way down, her other hand gently trailing along with her. Hiccup took this as his chance to step up beside her now that she had gravitated further down Stardust’s body. At the sense of his presence, Stardust’s head whipped around while the rest of her body stayed eerily still.

“Easy girl,” Hiccup reassured gently as he raised a slightly shaking hand for Stardust to sniff. The dragon however scoffed a bunch of air out of her nose, the wind smacking against Hiccup’s hand as she turned away from him once more with a grumble. As if on cue, Toothless waddled over to them and stopped in front of Stardust to keep her busy while Hiccup worked.

When a hiccup got about halfway, (Y/N) left his side as she walked over to Stardust’s other side. Patting the white dragon on the edge of her wing, Stardust extended it for (Y/N)’s use. (Y/N) started to run the blue paint over the groves of Stardust's wings. As Hiccup walked over to help finish off the wing, he got a similar response to when he stepped up to her once more.

(Y/N) didn't pay too much mind to her, shushing her as Hiccup watched what she was doing. "I want this done on the other wing but in reversed colours. Also, can you fill these in with pink? And trace the back of her wing with it as well before you start on the other side with me?"

"Sure I can," Hiccup agreed, quickly doing what the (H/C) haired girl had asked him to. Again, (Y/N) was able to finish and move on to Stardust's other wing as Hiccup fought to catch up, trailing behind her as he copied her work. When Hiccup finished, he could see the girl crouched in front of Stardust's face while the dragon leant her face down low. Coming to a stop behind her, Hiccup saw the two bands of blue wrapped around Stardust's front legs while she now trailed some paint up her face. Looking at the close proximity between the two, Hiccup said, "I think you should finish Stardust off."

Once the final stroke of paint was drawn, (Y/N) turned back to smile at Hiccup. "Come on Hic, you know Stardust won't bite."

"That's the thing," Hiccup unwearily said as he cautiously stepped forward, an immediate response rising out of Stardust. (Y/N)'s head instantly whipped around at the noise emitting from her dragon. A light scowl was on her face, slowly making the rumbling calm down. "I'm not completely sure she won't."

(Y/N) took a second to think over what she was going to do before she reached a hand back for Hiccup to take, waiting patiently until she felt the steady weight of it. At the contact she pulled him forward, the light ring of his metal foot hitting against the stone floor as (Y/N) pulled him to crouch down next to her. Stardust's face twisted at the sight of the other dragon rider but tried to stand still as (Y/N) was still crouched in front of her.

Grabbing onto Hiccup's other hand, the one that had the bowl and sponge held in it, she pulled it forward before making another grab for his previous hand. Together they dipped the sponge in the paint before trailing it along Stardust's front legs, having two rings on each alternating leg. Since (Y/N) was doing most of the work, Stardust couldn't find it in herself to try and scare them off. She still however made her annoyance known as she glared at Hiccup, the boy only being able to give her a throaty chuckle in response.

As they moved onto Stardust's face, (Y/N)'s hold on Hiccup's hand loosened, giving him the chance to back away if he wanted. But the boy's hand stayed where it was, trying not to seem too keen to get closer. As the sponge dipped back into the paint before moving up to the Lightfury's face, Stardust slowly closed her eyes, allowing the paint to trail across her face. Hiccup could feel a smile slowly starting to etch across his face. Never before had he been able to get this close to the Lightfury with Stardust's willingness. Even if there wasn't much of it right now.

"All done," (Y/N) happily cheered as she pulled Hiccup's hand away from Stardust's face. The dragon's eyes instantly shot open, a smile starting to stretch across her face as she turned to find Toothless to show off the finished work. (Y/N) watched happily as the dragon bounced over to Toothless, spreading her wings as she pranced around Toothless, forcing him to turn to follow her as he showed one of his famous toothless smiles.

"Now it's time for something more important," Hiccup said as he stood. Balancing the paint in one hand, he pulled (Y/N) to her feet before tugging her slightly closer.

"What could be more important than painting Stardust?" (Y/N) questioned, smiling softly up at Hiccup as she waited to see what he might do.

"This," He said as he dipped his thumb into the pink paint and brought his hand up to (Y/N)'s cheek. He waited half a second before running his pink-coated thumb across her cheekbone, making sure he curled the paint up the higher he got. A laugh rang out of (Y/N) as she pinched close one of her eyes when Hiccup ran his thumb underneath it. Once he was done with that half of (Y/N)'s face he wiped his thumb into the palm of his hand, trying to get rid of as much of it as possible before he bent down to place his bowl down and pick up the one (Y/N) had put down earlier. "Nearly done."

"You have to let me do your paint after this," (Y/N) demanded with a grin, leaning forward as she bounced forward on her toes.

"Absolutely not." Hiccup was careful not to mess up the swirls he was painting onto the girl's face. "What I want is simple and I can do it myself. Plus, I know you're going to try and add something to the design if I don't keep a close eye on you."

"Alright," (Y/N) said as a hum in return. She stood still as she waited for Hiccup to finish. "Here, I'll take the paint back over."

At the offer, Hiccup handed the bowl of light blue over, watching as (Y/N) turned to get the pink bowl off the floor before walking over to the table it had originally rested on. Dipping a thumb into the blue paint, she let it coat her thumb before grabbing the bowl of red paint for Hiccup and bringing it over for him. "Thank you, (Y/N)."

"No problem, my love," (Y/N) said as the bowl was handed over. Hiccup's eyes flashed up at her, trying to hide a smile as he dipped his pointer and middle finger into the paint. While Hiccup was distracted by his own paint, (Y/N) reached her thumb up and smeared the blue paint she had gotten on it across her lips until they were completely covered in blue. Hiding her face by knocking her head down, (Y/N) circled Hiccup until she stood behind the dragon rider. Wrapping both of her arms around the taller boy's waist, she rested her chin on Hiccup's shoulder like he had done to her earlier. As Hiccup dipped his two fingers into the paint again so he could drag them along his face, (Y/N) lept forward and placed a small kiss on the boy's jaw.

"What was that for?" Hiccup asked as he lifted his hand up to draw on the paint, ignoring the sensation of the paint (Y/N) had left behind.

"Nothing," (Y/N) grinned, hiding it behind Hiccup's head as she moved to his other side before placing a longer, drawn-out kiss on his cheek. The blue paint wasn't as vibrate as the first kiss but still was a clear outline of her lips. "Am I not allowed to kiss my boyfriend?"

"I never said that," Hiccup said as he twisted in (Y/N)'s arms. His eyes locked on the colour of (Y/N)'s lips too late as he had already dived forward to catch her lips with his own. (Y/N) smiled at the sensation, keeping her arms tightly wrapped around Hiccup's midsection while the boy's brows pinched together. His tongue edged forward, waiting for (Y/N) to part her lips when the taste hit him quickly. Just as (Y/N) was about to grant him entrance, Hiccup pulled back, staring confusedly down at (Y/N)'s lips. "Why is there paint on your lips?"

"No reason," (Y/N) quickly said, feigning nonchalance. Maybe she spoke too quickly or should have been quicker since when she surged forward to try and leave another kiss mark on Hiccup's face, the boy planted both hands on (Y/N)'s shoulders, a groan leaving his now blue-coated lips as he hung his head onto (Y/N)'s shoulders.

"Please don't tell me your blue kisses are all over my face." (Y/N) didn't respond, causing another groan to rise from Hiccup as he lifted his head again, scowling lightly at the shorter girl when all she could do was smile. "You know what?"

"What?" (Y/N) asked, her brows furrowing at the lack of reaction from Hiccup. Once she saw Hiccup's thumb dip into his red paint, her eyes widened at what she knew was coming her way. Dropping her hands from Hiccup's side, she tried to wiggle back and out of his grip.

"No, you don't," Hiccup quickly exclaimed as the bowl of red paint dropped from his hand and spilled across the stone floor. Not to matter though since Hiccup's lips were already coated red. (Y/N) tried to fight Hiccup's arms off her as she backed away with a laugh. Hiccup's arms shot out and tightly secured themselves around (Y/N), trapping her arms to her side in the process. (Y/N) tried to lean back as far as possible but Hiccup only followed after her. Leaning up and forward, Hiccup placed a large kiss on (Y/N)'s forehead, marvelling at the red that was left behind. "There. Now we match."

(Y/N) pretended to be annoyed as she felt Hiccup's arms loosen around her. She wasn't doing a very good job at hiding her true emotions as a large smile blossomed across her face. At that moment, (Y/N) didn't have to worry about anything. Certainly not about the betting that was going on above her.

“My money’s on Snotlout,” Spitelout said as he stood neck to Stoick. Spitelout was looking down at his son as he pointed an all-knowing finger towards him.

“You sure he ain’t gonna throw it all away again?” Gobber asked from the other side of their chief as he scratched his beard with his fake wooden hand, looking down at Snotlout with a less then keen eye.

Spitelout flashed Gobber a glare, both of his arms crossed tightly over his chest as he said, “I’m sure he has it this time around.”

"What about you Stoick?" Gobber asked, turning Spitelout's glare away from him as they both turned their attention to the man sitting down. "Who have you got your eyes on for today's race?"

Stoick didn't even need to think about his answer as he brought a large hand to rub against his chin while saying with a bellowing voice, "My golds going towards my daughter-in-law."

"Oh? Hiccup's popped the big question?" Gobber asked he turned back to look at the pair still wrapped in each other's arms. He could see the splatter of paint they had been leaving on each other's faces, but Gobber was more than content to let them stay in their own little bubble for a bit longer.

Stoick's face pulled downwards at the question. In a grumbled-out response, he said, "Not yet."

"If that boy doesn't hurry up, she's going to do it for him," Spitelout stated, getting silent agreement from the Vikings he was conversing with."Now, back to business. Not putting your gold on Hiccup, eh?"

"Not today, no," Stoick shook his head. "(Y/N) and her dragon have been looking promising recently."

"We'll see if your judgement has grown clouded soon enough," Spitelout teased, grinning as he heard the final horn ring out. Some of the dragon riders got on their dragons as soon as possible, flying up to where they stood on their baskets, waiting for the race to begin. "Normal amount?"

"Hm? Sure," Stoick absentmindedly said as he stood from his seat and walked a few steps forward, gaining the silence from the crowded arena stands. The silence urged the remaining dragon riders to mount their dragons and get to their starting positions. "Vikings and dragon riders, today we join for the first race of the year. On the Gronckle we have Fishlegs, the Monstrous Nightmare being flown by Snotlout-"

Stoick was cut off by a loud cheer from Spitelout, the man yelling, "That's my boy!"

"Yes, thank you for that wonderful display Spitelout," Stoick deadpanned as he turned briefly to face the other Viking as he calmed himself down. "The twins, Ruffnut and Tuffnut of the Hideous Zippleback, Astrid on the Deadly Nadder, and my son of the Nightfury."

Stoick paused as he got to (Y/N)'s part, drawing the crowd into suspense. "And on the Lightfury we have my hopefully soon to be daughter in law, (Y/N)!"

(Y/N) turned and grinned at the Viking chief, her face light and full of joy as she laughed along with the other Vikings watching from the arena stands as Hiccup gave off a slightly sheepish smile. At his smile, Gobber banged his wooden hand on the arena's railing before pointing accusingly at Hiccup and saying, "We see you, Hiccup and we're all waitin' for that question to be answered."

"Moving on," Stoick yelled as Hiccup threw his hands in exasperation. "I hear now begin the first dragon race of the year! Release the sheep!"

Once the horn rang out, all six dragons took off. At first, it was a battle of speed as they all raced straight up before breaking away from each other so they could scower Berk for any of the painted sheep they needed to win this. There were twelve sheep that they needed to find before the black sheep worth ten points would be shot to the sky.

As (Y/N) guided Stardust a bit closer to the huts when she noticed another fury trailing behind her. Looking over her shoulder with a grin, she saw Hiccup flying not too far behind them, the paint from earlier still smeared across his face and lips. "Love that colour on you. Is it maroon?"

"Oh, laugh all you want," Hiccup waved her off as he leaned forward on Toothless's back a bit more, his hands tightening on the saddle as Toothless tried to speed up.

(Y/N)'s head quickly turned back around, copying Hiccup's movements as she leaned down to Stardust's ears. "Come on girl, it's time to disappear."

Stardust let out a soft mew at (Y/N)'s words. Spreading her wings wide, speeding up as much as possible in the time to heat up a plasma blast in her mouth. Without warning her wings shot inwards towards her body as she turned into a nosedive. As the shot rang out, (Y/N) buried herself as close to Stardust's body as possible. As the both of them dived through the blast, the same cloaking that took over Stardust danced across (Y/N) and the few white scales she had woven into her clothes.

"Whoo!" (Y/N) yelled as they vanished without a trace, the only lingering part of them being her voice. It took a while for (Y/N) to spot her first sheep, the fluffy animal trying to hide under the hut of some Viking. But when both her and Stardust's eyes landed on it, they changed paths without a thought and swooped down. Twisting her body so (Y/N) sat upside down on her back, Stardust flew upside down so (Y/N) could hang down and pick the sheep up from where it lay. Pulling the sheep to her chest, Stardust helped to right them up as they burst back into the sky.

To everyone else, it looked like a sheep had somehow been granted the ability to fly but those who truly knew could just see the ripple in the air as (Y/N) and Stardust tore through the air.

Taking a sharp turn, the two of them with their extra passenger dived back towards the training arena, careful to keep out of sight of any other dragon riders. As they swooped in, the crowd cheered as they faded back into view to drop the sheep into the Lightfury's basket. Taking a quick look at the other baskets, (Y/N) could see that Astrid already had two sheep while Hiccup had three, meaning there were only six more sheep to find before the black sheep was released.

Pulling back on Stardust's saddle, the whistle that commonly was handed to the Nightfury rang out, filling the air as she shot away from the arena. The two of them didn't have time to waste as Stardust looked out for any stray sheep while (Y/N) looked for any dragon riders in the air with sheep.

As her eyes landed on Berk's Nightfury, a grin spread across her face. "Stardust, we need to go after Toothless. Make sure he doesn't see us coming."

Stardust shot out another plasma shot, cloaking them as Toothless looked back as the noise echoed. The dragon's eyes narrowed as it searched for Stardust but eventually had to look away when nothing turned up. Hovering above him though was Stardust as (Y/N) began to climb from her back. (Y/N) kept a hand situated on the saddle as she got ready to drop. Her feet touched down on the leathery back of Toothless, a confused yelp escaping him as his head shot back once again. As the feeling began to climb along his back, he tried to hiss out a warning to Hiccup.

"I'll be taking that," (Y/N) yelled as she tore the sheep from Hiccup's hands before launching herself off and over Toothless's head. Toothless gargled as (Y/N) went falling off of him, diving through thin air as she waited for Stardust to catch her. She continued to fall for a few seconds before she saw a floating sheep hurtling towards her in the claws of Stardust as she faded back into existence once more. (Y/N) landed on Stardust's back harshly, her bones rattling as one of her hands unlatched from the sheep to grab onto Stardust as she turned to the arena, a Nightfury on her tail.

"I'm going to need that back, (Y/N)," Hiccup called as he tried to keep up with (Y/N) and her Lightfury. Adjusting his metal foot, Toothless's tail changed directions, giving them a gust of speed. The soft grunts of a Monstrous Nightmare behind him were slightly startling with how close Snotlout and Hookfang were to catch up to them. Stating his thoughts, Hiccup said, "We can't let that happen, bud."

Toothless made his agreement known as he flapped his wings once, shooting away from Snotlout as they grew closer to Stardust. But no matter what they seemed to do, Stardust had an impossible lead on them. So there was no stopping it when Hiccup watched as both sheep were dropped into the Lightfury's basket. Hiccup and her were now tied. Astrid still had two but the twins had been able to score themself a sheep of their own. Nine sheep found, three to go.

(Y/N) and Stardust shot up once more, hoping to make one final round before the black sheep could be found. They didn't bother to vanish again, shooting through the sky as they tried to find more sheep. It was when a commotion could be heard above them. Meatlug had a sheep clutched in her claws while Stormfly and Barf and Belch tried to herd the sheep towards them. Fishlegs was panicking from atop the Gronckle, a perfect opportunity for (Y/N) to steal it.

Barf and Belch slammed into the side of Meatug, making the Gronckke growl as the sheep was dropped from her to retrieve the fallen sheep already gone after it. Stormfly was close to grabbing it within her claws when Stardust shot forward, sweeping the sheep from the air as she spiraleD up. “You’re going to have to be quicker than that if you want to win this!”

"Stormfly fetch!" Astrid yelled and the excited growl that erupted from Stormfly was anything to go by, (Y/N) was going to be in trouble.

"Fly Stardust, fly," (Y/N) screeched as the Deadly Nadder's eyes locked onto the both of them. Stardust's head shook as she shot forward, taking sharp turns to try and lose Stormfly as they were chased down. (Y/N)'s eyes landed on the last two remaining sheep. Patting on Stardust's neck, the Lightfury's eyes also landed on where (Y/N) was looking. "This is going to be a close one."

Dropping down, Stardust got all of her claws ready, planning on holding one sheep in each pair. As they reached the sheep, Stadust's front claws were able to score the first sheep but as she started to lift, her black claws pointing out to latch onto the sheep's fur, something snatched it out from under her. "I think it's only fair that I get this one after what happened earlier."

It was Hiccup. Both Stardust and (Y/N) were left slightly dumbfounded as they followed after the Nightfury. The others had caught onto their catchings and were trailing after them, making a train of dragons and dragon riders. As Hiccup threw his sheep down, followed by (Y/N) and her two, a final horn rang out, signalling the black sheep as the scores rested five to (Y/N), Hiccup at four, Astrid at two and the twins at one. Whoever grabbed this sheep would seal the victory.

"It's just one more sheep, Stardust," (Y/N) whispered to her dragon, the two of them shooting away from the arena along with all the other dragon riders. (Y/N) could hear them also muttering encouragements to their dragons. "We've come far enough to win this all."

As she spoke, she heard the launch of the sheep, the subtle clank of the chains smacking against wood as the black sheep went flying. It was a fight of flames and talons as all eyes locked onto the black sheep. It was a certain Nightfury that was able to shoot forward and steal the sheep into his clutches. That's when the chase broke out again.

Toothless had an advantage with speed, taking a small lead as Stormfly and Stardust were close behind. Both dragons were trying to shoot forward in front of the other, the riders on their back yelling jeers at each other as their dragons did the work. It was only when Stardust was able to push herself forward in a burst of speed that Astrid let out a frustrated yell. "He's right there Stardust. It's now or never."

As her agreement Stardust flew under Toothless, getting close enough that (Y/N) could reach up and snatch the Blacksheep from his claws, earning a snap from the dragon. "Right, let's go."

As they lowered themselves even further, Stardust let out a roar as they flew. The arena could be seen coming up, crowds of Vikings hitting each other and jumping up to see who had the black sheep as they all rode in.

It didn't stop there though. As they began to dip into the arena, Snotlout came hurtling around from the other side of the arena, an axe in hand as he tried to swing it toward (Y/N)'s head. Stardust already acted as (Y/N) yelled, "Dive, dive, dive!"

Nearly falling from Stardust's back because of the lost grip she had, a not-very Viking-sounding squeak as she fought to grip onto Stardust's saddle. Stardust rumbled from below her as she knocked her tail up, bumping (Y/N) further up her saddle as she swung around the arena, weaving in and out from the different dragons as they tried to steal what was theirs.

As the black sheep made contact with the Lightfury's basket, the sheep getting squashed in with the other ones, a ripple broke out through the stadium as the race ended.

"Yes," (Y/N) yelled as she threw both her arms out, Stardust throwing her own call to the wind as they sailed across the arena perimeter, close enough to the stands that some of the Vikings could read out and congratulate her.

"That's my girl," (Y/N) heard the yell from Hiccup as he flew up next to her, the tips of Toothless and Stardust's wings overlapping. "I almost thought I'd be able to win one over you."

"That is where you must have gone wrong," (Y/N) called back before Stardust was steering her to Stoick's seat, the man waiting happily with a grumbling Spitelout not too far away from him. "Have I won you enough gold, Stoick?"

His booming laugh shot around. "You have this time."

"Placing bets again Dad?" Hiccup questioned as he fell from Toothless's saddle, climbing over to (Y/N) where he pulled her from Stardust's saddle and placed a kiss on the side of her head.

"Of course I was Hiccup," Stoick said as he watched the two. "Picked the right dragon as well."

Turning around to face Hiccup, (Y/N) grinned up at him. "You want to go on another race?"

[astrojulia]

Hello! How are you?

I want to Ask what are the placements which makes people intuitive,clairvoyant, healer, sense energies or becomes spiritual leader?

Really sorry if that was much just curious to know😅

Thank you❤

Placements that indicates Psychic Abilities in the Natal Chart

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      Sources[13][15][16][21]✦Paid Readings

"A psychic is a person who claims to use extrasensory perception (ESP) to identify information hidden from the normal senses", Wikipedia. In this small part, I would like to remind you that before becoming an astrologer, I am a witch and my contact with the mystic is very different and unique. In case you're wondering "what do you mean by different?", I’ve possession and werewolf storie in my family. I say this, because for me psychic abilities goes much deeper than most posts I’ve seen. I WILL NOT BE WRITING "POSSIBLY/LIKELY" IN ALL ASPECTS!!

Remember tha psychic abilities are highly individual and may not be entirely influenced by astrological factors. It's important to approach such concepts with an open mind and respect for the beliefs and experiences of others.

Clairvoyance: The Ability to See Beyond the Ordinary Senses

✧⟶ Neptune in Pisces: Individuals with this placement possess a natural affinity for clairvoyance, allowing them to access glimpses of both the past and the future without the need for divination tools or instruments.

✧⟶ Neptune Dominant: Similar to Neptune in Pisces, but even more pronounced, individuals with a dominant Neptune have an effortless and heightened clairvoyant ability. Their intuition and psychic insights are readily accessible, guiding them through life's mysteries.

✧⟶ Uranus Dominant: While clairvoyance is not the primary focus for those with a dominant Uranus, their unique gift lies in foreseeing the outcomes of various actions. Their non-esoteric intuition enables them to predict reactions and events with ease, even in non-spiritual contexts.

✧⟶ Moon in Pisces: The Moon's placement in Pisces grants a visionary and mystical aspect to an individual's emotional nature. If this aspect remains unafflicted, their clairvoyant tendencies may come to the forefront, enhancing their intuitive perception.

✧⟶ Venus in Pisces: People with Venus in Pisces possess an extremely psychic disposition. Their empathetic and sensitive approach to relationships allows them to tap into psychic energies, providing profound insights into the emotional dynamics between individuals.

✧⟶ Neptune Conjunct, Sextile, or Trine Ascendant: When Neptune forms harmonious aspects with the Ascendant, it bestows a heightened level of psychic and intuitive awareness. These individuals possess an innate ability to perceive and understand the subtle energies and emotions of others.

✧⟶ Neptune 12th House: In the 12th House, Neptune's influence deepens, making individuals compassionate and highly sensitive to emotional nuances in their surroundings. Their "psychic" abilities come naturally to them, and they may experience profound intuitive insights and spiritual connections.

✧⟶ Pluto in Scorpio/8th House: Though not directly related to clairvoyance, Pluto's placement in Scorpio or the 8th House can contribute to the ability to see beyond the surface, uncover hidden truths, and delve into the mystical and transformative realms.

✧⟶ Mercury in Pisces: Psychic and visionary minds, highly intuitive and telepathic on an unconscious level. These individuals possess a unique capacity to access information beyond the ordinary senses.

✧⟶ Moon Sextile Neptune: A potential for developing keen psychic sensitivity, facilitating a deeper connection to the intuitive realm and fostering an understanding of emotions on a profound level.

✧⟶ Moon Trine Neptune: Those with this aspect experience heightened psychic sensitivity, allowing them to tap into the emotional energies around them with ease and offering guidance through their empathetic nature.

✧⟶ Sun Conjunct Neptune: Psychically sensitive and mystically inclined, these individuals possess a profound understanding of the intangible, making them natural seekers of spiritual truths and insights.

✧⟶ Mercury Sextile Neptune: With an aptitude for psychic and mystical fields, these individuals can benefit from dreams and visions, allowing them to access higher planes of consciousness in sleep and meditation.

✧⟶ Mercury Trine Neptune: Possessing a natural gift for psychic and mystical pursuits, these individuals can easily tap into higher realms of consciousness, receiving guidance and instruction from the unseen world through dreams and meditative states.

Clairaudience: The Ability to Hear Beyond the Audible

✧⟶ Uranus in 1st House: Individuals with Uranus in the 1st House possess a unique and heightened sensitivity to astral travel and spiritual experiences. This placement allows them to easily detach their spirit from the physical body, enabling them to explore other dimensions, connect with the dead, and even journey through time.

✧⟶ Moon Sextile Neptune: With the harmonious aspect between the Moon and Neptune, individuals have the potential to develop keen psychic sensitivity, including clairaudient gifts. They possess an intuitive attunement to the subtle energies around them, allowing them to hear messages, guidance, or insights from the spiritual realm.

✧⟶ Moon Trine Neptune: The Moon's trine aspect with Neptune deepens an individual's clairaudient sensitivity, granting them a natural inclination to hear and perceive messages from the spiritual realm. They possess keen psychic awareness, particularly when it comes to emotions and intuitions.

✧⟶ Mercury in the 3rd House: With Mercury positioned in the 3rd House, individuals have a natural aptitude for communication and mental agility. This can extend to clairaudience, where they may hear inner guidance or receive messages from the spirit realm with clarity and precision. Their mind acts as a receptive channel for clairaudient and intuitive thoughts.

✧⟶ Gemini or Mercury Dominant: Individuals with a dominant Gemini or strong Mercury influence in their birth chart possess heightened clairaudient abilities. The communicative and curious nature of these signs and planet facilitates an open channel to receive messages and auditory guidance from the spiritual realm.

✧⟶ 9th House Stellium/Chart ruler in 9th house: When multiple planets cluster in the 9th House, it creates a powerful focus on spiritual exploration, higher knowledge, and intuitive understanding. This concentration of energy may lead to clairaudient experiences, where individuals receive divine messages and insights through auditory perceptions.

✧⟶ Pisces Moon: A Pisces Moon fosters a deep emotional connection to the spiritual and intuitive realms. Individuals with this placement may experience clairaudience as they hear messages from their higher self or spiritual guides, gaining profound insights through auditory sensations.

✧��� Neptune in the 3rd House: Neptune's influence in the 3rd House can enhance clairaudient abilities, making individuals more attuned to psychic messages and inner guidance. They may receive auditory impressions from the spiritual realm, tapping into the collective consciousness and higher wisdom.

Clairempathy: The Profound Ability to Sense Emotions

✧⟶ Moon in Cancer: Individuals with the Moon positioned in Cancer possess a powerful and innate clairempathic ability. This placement grants them an extraordinary sensitivity to the emotions and feelings of others. Like a receptive sponge, they absorb and understand the emotional currents surrounding them, making them natural empaths. Their empathetic nature allows them to attune deeply to the emotional needs of those around them, providing comfort and support during times of distress.

✧⟶ Pisces Sun or Rising: The influence of Pisces in the Sun or Rising sign can amplify the clairempathic abilities of individuals. Being ruled by Neptune, the planet of intuition and sensitivity, Pisces imparts a deep emotional understanding and empathy to those with this placement. These individuals can feel the emotions of others on a profound level, often experiencing the emotions of others as if they were their own. Their compassionate and caring nature draws people to them, seeking solace and understanding in their presence. Their clairempathic insights can also extend to the spiritual realm, as they may receive intuitive guidance and emotional impressions from higher planes.

✧⟶ Venus in Scorpio: Venus in Scorpio enhances an individual's clairempathic sensitivity, adding depth and intensity to their emotional perception. They have the ability to sense the hidden emotions and desires that others may not readily reveal. This placement grants them an almost psychic understanding of the emotional undercurrents in relationships and interpersonal dynamics. They can be profoundly attuned to the emotional needs of their loved ones, providing unwavering support and empathy.

✧⟶ 4th House Stellium/Chart Ruler in 4th house: When multiple planets cluster in the 4th House, it creates a concentrated focus on emotions, family, and home. This stellium can enhance the clairempathic abilities of individuals, making them acutely sensitive to the emotional dynamics within their family and domestic environment. Their empathic nature enables them to be natural caregivers and nurturers, creating a harmonious and supportive atmosphere for their loved ones.

✧⟶ Water Dominant: Individuals with a dominant Water element in their birth chart (Cancer, Scorpio, or Pisces) possess heightened clairempathic abilities. The Water signs are naturally empathetic and sensitive, attuned to the emotional frequencies of others. This dominant influence enables them to be emotional conduits, absorbing and understanding the feelings of those around them with ease.

✧⟶ Pisces Moon in the 8th House: This powerful alignment combines the clairempathic nature of Pisces with the transformative energy of the 8th House. Individuals with this placement have a profound ability to sense the deepest emotions and spiritual energies. They may experience clairempathic insights as a gateway to spiritual transformation, gaining intuitive knowledge and understanding through emotional connections.

Clairsentience: The Remarkable Ability to Sense Emotions and Feelings

✧⟶ Neptune in the 9th House: When Neptune graces the 9th House of an individual's birth chart, it bestows a mystical and spiritually attuned nature. This placement fosters a deep connection to the higher realms of consciousness, allowing the individual to tap into their clairsentient abilities with profound intuition. Their clairsentience may manifest as a heightened sense of inner knowing, where they can tune into the emotional states of individuals and sense the energy of different environments, offering profound guidance and understanding to those they encounter.

✧⟶ Moon in Pisces: With the Moon nestled in the ethereal sign of Pisces, individuals possess an innate clairsentient gift. Their emotional sensitivity and intuition are deeply interconnected, allowing them to feel and sense the emotions of others as if they were their own. This empathic nature extends to their surroundings, enabling them to detect the energy and moods of different spaces.

✧⟶ Cancer Sun or Rising: The nurturing and empathetic energy of Cancer, whether it appears in the Sun or Rising sign, enhances an individual's clairsentient abilities. Being deeply connected to their emotions, they effortlessly sense the feelings of others, offering a safe space for people to express themselves without judgment.

✧⟶ 8th House Stellium: A concentration of planets in the 8th House intensifies an individual's clairsentient awareness. This stellium fosters a profound understanding of the hidden emotions and psychological depths within themselves and others. Their clairsentience enables them to penetrate the emotional layers of individuals and recognize the unspoken feelings and desires beneath the surface.

✧⟶ Water Dominant: Individuals with a dominant Water element in their birth chart (Cancer, Scorpio, or Pisces) possess heightened clairsentient abilities. The Water signs are naturally empathetic and emotionally attuned, making them exceptional clairsentients. Their intuitive perception extends beyond the realm of logic, allowing them to grasp the emotional undercurrents and energies around them effortlessly.

✧⟶ Sun Sextile Neptune: The harmonious aspect between the Sun and Neptune enhances an individual's clairsentient potential. This alignment facilitates a deep connection to the spiritual and intuitive realms, making them more receptive to emotional energies and subtle feelings. Their clairsentience may manifest as a heightened sense of intuition and inner knowing, guiding them through life with spiritual insights and emotional understanding.

Clairalience: The Unique Ability to Sense Smells Beyond the Physical Realm

✧⟶ Venus Sextile/Trine Neptune: They may possess a natural inclination to appreciate and notice different scents, finding great joy and inspiration in the world of aromas.

✧⟶ Neptune in the 2nd House: People with this placement may find that their sense of smell is highly attuned to the ethereal and mystical, allowing them to pick up on scents that others might overlook.

✧⟶ Moon in Taurus: People with this placement have a heightened ability to perceive and enjoy different aromas, and they might find comfort and emotional solace in familiar scents. Their clairalient experiences are grounded in the physical realm, with a strong connection to nature and the elements.

✧⟶ Moon in Virgo: Their clairalient abilities may manifest as an acute awareness of different scents and a talent for detecting even the most subtle changes in their environment. This placement can make them highly sensitive to the cleanliness and purity of their surroundings, as well as the effects of various aromas on their emotional well-being.

✧⟶ Moon in the 2nd House: Their sense of smell can be deeply connected to their emotional responses, with certain scents triggering nostalgic feelings or memories from their past. They may seek comfort and emotional satisfaction through pleasant aromas, and their clairalient experiences can be a source of emotional grounding and pleasure.

Telepathy: The Remarkable Ability to Communicate Beyond Words

✧⟶ Mercury Sextile Neptune: Their telepathic abilities may be enhanced, allowing them to tap into higher planes of consciousness during sleep and meditation. They can receive vivid dreams and visions, and may even bring back profound insights and instructions from the subconscious or spiritual realms to their conscious mind. This aspect bestows a natural receptivity to non-verbal forms of communication, making them more attuned to subtle cues and messages from others.

✧⟶ Mercury Trine Neptune: They can effortlessly access higher planes of consciousness during sleep and meditation, receiving profound guidance and insights from the spiritual realm. Their dreams and visions may offer valuable symbolic messages and spiritual teachings. As skilled telepaths, they have a natural ability to connect with others on a deeper, soul-to-soul level, transcending verbal communication and understanding the unspoken emotions and thoughts of those around them.

✧⟶ Jupiter Sextile Neptune: They may find themselves drawn to religious, spiritual, or philosophical groups where they can explore and nurture their psychic gifts. This aspect fosters a sense of faith and trust in their intuitive perceptions, making them open to receiving and interpreting messages beyond the ordinary senses.

✧⟶ Jupiter Trine Neptune: They are encouraged to follow their inner guidance and lead a life guided by spiritual truths. This aspect enables them to tap into higher realms of consciousness with ease, receiving divine inspiration and mystical insights. They may be naturally drawn to religious or philosophical pursuits, seeking deeper meaning and understanding in the mysteries of life.

Mediumship: "I see dead people..."

✧⟶ Moon Sextile/Trine Pluto: Their mediumistic abilities are enhanced by their emotional sensitivity, allowing them to connect with the subtle realms and receive messages from spirits. They may experience vivid dreams and intuitive visions that offer guidance and comfort to themselves and others.

✧⟶ Sun Sextile/Trine Pluto: They may have a natural talent for mediumship, as their connection with the spiritual realms is harmoniously aligned with their core self-expression. They radiate a sense of empathy and compassion, attracting others seeking solace and messages from departed loved ones.

✧⟶ Venus Sextile/Trine Pluto: They can forge deep connections with both the living and the spirit world, facilitating communication with grace and compassion. Their mediumship may be a source of healing and inspiration for those seeking closure and understanding.

✧⟶ Jupiter Sextile/Trine Pluto: They are drawn to spiritual exploration and may seek to develop their mediumistic abilities through study and practice. Their optimism and faith in the unseen world open them to profound spiritual experiences and insights.

✧⟶ Mercury Conjunct Pluto: When Mercury, the planet of communication, is conjunct Pluto, the individual's thoughts and perceptions are deeply influenced by intuitive and psychic insights. They possess a natural gift for receiving and interpreting messages from the spirit world, making them adept mediums and channels for spiritual guidance.

✧⟶ Venus Conjunct Pluto: They possess a deep sensitivity to spiritual energies and may experience strong psychic impressions. Their mediumistic abilities are intertwined with their sense of aesthetics, making their connections with the spirit world artistic and emotionally resonant.

✧⟶ Mars Sextile/Trine Pluto: This aspect provides individuals with the ability to channel spiritual energies into action. They may find that their mediumship is most effective when combined with healing practices or spiritual service. Their compassionate and gentle approach to mediumship enables them to provide support and solace to those seeking to connect with the other side.

✧⟶ Neptune in the 12th House: This placement grants them the ability to tap into the collective unconscious and the deepest layers of the human psyche.

Healing: Channeling Energies for Restoration and Well-being

✧⟶ Pluto in Scorpio/8th House: Individuals with Pluto placed in Scorpio or the 8th House possess a unique capacity to heal supernatural illnesses, such as curses and "quebranto."

✧⟶ Mercury in Virgo/6th House: Ability to heal the physical body through magical, non-scientific means. Their intuitive understanding of the human body and its subtle energy systems allows them to access healing energies and apply them to support well-being. They may excel in practices such as energy healing, herbalism, or other alternative therapies.

✧⟶Moon 6th house/ Sextile or Trine Neptune: Ability to heal anxiety and fears through magical, non-scientific means.

✧⟶ Uranus Sextile/Trine Mercury: Their intuitive and psychic potential is heightened, enabling them to tap into higher levels of awareness and wisdom. With an innovative approach to healing, they may explore unconventional methods that lead to transformative and profound healing experiences for themselves and others.

✧⟶ Mars Sextile/Trine Neptune: This aspect provides individuals with the opportunity to work with psychic forces without being adversely affected. They have earned spiritual merits in past lives, making them adept at channeling healing energies and aiding others in their journey towards well-being. Their healing practices may involve a combination of intuition, energy work, and physical efforts to promote healing.

✧⟶ Venus Sextile Neptune: This aspect bestows a potential for a strong sixth sense, which is intuition. Their natural compassion and intuition can guide them towards healing practices that involve empathy and understanding, making them intuitive and nurturing healers.

“Meany” aka Manipulation and Curses:

✧⟶ Neptune 3rd House: Hypnotic. Manipulating people for their benefit should be effortless.

✧⟶ Venus or Mercury trine/sextile Neptune: They really know how to allure people.

✧⟶ Neptune 9th House: Very easy to manifest and make this person's wishes come true; they have the ability to shape their reality.

✧⟶ Neptune 12th House: They have the ability to cast irreversible curses.

✧⟶ Pluto 12th House: They have the ability to discover people's secrets without even trying, using these secrets for their own benefit.

✧⟶ Uranus 12th House: Can manipulate the others memories and view of reality.

(CC) AstroJulia Some Rights Reserved

[cadewitha]

my contribution to payneland day 2 is that in the myth of Achilles and Patroclus Charles would be Patroclus and Edwin would be Achilles (I’ve seen most everyone else say the other way around, but let me explain)

First of all, their relationship is similar to Achilles and Pat in the sense that Achilles never really had anyone to truly understand him before Pat. And while he may have been surrounded by others (Cat King, Monty, Simon), it was never in his cruel “destiny” to forge connections with anyone. That’s, of course, until he meets Pat and a friendship/ love affair is forged between the two of them, making them inseparable. Edwin was never meant to be happy. His life sucked, and he went to hell unfairly. His destiny was written in such a way that he should never experience joy, and YET.

Charles comes from a similar place as Patroclus. He had inattentive/abusive parents, never really felt a sense of belonging, and was inexplicably drawn to this one boy (Achilles/Edwin). Once meeting his Achilles, he found himself dedicated to this boy within a number of HOURS. Such devotion has only ever been written of in myths.

I feel as though we can get really caught up on the VISUALS of myths. In the story of Achilles and Patroclus, Achilles is this buff, golden, god-like man (just like Jayden Revri amiright haha) while Patroclus is a weaker, scrawny and nervous boy. When given these descriptions, it’s easy to say that Edwin is obviously the physically weaker one, and Charles is the brawn. Even knowing their personalities we can fall into this assumption, as Achilles is undoubtedly more of a people person then Patroclus, but I still feel this way of thinking to be incorrect. The answer, for me, lies in the dynamic.

Patroclus views Achilles as his savior, his light, his hope. Charles absolutely feels this way towards Edwin, as showcased by the emphasis on the lantern and warm lighting often used when the camera is showing Charles looking at Edwin. Achilles views Patroclus to be his reprieve, his comfort, his heart. Edwin, obviously once again, feels this towards Charles, as showcased with the only scenes where Edwin acts or appears relaxed are the ones where the two boys are interacting or simply together. Even the whole Hell segment could be considered a metaphor for this, as the times when Edwin feels most lost are the times when he doesn’t have Charles. Again this is a huge theme in the myth of Achilles and Patroclus as shown with Achilles’s grief at Pat’s death, and depictions of him being lost anytime he is without Pat.

My last point is that Edwin, to me, feels like a classic greek hero. He has gone on a massive, gods damned journey, he has discovered comfort that has been ardently tried to be ripped away from him, but ultimately in the end found an eternal peace. Edwin is a hero. I’m not saying that Charles isn’t, as he too has many traits, I just feel that this myth isn’t quite his. Maybe Hercules because of the anger issues, lol. Either way, I believe that in the case of Achilles and Patroclus, Edwin is most likely to be Achilles and Charles as Patroclus.

[yunhogosailing]

So…you want to know more about Korean shipping terminology (and how does this apply to Ateez?)

Luckily, I have spent the better part of six years of my life learning Korean! Which fortunately(?) means that I have learned plenty about the lingo Korean BL fans use re: shipping dynamics. Actually, this makes it SO MUCH easier to navigate websites like Twitter, where NSFW posting is censored for security reasonable. The difference is that English speakers do not have an organized method of referring to the members in their ships (for example, one user might write seongjoong as secngjccng where one might instead write sxxngjxxng, and where another one might even write sngjng, etc etc). But how do Korean speakers handle this situation? What is the context behind all of this? I will provide with you with a fun and easy chart at the end, but first….Let me explain:

Taking you back to the early 2000s

Our setting: the early Korean BL online forums. The terminology originating from these spaces were unsurprisingly heavily influenced by the original sources from which BL manga was derived: the Japanese language. Japanese has a system of Chinese characters used to simplify the writing process known as Kanji. Korean has a similar concept, known as Hanja. Where as Kanji is still heavily utilized to this day for a variety of reasons (my Japanese teacher would always say its main purpose is to minimize the amount of script needed to convey an idea), Hanja has largely fallen out of fashion—used primarily to clarify homophones in text, in literature such as novels and older writings, and as a stylistic choice to depict words such as Death and God, etc.

First, I’m going to give you some terms that are familiar to quite possibly all of you.

Seme (攻め) - the dominant figure in the relationship. Most often, this person will also be depicted as the top.

Uke (受け) - the submissive figure in the relationship. Most often, this person will also be depicted as the bottom.

Are you following so far? Great! In the most stereotypical depiction of homosexual relationships in Manhwa, these roles—the dom top and the sub bottom—reigned supreme so much so that eventually the community fell into the pitfall of believing these four terms to be interchangeable. While simplifying the process of understanding each person’s role in sexual intimacy, it also didn’t lend much of an allowance to explore ideas that defined this view of sexuality. This lack of nuance and flexibility has very little to do with why I’m writing today, but I do want to give some more context as to why these terms became such reliable shorthand.

Anyway…

In Korean BL spaces, these Kanji symbols (攻/受) were directly translated into 공 and 수, respectively. 공 literally means “Ball” but in the context of the Hanja, it means “attack” or “strong”, basically dominant top. 수—“Number”—“to submit” or “to receive”—submissive bottom. Don’t worry, this is the absolute last time I will be explaining these ideas.

How does this work in Korean BL spaces?

Now this may also be familiar to many of you: the placement of each figure in the ship name MATTERS! In SFW spaces, you can get away with referring to Yunho and Mingi as Yungi because….well….platonic friendships aren’t normally referred to by dominance dynamics. In NSFW spaces, specifically dealing with fictional depictions of gay sex, referring to Yunho and Mingi as YunGi will have most people assuming that you mean fanfictions in which Yunho is the top and Mingi is the bottom. Oh, you didn’t? Well, obviously you meant to say MinYun (or MingYun or MingHo, I’ve seen this written all kinds of ways tbh). See what I mean? Now this isn’t always the case—familiarity is everything, so it’s not uncommon to see Wooyoung and San referenced as WooSan, no matter who is intended to be the top.

In Korean, ship names are almost always written in order of placement. For example, 윤낫 (we will get into why the Hangul in San’s name is reversed later) would refer to a Yunho x San pairing where Yunho is the top and San is the bottom. Likewise, 낫윤 would imply the exact opposite. Anyone want to take a stab at what 밍웡 means? How about 섷쫑?

2010-2024, A minor shift in focus

As the spaces for these conversations grow and change with time, as did the terminology used to describe shipping dynamics and pairings.

If you are a fourth and fifth gen K-pop stan, you know what a coupling, or chemi, name is. Korean fans who did either did not want to discuss their idols in a romantic/sexual manner, or otherwise wanted some way to differentiate a typical shipping name from a platonic pairing name, developed the concept of using a chemi name instead. For Ateez, these would be:

E-Kang-Mo (에강모) / Yunho and Yeosang - the shortened version of 에이티즈 강아지 모임, literally translating into the Gathering of Ateez Puppies.

Matz (맏즈) / Seonghwa and Hongjoong - TWO MEN WE’RE ON FIRE 위험해‼️‼️‼️ Shortened version of 맏형 which literally translates into Oldest brothers. This quite obviously refers to our two oldest members within the group.

Elsewhere, you may come across 삼복즈, Jiwoong and Yujin from ZEROBASEONE. Or 채채즈, Chaewon and Eunchae from LE SSERAFIM. Usually this name is derived from some personality aspect or moment the two idols share, and can be given organically by fans or by the idols themselves. They are used strictly by both Korean and international fans as a means of referring to these idols and their friendships. It’s still possible that you find a fan who skips the whole “having to learn a completely different unit name” thing and just uses the traditional pairing name (I know, because I’m one of them), and in this case you can likely tell exactly when they first got into K-pop.

During this decade, shippers developed two more terms to further break down sexual dynamics, this time focusing on top/bottom. 왼 is the Korean directional word for “left”, and in the context of BL, means top. For bottom, Koreans use a shortened version of the directional word for “right”—른. I am not entirely sure whether the general consensus seems to be that these terms are still strictly tied to the idea of a dominant top and a submissive bottom, as most of the resources I used to search for these terms waffled on the subject.

In practice, 웡왼 will refer to shippings in which Wooyoung is a top (I searched for this on Twitter and came up unsurprisingly short….) and 쫑른 is in reference to shippings where Jongho is a bottom!

Enough Already!! Just give us the tags!!

Loud and clear, boss. However, I just need a bit more contextual information out there before I finally get into the list:

Variations - there are few variations that exist within the Korean shipping fandom, save for instances in which another pairing could possibly exist within a different group.

Censorship - Korean fans are also heavy on making sure these posts do not make it into the hands of Ateez themselves (see: the chaos that happened when San stumbled across self-insert fiction written by K-Atiny). Member names are not written properly, and will always be altered in some way as a means of masking it from normal search results. Please pay attention to this!

Pronunciation - some letters are altered in the pairing names as a means to aid with pronunciation. This is sort of an intuitive thing with Korean, so I’m not sure how to explain this in a better way.

And now…the list!

Here’s how to follow the chart:

Reading from the top down, you will find the 른—or pairings where the member is the bottom. For example, Seonghwa’s column reads:

홍섷 - Hongjoong x Seonghwa

윤섷 - Yunho x Seonghwa

솽섷 - Yeosang x Seonghwa

낫섷 - San x Seonghwa

밍섷 - Mingi x Seonghwa

웡섷 - Wooyoung x Seonghwa

쫑섷 - Jongho x Seonghwa

Likewise, reading the chart horizontally will provide you with the 왼—or pairings where the member is the top. For example, Mingi’s row reads:

밍섷 - Mingi x Seonghwa

솜몽 - Mingi x Hongjoong

밍윦 - Mingi x Yunho

솜여 - Mingi x Yeosang

밍낫 - Mingi x San

밍웡 - Mingi x Wooyoung

솜쫑 - Mingi x Jongho

Additionally, adding (Member name)른/왼 will provide you more general posts where Korean fans are discussing the idol as a top or a bottom in general without referring to a specific ship.

Hongjoong: 홍왼 + 홍른

Seonghwa: 섷왼 + 섷른

Yunho: 윦왼/윤왼 + 윦른/윤른

Yeosang: 솽왼 + 솽른

San: 낫왼 + 낫른

Mingi: 밍왼 + 밍른

Wooyoung: 웡왼 + 웡른

Jongho: 쫑왼 + 쫑른

Thank you for reading! I hope this was as useful for you as it was for me! Of course, I knew a lot of history regarding this topic due to the ample time I spent reading BL, but I will admit that I did not have much time to research this topic specifically. However, if you have any corrections to make, let me know!! This was so much fun for write, and maybe I can do something similar to this in the future as well.

Bye!

[yuurei20]

Hi there! Quick question, How does Idia feel about Leona?? to me, they have such weird dynamic. They don't like each other but they don't outright hate each other either, but sometimes it feels like they're totally fine with each other?? Is this just a respect thing??

Hello hello!! This gets into character analysis which is definitely not my strength, so I reached out to one of the most knowledgeable Idia-analyzers I’ve ever seen ( @frost__tw ) who was so kind as to collaborate with me on this response, and I am forever grateful ♡

Also: agreed! Their dynamic is particularly fascinating because they are both complete opposites and extremely similar, simultaneously:

Both are housewardens, near the same height, canonically attractive, unusually intelligent, very sarcastic, enjoy chess, are from important families, keep others at a distance, often complain about having to go out of their way to do things they are uninterested in, have brother issues and won’t put effort into things they have predetermined to be impossible, which ties directly into how they are trapped in situations they can’t do anything about due to the circumstances of their birth.

And we also have their recently introduced titles (on JP server): “Ambitious King” and “King of the Underworld.”

It is difficult to pinpoint exactly how Idia feels about Leona, possibly because he doesn’t know very much about him (which is possibly because Leona doesn’t want him to).

During Book 6 he assumes that Leona isn’t suited to a leadership role, for example, despite how people who actually spend time with Leona say otherwise.

The two overlap in Idia’s second birthday vignette, where Leona gifts him with an artisanal chess set and the two pause the interview to play together.

They seem to mutually agree not to mention who won the game, and it may have been a draw.

We see Idia categorize people and generalize them into character tropes (from anime/manga/games) throughout the game, and based upon Leona’s appearance/outward behavior, Idia may labeling him as the scary top boss of the Savanaclaw hooligans (re: their Halloween vignette together) in his mind.

But he is able to overcome his initial flight response in this birthday vignette once Leona procures the chess set (one of Idia’s personal interests).

(This is part of the reason why Idia’s stutter is such an important part of the character: he stutters when he panics, but then speaks smoothly when he becomes passionate, which the characters even comment on in the game (Ortho calls it his "go off switch" on EN, and his "heat up switch" on JP).)

(Recreation of this trait varies by scene on EN.)

Leona is difficult to read because he will insult the people he likes and respects just as readily as he does those he does not (something that we see Jamil come to understand in real time during Book 6), so trying to work out his true opinion about anything can get into conjecture.

They also do not overlap particularly often, which gives us less to work with, but his teasing of Idia in the birthday vignette is not dissimilar to his teasing of characters like Jamil and Vil. Whereas they understand Leona’s humor, however, Idia may not.

What we know for a fact is that Leona has canonically complimented Idia for being both intelligent and powerful during Spectral Soiree, and this may have been a parallel to Terror is Trending when, extremely impressed by Savanaclaw’s Halloween set, Idia asks, “Did Leona use his magic for it?”

Idia also comments on Leona’s power during his evaluations at STYX, saying, “I already knew Leona was tough and could handle whatever danger comes at him…”

I think you are correct, and it is a respect thing!

They are both aware of the other’s familial situations and strengths and, in any other circumstances, they might get along well. But their personalities are just too different, they frustrate each other in every conversation they have, and whatever positives the other person has might just not be enough to outweigh how obnoxious they find the other to be.

We learn from Vil that the rule at NRC is “the weak obey the strong,” and the Housewardens at NRC seem to take this literally, with Idia, Leona and Vil all being constantly torn between sincere annoyance and grudging respect. The three referring to others as “spudlings,” “normies” and “herbivores” is another interesting overlap that they share.

(Despite being even more different than Leona and Idia, Leona and Vil repeatedly find common ground in allying against Idia.)

(In a parallel to this, Leona and Idia find common ground on the subject of Malleus, with Leona saying, “It’s a pain when the majority forces their opinion on you,” which is an opinion Idia seems to share.)

Thank you so much for this question, it was wonderful to dive into!

Overall, Leona and Idia seem to share a mutual undertone of “I know you’re the best at what you do, but I can’t stand you. I acknowledge that you’re intelligent, capable and talented, but please go be that somewhere else,” which ties directly into a comment from Yana’s 2023 interview:

“Since the characters in the story are villains they do not admit defeat, but they will admit, ‘Hey, you did pretty good.’ Even if they don’t like each other, they will recognize each other’s abilities.”

(And thank you again to @frost__tw for all the amazing insight! ♡)

[lookingthroughmirrors]

Opinion on how annabeth punches and pushes percy, the judo flip and percy being reduced to a himbo malewife in hoo (can't make his way out of a paper bag without annabeth).

(Please note most of knowledge comes from PJO and HOO as I have not read much of the later series, but I do know the main points and events that happened and have read certain pages *cough* judo flip *cough*

I’ll start with the first part, Annabeth punching Percy (which happens the first time long before HOO) and the infamous Judo flip, which is for some reason very controversial.

Most of the arguments I see are one of these few things.

1. Annabeth was worried and did it out love

2. They were raised as demigods (child soldiers) so it’s not the same/ they are used to violence therefore it excuses her actions

3. There is nothing wrong with her hitting because it wasn’t like

First off, all of these arguments and any other ones I’ve seen when it comes to this topic and defending Annabeth are bullshit. Why? Because there is no excuse to hitting a partner. Slapping someone’s shoulder while joking or something in a similar context is miles different to what was happening here. Annabeth hit Percy hard, and she did it with the intention of making it hurt. There is no excuse for that. Sure, they were raised as Demigods and violence has always been a large part of their lives, but then shouldn’t Percy also lash out and hit Annabeth if that’s the case? And shouldn’t that be fine too? You don’t hit someone out of worry or concern either, not hard enough for an army to believe you to be a threat. Annabeth has never been nice to Percy, she canonically say in TLT that she doesn’t care if he dies, only that she can go on the quest. And ok, maybe that could be written off as an immature twelve year old, if her actions in later books didn’t continually prove that she hadn’t changed or developed. I think another fundamental issue in her relationship with Percy is that she can never be wrong, Luke being the biggest example of this.

Percy, even with his history and past friendship with Luke, was able to look at things objectively to an extent. He says multiple times that Luke had a point. I honestly think if it had’ve just been Luke, if titans hadn’t of been involved, that Percy would’ve joined Luke. But that’s a whole other thing. I only bring it up because I think Luke particularly is the best example of Percy having far better judgement than Annabeth, who refuses to be wrong. Something that again is addressed within BOTL, when she challenges the Sphynx because of her pride, and is an asshole to Rachel because she doesn’t want to rely on another person and is jealous. She likes being the leader, she wants to be the person people rely on, but that has always comes naturally to Percy despite how much he himself hates it.

I personally would’ve far preferred Perachel to be canon than Percab*th. Percy is always stressed about Annabeth, about doing the wrong thing where with Rachel feels like he can be himself, not like he has to live up to some invisible standard he can’t ever hope to meet.

I also, as I’ve written about before when discussing Percab*th is that Annabeth is not an essential character to HOO, and that she could’ve easily been interchanged for someone more interesting and dynamically different. I think Percy was sidelined to try and give Annabeth more purpose in the story. I also think Percy is consistently put down, berated and underestimated. He literally has people thinking he’s a god when he first meets them, that isn’t someone who lacks power. I also think Annabeth has always been a little bit scared of Percy to certain degree. Or at least acutely aware that she would not be able to put a fight if Percy turned on her and he put in a tiny bit of effort.

I also Percy is never given enough or really any recognition of everything he did. That he took the prophecy so it wouldn’t go to Nico. That he turned down immortality, not for Annabeth, but because of a promise he made to Luke and his years long stance that nothing is worth living forever for. I think the nuance of Percy as a character, and his ability to connect with and understand characters like Like and Ethan is severely underdeveloped. He has never been blind to the gods faults, he didn’t do what he did in the name of the gods. He did it for the campers, for the demigods who’d carry out their parents burdens simply because they had the audacity to be born. Demigods doomed to die from the moment they’re born because of their parents, like him. I particularly think Percy is too far often used as a scapegoat for Nico’s issues and often either villainised or dumbed down into a himbo.

It’s ridiculous, since Percy has repeatedly shown himself to have both better judgment and better strategising skills than Annabeth. Percy is better than Annabeth, and he has far more power than she ever will.

Percy is such an amazing and nuanced character with so much room to explore different characteristics he’s shown at different times and he is too often sidelined to boost another character (most often Annabeth and Nico)

Overall I don’t really like Annabeth, and I’ve yet to hear a viable reason as to why what she did should be ok. And I truly believe HOO did a disservice to Percy by dumbing him down, and making him reliant on Annabeth.

I hope you like my answer! Thank you so much for asking I absolutely love getting questions and I also love a chat so please feel free to keep it coming!

[twopoppies]

https://www.tumblr.com/twopoppies/775420636649684992/a-couple-of-days-ago-a-larrie-on-twitter-linked-to

I agree with you and the anon that this receipt is likely fake. As you say the use of the staff titles really gives it away. The “Girl talk about swoon worthy” “most beautiful blue eyes I’ve ever seen in my life”. Just too wattpad-like to me.

Also agree that I dislike the Louis that exists in this receipt. But you make a good point about the consent of Harry if that is their actual dynamic. So my question to you is this a common theory about H/L? Is there a tag I could read up on that alludes to this? I know it’s a popular dynamic in fan fic, but do a lot of Larries think this is the reality? I’ve never really thought about it.

I think there are a fair number of people that think Harry is quite submissive with Louis (Just to be clear, when I say submissive, I don’t mean letting Louis do whatever he wants), and that they both care for each other in a pretty typical dom/sub sort of way (whether they’re aware they’re doing that or not is anyone’s guess).

You can look through my SUB HARRY tag and I have a SUPPORTIVE HARRY tag which likely has posts relating to how H cares for Louis.

DADDY LOUIS has a lot of posts with him just looking hot, but it probably also has similar posts to the sub Harry where he shows a dominant quality.

I also have a PICK SOMEONE WHO’S SUPPORTIVE tag which likely has posts about both both, but is meant to be my tag for Louis and how he looks out for Harry.

WE KNOW TOO MUCH has a lot of posts about their sex life which they have happily put out into the world for years.

And before I get angry anons, all of this is just based on observation. It’s not a definitive declaration that any of us know what dynamics they actually have.

Hope that helps.