#it’s supposed to be interpreted differently like here is no one set way for them to be portrayed

[alaskan-wallflower]

my little outsiders universe is the book and the musical combined so that everyone’s happy. randy and steve still exist but ace, bev and all these other characters also exist. no need for negativity and stuff when you can just combine both medias. be the change you want to see in the world.

[janmisali]

what do you think of tone indicators in general?

unfortunately my thoughts on tone indicators are somewhat nuanced. fortunately, this is tumblr not twitter, so I can just write out my full thoughts in one post and be as verbose about it as feels necessary.

speaking as an autistic person (and I know there are other autistic people who don't hold this same view, this is just my perspective), I think as an accessibility tool, the extended set tone indicators in current popular use is fundamentally misguided.

the oldest ones, /s for sarcasm and /j for jokes, make sense. their notation isn't the most intuitive thing ("does /s mean sarcastic or serious?") but it's not too difficult to explain what they mean. I've had to spend my whole life learning by brute force what different tones of voice mean and what they change about how I'm supposed to interpret something, so I already know what "read this in a sarcastic voice" and "read this as a joke" are supposed to mean. my existing skills can be translated into the new form without too much effort.

the same thing applies to emoji and emoticons. I know what facial expressions mean, because I had to learn what they mean. figuring out if :) is sincere or not from context is a skill I've already needed to develop. it doesn't come naturally for me, but it's something I already at least somewhat know how to do.

most of the tone indicators in current use uh. don't work like this.

tone indicators like /ref or /nbh don't correspond to specific tones of voice. I don't have a "I'm making a reference" voice or a "I'm not talking about a person who's here" voice that I can picture the sentence being read in. these do not indicate tones, they're purely disambiguators. they clarify what something means without necessarily changing how it would be read out loud.

and on paper, that's fine, right? like, it's theoretically a good thing to take an otherwise ambiguous statement and add something to it that clarifies what you meant by it. the problem is that these non-tone tone indicators are not even remotely self-explanatory. it's up to me, the person who is being clarified to, to know what all these acronyms are supposed to mean, and how they change the way I'm supposed to interpret what something means.

it's, quite literally, a newly-invented second set of social cues that I'm expected to learn separately from the set that I've already spent my whole life figuring out, and it works completely differently.

sure, these rules are (in principle) less arbitrary than the rules of facial expressions and tones of voice and how long you're supposed to wait before it's your turn to speak, but they're also fully artificial and recently invented, which means they're currently in a constant state of flux. tone indicators go in and out of fashion all the time, and the "comprehensive lists" are never helpful.

in theory, I appreciate the idea of people going out of their way to clarify what they mean by potentially ambiguous things they post online. if it worked, that would be a really nice thing to do.

however, sometimes I imagine what the internet would be like without them. what if instead of using /s, the expectation was that if you're sarcastic online there's no guarantee that strangers reading your post will know what you meant? what if instead of inventing more and more acronyms to cover every possible potentially confusing situation, we just... expected one another to speak less ambiguously in the first place?

so, I on paper like the idea of tone indicators. I think it's good that some people are trying to be considerate by being extra clear about what they mean by things. but if tone indicators didn't exist, and people who wanted to be considerate in this way instead just made a point of phrasing things more clearly to begin with, I think that would be vastly preferable to even the most well-implemented tone indicator system.

also /pos sucks because there's something deeply and profoundly wrong for an abbreviation that means "I don't mean this as an insult, don't worry" to be spelled the same way as an acronym that's an insult

[bvidzsoo]

Through your colours

Author: bvidzsoo

Pairing: artist!Kim Hongjoong x barista!reader

੭ Warning: recreational drug use (weed), alcohol consumption, swearing ੭ Word count: 11k ੭ Rating: nc-17 ੭ Genre: fluff, angst-ish, slice of life, strangers to lovers, a hint of simp Joong? post university setting ੭ Summary: A broke barista and a broke artist meet in a student infested dingy pub, what do they have in common? The desire to make something great of themselves, to live a fulfilled life. But first impressions can go wrong, deterring people from each other. You're probably lucky that's not how your story with Hongjoong goes, though.

A/N: Hello, hello, my lovelies! I present you another story that was supposed to be a drabble but instead turned into...a smaller oneshot?? I consider anything that's below 15k a drabble because my oneshots just go over 20k all the time, save me! This idea came on a random whim while my pinterest suggested three photos lol, and it took me some time to write it, but it's here at last. Your feedback is greatly appreciated, let me know what you thought of this little story, and I hope you enjoy it! divider

            Gustav Klimt had once, sometime during the nineteenth century, stated that, “Art is a line around your thoughts”. This could be interpreted many ways, of course, but for an artist it was just as plain and simple as Mr Klimt had said. Whatever was on your mind, you could give it life by putting it on a piece of paper by the brush of ink and feather against the parchment, or by the swift twist of one’s wrist as their brush coloured their canvas. Art comes in many forms, many thoughts, and many interpretations. After all, everyone relates to it based by their own experiences, based on the emotions they feel and have felt before…and overall, their capacity of seeing beyond what’s shoved in front of their eyes. Maybe that’s why Hongjoong would stare at a painting or picture for hours on end without growing tired. He liked to see everything, he wanted to understand every stroke of brush, or why the lightning fell in that specific way on the item in the picture. Hongjoong wanted to feel the same emotions the author of the creation had felt while creating their piece. It helped him draw inspiration, expand his horizons towards new possibilities. Hongjoong liked new challenges as long as they were about his art. In life, he preferred the steady and sure lifestyle, the one that was predictable enough that it wouldn’t send him into an existential crisis over the smallest inconvenience.

Hongjoong needed order in his life since his art was all over the place, judged by many and often misunderstood. He didn’t paint just for the fun of it, sure, there were passion projects he started on a whim without much of a goal in mind, and usually those were well received by his professors, by his colleagues. But whenever Hongjoong wanted to say something through his art, he’d get scrutinized for it. He yet had to find that one person that saw beyond what others called a mess. He’s never thrived for attention or validation, but it had gotten lonely after a while when he realised nobody really understood him. He felt like he was the odd one even in a crowd full of odd people. He’d always been different, more open-minded and receptive to the changes in the world, and he’d always been judged for it. Here, instead of being frowned upon due to his character, he was sometimes ignored because his art was either dull or not good enough. Nobody seemed to understand that art is relative and subjective, that whatever lay on the canvas made by Hongjoong was his and would always be. That he had dipped his brush into a touch of colour from his soul, displaying it for the world to see on the once blank canvas. He became vulnerable for them and yet nobody had appreciated it yet. And so, Hongjoong got used to not being seen for his art, but for who he was.

Quirky with questionable fashion taste to many, bold because he wasn’t afraid to try out new styles—much like with his paintings—and intimidating because no matter how many times he tried out something new, he’d instantly make it his, owning whatever concept he had in mind. Hongjoong knew not everyone was against him out there, but it was easy to fall hostage to such thoughts when he was alone. It would make sense for an artist to have a mind clouded by questions and rarely answers, a mind that worked too fast and yet never good enough. Doubts and fears pulling one down, Hongjoong loved expressing it through his paintings, his hand nothing but a guide to the brush clutched tightly between his fingers, calling out to him even when he chose to step away. Hongjoong was in it for life, and he wondered whether the weeping willow tree by the river bank in his framed painting was a premonition for how his life would look like.

            The bar was busy like every other night in this student-infested town. It wasn’t even a surprise anymore, you should have known better than to wear your boots with high heels. There were no seconds to waste and even less time for breaks between preparing drinks, cleaning the bar, and running around the room to clean the tables too. Nobody wanted their hands sticky because someone had previously spilt their drink, and you were more than ready to clock out for the night. The only problem was, however, that you still had three hours left of your shift. You sighed as you averted your eyes from the clock, realising you hadn’t started preparing the drink the drunk college student had asked for on the other side of the bar. His eyes were glossy and he was swaying in his spot, you debated filling his cup with water rather than Vodka, but you couldn’t risk getting a complaint since your boss was a stinky little fucker. Your hands worked fast, and years spent doing this kind of work were showing as you did a few tricks, hoping you’d get a nice tip. You doubted the college guy would leave a huge tip, if anything at all, but at least you tried. It was all about trying in places like this one. Trying to stay calm when a customer was rude, trying to remain sane when night after night the DJ played the same playlist for the drunken students, trying to smile and hide the fact that you hated when these frat boys flirted with you. And also try and hide the fact that you were fed up with people, and needed at least a month away from civilisation.

But if one wanted to achieve something in life, one had to work for it to happen since it wouldn’t fall from the sky. Going abroad and starting a new life over there wasn’t for free, and it especially wouldn’t happen overnight. You were well aware of that, that’s why you were working day and night, taking up shifts that were probably too long to be healthy. But the dream you had in mind demanded such sacrifices, and if it meant working hard right now for a comfortable life in the future, you were willing to spend your nights sleepless and surrounded by annoying college students. You had been like them once, after all, but that was a few years ago, and since then, the harsh reality has awoken you. What was the purpose of a degree you couldn’t do anything with? Yeah, you could’ve laughed at yourself, but then it would soon turn into hysterical crying and you weren’t strong enough to deal with such emotions. You’ve cried enough, it was time you took action now. You sighed as another rush of bodies crowded the bar, asking for shots and long cocktails. You weren’t a fancy place by any means, but you served the usual sweet cocktails that could be found in every other place. Your hands worked fast as you catered to everyone’s likes, your coworker, Hanni, was somewhere lost between the students as she had gone to clean up the tables. And even in your rush, it seemed like you couldn’t satisfy everyone. It shouldn’t have phased you, but you’ve had a rough day today.

“Hey, babe, think you could work those hands faster, maybe?” You ignored the question and smiled as a group of girls paid for their pink cocktails, leaving a bigger tip than most men would. You felt grateful and felt your smile turn genuine when the tallest in the group winked at you before they became part of the rowdy crowd again. Then, you could face your impatient customer. He didn’t look like a student, way too old to be in a crowd filled with students, but who were you to judge? Some people go to college at a later age, maybe he wanted to get the full student experience. Although, you doubted a thirty-year-old had anything in common with young adults on the brink of maturing, if they managed to mature during their upper-level study days.

“What can I get for you?” Your voice was raised since the music was booming, and unfortunately, you also had to lean over the counter to hear the man better. For some reason, that made the man smirk as he leaned forward as well, eyeing you up as if you were a piece of meat. You ignored it as your teeth ground together, you’ve seen men like him before, he wasn’t the first to act like this and you knew he wouldn’t be the last one either.

“How about…you, sugar?” Your expression didn’t budge as his smirk became shit eating as if he had accomplished anything by saying that. You waited, without blinking or reacting to what he’s said, hoping he’d catch on that he wasn’t hilarious nor flirty.

“Don’t we all wish to have a piece of the pretty barista?” That managed to throw you off as your head whipped to the side, eyebrows furrowing as you just now noticed the newcomer. He was…well, something else for sure. He wore no casual or ordinary clothes, nothing you could compare to the annoying frat boys or just the other dudes with a regular fashion sense. His hair was dark but it looked a little fried, as if it had been bleached already one too many times before. His white blouse was loose and tucked in at the waist, his black pants wide and reaching below his ankles. A thick belt was secured around the guy’s petit waist, and if you looked harder, you swore you could see a dark blue bow tied to it. His brown vest seemed to elevate the outfit even more, the pleated brown choker sitting at the base of his throat with a few other silver chains, a ruby pendant hitting his pecks as he was leaning against the counter lazily. His hip was jutted out and his painted nails tapped against the side of his head, cat-like eyes blinking slowly as he watched you. The hat he wore looked something like you’ve only seen in Peaky Blinders, and for a second, you almost chuckled. He looked peculiar but not in a negative sense, it’s just that you haven’t seen someone like him stumble inside the pub before. He didn’t seem to belong with the crowd and that would’ve been something you’d appreciate on any other day than today.

“I don’t think we were talking to you, no?” The cocky man in front of you raised a mocking eyebrow at the other guy, and you rolled your eyes for a second. But before you could answer, the other guy did for you.

“You threatened my game is better than yours?” The artsy-looking guy asked with a chuckle, his tone was more on the higher side, and you found yourself not irked by it too much. But you weren’t here to have men measure their cocks by who can get the barista’s phone number faster, so you interrupted them before they could piss you off even more.

“Listen, fellas, I don’t have all night. What do you want?” Your tone was sharp, straight to the point, and shut down all attempts at flirting as the man in front of you scoffed, shooting a dirty look at the peculiar-looking one. You tilted your head as the older man finally faced you, trying to downplay his irritation as he plastered on a charming smile again. It made your jaw tick again, but you said nothing more.

“Do you have whiskey?” You were already reaching for the bottle of Whiskey before the man was finished talking, your other hand grabbing a glass as Hanni finally returned to the bar, her tray filled with dirty glasses.

“I’ll just wash these and come help.” She said as she passed by you and you nodded, filling the man’s glass with ice and whiskey, not too much but not too little either. Who even drinks Whiskey in a place like this one? But you didn’t care as long as he’d be out of your hair, so you placed the glass on the counter, but before you could tell the guy how much it was, he had already slid a bill on the counter, sauntering away. You grabbed it and pushed it into your fanny pack, taking a step back to take a deep breath. You could do this, Hanni was back and maybe you could ask her to cover for you for five minutes. A bathroom break was allowed at any time, after all. Your small moment, however, was interrupted by a scoff. You blinked your eyes open and looked towards where the sound came from, eyes narrowing when you realised the other guy was still lingering around.

“What a pig, he didn’t even tip you.” You had to agree with his slurred words but instead walked over with an impassive expression. You weren’t here to be nice or to make friends, and you never failed to make it clear to your customers. These entitled dudes thought they could get your number and get in your pants with just a few—fake—nice words, you could confidently say you hated them all and that they made you wish you never again encountered their species. But alas, that wouldn’t happen tonight, so you headed over to the pompous guy, raising an eyebrow. He was intriguing, you couldn’t deny that, but you also knew not to mingle with guys who frequented the pub. So, even if one sparked your interest, at the end of the day, you’d still walk home alone and relish in the quiet of your room.

“What can I get for you?” You tried to keep your tone level as your hip pressed into the counter, feet aching now even more. You were ready to chuck your damn boots at the wall and call it a night, but as Hanni flashed you her typical sweet smile, you knew you couldn’t leave her alone in the wolf's den. She was too sweet and too naïve, smiling and laughing along to the shitty jokes of the frat boys who were eyeing her up with little regard for the fact that she was visibly uncomfortable.

“Something sweet like you.” You closed your eyes and took a deep breath, telling yourself to keep your cool. He wasn’t saying anything offensive, unlike many other men, he just kept calling you sweet and pretty. That could be considered even nice, but not tonight.

“The menu is literally behind me, you can choose anything from it.” You pointed a finger behind yourself, where you knew the menu was hung high on the wall so that everyone could see it. The peculiar guy just gave you a look of confusion before looking past you, blinking his eyes lazily once again. You tapped your fingers against the counter, waiting for his choice, glad that you could take a breather now that nobody was crowding to get their drinks refilled. Hanni whizzed past you when she noticed a smaller group of girls approaching, her smile reaching her ears and already talking to them, beckoning them closer. Hanni was an excellent barista, she kept her customers entertained and always engaged with them…unlike you, but that’s why your duo worked so well. You were the stoic one and she was the sunshine, but you were both quick on your feet so your boss couldn’t complain.

“Uh, I’ll take a Cosmopolitan.” The guy finally decided and you quirked an eyebrow, grabbing the shaker.

“That’s not sweet.” It was unlike you to make conversation, but the words were on the tip of your tongue so you couldn’t ignore them. The guy chuckled, letting his elbows rest on the counter as he placed his chin in his palms. Your eyes raised for a second to look at him, and you were taken aback by how cute he looked. But as he blinked slowly again, a small smile spreading onto his lips as he watched you, you quickly focused your attention on his Cosmo.

“I know, I was just trying to make you feel better.” He sighed, tracing a manicured finger against the dirty counter. You had to clean that too. As you grabbed some olive to stash on a toothpick, you followed his finger with your eyes and noticed the two silver and shiny rings on his finger, his nail done a neon yellow with a black smiley face painted on top of it.

“What do you even know…” You scoffed to yourself, placing the martini glass on the counter for the guy to take. He was still looking at you, his eyes hazy, and you allowed yourself to take in his features. He had a petite and sharp nose, pretty and well-fitting with his sharp jawline and otherwise intimidating eyes if it wasn’t for the smile in them. His lips were more plump than thin with a pretty Cupid’s bow, slightly pouty as he gave you a small frown.

“Well, I bet you don’t plan on wasting your life away here.” The way he spoke had an airy feel to it, as if he wasn’t really thinking before speaking, “And by the looks of it, it seems as if your degree didn’t take you too far as of now, which is not a big deal, people change their minds all the time.”

Your eyebrows furrowed as the guy reached for his Cosmo, your fingers brushing together since you hadn’t retracted your hand yet. You ignored how warm his fingers felt, the softness of them as they lightly brushed against yours, “It’s just sad to see talented people waste their lives away in places like this one, you know? I mean, we all go to college to make something of ourselves, but then we end up in a dimly lit and smelly bar, selling alcohol to entitled pricks, forced to listen to their attempts at flirting, or them berating us for ‘not’ doing our job. Sure, it’s honest work, but at the end of the day, when you walk home after an ungodly long shift, you still hate yourself, so…”

Something in you broke at his last sentence, making you gulp hard. You still hate yourself, the guy had said with the most easy-going expression on his face, a slight smile pulling at his lips as he continued to blink lazily at you. What did he even know when he was clearly wearing designer clothes to a pub where alcohol could be spilt on you, among many other things? Who was he to assume you couldn’t do anything with your degree, rubbing it in your face that he knew people ended up like this when he clearly came from a rich background with all those accessories on him, his tone airy and almost mocking. Your jaw clenched again as you realised you had tears in your eyes, and your hand came down harshly on the counter as the guy slipped a bill towards you, way over the price of his damn Cosmopolitan.

“Go fuck yourself.” You snapped as you threw the change back at him, watching his expression fall, his eyebrows raising comically high. You didn’t sit around to listen to him trying to get your attention again, you brushed past Hanni and leaned down to tell her that you needed five minutes. She gave you a worried look before nodding, letting you head to the bathroom as a few tears spilt down your cheeks. Today was complete shit, you couldn’t wait to get home and ignore all the responsibilities and problems you had. You were doing this for a better future, this was just a small fragment of your life, and it wouldn’t last forever. At least you really hoped so.

            You released a long sigh as the cool air hit your face, eyes stinging from the sudden coldness as the red backdoor slammed shut behind you. Hanni and you kept telling your boss to change the hinges, but he had more important things to take care of, of course. Stepping aside so that the door wouldn’t slam into your back if any staff member decided to come outside at this moment, you leaned against the cold wall, pushing your hands into your pockets. You didn’t bother grabbing your jacket, although you should have given the fact that your skin was now covered in goosebumps, teeth slightly chattering. It was always a whiplash coming outside from that parched pub, having to forcefully push through the bodies too busy to notice your approaching form. It was another busy night, the weekend was approaching so the students were coming in waves that the pub could barely house. You’ve been telling your boss that you should put a capacity limit, but he wouldn’t make as much money like that as he was making now, so of course, he said no. He was a greedy monster and he didn’t even try to hide it.

Just as you closed your eyes, you heard a loud tsk followed by a hiss, and your head jerked to the side, your eyes widening. You hadn’t realised there was someone else here with you, too taken by your own thoughts of wondering what you’d cook for dinner…if you make it home at a decent hour, which was looking less and less likely to be. With your eyes narrowed and head turned, you tried to find the source where the sound had come from, eyebrows furrowing when you noticed someone crouched down right by the door, their head lowered over their knees. It wasn’t your business what anyone was doing, really, but if a client was feeling unwell and would need assistance, you’d feel guilty if you just walked away without a word. So, sighing to yourself, you pushed off the wall and took a few steps to approach the person, eyes taking in the black messy curls on the top of his head. The person had a baby mullet growing out, framing his pale nape. You cleared your throat and reached down, gently poking at the guy’s shoulder.

“Hey, you good?” You asked unsure, eyebrows furrowing when the guy grunted only. Tilting your head, you realised he was shielding his left hand, his right thumb trying to roll the sparkwheel of his lighter, but to no avail.

“Yeah, this bloody thing won’t work.” The guy groaned, shaking his lighter as he tilted his head back, a hand-rolled cigarette hanging between his lips. Your eyes widened as you realised the face was familiar, having seen him just yesterday. The guy’s eyes looked innocent as they rounded, recognition flashing in his too. You gulped and straightened up, your expression slightly hardening as the guy’s harsh words from yesterday rang through your ears. He seemed pretty fine to you, but before you could step aside and go back inside, he spoke up.

“Hi there, pretty barista.” He then grinned, a lazy pull of his cherry-red lips, his tone easy. You didn’t expect him to be so easy-going after what you had said to him, but it almost looked like the guy wasn’t bothered by you cursing him out…maybe he really wasn’t, “You on a break?”

You crossed your arms in front of your chest, watching as he struggled to get his lighter to work. You had one in your pocket, but you found a bit of satisfaction in watching him struggle. Maybe if he asked whether you had one, you’d let him use yours. But people who didn’t ask wouldn’t get help, that’s what your father taught you, at least.

“Obviously.” You muttered matter of fact as the guy hummed, grinning wickedly when the lighter finally sparked to life, allowing him to light his cigarette. You watched as the flame danced in front of his face, making his dark eyes appear amber-like, sharper from this angle. You realised, alarmed, that you were appreciating his looks so you quickly stopped, looking away as the guy puffed out a whiff of smoke.

“You want some?” The guy asked, reaching his hand toward you as you eyed the cigarette, its smell hitting you. It was too herbal to be a normal cigarette, you belatedly realised as you watched the guy take another hit of his joint.

“What’s in it?” You decided to ask, just to make sure. If you were wrong and it was a regular cigarette, maybe you’d accept a smoke. You didn’t usually smoke but you were still tired from yesterday’s shift, and something that could loosen your nerves would be highly appreciated.

“Good stuff.” The guy grinned, giggling even a little, and the sound almost put a smile on your lips, but you caught yourself in time and instead shook your head, pushing your hands into your pockets again.

“I’m working, so, no.” The guy just hummed as he looked up at you again, taking a drag of his joint as you gulped and everted your eyes. It felt like he was gazing right through you and into your soul as your eyes had met, and given the fact that you were still butt-hurt over what he had said to you yesterday, you refused to look at him too long…you’d only admire his beauty, either way. He wore a fuzzy yellow and pink sweater today, his brown dress pants looking way too thin for this weather, but the guy didn’t seem to mind. His nails stood out with their unique design, and he wore fewer rings today but more earrings than yesterday.

“Hey, yesterday…what I said at the bar, I didn’t mean to berate you.” The guy gulped, his eyebrows furrowing as you looked back at him, slightly taken aback to see such sincerity on his face. You’ve never met someone so easily readable before, “My intention wasn’t to hurt you, I was smoked out too so I was just running my mouth, I do that when I’m high, sorry…”

A beat of silence passed as the two of you shared an apprehensive look, making you bite your bottom lip. You cleared your throat and at last averted your eyes, kicking a few pebbles towards the guy without meaning to, “Right, I shouldn’t have cursed you out either…I’m sorry too, I guess.”

The guy hummed, a smile slowly appearing on his lips before he took another drag of his cigarette, his eyes boring into yours again, “I’m glad the pretty barista doesn’t hate my guts anymore.”

You have no idea what took over you, but your cheeks were suddenly flushing as if you had been noticed by your crush for the first time, your skin prickling. You weren’t one to care about the compliments your clients gave since most of them were only trying to get in your pants, but this guy seemed to be genuine. He didn’t try to hit on you, he was just calling you pretty, and it was getting to you. You hummed and turned towards the door, hand reaching out for the knob when suddenly the guy spoke again, “Humans are easily susceptible, you know? We judge without knowing first, and we rarely apologise and recognise our mistakes. I hate people like that, rude people for no reason too. I don’t stand for all that bullshit, so I’m glad you told me to fuck myself instead of smiling at me like you do with all the other assholes. I appreciate your hard work, we all have to make due somehow and you aren’t less for working in this pub, pretty barista.”

There he was again, making your chest feel heavy as you huffed, a sarcastic smile pulling at your lips. Once again, what did he know about you? Maybe you loved this damned job, maybe being a barista in a shitty pub has been your lifelong dream. You almost scoffed at yourself, eyes narrowing as the guy took more drags of his joint, seemingly waiting for an answer that you didn’t exactly want to give. But you didn’t want him to have the last word, much like yesterday, so you plastered on a sarcastic smirk, “There you go again, blabbering your mouth when you’re smoked out.”

You didn’t expect the guy to start laughing loudly, his head falling back as it landed against the wall, his eyes crinkling at the corners. You didn’t mean to gape, but he was beautiful and painfully honest, it was refreshing in a world full of fakeness. He was an intriguing person, and you would’ve allowed yourself to become interested in him if only you had met in a different setting. With a hum and lingering eyes, you pushed the door open as the guy nodded at you in goodbye once he realised you were leaving for good. And with a faster beating heart, you willed yourself to focus on the few hours that you still had of your shift.

            It’s been quite a while since you had the chance to wake up at the crack of dawn without feeling tired, or without having to rush in for an early shift. Through hard work, you had earned these two days of break, and while you wished you had been given a full week, you made sure to utilise these two days wisely. You had always been an early bird, wishing to wake with the sun, opening your windows to hear the song of the birds, but it was too cold for them to hunker down in front of your window today. You didn’t mind, you’d take a stroll after your breakfast and check out the new art store that’s opened not too far from your apartment. You’ve heard great things about it, the prices seemed to be reasonable, and it had an adjoint bookstore and a coffee shop as well. A quick check on the internet showed you just how cozy it was, so you thought you could buy a book from your to read list and settle down in the coffee shop. It sounded like a great plan to destress and forget for a bit about work and all the idiots that kept you up at night, quite literally.

Your scarf was thick as you buried your nose into it, trying to keep it warm from the cold chill of the early morning. The city was awake with you, orange sun rising on the horizon and blinding you as you were walking towards it, you couldn’t help but smile. It warmed your cheeks and body, feeling the sun on your skin during cold season always felt like a blessing, you would always relish in it as much as you could because you knew it wouldn’t last for long. You exhaled as your eyes remained squinted, watching the people around you as you walked towards your destination. Kids were rushing to school, parents by their sides guiding them, and traffic was as crazy as ever, impatient drivers honking and disturbing the little peace everyone had. You paid it no mind and felt thankful that you were able to wake up so early instead of just going to bed, all tired and wishing for your boss to fire you. But if he did fire you, you would be in trouble, so you didn’t actually wish for that to happen. And suddenly as you turned the corner, the guy’s words from the bar managed to ring through your ears once again. Working at the pub was just as much of an honest job as it would’ve been working anywhere else.

You sighed, realising you were thinking about him again. You’ve been doing this a lot lately, letting your mind wander to his peculiar fashion sense and even more peculiar way of thinking. He seemed almost raw with his words and thoughts, unafraid to say them to your face. It was refreshing and intriguing, but you couldn’t let yourself be sidetracked right now. You had a purpose, and that was working until you had enough money to move away. If somehow a guy came into the picture right now, you felt like that would mess up all your plans and vision of the future. Under no circumstance would you stay here, but you knew your heart would betray you and try to keep you here for longer, with your lover. You didn’t even want to think of the guy as a potential love interest, you didn’t even know each other, so you shoved these thoughts to the back of your mind as you reached the art store, eyes widening at its exterior.

You haven’t seen anything quite like it before, the windows reached from ceiling to floor, a clear view of what was going on inside. There was a spiral staircase that led to the higher level which was littered with bookcases and low hanging retro chandeliers, bean bags spaced out on the floor as people sat around with books in their hands. To the right was the coffee shop with a separate entrance if you were only here for coffee, but you could also enter through the art store. And the art store was gorgeous as you made your way inside, the double doors opening easily. A sweet scent hit your nostrils as you walked further inside, your eyes wide as you took in the whole place. Paintings were hung on the walls, blank canvas placed underneath as many shelves housed all kinds of art supplies. The clerks were all smiley and they welcomed you warmly once they noticed your arrival. Maybe you could find a nicer workplace, something like this one. The workload seemed less strenuous and the people that came here to shop were less rowdy and rude. As much as you loved admiring the fine arts, you didn’t have the talent for drawing or painting, you could mess up even something as simple as a cloud. It was embarrassing, but arts have never been your forte, so you headed for the staircase to look for the book you had on your mind.

Navigating around the many shelves seemed a bit intimidating at first, but then you noticed they were sectioned on different genres, the tags hanging low from the ceiling with an arrow pointing towards the section to help you out. You smiled to yourself as you unrolled your scarf from around your neck, the warmth of the store helping your frozen fingers as you turned down a corner, two tall bookshelves on your sides. At the end of the row sat a younger girl with a manga in her hand, another one pressed to her lips as she seemed to be giggling. You felt yourself smile as you came near her, looking at the titles of the books. Asking for a clerk to help you find the book you were looking for would’ve helped enormously, but you found yourself wanting to stroll around in the warmth, fingers grazing the spines of the books. The girl giggled just a bit louder and blushed when you glanced her way. This wasn’t a library, so she wasn’t disturbing anyone, but she was still mindful of those around her. You turned the corner once again, finding the High Fantasy section, having made your research beforehand, you knew you were in the right place. It took a bit more cruising down the row to finally find the book you were looking for, and you grinned when you found it, taking it off the shelf.

You thought about strolling around the store more just to discover it further, maybe they had cheap trinkets you could buy. You even thought about paying a visit the coffee shop as well, maybe they had one of your favourite patisserie delicacies. You wouldn’t turn down something sweet right now, you didn’t have a sweet tooth necessarily, but there were days when your cravings got the better of you. With that in mind, you headed back the way you had come, sneaking another glance at the younger girl as she gasped, manga now clutched tightly in both of her hands. You chuckled before you rounded the corner, now back on the main aisle that led to the spiral staircase. You noticed that most people who were inside the store looked to be college students, their outfits mismatched colours and patterns, hair coloured something vibrant as most of them had piercings you never even thought possible before. You really liked their style and found yourself staring at them, blushing when a girl caught you and raised an eyebrow before she smiled. You nodded your head and hurried down the stairs, flustered and a little embarrassed. They oddly reminded you of the guy from the bar, you thought he’d somehow fit right in with the people inside the store. It looked something he’d enjoy, not that you knew anything about him besides that he smoked weed, wasn’t afraid to speak his mind, and had a nice sense of fashion.

You were looking at the hard cover of your book as you got to the base of the staircase, taken by the pretty illustration and completely unaware that someone was headed straight towards you, just as taken by items in his hands as you were by your book. The collision could’ve been avoided if you both had been paying attention to where you were going, but alas, you gasped loudly as you felt a hard body collide into yours, items spilling loudly onto the floor. Your head shoot up, eyes wide as you looked at the equally startled man and—wait, it was the same guy from the bar! You gulped, suddenly feeling nervous as your cheeks burned, but the guy hadn’t noticed you yet as he had crouched down to collect his items off the floor. You felt bad and hoped the expensive palette on the ground hadn’t been broken, so you crouched down too and reached for it to inspect it. The guy still hadn’t quite noticed that it was you out of all people, but as you reached for the same brush, his head raised sharply. Your smile was apologetic as the guy’s eyes widened, recognition flashing on his face. This was the third time you met this week, the sheer coincidence of meeting outside the pub was a bit jarring…especially since you’ve been just thinking about him.

“Pretty barista from the pub!” He motioned towards you then chuckled, letting you pick up the brush. Your book was placed on the ground next to you so your hands were free to help.

“Hi,” Your voice came out a lot shier than you had intended it to be, and you chewed on your bottom lip awkwardly, “Sorry about this, I wasn’t looking where I was going.”

“Don’t worry,” The guy chuckled, scooping up the small canvases, “I wasn’t either. If it makes you feel better, it was both of our faults.”

You hummed and grabbed the last item off the floor, standing at the same time as the guy. His arms were filled with his items, and you wondered if you handed over the four in your hands how he’d be able to carry everything. Despite the cold weather outside, he was underdressed. He wore a simple turtleneck with a brown knitted vest over it, long flowy plants and mismatched tennis shoes. As you both stepped aside from the staircase to make way for others, you cleared your throat and averted your eyes once you realised you were staring again. But you hadn’t seen him wearing glasses before, and with the curly strands falling over his forehead, he didn’t only look handsome but cute as well.

“What brings you here?” The guy made conversation as you tried to figure out how to hand him his items without making him drop them all again, “I say this without meaning to be rude, but you seem like the last person who’d be interested in art.”

You huffed, not bothered by his honesty, “While that statement is incorrect, I’m not here due to the art section of the store. I was looking for a book.”

“Right!” He exclaimed, glancing down at his own chest, “Oh, sorry, you can hand me those, I can carry them!”

“Are you sure?” You asked as he nodded enthusiastically, so you complied. You stepped closer to place the other four items in his arms, watching as he clinched the smaller canvas underneath his chin to keep it from falling. You would’ve laughed and offered to help until he got himself a bag or something, but the guy looked pretty content like this. Like it wasn’t his first time doing this…

“Are you collecting them?” The guy’s incomplete question left you raising a confused eyebrow at him, “Sorry, I saw you’re buying The Hobbit. It’s a pretty famous reprint, the covers are gorgeous, my best friend is collecting them so I assumed you are too.”

You glanced down at the book in your hand and bit your bottom lip, trying to brush off your embarrassment. Why were you feeling like this all of a sudden? It made no sense, but you didn’t want to leave a bad impression on the guy…even though his perception of you might already be fucked since this wasn’t your first time meeting.

“I’ve, uh, so, uhm, I have a to read list for books I’ve never read while growing up, so now I have a little tradition that I buy a book from the list each month and read it.” You spoke quickly, avoiding eye contact as the guy listened to your ramble. His intake of breath was sharp and you chanced a glance at his face, finding his eyes wide and his mouth rounded.

“Wait. Are you saying you haven’t read The Hobbit before?!” He sounded incredulous and alarmed, and your cheeks grew hot once again, actually managing to sour your mood a bit. Not having read the book didn’t make you less by any means, but you had a feeling this guy was well-versed in literature, so it felt like a jab and even a subtle scrutinising.

“Yeah, not everyone likes reading while growing up…” Your tone grew cold and voice snappish as you continued to avoid eye contact, looking towards the front desk so that maybe the guy would get the hint that you were done with this conversation. But it didn’t actually surprise you that he continued speaking without noticing you didn’t want to keep conversing anymore.

“That’s totally cool, my brother hated comic books growing up and now he’s obsessed with them.” The guy chuckled, expression innocent and tone genuinely excited, “I think you’ll love the book, it’s filled with adventure and otherworldly creatures. It’s a nice step back from our grim reality, I feel like you need that right now.”

Okay, there he was assuming again that he could just…psychoanalyse you or whatever, “Can you stop doing that? I’m not a painting you can interpret to your liking.”

The guy blinked, face going blank before his cheeks flushed, his gaze averted now from yours, “I…have I been doing it all this time?”

“Ever since we’ve met.” Your answer was sharp and quick and the guy blushed even more.

“Oh, sorry, I just…I’ll stop doing that,” Then he smiled awkwardly and held eye contact with you, “I’m Hongjoong, by the way, I don’t remember introducing myself.”

Because he hadn’t. You repeated his name in your head, finding yourself liking the sound of it, it seemed like a fitting name for him. You hummed, extending your hand.

“I’m Y/N.” But you and Hongjoong glanced down at your extended hand and then his occupied ones at the same time, chuckles leaving your mouths as he seemed flustered.

“I’m shake your hand the next time we see other.”

“If there will be a next time.”

“I quite like the pub you work at, pretty barista.” You cleared your throat and avoided looking at him because as corny as it was, it kind of made your heart flutter. What was happening? The chiming of the doorbell reminded you that it was time you left and took care of other errands you had in your schedule, but before you could say goodbye to Hongjoong, he asked a question that took you off guard, “Wanna grab a cup of coffee with me?”

Then he turned sideways, nodding towards the adjoined café, and you hesitated for a second. You could actually slip in a little time to have coffee with him, but you felt reluctant. You had met him at the pub, after all, and you still couldn’t decide what type of person he was. Of course, he was handsome, and so far, has showed a good character, but there were little moments when he somehow managed to ruin everything with his words. And he was still a complete stranger, so, listening to your rational mind, you slowly shook your head.

“I don’t like coffee, but thanks!” Your smile was easy, Hongjoong’s face morphed into something knowing as he hummed with a nod.

“Sure, I’m glad I caught you here.” Then, as you were about to take off, he added, “The pretty barista now has a name, I can say my morning was successful.”

You tried to huff and look irked, but the blush betrayed you. You just shook your head before heading for the front desk, “Goodbye, Hongjoong.”

“See ya!” His smile was radiant as he turned around and headed for the café instead, and you realised he was underdressed because he had come from the coffee shop, his things already there. And with Hongjoong on your mind, you followed his distinctive walk as he sauntered over to his table with an elegancy yet swagger you hadn’t seen before.

            Now, a week ago you probably would have said no to a preposition that involved you following home a complete stranger whose name you had known for a maximum of four days, but tonight had been literal shit and you were on the verge of tears when Hongjoong had sauntered over to the bar, his Chesire like smile blinding. You had one more hour left of your shift and you’d be clocking out, not even staying behind to help Hani clean up. Your cramps were terrible and a guy who hit on you for the whole night had spilt his drink on your favourite blouse, calling you a bitch as well for shunning him away, so, when you saw Hongjoong approach the bar with mischief in his eyes, you were ready to scream at him and tell him to get lost. Except that you didn’t do all that because his question completely threw you off guard.

“Y/N, do you like art?” He had a rolled-up joint resting at his ear, his hair pulled to the side and clipped back with colourful hair clips. Your laugh that bubbled past your lips sounded incredulous and tired, but you nodded.

“I do, do you want something to drink?” Hongjoong shook his head, leaning across the bar despite it being wet from spilt alcohol.

“When does your shift end?”

“In an hour.”

“Wanna see some of my art?” Then Hongjoong grinned, looking proud of himself, “I’m a painter.”

Something came over you and didn’t even let you ponder over your decision, “Do you have weed?”

The answer was obvious as you glanced at the joint and Hongjoong laughed, tilting his head in a way that sharpened his features under the neon lights of the pub.

“Obviously, got some on me right now. Want some?” Not while you were working, afterwards, however, you were free to do whatever.

“After my shift, yeah.”

“Cool, I’ll meet you in the back. See ya.”

And that’s how you ended up at Hongjoong’s apartment, not even ten minutes away from the pub. Your feet ached and your cramps were so bad you felt like doubling over and emptying your already empty stomach, but you tried to hold yourself together in front of Hongjoong. There was a nervous flutter in your chest as you had followed him up the steel staircase, the building old and dodgy. However, the second you walked inside his studio apartment, it felt like you had entered a different realm. He was the true definition of an artist, you came to realise, with canvas strewn around the apartment, most finished but some blank, oil paint tainting the wooden floor and even the walls. The colours were neutral, beige with a slip of sage green here and there, the curtains sheer and pulled to the side as Hongjoong hurried over to the windows to push them open. There was an earthy smell in the air mixed with something sweet like vanilla, and you couldn’t help but marvel at the cosiness of Hongjoong’s studio. You recognised a few prints on the walls, they were the paintings of well-known painters who no longer lived, and the décor Hongjoong had used was rather vintage than modern. His huge wardrobe was open, and he pushed the door closed with little care as he picked up a hoodie off the floor. You were surprised he even owned one of those.

You flinched when it collided against your head, confused as to why he had thrown it at you. Hongjoong chuckled as he shrugged his coat off, trying to tidy his messy bed but quickly giving up when he realised you didn’t look like you cared. Truthfully, your apartment wasn’t in a better shape, the dishes in the sink had been there for three days and your bathroom was in dire need of a deep clean.

“We can’t smoke weed with closed windows, so it’ll get colder.” Hongjoong suddenly explained, shrugging on a cardigan that looked very soft, “Wear my hoodie, it’ll keep you warm.”

You hummed, glancing down at it before you stepped out of your shoes, shrugging your jacket off and wearing the hoodie. Its scent was sweet but potent with something musky, and you blushed as your nose buried into its fabric, drinking in its soft material.

“Make yourself feel at home!” Hongjoong grinned, walking over to the small kitchen section to grab two cups, “Do you want tea?”

You shook your head as you walked towards the small bean bag, pushing it with your leg to try and get it more gathered together. And then, just as you were about to sink into the chair, you heard a faint sound come from the kitchen. You turned your head and were met with a small black creature blinking at you in wonder.

“You have a cat?” You asked in surprise, staring back at the little pet. Hongjoong chuckled, looking down at his pet as the electric kettle started whistling.

“Is it so surprising? I found him near a dumpster a few years ago, he’s been by my side ever since.” You couldn’t help but gaze at Hongjoong with admiration as he spoke, pouring hot water into his cup for the tea, “His name is Woo ‘cuz he reminds me of my friend. They are both rascals and really loud.”

As if on cue, the cat meowed loudly and you chuckled, finally easing yourself into the bean bag. Your lower back protested and your spine cracked as you allowed yourself to lean back, arching your back. You could’ve cried at the relief, thankful to finally be off your feet. You couldn’t wait for the weed, it would dull your cramps and help you ease up after the day you’ve had. You were probably in dire need of a shower since you smelled like alcohol, but you didn’t feel comfortable showering at a guy’s place you barely knew. Which, now that you thought more about it, realisation started setting in. You weren’t too smart for following Hongjoong home, but he had never creeped you out, so you decided to give him the benefit of the doubt tonight. You stared at the cat as Hongjoong mixed honey into his berry-flavoured tea, the warm mist hogging up his glasses. The cat, still at Hongjoong’s side, stared back at you and then slowly walked towards you, its head tilted in wonder. You smiled at it and let it smell your fingers, taking you off guard when it unceremoniously climbed into your lap, starting to make biscuits against your lower abdomen.

“Ah, of course, you’re already in the lap of the pretty barista.” Hongjoong mused with an amused smile on his lips, “You take after Wooyoung more than one would think.”

You had no idea who this Wooyoung guy was, but it sounded like he was a flirt if Hongjoong wasn’t bluffing.

“I like your apartment,” You blurted out as you started petting the cat, smiling down at it when it started purring, “It’s got character, much like you.”

“That’s the first time you said something completely honest to me.” Your eyebrows furrowed as you looked up at Hongjoong, the joint from his ear now gone as he grabbed some matches to light it up. You didn’t think that was true, but you didn’t say anything as Hongjoong came nearer, sitting down on the floor across from you. You looked at him as he took a long whiff of his joint, then extended his arm for you to take the weed. It’s been quite a while since you smoked any, you knew it would hit you faster, but you hoped it wasn’t too strong or you’d become sick. You took a careful drag of it as Woo settled into a slumber in your lap, and the earthy taste of it made you grimace. But you kept the smoke in your lungs for a bit before exhaling, taking another drag as Hongjoong watched you with a lazy smile. He looked so…handsome. You’ve had a few days to yourself to think about Hongjoong after your encounter in the art store, and you realised you were attracted to him. It was mostly physical since you liked his looks, but his brutally honest character also had you intrigued even if you’d get offended at times by what he was saying.

“I find it hilarious that you decided to come home with me after you declined to have coffee.” Your eyes met Hongjoong’s quickly just as you were about to hand over the joint, “Do you really don’t drink coffee? Or did you just want to get rid of me that day?”

“I…” You licked your lips as Hongjoong took the joint from you, grinning as he took a long drag once again, “Both, actually. I just…I don’t know you well enough and we’ve also met at the pub, I don’t like meddling with clients. Those frat boys are horny and only want to sleep with me.”

“Good thing I’m not a frat boy then, right, Woo?” Hongjoong grinned and ruffled the slumbering cat’s fur, looking back at you with an understanding look, “I’ll be done with my master’s degree in just a few months.”

You hummed, picking at the sleeve of Hongjoong’s hoodie before you saw the joint handed to you again, “And after that? What do you plan on doing?”

Suddenly, Hongjoong had a pensive look on his face as he leaned back on his arms, staring up at the ceiling. You took shorter drags of the joint now but kept the smoke in your lungs until it started burning.

“I want to travel the world, visit art galleries and drink a lot of expensive wine.” That didn’t sound bad at all, Hongjoong continued before you could tell him, “It’s hard breaking into the industry as a painter even though some realtors have already approached me to buy my paintings and put them on display.”

“And? What did you say to them?” You felt genuinely curious, the cat sighed loudly in your lap and Hongjoong looked at you two, reaching out for the joint. Your fingertips brushed together and Hongjoong’s hands felt too cold, but you didn’t comment on it.

“I turned them down,” Hongjoong smiled, but it looked almost sad before he shrugged, taking a drag, “I don’t want just anyone owning my creations. I want someone who understands what’s on that canvas to contact me, I want someone who genuinely loves art and isn’t just doing it for the money. It’s hard to find people like that nowadays, but I’m willing to wait as long as it takes…even if that makes me broke.”

Hongjoong scoffed out a chuckle, sounding bitter by the end of his sentence. For someone who was so good at reading others and commenting on their lives, Hongjoong seemed to be having his own demons he had to fight. You hummed, closing your eyes for a second as you felt your muscles ease up, your cramps less torturous. You were glad the weed was slowly kicking in, your cramps would’ve had you crying if not.

“So how do you plan on travelling if you have no money?” Maybe the question was insensitive, but you were curious. Hongjoong didn’t take offence as he smiled, looking at you with sparkling eyes.

“There are art courses all around the world, I might sign up for one and leave, never look back…”

“Do you hate it here?” The question tumbled past your lips before you could stop yourself, “Because I don’t.”

Hongjoong didn’t look surprised as he nodded, handing back the joint so you could finish it. Three drags and it would be gone, so you took your time savouring it.

“It’s not the worst, but I don’t see much of a future for myself here.” So, Hongjoong was just like you then, “When are you leaving?”

“How did you know?” You sounded shocked as Hongjoong shrugged, averting his eyes.

“You and I are rather similar, you just fail to see it, Y/N.” Well, maybe he was right, maybe he wasn’t. You couldn’t read Hongjoong as well as he could read you, you needed more time to feel out his character.

“Six months and I’m out of here, never to come back if life’s kind to me.” Your voice was quiet as you didn’t look at Hongjoong, smoke wafting through your lips as you finished the joint. Hongjoong hummed, a low and warm sound, as he reached for the stud to take it from you. Your fingers brushed together once again, and you looked at Hongjoong when he held your wrist.

“You’re stronger than you think, you’ll make it big out there, Y/N, have more faith in yourself.” You found yourself smiling now, head a little hazy as you nodded, finding it easier to believe whatever Hongjoong told you.

“You’re the artist between the two of us, you’re the one supposed to make it big.” Hongjoong chuckled and stood, headed for the kitchen.

“Can’t we both make it big?” He raised an eyebrow as he threw the stud away, turning around to face you. You hummed, not entirely agreeing with him, but you decided to nod. Then, Hongjoong turned towards where his bed was and grinned, “You’re here to see some art, no?”

“Right, I almost forgot about that.” Hongjoong chuckled, then beckoned you over. You grabbed the cat in your lap and pressed a kiss against its small head, placing it on the bean bag in your spot. Your feet felt light as you headed towards Hongjoong, who had sauntered over to the desk pressed up against the wall underneath the open windows. He turned the small lamp on, and suddenly you were looking at small canvases filled with colour and abstract shapes. Somehow they looked like an organised mess, even in the overflowing swirl of colours, you managed to find a pattern that seemed to never end like a loop. You turned your head to look at Hongjoong, and suddenly you realised his art was a perfect reflection of who he was.

“I can tell you made these.” Perhaps phrasing it like that was offensive, but Hongjoong only looked curious. He hummed, raising an eyebrow.

“How come?” His voice was quiet, curious.

“I can see you in these.” You pointed at the canvas with orange and yellow as the more prominent colours, circling a deep blue that looked almost black, “The blue is you at your core, dark and perhaps scared of the world. And then all that orange and yellow? I think that’s how you see the world, how you wish it treated you, hoping it would lighten all that darkness that looms over you all the time. And this one? I wonder if it was a coincidence you hid so many infinity symbols in the background, this burgundy is gorgeous, by the way. I think everyone is afraid of disappearing without leaving a trace of themselves in this fucked up world, and I actually…I admire you for being so honest and straightforward, very few people are like you.”

Hongjoong’s eyebrows were furrowed the longer you spoke, but he remained silent as you smiled, looking down at the white canvas, unfinished but with light blue swirls creating the illusion of a clear sky, “I wonder what this will turn into. So far, it reminds me of serenity, of the calm before a storm. Life’s like that too, don’t you think? It’s quiet and gentle, and then it turns into a scary thing that can destroy us if we let it.”

Hongjoong just gulped, his eyes clouded but his heart racing. He was positive no one had been able to interpret his art for what it was before, and he wondered how much of him you could see through his eyes if you could read so well what the trail of his brush had left on a blank canvas. It made him feel seen like never before, not even his biggest supporter, Wooyoung, could see beyond Hongjoong’s intentions when he sat down to paint, to tell the world his pain and rage, yearning for someone to just finally see him.

“You’re…” Hongjoong gulped, his throat feeling dry as you smiled at him, curious if you’d been right, “You are a person I should cherish more from now on.”

Your eyebrows raised in surprise, your heart skipping a beat once again. What did he mean by saying that? You wanted to ask, but Hongjoong stepped closer, his tone breathy as he spoke up again, “‘Whoever wants to know something about me – as an artist which alone is significant – they should look attentively at my pictures and there seek to recognize what I am and what I want’…that’s what Gustav Klimt once said. And so far, you are the only person who’s managed to do that.”

Your mouth gaped open, and you both heard Woo stretch and meow loudly, his soft footsteps loud as he walked towards Hongjoong’s bed, jumping up and finding a new spot to sleep. You didn’t know what to say back to that, but you felt your heart race as your cheeks flushed, shy all of a sudden. Hongjoong was looking at you with a softness no man has looked at you with, it was a bit hard to take it all in without freaking yourself out that this wasn’t real, that it was just the weed, or that maybe Hongjoong wasn’t as genuine as his expression showed.

“Y/N,” You didn’t flinch when his hand wrapped around your wrist, his tone still soft, “I think you already know that I find you pretty, and I…I might have gone to that dingy pub for so long just to see you, actually.”

Those words had your heart racing even wilder as you looked up, finding Hongjoong’s face closer to yours as his eyes now bore into yours, “I should’ve been more specific when I asked you to have coffee with me. I meant to ask you out on a date, but I panicked because I knew I had slightly upset you, but…”

He gulped nervously and you felt so curious to hear what more he had to say, perhaps a smile would encourage him, so that’s what you did, offered him a small friendly smile. He released a breath and cleared his throat, his hand slipping from your wrist to your hand, “Can I kiss you?”

If this was anyone else but Hongjoong, your answer would have been an instant no. But the longer you looked into his eyes, the more excited and giddy you felt, so you just nodded your head and licked your lips, trying to ignore the deep flush of your cheeks. Hongjoong chuckled, suddenly looking shy, but he started leaning in, his eyes fluttering closed just as your lips met. It was careful, it was sweet and it made your heart roar as you stepped just a bit closer, your noses brushing together as your lips moved slowly and carefully, mostly just testing out the waters. Hongjoong’s lips were soft and sweet, and surprisingly didn’t taste like weed but like peaches. You wondered if he used any sort of lip balm to have them taste like that. His hand settled on your cheek and he gently caressed your cheekbone with his thumb, making your heart roar once again. It’s been long since someone had treated you with such gentleness, and you told yourself to remain level-headed, but it would be just so easy to fall in love with Hongjoong. You couldn’t help but smile as you two pulled apart, Hongjoong tried to hide his own grin as he sucked his lips together, but his eyes gave him away. You chuckled and he giggled, and suddenly you felt the urge to pull him into a hug.

“So,” He cleared his throat as he let his arms rest around your torso loosely, “If you don’t like coffee, what do you like?”

“Delicious cakes.” You didn’t hesitate to answer and Hongjoong chuckled, patting your head.

“Well then, would you like to go on a delicious cake-hunting date with me?” You closed your eyes to contain your excitement, but the weed had not only eased your muscles but your always worrying mind as well.

“Yes!” You didn’t mean to squeal, but it was hard not to when Hongjoong startled giggling sweetly once again, nodding his head.

“Good, I’ll make sure we find the best spots in the city then.”

And perhaps not just in the city, but also in foreign countries while you attended Hongjoong’s art expositions, an expensive bottle of wine waiting for the two of you back at the hotel.

੭ Masterlist ੭

↳Perm. taglist: @orshii @jjoongstar @tinyelfperson @thestarskiller @zuuhaa

@aaa-sia @gong-fourz @a-tinycarat @sooberryworld @hopefulrascalstatesmantoad

@anastasiamin860 @yunhogrippers @vcutparis @tunaasan @blvckarabixnvoid

@yusalterego @arigakittyo @slowee00 @jaerisdiction @hey-syia

@vnessalau @oddracha @chatsgotmytongue @potatos-on-clouds @yunhowooyo

@watermelon2319 @yoongzsmile28 @klllerwaifu @apriecotte @hwasbbyg

@kyeos4ng @samiiy20 @woosanhobros @aswho1estuff @khjoongie98

@ateez-main-yapper @kang-ulzzang @felixs-voice-makes-me-wanna @ginger-mingi @redzie02

@unholywriters @autieofthevalley @roomsofangel @peachyy-joonie @baeksofty

@tunafishyfishylike @syubseokie @jycas @fandom-freak-geek @intaksfav

@itswaffleberry @e3ellie @skz1-4-3 @hoe4yunho @kyeomooniee

@winklehwa @eyesonlyformingi @khjssss @torieisawesome99 @amrose8

@faeriehwa @hongjoongsprincess @iceteainsummer @lac3ybow @aurorajoye

@londonbridges01 @hyukssunflower @hwashua-luv @halloweenbyphoebebridgers @soobnez

❀ complete the forms if you're interested! ^^

[calisources]

𝐘𝐎𝐔 𝐀𝐑𝐄 𝐈𝐍𝐕𝐈𝐓𝐄𝐃 𝐓𝐎 𝐓𝐇𝐄 𝐑𝐎𝐘𝐀𝐋 𝐁𝐀𝐋𝐋 𝐒𝐄𝐍𝐓𝐄𝐍𝐂𝐄𝐒 𝐐𝐔𝐎𝐓𝐄𝐒.

All sentences on these meme make references to royal balls, medieval ballrooms or regency, basically set during any period drama. You can change names, pronouns, titles and more as you see fit. Most of these were taken from different source materials found via google search. This meme makes references to masquerades, royal dances and partners.

Dancing, at its best, is independence and intimacy in balance.

Dance is the timeless interpretation of life.

Music does not need language of words for it has movements of dance to do its translation.

Masks reveal. They don’t conceal. Masks reveal your cravings, your passion, your deepest most secret desires.

It was you. I know it was you.

Look at me, Kia! Look me in the eye and tell me you’re not her.

And who shall you be once you don your grand disguise?

I don't like to hear you talk about yourself that way. Your scars do not define you, young lady. Your action do.

All the ladies must dress the same and the men have to find their partners. It’s a game of sorts. 

Even the smallfolk have their own version of the ball, at the steps of the castle.

Swoon, Dora. Every young woman deserves to swoon over the love of her life.

Dash it, Everton, how'd you know it was me?

A masquerade could have been a beautiful dance. 

 Oh, well. What's a royal ball? After all, I suppose it would be frightfully dull, and-and-and boring, and-and completely... Completely wonderful.

Each finds a partner, and upon the bell, we must change partner until we find the one we came to be. . .or the one we desire.

It has been a while since you gave me the honor to dance with you.

If the princess is not too occupied, I would wish for a dance, perhaps?

The Queen and King have to open the ball but the King is gone. No mind, I shall be in his place.

Sometimes in life confusion tends to arise and only dialogue of dance seems to make sense.

If we want our men to dance, we have to inspire them. 

 But with something more, something bigger, something that will give them a reason to want to dance.

But when balls are held for pleasure, They're the balls that I like best.

Will you be my princess for the Ball?

Keeping pushing, Andrei, and you and I are going to play a game.

Nothing like a ball to cheer a nation, give the old lords wine and the young boys the opportunity to find a nice woman and everyone shows up.

Where are you taking me? The ball hasn’t ended.

Royals is like a beautiful, broken angel: hard to look at, but utterly impossible to turn away from.

Attend the royal ball in all your glory and find out what fate has in store for you.

How many dances is one allowed before people begin to whisper?

You cannot behave like a brute. It is my duty to dance with every suitor. I am their princess.

I do not recognize you, my lord? Are you from these lands? 

It is bad luck to steal a princess.

Attend the royal ball in all your glory and find out what fate has in store for you.

There is nothing quite like dancing in the moonlight. It sets your soul on fire and your heart aflutter.

The beauty of a ball is not just in its grandeur, but in the connections it sparks, the emotions it stirs, and the hopes it ignites.

Just keep your eyes on me. No one else here matters.

I shall keep dancing with you until you stop being stubborn and go speak with me. Or you rather have people whisper?

The princess looks beautiful tonight, does she not?

Father, please, you must dance as well. Your dull looks are making people bored.

You promised me a dance when you were better. Are you?

I've loved you at every dance, on every walk, every time we've been together and every time we've been apart.

I can feel people's eyes on me.

Every time I walk into a ballroom, I know they are comparing me to Daphne.

You both get to choose your passions and adventures, while my beloved is chosen by me. And now I must join them for a dance.

Are you planning on running away when the clock strikes midnight? 

If you do wish to go away, I know a spot, secluded enough.

You wish for me to go with you, alone, unchaperoned. I am a maiden, my lord. 

Aye, but I am no lord, sweet maiden. And these masks allow us some privacy.

This is my last chance to find a match on my own accord. If I don’t. The King will do it for me and I would rather not.

 I'm only a girl, not a princess.

Believe me - they're all looking at you.

 They're all looking at you.

You are requested and required to present yourself to your king.

 I do not even know if that beautiful slipper will fit But, if it does--will you take me as I am?

 It would be an insult to take you to the palace dressed in these old rags.

How charming, how perfectly charming.

When I go back, they will try to pair me off with a lady of their choosing. I'm expected to marry for advantage.

Oh. Well, whose advantage would this marriage be of?

I hope you don't find our kingdom too confining.

I am. An apprentice monarch. Still learning my trade.

Our prince seems quite taken with her.

She went straight for him. You have to appreciate her efficiency.

Walk into the room knowing you are the best. Shoulders back, chin up. Their attitudes will totally change.

You dance love, and you dance joy, and you dance dreams.

The ball is about to come to an end, and you have yet not told me your name. 

I thought we agreed we would remain strangers.

I’m afraid my true identity would put you in danger. 

Have you ever been kissed by a stranger at the end of a ball? If not, let me be the first.

Put him on all the invitation lists, he's a divine dancer.

I’m afraid I’m more used to swordfight than ballroom.

You will ruin your pretty gown, princess. I would not wish to step on your toes.

 Silly, I am a great dancer, no one ever steps on my toes.

No. Let them dance. Interrupting would cause a scandal.

One of these men will be my husband one day. What a thought.

The art of husband seeking at it’s peak, during royal ball season. 

Maiden beware, a gentleman can become a beast when the bell strikes.

[aspiringsophrosyne]

The Mighty Nein: Weird Coincidences.

I've been compiling these here and there when I've had time, but there was a particular reason I wanted to get this post out of the way now. And it's this.

There's been some nervousness surrounding this, and I'm of two minds about it. On the one hand, people overstate just how hard the Nein's story would be to adapt and how much it would need to be changed for another medium. Can it be one-to-one with the original? Absolutely not. (Just as TLOVM couldn't be one-to-one either.) But the main issue is editing; the content is fine on its own.

And if this is the CRew themselves thinking the same thing, that's a little troubling, because it makes it sound like they might be changing more than they need to out of that unfounded fear.

On the other hand, all they might be talking about here is hindsight. The Mighty Nein's Campaign had a lot of strange coincidences, fortuitous thematic consistencies, and one-of-a-kind moments. The CRew is poised to reap the benefits of having these in mind ahead of time. This allows for some remarkable set-up and payoff if those involved are up to the challenge. Which, in the end, could be all they might be augmenting the story to do.

So maybe it's a good time to get into those weird coincidences, huh?

(Spoilers for basically all of Campaign 2 below the cut.)

Names

Veth Brenatto, her alias Bren, and Caleb’s original name: Bren. (This may have been inspired by the German word "Brennen",  which means “to burn”. Thanks Liam.)

Fjord Stone. Cad’s families: Clay, Dust and Stone. How the Wild Mother fits the story of an orphaned sailor like a glove. And how Cad, his family history, and likely the Wild Mother herself never would’ve entered the story if Molly hadn’t died.

A Mollymawk (spelled with a w instead of a u) is a type of albatross. Albatrosses are supposed to be unlucky, but only if you kill one. Per the Rime of the Ancient Mariner, everything goes to shit after a sailor kills an albatross. Molly’s death is just as unlucky, as it paves the way for Lucien's and Cognouza’s return. (In a meta sense, it’s also unfortunate for Matt and Taliesin, as it derails whatever plans they might have had for the character.)

Nine

Whelp.

Nine. Lots and lots of nines. And while Nein doesn’t mean nine in German/Zemnian (it means no), the wordplay works.

Nine schools of magic.

Nine people killed in Obann’s attack on the Cobalt Soul in Zadash.

The three titans (Uk’otoa, Quajath, and Desirat) collectively have nine eyes and nine crystals to unlock them and set them all free.

Nine hells.

Nine betrayer gods as of Vecna’s ascension.

Nine eye tattoos on Molly, each a mark of the Somnovem, the sleeping nine.

And of course, eventually, nine members of the Mighty Nein.

(Just for fun, Tharizdun’s sacred number in its premier in Greyhawk was 333. [3+3+3=?].)

Nein and its actual meaning work thematically as well. The Nein repeatedly clashes with forces and entities that want to mold them against their will into vessels they can use for their own purposes. And the group repeatedly says “Nein!” to that.

Tarot Readings

Molly deliberately pulls specific cards for his readings. Taliesin makes that explicit. However, some folks have pointed out that you can interpret his original reading for Jester where he tells her “You’ve already found what you’re looking for,” to be true in a few different ways. (She’s already found the people who will help her find her father. She’s discovered the company she sought that she only ever had with her Mamma and the Traveler prior, etc.)

But once we get to Jester’s readings, things really pop off. (Pop-pop off?)

Fjord's Reading

In episode 110, Jester draws two cards for Fjord: one for his present and one for his future. His present card is the Eye, which has two hands holding an eye above a restless sea.

There’s no need to elaborate on how that relates to Fjord’s then-present.

His future card is the Home And Traveler. This card could work for all the Nein if you interpret it as someone who will find or reach their home after some travel. But it hits especially hard for Fjord, who finds a home with Jester, the devotee of the Traveler, on a ship that travels up and down the coast.

And then...

Lucien's Reading

The three cards Jester pulls for Lucien are his past, present, and future. Even at the time, they seem pretty fitting.

His past: History and a Dream, which Taliesin clarifies as depicting the Calamity. This fits perfectly with the Tomb Takers’ previous job for DeRogna and their coming into the Somnovem’s patronage.

His present: the Tyrant. We don’t know either Lucien or his goals too well at this point, but we do know he and his troupe kill indiscriminately and he holds an unnatural sway over the other Tomb Takers.

His future: the Death Card. You can attribute that to the upcoming fight between him and the Nein.

But in hindsight...whoo boy. In hindsight, not only do we know of Lucien’s plans to dispatch the Somnovem and become the Tyrant king of Cognouza and all its lost, broken souls, but we know of his fall. More specifically, who he falls to.

Jester, sitting across from him, pulls his last card and tells him “Facing you is Death.”

And then it’s Miss Lavorre who ends him for good.

Divine Intervention

Generally, a Divine Intervention is a Hail Mary. You roll a d100 (or an equivalent combination of dice) and only if you roll a number below your level do you trigger it. Logically, this gets easier the higher your level gets, but you can’t rely on it until level 20.

Taliesin rolls three of these for Cad in the last quarter of the Campaign. And that’s cool enough. But what’s even better is the Wild Mother’s Grave Cleric rolls successfully for Divine Intervention every time he makes a request (knowingly or not) relating to Cognouza. The city that's coming to swallow Melora's Exandria whole.

The first successful roll comes when Cad seeks info about Vokodo, the pseudo-god of the island of Rumblecusp. Vokodo, it turns out, punched a hole through the Astral Plane to escape the hunger of the lost ward of Aeor. And upon its death, it gives a vision that sets the Nein on Lucien’s trail.

The second success comes when the Nein is attempting to uncover the Tomb Takers' secret entrance to Aeor so that they can use it to set a trap. Cad’s success tells them exactly where they need to go. This allows them to get Zoran, Otis, and Tyffial out of the way early, even if it doesn’t stop Cree and Lucien from continuing towards the city.

As for the third, well...we all know what the third does. That it prevails after Critical Role’s first Resurrection Ritual failure, (due to a natural 1 no less!) is just the icing on the cake.

Caduceus even makes the point that Cognouza had functionally become a corpse that was unable to die and that he was uniquely called upon, given his family’s business, to put it down for good.

Odds and Ends

Nott distracts a Manticore from killing Fjord by killing its baby. Her own child ends up in need of a resurrection later on in the story, during their trip to the Fire Plane. Speaking of which, a painting of said Plane can be observed in Trent's house. You know, the one he would end up chasing the Nein to?

Fjord loses his chance to break the first seal to Avantika; he lands the first attack on her Revenant incarnation when the Nein catches up to her after she escapes with his orb, and he gets the final blow on her there, recovering said orb as he does.

Yasha and Caleb are the most susceptible to the Succubus/Incubus mind control. In the former's case, this could be chalked up to her low Wisdom score...but it also serves as some neat accidental foreshadowing for her time with Obann. And for Caleb, it can be a callback to his time learning under Trent.

The Circus Kids' stories sync up perfectly. Both of their bodies end up puppeteered by someone from their respective pasts. Both of them are used to try to end the world. And, probably once Matt noticed this synchronicity himself, both are revealed to have fallen under the sway of the Chained Oblivion. And their stories didn't have to go this way. Molly didn't have to die, and Matt revealed that Yasha could've theoretically made that wisdom save against Obann's control in the King's Cage. But that's not how things turned out.

Accidental foreshadowing:

Episode 19, Molly and Yasha, after acquiring an item from an Orc hermit living somewhat off the side of the road:

Molly: We made a friend. Jester: Did you kill someone for that? Molly: Yes. Yasha: He’s dead. Molly: He’s very dead. And then he rose up from the grave again and we had to kill him again. Twice. Same man.

Also, in episode 23, after meeting the Syphilis Bandits again and leaving one of them out cold:

Jester: What if we put some flowers in his hair; so when he wakes up, he looks really pretty? Beau: That’s good. Let’s do that. Molly: There’s nothing better than waking up in the morning with no pants and flowers in your hair.

In episode 48, Yussa and Caleb have a conversation:

Caleb: Sometimes I follow my friends places I shouldn’t. Yussa: That might someday get you killed. Or may one day get you what you seek.

Following a certain Tiefling up to Eiselcross got him both.

Nott also asks Caleb in this episode if he has an eye on his forehead. This is probably a callback/joke about Scanlan’s blessing from Ioun, but it foreshadows what happens to Veth much later.

Episode 49, about Ludinus Da’leth and in particular, Vess DeRogna:

Fjord: Then we kill the two elves. Jester: Easy peasy lemon squeezy. Maybe we go up into their room at night or something and just, you know... Stabby stab.

Episode 70:

Jester (to Essek): Maybe you’ll like us so much you’ll just hang out.

Dramatic Irony:

Everything the Nein say about Molly after his death and at his grave is, in hindsight, an awful twist of the knife, as his body's former life is far from finished with him.

Episode 41. The Nein learns Orly can make magic tattoos. Beau talks about getting an eye tattoo on her back to mirror Molly’s:

Jester: I mean, I don’t know, maybe it was really sacred to him and he would be really super offended by it. Beau: Oh, yeah, maybe it would, like I stole it from him? Jester: But it’s fine, I’m sure. Beau: Yeah, you know, he’s dead, so, what’s he going to do?

Almost a hundred episodes later, Beau's new tattoo gets a little addition...

Episode 65

Jester: Are you nervous? Yasha: Yeah. Yeah, I’m nervous. I just don’t know what we’re walking into, you know? Jester: Yeah. We’ve got your back though. That guy isn’t going to do anything bad to you.

Episode 91

Veth asks Essek at dinner if he’s heard of a Nonagon, or someone named Lucien. Essek says he hasn’t. This won't be the case for long.

Episode 95

Jester, talking about Cad and the Wild Mother:

Jester: Yeah. So like, when he asks her questions, you know what she does? Artagan: “Nothing?” Jester: She blows the wind. Exactly, she does shit. So and he’s like, “I sensed, you know, I understand what she’s saying.” She’s not doing anything, but he thinks she is.

This commentary is particularly delicious, considering which Cleric's Divine Interventions end up working.

And there's probably some I've missed! These are just the little bits and pieces I jotted down during a rewatch. It wouldn't surprise me if there's more.

But that's to say, just what we've got here is a monumental amount of things to build off of and play with. The Mighty Nein's animated series has the potential to be something extraordinary if the CRew can make use of all these little gifts deftly and with subtlety. There's power and potential here, and I am nervous as hell about whether or not they can tap into it successfully.

[journeytothewestresearch]

As someone who’s Chinese w/ a degree in social science + (art) history regarding East Asia I’m always super intrigued and interested to how others interpret changes in new titles on older religious texts- but I will ask in particular if you have any personal ties to Buddhism/Taoism/Confucianism (and Chinese culture) when you find yourself interpreting BM:W’s change in allegorical use of Buddhism as contemporary political adherence! BM:W’s religious and soul mechanics follows their previous game without much overt linking between the two.

Overthrowing Gods in East Asian media is a very common trope in videos specifically due to player involvement (contrast to books where you are separate as the audience) and often is used as an allegory for the system/recent events we exist in. In such it does shift a lot from the original text in base but I think it’s not supposed to relay the same allegory due to the time period in which the writers exist! Wukong’s story changing to him still being chained by the principles that envelop life is far more relatable to late-stage capitalist environments viewers and artists exist in- as such he fulfils the contemporary variant of his original role in JTTW!

I think the change in purpose the Buddhist mythos serves in this game is decisive by nature due to inherent bias present in the original text as a religious piece, and such is core to the allegory. However I don’t think BM:W is supposed to relay that allegory, I think it is supposed to branch off on its own as an alternate contemporary extension of the foundation JTTW set out (plus with the 2 DLC’s on the way, there is plenty of time to extend the universe in game to validate a shift in religious purpose compared to the cut 7 chapters planned during development). And such i think attributing it to the CCP can be a bit of a touchy statement (especially if one doesn’t have long standing ties to East Asian culture or Regional religious practice!) and can accidentally play into sinophobic phrasing and attitudes.

Buddhism as a practice and way of life has a very different presence in writers centuries ago compared to now, as well as how we use religion in audience-involved stories. And such I find it an interesting shift regarding a game made with an international and widely multi-religious audience (that isn’t consuming it as a psycho-socio poem compared to a much smaller and more culturally homogenous readerbase. I think the friction caused by thematic changes is more due to how the game relays the physical journey so closely with reusing characters and having to shift them according to the foundational changes- if it was closer to other written “sequels” that created characters connected to the original cast through descending from them etc, the changes wouldn’t grate on completed arcs or how we compare the experience to wukong’s parallel one

No, I do not have any direct personal cultural connection to Buddhism, Daoism, or Confucianism. I live in Asia, though, and beyond my research of JTTW, I do study religion here (with more of an emphasis on folk religion as it pertains to the Great Sage). My negative view of Black Myth: Wukong is colored by my deep love for the original story. In general, I don't like adaptations.

Thank you for your explanation of the game.

[twipsai]

this one panel in issue #50 and it's, like, not THAT bad alright

fuck it im tired and had a long day this is my treat to myself. im talking about that panel. yes, THAT panel. which one?

THIS ONE. alrighty this is off the cuff and terrible, lets go.

so this panel isnt like, that bad in context when it comes to Sonic. i think specifically "ive made peace with enough enemies to know there is a better way" is a really interesting line here, because it calls back to the amount of times that the "villain" hes fought has just been a person whos hurting, and how hes been able to help those people. it makes sense that eventually hes more keen on trying to figure out someones whole story before deciding if theyve gotta go (which is rare).

but i want to talk about the FRAMING of this panel, and specifically the larger context of this issue in particular. theres a lot of flip-flopping in perspectives. usually, IDW is told through Sonic's perspective (loosely, this kind of thing is up to interpretation a lot), but in issue 50, it switches rapidly between four different groups -- Sonic and Surge, Tails and Kit, Eggman and Starline, and Belle and Metal. within these groups, the perspective its being told from changes a few times, but never as much as Sonic and Surge's do

i actually love these two when they interact as a storyteller myself, and one that has handled scripts too often for my own liking. Sonic and Surge do this thing where they push and pull the pacing of the script to fit their motives -- Surge keeps trying to escalate things, whenever shes in a panel everything starts pushing rapidly and it feels like the panels are tumbling off the page. when Sonic does anything, though, its slow and deliberate. hes having fun fighting, sure, but he can very much tell that Surge is trying to kill him and hes not having any of that. Sonic keeps things slow and focused, Surge tries to push things faster and unfocused. i could get into how this reflects her motivations and stuff but thats not what this is about i already lost track of what i was talking about fuck hang on

ok so. Surge knows shes supposed to be Sonic, to be BETTER than Sonic. its all she knows, really, and thats the problem. shes traumatized and full of rage and Sonic has been put on this high pedestal, not just by her, but by everyone. she cannot stand this.

this panel is how SURGE sees Sonic, specifically the composition. hes shrouded in light and physically above her -- its not even that subtle of a metaphor, they use it all the time in idw.

the entire overpowered saga shows Surge clawing for control of herself, her life, her freedom... this issue sets all that up in the main story. the way Sonic is framed here isnt how he sees himself at all. weve seen him do this exact same thing from his own perspective before, where everyone is on even ground. he doesnt see himself as above anyone, this instance of him being depicted as such isnt alluding to how Sonic feels about himself, its how Surge feels about Sonic.

and, look, its not the most well-done in the world. this issue has a whole host of problems, evident by the constant switching of focus from one group to a next (a problem that i think they did better on in the Phantom Rider saga). i literally forgot about Belle and Metal in this issue bc theres just so much more going on, i wouldve loved for them to slow things down a bit, maybe splitting it into two issues, but hey, what can you do, yk?

as an aside, i think its really weird how people narrow in on this specific panel of Sonic as being "so out of character", which i sorta like, 30% agree with (i think some phrasing could be better), and then ignore the page right after it...

...in which he pretty much says "you dont get freedom if youre gonna be a problem". funnily enough, on twitter i have this flow chart saved whenever i need a quick guide on Sonics morality and stuff, its really not that complicated

x

none of this is new imo, we see he has the same philosophy in sa1 and satbk. Chaos was blinded by rage and pain after being trapped for thousands of years RIGHT after they were attacked by the echidnas. Merlina was so scared of death (implied to be because she had lost family members and wasnt able to cope with it well) that she became a monster in an attempt to never let anything change ever again. these arent very different stories in my head i guess, just cases of Sonic seeing people who are hurting and doing his best to free them from that.

uhhhh anyways. all this is disorganized i forgot what i was talking about like 5 times while writing this but. people on twitter are ripping into this issue again. like its a b tier issue stop acting like its an f yk Q_Q i will defend anything if people are too mean tbh

thanks for making it this far if you read all this. i love idw a lot and i think that it does have some flaws, theyre all really blown out of proportion.

have a great day/afternoon/evening wherever you are yall :) bye bye

[inbarfink]

Okay, so… The ending flashback in “I Remember You” is often assumed by fans to be specifically the moment where Simon and Marcy first met. Like, Simon stumbled on this Weird Gray Kid crying in the middle of the apocalypse, cheered her up with a dolly and only after that Simon started taking care of Marcy full-time. 

However, while this seems to be a pretty logical interpretation of the scene - a look at the original storyboard actually reveals that was not the original intention.

You can argue whether or not it was properly conveyed in the finished episode, but the intent was supposed to be that these two already knew each other and were already a tiny lil’ post-apocalypse family (‘he has left her alone for some reason’ implies that they would usually be together at this point).

I mean, since this idea wasn’t really all that clear in the actual episode, a lot of people who did know about the storyboard notes (myself included) still assumed it wasn’t really canon. You know, it didn’t seem like such a big deal. What’s the big difference between Simon giving Marceline Hambo on the first day they met or not? What difference does it make?

And even when this idea was discussed, it was generally within the framework of, like, speculating about a possible connection between Simon and Elise (Marceline's Mom). And/or that Marceline specifically knew Simon before the War. Since neither of these ideas ever really came back in the Show itself, most people just kinda forgot about these Storyboard notes - if they ever knew about them in the first place.

It’s only very recently that it suddenly dawned on me; what was the original intent behind that scene, what is the meaning it was trying to convey, why was it so important to specify that Simon and Marcy already knew each other in that flashback. 

If this is Simon and Marcy’s first meeting then the narrative is, like we mentioned above, that lil Marceline was crying in the rubble because she misses her mom or she just really processed that the world has been destroyed, or because she was tired, or hungry. Then Simon sees the poor little girl weeping and immediately sets on to cheer her up and help her in whatever way he can. That is still a very solid narrative that focuses on Simon’s kindness and strong parental instincts. I can see why so many people are attached to it as their interpretation for that scene. It certainly makes sense for Simon’s character overall and Marceline’s relationship to him.

But the intended meaning is actually uniquely important as a part of “I Remember You”. Because the narrative implied by the fact that they knew each other at that point is that Simon has left Marcy alone ‘for some reason’ (scouting ahead? Forging for food in a dangerous area?) and Marcy probably started crying because of that. Maybe he was taking longer to come back than he promised her to, maybe she just started getting anxious because she’s a little kid all alone (who already has abandonment issues pre-packaged from her mom). 

But whatever the specifics are, with this one extra detail of ‘they know each other’ it seems extremely likely that Marceline was crying because she thought Simon had left her forever. 

But Simon did come back, ran straight to her, comforted her and reassured her that no, he didn’t leave her behind, he’s right here. And then he gives her Hambo as both an apology for leaving her behind and a reassurance.

A reassurance that he’s still here, and he’s not going to leave her.

[aeskairo]

I mean... I am a person without a lot of attachments. I don't have a lot of trust in people, and I generally view people as simply everybody on their own path.

So then when I read other people's interpretations of gk, I'm often confused because I don't really understand where they're coming from.

For example, the idea of loyalty seem to be really important to a lot of other fans. Ogata is interpreted by almost everyone as a untrustworthy, with no loyalties.

But I don't understand why anyone in this story needs to have loyalties or why loyalty is even a good thing.

Everybody has completely different motivations and wants.

Tsurumi wants to split off a piece of the military, and use it to regain territory in Russia Where his wife and child are buried.

Hijikata says that he is looking to revive the Republic of Ezo, but actually he doesn't have the resources, or the time to do that so really he's looking for one last great battle and to die under that banner rather than to set up and new independent political entity.

Shiraishi has no real goals and just likes his friends and would love to get some money out of it. He later takes on Boutarou's goal.

Ogata has no real concrete achievable goal and is looking for an abstract sense of worth.

Sugimoto also has no real concrete goal and is using the gold hunt to avoid confronting the fact that he really has no place to return to. He says he has to get the money before he returns to ume, but this is just a prerequisite he set for himself, to delay returning. Ume isn't waiting for him, has no idea that he's out trying to get the money for her, and doesn't even know if he's alive. Despite all of the importance that he places on returning to her, he is a non-entity in her life, in the same way that Ogata is a non-entity in his father's life. The similarities and differences between Ogata and sugimoto is best left for another post.

Asirpa...... is a 12-year-old girl and is still trying to make sense of the world.

Many of the soldiers don't have any goals of their their own other than following orders or impressing their commander. People like Inenaga, ushiyama don't really have any aspirations for the gold. They just seem to be along for the ride since they have map tattoos.

My point is....

These are all clearly people with individual and completely different goals, to which the gold is just a means to an end. So I don't understand why loyalty is considered important, in fact I don't understand why it's a thing at all.

So given that ..... I don't understand why Ogata is considered a disloyal betrayer....

When I read comments by other readers, it really feels like there's an expectation that these groups be a found family of sorts. A place of trust and loyalty where people support and mentor each other and it makes no sense to me.

Like that's something you expect from the military. Members of the military are supposed to be brothers in against a common enemy led by a father figure and it is explicitly pointed out that this is not the case.

People bully each other, sometimes severely. The father figure is self-interested and the only sees his men as pawns. There are shifting loyalties and factions with their own goals in the same unit. The military is not a family substitute. Gold hunt groups are not a family substitute. Even family do not present the kind of loyal loving support that people seem to expect.

So I just..... I straight up have no understanding of why Ogata is considered to be a betrayer, because I don't understand how loyalty is a thing here. I mean to me, the very concept of loyalty in this story seems to be a lie used to manipulate people seeking identity and belonging, and have them be willing to die for the group.

When I look around on forums and discussions it seems like most people do not share this interpretation. People interpret media and events is through the lens of their own experiences. And I actually keep wondering if I'm missing something huge. Like if other people interpret loyalty in a totally different more meaningful way, what are their experiences that support this belief?

Just Curious

TLDR: this is not a story about found family as much as you want it to be. Instead it's about each person finding a place for themselves....not everyone is looking for a family.

Edit: I guess this is sort of meta. The reason I have this interpretation because I have a long history of working for corporations, and despite the found family culture that they try to create and all the team building exercises, people are constantly gunning for each other, trying to get people fired, taking credit for other people's work, making people look bad in front of management to elevate their own status, trying to jump ship and go to other companies in the same industry with proprietary knowledge... so my take on this whole story is that..."this is simply how people operate."

Like I've been on team building exercises with the company where everybody an outdooring trip and bonds over canoeing, and then immediately the next day people get back to trying to get each other fired.

That's just how people are. People form connections over all sorts of things, but that doesn't mean that they aren't out for themselves or that the connection will always exist, or that the connection is deep or that the person is loyal to you.

[gremlinpenguin]

Some semi-coherent analysis threads bc my dumb ass needs bullet points to stay organized:

—SEASON FINALE SPOILERS BELOW!!!—

I’ve been dissecting some of allegorical elements of the story- I’m not sure if these are intended or even completely accurate to the story, just my interpretation of how every single narrative element potentially ties together, which is insanely impressive. Some of these are speculations or extrappolations; it’s hard to confirm some things until we know Buddy’s backstory, but this is based on his statement that he’s “never been the hero in any story, not even his own” (AAHHAHAHLSJHSKHSSKJ)

Sorry if some of these thoughts make no sense feel free to me for clarification lol, and I might be repeating things that have been said before but idk. And if i quote anything then I pulled it from the finale

BUT THE WHOLE STORY WORLD IS A METAPHOR FOR ROLES, CONVENTIONS, AND BREAKING EXPECTATIONS

The stories and their roles parallel the characters’ interiority

- chase is defiant of his role

- Buddy believes that his role defines him

- “What the stories want” > the characters wanting to break out of their roles

“Maybe this isn’t the ending that was supposed to happen” > DEVELOPMENT

- difference between who we are vs. who we think we are

- Think we’re “supposed to turn out” one way according to roles

- World where hero <3 villain = breaking conventions and expectations

- Ties in with the roles were given

“Our roles are gone, the world is gone, but we’re still here”

- we are our cores, not the roles we’re assigned

- The world cannot change who you truly are

- The world/roles getting destroyed = allowed them to be themselves

- Buddy became the hero

- Chase showed his vulnerability

Character complexity: buddy is and isn’t a “hero”

- there is no black and white answer

- He’s a complex person who made mistakes that he deeply regrets

- At the same time, he never caused any physical harm to chase- and when he did, he was instantly remorseful

If you think about buddy’s perspective, he fits the role of a hero

- in a bad situation

- Needs something to fix that situation

- Someone is in his way of achieving that goal for what he’s been trained to believe are selfish reasons

BUT THE METAPHORICAL PARTS!!!

Every storybook fantasy world was fake

- literally the entire setting wasn’t real

- The whole story is a giant metaphor

- Roles in stories = roles we think we fit into

- How roles inhibit you from who you really are

We can all be heroes or villains, regardless of what role we’re given

- chase defies his role as a kid who can’t go to college and needs to make money > still dreams big despite the hand he’s been dealt

“Stories just want an ending even if it’s not the one you’d expect”

- direct metaphor- ppl want to be themselves regardless of their roles

- You can’t control who someone is going to be

- All that matters is that they like themself, no matter what they expected

- They want to be enjoyed > people just want to live

The story ending = just living regardless of roles

- the stories are all fake but a direct parallel to the human personality

- We put up walls and fake facades to hide what we actually are/want

- The roles don’t matter as long as we just live

- Roles are put in place to try and create smoothness/structure

- we confine ourselves into fantasy book roles - ie deacon being the helper - without realizing that we have full power to get out of those

- We tell ourselves stories of what’s real/what we’re capable of

-the stories themselves are confining to the multi dimensional nature of human possibility

And Chase was literally invented to defy the stereotypical isekai tropes. Every character is strongly defiant of what someone might expect a stereotypical hero, villain, and sidekick to be- they’re so much richer, they all have motives and desires. And they each want to feel like “the hero” but it’s so far out of their grasps. The storybooks set an expectation of what a hero is - by literally fitting people into roles - I mean come on how much more symbolic can it get than literally ASSIGNING ROLES with the keys - but they all have a complex idea of how “being a hero” fits into their lives.

But as silver said, people love the hero because they tried- and Chase, buddy, and deacon are all trying so hard to find peace in their lives.

Back to the finale-

All the story wants is a true loves kiss > it just wants them to be themselves

- love is love lol

- Roles don’t matter, you matter

Roles > chase never fit into his role

- strong foil for buddy, who fully defined himself by his role

- Chase believed he could choose his role regardless of what life gave him

Chase is all about breaking conventions and doing the impossible

- Embodiment of unconventionality

- First to break out of role/callous hero expectation

Buddy is the embodiment of surrendering to his role

- letting it control him through fear and low self-esteem

- Surrendered to his role because he feels like a villain irl

Something always goes wrong in the stories- people are not meant to fit into roles

- chase defying the stories = rebelling against societal roles and expectations

- Buddy being a stickler for accuracy- he doesn’t know how to escape his role

“Our roles are gone, the world is gone, but we’re still here”

AAAAAAAAAAAAAAAAAHHHHHHHHHSJDKFKSDJFHSKSKSJFJSJSHAHDJGKKSJAHSHDHD

- BIG HEALING MOMENT BC NOTHING IS THERE TO CONFINE BUDDY AKA HIS BELIEF SYSTEM THAT TELLS HIM HES THE VILLAIN HES LITERALLY SHEDDING HIS ROLE BC THE WORLD HAS BEEN DESTROYED SO THEIR ROLES HAVE BEEN DESTROYED TOO AAAAHHH THIS QUOTE NEEDS TO PAY RENT BC ITS SPENT WAY TOO MUCH TIME IN MY HEAD

- I mean come on. Yes I am a simp for metaphorical apocalypses but THIS. THEIR ROLES HAVE BEEN DESTROYED. THE TWO OF THEM ARE LITERALYYYY ALL THATS LEFT

anygay

Dreams by night episode-

- the hero’s dreams come true- but not really

- In real life, your happily ever after doesn’t always happen

- The coffin: Buddy is mentally trapped in his villain role

- He doesn’t know how to get out

- The coffin is an emotional box that he’s stuck in

- Doesn’t believe he could be anything but the villain

- Buddy’s dream could be a flashback

- Blood on his clothes- possibly had to fight other “contestants”

- I think buddy was pit against other ppl but there was one who he really cared about and let down

- He’s definitely missing someone in his life who’s no longer here

- Fighting could have convinced him he was the villain

- Or failing to save the person he cared about

- Could have made him think he’s selfish = villain

- Or survivors guilt

- Mirror = reflection of himself

- Sees chase in his reflection = sees the part of him that he knows isn’t a villain

- Chase is making him believe that he could be good/worthy of kindness and love

- Chase symbolizes the part of himself that’s fighting to break out of his villain role

- Chase gives him hope

- Not even fully aware of his internal journey

- Chase is so clearly a fresh and new viewpoint in his life

- Surprised bc he hasn’t been cared for like that before

- “This is how it has to be” - he cannot break out of his villain role

- It’s been so deeply ingrained in him

- He doesn’t think there’s any way out

- Mirror is dark > conforming to the darkness of his role

Buddy was never the bad guy > he has a very strong motivation for getting the keys back, aka turning human again

- he never lied to chase

- He helped chase finish the stories

- He told him that he needed the keys back and Chase refused

- His pranks were only ways to accomplish his goal

- Trying to get chase’s location in beach boys > couldn’t comprehend why Chase would be genuine

- Used to humans being manipulative and unkind

- Why should he think Chase is any different?

Buddy has never done something outwardly bad and not apologized for it

- so fast to apologize when he cut chase’s face

- He’s aware of the line between good and bad

He never fights back when people attack him

- Just accepts all the bad things that happen to him

- Doesn’t try to stop people from hurting him

Both buddy and Chase have done “good” and “bad” things but Buddy has never had bad motivation

- all his motivation was in self-defense

- Chase also triggers him in many ways

- Reacting to his own past through his experience with Chase

Buddy doesn’t get <that> upset with Chase when he finds out about the key - “you think I’d kidnap a poor child?”

- he’s aware of others’ perceptions of him

- The fact that he doesn’t seem super betrayed or disappointed is even sadder

- “Why would anyone think that I’m good/trust me”

- Matches his original expectations and views of himself

- Probably felt like Chase was too good to be true

- He’s used to humans betraying him

- Chase lying = affirmation that his belief system is correct

Why buddy is kinda mean to chase at first- he thinks he’s the same as the ex libris guys

- Thinks chase is making selfish wishes

- Associates him with the people who (presumably) abused buddy to get their wish

- He sees chase as a threat

Chase is threat = have to fight back

- his pranks on Chase are meant to tire him out but also to look stronger

- Insulting Chase over his weaknesses = trying to be the tougher guy

- Literally boxed and suppressed

- Matches his need to be in control of situations

- Needs everything to go the right way > triggered by his helplessness irl

main reason why he’s mean to chase- thinks chase is privileged in the ways he’s not

- calls him a brat- oblivious, doesnt think he’s suffered

- thinks chase is just playing around, which buddy can’t afford to do

chase triggers one of his deepest insecurities- having what buddy doesn’t (or so he thinks)

- don’t know buddys backstory but it has a lot less kindness/goodness

- jealous of chase but also resentful of his attitude (initially)

why buddy messes with chase - he’s a pretty big attention seeker

- he gets annoyed when deacon is around

- wants his “rivalry” with chase all to himself

- attention seeking = byproduct of surroundings

- given a lack of positive attention

punko confirmed that buddy is lazy > lack of motivation

- people without love/support can lack motivation to accomplish things

- buddy is mistreated > no reason to strive for what he wants

- Could possibly feel undeserving

- Especially if he failed to save someone he cared about

- “laziness” is interloped with symptoms of depression

Chase uses the stories as escapism

- his real life is much harder

- Mom is sick, family judges him for not having a corporate job

Buddy insulting his voice on the heels of his visits to the aunt and uncle’s house- OUCH

- chase is so strong fr I’d prolly react more like franny

Buddy starts saving chase / being the hero after beach boys

- sick day- saves deacon and brings chase to safety

- Jailer- rescues chase from creepy guy

- Still waters- saves chase’s and everyone else’s lives

That’s all I have now! I love dissecting stories and picking them apart, but oh my freaking god the storytelling in this webtoon is next-next-tier. I’m just stunned at how incredibly detailed the characters are and how every scene is packed with subtext and emotion- funny moments, sad ones, heart wrenching ones, devastating but hopeful ones. I’ve been trying to find what makes Chase + buddy’s dynamic so strong between characterization, internal conflict, belief systems, behavior, backstory, etc. and I’m sure it all comes down to punko’s imagination and her unfettered love for the story. But if you’re a chronic overthinker and obsessive analyzer like me I’d looooove to hear your thoughts, theories, analyses, or anything at all!! Especially about the dreams by night episode IM GONNA CRACK THE CODE I KNOW I WILL

[jimin-bangtan]

Jimin’s FACE & MUSE or FACE vs. MUSE

I’ve been reading different comments about how people feel about FACE and MUSE or FACE versus MUSE and a few thoughts came to me. First, I am not countering the way anyone feels about them because art exists so that people can interpret it through their own lenses and feel or see what it means to them, even if no one else shares that viewpoint.  I am only thinking through my thoughts about the albums and some comments I’ve seen.

I will always be disappointed that FACE (and Jimin) didn’t get a fair shot at a clean debut. Some readers may have moved on right after reading that line, and that’s okay.  We can agree to disagree. Or not.  With those people now gone, I hope anyone who continues hears me out. There is a reason for bringing that up here, but I’m not bashing or blaming other members. In fact, I don’t even plan to mention other members about that at all because it’s not about them or that. Trust me. It matters to the topic, and I hope you’ll understand better as we go.

The situation for solo work was rather new to BigHit and Hybe, especially regarding BTS.  The companies had to learn just like the members did.  They seemed to have made a promotion plan that didn’t quite work out as well as it should have, but they ultimately made adjustments, and circumstances improved in some ways. There is still room for growth but at least changes were seen.  They also made a plan about how strongly they would support each artist, and I feel they did that wrong too.  Well, overall, we can’t turn back time to see how things would have gone differently had they managed the first debuts better.  We can only live life forward, as I always say.  MUSE did get better promotional support than FACE and received the streams, radio play, and achievements accordingly.  It is just worth it to explain one reason the 2 albums’ results look significantly different as I’m discussing both albums. The difference in their achievements is not due to one album being better than the other. I feel their results may have been more equal, or possibly even reversed, had the promotions been equally done.

Many say FACE was the better album because of its honest, gritty revelations. I also prefer FACE to MUSE - but not by much - and NOT because I feel it is more intense or honest than MUSE.  That was one of my problems about some of the comments I’ve read.  I feel being miserable is not Jimin’s only way to show intense and honest emotions. 

FACE and MUSE were written at the same time.  Both of them were important to Jimin and both of them were honest and intense, in my opinion.  They were supposed to be on the same LP album but were only separated due to how contrasting the moods were for each set of songs. One was dark and about unhappy, heavier circumstances, while the other was lighter and about happier, charming themes. I feel Jimin shared intense, important feelings in FACE, and I feel he shared intense and important feelings in MUSE.  He co-wrote most of the music and lyrics for both albums.  

I also feel in both situations Jimin was talking about things that were real and important to him but was being artistic in how much information he chose to share and in the tone of how he wanted or needed to share it. For example, if you read my Smeraldo Garden Marching Band (SGMB) post, I explained my view that the video was intended to be light, and even comedic, but was actually filled with a serious message. Like with BTS, information can be written in a poetic and artistic way so that it creates a mood that is intended. BTS could be singing about something dark and serious, but the music is danceable and catchy. As an only English speaker, I didn’t find out what the deeper meaning of songs were until I got the translations, and I was sometimes surprised about how intense or deep the sentiments were based on the melody and rhythm of the music.  That is why I feel some people miss the message Jimin was expressing through MUSE and dismiss it as a silly, unimportant album, especially when compared to FACE.  I venture to say that many awards committees and media venues will overlook MUSE for the same reason. FACE was often overlooked due to the promotion issue mentioned early.

If you read my Man of Messaging post, you will see that I have already expressed that I feel Jimin is saying a lot through his clothes, tattoos, dance, lyrics, melodies, etc. He is not someone who takes emotions or communications lightly.  He is consistent with what he has shared and is sharing, and those who get it, do, and those who don’t either will enjoy it as simply performance or will dismiss it as meaningless. Do so at your own peril. Jimin has things to say, and as an artist he can choose many ways to say them.  He said in one of his photoshoot sketches for MUSE (linked to the mark) that he hoped people would misunderstand some of the messages, and it appears he was successful for those people who don’t realize how significant the meanings were for MUSE in the same way they were for FACE.  

Mission accomplished, Jimin -  for those people complaining about MUSE’s lack of sincerity or depth. The rest of us got it. Interpretations are still in progress, but we know Jimin puts a lot of time, attention, and meaning into his work, regardless. 

Jimin always surprises the public and even those who know him personally.  He likes revealing different looks, singing in different tones, creating different sounding songs, and doing different styles of dances and performances. I love that he isn’t afraid to experiment, and he writes what he wants to write and how he wants to write it. He creates the stages and choreography that he envisions in order to delight and entertain.  He’s. Your. Fil. Ter.😉 (If interested, see my indirect Filter post.)

Jimin is always growing and trying new things as Tae said during Festa 2020 (linked to the mark). He said that Jimin was basically “in charge” of bringing surprises to the group as well. In other words, even those close to him aren’t always sure what to expect with his next move.

In his behind the scenes video for the making of MUSE songs, when Jimin was recording Closer Than This, he said to the engineer that he knew when he sang “My Love, My Baby” it sounded a little cringy (linked to the mark). He laughed and said but he was okay with that and liked it, and it was left in the song, which is partially a fan song. (Yes, I said partially. Read my CTT post if you care to know why I said that.) If Jimin has a message, he will include it, regardless of what others may feel. 

MUSE had a different tone and feeling than FACE.  Jimin had explained that for neither album was he going for charts and awards. He shared that he initially wanted to release FACE for free, just to express himself through song and perhaps reach someone who’d understand or who needed to hear the message. I feel the songs for MUSE were written for the same reasons: He wanted to express himself and perhaps if someone else needed to hear the message that would be great too.

As producer PDogg said (linked to mark) in the same making of MUSE songs video, SGMB team was a band that was created  “for those who aren’t able to express their love themselves”.  PDogg was sharing Jimin’s vision of the song with Loco. It wasn’t an empty album. Jimin had things to say, for himself and for others, and, in my opinion, he expressed himself as loudly in MUSE as he did in FACE. IYKYK.

Anyway, I wanted to think through that in my writing. Whether you agree or disagree, I hope it inspired some thoughts about Jimin and his work.  That is always a wish and hope for my writing about BTS and Jimin. I think they hope their art and lives serve as inspiration of some kind. For anyone who still wants to know my thoughts about what I feel MUSE may mean, see my MUSE post, where I share why I think it is a more complex album than it may appear.  (If interested, my FACE post too.)

Borahae!

💜

[beifong-brainrot]

I really like the constant powerplays we see from Kuvira. Like of course we have the big bombastic ones like dangling Varrick out of a moving train, hijacking a coronation, bringing her whole army to Zaofu, using her adoptive mother and brother as props for a speech, along with just her entire penchant for afformentioned speeches.

But there are smaller things that fall into this too. Of course there's the physical intimidation. Kuvira knows she's an intense person, I believe, and she uses this to her advantage, often pushing into boundaries, because that is a very good way to get people to panic and agree with you.

Oh and also she tried to choke out one of the followers she essentially abandoned, so um. Take that as you will.

We of course, have the iconic shoulder touch. This can be interpreted as benign, even nice, but this gesture can also mean so many other things. This can be easily interpreted as a gesture of establishing dominace, invading another persons personal space (especially a person who isn't comfortable with you, which Opal and Bolin most certainly were at the moment). Putting essentially a weight on them, pusbing them down.

We also sew Kuvira's control over people manifest in the more nebulous action of controling their movements and placements. One of my favourite of Kuvira's powerplays is her olacing Wu in the Juniour Suite. Another aspect to this could be Bolin having been seated in a small metal chair as opposed to This once again, sows confusion, doubt and stress, making people more susceptible to Kuvira's manipulation. Though Wu being placed in the Juniour Suite kinda stands out here as an action that doesn't immediately carry any benefit for Kuvira. So she's either being a dick, really wanted that presidential Suite, or perhaps was trying to rattle Wu before the ceremony.

We can also see verbal belittling, especially coming out with Suyin, calling her weak ans a coward and also branding her and the twins as traitors. I do find it interesting that Suyin is such a target of Kuvira's derision, but I suppose it makes sense due to their difficult relationship.

You can also clearly see how much being in Kuvira's surroundings affects people, and how her actions and powerplays affect people very strongly. Varrick and Bolin being perfect examples of this. Bolin was already mentally unwell so he was an easy target for Kuvira, but evem Varrick was still terrified of Kuvira even in the comics.

I think one of the perfect examples of the hold Kuvira had on people is when everyone is gonna have some tea to celebrate furthering the reuinification of the Earth Kingdom and Kuvira refuses to drink the tea herself so everyone just.... puts their teas down too.

And this may seem inconsequential in the grand scheme of things, but, you know, it's the little things. I think it sets the tone perfectly for the type of person Kuvira is.

And see, Kuvira's obsession, be it subconscious or concious,with asserting power and control has some strong basis in her backstory.

In a huge amount of Kuvira's childhood flashbacks, we see Kuvira in situations of helessness and lack of control. Most poignantly being literally dropped off by her father in a completely different city

You can totally understand why Kuvira would want to and need ro establish a sense of control over the new environment she'd been tossed into. We can see this later in the comic where a young Opal sets a boundary ("get out of my room and don't rouch my stuff") and Kuvira reacts by breaking the object she wanted.

Here she is effectively having the last say in the situation and taking control of the situation, even if the outcome isn't the one she desired initially. This shows us that this was always Kuvira's coping mechanism.

This honestly, if I were to interpret Kuvira in extremely bad faith, may imply that the main recipients of the beginnings of her manipulative and forceful streak would be the baby Beifongs. So um. That's some angst fic material.

I really need to make a longer post about Kuvira's manipulative tendencies and just how good she is at it.

[charlidos]

Orlando sees Brett (Gimli double) through his Fellowship tattoing in Wellington. He was the bravest of the nine of us in battle, but the needle was a different deal. See: a dwarf and an elf can get along. -Spring 2000.

Orlando holding Brett Beattie's hand as he got the Fellowship tattoo, representing Gimli, instead of JRD.

Words and photo by Viggo for Empire magazine, 2011.

Can I assume that this other, very similiar - but not the same - version of the photo is also from Viggo's camera? It's the same angle, isn't it? Or is Viggo closer, maybe he's what's obscuring the photo in the lower right corner?

I find both the tender handholding and that look between them so touching. Orlando obviously served as comfort here and it shows he has such a sweet heart.

And what intrigues me is the way Viggo wanted to capture this moment. He saw the same thing: tenderness and love. And his pretty, big-hearted elf.

Brett's mostly uncredited work as a stunt double/body double for Gimli is overall quite touching. Apparently, he's also from Canterbury, like Orlando, but in NZ. And on set, seems he was closest to Viggo and Orlando. And the way he did so much work, but never really got any credit. But obviously, the Fellowship embraced him as one of their own.

“I remember Elijah Wood actually approached me first and invited me [to get a tattoo]. And to tell you the truth, my biggest concern at the time was John Rhys-Davies. I knew that this wasn’t supposed to be for me to be asked to get this tattoo. So I said I had to think about it,” Beattie explains, adding that he relented when Viggo Mortensen and Orlando Bloom asked him again the following day. “I spent a lot of time on set with the cast as a professional working. I spent a lot of time with mainly Viggo and Orlando socializing and fishing, but I didn’t have much to do with the [hobbit actors] or Peter Jackson. 

He says he socialised with Viggo & Orlando and went fishing with them. And if I interpret him right, it sounds like it was ONLY with them, not with the others. Right? So, does that mean that Viggo & Orlando "socialised" a lot by themselves? And went fishing a lot, by themselves? And sometimes Brett tagged along?

Viggorli-infused minds like to think so.

[catras-breakup-song]

i’m not gonna lie… i’m lost here. is this supposed to be an 4nt1/cr1t1c4l post? if so, i genuinely don’t understand the point being made.

is it that playful banter is a bad thing? is it that being too hands-on violates unspoken boundaries? the message is so unclear to my autistic ass…

oh, wait, OP provided tags:

so aside from the fact that they are absolutely not sisters by default, least of all canonically (even if you do interpret them that way somehow), nor was it ever intended by nate stevenson, i’m still having trouble figuring out how this is problematic.

in which ways is lighthearted touch totally contradictory to passionate kissing/caressing? why can’t partners who are dating do both, especially in different cultural environments such as the horde where intimacy is discouraged and friendly sparring with familiar peers is a safe expression? if it’s so different, what are we as the audience supposed to interpret from their style of physical affection by the final season? side note, but aren’t we supposed to consider the latest version of anything in general as the most accurate?

now i have a question lol, did you take this moment literally at her word, and all the other times she repeated it?

also, my friend just pointed out that this is the classic homophobic talking point of "they seem to just be very good friends! they were roommates!" lmao. i've never agreed with accusing anyone who cr1t1c1z3s catradora of lesbophobia, which i'm not doing necessarily, because that's simply not how it works, however i found this funny and partially true so i'm keeping it in.

the lip bite was included unintentionally 👀

anyway, as i’ve discussed on this blog before, i’m very arospec and it’s inseparably intwined with my identity itself; i also project that onto catra. something we often bring up in that community, is romance-favorability (as its own spectrum of range all the way to blatant repulsion btw) — which is a personal preference that’s defined as exactly as it sounds like and occasionally revolves around fictional depiction as separate from one's own reality — and arguably more importantly, amatonormativity — which is an arbitrary set of rules for romantic expectations set up by an alloromantic society. this is typically thought of as common denial of the idea that someone could actually want to separate themself from needing a life partner in marriage, but can very much be applied to an annoying list of what draws the line between romantic & platonic relationships. that line is very individualistic and is to be decided on such a level only, and it doesn’t even get into what queerplatonic means, a concept saved for another day!

my point is, the OP seems to be trying to claim that catradora objectively cannot be read as romantic because their dynamic growing up & early-on in the story doesn’t perfectly meet socially-constructed standards of what that should look like. i say we need to eradicate those standards altogether! it’s up to catradora to decide what they are, if anything specific at all, not us as the audience — assuming they could’ve had the words at their disposal to knowingly describe it. going back to my earlier paragraph above about how limited they were in the fright zone, i’ll borrow a quote from a comment i made on one of my recent reblogged posts (which is a great meta on how their mutual desire was uh... definitely not platonic):

"Catra and Adora’s desire for one another is shown in a variety of ways, mostly indirect. There are a lot of glances - until season 5, not the kind of open leering at one another that we’d seen between other characters. Mostly it’s fairly playful - wiggled or cocked eyebrows, glances at each other while smirking, that kind of thing, or really intense and somewhat angry glares when they’re fighting."

it's really bothering me that i can't recall where i read this from before, but someone analyzed before how, growing up, catra & adora didn't have a good sense of how to label their relationship with accurate terminology despite being subconsciously aware that they, whether they knew the other reciprocated or not, loved each other "like that." unfortunately, they couldn't further explore it because such love & affection was seen as a punishable weakness in the horde, so they resorted to the only safe option they seemed to have, which was subtle body language and play-fighting as [testudoaubrei-blog] described above.

also, since this screenshot is included in that post... i would be amused to read an explanation of how THIS LOOK from catra is "platonic with a capital P", because i'm not even sure if it's up for debate to be quite honest with you:

ESPECIALLY with the "i always have!" line (which 4nt1s like to doubt, but i don't care, it's official!):

[cinderblockgabbs]

Hi here’s a loooooooooonggg rant from the one that can’t go on without inserting Wilford into every egos life in any way possible…

For context: I see engineer mark as a separate person from actor mark, but he’s also like actors self insert, or how he interprets himself if he were an awesome engineer in the year 2080- something. This doesn’t mean that they’re the same person, at least not anymore, they just have a lot of the Same personality traits and the same name.

I also see a large portion of iswm in general as a really messed up retelling of wkm that’s been retold and reset so many times it’s become a completely new and different thing. This isn’t saying that every iswm character is supposed to symbolize every wkm character, but at one point, SOME were vaguely based off of marks interpretation of his wkm friends. It’s kinda like an answer to the ship of Theseus.

Anyways, One of the things we see as the captain is mark being stuck with the warp core where we watch him tweak out and slowly build the warp core up again which makes that chain reaction that sets off kinda everything that happens in iswm. I’m saying this cuz I like thinking it’s a parallel to actor mark creating his vengeance plan against William and stuff. I see it that way because both engineer marks and actor mark were stuck in isolation for forever, and they couldn’t die, so they were miserable. AND AND AND, both marks FIRMLY BELEIVED their closest friend (engie’s being the captain and mark’s being William) were ACTUALLY EVILLL AND THEY WANTED TO STOP THEM . The creation of the warp core and the poker night both came from this crazed and desperate guy who convinced himself that what he was doing, despite it being bound to hurt people, was the right thing to do.

The only difference between engie and actor tho is that engineer mark felt actually so terrible after he realized that he was in the wrong, while actor mark genuinely CANT see that he even COULD be wrong.

MEANWHILEEE Wilford’s in iswm, it doesn’t matter why, he’s just kinda doing whatever. I like thinking that at one point Wilford would’ve seen engineer mark at his lowest. Wilford, being actually so sad and stupid as a character, would see actor mark in engineer mark. Like he sees a lot of iswm characters like if they were just wkm characters in silly costumes. This is a coping mechanism cuz deep down Wilford KNOWS he’s not talking to his old friends at all.

Just like in WMLW, I think Wilford would want to try to make amends with actor mark , but actor really REALLY hates Wilford, so this could never happen. Until Wilford meets engineer mark yayyyyyyy 😛😛

So then Wilford tries saying sorry for everything and I miss you and whatever to who he thinks is his ex best friend and little brother (I hc them as step brothers) but it’s just engineer mark being like “..ok…🤨”

BUT THEN ALSO LAST THING LAST THING, since Wilford caught engie at such a low point in his life he would feed into Wilford’s delusions because engineer mark (just like actor for a time) is completely alone and has nobody. And since engineer mark is like actor marks space self insert, and mark put a lot of his personality into engineer mark, engie feels a familiar resentment to Wilford but also a familiar longing to hear him out and he doesn’t know why and probably never will and when engineer mark realizes and accepts that he’s in the wrong which breaks the cycle of actor marks self destruction infliction of pain into everybody else, JUST WHEN EVERYTHING IS OVER AND ENGINEER MARK FINALLY GETS A BETTER LIFE OUT OF THAT DAMN SHIP, he might not even remember who told him whatever he had to hear at his lowest, but he’ll remember that whoever they were, they helped him a little. maybe. just a bit..

That’s all I have that’s the end of the rant if anybody has something ANYTHING AT ALL to add pleaseeeeeee do I’m desperate to talk about obscure Markiplier lore and headcanons to anybody

[linkspooky]

overhaul with his quirk likely never had to face consequences if he accidentally injured one of his subordinates he could just heal them

Hello, kiddos.

This is the perfect time to explain the new term I just coined called: Narrative Gaslighting.

Narrative Gaslighting is not:

Breaking Show Don't Tell: A story failing to properly demonstrate in story something, usually a narrator tells you about a character, or setting. For example: Telling us Endeavor is on a journey of atonement, but never having him take any action in story to show this.

Retcons: Short for retroactive continuity, an ongoing story, a new story detail revising something in the past often changing or imposing a different interpretation of previous described events. For example, in doctor who the reason why Wilf wasn't at Donna's wedding in "The Runaway Bride" is because he apparently had the Spanish flu. Retcons aren't necessarily bad, because sometimes you get cool new ideas, like Wilfred objectively the best doctor who character.

Plot Holes: An inconsistency in the narrative. These are sloppy storytelling but they're not usually done onpurpose.

An Unreliable Narrator: The classic example of this is the Agatha Christie novel "The Murder of Roger Ackroyd" where the narrator / perspective character is the murderer, and hides his role in the murders the whole novel until hercule poirot exposes him. This is a character in the story deliberately misleading the audience, either to conceal a twist, or sometimes unreliable narrator adds to characterization, like a character says something untrue and you're supposed to go "no that's wrong" and it turns out the character is lying to themselves.

Narrative Gaslighting is when a narrative deliberately tries to mislead you, straight up lies, or just insists that that did not happen totally happened guys. Much like real gaslighting it makes you question what you just read. The intent is to just manipulate you into read the story way the author wants you to instead of what's written.

The ask that anonymous sent to me is an example of narrative gaslighting because it's insisting upon something that's blatantly untrue. Overhaul faced consequences, he lost both of his arms and could no longer use his quirk, he was jailed and kept in isolation so long he was reduced to a state where he couldn't do much more than beg for someone to help restore his father figure from his coma. The main character also seeing Overhaul in such a desperate state, instead of agreeing to help wake up Pops who was in a coma (and innocent of the whole affair with Eri mind you, he told Overhaul to stop) instead put a condition that Overhaul is only worthy of human sympathy if he apologizes to Eri first.

Another example of Narrative Gaslighting is the narrative insisting that Deku is someone who "is possessed by a drive to save others that eclipses all common understanding" because his action of not wanting to save Overhaul directly contradicts this, but Horikoshi still wants us to believe Deku is an all-loving hero who's the embodiment of "Heroes who Saves" so he just straight up lies to manipulate us into seeing Deku the way the narrative wants us to, even if it doesn't align with his actions at all.

Here is another example of narrative gaslighting, where a story just insists upon events that are patently untrue to the point where it makes you question what you just read.

No he didn't. No he did not. You're lying. You're a liar.