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sshbpodcast · 2 years ago

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Bonk bonk on the head: Children in Star Trek

By Ames

There are myriad reasons why your hosts here at A Star to Steer Her By don’t usually care for children characters in our Star Trek, most of which are highly subjective and involve how much we dislike kids in general for being obnoxious, snotty, blithering miscreants. But that may just be me. What’s a more reasonable and less obstinate reason for disliking them so much of the time is that writers have no idea how to write for children characters, and all too frequently (especially in older shows) these youngsters just don’t have the acting chops even if the writers could give them something to do.

So let’s let the children run rampant as we go through what makes a good child character in a show like any of the classic Trek series. Which kids get a pat on the head and which get the infamous bonk bonk? Read on below for their report cards and listen to us pass notes in class over on this week’s episode of the podcast (discussion at 59:10). Nyah nyah nyah nyah nyah!

[Images © CBS/Paramount]

Unruly mobs of kids

What would one call a group of children in a Star Trek show? An anomaly of children? A supermassive black hole of children? Regardless, the worst kids come in bunches. When there’s a horde of them running around, you can tell we’re going to have a bad time on this podcast because obnoxiousness is exponential and also because it means the writers are probably using the children as some kind of general plot device. We see this in “When the Bough Breaks” and “And the Children Shall Lead” when the whole point of the episodes is to save a mass of mewling children from whatever nonsense we’ve gotten messed up in. Was it worth it to save these brats? You be the judge.

We get smaller groups of children in “Disaster” and “Innocence,” but their purpose is mostly the same: to test the patience of whichever officer they’re stuck with during some kind of crisis so that they can come out the other side slightly more developed. It’s not about the kids themselves; it’s about how our hero character grows. Picard, who notoriously hates kids, is stuck in a turbolift with three pissants in scenes that might as well be torture. And Tuvok pushes his Vulcan patience to the brink, putting up with three Drayan kids who harbor the dumbest secret the show could have attempted.

But the “Miri” kids really take the cake, despite introducing us to Phil and Iona Morris, whom we still love. But dang, kids in the 60s just couldn’t act. The two lead kids were played by freakin’ adults, having to play children who were prepubescent because there was no way they could carry an episode otherwise. Aside from being utterly distracted by those two, we found the rest of the episode felt like watching the crew get put in charge of a particularly rowdy daycare. This episode gets two bonks on the head.

—

My parent is a big deal at the Starfleet factory

In your typical monster-of-the-week episodic television, these children of the week get a brief moment in the sun just because their parents are Starfleet (or uncles… or godparents… listen you try making a list like this). They don’t get to stick around long enough to really develop, and thus they get one episode to resolve whatever their conflict is, and thusly thus, they start falling into that same category in which they feel more like props than characters. Take Ian Troi from “The Child” and Clara Sutter from “Imaginary Friend” for example. Both are merely serving as the impetus to get the story to the ending. And strangely, it’s the same ending: we learn the little kid was just an alien trying to learn about our culture through the eyes of a child. Like they say: if I had a nickel for every time this happened, I’d have two nickels, but it’s still weird it happened twice in the same damn show.

Similarly, consider Belle and Jeffrey, the EMH’s holochildren from “Real Life.” They are quite literally props, first that the Doctor creates to allow him the experience of simulated parenting, and second that are used very blatantly to develop his character. I’d say they’re both acted quite well (Belle’s final scene is really quite lovely), but they are not here to be characters, but caricatures. René Picard fills a similar role in the Picard family in the episode “Family.” He doesn’t get a ton to do, but he mostly represents the conflict between brothers Jean-Luc and Robert: one part the explorer among the stars and one part loyal to the family. Which will René choose? Never mind, he burns in a fire. So much for exploring the duality of character that Jean-Luc himself struggles with. The poor thing.

Janeway’s godson Q Junior from “Q2” might be a slightly better executed example in this category, and it’s probably because Keegan de Lancie can act. And was a teen at the time. And because the episode was about him developing as a character instead of being used to propel someone else’s development or to get us to the end of a science fiction story. If it weren’t for the sorta twist ending, he’d fit well in our next mass of children…

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Orphan boys on the airlock-step

You’d think Star Trek were a Disney movie with just how many orphaned children are running around, looking for guidance from crew members whose expertise is questionable at best. Since we get stuck with most of these kids because of some kind of accident or crisis or bad sale made by Quark, it’s a little bit understandable that they come with a big helping of emotional baggage. Which, frankly, gives them something the previous group of children didn’t have: a starting personality trait. On Deep Space Nine, for instance, we meet Rubal in “Cardassians,” the child of a gul who is raised by Bajorans to hate his biological people, and also the Jem’Hadar child from “The Abandoned” whom Odo attempts to raise to not be so bloodthirsty but fails because it’s in his DNA. These are kids we feel for because they are forced to confront the racism inherent in our societies, especially when O’Brien is around!

Next Gen is just teeming with orphans and we get a couple whose parents in Starfleet get killed in the line of duty when we meet Jeremy Aster in “The Bonding” and Timothy in “Hero Worship.” Each latches on to an Enterprise crewmember (Worf and Data, respectively) as a way to cope with their grief, and their stories are actually pretty empathetic… though they’d be more so if they weren’t child actors from the 90s.

We talked a little on the podcast this week about our keening friend Jono from “Suddenly Human” and how his story is a very thought-provoking one. Sure, the boy himself is a freaking monster I wouldn’t wish on anyone, especially Picard, but when you cut through his tough exterior and upsetting misogyny, there is a child who harbors a great deal of trauma, reforged identity, and love for his adoptive father Endar, whom you’ll remember from our Parents blogpost!

—

Girl scout troop leaders

It’s a little strange that we see so many times little kids – little girls in particular – who act as tour guides to their culture. Perhaps it’s that we can understand another complex society more easily when it’s through the innocent eyes and uncomplicated language of children, and all these young girl scouts are just so naturally sweet, caring, and empathetic that they want to help our crew members through their scrapes. Oji from “Who Watches the Watchers” and Gia from “Thine Own Self” fit this bill to a tee. Each comes from a less developed society, but their curiosity and open minds urge them to want to learn about the newcomers to their villages and also to help these newcomers learn about them in return.

We also have two young leaders in this group in Salia from “The Dauphin” and Varis Sul from “The Storyteller.” These two episodes are basically the same story: 1) young princess needs to learn how to lead her society; 2) a love interest on the ship / space station makes googoo eyes at her; 3) everyone learns a lesson in how to treat people. Are they way too young to be leading their people? Absolutely. But they’re actually the perfect age to introduce the audience to their culture and put a friendly face on a bunch of weird aliens.

One more little girl who introduces us to her culture is Hedril in “Dark Page,” who reminds Lwaxana of her late daughter Kestra so much she goes into a coma about it. Hedril herself does a good job of serving as the literal voice of her people, and her youth is actually appropriate for her role because her mind is flexible enough to adapt to new languages and new experiences that the Cairn adults struggle with. We’ll even see a couple more of these plucky gals in our next section since they’re so ubiquitous.

—

Can we adopt these kids?

So what gets you on our list of favorite minor or one-off children from all of classic Trek? It seems to be as simple as the ability to surprise us. Good science fiction characters have layers, and the kids on our best list are all more than meets the eye. Two kids who turn out to be more than what they seem are Barash from “Future Imperfect” and Taya from “Shadowplay,” neither of whom are actually the little children they appear to be on the outside and that just makes them all the more lovable. Whether you’re a little alien boy with a holoprojector who could also fit in our orphans category and who just wants a play date, or a little hologram girl who herself is basically a walking, talking dolly, these kids can stick around.

We’re also fans of Sarjenka from “Pen Pals,” yet another from our troop of girl scouts here to put a cute face on the periled people she’s literally the voice of. Her innocence, childlike wonder, and ingenuity to basically work a HAM radio are enough to make us shatter the Prime Directive any day. We haven’t gotten to Enterprise on the podcast yet, but be prepared to really root for Sim when we hit “Similitude.” His story is so tragic and empathetic that it’ll definitely elicit some kind of emotional response, so make sure you’re following the podcast when we hit that episode for a really heart-wrenching spin on a child character.

Hands down though, our favorite kid character has got to be Mezoti, the droneling we first picked up in “Collective.” From the moment we meet her, she just screams personality. It certainly helps that she’s got the leg up on most other children because she’s also got the collected experiences of the Borg Collective to pull from, but that gives her some interesting layers of depth and adds conflict into her complex character in ways even adult characters don’t always get. Resistance to her character was indeed futile.

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Main character kids

These kids are kinda in a class all their own because we see them enough that they’re really part of the family. Literally! They grow up in front of our eyes on their respective shows, and our connections with them vary wildly depending on their writing. Molly O’Brien and Alexander Rozhenko, for instance, are [usually] both so very young that they’re more props than characters. You can’t really expect stellar acting out of children that small and predictably we don’t get it, often to infuriating effect. Working around children’s limited abilities and scheduling regulations makes some of these episodes just a pain to watch, no matter how cute they are.

The bigger kids like Wesley Crusher and Naomi Wildman (thank goodness for Ktarian aging!) have it easier because they can actually be relied upon to do things. Some would say Wesley sucks as much as his sweaters, but I contend that it’s that the writers let the plot dictate his character instead of the other way around. They need Wesley to save the day all the time to show how he’s a child prodigy, infuriating all the adults around him who should have the run of the room. When the seasons progress and Wil Wheaton leaves the main cast, the focus on his appearances is more character based than plot based, like in some great performances in “Final Mission,” “The Game,” and “Journey’s End.” Naomi, on the other hand, just gets to be a kid! And she’s great at it! We see her in lots of settings and scenarios that are appropriate for her age, and whenever she does something clever, it’s because she’s being taught how to be clever, not showing up everyone around her. And when she’s the focus of an episode like “Once Upon a Time,” she really proves that she’s a character first and a literary device much much further down the list.

Jake Sisko is basically the poster child of how to write a child character in Star Trek, or even just in general. He’s defined by his relationships with people, not by what an episode needs from him. The father-son bond that we talked about in our Parents post is on high display, as well as his friendship with Nog, a child character who already has a leg up because he’s portrayed by a more experienced adult actor in Aaron Eisenberg, giving young Cirroc Lofton something to work with instead of against. Jake and Nog are both allowed to just be kids! To grow naturally, to get in trouble, to develop into more faceted people as children do. The science fiction nature of the show is just the setting, not the entirety of their characters and it’s a delight to watch their earnest portrayals and the people they become.

— Ollie ollie oxen free! We’re going to give everyone a time out just to get a little peace and quiet around here, so keep your eyes here for more posts, follow along as we near the end of our watchthrough of Voyager over on SoundCloud or wherever you listen to podcasts, hang out with us on Facebook and Twitter, and don’t trust those pesky grups!

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planet4546b · 3 years ago

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ok this question is completely fucking unhinged so im sorry. but as a funky little thought exercise. what would the general public's reactions be to each of the s/n crew's death? (eg 'they were too young to die' 'what a tragedy' vs. 'i always knew there was something wrong with that kid' vs. 'who the fuck is dumb enough to go bungee jumping in a hurricane'. u get the idea)

oh no this is actually SUCH a fun thought exercise hold on. i love this

the hard thing about sam is that like.....sam doesnt have any friends. she doesnt have any family, she doesnt have any friends, shes straight up Not A Part Of This World and thats in part represented by her having NO connection to it outside of the three little weirdos shes attached herself to, so if she were to die early (haha 'if' lol) she would....not really be missed. which sucks. if she had more people that knew her, the general reaction would be thinking it was tragic, especially because sam is a person that is deeply committed to her ideals and would most likely die For A Cause. mel, em, jackie, indrani, and eric (the very small group of people that know her best) would not at ALL be surprised at sam's early death. the more you get to know her, the more you can tell she's a person that just sort of acts like she knows she's doomed, and she's just waiting to find out what its gonna be that dooms her.

jackie is very very similar in that there's not that many people that know them in this universe, so their death would probably be very quiet and unremarked on, but they're also 2000% more likely to die in some really stupid and silly way that people would be like "someone died...doing what???????? who is stupid enough to do that??????" so hey they would get some infamy at least!! they're also, however, a person thats biggest motivation is fighting tooth and fucking nail to LIVE goddammit, and who has had near death experiences before and gone oh my god i never want to do that again. what. so anyone who knows much about them would probably realize how deeply tragic their death is, especially if silly, especially if sudden. unfortunately, the list of people who actually know this about them has exactly 0 people on it, so. (also, while their family is no longer alive, they have a really large family and if the tables were to be turned and they were to die before the rest of their family, it would be an absolutely devastating loss)

mel is....complicated. directly before the start of s/n (by directly i do mean a few months, travel times on horseback yk) mel has a near death experience because she purposefully gets too close to a quantum anomaly while trying to map it, even though 1. she knows the danger they pose and 2. emily is right behind her telling her to back the fuck off. this event, for some reason, makes her even MORE bold around quantum anomalies, and to an outside observer she is throwing herself into danger nearly constantly, so if she were to die early most people in her life would sort of say "well...it was bound to happen eventually, right?" it's still tragic, absolutely, but there are just as many people who would be ready to use mels death as a cautionary tale about the dangers of quantum anomalies/the world in general as there are people who would consider it an unavoidable tragedy. emily SPECIFICALLY, because she was the only one there when mel almost died the first time and because of other recent deaths in their family, is already trying to come to terms with mel's death, even if it hasn't happened yet. she's mourning her sister while she's still alive. aaaaaand add that one to the list of reasons em and mel deeply resent each other in ways they will never get over woo!!

em is the most straightforward. she has a large social circle and is well loved by her community at home in st. elmos, she is trying exceedingly hard to live a normal life, she doesnt try to put herself in dangerous situations (outside the inherent risks of being a cartographer, which is a job with a pretty high mortality rate) - not to say that like, this inherently makes her death more tragic than the others, just that that's how it would be percieved. you know. people who know her distantly and close friends would all consider it a huge tragedy, that she was too young to die, etc etc. man in the alternate universe where em and mel would die at the same time that sure would suck huh.

anyways this is a story that is very very much about death and grief (i never said i was subtle lol) so this was a GREAT thought exercise and very fun. ahaha wonder which ones of these are gonna be relevant. lol.

#asks #luna #this took me two weeks to answer bc i have 0 object permanance and kept forgetting about it when i didnt see the notif in my inbox lol #but anyways. VERY very fun to consider. again i love feeling like a genius and looking at the #fucked up web of parallels between these 4 its so fun

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the-irken-pony · 4 years ago

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You said to remind you about that Henry and the CCC thing...I can’t find it...

YES YOU'RE RIGHT

A lot has happened so I haven't been able to get to it for a while but THANK YOU FOR REMINDING ME

So first of all, I want to emphasize the CCC's relative importance in the Henry Stickmin series.

Part 1: The CCC vs the other factions

All of the other major factions in THSC appeared in Infiltrating the Airship or later, not counting Winston Davis and Gene Fredrickson, two members of the Toppat Clan who were introduced before the Toppat Clan was formally introduced. The Government and the Toppat Clan were formally introduced in Infiltrating the Airship, and The Wall was formally introduced in Fleeing the Complex.

The Center for Chaos Containment, meanwhile, made an appearance as early as Stealing the Diamond, back when Henry was a simple thief with some bizarre abilities (which I will touch on in a bit). Since their initial introduction, the CCC has made brief yet consistent appearances in every following game, introducing at least one member who has not been seen prior (often more).

So, if they're so important, why are they so much less prominent than other factions? Simple: their job is to contain chaos from behind the scenes to try to normalize the world around them. Unless something major is going down that requires intervention, there's no reason to publicly show their face.

And honestly? It might actually be better for everyone that they don't. After all, the CCC has demonstrated power beyond what the Government or the Toppats could even dream of. Sure, the Toppats might also have giant space lasers, but they were only able to get them after major funding and numerous months--probably years--of preparation. Likewise, the Government may have access to nuclear (emphasis on "may" because this is unconfirmed), but the CCC is able to whip these out without a second thought.

Yet the CCC's power goes further. Also at the CCC's disposal are gargantuan robots (one of which is G.A.B.E.G.G., which forces the Govt to abort the Toppat raid), a calculator that can instantly vaporize the world by dividing by 0, the ability to stop time itself, and a "Dark Energy Blaster" (capable of instantly wiping out all life within a certain radius).

Sure, the Government may have Charles' helicopter which is capable of some wacky things, and the Toppat Clan and the Wall may have superpowered members, but none of it even comes close to just how far the CCC's power extends. And yet! No one! Talks about it!!

Okay, so I've talked on and on about just how strong the CCC is. How is this at all related to Henry?

Part 2: Henry Stickmin, a thief in need of cash

Before I can get into how Henry and the CCC are connected, I need to touch on who Henry Stickmin actually is, or at least how he started.

Early on in the series, before he was captured by the Govt, Henry's sole motive was getting money in order to pay for rent (and presumably other bills).

Over the course of the first two games, Breaking the Bank and Escaping the Prison, Henry learns two new things about himself:

1. Not only does he die in numerous alternate timelines, but he remembers these timelines in which he dies (or is otherwise inconvenienced) as though they were his own.

2. Some mysterious force which he had never before known (the player) has begun to provide him with various tools to help him achieve various degrees of success (or lack thereof).

The evidence for both of these are provided by one particular recurring object in the series: the Teleporter. Not only does Henry make direct eye contact to glare at the player in ItA, but the series has him show increasing reluctance to use the teleporter whenever it's provided (eventually becoming outright refusal in Completing the Mission). Additionally, the teleporter's use in Fleeing the Complex is mutually exclusive to its use in both ItA and CtM due to the teleporter appearing in an incompatible route, suggesting he's even aware of the routes that he does not take.

However, there's one more thing which points to this being the case, which is also were we can start to see a connection between Henry and the CCC.

Off to the right, we can see that Henry was brainstorming potential jobs around the start of Stealing the Diamond.

Janitor

Prison Guard

Test subject

All but one of these options have been crossed out: “test subject”, suggesting that this is the job that he’s decided to settle on. What’s especially interesting here is that the same game we see this is the same game that introduces the Center for Chaos Containment. The connections don’t end there, though.

Part 3: Henry and the CCC

As you’ve probably gathered by now, I’m making the claim that, by the beginning of Stealing the Diamond, Henry has started working for the CCC as a test subject. I mean, someone who regularly causes accidental chaos working for a faction whose job it is to contain chaos makes sense on its own, but add to that the fact that any major repercussions caused by the CCC’s reckless decisions are immediately undone with no lasting consequences? You could say it’s too good of a fit.

Plus, it would explain how they consistently appear in the same general area as Henry (even if Kyle Baxter doesn’t actually act in FtC). There are more connections between Henry and the CCC, though.

1) The CCC’s various tools directly interact with Henry at multiple points in the series, and Henry seems much less surprised by the CCC’s actions.

Meanwhile, others seem much less aware of the CCC’s influence.

2) Even with all of the major chaos incidents that Henry directly causes, Henry himself never catches the CCC’s attention.

The CCC repeatedly mentions “chaos readings” whenever chaos incidents happen in a particular area, yet either Henry himself doesn’t give off chaos readings or the CCC actively ignores him. The first option seems unlikely due to Henry’s, well... everything. Yet, if Henry gave off chaos readings and was unaffiliated with the CCC, then why wouldn’t they put more focus on containing Henry directly? Sure, they wouldn’t succeed due to Henry being able to undo their more harmful actions, but the fact that they aren’t even antagonists is... intriguing.

3) Adding on to 2, when the CCC doesn’t accidentally hurt Henry, they directly help him somehow.

While this is rarely their immediate goal, the CCC’s attempts to contain chaos often help Henry in some way or another. In Stealing the Diamond, the Tunisian diamond happens to get thrown right next to him after he escapes from the museum; in Infiltrating the Airship, Henry takes one member’s flying suit in order to make his escape with the Romanian Ruby; and in Completing the Mission, the CCC’s intervention leads the Govt to aborting the Toppat raid.

All of these are minor coincidences, but what really ties this together is the secret ending of CtM, the Multiverse Correction.

In this secret ending, the multiverse is “defragmented” and an anomaly is corrected. The way this anomaly is corrected is actually by spawning in the package seen in Escaping the Prison.

Up to now, I’ve mentioned multiple minor details that tangentially connect Henry to the CCC, but I’ve only mentioned in passing what is probably the most important part of this whole post: you, the player.

Part 4: The Player (You) and the CCC

As the various teleporter uses demonstrate, you (the player) are a separate being from Henry, and you provide Henry with different tools or make various decisions from him. However, there are very few times (if any) in which you exert full control over Henry. A major demonstration of this is with the hammer.

All identical looking options, yet depending on which of the three you select, Henry does something different with the hammer. Aside from subtle sound cues, you don’t get any clue what each option will do. All the decision making is done by Henry.

However, there are characters which you DO exert direct control over: Clyde Jenkins, Wilson Stone, and Ellias Bahtchin. All of them are members of the Center for Chaos Containment.

Every time you take control of these characters, you have a first person view of their options and, in the case of Clyde, your mouse becomes his hand.

At no other point do you control a character like this, not even with Henry. This is a trait exclusive to these three characters. And, quite frankly, it’s incredibly fascinating from a gameplay standpoint.

Is it possible that based on this, you (the player) also work for the CCC? Maybe, but it’s entirely likely that the CCC (excluding Henry) are unaware of your presence.

Conclusion:

The fact that Henry considered applying as a test subject in Stealing the Diamond as a direct result of his chaos and just so happened to keep bumping into the Center for Chaos Containment in every game since then feels like more than just coincidence.

#henry stickmin #the henry stickmin collection #thsc #center for chaos containment #theory #analysis #long post #ask #anonymous #mine

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therosefrontier · 4 years ago

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Whumptober Day 4

No. 4 - TRUST FALL

“Do you trust me?” | taken hostage | pushed

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Genshin Impact | Diluc, Kaeya, and Mondstadt’s resident dragon friend

(crossposted to AO3)

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“Well, what a surprise this is, you asking me for help? You must be really desperate, then.”

“Don’t get any ideas. I’m not asking for your help tonight; I’m only asking for this one favor.”

“So, you play hero and I watch from the sidelines? Hmph, you wound me, Diluc.”

Diluc leveled his eyes at Kaeya with complete lack of amusement. He really didn’t have time for this. He pulled his sort-of brother into the stock room at Angel’s Share this morning with the intention of getting him alone with as little fanfare as possible (he wouldn’t be going to the knights for this, that’s for certain) and in as little time as possible. “I’m serious,” he insisted. “I’m only asking you to do this because you’re the only one who can. I need you to convince Vind to leave her post, just for one night. There’s going to be danger, and I need to ensure her safety. Obviously, I can’t do it myself, as this could reveal me as…well, the rumored vigilante.”

“The Darknight Hero, you mean?” Kaeya supplied with a smirk.

“Don’t call me that.”

“Fine, fine.” Kaeya shrugged. “I understand; you wish to keep your secret identity a secret. No worries; I have no intention of letting Vind be prey to some Abyss mages tonight. I’ll make an excuse to get her out.”

“Right…wait!” Diluc’s eyes widened at the realization. “I didn’t tell you—!"

“That the Abyss Order was the ‘danger’ described?” Kaeya appeared far too satisfied with himself. “Don’t be so surprised. I have my sources just like you have yours. It is the reason why Sucrose is on her way right now to tell Vind about those strange weather anomalies in Dragonspine that need her attention right now, as they could be the sign of a great storm that the expertise passed down to her through generations might be useful for. Plus, she has the official knightly request signed by yours truly.”

Diluc sighed. “You…already had a plan.” Of course, he did. A very official-sounding one, actually. “Wait, is there actually…?” If this was a lie, there was no way that Sucrose would go with it.

“No, probably not, it’s just a little stretching of the truth. I asked Albedo to hype up the facts for this purpose. But don’t worry, he doesn’t know any details.”

And…he got Albedo in on his scheme as well. “You would think of everything.” He exhaled while rubbing the bridge of his nose. “Well, fine then, you do that; I’ll handle the rest.”

It really wasn’t that much of a surprise to him that Kaeya would show up anyways. And, if he was being honest, it wasn’t unwelcome. Especially considering his timing.

Diluc struggled to regain his footing quickly, use the flat side of his claymore as a shield when another barrage of cryo icicles came his way. The cryo still caused a melt reaction on the flaming bush in front of him that made the fire burst in his face and deal yet another painful shot of damage. He inhaled a sharp breath and responded with launching himself at the cryo abyss mage with a flaming sword. He then unleashed his flaming phoenix on the hoard—half of Stormbreaker Point was already on fire, so it really wouldn’t matter if he added more flames to the mix.

A wound on Diluc’s arm was bleeding heavily, and he reached up to touch his face to confirm that there was blood there, too. Before him, a large group of abyss mages and Hilichurls made a blockade stretching across the clifftop and around the watchtower, and behind them, four Ruin Guards stood as support. The grass and trees around them had caught on fire, making a beacon in the pitch-black night sky. Behind Diluc, there was the edge of Stormbreaker Point and the long drop to the ocean. And beside him, there was Kaeya.

Diluc did not expect the fight to be as intense as it was. He knew that the Order was planning some raid because they got it in their heads that the tower at Stormbreaker Point must have something vitally important in it, and that Vind was some kind of powerful, mystical protector of it. Hilichurls hung around the tower a lot, so maybe they…communicated, somehow? Either way, Diluc planned to put a stop to it. However, he wasn’t planning on this much resistance…maybe they learned of his involvement?

Or maybe, that one Abyss mage in the middle, the cackling pyro one, was just a cut smarter than the rest. It made a point to sneer at the “Darknight Hero” upon Diluc’s arrival, and when Kaeya came in from nowhere to bowl through the line and take his place by Diluc’s side, it sneered at him, too.

“Well, if it isn’t the great cavalry captain of the Knights of Favonius? Such a…wonderfully unique star in your eye, isn’t it?”

Diluc felt Kaeya tense by his side.

“Hehehe, what’s the matter? Worried about your precious Darknight Hero? Or your precious secrets?”

Kaeya didn’t respond to the taunt. He kept his stance steady, his sword angled towards the hoard. His one visible eye didn’t lose sight of the sword’s target. “They’re coming,” Kaeya spoke in a whisper that only Diluc could hear. “Our reinforcements.”

So Kaeya knew, coming here, that the battle was bad enough that they would need help.

“What’s that, oh great knightly captain?”

Most of the mages didn’t talk that much. Diluc wasn’t sure they even knew much, or if they remembered things. They ran on their one-track goal against humanity, and they plotted and schemed to meet that goal. It was enough of a reason to destroy every one of their ilk Diluc saw.

(He tried not to think much about what Kaeya told him that day, about the truth. He didn’t know what to do with that truth. He couldn’t protect Mondstadt if he doubted what he should do about it, so he didn’t. Whatever those mages used to be, they were only monsters now.)

Kaeya unleashed a blast of cryo in front of him, and Diluc followed by running into the fray of fighting renewed, taking out every creature he saw. In his distraction, he almost missed that he had been targeted by a Ruin Guard’s missile, and he stumbled to the ground in a desperate last-minute attempt to dodge. A Mitachurl tried to capitalize on that moment of weakness and bring down its giant flaming axe on him, but Kaeya in that moment dove in and struck the monster deep in the side. He then grabbed Diluc and they dodged backwards.

They were going back too far. Little by little, they were losing ground, to the point that their feet neared the edge of the precipice. Still, they fought. It hadn’t been so long for them that Diluc’s fighting by Kaeya’s side felt unnatural…although it was odd. Because, they were older now. Kaeya had a Cryo vision now. Everything was…different, but every now and again, they’d still end up doing something together anyways.

Diluc breathed heavily, his hands around his claymore sweating underneath the gloves. He pushed whatever pain he felt from his injuries somewhere deep, deep in the back of his mind. He needed—they needed to push through the line. He wasn’t confident in the state of his glider after getting himself roughed up and singed so much or in their ability to avoid further attacks during their descent.

“Kaeya, we need to—”

“Diluc, do you trust me?”

Diluc’s eyes darted over to him, taken aback by the gravity in Kaeya’s softly-spoken question. “What kind of question is that?”

“Well, do you?”

As if he could answer that in one sentence or less. He trusted him…in some ways, he guessed. He trusted him in battle. He trusted him…with Mondstadt, yes. Just…well…that was all very besides the point and this was really not the time. “Yes, sure,” he huffed.

“Excellent.” Kaeya smiled.

What was he—?

Then, Kaeya laughed, loudly and triumphantly, a wild look in his eye and he reached out for Diluc’s collar and grabbed it tight. His soft voice had turned into a shouting, mocking one. “Hahaha, end of the line, Darknight Hero! The Knights have no need of meddlers like you!”

What the fu—

He pushed him. Before Diluc knew what was happening, he felt his body succumbing to gravity, his feet losing their hold on the stone of Stormbreaker Point’s edge and following the rest of his body into the open air, suddenly void of every handhold or foothold within reach.

Kaeya fucking pushed him.

Diluc had to open his glider—fast. It wasn’t working. The hell was Kaeya thinking he couldn’t open it in time he was going to—

And then, he landed on something with a thud, much sooner than he should have. The surface uneven and scaly and distinctly familiar, it didn’t take him long to realize that it was a someone. Was that—?

Dvalin arced into the sky with a powerful beat of his wings, looping back around to the space underneath the cliff, coming in close at the moment Kaeya jumped off the edge as well. Diluc repositioned himself on Dvalin’s back to a place of more stability astride his spine and watched Kaeya make a much more graceful (much better prepared, that is) landing than he did.

Diluc’s first thought was that he was relieved to see Kaeya in one piece. His second was that it was time to demand an explanation. “What was that about?”

“Clever, wasn’t it?”

“You could have told me something!”

“But would it have believable to the mages if I did? You’re not that great of an actor, Diluc.”

“Your theatrics are utterly pointless,” Diluc huffed. “And now that we’re both gone, who’s going to stop them?”

“Well, look down,” Kaeya directed.

Dvalin had flown back up into the sky, well above the surface of the cliff but low enough that one could see exactly what was going on. Diluc looked down and saw, sure enough, some familiar forms attacking the small army on the cliff, now at the perfect position to pin them against the edge. He saw Jean herself, along with Amber, the Traveler, Eula, and a number of other knights as backup. Diluc had almost forgotten that Kaeya did tell him about the reinforcements. Looking again, he noticed even Venti hanging in the back, acting as if he were there for mild support and not the actual anemo archon. Dvalin’s presence was probably his doing. Wait, Kaeya didn’t know about Venti, did he…?

“Since we had discovered during our Golden Apple Archipelago adventure that our very curious bard friend is a good friend of our resident dragon, I thought I’d ask him for his assistance. Sure, there’s other ways we could have gone about this, but sometimes, striking fear into the hearts of your enemy is very much a job for ‘theatrics,’ as you called them.”

Well, it did make some sense, Diluc guessed. He was just relieved to see that the reinforcements in question were having little trouble that hoard which had given him such a difficult time solo. Still, the relief didn’t quite keep all the lingering irritation from his voice. “You really called in the knights.”

“Well, this may come as a surprise, but that is their job.”

“Hmph,” Diluc grunted. “You say that like it would have been easy to get the bureaucracy to trust an anonymous source about the attack happening in the first place. They’re consistently useless on matters like this.”

“So you still don’t trust them.”

“No.” He’s established this already.

“All of them?”

“I trust Jean,” Diluc clarified.

Although, he supposed she might not be the only one on the list. There were…some knights who knew what they were doing, mostly. And, he had respect for the Honorary Knight, not that they really counted as a “knight” in an institutional sense.

“Well, that’s a start.” Kaeya shook his head with a smile. “I’d be worried if you threw even her under the bus for doing nothing wrong at all.”

“It’s not like that.”

“Is it, now?”

“Kaeya, what are you even talking about?”

“Well, maybe I could bring to your recollection that because of your insistence on working alone, you walked into a rather significant ambush today, facing a threat to Mondstadt without bothering to communicate to the people of Mondstadt, and also sending poor Vind all the way to Dragonspine because you couldn’t be forthright on the potential danger to her life.”

“You know that last part was specifically your plan, right?”

“But you were the one who wanted me to make up an excuse.”

“You literally already had your plan in motion while I was talking to you this morning!”

“Are you two quite finished?” Dvalin’s booming voice rattled through their ribs, his point made quite loud and clear.

“Right, understood,” Kaeya agreed. “So, Diluc, ready to head back and get someone to look at that arm of yours?”

“I can still fight, if that’s what you’re thinking.”

“I do not think that would be necessary. They’ll be fine, and besides, I can always return to provide backup.”

“No,” Diluc refused. “If I’m seeing a healer, so are you.”

“So you’re fine with that, then?”

Dvalin was already ending his circling to start heading towards the city of Mondstadt, but Diluc could still look back and see the clashing forces on the cliff, now with two Ruin Guards down and many more mages extinguished or thrown off the edge. It was clear to see who the winning side was, now.

“It’s fine,” Diluc finally conceded with a steady exhale. “I trust them.”

#whumptober2021 #no.4 #do you trust me?#pushed #fandom #fic #genshin impact #diluc (genshin impact)#kaeya (genshin impact)#more fluff than whump ngl #i mean...pain is involved still #abyss order shenanigans #the ragnvindr brothers being their dense chaotic selves

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blueskiesandstarrynights · 4 years ago

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I want to see a dadnamara a ghost!ethan fluff scene. Now. /lh

Sooo this turned out a bit longer than expected, and more of a hurt comfort, but there is definitely fluff, don't worry

Word Count: 1063

One month.

It has been one month since Black Friday. One month since everything changed. One month since he had died. And it was with the realization of this anniversary that Ethan found himself curled up outside of Lex’s room at 2 am while everyone else was asleep, crying as quietly as he could. Now, he couldn’t really cry, considering the whole ghost thing, but it was as close as he could get. As he sat there crying, he mourned.

He mourned for the life he can never have, mourned for all the lives lost on Black Friday and after. And most strongly of all, he mourned his dad.

His dad that he had been avoiding for a week before Black Friday. He loved his dad, and had no idea how to tell him that he was going to move to California with Lex and Hannah. So, he dodged his dad. He didn’t like it, this made both him and his dad sad, although they both tried to hide it from the other. Ethan was just scared that if he spent too much time with his dad, Ethan would spill the news, and he was terrified his dad’s reaction would make him want to stay, and he knows he can’t abandon his girls.

One of the first groups out, on his behest, checked Tony Green’s Body Shop, only to find a dead Tony still under one of the cars being repaired.

His silent crying was interrupted by the sound of pacing footsteps in front of him. Ethan groaned; this happened every night, and it annoyed him every night, but tonight he really didn’t want to deal with this.

“Why do you do this every night? We’re in a sealed bunker, no one’s getting in or out without 5 different alarms going off, what’s the point?” Ethan moaned, trying not to let his voice shake too much.

“More out of habit, I suppose. And something to do, as well. There’s only so much you can do when everyone else is asleep,” a gruff voice responds.

“Well, go do it somewhere else.”

A moment of silence passes before Ethan picks his head up and turns toward the only other ghost in the bunker and wonders, “Do you miss it?”

The general turns around in surprise. “I’m sorry?”

“Do you miss being alive? Do you miss being able to touch things and people and being able to eat ‘n stuff? Is there anybody that you miss and haven’t seen since Black Friday?”

General Macnamara tugs at his hair a bit as he thinks. Lex had gotten him to stop using the official military pose (“Dude, the only people who can see you are teenagers, you can drop the whole military act thing”) but he still insisted on being referred to as General Macnamara, which Ethan found annoying.

“Yes, I suppose I do miss those things. Contact with anything has been rather difficult, but I make due. I do admit that not being seen by everyone here is frustrating, especially since one of you has to act as translator. And yes, I do miss someone. My husband, also in PEIP. He’s actually the one who said I shouldn’t go through the portal. Some days I wonder what would’ve happened if I had listened to him. But I saved the president from Wiggly and who knows what kind of torture, so I take some solace in that. And I was able to save Lex. I suppose you miss these things as well?”

Ethan nodded. “I miss being able to hug Lex and Hannah, and just the feeling of tangibility in general, ‘n I miss having an actual life, ‘n I miss my dad a lot, ‘n I feel bad ‘cuz-”

With each thing Ethan lists, it gets harder and harder to breathe, which shouldn’t be possible, he’s a ghost, right, ghosts can’t breathe, why can’t he breathe, why is the room spinning what-

“Hey, hey Ethan listen to me, listen to the sound of my voice, ok?”

Ethan knew that voice. It was the general guy, but when had he moved to sit right next to him?

“Tell me five things you can see.”

“Five things I can see, yeah. I, uh, the checkered floor, you, my shoes, uh shit, uh the door across from us, and the open game room.”

“Good, good, now give me four things you can hear.”

“Yeah, yeah, uh, your voice, my voice, the bathroom fan someone left on, and the ocean noises in Hannah’s room.”

“And three things you can touch?”

“The wall, the floor, and my jacket.” At this, Ethan’s breathing starts to even out, and he turns towards General Macnamara. “Thanks. How’d you know that’d work?”

“Lots of new recruits would get nervous and have panic attacks like that, and this would help them. Are you feeling better?”

Ethan nodded. He thought for a moment before asking, “So what’s PEIP like? Sounds like you deal with weird shit like this all the time.”

“Yeah, you could say that. We keep track of Black and White anomalies throughout Hatchetfield, along with keeping tabs on the witches in this town. The last recorded destructive witch was Willabella Muckwab, who was executed centuries ago, all recorded witches since then have all been passive.”

“Witches?”

“Yes, witches. Lex and Hannah are witches, along with one other individual in Hatchetfield. I’m not sure if she had survived Black Friday, but if she’s smart, she would’ve left already.”

Ethan scrunched up his nose at this. “Huh, so I guess that’s why Lex could bring me back, and why Hannah can hear that spider?”

“Exactly.”

“So how come Lex had no idea she could do that shit, but Hannah’s been hearing the spider for forever?”

“I’m not entirely sure, but it could have something to do with the fact that Hannah is much more powerful than Lex.”

“Weird. What else do you guys do?”

General Macnamara spent the rest of the evening talking about PEIP, including some things he probably wouldn't have told Ethan if they weren’t both ghosts. By the time General Macnamara’s watch let him know it was 6 am, Ethan was feeling much better and turned to him and said, “Thank you General Macnamara. This really helped.”

“Any time, son. And you can call me John,” he replied, smiling at Ethan before walking off.

#general macnamara #john macnamara #ethan green #dadnamara #should i start a tag list on the drabbles for this au?#idk if anyones interested lemme know #btw i wanted john to give ethan a hug at one point but i didn't think they were there yet.#he just gave his first name #but we'll get there i promise #ghost!ethan au #my writing

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inspector-montoya-fox · 4 years ago

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so... why did Honor Among Thieves disappoint?

and i’m talking about the episode, not the game. as usual, i’m popping off on something based on my opinion, because i’m aware a lot of you like that episode. but i feel like conclusion levels aren’t SP’s forte ? let’s take a look:

Setting: if you’re gonna base an entire game on breaking into an island fortress, you better let us play in that island fortress. and that’s not the case. the setup was perfect: an evil island citadel, kinda paying homage to Clockwerk’s lair, heavily guarded by mutated animal hybrids, but inside, the entire Cooper legacy. so why did it end up being a pool of acid? and why do most preparatory missions take place around the island instead of on it? circling back to the Clockwerk level similarities, i really like the linear structure for final episodes, i think it ups the ante and the tension. the sense of choice and safety granted by optional mission order or the safehouse is stripped and with each level we get closer to the main baddie. but here, the missions feel detached because of the gang being all over the place. Sly first loses his cane and is unconscious and then the original gang disbands before entering the vault. i didn’t appreciate SP’s choice to sacrifice platforming for other modes of gameplay. i know that when game devs introduce new gameplay, they’re usually really proud of it (Arkham Knight’s over-dependence on the batmobile...) but giving us a single platforming mission in the entire final level was kinda sacrilegious, imo. i’ll touch upon the reason behind this in the next section, but this was supposed to be Sly’s level, maybe even the gang’s. but, until we get to the vault, there’s Carmelita shooting, Penelope RC, Guru brainwashing, Dimitri diving, plane fight, Murray brawling and Bentley grapple cam. i think that simply diluted the importance of this episode, and made it lacklustre. i’d rather play as Sly breaking into the island 100%. if you follow me, you probably know how i feel about TiT, but i want to reference the Feudal Japan map here: it really conveyed the sense of a palace fortress. yeah, it was a village, but throughout its circumference there were imperial structures to remind us that we were actually surrounded by the stronghold. i think it would be much more effective to have Kaine Island be some kind of military base or evil tech lab instead of a vat of acid. the game’s tutorial mission was loads of fun and very intriguing because we got to enter the island and look at its interior. that should have been maintained for the final episode. and even if SP didn’t have this vision for the island, dumping neon green liquid mass everywhere seemed lazy. if they wanted it to be desolate, they should have emulated Clockwer’s volcano exterior which was full of lava but had clear characteristics.

Themes: the reason behind the various modes of gameplay was probably to express the theme of camaraderie and show that even if this is Sly’s legacy, all thieves are honourable. everyone gets to help out in some way, and that help is elevated further when Sly, the gang’s supposedly best asset, is benched. i really admire this, i think it’s a nice concluding message to a game which focuses on teamwork and how everyone is a unique individual, despite belonging on a team. that being said, the gameplay came across as repetitive, like Penelope and the Guru’s sections, or abysmal, like the underwater bossfight. i feel like they could have showed that message in a better way, one which wouldn’t require an entire gameplay section. although it was quite “silly”, having the Panda King transport the RC car and the van was an efficient way to show how he helped out without having us endure more firework gameplay. this way, there’d be more room for, again, platforming, which is much needed in this episode. at least the theme is explored well this way, like no one would doubt that the team cares for each other now. the other major theme is, obviously, legacy. unlike the camaraderie theme, this was explicitly presented. you literally go through your dead ancestors belongings. the mission is pretty cool too, i don’t have many complaints. i like how Sly has to channel each ancestor and their signature move in order to get through the obstacles they’ve set. and when the time came to go through Conner’s section, and Sly asked him what to do because he genuinely didn’t know... i lowkey kinda felt so emotional. the theme shows how Sly has come full circle, despite his minimal character development. we start off the series by collecting Thievius Racconus entries from ancestors he only heard about when he was a child, to coursing through what they left behind for us specifically. it’s really nice, and i think it’s what prevents this episode from being a complete disaster, like it’s the highlight of the whole thing.

Plot: my main beef with this episode was Bentley and Murray not entering the vault, despite SP putting in so much some work to portray them as equals. i’ve said time and time again that i absolutely love the Bentley x Dr Matt conversation because it hinted at an older version of the gang, and that Watchmen dynamic is so powerful, especially when the predecessor reaches out to their successor in a messiah kind of way (long sentence, sorry if i’m not making any sense). point is: why would they have this conversation if Bentley and Murray ultimately ended up staying behind? i get that Bentley inherits the Thievius Raccoonus at the end, but that’s a whole different discussions. like, they should have gone into the vault to show how they are as much a part of the Cooper legacy as Sly. i’m not sure how the gameplay would be, like maybe they’d get separated and meet up at the end, but i seriously wish they had followed Sly. but anyway, they didn’t, and then the amnesia thing happens... the perfect way to describe that is ‘bittersweet’. on the one hand, the entire vault and legacy come crushing down; on the other hand, Sly gets with Carmelita. this is perhaps the most development he gets throughout the course of three games. the Coopers are obviously obsessed with maintaining traditions and the lineage (which is weird when you consider all of them dropped like flies at the sight of Clockwerk, like you’d think after a few generations the fuckers would have some sort of back-up) so it’s interesting to think that Sly is the anomaly. he doesn’t have his own cane, he’s in love with a cop, he never introduced his own move to the book, and he ultimately decided he didn’t want to upkeep the Cooper legacy but reinvent it and start anew. so yeah, like that was a nice touch but everything happens so quickly and it’s a lot to take in

i don’t want to say that Honor Among Thieves is a bad case, but i think it doesn’t live up to the build-up of the entire game. one of the reasons why Sly 2′s ending was better was because the game went out of its way to establish a specific course the events would supposedly follow by telling us ‘here are the villains’ at Rajan’s ball. and then, as a direct result, Arpeggio’s death and ClockLa’s genesis came as such a big surprise. but here, we were promised a vault so difficult to get in that we needed to recruit outcasts from all over the globe, and at the end there wasn’t a twist. that’s just literally what happened. holy hell that was blunt.

#the remnants of The Episode Project are somewhere echoing in the background #spent my entire morning thinking about how Gen 9's starters should be fairy/ dark/ normal to play on morality instead of water/ fire/ grass #and then have three legendaries and make them water/ fire/ grass #or remove starters altogether? not sure about how that would work though #lots of thoughts head empty #and they have lots of time to actually implement change (not that they necessarily will) because of the Gen 4 remakes and Legends: Arceus #Legends: Arceus doesn't look promising i'm sorry babes... with that 1 FPS !? no no absolutely not #i showed my friend the trailer and i noticed that when a ball is thrown at the Shinx the one next to it doesn't even flinch...#unconventional opinion: pokemon should react like animals in the wild? interacting with each other and their surroundings? insane right?#sly cooper #lol i'm such a clown sometimes

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miraculousfrenchculture · 4 years ago

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Hello, if it’s not too much trouble, what’s the architecture like beyond the aesthetics? Like, what materials do they use and what amenities are common?

Hi!

We have to admit that none of us are architects so we might not be super informed on the topic, but we'll do our best!

The architecture is pretty homogenous, the most iconic buildings have sculpted pierre de taille (cutstone) façades with zinc roofs, and wrought-iron doors and "balconies". The size of the latter depends on the floor, they're slightly bigger on the second (/third for the US) and fifth (/sixth) floors which are considered the "noble" floors, but there's basically at most room for a little table and chairs (most are barely big enough to stand on, people just put potted plants there; Marinette's balcony is a bit of an anomaly even though it would be nice to have something like that!).

The windows have shutters, which depending on the building might be inside or outside of the actual flat. There are generally little courtyards in the middle of a "block" (which is generally where the dustbins are stored). The outside walls on that side are generally made of bricks, and the windows giving on it are smaller than the street view ones. The windows were originally single-paned glass, but it's possible to see double glazing now, especially on busy streets.

The ground (/first) floor can have apartment(s) and/or shops.

Many of those buildings were built at a time where people had staff, especially maids, so instead of having normal apartments the top floor has small rooms called "chambres de bonnes" (maids' rooms), with a shared shower and bathroom on the landing. The staff came and went via the secondary staircase, also called the service staircase, which gives access to the flats' kitchens, and leads to the courtyard, and the building's cellars (one per flat). Most of the time, it's basically outside.

The main staircase is a lot grander and is properly indoors, with carpet on the steps (like in Marinette's building), which leads to the front door of every apartment (which are generally security doors with a wooden aspect from outside). Depending on the building, it can be a wooden or a stone staircase. It rarely goes up to the top floor (which is never super high, the tallest of this type of building probably being 10 flights of stairs). The buildings might have a lift as well.

The flats themselves often have at least one fireplace/woodstove, generally in the living room, and have hardwood floors except in the bathroom(s) and kitchen. Mouldings on the ceilings/walls aren't uncommon (but aren't always present in every room). Their surface really varies from one building to the next, but often have at least one bedroom, living room (there might be a dining room as well), and bathroom, as well as one kitchen. The ceiling height also depends on the building.

Again, that was describing the most iconic buildings and a bit of a rule of thumb for those, there are of course more modern and older ones around!

Additionally, a lot of buildings, regardless of the age, often have a loge de concierge, which is where the building's caretaker lives (the caretaker's main job is to clean the common areas i.e. the entrance hallway, the main staircase and the top floor landing, and to distribute the mail). There's generally also a bicycle storage room. Both of these are located around the bottom of the main staircase, or in the little hall after the building's main door. That main hall is generally tiled, even if the stairs are wooden. More modern buildings might have their own parking lot, but otherwise there's space to park in the streets (and residents have preferential prices on street parking within a certain radius of their flat).

In terms of things that might be common elsewhere, air conditioning isn't frequent at all, but obviously flats have radiators. I've also never seen common laundry rooms, people go to local launderettes if they don't have their own washing machine. There also rarely is a gym/pool, since you can easily find public or private ones around.

Hope this answered your question!

#ask #anon #ml french culture #paris and places #2mf2c answers

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sepublic · 5 years ago

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Campfire, Canyon of the Golden Winged Snakes, Hey Ho Whoa!

AMELIA IS BACK BABY!!!

Let me tell you, when I first saw her, I had to do a double-take… Like the way the characters just so casually passed her, I blinked and was like- Wait, was what Amelia?!? And then I realized it was, and I just… WHAT!

I was a bit afraid we wouldn’t see her, but it seems that she’s our NEW fourth companion, to replace Tuba… RIP to Tuba, you had a good funeral, and given the trajectory this season is going as of now, we… Really won’t see you again, huh?

Screw you Simon.

We’ve gotten SO many fascinating revelations in these three episodes… I can’t say I’m surprised at all that Amelia, or at least the revelation of her, would return to help Grace (and maybe Simon) resolve her issues! That was a very neat twist with the massive pile of numbers actually indicating it was AMELIA and her monumental issues, not the Apex! Very clever of the writing team to have us heading towards her the entire time, though it makes me wonder when we’ll get back to the Apex given how we only have TWO episodes left…!

What’s interesting is that according to Amelia, there’s ‘corrupted code’ in some cars, and apparently this refers to any cars that SHE made while trying to figure out the perfect world? Amelia mentions ‘quarantining’ them, and One-One wants them gone as well… Given what Amelia says about ‘ejecting’ cars, does that mean they’re all transported to the very end of the Infinity Train, and just… thrown off?

Are there a bunch of cars strewn about somewhere in the wasteland, is there even an END to this Infinity Train??? Or are they all just lumped together and some sort of force-field is placed around them, or some other barrier, to keep the corrupt code from –presumably- infecting the other cars around them?

It is a bit weird to see One-One insist on getting rid of those cars, though… I hope the denizens inside are okay, especially those corgis! Given his lesson with Tulip about not blaming himself worked, I feel like this is contrary to what he’d learned? Or is he simply allowing those worlds to exist, and remain ‘weird’, while still fixing the corrupted code so it doesn’t spread and disrupt the world of other cars who have their own thing going on? Regardless, as Amelia said… it seems One-One is still working on his issue of viewing passengers as ‘numbers’ to fix, like the cogs of a machine! It seems he’s at least TRYING to be more personable, but, well…

It seems that Amelia is still working on that sound-motif she’s always had, which is pretty neat! She mentions a ‘pulse’, so I presume it’s sent out from the engine, and when it scans an ‘anomaly’ (AKA anything with corrupted code, including stuff and denizens from the unfinished cars) they’re ejected… Given Amelia mentioning having to quarantine Hazel soon, I imagine this pulse heads out every now and then? Shouldn’t one pulse alone have done the trick, or is there a certain range to them and Amelia has to travel through the cars and activate the pulse from her location, to allow maximum effect?

Anyhow, Amelia! You know, I mused that Episode 7 of this season would introduce the Book 4 protagonist, given how our previous Episode 7’s worked… Each one established the general idea/setting for our protagonist, as well as a formal introduction! The Chrome Car told us about Lake and her deal with wanting to be her own person, escaping the Flecs… The Mall Car established the Apex and properly introduced us to Simon and Grace…

So… maybe The Canyon of the Golden Winged Snakes Car re-introduces us to Amelia, while establishing the conflict of the next Book; Fixing the corrupted cars! This is just speculation on my part, of course…

Back to Amelia, I guess I shouldn’t be all-too surprised that she’s still kind of a jerk, what with the way she just… steamrolls over what Hazel has to say to ‘correct’ her with the proper facts, and whatnot! I’m a little glad, because it doesn’t completely forget that she still has a bigger number than Simon or Grace by FAR… But also upset, because c’mon Amelia, Hazel is a freaking kid! I know you’re trying to erase multiple decades’ of past sins and mistakes, but she doesn’t know!

I also like seeing her just trash-talk Simon and calling him a child, especially since we know that he and Grace are only eighteen thanks to the Reddit AMA by Owen Dennis… Even if Simon were physically older, mentally he really isn’t! Granted I guess I can’t blame him for THAT, though I can blame him for Tuba’s death…

I remember when the writers discussed juggling multiple characters, so after seeing Tuba die, I was wondering what was really the point… But I see now! It’s because they ALSO have to handle Amelia as well! And dang, she’s still remarkably callous… She doesn’t remember Grace at all and doesn’t even seem remotely interested… And upon hearing that a cult was started in her honor, she just does NOT care! It really shows that Amelia still has a LOT to work on, that just fixing the broken cars isn’t enough for her…

It was a bit weird to have our main trio just pass by this obvious, fellow passenger, and just totally ignore them… But given Grace’s rule about ‘not trusting adult passengers’, I guess I’m not surprised? I have to wonder when it was made, and how young she was when it was established; If Grace was a kid and that was part of her apprehension towards adults, and/or they were actually trying to get their numbers down, so she saw them as ‘deceitful’ or whatever! Coupled with adults being less likely to fall for the Apex’s propaganda, and it makes sense…

What’s really fascinating is that One-One doesn’t even know about the Apex, according to Amelia! Which, given the implied length of the Infinity Train, it really says a lot about how much stuff could’ve happened, completely independent from one another! It almost seems like fate that Simon and Grace encountered so many kids and brought them together… Whereas Tulip didn’t encounter ANY passengers, sans Amelia, on her journey!

(Well, there was that ONE dude in the next car over who immediately got sent back home. And she was only there for five months, but still!)

I feel this low-key ties back to what I discussed earlier, about One-One being an ‘ends justifies the means’ sort of person; That the situation with the denizens is less a matter of them dying, and more about what that says about the Apex passengers as people! Of course, he doesn’t even KNOW about them, which honestly blows my mind… He really IS disconnected, huh? I guess Tulip helped make a dent in his metal head, but there’s still a lot of work to go… You know, Amelia’s criticism of One-One seeing passengers as just ‘numbers’ reminds me of what some other fans brought up, on the idea of if whether or not issues can actually be quantified like that!

Given what Owen said about the train also being wrong sometimes, and I have to wonder if this will be resolved by the end of Book 3… or perhaps Book 4, assuming we get it! Yeah, most of the team has been laid off and the viewings are low, so SERIOUSLY- WATCH on HBO Max, spend actual money on this thing if you want it around because you’re LITERALLY paying for Book 4’s production by this point people! And spread the word!

Anyhow, looks like other fans were right- Hazel IS a failed creation of Amelia, in this case her attempt to recreate Alrick… Although she implies that Hazel is more than just a ‘clone’ of him, is this referring to Hazel being a little girl, or something else entirely? Is the implication that Hazel would’ve been her and Alrick’s child, because uh… Amelia and Alrick are white. She also mentions a ‘handkerchief’, so what’s THAT about…?! Did she just toss one aside and it glitched into Hazel…?

Hazel is taking this about as well as you’d expect a child, and I’m wondering if Grace suddenly turning around and calling her ‘null’, only to ask to stay overnight… Means that she has a plan to ditch Simon and hang out with Hazel and Amelia, for the rest of her life? Either way, Simon is apparently taking her ‘betrayal’ to heart… That, or he’s expressing genuine remorse at seeing what he did to Hazel, but probably not. Honestly, the way his character is going it seems like he may go off the deep end…

OR, maybe not! Because we get some more development on him and THE CAT… Samantha! That’s right, an actual name! I guess I’m not shocked that ‘Samantha’ managed to smuggle some tiny One-Ones out of the Tape Car, and even a miniature player as well! I have to wonder how she finds her stuff, honestly… Considering how vast the Infinity Train is, it’s not out of the question for people to go entire months without encountering others! It’s actually kind of a miracle of fate that The Cat has encountered so many passengers, over and over, across this show…! Given the possibility aired by Mace about some characters being ‘destined’ by the Infinity Train, and I’ve got to wonder…

It’s interesting that even when Simon is taking his rage out physically, he NEVER goes for The Cat… and she knows this, no less! Not once is she ever scared for her life, instead she’s more concerned for what this has to say about Simon! It’s complicated, all right, and apparently all we know for now is that The Cat accidentally left Simon behind, and ultimately stuck with her choice to prioritize herself! It’s interesting, the idea that even if Simon and The Cat have a better understanding as to why the other did what they did, they won’t ever really ‘forgive’ one another, or reconcile- Just go their separate paths, for now and likely eternity…

Simon is of course getting mad at Grace for not talking to him and is confused by her changing her mind! A confrontation between the two is inevitable in our last two episodes, and given how we haven’t seen Grace’s number at all… It’s probably low. I can see the two reuniting with the Apex at the end, only for Simon to invoke his larger number to turn them on Grace… Or try to head back to the Apex to do exactly that!

Still, given how the show is still making the point to delve into his perspective and trauma, and how he STILL won’t harm The Cat… I have to wonder if the season really will end with Grace leaving the Infinity Train, and Simon staying behind to fix his own issues? Of course, what about Hazel… We know she’s a denizen for sure so she can’t leave, right? Unless her fake number can fool One-One… Speaking of which, was Amelia’s number at 337 when she first arrived? Because that seems a bit small for someone who had otherwise hijacked the Infinity Train by then and was making unfinished worlds…

Back to Amelia, if Simon doesn’t help… I wonder if Book 3 will end with HER taking lead of the Apex and leading them down a new path? It’d be ironic given how she mentioned about not being great with kids, and tie back to her penance… Or, maybe Grace will continue to live with the Apex and help! Maybe Simon will join Amelia… Who knows? Personally I’m fixated on the fact that Amelia just UTTERLY outclasses Simon… I expressed previous appreciation at Tuba being able to defend herself, until you know what…

But given how Amelia is a lot more savvy, jaded, and cynical about this sort of situation; I think she’s probably safe for now! It’d feel a bit unresolved for Simon to get HER killed off too…

Overall, a fascinating turn of events, and I can get a good sense of why the episodes were clustered the way they were together, to be released separately! Each does its own little arc… The first one establishing the mood and having Tuba, only for her to die! Then the next one involving Amelia and the fall-out of the Hazel revelation… And the last two episodes will be THE finale, just like it’s traditionally been in the past! I can’t wait to see what happens next…

#infinity train #infinity train spoilers #spoilers #infinity train book 3 spoilers #infinity train season 3 #infinity train book 3 #infinity train grace #grace monroe #infinity train amelia #infinity train simon #simon laurent #infinity train hazel #analysis #speculation

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travllingbunny · 5 years ago

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The 100 7x11 Etherea

This is the episode we’ve been waiting for this whole season - and while I don’t think it’s the best episode of the season, it is certainly the most exciting one. It would be that just the fact that Bellamy is finally back on screen (and not just for a couple of minutes, but for an entire episode fully focused on him), and it was great to see him and have an episode fully devoted to him, and remember once again what an amazing actor Bob is and the presence and intensity he brings to the show. But it also turned out to be the first episode of season 7 that is a genuine game changer and that shocked the viewers with a twist that wasn’t entirely predictable.

Even though the fandom had been speculating on the so-called brainwashed Bellamy or “void Bellamy” or generally Bellamy that is for some reason the (temporary) enemy of Clarke, Octavia and the rest of the protagonists, and hoping for that storyline, with a Mockingjay-like possibilities for romantic angst between him and Clarke (especially after a photo of Bellamy in the white robe leaked early in the year, months before the season even started to air), the way it happened seems to have upset many of the fans )to quote a podcaster, “I was hoping for a brainwashed Bellamy, but not like this”). Probably because the show has Bellamy retain agency in his transformation and that it is indoctrination into a cult be more like real life and partially rooted in Bellamy’s own emotional issues, beliefs and needs, rather than taking the easier route of having him be Sci-Fi brainwashed, Winter Soldier style.

That said, I’m still not entirely sure how I feel about this episode and how good I think it is. The first half of the episode, Bellamy was very much himself, and it was focused on survival and trying to get off the planet, and the dynamic between him and Conductor Doucette - throughout the episode - seems to play into the familiar trope of two enemies, or people of opposing views, who have to spend time together, gets to argue, survive together, and eventually bond as fellow humans. This story would not be particularly interesting - not only have we seen it many times, but it feels redundant for Bellamy, who has learned to see the POV of his enemies, bond with them and see the common humanity in them, many seasons ago. It also would not have been interesting if Bellamy managed to change Doucette’s beliefs - which the audience already thinks are rubbish - as this wouldn’t tell us anything new about Bellamy and would only give development to Doucette.

But instead, what was really happening throughout this episode, under the guise of bonding with the enemy, was Bellamy’s spiritual journey - aka his indoctrination into Cadogan’s cult. The crucial part of it happens not just to his exhaustion and desperation in tough circumstances, or his companion offering him faith as a solution, but through something Bellamy actually sees in the cave, and his own visions a little later. This is where the episode becomes a lot more interesting - and also a lot more frustrating. I don’t think I’ll be sure how I feel about this until I see the rest of the season, and learn how some things from this episode are explained or followed up on. In particular, the explanation (or lack of it?) for Bellamy’s visions in this episode will pretty much determine what course the show is taking in its final season and what it is trying to be.

Whatever the explanation, the end result - which we see after Bellamy returns to Bardo - is disturbing and painful to watch. It is something we have never seen before - Bellamy himself trying to enforce a total abnegation of everything Bellamy Blake is. Which includes willingly repressing his feelings for his loved ones to the point of betraying them (and results in the most painful Bellarke reunion ever, and one of the most painful reunions of the Blake siblings). I don’t know if I’m fully buying such a huge transformation - which is one of my problems with the episode. But this is certainly quality angst, and means that the season has become much more exciting to watch.

Is it weird that such a big twist happens in episode 11, out of 16 episodes, after 10 episodes that have been mostly setup for the big plot? Yes, just like it is weird that Bellamy has been MIA before this. BTS reasons obviously affected this season a lot - if it hadn’t been for them, I think we’d have a similar storyline, but this would have happened much earlier in the season. Are 5 episodes enough to resolve this in a satisfactory way? Well, it’s certainly enough to resolve it - this is a show that has characters go from hate to love over the course of 5 episodes, has characters hook up/fall for each other after knowing each other for 2-3 episodes, the show that showed Hope’s entire 10-year relationship with her father figure in a 7 minute scene, and the show that just had this massive character transformation happen over one episode. Will it feel satisfactory and convincing - it could, if it’s well-written and if the show doesn’t waste too much time on the Sanctum plot and fully focuses on its two main characters now that one of them is finally back.

Starting from the beginning - this time, its Bob saying “Previously on”, in line with this season having different cast members saying those opening words in different episodes (Eliza in 7x01, Marie in 7x02, Luisa in 7x03, there was no previously on in 7x04, Marie in 7x05, Lindsey in 7x06, Richard in 7x07, no previously on in 7x08, Eliza in 7x09 and 7x10 - it’s a bit surprising that Eliza said it in episode 9 even though she wasn’t in it at all, but otherwise those fit characters that were strongly featured in the episode in question).

We also get yet another version of the opening titles - which start and finish with a shot of the Anomaly. Earth again makes a cameo near the end, just as it did in 7x10, though it’s in the shadow now so can’t be seen as clearly.

While 90% of the episode takes place on Etherea, it opens and ends on Bardo. The opening scene is the only one not featuring Bellamy - apart from a replayed memory. We learn that the MCap machine was damaged by Echo, and is only now operational again. Finally, a good explanation why the Disciples did not put Echo, Diyoza or Octavia - again - in MCap after they agreed to cooperate. Levitt is using it on one of the Disciples who were in the Stone Room during the explosion. I guess he was still recovering a week after, and now they are presumably trying to help him, since - as the other Conductor tells Levitt - he is suffering from PTSD. Hey, isn’t that the first time anyone has mentioned that word on the show? At least the Disciples have kept the knowledge about mental health issues, even if their ways of dealing with it are questionable at best. We learn that no one is being punished, not even for killing Anders, as the other conductor says. (Not even? Does she think that’s worse than attempted genocide? Hope didn’t even back down from it as Echo eventually did, and the two Disciples Anders called witnessed it. The Conductor may think that the consequence is more important than intent... But even so, she clearly thinks Anders’ life was more important than those of two other Disciples, who were murdered by Echo as a part of her torturing Levitt. I guess that “For all mankind” thing doesn’t mean you consider all of the people, or even all of the Disciples, equal...)

Levitt finds out what 99% of the audience was sure of anyway and goes “He’s alive!” Surprise, surprise. But Levitt, shouldn’t you say “They are alive?”? Knowing Levitt’s attachment to Octavia, he is talking about Bellamy, not about one of his colleagues, Conductor Doucette, who was also presumed dead. (Doucette, not Douchette - even though the latter would make for a good joke.)

Let’s think about why this scene exists (apart from being used as a sneak peek). Obviously it was full of exposition, but why was it important for Levitt to find out that Bellamy is alive at the same time as we learn about it? We could have just seen Bellamy falling through the Bridge to the planet of Etherea. I suppose the purpose is dual: 1) to learn that the Disciples indeed did not know Bellamy was alive and on Etherea, 2) to learn that Cadogan knew Bellamy was alive an on Etherea, at least a few hours to a day before his return, which may be important for the events of this episode.

One of the questions the fandom has been debating is, did Anders intentionally send Bellamy to Etherea to be indoctrinated? Since 7x05, I have believed that Bellamy was on Etherea, and my initial reading of the scene was that Anders made the decision to send him there - and that this was why Doucette started to beg him: “Please, sir, no”, as he wasn’t happy to be stranded there. Then I started second-guessing it, because it became increasingly obvious that Anders was dumb as a brick and unable to come up with any smart plans how to brainwash people (as we saw with HEDO - he just threatened them into compliance instead of trying to really change their minds). Now I think that sending people to Etherea may be a standard practice that Disciples do on very special occasions when they want to send someone on a spiritual journey/pilgrimage/true brainwashing that they can’t come back until they make a ‘leap of faith” (just like they use Skyring as a standard prison). Maybe this is not even something that most Disciples know, but info only reserved for Level 12s or even Level 13s. But the grenade attack was real and made Anders believe Bellamy was dead and the plan was off - as there is no reason to believe that anything before Bellamy’s last day in the cave was manipulated from Bardo.

However, that last day - with Bellamy’s visions - could have been, and it happened around the same time Cadogan would have found out from Levitt that Bellamy was alive and on Etherea. There seems to be no time differential (or too small a differential to matter) between Etherea and Bardo - just like there seems to be none between Earth and Sanctum, since Bellamy and Doucette retained their memories going from Bardo to Etherea and back, both times without a protective helmet.

Etherea, the planet

The promo for this episode made the planet look much worse and less survivable than it really seems to be. Apart from the grey filter* that the show is using to make it look worse and kind of drab and gloomy, it seems to be a perfectly nice planet, with vegetation and an OK climate - as long as you are not trying to get off the planet through the Anomaly and climbing the extremely high mountain to reach the Anomaly Stone. It’s funny that, aside from Nakara, every other planet connected by the Anomaly has better living conditions than Bardo. The Disciples obviously use Bardo just because of the facilities they’ve found there. But Skyring is a really lovely planet - its only problem is the time differential from the other habitable planets, but that would not be a problem if a big group of people just decided to live there and start a community. Sanctum is lovely, too - well, except for red sun toxin and killer insects and meat-eating trees. (Why have the Disciples mostly ignored it? Is it because of those things, or maybe they didn’t want to mix with the Primes and other Sanctumites? Or they just didn’t see a use for it?) And Etherea is another problem where people could decide to live, if they gave up going to other planets.

*The show uses different filters to make the woods around Vancouver look like different planets:

Sanctum - bright colors, lots of red during day, purple at night

Skyring - blue filter (nice planet)

Nakara - blue filter (frozen planet)

Etherea - grey filter

Earth - normal, except in S5 everywhere outside Eden - greyish yellow filter for a desolated post-Praimfaya Earth

But of course, Bellamy is definitely not interested in staying there and only wants to find a way off this planet, and Doucette, unlike Orlando, is neither serving a sentence he wants to see to the end nor is expecting the Disciples to send a team to retrieve him. This is another one of the “just two three four people on the planet” episodes, but this stay is just a few months rather than years, and spent in much harsher and most exhausting conditions during most of that time - because Bellamy never stops trying to get off the planet. There are parallels and strong contrasts to every one of those other situations:

Eden - The first few months of Clarke’s experience surviving on the desolated Earth parallel Bellamy’s months on the mountain - surviving in tough conditions (extreme heat in Clarke’s case vs extreme cold in Bellamy’s), physically and mentally exhausted to the point of breaking. There are even visually parallel shots of both of them walking with a stick or eating bugs. But the big differences are: after trying and failing to get in the bunker and after the Temple collapsed, Clarke had no way of getting off the planet or out of her current situation and reuniting with any of her loved ones. She could only survive and wait. She was all alone and only talking to Bellamy, who wasn’t there, to keep herself sane. Bellamy, OTOH, was actively trying to get off the planet and reach his loved ones all that time, and he had a companion - another adult with strong beliefs, who he talked to and who did his best to indoctrinate him. After those first few months, Clarke found Eden and met Madi, and the rest of her (mostly off-screen) life on Earth during the next 6 years was much more similar to Octavia’s life with Diyoza and Hope on Skyring.

The Garden - Unlike Bellamy, Octavia lived in a beautiful place and with someone who was already her friend and a child she came to look after, finding family she loved (rather than faith and abstract “love for all mankind”). Like Bellamy, Octavia kept trying to get off the planet and reach her sibling and her friends, which was equally difficult for a different reason, as the Anomaly entrance was deep under water (unlike Bellamy, she wouldn’t have actually able to leave the planet as she didn’t have a Conductor or codes for the Stone - but she didn’t know she needed them) - for 6 years, before she eventually gave up and settled for her peaceful life for the next 4 years and sending Bellamy a letter.

Hesperides - Like Bellamy, Echo, Gabriel and Hope wanted to get off the planet and reach their friends/family, but unlike Bellamy, they couldn’t get the codes and had to wait for 5 years, and, unlike him, they lived in lovely place. Like Bellamy, they had a devout Disciple as a companion, but there were three of them, which made it more difficult for him to indoctrinate them, no matter how much he wanted to make them Disciples, and they were the ones trying to manipulate him. They developed a friendship with him, as Bellamy did with Doucette, but while Bellamy saved Doucette when he didn’t have to anymore, Echo betrayed him and left him as expendable, and the other two eventually went along with it.

But Etherea is not just another planet for the Disciples - it is notable for what can be found in a cave on the way to the top of the mountain, which Cadogan apparently looked for and found, as a part of his pilgrimage - his own “40 days in a desert” - because, of course, he sees himself as a messiah (and, as we saw in 7x09, this is an important thing in the Bardo religion and something children are taught about in school).

Bellamy immediately learns all about Cadogan’s teachings - everything the rest of the characters took several episodes to learn about - by reading his book (”pocket propaganda from another false god”) and immediately pokes holes in it. He makes all the good points and lists most of the reasons why the Disciple faith makes no sense, including the fact that it makes no sense to be fighting for peace and end of violence by waging another war. Everything he says in the first half of the episode are things I would completely agree with. Which makes it all the more frustrating when he starts ignoring his own reasonable arguments by the end of this episode. One might say that the Disciple propaganda attacks both his heart - using his desire to find peace, an end to all the struggle and pain, and eventually, his love and memory of his mother, to ignore what his head is telling him - but they also eventually attack his head, by presenting what seems like actual physical evidence, and the end result is to ignore not just the rational objections he had, but also try to suppress his love for the most important individual people in his life.

He lists the people he loves - “Octavia, Echo, Clarke” - which is the first time Bellamy himself has used the word love for the latter two (and in fact, for anyone other than Octavia). BTW, notice that no one in the show has ever used the word “girlfriend/boyfriend” except Diyoza (when this was what she assumed Clarke was to Bellamy)? Maybe these words have fallen out of use in the post-apocalypse societies. The main characters usually talk about their “friends” or “family” (the latter not always being biological). Doucette later talks of "your family, your friends” and “your obsession with your sister and your friends” - where Echo and Clarke are both lumped into this category. Echo is not singled out as “your girlfriend” or in any other way.

Here’s the thing about Bellamy’s and Doucette’s dynamic: if this story wasn’t really about indoctrinating Bellamy, there really wouldn’t be anything there we didn’t know about Bellamy before. Of course he wouldn’t kill this random Disciple guy if he didn’t have to - and, in spite of what he tells Doucette at the start, it’s not just because he needed him to survive. Bellamy learning to see the humanity of his enemies and working with them and bonding with them is something we have seen many times: at first with Clarke, then with Lincoln, Indra, the Grounders, Kane, Echo. All the way back in season 2, he valued human lives, even from the enemy side: he opposed Murphy’s idea of killing the captive Grounder thief (while Finn summarily killed him), he angrily said he’d kill everyone in Mount Weather but then tried his best for that not to happen, after seeing the children there; even during his Pike-supporting days, he tried to persuade Pike and the others to spare the wounded Grounder warriors, in season 4 he talked Riley down from trying to assassinate Roan, and in season 5, he refused to kill the cryo frozen Eligius prisoners, and later convinced Madi to spare the Eligius convicts who were their PoW. And while Bellamy has been motivated, most of all, by personal love (particularly for his sister and Clarke), we’ve seen him save many people, including strangers or near strangers. That speech Doucette gave him about “loving all mankind” is something season 1 Bellamy needed to hear, the one who was focused just on Octavia and then just on her and the Delinquents, but Bellamy has had a massive character development since. Bellamy knows more about loving all mankind than Doucette or any of the Disciples do. Doucette says he “loves all mankind” including a total stranger - well, dude, didn’t you try to kill Bellamy at first? And the rest of what we’ve seen from Disciples is much worse. They talked the talk, but don’t walk the walk, unless they think kidnapping and torturing people and trying to break their spirit is “love”, And Anders definitely showed that he did not “love all the mankind” when he ordered a hit on Hope, or when he gave that speech in 7x10 about what disgusting “wild beats” all these non-Disciples were.

But unlike Anders, Doucette can talk in a convincing way and make decent arguments in favor of his faith to non-believers, rather than just preaching to the converted - or at least, he can appear to give decent arguments. He’s taking a page from The 100 fandom with the argument that Bellamy is so selfish and egotistical for... loving his sister and his friends and constantly fighting and sacrificing himself for them. (The 100 fandom loves making that same argument about Clarke.) Quite a skill, to make such BS argument sound convincing. He basically gives Bellamy a version of the “Love is weakness” advice - in this case, that “love is selfish” and leads to destruction and pain. And when Bellamy asks the rhetorical question, if that means that you shouldn’t love anyone - Doucette turns it around and talks of love for all mankind. But that “love” he speaks of is abstract and fake - it is impossible to love everyone. You cannot love total strangers, or people you simply don’t like - certainly not the same as you love your lover or friend or family member. You can, however, be compassionate, and value human lives,.Which is, in fact, something the Disciples don’t do, as we’ve seen on Bardo (but Bellamy has not seen it yet) - they just value lives as more soldiers for the cause. Their “humanity” is abstract - they are ready to sacrifice individuals for it (everyone except the Shepherd). Bellamy, on the other hand, has always been about valuing individual lives and saving them - be it Mel on season 2, or the slaves in season - and he managed to do it while also loving his sister and his friends. The Disciples and Doucette’s arguments present a false dichotomy. But, unfortunately, Bellamy still has deep guilt and self-loathing that he never fully resolved (even in season 6, he still talked about his many sins in 6x04), and he’s tired by always having to fight another war for survival, just to followed by another. (Which is similar to Clarke’s misgivings in 7x03: “I’m afraid that fighting is not what we do, it’s what we are” and Raven’s and Clarke’s conversation about guilt over having killed so many people.) The only time he didn’t have to always worry and/or fight were the years on the Ring, but he was still grieving Clarke and missing Octavia and motivated by going back down to reunite with her He knows what he’s capable of doing out of love - and he also has unresolved issues with the women he loves. In season 4, he lamented how pathetic he was coming back to his sister when she kept treating him badly, and in the 7x07 Ring flashback, he thought his love for his sister was his “weakness”. He’s certainly been hurt by her, finally rejected her and then later got to reunite with her, get an apology and forgive and make up with her. He and Clarke have also certainly hurt each other and forgiven each other, and that relationship is still unresolved. Bellamy himself admitted to Jo!Clarke in 6x09 that he was exhausted by their ups and downs and lack of resolution. And Echo... well, he should know exactly where he stands with her, but he didn’t seem happy about their relationship and seemed to want her to be Clarke someone else.

I can see why Bellamy started to envy Doucette his emotional calm that his faith and worldview seemed to bring him.

We got another Pike mention in this ep (and again, it was a reference to his positive role - as a teacher of Earth skills). The last time Bellamy made it was in 6x07 when he found out Clarke was alive. Pike was also a father figure to Bellamy - just like Kane, and now Cadogan. Bellamy has been called both a King and a Knight. Some of his biggest mistakes were when he chose to trust in a leader/father figure (the last time, it was Pike - who was, however, very different from Cadogan and his views on the opposite side the spectrum from Bill’s), and ALIE!Raven thought that one of the ways she could try to taunt him and erode his confidence was to call him a follower rather than a leader. Only she tried to convince him that he was in subjugated position to Clarke - which IMO was never true. They have always had an equal relationship (except when external circumstances made it otherwise - see, Kane and the adults taking the power away from Bellamy, while Clarke was able to take it back from Abby mostly because she was backed up by the Grounder Commander), and Clarke was the one who always tried to boost Bellamy’s confidence in his abilities as a leader. He was definitely a leader of his people in season 5 and season 6, and he works best as co-leader with Clarke (and vice versa). But even when Bellamy supported Clarke, he was questioning his decisions, even though he was rarely able to change Pike’s mind - he wasn’t blindly obeying and accepting everything, as he would have to with the Disciples.

Another factor in Bellamy’s transformation is of course the fact that he spent months in the cave - to the point of physical and mental exhaustion. Every time he and Doucette would climb the mountain, the peak where the Stone was would turn out to be even higher. Bellamy himself used two of the Greek myths to describe the task - Sisyphus and Icarus. A pointless task that results in having to do everything all over again (just like what he said about having to always fight another war), and a dangerous task likely to destroy you.

Bellamy was still insisting on reason over faith - “I believe in what I can prove” - but then he got to see the beings of light, as “proof”..

And here we come to the more interesting part of this ep and something that the show may or may not explain. I’m pretty skeptical about Cadogan’s views of what these beings are. How do we know that they have really “transcended” and become eternal or whatever, living on some kind of higher plane? No one has communicated with them, or have they? They are aliens, from our POV. Maybe that’s their natural state? Maybe they’re dead and this is just what remains of them? Maybe they died in a similar catastrophe as the Bardoans but one that was more about fire than ice, as Selina hypothesized in her review)? Maybe they are in agony? Sure, they look beautiful to human eyes, and fit the human culture’s idea of what spirituality and transcendence is like - but you can’t know that for sure. The frozen crystal giants on Bardo also look beautiful, after all, and that entire species died horribly

And then the second “otherworldly” thing happens after Bellamy finally agreed to prey - and he has a vision, involving Cadogan as his spiritual guide, leading him from a place full of weapons - swords and guns - to the place where he sees his dead mother, Aurora. It’s a beautiful and emotional scene, and I can’t imagine all the things Bellamy is feeling as she touches his face - including, probably, more unresolved guilt - over getting his mother executed (because he loved his sister and tried to make her happy). Aurora tells him Go to the light, Bellamy” and he looks at the figures of light - but we don’t learn what, if anything, he saw there .

I hope we learn that Bellamy saw something important - maybe something connected to the Judgment Day Becca talked about - that would explain the extent of his conversion, although it seems that it is mostly supposed to be a consequence of the fact that the storm stopped at the moment when he chose to prey.

The final step in his ‘spiritual journey’ is after that, when he barely managed to reach the top. After repeating the mantra “I am not afraid” (something else from the Blakes’ childhood - the same line Octavia was repeating on Bardo to resist the Conductors), he admits to himself “I am afraid”. In retrospect, a sign that he was broken, and started feeling that his past and his family were not enough to give him strength and faith. The jump from the top was described as a “leap of faith” by Doucette - which is kind of ridiculous, since it had nothing to do with faith, just with the fact that Cadogan was there and knew how the Anomaly worked, and the fact he was able to climb the mountain and leave is proof that the Anomaly worked properly.

(I wonder why the heck the Anomaly works so differently on different planets - in some cases you can enter the Anomaly right next to the Stone when you’re leaving the planet, and in others, you have to go back to the original entrance that’s somewhere else.)

Now, the visions may be explained in several different ways:

hallucinations - earlier, Bellamy found a family photo and recognized Cadogan, and he would know how Conductors and high ranking Disciples dress, he’s seen the white robe on Anders and Doucette

everything in the cave is real, and Cadogan has some sort of a telepathic connection to the cave (the true believer’s interpretation)

the brain implant/hive mind theory (by Selina again - I don’t believe in this one as there has been no evidence of it so far)

projections/hologram - see Jean’s theory that Cadogan used the hologram technology to project images of himself and Aurora (whose image is familiar to the Disciples from Octavia’s memories)

a combination of some of the above - the beings of light may be real, and Cadogan may have stumbled onto something but has again misinterpreted what it was all about; Bellamy’s vision of Cadogan was a hallucination or projection, but he also did see something real when his mother (again, possible hallucination or unexplained spiritual phenomenon) told him to look into the light.

It’s possible that the show will never fully explain what really happened here, just as Murphy’s vision of hell has never been explained.

The reunion

Up until this point, the episode doesn’t seem to show a seriously disturbing turn in Bellamy: we saw that he was starting to take the Disciples’ faith seriously and even to believe in it, and the first thing he does when turning up in the Stone Room on Bardo is look happy and relieved he made it, and hug an equally happy Doucette. So, he made a friend among the Disciples and will be the one telling Clarke and the rest: “We should take this seriously, they have a point, here is what I saw on Etherea...” - right? That would make perfect sense while not fundamentally changing who Bellamy is.

But no! Bellamy falls to his knees and calls Cadogan “My Shepherd” - which was one of the most painful scenes for me to see in all of the show, even more so than the later scene where he snitches on Clarke. There’s been a lot this season about “kings” forcing subjects to kneel - but instead of the “kneel or die” approach that Anders more or less used (while Sheidheda is using it in the most literal way possible), this is out of genuine belief. I don’t know if I’m really buying this massive transformation that we see here and in the next scene. It’s just a bit too much. Maybe information about what it was that Belalmy saw when he went ‘into the light’ would help explain it better.

Cadogan is happy to use Bellamy to convince Clarke to cooperate, and informs him: “Your friends are here, they have gotten themselves in some trouble”. Maybe this adds up to the reason why Bellamy is uncomfortable when he sees them a bit later, because they’ve been bad - but only some of them were (Echo with her murders, torture and genocide attempt, the others - not really, except Hope, someone he doesn’t even know yet). But when he comes to see them, he looks broken, exhausted and numb after all his experiences. And probably wary of giving in to the “selfish love”. (His friendship with Doucette is presumably in line with his new faith, but he seems to think his friendship with Clarke is not? Is that his relationship with Clarke actually involves love, real love for an individual?) After finally reuniting with the people he had been trying to reach all that time on Etherea, he doesn’t even look happy to see them. To quote Bellamy from earlier in the episode,Sometimes, Bellamy Blake, irony is funny. This is not one of these times.

Meanwhile, his friends are in Cadogan’s living quarters in house arrest. Conveniently, it’s just Clarke, Echo and Octavia there - plus Gabriel, but the focus is on Bellamy’s reunions with the three women he named as the people he loved earlier in the episode. Raven is not there, neither are Miller, Jordan, Niylah or Hope. (The last time Bellamy saw Jordan, Jordan was the brainwashed one. Hey, what happened to that storyline? Did it end up as a casualty of the rewrites?)

They’re discussing what to do, and Clarke has decided to basically sacrifice her life so the others could escape. We know that Clarke is a very selfless person, but the way she’s been increasingly casually deciding to sacrifice herself feels a bit disturbing - as if she’s stopped caring about her own life or hoping for happiness. At this point, her big character development would be to choose happiness and try to have what she wants. Even her “selfish” actions up to this point were mostly about trying to protect others. We haven’t even seen her show much emotion this season - as if she was on autopilot - except for her early grieving Abby earlier in the season, and moments when she’s silently grieving Bellamy,

Cadogan is there to offer the carrot rather than the stick, and being a drama queen, doesn’t Clarke and the others that Bellamy is there, but lets him in. They are massively surprised but don’t notice something’s off, or rather, they seem to assume he is just physically exhausted and in pain rather than mentally/emotionally off, as he silently looks at Clarke and Octavia and then Echo. Camera shows close-ups of the reactions of the people who love him: Clarke’s, Echo’s and Octavia’s reactions before going back to Clarke. (Probably because she’s the main character, in case people have forgotten, and her relationship with Bellamy is at center of the show), Octavia is happy and proud tries to hug her brother, but the Disciples pull out weapons. Clarke ignores the weapons, counting on her status/leverage, and hugs him.

She looks lovingly at him, with something we haven’t seen from her in a long time - happiness, that’s definitely not “best friend that I’m not attracted to” but “best friend I have naughty thoughts about”. (Only love can make you hug someone who must be smelling really badly at this point, considering Bellamy hasn’t washed or changed his clothes in over 3 months!)

This hug is different from any other Bellarke hug ever, since Bellamy is so numb, even when he hugs her back, but she is too happy to see him back to notice. And then when she takes the chance to also get him up to speed and tell him about the Flame - he gets an incredibly sad look on his face. He is not unemotional now - but he has decided he must ignore and suppress those feelings, betray her trust and tell Cadogan the truth, because his faith and the so-called “love for all mankind” comes first.

Everyone is shocked when he calls Cadogan “My Shepherd” and then beyond shocked when he betrays them - and camera again shows Echo’s, Octavia’s and Clarke’s reactions, going back to Cadogan, and then the episode ends on a close-up of Clarke’s shocked face. Because, you know, she’s still the main character. And finally, now we can hopefully have a S7 storyline that properly focuses on the show’s protagonist and utilizes Eliza’s talent allowing her to show a range of emotions. When Clarke believed Bellamy was dead, he was someone she could hold in her memory and try to honor it by saving his sister and girlfriend - but this is a whole new way of losing him, right after thinking she got him back, and means real emotional turmoil.

Bellamy has become a true believer and decided to stop being himself. And the people who love him will now have to deal with his loss - in another way - all over again, and try to save him. I’m torn because this storyline offers huge opportunities for a “power of love” storyline right out of a fanfic, but I’m uncomfortable with the idea that it may come at the expense of having Bellamy be manipulated and subjugated to a white megalomaniac villain in the last season. But I hope and expect we will see genuine character development and re-affirmation of who Bellamy Blake is. Now, there are a lot of things Bellamy doesn’t know yet and that have contributed to him drinking Cadogan’s Kool-Aid (he hasn’t seen Cadogan’s dealings with his family or Second Dawn, or what he did to Becca, or Anders’ actions on Bardo, or the way the Disciples mistreat their own people, and he doesn’t know about Cadogan’s mistranslation of the Bardoan text), but I don’t think the resolution of this storyline will be about Cadogan or what Bellamy knows about his religion. I think it will be Bellamy himself and his relationships. Clarke and Octavia had big character arcs in season 5-6 where they had to deal with who they are, who they’ve become and what they want to be negating everything he is. He needs to finally really deal with his self-loathing and guilt and he needs to gain back trust in himself, the Bellamy Blake that others loved and trusted and relied on. He needs to feel loved and decide that love is strength and a positive rather than just ‘selfish’ force. (And who can show him that? Hint: not his girlfriend Echo, whose love he would definitely see as confirmation that love is selfish and destructive, as it makes a person do things like murder, torture and attempted genocide out of revenge. Another hint: probably the same person who gave him confidence and made him believe in himself and grow as a person, multiple times, all the way back in season 1 and again in season 3 and season 4, telling him he was a person that other follow because of his big heart and the way he can inspire people. And third hint - the same person Bellamy was saving - her physical self - in season 6, will be the one who’ll have to save him, mentally, save who he is., in season 7.)

Rating: 8/10 (could go higher or lower depending on how the cave visions are explained and what the outcome of this plot is)

#the 100 #etherea #the 100 7x11 #bellamy blake #clarke griffin #bill cadogan #octavia blake #the disciples #the anomaly #bardo

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angerissue · 4 years ago

Text

Character Survey.

Real name: Dr. Robert Bruce Banner, Ph.D..

Single or taken: Single, and this probably isn't going to change anytime soon. He has a number of ingrained emotional issues, and ideological issues that pertain to his condition, that prevent him from seeking romantic relationships and even just becoming close to someone. One-night stands are possible, because they don’t involve emotional commitment from either party, but real relationships scare the hell out of him. The closer that someone gets to Bruce, the more he fears hurting them or being hurt himself.

Abilities or powers: He has an extremely high IQ, almost unprecedented intuition when it comes to the sciences and its numerous technologies, and a great ability to think outside the box and solve complicated, confounding problems. Also, he can turn big and green, which makes him capable of inhuman physical feats and gives him a ridiculous healing factor. This cannot be understated; he can literally recover from decapitation if the conditions are right. It's debatable whether these qualify as gifts or curses, because of the experiences they've created for Bruce in the past, but they're definitely abilities at the least.

Eye colour: Brown. Sometimes green if he’s in a mood.

Hair colour: Dark brown with some grey.

Family members: Rebecca Banner (mother / deceased), Brian Banner (father / incarcerated), Jennifer Walters (cousin / alive), Susan Drake (adoptive aunt / unknown), Elaine Banner (aunt / deceased).

Pets: In The Persistence, he owns a white knockout mouse named Eddie, who came from a selection of ailing lab mice that he experimented on with the Hulk's plasma. He doesn’t have pets in other verses, though he wouldn’t mind a cat, or a dog with a calm and mellow demeanour, as long as his living situation and overall routine is constant and undisturbed. Otherwise, it will never be a possibility. Back when General Ross' squad broke down his door in Brazil, he needed to abandon a mutt named Rick, and it hurt because he’d become very fond of him. He doesn't want to do this to another animal.

Hobbies or activities: He loves hiking and jogging (with trails in forested areas being his preferred location), cooking and baking, gardening, reading textbooks and science journalism, bait fishing, programming and experimenting, travelling, sightseeing, meditation, yoga, collecting and listening to vinyl records, and being a rebel by listening to police scanners and going after bad guys if he doesn't have much else to do. But even if it seems like he's not outwardly doing anything, he's probably still occupied — he tends to spend a profuse amount of time in his own head, ruminating and reflecting on future goals, whether it involves anticipating or dreading them. He also likes to contemplate new concepts and designs for technologies.

Animal that represents them: Definitely a pangolin, because you can’t look at a pangolin and the way it carries itself and not think of Banner from a purely visual perspective. Add on the fact that their bodies are covered in hardened scales for defense, and how they curl up into a ball whenever they're upset and threatened, and you have a metaphorical version of Bruce, who tends to shy away and retreat into himself whenever he's having a lower moment, and has a lot of deep-seated defensive mechanisms on display during social interactions. But seriously, these animals just want to walk around eating ants, minding their own business. They don’t have a bone to pick with anyone... Which is also similar to Bruce. And did I mention that pangolins are endangered, because they're frequently hunted and trapped by humans for their supposed “beneficial properties” in medicine (none of which are proven)? That's similar to how Banner has been followed all over the place by the U.S. military, just because they perceived his condition to be useful somehow.

Worst habits: Take your pick. Distancing himself from other people even when he could use the company, self-flagellation, humouring his guilt complex even when he's not responsible for certain negative outcomes, repressing or suppressing his emotions when he needs to express them (or the opposite, staying as the Hulk so he can stew in those strong emotions and therefore punish himself for whatever he “did wrong”), running away from connections that involve real commitment, especially romantic ones.

Role models: Steve Rogers for his patriotism and overall sense of morality, Neils Bohr for his defense of the Bohr atomic model (which had been a radical theory for the time) and subsequent successes, Ernest Rutherford for similar reasons, and his mother when he was younger, though he doesn’t remember much about her because he was only six when she died. Same goes for his aunt, Susan; while he spent more time around her than Rebecca in total, he was rather emotionally absent by this point because of all the trauma earlier in his childhood. In general, his role models tend to be people who remain strong in the face of adversity and judgement, and stick to their values for the benefit of others. All the above people qualify in that sense, for different reasons.

Sexual orientation: Heterosexual.

Thoughts on marriage and kids: Nope, and bigger nope. He would love to have a close connection with someone, however much he's actually repressed the desire for the time being, and some part of him does want to have a child — however, he always concludes that it wouldn't be worth it. Bruce believes marriage would be a shackle for anyone who's unfortunate enough to become his partner, and it would open them up to potential threats from people who could use them to get to him and his condition. And children are a no-go because Bruce doesn’t want them to have a father like him; he might be absent for a lot of their upbringing, and either unstable or otherwise unaccommodating in temperament if he’s upset. And he'll constantly be trying to hide his condition from them as well, because god forbid they find out their father is a monster, and they feel like a freak because of it. He's been in a position where he felt like an anomaly as a child, and he's not interested in subjecting his children to this. He also loathes the idea of bringing children into the world because he would not be able to ensure their safety — after all, he can’t even ensure his own. So to Bruce, he'd be setting them up for endangerment just because they’re related to him, similar to how his partner would become a target as well.

Style preferences: Safe and conservative, and not flamboyant by any means. He usually sticks to warmer and neutral palettes, and cuts/styles that are classic and unlikely to fall out of style; this includes his suits, jackets, pants, and shirts. We're talking chinos and slacks, poplin dress shirts, wool sport coats and blazers. Most occasions will see him wearing the dress shirt, slacks, and sport coat together. If he's feeling more adventurous, he'll pair a sport coat with a crewneck, or he could even go with a polo shirt and jeans, but the latter is rare. In general, Bruce's most interesting piece is a brown leather bomber jacket, which he usually wears in the warmer months; colder weather will bring out a peacoat (and he loves to pop the collar in lieu of using a scarf). As far as cost goes, Bruce is fairly well-off between the royalties from S.H.I.E.L.D. and other work he's done here and there, but even so, he doesn't purchase outrageously expensive clothing and tends to go for the mid-upper brands. He'll do made-to-measure, but not full bespoke. He finds any further spending to be superfluous.

Approach to friendships: Cautious and uncertain about them, and tends not to approach people first, because he would hate to overstep his boundaries / make someone uncomfortable. Rather accommodating to people he considers friends, but he's extremely quick to duck out if they can’t meet him eye-to-eye regarding touchy topics, like decisions that affect the well-being of many people. This is the reason he shunned his friendship with Tony after they debated about the Sokovia Accords. Being an introvert, he’s one of those people who doesn't like bothering his friends; even if they make it abundantly clear that he's welcome anytime, he'll hesitate, but he’s completely okay and even happy if those friends approach him instead. He doesn't always like when his personal space is invaded, or if someone touches him, but he'll start to make exceptions if he becomes more familiar with someone. He loves the people that he can consider friends, but he always views the friendships as something that could dissolve in a heartbeat. On some level, even unconscious, he's always expecting things to end.

Thoughts on pie: An acceptable desert. Bumbleberry, strawberry rhubarb, and pumpkin are his favourites. He prefers the homemade variety, and because of it, he tends to make his own, butter crust and all, avoiding store-bought unless it’s particularly memorable — or if someone buys a slice for him. He’s appreciative like that.

Favourite place to spend time: Somewhere he can guarantee that he's not being watched; these are most commonly his labs in the Northwind Observatory, quiet and secluded trails, or his chambers in the Crown City citadel on Sakaar. Not only do these locations ease his anxieties about being studied, inspected, or followed, but he feels less of a pressure to put on false pretenses and exhaust himself with social niceties, many of which may be fabricated. He doesn’t need much external stimulation, because he’s fine simply turning inward and thinking, without paying much attention to his surroundings, but he’ll certainly admit to spending a ton of time tinkering with pet projects if he’s in the labs. Obviously, Bruce prefers to be alone in most of these cases. But if he's with someone he cares about, whether a friend or a romantic partner, and can openly express himself around them, that's nice for him too.

Swim in the lake or ocean: Lakes, without question. He has some bad memories of being in the ocean, whether it’s about the time he was tossing and turning in glacial waters after his failed suicide attempt, or clawing his way out of a quinjet that crashed into the water while his alter started to take over. Bruce remembers all that, and it's not pleasant. The openness of oceans perturb him as well; lakes are usually far more intimate and amniotic because they’re often surrounded by forests, which allows him to feel safer and less exposed.

Their type: Someone who is, and is comfortable with showing, some semblance of dependence on him, which would placate his need to fill a provider role and not simply be a charity case; he's had enough of that between begging on the streets and asking Tony Stark for boarding. (This doesn't mean he's looking for someone who's a total pushover, cannot make their own decisions, or is emotionally needy, because those would make him run in the other direction, frankly.) Someone who can hold their own and stand up for their beliefs when necessary. Someone who can challenge him intellectually, though not necessarily in an academic sense; it really just depends on how much they can expand his own perspective by giving their own. Someone who really understands his needs and issues. And obviously, someone who isn't scared of his condition, because it's going to manifest a lot. It needs to; he doesn't really have a choice in the matter. Hulk is another story, but fortunately, he doesn't show up enough to really be an immediate concern, and Bruce and his partner can cross that bridge when they reach it. Physically, he's usually attracted to women who are slightly shorter than him; their hair can be anything from blonde to brown, and he prefers body types that are similar to his own; more on the slender side but not necessarily fragile.

Camping or indoors: He’d rather be indoors. He isn’t extremely fond of camping, if we’re using the most common definition of "pitching a tent, cooking with a fire made from sticks and tinder, and spending the night in the woods with the bears and the bugs". There are indeed occasions where he cannot stand to be indoors, whether because he’s feeling claustrophobic (a common symptom of abstaining a little too long from transformations), or he simply needs some time away from other people in the geographic sense, but in those cases, he’s more likely to go for a walk or hike, not set up an entire campsite and spend the rest of the night outdoors. For him, camping is meant for a survival-type situation rather than a recreational one. The closest thing to camping he'll do is living in a cabin with a wood stove and local water supply, which he’s done a few times over the years. He's even purchased a few cabins by the time his Persistence verse rolls around, so if one of the properties are compromised, he could always retreat to another one.

Tagged by: @mynameisanakin! Tagging: @fallencomrade , @asgardianhammer , @alongingwithin , and anyone else who wants to do this.

#( meme response. )#( headcanon. )#( multiple. )

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9r7g5h · 5 years ago

Text

Her Little Garthy

Fandom: Fantasy High

Rating: K

Genre: General

Summary: In which a previous Ayda gains her child.

Words: 2097

Disclaimer: I do not own Fantasy High.

AN: So, Garthy specifically stated that they were from Zajiri celestials, and they’re a half orc. While Ayda could be their bio mother, Ayda has also said in her notes that she hasn’t been in love with anyone for at least the last three lifetimes, spanning the last 150 years. Garthy is nowhere near that old, and Ayda is half phoenix, not related to the Zajiri at all, while Garthy also exhibits no bird-like features. So, best conclusion is adopted families and with the cuteness of Jawbone adopting Adaine, this went ahead and popped out as well.

Ayda Aguefort legitimately wasn’t used to people being inside of her library. Other than Roland, who she had hired many, many years ago as a young man, it was common for her to pass her many days reading and writing and studying without seeing a single other soul. Silence, broken only by the sound of her quill on paper and the rustle of pages, the occasional thunk as she dropped a book back into place, her hands getting a bit too old for the larger of them.

It was nice, in a way. She was old, early fifties by her count, as inaccurate as it was, since she didn’t have an exact date of her last reincarnation. The person she had hired, according to her notes, to take care of her had skipped out when she was young, leaving Roland for the task he was woefully unprepared for. But he had taught her to read and write and use the magic within her, all the things her absent father should have done, so she was grateful, to him and for the silence. She knew she was off, knew something about her seemed strange to others, and so she accepted and enjoyed the silence for what it was.

Except, now, there was an orc woman standing in her library. Clearly suffering from exhaustion, weakened by some unknown affliction Ayda would have to study later, and, most obvious and concerning, coated in blood both her own and not. Her clothes were tattered, clearly showing signs of the fight she had most likely been in just a short while before, especially since her sword was still dripping blood onto the wood of Ayda’s library.

She was also cradling an infant in her other arm, another thing that intrigued Ayda, but that would have to wait for further examination.

“Please,” the orc woman said, holding out the infant to Ayda. “Please, take her.”

Ayda had had very little interaction with children in this life, though a previous one who had made children of various species their subject of investigation had left incredibly detailed notes. So she knew how to cradle the child’s head with her elbow, keeping the infant face up so it could breathe, the runes on her arms flaring slightly to produce the extra heat something so small would most certainly need.

It was so tiny. Fascinating.

“Do you require assistance?” Ayda asked once she had made sure the child was secure, her mind content that said task was complete. “I am not a healer, but I can escort you to-“

“No,” the orc woman said, even as she unsteadily lowered herself to the floor. “No, please, just, let’s just stay inside. No one will bother us here.”

Ayda wanted to ask what the orc woman meant, but there was also part of her that could take a very well-educated guess as to what she was talking about. Ayda was considered weird here on the Leviathan, an anomaly, a magic user amongst all of the pirates that focused on swords and their primitive miniature cannons. Sure, there were some pirates that knew a bit of magic, enough to call up a wind to fill their sails, or those druids who were trying to grow a garden on the north western side of the city, but nothing like her.

There was nothing like her anywhere.

Except, to an extent, the infant she was now holding in her arms.

It was clear the child was a celestial, probably from one of the angelic fiends that inhabited orcish religions. Zajiri, if she had to take a guess, though she would have to reexamine the child and compare the brief mental notes she had taken to the books she knew she had, second floor, twelfth row on the left side of the library. Maybe she could convince the mother to let her borrow the child for a bit, later, when she wasn’t slowly leaking a large puddle of blood.

“Are you sure you do not require assistance? I am available to help if you require it.” For, of course, a fair and reasonable price, but Ayda had been taught to not bring that up when someone was in obvious danger. It was rude, and could potentially hold up events that needed to happen at a quicker pace.

Still, the orc woman shook her head.

“No, I’m alright,” the woman said. She took a few deep breathes, placed her hand over her lower stomach, and the puddle of blood stopped growing as a low light glowed from her hand. A healer, then. “I just needed somewhere safe to rest for a bit.” She stopped for a moment, looked at Ayda. “I’ve heard what you can do. What kind of person you are. Figured you wouldn’t hurt a baby, and could maybe help ward off those who would.”

Ayda gave a jerky nod of her head, adjusting her arm as her shoulder started to feel sore. She disliked violence, though she was well versed in quite a number of spells to protect herself and her library as necessary. She had actually just been working on one a short while before, to help with the unraveling of someone’s very essence. A work in progress, but it showed promise.

“Your child is a celestial.” A statement, though perhaps with the slightest bit of a question behind it.

“As are you,” the orc woman said back, giving a small shrug. “Don’t know what you are,” she added, “but mine at least isn’t a bird.”

Ayda gave a squawk of laughter, finding humor in the orc woman’s statement, she following with a chuckle of her own shortly after.

“It’s funny, because I’m only part bird, and your child doesn’t seem to have any bird within them,” Ayda explained, the orc woman giving a nod at her explanation. No other words, but still the nod made her feel warm inside, at least for a moment. “Is that why you came here, because of our shared heritage from the celestial realms? If you’re looking for information on your child’s legacy, I could be of some service.”

A shake of the head, the orc woman’s previous brief smile disappearing. “You’re strong, right?”

Another jerky nod from Ayda.

“Strong enough to protect a baby, if anyone should try to harm it?”

Another jerky nod, though this one with confusion.

“I am not sure why anyone would try to harm a child, especially in the presence of a wizard, but if you need my help keeping this one safe, I would be happy to help. Do you require this assistance?”

“Good,” the orc woman said. After another moment of sitting, she forced herself to rise, Ayda rising with her, not even aware of when she had sat on the floor to be face to face with this strange orc woman, the child still in her hands. “Look,” the orc woman continued, stretching out the soreness in her muscles that remained even after the healing, “there some asshole out there, James Whitclaw or some shit, who wants to eat my baby’s brains. Kidnapped me from my ship when the word got out that I was birthing something special, thinks it might help him become king or something someday. I’ll be damned before I let that bastard touch that skull, but I’m badly outnumbered. I won’t ask you to come with me, but no one will try to take my baby from you here. Will you watch her until I come back?”

Ayda paused for a moment, looking down at the child in her arms. Sleeping soundly, maybe a few hours old, still wrinkly and that weird newborn orcish green before it settled into its permanent shade.

“Will you allow me to research your child during this time, until you return for it?”

The orc woman snorted and nodded her agreement. “Thought you might say that, from what I’ve heard of ya.”

“Then by the seven seas and the twelve stars and the nine hells, I will care for your child as my own until you have returned to claim it.” Ayda’s runes flared as she spoke her oath, the orc woman satisfied with that response.

“Let me see her real quick then,” the orc woman said, holding out her arms. Ayda was careful handing the child over, watching curiously as the orc woman sniffed the infant’s head, held it close to her chest, and placed a quick kiss on its forehead, causing it to coo and murmur in its sleep.

A brief pang of jealousy, that Ayda quickly forgot about as the child was returned to her care.

“Garthy,” the orc woman said as she reached the door, not turning back. “The babe’s name is Garthy O’Brien.” And with that the orc woman was gone, sword on her should, prepared to go make the world a safer place for her child.

Ayda leaned down as the door closed shut and sniffed the infant’s head, her eyebrow raising as she smelled the strange scent the newborn gave off. Not the various odors one expected from a child, pleasant but not overly so. Fascinating.

“Well, Garthy,” Ayda said as she headed towards the stairs, shifting the child in her arms to a more comfortable position, “I have promised your mother that I would care for you as if you were my own. While I have never had children, as far as my knowledge of my past lives allows me, you are now legally mine until your mother returns. An hour? Maybe two? That should be enough time for me to study you, get a sense of your origins.”

At some point during her statement, one of Garthy’s large eye slid open, looking up at Ayda with sleep and curiosity in equal measures. Curious pupils, a wonderful color, just hinting at the mystic within the child, just waiting to be found.

Ayda leaned down and kissed Garthy on the forehead, the child quickly lulled back to sleep by the warmth of her runes, safe and warm until its mother returned.

***

Ayda Augefort legitimately wasn’t used to people being inside of her library. Other than Roland, who she had hired many, many years ago as a young man, it was common for her to pass her many days reading and writing and studying without seeing a single other soul. Other than, of course, her child, Garthy. A health ten years old, if she had to guess, though half orc aasimars weren’t her specialty, they were happy to spend their time sitting with her in her library, handing her the books that her hands were too old for, taking notes for when her eyes were beginning to fail her.

She hadn’t been the best of mothers, of course. She had been woefully unprepared for the challenges of raising a child, especially one that had been left with her by an orc woman in the middle of the night, once for the child to be left for what Ayda had to presume was the rest of their lives. The orc woman had never come back, and knowing the Leviathan and a smattering of statistics, it was highly unlikely she ever would.

But Ayda had taught Garthy how to read and write and how to use the magic within them, had learned to cook more then just a basic sandwich to feed her new child, and had even considered reaching out to Arthur to let him know about his new grandchild, though she had lost the nerve just before she had. So far she had given them all of the love that she could, in her own strange way of showing it, and Garthy was happy and healthy and seemed to be doing alright.

And by the seven seas and the twelve stars and the nine hells, until the day her next reincarnation was to come, she would make sure that was the case. She loved her little child, the small creature that had so quickly grown from the squalling infant, her little Garthy, and even in her next life, she would make sure that Ayda loved them too.

(And she would, even without the notes reminding her to love Garthy with all her heart, to love her child she couldn’t remember, Ayda would love them. Because Garthy would teach her how to reach and write and use the magic within her, and would love her with all of their heart, and even before Ayda could do so, as Garthy picked her newborn form out of the ashes, Ayda would love them.)

#Fantasy High #Ayda Aguefort #Garthy O'brien #Dimension 20 #fanfiction

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jarofrebuke-transcripts · 4 years ago

Text

Jar of Rebuke Episode 5 Unofficial Transcript

Season 1 Episode 5: Perfect Attendance

INTRO

The following audio recording is classified documentation for Case [audio distortion] with the Enclosure. Unauthorized access to this information will lead to immediate intervention. Progress further if proper clearance has been given.

TODD

Hey Jared, it's Dr. Carmen. Listen, I know you asked to cash in on some of that paid time off you've got, but I wanted to let you know that I couldn't fulfill your request quite yet. There's one little thing I need you to look into for me first. There's some circulating rumors of a former teacher causing some trouble at the local school. I say former because she's been dead for about a hundred years or so. I don't know the exact details yet besides what Dr. Rahal heard- footprints with no source, flying clocks, startled janitors- you know the drill. So I need you to go and investigate. Since you're just so good with those little kiddos that come by your place at night, I figured you'd be even better with some actual kids. And since you've been doing a little personal community outreach, why not put that to use? Now go see what you can figure out and report back to me, then we can discuss that vacation time of yours. Oh, also you're welcome for the plumbing fixture, by the way. I know you've been too busy to stop by with a proper thanks, but I'm just glad we could get that all fixed up for you. Well, I'll keep an eye out for your report by the end of the week. See you around.

JARED

“Oh you're welcome for the plumbing fixture, by the way.” Oh, geez Louise, I literally never asked them to fix my plumbing. I called it- now he's gonna hold that over my head for gods-know-how long. I know that some folks say that being motivated by spite ain't the best way to live but it's a real hell of a motivator. I don't plan to delete this voicemail till I get that chat about time off because if I get brushed out about that PTO again after everything, I'm going to remind them that he guaranteed me a talk about it. I mean he normally sends me out over the dangerous stuff, but this was just tedious. More like Todd just wanted to send me out on an errand and just threw me out over the first thing that he could. I mean, considering that I drowned a few weeks ago, this was expected to be a bit of a piece of cake. While it wasn't life-threatening, it was annoying. And draining.

So today, I just so happened to bump into the principal of the local school. I know that she goes to the Chronicle Inn’s country store a lot, especially during her lunch breaks. So I went in the afternoon and spent some time there talking with Ester and Laura as I waited for her to arrive. Ester was wearing a really lovely dress and a floral apron, the pale pink accented her gray hair really nicely. And Laura was already in her denim overalls and plaid flannel. Apparently she was wanting to get some woodworking done in her workshop, but then she decided to stay in and help Ester out with managing the shop for the afternoon rush, you know, since all the folks started pouring in on their lunch breaks. And that afternoon rush was what I'd waited for because that's when Mrs. Anika Ralsh showed up. We haven't really ever talked much, just enough to get to know each other's names and general identities. So when she saw me she greeted me with a small smile and a wave. She asked how I'd been doing, you know, what I'd been up to, the usual. I had planned on how I was going to broach the subject of the haunting in the school considering that it's not exactly something that just, uh, comes up naturally in conversation. I needed to find some inconspicuous way to shift focus to, to that topic in a way that wouldn't trigger too many red flags. But then she dropped the bombshell on me!

She said that she'd spoken to Darius and that he mentioned that I had some curiosity with the supernatural, which was weird because I remember mentioning that passively to him like once when I panicked when he asked me what I do for a living. And that was a while ago. I'm shocked that he remembered. So I basically told her what I told him. Yeah, I'm a scientist who studies natural phenomena around here but I also have an interest in supernatural phenomena but that's more of a hobby. Which is a boldface lie, but far more acceptable than the truth. The script in my head of how the conversation would go was now entirely thrown off which did, in all honesty, throw me completely off my rhythm. But she actually got far more to the point than I would have planned to so I guess it worked for the best.

Anika said that she hadn't been sure who to reach out to about this, but when Darius had mentioned me she thought it'd be worth a shot to ask me to look into things. That there's a ghost of a deceased teacher that keeps stirring up trouble at the local school. It was a former teacher who taught fifth graders back in like the 80s or something like that. She taught up until the day she died, and she's rumored to still linger around. But she's been getting more disruptive than before and it's getting a bit out of hand. So, Anika asked me if I knew a way to get this ghost to calm down, but to not get rid of her. Apparently this Mrs. Alice Caller has been a part of the school community for so long that even if she scares or startles people sometimes they don't really want her gone. She startles the staff more than anything, the teachers and all that. But the students seem to get a kick out of it. Every building has their character after all, that's what Anika said. And I guess you could consider a haunting to be a splash of character.

Anyways, so yeah, after chatting for a bit and pretending that I had my knowledge of ghosts and hauntings due to at-home research and not my nine to five, even if it's more of a six to five. I told her I could investigate, but I'd probably want to do it when there weren't, you know, students in the halls? She'd asked if I was free literally that evening and considering Todd was basically holding my paid time off as hostage I said of course. I mean the sooner I got it done the sooner I could have some sort of vacation. As preemptive compensation, she bought me lunch which was really nice and told me to come by school after I finished eating. She took her food to go, but I stayed and ate there at the end and chatted with Ester and Laura a bit more. I also texted Darius and asked if he told Anika about my supernatural interests. He said yes and apologized if he shouldn't have told her but I said that it was fine, that I was mostly surprised that he'd remembered. I'd mentioned it a while back and we really don't ever talk about it, so the fact that he remembered... it was sweet. I mean especially considering I let him do most of the talking in conversation. He has a nice voice and tells really nice stories. I was flattered more than anything.

After I ate and played some mindless puzzle games on my phone I headed out towards the school. If I'd really wanted to I could have walked but I had driven to the end from my house anyways and had no reason to just leave my car behind. I got there a little before the last class ended and just went to the front office. After some light chit chat, I was given a tour. It was one floor, maybe like 13 classrooms in total. Not including the small computer lab, the gym, the restrooms or closets. I saw teachers wrapping up classes and students getting ready to head home. Nothing seemed off during the first walk through. She asked me when I got into tracking the supernatural and I told her about two years ago. Not a lie, I guess. She asked what I did for the Enclosure. “We don't really know what it is you all do, I guess we're just curious,” is what she'd said. I felt like she was reading every movement and microexpression in response to whatever my answer would be. I kind of panicked. I told her that I just keep tabs on the natural anomalies, animal behavior primarily. I told her I'm involved in monitoring wildlife just to make sure that the ecosystem is in balance and stuff like that. Then I quickly changed the topic because I know jack diddley about biology beyond the basics.

I got to talking to Anika about what's been happening, which was what Todd had said and then some. Flying clocks, footprints, and startled staff. But there were also a few other things as well. Things apparently turn on and off by themselves, like the janitor's vacuums or the lights. One time the cleaning staff heard some stuff moving around in an empty room and then when they investigated the room, apparently a bunch of desks got moved around and flipped over. Seems that this Mrs. Caller has also been knocking over projectors and has made things go missing, especially in the old classroom where she taught. After Anika showed me around the whole school, uh, greeting kids as classes let out, which, let me tell you, made me incredibly uncomfortable. Again, I'm not good with kids, so I just kind of gave awkward waves and half smiles to them. Anyways, after she showed me around and led me back to where Mrs. Caller's former classroom was, she asked if I needed anything before she'd go back to work and leave me to meander. Right before she walked away though she asked if I had any tools for the ghost hunting. I hate calling it that. I'm not hunting the ghosts or anything, I'm more just trying to communicate, check in and see what's going on. They don't always want to talk and I definitely respect that. I mean, heck, there's times I sure don't want to talk to people. I told her I mostly wanted to check out the place first. I would bring in my equipment from my car once all the students were gone. She asked if I needed to wait till night time and I told her that that's just a rumor. Paranormal investigations often happen at night because it's quieter from interruptions and easier to use the night vision. But if the ghost has been haunting during the day then it makes sense to investigate during the day as well.

So we walked back to the front door. She went into what I guess is her office and I went and grabbed my kit that I keep in my trunk. It's got an EMF sensor, a voice recorder, which is basically just a fancier version of what I use for these journal entries. An infrared thermometer, high power camera, other nifty little tools. Mostly the basics, they don't give me the heavy duty kit for assignments like these, of course. I made my way back to Mrs. Caller's former classroom and gave passing greetings to everyone that I passed and made eye contact with. Just a little smile and wave, asking how are you, as neither party planned for an extensive conversation. I got over there and introduced myself as I set up the equipment. I definitely felt something. I wasn't sure if it was her or not but with the way that it felt, well I felt more comfortable. It felt more familiar. So I told her my name, that I was there just to communicate and see if I could help calm her down at all. I explained what I was setting up and what all it would do. I felt my muscles relax as I just felt far more comfortable in this situation than being surrounded by students while talking to Anika. Nothing against Anika, I felt quite comfortable talking to her back at the restaurant. I think it was just the whole being surrounded by people thing. So I got everything set up and started to poke around the classroom. I started asking general questions, ones that I'm encouraged to ask based on protocol. What do you want, how did you die, why are you here? And so on. I hate those questions. What makes anyone think that those spirits would want to answer them anyway?

So after I got very little response I sat down on top of one of the desks crisscross applesauce, put the equipment down and just chatted. I asked how she was feeling. I apologized if it was bothersome being pestered with questions especially if she'd been primarily been being ignored, except for people prying. I asked why she lingered in her former classroom, like why this place? That was when a small frame holding up what looked like an obituary caught my attention, a hung up above the door, so I asked her about it. I heard some beeps from my pile of tools but I didn't need to pick it up. I knew that particular beeping. It wasn't an auditory reception, it was an energy spike. And I could feel the shift in… the atmosphere? The mood of the room? At first I just felt like I was being watched, but then I felt like it was more, um, that I was encroaching in someone else's living space. That I was somewhere that I shouldn't be or doing something that I shouldn't be doing. I slid myself off the desk and went to start gathering my supplies, but then the feeling went away. Seems like she'd just been upset that I was sitting with my feet up on the desk like that. So I muttered an apology and just made my way over towards the door to take a closer look at the obituary. It felt like something was practically breathing down the back of my neck. Not literally, but, I don't know. I could just feel it there. I turned around slowly and saw, unsurprisingly, nothing. But I knew in my gut that she was right there.

Then what scared me more than anything was that the classroom door flew open behind me. Not enough to slam on the wall or anything, but enough to make a sound. It was just some student who apparently left her notebook behind her something. She couldn't have been more than, what ,13? She was sweet, asked what I was doing back there. I told her a half truth, which is pretty much just my life at this point. I told her I was investigating on behalf of Mrs. Ralsh, which in my opinion is not a lie, just not the whole truth. She then went on to tell me about an experience that her dad had last year. Apparently her dad is one of the school janitors that had an incident early one morning when he'd come to clean up the place during the weekend. He was helping wax the floors in the halls by the back door, and at some point he turned to see footprints in the wax finishing on the tile. Her dad got pretty freaked out since he knew that he did not hear or see anyone walk by and the footprints were all too small to be his. He followed the footprints to the back door. He tried the handle but the door was locked, it was a door that needed a key to be unlocked. So he used his key to open the door and discovered footprints leading from the door to the direction of the town's cemetery, which wasn't too far away. The same cemetery that Mrs. Caller was buried in. I asked her if her dad had experienced anything else since then with Mrs. Caller, and she said that he's seen loads of stuff. But normally he sees the aftermath, like he has to clean up the messes that she makes if the other teachers can't for whatever reason. So I thanked her, she grabbed her things, and then she wished me luck before she hurried out.

So once again I stood alone in the classroom. Well, alone besides the presence of Mrs. Caller, which was definitely still strong. Maybe it was a bit smarmy of me, but I asked her, “now why would the girl wish me luck?” I was told that Mrs. Caller isn't aggressive towards people but she definitely wants her presence to be known, and I guess she didn't like the idea of the disrespect in my tone in her own classroom. Suddenly there was a blur in front of me and the sound of shattering glass, the framed obituary that hung above the door had been knocked off the wall and landed practically at my feet, which made me jump instinctively. Thankfully my boots are sturdy enough that I didn't have to worry too much about getting hurt from the glass, but I noticed that there was something tucked behind the obituary in the frame. My hands are already fairly scarred up from work and I don't think the nerve endings in my fingertips really work as well as they used to, so I kind of just reached down without thinking. I brushed away the glass and picked up the paper so that I could examine it.

The obituary itself was hardly remarkable, exactly what I'd expect from a beloved school teacher who passed away many many years ago. But what was behind it was odd. An old Enclosure business card. I still have it with me. It looks probably as old as the obituary, if not older. It's the same general logo but it doesn't look as modern, as if they've updated it since then. The colors aren't as bright, aren't as jarring. But something about it made my stomach twist. It felt wrong, not like the uncanny valley wrong, but just I don't like looking at it. I pocketed the business card and carefully put the obituary on the desk. I asked what Mrs. Caller was trying to tell me, but the energy felt... tired? Strained? A little concerned. I asked for literally any other message, any other sign, anything that could be helpful with whatever this, this business card is. Then I saw chairs in the classroom start to move. Instead of them all being pushed into desks they were all shifted as if whoever was seated in the chairs were all facing me. I was the focus at that point. It suddenly felt like I was being watched far more intensely than I've been in a haunting situation. It was like I was standing in front of a crowd who were all watching me with narrowed, scrutinizing eyes. At first I just gave a huff and said “oh haha, very funny”. But then, the smell of something sweet. It was... it was a mild smell, not like anything I've ever smelled before, but as soon as that smell hit my senses my chest hurt and my stomach churned. I looked back at the obituary on the desk and saw Mrs. Caller's smiling face, then looked up to see the words “do your homework” written on the whiteboard in neat handwriting and one of the markers uncapped on the little storage ledge thing. So I told her, okay, I would, but I had to leave. I felt sick, which has never happened in a situation like this before. I normally have a gut of steel but something about that sweet smell just shook me to my core. I hurriedly capped the marker, wiped off the whiteboard, and then rushed over and started to power down my equipment that I hardly even used. I have been chased, drowned, attacked, and so many worse, worse things than having empty chairs turned to face me, but my heart was thudding in my chest and my palms started to sweat. I needed to leave. The sweet smell still lingered and I couldn't stand it!

I packed up my equipment and just got out of there. As I made my way back towards the front door I knew I couldn't be seen by anyone like that, I couldn't stand the idea of anyone's eyes on me at that point. I ducked into the bathroom, I tucked myself into a stall. I put my box down on the floor and just sat on the toilet before I just... stared at my hands. My scarred, now nicked-with-glass fingers, the creases in my palms, the swirl of my fingertips. I just reminded myself that I was there. The sweet smell was replaced by the smell of cleaning supplies and other musty smells. While it wouldn't normally be a pleasant smell it was far better than whatever I had smelled previously. After a few deep breaths I finally stood up and started to prepare to leave. That was when my bathroom stall flew open to reveal... nobody. It was more like Mrs. Caller was telling me to skedaddle on home and get working on my homework. I don't know why I couldn't fully see her like the ghost set the Chronicle Inn, but I could surely feel her presence strongly enough.

I'll admit I got a little huffy with her. I told her it was rude to barge into a stall like that and I was getting ready. Considering I hadn't actually used the bathroom, I just grabbed my stuff and headed out. Thankfully I made it to the front entrance without really catching anyone's attention. I was actually even able to slip by the front door without anyone noticing me, or at least they didn't call out to me. I felt a little bad without saying goodbye to Anika, especially after only being there for like, what, an hour? But I just wanted to get home. And now I'm home. And what was my homework? Well I decided to look more into this Alice Caller. She had a husband who passed away not long before she did. The husband worked in town and apparently had some ties with the Enclosure. Not an employee, they don't really hire townsfolk. But seemingly a friend of a former employee. I did hours of digging after I got home and found a mention in a newspaper of him and a Dr. Severin Kelder. I don't know why that name stuck out to me, but it did. I don't know if I've seen it on a research file before, or what. But I'm going to look more into it when I have my work computer at the lab tomorrow. Maybe Mrs. Caller saw the Enclosure logo on my equipment or something? But why was that business card even there? This business card isn't even for a particular person. I mean, it has a phone number on it but no name. I don't recognize the number and when I looked through my roster of numbers it didn't match anything. So perhaps, it was an older, no longer used number? Also, Todd said that Mrs. Caller died like a hundred years ago. Well, if this business card from the Enclosure was there, then that's impossible. The Enclosure settled here in like the 1930s. I think Todd was just exaggerating. Also both Anika and the obituary said that she taught and then died in like the 80s, so, whatever. Not that that really matters.

I put the old Enclosure business card away in the back of one of my drawers. I don't want to look at it anymore than I have to, it reminds me of that sweet smell in the classroom and I hate it. I normally love sweets and sweet smelling things, but something about that particular smell, it… I don't know. It triggers flight or fight down to my very core. Even if I know logically that I'm safe. [shivers] Just thinking about it is sitting me on pins and needles. Oh gods, and I didn't even tell anyone about the broken glass. A janitor probably had to clean it up. Totally forgot. Now I feel like a jerk... should I send an apology? Should I call in the morning?

[tapping sounds] Oh, I hear you! But you're not coming in, not after last time! I don't want to have to replace my couch again. I told you to just please, please leave me alone. Why'd you even want in my place so bad? There's other houses for you to knock on! [takes a deep breath] They're just kids, Jared. They're just doing whatever it is that they do. There is no need to shout at them. They don't know better. Sorry! I'm gonna stop the research for tonight and get some rest, I've stayed up way too late and I think that the black-eyed children are drawn to my house due to the fact that my lights are still on. I'm gonna call Anika in the morning and see if I could come back Friday after school, have the place relatively to myself, examine a bit further. It also gives me time between now and then to do some more research. I know Todd wanted the files on his desk by the end of the week, but I could always go in Friday afternoon and drop off the files Saturday. Still at the end of the week, he never specified what day. So, till next time, I guess. This is Dr. Jared Hel, signing off.

OUTRO

Jar of Rebuke is written and produced by Casper Oliver, who is also the voice of Dr. Jared Hel. Dr. Todd Carmen is voiced by Conrad Miszuk. The intro is read by Vanessa Rosengrant, and credits are read by Ashley Craft, who has created the podcast official graphics. Music was created by Luke Menniss, spelled m-e-n-n-i-s-s, who you can find and support on Bandcamp, Spotify and Twitch. Find us on Facebook, Instagram and Twitter for updates. You can support us on Patreon or Podhero by following the links in our episode description. And special thanks to our patreon supporters Becky Thompson, Perry Bruns, Tristan Fraud, Nico Allen and Devin Wright.

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