#it’s just. so good. there’s so much depth to everyone and everything

[pboogerswbb]

LET IT SNOW

Paige Bueckers x reader In which Paige and reader spend a snowy day babysitting reader's niece and nephew (loosely based on a request i got weeks ago) Warnings: fluff, suggestiveish? very very very sweet, will make you sick (fluff is very hard for me to write ok be nice) Wordcount: 2.9K A/C: happy christmas eve everyone <3 this is my christmas present to y'all so enjoy this while i take some time to rest and spend time with my family :) unfortunately that means you gotta wait for chapter 2 of so it goes for a little longer but i want to take a break for a few days from writing over christmas! i hope you understand. everyone who celebrates christmas pls spend it eating, drinking (if you're of age), and don't kill your family pls (i know that's much to ask over the holidays let's be real). i'll return to writing so it goes post christmas! MERRY CHRISTMAS GUYS <3

-

“There’s a list of allergies on the fridge, if Mia throws a fit just put her in the stroller and walk her around for a bit, if she won’t calm down call me. Whatever you see in the fridge you can eat, and call me whenever! I’ll have my ringer up and-”

“Chloe-”

“and really call me whenever you need to! And have your ringer up too!”

“Chloe!”

Your aunt’s husband is pulling on her arm, trying to get her further than the front door but 10 minutes have already been spent going through everything for the day.

“Auntie Chlo we’ve babysat before. They’re in good hands,” you reassure, smiling brightly at her. She inhales deeply and chuckles when she realises how long she’s been rambling for.

“You’re right, the kids love you. Especially you Paige, they’ve missed you. Been showing them clips of your games!” Your aunt says, head tilting upwards to look at the blonde girl standing behind you, hands wrapped around your waist. 

You and Paige had been dating for over a year now, celebrating your first of what would be many anniversaries. In that short amount of time the blonde had made her way into the depths of your closest circle, becoming a part of your family. It happened effortlessly, the way she fit into your life, the way she clicked with your relatives. You swore they loved her more than you at this point. This was about to be the first Christmas she ever spent with your family, and just the idea of her with all your loved ones made your chest fill with warmth.

So when your aunt Chloe called you in a crisis on Christmas Eve, her babysitter getting sick at the last minute, you and Paige were quick to agree to look after your nearly 2-year-old niece Mia and 7-year-old nephew Leo. 

“Go! We got this aight,” Paige reassures, resting her chin on the top of your head as she does.

Pulled away by her husband, your auntie waves goodbye and closes the door, leaving you and Paige alone with the kids standing behind you. Before you can even react, Mia’s lower lip begins to quiver, the sight of her mother gone upsetting the small child. 

“Uh oh,” you mumble, Paige swiftly making her way to the little girl and picking her up, pouting her own lower lip to mirror the child.

“Are you sad because you miss mama? She’ll be back later, I promise,” Paige coos to Mia, rocking her in her arms. She’s wearing a white t-shirt despite the snow outside, for some reason she was always warm, and her biceps were growing more prominent as she held the child by her hip. The sight of Paige comforting your niece made your heart flutter, making it hard to tear your eyes away. watching Mia bury her face into the crook of Paige’s neck.

“We’ve got a really fun day planned for you!” You gleam at both of the children, ruffling Leo’s hair. He laughs but pushes your hand off, running to the kitchen.

“Can I have a cookie?” The boy asks, clearly taking advantage of the moment that his parents’ watchful eyes weren’t around.

“No-” you start but Paige is already following him to the kitchen. She was such a pushover, always had been with the kids. Just some pouting, eyes batting and she was ready to bend every which way for them.

“Paige!” You complain as the blonde easily reaches to the top shelf, grabbing a jar of chocolate chip cookies.

“What?” She asks unbothered by your scolding, handing a cookie to Leo, and taking a bite of one herself. “Wanted a cookie,” she mumbles, her mouth full.

“Cookie! Gimme!” Mia babbles, short hands reaching for the cookie your girlfriend is holding between her teeth.

“Oh good God…” you groan, rubbing your forehead, already knowing this was going to be a long day if the kids had the blonde wrapped around their finger this much already. But when Mia giggles as Paige feeds her a part of the cookie, you decide not to care. If there was a time to spoil the kids it was on Christmas Eve.

“C’mere,” Paige nods you over, grabbing another cookie. You scurry into the kitchen, grabbing Mia from her and kissing the little girl’s forehead. She giggles brightly, clearly in a much better mood. You nuzzle your nose into her soft cheek, eliciting more laughs from the baby. The whole time Paige can’t look away even for a second, her heart fluttering with affection. Paige was completely in love with you, and seeing you like this only made her feel it more.

“What are we gonna dooo all day?” Leo interrupts the moment, yanking on Paige’s shirt. She grins and ruffles his hair affectionately. Leo and Paige had bonded quickly the first time they met, and now they’re best friends. In fact Leo facetimes Paige weekly on your aunt’s phone.

“We’ve got some ideas.” The blonde says smirking.

-

The weather is perfect, the gentle winter sun not warming but making everything brighter as the rays reflect off the snow. Snowflakes fall softly from the sky, adding to the already covered ground as you walk behind Leo and Paige, holding Mia in your arms, trying to catch your breath as you climb on top of a hill.

“Isn’t this high enough?” You ask, glancing down, worrying that Leo would be too scared to get on the sled. Predictably so, the two in front of you look over their shoulders, immediately uttering the word “no” in unison

“Auntie Paigey and your big brother have gone cray cray,” you murmur to the babbling Mia, wrapped in her warmest winter gear. 

“Okay, here’s good!” Paige says, finally putting the sled she was carrying down, looking around the group.

“You wanna go first Leo?”

Suddenly the boy looks down, hesitating. It’s pretty steep, especially at first. You could tell he felt unsure, but Paige noticed it too.

“I’m actually lowkey scared, can we ride down together?” She asks, covering for the boy. For a moment your eyes meet with hers, wanting nothing more but to kiss her right now. Paige always had you weak in the knees, but the way she skillfully handled kids only made you love her more.

“Okay we can go together I guess,” Leo complains, deep down relieved. They sit down on the sled, Paige behind the boy, ready to steer.

“Wait!” She yelps, turning to you, blinking fast. “Kiss for good luck.”

Apparently she’d been feeling the same about the kiss.

Humming, you place Mia down on the ground to play with the snow, leaning close to Paige. Her warm lips press into yours, in a loving, gentle peck that let you know she wanted to do so much more, if it wasn’t for the company.

“Yuck!” Leo whines, making both of you giggle.

“Hey, have some respect for your auntie,” Paige grins and pushes the sled forward. Suddenly they’re riding down at such speed you can barely watch. Someone was bound to get hurt.

Both of them scream as the speed accelerates, the sounds echoing in the air. To your surprise they both make it all the way down safe and sound, Paige stopping the sled and jumping off.

“That was so fast!” Leo chuckles hysterically, making your girlfriend laugh too. You could hear them laughing all the way up where you were standing. 

“Ball,” Mia babbles, pointing at a pile of snow. Giggling, you sit down on the ground next to her, beginning to roll one snowball after the other and handing them to the girl. 

“Look Mia!” You gasp to get her attention. Her wide eyes turn to you, long eyelashes fluttering as she watches. You throw a snowball into the air, Mia’s eyes following as it crashes to the ground. Immediately she claps, a wide smile on her face to reward your efforts.

“Babe it’s your turn,” Paige’s voice says as she’s climbing up, trying to catch her breath.

You scoff, continuing to play with the snow for Mia. “Not happening P,”

“Oh you’re scared huh?” The blonde teases, a smug smirk spreading across her face.

Leo gasps. “It’s not scary at all! I was scared at first too!”

You roll your eyes, not falling for their games. 

“I’m playing with my girl here, you boys leave us alone,” you say, poking your tongue out at your girlfriend. She scoffs loud, walking over to you and wrapping her arms around your waist, lifting you up and throwing you over her shoulder with ease.

Leo laughs loud, pointing at the two of you. “Paige is not a boy!”

“Let me down!” You yelp, kicking your legs and arms but it’s no use. She’s much too strong, carrying you towards the sled. Your squeals make Mia laugh loudly, a wide smile spread on her face.

“Look after your sis for a bit, aight?” Paige tells Leo, placing you down on the sled. You’re still giggling, shaking your head.

“I’m not gonna! It’s scary!” You laugh, the blonde sitting snug behind you on the sled, wrapping her legs around you.

“Don’t be such a wuss,” she teases, her arms wrapping over your waist. Leaning in, you feel her hot air tickling against your ear as she whispers. “I gotchu ma, don’t worry.”

With that, Paige pushes off the snowy ground, holding onto you tight. Quickly the speed picks up, fluttering in the pit of your stomach. The freezing cold air tingles against your skin and your eyes water from the cold as you laugh.

“Ahhh P-“ you scream, turning your gaze backwards and finding that, to your shock, the blonde behind you is pushing on the ground to make you go even faster. “STOP!”

Paige giggles into your ear, her arms wrapping around you tight to hold you close. Soon it’s over as you reach the base of the hill, the speed finally slowing down and flutters in your abdomen disappearing.

“Told you it wasn’t so scary,” the blonde grins, helping you up.

“Uh yes it was,” you laugh, grabbing a handful of snow and throwing it at the girl in front of you. Some of it gets onto her face, making Paige pause.

Her mouth turns into a tight smile and her blue eyes widen. Immediately you know you’re in trouble.

“Oh it’s like that huh?” She says and you squeal, already beginning to run when she starts to throw the powdery snow all over you.

“No no no no please!” You can barely breathe, gasping for air and trying to run, the snowy ground making your steps heavy. Paige, being a D1 athlete, easily reaches you. 

“Oh so now you regret it!” She laughs, snow falling into your coat, down your neck, making you scream louder as the girl chasing you wraps her arms around your waist, spinning you in the air. 

“Stop! Paige!”

“Say please,” she orders, her tone lighthearted.

You roll your eyes, hating having to admit defeat, but knowing it must be done.

“Fine! Please, please stop Paige please,” you whine, batting your wide eyes at the girl. She looks at you, finally putting you down and kissing your forehead.

“Wanna hear you just like that later,” she whispers the dirty words into your ear, lips brushing against your skin, tingling. Before you can scoff or tell her off, Mia’s loud cry disrupts the moment.

Both you and Paige hurry up the hill, towards Leo who’s holding his sister, bouncing him gently to soothe the little girl.

“What happened?” You ask, swiftly scooping Mia from the boy and trying her cheeks to see if she was cold. Nope, perfectly toasty from all the layers.

“Nothing! She just started crying!”

But then, studying her face, you notice the redness of her eyes, her mittened hands trying to rub them desperately.

“Aw, she’s sleepy,” Paige says, like reading your mind, grabbing the sled. 

“We should probably head back, she needs to take a nap,” you murmur, trying to soothe the girl in your arms, ear-piercing screams and cries spilling from her mouth.

All four of you hurry to the car, but no attempts to calm Mia down help. She’s exhausted, plump bottom lip quivering as she keeps crying the whole drive home. You could feel yourself getting exhausted, the loud noise becoming overwhelming and stressful. Paige could see it too, the way you were sighing and taking deep breaths. So when you return to the house, she grabs your hand and kisses it before getting up from the car.

“I’ll take her to bed okay? You rest ma,” she murmurs. Relief spreads all over your chest and you smile affectionately.

“How’d I get so lucky?” You ask.

“Nah, I’m lucky. Got the best girl in the entire world.

-

After an hour of the faint sounds of Paige’s lullabies (off-key but she would never admit that) and trying to reason with the 2-year-old like that might help, the cries eventually quiet down. Leo is resting too, playing in his room. You’ve been in the kitchen, making spaghetti for all of you. Checking the clock you realise it’s been about 30 minutes since you last heard any sound from Mia, yet Paige still hadn’t returned downstairs.

Quietly, you sneak your way up the stairs, ever so carefully opening the door into the bedroom to not wake up Mia. But what you find makes your heart flutter - in the dimmed out room, Paige and Mia are both asleep, your girlfriend holding the little girl close. The blonde’s mouth is slightly ajar, soft snores escaping through. For a moment you just watch, allowing the love you felt for them both to spread. You walk over, make sure they’re both covered up by the blanket before sneaking back out, leaving them in bed.

“Leo, come eat dinner soon, ok?” You whisper to him in the other room. His eyes lighting up, the little boy gets up holding a toy dinosaur and follows you downstairs.

“Can I watch The Grinch while I eat? Please please please!” He begs, giving you puppy eyes.

“Mmkay, just this once,” you bend to his will, setting it all up for him. You can’t help but watch Leo getting snuggled up on the couch, a blanket around him, eyes wide staring at the TV. Leaning against the arch into the living room, you feel your body tired from the day, muscles aching and mind exhausted. But your insides are fluttering with warmth, no other word for the specific feeling but pure joy. Walking back into the kitchen you begin to make your own plate of food.

You let your mind wonder, and maybe it’s risky. It’s much too soon to be thinking anything close to it. But since it’s Christmas, you let yourself. Your mind comes up with vivid images of you and Paige, in a house of your own, decorating the tree - Paige the only one tall enough to place the star on top. You can see you two baking cookies and watching Christmas movies, hot chocolate in bed. 

And maybe, just maybe eventually, two children of your own. There are flutters in your heart thinking about building snowmen with your little family, roasting marshmallows in the fireplace, dressing them up in tiny costumes and sending family postcards to your relatives and friends. It felt so far away, yet you could see it so vividly. 

As if she had heard your thoughts, suddenly warm hands land on your waist, Paige’s reflection appearing in the window in front of you. Humming, her front presses flush to your back, fitting against you just right.

“I fell asleep,” she murmurs, burying her nose into your hair and inhaling. It’s like heaven, after a long day, to feel her like this again.

“I noticed,” you reply, beginning to make a plate for the girl as well. She watches closely, following every movement from behind you until her lips find your neck, beginning to press soft, loving kisses along the nape of it. 

Eyes fluttering shut, you hum, turning your head to face the blonde behind you. Hand reaching for your jaw, she pulls you into a gentle kiss, lips sliding against yours slowly. “Can’t wait to see you be a mom,” Paige whispers against your mouth, chest heaving.

A deep blush sets on your cheeks hearing the words, taking them in. The blonde watches your reaction, clearly trying to read you.

“I’m sorry if that’s too much to say this early but I-”

“No,” you shake your head with a smile. “I can’t wait for that either.”

Relief washes over your girlfriend, as she pecks your lips once more. 

“We’re gonna be so good ma, best parents in the world.”

Beaming with joy, both you and Paige walk into the living room where Leo is sitting, eyes glued to the movie.

“Yo! Scooch!” Paige tells the boy, who shuffles to the corner of the couch. Both you and your girlfriend sit in the opposite corner, holding your bowls of spaghetti and getting settled. The blonde quickly wraps an arm around you, pulling you to lean against her side. You’re snuggled up, feeding bites of food to each other and stealing kisses whenever the boy isn't watching.

“I love you,” Paige whispers into your ear, blue eyes sparkling with adoration.

“I love you too Paige,” you whisper back, cheeks rosy and heart fluttering from the perfect snowy day.

-

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[deliciousangelfestival]

The Christmas Shift | Bucky 🎄

Character: Bucky Barnes x Female! Reader

Prompt : We're doing a poor job hiding our relationship troubles at this family event. 

Part 1 : Holly Jolly Charade

Main Masterlist || If you enjoy my work, please consider buying me a coffee on Ko-fi 🙏🏻

By the way, I publish my book Arrogant Ex-Husband on Kindle. 👉 Now available on e-Kindle Amazon! << here's the link.

Thank you to everyone who has read this chapter. Leave a comment and Reblog, please. I'd love to hear your thoughts. ❤️

It’s two days before Christmas, and you decided to go back home.

Your hand moved slowly to close the apartment door. It felt like you were forgetting something. Last year, he would always double-check the door before locking it.

This Christmas could be the last one, you thought, sighing.

You were headed to your parent's home for Christmas this time—mainly because your annoying aunt Teresa wouldn’t be there. On the ride, it was usually just you and Bucky, who started as a fake couple but ended up in a real marriage.

But it seemed like the honeymoon phase was over. You and Bucky had just had a big argument, which led him to stay at a hotel for a few days. That’s why you were here alone.

Your mom, Robin, greeted you with a hug. “Did the company lock you up?” she asked with a smile. “I’m glad you’re here before the storm.” She helped you take off your coat. “Bucky’s already here.”

You widened your eyes in surprise. He’s here?

“He’s got a much more relaxed schedule than you,” she added casually.

After Bucky resigned from the company, he invested in drone cameras and outdoor equipment. Since his hobby was photography, it seemed like the perfect fit. He made a good decision and gained a lot of profit. His work was successful, but his schedule was much more laid-back than yours.

As you walked into the living room, you saw Bucky talking to your dad and your cousins. He noticed you and made his way over to you, offering a side hug.

“What are you doing here?” you asked, raising an eyebrow.

“I’d rather be here than with my dad, who’s with his third wife, and my mom, who’s with her new boyfriend,” he whispered, his lips brushing your forehead.

You and Bucky were in the room, sitting on opposite sides of the bed. The distance between you both felt greater than it ever had before. The usual closeness you shared during Christmas wasn’t there. Both of you acted like everything was fine, but your parents noticed.

Robin, sensing the tension, quietly led you to the master bedroom. “What’s going on? It feels like there’s a wall between you two.”

You sighed, your hands nervously fidgeting with the hem of your sweater. “It’s…,” you hesitated, struggling to find the right words. “We…” You usually had the confidence to speak up at the company, but talking about your relationship with Bucky made your stomach knot.

On the other side of the house, your father was talking to Bucky in the living room. “Did you make a mistake with my daughter?”

Bucky looked at him, surprised. “How did you know?”

“Son, I’ve been married for 35 years. I would know. So, you did something,” your father said firmly, though not unkindly.

Bucky sighed deeply, running a hand through his hair. “She wants a baby. I’m not ready.”

Your father’s brow furrowed. “Why’s that?”

Bucky’s voice softened, and his eyes looked distant. “Because I’m afraid. I don’t think I’ll be a good father. Look at my parents. You saw them at the wedding.”

Your father nodded, understanding the depth of his concerns. “Well… it’s complicated. But you’re you, not your father.” He placed his hand on Bucky's shoulder. “You're a good man for acknowledging your doubts. It's not a shame, son. Everyone feels nervous about being a parent.”

Meanwhile, in the master bedroom, Robin sat across from you, her hand resting gently on yours. “Listen, I know things aren’t easy right now, but you and Bucky can make it. There will be challenges ahead, but that doesn’t mean it’s the end. You’ve built something real together, and that counts for a lot.”

You looked at her, searching for the reassurance you needed. Robin gave you a small, encouraging smile. “You’ve both come this far. You’ll find a way through this too. Just remember, love isn’t perfect—it’s about sticking together, even when it’s hard.”

Later that evening, you finally found the courage to talk to Bucky. He was sitting on the couch, his arms crossed as he stared out the window. You walked up to him, and without saying a word, he pulled you into a tight embrace.

“I’m ready,” Bucky whispered into your hair, his voice low but steady. “I’m in it. If you’re in it.”

You held him tighter, your heart feeling lighter. “We’re doing a poor job hiding our relationship troubles at this family event.” You chuckled softly, pulling back just enough to look up at him.

He smiled, brushing a stray lock of hair from your face. “Yeah, but we’ll figure it out. Together.”

And the next Christmas, both of you came home—this time, with a beautiful, giggling baby girl in your arms. Bucky and you became the best parents this baby girl ever had.

Taglist:

@thezombieprostitute

@mostlymarvelgirl

@scott-loki-barnes

@kjah97

@jeremyrennermakesmesmile

[apparitionism]

Real

Can’t believe tomorrow is a particular Wednesday already; this season has rushed in like the most foolish of fools, and as a result I’m rushing to push out this new holiday story... because I too am a fool. This is set post-series (including the nonexistent season), though not by much, as the first little bit will make clear. It’s kind of all about fallout. And who wants what, and why, and whether they’re willing to work, wait, and do other things that probably start with “w” to get it. Anyway, season’s greetings to all—and to all (including, eventually, Myka and Helena, I promise) a good night.

Real

“She’s back,” Artie announces one autumn night, and before anyone (Myka) can fully register what that might mean...

...she is.

Is, is, is... a distillation of so much of what Myka instantaneously knows again as possibility, as hopes and wishes jolting back to life, as again (still) the only presence that instantly makes Myka aware of herself as a body, one that responds with barely controllable fervor to that presence—that other body.

Artie goes on saying words, “reinstated” and “agent” among them, but the roaring of Myka’s blood drowns them out.

She fears she will spontaneously combust. She would rather spontaneously combust. That would be better than having to consciously keep from spontaneously combusting, in response to Helena existing, to her moving and speaking, in a proximity that Myka should prize but that her body, fervently responding, informs her is completely insufficient.

Myka escapes as soon as she can, to sit in the dark of her room, to sit and process, but her usual, reliable processing processes fail her.

They always have, where Helena is concerned.

All she does is sit, empty but for the replaying of Helena’s entry into the dining room, her stride so sure, her aspect so unlike the dismissive, shrinking shrugs of Boone... that had sent Myka’s soul soaring.

Helena had greeted them all with good humor, her manner and words to everyone so convivial. So convivial, but also: to everyone, and that is what finds clawed purchase in Myka’s heart, here in the dark.

Here in the dark, Myka viciously tells herself that she deserves no special acknowledgment. Why would you?

She also tells herself, This will get easier.

****

In some ways it does. For example, Myka’s shock at, and subsequent need to recover from, each new sight of Helena lessens somewhat. Or maybe it’s that her body becomes accustomed to absorbing the impact.

In others, it profoundly doesn’t.

Case in painful point: one evening when they’re all cleaning up after dinner, Claudia says to Helena, “So can I ask you something?”

“Clearly you can. You just did,” Helena bats back, in play, and envy stabs Myka.

“You’re as bad as Artie,” Claudia groans. “But here goes: are you still seeing that lady?”

Terror appropriates envy’s knife, gashing anew. Myka has not let herself begin to imagine how to get such a question answered, and here Claudia just says it while lowering a stack of dirty plates into the sink.

Helena’s airy reply: “Still the case. Obviously we’re long-distance at the moment.”

Something previously un-knifed in Myka collapses at that “obviously.” Obviously. Obviously. Obviously, the Warehouse return had not entailed a renouncing of Helena’s non-Warehouse connections. As Myka had obviously, she now sees, believed—hoped!—it would.

The depth and breadth of her error sends her to her room again, lightless, wounded, empty, waiting for time to pass until she once again has something to do.

Such as a retrieval with Pete.

The next one of which proceeds well—it’s not a big, dangerous deal, but rather a matter of a sad, not villainous, loner seeking connection via an artifact-compromised comic-book message board. Pete’s his enthusiastic self about the comics of it all, and Myka lets it lull her into a near-trance of this is how it used to be, before everything.

Until they’re on the plane home, when Pete says, “So H.G.’s back.”

“Thanks for the update,” she says, bracing herself, because of course that won’t be all, because that would be too easy.

“And what about that girlfriend?”

“What about her?” Well, that was stupid: asking some reflex question she doesn’t want answered. She braces herself again.

“You think she’s her one?”

That’s worse than she’d imagined. Myka doesn’t want to go anywhere near that Schrödinger-box, for fear that peeking inside would reveal a very dead cat. Would in fact be the deciding factor in that cat’s demise.

After a stretch of silence, Pete says, “Bet she’s not. So what are you gonna do about it?”

What does he mean? Do about the girlfriend not being, or being, Helena’s one? Do about Helena being back in the first place? She would rather avoid nailing that down—another let’s-not-look Schrödinger box.

“I’m going to ignore it,” she says.

“That’s not healthy. I mean, I get it, but it’s not healthy.”

He coughs ostentatiously. Meaningfully? Myka doesn’t know. Can’t tell. Won’t ask. She hates how she feels compelled to leave this cat in limbo too, just so she can shift away from any potential situational consequences.

If only she had resisted the pressure to shift her definition of love.

She tries for resistance now, even though it’s too late: “I’m not going to try to keep her from doing what she wants to do.”

He cocks his head in that exaggerated what-are-you-saying way. “I thought you might though. Try.”

Myka is tempted to demand, “Why would you think that,” but she knows why he would think it, and revisiting that fight is an impossibility. Especially now.

“But you’re not trying,” he says. His tone, though, ratchets down the danger. It’s a relief. “So why not?”

Now Myka’s tempted to give some indignant “I don’t have to justify my behavior to you” answer... and yet. She does owe him more than that. Especially now, having misled him so severely before, she owes him some decent measure of honesty. So she says it as plain as she can: “Because people should do what they want to do.”

“Huh.” He puts on his “thinking” face—the real one, not the cartoon. “But you’re not doing what you want to do.”

“What?” Myka says, playing dismissively dumb. Hoping he’ll give some dumb response.

“You want to stop her doing what she’s doing.” Myka shakes her head at that, trying to pretend it’s dumb, but Pete rolls his eyes. He sees the weakness. How can he be getting her so right in this when he got her so so so wrong before? But then again she’d got herself wrong... “So why wouldn’t you do what you want to do?” he finishes.

Want, want, want. Myka wishes he would quit using the word.

Yes it’s her fault for using it first. Yes she should have shut him down forcefully to begin with. Yes that applies to situations preceding this one.

In any case, wanting is pointless. It literally does not matter: its only product is empty space, a horrific gaping sink, a vacuum as vast as space itself.

So she says, as pedantically as she can, “Because if one person’s wants affect another person’s wants, that’s a different category of... you know what? Never mind.”

“You only ever say ‘never mind’ when you know I’m right.”

“What? I say ‘never mind’ a lot.”

“Which means...” He taps his temple.

“No. No it does not.” But she does smile.

Pete bobs his head as if she’s actually agreed with him, and so they end on a familiar, jokey note. It’s far better than they could have managed some months ago, in the immediate aftermath of their... mistake? Misunderstanding? Mismanagement? Misadventure? Misapprehension?

Stop dictionarying, she tells herself. Despite its being one of her default ways of trying to process confusion, it rarely delivers the clarity she seeks. At any rate, their short-lived whatever-it-was was a mis-everything.

She takes out the book she’s brought with her, H Is for Hawk, so as to fill her head with Heather MacDonald’s solitude rather than her own. She has lately found that overlaying her own thoughts with someone else’s ruminations is quieting, so she’s reading even more than usual... it beats sitting in darkness, waiting. Which she supposes means she should thank Helena (thank her) for her extensive new knowledge: of, here, grief and falconry, but also, the Wright brothers, Joan of Arc, India’s partition, séances in the 1920s, Salem’s witch hunts, various aspects of the Supreme Court...

Erudition must surely outweigh emotionalism Extremity. Enthrallment? Embitterment.

Stop dictionarying.

****

Relentlessly, the holidays approach. Myka tries to ignore them too, particularly their invitation to soften. Unhealthy, Pete’s accusation echoes.

But in speaking to Pete, Myka had lied: she isn’t really ignoring anything Helena-related. In a folder of significant size in her mind, she stores a cascade of spreadsheets in which she tallies and tracks as many of Helena’s movements, statements, interactions as she can, in as much detail as possible: e.g., it wasn’t enough for Myka to get Steve to tell her about his retrievals with Helena—those accounts, while captivating, were incomplete, secondhand—so she has made perverse use of her hard-earned Warehouse database access to read Helena’s actual mission reports, like some pathetic online stalker. They’re literarily significant, she tries to use as additional justification, ignoring the fact that no one other than Warehousers will ever know how or why.

It’s not that she’s hoping to gain insight from any of this; the activity is simply itself. A flat gather of data. For those spreadsheets.

Which she uses, of course, to torture herself, not least for her damning inability to gain insight. Thus proving Pete wrong: it isn’t ignoring things that’s unhealthy. No, it’s paying them attention—stupid, pointless attention—that causes disease.

That’s true, but Myka genuinely does not know how much longer she can suffer making herself sick.

Lovesick, she sometimes thinks... but that makes “love” too prominent in the mix. No, the “sick” is what matters, and it is chronic, not acute. Which means it must be managed rather than cured, and she will manage it, because she has to: because she is an agent and Helena is an agent and they live in the same house and say the same mutually polite “good morning” to each other each day.

Sometimes Myka wisps a wish, in the wake of one of those morningtides whose undertow she cannot reveal, that she could begin to shift her thinking, to try floating above rather than falling under, the better work her way to commencing the actual ignoring.

But then Helena will talk to Steve about the particulars of his Buddhist practice, or to Claudia about a joint invention project’s feasibility, or to Artie about a disputed wrinkle of history, or even to Pete about, bizarrely yet bizarrely frequently, which menu items should be avoided at fast-food chains... and Myka enters each new datum into the spreadsheets out of avid habit, all while ferally wishing everything different—even, some days, heretically, Helena gone. And while castigating herself for having wished, before, so stupidly inchoately, pleading with the universe to let Helena come back. More: to send Helena back.

How very monkey’s-paw of you, she jeers, to leave out specifics. In particular, to leave out “to me.” Send Helena back to me.

Before Helena came back, Myka was lost; now she’s still lost, but differently. And if there is one thing Myka has never liked—in fact, has always feared—it’s change.

So in truth she can probably suffer making herself sick for quite some time. As long as nothing about the making—or the sickness—changes.

****

The days leading up to Christmas itself are blessedly busy. On the 22nd, Myka and Steve head to West Virginia to bag a problematic coal-miner’s lamp; the work keeps them away until Christmas Eve, and if Myka happens to linger a bit longer at the Warehouse after Steve goes back to the B&B once they’ve deposited the artifact... well, that’s because she’s very conscientious about filing reports in a timely fashion.

In fact, she lingers a lot longer, and she’s happy to arrive home to a mostly silent B&B... however, she is instantly deposited into precisely the sort of situation she’d hoped to avoid: she must walk past Helena, who is in the living room, alone, with the television on. Impossible to slink past undetected, and thus rude to try—particularly once Helena says, “Welcome home.”

How disorienting, for Helena to be here and to say that. Worse, the articulation seems to ring of... before. When Myka was special.

But she is imagining that. She must be.

“What are you watching?” she asks, though she doesn’t need to. Helena is watching the Yule Log.

You strike me. Myka’s thought stops there, true as can be. Aloud, she says, “You know what it is, right?”

“A strangely mesmerizing facsimile of a fire,” Helena says, without looking up. “Do I strike you as hypnotized?”

Now Helena looks up. She blinks at Myka and nods, oddly soft, childlike. “I consulted Google.”

Helena is absurdly fond of Google. Myka struggles to keep from finding this absurdly charming. She struggles similarly with the way in which Helena articulates the word itself—every witnessed occurrence of which is represented in the spreadsheets. so Myka is painfully aware of the way Helena puts a slight formal emphasis on both syllables, such that it sounds, in a capping absurdity, as if she’s saying she consulted Gogol.

Not that acquiring input from a dead Russian writer would necessarily be all that different, absurdity-wise, from having instant access to a towering percentage of the world’s collective knowledge. And Helena probably understands that congruence, if that’s what it is, better than Myka ever could.

Myka knows she’s thinking herself down treacherous paths; she should say goodnight and walk away. But it’s Christmas Eve, and she gives herself a present she shouldn’t want but feels she has earned, earned by ignoring—or, to the contrary, recording—so strenuously. She has done such hard work. So she lets herself ask, “Why are you so focused?”

“Pete gave me a choice: watch the Yule Log or talk to Myka. I believe he thought I would reject the former as unworthy of my attention. Yet here I watch, mesmerized.”

“Since when do you do what Pete tells you?” But thanks, I guess, for letting me know where I stand. She can’t then hold back a jab: “Anyway, shouldn’t you be spending the holiday with the famous Giselle?”

Helena blinks again. This time it’s not at all childlike. “That’s why he wanted me to talk to you. But to answer your previous question: since he told me he’s in love with you.”

He... what? “What?”

“You asked me since when do I do what Pete tells me. I’m answering.”

Keep up, Myka; keep up. “When did he tell you that?”

“This evening. As part of what I fear—or hope?—was intended as a Christmas gift.”

“For you?” That’s not keeping up.

“No.”

“Then for who?” That’s not either.

“Whom.”

“Well, excuse my grammar, but I’m a little weirded out.” This is the most extended conversation she and Helena have had since... before. That’s destabilizing enough to her ability to concentrate on words. but what, exactly, is she supposed to do with these words?

“Weirded out,” Helena says, an unexpected affirmation. “As was I. I wasn’t aware.” She makes a small “huh” noise, as if she has to bridge her way to what’s next. “That the two of you had been involved.”

Oh. Hence the bridge—but this is a shifting surprise. “I thought someone—Claudia—would have told you. Must have told you.” Must have, and that in turn must have contributed, Myka had been sure, to Helena’s lack of engagement. She’s always known your judgment was abysmal, she’d lashed herself, based on those must haves, and this is certainly fuel for that fire.

“Our discussions have been more focused on her future. And my past. And technology, of course.”

“Of course,” Myka says. And then, quick, before she loses her nerve: “It didn’t take.”

“Technology?”

“The involvement.”

“I gathered that from its current status.”

“Right.” The conversation, such as it is, should probably end here... but something is off. “Wait. You said he said he is in love with me.”

“Yes.”

Myka had believed it was over. All over. The idea of having to deal with it, with any aspect of it, in perpetuity, or at least with no clear sundown, preemptively exhausts her. And it rekindles her anger at the entire situation, at its utter pointlessness. “I don’t know what to do with that,” she says. She immediately regrets the admission.

“He said he’ll get over it.”

“Well, that’s something. I guess.” It comes out grudging, and that’s another admission Helena shouldn’t be privy to.

“He said you won’t.”

“What? Get over it? No, the problem was that I wasn’t ever in love. With him.” She’s saying far too much. She supposes it’s fortunate that she’s looking at this repetitively flickery video loop, rather than into Helena’s eyes. She supposes also that said loop is a reasonable metaphor for how her life has been proceeding. Lately. Before, and lately.

“He said that too.”

“I’m sorry, but you’re losing me.”

“Interestingly, he said a version of that as well.”

“That you were losing him?” Not hard to believe; sometimes Pete can barely follow a laser pointer.

Helena focuses her gaze on Myka again, adamantine. “That I was losing you.”

And just like that, Myka is through the looking glass. Trapped like Alice, trying to get out. “Why would you care?” she chokes.

Helena lowers her brow, a stern schoolmarm confronting an intransigent pupil. “Because as I mentioned, he said—and seemed quite certain—that you won’t get over being in love.”

Myka knows now what’s next. Helena is about to say, “With me.” Because once again: that fight.

Oh yes I will. That’s what the ignoring is for. When I work my way around to it, that’s what it’s for.

“I didn’t know,” is what Helena actually says, clearly taking Myka’s silence as affirmation of those unuttered words.

“Oh please. Like I could have been any more obvious.” Obviously. She says it with contempt at herself, past and present: what a pathetic moonstruck puppy.

“At which point?” Helena asks.

That’s a surprisingly troubling question. Timelines. Decisions. What did you know and when did you know it? What did you show and when did you show it?

“All I knew was how you responded. Not how you felt.”

Of course the former was all Myka herself had known, certainly at first, and their consonance surprises her. If only she could share that consonance, and her surprise in it, with Helena... but that seems too much like a reward, one that neither she nor Helena deserves. Again exhaustion: at their lack of merit. “I don’t want to play these games,” she says.

“Then don’t.” Was that a shrug? Did Helena really shrug?

“Fine. I won’t.” It’s childish, yet it feels like the best end she can manage tonight. You didn’t seek this out, she assures herself as she takes a first step away.

Before she can seal the escape with her second step, Helena says, “You might at least release me from this view.”

“You talked to me,” Myka says, doing her best to make it all go away. “You’re free.”

Helena turns from the flames too quickly for Myka to dodge being caught by the look. “I am in no way free.”

That is not my problem, Myka would like to maintain, but Helena’s gaze and tone are implicating, which is entirely unfair but still needs to be dealt with. She sits down next to Helena on the sofa. At a judicious distance.

Now they are both watching the Yule Log, which, indifferent to them both, continues its facsimile flicker. “I guess it is kind of mesmerizing,” Myka says after some time.

“We haven’t spoken much,” Helena rejoins.

“There hasn’t been much to speak about.” Without peril, Myka adds, internally, and by that she means, peril to me.

“On the contrary. But I’ve tried to ignore it.”

“So have I. I hear it’s unhealthy.”

“Perhaps. It’s Pete’s strategy as well, according to him,” Helena says. Then, following a throat-clear, “With regard to his feelings for you.”

Myka doesn’t need to clear her throat. “He’s the one who told me it was unhealthy.” Which puts her in mind of his ostentatious cough: it’s meaningful now. Ridiculous, but meaningful.

“Then I suppose we’re ailing, all of us.”

“I suppose we are. An epidemic of ignorance.”

Helena smiles a little at that. Myka can’t help but smile back, and she maintains it as Helena asks, light, “What is the prognosis?”

“Depends on the ignoring’s end result,” Myka temporizes.

“Pete maintains that ignoring something long enough makes it go away.”

Or it kills you, Myka might say, like cancer. But instead she stays light. As light as she can. “Maybe he’s right. No, probably he’s right.” She owes him that.

Now a pause. A wait. What’s next? “So is that where we leave it?” Helena asks.

Maybe it goes away. Maybe that’s what’s next.

Myka can see it, now: see the spreadsheets dissolving into unnecessarity, see herself not responding physically to Helena, see Helena becoming, in essence, like Pete: someone with a past version of whom a past version of herself made a mistake.

She hadn’t imagined, not before this minute, that it was possible. But now a road leads there.

Can she take that road? She looks again into the fire. The not-fire. It mocks her: Everything you really want turns out to be unreal. On the other side of some facsimilating screen. A mirage. She turns away from it, ashamed. She looks at Helena... for the moment, Helena is still real. Still able to render Myka’s resistance from her body, here in this moment by sitting quietly and watching fake flames, in the next by doing nothing more than breathing out, breathing in.

Myka has not yet taken that awful road. Not yet. One more try, she tells herself. But no, that’s not right. She’s never really tried. Never really. She’s waited—longer than she thought she should—and she’s hoped—harder than she thought she could—but that wasn’t trying.

So: one try.

It can’t be the try she might have made in the past, a desperate just-please-touch-me push. Under the circumstances, that’s impossible. So, what?

An olive branch? No, peace isn’t the right aim, even now.

Better, perhaps: something she wouldn’t have said before tonight’s... encounter. Something related to tonight’s encounter, something more real than she’s offered so far: “We fought. Pete and I.”

TBC

[kaiser1ns]

#. GIVE ME WHAT I WANT

featuring 𝗺𝗶𝗰𝗵𝗮𝗲𝗹 𝗸𝗮𝗶𝘀𝗲𝗿 𝘅 𝗳𝗲𝗺!𝗿𝗲𝗮𝗱𝗲𝗿

fluff. he allowed himself to feel something he rarely did, peace and love because with you he got everything he wants.

happy birthday to my lover boy kaiser !! and happy christmas everyone !!

More awake inside of his dreams, the loneliness suits him better as he remains the only star in this cruel world. He doesn’t know what he wants but it’s not this, these sugar-coated words don't mean anything when he says them with his lips, tongue rolling with venom when he sees the faces of despair, experiencing the depth of a person’s soul when they have been put in their place. The moment people give up and are left hopeless, desperate for salvation, sacrificing their talent for more tedious lives — they are weak, more or less dead.

Impossible. He hates and loathes upon hearing that word coming out of someone's mouth, which makes him want to prove himself even more. Nothing is impossible. He was the weak person who gave up at any given chance, curling up into a ball to disappear and become invisible, embracing what is dearest to him in all the vast space, a planet that shines brighter than any star, emitting its own light basking in the gravity of football.

I don't know what I want but I know it's not this… A blue rose on his neck traced down with chain-like intertwined thorns that made their way to the crown on his left hand. To remind himself, to never again fall into that weak mindset, a dark and deep rabbit hole that won’t lead you to Wonderland but straight to execution, and it's ‘Off with your head!’. A symbol that shows the impossible, he is the symbol itself, not the tattoo.

Was that really you next to me? It’s cold even under the blanket, it's cold because it's winter … But it’s warm when you kiss him, it’s warm when you love him. Sometimes it makes him sad when he receives a gift because he doesn’t know how he’s supposed to react. It’s his birthday and he doesn’t like it. Christmas lights, a decorated apartment, food on the table, and a woman full of love. Giving him what he wants, then again who is he supposed to please?

“Don't you like it, my love? I-I can always return it if you don't…” Kaiser tried to play it off, masking his emotions behind his usual arrogance. But with you, he was different—less rude, less cold. His eyes lingered on the gift he had just unwrapped: golden rings. Promise rings, you had said with a soft smile, assuring him that nothing could ever tear you apart. Yet, your expression betrayed you—your face was full of sadness and regret. It hurt him more than he cared to admit, more than anything else ever could.

He watched as you looked down, fidgeting with your hands, retreating into yourself. You had given him so much more than he deserved. You gave him what he needed the most: a dream to hold on to.

Then, you felt it—his colder, larger hands settling gently atop yours. For someone usually so brash, the touch was rather gentle and tender. He turned your hand palm up, brushing his thumb over your knuckles before sliding the ring onto your ring finger. An arrogant young man with a superiority complex, Kaiser had always been a fortress of pride and self-importance. But beneath it all, he was just a boy yearning to be loved. “I never said anything like that, Engel,” he murmured, his voice softer than you’d ever heard it. "I’m just… not good at this stuff, okay? Birthdays and gifts, they’re not my thing. Never have been."

He tilted his head, studying your face. His usual smirk returned, but it was softer now, almost boyish. Kaiser knows you are doing this with pure intentions, he knows he has ben truly blessed not on this day, but the day he met you. And even if he hides it, you can see the little boy's eyes waiting to hear those three words.

“I love you,” you whispered, leaning in to kiss him. Wrapping your arms around his neck, your lips met his, the warmth of your touch seemed to catch him off guard, and he instinctively stepped back. You both paused, glancing up—mistletoe. A sweet kiss for the birthday boy. A loving kiss for the gift you’d received from the universe. His lips were softer than you expected, and he tasted faintly of your lipstick, a reminder of just how sweet your kisses were. He loves you too. You are everything he could ask for: pretty, smart, loving, and caring. You are his.

As he kissed you back, his hands found your waist, pulling you closer. The motion brought him off balance as he hit the edge of the bed, pulling you down with him. You landed on top of him, both breathless, laughter spilling into the space between your lips.

“Time to unwrap your other present~” you teased as you caressed his face, and he felt the golden ring pressing to his cheek.

On days like this, angels are said to come alive. But you were born one—his angel, his most precious treasure. For someone who believed the world to be cruel, who found pleasure in proving everyone else wrong, you were the exception to all his rules. You made him want to be better, not for the world, but for you. Who am I supposed to please? He asked, more to himself than to you, repeating the question that haunted him. His answer was clear now. It wasn’t about the world, the people who doubted him, or even his old self. It was you. It had always been you.

©2024 kaiser1ns do not copy, repost or modify my work.

[zvtara-was-never-canon]

What do you think of the claim that “the beach episode didn’t prove anything. Azula wasn’t a good friend.”

I think they're completely missing point or deliberately taking stuff out of context. The Beach is not about "These characters are all good people actually", it is all about revealing hidden depths.

Ty Lee, the super happy, cheery character that seems so lovable, and Mai, the aloof, grumpy character are both dealing with the same trauma, aka being ignored by their parents, and deal with it in opposite ways: Ty Lee tries to get as much attention as possibly to fill that void, while Mai avoids getting attached to anything to prevent more heartbreak.

Zuko, the character we are constantly seeing being angry at everyone for the smallest thing, is actually furious at himself because, in his despair to please his father, he constantly acts in ways he would normally find morally reprehensible.

And Azula, the openly evil princess that seemingly had no issue with being evil, is actually super emotionally confused over why her mom had an issue with that side of her, and fears that means she wasn't loved.

She is arrogant and mean and wants everything done her way, yet she doesn't tell Chan and his friend that she's the princess because she wants to see if she could get people to like her for who she is as a person, not because of her status.

She is a terrible friend that is prone to putting people down when they easily achive something she struggles with, but she also feels bad for making her friend cry, apologizes, and actually admits to her jealousy.

She calls Zuko pathetic for caring about right and wrong, but her entire struggle with their mom is proof that does care about it too, she just has a VERY different idea of what "right and wrong" even mean.

She's disregarding the others' confessions as "performances", as if she considers it all insincere, yet she's clearly repressing the fuck out of her own emotions - leading to her breakdown in the finale.

It is a key episode to understand Azula as a character, and it doesn't not make a redemption arc inevitable in any way (in fact Azula was the only one of these four characters to get a tragic ending in the original show) - but because it shows her in a more sympathetic light and shows she's far more complex than the fanon interpretation of her (in which she's a """"pyschopath"""""), thus proving that a redemption is not impossible for her, even if it was something the showrunners clearly had no interest in (unlike the lead writer) people get mad.

God forbid the villain, even one that is just a teenager, is allowed to have feelings, insecurities, fears, or just generally be a human being while still being clearly evil. Unless the villain in question is Zuko, I guess.

This fandom is alergic to complexity.

[cryptidisland]

the moment i knew american vandal understood what it was like to be a high schooler more than any other show ive ever seen was when they pulled up the heyy with two y’s chart

[martyrbat]

habeas corpus – detective comics #1086

(ID in alt!)

[firestorm09890]

so sad when someone is a very funny person but has terrible opinions on your favorite media and/or characters. get well soon 😔

[snickerdoodlles]

there's a lot of things people blame for why fandoms feel like ghost towns these days, but no one's really talked about the way discord's contributing to it

[wild-at-mind]

I feel like tags like these were inevitable on the post about people traumatising themselves for the greater good or w/e... There is SO much emphasis on posting on tumblr and other social media being so important and so useful and we must never stop. But I would like to counterargue with the idea that posting on social media (especially tumblr) constantly does very little/nothing. If that was true then the point here becomes meaningless.

[mechahero]

@outofthiisworld asked- 🖕 A headcanon relating to anger !!! Headcanon Ask Game (accepting!)

It's not too uncommon to see Lambda snap at someone or seemingly lash out out of frustration. That's all it is though. Surface level frustration or irritation that makes itself know every now and then. Or well, often given the shoddy grasp he's got on it. But pure anger? A angry Lambda is scary.

Because it's one thing to hit or throw something at the person/thing that upset him, it's another thing to lash out at whatever or whoever made him mad, it's an entirely different thing to sit there and stew in that anger until you get up and try to hunt them down to take your anger out on them. Yeah, Lambda does not handle his anger well, much less have a way to handle it all.

He knows he doesn't have a good grip on it as well. He doesn't like the way he feels after he lashes out. He doesn't feel vindicated afterwards. He feels... horrible. He hates it. He hates the guilt and hates the fact that he feels utterly miserable after. It's a cycle to him. He explodes, he tells himself he'll have a better grasp on it next time because he has to, and then... he never does.

His anger is all consuming and burns within him like a fire, and it keeps eating him alive.

[windupaidoneus]

ok ive finished the dlc so now i can properly say my least favourite thing about dragon age awakening is that the women feel like an afterthought & don't fit in the group at all. & i want to care about them & their banter so much. but i really don't because the game is giving me fucking nothing

[im-smart-i-swear]

Does Jiro has ghost like abilities (possession, ability to levitate things, etc etc) or does she just live in Shiro's head?

when i created this au, i thought the best option would be for her to be unable to interact with the physical world in any way(including possesion), beacuse i really wanted to lean into her isolation and how it affects her....... and while thats something i still want to emphasise here, lately ive been toying with the idea of jiro being able to impact the physical world somehow(though it still being fairly limited). i think letting her have some control could have a lot of potential! buuuut i also have no idea what abilities i want her to have lol

For now i think im not gonna give her any telekinetic abilities, bc i feel like it would be giving her too much power......... if she could throw shit, shed go APESHIT with it. it would made things too easy for her. i'm sorry babygirl but i'm NOT giving you the possibilty to throw knives and other sharp objects, i dont trust you to not kill someone:/

i really like the idea of her being able to temporarily posses her old body in certain circumstances tho- maybe when shiros uncouncious?? or like when hes is very tired or heavily injured she can kind of 'squeeze through' and take control back for a few minutes???? idk. i think this could be a very cool ability to give her- it cant be frequently used but can also be very helpful, and also theres so much potential for ✨shenanigans✨here>:) oh god i could put these fuckers in so many Situations with this..........

uhhh. so basically i think all of her influence on the physical world are through shiro. shes here bc of her connection to her old body, and thus its the only way for her to interact with anyone besides him- and shes NOT HAPPY about this(neither is shiro).

[testostergnomes]

Tags courtesy of @streetsandsodiumlights

Mom they're gentrifying disco elysium

[unproduciblesmackdown]

being alive at the time i gleaned some general elements abt encanto but never actually heard we don't talk about bruno beyond awareness it existed popping off & i think i heard like the title recited off key off rhythm but in a way that indicates speak singing nonetheless lol so upon experiencing it it's like oh but it's the Verses? while the last refrain goes harder but prior to that it's comparatively underwhelming to said verses which feels appropriate like verses / pieces of a larger picture & that a "we don't talk about him" as a disappointing Lid on infinitely richer more characterful & dynamic "but: talking about him" instances. like well personally it'd be like um seven foot frame....anyway besides being able to firsthand go like oh damn Real (the kind of thing you know exists if alive at the time) it's like alright hang on lol. one thing when a core theme is yeah like "is it a refuge if 'especial' vulnerability ultimately gets pushed out rather than made safer" subset like the parties whose even observation of truths (problems) & drawing attention to them is seen as Ruining Things, like if you're painted as Making futures that aren't simply what's desired or reassuring rather than a guidance via just observing & sharing the truth. but then it's like whaddaya mean living in fear of bruno stuttering and stumbling you could always hear him sort of muttering and mumbling lmao like now that's just Association between the Truth Perceiving & Telling behavior & behavior that's just apparently distinctive of the same person. & like Not Accidentally when [what if people were magic] specifics are obviously primarily abt a metaphorical meaning & like, indeed it was made clear like oh this situation isn't Just b/c [boo we hate your prophecies] & that [an Ability that isn't directed towards what anyone Wants / is "weird" even by these magic standards] isn't Coincidentally given to someone who just so happens to already be "weird" in other ways & be set up to have a different perspective & be pushed away due to having the supposed "extra" vulnerability of unmet needs / insufficient support, same as someone who doesn't "correctly" have any kind of magic ability....like yeah banger and also like Oh Yeah Kind Of Devastating re: that metaphorical resonance allowing for like [set the metaphor aside] now hang on with this about this disabled family member lol. misinterpretation to The Ruinerrr / The Problemmm / The Maliciousss etc (i.e. the scapegoatinggg) despite their efforts likely entirely to the contrary. then despite like, efforts aside, Just Existing, always kind of muttering & mumbling like & what of it. & then like oh sorry weird pets. weird [auspicious for adaptable tenacious thriving surviving; either way simply creatures, existing] pets.

truly like As Is The Idea I'm Sure quickly becomes like hands behind back standing at the window Uh Oh Sisters musing on all the [disabled person] metaphorical & already literal elements there. blair witching it in contemplation like We've All Been There whether being so resented for the mere disruption of "existing in a group as the 'abnormal' odd one out" or like people talking shit abt anything associated w/you as soon as you've left the room, which is also made relevant like, this wasn't Only directed at this person when seemingly permanently gone, nor were they unaware / unaffected prior....pacing in the Musing parlor like things don't Have to be compared to billions but i only ever even see so many things & it's like billions sure is like "get scapegoated rword" & then said scapegoating is presented as only beneficial & we hate autists & even beyond that it's like, grabbing billions, Imagine If Things Meant To Be About Something Were About Something. quite a contrast when they are & furthermore like, deliberate thought & Care for [who gets scapegoated & why] & the truth of like, people getting pushed aside & out who have a key perspective & are primed / liable to come through for others similarly vulnerable & the supposedly Ruinous, Problems Generating disruptiveness is actually the strongest effort to make essential changes to a group. & come through with like, it'd be undermining thee point if it was "reassuring" us like oh haha people will be supportive b/c bruno will be more normal, so great that it Didn't like no, no Normality Reassurance(tm), presence of abnormalities(tm), Good, & everyone Can Deal b/c if you don't then it's pushing this person away, is exactly what happens, including even if they're still Around but are being mistreated b/c that is entirely part of that pushing away like anyone's victim blaming is ready to pounce at any time but if someone can't stand to stay / leaves b/c they can't see another option like that's not out of nowhere nor Regardless of what full support & flexibility they were getting lol. these Active Measures everyone loves so much, which are everywhere always & would include Staying & Trying To Make It Work & those efforts would be "disruptive" & resented & Bringing It On Oneself & etccc smh

that is to all say like. Woww when clearly basically the core thread was these beats of like, the crucial site of [thee scapegoated], & why that comes down on someone & how that plays out. endless ideas about how someone weird(tm) & disabled (&/or queer. but there's no Or here lol. & again like it's a Context like, to even be the one person without kids? likely not living up to "full" correct sexuality in that way alone; any oppression's logics of "inferiority" being logics of ableism, ready examples being that "inferior" race, gender, sexuality (& their experiences as people classed as inferior) all being pathologized as disordered) are seen & treated as someone Ruining Things & who cannot belong like whew. bracing. winding. which, i also recall like i was watching with headphones & during this one dialogue pause i was like "?? what's this Extra Sound i heard there" & had to go over it like twice before being hit upside the head like well it Was still the dialogue pause but it was also bruno Stuttering in a very quiet whisper for the duration of that pause before continuing like iiiiiiii x_x

[gay-dorito-dust]

How’d they react to you calling them bro or dude whilst in a pre-established relationship…(platonic/romantic)

Dick: he’s insulted.

Gutted.

He will try to give you the silent treatment for such a shameful thing but ultimately fails as he ends up being the one pawing at you for attention.

‘Do you still like me? Or did you just run out of cute nicknames to call me?’ He’d say one night as your both cuddling in bed together. ‘If it’s the later then I can help you find something, just please spare me and don’t call me dude or bro anymore.’

He’d rather you call him Richard-wait, no he hates that even more because to him you’re not meant to use his fully name, only cutesy nicknames that’d make a grown man sick to his stomach. Nothing else would suffice other than Dickie bird, handsome, babe, hunk, honeybun or anything that wasn’t his name.

He’s go mad or would act delusional and say that everything was fine when everyone could tell that it wasn’t. People who know him have personally came to you and begged you to stop calling him dude/bro because he kept talking their ears off about how his beloved partner is torturing him, which ends up torturing them even more upon hearing about his relationship issues.

Dick would even consult Hayley on what he did wrong, only for Hayley to look at him with those big, big eyes of hers. This was not her level of expertise unfortunately. (Head empty, no thoughts. She can’t do her abc’s guys it’s a real tragedy.)

Jason: ‘I just had my tongue down your throat just now and you had to go and ruin the mood by calling me bro. What the fuck.’ - Jason at some point.

It’s a whole mood killer for him to be honest.

He’s calling you things like chipmunk or sweetheart but here you were calling him dude and bro. He knows for a fact that he’s well and truly out of the friend zone because the shit you’ve done together isn’t platonic in any sort of way.

Thinks Roy had set you up to call him dude or bro behind his back. (He hasn’t)

Jason is petty and will get his own back by referring you as ‘just a really good friend’, ‘buddy o’ mine’ or even worse than both of those; ‘chum.’ 💀

When you go low, Jason was more then willing to go to the depths of fucking hell to the point it had become a game to see who’d call out just how stupid this all was, and at the both of you for ever thinking that this was an excellent idea in the first place.

You’ll probs get punished…I’m just going to leave it there and let your minds guess what that ‘punishment’ was exactly.

Damian:

As much as Damian hates it when you call him Dami, he hates it when you call him dude or bro even more, if that’s even possible.

Damian hates it when you call him dude or bro. He’s not your dude or bro, he’s your partner and he expects no less then darling, my heart or my beloved.

So you calling him dude or bro is more than enough reason for him to give you the silent treatment.

‘Until you learn that I am your partner, I won’t want to be anywhere near you if you’re going to keep calling me your bro or dude. It is a disservice to who I actually am to you.’ He says with a huff and beckons Titus to follow, only for the Great Dane to be left confused as to why his human parents were at a disagreement over something silly.

Also Titus, Ace, Jerry, Alfred the cat, Goliath and BatCow are children of divorce because I said so.

So it’s bests that you apologise while you still can because Damian can hold a grudge unlike any other. Even if you didn’t, you’d still crack first before Damian and quickly put an end to calling him dude/bro.

He just thinks being called a dude/bro when in a pre-established relationship is an insult.

He can take a joke but not when it’s aimed at his relationship. He’s well and truly devoted to his relationship -if we’re to completely ignore the whole being Robin thing- that it might as well be an insult towards him too at this point.