#it’s just If I punch the other people

[f1ormulaone]

Why do I want to own a f1 team? For the soul purpose of making the car yellow. As soon as the car starts on the track, I will be sprinting across the pits, stopping right in front of christen horner. I’ll say yellow car just loud enough for a microphone to pick up and clear my name. Then I will swing back my fist and hit him in the face. While the people around us pull me back I’ll spit on him.

[juney-blues]

there is, famously, a huge amount of social pressure on gnc cis people to transition. society just wants more trans people, trans women especially. this is a real and serious problem. there are just too many trans women making egg jokes. we have to protect the poor cis people from being compared to us (which is clearly and self evidently a horrible thing to do clearly)

[kori-senpai]

Yes, of course Lance became a farmer, he wanted to provide a safe place for his badass space boyfriend to return to. obviously

[kens-ramblings]

so ik it’s not cannon accurate but,,,

i need a fic of tim just crashing out.

like he gets so sick of like damian and jason talking about how weak he is and shit like that that he’s like “yall realize lady shiva was my one of my FIRST teachers, and i was the first robin she trained. i had to train under b AFTER he already lost a robin. you DONT think he was 10x harder on me than any of you guys???? there’s a reason my training videos are mainly redacted without bruce’s or my permission. i got ra’s al ghul BEGGING ME to join his league or have my children. i get gifts from him WEEKLY. do you KNOW how many of his little ninja i fight per DAY??? nahh im sick of this shit let’s take it to the mats” and just demolishing both of them at the same time.

i just think it’d be very funny. i just like fics of people who pretend to be weaker than they are(or they just never really have a reason to go full tilt so they just don’t) get sick of holding back and just losing it :D

[rebeccapearson]

IT'S A WONDERFUL LIFE (1946)

Do me a favor, will you, George? What's that? Well, you remember my kid sister, Mary? Dance with her, will you? Be a sport. Just dance with her one time and you'll give her the thrill of her life.

[andrewknightley]

saw someone saying something like "do you really think veilguard story would be better if you could do evil choices?" and actually yeah. i think if they let us act more like the dreadwolf on the "you are a paralellism to the dreadwolf" game, it would be more significant when the story tells you "you are a bit like him/you are nothing like him" because , thats how you chosed to play it.

[yuwuta]

yuuji’s the friend that’s ridiculously affectionate, but he’s that way with everyone he’s close to, so it’s easy not to pay it any attention. he drapes his arm and his entire body weight across megumi’s shoulders, he plays with megumi’s fingers when he’s bored, lays his head in nobara’s lap while they gossip, on a good day, he can even be found brushing and braiding her hair—yuuji’s even twirled gojo around in a hug on more than one occasion, so it’s nothing out of the ordinary. except, he seems to have a thing for just picking you up. when he’s trying to get by in the cramped kitchen, instead of squeezing behind you, he often puts his hands on your hips, lifts you and swivels and places you right back on your feet before fetching cereal from the cabinet like it’s no big deal. you’re one to fall asleep on the couch, but yuuji’s one to lift you up bridal style and carry you back to your room—or over his shoulder in a fireman’s carry when you’re drunk and want to fight back and insist that you’re sober. there’s a puddle on the ground and instead of helping you hop to the other side, he just wraps his arm around your waist and carries you while he jumps across, puts you down, and continues on walking. you get good news and yuuji’s the first to pick you up and throw you up and down like you weigh nothing to him, like you’re a kid and he’s your trampoline… he’s so casual with all his affection, you know it’s second nature to him, but that doesn’t make it easier for your brain to short circuit in those moments… makes you stop to wonder if he’s that strong unintentionally and attractive without thought, then what can he do when he’s trying… 

[uncanny-tranny]

I think a lot of discussions would be made better by recognizing that masculinity and femininity aren't inherently preferred, but adherence to cishet standards is, which is slightly different.

This is why a masculine trans man* or a feminine trans woman* often still face stigma - it isn't that they aren't gender conforming to the gender they are. It is that cishetero standards do not want trans people to exist at all, in any capacity.

[swordscleric]

I'm only halfway through the second phase of Predathos (which, to be clear is an incredible vibe for a bossfight, love a good head & hands/multitarget-same-entity boss) but I cannot shake the feeling of disappointment and just dissatisfaction I have had with this campaign that definitely started with Dusk/Yu, got followed up handily with the first Delilah/Sun Tree fight and then has been unfortunately reinforced with every discussion surrounding the Prime Deities since Hearthdell. This campaign is fascinating to pick apart, I have been really enjoying pulling apart why it isn't working compared to C1 or C2. But as much as I'm having fun dissecting where the worldbuilding has led to the current weaknesses in the gods' argument or reading other people's incisive commentary on the lack of personalities on the Ruby Vanguard's end, the "girlfailure" nonsense, etc etc, man do I wish this campaign was better than it is.

There are so many avenues of improvement -

Matt telling everyone to prep and write characters for this campaign instead of a C2-esque character-focused campaign.

Matt working religious organisations into the world properly.

The cast engaging with Marquet as a genuine location rather than set-dressing.

Otohan, Ozo and the rest of the Vanguard having more than "*insert snappy line here*" for their personalities.

No Delilah.

Bell's Hells having an iota of curiosity for anything outside of their own selves, including but not limited to: the gods, religious worship, the Elemental Titans and why they were sundered, how the people of Exandria feel about the gods, Vasselheim and its role in suppressing information about Predathos, Ludinus Da'Leth's plan and how it would still break the world if they did it in his place

I don't know why all of this fell into place in the way that it did, but it did. We can endlessly speculate why - the cast resting on their laurels after C2, not having enough time between the animated shows and Daggerheart and Candela Obscura and, and, and - but at the end of the day I really do hope that whatever form the final campaign wrap-up takes, they burn the damn questions asking the cast "what if the world was made of pudding and this character and this character kissed?" and instead pick questions that get them to introspect for a potential Campaign 4. Otherwise I don't know what will happen, but it sure as hell won't be Mighty Nein part 2: Issylra Boogaloo.

[turtleblogatlast]

Unironically think that each of the bros (+April) don’t actually get how impressive their feats really are so they just do what they do and on the off chance someone comments on those feats they all react like:

[azems-familiar]

you know what? like, no, actually, i don't want to see endless reblogs of gifs of people punching nazis with trite comments underneath like "likes charge reblogs cast" or "here's some positive cleansing energy for your blog". actually i want to know what concrete steps you're going to take to support the vulnerable people in your life, because personally, just a hot take here, but i actually believe that it's more important to care for people and act out of love and compassion than it is to act out of hatred and idolize violence. not that anyone would care about this. i swear it's all just some fantasy where people are so excited they finally get to be violent because they actually only care about getting to be the oppressors and have their turn as the boot on someone's neck.

they've been doing this to jews for over a year now, after all.

[orions-aether]

"do you ever fear that the kindness shown to you by your friends is a reflection of their character? our family did not love us. and perhaps there is some trait of us that made that easy" um yes I do actually bleem shut the fuck up

[releasethebarrelroll]

You know what? I realized I passed up on a great opportunity of drawing Great Tiger (or any other Punch-Out!! boxer) when that one bout with Mike Tyson took place November of last year. But as I was doodling, I realized something even better:

If Great Tiger was 29 during Mike Tyson's Punch-Out!! in 1987, he would have been 66 by the 2024 bout. Long retired from boxing by then as well, likely kicking back a nice comfortable life in Mumbai with no regrets to his boxing and magic career.

Well, no regrets until he actually bothered to watch the fight. Wasted sixteen minutes of his life.

[secriden]

*cracks knuckles* Okay lets talk about the elephant in the room: Style going to the support group for those who've suffered loss and telling what appears to be a fake story about losing his pet dog.

I'm going to point out a few things that I think provide a framework for Style's actions here. Not because I think it excuses what he did, but because I think a nuanced read is what the character deserves.

Point 1: An irresistible opportunity

The subs put the "Support Group for Loss" on the image in the notebook, but I'm not sure there's anything to suggest that Style would've known that was what this image represents until he showed up and saw the sign on top of the door.

In episode 2, Bison says, "He plans everything down from years, months, weeks to days" and then tells Kant:

So Style is literally just going to addresses/locations at given days and times, potentially not knowing what to expect. And as much as Fadel is certainly attending this meeting as a response to having that heartbreaking flashback (😭), this is also something he attends regularly and has planned to attend way in advance. So Style has no reason to think Fadel is attending this meeting because of a recent resurfacing of his pain.

What we, the audience, and what the characters know are very different things.

Now, should Style have turned his cute ass right around once he realised what this meeting was? Of course he should. But that wouldn't have been true to Style's character. We've been told by his best friend that he is "crazy" and been shown repeatedly that he lives right up to that description.

Style is impulsive. He's all base instinct and he acts on his desires without thought or contemplation. And by this point he is desperate for a deeper connection with Fadel. He's fascinated, captivated by the mystery that is Fadel and this is an excellent opportunity to finally see behind the wall Fadel so carefully maintains.

When Style sees the sign above the door, Style looks at the notebook (which, again, shows nothing but people sitting in a circle with the words RISE UP) like he's just realising what it means. He then gets this amused, almost rueful look on his face (like he's thinking "am I really going to do this?") before it shifts to determination and he walks through the door.

(My soul for the ability to once again gif something because FUCK Dunk is doing SO MUCH in this show!!)

To Style, this is just too good of an opportunity to give up.

Because let's be real, Fadel is so clearly lying and hiding something:

Fadel is shady as FUCK. He is simultaneously actually a really good cook (Style finally tries his burger so he knows, now), and also has the skills to work at a strip host club, and also can take on 3 guys in a fight, and also can break a man's arm with his thighs. Can you honestly blame Style for losing his mind just a little bit about wanting to get his hands on something, anything, to figure this man out?

Style is being absolutely consistent in his persistence to understand Fadel. This isn't about the car or about finally 'winning' the fight (thank you @airenyah for giving such a detailed framework to understand what Style's been doing until this point) anymore. This is about Style wanting to know Fadel himself.

Point 2: The potential implications of the setting

Now, what might give us a bit of insight as to why Style is this way? I have a theory (albeit one that could prove to be very wrong, but hear me out). I think this whole entire show is set in what could potentially be quite a small town/suburb.

There's a few things that make this theory plausible:

(1) Fadel and Bison are in hiding after Bison blew their previous cover. They're probably on the run from some section of the authorities and so it makes sense to settle in a quiet/out of the way place.

(2) Style seems to be really familiar with the people in the area. Like he grew up there and its the kind of small town where everyone knows everyone and everyone is in everyone else's business.

(3) Style is clearly the darling of the market aunties and uncles.

Style just lost her a sale and potentially a loyal customer, and she's still rooting for him? In episode 2, when Style asks the uncle to let him borrow his cart, it takes nothing but his word for the uncle to give Style his entire cart of produce for his ridiculous scheme.

Style is so clearly someone they all know well and have great affection for, and a very plausible explanation for this is that they all watched him grow up and the entire market (town/village) is fond of him.

And honestly?? Yeah, we see the way Style is actually quite sweet in that careless, guileless, thoughtless way. He goes the extra mile to fix his mistake with Fadel by replacing his car parts for free in episode 1. He helps out by taking orders in episode 2 without being asked and takes it seriously. In episode 3, he tries to drive more business to Fadel's store (bless him, he so clearly does NOT understand how restaurants work, but he MEANS well!!), and can we all acknowledge that it works?? He understands how to appeal to potential customers in the area because he knows the people there. It's not (entirely) his fault that Fadel wasn't remotely prepared for an actual rush crowd and Bison was off getting kinky with Kant and not doing his (fake) job. He is so clear about not judging Fadel's host job and tries his hardest to help him (to absolutely NO effect, but still) when the 3 guys gang up on Fadel.

Style is so loved and more importantly so very loveable.

Point 3: What this could mean for Style's character

So, potentially, Style is someone who grew up in a small town, who has been well loved, potentially spoiled and coddled, but also very much kept within the confines of the narrow viewpoint that a quiet, country town places on you.

It's in the way his dad scolds him as if he was still a child when he's at least in his mid to late 20s. It's in the way Style was so mad at Fadel for scolding him ("thanks for the lecture, dad"), like that hit a sore point for Style. It's in the way no one in the market takes him seriously; they're fond, but he's still a kid in their eyes. It's in the way he has an abundance of free time like he doesn't REALLY need to work at his dad's shop. It's in the way he sees Fadel beat 3 guys up with ease, starts wondering if Fadel is an assassin or a hitman, and is completely unfazed like he doesn't quite have a handle on reality.

It's in the way his best friend is a man who has no qualms about lying to him and putting his life in danger, and how Style seems to have no other friends or people (aside from his dad) in his life.

@wuxian-vs-wangji made a comment to me about Style being desperate for a meaningful connection, and I think she hit the nail on the head. Because along comes Fadel, a mysterious stranger with a suspiciously versatile set of skills who is also very hot and keeps giving Style these wonderfully complex reactions? Who sometimes wants nothing to do with Style, but at other times seems to be at war within himself about desperately wanting him? Who treats Style with anything but apathy?

This is catnip to Style; he never had any hope of resisting this.

Breaking news: Style is a complex and imperfect character...

Here's the thing, though: he was never going to try. The show has been incredibly upfront about who Style is as a person. Regardless of whether I'm correct about why he is this way (ie. that he is very much the product of the environment that didn't know how to handle a kid with Style's personality), episode 3 shouldn't have surprised anyone about Style. He's been incredibly consistent and true to himself.

He wants Fadel and he's "crazy" enough to go all in, no holds barred about it, and the Support Group was the biggest doorway to finally discovering something REAL about Fadel.

And its not just about sex or to prove his superiority anymore. Because if it was just that, then Style would have reacted very differently to their first time.

In this scene, Style is pleased and evidently enjoying himself, but he isn't exuberant. He isn't overcome with joy. If anything, he was more happy and excited when Fadel let him help out in the diner (I mentioned this in the tags in this post too) than he was when Fadel is literally fucking him. He lets Fadel set the pace; barely moves to touch Fadel except to hold him close. Almost like he doesn't want to accidentally mess this up, like he's worried he'll take too much, so he'll take what Fadel gives him and no more (please appreciate @braceletofteeth's amazing tags on this post). For a character that has been so aggressively on the offensive, this is shocking until you realise that sleeping with Fadel - while it's a step in the right direction - isn't Style's end goal anymore.

And he makes that abundantly clear in this episode:

Does Style even fully realise the weight of this desire? I doubt it. But I do believe that Style is in earnest. He doesn't fully understand his own feelings, but he also doesn't really care to either. All he knows is that he wants Fadel, wants his attention and his passion and his focus and his heart.

...but Style is also kind of, sort of, perfect.

Because he's exactly, precisely, breathtakingly exactly what Fadel needs.

Because Fadel is hurt and broken and bleeding inside. Because Fadel is barely holding it all together for Bison's sake, but has already given up hope for any true happiness for himself. Because Fadel can't trust anyone or anything in his life, when he's been used and used and used by the family who should've loved and cared and protected him.

Because it's going to take nothing short of this kind of unwavering, unshakable, uncomplicated determination to give Fadel even a chance of healing and opening his heart to love again.

[gravelsong]

Okay there's already that post that talks about the parallels between the previous scene with Thundercracker and the humans vs Starscream and the humans but this is the direct moment after that and. Ohh this is so good. Thundercracker let them go because they're fragile and can't physically hurt them, and Soundwave agrees on that but he knows that they'll tell what happened (considering how Soundwave was a communications officer, he probably knows how fast word travels better than anyone) so they have to die anyway. "Regrettable but necessary", it's for the greater good of the mission

[vanilla-bean-buttercream]

"Allies should be okay with hearing hard truths that we have been suffering through for years, because if a child has to experience it, they as an adult can take the time to understand it with their adult brain and their adult emotions, and if they cannot handle that, I shouldn't have to be okay with handling their feelings gently."

and

"Sometimes we go too hard on allies because they're the only person who benefits from the problem who will listen to us, and the anger that we have carried from being wronged for years should not be put solely put on the shoulders of people trying to help us, and they should not have to be okay with being mistreated with the same hatred that people have aimed at us."

Can and should coexist actually.