#it’s here somewhere I promise

[cupcakeruth]

NEW ZELDA AU!!!💗 Welcome to the Miraculous Ladybug/Magical Girl-inspired, modern day Zelda AU feat. Link, Zelda, and Ganondorf.

-

Posting pics that really only make sense to me, so… bear with me and lemme explain…..

Link and Zelda are simple classmates, but there is trouble lurking in the shadows.

A vengeful fairy—Ghirahim—is making moves and has chosen a vessel for his hatred towards the Great Fairies and wishes to gain more power. One Great Fairy sends out a few fairies to search for those with courage and wisdom in their hearts to help her and the other Great Fairies that are in danger.

Link and Zelda are chosen as vessels of the legendary Goddess Hylia and the ancient Hero. With “Hylia’s” ancient bow and purifying light power, she is able to help those that are corrupted by the one who calls himself: “Demise”. “Hero” is able to help “Hylia” overcome any trial or encounter with the legendary Master Sword.

Link and Zelda do not know that they both have fairies that give them their powers or know that they work together during all of this, and they will continue to try and live as casually as possible. There are some fun facts, though: Link really likes Zelda, but she doesn’t really know that he exists. Not on purpose, though. Zelda really likes her cool super partner, Hero, but he is strictly business. Zelda gets two fairies, but only knows how to wield just Tatl’s power. Maybe one day she will use Tael’s power to help her.

(So, not EXACTLY based off perfect Zelda lore as there’s a mix of things from each game here and there, but rather my own twist on certain things :] idk who read this all the way through or who is curious about this. Might be just a self-indulgent AU but OH WELL. This was fun to make and sorta get out there. Lemme know if you wish to see more…

Also, I’m open to suggestions on what to call this AU because I have no idea yet 🙌 lots of things are to be worked out.)

[whumpitisthen]

Masterlist

Grab your character and shove their head underwater. Keep them pinned until they breathe in the water. Pull them up and let them splutter and cough. Push them under again. Pull them up. Let them use their precious seconds of air to beg. "Ple-Please, please stop — " Push them under again. Feel them squirm. Pull them up sooner; they couldn't hold their breath long enough. Once more for good measure. Don't let them up until they nearly suffocate. Pull them up and throw them to the ground, let them cough up all the water they swallowed. Pull them into your lap. They are shivering, the cold water having seeped deep into their bones. They are crying. They are going to try to pull away. Don't let them. Hush them gently. Card through their hair. Let them relax under your hands. Then drag them back over to the water. Put their nose right above the surface and keep their head right there. Let them imagine how it will feel to be pushed under again, held there, pulled up just so they can drown again. They will fight, they will sob, they will plead and barter and yell. They will be scared. Answer them with an order. "Take a deep breath for me." Watch them struggle to decide if they should. They probably won't be able to take one deep enough if they tried. Push them under. Watch them squirm. Repeat.

[buwheal]

He had a great time :-D

[baeshijima]

mmm thoughts of private executioner!blade, who is high priestess!kafka's bodyguard. well, more like her guard dog, as many fearfully seem to think.

he is aloof and gruff and rough around the edges, his name capturing it perfectly. when in the eyes of the public he either keeps to himself or stands ready by kafka's side, but when out he lurks in the shadows ready and waiting to carry out her death orders.

you, yourself, haven't had very many pleasant encounters with him... if you can even call them that. that being said, you haven't had many pleasant encounters with anyone. notorious for your... less than pleasant disposition, for a lack of better words, you have more people who'd rather see you run through than those you can call a friend.

in a dog-eat-dog world, you had no choice but to protect yourself. that, however, ultimately became your demise.

"oh? so you're the one sent to kill me. can't say i'm all that surprised."

standing before you is the feared executioner. his sword is tucked inside the sheath attached to his hip, that ever-present dark swirl of an aura stifling the air. he doesn't say anything, instead opting to silently stare down at your slumped and worn-out form. you find that his gaze doesn't bother you; rather, it's oddly comforting knowing someone will see you in your last moments.

"i've never asked you for a favour before, so this will be my first and last request for you." in all honesty, you're not sure where this chattiness stems from. considering you're currently in a holding cell under the crime of attempted murder towards kafka (a poisoned wine you were most definitely framed for, though you can't say you were surprised) and are awaiting for your turn to be under the guillotine for your public execution, you probably should be a little desperate towards the private executioner in front of you.

and yet, your mind is nothing if not peaceful.

with a huff, you relay your request, "can you make sure it's quick? painless, preferably, but i'd rather you just get it over and done with."

silence blankets the cold chambers. moisture accumulated along the cobble ceiling drip in a steady rhythm, like a clock ticking away the seconds. it's unnerving, almost, how there is not a single sound other than your impending countdown.

"why?" comes his low mutter, effectively causing a ripple within the stagnant air. you almost think you misheard him, but his following words cease the thought, "why won't you ask me for help?"

had it not been for the abrupt shuffle and clanging against the metal bars, you would have never looked up to see him in your last moments.

his scarred hands gripping the metal until his knuckles turn a ghastly white and blood dripping from his palms is what greets your sight. as your gaze slowly trails up, you almost let loose a laugh of disbelief; who would have thought blade, the infamous guard dog of the high priestess, could make such a desperate expression? one looking as though his whole world crumbled before him, in which he can do nothing but sit and watch.

(you will never know of the anger and desperation which coursed through his veins the moment he heard of your predicament. had it been anyone else, he wouldn't have cared. but you're not anyone else; you're you — unapologetically, wholeheartedly. it didn't take him long to hunt down those behind it, cutting them down without thought and putting an end to their miserable lives. he rushed as soon as he could when kafka gave him the order, no thoughts other than you, you, you, occupying his mind.

you will never know of the anguish which overcame him when he found you in such a state, your once healthy complexion and defiant gaze reduced to nothing but a tiredness which had always sat quietly behind your disposition. he's almost positive the muscle which unwillingly keeps him alive tore at the seams from your request, the acceptance in which you displayed causing his mind to go astray. even as he damn-near begs you to rely on him for help — to run away with him to some place no one knows of you and start anew there — you merely smile, resigned and peaceful.

you will never know of how much blade is willing to put on the line for you, for you never made it to see the complete and utter carnage he wrecked in your name.)

[frogatz]

you'll see them again !

too many thoughts and things done with Intent to fully explain myself . partially bc this was supposed to be much much longer, but i think i would like to play more in the space of post-game loop.

[sketchyspooksghostacc]

this is all twilights fault. but nobody has to know that..

lets just laugh at four's misery in the meantime

[bacchuschucklefuck]

riz gukgak is SO distressing to have as a favourite character I can never funckign rest out here

[atopvisenyashill]

Bran The Time Traveling Toddler

Yes that IS a reference to the Tyrion the time traveling fetus theory. The thing about MY insane theories is that they actually make sense and I’m right. Follow me please down the worm hole!!

There’s very clearly Someone Influencing things when it comes to the Starklings and even the overreaching plot in general - there’s enough weird magic surrounding them, whispering in the wind, that it’s a no brainer they’re being watched over. The question is WHO and WHEN. For me, personally, I think it’s Bran, and I think it’s an older Bran from the future (whether it be Bran In TWOW and ADOS or Bran post canon) trying to lead his siblings to safety.

Now, like my Harrenhal meta, I don’t think I’m saying anything new so much as compiling what people have said scattered across the interwebs. There’s a lot of theories about whether Bran can time travel, time travel in general in the series, how george has dealt with time travel before, and about the three eyed crow’s identity and I agree with bits and pieces of what other people have said - preston jacobs is a more famous example of this theory for example. But I don't want to get caught up on things like time travel paradoxes because, like, i don’t care about that, and george has talked about how time travel is more fantasy than scifi bc it’s just not really scientifically possible. do you know what that means? it means there’s no weird physical paradoxes because it’s ✨magic✨ and Bran isn't literally going through space and time. It's as Jojen says-

With two eyes you see my face. With three you could see my heart. With two you can see that oak tree there. With three you could see the acorn the oak grew from and the stump that it will one day become. With two you see no farther than your walls. With three you would gaze south to the Summer Sea and north beyond the Wall

Through his greenseeing abilities, Bran can see the whole of a lifespan, from conception to burial, and can pop out at any point in that lifespan, because a span of 100, 1000, or 1,000,000 years is all the same to the weirwood. So I don't think it's in the realm of Crazy Ass Theories to say that Bran is capable of a more magic based form of time travel. That he can whisper in people's dreams, on the wind, taking on the voice of the old gods themselves and doing his best to nudge things the way he needs them to be in order to keep the people he loves safe.

I also don't think Bloodraven is Three Eyed Crow (though I do think he also uses this metaphor of "flying" wrt magic, and that's why Euron also has a comment about flying in his dreams - I just don't believe that metaphor originates with Brynden himself. Rather, I think he picked it up from somewhere else), but instead, it's Bran, using the weirwood network to get all the pieces on the board he needs where he needs them to be for the endgame. Notice that Brynden doesn't seem to know what Bran is talking about when he mentions the Three Eyed Crow-

"Are you the three-eyed crow?" Bran heard himself say. A three-eyed crow should have three eyes. He has only one, and that one red. Bran could feel the eye staring at him, shining like a pool of blood in the torchlight. Where his other eye should have been, a thin white root grew from an empty socket, down his cheek, and into his neck. "A … crow?" The pale lord's voice was dry. His lips moved slowly, as if they had forgotten how to form words. "Once, aye. Black of garb and black of blood." 

Brynden mentions the watch, but doesn't mention the three eyed crow. Everyone simply refers to Brynden as the greenseer, not the three eyed crow, except for Bran himself, who simply assumes Brynden is the three eyed crow (and we know magical assumptions in this series are generally wrong!).

What’s double interesting to me about this “bloodraven is the three eyed crow” assumption is brynden himself makes his “a thousand eyes and one” comment - but doesn’t mention a third eye. Meanwhile, Bran’s narrative is obviously filled with bird references and the opening of his third eye from Bran feeding the crows on the towers before he falls then longing to go back to the crows afterwards, of a crow sending Jojen to “the winged wolf,” of his dreams of living as a bird in maester luwin’s rookery with his siblings - Jon Snow even compares him to a bird in their final scene face to face when he thinks bran has “fingers like the bones of birds.”

And notable that though both Rickon and Bran have a greendream where they talk to Ned in the crypts of Winterfell just before Ned is executed, Rickon makes no mention of a three eyed crow, but Bran explicitly sees him-

The mention of dreams reminded him. "I dreamed about the crow again last night. The one with three eyes. He flew into my bedchamber and told me to come with him, so I did. We went down to the crypts. Father was there, and we talked. He was sad."

"Shaggy," a small voice called. When Bran looked up, his little brother was standing in the mouth of Father's tomb. With one final snap at Summer's face, Shaggydog broke off and bounded to Rickon's side. "You let my father be," Rickon warned Luwin. "You let him be." "Rickon," Bran said softly. "Father's not here." "Yes he is. I saw him." Tears glistened on Rickon's face. "I saw him last night."

What that says to me is that the Three Eyed Crow has the ability to speak directly to only Bran and can only otherwise appear in a more ephemeral way to others. With the established rules about not being able to communicate properly with the past, I think this makes sense - being able to use the weirwood hivemind/greenseeing powers to appear in a different form to yourself but unable to appear in a concrete form to anyone else.

I think it's even likely we'll see Bran doing some of this nudging and whispering on page in ADOS or maybe as early as TWOW, but it won't be the exact same sort of "Bran can literally reach out and touch someone in a weirwood dream" that they had in the show with the later scenes. It'll be more like that very first scene in the show where we see Bran influence the past slightly - you know, when he calls out "father!" and young Ned turns around, having heard a voice on the wind-

And there's a direct parallel to ADWD here, where Bran is certain Ned heard him speaking in the godswood but Brynden says it's not possible (not possible for Brynden perhaps!)-

Lord Eddard Stark sat upon a rock beside the deep black pool in the godswood, the pale roots of the heart tree twisting around him like an old man's gnarled arms. The greatsword Ice lay across Lord Eddard's lap, and he was cleaning the blade with an oilcloth. "Winterfell," Bran whispered. His father looked up. "Who's there?" he asked, turning … … and Bran, frightened, pulled away. His father and the black pool and the godswood faded and were gone and he was back in the cavern, the pale thick roots of his weirwood throne cradling his limbs as a mother does a child.

It's not quite time travel. It's like the acorn and stump metaphor - Bran can't appear in his physical body in the past but he can make a bit of noise, perhaps even be mistaken for one of the old gods.

As TWOW and ADOS go on, I think we'll see Bran's powers grow (likely in ways that frighten him and horrify the reader), and we'll see the very beginnings of him influencing the plot that happens during the previous books, showing up in scenes we've already experienced, similar to the Ned scene above. I think this because, well...he's already done it!

Now, as for What Time Traveling Bran Has Already Done - it’s tricky because we have a LOT of magic users waking and shaking. I’m not including every single instance of weird whispering or funny birds here, just the moments I think are more likely to be Bran than anyone else because I think Bran mostly deals with his siblings. I imagine they're easiest to reach out to magically because they already have the ability to access magic, and they're also the people he cares most about. The most obvious to me is in A Clash of Kings, when Jon hears a voice on the wind, very similar to the young Ned scene in the show-

Jon VII in A Clash of Kings

The call came from behind him, softer than a whisper, but strong too. Can a shout be silent? He turned his head, searching for his brother, for a glimpse of a lean grey shape moving beneath the trees, but there was nothing, only … A weirwood. It seemed to sprout from solid rock, its pale roots twisting up from a myriad of fissures and hairline cracks. The tree was slender compared to other weirwoods he had seen, no more than a sapling, yet it was growing as he watched, its limbs thickening as they reached for the sky. Wary, he circled the smooth white trunk until he came to the face. Red eyes looked at him. Fierce eyes they were, yet glad to see him. The weirwood had his brother’s face. Had his brother always had three eyes?

Not always, came the silent shout. Not before the crow. He sniffed at the bark, smelled wolf and tree and boy, but behind that there were other scents, the rich brown smell of warm earth and the hard grey smell of stone and something else, something terrible. Death, he knew. He was smelling death. He cringed back, his hair bristling, and bared his fangs.

Don’t be afraid, I like it in the dark. No one can see you, but you can see them. But first you have to open your eyes. See? Like this. And the tree reached down and touched him.

This moment was when I really started paying attention to Weird Shit Bran Might Be Doing because of that line "not before the crow." Now, we know Bran mentions talking with Jon later on, in the very last chapter of the book, here-

 He could reach Summer whenever he wanted, and once he had even touched Ghost and talked to Jon. Though maybe he had only dreamed that.

But I think it's both Bran in the present and Bran in ADOS speaking here - brothers reaching out to each other in their fear, and future Bran piggybacking off that connection to send a warning (this is back in Jon VII, during the shared Jon-Bran dream as before)-

Then he realized he was looking at a river of ice several thousand feet high. Under that glittering cold cliff was a great lake, its deep cobalt waters reflecting the snowcapped peaks that ringed it. There were men down in the valley, he saw now; many men, thousands, a huge host. Some were tearing great holes in the half-frozen ground, while others trained for war...This is no army, no more than it is a town. This is a whole people come together.

Bran warns Jon of the wildling army headed their way because he needs the Night’s Watch to stop fighting the wildlings, get them safely out of the True North (so they can’t be reanimated as wights), and focus on the Long Night. When you read the passage, it seems as if Bran is trying to awaken Jon’s third eye - something present baby Bran isn’t concerned with, because he barely understands his own third eye awakening. But a Bran in ADOS or beyond would know exactly what to say and do to get Jon and himself to wake up! Not just because of the paradox, but because of his connection to his brother and his vast understanding of his own magic. Similar to the idea that “who would know how to motivate Bran better than Bran himself” who would know how to motivate Jon better than one of his beloved siblings?

Arya X in A Clash of Kings

In the godswood she found her broomstick sword where she had left it, and carried it to the heart tree. There she knelt. Red leaves rustled. Red eyes peered inside her. The eyes of the gods. "Tell me what to do, you gods," she prayed.

For a long moment there was no sound but the wind and the water and the creak of leaf and limb. And then, far far off, beyond the godswood and the haunted towers and the immense stone walls of Harrenhal, from somewhere out in the world, came the long lonely howl of a wolf. Gooseprickles rose on Arya's skin, and for an instant she felt dizzy. Then, so faintly, it seemed as if she heard her father's voice. "When the snows fall and the white winds blow, the lone wolf dies, but the pack survives," he said.

“But there is no pack," she whispered to the weirwood. Bran and Rickon were dead, the Lannisters had Sansa, Jon had gone to the Wall. "I'm not even me now, I'm Nan."

"You are Arya of Winterfell, daughter of the north. You told me you could be strong. You have the wolf blood in you."

"The wolf blood." Arya remembered now. "I'll be as strong as Robb. I said I would." She took a deep breath, then lifted the broomstick in both hands and brought it down across her knee. It broke with a loud crack, and she threw the pieces aside. I am a direwolf, and done with wooden teeth.

Once again, we have a voice - it seemed as if it was her father's voice - telling a Starkling to do something specific, reminding that Starkling of their ties to Winterfell, the north, and home. The voice she hears, speaking her true name, is the kick in the pants Arya needs to grab Gendry and Hot Pie and get out of Harrenhal. There's something interesting, engaging, heartbreaking, that when Arya is at one of her lowest points, lamenting the loss of her pack, and out comes the voice of one of her pack urging her to keep faith, and helping to inspire one of her best moments - I am a direwolf, and done with wooden teeth. Again, we have a voice trying to get the Starklings to wake up and face their reality!

Sansa in A Storm of Swords

That night Sansa scarcely slept at all, but tossed and turned just as she had aboard the Merling King. She dreamt of Joffrey dying, but as he clawed at his throat and the blood ran down across his fingers she saw with horror that it was her brother Robb. And she dreamed of her wedding night too, of Tyrion's eyes devouring her as she undressed. Only then he was bigger than Tyrion had any right to be, and when he climbed into the bed his face was scarred only on one side. "I'll have a song from you," he rasped, and Sansa woke and found the old blind dog beside her once again. "I wish that you were Lady," she said.

To be clear I think there’s a large change this is nothing. BUT. Considering Bran seems to be reaching out to his siblings, I like the idea that Bran, and magic in general, is trying to talk to Sansa but she can’t quite hear it. Winterfell and it’s magic and it’s family is calling it’s daughter home, even torn from her magical guide as she is, still trying to reach out through her dreams and through the animals around her. I’m desperately hoping that at some point in Sansa’s early TWOW chapters, we’ll start to see birds acting and speaking funny around her as Bran tries harder to reach his lost sister.

Theon Greyjoy in A Dance With Dragons

BUT. I don't think it's just the Starklings that get these messages from Bran - it's everyone he cares about, everyone he loves or will love. One of the other more obvious examples of this is Theon Greyjoy, himself clearly capable of some degree of magic, just like the Starklings-

The night was windless, the snow drifting straight down out of a cold black sky, yet the leaves of the heart tree were rustling his name. “Theon,” they seemed to whisper, “Theon.” The old gods, he thought. They know me. They know my name. I was Theon of House Greyjoy. I was a ward of Eddard Stark, a friend and brother to his children. “Please.” He fell to his knees. “A sword, that’s all I ask. Let me die as Theon, not as Reek.” Tears trickled down his cheeks, impossibly warm. “I was ironborn. A son … a son of Pyke, of the islands.” A leaf drifted down from above, brushed his brow, and landed in the pool. It floated on the water, red, five-fingered, like a bloody hand. “… Bran,” the tree murmured. They know. The gods know. They saw what I did. And for one strange moment it seemed as if it were Bran’s face carved into the pale trunk of the weirwood, staring down at him with eyes red and wise and sad. Bran’s ghost, he thought, but that was madness. Why should Bran want to haunt him? He had been fond of the boy, had never done him any harm. It was not Bran we killed. It was not Rickon. They were only miller’s sons, from the mill by the Acorn Water.

“he had been fond of the boy” please allow me this moment to contemplate killing myself thanks.

okay back on track but this is very self explanatory - we know Theon has some sort of capacity for magic because he had a vision of the Red Wedding in ACOK and unlike Jaime who just fell asleep on a weirweed tree, Theon was just up in bed. We see it again here, where Theon can hear a voice on the wind and then seems to see Bran’s own face in the face of the weirwood tree. Once again, the voice on the wind is trying to help a loved one of Bran’s find their way back to themselves, back to home. And Theon, for all the harm he has done, is still so so loved by Bran, and loves Bran in return.

Samwell Tarly III in A Storm of Swords

Sam made a whimpery sound. “It’s not fair …” “Fair.” The raven landed on his shoulder. “Fair, far, fear.” It flapped its wings, and screamed along with Gilly. The wights were almost on her. He heard the dark red leaves of the weirwood rustling, whispering to one another in a tongue he did not know. The starlight itself seemed to stir, and all around them the trees groaned and creaked. Sam Tarly turned the color of curdled milk, and his eyes went wide as plates. Ravens! They were in the weirwood, hundreds of them, thousands, perched on the bone-white branches, peering between the leaves. He saw their beaks open as they screamed, saw them spread their black wings. Shrieking, flapping, they descended on the wights in angry clouds. They swarmed round Chett’s face and pecked at his blue eyes, they covered the Sisterman like flies, they plucked gobbets from inside Hake’s shattered head. There were so many that when Sam looked up, he could not see the moon. “Go,” said the bird on his shoulder. “Go, go, go.”

Whoever this is - it's Bran!!!! - helps to save Sam and Gilly's lives, actively tells them to run for it, and just a little bit later, Sam is around to help save Bran in turn. I think there's also something to be said for the brotherhood connection here. They refer to each other as brothers in the book because of their connection to Jon; that connection to Jon, and therefore each other, means a lot to both Sam and Bran. There's a practical reason for saving Sam here in that he can help Bran in the "present" timeline, will likely help in the future, but more than that there's an emotional bond here and it seems to me that magic runs off emotions just as assuredly as it runs off of other important stuff like blood and and sacrifice and weirwoods.

Jon Snow XII in A Storm of Swords

With a raucous scream and a clap of wings, a huge raven burst out of the kettle. It flapped upward, seeking the rafters perhaps, or a window to make its escape, but there were no rafters in the vault, nor windows either. The raven was trapped. Cawing loudly, it circled the hall, once, twice, three times. And Jon heard Samwell Tarly shout, “I know that bird! That’s Lord Mormont’s raven!” The raven landed on the table nearest Jon. “Snow,” it cawed. It was an old bird, dirty and bedraggled. “Snow,” it said again, “Snow, snow, snow.” It walked to the end of the table, spread its wings again, and flew to Jon’s shoulder. Lord Janos Slynt sat down so heavily he made a thump, but Ser Alliser filled the vault with mocking laughter. “Ser Piggy thinks we’re all fools, brothers,” he said. “He’s taught the bird this little trick. They all say snow, go up to the rookery and hear for yourselves. Mormont’s bird had more words than that.” The raven cocked its head and looked at Jon. “Corn?” it said hopefully. When it got neither corn nor answer, it quorked and muttered, “Kettle? Kettle? Kettle?” The rest was arrowheads, a torrent of arrowheads, a flood of arrowheads, arrowheads enough to drown the last few stones and shells, and all the copper pennies too.

The Night's Watch seem to take this as some sort of divine sign, and Jon's friends take it as an excellent ploy from Samwell Tarly. But when Pyp confronts Sam over it a page later, Sam completely denies it -

“I had nothing to do with the bird,” Sam insisted. “When it flew out of the kettle I almost wet myself.”

Everyone has their theories about people warging Mormont's crow of course. I think what's interesting to me here is that Jon is really wrestling with the idea of leaving the Watch for Winterfell, in which case Janos Slynt was likely to take over command. Someone like Slynt being in charge when the Long Night is coming is a bad idea, and here, Mormont's bird directly contributes to Jon staying where he needs to be - watching over the wildlings and making sure they aren't turning into Wights.

(And this is getting into my other theories here, but IF Sansa as the Girl In Grey is true, I think this is a neat sort of timeline fixing - almost as if Bran is saying “no, not yet, the pieces aren’t aligned, Jon can’t leave yet, Brienne isn’t at the Vale to get Sansa, I haven’t trained enough, Jon still keeps slapping his hands over his third eye so he can’t see, I need to give myself more time here.”)

Bran II in A Game of Thrones

But...it's not just his family and friends that I think Bran is trying to help here, and of course, if he IS the Three-Eyed Crow, he isn’t YET. What I think is going to be a big climactic part of Bran's story is self sacrifice, giving up some of his own power, his own happiness, to save others. Yes, part of this is my absolute refusal to accept Borg Hivemind Fantasy Police State King Bran in that he will say NO to the hivemind, but I think there's something magical here as well!

I think in order to access great power you need to be willing to put your own body on the line.

Jojen mentions having gotten sick with "greywater fever" shortly before his greendreams started

Dany experiences a miscarriage then literally walks into fire in order to hatch her dragons

both Beric and Catelyn have to quite literally be gruesomely murdered in order for Thoros' fire magic to work to bring them back to life

Melisandre has to physically give birth in order for her shadow assassination to work

on and on it goes. In order to be capable of great power, you can’t just have a willingness to throw someone ELSE onto the pyre but yourself as well. But Bran is pushed out of the window instead of willingly jumping. Or...

The wolfling was smarter than any of the hounds in his father’s kennel and Bran would have sworn he understood every word that was said to him, but he showed very little interest in chasing sticks…Finally he got tired of the stick game and decided to go climbing….

The wolf did as he was told. Bran scratched him behind the ears, then turned away, jumped, grabbed a low branch, and pulled himself up. He was halfway up the tree, moving easily from limb to limb, when the wolf got to his feet and began to howl.

Bran looked back down. His wolf fell silent, staring up at him through slitted yellow eyes. A strange chill went through him. He began to climb again. Once more the wolf howled. “Quiet,” he yelled. “Sit down. Stay. You’re worse than Mother.” The howling chased him all the way up the tree, until finally he jumped off onto the armory roof and out of sight.

I think this is future Bran, finally becoming the Three Eyed Crow, inside Summer. Summer shows no interest in the game and it’s only then that Bran decides to go climbing. Future Bran is sacrificing himself for the greater good - but can’t stop his mournful cry of the fate that awaits his own young self.

[cerealbishh]

some pics of the outer range s2 cast hanging out(credit to chefseanvm, jmquinteros, christianjames_official, ybutterfly2, the.pbread, impoots, thetamarapodemski, and isa.arraiza on ig)

[tomwambsgans]

tom's expressions as he stares up at greg in the safe room in 2x4

[everypanelofizuku]

Chapter 96 - Home Visits

[saturnvs]

the chest pain that comes with living under constant stress is really something huh. ouch

[wormdebut]

LET DOWN AND HANGING AROUND (CRUSHED LIKE A BUG IN THE GROUND)

Ahoy! This is my first VERY LATE ficlet for @corrodedcoffinfest ! My absolute bad for being so late, but BOY am I HAPPY TO BE HERE!

Warm Up Prompt One: Taxed. Word Count: 1000 (scrivener says 1000 Wordcounter says 979. IDK Man, it’s within limit), Rating: T, Pairing: None, CW: Swears, Smoking, Angst Tags: Eddie, Gareth, Jeff, Freak

----

October 1987

They've been at this for fucking years. Eddie feels like a fucking girl scout.

'Well hello there Mr. Music Man, would you like to buy a box of shitty garage band metal?'

Except they weren't fucking shitty. All of the guys had been working their assess off, writing, playing shows, shitty gig after shitty gig after shitty gig.

But they haven't managed anything. Nothing, zilch, nada.

They had a small crowd showing up at the Hideout, and the owner, Benny, started letting them play not only their usual Tuesday but because Eddie had been helping him with placehe was letting them play Saturday nights now too, which was great because while he appreciates the likes of his uncle and Wayne's best friends on Tuesdays, there were almost twenty people every Saturday night and that was something.

They also had a standing gig at a bar in Indianapolis at least once a month, lately they've been playing The Barrel every other week and Eddie thought--he thought--that that would get them somewhere.

The guys were fucking exhausted but Eddie kept pushing because they could do this. Corroded Coffin was great. They were great and somebody was going to see that…right?

Eddie saw what they had. He did. But the guys--

"C'mon Ed, we can't keep sneaking Gareth into bars forever. I think we need to--maybe consider other options or--" Jeff rambles. They were supposed to be practicing but Jeff Williams had to swoop inwith his stupid common sense bullshit. Jeff motherfucking Williams is one of the best guitarists Eddie has ever had to the privilege of listening to, but Jeff wants to go college like a real boy!

Gareth cuts him off, "It's just the two bars man, and I have a fake, if I need it anyw--"

Would you look at that, it's time for Freddy to cut in. "Yeah, but you're three feet tall and have the face of a newborn child."

Gareth shoves at Freddy's chest. "Oh fuck off, man. At least I'm not a virgin!" He yelps and great. This is great.

Now the band is fighting, again, because Jeff wants to go to College, Goodie is a Virgin, and Gareth is short.

Eddie just want to play music.

If they all want to yell, Eddie can yell louder. "See. Do you see what happens when you start talking about 'other options' Jeff? Chaos--and not the fun kind!"

"See, Eddie--this is the fucking problem with you. All you care about is your music, your dream, It's all about you!"

Jeff is yelling at Eddie, Gareth and Freak are rough housing, how did this even happen. All Eddie wants is to do something. Be something. He believes in this, in Jeff, and Freddy and Gareth, in the band.

And he gets that everyone is taxed, tired. Eddie is fucking exhausted. Gareth is trying to not fail his senior year. He gets it, he does, but-- "You know what, Jeff?" His voice breaks, and isn't that fucking humiliating? "Some of us, don't have college as an option. Did you ever consider that?"

Eddie leans over and grabs his cigarettes from the table, before shoulder checking Jeff as he leaves.

——

What’s the fucking point? Eddie puts everything into lyrics that people probably don't even know, all of them spend hours writing and harmonizing, making sure chords make sense, just for everything to be a pipe dream. They haven't taken a break for anything. It's either work or school or Coffin Shit. They haven't played D&D in months. They've just been doing this.

But it's all Eddie has. How the hell was he ever going to get out of shitty ass Hawkins, if it wasn't this way? He didn't exactly ace his finals--even the third time around. Honestly? He's pretty sure they just let him pass, to get him the fuck out of there.

He lights up what feels like his eighth cigarette--it's not, it's his second--and stares out to the empty street. They use Gareth's garage to practice…for being as straight laced as she is, Ms. Emerson sure does believe in the band.

Dottie Emerson and Eddie. God dammit, maybe Jeff is right.

He should go back, he should go back and apologize, and let this go. He has the job at the Hideout, he can save and maybe move to Indy--play an acoustic at some bars or…something.

God, he's just so tired of this shit.

He finishes his cigarette, and tries to breathe. Breathe in--hold--breathe out--he doesn't realizes Jeff until he taps his shoulder.

"Hey." Jeff says, quiet. Eddie, just nods, grabs his pack and offers a cancer-filled olive branch. Jeff takes it.

Eddie doesn't say anything. Doesn't want to, doesn't know what he should say.

So Jeff does. "I'm sorry, Ed. I didn't mean to make you upset. I'm just fucking tired man, we all are and I do want this, I do, but it's fucking scary." Eddie turns, watches Jeff blow out smoke. "I got accepted to IU, did you know that?"

Eddie blinks. He did not know that. "No, you hadn't mentioned it."

Jeff turns to look at him, "I didn't want this to happen."

Eddie closes his eyes, takes in a deep breath. In--hold--out. "You should go." He forces a smile, watches as Jeff's eyes shine for a moment--no wonder he had that silly crush on him his second senior year, but it was only for like a week, leave it alone--before he srunches his face up, Eddie can't help but laugh. Jeff always does that, when he's stressed. It makes him look like a rabbit.

Jeff goes to speak, but Eddie cuts him off. "Let's do this Halloween show, it'll be our going away gift to our tens of adoring fans."

Jeff laughs at that, nods, and pulls Eddie into a hug.

Everything will be fine, with or without Corroded Coffin.

[newspecies]

HI this is my thousand word ramble about Rocky and his relationship with other characters and my thoughts in general. I'm normal about Lackadaisy I promise.

Calvin

Calvin and Rocky are cousins that grew up together, with Rocky being 5 years older. The mini comics all make it seem like he spent most of his time there and later he says “it was home more than home was.” (Lackadaisy Breakdown). The cousins wrote to each other while Rocky was traveling around and Calvin kept them all inside a box instead of throwing them away. Aunt Nina tells Rocky "[Calvin]'s the only one in all o’ creation who'd follow you" (Lackadaisy Somersault) so they're clearly extremely close. Calvin lies to his mother several times to keep Rocky out of trouble, even when it's about something illegal. Despite his moral compass and the fact that he almost went into law enforcement, he's working with Lackadaisy and regularly shooting at people presumably just because Rocky wants him to (and because Ivy's there... but in the beginning it was for Rocky). They strike me as having more of a sibling relationship than a cousin one due to growing up so close.

Aunt Nina

Nina does not have a very high opinion of Rocky and she makes this very clear. She trusts him not to get Calvin into too much trouble but she doesn't let him stick around when he stops by. He’s under no illusions that he’s welcome at her house (Lackadaisy Somersault) and he tells Ivy that “[his face]’s only abided in small doses” at Nina’s house. He starts telling Ivy there was a small family tragedy and "it had an author... and with already ink-stained hands, i signed my name on it" which means that something bad happened and he either was to blame or took the blame and that is the reason he left Missouri, "so time could dull my fresh reminder face." (Lackadaisy Breakdown). My guess is that this family tragedy had something to do with his mother because his father was alive at least a little bit after he left because he was sending letters and stopped (Lackadaisy Correspondence) his mother is only mentioned once, in Lackadaisy Breakdown, described as “chasing Red Death” Red Death is not a real sickness and its instead from Edgar Allen Poe’s The Masque of the Red Death. This could mean that his mother had some sort of bloody sickness. My guess is tuberculosis. It was one of the biggest causes of death in the early 1900’s and one of its most well known symptoms is coughing up blood. Sorry this is supposed to be about Nina and I kind of went off the rails there. Anyway I don’t think Nina hates Rocky at all; she still does his laundry and lets him visit and lets him drag Calvin around. But she doesn’t trust him and makes sure he knows that.

Mitzi

Some people seem to think Rocky has a crush on Mitzi, and him threatening Wick certainly gives the impression but I heavily disagree and I think he sees her more as a mother figure. He clearly looks up to her and seeks her approval constantly; he goes out while extremely injured and hiding that injury from her (Lackadaisy Deliria) presumably because he realizes that the pig farmers' attack on Lackadaisy was his fault and he really wants to fix it. His behavior towards Wick strikes me more as a child really not wanting a step parent. As the audience, I know that Wick is basically incapable of evil (he has killed once and it was a duck and it still haunts him) and Mitzi is the one taking advantage of their relationship, but from Rocky's perspective Mitzi is just an innocent widow looking for companionship and Wick is a weird rich sleazeball. I honestly don't think Rocky is aware of Mitzi's own sleaziness, and if he is he’s ignoring it to the best of his ability. but Mitzi likes having Rocky around. Every time she's upset over something and Rocky starts joking around she immediately starts smiling more (Lackadaisy Proposition, Lackadaisy Haggersnash). She’s undeniably fond of him, despite his many shenanigans.

Mordecai

Okay this one is a little bit more out there. “But Rotten!” You may argue, “Rocky doesn’t actually know Mordecai! They only interact like once outside the mini comics!” Yes dear reader but consider this: they have so many parallels. They are opposites on the surface; Rocky is silly, Mordecai is serious. But looking closer they have a few things in common. Mainly: TRAINS!!!!!!!!! They both have recurring train motifs and it makes me insane. For Mordecai he met Atlas on a train (Lackadaisy Thaumaturgy), and for Rocky he has a drawing of one on one of the letters he sent to Calvin (Lackadaisy Correspondence) and he said his father worked on the railroad (Lackadaisy Breakdown). In relation to the trains, they both left home at a young age and wrote letters home. They also both seem to have a habit of gaining enemies; when Atlas met Mordecai he was running from people (Lackadaisy Bookkeeper) and Rocky’s… everything makes making enemies extremely easy for him. These two have PARALLELS and I need everyone to know!!!!!

Rocky

This last section is about Rocky himself! First off, to state the obvious: Rocky is extremely impulsive, he doesn’t seem to think about the consequences of his actions whatsoever and it gets him into all sorts of trouble all the time. He’s not oblivious though; in Lackadaisy Posterity he immediately jumps to the conclusion that he ruined something, he just didn’t remember it. Rocky puts on a show of being confident and sure of himself but the moment his walls are torn down in the Posterity and Breakdown pages he’s calling himself a horrible person. He is extremely aware of how other people feel about him; even though his exclamation of “they tolerate me” in Lackadaisy Palaver is framed as a joke, it feels pretty real. A lot of people don’t like Rocky and he knows this. I don’t remember where I was going with this. Just know that I’m obsessed with Rocky and I’m thinking about him always.

In conclusion

[hexiewrites]

on nanowrimo

(copied from my thread on twitter)

the discourse about NaNoWriMo is so heartbreaking. three of my fics - including my most popular - were written or partially drafted during NaNos. forgive my bit of nostalgia rambling here, as I mourn the final death of the thing that taught me I could be a writer too.

I wrote my first NaNo the fall of grade nine. My dad had just died, and I was stuck looking for something to take my mind off of it. I don’t remember now how I heard about NaNo, but soon I’d roped a friend in, and we set off. We were the youngest writers at our meet ups, but they welcomed us with open arms. I read all the author emails, sapped up every encouraging word. that year, I wrote 50,000 words. the next I did 75. I didnt always win, I didn’t always try, but because of NaNo, November has always felt like a month of possibilities in the dark.

in 2016, I moved away for grad school. new province, no friends, an outsider who was quickly homesick and heartbroken. I’d fallen back into dramione and read a TERRIBLE marriage law fic - rapey and gross. And I said “I can do better than THAT. hey look, its november tomorrow!”

I knocked out my 50k and kept writing. the story eventually hit 90k, still my longest fic by a landslide. I mentioned it to my dr, an inability to focus on school but this all encompassing fixation on my story. I got diagnosed with ADHD (the biggest blessing). I started to post.

I’m still not sure why - I wasn’t a bnf with a following - but DTTS took off. As of today its sitting at 219,000 hits. 5,000 kudos. To know that 5000 people have read and liked my writing, asked for more, told me they love it… I still get comments on that fic, and they all remind me that I AM a writer. that i AM capable. that fic taught me that there is a world who likes my work. that fic gave me the courage to keep writing, to switch fandoms, to post without expectation. that fic gave me the hundreds of thousands of words I’ve written since.

NaNoWriMo gave me that. the courage to do something a little insane. to find myself along the way. to step out and say “look, I made this, do you want to see it?”

and AI has taken some of that joy. AI has made me consider locking my fics, so my words don’t get scraped for the machine. AI has made me wary on tumblr - of art and voice notes and, yes, fic too. AI has taken my community and plundered it for our very soul.

and now @nanowrimo has coopted the language of disability. has taken an amazing accomplishment - something that has been part of my life for 17 years - and broken it, just a bit. still, as the leaves turn, as the air cools, the call to my desk is unmistakable. the words are there. they’ve always been there, waiting, ready. in november I will be writing, and mourning a community that made me who I am, but because of all of you, I will not be alone.

[catgirlreisuwa]

Me when I am literally twenty and five years of age and I have literally just found out there are consequences to my actions