#it’s all just tears

[candelasobscuras]

Oh god I was watching Luis, and suddenly I just notice Travis and Sam getting hit with 10000 dad feel damage with aabria just comforting them. Oh no

Oh no the druids with the portals. I’m crying again.

Initiative???

Aabria, to Brennan/Vespin: “WEAK” yessss let’s go

“I came here to hurt people” YEESH

“The first dragon of Toramunda is no more” nooo not Shak

“Avalir be damned.”

Okay well now anytime I think or hear or see Evandrin I just cry apparently. We’re weeping again.

Oh my god Sam coming in CLUTCH with even thinking of a way to give Patia advantage on the counterspell. I don’t even know if this worked yet or not.

Okay no but that nat 20 that Travis got MY GOD

AND HE GOT THE HDYWTDT

“If I die, I drive my blade into my best friend’s heart” BIG OOF there Lou. Ouch

“My best. Finally.”

19/?

[verflares]

just how long is forever? // not long enough, with you

pssst. check this out on inprnt :]

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[carnivalcarriondiscarded]

while we wait.

may i offer you all a pubby?? lil bby barns?

[beif0ngs]

The passing down of the Straw Hat from the legendary Oda Eiichiro (Creator of One Piece) and the one & only Tanaka Mayumi (Luffy's Japanese Voice Actress)

[the-phantom-peach]

“for her”

-🍃

the burden of failure and fear of disappointment. sometimes ya just gotta keep it to yourself

[catsharky]

Presenting: King Sidon, his wife Queen Yona and his boyfriend Link.

Yona is very supportive of everything except Sidon forgetting his ceremony cues.

(I had an atrocious week and TotK has been coming in clutch for keeping me sane.)

[explodingstarlight]

I adore this little family

slightly more zoomed in version:

[puppyeared]

these two are so interesting to me

characters belong to @canisalbus

[greenglowinspooks]

Honestly I think the fics where Danny’s a Kryptonian have a lot of potential, so here’s me throwing my hat into the ring

Danny was born a human. He was born to two loving (though slightly neglectful) human parents in the painfully mundane state of Illinois.

Then, he died, but he didn’t do it right. He became a Halfa; too alive to be a ghost, but too dead to be human.

Then, through strange, uncontrollable circumstances, that changed as well.

He had been heavily injured, missing a large percentage of body mass, and was at the cusp of either dying fully or just fading from existence.

(Perhaps it was an ordinary fight. Perhaps it was the GiW, or his parents. Perhaps it was a simple accident. That didn’t matter now.)

He fled, phasing through the ground, trying to bury himself as deep as possible.

(Perhaps he didn’t want to be unmasked in death. Perhaps that was already too late, and he just wanted his body be able to rest in peace.)

Unfortunately for him, he was in Metropolis, and ended up in a secret genetics lab below the earth.

Danny detransformed, completely exhausted, falling onto a table covered in different labeled specimen containers. He closed his eyes, and prepared himself for what would happen next.

And… nothing.

Slowly, cautiously, he opened his eyes.

Danny sat up, brushing off the foul-smelling liquid from the specimen jars, petri dishes, and assorted vials.

He felt…fine.

No, better than fine. He felt normal. Healthy.

He felt like he wasn’t missing most of his internal organs anymore.

Danny looked down at his stomach, and saw that the wounds that were killing him had completely disappeared.

(The blood blossoms, if there had been any, were still there, but they no longer hurt. At most, they itched a little, or maybe just tickled a bit.)

He wanted to question what in the hell had just happened, but he didn’t want to jinx it. He just quietly changed back to Phantom, going invisible and phasing out of wherever he had found himself in, ignoring the loud alarm system that had begun to blare when he broke the samples on that table.

Life mostly went back to normal after that.

If, like Danny, you ignored all the physical changes in a valiant effort to remain in denial that something was horribly wrong.

His skin was tougher, now; he didn’t get scrapes or cuts, even when he accidentally fumbled a knife while trying to cook. His ghost form was stronger, too; he was barely knocked down by his old rogues anymore.

He could fly, even in his human form. Though, admittedly, the flight was much different. It was like using a muscle he hadn’t known existed beforehand. He didn’t just ignore gravity or wind resistance, though he felt more graceful in the air now than he ever did as Phantom.

There were more powers popping up, lasers and cold breath, x-ray vision and super strength. His lungs and heart were larger, and he could handle temperatures much easier. He didn’t have to transform to handle the pressure and cold of space anymore.

His reaction time had improved, becoming much faster than ever before. His senses were much stronger, and he had even seemed to gain a sense of electric fields, like a shark.

The only thing that separated him from a Kryptonian was that he had developed electrokenesis, which he had never seen any of them use on TV.

So, surely, he was fine.

Everything was normal, he hadn’t been transformed by alien DNA in a sketchy lab, he had just had a really weird and specific metagene activation.

—

Clark Kent, Kal-El, was panicking.

It had been around a month and a half since a particularly brutal fight between Intergang and an unknown assailant, and it seemed that Intergang was determined to draw out whoever had scorned them.

Their method of doing this, of course, was trying to level the city.

He and Jon were doing their best to stop them, but with both Kon and Zor-El away on their own business, it was difficult.

And by difficult, he meant almost impossible.

Slowly but surely he was driving them back, but not without massive amounts of damage to the city, especially with only Jon on dedicated rescuing duty.

He was distracted, trying to draw a group away from a heavily occupied building, when a projectile hit him in the back of the head.

The world spun for a moment, and then it went black.

(It was, probably, then, some sort of Kryptonite-metal alloy. Intergang at its finest.)

He woke slowly, forcing his eyes open. He felt like he had been hit by an eighteen wheeler.

Clark jolted up, preparing for the worst.

To his shock, though, the city hadn’t been reduced to rubble while he was out.

Jon seemed to still be working on evacuation, either unaware that he had went down or forcing himself to focus on the task at hand.

Then, a lightning-quick figure flew into view, and Clark’s mind went blank.

He thought, for a moment, that Kara was back. But, no, that wasn’t right, she was supposed to be off-planet for another week or so.

Besides, this new figure didn’t move like her. They were lankier and more slender, and they flew quicker than any member of his family.

Their powerset was different, too; they focused mainly on using blasts of ice and electricity to drive enemies back, only occasionally using their strength or lasers—ones which came from their hands instead of their eyes.

He had woken up at the tail end of the fight, it seemed. The remaining Intergang members were fleeing from the mysterious metahuman.

They stayed in the sky, motionless, watching them leave.

As if they could sense him staring, they turned.

They were small, still clearly young. Probably around Kon’s age, or maybe even younger.

Instead of the colorful clothing he had inherited from his family, the stranger wore black and white clothes which looked similar to a hazmat suit, their face covered by some sort of gas mask.

Interestingly enough, instead of the S-shape crest that he was so used to seeing, the stranger wore the letter D on his chest.

Kal’s heart sped up.

From up in the sky, he heard the stranger’s heart, on the left instead of the right, speed up in return.

But before he could say a word to them, they sped off, disappearing into the deep blue sky.

[inkskinned]

there are a lot of posts out there that are positive and healthy coping mechanisms for handling the holidays. this is not one of them :)

i think there's like. going to be times in your life you will be stuck in a social situation that you cannot escape from gracefully. i do not know why the internet doesn't believe these times exist. it's not always just that your physical safety is at risk - sometimes it's legit like "i just don't currently have the energy or time to put in the effort of responding to this." sometimes it's a coworker you hate so much. sometimes it's just like, fine, you know? like you know you can handle your aunt when she's cheerily horrible, but if you actually set a boundary around her, it's going to be weeks of fallout with your father.

i don't know why people think the answer is always just "cut them out!" or "don't let them get away with that!" because ... the real world is tricky and complicated. i think kind of a lot of us have an internal "radiation poisoning" meter for certain people. like - i'm talking about the ones who are absolutely giving you gradual ick damage. like, you can handle them, but you'll be exhausted.

and yes. you absolutely should listen to your therapist and the good posts about handling others and set good boundaries and take care of yourself. prioritize peace.

HOWEVER :) ...... since im often in a situation with a Gradual Sense of Ick person i cannot just "cut out" of my life (without losing someone else precious to me) - i have sort of developed the most. maladaptive form of mischief possible. because like, if i'm going to have to listen to this shit again, i like to have a little bit of private fun with it.

now! again, i am physically safe, just mentally drained by this man. you should only do this with people you are not in danger with. which leads me to my suggestions for when your Unfortunate Acquaintance shows up and says oh everyone pay attention to me.

my favorite word is "maybe!" said as brightly and happily as possible. whenever the Horrible Person starts in on a topic you do not want to go further with, particularly if they make a claim that you know to be inaccurate, do not respond to it. you and i have both tried to actually argue with this person, and it hasn't gone well, because this person just wants the drama of an argument. however, "maybe!" gives them literally nothing to go on. it is incredibly disarming. they are used to people having some response. they know they can't prove what they're saying, and maybe! treats them like the child they are. it dismisses them in the politest way possible.

i like to say maybe! and then, in their stunned silence, immediately change the subject. this is because i have adhd and i will have something unrelated to talk about, but if you can't think of topics fast enough, i recommend just pointing to something and saying, "isn't that lovely?" because fuck you let's bring in some positivity.

by the way. that second trick - of pointing to something and stating an opinion about it? - that just works on its own, like, 70% of the time. i picked it up from teaching preschoolers. it's an intentional "redirect". it stops children crying and it also stops grown adults from finishing their explanation on why women belong in kitchens. dual wielding!

keep it silly for yourself. i absolutely do not care if people think i'm fucking stupid (it's more fun if they do) and as a result i will purposefully misunderstand things just to see how long it takes them to realize i've completely removed them from the subject at hand. when they say "women aren't funny" i get to be like. "which women." "all women." "all women in america?" "no in the world." "like the mole people? the people in the world?" "what? no. like, alive." "oh are we not counting the mole people?" "what the fuck are you talking about." "you don't believe in the mole people?"

similarly, i play a personal game called "one up me." my Evil Acquaintance literally knows this game exists (my family & friends caught onto it and now also play it) and it always fucking gets him. i don't know why. you have to be willing to be a little free-spirited on this one, though. the trick is that when they make one of those horrible little bigoted or annoying comments they are always making, you need to go one unit weirder. not more intense, mind you - just more weird. "you don't look good in that dress." "yeah, actually, my other dress was covered in squid ink due to a mishap at the soup store." "you shouldn't wear such revealing clothes." "wait, what? oh shit. sorry, your son tears off strips when no one is looking and eats them. i swear it was longer before we left the building."

the point of "one up me" is to completely upend this person's narrative. we both know this person likes setting up situations where you cannot "win" and then they really like telling other people how badly you handled it. in a usual situation, if you respond "please don't say something that rude", you're a bitch. but if you let it happen, you're letting yourself be debased. they are not usually expecting door number three: unflappably odd. because what are they going to say when they're telling everyone how badly you behaved? "she said my son eats her dresses" ".... okay?"

if you can, form an allyship with someone whomst you can tagteam with. where they can pick up on your weird "soup store" story and run with it.

the following phrase is amazing and can be deployed for any situation: "oh, be nice :) it's the holidays!" i do not know why this works as often as it does. i'll say it for the most random shit. i think this is bc most of the time these people know they're being impolite, they just like to fight.

godbless. when in doubt, remember that you could always start stealing their pens.

the whole point of this is - if you can't escape. maybe see how long you can just be. like. a horrible little menace.

[somnimagus]

My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.

[id in alt text]

[fairsweetlonging]

imagine if after the transmigration shen qingqiu became a combination of shen yuan and shen jiu, not in a "second person living in my head" kind of way, but a "this house is haunted and carries the echoes of the dead" kind of way; imagine shen yuan having nightmares about a house, a fire, a faceless boy behind a door he can't remember; imagine him having flashes of emotions he doesn't understand, rage at a name he doesn't recognize, helplessness when yue qingyuan apologizes for something he won't mention, nausea when ning yingying says the name "a-luo"; imagine parts of his own self have changed too, how he now likes bows in his hair, pretty flowers and flowing robes, but can no longer stand a stranger's touch, a man's touch, yet he longs for the brothels, but never sexually, only fondly, like there's something there he misses. there are many empty spaces in his heart where he feels something is missing

[idliketobeatree]

yea I think about the extremely unrehearsed hug Niko gave Edwin, and how delighted he was in those few seconds even if he wasn't sure where to put his hands about 8 times a day. wbu

[drenched-in-sunlight]

Erdtree’s Sacred Tears.

(discussion of my inspiration to draw this under the cut)

[thevirtualvalentine]

PRETTY FACE, BAD HABITS.

ft: Atsumu Miya, Tōru Oikawa, Tobio Kageyama, Shōyō Hinata, & Kei Tsukishima.

warnings: smut, afab!reader, daddy kink (atsumu), spanking, fingering, praise kink (oikawa), degradation, alcohol consumption (shōyō), cunnilings, enemies to lovers, small mentions of squirting, they’re lowk a lil filthy and obsessed MUNCH!shōyō bc definitely learned things in Brazil, coffee shop trope.

note: rereading hq, I am incredibly unwell and the volleyball pixels won’t leave me alone. Divider by @grlselle !!!

Thinking about gorgeous boys with pretty faces to the media who are so sadistic behind closed doors.

It goes without saying that setters are the notorious kings of this trope. Given that their charming faces tend to hide a fundamental need to be in control, constantly calling the shots n’ all. The facade cracks behind closed doors.

ATSUMU MIYA ... 4/10, not that shocking. He’s the face of MSBY, the golden boy. He’s got far more acceptable social skills than his other teammates: Shōyō, Kiyoomi, and Kōtarō, he knows how to handle himself in an interview. Flashing a toothy smile here, winking in a fan photo there. He has the hottest face in volleyball.

However, you had to have known about his silver tongue. It’s how he coaxes round after sadistic round out of you.

His stamina is much better than yours and to that he takes full advantage, being a pro-athlete has its perks. The downside is, his pretty face betrays the filth that spews from his maw when you fuck. “Yeah baby, think this messy pussy can give daddy another?”

He’s deplorable — that’s exactly why you keep crawling under him — the vileness you can only find there. “Y-yes, please ‘tsumu!” but woefully, it just isn’t enough for him, ever. He takes care of your trivial needs while chasing his own blissful completion.

“Ah ah baby, it’s daddy when I’m fuckin’ this cunt. Just hear how wet it is for me, fuck angel.” It’s humiliating, hot tears spilling past your lashes as his muscular thighs ram him impossibly further in you. You’re certain he’s in your cervix now.

“Shit — tight n’ creamy too,” he moans, “Feels so good on my cock.” He’s focused, a thin layer of sweat making his platinum blond hair stick to his forehead, eyebrows drawn together in concentration trying to feel everything you can offer him.

It drives you insane how he spoils you with unforgiving pleasure, never shy of showing just how bad he wants you. “Be daddy’s good girl and jus’ take it for me, yeah?”

And with a slap of your ass, he’s back to full speed, fucking you right up the mattress.

TŌRU OIKAWA … 8/10, a sleeping giant, don’t poke the bear. He was your summer fling, making you bubble with excitement and frenzy. His gorgeous face and native tongue were foreign to you but you recognized him from high-level volleyball matches on the news now and then.

Tōru was distinctly filled with passion, in everything he did you could feel it. He was a proud man through and through with a lust for victory.

That’s why he’s such a sadistic fuck, he’s too proud to stop even after he’s came inside you thrice. “Go on princess tell me, whose fingers can make you cum like this?” It’s those hands, those damn fingers you melt on every time he’s knuckled deep inside your sopping heat.

“Yours Tōru, only yours!” He’s peeled back every last restraint on your sanity with his body, reducing you to a tearful sticky mess pooling in his lap.

“I know mami, I know. You have to prove it to me though, show me how much you love it,” he muses rhetorically. His chin rests on your shoulder to get the best view of his practiced digits disappearing in and out of your tight sex; just how you like, just how you need. Those seasoned setter hands are a blessing.

“Ah! oh god — I’m, m’cumming— Tōru,” your chest heaves in his strong arms as he holds you there, letting you freely use and cream on his hands. He’s just so proud that he can make you feel good, so he’ll keep doing it. Over and over again.

“Look at you, my little slut. Just can’t help yourself from cumming all over me, hm?” The squelch of his three thick fingers and your slick coats his hand and your thighs alike.

TOBIO KAGEYAMA … 7/10, delving deeper, it makes sense. On the surface and to your friends and family, Tobio was your good boy. A perfect husband who was very successful in his career, and able to provide for you. People would remark on how starkly different your personalities were, the tabloids even going as far as questioning his feelings towards you.

But you know he loves you when he’s jackhammering your cunny like a rabbit. His brain only knows two things, volleyball and then all his other primal instincts. “Gonna fuck you till you’re sore, you hear me?”

He’s pushed your drooling face into the mattress to deepen your arch, greedy to feel more of your pussy suck him like candy. “You think I don’t see the way you watch me whore,” it’s like he’s punishing you with each grueling stroke of his thick cock inside you. “That’s exactly why you’re getting fucked like one. A dirty, cock-hungry, whore.”

That polite well-mannered man, a simple facade for something more sinister. They mistake his introversion for shyness when in reality he’s most likely self-censoring. He’s not much of a people person and lives a secluded life.

But all throughout his private practice today you plagued him with this singular thought: Kageyama craves it to no end, your utter and total obedience to him. He’s used to controlling his spikers, but you? You bring out an entirely new sadistic side of him. His one track mind learning every inch of your body fast.

“Stop! it’s t’much,” you cry into the sheets, overwhelmed by his sheer power. It feels like he’s deep in your guts with every strong piston of his hips against your ass. The sound of skin slapping against skin fills your ears making your brain fuzzy.

“Maybe you should think about that next time you try and tease me,” he knows you want it exactly like this. You rile him up to get a rise out of him, pushing him to his limits and beyond. Exactly how he likes it.

He snakes a hand in between your warm connected bodies, pressing his palm over the outline of himself nestled in your tummy. “Remember how my dick feels inside you right now,” and he smirks feeling you tighten up around him.

You’re so incredibly plaint to a guy like him. His perfectly tuned toy.

With middle blockers, it’s different. They just want to watch you submit. Whether they’re reading the court, blocking, or killing the ball; it gives them an indistinguishable thrill to bring something to its knees deliberately.

SHŌYŌ HINATA … 11/10, virtually undetectable thus making him the most dangerous. When you met him, you found him to be a bit too big for his britches. He was such a sweet guy nonetheless, buying your drinks and slotting a friendly arm around your waist that night.

It felt good to have his attention, those dark brown eyes analyzing your every jiggle and jive. For some reason that night no one else seemed to approach you, perhaps it was due to the fact that #21 of Asas São Paulo had his eye on you.

“Do you wanna come home with me,” you ask him smooth as silk, carding your nails in his short ginger locks. He purs in response, groaning at the sensation and grinding himself against the thin cloth of your club dress.

He’s deceptive, but it’s not on purpose. “Please mami.” He just needs you to know how badly he wants you. Do you not realize he’s everything you need? No matter, he’ll show you.

“Mhhhm, more Shō,” you breathe life into his name like it’s a prayer, supple thighs caging his face to keep him planted there between them. It’s not like he’s going anywhere though, lips suckling on your sweetness as he lifts your ass off the bed to get a better taste.

His mouth does things you didn’t know it could do, massaging your pillowy folds before diving tongue first into your wet slit. It was making you feel hot watching him as he watched you, intent on making you buck against him for more.

He welcomes it, grinding his raging boner into the mattress and groaning into your pussy. “So fucking sexy when you do that baby, drives me crazy,” he says through kisses with your swollen clit.

That same sweet guy is nowhere to be found as there's an insatiable monster between your legs that you willingly invited into your home. “Keep goin’ love, wanna make this sweet pussy squirt.” You’re his, hook line, and sinker.

ps: don’t worry, after this, he’ll go three more rounds with just his cock alone and you better be able to handle it.

KEI TSUKISHIMA … 9/10, only triggered if you can get him to open his big mouth. He was a quiet man. Stoic as he sat in the same chair, in the same corner, at the same café, every day at exactly 6 am.

He may have been the most beautiful person you’d ever seen. Well dressed with fair skin, golden eyes, and blond hair that made him stand out amongst the other patrons. Not to mention the fact he was ginormous, making the cafe chairs almost look like stools as he quietly checked his email. From over your shoulder, you watch him adjust his glasses, opting to look from afar but not touch.

It seems he doesn’t give you the chance though, approaching you as your heart beats loudly in your chest. He’s even more gorgeous as he grows close. His skin smooth like marble matches the stiffness of his face. “You seem to have a staring problem.”

At first, Kei thought you might have been a Frogs fan. That's the only possible excuse he could muster. Then he began to notice the lingering stares as well.

Excuse me— Did you just hear him correctly? You certainly didn’t mean him any harm, if anything it was a compliment. “And you seem to have an attitude problem, doesn’t seem like much can help that though. Goodbye,” you practically scoff before returning to your book and good coffee. What an arrogant fucking jerk.

Before he leaves, he drops a small piece of paper next to your cup. “Have a nice day, miss stalker,” you huff under your breath unfolding the small slip. ‘Maybe you can fix me. xxx-xxx-xxxx'

Since then, the only thing you two seem to do is argue. Especially when he’s stuffed eight inches deep in you from behind, “giving me so much attitude when you just needed a good fuck.” Him and that big fucking mouth, he must love hearing himself talk.

“if you wanted to get fucked like a slut then you could have just said so, brat.” He sneers, spanking you with considerable force behind his meaty palm. You’re Keis’ good girl, of course you can take it. He's trained you to do so.

“Sh-shut up and just fuck me Kei,” he loves when you talk to him like that, using his name like you own it. You’re wrapped around his finger as he bullies his girth into you.

“How can I when this greedy cunt’s not letting me go?” He’s right, within these four walls you’re his as you clench around him even tighter. “You can’t even fit all this,” he’s just inexplicably sexy, condescending yet so giving as he angles himself forward into the plush of your ass.

Pleasing you is an art to him, a deliberate one that he studies to get the best results. It’s brutal how fat his dick is, it matches his brash personality. “Go on, cum.” He says with sheer confidence.

Seconds later you’re unraveling before him as if it was pre-meditated. Like he instinctively knew when it was going to occur, permitting you before the act.