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derinwrites · 7 months ago

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The Three Commandments

The thing about writing is this: you gotta start in medias res, to hook your readers with action immediately. But readers aren’t invested in people they know nothing about, so start with a framing scene that instead describes the characters and the stakes. But those scenes are boring, so cut straight to the action, after opening with a clever quip, but open in the style of the story, and try not to be too clever in the opener, it looks tacky. One shouldn’t use too many dialogue tags, it’s distracting; but you can use ‘said’ a lot, because ‘said’ is invisible, but don’t use ‘said’ too much because it’s boring and uninformative – make sure to vary your dialogue tags to be as descriptive as possible, except don’t do that because it’s distracting, and instead rely mostly on ‘said’ and only use others when you need them. But don’t use ‘said’ too often; you should avoid dialogue tags as much as you possibly can and indicate speakers through describing their reactions. But don’t do that, it’s distracting.

Having a viewpoint character describe themselves is amateurish, so avoid that. But also be sure to describe your viewpoint character so that the reader can picture them. And include a lot of introspection, so we can see their mindset, but don’t include too much introspection, because it’s boring and takes away from the action and really bogs down the story, but also remember to include plenty of introspection so your character doesn’t feel like a robot. And adverbs are great action descriptors; you should have a lot of them, but don’t use a lot of adverbs; they’re amateurish and bog down the story. And

The reason new writers are bombarded with so much outright contradictory writing advice is that these tips are conditional. It depends on your style, your genre, your audience, your level of skill, and what problems in your writing you’re trying to fix. Which is why, when I’m writing, I tend to focus on what I call my Three Commandments of Writing. These are the overall rules; before accepting any writing advice, I check whether it reinforces one of these rules or not. If not, I ditch it.

1: Thou Shalt Have Something To Say

What’s your book about?

I don’t mean, describe to me the plot. I mean, why should anybody read this? What’s its thesis? What’s its reason for existence, from the reader’s perspective? People write stories for all kinds of reasons, but things like ‘I just wanted to get it out of my head’ are meaningless from a reader perspective. The greatest piece of writing advice I ever received was you putting words on a page does not obligate anybody to read them. So why are the words there? What point are you trying to make?

The purpose of your story can vary wildly. Usually, you’ll be exploring some kind of thesis, especially if you write genre fiction. Curse Words, for example, is an exploration of self-perpetuating power structures and how aiming for short-term stability and safety can cause long-term problems, as well as the responsibilities of an agitator when seeking to do the necessary work of dismantling those power structures. Most of the things in Curse Words eventually fold back into exploring this question. Alternately, you might just have a really cool idea for a society or alien species or something and want to show it off (note: it can be VERY VERY HARD to carry a story on a ‘cool original concept’ by itself. You think your sky society where they fly above the clouds and have no rainfall and have to harvest water from the clouds below is a cool enough idea to carry a story: You’re almost certainly wrong. These cool concept stories work best when they are either very short, or working in conjunction with exploring a theme). You might be writing a mystery series where each story is a standalone mystery and the point is to present a puzzle and solve a fun mystery each book. Maybe you’re just here to make the reader laugh, and will throw in anything you can find that’ll act as framing for better jokes. In some genres, readers know exactly what they want and have gotten it a hundred times before and want that story again but with different character names – maybe you’re writing one of those. (These stories are popular in romance, pulp fantasy, some action genres, and rather a lot of types of fanfiction).

Whatever the main point of your story is, you should know it by the time you finish the first draft, because you simply cannot write the second draft if you don’t know what the point of the story is. (If you write web serials and are publishing the first draft, you’ll need to figure it out a lot faster.)

Once you know what the point of your story is, you can assess all writing decisions through this lens – does this help or hurt the point of my story?

2: Thou Shalt Respect Thy Reader’s Investment

Readers invest a lot in a story. Sometimes it’s money, if they bought your book, but even if your story is free, they invest time, attention, and emotional investment. The vast majority of your job is making that investment worth it. There are two factors to this – lowering the investment, and increasing the payoff. If you can lower your audience’s suspension of disbelief through consistent characterisation, realistic (for your genre – this may deviate from real realism) worldbuilding, and appropriately foreshadowing and forewarning any unexpected rules of your world. You can lower the amount of effort or attention your audience need to put into getting into your story by writing in a clear manner, using an entertaining tone, and relying on cultural touchpoints they understand already instead of pushing them in the deep end into a completely unfamiliar situation. The lower their initial investment, the easier it is to make the payoff worth it.

Two important notes here: one, not all audiences view investment in the same way. Your average reader views time as a major investment, but readers of long fiction (epic fantasies, web serials, et cetera) often view length as part of the payoff. Brandon Sanderson fans don’t grab his latest book and think “Uuuugh, why does it have to be so looong!” Similarly, some people like being thrown in the deep end and having to put a lot of work into figuring out what the fuck is going on with no onboarding. This is one of science fiction’s main tactics for forcibly immersing you in a future world. So the valuation of what counts as too much investment varies drastically between readers.

Two, it’s not always the best idea to minimise the necessary investment at all costs. Generally, engagement with art asks something of us, and that’s part of the appeal. Minimum-effort books do have their appeal and their place, in the same way that idle games or repetitive sitcoms have their appeal and their place, but the memorable stories, the ones that have staying power and provide real value, are the ones that ask something of the reader. If they’re not investing anything, they have no incentive to engage, and you’re just filling in time. This commandment does not exist to tell you to try to ask nothing of your audience – you should be asking something of your audience. It exists to tell you to respect that investment. Know what you’re asking of your audience, and make sure that the ask is less than the payoff.

The other way to respect the investment is of course to focus on a great payoff. Make those characters socially fascinating, make that sacrifice emotionally rending, make the answer to that mystery intellectually fulfilling. If you can make the investment worth it, they’ll enjoy your story. And if you consistently make their investment worth it, you build trust, and they’ll be willing to invest more next time, which means you can ask more of them and give them an even better payoff. Audience trust is a very precious currency and this is how you build it – be worth their time.

But how do you know what your audience does and doesn’t consider an onerous investment? And how do you know what kinds of payoff they’ll find rewarding? Easy – they self-sort. Part of your job is telling your audience what to expect from you as soon as you can, so that if it’s not for them, they’ll leave, and if it is, they’ll invest and appreciate the return. (“Oh but I want as many people reading my story as possible!” No, you don’t. If you want that, you can write paint-by-numbers common denominator mass appeal fic. What you want is the audience who will enjoy your story; everyone else is a waste of time, and is in fact, detrimental to your success, because if they don’t like your story then they’re likely to be bad marketing. You want these people to bounce off and leave before you disappoint them. Don’t try to trick them into staying around.) Your audience should know, very early on, what kind of an experience they’re in for, what the tone will be, the genre and character(s) they’re going to follow, that sort of thing. The first couple of chapters of Time to Orbit: Unknown, for example, are a micro-example of the sorts of mysteries that Aspen will be dealing with for most of the book, as well as a sample of their character voice, the way they approach problems, and enough of their background, world and behaviour for the reader to decide if this sort of story is for them. We also start the story with some mildly graphic medical stuff, enough physics for the reader to determine the ‘hardness’ of the scifi, and about the level of physical risk that Aspen will be putting themselves at for most of the book. This is all important information for a reader to have.

If you are mindful of the investment your readers are making, mindful of the value of the payoff, and honest with them about both from the start so that they can decide whether the story is for them, you can respect their investment and make sure they have a good time.

3: Thou Shalt Not Make Thy World Less Interesting

This one’s really about payoff, but it’s important enough to be its own commandment. It relates primarily to twists, reveals, worldbuilding, and killing off storylines or characters. One mistake that I see new writers make all the time is that they tank the engagement of their story by introducing a cool fun twist that seems so awesome in the moment and then… is a major letdown, because the implications make the world less interesting.

“It was all a dream” twists often fall into this trap. Contrary to popular opinion, I think these twists can be done extremely well. I’ve seen them done extremely well. The vast majority of the time, they’re very bad. They’re bad because they take an interesting world and make it boring. The same is true of poorly thought out, shocking character deaths – when you kill a character, you kill their potential, and if they’re a character worth killing in a high impact way then this is always a huge sacrifice on your part. Is it worth it? Will it make the story more interesting? Similarly, if your bad guy is going to get up and gloat ‘Aha, your quest was all planned by me, I was working in the shadows to get you to acquire the Mystery Object since I could not! You have fallen into my trap! Now give me the Mystery Object!’, is this a more interesting story than if the protagonist’s journey had actually been their own unmanipulated adventure? It makes your bad guy look clever and can be a cool twist, but does it mean that all those times your protagonist escaped the bad guy’s men by the skin of his teeth, he was being allowed to escape? Are they retroactively less interesting now?

Whether these twists work or not will depend on how you’ve constructed the rest of your story. Do they make your world more or less interesting?

If you have the audience’s trust, it’s permissible to make your world temporarily less interesting. You can kill off the cool guy with the awesome plan, or make it so that the Chosen One wasn’t actually the Chosen One, or even have the main character wake up and find out it was all a dream, and let the reader marinate in disappointment for a little while before you pick it up again and turn things around so that actually, that twist does lead to a more interesting story! But you have to pick it up again. Don’t leave them with the version that’s less interesting than the story you tanked for the twist. The general slop of interest must trend upward, and your sacrifices need to all lead into the more interesting world. Otherwise, your readers will be disappointed, and their experience will be tainted.

Whenever I’m looking at a new piece of writing advice, I view it through these three rules. Is this plot still delivering on the book’s purpose, or have I gone off the rails somewhere and just stared writing random stuff? Does making this character ‘more relateable’ help or hinder that goal? Does this argument with the protagonists’ mother tell the reader anything or lead to any useful payoff; is it respectful of their time? Will starting in medias res give the audience an accurate view of the story and help them decide whether to invest? Does this big twist that challenges all the assumptions we’ve made so far imply a world that is more or less interesting than the world previously implied?

Hopefully these can help you, too.

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readwritealldayallnight · 27 days ago

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Yours, Mine, Ours

Simon ‘Ghost’ Riley x Reader

wc: 1.5k words

warnings/tags: fluff

“So did the other two actually say no or did you just never invite them?”

“‘Course I invited them, you asked me to, so I did.” Simon replies with ease, keeping his eyes fixed on the road ahead of him. “They’re smart lads, lovie, they knew to say no all by themselves.”

You shake your head at him in disbelief but the smile that’s been plastered across your face ever since the two of you pulled out of your flat’s parking doesn’t budge. Simon’s been driving for a few hours now, and as stressful of an experience as that is alone, you’re too excited to mind the long journey in the car.

Simon is on leave for the next two weeks, something about Price having to attend a funeral following a death in the family, and deciding that everyone on the force was due for a bit of time off. Seeing as the Captain was going to be preoccupied during his time off duty, he had asked if Simon wouldn’t mind checking in on his house for him, making sure things were alright. He’d even offered for the two of you to stay in the guest room for the duration of their leave.

Simon had explained how Price knew that the two of you were living in a small flat in London, and apparently his home was in a beautiful, forested, isolated area which meant he had essentially no neighbours, something he also knew would appeal to Simon. He offered for the two of you to stretch your legs out there at enjoy the property, including the privacy that came with it.

Wanting to be polite, you’d told Simon he should extend the invitation to Soap and Gaz, thinking they might enjoy a nice, quiet stay-cation as well at their Captain’s place away from it all. It would appear your lover had different ideas in mind however. Though you couldn’t blame him entirely, the thought of having the cozy cabin all to yourselves was certainly more appealing.

Every which way you look outside the car, your vision is filled by endless blurry trees as you zoom by, the colours of the leaves having finally changed into the warmer, more vibrant colour palette that came along with the autumn chill. If the drive up to his property was any indication of how beautiful the area really was, then you were in for quite the treat.

Entranced by the beauty of the landscape in comparison to the city lights you’ve grown so used to, you fail to notice the glances Simon keeps sneaking your way, the smallest of satisfied smiles seemingly permanently etched upon his face beneath his balaclava. He was grateful that after explaining the situation and Price’s generous offer to you, you had been too excited to ask many questions, instead getting a jump start on packing a duffel bag or two.

You were one of the most intelligent, clever, curious people he’d ever known, and it was normally quite difficult to get anything by you. He was therefore feeling rightfully proud of himself as he drove you nearer and nearer to the home you believed belonged to his Captain. In actuality, there was no funeral for Price to attend, the sergeants had certainly not been invited along on your getaway, and the home you’d be staying in wasn’t Price’s.

It was yours.

Yours, and Simon’s.

The two of you had been living in that shoebox of a flat he’d considered as ‘satisfactory’ when he was only staying there as a bachelor, for far too long. As ideal as the location might have been, there simply just wasn’t enough space for two people to live together, even considering Simon’s absences for work and that fact that when he was home, you two were essentially always on top of one another anyways.

You’d both been searching for a new flat for what felt like ages now, none of the places you visited feeling like the right fit. Simon would be weary about a certain neighborhood, you’d be concerned with the lack of any balcony or outdoor space, he’d ignore the price tag that felt your eyes bulging, and you’d shake your head as you walked through doorways that had him needing to duck down.

Little did you know, Simon had been doing his own house hunting, outside of the city. You had told Simon you were fine with staying in London, understanding that it’s convenient to have everything near by. But Simon didn’t want to give you just ‘fine’. He wanted to give you a home. The home he intends to spend the rest of his life with you in, plans on carrying you over the threshold in your wedding dress, hopes to carry sleeping newborns in their car seats through the door.

For months now, Simon has subtlety been learning more about what that home looked like to you. He’d look over your shoulder as you scrolled through Pinterest, casually asking if you could show him your boards, you know just for fun, and paid very close attention when you showed him the one named ‘future house’. On his phone, he had a list a mile long in his notes app, from secretly writing down every comment you made while watching your home reno shows. He’ll casually ask you what you think of the houses you drive by, jotting down your answers in his mind, remembering likes and dislikes.

He believes that like you, it’s the people filling the home that matter more than the structure itself, as proven by the way you continue to put up with his minuscule flat. He knows you mean it when you say you’re alright with another flat. But he has the money goddammit, he has the means to do this for you, and when the listing came up for a home in what you’d revealed as being your ideal area to settle down in one day, the house resembling the amalgamation of everything he believed you’d described as being your perfect place, he knew he had to put an offer in.

And if there ever was anything about the house you didn’t like or wanted to change, he’d gladly do it for you, no questions asked. You want to paint the bedroom? Just tell him what colour you want. You want to change the railing on the wrap around porch? He’s on his way to the hardware store already. You need him to dig a stump out of the backyard to make room for your garden? Sit back and enjoy the show lovie, he’s on it. And when the time comes to build a crib? Well he may as well baby proof the whole house while he’s at it too.

He’s pictured your reaction a thousand times over in his mind. He imagines you’ll maybe give a small gasp when he turns the corner of the long driveway and you first see the cozy, two-storey home, surrounded by never-ending foliage of red, orange, and yellow leaves, the time of year perfect for appreciating autumn in the UK, as well as the privacy the tall trees grant you. He thinks the first thing you’ll comment on will likely be the windows, an item high on your priority list he knew to adhere to.

He imagines you kicking off your boots as you step through the door, pace quickening to explore every room, spinning in the kitchen as you joke about how jealous you are of Price. He pictures you groaning with envy when you spot your dream master bathroom, insisting to Simon that since you’d been tasked with checking in on the home you may as well see every room, right? He plans to explain away the obvious sparseness of the home as the Captain not having lived here long, as being very non-materialistic after all his years in service.

He’ll continue to play along for as long as he can, part of him knowing that you know him well enough that you’re likely to catch onto his deception at some point. However he hopes that before you start rummaging through kitchen cabinets and find them empty, too empty even for an absentee captain of a homeowner, that you’ll mention something along the lines of wishing you could stay here longer. That’s when he plans to slip a key into the palm of your hand, revealing that you might be able to stay longer than you believe.

The small piece of metal that’ll unlock the rest of your lives together, sits heavy in his pocket, in contrast to the light feeling in his heart when his hand reaches across the dashboard to grab a hold of yours, knowing that the content, lovesick smile you offer him is likely stretched across his face as well, staring right back at you.

Though you’re unaware that Simon is currently driving towards your home, and not away from it, you’re gently stroking the scarred skin across his hand, feeling as though your home is sitting right next to you, holding your hand and your heart at the same time.

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inkskinned · 1 year ago

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so while i was writing the book, i became violently suicidal.

this was mostly due to the fact that i had a very bad reaction to some meds and my brain stopped producing any serotonin. also i was in the last semester of grad school where it's actually illegal to feel anything but dread. so it wasn't going well.

somewhere in the fog of it i became aware i needed help. nobody was taking clients or my insurance. i didn't want to do inpatient care - it wasn't right for my needs. there's not really an "in between" stage between "inpatient" and "no care," but i was trying to do the right thing. i was trying to activate the chain of command that was my emergency plan. i knew i needed help now.

i used betterhelp.

i know, i know. i'm a straight-A student and so smart and so clever, how could i ever use something so blatantly bad. to be honest with you, i didn't feel particularly keen on it from the getgo - things that seem too good to be true usually are. also, if something online is free, the price is usually your privacy.

the thing is that there was kind of a global pandemic happening at the time and i worked 5 jobs alongside of being a fulltime student and also like writing a book on the side. it is a miracle that i even thought about getting help. i would love to tell you i had the mental wherewithal to like, process whether this was the right choice for me. mostly i was desperate. i was so suicidal that i was trying to find a reason to stay inside of fortune cookies. i was the kind of suicidal that looks like splatterpaint. i hadn't been that bad in an entire decade.

they took my data. i gave them it freely. somewhere out there, they have a dossier on me. on everything i survived. my story in little datapoints, scattergraphed beautifully.

the first woman told me that really i should be grateful, because (and this is a direct quote): "at least you're not anne frank." i said that i felt that statement was antisemitic, as anne frank's life and experience shouldn't be compared to like, a nonbinary lesbian in western massachusetts. the therapist said that i should try to use lucid dreaming to try to picture myself in an actually scary situation, like running from nazis.

i applied for another therapist. i was willing to accept the possibility that there was a bad apple in the bunch. the next therapist and i even laughed about how inappropriate that statement was. and then, in our next session: the new therapist said if i was struggling with body image issues, i should just work harder on my appearance. she spent 3 sessions in a row talking about how she was grieving, and made me memorize facts about her grandmother so "she can live on through my clients."

i am a three's-a-charm kind of person. okay, so what if the last person made me uncomfortable. i figured it was just a misunderstanding of priorities - she had felt she was sharing with me, i had felt like i had to take care of her. i applied for another therapist.

the last woman asked me to help her pray. she bowed her head. i stared at her, frozen, while she said: lord, i beg you: cure her. take the pain of being gay away from her.

i spent somewhere between 2.5 and 3 months on betterhelp. in that whole time, i was not getting the professional help i so desperately needed, even though i was fucking trying.

in the end, i survived this because i finally could get off the meds that were literally killing me. a request for a real therapist finally went through. i survived because my friends saved my life. because nick let me sob myself dry in his arms. because maddie took the razors out of my room when i asked them to. because grace slept over in my bed for like 3 weeks in a row since nobody trusted me not to hurt myself when i was alone. i survived because i got fucking lucky. because even when i was desperately suicidal, i was too old and too self-aware to take "you need to be prettier" as good advice.

the thing is that there's a 19 year old me who isn't like that. who would have heard "just think about how grateful you should be" and said - oh, i see. i would have assumed that is what it means to be in therapy: the same thing my abusers used to tell me. that i am just pretending and lazy. that i am ugly and unworthy.

betterhelp positioned itself to take advantage of an incredibly vulnerable community. it preys on desperation. it knows it is serving people who are not doing well mentally. it saw that there is a huge need for real, immediate, compassionate mental health care: and then it fucking takes your money and privacy.

i still get their ads on instagram. last night i watched as a woman in a pool pretends to talk to a different woman. they discuss her anxiety.

there's a 19 year old version of me, and she didn't survive this. she was too tired, and drowning. i almost fucking died. this thing almost fucking killed me.

in the ad, the woman playing the therapist takes a note on a clipboard and then nods once, sagely.

i have to admit it's a pretty scene. the steam and light coming off the pool water lands on the actresses. like this, it almost looks baptismal, holy.

#writeblr #the book....#coming soon #hey so if ur someone who has ever said “you need to write a book”#i wrote the book #it's ... probably the best thing ive ever written #this is maybe too honest lol #okay to reblog thank you for asking i love u i am in love with u our wedding will be in may

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andhumanslovedstories · 13 days ago

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An intro to doing crosswords for complete beginners

as told by someone who didn’t do any before this year and now has gotten so deeply into them

with examples pulled almost entirely from crosswords published in American publications this week

A crossword is not a measure of general knowledge or intelligence or skill with words anymore than a Mario game is a measure of how good you are at plumbing. It certainly helps to have the same cultural reference points as the puzzle, but you can brute force your way through a lot of it if you just know how crosswords work

Easiest on Mondays and then get harder over the week

The answer is in the same verb tense as the clue (ex. “doesn’t float” is “SINKS” while “didn’t float” is “SANK”)

If there’s an acronym or abbreviation in the clue, the answer will have one as well (ex. “Toothpaste-approving org.” is “ADA” because that the short way of referring to the American Dental Association)

If the answer is in written like a text from a teen girl with her first flip phone, the answer will be a common texting abbreviation (TMI, OMG, LOL, LMAO, BRB, TTYL, etc) (ex. three letter word with clue “i can’t believe u told me that” is “TMI”)

If the clue is in quotes, it’s dialogue and the response should also be dialogue (ex. the clue “‘That’s it for me!’” is “IQUIT”)

An answer can be multiple words, (see above) so some correct answers can make you second guess yourself because it creates letter combos that seem impossible to be in one English (mostly) word or mess you up bc it’s ambiguous where one word ends and another begins (ex. you have the letters “OWFO” and the answer ends up being “PILLOWFORT” or “UDAT” being “BERMUDATRIANGLE”)

Treat clues with a question mark like they’re going to be puns that make you groan so think about other meanings of the words in the clue (ex. “Volumes you can hear?” is “AUDIOBOOKS” or “Not fancy at all?” is “HATE” or “Remained under cover?” is “SLEPTIN”)

Clues that add hedging language line “they could be called…” or one might use this as…” are telling you to think very laterally. These are the ones that make you a little mad when you get them (ex. “They might be said to be dancing or raging” is “FLAMES” or “They admit they might be punched” is “TICKETS”)

The word “maybe” usually indicates the answer will be an example of the clue, not a synonym (ex. “Pet, maybe” is “CAT”)

If a person is in the clue and a person is the answer, the answer will be from the same part of name as the clue (ex. Trevor Noah replaced John Stewart on the Daily Show. So the clue “Stewart’s successor on the Daily Show” is “NOAH” while “John’s successor on the Daily Show” would be “TREVOR”

No word in the clue will be featured in the answer (ex. “What Beyoncé Knowles goes by” could be “ONENAME” but could never be “BEYONCÉ”)

A answer can be a phonetic spelling of a letter (ex. “Epic finale?” is “CEE”)

Not every clue is going to be tricky and clever, don’t rule out an obvious choice just because it’s obvious (ex. “Do ___ disturb” is “NOT”)

Roman numerals pop up a lot but typically only in clues where a Roman numeral makes sense, so “finale of a play?” could be “ACTII” but “Number of Stooges” is not going to be “III”

There’s a ton of really common clues. If you do enough crossword puzzles you recognize them. (ex. Literally almost anything about oil is going to be OPEC, any variations on “things on a smartphone that someone can download and use” is going to be “APPS”, and anything about a european capital city is probably “OSLO”)

If a clue can be about a cookie, the answer is almost certainly “OREO”

#crosswords #I’ve done 94 crosswords in the last two weeks

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pomefioredove · 3 months ago

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Hai hai! I wanted to request HCs for Riddle, Ace, Cater, Leona, Jamil, Azul, Floyd, Jade, Vil, and Malleus (apologies, that's a lot of characters-) with a reader that is normally awkward/easy to fluster but will randomly do or say something really bold. If that's already been done then please ignore!

Hope you have a nice day! Or night! Or secret third thing???? :3

I think this is rather similar to this, but I haven't done some of these characters with this prompt so I'll just write them here :)

*ੈ✩‧₊˚ the boys do a flirt (part 2)

type of post: headcanons characters: ace, cater, floyd, jade additional info: romantic, reader is gender neutral, reader is yuu

we all know that Ace prides himself on his flirting skills

what can he say?

seeing you get all shy and giggly is a huge ego boost for him

he can't help himself!

even his corniest lines get a reaction out of you, it's too easy

(and giving Deuce secondhand embarrassment is a big bonus)

he starts to think that maybe he's overdone it when you start using his own lines against him

it catches him by surprise every time

and he can't even play it cool!

but, he'll admit, he's... kinda into it

turns out the taste of his own medicine is pretty sweet

*ੈ✩‧₊˚

not unlike Ace, Cater just really likes getting a reaction out of you

for one, it's good for his self-esteem

for another, you're the cutest thing he's even seen

and, finally, he knows just how to press your buttons

even his brain works on an algorithm

he figures out what you react to the most, and then uses that until you're reduced to a flustered mess

rinse and repeat

and when you start giving back the same energy, he's...

well, surprised, but also...

damn...

what's a friendship without a little tension that makes everyone else in the room uncomfortable, anyway?

^ Riddle hates you both

*ੈ✩‧₊˚

I had to think about how Floyd would flirt for longer than I'd like to admit

like... he bites people, right? we agree that he bites?

generally just annoying on purpose

closing books while you're reading them, stealing your things (and then pretending he doesn't have them), holding your things above his head where you can't reach...

anything to get you all riled up

it's adorable!

he's more used to being yelled at than flirted back with, though

this is much better, in his opinion

let's hope you're more clever than he is, though

he adapts fast

*ੈ✩‧₊˚

flirting with Jade means a lot of subtle comments and subdued looks

let's hope you're good at reading subtext...

you're going to need all the help you can get with this one

one careless glance in your direction could be him checking you out, and you'd never know

being, perhaps, the most subtle of flirts in this post, your boldness almost makes him blush

it's as if you're not even afraid of him

how... interesting

if you hadn't caught his full attention before, you surely have now

#twisted wonderland x reader #twst x reader #queued #ace trappola x reader #cater diamond x reader #floyd leech x reader #jade leech x reader

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charliemwrites · 2 months ago

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Part 12 SpecGru reader!!

No content warnings for this chapter.

You mull over your captain’s words in the hours before dinner. Sitting behind Nova in her temporary room, Doctor Who’s opening theme warbling from your laptop’s speakers. You gently work oil into her scalp, following the precise alleys formed by her braids.

It’s a soothing ritual, not just for her, but for you. An act of care for a woman who’s been so kind and patient with you. Who always stood her ground on your worst days, and never allowed herself to be goaded into a useless argument. She’s warm beneath your fingers, soft against your chest, the scent of coconut and cinnamon sweet in your nose.

Slowly, you begin to card through memories you put great care into neglecting.

The day you left the hospital, feeling more pathetic than you ever had in your life. A packet of care instructions folded over in one hand. You remember the way Gaz hadn’t quite looked you in the eye, mouth tight and regretful at the corners. Almost guilty. Even when he handed over a bag of fresh clothes, saying he was glad to see you on your feet.

Did you know then? Was there some twinge of foreshadowing in your gut? Did you hear a foreboding whisper in your mind, of how the following twenty-four hours would devolve?

Maybe you did or maybe hindsight is a liar.

What really stands out, even after all this time, is how betrayed you felt (still feel) when you reflect on that interaction with Gaz. That the best he offered was a weak warning that Ghost and Price were pissed off at you. The hurt that he didn’t even ask how you felt before disappearing for the rest of that awful day. You never saw him after your initial discharge, he might as well have borrowed his lieutenant’s namesake.

And then there was Johnny.

Soap, who made himself perfectly visible, if only to express how pissed off he was. He never bothered to ask how you were doing either – didn’t even seem relieved to see you conscious and in one piece. He was tight-jawed and tense; the few times he deigned to speak to you was clipped and terse.

When you finally left, you remember how your chest ached, knowing (intending) you’d never see his thousand-watt smile again. A fair few of your tears on that flight had been in self-deprecation for expecting anything but his total, unwavering loyalty to Simon. It stung that for all his crowing about being a team, looking out for each other, no one left behind – he couldn’t spare you a crumb of forgiveness for a mistake in the field.

Price and Ghost had almost made sense, really. But Gaz and Soap had been a peculiar sort of pain. Your fellow sergeants, who had made you feel welcome and comfortable in the beginning – who had been the bridge and buffer between you and your intimidating superiors. And maybe it wasn’t their fault that you never quite felt like you had a seat at their table, but they’d tried.

Still… at least you can look at them. You can’t imagine opening your mouth to face Price or Ghost and anything but acid pouring out.

“What’s on your mind, babes?”

You blink, palms automatically cradling Nova’s head as she tilts it back to peer at you. On autopilot, you dip down to kiss her forehead, then the gentle curve of her lips.

“Hmm?”

“Don’t get me wrong, the massage is nice,” she teases, “but you’ve gone over my whole head at least twice now.”

“Oh,” you intone, swiping your thumb behind her ear. “Just thinkin’ is all.”

“I can tell,” she giggles, “there’s practically smoke comin’ outta your ears.”

You grimace a bit, arms lowering down to circle her shoulders in a hug. She curls her clever, slender fingers around your forearm, tracing soft patterns with her blunt nails.

“Sorry, love,” you mumble, flicking your eyes to the screen. Realize you’ve only got a vague idea of what’s going on. “I’m being a bad date.”

“You’re not,” she insists, squeezing your wrist. “This s’all been a lot, yeah? I just don’ want you being on your own in there.”

She taps two fingers against your temple. You used to spend all your time alone in your own head. Not because it was safe – it wasn’t – but it was familiar. It took her and the rest of the team concerted effort to pry anything of value from you.

Now, you muster up an appreciative smile as you nuzzle into her hand.

“I’ve just been trying to decide…”

She pauses the show and wriggles to get a better look at your face, hums for you to continue.

“If I should try talking to the 141,” you continue. “Cap said I should consider it. See if we can put all that old shit to rest.”

“Do you want to put it to rest?”

“I should.”

“But do you want to?”

The question brings you up a bit short. Being mad is easy. You’ve been mad at them for so long, one step short of loathing, that you’ve settled into the feeling. Dug your heels in. It’s an easy way to put a stopper on all the complicated hurt lying beneath.

“I want to talk to them the same way I want to go to the dentist,” you muse.

She picks up what you aren’t saying.

“You don’t want to, but you know it’s healthier if you do.”

You grunt, still too proud to admit it outright.

“The wound closed over, but it never healed properly,” she says. “Maybe you’ve got to reset it, yeah?”

You sigh. “Yeah. Just not sure where to start.”

She shrugs. “Wherever you want to. Do it on your own terms. Only way you’ll be able to stomach them.”

You chuckle. “Yeah, you’re probably right.”

“’Course I am,” she chirps. “I’m used to navigating bad weather.”

You nip at her fingers, prompting a bright peel of laughter as she tries to squirm away. As you wrestle her back into your lap, your nerves soften and settle.

Even if you excise this wound, you know you won’t be left bleeding alone. Not ever again.

You haven’t come to any concrete decision after dinner. Not that anyone asks. Nova isn’t one to push and your captain has already said his piece. You haven’t told Nikto or Keegan about your dilemma yet, and you’re not sure if you will.

Nikto’s take on the situation isn’t obvious – though if you had to guess, it would be similar to Nova’s. But Keegan? You already know what his answer would be.

Of anyone in SpecGru, he had to work the hardest to earn even an iota of warmth from you. He reminded you too much of Ghost – and how could he not? The perpetual mask, the sharp one-liners. Gruff and closed off, frighteningly capable, and a crack shot with a sniper rifle to boot.

It used to take everything in you to pull your punches during spars. The rare instances that you would agree to eat with your new team were never if Keegan was present. And more than once, you walked into the rec room, saw his looming figure, and turned right back around.

The only time you could stand to look at him was during missions, but your captain was always sure to receive a killer glare if he paired the two of you together.

Keegan was your partner on the mission that changed things.

It had been a week straight of shit sleep and bad memories, sick on loneliness and anger. When boots hit the ground, you stormed right in, eager to prove to yourself (but really, to them) that you were valuable. Didn’t wait for Keegan, but that had never stopped him from keeping pace with you before.

You didn’t clear your corners, got sloppy and hasty.

Took two stab wounds before Keegan shot the hostile in the temple. When he tried to call the others, you demanded that he finish the mission first. Would have rather bled out than be the reason another mission failed.

The pain and blood loss dragged you under as soon as you choked out the demand.

Then, Keegan’s face was the first thing you saw in the hospital room. Not the mask, him.

Even with dirt and black paint smudging his face, you could see the dark, worried circles beneath his eyes. Could read regret in his angular jaw, relief in the slant of his scarred mouth. For the first time, you looked in his eyes and saw more than an echo of your former lieutenant.

You saw your teammate. The partner you’d left to fend for himself because you’d been handicapped by your own pride. You saw Keegan.

“Did you finish the mission?” you rasped.

He frowned, but your captain stepped forward. “He did – once we were there to stop the bleeding.”

You never saw Ghost in the weave of his mask again.

And soon after, Keegan was the first person you opened up to about the 141.

It was that very same week. You’d been sick on shame and embarrassment, using your injuries to nurse your wounded ego. Skipping meals in exchange for raiding your snack drawers and moping in your cot.

Keegan hadn’t made himself scarce after your discharge. None of your team had, really – but he’d made a point of checking on you. And lacking your usual sharpness, he hadn’t been deterred by your comparatively mild standoffishness either.

Which was how you found yourself stubbornly tucked into the corner of your cot one night, while Keegan sewed the holes in your shirt. He kept shooting you amused looks – probably because you hadn’t taken your eyes off him once. Half wondering why he was there, half waiting for the other shoe to drop.

“You gonna say something, or you just glare all night?” he drawled eventually.

You narrowed your eyes. “Do you plan to stay all night?”

He shrugged, but his eyes flicked to yours, the corner of his mouth ticking up. (No mask. He hadn’t worn one around you since the hospital. Not unless people outside your team were around.)

“If you’ll have me. Been meaning to get you caught up on the show we’ve been watching.”

You huffed, frustrated. “Why?”

He arched his brows at you, needle paused. “Because I like you, despite your best efforts.”

You stared, a little appalled, a little touched. Keegan just chuckled and went right back to mending your shirt. You drew your knees up tighter and hid your quivering mouth with your arms.

“Cap says your last team was shit to you,” he said into your sullen silence.

You scowled. He put a hand up as if in surrender.

“He hasn’t said more’n that, don’t worry,” he continued, “I’m just sayin’… I don’t take any of it personal. You’re a good teammate, I trust you with more than my six.”

Why, you wanted to demand, flabbergasted and all the guiltier because you knew you didn’t deserve it. Why did he trust you? Why was he so patient? Why was he there at all?

You sniffled, but he just kept talking.

“I want to return the favor, ya know? I’m not askin’ you to trust me after the mission, but you don’t gotta be on your own either.”

You were crying quietly by that point, face so hot that your tears felt cold, stomach aching from more than stab wounds. He finally looked up, saw how you were falling apart. But he didn’t shy away, didn’t close himself off. It wasn’t pity or sympathy that softened his eyes.

“The shit you and I carry, we’re not meant to do it alone, sweets.”

And what else could you do, but spill your sorry guts?

You remember the expression on his face when you got to the part about Ghost. Remember how tightly he held you on your cot, all the distance (emotional and physical) closed between you two. Remember waking up the next morning, Netflix still open on your laptop and flopped gracelessly over Keegan’s stomach like a childhood sleepover.

You couldn’t have iced him out again even if you wanted to, after that.

No, there’s no question what Keegan would tell you, if you asked about talking to the 141. He would say there’s no good reason to waste oxygen on a single one of them.

So, you don’t ask.

You climb into his lap in your temporary room that evening, peeling his mask up and off with slow hands. His eyes are already half-lidded, the corner of his mouth curved fondly. His hands spread across your thighs, warm and rough. The scar twisting across his left palm is sweetly familiar when he draws it along your skin.

“I’m going to try talking to the 141,” you admit.

His jaw twitches, eyes flickering. “Now why the hell would you do that?”

You sigh, curl your fingers into the brassy crop of hair he’s been growing out. He’s got a quick temper, and a habit of misplacing it when it’s been triggered by something out of his control. You don’t take it personally, you never have – it’s gratifying to see how much he cares.

“There’s no good reason to waste oxygen on a single one of ‘em,” he growls.

“There might be.”

He sits back, skeptical but waiting.

You continue, “I’ve got a lot of shit to say to them, and they seem eager to hear it.”

“Why give ‘em the satisfaction?” he asks.

“Maybe it’ll help with the nightmares.” That gives him pause. You draw your thumb soothingly across his temple – a bullet graze from saving your life. “We’ve got too much shit to carry, you and me. Unloading some of it is as good a reason as any.”

His hand drifts up your side, grazes the tattoo coiling down your arm. (The second you ever got – a big piece that took hours, Keegan never leaving your side. Nikto, Nova, and your captain periodically dropping in to provide snacks and water.)

He cups your jaw, guides your face down until your foreheads touch. You stay there, breathing him in. He smells like yours.

“What if they make it worse, huh?” His thumb caresses over your cheekbone the way it has a dozen times before, wiping away tears. “I’ll have to kill ‘em.”

You huff softly, amused. “Then kill ‘em. But I’m stronger than I was, Kee. There’s nothing they can weigh me down with that I can’t carry.”

“I know,” he whispers, tilting his chin to drop a sweet, aching kiss on your lips.

“Besides, I wouldn’t be carrying it alone anymore.”

His expression lightens, pride shining from his eyes. “Damn right.”

It’s nearly midnight when you wake from a light doze. Keegan is snoring softly, an arm and leg each hanging over the side of the bed. Your mouth is dry, but you realize it’s your stomach that woke you – pangs of hunger from picking at your dinner earlier. You need to eat.

Quiet and careful, you crawl out from beneath the sheets. Keegan is a heavy sleeper compared to the nearly supernatural senses of Nikto; he hardly stirs as you pad for the door. The hall lights are dim, but you only open it a crack to slip out.

The hall is quiet, no lights on beneath any of the other doors. You hope that means the rest of your team is sleeping peacefully. If you remember right, Nikto and Nova crawled in with your captain this evening. They’re all in good company if nightmares creep in; you pray Keegan doesn’t have any while you’re up.

Thankfully, the rec room is only two halls away. Light is spilling out as you turn the corner – there’s a sensor that shuts them off if no movement is detected for a while. Someone is either in there now or was recently. You half hope it’s the latter, but that doesn’t deter you from entering.

Your surprised to find Soap leaning against the kitchenette counter, a steaming mug in hand. His expression is flat, grim. Tired. You pause just inside the doorway.

“Might as well come in,” he says, voice low and rough. “I’ll clear out in a mo’.”

Even from where you’re standing, you can see that his cup is mostly full.

You exhale and shake your head. “Don’t have to.”

“How gracious,” he rasps, brows twitching like he wants to scowl. Like he can’t quite commit to being as bitter as he should be.

You’re too tired for your usual acid, as well. Just sigh and reach for the fridge door.

“Is that how you want this conversation to go?” you ask.

“Is this a conversation?” he replies.

You pluck out a yogurt cup. “It can be.”

He’s glaring into his coffee now, index finger tapping at the ceramic. Thinking. Or maybe just leashing all the things he wants to say but knows will drive you right back out.

“Why now?” he says finally.

You shrug. “Because I’m ready now.”

A tendon in his jaw twitches. “That’s not fair.”

A hot flicker of anger ignites in your chest. You tamp it down with a spoonful of yogurt, measuring out your words and tone.

“How do you reckon?” you inquire.

“You left,” he says. It’s been a while, but you can detect the hurt underlying the accusation. You suspect it’s something he’s wanted to say for a long time. “You left us behind.”

You click your teeth off your spoon, take a deep breath. It’s factually true. You are the one that left but—

“I wasn’t going to wait for you all to kick me out officially.”

He finally raises his eyes, a dark storm of emotion swirling within them.

“We wouldnae have.”

You tilt your head, cynicism in the flat line of your mouth. “Didn’t seem that way to me.”

“I ken you and Simon were—”

“Don’t.”

His mouth snaps shut, brows furrowed. You point at him with your spoon warningly but bite back the sharp remark on your tongue. Arguing isn’t the point here.

Settle instead to say, “Don’t speak for the others.”

There’s a beat of silence as he digests that, then finally nods. “Alright. Just you ‘n me then.”

You turn back to your yogurt, swipe up another spoonful as you reorganize your thoughts.

“I didn’t leave because of Ghost,” you begin. “Not entirely. I left because I was never part of the team. And what happened after that mission just… made it all very clear.”

Soap frowns, opens his mouth like he wants to deny it, but you hold up a finger to stop him. He takes a long sip of coffee and waits.

“You didn’t check on me at all. You weren’t there when I woke up. You never asked if I was okay,” you continue. “You were too busy being angry on Ghost’s behalf.”

“You almost got the both of you killed,” he argues.

“But you cared more about Ghost almost being hurt than the fact that I was,” you say. And dammit, you feel your sinuses burning, but your eyes stay blessedly dry. The anger disappears from his face all at once as realization sinks in. “I mattered to you less than Ghost.”

His hand tightens around his mug, knuckles blanching. “No. No, lass, tha’s no’… you were always… you survived.”

“I felt the worst I ever had in my life, but you didn’t care because I crossed the almighty Ghost,” you insist.

“I cared about you,” he denies.

“But not more than you did about Ghost.” You drag your gaze up to his. Even his eyes look a little wet now. “And that… that wasn’t enough for me.”

You suck in a shuddering breath, trying to loosen the tightness in your chest. Clear your throat once you feel the threatening prick of tears subside.

“I didn’t… it wasnae that,” he rasps. “I ken you think I’m full of shite, but ‘s true.”

You do think he’s full of shit. Maybe not on purpose, maybe he really does think he cared about you as much as Ghost, but you know better.

“I was just… so angry wi’ you,” he explains. “You could have died. Nearly got Simon killed, all because you thought you knew better.”

You exhale hard. “You’ve never made a bad call?” you challenge.

“It wasnae your call to make. You should have listened to Ghost. Instead, you—”

“I what?”

Your fingers tingle, numb. Can’t even feel the spoon, or the chill of the yogurt cup anymore.

“You disobeyed orders, it was so—”

“I didn’t.”

He stops. Stares. “What?”

You stare right back, “I didn’t disobey orders.”

First | Previous | TBC...

Masterlist

#cod #my writing #reader fic #from specgru with love #specgru reader #keegan p russ #john soap mactavish

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swiftlymurmurs · 5 months ago

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I've seen a lot of people voice disappointment over this Game Changer season finale and while I personally wasn't really bothered by a lot of the criticisms (I thought the Ratfish was an interesting added game mechanic and I never really care who wins or loses so his judgements not aligning with mine made no difference to me) I do think it's very interesting and I've spent some time thinking about why it doesn't work for so many. Some thoughts: Why is this Eric guy even here?

Tim & Eric were a popular tv comedy duo in the late aughts alt comedy scene. Sam and many of the writers at Dropout are sketch comedy nerds who, in 2007, were freshly at the start of their comedy careers, and probably see them and the larger [Adult Swim] environment they were a part of as a huge influence.

Why has it maybe aged poorly?

As far as I know, their popularity came in the early stages of about a decade of quite cynical, surreal comedy that also spawned the "lolrandom" era. While huge and fresh at the time, I think my generation (gen Z, the main viewerbase of Dropout) has grown pretty tired of this style and favours sketch comedy that's more clever, witty, and emotionally open or wholesome. At least, that's a movement Dropout has very much steered into with their roster of comedians and it's what the viewers expect.

The parasocial thing

It's no secret that Dropout actively promotes itself as a tight group of friendly comedians who you are invited to get to know, expect, and love when they show up. They don't abuse parasociality in the way you see, for example, younger audience oriented youtubers shoveling merch do it, but they absolutely make use of it. Most of the moments from this episode I've seen people gush over or post positively about are those where the cast recognize each other's styles, reference their relationships, and just generally make it known how well they know one another. When a total stranger enters the picture in an episode where the cast already have a barrier to their regular banter AND is given so much power over the game, they may look like an outsider or even an enemy to the happy little family people have gotten so attached to. Especially because his role is explicitly that of an antagonist, and the cast are never given a chance to see him and maybe out their love and respect for him as a comedian. In the minds of viewers, he just stays some guy who made mean jokes about their blorbo and then left.

Conclusion

I'm always glad to see this show making big swings, and while most of them have landed, some of them are bound to miss. It's a show that prides itself on trying things the viewers may not yet know they wanted and the second it stops trying, I think it'll be all the worse for it. It's a shame to end the season on such a note, but it's been hit after hit so far, and before we know it we'll be right back into it. I love this show, I love this cast, and I'm excited to see what's next!

#game changer #dropout #ratfish #eric wareheim #oof very long post #please remember that this is their job and your favourite comedians are not being attacked #it's just some jokes that didn't land very well #thank you and goodnight

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revelboo · 2 months ago

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Carrying the pet headcanons

IDW Megatron x Reader, IDW Starscream x Reader, IDW Wheeljack x Reader, yeah, I’m not listing them all, but just how each mech handles/carries a human.

Starscream

• Carries you cradled against his chassis, servos curled partially around you. Tucks you inside his canopy if there are any other mechs about to hide you. He’s not exactly ashamed of you, more worried about you getting hurt to spite him. With how many enemies he’s made, he fully expects treachery. When he does allow you to ride on his shoulder, one big hand is always up, not touching you, but ready to grab you. It’s easy enough to tell he’s not the happiest with you perched there despite your insistence on being able to see. His wings stay aggressively up the whole time until you take pity on him to climb into his hand.

Thundercracker

• Doesn’t just grab you and it’s honestly adorable as he kneels and offers a huge hand to try and coax you to him like you might a stray dog. You’re pretty sure in his alien mind, you are a stray dog, but the novelty of not just being grabbed makes that realization more amusing than insulting. And his expression when you do willingly come to him to be picked up is too cute. He’s not above bribing you to him with little odds and ends he finds, including food of dubious origin.

Megatron

• Cages you carefully between his hands like a fragile moth he wants to inspect without hurting. For such a huge mech, he’s shockingly gentle with you. A lot of it is guilt, that dark tide constantly threatening to pull him under. Finds your presence soothing, but because of that same guilt, will pass you off to another caretaker given a chance. Can’t trust himself to not accidentally break you. He feels he definitely shouldn’t be entrusted with fragile things when all he’s good at is destruction. But he does love those quiet moments of contact, deserving of them or not.

Ratchet

• Picks you up to almost absentmindedly move you from getting under ped or if you’re just in his way while he’s working. He’s careful about how he handles you, but uncomfortable with just holding you like a favorite pet. Gets the award for being painfully awkward when he does have to carry you, because he’s sure you don’t enjoy being carried like a sparkling. He’s sure you resent it even if you never say a word. You don’t mind when it’s him picking you up. Those clever hands are so gentle with you and the longer he has to carry you, the more uncomfortable and gruff he gets.

Skywarp

• Absolute menace. Carries you like a toddler with their first kitten. One hand too tight around your middle as you hang upside down, because why carry you right side up when you change colors upside down? The more you struggle and swear, the funnier he finds it. Plus, he’s learning so many new, fun words and phrases to use. Most likely to accidentally, on purpose, drop you.

Whirl

• Not a lot better. He seizes you around the middle with one claw and carries you hanging awkwardly face down, arms and legs dangling and your hair in your face. Sometimes swings his arms, because your miserable groaning and complaints are too funny. Won’t hurt you intentionally despite acting like a jerk. Actually pretty protective of you and by his twisted logic, no one else is allowed to mess with you. Only him.

Wheeljack

• Doesn’t really carry you around unless there are other bots about. Honestly, isn’t sure how you feel about being picked up, but you’re so tiny compared to them and he gets anxious whenever he sees you walking in a hall with other Autobots. It doesn’t matter that he knows you’re in no danger. Those times, he makes a line straight for you, scooping you into his servos for your own safety. Half the time, he scares you silly because you hear running, heavy peds behind you, then you’re being grabbed. He means well and you appreciate how much he worries, but, really, you’re fine. The others see you. No one is going to step on you.

Soundwave

• Has a fondness for small things and even though you’re hardly one of his cassettes, will pick you up place you in his chest compartment if he finds you wandering about unsupervised. Being nabbed and dropped into the dark absolutely terrifies you at first, but you can see a dim glow in front of you and hear the hum of the big mech’s inner workings around you. It’s a surprise to both of you when you manage to fall asleep inside him. That cements it for him, he adopts you.

Bonus: Soundwave’s cassettes

• Frenzy seizes you around the middle under your arms and carries you around like a younger sibling, your toes dragging as you squirm to get away. Rumble would rather grab you by a leg and drag you kicking and protesting behind him just to see how long he can get away with it before Soundwave intervenes. As protective as the huge mech is, he’s surprisingly tolerant of his cassette’s mischief. You’re not being physically hurt? He’s allowing it. Cassetticons squabble- it’s how you set your boundaries. More than once, Lazerbeak has dive-bombed you, claws snagging the back of your shirt so he can lift you a foot or so up off the ground, because your terrified yelp sliding into angry swearing is too funny to him. May have dropped you once when your shirt just tears in his claws. Ravage prefers to nudge you along in the direction he wants you to go, but isn’t above carefully gripping your arm in his jaws to firmly tug you along if you’re resisting. Oddly enough, you grow resigned to your “older siblings” fast enough. You don’t really have a choice.

#transformers #starscream x reader #megatron x reader #wheeljack x reader #ratchet x reader #thundercracker x reader #transformers x reader

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enwoso · 3 months ago

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not sure what your plans or chronologically for the grumpy universe

but could you write something where tiny is a teenager and she’s going through a rebellious phase. out late, parties, that sort of vibe

TEENAGE TERRORS — alessia russo x teen!reader

buckle up she’s a long one! i didn’t really know how i was going to end this so the ending is a little iffy but ENJOY!

lil psa, not wanting to disappoint anyone but this is probably one of the only ones i’ll write with lovie as a teen just as its a little bit more difficult to get the dynamics right. i’m sorry, i still love you all🤍

grumpy masterlist

you were now sixteen, however you were still your mums little girl.

your mum had since retired from football and had moved into working still within the football scene: part time football pundit for the international matches but still giving back to the local clubs making sure that girls sports was supported in a way they should be.

since you were now able to look after yourself, your mum was rarely around during the week. always being out the house sometimes before you even woke up having to be somewhere for a meeting.

but it worked out well as you would be at school, and then after that she would pick you up from school and drive you to football training and sit and watch you flourish in a sport that had quite literally been your entire life.

you still lived in london, but you had moved slightly further from central london from the first home you lived in when you moved to london all those moons ago. still going to all of arsenal's home games at the emirates both men's and women's.

hoping one day that would be you, you on the field playing for your club.

your mum still very much good friends with her teammates she used to play with, most coming around on a weekend to visit when they had the time. but most importantly, ella was around at every chance she could.

you could have sworn at one point she had moved in for a little bit while her boyfriend had been away on a work trip, alessia sometimes wondering when ella was around if she had one child or two.

alessia had a lot of trust in you, she didn't think she had to worry about you being lead down the wrong path.

you were naturally quite clever, your grades in school were very good, your teachers would never really have a bad word to say about you, maybe the fact you were a little chatty in the wrong moments, and you had a good group of friends which alessia had met and there impression to her was good.

but you also had a strong head on your shoulders. you weren't the type to let others tell you what to do.

but with that you were a teenager and your mum should've maybe been a little more tentative in what you did with your spare time.

it was easy to slip things past your mum as for one she wasn't exactly the hardest to convince — something you more often than you would like to admit used to your full advantage.

which is why when you started coming home late, being out every weekend at someone else's house for party's your mum didn't exactly pick up on anything. your mum just thought you were having fun, she trusted you that you knew what was sensible and what wasn't.

but maybe the trust each time you were late home, or came home smelling of alcohol was being stretched further and further like a rubber band to the point where it could break at any point.

which is what lead to the weekend, you were off to another party.

"mum! i'm going out now, i'll see you later" you called out from the hallway as you touched up your hair in the large floor mirror that hung in the hallway.

your mum sat in the living room watching a series on the large tv that took up a large part of the wall, a small glass of white wine in her hand as a small way for the blonde to unwind after a busy week.

"wait, lovie. c'mere!" your mum called out quickly at the sound of the door keys being rattled around. you huffing slightly at you checked the time on your phone before poking your head into the living room.

your mum turning so that she could see you a sad look adorning on your mothers face, "you never said you were going out? i thought you were staying in, we were gonna do a movie night remember?"

you eyebrows knitted together with confusion, ok you may have forgotten to tell your mum your weekend plans but you couldn't just cancel your plans with your friends now, it was too late.

"i- uh. i did i told you in the car on the way back from training on wednesday!" you lied, you were now getting a little impatient as your mum hummed, she still not really remembering if you had or not a lot having happened since wednesday night.

"we can have our movie night another time, i really need to go now. i'll be back later mum" you spoke fast and your mum could sense the urgency that you had to leave.

"right, what time will you be back?" your mum asked, as you thought for a moment not wanting to say to early but also not too late that your mum would complain.

"about eleven maybe" you shrugged, the maybe coming out a little quieter, more of a whisper.

"ok lovie, but no drinking please you have an important match tomorrow, have fun but be-"

"-sensible i know mum! bye i love you" were the last words spoken to your mum as you dashed out the room and the front door before alessia even had a chance to blink.

you managed to make it to the party just on time, it happened to only be a few blocks from your house but you as always you underestimate the time it's going to take for you to get ready.

you got to the party, there being a lot more people than you expected. it taking you a little while longer to locate your friends over the booming noise of the music and the amoung of people inside the house.

but luckily you were able to find your friends, your four friends englufing you in a tight squeeze as they fiilled you in with what you had missed since arriving late.

you loved your friends, you would do anything for them and they had been there since pretty much the beginning and the five of you were pretty much inseparble.

there was emilia who was definetly the most outspoken out the four of you, you not too far second in that race, she would say anything and everything on her mind. but like every teenage girl she had two sides to her lovely and like butter wouldnt melt on the outside but deep inside her she was a total bitch.

there was olivia, she was emilia's ride or die, the two of them knowing each other since preschool and one thing about olivia is she would do anything for emilia even if meant she or others would get hurt in the process.

then there was isabella or bella as everyone called her, she was the newest addition to the friend group havign just transfered schools, but she was too nice for her own good meaning she was a little naive to her surroundings and some peoples meaning.

and finally your best friend poppy, the girl you trusted with your entire life - quite literally. the two of you had been joined to the hip since your first day at school, clicking instantly. you considered the girl as a sister. alessia always thinking you and poppy reminded her a lot of her and ella when they were younger.

once you had caught up with your friends the night went on you were just enjoying socialising, you always up for meeting new people although it was a little hard in a dimly lit room and blaring music over the top.

"what you drinking tonight then russo?" emilia asked you with a dopey smile, a red solo cup in her hand as she slouched next to you on the couch. you were most definitely the only one there that was still sober.

"just sprite" you shrugged, holding you cup up as emilia let out a little laugh.

"why you being boring russo, just have a drink let your hair down" emilia giggled as she began to sway slightly from side to side with the music but she definitely wasn't in time with the beat like she thought she was.

you shook your head, "i can't, i have a match in the morning and i promised my mum-"

"oh why are you so bothered about all that stupid football jazz. your never gonna make it pro, you would have already! just face it your never gonna be the big name your mum was!" emilia slurred so casually, the words just rolling off her tongue like she was just repeating words she had rehearsed for days.

emilia was off squealing at some boy as she dragged him to dance with her all before you could even process what she'd said. your body just slumping into its self.

"you okay?" a voice said over the beat of the loud music which felt even louder now, your ears ringing. you looked up, your eyes slightly watered as you nodded. it was just poppy.

"yep” you popped your lip looking at the floor before turning to look at your best friend, “can you get me a drink?" you looked up hopeful, as poppy looked at you with knitted eyebrows, confusion filled her face. you didn’t drink.

"what? another sprite?" she asked as you quickly shook your head, "no, something else, vodka? anything. just make it strong?"

"are you sure your okay?" poppy asked again, it was unusual for you to drink never mind ask for a strong drink. your best friend beginning to be slightly worried about the sudden change in your behaviour as you sighed frustratedly.

"yes! just get me the fucking drink poppy!" you snapped as poppy quickly left her red solo cup next to you, mumbling she would be a few minutes.

and to your luck, she was back a few minutes later a red solo cup in her hand, handing it to you. a clear liquid in the cup as you peered into the cup.

"it's straight vod-"

you didn't bother listening to what poppy had to say, instead chugging the vodka. the feeling of the burning down your throat, the same feeling hitting your stomach as when emilia said those words to you.

but right now you wanted to forget that, forget everything, you wanted your mind to be clear, just like the colour of the liquid your just downed.

you felt your head begin to get lighter with each drink you had, before you were starting to not even be able to walk straight never mind put a sentence together.

the night just flushing into a blur, as for the first time you felt free. like nothing mattered. nobody knew your name or used you for your last name. you were just y/n.

lovie🩷 -> hey alessia, it's poppy, y/n's in quite a state and she was about to start walking home by herself but i don't think that's a good idea so my mum is going to drop her home when she picks me up.

mumma🤍 -> hi poppy, is she okay? did something happen?

lovie🩷 -> she's conscious but i don't think she knows what's going on, she had quite a few drinks. i'm not sure what happened one minute she was smiling the next she had a face like thunder.

mumma🤍 -> not to worry poppy, i'll talk to her in the morning. thank you for looking out for her.

"lovie?" alessia looked in shock horror at the state you were in, slightly embarrassed as she looked up thanking poppy as well as flashing a thankful smile towards her mum who was behind the driving wheel and had so kindly brought you home.

“sorry she’s in such a state, i did try and get her to slow down after the first one but she just ignored me” poppy apologised with a wince as alessia nodded with a sigh, your stubborn side which you definitely didn’t get from the blonde.

“it’s okay, i’m not angry. just a little disappointed but thank you for looking out for y/n, your a good friend to her — even when sometimes she may not deserve it” alessia slightly laughed at the little bit knowing poppy had put up with you since your first day of school and knowing you can be difficult at time especially with the strong head on your shoulder.

alessia said her goodbyes to poppy again waving to her mum as she drove down the street, turning to you with a sigh as you leant against your mum and the doorframe.

“c’mon then lovie” alessia began to move you away from the doorway as you held a dopey smile on your face. rambling out some words that alessia was convinced were not english.

"hey, only my mum calls me that-" you slurred out quietly as your eyes began to shut. a big sigh coming from alessia as she called out to ella who was in the living room.

"woah- where has she been?" ella winced as she took in your form as you were slumped up against your mum, alessia shrugging.

"i need to get her to eat something, and a bottle of water" alessia told ella as she nodded in agreement helping alessia get you into the living room at least.

you were carried to the living room by both your mum and ella, the two placing you down as you sighed contently at the feeling of the soft lounge. your body drifting in and out of sleep as each minute passed.

“i’m just gonna make her a sandwich” alessia whispered as ella nodded, staying sat beside you. “yeah i’ll stay here”

a small giggle came from you out of nowhere as you head drooped to one side of the head rest on the couch, “you sound just like my auntie ella, she has a proper thick manchester accent”

ella just sat and listened as you continued your slurred ramble, a smile creeping in her face as you spoke about ella and your mum. clearly not being with it enough to know that’s currently who you’re in a room with.

“she’s pretty cool, she was an awesome footballer too. just like my mum” a sad lopsided smile crept on your face as tears slightly built in your eyes. an eyebrow rising at your words from the brunette sat beside you as she hummed.

“my mum was an amazing footballer, my dream is always to be even half the player she is-“ a sniffle came from you as if you were about to start crying, ella patting your shoulder.

“i’m sure you’ll carry on her legacy” ella smiled at you, but as you were squinting to see if you could recognise who your were talking to but you couldn’t really make out the facial features. it all just being blurs of colours.

a yelp came from you as you screwed your eyes shut, startling ella a little as she looked at you with panic in her eyes, “oh my god, my mum gonna be so annoyed at me” you covered your face with your hands.

at this point alessia was coming back into the room, a bottle of ice cold water and your favourite type of sandwich made in her hand. the blonde about to open her mouth to say something but ella waved at her not to say anything to allow you the chance to carry on your drunken confession.

“but, the drinks just looked too good and it helped i forgot about what she said” you mumbled as you carried on talking with your hands over your face. ella and alessia looking at each other with blank faces trying to figure out what you were saying.

“i felt free like i was floating on fluffy clouds- oh is this sandwich for me?” you spotted the food on the plate on the coffee table out the corner of you eye.

“yeah eat it lovie, and there’s some water there too” alessia pointed as you hummed tucking into the sandwich still not aware of your surroundings and the fact you were in your living room at home.

alessia tapping ella on the shoulder and letting the brunette know that she was gonna get your bed ready and get you some pjs out so you could change. ella just waved the blonde off letting her do her thing of what she needed to do.

after around an hour later and the two finally got you to bed, after a few little mishaps like you tripping up the stairs and you falling asleep with your toothbrush in your mouth as you brushed your teeth in the bathroom.

but finally the two had gotten you into bed and safely asleep, alessia’s head spinning. why had you gone out and got basically black out drunk, the night before an important match. there had to be a reason. this wasn’t like you.

"oh god" alessia let out a shaky breath as she lent over the kitchen counter her head in her hands. mum guilt washing over her.

"she'll be fine less, she's a teenager. this is what they do. we were once like that too-" ella tried to help comfort her best friend with a light hearted joke towards their past of them being teenagers. it not being too dissimilar.

"yeah but tooney, this isn't the first time this has happened." alessia sighed looking up at the brunette who was stood in the dimly lit kitchen.

"this is becoming every weekend and i thought maybe when she came back late smelling of alcohol the first time, it would be the last but it's happened nearly every single time since" alessia explained as tooney's face turned into a small frown, she didn't realise that wasn't the first time.

"i thought i could trust her, ella" alessia whispered, ella knew the blonde was being serious that's the only time alessia would call her best friend by her proper name. a worried look was etched across the blondes face.

"you can less, tiny is a smart kid" ella nodded pulling the blonde into a side hug as alessia whispered, "i hope your right."

the next morning had rolled around and you woke up with the biggest head ache and no recollection of the events that happened last night, the last thing you remember was your conversation with poppy.

anything else after that, you had no idea. hell you didn't even know how you got home or when-

not even realising you were home until your eyes scanned around the dimly lit room, noticing the framed photos you had from football. some with your teammates, your family, and some with some of the lionesses past and present you'd met.

a tight knot building in your stomach as you looked at it a little longer, the words lingering in your head of what your friend had said to you.

huffing you didn't want to look at the photos any longer, you pushed your covers off you and walking your way down the stairs. the bright light of the sun shining through the windows hurting your eyes as you made you way into the kitchen not even realising your mum was stood waiting for her coffee machine to finish.

"morning- why are you not ready? we have to leave in fifteen minutes?" your mum asked as you turned grabbed a glass from the shelf filling it with ice cold water.

you ignored the question your mum was sending your way instead reaching out for the cupboard in which you knew your mum kept the medicine — rummaging through the box until you found something that would help sootheyour seething headache.

"lovie? i'm asking you a question" you mum pushed but still was talking in a soft voice. you shrugged, "don't wanna go" you mumbled as you took the time to take the medicine before placing your glass in the sink.

your mum was taken back by your response, you never missed football. not matches. not training. hell you'd even beg your mum to let you play even if your leg was hanging off. football is everything to you — or so she thought.

"why?"

"not feeling too well-" you began but were cut off by your mum, "the one thing i asked you not to do was drink and you knew you had this match this morning which you know is important-"

alessia started her rant but you just sighed and walked out the room heading towards your room. your mum realising you weren't in the room any longer, following your tracks towards your room. "y/n, i'm not finished talking-"

"yeah well i am, just leave me be mum! i don't want to go to the stupid football match okay, i quit!" you snapped as you yelled from your bedroom door slamming it shut. alessia stopping in her track, your words hitting her right in the chest, as the slam of the door echoed in the hallway.

stupid football? that wasn't the lovie alessia knew.

the lovie, alessia knew was football crazy and since she could walk had a ball at her feet.

the lovie alessia knew would spend hours in the garden trying to perfect a skill even if it was pouring of rain.

the lovie alessia knew would have to be practically dragged of the pitch and away from the football after training otherwise you would spent all night there.

the lovie alessia knew, loved football and wanted to play for her club and country.

alessia didn't understand what had happened, yeah your behaviour at the minute hadn't exactly been perfect and the blonde would be lying if she said she wasn't loosing a little bit trust in you with each time you came home late.

your actions speaking louder that maybe what you were doing in your spare time wasn’t as innocent as you tried to perceive it as. your show last night was the real eye opener for alessia.

she slumped down on the stairs as she let out a breathe. she didn't know what to do or even say.

the blonde was brought out of her thoughts at the sound of knocks echoing through the hallway. alessia pushed her self up from her seat on the stairs making her way to the door and pulling it open.

"ay we ready! where's our superstar?" ella called out as she walked in not catching the gloomy look on her best friends face at the side of the door as leah walked in behind her just as excited as the two began to recite your chant.

the two were dressed head to two in the colours you wore, ella minus the arsenal jersey. but leah was decked to the nines in gunner merch.

ella and leah made it to nearly every one of your matches, ella of course didn't make it to as many as she lived in manchester but any matches you had close to there or any time ella was in london she made sure to be at your matches with alessia.

leah on the other hand would be lucky if she missed one match a season, she always made sure to be there. leah had a close connection with the academy it being one she spent the first years of her footballing years too.

"oh- what's happened?" ella smile dropping as she looked at the sad look on alessia's face, leahs head turning around as her smile too dropped. the vibe going completely flat.

"it's lovie, she's quit football-" alessia said quitely, so quiet it almost came out as a whisper, as she walked past the two going to sit on the couch in the living room, ella and leah following alessia like lost puppy's as they came to terms which what the blonde had just said.

"what do you mean she's quit?" leah asked sitting down and taking the arsenal scarf from around her neck, it being quite warm in the room. alessia just shrugged she didnt know what the cause of you sudden outburst was, but what she did know is that something had caused it or rather someone.

ella coming and sitting next to the alessia as a sigh came from her, "she can't just quit- tiny is the future of football.."

"well she came down, i asked why she wasn't ready and she said she wasn't feeling well and then i followed her cause she walked away while i was still talking and then bascially yelled in my face that football is stupid" alessia sighed putting her head in her hands, ella running a soothing hand up and down the blonde's back.

"stupid football, that does not sound like tiny at all" leah was in disbelief, the girl she was hearing about was not the tiny that they knew and loved.

"tell me about it"

"have you tried asking her about it" ella suggested, it seeming like a silly thing to ask as she thought that alessia would ahve probably done that first but it was always worth a suggestion.

a shake of the head came from alessia, "no thought i'd give her a chance to cool off first"

"good thinking less, but it's worth a try even though she may not say anything. try and see if you can get something out of her" leah gave a sad smile to alessia who nodded taking the much needed advice on board.

the three sat a little more trying to get to the bottom of why you were acting a little weird and why you suddenly after bascially dedicating your entire life to football wanted to quit.

"but you know tiny too, more than we do, thats she capable of changing her mind more times than the weather" ella jokes as both leah and alessia let out a small chuckle. she wasnt wrong, you were known to be very indecisive.

"well we'll be off, let us know what happens and if you need anything" leah slaps her hands off her knees standing up, ella nodding and agreeing with leahs words.

"i will, i'll keep you both updated" alessia gave a half smile as she held the front door open, for the two to leave as they left still dressed in their football attire. leaving a little less excited then when they arrived.

alessia waving the two goodbye as leah drove away, the blonde shutting her door as she lingered in the hallway glancing up the stairway. planning her next movements.

make you some lunch as you hadn't eaten yet and the blonde knew better than to try and talk to you empty handed.

"just me.." your mum whispered as she lightly knocked on your door, "i brought your favourite- cheese toastie" as she put the plate on your bedside table not a mutter of a word from you as your mum walked through your room.

you just lay still in your bed, blankets wrapped around you as you held your little esme the elephant. yes the same one you'd had since you were little, it all worn with there being a little tear in the ear.

your mum sighed as she sat at the end of your bed, "how you feeling now?" she cooed as you still remained in the same place staring at the wall, the only thing to be heard was your light breathing.

alessia felt as though she'd hit a brick wall. her brain trying to think of things that may get you to talk to her but ultimitately she knew it would be a long shot. you and your stubborness. something you defiently didn't get from the blonde.

"you can't ignore me forever, lovie" alessia joked lightly hoping it may help to lighten the tense atmosphere inside your room, you glancing over at your mum perched on the end of your bed.

"i can try" you mumbled if the room hadn't of been as silent as it was alessia would have most definetly missed what you said.

a hum coming from your mum, "you can try but then who knows that you don't like blueberries cause you don't like the way they feel in your mouth, or that when your anxious about something that you bite the inside of your lip, or that you like having ketchup with almost ever meal-" alessia trailed off as you perked one eyebrow up turning onto your back.

"i'm sure i'd find a way to survive" you mumbled as your mum nodded her head slowly, humming a little at your words.

"what's happened lovie? why do you all of a sudden want to quit football" your mum asked as you moved your head slightly to the side, you knew this was coming. you just didn't think you were ready to admit out loud why you wanted to stop playing.

"just do, 'm not gonna make it anywhere anyway.." you whispered your throat going slightly tight as the words left your lips. alessia felt her heart tighten a little at your confession.

"lovie, you don't seriously believe that do you?" alessia asked a little bit of seriousness in her tone of voice, a part of her thinking maybe these weren't your words, but rather someone elses.

"and what if i do-"

"has someone said something to you lovie?" your mum has this gut feeling in her stomach and her gut was rarely ever wrong, it was if it was her sixth sense. "like did something happen at the party you were at?" your mum continued to push for an answer as you lay still with you eyes facing away from your mum, worried that if you did look at her that the tears would start to fall.

you stayed silent for a moment, contemplating your next move. before slowly moving your eyes to make contact with your mums as you bit your lip. another few seconds passed before you nodded your head to your mum previous question.

"oh lovie" your mum pouted as she crumbled moving from her seat at the end of the bed to quickly engulf you in a much needed hug as the tears began to fall. your mum comforting you as you cried in her arms letting it all out as you began to relay the events of what happened at the party, what emilia said to you and then how you just began to drink to get rid of the pain.

alessia's heart breaking for you, being told such harsh words from someone you considered to be a very close friend. it wasn't fair and the world was a cruel place. your mum wishing she could wrap you up in bubble wrap and protect you from anything you came in front of.

"she doesn't deserve to have you as a friend and you don't need people like that in your life lovie. thats not what a true friend does-" your mum comforted you as a few stray sniffles came from you as you knew what your mum was telling you was right. emilia didn't deserve to call you her friend.

"and anyways she won't be saying that when your on the big stage, playing for your club and country!" your mum smiled softly as your furrowed your eyebrows. "you really think that'll happen-"

"of course! you could play rings around some players you come against" you stayed in your mums arms a little more as she continued to comfort you as she continued to build your confidence and ego back up that clearly had took some serious damage.

"you'll always be my favourite player, y/n russo." your mum smiled sweetly at you as she placed a kiss to your forehead. you knew the topic of your recent behaviour and how you spent your spare time would come up and alessia definitely knew she needed to have a chat with you about that but right now you needed love and comfort which is exactly what you got as you sunk into her warm and loving arms further.

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the-ancient-dragons · 4 months ago

Text

Welcome back to Overcomplicating the Pyrrhian Tribes! This week: the beloved RainWings!!

You know what's up. Joy Ang and Tui are so cool and I am just me.

Details and explanation below!

Otherwise, next week are the chilly IceWings! See you then!!!

More overcomplicated dragons.

I knew the RainWings would be really important, and I think they turned out the best of all the ones I've done. I think they're my favourite because they are basically the perfect mix of extra realism spice without altering Joy's design too much. The SkyWing design is awesome and I love it to bits, but it is one of the two that are the farthest from canon.

As for the RainWing.... I had. So. Much. FUN. I heavily used chameleons and snakes - they're basically the two main species on my research board - but there is a dash of cuttlefish and frilled lizard in there. Where, you ask? Well if you look closely, all over the RainWing are little tiny flecks of darker colour. I found a beautiful reference of a close-up on a cuttlefish eye. Its skin is dotted in thousands of little marks and I thought that would be perfect for the RainWing, who can camouflage just as well as them. I don't know if it's been discussed in canon but I bet they could animate their scales more than just colour shifting - cuttlefish are known for using their rapidly shifting patterns to hypnotize prey. RainWings could do it too, sort of like Ka from Disney's 2D animated Jungle Book.

Speaking of Ka - snakes. I love snakes. The head structure of the RainWing here is very smooth and rounded with muscles based on snakes like the python. I was even going to originally draw them in a venom striking pose and got as far as completing the lineart, but ultimately decided it wouldn't fit the calm portraits of the other tribes.

Will you see it in the future? Hell yeah! Pure, unhinged, magical death spit. Looking at it now I might try to alter it to be a full piece of Glory attacking Scarlet or Crocodile.

In the striking pose you can see the frills much better, but I still took my time on this serene pose (this is where the frilled lizard influence comes in). If you notice that I've drawn every scale (every single scale) then, yes, I am insane. If you didn't know that yet, you know it now. You have to draw guide lines and follow them meticulously while you wonder why you don't make a scale brush, and then cry because you know the randomness and imperfections that come from drawing a thousand circles is how it looks natural. The eye area is actually my favourite part, since drawing dragon eyelids was the original inspiration for doing this. Did I mention that? I wanted to draw eyelids.

EYELIDS.

I digress. Besides the eyelids, I like the frills on the action pose, but this pose is where I like the body scales more. When zooming in on my chameleon colour refs, I noticed the very rhythmical distribution of their scales and figured I would give it a try. They actually do have extra large circular scales along their bodies, which is where I guess the canon RainWing design gets it from. Very clever, Joy!

Anyway, on this version, those small circular scales appear on the face. Not only that, but I added a bit of influence from the snouts of my ref chameleons by extending the nose bridges to wrap around the nose horn. They blend in so seamlessly and that's the reason why I love this design - it's subtle, barely there, mostly Joy but a little extra.

Wow, I talk too much. If you're here, thank you! It's not mandatory to read, but very appreciated. I heard once that visitors at an art gallery look at each piece an average of 2-3 seconds. Or was it 3-6? Idk, but it was shockingly short, and ever since then I've tried to encourage myself to pay more respect to other artists and glean their work for little details I skip after that quick glance. I could talk so much more about these designs but that would be like an hour long video, each, lol. If you have questions about anything, ask away!

#wof #wings of fire #wof art #my art #digital art #art #rainwing #wof rainwing #wof fanart #Overcomplicating the WOF Tribes

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petermorwood · 4 months ago

Note

Recent article on NPR about the history of artificial light somewhat frustrated me -- they portrayed all of pre-kerosene history as dark and heinously expensive at all times. Thing is, the writers based their findings solely on tallow candles, & ignored oil lamps, beeswax candles, clever use of refraction & outdoor light including moon/starlight... Also seemed to ignore the ubiquity of hearths / cook fires. Was wondering if you'd be willing to talk about non-tallow light? This isn't to ignore that truly, artificial lighting WAS much more difficult & expensive for much of human history, but acting like tallow candles were the ONLY light source seems very silly! (Plus your other lovely post about bottles of water used to make those candles more efficient via refraction & focus)

I'm betting the article you mean is this one - which refers back to this one.

For matching reference, my own posts about period lighting are here, One and Two, including observations about painting walls white, how to light candles and lamps without matches, and several other matters.

*****

It didn't take too much listening before I got tetchy, because the first half of this podcast seems more about mocking how WEIRD and PRIMITIVE old-time people were, than passing on any useful information.

Despite the presence of Jane Brox (author of "Brilliant: The Evolution of Artificial Light") whale oil only gets touched on in passing, and olive oil isn't mentioned at all.

Instead she starts talking about using oily seabirds (stormy petrels) as "candles", despite this scholarly study concluding that it was something talked about far more than done, besides being so very, very localised that its relevance to the history of lighting is very, very small.

But hey, WEIRD and PRIMITIVE, right?

*****

By contrast, making candles was so commonplace that it was another of those jobs which created surnames. Fletcher once put feathers on arrows, Cooper made barrels, Fisher, Miller, Baker and Farmer are obvious, and Chandler used to make candles.

Lampier, of course, made lamps, which helped keep those naked candle-flames away from anywhere they shouldn't touch. The man on the left is making the lantern bodies, the one on the right is shaving sheets of horn as windows.

It's cheaper than glass, less easily broken yet is translucent enough, when shaved properly thin, to give quite adequate light.

*****

The podcast has a digression about measuring the light output of a reproduction Ancient Babylonian lamp. Here's an original and a repro.

Yet that too says nothing about what fuel the lamp is or should be burning - olive oil, traded all over the Mediterranean by ancient olive-growing cultures.

These are Roman oil-lamps, from simple and cheap to elaborate and costly.

As for beeswax, so far as the podcast is concerned might as well not exist, despite being a by-product of honey, which was THE principal pre-sugar sweetener for centuries when not being made into all that mead whose existence, production and quaffing nobody questions.

Oh yeah, and then there was the amazed discovery (2:40 / 1:25, depending on which you're listening to) that melted beef fat "...smells really nasty, like, ANIMAL nasty,"

Why is this guy surprised? It's part of an animal!

*****

It's the same sort of infotainment ignorance as displayed by this TikTok twit, right up to complaining about the effort involved in preparation of anything because not having powered appliances was so labour-intensive, oh woe. Yes, it was, welcome to any historical period before about 1920. That's where "the daily grind" originates.

However the implication (listen, it's there) that cattle were raised just to provide fat for candles is ludicrous. The fat was a by-product, not a main one, and was often a butcher's side-line, while members of the Chandlers' Guild only worked with superior beeswax.

I don't think you could make candles like these with tallow:

...and you definitely couldn't make one meant to be hand-held.

Picture evidence shows, by their clothing, the class of society who bought these, and tallow-greasy fingers would have been a no-no.

A Chandler didn't make individual candles. By the time that fresh batch is hung up, the first batch away down at the end is cool enough to be dipped again.

A chandler's shop in a medieval city would look very similar, and often had a horizontal wheel on which to hang each batch of candles, rotating them up and around to cool, then back to the dipping pot. Non-modern people may not have had modern tech or time-and-motion studies, but they weren't stupid.

*****

By contrast, the podcast's disparaging attitude of WEIRD and PRIMITIVE is emphasised by what seems a deliberate avoidance of anything which counters it (examples of that in my own posts) and finally at 11.24 / 9:50 came this:

"Even when you get all the way to the 1700s (...) most people are still subsistence farmers, living in some kind of hut, trying to grow enough food not to starve to death (...) and light? Light still comes from finding stuff that's lying around and just lighting it on fire."

Some kind of hut...

Stuff that's lying around...

After making such a declaration, I'm surprised - since they'd been implying it for half the podcast - someone didn't just go ahead and announce that "there's some lovely filth down here..."

That's when I stopped listening.

Enough is enough, and I'd had it.

*****

ETA:

cc: @asmuchasidliketo :->

Here's a photo of what purports to be a Petrel (not petrol, that's something else) Candle, held in the Pitt-Rivers Museum, Oxford. It's mentioned in that scholarly article I linked above.

Just as "one swallow doesn't make a summer", so one - and only one - known example of this, which may have been a fake-up to spoof the Southerners, doesn't prove it was a common or even rare practice.

There's another reason to take this with a big pinch of salt, so maybe Jane Brox was on a low-sodium diet when she wrote her book.

Creatures with a layer of fat or blubber for insulation all have it like any other form of insulation, on the outside, where it does some good. A wick passed through the inside couldn't draw on it for fuel since there's a layer of muscle and another of internal organs for the oil to get through first.

The cropped-off bottle just visible to the left is a far more likely way seabirds became lamp fuel: by rendering out their oil. This oil is from the Northern Fulmar, Fulmaris glaciaris (or glacialis, I've seen both. Same bird regardless).

Incidentally, the Wikipedia article on European Storm Petrel mentions a supernatural connection, that the petrels were the souls of drowned sailors, and killing them is unlucky.

Not just killing them but making them into candles sounds like A Bad Idea, and is yet another reason why, IMO, the candle thing may be a folktale, or a deliberate leg-pull, or...

Let's just say "improbable" and leave it there. :-P

#period lighting #research #writer notes #too light too dark #worldbuilding

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thegoldencontracts · 5 months ago

Text

How Can You Fluster Them?

Characters: Heartslabyul, Savannaclaw, Octavinelle

Ace Trappola:

- Pretty easily, actually.

- As smug and teasing as he can be, there are quite a few things that get him flustered.

- Bring up how sweet he's acting or how sentimental he seems to watch him sputter furiously in denial; show him direct affection and kindness to watch him blue screen for a second before embarrassedly scoffing about how lame you're being.

- You can fluster him even further by teasing him about how smug he was a second ago. That really gets him.

Deuce Spade:

- While you could tease him about being 'stupid', yes, that is a bit hurtful, and it isn't really the best way.

- Just the opposite. Genuinely complimenting his intelligence, his strengths? That's what catches him off-guard. He doesn't quite know how to acknowledge it when someone truly, genuinely tells him he's not dumb, and him not being an effortless scholar doesn't mean he is.

- There are other ways, of course, like sudden acts of affection, pranks, or even dodging his kisses.

- He gets all red, and a tad defensive. It's the funniest sight.

Riddle Rosehearts:

- Most affection flusters him.

- Seriously. He's never really received it, considering his upbringing, so even things like hugs or kisses on the cheek leave him red. You're not quite certain whether it's more cute or sad.

- He'll get rather huffy if you point it out. It's rather comedic, but you might want to refrain from laughing too much, lest he ends up chastising you.

Trey Clover:

- Pointing out his true brilliance.

- That's the main method. Although he's used to affection, to being told he's a good baker, a nice guy, and whatnot, he's not quite used to having his true potential acknowledged.

- He'll look away with a flush, denying his true intelligence, the true strength of his Unique Magic, or whatever it is you've opted to praise him for.

Cater Diamond:

- Allowing him to be genuine.

- It will take a while, frankly. With most people, Cater dons the personable mask of Cay-Cay the friendly senior, but with time... And patience, he may warm up to you enough to be himself. Be moody, the ultimate hater of sweets, and whatnot.

- He can't help but feel oddly flustered, caught off-guard, really, when you let him complain about the way Riddle was before his overblot, when you make him something salty for a dessert of sorts.

Leona Kingscholar:

- There are quite a few ways.

- If you two are together, he might tease you quite a bit. Reciprocating said teasing is certain to get him huffy and flustered. Teasing in general, really. Dodging his kisses? Headpats? Photoshopping him in cat ears? If you're close enough to him, they'll all work wonderfully.

- And... Genuine understanding flusters him as well. Prioritizing him in small ways, like taking a break from your gaming to talk to him, or allowing him to vent to you.

Ruggie Bucchi:

- Caring for him.

- Ruggie is used to having to act incredibly mature for his age, yes. He's cunning, clever, and responsible, important traits to make up for his disadvantages in life.

- So, when you (jokingly, I would hope) babytalk him, pat him on the head, or ask if he'd like to be the little spoon, it gets him terribly huffy. What's that supposed to mean, huh?

- It's even worse when you genuinely care for him, making him meals, or offering him a massage. It's hard for him to accept help. He's not a kid! He doesn't need the babying! It's worth nothing that he has a very broad interpretation of what counts as "babying". However, he will accept after a while, and be very, very flustered about it.

Jack Howl:

- Teasing him.

- He's always in denial about his softer side, no matter how apparent it becomes that he truly admires or cares for something or someone. He gets terribly flustered at his own sentiment.

- Teasing him about it just makes things worse. Dramatically exclaim how cruel he is because he said he "wasn't concerned for you or anything". Play dumb when he tries to ask for a kiss in a roundabout manner. The result is hilarious.

Azul Ashengrotto:

- There are so many ways to do this.

- Teasing him about his affections, for one. This is the same man who couldn't even admit to caring for his business, who claimed that love made one exploitable. He's already terribly mortified by his own so-called exploitability. Asking if he likes you gets him rather pouty before you're dating.

- Genuine, continued kindness is also rather flustering for him. You- care for him? Wish to see him succeed? You accept his flaws? You don't view him as pathetic for his tears? It's all territory he's terribly unused to.

Jade Leech:

- Standing up for him when he's insulted, for one. Telling the stranger that, no, his mushrooms aren't creepy, they're impressive, they just need to get a hobby. That leaves him shocked for a bit.

- There's also things like being the one to tease him, caring for him, listening to his rambles about mushrooms.

- Those leave him red-faced for a good few seconds. Calling out his flustered state garnets a pointed "Let us move on".

Floyd Leech:

- Initiating affection.

- Really, although he seems lackadaisical most of the time, impossible to fluster, it isn't quite that hard. He isn't used to being kissed, or hugged, or even praised without a certain business-oriented touch.

- So, when you suddenly kiss him, or offer to be the big spoon, or whatnot, he freezes up.

- If you point it out, he gets comedically defensive. Someone needs to tell him how terrible "I-I'm not blushing or whatever, that'd be laaame, so shut up!" Works as a method of denial.

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