#it wasn't cause he would have stopped

[insom-nom-nom-niatic]

Female reader x Troy Otto after he "died" the reader was the one who stabbed him after he got to grabby you her she stabs with his knife and ran off she the only doctor so she valuable to the group he would also like his knife back. Maybe after a couple month he finds her and I would like some choking but anything would good

SORRY IT TOOK FOREVER!!! I hope you enjoy it.

CHARACTERS: Troy Otto X Fem Reader (third person for some reason cause that's what happened)

WARNINGS: It's made for FTWD so you should know the basics. +SMUT (read at your own risk. I'm nobody's mom) +Choking +Somewhat past possible attempt at r**e but he didn't didn't and he'd have stopped.

“Turns out being stabbed a second time hurts more than the first.”

“Good. I meant for it to hurt.” Her voice cut through the air like his knife did as it cut through his muscle. Her features showed no sign of surrender or fear, only sincerity in her words as the torch flame flickered their shadows on the cement walls. 

Troy raised both hands in surrender, his eyes glancing down to the same knife once stained with his own blood and back into her eyes. His shoulders tensed under his black jacket as her knuckles faded to a paler color gripping the handle of the sharp blade tighter. She had no reason to trust Troy after the last meeting the two had, yet, looking at the man out of his element and with no one around to make him feel taller than he already was, there was a certain chord he hit somewhere in her stomach. She didn’t feel that she was in danger, rather and oddly the opposite.

“Maybe it hurt a bit more because of who it came from.” He stood still as a tree, looking back to the woman through his eyelashes subconsciously. He was here on a mission to bring her back, but seeing her now and the life she’s had since that day months ago made a pit in his stomach open and swallow his heart whole. 

It had been 6 months give or take since she fled. Fled into the cold, rainy night unsure of what terrors where beyond the small compound. But she had to go, at least that’s what her body told her to do in the moment, there was no turning back. It took about a month for her to miss what she had. A roof over head, food and water, and most of al the protection that one Mister Otto provided. 

Ever since day 1 of finding the group, back when there was only a few of them, she could always feel something different with Troy than with any of the other men or women. He looked at her different. Talked to her different. He acted, well, gentler with her than anyone else even as the group grew to more than a few dozen. He told her on multiple occasions how they all needed her… how he needed her. 

He said that same thing the night everything changed. 

“You didn’t listen and forced my hand, Troy. Do you think I like starving out here on my own? I couldn’t come back and deal with any possibilities of YOU.” 

Ouch. Troy felt her words like a punch in the jugular. His eyes couldn’t hide the wince of pain he felt as his blue and white orbs fell to the ground at her boots astrown with holes. He thought back to that night, a night that has haunted him since. The look in her eyes when he felt the searing heat of his own blade slicing his flesh open. The apprehension that was once in her eyes now flickered with rage as she looked directly into his one good eye, pulling the blade back with force and bolting out the door, leaving his howls of pain and his own anger behind her. 

She left him alone. A nightmare he had only ever shared with her. 

“I know,” Troy’s entire expression fell like the edges of his lips. Her grip on the blade loosened as he continued. 

“I have regretted that night since, regretted what I tried to do and-” his eyes caught ahold of hers, both stomachs dropping at the same time before he continued. “-not listening to you. All those times that I told you that the group needed you, I wasn’t lying. They need you more than they need me so if that’s what it takes then-” 

“You’re going to leave for me to come back?” She cut Troy off mid sentence, shocking them both. The grin pulling at the ends of his lips to her question secured the answer both knew, but Troy was honestly questioning if he would do as he said for her. 

“Is that really what you want, darling?”

“No, no, no, no. Don’t you call me that, Troy.”  His voice changed back to the Troy she knew, the Troy that made her so irritated and yet welcomed and needed. His little pet name she only ever heard him reserve for her. She hated how much she loved it, but now was not the time for his little mind games. 

“Look-” Troy lowered his hands, resting both comfortably on his hips with his head rolling back in a stretch before meeting her gaze again. “-I know where you’re at now so the option is to come back with me willingly now or I’ll carry you kicking and screaming and the walkers can pick us both off together then leaving the group without a doctor or a leader.” 

The look he gave was unfaultering even through his bluff. She knew Troy wouldn’t force her to accompany him if she didn’t want to, and looking around the small cement room she didn’t have many reasons to NOT want to go back. But she knew if she didn’t go now, he’d end up sending a large enough group to her coordinates that she’d have to leave. It was a decision of eating roadkill for another week or not, and the growing smirk on the brunette's face solidified the answer. 

“You’re not getting your knife back.” 

“Oh c’mon!” She returned the smirk, sliding the sharp, freezing blade into the back of her jeans whilst kicking dirt on the smoldering fire, dimming the light in the room to the single lantern behind the tall brunette. 

A pit in her stomach arose, looking back at the small dug out she called home for the last few months before carrying on behind the footsteps of Troy Otto.

Her nuisance.

Her monster.

Her torment.

Her protector.

And possibly, her savior.  

As night ran into day, both she and Troy’s speed wavered. His footsteps lagged with each step whilst her hands pulled her weight forward tree after tree, both too stubborn to say it was time for a rest. 

Suddenly, a low growl came from the ditch 5 feet from their left. One growl turned into 5 moans, turned into 10 grunts and so on. Both stopped in their steps, hearing the rumbling below the dirt embankment grow with each step they took. 

Sharing a glance, She pushed Troy’s shoulder towards the sound, egging him to go see what they are facing. 

Begrudgingly, Troy cautiously snuck to the edge of the embankment, peering over for a heartbeat or two before a few large footsteps brought him back to her. His hands resting on her upper arms, somehow soothing, while his eye searched the surroundings opposite from the sounds. 

“C’mon, this way,” Troy whispered into her ear before pulling one hand along behind his back. She didn’t pull away, didn’t even notice what he’d done until the cold recaptured her skin moments later. 

As the sun set on another night somehow still breathing, she watched as Troy set traps surrounding the small camp you both had made within only a few good minutes. He swore he would stay awake throughout the night, keeping watch, and yet he paced the perimeter around the small camp fire you’d made, placing leaves and anything that would alert to movement around. 

As he finally sat opposite of her, she couldn’t helo the smile that arose her lips. 

“What?” Troy asked, his cheeks heating from within. That look, the look he’d only ever felt from her made his stomach ache with a hunger he’d only felt a handful of times. He rose to his feet once more, turning to hide the flush he knew she’d be able to see on his skin. 

“Oh c’mon, Troy. Don’t be like that!” Her tone changed to playful and open, like she once was with  him. Glancing down at her shivering fingers, the realization set in. She hadn’t felt this way, hadn’t sounded like that, since she’d been in his company. And even then, it was only ever in HIS company. 

“Come sit. Please?” 

A large breath left Troy’s chest, battling his own heart and mind was something he was used to but having her here again made his whole body numb. He finally obliged, turning on a heel and padding his large footsteps ever softly on the dirt towards her. Looking around one more time for any signs of the deead, or worst any living, before taking a seat beside her. His nose once again thanking him for the fire light in the dense cold. 

“You saved my ass back there,” Her words were soft, sincere. “So thank you, I guess. If it was just me again I probably would have been toast.” 

“You would have been fine, I’m sure.” Troy played with the scar on the back of his left palm. His right thumb digging into the rough scales of skin, the heat she gave off next to him nearly matched that of the fires. It felt good, warm. Yet, he the uneasy feeling was unwavering. 

“You‘ve known that all this-” she gestured to their surroundings. “-This was never MY strong suit. I patch up the people that are good at this kind of thing. People like YOU.” 

She earned a chuckle from the brunette, his shoulders shaking slightly bringing his eyes back up to meet the fires dancing flames. 

“I suppose you always did do a pretty decent job at fixing me up.”

“DECENT?! Oh, I did a whole hell of a lot better than decent with the stitches in your bicep, or your calf, or your left, and don’t forget about the right pec. I bet you can’t even tell you ever were wounded.” 

“You didn’t do a very good job on my thigh-” Troy stopped after that one word. He shouldn’t have said it, he shouldn't have brought it up. Dead silence fell between the two, not even the crickets had the guts to make a sound. 

“I made sure to not hit your femoral vein if that’s any consolation.” Her voice was that of a mouse. So quiet that Troy wasn’t sure if he had merely imagined it. Until he glanced slowly in her direction, catching that look of shame she had only shown once or twice, making his frown shift. 

He wanted to give her a side eye, cautionary and intense, but he had decided to sit on her right which meant his side eye had to be a full look over for his good eye to catch the way she sucked in air through gritted teeth.

Smooth Troy, very smooth. 

He felt her weight shift a tad, looking over to see her body in a full shiver before trying to hide it again. He rolled his jacket off his broad shoulders, catching the back and draping the hefty coat around her. The look she gave him didn’t need words, as he gave a half smile and turned back towards the glowing flames. 

What seemed like hours had passed in silence, comfortable silence, before Troy felt her weight lean into his side. His head swiveled in her direction, his breath caught in his throat when he felt the closeness of their faces in the dimming light. 

She didn’t turn away this time when he gave into his impulse. His flesh melting with her own. He never fully understood how humans had the ability to somehow find their partner’s lips in the dark until that moment when everything seemed to click. 

Neither one was expecting this, rather the opposite. She was expecting to not live to see their group again and he’d figured she was going to end him with his own knife one night in his sleep. But as life has it, something in their fate changed. 

Feeling his warmth only inches from her, she caved. Pressing her weight into him in a full kiss, her eyes drifting closed taking in his lips, his scent, his touch. Both grasping for skin as they weaved their lips together, his tongue nudging at her bottom lip while his hands roamed her body.. 

A sudden pressure was released from her waste band. Cool air drifting over exposed skin as Troy’s lips curved against the pulse of her neck. His chest wavered with a deep chuckle as his head fell backwards with a toothy grin in a croak of laughter. 

“This is mine now,” Troy waved his knife in the air above the two, like a child finally getting back their favorite toy. “Well... again.”

Sitting back on her elbows, the woman shook her head slowly, unable to help the grin growing on her features. He was such a literal pain in the ass but when he was like this, when he wasn’t so serious and did that little giggle of his she couldn’t help but fall further down his rabbit hole. 

His eye caught hers again, shadows flickering in the movement of the flames at their feet as he curled one arm around her torso moving to hover over her form without ant loss of eye contact. He was afraid he’d see that fear in her irises again like the last time they were this close, but he caught submission, adoration, maybe some excitement instead. 

His body moved against hers, clothing against disheveled clothing causing friction against both their skin. She was sure he could feel the heat radiating through her body where his hips rolled against hers. His sweet moan filling her senses as his eye bore down on her. His eye grew dark, lustful, wanting more than just the friction of clothing. He wanted to warm her up in the cool dark night in more ways than just this. 

The small bite of her lip and a nod gave him all the leeway he needed. Not a second passed before his lips were suctioned back onto hers. His tongue forced its way through partially opened lips as his fingertips did the same to her waistband. She was in such a flurry she didn’t even realize where his hand had disappeared to until his lips traveled to her ear, whispering how wet she had become before a wave of heat ran up her spine, arching her back against his touch as his cold hand palmed her most sensitive bundle of nerves. 

Choking on air, she breathed deeply into the skin exposed on Troy’s neck above her. Her fingernails gripped the jean jacket covering his shoulders as he nipped little bites down her neck and onto her chest. His movements faltered as he glanced up, catching sight of the woman clenching her eyes closed, teeth gritted on her bottom lip sure to cause blood. Something about that aroused Troy further, quickening his hand free from her jeans and making short work at removing the slightly damp piece of clothing. 

Staring down at her form, Troy felt his member twitch, longing to be free from it’s confines. She wore a simple pair of blue panties that caressed her just right, barely covering her modesty from what he could see in the dimming fire light. Her thighs twitched under his gaze, her meat looking as delicious as the shy giggle that escaped her swollen lips. 

His gaze shifted up her body, taking note of every cut and bruise that covered it before locking gaze with her again. Her eyes had darkened as his did as he shrugged his light jacket off, throwing it towards a tree to their left. His white T-shirt following suit. 

From where she lay, she could see the bulge in Troy’s pants shiver with every movement she made beneath him. Her foot nudged his ass whilst he removed his shirt earning a throaty groan from the brunette between her legs. She scanned his body in the shadows, her gaze stopping on the last wound she cured. A large scar on his abdomen still ever present as a wave of his cries of pain fled like a stream through her ears. 

Troy saw the way her eyes changed, knowing she was occupied elsewhere in that pretty little mind. Clearing his throat, he regained her attention only to give her a little show taking off his jeans. He forgot she hadn’t seen the scar she herself gave him until the moment her eyes once again fell. Her fingers reached out, pulling her to sit in front of him as she ghosted her fingertips over the scaled skin. 

She sure did a good job leaving her mark. 

Troy gave her a moment, but no longer than that before his fingertips caressed her chin. His callouses rubbed her soft, cold skin raising her attention to look him in the eye. The smirk she was met with sent another shiver down her spine, this time accompanied by a hefty gulp and a new warmth dripping from her core. 

One hand dipped lower, finding her folds with ease, applying just enough pressure to earn a whimper from her as his other hand draped around her neck. With a catch in her breath, her eyes shot open with a smirk feeling his fingertips close around delicate skin. 

Her own fingers traced harder over the scales on his thigh but eventually gave in to his touch, leaning backward until her back once again met the cold, hard dirt. Her hands dug small scrapes through the pine needles cushioning around her. Troy’s grip on her throat didn’t relent as his other hand delved one digit, now warmed between the two, into her glistening core. With every pulse that clenched down on his finger, his own member reciprocated. 

The cold air around them was a welcomed element. He knew he wasn’t going to be able to resist her much longer as he rubbed his clothed cock on her inner thigh. 

He wanted her to need him. 

He waited for her to need him. 

He needed her to need him. 

As his name dripped from her lips, Troy couldn’t hold back any longer. He didn’t waste time undressing any further as he pulled his underwear down just enough to release his begging cock before replacing his finger with a much larger fulfillment. 

He watched as her eyes clenched shut, a single tear running from one corner of her eye glistening from the shallowly dancing flames. His grip on her neck released at the feeling of her nails raking down his bicep. Her touch melded with the sweet smell of her arousal and gasps of breaths, his thrusts unrelenting. Filling her to the brim over and over. Watching her face contort in ecstasy whilst he sucked in his bottom lip to keep from silent. The only thing he couldn’t muffle were the grunts and groans that escaped him and the sound of bet skin meeting wet skin with such force and need that would make even a nun blush. 

Troy felt her begin to spasm in an eruption of an orgasm. 

It was in her breathing. It was in her nails grazing his skin. It was in the way her body contracted around his cock. It was in the way she whispered sweet-nothings only he will ever know as she bit down on his shoulder, surely leaving yet another one of her marks on his skin. 

He knew he needed to pull out, his own release matching hers. But the way she felt, how she looked, the way she smelled and sounded filled his senses and all Troy could think about was painting those glorious, tight walls of her with his seed. It was a dangerous game they were playing, he knew that. 

And still he did as he pleased. 

His body fell atop hers. All strength leaving him in his release as he collapsed above her, limp dick still within her walls feeling every pulse her body made. 

Everything was silent, the world seemed to disappear as the two soaked up each others heat as the sweat balls rolled off each others skin and into the earth below. 

When the sun began to rise, shining brilliantly through the fog lifting from the tree tops, the pair shared a look. 

“We should get going I suppose. One more day to camp, right?”

Troy nodded silently, a small grin returning to his swollen lips as he chewed his tongue slightly. “I’ve been used to sleepless nights, but this one took a bit more out of me so keep it slow.” 

The woman giggled hopping to her feet and extending an open hand down to Troy, both fully knowing if he took it he'd pull them both down.

“Who knew you’d be such a little chatter box after intimacy, Mr. Otto. The sleeplessness wasn’t fully my fault I do recall.” 

Troy leaned his head back against the tree where both were once propped up on, a toothy smile adorn on his tired and satisfied face. His chest heaving with a silent laugh before shoeing her hand away with a grunt to his feet.   

[jadewritesficshere]

Steddie x female!reader thought 18+ only

Eddie blinks his eyes a couple of times to make sure he is actually seeing what he is seeing. He must be living in a nightmare.

You're laying back on one of the pool loungers. One leg dangling over the edge keeping your foot on the warm cement ground, the other spread over Steve's lap as he absently rubs his hand up and down it while he bitches to you about something from work. Your hand rubs up and down Steve's back in comfort. But that isn't the nightmare.

Your bright red bikini bottoms covering enough, but with your legs spread a bit more skin is shown then intended. Spread in such a way that makes Eddie want to just dive in. Get on his knees and worship you, rub his face over your mound as he licks and nips and sucks. Moan as the curly thatch of hair brushes against his face.

Except the curls of hair he is expecting to see peeking around your bikini are gone. Just smooth bare skin. And that isn't the only nightmare. Steve's chest is smooth like when he was in school on the swim team. Not a speck of that beautiful chest hair Eddie would curl into after getting hot and heavy. Not a single curl of the "love rug" he jokingly called it.

Eddie wants to weep. To throw himself down like a little kid and thrash his arms and legs around. Yeah, it's your body and you can do what you want, but he still is sad its gone. Eddie doesn't like change, and suddenly walking in to see both of his partners change something without any warning? Uncomfortable. It makes Eddie feel itchy.

Eddie can barely speak as he walks over and sits next to Steve. He doesn't respond to Steve's warm greeting. Doesn't respond to you asking how the day is. Just stares with big wet eyes at the sight in front of him. A pout on his lips.

A warm hand lands on his shoulder, gently squeezing. Steve's brow furrowed in concern, your wide eyes blinking at him.

"Shaved?" Eddie asks in a quiet voice, eyes darting to Steve's chest and then your clothed pussy. Steve lets out a huff of laughter, "Fuck, thought something was wrong man." Eddie glares," It is."

[dw-flagler]

In this post, I will attempt to calmly, reasonably, and in-a-good-faith-manner argue all the points raised by tumblr user @library-bat-girl in the following posts. I am starting a new thread so as not to further destroy the original poster, @skitterenjoyer's, tumblr notifications. Worm (+MHA) spoilers ahead. This will be a long post.

Firstly, I would like to apologize on the worm fandom's behalf. We will not engage in ableism of any kind. I sincerely hope that this was a singular incident and @skittersdrippygirlcock will be better about this in the future.

"MHA has better characters,"

My Hero Academia's primary achievement, I think, is managing to make many decently well rounded characters in a fairly short time-span. It certainly has very good visual character design, with easily memorable character designs, like Mina Ashido or Tsuyu Asui. Most of Class 1A is shown to be more than single-note gimmick characters. For a story with such a tight schedule, and only so much page real-estate, that's impressive! For instance, a character decidedly outside of the main cast, Fumikage Tokoyami, is shown to have more to his personality than "is an edgelord," showing a humility and friendliness that is highly against-type. This is very different than a lot of its peers, especially in Shonen manga, where side characters (and sometimes even main characters) are never more than their tropes (see Fairy Tale, One Punch Man*, The Seven Deadly Sins, or Black Clover). My Hero Academia does clear that bar, by making side characters little more than their tropes. This is to say nothing of the primary cast, who, again, is largely defined by tropes and easily slotted into standardized interchangeable Shonen roles. Rival, Love Interest, Rival but Nice About It. Additionally, MHA has an uncomfortably sexualized main cast, for one composed primarily of minors.

This is compared to Worm, in which many characters are fully realized and could have been the protagonist (and often were in older drafts of the story, due to Worm's 10-year development hell). Every character that gets an interlude, and most that don't, all have fully realized interiority, traumas, and wants. In fact, this is one of the major themes of Worm. Every character, from the protagonist Taylor, to characters so minor they're seen only once (see Damsel of Distress, Dauntless), to major antagonists and monsters (see Jack Slash, Bonesaw) all have their own story, even if this is never shown on-screen. There are no "side characters" in the same manner as in My Hero Academia, because every character is a protagonist of their own story, and not in a trite "life is so beautiful" way.

Taylor isn't the center of the universe, there's an entire world outside of her 3-block bubble. The mechanism by which all characters get their superpowers means that the mere fact of having powers implies this about them. Even the seeming exceptions, aren't (see Alexandria, Garotte). Taylor is a good character. I don't even know how to elaborate on that. She just is. Worm does not have the character Minoru Mineta.

"a better plot,"

What... what is the plot of My Hero Academia? For the life of me, I can't seem to recall. I can tell you the general formula of most of the arcs for the first ~2/3rds of the story. Class 1A goes to do a hero high school thing, like do rescue training, or on-the-job training, or on-the-job-training, or on-the-job-training (they do it like 4 times for some reason), the League Of Villains shows up (even when it's seemingly not the league of villains it actually is the league of villains) they fight about it, the class beats all the villains, and Deku beats up strongest bad guy and also breaks his bones. Repeat step 1. But like. What's... the plot? The League of Villains is evil and wants to kill people and do bad stuff. They explicitly do not have greater motivations. There's generally themes of passing-on-to-the-new-generation, so there's Tomura Shigaraki as the arch nemesis to Izuku Midoriya, just as All Might's Nemesis is All For One. Eventually they fight a big fight about it and I stop reading because I find out about Worm. From what I understand (I have not read the conclusion) the series ends without addressing any long-running questions, wrapping up any character arcs, or concluding anything in a narratively satisfying manner. As if severely rushed.

Worm, there are maybe 15 main stories going on simultaneously, which are all tied into the final confrontation with Scion. The most obvious is Taylor's and the Undersiders' story, about taking over Brockton Bay and defeating Coil, which is a smaller part of Coil's story about taking over the bay, until their confrontation with him in arc 17, when it supersedes Coil's story, and then intersects with Cauldron's story, the Traveler's story, the Case 53s' stories, the Wards' story, all of it, in arcs 18-19. This is one example. A great deal of attention is spent making sure the reader knows that Taylor, the Undersiders, Coil, all of them, are bit players in a very large game. Despite this, it's never hard to follow, because Wildbow, while lacking some of the more flowery prose, manages extremely well at making his stories easy to understand.

"I feel like even people who like Worm can agree that Worm is not the most consistent piece of fiction ever written. The disjointed way it was written meant that emphasis was primarily put on 'What Wildbow thought was cool in the moment', [sic] and the story RADICALLY shifts gears every time a new arc starts."

What? Huh? Worm is extremely consistent. Like. 1.1 to E.x. It's, like. Not disjointed? Oh my god, are you talking about interludes? Is that what you mean? The interludes shift gears? Because that makes sense. It's one of the hardest things about worm, yeah. It's gripping! The interludes are a great idea to expand the world of worm, but the problem is that taylor's story is so intriguing that stepping away from it to focus on something else is hard, no matter how individually interesting. I want to read about taylor's escalation spiral, not the travelers! (As opposed to My Hero Academia having random escalation and de-escalation between arcs with no real explanation. We're reading about lives-on-the-line battles with child-slavers and then move to playing on a playground with little kids? Best I can think of is that this whiplash is intentional, but this is never communicated to the reader. Worm does not do this. Any de-escalation is met with the explicit understanding that this is merely a period of calm before things get even worse). Taylor's story wraps up in an extremely narratively satisfying fashion, following her story to its logical conclusion. There were so many ways it could have been avoided, but there was really only one way that it could have ended.

"better worldbuilding,"

This actually offends me. MHA could have had great world-building. It doesn't. Every potentially interesting bit of world-building is backpedaled out of or stopped before it could get anywhere. Or it's just never elaborated or expanded upon. Everyone having a superpower could have been cool, but the implications of this are nonexistent. The reasons for this having no real implications, that being the banning of quirks, also has implications that are also immediately backpedaled out of. It's been hundreds of years since our time, yet life is exactly the same. Nothing ever happens. Endeavor is a cool concept. I like Endeavor. his existence implies such interesting things about the world, how important hero ranking is to these people's lives, that he would create this horrific system of domestic abuse to try and get to the #1 spot. What does this say about this system of heroes that operates like a popularity contest? It could have said a lot. It says nothing. What does the League of Villains, a league of people who call themselves out-and-out villains, who base their ideology in opposing this system of heroes, say about society? Nothing. On purpose. Worm does something with this. One Punch Man does something with this. My Hero Academia puts it in the story, and lets it sit, unused, for a decade.

Worm has... unique world-building. Because it's both good and bad at the same time. Worm's #1 feature is its world. It's brilliant, full stop. Triggers, The Birdcage, the PRT, Exclusion Zones! Why does the status quo exist? what does it say about that society? What does it say about our society? Why hasn't society radically changed from how it is in our world? This is explained. This plays into the themes. The story wants to say something about this world, and so it does. There are characters whose stories explicitly delve into these themes that are set up in the worldbuilding, like Armsmaster, or Battery, or Bonesaw, or Coil, or Piggot or Alexandria or Taylor herself or Brian or Lisa or ANY OF THEM THEY ALL DO THIS. Sorry.

Anyway, the bad part is that the actual world is not well built (and is kind of racist). What's going on in Europe? There's a 3 blasphemies! a 3 what? never explained. What's going on in Asia, aside from Japan? China is a monarchy for some reason. Why? It's never elaborated on. India gets a little bit of elaboration, we're told its different but not how it's different. Wildbow uses machine translation wrong and names some guy caliph of dogs. This is like worm's #2 problem honestly (#1 is Amy). Wildbow tries to make the implication of a well thought out globe without actually making a well thought out globe.

"stronger themes,"

It really doesn't. As I said in the worldbuilding section, MHA makes a point out of not saying or doing anything. I don't know if editors made Horikoshi walk back the more ambitious story beats or what, but there are multiple points in the story where the author pretty much looks you directly in the eye and goes "This Story Isn't Saying Anything At All Even Though It Looked Like It Would. Lmao."

Worm has lots of themes. I think Armsmaster/Defiant's story is my favorite. His entire character arc (which is fully realized despite him being a background character for nearly the entire story) has a point to it. It says something. It's misanthropic and uplifting simultaneously, and manages to feel like it earns both. It's a shared theme with Bonesaw/Riley's story, explored in two different ways.

"Meanwhile MHA establishes an actual overall theme/message right from the start that expands and develops throughout the story. The worldbuilding is informed by the message, which informs the characters arcs and the people they become by the end of the story."

I notice that you never actually say what that message is. What is it? Like, for real. I'm not being confrontational or anything, like what is the message? Cuz' I can't think of one. My Hero Academia, at its very core, is a defense of the status quo. Much like its world-building, but much less forgivable, because it does do something new and unique with its world-building. MHA could have done some extremely interesting stuff with its early implicit critique of heroic society as shown with characters like Bakugo, or Shigaraki, or Endeavor, or Overhaul, or Midoriya himself! It just doesn't! It doesn't do stuff that Worm does do!

Worm does have a message. It has a lot of messages, actually, some that the author disagrees with somehow. Prison abolition, for one. We know Wildbow loves prison. Anyway, the big one is in the subtitle: doing the wrong things for the right reasons. Taylor's constant spiral of escalation, her dwindling attachments to her friends and greater focus on treating herself like a soldier is prevalent, and it is to be avoided. Taylor isn't a sin-eater. They don't exist. From what I remember, this is sort of explored in Deku's character arc for a short period of time, but much like everything else in MHA, it is backpedaled out of.

The funniest is "don't text and drive" though.

"Just on a basic level the way that the audience is meant to feel about Taylor oscillates wildly between being directed to think of her as a misunderstood victim of circumstance, or history's greatest monster."

That's kind of the point. Like. the audience isn't meant to look at Taylor the same way throughout the entire story. It's meant to change as she changes. Taylor's opinion of Taylor changes. The mistake here is saying it "oscillates wildly." it doesn't. It's a slow and steady change for the worse, as Taylor gets more violent and starts throwing away greater and greater parts of herself to become more like a robot and less like a person.

"But a bigger issue in general is tone. It's very focused on being dark and gritty and edgy, and it makes the mistake a lot of consciously edgy media does. IE: it thinks that all it has to do to be smart is be bleak and/or graphic. It doesn't really try to say anything, in fact it contradicts itself throughout the book as I mentioned before, it just throws in extremely graphic scenes and content periodically to remind the audience how fucked everything is."

Did you read the boys and think it was worm? What? It's not being smart when it's bleak or graphic? I actually personally like the endbringers or the slaughterhouse 9, and not because I like watching people suffer. These things exist for a reason. It's not being dark for the sake of being dark. The heroes could stop the slaughterhouse 9. We see that, when they almost stop the slaughterhouse 9 (it's explicitly shown that they are stopped from destroying the slaughterhouse 9). The question then becomes why don't they? It's a grim, brutal calculus, and one that wasn't worth it. That's the point. The Endbringers are different. It's not until arc 27 that they're really explained. You could either read them as a criticism of Eidolon or of ableism, honestly. I mean, it wasn't intentional, he didn't create them on purpose, he needed something to fight, because without that he's nothing. His powers are all he has.

"Worm spends so much time trying to be edgy that as with a lot of edgy media the edginess loses all impact quite quickly and becomes sort of cringe."

I don't really think so, but like. Okay. I don't think this is a reconcilable viewpoint (none of this is really but this especially), so like we're probably gonna have to agree to disagree. The only thing I can really think of as edgy for the sake of edginess is Amy's arc. But even that's not really true. It's meant to be an utterly avoidable tragedy that could never have been stopped because of the people involved. Much like Taylor, actually. Amy could have stepped back from the brink, but she didn't, because Amy could never have done that, and nobody else was willing/able to help. It's supposed to be a thing where you sit back and think of all the tiny ways this could have easily been avoided, but wasn't.

"When body horror happens it still has impact because it's not happening constantly."

I mean, I guess. But like. I never got desensitized to the body horror in Worm. It hit pretty consistently for me throughout. As opposed to MHA, where it was usually walked back by the end of every arc. I never felt much tension or suspense because it felt as if there weren't actual consequences. In Worm, when Brian was strung up on his nerves, it felt disgusting because I was fully aware Worm would explore the ripple effects of this. It felt entirely possible he would die there, or never recover, because Worm didn't pull its punches. MHA did. This is a matter of opinion. We'll just have to agree to disagree about it.

"But most importantly - you root for the heroes because the world actually seems like it's worth saving."

that's just, um. sorry. I'm really trying here. That's just. Uh. Dumb. Do you root for Batman cause Gotham is a nice city? Everything's worth saving, that's, like, at its most basic what the concept of a superhero is about.

"Not only that but MHA simply does villain protagonists objectively better than Worm."

um. No? There straight up aren't villain protagonists in MHA. The villains are the POV characters for, like, one arc? You know what, here's a good spot for it. It's stated throughout the story that Shigaraki and the League of Villains have a goal, beyond just death and destruction. They're here to stop the corrupt society of heroes (that MHA hints at the existence of before backpedaling away from), and bring about a fairer society. But then, and this part pissed me off, one of the characters, I think Bakugo, says: "you're just using that as cover! you just want to kill people, you have no noble goal!" and shigaraki's like "dang you caught me." and then it happens again with Deku! Because My Hero Academia is allergic to saying something. Nope! They're villains! No moral depth here! They're Villains, We're Heroes, Go Put Them In Jail.

This is opposed to Worm, where- "The characters of the villains and their origins are used to highlight the flaws in the Superhuman society"

"Most of the villains are only villains because society failed them in some way, and the specific ways in which that happened become big plot points that then play into the future arc of our heroic characters."

I had to walk away from my computer for this one. It's hard to be civil. It's really hard. Polite and reasonable.

So Worm is about this. To even say this without a shred of irony makes me thing you've never once read a single word of Worm and are doing this purely as bait. Or you've read all of Worm and are doing this purely as bait.

"They're actually extremely complex in a way that ends up being fundamentally important to the overall story - where in Worm the villains are either based heroes fighting a corrupt system or they're histories [sic] greatest monsters... until they're presented as heroes again."

I think I get it now. I really think I do. You're not supposed to agree with all the characters. Like. Worm is inconsistent, in that it follows the perspectives of inconsistent people. Of course Triumph and Armsmaster don't agree on what is right! They're different people, they have different perspectives!

"See. Worm fans keep saying "This is Bait." It's not Bait, you all are simply ridiculous and obsessed with this series to such a degree that you feel compelled to say "This is Bait" instead of just... ignoring it, because you have no actual counterargument."

Perhaps worm fans are inclined to believe you posted rage bait because you brazenly walked into another fandom's post and wholeheartedly proclaimed that the thing they liked was Stupid Idiot Bullshit For Fucking Morons, and refused to elaborate until prompted, at which point you said several things that are demonstrably false about Worm.

"Your only response to anything I've said is pedantry, bigotry, and deflection. If it was obviously just bait why are you engaging?"

Well, I'm engaging because I've been in a foul mood since I woke up this morning. Also because you, again, said some very rude and patently false statements about a story that I really enjoy and find narratively rich, even in its faults.

"MHA's characters do fall into archetypal shounen character roles - but they are all given a solid amount of focus explaining why they are like that and developing them into something bigger."

Again, as I said, it's a genuinely impressive feat to have an ensemble cast like what My Hero Academia has, and give so many of the characters a degree of depth, with such little manga to work with. I think worm does it better, but worm doesn't have to be economical about it. MHA does. The problem I have with this statement is that it becomes a question of scale. How much bigger? They're no longer defined by their tropes, instead defined by their opposition to their tropes. It's still a one-note character, you've merely changed the note from C to C sharp.

"so almost every member of the cast has an arc that either develops them past the person they initially seemed to be or explains why they're like that."

This is probably my favorite part about MHA. They do have arcs! I love ensemble casts! it does a much better job in this than all of its contemporaries, even One Piece. However, they are comparatively simplistic arcs that all follow a similar formula.

"I've heard people say MHA is neocon or pro-establishment but the story literally concludes by showing that society HAS TO FUNDAMENTALLY CHANGE or the same problems that created the villains in the first place will keep happening. The entire time skip specifically focuses on the fact that for eight years the main characters have been forcing change in the world and addressing the issues the villains brought up."

Now, I'm going to be clear. I stopped reading My Hero Academia around chapter 275. I don't know the exact number, but it was the latest chapter in ~mid 2020. I would occasionally attempt to reread, in an attempt to catch up, but give up around chapter 200 out of boredom. I don't know exactly how the story ends, but I have read ~2/3rds of the story. I feel this gives me a pretty good understanding of the general tone of the story, unless it wildly changes tone at the 3/4ths mark, which you have explicitly said it does not, as it is extremely coherent and consistent. Therefore, I believe I can state with some degree of confidence that MHA does not do that.

I would certainly believe that it tries (and fails) to SFP it, but SFP does not promote a fundamental societal change. That's the problem. Strong Female Protagonist was willing to come up and say that Alison lived in a fundamentally unjust world, even if it was never willing or able to offer real change. And hey. You do what you can. I sincerely doubt My Hero Academia is even willing to call its world fundamentally unjust, from the 200+ chapters that I did read.

"In the case of the actual main characters, they have extremely comprehensive character arcs."

Adding this behind the last point just so that I don't have to reiterate I haven't finished the book. I am, however, very much not inclined to believe the actual main characters had extremely comprehensive character arcs.

Which plays back into the initial theory that ANYONE CAN BE A HERO.

man, spider-man did that better (not a real argument, but like, spider-man totally did that better). Not least because midoriya specifically could not become a hero were it not for all might giving him a power.

No, the Villains don't get happy endings,

Why not? Why do they go to jail, even the ones who changed and wanted to redeem themselves? Endeavor never goes to jail. He did some horrible stuff. He's redeemed himself in the eyes of the story, right? Anyone can be a hero, right? So why not them? Why haven't they redeemed themselves in the eyes of the story?

You may wish to turn this back on me and ask why doesn't Armsmaster go to prison? Because he's similar in some respects. But worm never calls prison justice. (for some reason, even though wildbow totally loves prison). Prison is punitive, a tool for those in charge to control those it manages to capture. Maybe some deserve life in the birdcage. Many don't. It doesn't matter. Because the birdcage isn't a tool of justice. It's not meant to be. it's a box to put the uncontrollable capes in, until they can be used as meat shields. So Armsmaster doesn't go to prison because the story says explicitly there is no point to it. But MHA? MHA says there is a point to it. Endeavor needs to go to prison if he wants to atone. He's escaping justice every second he's outside.

I have actually read Worm, and for the first half to two thirds I loved it.

Weird. That's exactly how long I really enjoyed MHA. Not, like relevant, to anything. Just odd. I mean, I don't actually dislike MHA. I think it's fine, actually. It feels like Indiana Jones and the Last Crusade to me. Funny (when Mineta isn't around), bombastic, and a good time, even if I don't think it's super thematically rich.

I'm not coming at this from the perspective of someone who has never seen any of the merits of Worm, I'm coming at it from the perspective of someone who really liked it, gave it a fair shot, and was eventually disappointed when it ended up not tying together right.

See, this makes me more inclined to think it's bait, actually. since you said "Oh yeah. MHA is published. MHA's been an ongoing publication with a large following for ten years, in a notoriously competitive industry. Now this might seem kind of unimpressive, it's a very low bar to clear I know. But it's one Worm hasn't, so. I dunno, I'd say that's fairly objective. Now you may think "Yeah, but Trash fiction gets published all the time." And that's true but again - Worm hasn't. The worst piece of fiction you can think of got published and Worm didn't. You wanna be an asshole about this? The thing you love is so mid that it was self published in 2013, couldn't get picked up for professional publishing until 2019 and as far as I can see has stayed in development hell since then." in your previous post. Sure, perhaps we can say you were pissed at the time, but "the thing you love is worse than trash fiction, an altogether nothing piece of literature that isn't even worth the paper it would hypothetically be printed on" does not strike me as the words of someone who "really liked it, gave it a fair shot, and was eventually disappointed when it ended up not tying together right." In fact, going back through your other statements on the story, you seem to have genuinely disliked it from the very beginning, on grounds of being too edgy (which I can fully understand the logic of): "IE: it thinks that all it has to do to be smart is be bleak and/or graphic," thematically incoherent: "It doesn't really try to say anything, in fact it contradicts itself throughout the book as I mentioned before, it just throws in extremely graphic scenes and content periodically to remind the audience how fucked everything is," and utterly devoid of purpose or meaning. "When it does introduce new lore that new lore is almost always overly convoluted and acts as a catalyst for things happening, but not really things happening that play into a wider theme or message. It's just "Oh and here's this team of god-level serial killers who are gonna string a dude up by his nervous system." Like yeah, cool visual, but what is any of this actually saying?" This does not sound like a ringing endorsement of the first half of Worm to me. In fact, this sounds like you hated every second of it.

"And frankly given the number of comments that are just people saying "Bait" - I don't think any of y'all have engaged with this in a fair or honest way"

I'm going to reiterate on my previous statement. I like my hero academia. Capeshit is my favorite genre, it probably always will be. They're my favorite genre of story. While I find the themes—or lack thereof—extremely frustrating, I still think of it as fun. I gave it a fair shake. I would probably really enjoy the ending if I didn't have a reading list that was 300 books long.

[itsnobodysproblem]

Most Sherlock Holmes adaptations I've seen tend to place their Final Problem towards the mid point of the series (or even a bit earlier) - it's also in my opinion the best way of going about it, so you have time enough for the characters to adjust after the reunion but they know each other well enough for the events of Fina to be devastating.

Sherlock & Co is done with 20 of the adventures. How many are there? Fifty-something? Almost sixty? Let's say we'll be entering mid-point territory after the 25th story.

So let's pretend for a moment that we have 5 more stories until The Final Problem. Ok.

Estimating an adventure at 3 episodes each, that would mean little over 3 months - maybe 3 and a half? Starting, of course, from the end of Sign of Four, which will be somewhere in December.

So let's say 3, maybe 4 months into 2025. That would be, what? Late march, early april?

Early april?

John having to tell the listeners that Sherlock is dead, in early april?

Quick calendar searck reveals what I was praying it would - the 1st of april will be on a Tuesday next year.

So what I'm saying

What I'm saying is Sherlock &Co has the opportunity to do the funniest fucking thing

[longagoitwastuesday]

I have learnt things about Geto that I wish I could unlearn

[acourtofquestions]

Rowaelin Chapter 41 Kingdom of Ash:

She'd rebuild it—what she had been.

Perhaps one last time, perhaps only for a little while, but she'd do it. If only for Terrasen.

Rowan swooped from the mast, shifting as he reached her side at the rail. He surveyed the night-black sea beyond them. "You should rest." She slid him a glance. "I'm not tired." Not a lie, not in some regards. "Want to spar?" He frowned. "Training can start tomorrow."

"Or tonight." She held his piercing stare, matched his dominance with her own.

"It can wait a few hours, Aelin."

"Every day counts." Against Erawan, even a day of training would count.

Rowan's jaw tightened. "True," he said at last. "But it can still wait. There are ... there are things we need to discuss." The silent words rose in his animal-bright eyes. About you and me.

Her mouth went dry. But Aelin nodded In silence, they strode into their spacious quarters, its only decoration the wall of windows that overlooked the churning sea behind them. A far cry from a queen's chamber, or any she might have purchased as Adarlan's assassin.

At least the bed built into the wall looked clean enough, the sheets crisp and stainless. But Aelin headed for the oak desk anchored to the floor, and leaned against it while Rowan shut the door.

In the dim lantern light, they stared at each other.

She'd endured Maeve and Cairn; she'd endured Endovier and countless other horrors and losses. She could have this conversation with him. The first step toward rebuilding herself.

Aelin knew Rowan could hear her thundering heart as the space between them went taut. She swallowed once. "Elide and Lorcan told you... told you everything that was said on that beach."

A curt nod, wariness flooding his eyes. "Everything that Maeve said." Another nod.

She braced herself. "That I'm-we're mates."

Understanding and something like relief replaced that wariness. "Yes."

"I'm your mate," she said, needing to voice it. "And you are mine."

Rowan crossed the room, but halted a few feet from the desk on which she leaned. "What of it, Aelin?" His question was low, rough.

"Don't you..." She scrubbed at her face. "You know what she did to you, to ..." She couldn't say her name. Lyria. "Because of it."

"I do know."

"And?"

"And what do you wish me to say?"

She pushed off the desk. "I wish you to tell me how you feel about it. If…"

"If what?"

"If you wish it wasn't so."

His brows narrowed. "Why would I ever wish that?"

She shook her head, unable to answer, and stared over her shoulder toward the sea.

It seemed like he would close the distance between them, but he remained where he was.

"Aelin." His voice turned hoarse. "Aelin."

She looked at him then, at the pain in his words.

"Do you know what I wish?" He exposed his palms, one tattooed, the other unmarked. "I wish that you had told me. When you realized it. I wish you had told me then."

She swallowed against the ache in her throat. "I didn't want to hurt you."

"Why would it ever hurt me to know the truth that was already in my heart? The truth I hoped for?"

"I didn't understand it. I didn't understand how it was possible. I thought maybe ... maybe you might be able to have two mates within a lifetime, but even then, I just ….." She blew out a breath. "I didn't want you to be distressed." His eyes softened. "Do I regret that Lyria was dragged into this, that the cost of Maeve's game was her life, and the life of the child we might have had? Yes. I regret that, and I wish it had never happened." He would bear the tattoo to remember it for the rest of his days. "But none of that was your fault. I will always carry some of the burden of it, always know I chose to leave her for war and glory, and that I played right into Maeve's hands."

"Maeve wanted to ensnare you to get to me, though."

"Then it is her choice, not yours."

Aelin ran a hand over the worn wood of the desk. "In those illusions she spun for me, she showed me variations on one more than all the others." The words were strained, but she forced them out. Forced herself to look at him. "She spun me one dreamscape that felt so real I could smell the wind off the Staghorns."

"What did she show you?" A breathless question.

Aelin had to swallow before she could answer. "She showed me what might have been—if there had been no Erawan, if Elena had dealt with him properly and banished him. If there had been no Lyria, none of that pain or despair you endured. She showed me Terrasen as it would have been today, with my father as king, and my childhood happy, and..." Her lips wobbled. "When I turned twenty, you came with a delegation of Fae to Terrasen, to make amends for the rift between my mother and Maeve. And you and I took one look at each other in my father's throne room, and we knew."

She didn't fight the stinging in her eyes. "I wanted to believe that was the true world. That this was the nightmare from which I'd awaken. I wanted to believe that there was a place where you and I had never known this suffering and loss, where we'd take one look at each other and know we were mates. Maeve told me she could make it so. If I gave her the keys, she'd make it all possible." She wiped at her cheek, at the tear that escaped down it. "She spun me realities where you were dead, where you'd been killed by Erawan and only in handing over the keys to her would I be able to avenge you. But those realities made me ... I stopped being useful to her when she told me you were gone. She couldn't get me to talk, to think. Yet in the ones where you and I met, where things were as they should have been ... that was when I came the closest."

His swallow was audible. "What stopped you?"

She wiped at her face again. "The male I fell in love with was you. It was you, who knew pain as I did, and who walked with me through it, back to the light. Maeve didn't understand that. That even if she could create that perfect world, it wouldn't be you with me. And I'd never trade that, trade this. Not for anything." He extended his hand. An offer and invitation.

Aelin laid hers atop his, and his callused fingers squeezed gently. "I wanted it to be you," he breathed, closing his eyes. "For months and months, even in Wendlyn, I wondered why you weren't my mate instead. It tore me up, wondering it, but I still did." He opened his eyes, and they burned like green fire. "All this time, I wanted it to be you."

She lowered her gaze, but he hooked a thumb and forefinger around her chin and lifted her face.

"I know you are tired, Fireheart. I know that the burden on your shoulders is more than anyone should endure." He took their joined hands and laid them on his heart. "But we'll face this together. Erawan, the Lock, all of it.

"We'll face it together. And when we are done, when you Settle, we will have a thousand years together. Longer."

A small sound came out of her. "Elena said the Lock requires—"

"We'll face it together," he swore again.

"And if the cost of it truly is you, then we'll pay it together. As one soul in two bodies.

Her heart strained to the point of cleaving. "Terrasen needs a king."

"I have no intention of ruling Terrasen without you. Aedion can have the job."

She scanned his face. He meant every word He brushed the hair from her face, his other hand still clasping hers to his chest, where his heart pounded a steady, unfaltering rhythm.

"Even if I had my choice of any dream-realities, any perfect illusions, I would still choose you, too."

She felt the truth of his words echo into the unbreakable thing that bound their very souls, and tilted her face up toward his. But he made no move beyond it.

She frowned. "Why aren't you kissing me?"

"I thought you might want to be asked first."

"That never stopped you before."

"This first time, I wanted to make sure you were ... ready." After Cairn and Maeve. After months of having no choices whatsoever.

She smiled despite that truth. "I'm ready to be kissed again, Prince."

He let out a dark chuckle and muttered, "Thank the gods," before he lowered his mouth to hers.

"You're my mate." Her words were a breathless rush. "And I am yours."

The world might have been burning around them for all she cared, all he cared, too.

"Together, Aelin," he promised, and she heard the rest of the words in every place their bodies joined. Together they would face this, together they would find a way.

Together we'll find a way, their mingling breaths, the crashing sea, seemed to echo.

Together.

[lloydfrontera]

related to that last post that's kinda why i think cpsm revealing that javier had died three years earlier than lloyd is poignant in a very understated way.

javier's original fate was to live when everyone he cared about didn't. he was meant to be the protagonist of that world, to face all kind of threats and survive all of them, but with no one at his side.

he's the narrative's favorite but the narrative's love is not gentle and it is not kind and it will hold you close until you suffocate under its themes and parallels. for the world would bend itself for javier to be at it's center but it would not allow him the comfort of sharing that spot with anyone else.

he was always meant to be the last one standing. fate won't kill him but it won't allow him to die either.

and then comes lloyd with his plot breaking meddling saving everyone around them and shoving his way into the protagonist role, sharing the burden javier wasn't even aware he was carrying. and fate tries so hard to correct itself, it tries by all means possible to put things back the way they were meant to be, but in the end the best it can do is to try and make it so there will only be one main character in the world. the way it was always meant to be.

it concedes. it won't take away everything from its favorite anymore. but it won't stand for there to be two of them.

and the thing is. it wins. it gets what it wants. in the end javier can't save lloyd, he can't take his place, he can't keep him alive, he has to stand and watch him sacrifice himself for everyone else. for javier himself. in the end when the battle is over javier is again the last one standing.

when lloyd comes back and the fate restoration doesn't start up all over again, he thinks it's because lloyd frontera's original body disappeared and he came back in his own body. i don't think it was that. i think the reason fate didn't try to restore itself again is because it had already achieved what it wanted.

the narrative won. not completely. not the way it was originally meant to. but in the end javier ended up as the lone protagonist who watched his loved one die before his eyes.

only then was it satisfied and allowed javier to leave its grasp. only then was he allowed to become a person and not just the main character.

a person who could spend a lifetime with all of his loved ones and when the time came, die peacefully in his sleep, knowing at least the person he came to care the most about will outlive him. at least this time, he won't be the one left behind.

[joinmeinjoy]

There's not really going to be a point for most of this but...having mild thoughts about Hob Gadlings metal bat under the bar of the New Inn.

He doesn't need a traditional "weapon", no fight will ever spell death for Hob. He doesn't need something that kills - it will never be 'me or them' bc Hob will always win out in that, always get back up. So he doesn't need something that kills. Just something to stop someone in their tracks. Hob metaphorically brings a gun to every knife fight bc not only does he have decades of soldiering and banditry behind him, but he's also just straight up immortal. No fight with other humans is going to be fair, he knows this, and it's a lot less acceptable to kill people these days anyway.

So a bat. Under the bar. Mainly because pulling it out is enough to scare most people these days, but also because Hob doesn't need to worry about getting shot before he can break some bones and knock out some teeth. Bullets won't stop him, he doesn't need to fight for his life. And if there's other people in the bar, well. The attackers are usually more inclined to focus on the guy rounding in on them with a weapon than the couple cowering behind their seats.

So there's a bat- one that's sat there for decades, with a grip that's not the original but is worn through like it might be, and a few loving dents here and there from the dense heads of bigots and people who robbed the wrong pub. The staff knows its there. It's free use. It's been pulled from its spot by bartenders and servers alike over the years, wielded as the threat it is, but Hobs been the only one to ever actually swing it. Better his conscience than theirs, he supposes.

Robert Gadlings metal bat under the New Inn bar...

[fortune-maiden]

No no, don't spare me the 700 words of character rambling. I want to read it. Please?

IF YOU INSIST ANON =D

(admittedly it's closer to 600 words now after editing lol)

(this is partly cyrano au stuff, partly general character ramblings)

OK SO JING WEN.

In canon we don’t really know too much about his motives towards Ling Wen other than he wants to wear her down and destroy her reputation, and this stems from her showing him up in an essay contest. From the revision, we can also add plagiarism to his sins – he knows Ling Wen is more talented than him and despises her for it, especially because she’s a woman. (Although I think her lack of scholarly background also heavily plays into it. She isn't a woman from a family of scholarly officials. She's a shoeseller who writes letters on the side to make ends meet.)

For the Cyrano (but not really Cyrano) AU, I’ve added a layer of lust and entitlement towards his feelings for Ling Wen. He was the one who discovered her! He rescued her from a life in prison and made her a junior heavenly official! People remember her name and her story because of him! He’s her hero!

And he thinks that it’s about time she acts like it! Ling Wen wants to keep her head down and avoid him as much as possible. Do whatever job he wants from her and hope it keeps him in a good enough mood to leave her alone. Except Jing Wen wants to reduce her to the girl who was saved by him and devotes herself to him in return. It drives him crazy that she does not, and would even dare to get close to other men (PM & SWD) when she treats him (him!) with barely concealed contempt. He discovered her! She was no one before him and he is the only one who can have her! (and her talents!)

This is meant to contrast this AU’s Shi Wudu who also discovers her hidden talent when he exposes Jing Wen's plagiarism (mostly by accident) and immediately falls for her brain and wants to see what she can do with it when she isn’t tied down by Jing Wen and his ego. He finds her interesting, a match for himself (one of two people he’ll acknowledge as such), and rather than save her, he wants to give her the tools she needs to save herself because it’s much more fun for him that way. (This is also the real reason Bai Jing is not in this AU, because he treats Ling Wen with genuine kindness and doesn’t have any kind of pedestal or expectations in return and I think given everything she has been through at that point, that genuineness would be more attractive to Ling Wen over someone who wants to make a girlboss out of her. If there’s no BJ to compare against, I think LW would be a little more receptive to SWD’s feelings.) (Although both are interesting to think about.) (Also on a sidenote, even in AUs where he isn’t explicitly in love with her like this one, my SWD always ends up a bit of a dogged nice guy towards LW, ready to do anything she asks. This is partly because she helped him with the fate swap, and partly because he REALLY values her friendship. There’s a bit of a second-love aspect to their relationship from Ling Wen’s side because she knows SWD feelings towards her but it’s not the same love that BJ made her feel.)

And also because I just like talking about him, Jing Wen’s possessiveness and refusal to be shown up by a woman also kinda contrasts Pei Ming a bit, since he’s also a traditionalist and believes the guy should save the girl (and would be pushing SWD in that direction in his pseudo-cyrano role), but he’s also capable of acknowledging that if that doesn’t win her love, it doesn’t win her love (not that that’s ever been an issue for him personally) – and if a woman shows you up, the solution is to Do Better and show off properly to her later (this is him with the Rain Master. Anytime she gets the better of him, he sulks for a bit and then sets out to show her how cool he actually is. He wants her acknowledgment!)

[reivenesque]

Holy shit why did they do Andy and Maya so dirty with those wigs in that last scene of Station 19??

Speaking of doing dirty, did Grey Damon want to leave/do something to offend the writers because the last time I saw writers fuck over their own character this much it was Jimmy Borelli in Chicago Fire - or Ava Bekker in Chicago Med (in fact the Chicago Universe routinely fuck over their own characters).

But on a less important note: I, as I'm sure many other people out there in the world, hated Kate. Obviously we don't hate her as much as her own writers cause wtf was that ending lol

So yeah... obviously instead of doing something healthy like sleeping, I just spent the whole night watching the entire last season of Station 19 and honestly, as far as my personal opinions are about this show, it wasn't the worst final season of a show I've ever seen.

[amandabe11man]

so me and my friend are onto season 4 of X-files now and we got to the csm-centric episode, right. and when he put the sniper rifle up from the window at the start I was like "whoa there. jfk assassination much?"-- and then the flashback starts and wouldn't you fucking know it, csm was the one who killed jfk??

this made me joke about how "what is he, the dark version of forrest gump or something? lmao" (ie. being present at a bunch of historical happenings), and then it seems like I was right because after that, he killed martin luther king too... aND TH E N towards the end, they make a fuckin forrest gump reference???

guys I think I'm finally becoming psychic

[dazais-guardian-angel]

Break 🤝 Ebisu - waiting for years to die and then realizing when the time comes that they want to live...

anon i don't know who you are or what prompted you to send this, but....... yes, I suppose? but also Ow why did you have to make me think of this

[davinaclare]

you know how i said in an older post that i probably deleted how it wasn't worth it to feel this amount of stress and anxiety to go to a dinner party where i would probably get ignored the whole night anyway? yeah... i was right. i could have dropped dead at any point and nobody would have noticed. expect my "friend" who kept leaving me her purse. i love being a coat hanger.

[floralovebot]

heliaites you know how in the shaab stone arc flora says that only the principals knew about helia's plan,, and how codatorta is constantly referred to as a strict teacher who doesn't take shit from the students and is a huge hard ass to them,,

i just think that codatorta helia found family dad son

[girlthativealwaysbeen]

real

[medicinemane]

Also one other general piece of advice, never align yourself with elon musk because he's just a very stupid self centered person who sucks

Remember when those Thai kids were trapped in that cave, and this British diver told him more or less "fuck off, we don't want you publicity stunt sub", so he called the guy a pedophile?

He's an egocentric liar that always acts out of self interest, and he's also just... a complete moron

He's the kind of guy where if he told me the sky is blue I'd be tempted to look up and check for myself, cause I just don't trust him