#it was the first place i really wanted to die

[shiimmer]

cherry kiss

sevika x f!stripper!reader

warnings! pole dancing (if that can be taken as a warning), public sex(??), fingering, orgasm denial, pussy slapping, slight choking, cunnilingus, masturbating, hair pulling, dom!sevika, sub!reader, sevika is a bit mean but we love it, she gets called ma’am once

men and minors dni!!

no mentions of y/n, but reader is called by her stage name cherry

word count: 3.4k words (i got a little too passionate…)

ৎ୭ summary: sevika found herself in a strip club, only to end up getting a lot more than a simple lap dance.

note: wrote smut for the first time in years, and idk how to feel. excuse me if this is absolutely shit, i was sleep deprived every time i was writing this. sorry for any errors, english isn’t my first language. not proofread!!

it isn’t exactly the place sevika usually finds herself in. strip clubs are not her thing. she prefers action over mere watching, but today just wasn’t it. not even a good lay in babette’s brothel can save her sour mood, which is more than surprising even for her. she doesn’t even know why she’s here. she just needs a distraction, and she knows the quietness of her place would only deepen her stress, which is something she really does not want right now, no matter how well she can handle it.

so here she is, in a strip club, surrounded by cheap smelling perfume, neon signs casting some light around the dimly lit place. boasting laughter, cheers and all sorts of other noises she’d rather block out from men around her fill her ears as they watch women dancing on the stage and sway around the pole. sevika, however, is completely silent. almost eerily so.

she just watches. glares, more like as she sits in the booth, awaiting another stripper nicknamed cherry, as the announcer says. ‘silly choice of a name,’ she thinks. her leg bounces under the table, swirling the whisky she just took a sip of on her tongue as the curtain spreads open, revealing you, and her body goes still. it’s like a spell, and sevika isn’t quite sure what has her so mesmerized the second you appear on that long, runway-like stage, neon lights shining on your almost naked body, the way they enhance the confident aura you give out. her grey eyes are focused solely on you, almost as if she’s judging your every movement. from the sway of your hips, to the subtle bounce of your breasts in that skimpy red bra as you stride toward the pole and your fingers wrap around the metal one by one.

a low hum rumbles in the back of her throat, a mixture of curiosity and appreciation while watching you perform. you clearly know what you’re doing, that sevika can see, and it works. even on her. she’d rather die than admit it out loud to anyone, but you have your charm to you and she likes it.

it’s like she’s not even blinking, at least that’s how it feels to you. you notice the woman’s gaze the second you approach the pole, and how it never moves away, not even when she takes a sip of her whisky. your coworkers shared their experience whenever they left the stage, saying how sevika’s glare caused them to nearly mess up their performance. in all honesty, it had made you nervous yourself while you waited for your own turn. dancing before a woman of such power, it’s nothing like dancing for all those nobodies who salivate over a sliver of skin shown. but as you had taken a first step on that stage, with your gaze immediately falling on her, all of that vanishes into something else, something you just can’t explain with words.

you give it your all, making sure to give her the show she never forgets and possibly needs, based on the worn out look she wears on her face. your body moves to the rhythm of the same song you always have to dance to. the song you’re normally so sick of, now gives you a rush. you dance with newfound passion, happy to show off your skills and body to silco’s number two. you play with her, yet you give her the most of you. fingertips lingering on your skin a second longer as you caress your body, from your hips to your breasts. looking over your shoulder when you’re turned towards the pole, the corners of your lips twitching up when you bend forward, showing off your thong-clad rear. it’s all for her, and you are absolutely enjoying the attention.

the endless cheering and lewd comments from men are fully blocked in your mind, your goal as clear as piltover’s sky. you want to make this woman watch you until the very end, to have her gaze on you and you only.

and oh, does it work. sevika’s gaze does not move away from you even when your performance ends and you go back backstage, and you’re certain her eyes are focused on your thighs as you walk. the euphoria you feel after this dance was nothing you’ve ever experienced. for the first time since working here, you’re almost disappointed that you had to leave the stage. your theme song that usually drags on suddenly felt short. you want to give her more of you, all of you.

you sulk in your seat, fixing up your neatly done makeup. there isn’t any need to fix it, you just want to get your mind off of the woman, but it’s completely useless. her grey eyes pollute your brain, and you can still see them when you close your eyes. never in your life were you this desperate for someone, it’s almost embarrassing. you sigh and put the makeup brush done, pursing your lips together. you wonder if you’ll see her again, if you’ll get to dance for her just like you had just a moment ago. you would give her more than just a plain dance show, so much more.

your thoughts get abruptly interrupted by your boss, her voice loud and demanding as she calls out to you. all you can do is hold back an eye roll and get up from the chair, making her way over to her with a look that can only be described as ‘i don’t get paid enough for this.’

“you’re expected in the vip salon,” she bites, her wrinkles crinkling under that heavy layer of makeup. “it’s a very important guest. don’t fuck it up.”

she taps your chest with her point finger, long nail stabbing your skin, and leaves the backstage. you watch her arrogant stomp, scoffing under your breath as soon as she’s far enough from you to not hear it. she calls every guest important, even the scummiest man in zaun is a ‘special guest.’ you know why she says it, she wants you to do your best, to not embarrass her brand, but it quickly gets annoying than encouraging.

your heels thump against the floor as you walk slowly to the salon, your mind running at full speed. you can only hope it’s sevika, but a part of you doubts it. there is no way she liked your performance so much she’d pay for private dance, right?

oh, how wrong you were.

the second you open the fluffy curtain, you’re met with those same steel eyes, belonging to none other than sevika. you eye her up and down, taking in the way she sits on the couch, her muscular thighs spread open and her exposed arm thrown over the backrest. you linger on the bare part of her lower stomach, abs peeking out of the crop top and v-line disappearing under the waistband of her pants. it’s a downright sinful sight, almost picture worthy.

“i didn’t pay for you to just stand there, did i?” her deep voice catches you off guard, and your eyes travel back up to her face. she’s smirking at you, fully aware of your gawking.

you can only pray to janna to survive this dance, secluded in a small room with this dangerously sexy woman.

“right. sorry,” you give her a small apologetic grin while walking to the small music box in the corner to tune in a song.

your hands are shaking a little, but it’s hardly nervousness. it’s excitement, anticipation, maybe even a hint of arousal. your blood is running hot, and you can feel a kick of energy, as if dosed on shimmer. none of your customers made you feel this way, but her.

your hands are already wrapped around the silver pole with your back facing her, ready to move to the music until her voice echoed in your ears.

“come here.”

your whole body stiffens, the music blocked out in your mind. being a stripper for years, never had you actually danced in front of a client. it’s sort of a rule for you; just watch but no touch, but when it comes to sevika, you are more than ready to forget it all just to please her. you pull yourself away from the pole and walk up to her, hands running over your sides. her eyes never leave your face and, by the gods, shivers run down your spine in waves, running all the way between your legs.

three more steps, and you finally stand between her spread thighs, and only now that you stand so close you notice just how damn thick they are. she looked better up close, no art or photo of her could do her justice, that you are sure of. a smirk makes its way on sevika’s lips as she watches your hips sway, your fingertips tap and stroke your skin. she is so into it, her hand is practically itching to just grab you by the waist and drag you down on her thigh.

it’s as if your minds link for a moment, because your smaller hand finds hers, guiding it to your stomach. sevika doesn’t react, at least not visibly, though you can’t say that about yourself. the second her rough, calloused palm runs over your abdomen to your hip, your body reacts on its own, almost like it isn’t even connected to your brain. she pulls you down on her leg, chuckling under her breath as your breath hitches. she has you where she wants you, and you can only comply to her every wish.

“babette’s is a few blocks away, y’know?” you mutter breathlessly, and you can only curse yourself out for how affected you are by her mere presence. it’s embarrassing, humiliating even, but you are oh so close to not give a single fuck. “someone can catch us here.”

sevika chuckles once more, liking your slightly mouthy attitude. it makes her want to put you in your place, take out her bad mood on you in all the ways she can. “by the way you’re reacting, i doubt you even give a damn,” her voice fills your ears, laced with a playful biting tone. “cherry.”

you suddenly feel coldness of a metal on your arm, pointy ridges of metal fingers digging into the flesh. she moves you around like a rag doll, like you weight nothing to her, until you straddle both of her legs and your thighs are spread apart. “tell me, what kind of services can you offer for extra coin?” she teases you, her thick fingers toying and pulling on the string of your thongs, making it snap back to your skin. “besides a little lap dance.”

the air is thick with tension, pushing down on your shoulders. it’s an intense, sexual sensation, one you can barely get enough of. you feel as if you are getting dragged by the ankle into the deep pit of unbridled lust, and it bubbles deep in your belly. you crave her.

you yearn for her.

“for you? anything,” you muster up the last bits of your attitude and smirk at her, your hand coming up to her right shoulder to steady yourself. “free of charge.”

it’s all sevika needs, and in a matter of seconds, she pounces on you, her lips running along your pulse. she doesn’t kiss, not yet. she merely toys with you, shapes you to her liking until you are but a mess. every touch of hers has a purpose, and unlike in a brothel, she is taking her sweet damn time. she’s frustrating herself by this point, all of the shit she had to deal with were simmering under the lid and ready to leak out, but something in her told her to utterly wreck you.

the music continues to play, silencing every small noise that escapes from your mouth. her fingers start to travel lower, following the fabric of the lace until the fingertips hover just above your clothed clit. she doesn’t even brush over it, yet you can feel your cunt clench around nothing. you bit on your bottom lip as sevika’s fingers linger on your thong, cheap cherry taste of your lipstick hitting your tongue.

“means that i can do this, right?” she asks into your skin, finally putting pressure on your clit. you jump in her lap, the sudden touch making you flinch away.

sevika doesn’t let you move away. she only chuckles when her mechanical arm goes down to your hip, pinning you to her lap like you are her trophy. there is no way she’s letting you go now, she wants to see you tremble.

your mind is hazy, and so foggy you can barely think of anything other than her, and the feeling of her fingers circling over your sensitive clit.

“do anything you want. i’m here to give you a show, aren’t i?” you try to keep your bravado, but it collapses like a house of cards the second her hand slips under the fabric, touching your cunt.

“fuck, you’re wet,” she laughs at you, pulling away from the crook of your neck to look into your eyes. “are you that desperate, or what?”

you cry out in pleasure as an answer, which is all she needs. her fingers tease your clit, circling it, pinching it between her thumb and point finger, which only makes you wetter for her. it’s as if you’ve never had a good fuck in your life, and she is there to fix that.

sevika continues to tease you for a few lingering seconds, simply enjoying the sight of you crumbling beneath her touch, until she moves lower and leaves your swollen bundle of nerves twitching, yearning for contact. she doesn’t waste time to slip not one, but two of her fingers into your drenched hole, stretching it out.

“oh fuck,” you groan out once you feel her fingers move, pumping into you in a rough, but slow pace.

she keeps them curled just right, brushing over that sweet spot that makes your back arch and your eyes roll back. it’s clear that she is experienced, because she knows just how to touch you to keep you shivering in her lap. you drop your head to look at her hand moving between your legs, but sevika doesn’t allow you that for long.

her prosthetic hand shoots up to your neck, cocking your head upwards to keep you from looking away. she only applies little pressure to your throat, not hard enough to choke you out, but rather a little warning.

“eyes on me, cherry,” she rasps out, her eyes so intense it sends shivers down your spine. “be a good girl.”

her voice has you clenching around her fingers, pathetic mewls of pleasure rolling out of your mouth. you have no choice but to keep your gaze on her, your sight blurry and slightly unfocused as sevika’s fingers continue to fuck your cunt. as much as she enjoys the sounds you’re making, your voice is slowly starting to get louder than the music that still plays in the background.

with the metal hand on your throat, she tugs you forward, crashing her lips on your in a bruising kiss to swallow the moans you’re letting out. she doesn’t give you a chance to let you dominate the kiss as her tongue slides into your mouth. she is in charge, and she’s letting you know it.

the taste of hard liquor and smoke hits your tongue, but you’re too deep in pleasure to cringe at the taste. in all honesty it turns you on even more. the sensation of her thick fingers, pumping in and out of your drenched pussy combined with her mouth on yours make you go crazy. you are so close, your orgasm just a few thrusts away.

the way your walls clench and unclench tells sevika that you’re about to cum, but where is the fun in giving you what you want so early. she pulls her fingers out, and when you try to whine in protest, she lands a few hard smacks on your cunt. you can feel the slaps even through the fabric of your lingerie, that’s how rough she is.

“not yet, cherry. i’m far from done with you,” she mumbles when she pulls away from the kiss, her lips glistening with the mixture of your and her saliva. she grins, reaching for one of many fluffy cushions and throwing it on the floor underneath you. “on your knees.”

she lets go of your throat, letting you sink down on the floor. your knees nuzzle into the softness of the pillow, hands falling on the buckle of her belt to undo it. sevika lifts her hips when you unbutton her pants, letting you pull them down along with her underwear. she pulls one leg out to spread her legs more, giving you space to get closer.

you don’t dive in right away. instead, you run your tongue over her thighs, all while looking up at her. it’s like your little revenge on her for teasing you before, and for not letting you cum. sevika grits her teeth, her nostrils flaring a little. a woman normally with patience of steel is suddenly a ticking bomb, ready to explode.

her real hand moves to your hair, grabbing a fistful of the strands. she doesn’t pull at it, but her grip is tight. “don’t test my patience. not today.”

the tone of her voice, authoritative and commanding gives you chills, your cunt once again clenching around nothing. your eyes wander over her body until it stops on the wet mess between her muscular legs, and that’s all it takes to convince you to give her what she wants.

“yes, ma’am,” you whisper, and sevika’s grip on your hair loosens just enough for you to move.

with one final glance at her face, you delve your tongue into her cunt, moaning at the taste of her. your nose nudges against her swollen clit, which makes her let out a deep moan. her whole expression falters as you eat her out, curses and noises escaping her mouth like a mantra, a sinful prayer.

“you’re good, cherry,” she praises you breathlessly, fingers combing through your hair. “you sure you – oh, fuck – didn’t choose a wrong profession?”

you don’t give her an answer, your mouth being too busy with her pussy to talk. you eat her like a woman starved, like she is your last meal. you can feel her slick staining your chin, but you can hardly care. you only have one goal in mind, and that’s to take her over the edge.

your own cunt throbs whenever she moans, or accidentally tugs at your hair when your tongue laps at her clit. you’re desperate for release, just as you are desperate for her. your hand slowly slides into your panties, chasing your orgasm as your fingers rub your clit.

sevika can see what you’re doing, but all she can think about is how well your mouth pleases her. she tries to compose herself, to last longer, but the burning sensation in the pit of her stomach is getting unbearable, the coil ready to snap at any moment. all she needs is one final push.

and you give it to her. your lips wrap around her clit, sucking on it, which is what sends sevika over the edge. she throws her head back and moans out loud, not even caring who might hear outside of the salon. she cums into your mouth, her thighs squeezing your head. your own orgasm follows right after, and you whimper into her cunt. your back arches, you can’t pull away nor can you catch a breath, not when her muscular thighs keep you in a lock. your whole lower face is buried in her cunt for a few seconds, and you have to tap on her thigh to let you go, your lungs begging for air.

she looks down at you and realization hits her, her legs spreading apart again to let you move. you both gasp for air when you pull away, pants filling the room. the music stopped playing a while ago, and it dawns on you that your time with her should’ve ended minutes ago. yet you find yourself unable to actually leave the salon, not when you have just silco’s second-in-command cum like that.

sevika, who is not in a better state than you, feels the same. she grins down at you, her hand caressing your hair with gentleness that’s almost uncharacteristic to her.

“you may be a stripper, cherry, but i think you just found yourself a regular.”

[hyliagirl42]

Not to get all preachy here but i think this could stem from the really harmful media analysis we're taught in school, which often has us answer questions like "if you were the protagonist in this situation, what would you do?"

And something i read in a post elsewhere really stood out to me, in response to that question - what does it matter what *I* would do? And what I would do is entirely dependent on whether I only have the lived experiences and memories of the protagonist, or if I only havr my own, as the reader.

Because if i only had the protagonist's experiences and memories, I wouldn't know I'm a character in a book (or horror movie). I wouldn't know what genre I'm in. I wouldn't know that this camping trip in the woods with my friends is going to end with all of us dying. It's just a camping trip. And we're teenagers having fun, being silly, and how were we supposed to know the evil tome had a real genuine curse on it? If this is the case, asking what I would do doesnt matter, because my lived experiences speak to what choices I'm going to make, and as such none of the choices I make will be different.

But if I have only my own memories as the reader to make my decision with, that's also a useless question to ask. I know things as the reader that the character never could. Like I mentioned before, I know that this is the horror genre and people are going to die. So obviously I can sit back and think of all the perfect ways to win, the perfect flawless ways of surviving. But that wouldn't be very satisfying, narratively, would it? There's no plot without struggle and hardship. There's nothing satisfying about winning too easily. That's not the story the author wants to tell, especially in horror stories.

But all we're ever taught in school is "what did the character do wrong? How would you do it better?" Instead of the actually meaningful questions such as "what message was the author trying to convey? How can this message apply to your life? Is this message even aimed at you in the first place, or is it aimed at someone else? Did the author successfully convey their intended message?" Questions like that.

And that's doing us a disservice in all media, all across the board. For example, if a character does something you would never do, because it's a Bad Thing To Do, the character is problematic! Because I, an upstanding citizen, would never do that! Forget the fact that the character is still going through character development at this point. Forget that the character's background led them to make this decision, and they thought it was the right one at the time, when it wasn't. Forget that the author may be setting up events in the future or trying to teach a lesson or trying to show that someone who does such things is still a human being and can still be a sympathetic character even if they mess up...

Anyway, I'll get off my soap box now, this is just what this post made me think of. To go back to the original post, if you dont want to see a story about horror protagonists falling victim to circumstances out of their control, and would rather see a cute romance, go find yourself a cute romance to read instead. If you want to see protagonists making all the right decisions and overcoming all odds, go find a story about that instead. This is a horror movie. And in horror movies, people make stupid mistakes, because they don't know theyre in a horror movie. Go find something else to watch or read

people are so mean about horror movie victims like. sorry but if i had gone to a cabin in the woods with my friends as a teenager you couldn't have stopped us from reading aloud from the evil tome. how were they supposed to know the ancient curse was real they're like 17

[gotta-winwin]

OT13 Reaction -- to you showing up at their work

SCOUPS: his first instinct is that something is wrong. rushes up to you with worry in his eyes and asks if everything is okay. brightens into a big smile when you tell him you just wanted to see him! excuses himself from practice to join you for lunch before dropping you back home. it hurts that he has to leave you to go back to work but your surprise has rejuvenated him.

JEONGHAN: smirks to hide how unbelievably happy he is to see you. makes fun of you, asking if you really missed him that much?? it's only noon, baby. miss me already? gets flustered when you say yes. pulls you into whatever shenanigan he's cooking up with the members.

JOSHUA: is a little shy to interact with you properly in front of the members. whines when they make fun of him for looking at you with such loving eyes. pulls you to the side to express how grateful he is that you came to surprise him at work.

JUN: initially upset he even had to work on a day off, your presence cheered him up so much! feels his energy coming up just from seeing you. drags you over to meet his members, bragging about how he has a wonderful gf and they do not.

HOSHI: cannot stop looking at you during practice. it's the only time the other members see him distracted during work, esp during dancing. he just can't help it - how can he work when you're right there?? rushes to you immediately once break is called.

WONWOO: is very flustered and caught off guard that you're here. chides you for making the trip over here, saying you could've just called him if you missed him sm. shows his appreciation through actions, leaving practice early to show you around, taking you out on a date after.

WOOZI: he's so in the zone he doesn't notice you've entered his studio until your arms are around him. flinches thinking you're Hoshi coming to annoy him, but melts into your arms once he realizes its you. apologizes that he still has to finish a couple more songs, orders you food and dessert so you can be comfy while waiting. gets inspiration for his lyrics just by seeing you sit there.

THE8: is so happy you're here. although he tries his best keeping his cool in front of his members, he can't help but giggle every time he sees you're acc here. death stares every member that tries bothering you, claiming that you're here for him, not them. (¬⤙¬ )

MINGYU: eats up all the attention. brags to his members openly about how lucky he is that he has a girlfriend who surprises him at work! brags even more when you pull out food you ordered for them all. nags until all the members thank you profusely, making you flush under the amount of attention.

DK: screeches when he sees you within company walls. you look so out of place here! but so pretty! AH! his brain fries a bit, clinging onto you as he tells you he never expected you to show up at his work. is sosososo excited to show you exactly what he does as an idol.

SEUNGKWAN: becomes the coolest idol persona ever the moment he sees you're here. he's trying his hardest to impress you like - yes bby this is how i usually am at work, so cool right? - introduces you to EVERYONE possible. knocking on enhypen's door? yes. showing you to the manager? yes. the building janitor? you're saying hi to him too.

VERNON: his face turns SO red the moment the members point out you're here. gets all shy (the 218 bro vlive with DK) and hides behind his jacket/beanie. cannot say more than 5 words to you the entire time, knowing he'll malfunction and forget about working. expresses how grateful and loved he feels once you guys gets home.

DINO: solidifies in his mind that he IS the main character. parades you around to show everyone he has a gf!! clings onto you the whole time - basically gets nothing done the whole day. it's like he can't be more than 2 feet away from you or he'll die. you end up getting a text for S.Coups telling you you can't come back or else Dino will never get anything done.

[sleepy-steve]

pt 2 of steve "dies but doesn't stay dead" harrington and eddie "ferryman of the river styx" munson // 1.9k // pt 1 ♡

—

november 1984

Eddie checks. Of course he checks. Asks around, eventually to his superiors to make sure he wasn’t going to get in trouble for not collecting Steve. It’s uncommon, they tell him, rare, even. But not unheard of. People die briefly and come back to life. Usually only the one time. The answer should be good enough. Should be. Isn’t though. It frustrates Eddie to no end. Months of wondering and ruminating with the firm belief that he won’t get to see Harrington again anytime soon to ask.

He doesn’t have to wait long.

This time Eddie is on the boat. Leaning over the edge, a hand dangling low to the black water, staring at the same patch of grass he first saw Steve sitting. In fairness, all souls appeared in that general area. But Eddie is fixated on the exact spot Steve had shown off his deep chest wounds. It’s for this reason that Eddie jumps three feet into the air when Steve materialises in the same spot again less than a year later.

Sitting up with a rattling gasp and a look of fury on his bashed-in face—again?! Eddie briefly thinks—Steve yells, “Fucking Hargrove!”

“Christ, Harrington!” Eddie shouts, hand over his chest despite the distinct lack of heartbeat. “Could give a guy a bit of warning.”

Steve looks around, eyes surrounded by more dark bruising taking a second to focus on Eddie, chest heaving as he calms down. “Shit, sorry, man.”

They just look at each other for a few long moments, Eddie standing like a frightened cat on his still wobbling boat. He clears his throat to break the silence. “Who, uh. Who’s Hargrove?”

Scoffing, Steve drags a hand down the side of his face, then winces as it passes over bruising. “Douchebag new guy.” He sighs, settling his forearms on his knees. “His sister is friends with some kids I know. Was coming after them, so I…” Trailing off, Steve gestures to his face.

“What? Offered yourself up as a human punching bag and got yourself killed? Again?” Eddie says, trying not to sound too judgemental.

“Yeah, well,” Steve sighs. “I wasn’t just gonna let him beat up a kid. They’ve been through enough without some dickhead coming in and kicking the shit out of them.”

Eddie feels his brows pull together slightly as he sits back down on the bench of the boat, arms crossed over the edge. It’s not like Harrington was the big bully of Hawkins High, but defender of local kids is… new. “Sounds like a grade-A asshole.”

Steve snorts. “He is.”

“Kids were lucky to have you around as their… babysitter?” Eddie offers, cracking a grin.

Steve rolls his eyes, a small smile playing at the corners of his mouth. “Something like that. Probably didn’t need me at all. Stuck around long enough to see her drug him, so they should be fine.”

Humming appreciatively, a thought moves across Eddie’s mind, and he can’t help himself. “…No monsters this time?”

“Ha, ha,” Steve rolls his eyes. “Yeah, I know you don’t believe me, but the monsters did actually come back, which is why I was with those little shits in the first place.” He sounds annoyed, but there’s a fond look behind those bruised eyes. One that gives Eddie a little spark in his chest. “But no, this death was just a regular guy.”

It’s Eddie’s turn to snort. “This death. So casual.”

A full grin breaks out on Steve’s face, contrasting heavily with the bruises and the blood under his nose. “Well, when it’s happened this many times, kinda hard not to view it as like. Just this thing that happens, y’know?”

Eddie doesn’t really know. Of everything he’s learnt about death—through his own and through everyone he’s met since—this thing Steve goes through is beyond him. Incomprehensible. He nods anyway.

“How many times have you died, Harrington?”

“Hmm…” Steve looks up as he thinks for a moment. “This would be… five? Or six?” He shrugs. “I’m not sure if it happened when I was a baby.”

He says it so casually, so matter-of-fact, Eddie almost wants to double-take. It sounds so truthful, he struggles to not believe him. Even though Eddie knows he’s not losing much by believing him, a small part of him still has doubts. And worries for his job. “You gonna get in the boat this time?”

Steve snorts. “Not this time, buddy.” Something jolts in Eddie’s chest at the familiarity. “Maybe next time though.”

“Next time,” Eddie mutters under his breath, shaking his head. “You anticipate dying again?”

“Well, no,” Steve chuckles. “But based on how things have been… and apparently I’m not too careful.” He gestures at his bruised up face, eyes bright with humour between the blues and purples and reds.

“The monsters?” Eddie supplies, just teetering on the edge of sarcasm.

“Monsters, douchebag guys, car wrecks… you just never know.”

The casual tone in which Steve talks about his deaths still has Eddie reeling. It’s been well over a year and Eddie is surrounded by death constantly, and he still struggles to think about his own. Tells himself he’d rather not dwell, which is true, but it also hurts. He shakes it off, shifting his focus to the bruised and beaten boy in front of him.

“Or… you could save yourself the trouble, and get in the boat now?” Eddie gestures down at his boat with a little hand flair. He’s joking. Mostly. If Steve did have the chance to go back to the land of the living, Eddie didn’t want to take that away from him. Not that he thought Steve was getting that chance. Not completely, anyway.

“Wish I could, but I don’t make the rules.” Steve grins at him, like they’re sharing a secret. And they kind of were. Eddie wasn’t sure how many people knew about Steve’s semi-regular dances with death.

“And since when have you ever been one to stick to the rules?” Eddie asks, propping his arm up and resting his chin on his palm. Looking at the boy on the grass. His hair is longer this time.

Steve laughs, head tilted back. “Fair point. But if you want me on that boat, you’re gonna have to come over here and drag me onto it.” He raises a brow at Eddie in challenge.

Eddie rolls his eyes. “Wish I could, but I don’t make the rules.” He repeats Steve’s words back at him, mocking him.

“Well, well, well,” Steve says, tone playful. “Look who’s being a stickler for rules now.”

“I know,” Eddie drags it out, struggling to hold back his smile. “Crazy, huh? Divine punishment for being born the son of a criminal, I guess.” Eddie’s gaze drops down to the black water beneath him.

Steve scoffs at him. “Like you never smoked pot or broke speeding laws in that van of yours.” 

Eyes widening before he can stop them, Eddie’s shocked Steve even knows about the van. Shocked that Steve knows anything about him at all. What world is he in where the king of Hawkins High knows about Eddie and his beat up old van? Even being in the grade below him, Steve had a popularity pull that was noticed by those in Eddie’s grade. Confusion and surprise subsiding, Eddie finds himself leaning forward even further.

“Coming from you?” Eddie challenges back. “We all know about the famous Harrington ragers, Mister Keg King.”

The title makes Steve roll his eyes. “Never saw you at one.”

It was true. Eddie hadn’t attended any of the parties, for fear of his reputation making him a target. He drops his gaze again. “Didn’t think I’d be welcome there.”

Steve doesn’t respond, and the silence grows between them. They haven’t moved, but Eddie feels further away from him. Like the weird little familiarity they’d developed was being forcefully shoved apart. Eddie doesn’t look up to see Steve’s reaction. Doesn’t want the pity.

“So, you really can’t get out of the boat?” Steve breaks the silence with a complete topic change.

“Nope,” Eddie responds, popping the P. “She’s my new baby, now that I don’t have my van.” He pats the side of the boat with his free hand.

Steve shifts forward until he’s sitting as close as he can to the water’s edge without getting wet. Close enough for Eddie to see the broken capillaries under his skin and the little green flecks in his eyes. He takes in the cuts on Steve’s jaw and forehead, the two black eyes, the blood under his nose. The way his knuckles are bruised and bloodied to match. Something in Eddie feels oddly… protective. Like he wants to jump in front of anything that might hurt this guy he doesn’t even really know that well.

“Change your mind about getting in the boat?” Eddie asks, voice low, now that Steve is so close.

“No,” Steve huffs a laugh. “But you can’t move, so I figured I should.”

“Just that desperate to be close to me, are you?” It slips out of Eddie’s mouth before he can think about it. And Eddie wants to punch himself in the face over it.

But to his surprise, Steve doesn’t recoil away or yell at him. Instead, he laughs softly, cheeks faintly pink beneath the bruising. “What can I say? The allure of your… baby…” He says it with a smirk. “Very tempting.”

Taken aback by Steve’s… flirting is the only word to describe it, but that can’t be right, Eddie immediately switches to joke mode. He won’t entertain the idea that Steve Harrington was honest-to-god flirting with him. He won’t.

“I’ll get you into this boat one day, Harrington. Mark my words.” 

He knocks on the edge of the boat twice before smoothing his hand over the wood. Watches as Steve’s eyes follow his hand, seemingly fixated on it. Eddie briefly wonders what would happen if he touched Steve. Would that commit Steve to being stuck here? Commit him to moving on? Would Eddie even be able to feel him?

Gaze shifting back to Eddie’s face, a smile grows on Steve’s face. “Maybe. One day.” He shrugs, like his eventual death is a fun, whimsical topic.

Eddie is about to comment on Steve’s tone, but before he can, Steve’s head whips to the side, hearing something Eddie can’t. Just like last time.

Unlike last time, Steve doesn’t get up right away. “Looks like my time’s up.”

“How do you know?” Eddie is so curious, he can’t help but ask.

“I can hear—” Steve waves vaguely around his ear. “—stuff. From where I am. The kids are yelling. Hope they’re not too freaked out.”

“Guess you better get back then,” Eddie says, trying to hide his disappointment.

“Yep.” Steve pulls himself up into a standing position, now suddenly looking down at Eddie, who leans back on instinct, shifting back on the boat bench. “But I’ll see you next time.”

“I’ll be here.” Eddie gestures at the boat, palm up. Like he has anywhere else to go. “See ya, Harrington. Stay away from monsters.”

“I’ll try,” Steve laughs, walking backwards on the grass. Keeping his eyes on Eddie as he retreats.

“Try not to get that pretty face bashed in again,” Eddie calls after Steve’s already fading form, grinning wide.

Steve just laughs, the sound of it echoing even after his body disappears from Eddie’s sight.

[usuallydyinginside]

"No One Mourns the Wicked" is about Glinda, not Elphaba

Okay, but hear me out. Wicked songs are so good at saying one thing and meaning something entirely different once you have more context. For instance, "I'm Not That Girl" is Elphaba singing about Glinda initially, then in Act 2 flips to Glinda singing about Elphaba. Because it turns out, Elphaba IS that girl and Glinda is not. When we meet the Wizard, he sings about how he always wanted to be a father. When you get to Act 2, you get the sad little reprise in the background music as he realizes that WHOOPS, he was one and he destroyed his only kid. "Defying Gravity" starts with "I hope you're happy" in the sarcastic sense and ends with them both using the same phrase to genuinely wish one another well.

"Thank Goodness" is set up as a cheerful engagement song where Glinda genuinely means "thank goodness for how great my life is" and ends in a place where she's insisting that she IS happy even as she realizes her engagement is a sham, her best friend is gone, and she's left with the Wizard and Madame M, who she doesn't even like.

You get the picture.

Basically, the whole musical is about subverting what you expect, starting with the base premise of "what if the Wicked Witch was the hero of the story" and digging in from there.

Honestly, I'd never paid much attention to the first song. It's a good opener, sets things up well, but it has some big competition with later songs. However, in the movie the staging and camera choices made me really notice it for the first time. Because you know what? Someone DID pay attention to that song, and you can really really tell.

For those who need a refresher, the lyrics to the chorus Glinda sings are: And Goodness knows The Wicked's lives are lonely Goodness knows The Wicked die alone It just shows when you're Wicked You're left only On your own I was always so busy noticing Glinda's grief over thinking Elphaba was genuinely dead that I failed to notice Glinda's grief over her OWN fate. The movie did such a good job with this because every time we get to the pink lines about being alone, Glinda IS alone. She is standing apart from the crowd who adores her. Standing above them. Standing at the center of a bunch of people yet still, isolated.

Because in the end, we know that Elphaba DIDN'T die alone. We know she wasn't on her own. We know her life WASN'T lonely ultimately. She had her flying monkey and animal friends. She had Fiyero.

And who does Glinda have?

Everyone, but realistically, no one. She is an ideal, not a person to most of Oz, just as much as Elphaba has become the token scapegoat. Where Elphaba is the "Wicked Witch," Glinda is "Glinda the Good Witch" - she is literally supposed to be the embodiment of goodness.

And what does Glinda have at the end of this whole thing (as of this song at least)? A disastrous end to her engagement, the death of her best friend, a sorceress who has hated her, demeaned her, and dismissed her from the start, and a con man who is also just a symbol more than a person.

I think it really hit me when Glinda throws the fire on the giant effigy of Elphaba. Ariana's acting was SO good there, because I'd expected us to see that private moment of horror or regret. What I didn't expect was the sort of determined and almost angry glare at the effigy.

But it makes sense. At this point, Glinda has realized that she lost everything and everyone she actually cared about.

As she so aptly puts it in "Thank Goodness"...

Though it is, I admit The tiniest bit Unlike I anticipated. But I couldn't be happier, Simply couldn't be happier, Well, not "simply" 'Cause getting your dreams It's strange, but it seems A little, well, complicated.

There's a kind of a sort of cost. There's a couple of things get lost. There are bridges you cross You didn't know you crossed Until you've crossed!

And if that joy, that thrill Doesn't thrill like you think it will Still-- With this perfect finale, The cheers and the ballyhoo! Who wouldn't be happier? So I couldn't be happier, Because happy is what happens When all your dreams come true.

Well, isn't it?

Happy is what happens when you're dreams come true.

It's not Elphaba's fault that Glinda has ended up this way. Glinda chose it every step of the way. Yet, if Glinda had never met Elphaba, (if she'd never known her, you could say), she might have stayed shallow and vain. She might never have been challenged to look deeper and realize how empty it all felt.

So as Glinda sings "No One Mourns the Wicked," she realizes that even if the Munchkins are singing about the "Wicked Witch," she's not.

She's singing about herself.

The one who traded her morals, friendship, and love for a taste of the admiration and power over those who don't really know her. The one who was so worried about being likable that she herself doesn't like who she's become.

Even after she makes things better for Oz and herself by sending the wizard away and getting rid of Madame M, it just leaves Glinda by herself as the leader and source of goodness in Oz. It leaves her on a pedestal she can never step off of.

It leaves her lonely.

Entirely alone.

[unbotheredgoose]

if there's one thing you know about yourself is that you shouldn watch your mouth when you're drunk.

but you're out with your friend, and she looks beautiful when she laughs, and it's so good to see her not stressed from work, and it's great that you finally get to hang out after such a long time, and you can't help but ask her:

"why?"

"why what?"

"why do you humans keep wasting so many resources trying to make that earth planet habital? i don't get it."

she gets this somber look in her face. the laughter stops. she looks like she might cry.

you feel terrible.

"i'm so sorry, i shouldn't have... you don't have to answer that-"

"my grandma was born there, you know that?"

you stop talking. she looks distant.

"when i was a kid, she told us all about how it used to be, before everything. when she was little, she lived in a small house with her parents, and her mom grew crops in the garden, and they had a tree that gave them bitersweet fruit on the summers. sometimes birds would make nests on that tree, and she and my great grandma would set up little houses and playthings for the babies to play with.

she was always fascinated by birds. all animals, really, but especially birds. i've never seen a bird in my entire life if not for her drawings, and she always regretted the fact that she never got into coloring to show us exactly what they looked like.

she has pictures of her and her college friends visiting waterfalls and running together in the wilderness. she used to camp, like, a lot, really camp, in the middle of the woods, just her and her friends, like we read in the books. it's different from camping in vr, she kept telling us, we had to actually learn how to not die in the woods.

she married my grandpa at the beach, and... it's so different from the simulations. the sunset was beautiful in the pictures she showed us, but she told us that it was even better in person. she looked so beautiful with her sunburnt skin, even though she was in pain, and we never have to worry about burning our skin because of the sun, everything is all so protected and artificial, we don't even see the sun anymore.

my grandparents promised each other that when they got older they would have a farm. my grandma always wanted a few birds and a big dog. but then, when my parents were ten years old, the planet was so screwed that they had to populate other planets. she kept telling us that she was one of the lucky ones, because my grandpa was in the military and they helped people evacuate, but that most people like her died on earth.

everyone thinks it's our fault, you know? we doomed our planet, why would we even be trying so hard to restore it? i don't know. my grandma did it because she didn't want my parents to grow up in this place, where everything is made up and she did it all for nothing, because we're still here and we know nothing different from it. and to be honest, it's kind of hard to believe it was her fault in the first place. she really did her best. she saved water. she planted trees. she protected birds and other wildlife. she protested.

the truth is: no one listened. no one important enough, at least. no one cared about the little people like her, who were just trying to live their lives in a doomed world, and kept doing her best. the big guys wanted the money and they fucked everyone else over just to have it."

"i'm sorry, i-"

"i guess now that we've lost everything people are finally learning to miss what we used to have. our lives weren't so bad. and we want to go home, even though that doesn't make sense. i don't know what home looks like. i don't know what a bird looks like, or what it's like to stand on a beach and feel the waves lap at your feet, or what the forest smells like. but i keep trying to go back anyways."

she takes a sip of her drink.

you stay silent.

"You humans have hundreds of planets under your control, so why do you waste so many resources trying to make that Earth planet habital? I genuinely don't understand."

[wonderjanga]

Here's a stupid dumb crack idea you can't really die in Fawcett City like you can get hurt cartooningly but you can't die like getting hit in the head when it acts of like a mild inconvenience and gives you a headache and a scar but you won't die from it

If you leave faucet for a long time then you can die but everyone there is Immortal and kind of unaging unless you want to age

Captain marvel forgot to tell the Justice League this while fighting a villain who proceeded the flash when acts in the head

People in Fawcett don’t die. That was something the Justice League hadn’t known when Marvel had called them for help to fight some villain. Everything was going fine and dandy at first. They were winning, obviously, but then something just had to happen. A piece of the rubble somehow, you couldn’t ask any of them, fell on the fastest man alive who wasn’t able to dodge for whatever reason?Everyone, besides Marvel and the villain, who were still fighting by the way, went quiet as a mouse.

Supes: *looks horrified* “Oh my Rao! Flash!?” *flies over and lifts the rubble up*

Flash: *wobbly stands up, springing up and down like an accordion* (accordion squash)

Marvel and the villain didn’t even look their way, meanwhile, everyone is trying to get Flash to stop being a human accordion.

Supes: “Keep him still!”

GL: “I’m trying!” *using his ring to try and hold Wally still*

Batman: “Try harder.” *is trying to administer a sedative*

After that whole fiasco…

Marvel: “Hey, guys, I apprehended the villain. Where were you- why is Flash passed out on the floor.”

After they explained, seeing all their traumatized and scarred expressions, Marvel finally explained that in Fawcett, people couldn’t die. Not unless they wanted to anyways. When most Fawcitizens got hurt, they bounced back very similarly to Tom and Jerry. A wonderful demonstration of this conveniently happened when someone nearby just happened to run off a roof, hovered in the air for a solid fifteen seconds before looking down and then proceeding to fall. They then dug themselves out of the human shaped hole they left, dusted themselves off and walked off like nothing happened.

Safe to say, none of them wanted to come back to Fawcett after this. Though unfortunately, there are still times they have to visit.

Goon: *evil laughs and runs up to Batman and shoves a couple sticks of TNT into his hands*

Batman: *can’t safely throw it anywhere because of the civilians around so it blows up*

Goon: *pointing and laughing*

Batman: *standing there, somehow still alive and covered and soot. He blinks rapidly before grabbing his shark repellent and emptying the entire can on the goon’s face, eyes, and mouth*

As for why Bruce was so pressed to the point where he emptied an entire canister of shark repellent on the man? He could feel the soot everywhere. It somehow got under his mask so he feels it on every inch of skin near the upper part of his torso.

Don’t worry though, this chicanery happens to everyone else too. Like, every single Lantern that has entered Fawcett has taken a comically large hammer to head and has gotten a large bump as a result.

Marvel: *walking by when he does a double take seeing John* “Oh my Gods, what happened-”

GL(John Stewart): “I DON’T want to talk about it.”

Then there was the time Hawkgirl was chasing after a villain one time and they happened to get into Fawcett. She actually slipped on a conveniently placed banana peel. Then, the villain she was chasing stepped on a rake and got a good smack to the face.

Marvel: “Hawkgirl! What’re you doing here?” *flies down, happy to see his friend*

Hawkgirl: *gestures to the villain with a long red line down their face from the rake’s pole* “I was chasing them.”

Marvel: “Cool, cool, cool, uh… what happened to his face?”

Hawkgirl: “He stepped on a rake.”

*silence*

Hawkgirl: “Why do your people just have bananas and rakes laying around?”

Marvel: “What…?”

In conclusion, nobody besides the Fawcett heroes like being in Fawcett.

[soft-pine]

1.18 something wicked

say your desk is covered with a pile of paperclips. something wicked is the magnet you drop in the middle and then they all stick to it; they're all connected.

it's all here. the parentification, the neglect, the way john treats dean which sam doesn't witness, the extreme likelihood that john was using his kids as bait, and the intentional, specific, glorious, lovely ways dean has specifically chosen not to be like his dad.

in the flashbacks, we see dean is in charge of feeding and looking after sam for (at least) three days in some random motel room with the shades drawn. he's not even supposed to go outside. he doesn't have a number for john, just the instruction that if john's not back by a certain time, he's supposed to call pastor jim.

we see john giving dean instructions and responsibility (and criticisms) which he's not giving to sam.

dean is at most 11 years old (ep takes place in 2006. dean says the case from when he was a kid was 16-17 years ago (1989/1990). john's journal places it in 1988; dean was 9)

crucially, even as an adult, dean barely talks to sam about what he remembers of the case when he was a kid. he lets go of little bits at a time and absolutely necessary to the case. but he does not want to process what happened. even when he's so torn up that he breaks down and explains what happened, he doesn't want to talk about it. in part, of course, because he's ashamed of failing to kill the shtriga. but also because dean keeps john's secrets (9.07). and even when he doesn't, sam is not who he tends to process with.

but it's deeply impactful to have an episode where we get to see how dean was treated as a child versus how he treats the kids he meets.

dean is so kind to children throughout season 1, from lucas in 1.03 to lily and charlie in 1.05 to michael here. there is something so great about the way he is both clear that the bad things aren't these kid's fault, while also understanding kids have agency and insight.

i know dean is torn up about using michael as bait for the shtriga but feels he doesn't have much of a choice in order to stop the thing. but the conversation he has with michael is so thorough it really gets me.

DEAN: This camera has night vision on it so we'll be able to see clear as day.... Are we good? SAM: A hair to the right... There, there. MICHAEL: What do I do? DEAN: Just stay under the covers. MICHAEL: And if it shows up? DEAN: We'll be right in the next room. We're gonna come in with guns. So, as soon as we do you roll off this bed and you crawl under it. MICHAEL: What if you shoot me? DEAN: We won't shoot you. We're good shots. We're not going to fire until you're clear ok? Have you heard a gunshot before? MICHAEL: Like in the movies? DEAN: It's gonna be a lot louder than in the movies. So I want you to stay under the bed, cover your ears, do not come out until we say so. You understand? DEAN: Michael, you sure you wanna do this? DEAN: You don't have to, it's ok, I won't be mad. MICHAEL: No I'm ok. Just don't shoot me. DEAN: We're not going to let anything happen to you. I promise.

what a specific contrast that is with

DEAN hesitates, terrified. As he does JOHN bursts through the front door, gun raised. JOHN: (Shouting) Get out of the way! DEAN ducks and JOHN shoots the shtriga multiple times with his hand gun.

something wicked is up there with monster at the end of the book for episode titles that'll make you crazy if you think about it too much.

some other thoughts are just, the first time i watched this scene i thought i was going to explode with love:

DEAN: Yeah well, first of all, I'm not going to open fire in a freakin' pediatrics ward.... Second, wouldn't have done any good, because the bastard's bullet proof unless he's chowing down on something. And third, I wasn't packing, which is probably a really good thing cause I probably would have just burned a clip in him on principle alone.

moral compass boy i would die for you a thousand times and get up and gladly do it again.

and nothing - i mean nothing - hits like dean's voice cracking over the "if it means anything sometimes i do too." like i could actually go insane.

also watching supernatural is how you fill up a computer disc with pictures of dean looking ever so beautiful. like. look at him!! ethereal!!

also also ilu microaggression michael. they should have brought you back in the finale, king.

[netherfeildren]

Busy, Dying. Part 2;

Pairing: Joel Miller x F!Reader

Summary: In an in-between place called his life, Joel Miller is alone. In search of a cure. In need of a miracle. In want of God.

Can I interest you in a cure for loneliness? She'd asked him in a language without words. Taking it is the easy part. Letting her go is impossible.

-OR-

an a/b/o soulmates AU

Rating: Explicit 18+

Content Warnings: No Outbreak AU, Alpha/Beta/Omega Dynamics, Soulmates AU, Infidelity, Cheating, They're behaving badly and doing things they shouldn't be doing idk, HEA!!!!!, Angst, Fluff & Smut, Scenting, Angst with a Happy Ending, Group Therapy, Social Experiments, Explicit Sexual Content, Dom/sub Undertones, Complicated family dynamics, Discussions of self harm, Depression, Existential Angst, He’s a loser your honor!!!

Word Count: 6.3K

Read on AO3

Part 2;

It is your own conspiracy that if you say the words three times in the mirror—I am so alone I am so alone I am so alone—the feeling will go away. Banished ghost. 

You commit yourself to this practice religiously for three weeks before you feel you must absolutely return to the meetings held in the basement of the Emmanuel Episcopal Church or you might just die. 

The first Friday back, you watch him. He blunders around the crowd, struggling to find a seat when he rushes in late that evening, trying to sit as far away from you as possible and, to his great misfortune, ending up right behind you. Squashed between two old ladies, his big body comically trying to fold itself into the tight rows. You laugh at him the whole way through the meeting. 

He’s like a raging bull after that. Scowly and unapproachable as the omegas in the group inevitably make their meager attempts to talk to him. It makes it all the more irreconcilable, a man like that here in a place like this—all the while with a wife at home. 

You wonder about her. 

“That one has a bad temper,” Maria warns as the two of you watch him. They seem to know each other in some way outside of this church, and it takes everything in you not to beg for details. “Big and hairy like a bad, lonely dog.”

You say, “I think he’s shy.” 

She watches you very peculiarly after that, and tells you, “You’re lost, girl. Joel Miller isn’t what you need finding you.”

But you know this, you assure her, and you continue to avoid him. 

The following Friday, he’s the one playing the disappearing act. The next week, as well—no show. You start to dread even your own shadow, wondering where he is, wondering if he’s ever coming back, if he has children and how old he is. Wondering if he wonders about you. Wondering why you’re so obsessed.

Too full of curiosity for your own good, you hover when he finally appears once again. Circling him and Maria, desperate for any sort of information. 

His wife had been sick, he says. He’d had to take her to the doctor. 

You wonder if her sickness might be his baby—sick to your stomach at the thought of it yourself. 

Finally, the week after, the two of you break your fast from one another. 

“You’ve been ignoring me,” he says, coming up from behind, ambushing you once again at the dessert and coffee trough. This is supposed to be a safe space, yet it feels anything but with him near. 

“No I haven’t.”

“You’re not supposed to tell lies in church. It’s a sin.”

“I don’t believe in sin.” You turn to face him, and your stomach hurts. 

He’s got on a dark green fisherman’s sweater—well worn but knit sturdy. A thing that looks as if it’s been his for years. 

You’re feeling thin-skinned and unable to face him today, and for no good reason. You don't know this man. You have no right to punish him with your silence, no right to be angry, to wonder about him. But that sternness from before, the one that looked too heavy for him to carry, has been wiped away from his face now, and in its place he only looks very earnest, like he really wants to talk to you. And it’s only that, well you don’t know him, yes, but you’d felt that you needed to, or that you would. That you were meant to find him in this place, and you’re angry at yourself and at him at how wrong you’d been, still even after all these weeks of radio silence while he’d been busy caring for his sick wife. 

“Me either,” he gives a small huff of laughter, shoving his fists into the pockets of his dark jeans. 

Setting the donut in your hand back on the table—rude and gross, but it’s an afterthought—you wipe your sweet sweaty palm against your hip, appetite all gone now. The basement is suddenly unbearably hot, your heart beating in your throat. 

“Anywho, I gotta run. Somewhere to be—” you mumble, brushing past him. There’s a sudden rush of itching heat burning its way up your chest, your throat, ants crawling over your scalp. The room is stifling, your limbs leaden and too many bodies; so many disgusting, clashing scents: pheromones, and desperation and such terrible loneliness, and him at the center of it, ambrosial.

You’ll have to recite your mantra more faithfully in the mirror every night, not a single miss. Remind yourself, I am so alone, so that the feeling might go away, and you’ll forget him and the way he smells and his eyes like amber green river stones, more quickly. 

“Whoah, hold on,” he calls after you, following to the exit and up the steps to the world outside of this church. You’d brought a coat today, unable to enjoy the cold the way you usually do, uncharacteristically chill, aching limbs, miserable in the biting morning air. He calls your name, and you clutch the wool against your chest, trying to hurry away from his much longer legs and pace as he catches up. 

Suddenly, though, you change your mind. Whirling around to look up, you stop your running, and he’s right there, so close. “I haven’t been ignoring you. You were gone.” Mind changing again, your gaze falls, unable to hold his eyes. You watch his left hand flex like he wants to do something with it. 

“I know. I’m sorry.”

A scoff. “What are you apologizing to me for?” 

“You’re the most interesting person I’ve ever met in my entire life.” He says it quietly by way of explanation, like another apology. 

“You must not have met very many interesting people.”

It feels hot and cold at the same time out here. Your stomach still hurts. Your eyes ache as if you could cry, which is ridiculous because you have absolutely no reason to cry. 

“Maybe not,” he says very low. It seems he’s drifting closer, like you’ll float away. A car honks its horn loudly somewhere in the background, and you still can’t look at his face. His own coat is clutched in his fist and now the honker is shouting too, expletives and God’s name being taken in vain. 

“You should go back in there,” you tip your chin at the depths you’d just fled from, stealing a quick glance at his face, “Find someone else who’s interesting.”

He grunts once, a wordless no and lifts his coat to drape it over your shoulders—you decide you’re even colder now, you don’t think you’ll ever be warm again—and takes yours from your listless grip, draping it over his elbow. 

This man. “Aren’t you here to get to know people?” You demand, finally looking up at him angrily. 

“No,” he shakes his head. “Let’s go for a walk.” His palm at your bicep urging you towards Arlington and the garden sends all sound skittering out of your ears. He reminds you of your earlier words, that he might like to walk, and you can hear yourself agreeing while you look up at the muted light of the late November afternoon leaching through the cloud cover. Through the wool and cotton you feel your skin sucking heat from that singular point of contact, warming you entirely.

It had been blisteringly cold last night, the alluring taste of incumbent winter in the air, and a vicious frost had ermined all the tree trunks within the Boston Public Garden, roughened the surface of the grass. 

Joel chooses a quiet spot by the pond, the willow weeps above your head and all around the two of you the sharp autumn air is lightly laced with the fragrance of leaf rot. An elderly couple floats serenely in a lone swan boat at the center of the pond, not a ripple in the surface, as if they weren’t really there. 

Helping you to sit, he gently pulls his coat from your shoulders, laying the garment for you to rest on protected from the frigid ground and carefully looping your arms through your own coat now, he pulls the excess fabric of his up, draped over your shoulders once again, leaving you securely enveloped from the cold. 

“Here, let me help you,” he says, and the sudden gentleness in his voice makes you want to burst into tears. His character, that of some matryoshkin sort, one embedded in another in another, never knowing which is the realest one, the truest one, which will come next. Angry snarling dog one day, a gentleness that burns the next. You have the sense that a person could know him for decades and still never reach the center, never cease to discover more. 

Sitting before you—you perch alone on the island of his given coat—he tilts his head, leaning back braced on thick arms to look up at the swaying vines with just an impression of brilliant yellow-green, as if that were the color of the air. A sudden breeze stirs the softness of his hair, lifting a stubborn cowlick, and at that exact moment, the cloud cover parts on the face of the sun. In the brilliant shaft of buttered sunlight, his dark curls glint with specks of purest silver, leaving you wishing you could touch the fan of fine lines at the corner of his eyes, feel his age with your fingertips. 

“You’re angry with me,” he finally says, head still tilted towards the sky. You watch him very closely, learning. His voice is deep, quiet. He looks tired, the violet shadows beneath the brilliant hazel eyes. Still beautiful, the full, slightly sulky curve of his mouth surrounded by dark beard. He is everything, all of him, masculine. 

“It doesn’t matter.”

Finally, he looks at you, too. He’s got a big head, proportionate to his big body, that falls back heavily. You can’t help smiling at him, it feels too natural. 

“Now you’re honest.”

“I wouldn’t tell a lie here,” you say, and he sighs like you’re a supremely difficult little omega, too impossible to be reasoned with. But turning back to the sky, eyes closed now, there’s a smile across his mouth also, and you wish the two of you could sit here and laugh forever in this moment.

The silence between the two of you is marvelous enough to be unnerving. Settled beneath his great coat, you’d never believed you could feel the cold so little—learning every fine detail that makes up the man. Even inches away from him, he seems utterly unattainable, each of the two of you existing on your separate islands—you trace the woolen edge of his coat against the ground—some twenty years your senior and married. But the cold has given you such a feeling of grounding buoyancy. You’d awoken angry, miserable, so full of despair you would’ve been sick with it if it were possible. And now—you hadn’t felt this alive or awake in years, perhaps your entire life. He is a marvel, and there are bubbles in your head threatening to take you floating away, and yet, your feet are firmly melded to the ground in reality. 

How attractive, how delicious the prospect of intimacy is with someone who you know will never grant it. It fills you with something ferocious or hungry or snapping, something pathetic that makes you want it all the worse. And he, with a gravitational pull too strong to even think of escaping.

Yes. You hadn't felt so happy in years. 

“How old are you?” Breaking the silence, you ask him.

“Forty three.”

“You have a brother.” He nods. “I have one too.”

“Do you speak to yours? I don’t.”

“He calls me once a month. It’s all he can bear of me.”

“Mine won’t speak to me.” He sounds sad saying so. 

“Why not?”

“I hurt him. Scared him.”

“My brother, he says my whole life is papier-mâché. My values are all wrong, I’m a crowd-pleaser. It’s probably true.” You’d felt it impossible to better yourself, and yet still, you tried for him. “How did you hurt him?”

“You can’t change a man, only make him more secure. Depending on his character that may then bring happiness or strength or success. Tommy’s failure of this in me was more than he could bear, also.”

The willow becomes your confessional. “I spiked my own drink once just to see what it would be like. A doctor told me afterwards that I have self destructive tendencies. I want to hurt myself, but I don’t want to actually feel the hurt, which makes me all the more addicted to it. A supernumerary on the stage of my own life, too afraid of hurting and hungry for it at the same time.”

The heel of his left hand, you notice, is bearing down on an old acorn burr, and yet he seems not to feel the pain. 

He’s looking at you very intently now. Some glimmering streak in his eye. It almost looks aggressive, and a muscle flutters madly at the edge of his jaw. He straightens, sitting up to face you. The acorn burr is left flattened and disfigured in his wake.

“The last doctor I saw told me I was depressed. I never went back after.”

“Are you?”

He laughs surprisingly full of humor and then instantly serious again. “Probably. I’ve been watching my life, scratching at it trying to get in. I can’t. It’s right there.” The matryoshka shuffles, locked in his melancholy one moment, spilling brightness the next. 

You want to understand him so badly your hands shake with it. 

“What’s your favorite thing about your work?” You ask him. 

Where does his wife think he is right now?

“That’s a nice question. Maybe…” he thinks a moment, “Getting to make things that’ll go in people’s homes. The idea that something that came from me will be surrounded by a family.”

You can’t help yourself. “Why aren’t you at home?” You ask him imploringly, unbearably sad for him, sick with need, desperate to understand what it is he’s doing here, and all at once, utterly certain of what it is you are. “Don’t you love your wife?” The question is posed with no bravery, and yet it still comes out into the world demanding. 

He clicks his tongue, taken aback, a shocked breath, maybe even a small, reproving smile. A hundred different emotions coming to life across his face in that single moment. 

“I don’t know,” he finally answers. “I remember loving her. Maybe. At best? She’s a stranger. At worst? An excuse?” But he says it like a question. He’s asking you, not telling, for he isn’t even sure of it himself. You’ve caught him off guard. 

“No…” the click of his tongue snapping you to attention, “That's too generous. We’re trapped in a box together, but completely strange to one another.” It suddenly feels like he shouldn’t be telling you this—about her. You’re sure he shouldn’t be. 

“Do you hate each other?” You ask anyway. There’s something…your only example of love and marriage being two people who had always hated one another and filled the home where their children lived with more hate. It’s difficult to fathom something different than what that had looked like. 

If you were truly brave, you’d ask if he has children, too. 

“No,” he says immediately, a non option, his brow furrowed. “That would take too much effort.” 

Now you understand. He’s alone anyways. The feeling of urgency within you mounts. You’re frightened by this moment of discovery. 

“You’re Southern. Your accent…” You can’t discuss this anymore, needing to change the subject. 

“Texas.”

“When did you leave?”

“Long time ago.”

“Do you miss it?”

At his, he laughs like the question is ironic. “No. Where are you from?”

“Sometimes it feels like I can’t even remember.”

And as if he’d pulled the feeling straight from your mouth, he tells you that he understands what that’s like, and you can’t help it when you reach for his hand, being as careful with him as you would any shy creature, needing to hold him. 

-

“I’ve never been in love,” you tell him, childish look of recklessness and valor coming across your face as you pick up on the earlier thread of conversation you’d frightened yourself with. “It seems too daring, even grotesque.” 

He thinks he wants to capture that look in a bottle and take it everywhere with him. His entire body throbs with a heartbeat and the shape of your hand fits his as if every joint and muscle and soft ligament had been specifically designed for him to hold, filled suddenly with a terrible sense of foreboding. Looking at you, one just knows there’ll be a broken heart. 

Your small thumb smooths gently over his large one, and he marvels that such an exquisite creature would touch him. God, but you’re beautiful. Your touch, soft and enticing and painful all at once. No one had ever been so gentle with him.

“Won’t you tell me a secret?” You beg.

He will. He might give you anything in this moment. In the weeks he’d been kept away, he’d desperately counted the days and minutes until he could return to that place of worship and honesty. 

“I think about you,” voice hushed, the shaking of the leaves not loud enough to mask the soft breath you suck in as he gives you his confession. He maps the architecture of the small hands in his grasp, fingers tracing fingers, uncured clay fragile before the heat. He feels tired and strangely spent, almost drunk on your touch. His thumb slides upwards, marveling at the softness of your wrist, and then there, beneath the shivering distraction of your pulse and his disturbing search, the unlocked fragrance of your scent gland. It drifts towards him slowly like smoke rising from sleep.  

The air seems to pulse between the two of you with heat and premonition. That singular moment before everything goes terribly wrong, he can see it in your eyes. Such vibrancy, excitement, recklessness turned danger. 

“We should…” you feel him begin to pull away, grappling to hold on to the moment and his hand, “We should fuck.” He takes himself back, letting you go. Where else was this being led?

He cringes away from you. “Excuse me?” 

“Sex. You’ve had it before.” His mind reels. His body’s reaction at hearing your mouth say these things, the way it shapes them, the soft, full lips wrapped around the words.  

Looking away, he watches the pond’s couple help each other out of the swan. In his periphery, he can see you begin to bristle at his silence. 

“Don’t be peevish. It’s unbecoming.” 

He can’t help feeling angry. “I’m not. I’m old enough to be your father.” And you laugh at him. You’re deviating paths now, going opposite ways and angry at one another for it. 

“We could pretend that—if that’s what you want,” you say, voice husky and seductive. A small palm smooths up his thigh and his gaze snaps fire at you, hand clamping painfully at your wrist, fingernails digging at your gland, disturbing more of that gorgeous scent into the air. 

You make a pained sound. He needs to leave. He needs to never see you again.

“Don’t be disgusting,” he shoots back, hot everywhere. 

“Don’t be a prude.” He flings your wrist away, and you cradle it against your chest as if he’d hurt you. The heat turns to guilt pulsing through his limbs. 

Warring to wounded then, your eyes. You wrap your fingers around your discarded wrist. “What if we lose everything? What if tomorrow’s the end of the world? What if we’re so thoroughly cured of our loneliness after all this is done, we never feel like we need another person this way again?” 

His muscles tense with the need to flee or attack, the thought of you needing him, of being needed in such a way—he’s like some creature coming upon its mate. 

Despite his age, he had never tried to truly seduce anyone. He had never truly wanted anyone. Not in any real and base sort of way. Desire for him had been a mute and ordinary thing. But he could have you now, turned into a thing he’d never been before, he could mount you and rut you into the dirt like an animal. Never so much a product of his designation as he feels in this instant. 

He can’t even form word, and your body seems to pulse against his with embarrassed heat and indignation. 

“Have you ever even fucked an omega?” You spit at him meanly. 

“We shouldn’t be talking about this.” Voice carefully restrained, each syllable off his tongue is measured with his tenuous control. 

“Tell me anyways,” you demand, shoving his coat off your shoulders being the thing that almost makes him lose it. 

“It’s cold. Put that back on.”

“Tell me.” And he shouldn’t. You should have no sway over him. No demand of his honesty or anything else that belongs to him.

“Once. Only because I wanted to know what it was like.” He’s man enough to admit to himself the embarrassment he feels telling you this.

But it seems to quell some tremor in your eyes, and you sit back, palm petting at your throat as if you’re trying to soothe yourself. 

“I’m sorry,” you say, gaze averted, glassy, delirious look there. “I’ve always gotten my feelings hurt easily. I’m—” you shake your head quickly, sucking on your lip. “...too sensitive. Sometimes I feel like I’ll float away if I don’t find anyone to hold me down.” 

He should tell you that you’re not, wants to, but the image of you weak and pinned beneath him churns in his mind. Whole body aching suddenly, needing his hands on you before he does something truly heinous—he straightens abruptly, abandoning your reassuring warmth. Feeling suddenly cold despite the sweat dotting his spine. 

Without another word he turns to leave you there, alone, while the swan pair watches from across the pond as the two of you part ways. 

The next morning he awakens stiff and burning, his cock a brand of heat against his stomach. And works his entire day in a static haze, lavender spots at the edge of his vision where all he can think about is how you smell and the way your hand feels in his. By five o’clock, his fingers ache, spasming painfully from gripping his tools too hard. Breaking his weeks-long habit, he decides to attend the Saturday night meeting, full of constrained energy and sullen moodiness. Reasoning that a pretty, young girl like you wouldn’t waste her weekend in the basement of a church abandoned by God. 

And is sick to his stomach with equal measures elation and dread when he spots you sitting amongst the crowd of metal folding chairs—wearing his coat. He doesn’t hesitate even a little when he claims the seat next to yours. 

The two of you sit in strained silence the entire meeting, the other alphas and omegas surrounding throwing alarmed and intrigued glances your way as the tension brews hotter and more frenzied. 

His body hurts. This is a painful kind of lust. 

He listens to the speakers tonight with only half an ear, instead, occupied with the memory of what you’d looked like the other week eating a jelly and cream filled donut, imagining what your mouth would look like smeared with his blood and come. He can smell your body, how hot and trembling nervous you are. So unlike all that blistering, innocent valor from yesterday. 

The omega with the cruel husband turned sick one is taking her turn again tonight. Now that he looks at her, she has hair that at one time was vibrant red, now turned a softened copper threaded through with white. Time is such a painful, slow thing, Joel thinks. 

“Have you ever been with someone you knew you were too good for?” The omega asks the room, while the one beside him begins to shake, knee jolting nervously.

You’re anxious, and it makes him angry that you should be made so by his actions. 

Too rough for forbearance, his palm clamps down tightly on your knee, holding it still, and you make some supplicant whimper at the back of your throat. Almost imperceptibly, you draw away from him, the line of your shoulders growing rigid, and a wild, irrational sense of loss steals his breath. 

He’s been so busy lately, distracted. He’s hungry, overstrained, anxious himself. He doesn’t mean to be brusque with you. He just can’t help himself. 

Would we be here if we had? Someone lost in the crowd pipes back. 

The woman laughs, she has a kind face. “Me either.” You shove his palm off your leg as if it burns. “But there was someone… once. A chance, maybe. Someone I didn’t choose but should have. We were friends. We came very close to being happy.” 

And he suddenly feels a wave of desolation so overwhelming wash over him. He turns to look at you, your vibrating profile, so pretty, and he’s gentle this time when he touches your knee. Just to feel you. How terrible, he thinks, to only come very close to being happy. 

The speaker changes, and then it’s Maria’s voice talking to them all. Joel still can’t look away from you as you, in turn, refuse to look at him. “Stop, Joel,” you whisper. But he can’t. 

“At the start of this, we usually discuss a second option for those of you who aren’t able to find what you’re looking for in this. Sometimes it’s not so simple,” Maria tells them. 

A miracle move on drug, she calls it. 

The group’s coalition is sponsored by a pharmaceutical company, one testing a cure for loneliness. Something they think of as pilled perfection, something to numb the pain of loss. Any emotional wound, now with the potential to be a thing of the past. The young omega handing out the pamphlets had promised an easy cure, it seems this is what he’d been referring to. And if the potential side effects included an inability to hold on to any sort of emotional attachment afterward, well, the encounter groups they’d targeted thus far were grateful for it in the end anyway. They were all alone after all. 

“It’ll help you let go of everything you can’t let go of,” Maria tells them. “Help make you forget. Help make you un-lonely. We’ll be holding a session Wednesday morning for anyone who’s interested in being part of the trial. Our sponsor company, Firefly, is very happy to welcome as many of you as possible.” 

Beside him, you whisper, “Only a coward would take that option. What a cheat.” He hesitates, perplexed and wounded by your words. 

“You’ll never have to grieve or miss something you can’t get back, ever again. I know that for many of you, this is the ultimate fantasy,” Maria says.

“I think it sounds like something to help let go. Like what I came here for.”

You exchange cards. Now it’s your turn, the wounded look. 

When Maria’s through, bidding the group goodnight and setting them all free to mingle, you’re up and out of your seat before he can get a word in. He watches you go as if he were some sort of abandoned lapdog, only for a second, before he’s once again, striding after you. 

You weave almost drunkenly through the crowd, first heading towards the exit, then to the beverage station, then correcting and veering towards the back hall where the restrooms and catechism classrooms are. 

Gaining on you, he takes you by the elbow, pushing you deep into the darkness of the long hallway. Going far enough the din of desperate socialization turns a quiet murmur. You’re really in the belly of the beast now. So quiet and dust infused it feels as if it’s been years since a soul stepped through here. 

“What’s wrong with you?” Your face glows with fevered sweat. 

“I’m sick,” you mumble on the tail end of a whine when he shakes your arm into responsive compliance. “Let me go. Stop,” you fight, trying to claw away from him.

“No you’re not.”

“Yes, I am. I threw up all night. And you have the personality of a snarling dog more than a man. Has anyone ever told you that?” Shoving at his chest now feebly.

Ignoring your caterwauling, he takes you in entirely. “You’re not sick,” he says again, sure now. 

There’s a timeless hunger gnawing at his gut. Joel suddenly feels more himself than he think he’s ever felt in his entire life. 

Dragging you high against his chest by the collar of his own coat, he brings the tip of his nose slowly to the valley of sweet fragrance at the side of your throat. Inhaling deeply at the flushed, swollen scent gland there. The sound of your toes scuffing against the floor excites him even more. 

“You’re not sick. You’re going into heat,” he says slowly; gathering the overwhelmed, shivering creature as gently as he can in his arms. 

Your fingers claw at his own throat in return, as if digging for his own answering scent. “No. But it’s not time. I had one not so long ago.” You sound on the verge of tears, and he makes a deep, soothing sound in his chest. “My blockers...I— I can’t be. It’s not time yet.”

“It’s a breakthrough heat.” His other hand comes around to the small of your back and ever so slowly, he presses your hips closer to his. “It’s mine. Because of me.”

“No.” You shove back with renewed strength suddenly, spinning around to scurry deeper down the dark hall and then careening on weak legs into an abandoned classroom. 

Heart beating madly at the prospect of the hunt, he takes a singular calming breath before he’s prowling after the sound of your crying. 

-

“You need to not run from me right now. It’ll make my rut come faster,” his deep voice comes from somewhere in the dark unknown. 

You scramble around the children’s desks, weaving your way clumsy with disorientation to the far end of the classroom. You don’t want to go into heat right now. You can’t. Not with him. You need to be safe and alone in the confines of your warm, comfortable bedroom, far away from the temptation of him.

His heavy, panting breath sounds closer and there’s a shriek in your throat like a struggling kitten. 

“You want me to lose my self control. That’s what this is, isn’t it?” There’s a loud crash as he shoves one of the little desks out of his way, followed by your answering shriek. And then he’s here, coming up behind you but finding mercy enough to hold himself back at the last moment, panting as if he’d just run miles fighting against himself. 

“I’m sorry,” he says. “I’m sorry. Come here, baby. I’m sorry, I didn’t mean to scare you. It’s okay.” He takes a step closer, and the slowing of his breath and soothe of his voice calms you in turn. “You’re only going into heat, that’s all, sweet girl. I’ve triggered it for you and I’m sorry. Let me come to you.”

You let out a high and harried sound, palm smoothing over your throat over and over again. “Joel,” you say once.

“I’m here. It’s okay.”

“It’s only that—”

“What is it?”

“I have to tell you something.”

“Tell me.”

“I’m embarrassed.” A helpless tear spills out over the edge of your eyelid. 

“You’ve nothing to be embarrassed about with me. Ever. We understand each other, you and I. Don’t we?”

And he’s right of course. You’d picked his face out of the crowd in instant recognition, after all. “I’ve had heats…but I’ve never—never had a, a heat with someone. With an alpha.” 

He’s utterly silent and you feel deranged enough you’re almost certain you can hear the pound of his heart inside his chest.

“You’ve never had a knot take your cunt?”

“No.” You swallow. “Never.”

You hear a muttered fuck, and his breathing goes quick and shallow and then even again. He has better control over himself than you do at this moment. 

“Then how?”

You flush full of heat, embarrassed. “T—toys,” you stutter. “Medication to help ease it.”

When he steps closer, only calm accompanies him. All is suddenly quiet. You want him. Your disjointed mind, overwhelmed by too many confusing emotions had gone into overdrive for a moment, but now, with the scent of hot, aggravated alpha surrounding you, it’s obvious this was all you’d needed to calm down. 

You can feel his hot breath against your forehead, the wash of heat on each exhale and the lingering scent of sweet musk at his inhale. You touch his cheek with shaking fingers and feel him turn ever so slightly into your palm, and then he’s bending slowly. 

First, it’s a soft, wet nudge of his mouth, your bodies held apart. Then his strong nose bumping into the side of yours, the splendor of inexperience turning to knowing, a nuzzle. Coming in again hungry, with the slick of tongue now, and the deep inhale of shock at first taste. Your breaths rush through one another, and you feel yourself backing away in maybe fear, more likely overwhelm, but his mouth follows your retreat and then his palms are at your waist, tugging you into himself, pressing you tightly to his body with a ragged groan. 

“Your mouth…Your mouth is so beautiful,” he says.

Everything in your lower belly cramps in painful agony, and you scratch at his arms and neck without much strength, trying to climb higher and take more of him into your mouth. Oh, you want this so badly. You want it to be everything you’ve dreamed of so obsessively the past weeks. Nothing else in the world exists except for your two mouths pressed together.

His lips burn a wet path across your cheekbone, sliding to the side of your neck to suckle at your scent gland. “Fuck.” His scraped teeth along the patch of sensitive skin. “Have you had sex before?” The question is gentle, understanding, his tongue tasting your sensitive earlobe, head ducking suddenly to give a sharp bite at your breast. 

“Yes.” His erection is pressed firm at your belly, hot even through his jeans and your sweater. His large body radiates heat. At your back, his palm finds the edge of your top, sliding underneath to make first contact, blistering skin against blistering skin. 

“But not an alpha.” He says it smugly, the bastard. Palm sliding down to your rump, tucking you more tightly against his hard cock. You shake your head at the crook of his neck, fingertips twisting in the back of his hair. Your breath comes in wet little pants that sound too pathetic to bear. 

“It’s going to feel so good,” he promises, rubbing slow circles low on your back with that wide, strong palm. “It’s different. It’s…” That palm slides lower, squeezees the curve of your ass. “It’s ordinary if it isn’t with someone…special. If there’s not the possibility of—” 

You tell him you understand what he’s trying to say. 

“I think it’ll be so good between us,” he finishes. 

At the waist of your skirt, his fingers press between your skin and the stretch of your tights, forcing his large hand into their confines. Your breath skips into his open mouth, panting into one another he cups you between your legs and suddenly all you can focus on is the tight ache there, the nylon soaked obscenely between your thighs. His arm around your back squeezes you tighter to his chest and his fingertips are pushing past lace edge to feel the slick swell of wet cunt. 

“Oh, Joel. Not here,” you moan. “Someone will come in.” He’s circling your clit, so sensitive and so swollen it hurts. You tug him impossibly closer, and he presses you back into the cold stone wall. “We can’t in a church.” Your protestations sound weak even to your own ears as you spread your legs wider for him. 

“I don’t give a fuck.”

He takes your mouth again, sucking deeply, groaning even deeper when he presses inside of you to the first knuckle. “Tight, baby,” he breathes into your neck, his hips slowly grinding into your pelvis. 

He feeds you more, then presses a second finger, holding still for a second, then another. Panting like a rabbit caught in a trap with three of his too thick fingers stuffed in your overstretched cunt. The sound of popping seams moves up your spine. 

“Can feel your little cunt shaking around me. Jesus—” he groans. It’s all mine, whispered into your hair. 

Suddenly, there’s the open and close of a door nearby. And then the sound of someone’s voice calling your names. Joel huddles you further into the dark corner, confined by the protection of his body, his fingers still moving in and out of you, stretching you well enough to burn as he presses as deeply as he can and with the utmost gentleness, pets lightly at the painfully sensitive mouth of your cervix. Humming in satisfaction at the feel of you. 

“Right there?” He hums. 

You’re crying, clutching at him even more tightly. Your name sounds again, being searched for, like a warning. 

“If I fuck you, nobody else ever will.” His voice is so dark it’s menacing. It’s recklessness, verging on a lie. Maybe it’s hope. 

Pressing lightly again, petting, petting, he pulls his fingers back a little, the loud sucking sound of your cunt trying to hold onto him, and you’re coming for him, crying into his neck, sucking on his scent gland so that the taste of him floods your mouth. The sound of a door opening, and you hear him growl at someone to fuck off in a very scary voice, his fingers never ceasing their steady thrust inside of your clenching pussy, and the frightened slam of a door. 

“It’s alright. You’re alright. That’s my good girl,” he pets and soothes at you, pressing a kiss to your temple, your eyelids, your mouth again and again.

Part 3;

Netherfeildren's Masterlist

Updates Blog

[thatmexisaurusrex]

Comes up to the front of the room with pitch notecards in hand, okay, I have an idea that has two very controversial things in it. And idk if people want this, but I keep thinking about it, so here goes nothing.

So, I was thinking, post-breakup, Tommy and Buck bubble each other not talking. Tommy has spiraled inwardly. Buck is using up all the flour in Los Angeles.

It's a problem.

On a call one of them gets on shift, there is a big pileup. A huge pileup.

And in the pileup?

Connor, Kameron, and their son.

The one Buck helped them have with his donor sperm. All of them have significant injuries. Maybe either Connor or Kameron are already dead. They're rushed to the hospital. The only one who survives - the kid.

Buck, who is the biological father of the kid and never technically waved his rights, decides he should take the kid in. He doesn't know if there's anyone there for the kid other than him. There hadn't seemed to be when he was helping Connor and Kameron out. He kind of impulsively rushes into it.

However, there seems to be a wrinkle. Connor and Kameron had a will. Their will states that if they were to die, it designates the child's guardian to be Kameron's older brother. And who would that be?

Tommy Kinard.

And what at first looks like it could possibly become a messy custody battle ends up settling in a co-parenting situation where the kid spends time with both of them.

And as they keep co-parenting, well, maybe something happens to Buck's loft. A pipe bursts, something.

So, Buck decides to stay at Tommy's place as the pipe gets fixed. And maybe, well, Buck never leaves. It's kind of nice to be all under the same roof, after all.

And maybe they start to actually talk about why they broke up. Why Tommy was scared. Why Buck rushed into the idea of potential marriage down the line and moving in without saying I love you first. Talk about all the baking and talk about the bubbling.

They're reluctant at first to try to make up; try to date. Because what if it doesn't work out again? And where would that leave the kid?

While they figure themselves out, another devastating thing hits them. The kid? He is predisposed to cancer, and he gets juvenile leukemia.

And you're probably thinking it's going to be Buck. Buck's going to be the donor again. And he's also going to have to go through what his parents had all those years ago.

But.

He's not a match.

Buck is not a match.

But Tommy is.

And it's this whole vortex of unpacking childhood trauma while coming together for this kid that's just really become part of their lives. And it works out because I can't bring myself to not let it work out, but it's a lot.

And by the end of it, after the kid is in remission, after everything, they admit it. They admit they want this. They want to be together. They want to be a couple. They want to be a family with this kid.

And it's beautiful.

[jaydude1992]

I'm only referring to the story told by George Lucas (i.e. not Legends or the Disney stuff he was uninvolved with), because I wasn't sure what you were referring to, and because it's gradually becoming the only one I really care for these days. Legends has been decanonized for years now, and while I'll acknowledge that the Disney stuff is official canon, I'm not obligated to ignore how parts of it (i.e. stuff written by Filoni and Headland) are wildly inconsistent with Lucas's story in regards to the Jedi (this goes for the inconsistent parts of Legends too).

If you want to do otherwise, that's fine. If you think those inconsistencies make for a better story, well, fair enough. But again, I'm under no obligation to ignore something being inconsistent with its source material. Especially when the inconsistencies in question relate to parts of the source material I actually like.

In answer to your question, in my mind, what prevents the abuses - at least in Lucas's works and those written by people who actually understand how he wrote the Jedi - is simply that Lucas never wrote the Jedi as characters who would willingly commit their like. In terms of morality, they're on a similar level to Superman; the worst they do is get a little overconfident in their ability to detect and defeat the Sith by the time of the Prequels, and prove willing to compromise on their morals a little for the sake of protecting the Republic's people and soldiers when the Clone Wars begin.

(By "prove willing to compromise on their morals", I refer to the Jedi joining the war effort in the first place, Obi-Wan and the Jedi Council faking the former's death right in front of an ignorant Anakin, and the council tasking Anakin with spying on his close friend and confident in Palpatine. All these things came from a place with good intentions; you could argue that's just another way of saying "the greater good", but I personally think they're a world apart from forcing parents to give up their children in terms of morals).

(I suppose there's also how the council handled things with Ahsoka during the Wrong Jedi arc. I'm not sure precisely what the consequences would've been if they refused to hand her over to be tried as a Republic citizen, but if nothing else, Ahsoka didn't exactly look 100% innocent, and the Jedi had already had two of their number turn out to be Sith supporters (Dooku and Krell)).

Also, this might just be me making assumptions regarding your likely reaction to the above, but I'm also going to state that Yoda and Obi-Wan never told Luke to let his friends die on Bespin, nor did they plan to have him unknowingly kill his father. Yoda and Obi-Wan had no way of knowing what would happen to Luke's friends, but they did believe - not without reason - that Luke wouldn't be able to do much to help them with his miniscule amount of Jedi training if he just flew off to Cloud City. As for killing Vader, it's a plot point that Luke risks falling to the dark side if he does so out of anger and/or a desire for revenge, under which I'd argue "avenging his father" could quite easily fall. My guess is that Yoda and Obi-Wan planned to explain the truth to him when he was wise enough to handle it, but of course Luke's recklessness and Vader himself put the kibosh on that plan.

tl;dr: Writing the Jedi as the kind of people who'd forcibly take children against their parents' will was likely never the intention of Lucas.

When a Jedi takes in a child, it's kidnapping. But when a Mandalorian does it, it's a foundling.

[httpskuzuu]

L”m so happy your back! I would like a request a yandere! Pm Dazai (18 yrs old) with a darling who’s naïve and innocent (of course he kidnaps them) how would he react to a such pure person! Thank you for taking this request.

Yandere!PM!Dazai with a naive and innocent reader

This is the first time I write for PM!Dazai (and I do headcanons), don't kill me

Yandere!PM!Dazai x Reader

Idk english, I don't like english, let me

summary: the title :D

tw: kidnapping, corruption of innocence, stalking, death (not reader or Dazai), physical and psychological abuse, maybe something else but idk

Honestly, I don't know how you got into this situation.

I can only think of two options as to how you ended up getting his attention: Dazai was looking for someone like you or you just surprised him.

With the first option, I guess he wanted to get away momentarily from everything he had known in his life, get someone who wasn't as fucked up as he was.

Or you just came unexpectedly into his life, maybe you got involved in one of his missions without having any idea.

Either way, Dazai was dazzled by your innocence.

You are the opposite of him and he wants to keep it that way, he knows what this world is capable of doing to pure souls like yours and he is not going to allow that.

First he won your trust, it was easy, you trusted everyone too fast, you didn't even doubt him in spite of his strange attitude that didn't let you see beyond him.

You never realized the danger in front of your eyes and that only made Dazai adore you more.

He would know every little part of your life, the names of all your friends and the places you go to, he always has an eye on you.

He would keep your friends and family away from you, he's not afraid to kill, threaten or torture others for that purpose.

Deep down, all he wants to do is to corrupt you.

He wants to be the one to destroy your innocence, to show you the cruelty of the world, even if it is contradictory to his initial purpose.

Maybe that's the reason he kidnapped you.

And oh god, that's when the real fun begins.

He doesn't care about your opinion, not in the slightest, and punishments are just around the corner.

Forced affection would be a normal thing, he sees you as a kind of safe place where he can be a bit more vulnerable, just a bit 🤏

Still, I doubt he would ever let you see his true feelings.

That would only be way down the road in your relationship, when Dazai can have complete confidence that you'll never escape.

Yandere!Dazai is not easy, least of all if he's PM Dazai, but your attitude would make it somewhat more tolerable.

Being such a naive little thing, he can trust you more easily.

Plus you're terrified of him, so you don't even think about running away.

But if you were to try… Well, remember what I said about punishments being just around the corner? Then get ready for torture.

Breaking bones, beating you unconscious, isolating you for days, starving and thirsting you, etc.

Although he usually mistreats you as well, it's all more psychological.

He wants to make you see the evil, to see you break and cry.

Makes him have a mix between sadistic joy and regret.

He really feels very guilty for everything he does, for seeing you in such a broken state.

He would never tell you, the closest you get to that would be a strangely silent Dazai cuddling like a koala bear to you.

I hope you have enough mental stamina to endure your stay with Dazai

Oh, and if he sees that he's broken you until there's nothing left of the original you or that all your innocence is gone, maybe he'll kill you because he's bored 😀

The image of your friend would not leave your head. He was immobile, cold, dead.

It was the first time you saw a corpse in real life, it made your blood run cold. Especially because you saw him die and you couldn't do anything about it.

Dazai killed him, after many hours of torture, one shot in his head and his screams stopped. You saw the blood spill on the floor along with pieces of flesh. You did not vomit because of the absence of food in your stomach, but the nausea was there.

He wouldn't let you take your eyes off him, even when he was torturing him. When his fingernails were being pulled out and his skin was burning. You had to keep watching or the torture would transfer to you.

You couldn't save him. Your throat was torn from screaming, but he was still dead. Would his corpse still be in that dark warehouse? Would that be his grave? At least you would have liked to have been able to give him a proper funeral, not abandon him.

You didn't understand how someone could be as evil as Dazai was. Your friend did nothing, he just worried about your disappearance. Now, because of you, he too would become a missing person.

The tears were still wet when an extra weight was placed on the bed. You refused to move, afraid that he would take you back to continue seeing those horrible things, things you can't even describe without breaking down in tears.

He lies behind you and wraps his arms around you, his hands that caused so many murders gently holding your body.

You never thought before that the perpetrators of these acts could be ordinary people, people you would trust and befriend. But they could be, the proof of that was Dazai, someone too young to be killing.

You are conflicted by the situation, you empathize with Dazai. You want to understand him and know what led him to be the way he is today, try to justify him, but he killed your friend. The dilemma of whether he deserved a forgiveness eats at you inside. Could his actions be justified by his past? Maybe Dazai is just a victim like you.

Be that as it may, apparently you still have time to think because he doesn't plan to let you go anytime soon.

I am sleep deprived

[gffa]

Hiiiiiiiiiiiiii

Do you take rec requests? If so, can I ask for your recs for Obi Wan centric fics where Obi Wan is just absolutely adored by everyone around him? Like people love him, think he's great, beautiful, talented, etc. you could also include fics where Anakin isn't one of his adoring fans but he comes around eventually. If you've ever read the Shoulder The Sky series by @kcrabb88 ? Where Anakin is kind of weird about Obi Wan in the beginning but he'd die for him at the end? Yeah like that.

Preferably no Obitine please, and also no order 66, if you would. They can be fix its or maybe they just don't get to order 66 in canon. Long and short is fine. I just want to read fic to justify my absolute rabidity over Obi Wan Kenobi.

Yknow if you're going to answer the ask? Might as well include every fic that you know that portrays Obi Wan very well. Whether everyone thinks so or not, I just want an excuse to fangirl over Obi Wan. Whether it's cute adorable initiate obi wan; smart skilled Padawan Kenobi, best master in the galaxy Kenobi, best general in the gar Kenobi, unfuckwithable Kenobi that everyone knows not to piss off, the Jedi's best member, whatever. Just fics of obi wan being great, whether people acknowledge it and love him, or acknowledge it and go still like prey animals when he looks at them

Hi! Oh, this is going to be a bit of a difficult set, mostly because avoiding Order 66 is a tough one, and I'm not sure how you are with various Obi-Wan pairings (which tend to have some good Obi-Wan fic), but I can at least start you out with a few recs sets I've done that have a lot of Obi-Wan fic and hopefully the Order 66 fic will be pretty avoidable.

My Star Wars fic recs tag (pretty much anything that mentions Obi-Wan in the subject will treat him well)

Obi-Wan Kenobi epic fic

Post-OBW's first two episodes-centric set

It's hard because some of my favorites:

Reprise by Elfpen (absolutely epic time travel fic that does the really good, hard work of showing us the timeline shifting and why it has to be done in baby steps)

Fire and Ice by Yesac (set in an AU where Order 66 happened, but Anakin won the fight and took both Obi-Wan and Padme hostage, and it's about the incredibly long road to recovery from there, which does have some love = attachment minor, minor notes, but has an Obi-Wan characterization that was fundamental to how I see the character)

Aren't necessarily about Order 66, but it does happen in both those fics, as something that's either being avoided or fixing the aftermath of them, and I'm not sure where you stand on such things, since you don't want Order 66. Same for

The Desert Storm by Blue_Sunshine (time travel AU where Order 66 happened in Ben's timeline, but not in the one the fic is set during)

Knightrise by deviantaccumulation (this one includes Order 66 happening on-screen, but it's an AU where more Jedi survive and they go into hiding together to rebuild)

where it's time travel to fix things, is that still over your line? Is it about the other characters that love Obi-Wan or the narrative of the story that loves Obi-Wan, because that would change a lot of the recs I make! Not that he's unloved in them, but Cataclasm by dendral is one of my favorites, but it has Obi-Wan off on his own a lot of the time, so the narrative loves him, but the people around him aren't in the room with him, etc. I also have a Jedi culture set of recs, which you can scroll through to find Obi-Wan mentioned in the summary, it's probably going to be about how much everyone loves him. But some good places to start for you would be:

ruth baulding's Lineage series and then her Legacy series. The first series is an epic length run of adventures when Obi-Wan was a padawan with Qui-Gon, and then the second series is his time teaching Anakin, with more adventures

Remedial Jedi Theology by MarbleGlove, a fantastic look at Jedi theology, philosophy, and interaction, with Obi-Wan in a prominent role.

Supreme Chancellor Obi-Wan Kenobi stonefreeak, which is crack treated seriously, very Jedi-positive, and while it's an ensemble piece overall, Obi-Wan is very much at the heart of the story and the focus will always come back to him. Just so much fun and very soft on the heart, this is a universe where everything goes right.

Tano and Kenobi by FireflyFish, which is a time travel fic where Ahsoka goes back into the past and becomes Padawan Obi-Wan's Master instead of Qui-Gon. The fic is kind of harsh on Qui-Gon, but if you love the disaster lineage or if you just want more Obi-Wan & Ahsoka, this fic will scratch the itch so good.

Unexpected Awakening (The Rewrite) Rhiw, another time travel fic where Order 66 did happen, but the fic is about Legends!Obi-Wan taking a different path from what happened in the first Jedi Apprentice book, instead of becoming Qui-Gon's Padawan the way he did in canon, he and Bruck go to Bandomeer and then get wrapped up in an epic story about Obi-Wan slowly changing the galaxy's course.

walk by faith/tell no one what you've seen by Killbothtwins, which is time travel with Obi-Wan after the end of the galactic civil war (the one against the Empire) going back to his 12 year old self and diverting the timeline, with a really great voice for Obi-Wan's character in this fic.

The Uses of a Sandwich by Laura Kaye (laurakaye) is a fun young Padawan Obi-Wan fic where he meets Qui-Gon's first apprentice and has a great sense of comedy.

Uncle Ben and Little Luke by phoenixyfriend which is de-aged!Luke and suddenly alive again!Obi-Wan and is just so much fun for a dynamic that doesn't get enough fic. (NEVER ENOUGH.)

Well Met by avocadomoon is one if you don't mind Obi-Wan/Padme fic, where they develop a friendship and later in life just slowly fall into a relationship, where it's about discussions and politics and philosophy and worldbuilding, it's such a subtle dynamic between them in a way that felt so natural to me. I also enjoyed the author's other fic Anamorphosis just as much, too.

[thebennsofdallas]

WWDITS S6 - What we thought we knew vs. what we know now

I’ve been struggling to string some words together about this season thus far. I think, with the exception the episode where Laszlo was forced to relive the abuse of his father, every episode has been wonderful. But two episodes I keep rewatching — Nandor’s Army and March Madness. Because in those two episodes, much was revealed about all these characters. We’re learning that these vampires care, about each other and other things, too. But this season, Nandor has especially been laid bare. No subtext, no wordplay, no wink and a nod.

Hey, Nandor? All those feelings you hide so poorly and hate so much? Too bad, buddy, they are coming out and they are gushing all over the place, like a recklessly pierced vein. Better get a towel because it’s gonna be fucking messy.

The first big thing we’ve learned in Nandor’s Army is how devastated Nandor was about losing the janitor job. So much so that the poor guy went a little mad. For over 700 years, Nandor has survived enumerable hardships and setbacks but Guillermo rejecting him is the thing that ruins him. 

Nandor only took the job at Cannon Capital to be close to Guillermo, to watch over him as he had been doing for 15 years. And that was the second thing we learned about Nandor. He perceived that he had been protecting Guillermo. “Raising him” were his exact words. And once Guillermo decided against being a vampire and separated himself from the vampire world, Nandor felt abandoned. He lost his purpose and in doing so, he lost his mind.

The confrontation between Nandor and Guillermo in the husk of the Hancock and Sons factory was the most honest they’ve ever had. Usually, it’s Guillermo who makes himself vulnerable and Nandor who pretends like he doesn’t care. That night, though, their pent up feelings came spilling out, from both sides. That night, Nandor caved but I don’t think that argument is done yet.

Because, then, in March Madness, the truth bombshell dropped. The foundation of and the motivation for the dumb, sometimes cruel shit Nandor has done is finally revealed.

Nandor knows he’s going to lose Guillermo. He is painfully aware of it. For most of their time together, Guillermo believed that all he wanted was to be a vampire. It was his dream from childhood, as Nandor heard umpteen times. But when it finally happened, in the fucked up manner which no one saw coming, Nandor was gutted by the betrayal. But still, he was willing to turn backflips to make sure Guillermo got what he wanted.

But once he did, once Guillermo chose to go back to being a human, Nandor’s future with Guillermo — or what he thought was their future — was gone.

Nandor was always careful about putting the affection he has for Guillermo on display. He kept that under wraps and rarely allowed himself to let it show. He ignored the tenderness he has for Guillermo and judging from solely from his behavior, it seemed like Nandor was just a big, selfish jerk.

But surprise, surprise, it turns out that Nandor is not so much a deeply delusional asshole as he is a secret soft-hearted sap in self-protect mode. Because Nandor knows Guillermo is human and Nandor knows that humans get hurt and eventually die. In 760 years as a vampire, this is what he knows. He tells Laszlo there’s nothing special about humans. They will leave so a vampire is a fool to get attached to them.

Oh, really? Well, sorry, Mr. Supreme Viceroy/Warlord, you’re too late. That train has already left the station. we know that’s bullshit because whenever Guillermo leaves him, Nandor is totally lost. Through the Djinn and Marwa, we know that Nandor doesn’t know what he would do without Guillermo.

You can run. You can run far because you have those awesome long legs but you can’t hide anymore, big guy. The truth is out. The die is cast.

Nandor. You’re a dead man.

[ofstarsandvibranium]

Frayed Edges

Fandom: Marvel (Mob Boss AU)

Pairing: Bucky Barnes x F!Reader

Summary: You and Bucky used to be so in love and so… ignorant of the roles you had to play, which lead to you breaking up. But that didn’t seem to keep you away from each other since you now act as Bucky’s nurse whenever he gets hurt. Based off my mini fic here.

Stitched Together | Pull the Thread | In Stitches | Bucky Barnes Masterlist

He was pissed off. His entire body hurt and he was really pissed off.

Sam dropped him off at your place. Bucky didn't want to deal with anyone else right now. He told Sam he'd call him when he'd need to get picked up.

He limps up to your door, grimacing at every move he makes. The stab wound in his stomach hurt like a bitch and he needed your help ASAP.

He knocks on your door, ringing the doorbell with urgency. The door swings open and your eyes widen, "Holy shit, Bucky!" You pull him inside and he groans in pain.

Bucky takes a quick glance at your table, seeing two sets of plates set out, "You expecting someone?"

You open your mouth to reply and there's a knock at your door, "Shit," you murmur, "Go to my room. Don't make a sound. Hurry!"

He obeys without a word. As soon as your bedroom door closes, you rush to your front door and pull it open, "Hey, dad! Sorry, was in the bathroom."

"It's alright, Bug," your dad kisses your head and enters your home, the bag of takeout in his hand. You take the bag from him and head to the dining table.

"Nice! Sushi!" you feign excitement, silently praying that, for whatever reason, your dad doesn't go to your room to find your ex boyfriend, now mob boss, bleeding on your floor.

"You still like the dragon roll, right?"

"Yup!"

"Good," your dad joins you at the table.

"Um, I have to finish some online training class really quickly and then I'll join you in a bit."

"Yeah, yeah. No problem. Go finish up. I'll be here," your dad waves you away and you rush to your bedroom, locking it behind you.

You head to the conjoining bathroom, as see Bucky cleaning his wound. “Why the fuck did you think coming here was a good idea?!” You whisper angrily at the bleeding mob boss in your home.

“I didn’t know your dad was coming over!” Bucky loudly whispers back in response.

“Exactly! You didn’t know which is why the smart thing to do would’ve been to call or text me to let me know you planned on coming!”

The mob boss scoffs, “Well sorry, I was a little too busy trying to not to die from a stab wound!” He gestures to his punctured skin.

You pinch the bridge of your nose and sigh, “Out of nights you get hurt, it had to be the night my dad and I have dinner together.”

Bucky rolls his eyes, “My bad. I’ll make sure to schedule my stabbings at a more convenient time.”

“Idiot,” you mumble as you grab your first aid kit from under the sink, and gesture for him to sit on your toilet.

You work in a quick and efficient silence. Bucky doesn’t make an effort of conversation because he knows you prefer silence when you work.

Despite your annoyance with him, you're still gentle. You apologize for the stinging of neosporin.

He watches you with an observant gaze, a softness in his eyes. A sense of longing fills him in the pit of his stomach...or maybe that's the feeling of the needle you're sewing him up with.

Bucky still can't believe this is where life has lead you both. You help save lives, he, on occasion, ends lives. You're light, while Bucky lives and works in the dark.

He knows coming back into your life was dangerous, but he couldn't help it. He just missed you so much and was desperate to have you back in any capacity. Even if he can't have you the way that he wants.

You finish up, taking off the bloody gloves you wore and throwing them into the trash, “Stay here. Take some meds. I’ll check up on you, but please be quiet. If dad finds you, he’ll kill both of us.” You state with concern and seriousness.

He nods and gives you a shy smile, “I’ll be fine, sweetheart. Go enjoy dinner with your pop.”

You stand with a sigh, “Just text me if you need anything. I’ll pretend it’s America or something.”

“Got it. Thanks,” Bucky says as he slowly stands from your toilet after you stitched him up.

He watches as you quickly clean up and exit your room. He listens to the distant sound of you and your dad talking.

Bucky’s shoulder slumps as he lets out a shaky sigh. He wishes it never came to this, sneaking around and pretending like he still didn’t love you.

Because he does. He always will, even if you two are now worlds apart from each other, on opposing sides, never meant to be.

[leoleolovesdc]

Stephanie (at least throught the 90s-00s) had a very discernible violent streak and morals that don’t really line up with tim and the other bats around her. This is kinda lost on modern comics, either because of how much she’s being sidelined or as an attempt to soften her character and make her more likeable, but i genuinely think it was a interesting part to her characer that we should bring back.

Steph is sort of angry and reckless, she became spoiler without any training because she needed to get her father out of her and her mother’s life permanently, and she didn’t care for the implications of what she had to do to get there.

In her debut, you can see how desperate and impatient she is, she was tired of all the harm arthur caused to her family and of the helplessness of never being able to do something about it. It’s just a lot of bottled up anger you can tell she’s been struggling with for years, so when she finally finds a way to channel it onto something good (you can argue on how much good beating up criminals would really do, but this is from steph’s pov) it immediately leads up to her being ready to murder her father on the first opportunity she gets.

And even after bruce convinces stephanie to Not Kill Him, she still expresses multiple times how she doesn’t care for men like her father and saving them is a waste of her time. She is usually pretty willing to let “bad” people die because, as she sees it, their lives aren’t more important then the ones they ruined.

I wouldn’t say steph has very “strong” opinions on murder like jason, for example, does, but she definetly has a detachment to bruce, cass and tim’s morals that end up pushing her into a place of distrust with all of them at some point or another. She is willing to adapt to what her teammates (on the occasions where she did get to feel like a part of a team) expect of her in a mission because she values their opinion of her and wants to receive proper support and training, but it doesn’t make her dislike the kind of people who’s lives she is told to care about any less.

In the short time steph had as robin that trend of loose morals in comparison to the bats really continues, like in that one story where a guy she hit recklessly doesn’t die by pure luck and when bruce is scolding her about it she just goes “he was a serial killer, so really, why should i even care?”, or when she has that talk with batgirl after having to be stopped from beating the shit out of the penguin and ponders a bit about “when does it end? Am i really that wrong for wishing we could just take guys like this out of our lives?”.

It’s a very noticeable highlight on this aspect of stephanie right near the end, and it builds up to when she is fighting fo her life against black mask and finally manages to get the upperhand. It’s not the first time she has someone’s life on her hands but it is the first time she hesitates, maybe because the stakes are higher now, but mainly it’s just because of how guilty she feels for the gang war, for fucking it up with batman and for orpheus’ death. When she lets black mask live it’s not because she thinks it’s the right thing or because she doesn’t want to blow his brains out, it’s out of respect for bruce, because she feels like she already ruined everything, she should have known better and she owes him something, so she does what batman would do. And then that gets her killed.

So, let’s be real, why should i think that after all of this, after her father ruined her mother’s life, after she watched hundreds of children get killed and traumatized by monsters like the penguin, after the one time she tries to follow the damn code it kills her, should she have any notion that murdering is wrong if when she’s looking back on it, killing a bitch would have solved all of her problems from day one?

Being a Stephanie Brown fan is so annoying sometimes because you read about this child consistently trying to commit murder since her literal debut just for some random writer and those “batboys” mfs go around saying that she thinks murder is wrong