#it was rare I was there etc etc

[mendedserpent]

top 5 aos “leaks”

whatever it is was that happened in the week leading up to the series finale

screening the season 7 premiere almost an entire year before it was set to air

blurry makeup trailer photo of the season 6 episode 6 kiss

every cast interview leading up to the 100th episode

patton oswalt announcing that he would be in season 6 on facebook and that literally not being true

[mavigator]

i talked about it a little bit already but i have things to say about it. for context, i was born with amniotic band syndrome. the amniotic band wrapped around my left wrist in utero and stunted the growth of my hand. i was born with about half a palm, four nubs for fingers, and a twisted half of a thumb. i can open and close my thumb and pinkie joint like a claw.

yesterday at work i had a shift in the room with 5-10 year old kids. i had my left hand hidden in my sleeve (a bad habit of mine). a kid asked if he could see my hand, and even though internally i was debating running into traffic, i said “sure you can” and showed him my hands. he stared for a moment, looking disturbed, and then said “i don’t want to look at that anymore”. that hurt to hear, but i understand that kids are new to the world and he probably didn’t mean it out of malice. i put my hand away again, told him that it was okay, and that i was just born that way.

he then went on to talk about how he knows a kid with a similar hand to mine and called it “ugly”. i told him that wasn’t a very kind thing to say and that he wouldn’t feel good if someone said that to him, and he replied that no one would say that to him—because he has “normal hands”, and he’s glad he does because otherwise he’d be “ugly”. i tried to talk with him for a bit about how everybody is born differently, but he just started talking about a girl he knows with a “messed up face” and pulled on his face to make it look droopy. i went on some more about how it wasn’t very kind to talk about people that way, but the conversation moved on to something else.

i’ve told my supervisors about it and they’re going to have a talk with his mom. what i wanted to say is this: i’m genuinely not upset with the kid. kids are young and naturally curious, and he clearly simply hasn’t been taught about disabled people and kind ways to speak to/about others. which is why i am upset with his parent(s). i know he’s encountered visibly deformed/disabled people before (he said so himself!), yet his parent(s) clearly haven’t had any kind of discussion with him about proper language and behavior. i knew from birth that some people were just different than others, but my parents still made a point to assert to be kind to and accepting of others. i wonder if adults in his life are the type of people to hush him and usher him away when he points out someone in a wheelchair. that kind of thing doesn’t teach politeness. it tells children that disabled people are an Other than can’t be acknowledged or spoken about; which, to a child, means disability must be something bad.

i’m lucky enough that this was a relatively mild incident, and that i’m a grownup with thicker skin. i’m worried about the other kids he mentioned to me. has he been talking to them this way? when i was a kid, i had other kids scream, cry, and run away at the sight of my hand. or follow me around pointing at me and laughing at me. or tell me i couldn’t do something because i was ugly or incapable or whatever. one time a girl at an arcade climbed to the top of the skeeball machine, pointed at me, and screamed at me to put my hand away and wouldn’t stop crying until she couldn’t see me anymore. another time, a kid saw my hand, screamed at the top of her lungs, and ran into my friend’s arms, crying hysterically about how i was scaring her. that second incident made me cry so hard i threw up when i got home. i can kind of laugh it off now, but having people react to me that way as a child is something i’m still getting over. why do you think i have a habit of keeping my hand in my sleeve? it just irritates me to see children that have clearly not been taught basic manners and kindness—their parents Clearly missed something pretty important .

[leafspiritz]

III; three for the gleam of a jewel or a smile

[goldensunset]

i’ve been thinking about the pokémon memes where it’s like playing off of that one quote that’s like ‘truly strong trainers should try to win using their favorites’ and it’s like ‘ok well my favorite is [something blatantly overpowered]’ and it’s got me curious. how many people genuinely love pokémon that also happen to be really strong competitively?

so if you will. pick a favorite pokémon (for any reason! whether it’s cuteness or strength or nostalgia etc. no judgment) then go here https://www.smogon.com/dex/sv/pokemon/ and look it up

(you’ll see something that looks like this. see where it says tier and has some gibberish afterwards? don’t worry if you don’t know what that means but tell me what the letters/words are)

also if there are multiple forms and the distinction matters to you make sure you get the right one lol cuz the tiering can be different

edit: forgot to mention i mean specifically in SV! which is what comes up by default. rip every pokémon that either isn’t in SV (it’ll say ‘national dex’) or used to be better but has since fallen off relative to new pokémon

[evilios]

I keep thinking of potential for "good dad Zeus" stories but for Olympians when they're younger/coming into power and they're making me very, very sentimental.

You're young Artemis and you're your father's daughter. You come to him first when you're upset or hurt because, intimidating as he is to many, he always holds you close, laughs fondly, and makes your distress easier to bear. You know that whoever hurt you will not sleep at night and your wounds will heal.

You're young Apollo and you're your mother's child but your father's favorite son. You and him share understanding looks that no one else comprehends. When you wake up from your first prophecy, you are terrified and confused, but you feel a steady, big, warm hand under yours and it's alright. He teaches you the art of fate. You know his mind like no other.

You're young Athena and you're your father's delight. He always finds newer and newer ways to engage your rapidly thinking mind, and he chuckles fondly at your theories. "You would be a mighty king, my child," he tells you and you know it is the highest praise though you don't delight in calls of power. You watch competitions and games standing by his side. You are, still, his greatest pride.

You're young Hermes and you always make your father laugh. He tells you stories of your mother, all scented with strawberry tree fruits and wild flowers, and you wonder how big a man's heart is to store so many loves. He chides you a little for your constant pranks but you can tell that he loves you from the little glint in his eyes. He always sits you close during banquets and listens to your stories even if they're made up.

You're young Dionysus and your father finds you perplexing. He might not understand you as well as his other children, but you watch him from afar and get him, somewhat. The grab for power and the need to keep it, the desire to make others bow to your might: you've felt it since you were much younger. Always a demanding son, always a ruthless little leopard. He'd pick you up and look at you in wonder, "you are so much like me".

You're young Ares and your father does not understand you as well because you're your mother's child. You are not as close to him as others are but that's how you are with most of your family. Deep down, he relates to you - he was much like you when he was young: taking what he's owed. As you grow older, you realize you've become the same great father he is, following in his steps.

[finitevariety]

RTD has his faults but to create something explicitly and vehemently pro-trans rights is genuinely fucking vital right now

[daftpatience]

new oc poopcat

[edwinisms]

you know. I think the reasons it feels so literally narratively wrong when people refer to charles as being straight (such as in interviews where his love life comes up and so on) are that A) he’s never deemed outright straight in the show, so it’s just an assumption that he must be straight by default (which is silly in a show like this), and B) what he says following edwin’s confession. I know I’m biased, but even when I try to look at it as neutrally as possible, the way he reacts in general and the specific words he uses just don’t sound right when you imagine them being said by a Totally Definitely Straight guy.

first of all if you actually listen to it instead of absorbing the scene superficially it’s not particularly a rejection at all, and the actors have stated that themselves– it’s not him saying no, it’s him saying “I can’t give you an answer right now, but I will eventually”. that’s not an interpretation, that’s literally just the truth of what he said (and again, the actors agree). can you imagine a straight guy saying that, or possibly even more damning, “we have literally forever to figure out the rest [“the rest” meaning anything that goes beyond the kind of love charles already solidly has for him]”.

imagine you’re a straight man who’s unwaveringly confident in his orientation and your gay best friend confesses his feelings for you. you would not respond with the implication there is a “the rest” to figure out. since the main, obvious obstacle would be your solid lack of attraction to men, that’d probably be essential to your response– it wouldn’t be a “I can’t say–“ it’d be a “I can’t be–“. and on top of all that, I feel like the whole thing would have to sound far more apologetic– “I’m sorry, I love you and that’ll never change, but I just can’t love you the way that you love me.” something like that, right?

tldr: this is a rare instance in television where assuming a character is straight by default makes Less sense than the alternative. and charles’ choice of words in the confession overtly suggest that he is, at the very least, unsure of his orientation.

[nouverx]

how ya draw alastor is so cute!

Thank you Angie!! 💖 I always notice your reblogs you're so sweet 😭

Here's a quick little Angel Dust I made the other day when I was getting back on CSP!

[makethewordsyours]

i cant believe that to be a translator i just have to come to terms with the fact that translation does not exist. there will never be complete identity between two different languages there can only ever be equivalence. there is no such thing as translation without loss & in fact loss is inherent to translation you cannot escape it. and as a translator you will always have to make choices that will lead to those losses and it will feel like a betrayal and you will be haunted by what you have killed in translation & grieve and there is nothing you can do about it. the only way to curb that loss is if everyone everywhere spoke every language which is not feasible & there is just a void of meaning, a cemetery of significance in every translation and a world of footnotes and translator’s notes will not be enough to fill in the gaps. but still. yknow yknow

[serpentface]

Faiza performing the Kagnoma Odo (pretty literally 'lion dance'), a weapons dance and one of the more important ritual duties of Odonii priestesses. A relatively new addition to this traditional dance involves the musket as the primary weapon, which is fired mid-twirl into the ground at the climax of the dance. Faiza is experiencing an 'oh fuck' moment because her shot is more than ideally diagonal, but she’s being so cool with it.

This is a wholly ceremonial performance at the onset of the pilgrimage, performed in full regalia and lion skin (of the small, semi-domesticated strain) but no armor. It’s also distinctly a display of political allegiance between the powerful and beloved Odonii priesthood (and its loyal military) with the increasingly reviled and destabilized imperial family, with Faiza prominently wearing a bracelet of the royal serpent, which was gifted (along with the musket) by the usoma Stavis Amanti himself (Usoma is the Wardi word for king, which has been retained in the context of emperors).

The Kagnoma Odo is the ultimate demonstration of the Odonii as an embodiment of the Lion Face of God and living vessel of military might and sovereignty, demonstrating her fitness and proficiency with weapons and as a spiritual unifier for soldiers. It is accompanied by drumming and occurs in stages, running through the three keymost weapons used in war- the spear, the sword, and the musket. The musket is of the most significance, given the weapon has developed a particular esteem as the ultimate embodiment of might and superiority. Assistants (almost always other priestesses, occasionally high ranking soldiers) load and prime the musket to be fired at the climax of the dance, where it is shot into the ground as the priestess leaps out of range of the shot. The firing signals the end of the dance and the rite itself.

While not the utmost exemplar of trigger discipline, only fully inducted and senior (and therefore very thoroughly trained) Odonii are permitted to perform the dance, and injuries during actual performances are quite rare (though are known to occur during training, more than a few Odonii have burns and wounds on their feet).

The most important renditions of this dance are performed upon declarations of war and before battles (in this case, generally done in full armor along with the lion pelt). It is also done during some trainings (while a dance, it is carefully choreographed to include naturalistic maneuvers of the weapons involved and helps soldiers limber up and learn to move their weapons). It is regarded as an impressive and motivating sight and a morale booster, and, seen at a distance, potentially intimidating to enemies.

A special variant of this dance is performed as means of fully incarnating the Odomache, which is done in full nudity with the body covered in the blood of the freshly sacrificed lion and cloaked in its raw pelt (the lion has become the corpse of Odomache in the moment of death, as part of its recreation of God's sacrifice). Her public, full nude appearance once (and only once) in this act is what allows the Lion Face of God to incarnate within her. Those in attendance see the spiritually vulnerable, naked human body obscured with the sanctified and deified blood and cloaked in the sanctified and deified skin. It is a merger of the contradictions of mortality and divinity, the boundaries between the two indistinct in flickering firelight and the flash of musketfire. She is witnessed by her people, dangling in between humanity and divinity and leading them in dance, and and is thus transformed.

[starflungwaddledee]

did you remember to leave space for all your phantom limbs?

⋆｡ ﾟ☁︎｡ ⋆｡ ﾟ☀︎｡ ⋆｡ ﾟ ┊ ┊ ┊ ┊ ┊ ┊ ┊ ˚★⋆｡˚ ┊ ┊ �� ┊ ★⋆ ┊ ◦ kirbytober 2024 #03 ★⋆ miracle // phantom // magic

[georgeharrisonsmiling]

I'll Still Love You

Ringo (x), Cilla (x)

[kittycatcorner]

this is officially the dumbest saw thing i've drawn i just had this idea and rushed to scribble it as fast as i possibly could

[elftwink]

to preface this post i am anti-advertising i think we should explode the entire industry but it's sooo funny when you people make posts like "and they don't even work!!" like. sorry to be the bearer of bad news but yes they do. that's why we have to put up with so many despite everyone hating them and thinking its annoying. because they actually work really well and make a shit load of money