Symbolism in "Portrait of Lady Edelgard Von Hresvelg"
This is something that I’ve usually never really felt comfortable doing. If you ever wonder why some artists are a bit more reluctant to actually *talk* about the “meaning” of their work, its because it strikes the same tenor as having to explain why a joke is funny. If I have to actually lay it out for the viewer why certain decisions were made in the execution of a work of art, the magic of the whole experience may be lost. Moreover, many artists avoid making definitive statements on their work because they do not wish to deprive viewers the opportunity to derive their own unique explanation.
While I chiefly view myself as a fine artist, most of my artistic training was as an illustrator. As an artist, this can lead to an interesting dichotomy when it comes to creating paintings. During my studies, I was told that the job of an illustrator is to solve pictorial problems for people often by making pictures that tell a story or convey an idea. Fine art’s definition, in contrast, tends to be more nebulous. But I digress, on to the painting…
A number of people on reddit and Tumblr have remarked on the candle with the snuffed-out flame. No interpretations on it have been offered, the mere presence of a candle with a smoldering wick is a strong enough implication. However, this is one instance where I drew inspiration from art history so I believe it is worth elaborating on. The animus for the candle originates in the Arnolfini Portrait by Jan Van Eyck. Below is an image of the painting with the pertinent candle circled.
Art history scholars have a number of different readings about the candle’s presence, but the one I was taught in Art History is that the lit candle indicates the presence of the holy ghost or the watchful eye of God. Three Houses draws from a number of religions for its world building, in the case of The Church of Serios, the developers took the majority of their cues from The Catholic Church. If a lit candle would suggest Edelgard’s faith in the Goddess, then an extinguished one must imply Edelgard’s *loss* of faith.
In addition to the extinguished candle, I would also like to direct viewers to the reflection of the candle in the polished wood table surface. In the reflection the candle is still burning very brightly, almost down to the base of the candelabra.
The purpose of this image is to recall a saying from old Taoism Philosophy in China: “The candle that burns twice as bright burns half as long.” Those who are familiar with Edelgard’s back story in Three Houses will find its relevance obvious. I doubt I am the only one to make the allusion.
This brings me to the next major piece of symbolism I employed in the painting, the dagger and the drapery on the table. The dagger’s significance should go without saying, but its application as a device will become more apparent after I explain the table cloth. To put it succinctly, the majority of the dark shadow shapes made by the tablecloth are arranged to evoke the shape of the crest of flames. Below is another visual to help illuminate this detail.
The immediate implication here is the detail of Edelgard possessing the crest of flames. As for why I decided to depict it in a more concealed way…When I first got the idea for this painting, the whole concept was that if a person saw this painting in a gallery, they would be looking at an actual artifact from Fodlan, one that created by an artist who actually lived there. This is why the second row of the inscription reads “In the Imperial Year” on the left side and “1179” on the right. This means the painting would have been completed just before Edelgard starts attending Gareg Mach, and long before the greater public would know she has the crest of flames. How the artist came to know this would remain a mystery. I like to imagine it as a detail that Fodlan’s historians would debate over for years after the game’s narrative.
There is also a second message that I have intended with the dagger’s placement cutting (heh) across the crest…Gripping the dagger over the crest of flames is a statement about what the path is that Edelgard will take, especially when the crest is examined as representing the Goddess Sothis. In fact, there are two (technically three) lines of dialogue from Three Houses I had in mind for this symbolism.
That about sums it up! I may do a couple more posts in the future where I show how the painting evolved from thumbnails, to studies to the finished image if theres interest in that sort of thing.
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Beauty and the Beast for the WIP game?
My only real attempt at writing poetry before this year happened during a stretch when I tried to write a Beauty and the Beast retelling in verse. I got about two-thirds of the way through before it fizzled out and languished forever unfinished.
When it comes to my recent novel-in-verse obsession, the simplest option would be to take another look at this work and try to finish it. There's a lot of terrible poetry in there, but there are some that are somewhat better than I remember. I can't claim to be a judge of what's good poetry, but some of these are readable, so I'll share some of them here.
The first set of semi-readable poems covers the first meetings between Beauty and the Beast. (These are all numbered, and I'm leaving the numbers in place to better differentiate between separate poems. I think the speaker in most of these is fairly clear from context, but just in case, I'll put the speaker's name in the title, too.)
VI. beauty and beast
he is every nightmare i’ve ever forgotten
he is thunder and darkness and death
he is fear with fangs
he is beastly
she is every dream i’ve never dared for
she is roses and sunlight and life
she is hope with jewels
she is beauty
*
VIII. beauty
the chair
creaks
when he sits
my knees
quake
when he speaks
the master
laughs
when i ask
when i will die
my ears
doubt
when i hear
my mind
reels
when i realize
the master
wonders
when i began
to think he’d kill me
IX. beast
the rules are these
you are mistress of this castle
the servants will obey your every whim
the rooms and all within are yours
including me
you will dine with me at dusk
we will not speak if you want silence
you will look at me and try not
to scream
i will not harm a hair of your head
i will not cause a moment’s worry
you will do whatever you wish
except leave
X. beauty
his mercy shatters my world
makes it bigger and
at the same time
smaller
how can i live in a monster’s cage
my life will be long and lonely
with him my friend and
at the same time
jailer
how can i look at a monster’s face
the castle teems with wonders
that all belong to him and
at the same time
me
what do i do with a monster’s love
*
The next set of poems I feel like sharing starts with Beauty finding a portrait in the castle, and then leads into her sharing a dance with Beast that makes her kind of freak out over the fact that she might be falling in love.
XXII. beast
today you found a painting
in a long-forgotten room
covered in cobwebs
and shrouded in dust
there was a reason it was lost
the portrait showed a man
with a face like the dawn
and eyes like the sea
you thought he looked kind
he was young and a fool
you may keep it if you wish
or lock it back in darkness
it matters not to me
i used to see him daily
i doubt i’ll see his face again
*
XXIV. beauty (and beast)
if rooms have souls
the ballroom is wise
a radiant beauty
long past her prime
she treasures the days
when she lived and was loved
she keeps them and counts them
like pearls on a string
(she is not the only one,
my dear)
long past midnight
in moonlight and hush
this sleepwalking girl
can glimpse former days
a flash of a gown
and a whisper of waltz
what glorious balls
must this room have beheld
(they were marvelous indeed,
my friend)
it seems a shame
she grows old alone
with nothing but darkness
and dust held within
i would dance for her
return the spark of life
if only we had music
and i had a partner
(i will gladly dance with you,
my love)
XXV. beast
my dear beauty
don’t you know
i learned dancing
long ago
one step closer
take my hand
with a waltz you’ll
understand
let the music
guide your feet
in a dance that’s
slow and sweet
hand in hand and
heart to heart
it’s not love but
it’s a start
XXVI. beauty
he is
hulking
beastly
i am
small
delicate
i should be
stumbling
crushed
but
we
marvelously
miraculously
dance
and it feels like flying
XXVII. beauty (to the portrait)
man on the wall
i may be mad
but i must
give voice
to the
storm
in my heart
and you are the only one near
the master puzzles me
i know his home as well as my own
but i know so little about him
(is he
beast
or
man
or
nightmare
or
dream
or
captor
or
friend)
i saw his face
and thought him a beast
(but he grows roses
and reads poems
and has never
killed
or even
raised his voice)
i heard his voice
and thought him a monster
(but he spared my life
gave me his home
and all he owned
offered
his
heart
and never once has been
anything but gentle)
i watched him dance
and thought him a man
(with grace like an angel
or a prince
and i think that
maybe
he was not always
so
lonely
and that his heart
aches
for things lost)
what am i to
think
do
say
be
feel
about him now
and why do these questions
always come at midnight
*
The final poem is one that I had completely forgotten about, so I was shocked to find it lurking in the latter sections of the document and showing signs of using some decent imagery. By polishing up the last couple of lines, I've got something that's not half bad as a standalone poem.
This one occurs during an extended period when Beauty is still trying to process her feelings toward Beast and figure out if this is really love or if her feelings are being warped by isolation and close proximity.
XXX. beauty
if this is love
it is a dark and grasping love
a child stumbling in the night
crying for a candle flame
and cherishing the smallest spark of light
if this is love
it is a bleak and desolate love
a skeleton tree in a barren desert
windbeaten and scrubbed to bone
and bursting into bloom at the first drop of rain
if this is love
it is a smoke and mirrors love
a sleight of hand or trick of light
that takes my broken heart
and fools me into thinking he can make it whole
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My dad passed away unexpectedly just over a month ago. Last summer, he talked about wanting to commission me to draw a self portrait so that he'd have art of (and by) me. I was so distracted at the time that I kept forgetting to sort out the details with him, and then I started uni classes and I never got around to working on it. I've spent the last month kicking myself for not having done it as soon as he brought it up. I was so sure I'd have more time.
I used to think that he was disappointed that I was so set on pursuing art as a career, but I've realised lately that even if he was disappointed at first, he did so much to support my decision. He helped me through the process of dropping out of college so that I could start over with a different degree. He always showed interest in my art, asking about how my wips were going and if he could see the drawings and paintings I'd been working on for school. He wanted to commission me even though I would've happily drawn things for him for free. I wish I hadn't doubted that he was always proud of me.
I don't know what comes after death. I don't know if I really believe that he is watching over me, but I'd like to think he'll see this drawing somehow.
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//zeus week day 2 - family
zeus taking his sisters home from the chuck e cheese :)
bonuses for this under the cut!
this is the actual portrait of zeus' parents in the bg! i tried a more semi-realistic style, and i was heavily inspired by the family portrait in the netflix castlevania show. the file name is literally "brundlevania mama and papa" lol.
and these are the quick concepts for the rest of the family!! i gave mama brundle the name "iris" after the greek goddess, plus pretty flower. i imagine that she's a little sad that her kids don't look a lot like her (save for lulu and belle having her eyes), but thor's genes are just too strong LMAO. she's also definitely the legit cool mom, and supports her kids no matter what.
also, i should mention that lulu's hair (unbraided) is more in-between mom and dad. i like to think that kureha is their retainer, and that she helps them do their hair every morning :) you'll never guess what belle's favorite anime is (hint: it's sailor moon. lulu's favorite is naruto).
i do have a design for kureha, but i need to render it digitally LOL. plus i need to design hiro's mom...... one of these days.
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