#it was fun to get back to writing | Explore Tumblr posts and blogs

sharkenedfangs · 3 months ago

Text

— ☆ “PRETTY BOY.”

— expect the worst when whitney has a stupidly, dumb puppy love crush on his upperclassman that happens to be you and even more so, when you predictably take notice of it. but, remember— he asked for it first, didn’t he? 3.5k w.

— warnings? yeah, mildly dub-con, handjob in broad fucking daylight, somewhat exhibitionism although no one gets to see the stupid, pretty boy squirm and upperclassman male reader who’s sort of.. a bitch. y’know the drill by now, plus a younger whitney (still an adult, no worries. I’m not into that sorta shit.)

Like a clueless moth instinctually drawn towards a burning flame, he’s no goddamn different than the clingy idiots who can’t seem to automatically take a hint when given so in their direction— y’know, the ones he’d audibly snicker and scoff at due to the sheer embarrassment, disgustingly obvious puppy love streaked along their flushed faces as they mindlessly follow the other’s every move. Innocently peer up in search of their crush’s approval like some sort of brain dead dog whose sole purpose is to joyfully please their master. Hell, it’s gross, and the blonde doesn’t make it any more difficult to showcase his wrongly placed dislike for it— yeah, by the repeated gagging noises spilling forth from his open maw.

“It’s nauseating to watch, stinks up the whole room with those big, puppy, doe eyes”— he’d openly say with an absent shrug of his broad shoulders, glinting, barely visible glimpse of the metallic barbell freshly pierced upon his curved tongue proving his judgemental statements to be otherwise.. fuckin’ hypocritical, no? ‘Cuz, isn’t that same piercing found in his mouth done due to one, single, stray comment you aimlessly made by chance?

Not like your liking of things plays a grand role in whatever he does, trouble he’s immediately roped into, fuck— no, definitely not! It’s a stupid, damn coincidence is what it is, nothing more and nothing less either. No need to uselessly pry any further in the meaning of his baseless actions. Just.. happened to have it done on the same consequential day you confidently expressed your idea that he’d get one because— y’a said it’d look good on him, didn’t you? And, look here, he fuckin’ did it like some cheap mutt. Obediently parted his rosy lips for your viewing pleasure to willingly prove to your pretty eyes that he truly went along with your absently made suggestion, for real. Gleefully hung upon your every important word like his life depended on it— god, it isn’t like that, okay?

An upperclassman he’s briefly looked up to is all you are, all you’ve ever been for that matter, and he’ll punch the shitty, fuckin’ lights out of any big mouthed idiot who dares to say so otherwise. Right in the guts for spouting out complete, nonsensical bullshit, alright?

Or is it time to reluctantly admit it with a bashful blush apparent upon his contorted features— accompanied by gritting teeth stubbornly grinding together in a futile refusal of his shoddy, unwanted sentiments burrowed deep within his stuttering heart? As if he’d ever would in your presence, which he possibly can’t help himself, to childishly imitate your gestures in the withering hopes that’d you scarcely notice his thinly veiled efforts, acts filled with meaning.

Well, well.. Whitney, the supposedly cold and untouchable bully here isn’t so unique nor different from those idiotic dumbasses he’d routinely poke fun at, huh? Time to face the embarrassingly evident reality set before him, whether his gaze dares to instinctively stray away or not from the unsettling truth— ah, good thing you’re here to seamlessly guide him on the right path, ain’t that right?

As for the so-called, morally ethical path he’s hopelessly talking about.. Perhaps, that’s a plain, ol’ lie he’ll repeatedly tell himself of so considering your shared reputations at hand. More likely than not, often referred to — as much as the nickname itself has the tip of his ears prickling scarlet, noisily yelling at the fuckers who cheekily name him that — your little, dumb puppy. Fuck, he’s not! The day he, himself, Whitney of all people, wordlessly bows down to the height of someone’s heel frustratingly grinding atop of his head, is the day one can loudly claim with unbridled conviction, that he’s officially lost his goddammit mind, that’s what.

Listen, you’re the one who faithfully promised and guaranteed your unwavering protection if he stuck to your sides like some fuzzy pet, so he did the obvious choice. Specially when met with the shitty conditions this rundown town, definitely shady for that matter, is. Rather be silently stamped as the ‘sly follower’ who went along with the smartest choice presented to ‘em— your offer, by the way — than some nobody seamlessly forgotten on the dirtied streets. Least, that’s what likely replays on and on in his mind like some cheap, broken record to dumbly convince his unmoving mind of what this annoyingly persistent feeling is deep within the pit of his quivering tummy. Annoying, ain’t it?

Speakin’ of tummy, you sure are touchy-feeling with him, aren’t ya? Not that he necessarily minds nor will outwardly admit the slightest shivers that comes to grace the entirety of his figure when met with the briefest grazes of your fingertips flush against his bare skin. Likes the physical contact intimately shared between you two? Fuck no— just keeping himself on your good side in case you were to suddenly discard him like you habitually do with your other.. nameless toys, which he doesn’t possess enough fucks to bother learning their names. As long as your flickering gaze doesn’t happen to stray too far from his, he’s actually, pretty content.

‘Course, it did progressively start off with the sorta things you’d absentmindedly do with your numerous friends. Brush of his golden strands glimmering against the gleaming sunlight— shit, even acted out like some cheesy rom-com at the way his face instantly heated up, glimpse of vulnerability you seem to so easily catch on with him and fuck, does he detests it— truly does like no other. Still, lets y’a carelessly stroke your fingers throughout the mess of a hairstyle the delinquent wears, even fucking.. tenderly pushed a single, stray strand of hair behind his burning ear. Shoulders instinctively drawn up in sheer defence at the tension residing within him because, really, how do y’a expect him to relax and ease up when it’s with you?

“What? What is it? Do I have shit in my hair or somethin’?” Oh yeah, nice goin’ on that fuckin’ stupid question of his, huh? Flush adorning the length of his face— god, even down towards his neck too— immediately deepening at the crude choice of words. Might casually speak so with anyone, but when it comes to you, he’s got this instinctual urge to not come off as some try-hard desperately trying to butter you up in hopes of your returned approval of him.

“Hm? It’s nothing, I just think you’d look cute if you grew out your hair a little bit. Don’t you think?” Ah, and there you go— with your surprising compliments spoken out of the blue like that.

“Cute?? Are you seriously tryna fuck with me right now?” Defensive mechanism or whatever to draw up that blank conclusion since this is just about the first time any sort of adjective resembling that of ‘adorable’ by the way, could’ve been made to plainly describe a rowdy, unrelenting boy such as Whitney.

“What? You don’t think so? I think you’re cute as shit, Ney-ney.” That fuckin’ nickname again, god. Quit it, will ya? And, don’t try to tentatively lean closer in his personal space when calmly making that stupid remark too! Your goddamn— ah, hot breath effortlessly heating up the shell of his ear, curled lips almost, insistently pressed against his cheek. “Real fucking cute, actually. Definitely cuter than the average boy that’s for sure— prettier too, but you’ve got too much of a stick up your ass to admit that, don’t you?”

At this point, you’re practically taunting him, and he would’ve unabashedly swung his fist if it weren’t for that said person being you. Grin cracking upon your lips at the doe, wide-eyed look he’s greeting you with, seemingly unable to utter so much as a word to that uncharacteristically depraved statement, or is that your idea of a damn compliment to another guy? Shit, that’s right! Both guys is what you two are— so, his cock hidden underneath the fabric of his ripped jeans, languish legs lazily stretched out along the creaking, wooden bench, shouldn’t be stirring up with peeked interest at the mind numbing prospect of endlessly being called ‘pretty’ by you. Nor profusely encouraging the alarming amount of translucent pre-cum dizzyingly forming at the swollen tip of his cock head, crudely staining the material sheer. Give the blonde a supportive head pat while you’re at it, too. Ah.. should be saying somethin’ right about now lest he wants to appear as some bashful fool.

“I don’t—“

“Yeah, yeah. You don’t swing that way, I know. I’m not hitting on you, I’m just telling the truth as it is. Got any idea how many guys would line up just to fuck your dirty mouth? Maybe your tits too, if they’re into that sorta stuff— shit, I think they’d go for the ass too, definitely. I could make a goddamn fortune just whoring out your pretty, slutty body to the old fucks at the pub, y’know that, Whit?” Endless chattering on and on, explicit details of how some grubby old men could be here, disgustingly groping his flesh instead. Yet, that lingering glimmer within your gaze, noticeably darkening in return at the mere idea of it as your thumb comes forth to idly tap at his blazing cheek.

“But, you know.. I don’t. I won’t. Not cuz’ I’m a nice guy or anything— hah, truthfully, I’m no better than them for wanting to ruin a pretty face like yours.” You’re.. god, he can’t keep up with whatever shit you’re nonchalantly spouting, gracing solely his ears to be the one to silently listen to this.. crap, can’t really say it— fluttering in his tensed stomach from your bold admission, depraved wants just as much as he does late at nights— wanting to fuck him too.

“Honestly, do you know why I don’t use your sorry fuckin’ ass, Whitney?”

If he’s meant to attentively keep up with your words by now, then his brain has happily shut off due to the dizzying amount of semi-insults, degration and somewhat praise shot in his way. Like he’d fucking know, shit!

“See, it’s cuz’ it’s real funny to watch you trotting ‘round my side like some dumb, fucking puppy begging for its owner’s attention. I give you just a bit of praise, and your doggy tail would start wagging if you even had one. You look so goddamn stupid that it’d hurt my conscience to sell you out like this. And, I don’t like it when other fucks touch what’s mine either. I’m not running some gracious charity, am I?” To be truthful, if you tirelessly keep up with that incessant spouting, he’s bound to boil over like some screeching, burning kettle considering.. the obscene amount of scorching heat riddled across his features currently, adorning his cheeks so stupidly — and prettily too, huh— crimson red for your unwavering gaze solely. Seems like you’re liking the rare show in front of you quite a bit, aren’t you?

Stunned would’ve been one of the few lacking words remaining in the thick, daunting dictionary to scarcely describe the absolutely idiotic expression he’s nicely sporting right about now.

“Shut up.. I’m not—“ Fuck, fuck, fuck!! And, how the simple concept of verbal speech dutifully fails the bully at a time like this. Great going there, fuckin’ dumbass! Visibly seething would’ve been the most reasonable reaction in face of this, but— but— fuck! Entirety of this crap is all too quick for his sluggish mind to steadily keep up with your unpredictable actions, pathetically keening with a drawled out curse— no, more like a high-pitched whine is what it truly sounds like, once your calloused palm gingerly strips him free from his relatively loose jeans in one fell swoop.

“What the fuck’re you doin’—?? Mmph, fuck.. don’t—“ Dumb question to be asking when the self-evident answer is plainly in front of him.

Weeping cock, flushed in the cooling, outside air, naturally springing forth out of its constricting confines to audibly slap against his bare rigid tummy. Aw, now ain’t that real pretty to witness? Timid, twitching cock profusely leaking out sticky pre to messily smear along the curve of the blonde’s stomach, which you promptly do the honours for him, unabashedly too.

Always been pretty confident in your audacity to joyfully serve people, haven’t you? By god, he’s half-hated ya for meddling with others private businesses to begin with, although his throbbing cock being so smoothly tended to can say otherwise, idly disagree with his withering logic. Shakily sighing, puffing out heated huffs of air as your so— fuck.. annoyingly warm and soft hand loosely tucks ‘round his fat cock, teasingly squeezes him down at the base. Meanly drawing out more pearly globs of his dribbling pre-cum with a resounding, wet squelch!, undeniable proof of his shared arousal at the newfound situation he’s unfortunately finding himself in.

‘Unfortunately’— one says, funny that you see right through that by the mocking nature of your barking laughter, sharply ringing within his ears.

“My, who’s the exact fucking pervert here, Whit? Y’seem pretty hard to me. Actually, you’re dripping wet down there, y’know that?” No fucking shit. Ready to single-handily cum from a single, measly stroke of your fist snugly wrapped around the veiny girth of his quivering length— fucking hell. Head instinctively thrown back to which you soon wistfully take advantage of, ‘course you would, wouldn’t you? Lazily pressing hot, heated kisses along the sharp edges of his jawline that soon has the same bully, known to be so very resistant, stifling wanton moans, firmly clasping a palm over his gaping mouth in a heedless effort to remain discreet as possible. Slithering, pink tongue laving and tracing over the heated shell of his ear, ushered snickering coupled by bouts of utter filth being so brazenly whispered towards him. And your canines— ah, are not helping at all either. Grazing the bobbing curve of his throat, delicately sucking a bruising mark upon the tanned skin to pridefully admire over later. “Nnh— no, fu— ah, uuckk! N-Not there, you bastard!!”

“Not here? What’s the matter, Ney-Ney? Can’t fucking speak properly when your pretty, pink cock is being stroked off like this?” Would’ve scornfully refuted you, barked out the meanest curses that would’ve had an elderly woman shockingly clutch her pearls if given the chance, but stealing a discreet glance down to humiliatingly witness how sticky and wet his tip has gotten, messily stained your palm in a string of creamy, white pre is not.. Possessing way too much pride to do so. “Y’see, you like this— hah, fuck— you like it when I actually take what I fucking want from you and ruin you down to this cute, little, slutty mess, yeah?”

“I-It’s not like that—“ Uncharacteristically meek protest on his part. Cat got his tongue, ‘s that it?

“No? Pretty boy. Use your words, will you?” Oh, fuuuuckkin’ god. Seeing sheer darkness as his eyes reflexively roll backwards to his skull from casually being called ‘pretty’ by your lulling voice.

Have any idea the way your hushed words dizzyingly affects his fuzzy brain? Renders him alarmingly stiff like a stoned statue, wobbling knees surely bound to buckle beneath the weight of your relentless taunting, all the while being boldly jerked off in broad, fucking daylight — hidden amongst the rustling bushes of the park, mind you — still, very much in an open space where one can be so easily seen by oncoming passerbys. And even then, the absolute control you possess over him, sneakily snaking your arm ‘round his middle, relishing in the little, heated gasps hurriedly rushed out of this dirty, fucking perverted bitch of a blonde’s mouth is too way goddamn much for him to precariously withstand another tortuously long second of this shit.

Yeah, one more minute? He’s fucking busting by then.

“What’s the matter? Can’t keep up? Gon’ shoot your filthy load soon, ‘s that it?” Mild disinterest lacing your very tone with a slight hint of, what’s that..? Actual anticipation? Hah, as if he can barely discern between the mind buzzing layer of reality set upon him when coupled by your soft— so fucking warm, shit.. hand relentlessly fisting him dry, milking every thick droplet steadily trickling forth. Uncaring for the accumulated mess below you both as his hips instinctually roll forward against the rewarding palm of your curled fist, sickeningly jolts at a noticeably harsh press of your padded thumb atop his oozing tip. “Well, then.. Go ahead, I’m not stopping you, am I?”

“Cmon, pretty. Paint my hand all sticky and nice for me, yeah?”

Predictably so, as the uttered rumours had notably confirmed— how downright desperate Whitney’s always apparently been for you to the damn point that he’s automatically cumming on command like a dog patiently withholding for its owner’s words and oh, was it fucking worth the extensive wait. Stifled whimper weakly slipping out, fingers immediately latching onto the comforting feel of your forearm lazily slung around his quivering figure for proper support. No use in making a fool out of himself by clumsily buckling down to his slacked knees— not that he hasn’t already, though too late to be thinking about it twice, huh? Thick, sticky strings of his hot seed directly shot out of his pulsing cock and into the air to, as expected, pervertedly dirty your open hand in a mess of his load which is kinda.. hot, no? Fuckin’ get ahold of yourself, shit! Minus the rest having uncontrollably splattered downwards onto the ground, pitifully traced in a puddled mess of droplets.

And somehow, the barely discernible hint of a relieved breath tumbling from between his parted lips. The natural conclusion that this is it, oncoming closure bound to take its place yet still— still, damn it; Always managed to keep the dirtied blonde on the edge of his toes, haven’t you?

So, truly, it shouldn’t have came off as an unexpected shock then, how you so brazenly mumble a stuttered curse beneath your puffed sighs at the melting sight. “Ah, fuck.” Swiftly freeing your fat— well, admittedly hefty cock for his following eyes to shamelessly gawk at in turn because, y’know.. fuck, he won’t outright voice it, but the sinful glimmer in his wide gaze says it all. Innate itch, unadulterated need— god, to merely sling down to his knees, sloppily drool all over your tasty-looking cock and coat it all shiny and wet with his spit. Although, too busy admiring the rare glimpse of your contorted features strained with pure, unrestrained concentration to bother paying much attention to the repeated, distinct fapping! noises of your cock being so hurriedly stroked raw, as if in a hurry, almost.

Furrowed brows deepening, lashes fluttering in their wake as your rosy lips that he’s known time and time again to be nonchalantly formed into a grin— now, so prettily stained crimson by the harsh press of your teeth against your puffy, bottom lip. “Don’t— ugh, fucking look at me like that.” You audibly groan out in the mix of a huffed chuckle. Slightest flush delicately dusting your cheeks a pink hue, so damn pretty too. “Hah, it makes things kinda awkward, y’know?” Ah, takes less than a stretched minute for his brain to acutely process what’s hit him before given the proper chance.

Something hot— and sticky too, actually it’s pretty evident what it should’ve been if he wasn’t so goddamn brain dead within this bleary moment. Splattering amongst the already present mess you’ve both collectively made of yourself, thick ropes of sweet cum landing right upon his rumpled uniform you’ve taken a gleeful joy of permanently ruining. Judging by the cackling laughter soon drawing forth outta ya thanks to the sheer, dizzying sight of the cum-stained mess he’s forced to pitifully endure for the time being.

Look what you’ve done, god— even if you manage to be one step ahead of him, as always, in such a predicament as the delinquent merely receives a thrown jacket straight in the face. “Sorry for ruining your nice shirt of yours, I couldn’t really help myself when you looked so dumb like that. Take it as an apology, alright?” Exhaling out shakily in the chilling air suddenly alarmingly cold without your warm weight shifted against his own, too deliriously fucked out of his mind to muster up a rightful remark to your cheaply made one. Dumb, little ol’ puppy is what he is to you, no?

And perhaps then, it’s the idiotic absurdity of your actions, swiftly turning away like the encounter itself hadn’t even taken place right at this very spot. Footsteps progressively fading amongst the rhythmic crunches of fallen leaves fluttering down from the withering trees, gaze tentatively flicking downwards to where your stupidly soft, discarded jacket rests within his arms. Meaningless gesture is what it should’ve been notably perceived as, though that doesn’t really help the gradual thump! of his swaying heart noisily beating against his chest nonetheless.

That’s not— oh.

Oh.

“..Fuck.”

Yeah, being wholly swallowed by the ground beneath his feet doesn’t sound so bad now, does it?

#sorry just had to get this out of my system after not writing for around 2 weeks straight #so if this is utter dog shit I’m sorry for having forgotten how to properly write #but yknow nothing beats a whimpering whiny bitch of a mess Whitney #although this was meant to be a short drabble and not a full on lengthy one #not to say 3.5k is all that much in comparison to some but 2k+ isn’t a drabble to me anymore #we’re back to our regular schedule — balls deep in boypussy #had lotsa fun doing this as a warm up and god I cannot wait to expand upon upperclassman reader #dol #degrees of lewdity #whitney the bully #whitney dol #dol whitney #whitney degrees of lewdity #degrees of lewdity whitney #x male reader #top male reader #dom male reader #male reader #character x male reader #— ☆ burnt ashes.

858 notes · View notes

voiice-of-the-soul · 3 months ago

Text

It irritates me alot when people say that making medic more compassionate is ''missing the point of his character'' when he is literally shown to be in the comics.... did you miss the part where he showed concern for both sniper and miss pauling's well being in comic 5 and 6.

His actions are a combination of genuine attachment + clinical interest and these things do not cancel out one another. He is always pushing boundaries and going against the grain and i think this is what led to him losing his license in the first place. He felt stifled by the rules imposed on him.

He is shown to be extremely passionate so it makes sense that he would use his endless fascination with medicine as a way to show his affection. He loves his friends so he will find a way to make them borderline indestructible. Malpractice is his love language.

#it makes me really angry how adamant some people are against exploring his sweeter side beyond just ''heehoo evil doctor''#idk how to tell you that giving a character a wider range of complexities and oftentimes contradicting traits #does not equal 'woobification'. him being friendly social and cheerful and fascinated with the world around him (which he canonically is)#is not the same thing as writing him as a helpless softboy. those two things do not correlate #he was visibly worried when sniper wanted to get back in the fight!#it's so abundantly clear that medic just misses social cues and doesn't always react accordingly #plus his quote unquote evilness is a joke it's not. something that is meant to be taken seriously #he's more comparable to a saturday morning cartoon villain except he is a protagonist #the way he approaches medicine to me is very similiar to #a child playing potions if that makes sense. he is throwing shit together to see what sticks #and having fun with it #i might rewrite this later to be more coherent because i have alot of thoughts on him that are jumbled together #and there is so much to say abt him #also i find it so funny how inconsistent he is. he tells them they all hallucinated before brain death #yet he personally went to hell multiple times. why did he do that #tf2 #medic #tf2 medic #medic tf2 #team fortress 2

1K notes · View notes

egophiliac · 1 year ago

Text

so on the subject of the "Crowley is secretly Revaan/Laverne/Levin/please Twst give us his name" theory, I think my feelings are best summed up as "I don't really buy it, but it's funny". like, in all seriousness, I'm not opposed to it; I have enjoyed the writing in Twst so far and I'm willing to trust that whatever happens will, you know, make sense and not be terrible. but I'm just not really convinced by the current evidence! maybe that'll change once we learn more, we'll see!

with that said, may I propose a few alternate theories about the possible Crowley/Revaan connection:

#art #twisted wonderland #twisted wonderland spoilers #twisted wonderland episode 7 spoilers #twisted wonderland book 7 spoilers #on this installment of things nobody asked but i'm going to talk about anyway #disclaimer that this is mostly a joke please don't get mad at me #(legit no shade to anyone) (speculation is one of the fun things about an ongoing fandom and you never know what'll turn out to be true!)#more seriously i do think there may be some connection that just isn't clear yet #but the more little breadcrumbs we get about what revaan was like the more i think crowley just doesn't act like him #i adore crowley don't get me wrong #(yes he's a dipshit. this is a feature not a bug.)#but like.#not to harp on the scene about lilia's nrc invitation (i am absolutely going to harp on it)#i do not believe that crowley would go through the trash to fish out the pieces and put them back together and save them #just because it was lilia's. just because lilia might want it again someday.#crowley can ✨yasashii✨ all he wants but we know what he's like #and i REALLY do not believe that lilia wouldn't recognize him. i didn't believe it before and i extra don't believe it now.#then again i do tend to be incredibly off about speculation so! who knows! i will trust the writing for now!#i do 100% believe that meleanor would fall in love with the world's biggest dumbass and then double down super hard. that part tracks.#that said i have decided that ambrose being revaan is actually the funnier option just because it would make crowley SO mad #it wouldn't make sense for him to be mad about it and that would just make him madder

3K notes · View notes

solarmorrigan · 4 months ago

Text

Silly idea I talked about ages ago with @azure7539arts, inspired by a similar event my workplace hosts every year. Would minors be allowed to participate in such an event? Probably not! But then again, it was the 80s, who can say for sure. Anyway, it's my birthday and I'll post nonsense if I want to <3

“I need you to buy me.”

Eddie looks up from his notebook, effectively jarred from his campaign-plotting fugue state by Steve’s declaration.

Steve is standing at the other end of the dining table, staring at him expectantly.

“Y’know, this is the part where someone usually follows up their completely bonkers demand with an explanation,” Eddie says slowly.

“At the charity auction,” Steve clarifies. “I need you to bid on me, and I need you to win.”

Ah, yes, that weird Rent-an-Athlete charity auction the school runs every year; anyone on any Hawkins High sports team could volunteer to be “auctioned” off in order to raise money for said sports team, to spend a day at the beck and call of the highest bidder (within reason, supposedly). It’s generally restricted to students, but occasionally, prominent alumni are invited to participate – and Steve certainly fits the bill, especially after the story the government spun about his heroism in the face of “serial killer” Henry Creel last spring.

“And what, deny all those pretty girls a chance to get at you?” Eddie asks drily (he’d never turned up at previous auctions himself, but you could hardly avoid gossip in a school their size; it had usually been some cheerleader bidding with daddy’s money who won a date– that is, a day with Steve Harrington).

“It wasn’t always a girl who won,” Steve says, crossing his arms over his chest. “One time it was Mrs. Dalton – you know, the lady on the school board who lives on my block? I just spent the day doing yard work for her. She gave me lemonade. That was pretty cool.”

“Right,” Eddie drawls. “And I’m sure she definitely didn’t sit outside and stare at your ass while you were working.”

“She did not– she– I mean she was on the porch, but, like– she wouldn’t have– she’s, like, seventy, Eddie,” Steve splutters, and it’s all Eddie can do not to laugh.

“Older gals have needs, too, Steve,” Eddie says, giving in to a smirk. “So she was checking you out from the porch, huh?”

Steve goes red. “Shut up, that isn’t the point. I’m trying to ask for your help.”

“Right, right, your absolutely reasonable request for me to buy you at market. Why, again?” Eddie asks.

“The kids are planning to bid on me,” Steve says gravely.

Eddie blinks at him. “Okay?” he says, when no further explanation is forthcoming. “You basically do most of what they ask, anyway, so…?”

“Okay, believe it or not, I actually say no to at least half of what they ask me to do. I would literally never get anything done if I gave in to all their demands.” Steve jabs a finger at Eddie, who holds up his hands in mock surrender. “Anyway, this is all Henderson’s fault.”

“It usually is,” Eddie agrees, nodding sagely.

“He decided that he was going to bid on me and then use that day to finally make me play your nerd game with you–” Eddie snorts, and Steve shoots him a look, “but Wheeler doesn’t want me to play, so he said he was going to bid against Dustin and make me do anything but sit in on a session with you guys.”

“So let Wheeler win.” Eddie shrugs.

“No! I can’t let fuckin’ Mike win, he’ll probably make me do something even more ridiculous!” Steve exclaims. "He’ll make me play chauffeur for him and El on a date, or something, and he’ll probably include the stupid hat.”

“Wait, I thought El broke up with him,” Eddie breaks in.

“No, they’re on again,” Steve says absently, shaking his head. “Which is why Max has been in a bad mood lately.”

Eddie bites back the reflexive need to ask “How can you tell?”, going instead with, “I thought she and Sinclair were on again.”

“No, they are. That’s why no one’s been actively murdered,” Steve says.

“How do you keep track of all of this?” Eddie asks, squinting at Steve.

“It’s a natural skill. And we’re getting off track,” Steve says quickly. “Normally, I wouldn’t be that worried, because Dustin regularly blows his savings on weird science gadgets or whatever, but then Lucas and Will started taking sides.”

“This is getting very involved,” Eddie says.

“So you see why I’m stressed!” Steve insists, smacking a hand to his forehead (personally, Eddie thinks Steve is stressed for many other reasons, but he figures pointing that out just now won’t be appreciated). “Lucas is on Dustin’s side, and that kid does odd jobs like nobody’s goddamn business; he actually has shit saved up. And usually I’d have faith in him being more, like, sensible than to spend it all on this, but the little shit is really fucking competitive.”

“Wonder who he got that from?” Eddie mutters.

“Okay, we do remember that I’m not actually biologically related to any of these idiots, right?” Steve snaps.

“Well now we’re just getting into nature versus nurture–”

“Eddie.”

“Right, sorry, continue.”

“Well, Will took Mike’s side–”

“Shocking.”

“Right? But anyway, I don’t know if the kid has much saved up, but between him and Wheeler, they might be able to win.” Steve sighs, looking far more world-weary than Eddie feels the situation really warrants.

“You know you don’t actually have to do what they ask you to, right?” Eddie points out.

Steve rolls his eyes. “If an auction winner complains to the school that the person they bid on didn’t fulfill their end of the bargain, they can get their money back. It’s a whole…” he waves his hand vaguely, “thing. Happened once when I was a sophomore; Deacon McNab. Lost a good chunk of change for the football team, and they vandalized the shit out of his car.”

“Ah, right. Forgot we went to school with literal psychopaths,” Eddie hums.

“So, I just need you to bid on me and win, so I’m not stuck wasting a Saturday on whatever the hell the kids are going to try to make me do. Or not do. Or– whatever,” Steve says.

“Okay, not that I don’t understand your predicament here, but I think you’re forgetting something kind of important, Steve,” Eddie drawls.

Steve’s brows draw together in question. “What?”

“I’m fucking poor.”

“Oh.” Steve shakes his head. “I didn’t mean– no, I will give you the money, you don’t have to spend a dime, man, I just need you to get me out of this.”

“Why not have Buckley do it?” Eddie asks.

“That was Plan A, but she actually has a date that night, and it’s kind of a big deal, so I don’t want her to cancel,” Steve says. “But I assumed you wouldn’t be busy.”

“Wow, rude,” Eddie scoffs, and Steve sighs.

“Fine, sorry, I just really hoped you wouldn’t be busy.” Steve gives him the most lethal set of puppy dog eyes Eddie has ever seen, as if there had been any chance from the beginning that he’d be able to say no. “Please?”

Just for show, Eddie lets out a long sigh, falling against his chair and letting his head flop over the backrest like he’s deflating.

“Fine.”

“Thank you,” Steve groans, sounding so genuinely relieved that Eddie almost feels bad about how quickly his thoughts dip into the realms of the inappropriate. “Oh my god, I owe you.”

Eddie glances back up at Steve, tongue darting out to wet his lips almost unconsciously. “You know I’m not as easy to appease as a couple of fifteen-year-olds, right?”

Steve’s eyes drop for just a second—maybe down to Eddie’s lips, maybe not; who can say?—before he looks back up, cocking an eyebrow at Eddie. “I think I can handle it.”

Slowly, Eddie grins. “We’ll see.”

#steddie #steve harrington #eddie munson #steve & the party #stranger things #solar wrote #this is very silly but I had fun writing it so I hope it's a fun short read #obviously Eddie does win the auction (surprisingly stiff competition; he may or may not end up throwing in a little of his own money #even though none of the kids are the top bidders at that point)#and then you can choose your own ending:#either Eddie chickens out and just asks Steve to play roadie for the band on their next gig night #but it works out in his favor anyway because he gets to spend the night watching Steve lifting and carrying and being supportive #while Steve gets to watch the band perform and is lowkey starstruck by Eddie and they smooch about it at the end of the night #OR; Eddie demands the same treatment Steve gave those cheerleaders who won a date with him back in the day #he's sort of joking but Steve takes him very seriously and takes him on a date so sweet and fun that Eddie is almost mad about #being swept off his feet by it #and at the end of the night Steve walks Eddie to his door and Eddie asks if the treatment ends here #or if Steve did anything... else for those girls #Steve; eyebrows raised: Are you asking if I slept with those girls for money?#Eddie; blanching: WAIT SHIT NO-#Steve: Nah I'm kidding. Come inside and fuck me #and Eddie does

638 notes · View notes

myokk · 1 month ago

Text

clumsy

pairing: Sebastian Sallow x f!MC

word count: 9,1k

summary: sebastian is clumsy

cw: fluff, mutual pining, idiots in love, two really stubborn idiots in love to be exact, sir cadogan guest appearance, anne and imelda are the gremlin best friends every girl needs, smut (18+ ONLY), oral (f. recieving)

a/n: or: two stubborn brats make things more difficult than they have to be. I've been working on this for a MONTH more or less, ever since I drew the sketch that inspired it🫶 (I'm the world's slowest writer)

The first time Sebastian Sallow interacted with her after the fateful events of their fifth year, he fell for her.

Quite literally.

Maybe fell on her is more aptly put - Sebastian Sallow is not one to mince his words or say what he doesn't mean, after all. But, in the years to come, he always insists that he fell in love in that moment.

It was inexplicable. One moment, he was walking around, perfectly content with his loveless, boring life, and the next, his every waking moment was painful. Nobody had ever told Sebastian that being in love would physically pain or consume him so.

It all started like this: one moment, he's walking (well, striding) to Crossed Wands. Fine, he's running. Running late already, for the first meet-up of his last year. But - he isn't to blame for being late. He needed to check on something in the library - during his Transfiguration lesson, he had a hunch about something Professor Weasley had said in passing, and of course he had to go and check to see if he was right before he could even think about besting Leander in the inaugural duel of the Crossed Wands season but now, with how late he is - how many minutes ago had it started? - oh, Merlin, it's already been ten whole minutes and what if they've started without him (not that he can blame them) and -

Sebastian is abruptly pulled out of his thoughts when he collides with a strange obstruction in his way. He was just checking his father's old pocket watch, had only looked away for a split second and he could have sworn that, unless he was mistaken (which he never is), there wasn't a statue in the middle of the suspension bridge. And yet, he has run headfirst into something or someone, and now they are both flying through the air, books whirling around them in a flurry of pages and Sebastian unconsciously puts his arms out to grab her before they hit the ground and now he's holding her tight against him and they land with a loud, ungraceful thud, but at least she's not hurt.

Sebastian shakes his head to clear it after the impact that - miraculously - doesn't seem to have been as bad as it could have been, all things considered, and -

He freezes.

What has he done?

He's pressed up against the most impossibly lovely person he has ever seen quite possibly in his life, holding her tightly in his arms as she glares up at him in indignation, a faint flush spreading across her cheeks, making her face glow. Is this what the muggles mean when they say that they were struck by Cupid's arrow? Her hands scrabble uselessly at his chest as she tries to extricate herself from his grip. It's useless. Sebastian is completely frozen in place as he stares down at her, and he can feel his own face heating up at his inability to get off her. What's wrong with him?

"Sebastian," she repeats, and this time her voice registers in his brain. He realizes she has been talking to him this whole time, and as he stares at her face without comprehending - he couldn't have a coherent thought right now even if he wanted to - he sees her eyes dart quickly down, looking at where their bodies meet before she brings them back to his face, a deeper blush coming over her. "You -"

Oh, Merlin. It's her. He blinks and it's like the fog has cleared from his mind - almost, but-not-quite - and he realizes who he has unceremoniously crashed to the ground with him. The spines of the textbooks they are lying on top of dig into the arm that's pinned under her body and his other hand...he realizes (to his almost-horror) that to any students or professors walking by, it would seem as if they were caught up in quite the scandalous extra-curricular activity because his other hand is actively caressing her breast. Well, that's how it would look to any passerby, anyways.

Because there is no way he would be caught dead in such a compromising position with her.

The two of them haven't spoken since the events of their fifth year - the Year-That-Shall-Not-Be-Remembered-or-Acknowledged - and he had been perfectly content with his plan to continue this strange sort of ignoring that they had played all last year. Both of them pretending that they hadn't become impossibly close after only knowing each other for a few months - a closeness that he had gone and ruined by not knowing when to quit. All he had known to do back then was push push push because why couldn't she see things the way he had? The betrayal he had felt when she had gone behind his back to find her own way to cure his sister, and that one stupid word uttered in the heat of the moment, had caused an irreparable rift in their relationship and he would not allow himself to think about how much he missed her. Still misses her.

Just like he will not think about the fact that she is pressed beneath him in a compromising position, her chest rising and falling rapidly as she glares up at him in indignation. He continues to stare at her. Maybe his mouth is agape. She's stopped trying to get out of his grip and is resting her hands on his chest, seemingly waiting for an opportunity to push him off of her.

"Sebastian. Your hand," she repeats. "You're -"

Finally his idiot brain decides to wake up and Sebastian realizes with horror just how aroused he is at the moment and how did he never see her like this before? He gets up in a flash, pushing her back against the pile of books they're lying on top of, wondering if he can subtly adjust his robes without her realizing and then he makes the very grave mistake of looking down at her and she's still very much red-faced, propping herself up by her elbows and she looks so disheveled and lovely lying on top of the pile of books.

His idiot brain has now woken up completely, and how is it possible for one hormonal, eighteen-year-old wizard to be so embarrassed? He knocked her to the ground, pushed her further back in the books in his desperate attempt to get away from her, and now all he can think about is how to hide his arousal. Shameful, really. Sebastian quickly crouches down to help her pick up all of the books but she shoves him away and glares at him with an annoyance that he's never seen before.

"I can do it myself, thank you very much," she says with a huff, gathering everything they spilled up into her arms. She grabs the book Sebastian is holding out of his hands and he inhales sharply at the touch of her fingers grazing his.

Did someone - Garreth, maybe - spike his pumpkin juice with Amortentia during lunch? It's the only explanation he can think of as he stares blankly down at her. How else would he find her so beautiful, so breathtaking, when the last time they had interacted, Ominis and Anne had had to act as intermediaries for the two of them?

"Well," she says finally, slinging her school bag over her shoulder once all of her books have been unceremoniously shoved inside of it, "it's been...nice seeing you again, Sallow. I hope you had a good summer holiday."

And with that, she quickly turns and walks away in the direction she had been coming from, leaving a very confused Sebastian behind. He watches her as she walks away and her long, swishing braid is the last thing he sees before the door closes behind her at the far end of the bridge.

Eventually, he gathers his wits and wanders away.

He does not go to the first Crossed Wands meeting that afternoon after all.

She has not had a full-night's sleep since he somehow cursed her mind and her thoughts a week ago, and she can feel herself slowly slipping into insanity. A curse is the only answer that makes sense, the only thing that gives a conceivable answer to all the wicked dreams she has been having since that moment, dreams that cause her to wake up sweaty and breathless and needing him in the middle of the night in a way she has never felt before. She has been an absolute mess, a disastrous version of her normally quite put-together self, and she is not happy about it.

He's sitting next to her now - they were partnered up by the evil Professor Onai in their first NEWT Divination class of the year - and she's holding herself rigidly, arms tight across her chest, in an attempt to not accidentally touch him. Lately, every single time they make fleeting eye contact across the table during breakfast, or when they pass each other in the hallways, a shiver runs down her spine at the unfamiliar look in his eyes and she has to avert her eyes before it's too much.

Divination has never been a favorite subject of hers - too impermeable for her tastes. She is only taking it at the NEWT level because, during her career counseling with Professor Ronen at the end of her fifth year, he had said that if she wanted to be an Unspeakable she couldn't just work with logic (a preposterous thought, but as a sixteen-year-old she hadn't seen any recourse in arguing with the Ministry's requirements). She supposedly needs to get comfortable with the intangible as well. It doesn't mean she has to enjoy it, though: she doesn't, and never will. The Divination classroom is dark and stuffy, tucked away in one of the highest towers of the castle, and the nauseating smell of incense always coats her nasal cavities long after the class has finished. She finds her thoughts getting muddled in the haze of candle smoke and swirling orbs on the shelves around her - magic somehow always feels thicker up here - and the presence of a certain someone whose knees keep brushing hers under the tiny table they're sharing, a certain someone who has - improbably, inconceivably, impossibly - hit a growth spurt that summer and now towers over her and had encompassed her completely when he knocked her to the ground, isn't helping her concentration at -

"This week, we are going to review everything we learned together last year," Professor Onai says, after the class had rearranged itself based on her instructions. Sebastian shoots a look at her as she shakes her head in an attempt to clear it and sits up straighter. She hopes that Onai's lecture will help her concentrate and clear her mind a bit. If she has something to focus on, to try and think of and remember, it will be better than him. Anything would be better than Sebastian. Onai gives an appraising look to each table before continuing her speech. "As your NEWTs are at the end of the year, we need to make sure you are as prepared as possible. Open your books to page two-hundred and thirty. Today we're going to review the art of palmistry. I should hope that you do not need the aid of your textbook to help interpret the lines in your partner's palm but in the case that you do -"

She chances a glance at Sebastian before getting out her copy of Divining the Undivinable from her bag and wishes she hadn't. He looks uncomfortably big sitting on the tiny tea chair across from her, barely any hints of the boy who had completely swept her away two years ago visible on the sharper planes of his face. When had he - had they - grown up?

Sebastian Sallow was - is - charming, and that had been her downfall. She had successfully avoided his charms the year before, and she wasn't going to let that happen this year, no matter how much her body rebelled against her mind and resolve. Because, as she reminds herself, Sebastian Sallow is also manipulative, and cold-hearted, and selfish.

"Well," she says archly, opening her book. She will not look at him. "I suppose I am still quite ignorant of the practice of Divination, so do forgive me if I have to double-check my readings in the textbook."

He says her name as she opens the book, and she ignores him. He says her name again. She continues to ignore him. He grabs the book from her hands and puts it the correct way for her. She was looking at it upside-down. Her cheeks heat up and she continues flipping through the pages, as if nothing has happened. She finds page two-hundred and thirty. She pretends to be interested in what she sees.

(Divination is unfortunately not interesting.)

Oh, fine.

"Do you want to start, or should I?"

These are the first words she has voluntarily spoken to him - not including the events of last week, which do not count as they were most decidedly not voluntary - since he called her ignorant a year and a half ago. He somehow looks surprised to see that she has addressed him, and for some reason this fills her with rage and a strange sort of confidence. Why shouldn't she be able to talk to him?

"Here," she says, putting her hand out towards him, palm up, ignoring the strange fluttering feeling in her chest when he gently grabs it with one of his. Sebastian looks up at her, waiting for her to continue speaking, and were she not looking at him so intently she would have easily missed the bob of his throat as he swallows nervously. "Show me how it's done."

Her breath catches in her throat at the small, mischievous smirk he shoots to her before he bends over her hand and gently starts tracing the lines on her palm with the fingers of the hand that's not holding hers in place. His touch is feather-light and somehow soft, despite the roughness of his fingers as they drag over her palm. Every nerve in her body seems to have moved to wherever he touches and all of the bravado and anger she had just felt is quickly melting away. When she finally finds her voice, she hates how soft and breathy it sounds. She can't look away from the sight of his larger hands caressing hers.

"Well? What do you see? Do you remember the different lines? Because I -"

She falters. The murmurs of their classmates blend together in the background and the dim lights of the candles...the hazy, thick atmosphere and his proximity and the barely there touches of his rough fingertips on her sensitive palm are altogether too overwhelming and she needs to get out of there. She's supposed to be angry with him. Furious, even. Holding this grudge has been the only way she has been able to have any sort of power over him this past year, and yet...all she can think about at the moment are the sinful dreams she's been having lately where he presses her against a wall, desperately kissing her lips, her neck - even she knows that there has to be more to it - but what?

Sebastian blinks as she snatches her hand away like it's been burned and - oh, Merlin - she shoves the textbook back into her schoolbag and almost knocks the candle on the table over and wouldn't it be awful if she had started a fire? But she can't think about any of that now in her haste to just get out of the claustrophobic Divination tower.

Vaguely, she can hear Professor Onai asking her if everything is fine and she's not sure but she thinks she mumbles something about needing to go to the Hospital Wing - that's a good enough excuse to leave, isn't it? - but then she hears his voice, deep and cutting through the fog in her mind -

"Don't worry, I'll take her and make sure she gets there fine." A muffled response from their professor and then his voice, just as clear as before. "No, I don't know what happened..."

She hears him calling her name as she flees down the spiral staircase, almost tripping over her feet in her rush to get away from him, but he catches up quickly, reaching out to grab her arm in an attempt to slow her down. She stops running immediately - she supposes her traitorous body wants to see what he has to say, or maybe it just wants to bask in his intoxicating proximity. He crowds her space, and she sees that unfamiliar look in his eyes again. So very different from the cold disdain she had seen the last time she had been this close to him, during the argument that had ended their friendship.

"Let go of me," she whispers, but there's no conviction in her voice as she gazes into his deep, brown eyes. He can tell she doesn't mean it and doesn't make any move to listen to her. Why can't she hold on to the rage? A muggle quote about anger floats through her mind: Holding on to anger is like drinking poison and expecting the other person to die. What a sweet poison her anger at Sebastian had been, while it lasted. She tries telling herself that he must still feel the same as the evening he had called her ignorant (ignoring the small voice in her head that reminded her of the letters of apology he had sent (that she had burned without reading), the times he had tried to get Anne or Ominis involved and apologize for him) - because why couldn't he just tell her himself? Maybe she had shut down any and all attempts he had made to repair the rift that he had caused in the first place, but she had been right to be so angry with him.

But oh, Merlin, he's getting closer to her, and she can now clearly see the freckles dusting his cheeks and nose and forehead and then before she knows it, his hand is sliding up her arm, leaving goosebumps everywhere he touches and then he's caressing her jaw with his rough thumb and he pauses. Her eyelids flutter closed as her head tilts towards him - she couldn't stop herself even if she wanted to (what does she want?). She can feel his warm breath ghosting over her lips and she has the improbable, ridiculous thought - how is he remembering to breathe? - before he speaks. His lips brush against hers with every soft word and a deep shiver runs through her body.

"I," she hears him say, his voice so, so low, "haven't been able to think since last week."

That's all she needs to hear, the brush of his bottom lip against hers all she needs to feel, to push her into closing what minuscule distance there is between them and then his lips are on hers and it's better than anything she's been imagining. His mouth is soft against hers, insistent, and her hands go up to grip the collar of his plaid jacket to make sure he doesn't go away or disappear on her.

She knows she's behaving wantonly, snogging Sebastian Sallow in the middle of the hallway where anyone could come across them, but third period has only just started and besides, she has had a week of restless nights being tortured by thoughts of him. A week of a few hours of sleep found here and there. Just one kiss should be enough to help her get over these strange feelings, right? She only feels like this because having him lie on top of her after he crashed into her - that satisfying weight of him - the friction of his thumb brushing against her nipple - had made her realize just how stupid she had been, holding this grudge against him for -

She whimpers in protest but it quickly turns into a moan as his mouth moves away from hers and down to her neck. He pulls at her tight collar desperately - she hears some seams ripping - to give him better access to it, and she finds herself arching her back and pushing her body closer to his as he nuzzles her neck with his nose before giving it open, sloppy kisses. When he hears her, he moves back to kissing her, greedily capturing every breathy moan that comes out of her mouth, but the noises coming from him are matching hers, and at the sound she feels an unfamiliar clenching deep in her stomach. Her fingers come up to his hair, going through the silky curls over and over - how are they as soft as his lips? - and he slowly pushes her back until she's sandwiched between his warm body and the cold stone of the wall behind her.

He lets out a low, frantic growl as a hand goes to grip the back of her head, holding her in place as he slants his mouth over hers. He tastes like cinnamon and...like something forbidden. What has gotten into her? She hates him, and yet...

They have abandoned any pretense of propriety - had they ever even been trying? - by this point. His tongue swipes across her lips and then she is completely lost to him, to every sensation of his mouth, and tongue, on hers. His large hands - the wicked hands that had been caressing her palm and had caused this whole mess in the first place - have moved to her waist and are pulling her even closer to him. When he pulls away briefly, she whines in protest, opening her eyes to glare at him. The sight of him, flushed and breathless, his eyes wide and pupils dilated - must match her own appearance because she sees the same hunger she feels in his eyes. She has never seen Sebastian Sallow so disheveled, but she finds she quite likes it and tugs on his curls with a whine. He obliges eagerly, bringing his mouth back to hers.

She's pressed as tightly against him as she can possibly be, and yet it still isn't enough. Her back arches once again, trying to find something, and then he slots one of his knees between her legs. She moans at the friction caused by his movements, can feel an unfamiliar slickness forming at the juncture between her legs, and this seems to spur him on further as his kisses get more desperate and sloppy. She moves against his leg, trying to relieve some of her discomfort, gasping into his mouth, when -

They freeze. Even if they are fully, completely, absorbed by...whatever this is, they can't ignore the strange, metallic clanking sound coming from their left. Sebastian pulls his head back from her slowly, reluctantly, breathing heavily, and looks over to see what the noise is. She wants to, but all of a sudden the horrifying reality of what they've been doing sinks in and oh god what if the noise is a person? Someone who has now seen her in what might possibly be the most mortifying moment of her life - desperately snogging Sebastian Sallow - and she finds she can't look over. She tucks her head into his neck to hide her face as she listens.

"I demand that you get away from her at once, you knave! Cease your attack!"

The voice sounds vaguely familiar, but she's certain that it doesn't belong to any of her classmates. He almost sounds...medieval, but -

"I made haste when I heard sounds of distress coming from down the hallway," the voice continues, "and it appears I have arrived not a moment too soon!"

She brings her head away from Sebastian's shoulder but still refuses to look over at whoever is speaking, instead choosing to stare at Sebastian's face. He's still deliciously flushed from their snogging, still breathing heavily, but now he looks terribly confused. His brows are furrowed, mouth opening and closing as he tries to come up with a response to the outrage currently being directed at him.

The unknown man is continuing his diatribe, almost not even stopping to breathe as he gets more and more worked up, and she hears some more clanking as he reaches a particularly exciting moment in his rant. Sebastian looks increasingly confused, but still shields her with his body, not moving away from her at all despite the accusations.

Her curiosity gets the better of her and she peeks over to see who it is.

The man who has been reprimanding Sebastian so boldly is none other than Sir Cadogan. Although she's never interacted with him directly, she often hears him yelling at his pony as she passes his portrait on her way to Divination. The knight is standing between two witches having tea, who are glaring at him quite angrily as he gesticulates wildly - every movement of his sword comes dangerously close to their display of cakes and sandwiches and it looks like he has already broken some plates. His armor is ill-fitting and loose on him, which explains the terrible noise.

"You rascally knave! I assure you that you do not want to find out what will happen to you if you do not unhand the fair maiden."

He brandishes his sword again, and the woman closest to him quickly snatches her tea cup away to save it from being broken as well. "Come now, Sir Cadogan," she says, exasperated. "Can't you see that these two are in love?"

The other woman joins her protests, nodding vigorously. "Yes, exactly that. Leave them be!"

"Nonsense," he exclaims. "I too have succumbed to my baser instincts on occasion and I can assure you that this is decidedly not what is occurring."

As Sir Cadogan continues to alternate between lecturing her and Sebastian, and directing his two attention to the ladies who are defending them, she looks back to the boy in question. Sebastian is looking down at her, a bemused smile on his lips and she feels a twinge in her chest. His face is still so close to hers that if she wants to, they could be snogging again with barely any effort and her eyes briefly flicker down to his tempting mouth before going back to his eyes, but...

What had gotten into her? What is she doing?

He had somehow managed to manipulate her again, because there is no way that this situation could have happened otherwise. All of a sudden, the anger she's been feeling for the past year and a half - that had left for a brief, blissful moment - surges again, and she pushes Sebastian away from her with as much force as she can muster. She almost feels bad as the happiness in his face turns to confusion, then frustration as he realizes she's getting away from him.

"Stay away from me," she hisses, picking up her discarded schoolbag from its spot on the ground. As she stalks down the hall, she can hear Sir Cadogan cheering on her bravery over the ringing in her ears.

She has a lot of thinking to do.

Sebastian Sallow's List of Priorities (in no particular order):

Figure out what the hell I'm going to do when I graduate;

Figure out how the hell I'm going to finish this bloody Charms essay before tomorrow; and

Figure out what the hell is going on between us

Sebastian sits in an undisturbed corner of the library - nobody ever comes to this table because it's tucked away between shelves of incredibly dense magical theory books - and is twirling his quill in his fingers, watching the ink splatter on the list he spent his precious time writing instead of the Charms essay he should be working on. He's far away from the first-years who like to congregate by the windows and watch the leaves fall softly to the ground rather than study for their classes. He's made especially sure that he is far, far away from her.

It's not his choice, mind you, but he needs to be a gentleman about these things. If she needs some time and space to figure out that she's as crazy for him as he is her, fine. But even Sebastian Sallow's patience runs thin, and he's not sure how much longer he can give her to come to her senses before he snaps and takes matters into his own hands. If things were up to him, the two of them would be sitting far too close together now in this secluded corner, and maybe he would need to put a hand over her mouth to ensure her complete silence as he runs a hand up her thigh.

Now that he knows what delicious sounds can come out of her mouth - sounds that he caused - he's been having a hard time concentrating on, well, anything. Sebastian surreptitiously glances across the library to where she's sitting and studying with his sister and Imelda. Ever since the events after their Divination class, Sir Cadogan has taken it upon himself to follow Sebastian around the halls of the castle, tripping through frames and disrupting their inhabitants as he lectures Sebastian on love. The tea party women had managed to convince the knight that he had disrupted an amorous exchange, and Sebastian fervently wishes they hadn't.

The whole school is abuzz with rumors about who it could be. Nobody has even come close so far with their guesses, but Anne and Imelda are having too much fun teasing him about it. Somehow, she has managed to avoid suspicion - he wonders how this is even possible, since she's never been able to hide what she's thinking. He makes eye contact with her - has she been staring at him this whole time? - and she flushes before looking over to Imelda, who's laughing too loudly at something Anne's just said. Sebastian can't tear his eyes away from her profile, his eyes following the curve of her eyebrow, the slight upturn of her lips as she smiles at her friends, her eyes as they dart back to him, her cheeks as she turns an even darker shade of red as she realizes he's still watching her. She tucks a lock of hair behind her ear, and rests her chin on her hand as she tries to look absorbed in what Anne is saying to her.

Sebastian wonders if she's thought about him as much as he's thought about her. Judging by how she had snogged him back, he's positive that she feels the same way, but then he remembers how she had looked at him before she fled, and he's not so sure. He sighs as he looks back to his list, bringing his quill back to the third item and ripping the paper as he crosses it out again. His mind has been going in circles since that moment and he doesn't know what to think. He slowly puts everything into his schoolbag before heading out of the library for yet another freezing cold shower that hopefully tempers his now-permanent state of arousal whenever she's around.

He doesn't notice her eyes following him as he walks out of the library.

He doesn't hear her hurried excuse to Anne and Imelda as she shoves her things into her bag and rushes to follow him.

He doesn't hear her light footsteps as she gets closer to him.

When she puts a hand out to touch his arm as he waits for the moving staircase to stop, with a soft, "Sebastian" accompanying it, he nearly jumps out of his skin. He was so absorbed with thoughts of her, that to see her standing at his side, closer than she had been since they kissed was almost his snapping point.

"Can we talk?" she asks, looking almost embarrassed as she avoids his eyes. She instead looks determinedly at his collar. He thinks she probably notices that he swallows nervously before acquiescing, but she says nothing as she turns and starts hurrying away from him without waiting to see if he follows her.

She must know that he would follow her anywhere at this point.

They weave through hallways - Sebastian vaguely wonders where exactly they're going - before reaching a little alcove, hidden by a suit of armor. She looks around before pulling him into it. It's almost curfew and the halls are never that busy when the weather is as beautiful as it has been these days - the end of September seems to be clinging on to the summer for as long as possible.

Her lips are on his before he can even ask her what she needed to talk with him about, hungry and desperate. Sebastian is too stunned to pull away - not that he would actually want to. Her arms wrap around his neck, keeping Sebastian close, slender fingers sliding through his hair.

"What," she says breathlessly between kisses - almost not even moving her mouth away from his enough to be able to enunciate properly, "are you doing to me? I haven't been able to think for the last month."

Sebastian smiles into her mouth, wondering if she knows that she's repeating the very thing he told her two weeks ago. Maybe she has been thinking of him all this time - he almost hopes that she's been suffering as much as he has. Instead of responding, he moves a hand to cup her jaw, deepening the kiss. His other hand moves to her waist, gripping it tightly, pulling her flush against his body and she gasps into his mouth. He slowly moves her closer to the window alcove behind them, snogging her senseless the whole time. She moans into his mouth which just spurs him on further - her skirt rides up to her hips as Sebastian trails a hand up her stockinged thigh and they both gasp when his hand reaches skin. Her skin is so, so soft and her breathing gets faster as he continues to caress her inner thigh, closer to the bend between her thigh and her center. Sebastian wonders if she's ever been touched there before by someone else and jealousy flares up inside of him at the thought.

In one swift move, he scoops her up and places her so that she's sitting on the window-ledge, the dusky light of the sunset illuminating her from behind and making her wispy flyaway hairs a golden halo around her. Sebastian's breath catches in his throat - has he ever seen anything so beautiful as her in that moment? - she's staring up at him, her fingers playing with the hair at the nape of his neck, her breathing shallow and anticipation in her eyes. "You're," he starts saying and his throat goes dry. He brings a hand up to tuck the errant lock of hair - the one she had tucked earlier in the library - behind her ear and she leans her head into his touch, closing her eyes briefly before looking up at him again with wide eyes. "You're perfect."

She smiles faintly and pulls his head back down towards hers and now she's brushing her lips against his, teasing him, before it's too much and he grips the back of her head, holding her in place as he crushes his mouth against hers in a bruising kiss. Her knees are on either side of his waist, and she desperately grinds her core against his throbbing erection and they both groan at the friction. Sebastian moves his hands down to her thighs again as he kisses her, slowly caressing his way up and pushing her skirt up further until it's completely bunched around her waist. She gasps into his mouth at his first tentative touch after he pushes aside her undergarments. Sebastian swipes a finger up her slit, through the slick that coats it, and then he starts circling her clit with slow, even strokes. She shivers against him - at his touch - clinging tightly to his shoulders and gasping into his mouth as he continues.

Every little noise coming out of her mouth, feeling how wet she is, how the slickness keeps growing growing growing makes Sebastian hungry for more - it isn't enough -

Slowly - so slowly - he wants to savor this moment - he lowers himself until he's kneeling between her legs and he looks up at her. Her face is deliciously flushed, all swollen lips and hair in a wild cloud around her face and all she can do is stare down at him. Her chest is heaving and she tries to close her legs - hide what is exposed to him - but he holds her thighs firmly in place on either side of his head. He turns his head and kisses her inner thigh, maintaining eye contact as he swipes his tongue across where he's just kissed, moving closer towards her slick center.

"Oh," she breathes, not-quite-a-word, not-quite-a-gasp, when his mouth reaches her center and hovers over it, lips slowly teasing her the way she had just teased him. Sebastian tentatively runs his tongue up her slit; the loud moan she lets out when he reaches her clit makes him stay there, applying light and not-so-light pressure in equal measure.

Her hands are scrabbling at his hair, digging into his scalp, ruining his earlier attempts to make it look presentable, hopefully attractive, for her these days. She's pushing his head deeper into the space between her legs, starting to rock herself slightly on his mouth, and Sebastian is happy to oblige. He eagerly laps up her slit, and the obscene wet noises as he continues combined with her whimpers and barely-spoken profanities "oh-yes-fuck-yes-there-please-" are making him hard beyond belief. He's straining against his trousers, begging to be let free. Without moving his face from her, he unbuttons his trousers and starts palming himself, using the slickness weeping out of the tip as lubrication.

She's abandoned all control at this point, grinding herself into his face as he laps her up, and it's driving him wild - knowing that he's doing this to her - causing her to be so undone. Normally she's so poised and aloof, never letting any real emotion flicker across her face, so to see her so desperate and needy and wanting him so -

Sebastian's gasping into her, tongue deep inside of her, "ohmygod" he hears her whisper, her hips driving into his face when she shudders and goes still, pulsing around the tongue that's deep inside of it. He slows down, smiling as he continues to run his tongue up her slit until she's responsive again. He kisses her inner thigh and hears her moan before getting up, caressing a finger down her love-struck face and leaning his head down to kiss her deeply. With his other hand he's still touching himself - the thought that she can taste herself on his tongue driving him crazy - and he starts rubbing its blunt head against her swollen clit. She takes it out of his hand- he groans at the feeling of her soft hands (the hands he had held a week ago in Divination and pictured doing this exact thing) tentatively caressing his length before she begins to slide it up and down her slit, coating it in her wetness.

Sebastian has surrendered all control to her - resting his hands on either side of her hips on the windowsill, tucking his head into the crook of her neck and thrusting with her movements as he loses himself in the sensation of sliding through her slick folds. He can feel his release building building building, and when he finally comes, all over her perfect, pink center, it feels like a finally.

Sebastian feels so, so heavy as he pulls his head away from her shoulder, as if he could fall into a blissful sleep right there, in the little window alcove where they've hidden themselves away. The sun has now set completely and they're in shadow as they stare at each other, the sound of their ragged breathing filling the tiny space.

"Sebastian, I..."

She's staring at him with an unfathomable expression on her face, still holding him in her hand, her other hand playing with the hair at the nape of his neck. They look down and he feels his face heat up even more at the mess he's made - he quickly pulls out his wand and cleans her up, before looking back at her, giving her a wry smile as he buttons up his pants and helps her off the ledge. "What did you want to talk to me about, again?"

She gives a slight shake of her head and looks away, but she can't hide the small smile that's growing on her face just like she can't help her eyes that keep wandering over to his. He knows the growing smile on his face matches hers - did that really just happen? She reaches over to lace her fingers through his as they walk around the suit of armor. "I - it's not important."

"Come on," he says, not being able to resist the opportunity to tease her - he's somehow managed to break through the barriers she's set up around her, and he's not about to let the opportunity slide. "Surely that's not what you had in mind when you..."

Sebastian trails off as he sees the expression in her face turn to one of horror - he didn't think his teasing was that bad, was it? - but she's also pulling her hand out of his like she's been burned and -

He follows her gaze, to where it's fixed at the end of the hallway and he knows that once again his face mimics hers. He will never live this down.

Standing at the end of the hallway and looking like two cats who've just found a huge dish of milk, are his sister and Imelda.

Misery.

Complete and utter misery are what she's feeling, if she has to put it into words, which she does. Writing things down always helps her out, helps her organize her thoughts into some sort of order. Except...this time around, it's not really helping. She can't seem to make any sense of her feelings for Sebastian.

She looks over the muddled mess of words she's written down - stream of consciousness, incomprehensible babble - and sighs. She's been dreaming of falling in love since she was a young girl - Jane Austen will do that to you - and can't believe that now that she's had her opportunity, it has to go and be with Sebastian Sallow. Because it has to be love, hasn't it?

There can be no other explanation for the painful way her stomach twists itself up whenever she catches a glimpse of him these days, the way he's consuming her every thought - even when she's dreaming she can't escape him. She can't get the sight of his tousled curls between her legs, his mischievous, warm brown eyes looking up at her as she had the most mind-numbing, toe-curling orgasm of her life - none of the times she's touched herself have ever come close to the sensations he managed to evoke.

Every time she's walking through the hallways between classes and hears his loud voice as he jokes with Garreth, or Ominis, about quidditch or Merlin-knows-what her eyes snap to his face as if he were the sun, and she a sunflower searching for its warmth. And he is most decidedly not the sun. He has the tendency to snort when he laughs, and he laughs too much, especially at his own jokes. Sometimes he talks while he eats. He always twirls his quill between his long fingers in the most annoying way, splattering ink onto any parchment unfortunate to be caught underneath. But he also...

He also always goes out of his way to prepare Ominis's Potions ingredients (why Ominis decided to take and was accepted into NEWT level is a mystery to everyone), occasionally stops to play a round of gobstones with Zenobia when he has the time. Sebastian can often be found in his favorite armchair in the Slytherin common room, resting his face on his hand as he idly flips through the pages of some book, looking altogether too handsome as he does so. And when he stretches and yawns at the end of every Arithmancy lesson - like he is now - his shirt lifts up a bit and she can see a tan sliver of his stomach and -

Snapping in front of her: she blinks and looks over: when she sees it's Imelda her face immediately turns beet red and she grabs the paper she's been doodling on and rips it to shreds as fast as she can.

"Are you fantasizing about a certain annoying someone?" Imelda asks with a wicked grin, dramatically looking over her shoulder at the certain someone in question. He's still stretching, blinking sleepily; when he notices the two girls watching him he flushes deeply. Her stomach twinges again at the sight of him noticing her - has he thought about her since that moment as much as she has? What would she do if he had? Or...if he hadn't? - and she focuses instead on the paper she is currently destroying.

"Imelda," she hisses, glaring at her best friend, "stop."

Imelda does not stop.

Imelda doesn't stop during their walk to Herbology, and she does not stop as they set up their planting stations, and she most certainly does not stop as they mutter charms over their plants.

Ever since she experienced the most wonderful moment in her whole life, followed by the most mortifying, Anne and Imelda have not stopped pestering her about it. They've finally solved the 'Sir Cadogan Puzzle' - I knew it was you all along, claims Anne - but if they truly knew what had happened between her and Sebastian, she's afraid the two of them would simply combust. She loves them dearly, but they never know when to stop, and they've been pushing and poking and prodding her for more information the whole week. She has managed to remain tight-lipped and, she hopes, mysterious about the whole thing, but she's getting tired of the teasing.

"Really," Anne says, wiping her forehead and leaving a trail of dirt behind, "if you would only talk to him, I would stop bothering you. Promise."

"Yes," chimes in Imelda, on her other side, wrestling the leaves of her own plant into submission. "You know, after we saw the two of you holding hands and looking at each other with stars in your eyes, I'm really starting to doubt that you hate him as much as you claim."

"Were the two of you snogging in secret all of last year too? Because, I'm starting to get annoyed thinking of all the times I had to talk to my brother for you because of your stubborn pride."

Does she still hate him? She certainly thinks she should, but then her thoughts get terribly confusing as she continues to think about him, and she realizes all of her old hatred has long since faded. Anne has forgiven her brother, Ominis has forgiven him, and all that remains is her.

They should talk, but she doesn't know what to say.

She's afraid that maybe the man she's been inventing in her mind this past month is simply a figment of her imagination - a fictitious being created by an accumulation of stolen glances when he doesn't know she's watching, someone who all of their classmates seem to like, someone who is very different from the fifteen-year-old boy she had that terrible argument with all that time ago. Maybe he doesn't actually exist.

She would be crushed if he's hiding the fact that he still holds on to that desperate darkness that had driven him to save Anne by any means necessary.

And so she keeps her space. She watches him from afar, feeling the hatred slowly melt off of her, falling more in love every day, but too cowardly to make the next move.

Anne and Imelda continue bantering on either side of her, not noticing - or, more likely, not caring - that she isn't participating.

Sebastian's hands are sweating. He wipes them on the inside of his robes as he glances at the girl next to him. She's holding herself rigidly, but she did this to herself, sitting next to him at dinner as she had.

Well, sitting next to him hadn't been completely her idea if he's being honest. He'd been having dinner with Anne, and the two of them were dying of laughter as she recounted seeing Duncan Hobhouse get tormented by Peeves earlier that day. One moment, Anne had been demonstrating what she had seen using her potatoes and green beans as props, and the next, a particularly evil grin had lit up her face as she pushed her plate away with gusto and jumped to her feet, calling her over.

"It would be such a shame for these potatoes to go to waste, seeing as I have a very important meeting to attend," Anne had said, after pushing her friend into the very tight space at Sebastian's side. "Never mind the mess, I can assure you I didn't actually eat the food..."

And with that, Anne had flounced away, Imelda on her arm, the two girls cackling to each other as they snuck wicked glances over their shoulders at the couple.

A couple who is now steadfastly avoiding each other and trying their hardest not to even brush elbows. Sebastian is altogether too aware of her presence, has been for the better part of a month, and his patience is dangerously close to snapping. He keeps getting maddeningly close to finally getting her to open up to him - had actually achieved it for a few blissful moments - just to have it be taken away again. It's almost embarrassing how many times he's thought about their encounter. She had been everything he'd been dreaming about and more - soft, responsive, just as desperate as him - so why has she been avoiding him so thoroughly?

Yes, he's caught her staring at him more times than he can count, with that same unfathomable expression she had before, almost dreamy - wistful - could it be love? But he knows that it's preposterous, wishful thinking on his part. If it were love - if she felt the same crazy, tumultuous emotions that he was feeling constantly - she wouldn't be so cold towards him. Even if she was staring at him more than ever before.

He doesn't notice as she slips a folded paper into the book sitting next to his plate, but he does notice that she sits next to him for barely five minutes, not even touching the food that Anne has so graciously left her, before she gets up and slips away without so much as speaking a single word to him, or even looking in his direction at all.

Sebastian's sitting in a nearly empty common room after curfew, flipping through his book as he normally does this time of day, when she sees him pause.

Although she's been waiting for this moment, watching him from the corner she's tucked herself away in, she feels ready to pass out from nerves. Her heart's ready to burst out of her chest as she watches him curiously pick up the letter she slipped in his book earlier, brow furrowed. She wrings her hands nervously as she watches him read the letter and flip over the page to see if there's more, and then he goes back to read it again from the beginning.

She wasn't expecting him to read it a second time, let alone a third time, still with an inscrutable expression on his face. Maybe she should have positioned herself closer so she could see every emotion flickering through his face as he reads - she's too far away to see anything and she curses her lack of foresight. If she moves now, he'll see her, and she doesn't even know what she was thinking when she wrote the letter, when she managed to convince Anne to help her get close to Sebastian earlier that night during supper, when she moved herself to sit in this corner just so she could watch him find and read the -

"Hello."

She nearly jumps out of her skin with a muffled shriek at the sound of his voice so close to her. Why does she feel almost guilty when she looks up at him? She's so, so afraid.

Emotions have never come easily to her. Showing them is something she's not sure will ever come naturally - Anne and Imelda can laugh and shout without a care in the world, but she always holds herself back. Hides a small part of herself away, that only she knows about. Baring herself completely to Sebastian in the letter she feverishly wrote the day before was like ripping out a part of her soul and giving it to him to keep. Once the words were written down, there was no way to take them back, not that she wants to.

But what if he rejects her?

Her eyes get hot and tears cloud her vision as she stares up at him, still wringing her hands together over and over, feeling like she's positively going to burst with the force of the emotions roiling around inside of her. Why did she think this would be a good idea?

Now he's kneeling in front of her, holding her hands in his bigger, rougher ones - reminiscent of that fateful day so long ago in Divination when he had flustered her so - and a thumb is gently wiping away the big, fat tears she didn't even realize were rolling down her cheeks and she lifts her face from watching their intertwined hands and gazes tremulously into his eyes.

They are so, so gentle and warm and full of love, but the emotions are still too much for her and she can't stop crying for some unfathomable reason, so the kiss they share is wet and lovely and full of incredulous laughter.

"I love you too," he whispers between kisses, over and over again, until the words almost lose meaning - but these words could never lose their meaning when they come from him.

In the years to come, they always bicker about who was the first to say it. Sebastian says that writing doesn't count - that his words are the ones that decide who is the victor in this small argument - but she always just smiles at his insistence, knowing that he's kept her letter tucked inside whatever book he's reading since it first fell onto his lap.

482 notes · View notes

teethkid67 · 9 months ago

Text

PAYDAY

aka a valentine for the lovely @itsnotmystic / @corvids-calling - fanart for stars fic of the same name, which you can read here !!! i really enjoyed this concept and wanted to do some art for it :3 hope you like it because i REALLY loved your work & i hope this shows that !!! HAPPY VALENTINES DAY !!!!

this is also a loose love-letter to the wonderful @arginnit 's crazy background-drawing-ability and style/skill at portraying environments . wadds your stuff is insane and i love it

happy @mcyt-valentines exchange !!!!

#mcyt-valentines #things i make #c!wilbur #wilbur soot #wilbur soot fanart #dsmp wilbur #blah blah blah WHO CARES. I LOVE YOUR WRITING #i read your little um um superhero slash las nevadas Theft fic as well it was so fun :3 #AND I okay maybe this is creepy idk i backscrolled ur blog to hell and back lmfao #UR PAINTING OF TECHNOS CABIN IS SO SWEET AND CALM AND PRETTY i was originally going to do something with ctechno but the art just wouldnt c #come to me #i did get one (1) ctechno design/doodle out of it though its my most recent post before this one in my things i make tag #idk i hope youre having a good day you seem super cool and. ya #AND TO WADDS. idk i love your art so much . i think about some of your pieces literally all the time #your um. backrooms drawing with tommy & charlie & ranboo i love the warped perspective i tried to reflect that in this #your painting style anddddd yeah. your composition your everything its so good #happy valentines dayyyy

771 notes · View notes

poorly-drawn-mdzs · 1 year ago

Text

Get Souped!

#poorly drawn mdzs #better drawn mdzs #mdzs #jiang yanli #I'm back!#She would never say 'get souped idiot' but I like to imagine JC and WWX would say it to each other if the other got sick and needed soup #JYL would never throw soup without knowing full well you would be able to catch it #She would rather fall face first than drop a bowl of soup after tripping.#She’s been hard at work preparing this soup! And all of you get to have some B*) Thanks for all the support while I was on break!#‘was your break relaxing op?’ unfortunately it was like being kicked down several flights of stairs. Didn't draw much sadly #Though I did end up writing a little mdzs fic! I haven’t written anything in a long while but it was fun. Maybe I'll post it....maybe...#regardless of all this rambling; thank you for all the kind messages. ill try and reply soon!#i have a few more fun doodles before I'm ready to crack into season 2!#Enjoy the soup in the mean time!#(PS: I know that's not the right hand shape for the meme redraw but augh...the OG hand angle was...way too hard to draw).#edit: retagged as better drawn mdzs. I put a lot into this one

2K notes · View notes

v-poreons · 25 days ago

Text

OCposting..... This is Coven :3 she's a witch who specializes in luck magic! I need to post her so I can yap about her more, she's rotating in my brain at top speed

(Also her bf belongs to @oodliedoodlies hiiii hiiiiiiii hi hi hi)

#rainyart #trolls #trolls oc #trolls band together #original character #character design #DreamWorks trolls #coven #not enough hours in the DAY to draw her bro #i also think shed be fun to write.... maybe ill write her backstory or some shenanigans she gets up to.... she has a lot of potions mishaps #body swap potion..... personality swap potion... love potion..... evil potion seems fun in theory but #idk how that would resolve and would probably lead to angst and drama in an UNfun way yknow #like how much damage she might cause.... and then shed probably be like im never touching magic again #not fun #idk! i need to ponder some more #coven save me. save me coven.#very few things getting me through the slog of classwork but shes def one of them okay #queueing this and running away back to my thesis work

279 notes · View notes

lucabyte · 3 months ago

Note

i'm so curious about your character gender reads now tho 👀👀

(You enter the kitchen and see me, eating shredded cheese out of the fridge by the handful)

(I turn around to face you.)

Hi. Do you want me to sell you on amab NB Siffrin? I'm going to try and sell you on amab NB Siffrin. And maybe even a little bit of tranfem siffrin and/or loop. as a treat. just for you.

So, (I put the cheese back in the fridge.)

This read of mine comes from a number of things, a lot of them to do with the game's themes, and to do with Siffrin being a narrative foil to the other characters. And Vaugarde as a whole.

(READMORE WARNING: THIS IS LIKE 6K WORDS LONG. YOU ALL SHOULD KNOW BY NOW I DON'T MAKE POSTS WITHOUT UNCONSCIOUNABLE AMOUNTS OF EVIDENCE AND EXPLANATION. IF ANYTHING I'M BEING RESTRAINED HERE. THUMBS UP.)

(Pre-readmore note: this is in response to me having given an analysis of how I personally percieve Sifloop in relation to asexuality and shipping. Which you can look at here. (x))

It is however, not what my like, no-holds-barred no-rules just-for-me headcanon for Siffrin would be. (which is intersex 'head empty no thoughts' siffrin, for the record). This is instead my close-reading-of-the-text-and-themes interpretation of Siffrin. This is why I'm gonna be saying Read and not Headcanon, to distinguish the two. (Anything I consider a little bit too much of a stretch vis a vis interpretive hard reads I will call a headcanon. But those are for the last bit of this post.)

Unlike *gestures at mass media* All That… ISAT is already packed to the gills with queer rep, to the point where I feel no need to grasp at straws and make overextended reaches into obviously unintended subtext. Like with, y'know, most media. Since here, the subtext isn't unintended. Like this isn't a Transfem Metal Sonic or Aroace Ash Ketchum situation where I know none of the evidence is on purpose and I'm just having fun making a conspiracy theory pinboard out of it. This is like… There's intentionality there. And I want to engage with it on its level, see what the text itself suggests. It's my personal preferred method of expressing deep respect to a text. (Not that it has to be anyone else's, obviously. This is just my way of showing I love a work.)

So yeah, I am, in general, very interested in hearing hard-fought arguments when it comes to interpreting texts. I'm glad ISAT has a lot to pick at here, and so, I will. (and since not a lot of texts ever have anywhere near this kind of depth in this arena, i don't wanna squander it… i'll try and keep my own biases as in check as i can, and already have done by hashing quite a bit of this interpretation out with two people of very different gender identities to mine. To put it mildly, binary-aligned or transfem I am very squarely Not.)

(Now that the cheese bag has been removed from the equation, I drop this framing device, sit you down at the table and begin to dredge up evidence from below it.)

Okay, so. What are my like… Core reasonings here? I think I can split it into three categories. Broadly, with an amount of overlap, so bear with me…

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Okay so up top I'm going to split my argument for Siffrin's gender identity Present and Future here. This means, for now, I'm arguing for AMAB NB Siffrin alone. The transfem stuff is for later (and more for loop, in my mind, too).

I have a few direct observations of the text here that set things up. Here are the things in-game that make me assume that Siffrin, as of the start of the game, has not yet undergone any radical change to their identity in their life. Not on purpose, at least. These are ordered in a messy but logical flow, so uh, try and keep up. I'll synthesise at the end. I Prommy.

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

CHANGE & THE UNIVERSE: PERCEIVED OPPOSITES

When interacting with most objects in the Changing Room in the house, they express a genuine curiosity toward body craft. It seems they are legitimately unfamiliar with it on a deeper level than having simply heard of it.

Despite this curiosity (explicitly stating they've previously wondered about it), they dismiss it as too much work early on in the game. These points combined seem to suggest to me that they have never previously sought out any kind of real change to their appearance or identity. Either for gender reasons, or other body dysmorphia reasons. (Which, despite the dismissal, they do refer to their body as a 'meat prison', which is not particularly positive) However...

This changes in Act 3. In acts 3 and 4 they flatly state: "You're thinking about crafting your body. You seem to have all the time in the world now." While still never spoken aloud, their declining mental state corrosponds with a worn-down, almost nihilistic reckoning with the feelings they masked with the 'meat prison' joke in act 2.

[Image: Interactions with the change craft textbook in acts 2 and 3/4.]

In talking to Mirabelle, they are very self assured that one can stay the same/be comfortable with their born identity. They also seem a little unsettled by the change religion's flippancy in general, which makes sense, as they have been clinging to the famliar (even when painful) to cope with other traumas. (More on this later, section 2)

The Universe Faith appears to heavily disincentivise Wanting for oneself and other expressions of Free Will due to safeguarding against Wish craft. This seems to have impacted Siffrin's mental state majorly, even if they do not recognise it. The followers of the faith are (if Siffrin is to be believed) incentivised to 'go with the flow' and take paths of least resistance, and those that DO make big decisions will tend to justify things as being The Universe's Will. (See: The King's entire Modus Operandi, and the way Loop (and Siffrin) do the same rote actions, constructing worldviews (the play analogy, the Universe's Will) and justify that as what the Universe Would Want (despite a total lack of evidence to prove as such)) As such, it seems as if a follower of this faith as neurotic as Siffrin would be unlikely to act upon any Wants to Change Themselves without a lot of turmoil and backwards-justification. (Of note, Loop's forcible change coinciding with a dropping of pronoun. But that is again for later, section 3) As of the start of the game, they do not appear to have broached this kind of turmoil directly.

[Image: Act 5 interaction with the star journal, emphasis on it being a cautionary tale against reckless usage of wish craft, instilled so deeply to be a children's bedtime story]

Siffrin, in act 5, grows frustrated with both The Universe and The Change God, feeling abandoned by the former. They struggle with simultaneously anthropomorphising the Universe as a cruel onlooker, while also seemingly acknowledging them as a cold, almost scientific fact of nature. This would heavily imply that the 'blame' put upon the Universe by Siffrin in these moments is known to them, at least a little, to be potentially meaningless. It seems that somewhere in Siffrin's belief system is something, be it the core or merely a creeping worry, that the Universe is not a thinking, feeling, thing. And thus that their invocations of "The Universe's Will" are merely rationalisations of random chance and consequence. This is in DIRECT contrast to the Change God, proven to be an emotive sapient entity, who merely refuses to offer a helping hand. (Similar sentiments are, too, spoken by the Change God itself.)

[Images: Interacting with the window in the observatory in act 5, text from the change god meeting]

So. These are the bulk of my observations when it comes to how Siffrin is positioned in contrast to the Change Belief. It would seem to be that Siffrin, inkeeping with their role as an outsider, is a complete fish out of water in Vaugarde's change-centric world. This makes sense! It makes them a compelling foil to the Vaugardians in our cast, and allows the Vaugardians to challenge Siffrin's worldviews merely by existing. It also, more importantly, makes Siffrin an interesting lens through which to inspect our two most Change-driven characters. Mirabelle and Isabeau.

MIRABELLE.

Mirabelle and Siffrin's differing faiths are put on display the most frequently. Interactions like the circle key and the party's disbelief of Siffrin's facts about the stars make this clear. These interactions other Siffrin from the group further, and are another avenue through which Siffrin can ignore their own needs, not communicating with the party and allowing them to dismiss things he deems important.

Obviously, the friendquest is primarily about Mirabelle's struggle with her aromanticism and asexuality. But there's an implicit undercurrent of gender there too. Mirabelle has never made a big change, not like Isabeau. She has never 'changed completely', by her words. And Siffrin distinctly finds this an odd thing to be worried by. Whatever culture he carries has no pressure to explore these avenues, it seems. Siffrin is able to help her by sharing their honest opinions, that he's never felt the need to change these things, and he's happy (allegedly). Why should she?

[Image: Mirabelle's friendquest text] Siffrin is not thinking particularly hard when he first does the friendquests, they are just being themselves. By positioning Siffrin as this unchanged yet confident object, they are in the perfect position to help Mirabelle by being in her almost exact position, both sexuality and transgender status (albeit, with the caveats of potential alloromanticism, and a they pronoun), that they become her ideal foil. (And in fact, the subtle differences between their positions in canon add to this, showing a display of Perceived Genuine Truth, rather than simple in-group camaraderie)

Whereas…

ISABEAU.

When Mal du pays speaks as Isabeau, it says the following;

"I don't want to know someone who won't even try to change, who luxuriates in things staying the exact same like you do."

I don't want to know someone - Shame of being known, that's Isabeau's insecurity. Reflected back at Siffrin, who has become the worst thing imaginable to each of their friends, in Siffrin's own mind. He absorbs their insecurities like a sponge and incorporates them into himself. Empathy turned ill.

Who luxuriates in things staying the exact same - Now THAT'S interesting. This is not Isabeau's insecurity, it's Siffrin's own. But also, it appears as if, Siffrin, whom to Mirabelle was unflappable in that not changing was alright, has internalised some of her worry. That it is MDP's Isabeau saying this, though, shows this is about Personal Change, perhaps even Specifically Gender and Self Image, rather than Mirabelle's spiritual side.

Isabeau and his distinct change in personality and gender, to become someone who he actually likes… Diametric to Siffrin, who has been stagnant for a long time, presumably as far as they can remember. It would seem to imply they have no recourse against this argument. Siffin becomes, in his mind, the opposite to Isabeau, a man he deeply admires the bravery of when told the story of his Change. These are Siffrin's words against themselves, that they consider themselves to have never even 'tried' whatever it is they think Change to be.

So. These are my main points vis a vis: Siffrin as a foil. This reading would posit that Siffrin's He/They status is, well, almost accidental? Which I would imagine befitting of them. They are, at the start of the game, still the mysterious rogue who never elaborates upon anything. They aren't going to be correcting a they/them from a teammate who is likely far more cautious about assumptions.

Notably, Mirabelle excludes Siffrin from the label "man" in the bathroom monologues… But as does Siffrin when in the prologue poem room. Though one needs remember, Siffrin only expresses these thoughts internally.

[Image: Bathroom conversation featuring Isabeau identified as the party's singular man]

[Image: Prologue!Siffrin expressing that they are not a man in very certain terms.]

While I do wonder what Mirabelle's knowledge (or lack thereof, potentially! Did Siffrin actually divulge this to her, once? Or is she making assumptions again?) is here, this is pretty clear evidence that Siffrin doesn't see themselves As A Man. (that, and Adrienne's word of god "fella" comments). I'm sure you can see where I'm going with this… but.

The thesis here is, that Siffrin may want to explore their gender further; doesn't feel connected to Masculinity, and yet, keeps that He pronoun around? Well, the Universe does not, in Siffrin's mind, really allow for personal wants and desires. If their friends start they/themming them, then cool. They like it, but never requested it, so it's the Universe's will. But, asking? Making decisions and requests and rocking the boat? That seems to scare Siffrin a lot. It seems to scare them so much it causes a lot of, if not all of, the conflict in the game. I feel like it's a fair deduction that this aversion to humour their own desires pervades a lot of their existence.

Plus, I think there's meat there. By only allowing Siffrin to reckon with any potential desires to change only after growing closer with the family, you get to explore things like "How does Mirabelle feel that even the person who said she didn't have to change is changing." and the slightly less potentially harrowing (OR MORE, IF YOU WANT IT TO BE? IDK. I'M NOT YOUR BOSS.) "Isa's continued changing allows Siffrin a space to explore it, maybe even just by proxy, or maybe by joining them."

But mostly, this section is about how Siffrin not having Changed Yet makes them delightfully strong narratively; allowing them to relate to Mirabelle, and get cold feet when comparing themselves to Isabeau. I love this as a narrative strengthener. It's very rare in media that we get to explore a nonbinary character's thoughts and insecurities on whether or not they're "doing enough" to be nonbinary. Even less so Aligned nonbinary people. And reading that alignment and insecurity through the lens of a nonbinary person not fully disconnected from their assigned gender at birth? It's a very compelling exploration of a very common and raw and yet underdiscussed feeling, much like the rest of ISAT. I think this is an extremely potent element should it be read this way, and is only strengthened when taking Siffrin's other themes into account.

Speaking of which.

2. SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

HOLDING ON TO WHAT YOU KNOW. (OR KNOW THAT YOU DO NOT.)

I explained above many of my thoughts on the Universe Faith, and trying to keep these two sections separate was difficult, but needed to be done for the sake of clarity. But this section and the above are deeply intertwined.

Siffrin… Holds on to the things they know. They do not know much. But man do they fucking hold. And yet, paradoxically, they are also avoidant about it.

It is made clear in the text, to the point where I really don't feel the need to rehash it here, that Siffrin's disconnection from their homeland is incredibly painful, but that they consider that culture utterly and irreplaceably important to them. They cannot face it, it is too painful. They cannot let it go, it is too important.

Knowing what we know of the Island's irl inspirations (though, word of god, the exact location is not supposed to matter, one can infer it from the text (and I did! within reasonable proximity!)), Siffrin is of an indigenous peoples of some description, more than likely. And at the very least, Siffrin carries with them inherent biases and ignorances that show that Vaugarde's conceptions of things don't quite mesh with their own. Bowing to the Vaugardian way of things could very easily be seen as assimilation, in this way.*

And identity? Gender? Presentation? Role? All of that has a cultural element. There's no telling what specifics Siffrin has lost in that arena, and that's the problem. Neither do they. How paralysing, the feeling, to know that should you change yourself you risk unknowingly erasing another piece of home? I wouldn't blame them for locking it off. Keeping their old clothes, keeping what little they can remember of themselves… It doesn't seem to me a conducive or safe mental space to get experimental.

And the Universe makes for a perfect scapegoat. As referenced in the section above, a lot can be justified should you call it "The Universe's Will", because who's there to call you on it? Hardly anyone. Your divine right to Freeze A Place In Time; Your Deserved Punishment for Wanting to be Loved: All of it the Universe-- If you want it to be. And thusly, if the Universe wanted you to be a certain way, wouldn't you already be? Wouldn't it make you so? (Wouldn't it take away your body, that which makes you human? If that is what it thought of you?) So best to put it out of your mind. Wouldn't want to accidentally wish anything.

But as the game itself puts it, personified by The King, you cannot stay mired like this forever. As Loop themselves puts it, they can "get so fixated, sometimes." At some point they need to allow themselves to grow in whatever direction they need, because in the end, they need to live their life. They don't need to abandon their country, their culture, but they can't let it restrain them either.

(* MASSIVE CAVEAT: im white as fuck boyyy. i cant say shit. im like technically Of The Land im like 90% pictish or something ridiculous like that so my particular line has never moved anywhere but. this is notttt something i have input or insight on. this is all gleaned from reading and listening to indiginous perspectives from wherever they may be. i am simply trying to infer from what the game gives us without inserting my own feelings on the matter.)

3. SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Alright, here's some less heady and purely-thematic points to round things out. And where we'll also address the fucked up star being in the room; Loop.

My last couple of reading points are the most potentially-transfem to me. Or at least the ones that really hammer home, to me, a seeming lack of want to be masculine-aligned.

ANOTHER NOTE ON THE 'NOT A GUY' THING.

Obviously, there is the aforementioned "Not a man/not that you're a boy" thing. This is rather straightforward, but also still pretty ambiguous. You can be masc-aligned and still Not A Guy. But it does seem to be of note that being a guy very much does not seem to be a goal of Siffrin's. I would posit this in direct contrast to… Isabeau.

But not Isabeau's masculinity. I would instead hold it up against Isa's femininity.

ISAT, as a text, has its characters have genuinely different levels of security in their gender identity, and Isabeau, despite still having insecurities, seems super chill on the gender angle specifically! Their internal strife comes not from their 'not feeling like a man enough' or 'hating being a woman', but instead from their self perception as a friendless nerd! Something that seems to be only tangentially related to Isa's gender, really?

The big dumb bruiser thing is certainly aided by being a dude, but Isa still seems completely comfortable referring to themselves with feminine language, calling himself a "mother hen" (prologue) and having "the heart of a fair maiden" (cookie snack time). (However, they also take being excluded from Mira's girly book club as a surprised compliment, implying they weren't expected to be excluded, and find it affirming.) And even further so, Isa states they want to continue changing further and exploring their identity more, being rather blatant that they might lean back into femininity (and more importantly, let themselves be outwardly smart again), since they're starting to feel hurt by everyone assuming they ARE genuinely stupid.

[Image: Prologue Isa calling himself a mother hen]

And man, this is such a breath of fresh air vis a vis representation. I don't think I really need to explain that. A character who's gender identity is driven by chasing euphoria, even if it started out by trying to drive out misery. Isabeau's character is so damn good. But this essay isn't about him, so get back in the crate, boy.

... So here we have Isa, who is genuinely comfortable reclaiming things about their birth gender, and Mirabelle who loves her traditionally feminine traits to the point where she feels a little guilty that she isn't rejecting them to foster change. And then we have Siffrin… who seems to reject masculine language…? Hrm… (… And then we have The King. A Masculine Title. Someone who Siffrin increasingly sees themselves in and deeply, deeply dislikes this.)

APATHY AND SURVIVAL

It should be clear by now that I see Siffrin's core character as being driven by avoidance and survival. This seems to lead to a lot of apathy, brushing off emotions that are too intense or events and occurences that are too painful. (See: just absolutely everything with Bonnie)

It's all Siffrin really seems to be able to do to Survive. They've travelled, seemingly alone, for what would be around a decade by what the game says about the island's disappearance. They've lived alone on the road as a traveller in a country that so openly welcomes strangers that THE KING and his whole motives can happen. Siffrin is avoidant and refuses to acknowledge problems or strive for help and comfort.

So. That line about the dress. Let's unpack the line(s) about the dress.

THE DRESS LINE, AND THE WAY IT CHANGES BETWEEN PROLOGUE, ACT 2, AND ACT 3.

Good god where to start with this. Full disclosure, the first draft here was way more vague in how I approached this line because I remembered it (and another line, I'll get to it.) way more tame, but going and getting the screenshots..... Siffrin. Buddy. We gotta unpack this.

In act 2, we have "You haven't worn a dress in forever!". This is a neutral, if seemingly a little joyous statement. All we really glean from this is the information that Siffrin at some point, wore 'a' dress. No real inferences there. (Maybe you could say that the singular as opposed to plural makes it more likely that they borrowed/only owned One Dress rather than owned several? But that's a massive stretch...)

Then, act 3/4 shuffles this off into a more general "You wonder if you'll ever wear different clothes again." Which is a more despairing and distant statement. Considering Siffrin seems to travel with only the items they can carry, and owns sleep clothes... It's unclear how many changes of clothing they have. The party seems to consider the cloak a pretty permanent fixture, anyhow. But this line doesn't really say much aside from 'oh god i'm losing myself to the time loop malaise'

NOW THE PROLOGUE. Prologue Sif, buddy, pal, Loop, if I'm allowed to call you that....

Thousands of loops in. We are wistful for specifically dresses. You've forgotten almost everything. You dream about someday seeing the sun again. To be anywhere but here. You want to wear a dress again.

I. Kind of do not know what to do here but point at it. Like I said, my first draft had me half-remembering the progression of this line and as such I was far more vague on what I thought it could imply. Instead this is just straight up yearning.

To, try and segue back to what I had initially written, we'll pick up here...

Siffrin expresses a want to wear other clothes, explore changing their body... But instead, they wear a ratty old form-covering cloak that keeps them warm and safe and is a last reminder of home. They are shapeless, formless, hiding their face under the brim of a wide hat. They do not voice their desire to wear a dress aloud. They once again, keep a desire to themselves, because they do not allow themselves to want publicly. Apathy is safer. Apathy and quiet means you do not risk retribution or hurt.

While I do not think the above is exclusively a transfeminine feeling, it really, really reads like one when taken part and parcel with assuming Siffrin has denied themselves prior exploration.

... And here I have to break my first draft again. I was being, once again, restrained in my reading when writing this. Because I had convinced myself I had maybe straight up imagined one of the lines I was basing my reads on, because I couldn't find it. Because it was a line that read so strikingly desolate to me that my brain had slotted it in during Act Five, meaning when I went looking for it neither me nor my friends could find it.

It's in acts 3 and 4. It's a line I already brought up.

"You're thinking about crafting your body. You seem to have all the time in the world now."

good fucking christ. sorry to break the academic tone but Jimminy Fucking Willikers, Siffrin. What's with that bit. The resignation and despair and guilty comfort we know the timeloop brings them, bleeding into the gender.

This. *taps my finger harshly on my desk* THIS, this feels transfem. this feels so wildly transfem to me. The knowledge that they've never changed before this line lends. The admission that they've been holding back because it's 'too much work'. I spent a lot of time during the game relating Siffrin not to myself but to my friends.

If I'm honest, really, truly, I'm not all too often in Siffrin's shoes. I'm the stable one, of my group. I'm the rock people ground themselves on. And I see so much hesitance, all the time. Denial of joy because what if it's taken away, again? Or futilely out of reach? It hurts more to try, and to fail, than to never try at all.

I wanted to shake Siffrin by the shoulders this whole game. Grit teeth beg them to accept help because for fuck's sake people are clearly offering it get it through your skull--

*coughs* Ah. Ahem. Right. The uh, academic tone.

Right. What I mean to say is, this read as transfem to me because of the way it relates to real-world experiences of denial. And this combo of the Dress line, and the progression of the Meat Prison line, the constant evidence of never having strived for what they want, and that insistance that you're not a man, seem to dislike being percieved as a man, but not being able to shed the outward signifiers?

Individually, yes, these points can be read in different ways. The total opposite ways, even, I'm sure! But as a gestalt it feels really, really transfem. Even if yeah, sure Vaugarde is a magical setting where being transgender is accepted, and this hesitance, specifically, around gender, might not 'make sense' in 'the lore'...

Diegesis isn't everything. Sometimes something that reflects a real-world feeling is important, even if it doesn't 'mesh' with 'the lore' of the world.

TANGENT: DIEGESIS AND READING INTO NON-REAL-WORLD-SETTINGS.

This is a Watsonian vs Doylist spectre that's been haunting this whole argument. In-universe (Watsonian), Vaugarde has seemingly no discrimination between genders, sexualities, and a lackadaisical approach to most things in the arena. Reading our own patriarchal/heterosexual/amanonormative/perisexist society unto it does not make sense, not in this context.

In the real world, however (Doylist), ISAT is a text made in our prejudiced society. A text that is distinctly flavoured by those bigotries which it is kicking back against. Because of this, it is not the whole story to simply read the text while discarding our real-world-informed inferences. Isabeau is a big example of this. While perfectly accepted in Vaugarde, he is very obviously a revolutionary character in our real-world space! He has so much to say, specifically BECAUSE things about him that are not readily accepted here, are accepted there! Same with Mira's struggles, and yes, Siffrin's too.

ISAT was written with the knowledge of how it would play against our real world in mind, we know this, clearly, from many an interview. This is most present in how it engages with asexuality and aromanticism (and immigrant identity), but make no mistake, it influences the Whole Text.

Ergo, just because I view certain writing choices here in the context of Our Real World Perspectives On Gender and not Vaugarde's In-Universe Perspectives, it does not make them an invalid read. They are simply a Doylist read.

There's been an admittedly loosey-goosey lack of delineation here between things I'm reading with either lens, because for the most part all of these points have been a vague synthesis of both that I can't quite decouple. Unprofessional, I know, but I'll admit to not having written my thoughts down like this in a good long while. Usually I just hash this out verbally over discord voice to a small number of weirdo literature and classics student friends who are willing to humour me. I'm an arts student too, but animation hardly required I actually write an essay to a literature degree's standard. Lol.

DE-PERSONING. AND LOOP. OH JESUS . LOOP .

Siffrin de-persons themselves a lot. I say de-person rather than dehumanise because, well, there's a subtle difference there. Siffrin doesn't see themselves as vermin or an animal or an object, but they do seem to see themselves as lesser, not requiring the respect they grant others. They aren't, you know, a 'real person'.

People get to have things like thoughts and wants and identities. Siffrin is, at best, Just Siffrin. They have what they have and they don't ask for more and they don't (CAN'T) feel too strongly on what they do have!

When Loop at first offers their pronouns they offer the Royal 'We'. This is at least a little bit, a joke. A nudge toward their true identity, a potential dig at themselves for becoming so understanding of The King. Mostly though, a joke on the first thing…. and a sign that they do not see themselves as a separate entity to the Siffrin stood before them.

When Siffrin rejects this, they settle for they/them. Loop drops the he/him, presumably partially to cover their tracks, but… They just showed their hand with the 'Royal We', and if you wanted to go even further with this, there's no way for us to know whether Loop is treating this pronoun as singular or not. They presumably are, but it is still a potentially plural pronoun.

Loop… Clearly does not see themselves as a person. It's, I would say, a completely reasonable assumption that the form they have taken reflects implicit feelings toward themselves as less than a person, an actor, a monster, a tool, a means to an end. They are rendered inhuman by The Universe, frivolous distractions removed. No mouth, inventory and clothes confiscated, nothing between the legs. Formed roughly in the shape of a person to allow them to do their only job: Help.

Loop's body does not make logical sense, given their continued ability to sleep, dream and their continued habit of deep breaths to self-soothe. It would seem to me, it was made in the image it was, with only the tools it needed to Help Siffrin. Why obfuscate their identity? Because giving the game away too early would likely make them lose hope. Why so deeply, thoroughly star themed? An instant signal, that even if a stranger, they are an ally. They are home.

[Image: Loop saying that they take naps and dream, and evidence of Loop habitually attempting to breathe in the twohats lose-to-loop ending]

And they… Degender themselves. No longer with any bodily signifiers of masculinity, and cruelly disallowed the ability to hide themselves beneath fabric, they are null. The spoiler Q&A (paratext, as it were) states that:

Q. Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they’d like to be perceived? or 3. time lops stole he from they they :( A. Mostly that first one. But all three of those reasons have a bit of truth to them.

While the 'mostly the first one' comment does imply that Loop would not baulk at being he/him'd (similar to how Siffrin does not), the other reasons, especially the second, having 'a bit of truth' does lend credence to this reading. That Loop's self-perception has shifted, and what I posit, is that this shift is in tandem with a disconnection with humanity. Due, presumably, to the dehumanising experience of the timeloop.

Loop has no biology to speak of, and yet they remain blind in one eye. I take this as an implication that they considered this so core to themselves, to who they could remember being, that it stayed. Even if they had forgotten their own face, trapped in a part of the house with no mirrors, they knew they couldn't see. They kept this, and yet seemingly they, or The Universe, or both of them in tandem, discarded all else.

This isn't like…. Healthy behaviour. That is for certain. But it is interesting that Siffrin and Loop seem to hold on to their masculinity by a thread, and that Loop, when actually given the excuse to make a choice, chooses the Neutral Option. Siffrin might de-person themselves, but Loop, Loop is absolutely dehumanising themselves. From Loop's own mouth (or lack thereof) do they call themselves a Corpse. That's… pretty damn bad.

TANGENT 2: POTENTIAL IMPLICATIONS OF THE JAPANESE TRANSLATION.

Did somebody say 'distance'? Yeah turns out that has some more potential evidence. In the form of First Person Pronouns. See, English, with its third person only pronouns relies on others to gender you. Japanese, you get to gender yourself. And Siffrin specifically has an interesting discrepancy in the way he refers to himself.

(DISCLAIMER: I . DO NOT KNOW MUCH ABOUT JAPANESE. THIS IS SECOND-HAND KNOWLEDGE. SOURCED FROM THIS TUMBLR POST AND OTHER QUICK SKIMS OF WIKIPEDIA)

Loop and Siffrin use the same, very neutral "mostly male but could go either way" pronoun of 僕 boku. Safe, soft friendly pronoun. Used by people on the younger side of adulthood, not so impolite that you can't use it in a formal setting. Such a neutral all-rounder that female singers in japan tend to use boku in their songs to relate to the audience with quiet confidence.

And in their internal monologue? Siffrin uses a completely different pronoun. In his head, for himself, he uses 自分 jibun. Now, this may be an artefact of the monologue's english second-person "You", since jibun can also be used to mean a very neutral "self". A "myself/herself/himself" type 'self'. But when used as a first person pronoun, it has a connotation of being… distant, introspective. Which is… a fascinating implication, if that was the intent.

But I don't know anything about japanese so ! If I'm off the mark, discard this!

LOOP, PART 2: MAYBE NOT A GREAT STATE TO BE IN.

While Siffrin I can comfortably argue that they can like, keep their current gender presentation, whatever you may perceive it to be, once the game is over, Loop, I cannot.

Siffrin's potential issues with their identity are ones that honestly feel like they would best be explored with gentle refinement and searching. They don't need to violently seperate themselves from what they are now, far from it, in fact. They need to learn to grow comfortable in their own skin, and with the people they love. To become open and trusting, with an open mind to where it may lead.

Loop has already lost this battle. They don't get to refine anymore, just pick up the pieces. While I don't necessarily think radical change is Good for Loop, I think they may Need It. For them, resting will probably become stagnation (see: napping all day under the tree, resigned, really, to the idea they're stuck there forever.), they need a shake-up in order to re-find their feet. Even if they end up right back where they started, they still need to do the actual painful process of soul-searching first.

Problem is, they're still rather avoidant. So it basically becomes a question of getting them into a situation where this exploration is forced upon them. At which point, that's a whole new plotline. This becomes fanfiction. Hence, why while I think Transfem-Egg Loop is a Valid Read when extrapolated from Siffrin… I must concede any actual adventures into them acting upon that as headcanon territory. I just do not know how you would get them there without making a whole new Thing, at which point it stops being Just A Read of the text haha. It doesn't help that Loop and Siffrin (grudgekeepers supreme) both have reason to spite the Change God after who was phone.

As for whether this egg-read reflects directly back on to Siffrin? Maybe! They are the same person. But I think that, especially with Vaugarde's lax views, and their actual differences (Loop's general worse mania // Siffrin's incentive to stay a reminder to themselves and Loop of their country) means they could easily go two different routes, along the road to becoming their own distinct individuals. (And in all honesty, growing into their differences is probably the more healthy option in the long run if you're keeping Loop around? But again, we are going so far into the future here this is no longer a read. And I am not here to dispense baseless headcanons without massive disclaimer, so…)

Tl;Dr:

Siffrin's Survival-Apathy and hesitance to change feels really thematic to their being 'what's left' of their homeland

They seem unsettled by the flippancy of the Change Religion at times, clinging to the familiar to cope with the trauma of displacement.

Mal du pays speaks of them that they have not 'tried' to change, showing an insecurity there, even outside of the literal stagnance of the loops.

They are self assured to Mira that one does not have to change, in a very genuinely personal impulsive statement.

They and others exclude themselves from being "A Man", but Siffrin keeps desires to explore their expression to themselves.

The Universe belief, seemingly in Siffrin's view of it, disincentivises Free Will and Wants very heavily. It is not hard to assume they extend this to all elements of their life.

They have self-admittedly never pursued tangible change, likely due to this aversion to choice. Despite this, they express interest in changing, seeming nonplussed with their body, and house at least some desire for more traditionally feminine expression.

Oh Good God. Loop Sure Does Not Treat Themselves Like A Person. Why Does That Come With A Pronoun Change? What Does That Mean?

But most of all:

It makes them such a fascinating foil and lens to Change and characters who believe in it! It makes them eerily similar to The King! It opens up such fascinating debate between characters like themselves and Mirabelle, Isabeau and Loop, on whether or not they want to change in future, or if it truly is okay to never radically change yourself! What genuinely fertile ground for dialogues. And man if I'm not heavily drawn towards dialogues.

(End of essay! Congratulations for making it the whole way! 🎉 I hope this nightmarish deep dive helps with understanding some of the ways I've been writing Siffrin and Loop too. Since while I've not ever focused on the gender side of it (and probably won't in comic form) this does pervade my view of the two, since it would be impossible for it to Not. As you can see, I do think it is pretty relevant to both their themes.)

(Now for some bonus material)

ADDENDUMS:

PERSONAL BIAS NOTE:

Not included in this analysis since this is more a Pet Theme of my own (usually kept quarantined to the realms of my OCs), but something else I see in Siffrin is a reflection of the Dude Issue(tm) of patriarchal irl society disincentivisng Dudes(tm) from ever fucking introspecting ever.

I'm curious about nonbinary/trans characters who have no idea they’re nonbinary/trans because they’ve been disincentivised from thinking/doubting their identity due to societal power structures or simply tradition. I dig around the themes of “a lot of guys are trapped in a societal prison without ever knowing and it makes them miserable but they can’t escape because they don’t even see the cage” like, a lot, in my personal work. It intrigues me. So bleh, cards on the table there. That mode of interacting with nb/trans characters is one I'm inclined to.

This kinda goes hand in hand with the watsonian vs doylist situation i took an aside to mention. But it is so far along the doylist side that I didn't want to include it, since it is a little too assumptive of the text for my comfort. I don't think the game necessarily has much commentary on this specific Societal Bind. But if it does, then hey, there's my thoughts on it.

STRAY SIDE NOTES AND HEADCANONS ABOUT OTHER CHARACTERS (AS A TREAT FOR GETTING THIS FAR):

MID-GAME OBSERVATION ABOUT BONNIE AND ODILE THAT I NEVER WENT BACK TO VERIFY:

I got the impression that Bonnie heavily favours they/them pronouns for Siffrin, and Odile he/him, as a bit of presumed character voice. I don't know that I am right, literally at all, in that observation, because it very well could've been confirmation bias.

BUT! It did give me the impression that one of the things Bonnie was idolising about Siffrin was a degree of "wow!! older person with my gender!! wow!!", which is just like, cute. I like it even if I don't have any solid evidence.

ODILE, WHAT'S HER DEAL?:

Oh she stays just as mysterious as she intends to be, huh? Even with her comments in the Changing Room alluding to knowing things about underground changing operations, you can't draw much of a conclusion about her. I appreciate verily that she's word-of-god unlabelled and also poly. That shit's great. Woman who has stopped drawing lines or caring what she's up against. Nice characterisation flavour I think.

Anyway, I do think that transfem Odile is a really, really nice take. I have no evidence in either direction for her in either direction, and her being a woman of any description makes her relationship with her absent mother something interesting to chew on, but the idea that she pursued womanhood intentionally lends an interesting texture. I've not much to say, but it's a thread to pull on. Makes you wonder what other female role models she had in her life instead. Anyway she's mysterious as fuck I can't extrapolate Jack nor Squat. Shrug! I'm also made curious by the idea of her potentially moving away from womanhood as she feels the weight of her history lifted. This goes either way, really. Diagnosis: mysterious.

HEADCANON NOTE: INTERSEX SIFFRIN

I don't have any in-text support for this so this entire thing is an unbased headcanon to me. but i DO like it because 1. fun and 2. potential for more thematic exploration

haha gotcha its fuckin themes again. its always themes with me.

But yeah. Not much to say here besides drawing a parallel (that I believe I've seen drawn elsewhere in the fandom already?) between ISAT's comments on how a society that values change would view Aroace identities, and how Mira feels about not wanting to change with the real world experiences of Intersex people having alteration and conformity forced upon them, saying the Change Belief would likely be just as bad for them as it is for aroace people.

So, adding it to Siffrin's situation further drags them into the opposition-to-change foil role. Which like I said, think has a lot to explore.

HEADCANON NOTE: A POTENTIAL METHOD FOR GETTING LOOP OUT OF THEIR GOD DAMNED COMFORT ZONE

I think utilising Loop's contrarianism is an effective and funny way to get them to explore their gender. I personally think running with them trying to hide their identity from the party is a hilarious way to do it. Having them try to position themselves in direct opposition to Siffrin to "throw the party off their trail" (not that i think they really need to?), going full feminine-revealing-clothing because it's NOT what a Siffrin would do and accidentally growing accustomed to it. Funny to me. Especially when the party eventually do find out who they are and go . "????? what was the girl stuff about ??? is that something you wanna do now ???".

[Isabeau] "Ohhhh it was a bit! Haha you really are Sif, still a jokester!" [Loop] "HAHA YEAH . JOKES. LOVE THOSE. LOVE TO MAKE JOKES!" [Isabeau] "Yep! Anyway. Tell me if you need anything!"

Bonus bonus:

[Siffrin] "Okay, so, if you're a girl. Does this reflect on like… me?" [Loop] "No doubles. Get your own gender, parasite~!"

#oh my god this is like 6k words what happened. well you can't say my claims are unsubstantiated i guess.#lucabytetalks #fuck dude i sure do !!!!#i have to assume a lot of other people picked up on exactly what i did too but i dont read other peoples meta very often so !!#i am simply shaking hands with anyone else who came to this conclusion. hi. sometimes its just fun to construct a small essay i guess #i have like no goal putting this out here other than like. For The Sport of Writing Out Media Analysis. so if it makes anything click #in peoples minds or actually sells them on this reading then that's just a bonus i suppose #in stars and time #isat analysis #isat meta #isat siffrin #isat loop #isat spoilers #2hats spoilers #lucabytewrites #welp. no idea what else to tag this. be free and into the wild my gigantic ass post.#is some of this redundant? probably! but cmon man its a tumblr essay i can't format it perfectly. sometimes points get repeated #anyway this post is lagging out my tumblr drafts now i have to post it oh god oh christ i hope nothing goes wrong #edit: i forgot i made the lucabytewrites tag a while back for purrgatorio this can go in there too

274 notes · View notes