#it was fun!! in any case

[lucabyte]

monologue

[geezmarty]

happy wyllstarion wednesday! here's a short comic I drew for a server gift exchange 🤍❤️

[crescentfool]

reunion 🌸

[unhappy-sometimes]

comic suggestion! Loid tries to teach Yor how to crack an egg. He wears safety goggles. A whole carton of eggs later, she succeeds without smashing the egg to smithereens. Heheh I am frying eggs right now

eggs

i took some creative liberties. always nice to see you in my inbox, cantarteincminor!

new artstyle who dis? jk im just doing this crazy thing where i spend more than twenty seconds on a panel. crazy, right?

[deep-space-lines]

in case anyone was wondering where I disappeared to for the past few days, i've been going insane again. fun fact staring at stained glass windows for hours on end will not turn you catholic (source: i stared at so many stained glass windows to make this bc i really wanted to go for a realistic church window sort of vibe)

tumblr is a coward and won't let me upload the full size images so you can look at them and zoom in to your heart's content (please look at them. please) [1] [2]

Prints of this are available on my Society6 (both versions cuz I'm indecisive) (it may take a little while for them to actually appear on the site)

Details:

Timelapse under the cut!

my favorite part of this is when I'm trying to get the pose down and I keep flipping the canvas and it looks like they're doing a silly little dance :)

[copia]

"It. Is. Going great, now. Innit."

PAPA EMERITUS IV and SISTER IMPERATOR in RITE HERE RITE NOW (with ASHLEY MCBRIDE and KEVIN "JESUS" KAUFMANN)

[leroiestmortvivelareine]

The FBI warned Neil he had to even order coffee under his own name so he helpfully keeps the label facing towards them

[nelkcats]

Haunted City

Danny could admit that pretending to be a "regular ghost" was pretty fun. He could hide in one place and scare people who were waiting for an open door and a creepy laugh.

Honestly, Danny could do a lot more than that, the ghosts people believed in were nothing like the ones he knew. He wondered if there were simply different types of ghosts, or supernatural creatures; it was quite likely, considering that the ghosts of the Realms weren't even of the same dimension so it wasn't a fair comparison.

Anyway, the halfa had spent a couple of days "haunting" Gotham. The place was too leggy and they needed a little excitement in their lives. Of course, this led to some rumors about a spirit suffering or something similar, he didn't really care.

The "heroes" of Gotham didn't seem to share his opinion, going through all the places that had been "attacked" (they were just jokes) and looking for some explanation before calling Justice League Dark, Danny had fun scaring them a little in the process.

But he wasn't too interested in being exorcised, banished or whatever they did with rebel ghosts, so he settled on a mansion that was too big for its few inhabitants. Scaring billionaires was almost therapeutic, although the butler didn't seem too impressed by his (minimal) efforts.

[soratsuart]

Martlet's Attack

Martlet throwing random stuff at you caught me completely off-guard, so I had to make an artistic rendition of what happened. Bonus:

Judgemental Flowey my beloved

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[pan-gya]

some fate arts from the past year that i never posted 👍

[phoenixyfriend]

something something one of those those "Jango falls for Courtesan/Stripper/NightclubSinger/TrophyWife!Obi-Wan" AUs...

But instead Obi-Wan actually being a sex worker, he's undercover and still a Jedi, and either:

They split ways and run into each other a few months later with Obi-Wan in full Prude Beige Knight mode OR

The situation goes pear-shaped while they're still flirting and Obi-Wan has to break cover to grab a senator and jump out a window and suddenly this half-dressed glittery Person is batting away shots with a lightsaber and there's a bratty twelve-year-old who ALSO has a lightsaber threatening people with I Will Eat Your Liver if they keep staring at his dad's ass just because the sequined sheathe dress tore in a sexy place

[fauvester]

ENOUGH with the cat themed pet names he is SUFFERING

[cowardlykrow]

"That is where you are wrong, my boy!"

@ratb4stard3 and I deliver another Cowardlyghostbro's(™) collab ✨💛

[willowser]

not to be so disgusting and gross about gojo on the dash but i think he's such a flirty, teasing idiot that, when you show him genuine and true affection, he goes all somber and quiet.

like you come up to him after dinner and stand on your tip-toes and hug him for no reason, give him a fat kiss on the cheek for no reason, and he just — lets you. doesn't say anything, just kind of hums and lightly places his hands on your hips, so gently you might not even know they're there. you tell him, "i love you, thank you for eating with me," and he presses his mouth to the top of your head, lips squished, and says it back, but there's no jokes, no teasing remarks. he just allows himself to be weak and to bask in it, for as long as he can.

[xxplastic-cubexx]

cant stop thinkin bout charles and erik readin together on the couch but instead of reading with him charles is listening to eriks thoughts while he reads. Live mind commentary ……..