#it was also in the context of me getting a character in a game on which i don't spend money and don't pull on every banner

[oathkeeper-of-tarth]

Time for a long Aylin ramble, because I haven't indulged in a while.

I'm actually really invested in Aylin being an aasimar! I do not think it is a misnomer or mistake, as I've seen people suggest. She was referred to as a celestial explicitly in some older builds of the game, but this was changed at some point during development. And I noted aasimar enjoyer Oath, quelle surprise prefer it this way for a variety of reasons. Primarily, I think, because it lets her be larger than life, have a touch of that other-worldliness and otherness, while keeping her very much "of this world" still, very (physically and otherwise) present and part of the prime material plane, and ultimately far more human than I believe even she herself would sometimes like to be.

To bring up the most basic and rules/mechanics-bound "creature type" level of categorisation, as an aasimar she is a humanoid, and not a celestial - outsider. Her outsider status is absolutely there and a goldmine of things to explore, but that's a different post sitting in my drafts for far too long that I'll get around to one of these days (but for now you should read this post that I love). Yes, she is in a very real sense above it all, she will outlast everyone around her and whatever she gets involved with. We also get to see her dramatic poetic archaic speech idiosyncrasies (Ho!), her odd sense of the passage of time, and, of course, her oft-discussed and joked about apparent lack of filter or regard for current social graces.

(Endlessly amused at her just going: I'll do it when my mum tells me to.)

All things combined, Aylin feels more like a being of two worlds to me than a guest visiting this one, even as she is called the emissary of a goddess. She embodies a blending and an odd balancing act between the lofty divine and the mundane, duty and preordained purpose and personhood, and touches on the many ways this balance can be tipped. A classic D&D aasimar struggle, really, and a well I am happy to keep returning to.

Balthazar: She was a unique specimen even before I began my work. Aasimar. A god's blood united with mortal flesh.

She honestly isn't even that far from a regular aasimar stat- and ability-wise - Aylin does have several special abilities, but these are flavoured as blessings from her divine mother instead of an inherent property of her as a creature - though, notably, Aylin herself at one point claims she is always reborn because "it is [her] nature".

“Blessed with the favour of a goddess, Nightsong cannot be permanently killed. When unconscious, at the start of her turn she recovers 1 hit point.” “Nightsong will be resurrected by the powers of Selûne whenever she dies.”

Importantly, she does not get to reincarnate, or get a new body, or flit away to her "home plane" or anything like what celestials get to do. She is anchored to this one physical existence (again, very human of her), tied and limited to this one body as it painstakingly repairs itself over and over and over (to a sometimes extreme extent, e.g. the all but outright stated regrowing of amputated body parts in a frankly horrifying context), insistently and indomitably but ultimately imperfectly. And I think that's part of why the kintsugi design drives me utterly wild, why her immortality setup is more interesting to me than, say, a mutant healing factor, or something like the characters in The Old Guard. Her history is pretty literally engraved on her skin, and when she, in the role of a power-granting artefact and the object of a ritual sacrifice, tells you she will feel every wound you inflict upon her, it is so easy to believe her. And I'm not even that invested in physical suffering, just that it means it's all still very palpably there, forever, and she doesn't get to magically restart with a clean slate in this sense, nor does she get to forget past lifetimes as some creatures like devas do. It's just a flavour of immortality I personally find far more engaging than most.

(I mean, yes, I am also a known hurt/comfort sucker and if you're going there in order to set up a scene where she's, I dunno, getting doted on by Isobel who's invented new scar tissue pain relief massage techniques, you know I'm going to be all over that.)

I'm also not sure I'd say she can just pop over to Argentil to hang out with her mum at will. I mean, planeshifting is not that hard to achieve, and also she can just… ask Selûne, ultimately, I guess. But I wouldn't say she has spent much time there, and I think she takes her role as Selûne's champion and representative in the Realms too seriously and too much to heart to be away from them for very long.

Which also calls to mind the issue of the obvious and "simple" answer to Isobel's eventual death - namely that with Isobel picked up as a petitioner soul they'll all just go live out the better part of an eternity in Selûne's realm. Probably in some form they will - it's never guaranteed, but this time, yeah, probably something like that will happen, and there will be, as Melodia says, no loss, only temporary separation. But I'm really not into just handwaving or stripping away most of the mortal/immortal pairing issues inherent in the relationship. If we're going for the "hang out in a different plane of existence forever" option, I think at one point Aylin would have to "complete" her duties and lay down her sword, in a way, and pick between Faerûn and the Gates of the Moon - meaning she herself is effectively moving on to a completely new phase of her existence as well.

And while Selûne carving a lovely marble statue and bringing it to life and similar takes are fun and beautiful and interesting, I'm very invested in an Aylin who was born, raised, and had to actually grow up and learn and be trained. I have a ton of headcanons of Aylin being a weird glowy baby at some point (with all the Disney's Hercules jokes I've seen folks make, of course), being entrusted to a series of Selûnite enclaves and temples and cloisters, hounded by Shar and her agents pretty much all her life.

(Neither here nor there, but Aylin also comes off as a fairly "young" immortal to me - note that I am basing this on absolutely nothing but a general impression and there's no actual hint anywhere about how old she really is. Just vibes.)

To finish up, I'd like to shout out Isobel, and the big humanising factor she is presented as. For instance, a very concrete bit of motivation for Aylin to eventually "humanise" her perception of time, if nothing else.

Aylin without Isobel is horribly depressing to me mostly because she seems to distance herself from her humanity and err on the side of holy duty (see: her epilogue letter, ouch). And Isobel is definitely the person who (invaluably, imo) explicitly and consistently insists on Aylin's humanity and personhood, who cares for her as a woman and not a divine weapon, who actually treats her well-being as a priority, and who understands her so very well and so deeply. Who does acknowledge the gloriously resplendent Dame Aylin, daughter of the Moonmaiden herself in all her awe-inspiring presence and occasionally amusing foibles, but who never fails to look past the titles and fronts even Aylin herself is so keen to put up, and focus on what lies behind it all.

A moment that sticks out to me in particular is her bemoaning Aylin's disregard for her own safety, then actually getting very angry if you suggest Lorroakan can't hurt Aylin:

Isobel: Even after all she's been through, she thinks herself unstoppable - invincible. It all feels like recklessness to me. Player: Lorroakan can't harm her. Have faith. Isobel: He can harm her. Just as Ketheric did. She'll survive it, but she can suffer like any of us - and for longer.

Using Isobel's words verbatim is a good conclusion to my thoughts here, I think: the truth of Aylin being "singular among us all" coexisting with all the ways Aylin is "just like any of us".

And now I'll pay the cute Aylin screenshot tax one last time.

[avianconcept]

Agency, value systems, and growth: the fate of the Perfect Court tattoos.

Been thinking about the Perfect Court tattoos today, and I’ve finally decided what I personally hope happens to Jean’s. I know there's a lot of discussion about a cover up like Kevin’s, suggestions like a flower, a sun, a fleur-de-lis; and I see that, but I raise you: he gets it completely removed. 

I think it has something to do with what the tattoos mean to each character. More specifically, how each character got them, and what that means to them. Most of this comes from a quote I found on my last re-read of TKM: 

The first time someone asked about Riko’s and Kevin’s tattoos, Riko hadn’t beat around the bush. He was the best striker in the game, he said, and he wanted everyone to know it. The story changed a little when Jean made his first public appearance with a “3” on his face. Riko was supposedly handpicking the future US National Team. He called it the ‘perfect Court’, and even though it was unofficial and unbelievably arrogant, his talent and upbringing gave some credibility to the idea. ‘

According to Neil in the first book, Riko and Kevin had been sharpie-ing on their numbers since they were children. This quote adds some more crucial context to that. It establishes that Riko and Kevin’s 1 and 2 came before the perfect court, and that the perfect court was what Riko decided their 1 and 2 (and newly minted 3) meant. This bit is what changed it for me, I think. 

Riko and Kevin are both referred to as the sons of exy. Both are heirs to the game, Riko through his uncle and Kevin through his mother. They do it to signal their place in the world of exy– heirs, future best in the game, destined for greatness. And then Jean comes along, and Riko changes the narrative. He comes up with the perfect court, and tells the world. The perfect court are his chosen players (read: his property). It furthers his control and possession of Kevin, who is allowed to be excellent, just not better than Riko. Kevin can be good, he just has to be good Riko’s way, subscribe to RIko’s model of success. 

Riko dies with his tattoo on his face. He dies clinging onto the idea of the perfect court, that he is the best, and that the only way to be the best is through pain and abuse. There is no real change for Riko in the series, so it fits that the way he’s marked himself (read: the way he defines himself) doesn’t change either. 

Kevin gets his covered up with the infamous chess piece. For Kevin, the challenge is reclaiming the sport that is also his birthright. He is physically free of Riko and Tetsuji, but mentally, he isn’t. Even with states between them and a new team, he is still understandably afraid of standing up to Riko. It goes against the status quo that has been beaten into him, and it takes him a while to be able to fully leave them and their limits behind. What holds Kevin back is that his greatness has always been defined. It has been defined by Riko, upheld by Tetsuji. He can be second best, a Raven, a prince to Riko’s King. Kevin changes his tattoo right before the final game– in order to beat Riko, he has to first reject Riko’s hierarchy, the limiting belief that was forced onto him that Riko was best, Riko was king. To me, its extremely fitting that Kevin’s evolution involved him putting his own mark on his talent. Instead of challenging Riko for ‘King’, or for that 1, he invents his own symbol. For Kevin, it's a reclamation of a game that was always partially his– just on his terms now. 

Neil’s tattoo gets burnt off by his father’s henchmen. This also fits well in my mind, because in my opinion, Neil’s number one challenge wasn’t actually Riko. Riko was Neil’s adversary, but Neil’s true terror was his father. The tattoos and their removal/evolution appear to be symbolic of the character’s growth, so it makes sense that Neil’s wasn’t on his face for long, and was taken off by (basically) his father. Each of the perfect court members had something keeping them trapped, things that wouldn’t let them grow into who they were supposed to be. Riko’s was the wound of his fathers rejection, and the toxicity created and maintained by Tetsuji. Kevin’s was Riko, and by extension Tetsuji. Neil’s is his father. Unlike Kevin, Neil’s not trying to be the best exy player in the sport. The sport makes him feel less like no one and nothing, and his continued playing is an expression of his will to live and his desire for personhood and a future. Neil wants better than what he has at the beginning of TFC, and the thing keeping him from that isn’t Riko. Sure, Riko is connected to the Moriyamas, and Ichirou owns his contract now, and Neil fights with Riko a lot. But to me, the thing that caused him real terror and stripped him of his personhood and autonomy was Nathan. Riko branded him with the 4, and Nathan’s people took it off, as if to say, “No, Riko isn’t who you have to reckon with, it’s me.” Neil’s internal fight was with being the butcher’s son, not with being number four. 

Jean’s situation is best described by a line in the EC– Jean never asked for this. 

In his own words, he loved exy, and was excited for what he thought was an opportunity to improve, but it doesn’t seem like he was ever vying for greatness. Then his father sold him, he was given the 3, and he was made perfect court. 

Much like Neil, didn’t have a say in his involvement. Unlike Neil, Jean adopts the mentality and hierarchy of the perfect court as his truth. Riko’s estimation of his value becomes his own. 

For Jean, the 3 has a lot to do with pain and self worth. In TSC, the only time Jean speaks positively about himself is when he calls himself perfect court, or when he talks about himself as a backliner. He has been conditioned that the only place he has worth is on the court. Nothing is important about him, just about what he is, the position he occupies. Where his personhood and bodily autonomy is denied over and over, his talent cannot be denied on the court. He is allowed to matter on the court, and nowhere else. In a sense, that 3 becomes the only thing about him that could be his. 

The other thing about the 3 is that he didn’t ask for it, but he has bled for it. So much of his relationship with the Ravens is defined by his rank.  Even though the Ravens do not like Jean as a person, they want to be his partner, to have that 4. The reason someone protects Jean from repeated sexual assault is that 3, and how it could lead to a 4. This is why Zane strikes a deal with him, why Grayson goes all the way to the Gold Court to hurt him. It is what the sexual assault from the backliners is blamed on. The 3 was given to Jean as a mark of something he didn't ask to be a part of, and then he was forced to fight tooth and nail to keep it.  It became the defining part of his identity because he wasn’t allowed to have anything else. He wasn’t even allowed to have his name. 

In my opinion, I think that the ultimate expression of Jean’s growth would be to take the tattoo off. He doesn’t have to subscribe to that value system. Covering it would feel like half assing it. He can change it, but he has to keep a tattoo of some sort, because Riko put one there. 

Note that I don’t think of the cover up the same way for Kevin. For Kevin, exy was likely always going to be important to him, with Kayleigh as his mother. He is inheriting it, same way Riko is, and this inheritance is symbolized by that 1 and 2. Kevin wanted to be the best, and so the ultimate expression of his healing is him becoming the best his way. Jean has his tattoo because he is seen as an object, a talent investment belonging to the Moriyamas. What is a limit for Kevin is a brand for Jean. 

For Jean, I think true freedom wouldn’t be freedom to be the best, it would be not having to be the best. It would be not having exy be the most important thing in his life. To not need to defend something he didn’t want. I hope he becomes so sure of his worth in the world, and so sure of his own autonomy that he doesn’t need the 3 to tell him he’s worth something. I hope he realizes that he is his own before he is anyone else's, and doesn’t need to carry around a value that someone else gave him.  

In TSC, the legacy, abuse, and dehumanization of the Nest is killing Ravens as soon as the Nest is taken away. Without the strict environment and the imposed value systems the Nest and team gave them, the Ravens crumple. They seem to feel they can't go back (I suspect that whether ‘back’ means back to their old lives or back to the Nest is different for every Raven), and that death is their better option. Ravens don’t seem to be meant to survive outside the Nest. It is designed to be all consuming. Jean doesn’t know who he is if he isn’t a Raven, if he isn’t perfect court, if he isn’t ‘3’ anymore. To live again, he has to leave the perfect court and its poison behind. He has to learn himself again, to rebuild and repair and create out of nothing. 

Neil says it about Grayson, that he could have chosen to walk away from Riko’s poisoned legacy, but it applies to all Ravens. To survive, to live a life worth living, they have to chose to fight their way out of that kind of thinking. Taking the tattoo off feels like him choosing to leave the Nest behind. Jean taking it off represents him shedding that entire ideology. No three, no expectation, just him and whoever he wants to be. 

In short, the toxicity that the perfect court represented killed Riko with its symbol still on his face. 

The Moriyama’s never really owned Neil, and they weren’t who he had to overcome. The tattoo was never going to be around long. 

Kevin was held back from his birthright. His potential was conditional, and there was a leash on him. He needed to reclaim the game that would always be his, mark himself in his own image. 

Jean needs to see himself as a person beyond his place on the court. He needs to walk away from the perfect court ideology and reclaim himself, with no one’s mark on him. 

[poorly-drawn-mdzs]

The Quest Continues...

(part 1- part 2)

[fragmentedblade]

The "Dan Heng is Dan Feng" dogmatics annoy me a lot. It entirely brushes off one of the most interesting and prevalent questions posed by the game, incarnated by several characters and stories that give the question different hues with different potential answers, and a constant also in HI3, like a thread waving the two games together

[n4tsum1-san]

@kiqilinn ASGDHDGHGHGH UR SO SWEET HERE YOU GO (spoilers out of context below the cut)

[metanarrates]

watched a majora's mask analysis earlier today with my fiancee. my verdict is that I actually really enjoyed the op's interpretations, but that I wished that they talked more about mm's literal level and what one can get from it, rather than talking about those events as if they are strictly metaphor. yes, of course the metaphorical layer of the game is rich to dig into, but it's also such an open-ended and surreal game that it's difficult to nail down every single distinct metaphor that can be derived from its events. which is why I consider it necessary to discuss the way the literal layer presents itself and what sort of motifs and ideas exist there as a baseline before you begin looking at it as metaphor

[moe-broey]

Moe's last braincell aka Mani (it/its)

Inspo post:

[asklesbianonceler]

I have not posted any of my analysis to reddit yet and I think I might just post it and ghost it. I've already spent too much time looking at other people's threads on there to feel any way good about interacting with folks.

I already went in an added the "I know you're going to bring this up let me save you the time" section which is exclusively touching on the frequent topics of:

"well what about the fingerprint nostrum and finger mimics? He is clearly just a crackpot"

And

"it's definitely some weird elaborate sacrifice to Metyr thing"

[sysig]

Having fun, more and more! (Patreon)

[sonknuxadow]

potential sonic 3 spoilers incoming if anyone cares. anyway . apparently there was an official survey about the knuckles show/scu in general and one of the questions was about what name you would use for an eggman/shadow/gerald teamup. which is a weirdly specific question. and also one of the name options was team dark …….. ?? even though rouge isnt mentioned in the question and theres no sign of her being in the next movie in general ? i was willing to accept amy being introduced a little after knuckles and tails but between there still being no sign of her being in the next movie and now this if they actually have gerald time travel or something and have him be the third member of the dark story trio instead of rouge then i will be fully convinced that theyre going out of their way to exclude as many already existing girl characters as possible. like i get cgi is expensive which could be part of the reason rouge might not have made the cut. but damn . assuming this is real anyway it could just be another fake leak but idk

[heretolurkandnothingmore]

i wish it were possible to pause cutscenes

[rintoki]

genuinely wondering why some players play genshin if not for fun… like it’s literally a game it’s not that serious….

[poorly-drawn-mdzs]

Reasons to play In Stars and Time: Canon Pronoun Warfare.

[shiresome]

I drew this in 10 minutes on my phone

HAHAHAAA OH MY GOD WAIT WAIT I RAISE YOU THIS

[ofweave]

periodic disclaimer that any mystra bashing on this blog is a joke and as far as forgotten realms lore goes i find her an interesting and enjoyable character. i would go as far as classify myself as a mystra enjoyer (although i do find her portrayal and presence in bg3 weak but thats not here nor there).

she is, still, the villain of gale's (back)story very specifically. i find it annoying that people who view it that way or who are critical of the relationship between her and gale (in a 'it was not a healthy good relationship' sense not in the sense that it shouldnt exist in the text because what) are labelled as hysterical and jealous mystra-hating fangirls ??? i mean ????? huh ????? whuh ????

[icewindandboringhorror]

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