#it was a pain tagging all of them

[harukapologist]

I forgof how to color . but i wanted to draw some colored sketches of my favs (excluding kazui im sorry old man there wasnt enough space)

I shaded with their image colors. (Haruka: ultramarine blue, Mikoto: blue-gray, Amane: turquoise, Fuuta: scarlet, Muu: lemon yellow, Mahiru: bitter orange)

[mossy-paws]

these fuckass robots that I hate /aff (Ultrakill x PHIGHTING!)

the girls are PHIGHTING! again

[bubblyernie]

Bro was rent asunder. Thanks for all the requests guys!! We're SOOOO BACK

art tag // commission info

[archiepelago]

alternate surface au inspired by a few ive seen around on tumblr :3

[cosmicredcadet]

I don't think a lot of people realize that lot of their advice to disabled people often boils down to "Get over it." they are trying to be helpful but their idea of helpful is "Just do the thing" because that's what they do. for them they just do things. It comes naturally to just do it.

They don't know how to bridge the gap between you and the task. For them the bridge is already pre-built and stable. For disabled people the bridge is run down, not well kept, it feels unsteady and is hard to get across without being slow and cautious - hell for some people there is no bridge and we need to build it ourselves but we don't have the bridge building tools and no one gives them to us.

"Just cross the bridge." They say before walking over their pre-built bridge. They never gave you the tools to build a bridge to cross.

[poorly-drawn-mdzs]

While you were fighting in the war, I was falling in a pit.

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[raindropsonwhiskers]

48 x 48 (ish) pixel art icons of the VtM clans! I'm planning to maybe cross-stitch them all, and I figured I'd put them out here in case people have some use for them

[stark-lord]

Constantly plagued with thoughts of Edwin now knowing he enjoys being courted and Charles (compulsive charmer) with a whole new arsenal up his sleeve (laser focus on Monty’s whole deal)

“I mean, my smile is prett-y convincing” yeah yeah okay I can see where this is heading. Outlook not so good (for me)

[anemonet]

pro tip: you can always put the bugs in little outfits :thumbsup:

[wistfullywaiting2]

The biggest misconception in the bsd fandom ever to me is people constantly portraying Atsushi as someone who trauma dumps excessively when he canonically barely talks about it at all.

The entire point is that Atsushi does not talk about his trauma he’s just constantly reliving it. He can’t escape the memories of his past so he tries not to acknowledge them.

He only mentions it when asked, either directly or when someone asks him to explain himself.

Atsushi doesn’t even give a cohesive explanation for what he saw while under Dogra Magra, he just apologizes to Haruno and Naomi.

If Lucy hadn’t had her whole “you’ve never suffered the way I have” spiel then I doubt even the audience would’ve gotten to find out about his scars

If Akutagawa never asked him how it felt for the orphanage headmaster to die Atsushi would have never told him that he’s been hallucinating.

In the omake where Kyoka asks him why his hair is like that it’s clear he wouldn’t have told her that unless she had asked.

In 55 minutes Atsushi very briefly mentions sleeping on a dirty floor somewhere to Kunikida because he was trying to explain and justify his behavior.

And the thing is there are scenes that implies the other characters see Atsushi behaving strangely and are visibly confused because they do not understand what’s wrong with him.

Remember, we as an audience get to see things about characters that the main cast doesn’t. Just because we see into Atsushi’s mind doesn’t mean the other characters know what’s going on in there.

[rbtlvr]

anyway i think a lot about this. one of the options you can answer when they ask who you think they are. i think about this and i think about the fact that they asked that question in the first place and that they deny every single answer EXCEPT the correct one (and ghost. sort of)

i think about how the only thing they are, the only thing the universe has allowed them to be anymore is 'helpful loop'. i think about this answer and the way it implies that siffrin only sees them as 'helpful loop', only cares about them being 'helpful loop', doesnt care enough to look deeper because hey, theyre helping him, isnt that what matters? theyre helpful loop. nothing more. thats the only thing siffrin wants them to be. thats the only thing siffrin wants to see

[isawjamfirst]

more post-julai stryfewood from yours truly

[gunstellations]

itll be alright

[seagullcharmer]

more headcanons :-)

[unowneyenon]

I saw a post on here back a little while ago claiming that Stanford built the shack in Bill’s image when they knew each other (or something like that!) and that’s why there are so many triangle & pyramid motifs built into the shack. I think that idea’s really interesting, but there’s one problem; it’s impossible based on the journal three timeline.

according to this timeline in journal three, ford came to gravity falls in 1975, a good 6 years before he first met bill. so, using his grant money, he built the shack and all of the triangle and pyramid things inside…for some reason. why?????

ok so hear me out if it’s IMPOSSIBLE for ford to have known bill when the shack was built, maybe ford somehow knew him in a…subconscious way?? the image above is from TBOB, and it seems like from a young age ford was already interested in yellow floating triangles; and while this could totally just be foreshadowing, what if it implies some kind of …fate-related thing? something something ford was just MEANT to meet bill by some predetermined twisted fate created by the universe & that fate of them meeting was also subconsciously the thing that made ford research all that is strange & weird, thus making him end up in gravity falls???? i’m not sure how to put this into words! but just based on the shack triangle stuff and the photo, there’s just something there that screams that bill was and always has been subconsciously in ford’s thoughts and they were always meant to meet in this universe for better or for worse (it’s for worse)???????

edit: hey it’s five am and it has now come to my attention that he could have probably just remodeled/somehow made his own stained glass windows & such, BUUUT it’s still a personal theory that there is some kind of fate thing going on with ford and bill, & REALLY holding onto that theory with how ford was mesmerized by that kind of stuff at straight up infancy….hmmm time for bed for me

[the-crooked-library]

opened tiktok (mistake number one, i know) and immediately saw someone saying that Thomas Hutter subverts the "disbelieving husband" trope which... listen i love a thoroughly pathetic mess of a man myself and i get that Ellen's other option is a 400yo evil corpse, but can we please not give him credit for things he didn't do?..

the literal inciting incident of the story is that Thomas DOESN'T listen to Ellen. he doesn't believe her. she tells him that she's got a bad feeling about this trip, begs him not to go, tells him about her nightmare - and what does he do? he calls it a childish fantasy, tells her to stop worrying, and implies that she would benefit from talking to a doctor. saying shit softly doesn't make it any less dismissive or insulting, like i'm sorry but this is peak Disbelieving Husband in a Horror Movie behaviour. he only changed his mind once Orlok put him through the horrors himself, which is also a perfectly standard thing for a Disbelieving Husband to do in the second act. furthermore, from the beginning of the film, he neglects Ellen's emotional needs, is uncomfortable with her abnormalities, and doesn't even really know what sort of gifts she likes - and again, these are all standard flaws for a Disbelieving Husband to exhibit. they're indicative of a disconnect between him and his wife that he continuously refuses to bridge.

caring for someone doesn't mean you can't neglect or harm them, and that applies to everyone - including Normal People like Thomas, like Harding, like Sievers, like the viewer; and that's the point of the film