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jazy3 · 3 years ago

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Free Guy Review

!!!SPOILERS AHEAD!!!

If you haven’t seen the movie Free Guy (2021) stop reading right now! Drop what you’re doing and go get yourself a ticket! You’ll thank me later!

I loved this movie! I saw it this weekend for the second time because it’s that good! I first saw the trailer on YouTube a while back and then when theatres reopened a few weeks ago I saw the trailer again and my interest was piqued. I had high hopes for this movie based on the fun looking trailer, the premise, the cast, and the sense of fun and escapism that the movie seemed to embody and it did not disappoint. It’s always nice when you have high hopes for something and it meets or exceeds your expectations.

Free Guy is just such a fun and joyous movie. Never taking itself too seriously, packed with lots of heart, cool cameos, full of gaming and pop culture references, and it’s fueled by a unique concept that is well executed. There are just so many things I loved about this movie! It was a ton of fun to watch and the actors clearly had a blast making it. During the movie I kept trying to figure out where I knew most of the actors from but couldn’t place them. When I got home, I googled it and I instantly realized why. The roles are just so different and the actors embody their characters so completely you lose yourself in the film and get completely sucked in. I was honestly so surprised when I figured out what I knew most of the actors from because the roles that they’re known for are so different from their characters in the movie. Their appearances, established ages, and even the accents are so different that I literally did a double take, but that’s what makes the movie so good! Because the main actors obviously didn’t need the paycheque they were just there to have fun and it shows. I think if the situation had been different and the actors involved had been desperate for money or took the role for some other reason it wouldn’t have worked. The film would have come off as cheesy, forced, cringeworthy, or just plain bad. Free Guy is none of those things. The film stars Ryan Reynolds as ‘Guy’ a bank teller in a video game called Free City, Jodie Comer whose best known for playing Villanelle in Killing Eve as programmer Millie Rusk and her avatar Molotov Girl, Joe Keery whose best known for playing Steve Harrington in Stranger Things as programmer Walter ‘Keys’ McKey, and Taika Waititi whose best known for playing Viago in What We Do in the Shadows as the Head of Soonami Studios and the film’s main antagonist and villain Antwan. Rounding out the cast are Utkarsh Ambudka as programmer Mouser and Lil Rel Howery as Guy’s best friend and bank security guard Buddy. In a nutshell, Free Guy is about a bank teller named Guy who finds out he’s a non-playable background character (NPC) in an open-world Grand Theft Auto style video game called Free City. Guy becomes the hero of his own story after meeting Millie, the girl of his dreams, and winning fans all over the world by racking up points by being the good guy and helping others. After leveling up and helping Millie escape a dangerous situation in the game, Guy wins her over and she falls for him thinking that he’s another player. But when the world that Guy knows and all of the people in it are threatened, he teams up with Millie to save his friends before it’s too late. In the real world, Millie enlists the help of her former programming partner and best friend Keys in a race against time to stop their code and all of the sentient characters from Free City from being deleted by Antwan the developer who stole their code when the game’s sequel launches. I love that the movie had a unique premise and didn’t overcomplicate things. There are so many movies that I’ve gone to see over the last few years with such excitement only to be disappointed. For example, I loved Wreck It Ralph, but was so disappointed by its sequel Ralph Breaks the Internet. The trailers made it seem like it would take the premise of the first movie and move things into the online gaming world, and I was excited for that. Instead, the sequel left the premise of the first movie behind entirely and way over complicated the plot and the end result was extremely cheesy and disappointing. Free Guy’s strength is that it’s a self-aware movie made by self-aware people who are excellent at what they do. The movie doesn't take itself too seriously, nor should it, and that allows the story to flow and the characters to feel real and genuine. The movie achieves that perfect balance between being entertaining and telling a cohesive and important story because while the movie never takes itself too seriously the people behind it are serious about what they do. This was very clearly a passion project for all involved, especially Ryan Reynolds, and it shows! As he’s spoken about in interviews and on Twitter, Reynolds called on a lot of his friends to be in Free Guy and help him out and the end result was fantastic! I loved all of the cameos! The Chris Evans cameo was by far the funniest and the Alex Trebek cameo got me right in the feels. When I saw the movie in theatres me and everyone else in the theatre gave a collective “awww” when he appeared on screen. Enlisting real YouTubers to show up as fictional versions of themselves to talk about Blue Shirt Guy’s popularity was a nice touch and you’ve also got blink and you miss it voice cameos by John Krasinski, Dwyane The Rock Johnson, Hugh Jackman, and Tina Fey. Channing Tatum appears as the avatar of player Revenjamin Buttons which for the most part was hilarious. One of my few criticisms of the film is that they went a bit overboard the avatar’s antics as Guy and Buddy are attempting to leave and it got bit a cringeworthy. But I know other people found it hilarious so to each their own. I love all of the little details and references in the movie. Just listing them all would be a post in itself. If you’re someone that loves pop culture references and Easter Eggs this is the movie for you. The characters are fun and believable, and you get attached to them quickly. The actors commit completely to their roles which is makes the humour, romance, and heartfelt emotion of the film work. You buy it. 100%. Something that I absolutely loved was that the characters felt realistic and that the dialogue, attire, and settings for each character really felt authentic. I can’t tell you how many times I’ve watched a movie or TV show and walked away thinking, “The person who wrote that clearly never meet a kid, teenager, or twenty something in their life! That was so unrealistic.” The slang’s all wrong. The dialogue is so eloquent everyone sounds like they did Shakespeare in the Park last summer. You walk away thinking, “What the hell was that? No one talks that way!” What I loved about the characters in Free Guy is that they felt like real people you could actually run into or walk past on the street. I’ve read in interviews that in addition to the written dialogue the cast did a lot of ad-libbing and improvisation and the end result is both hilarious and relatable. The dialogue feels real because it is. The big exception to this of course is Antwan who is altogether off the wall and ridiculous. Antwan is such an outrageous, absurd, vulgar, and cartoonish character. He’s so fun to watch and the actors clearly had a lot of fun with his scenes! I’ve read that a lot of his lines with Keys and Mouser were improvised and I believe it. When he goes all Jack Nicholson on the servers? Lord. He’s such a great villain to watch. The characters that are established to be in their twenties like Millie, Keys, Mouser, and the other employees at Soonami Studios talk, act, and dress like they’re in their twenties. The actors that are in their forties are styled to look like they’re in their thirties and honestly, they’re in such great shape it works! I mean I was honestly shocked to find out Taika Waititi’s real age. I love how the costuming really fits each character and allows you to learn more about them. Keys’ clothing is your typical gamer chic which makes because as we learn from his interview with Millie coding is his life and what gets him up in the morning. From Mouser’s clothing we learn that he’s a sports fan, but also isn’t afraid to take risks like with that blazer ensemble he wears in his final scene at Millie’s apartment.

Millie’s clothing shows the contrast between her and her avatar Molotov Girl, and Antwan’s ridiculous coat enhances the overall wackiness of his character. Guy’s clothing tells us something too. He wears the same thing every day until he meets Millie in the game at which point, he starts deviated from his Free City programming and chooses a different blue shirt. I also really love that they put thought into why Keys needs to wear glasses. Something I noticed on rewatch is that Keys is far sighted which is why he has his glasses on when he’s looking at his laptop or computer and sometimes when’s talking to other people, but not when he goes to see Millie at her apartment or when he goes to get them coffee at the end of the movie. Another interesting aspect of Keys’ character that I noticed on rewatch is self-confidence is really something he struggles with in contrast to Millie and Mouser who are very confident. Millie is a genius programmer and Mouser is excellent at what he does, and they are both very confident in their coding abilities, but Keys isn’t despite being every bit the genius that Millie is. At the beginning of the movie when they first notice the issue with Guy Mouser jokes that Keys needs to be better at his job. In response Keys meekly says he thinks he’s pretty good at his job and trails off at the end. Mouser is just joking around, but because Keys lacks self-confidence comments like that hit him hard. Mouser is moving towards his own desk as he talks so he doesn’t notice how self-deprecating and uneasy Keys’ response is. In the interview from the indie games conference that Millie plays for Keys at his apartment, he brushes off the interviewers comment that he’s a genius and says Millie is the real genius because she created the AI engine and he just wrote the code to make it work. Later on, when Keys helps Millie get into the stash house, she calls him a genius and he tells her that as he’s currently sitting on a toilet stealing user code he doesn’t exactly feel like one. Millie responds offhandedly that he never does, but luckily, she knows better. When Keys realizes that Millie was right, and that Antwan did steal their code and their game worked he tells Millie they need to celebrate because once everyone sees their build she’ll be celebrated and she could win a noble prize. Both Millie and Keys are geniuses in their own right. The game wouldn’t have worked without both of their skills and Guy wouldn’t have come to life without both of them working together. Millie’s AI engine made his sentience possible, but Keys is the one who gave him hopes and dreams so that when he met Millie in the game, he came alive. When done right the settings we see tell the story just as much as the characters do and I love how realistic the settings in Free Guy look. The floor at Soonami Studios where Keys and Mouser work looks like a real office and I love that the desks have clutter and personal effects on them like real cubicles do and that they show Keys taking a box of his stuff with him as he leaves. The lobby with the moving water videos and Antwan’s massive but largely empty office fits perfectly with the obnoxious, zany, and over the top character that he is. I also love the contrast between Keys and Millie’s apartments and how those settings tell us a lot about each character and where they are in their lives when the film starts. When Keys comes home from work to find that Millie has broken in, we see that he lives in a stylish one bedroom apartment with an open concept kitchen full of stainless steel appliances, a large living room centred around an expensive wall mounted TV and entertainment system, with his computer and gaming station set up in the corner. On the walls we see artful clusters of black picture frames, through a partially open door we see a bedroom off to the side, the apartment is full of black and white furniture including a plush couch and nice lamps, and features a textured silver accent wall. All of which makes the fact that Millie managed to break in even more impressive because it is clearly an expensive apartment in a nice building. Keys’ style is minimalist and upper scale and based on what we learn about the events that took place before the start of the movie this indicates that Keys got the apartment and all of the nice stuff in it using the money he received when Antwan bought his and Millie’s game. In contrast, Millie lives in a bachelor apartment and spends her time in coffee shops ordering one single black coffee over four hours. This tells us that she kept her original apartment that she had from before the game was sold and is living off the money she got from the sale while she spends all of her time trying to find the proof she needs to win her lawsuit. When we see Millie’s place, we find that it’s cozy, full of plants, throw rugs, quilts, and comfy furniture. She’s got a bike in the corner, you can see her bed from the centre of the room where she’s got her computer and gaming station set up adjacent to the coffee table and the rest of the living room furniture. Her kitchen is smaller and full of wooden cabinets and her bathroom door has DIY multicoloured square panels on it. Keys and Millie’s apartments are very different and through these settings we see the contrast between where these characters are in their lives, their wealth, and their personal style. The song ‘Fantasy’ by Mariah Carey is featured heavily in the film and is guaranteed to get stuck in your head in the best way! Jodie Comer’s cover of it is amazing! It fits the moment where Guy makes it to the island that is Millie and Keys’ original build and shows it to the world perfectly. This movie made me appreciate Mariah Carey’s music in a whole new way and I can’t be the only way. After watching the movie, I went looking for the song on Apple Music, wound up listening to the Mariah Carey Essentials Playlist, and I’ve become obsessed. I knew some of her hits, but after listening to her music more I get why people love her so much. Her five octave vocal range is amazing, and her music is just so fun to listen to. The film has a really great soundtrack overall and I’ve had many of its song on repeat since I saw it. Something I really loved about this movie and the reveal at the end that Keys is in love with Millie and is desperate for her to notice, but she’s been oblivious the whole time is that they don’t do the supposedly nice nerdy guy whose really a jerk trope. So many movies do this where you have a nerdy male character whose unluckily love, looked over, or his love is unrequited, and we’re supposed to root for him because he’s a quote “nice guy”. But really, he’s not. He’s a jerk who feels slighted because a woman in his life doesn’t love him back or notice him and he feels as if she owes him something. The scene at Millie’s place where Millie tells Keys he looks cute when he brags, and Mouser encourages him to tell Millie how he feels is super frustrating to watch but it’s so important to Keys’ character. He asks Millie out for coffee and when she turns him down to jump back into the game, he doesn’t make a big deal about it even though Mouser wants him to. Instead he gets up and goes and gets her a coffee anyway. She goes to tell him her order, oblivious to the fact that he’s memorized it, he tells her he remembers, and goes to get the coffee anyway much to Mouser’s and the audience’s dismay. This is big because Keys clearly doesn’t want to be walking down the street by himself to get coffee. He wants to be getting coffee with Millie so that he can tell her how he feels to see if she might feel the same way, but when she turns him down he goes and gets the coffee anyway because he truly loves and cares about her and he values their friendship enough to put his own feelings aside and suffer in silence rather than lose her and what they’ve built. So, he takes the opportunity to get some air rather than continue to sit there in disappointment. Which is why he’s so confused when Millie runs after him and calls out to him from across the street. He doesn’t understand what she’s doing there. She turned down his offer to get a coffee and he already knows her order so why is she there? I love that they chose to make that scene non-verbal. I think if Millie had come out and made some big declaration of love it would have felt cheesy and overdone. But her running after him and silently communicating through her smile and body language that she understood and that she felt the same way was perfect. It was subtle and beautiful and perfectly acted. It also felt realistic to the characters because in real life when you’ve known someone a really long time and you’ve spent a lot of time with them you don’t always need words to convey what you mean. What Millie wanted to express in that scene was so big and so all-encompassing she couldn’t find the words to say everything that she wanted to say so she didn’t. She just stood there and smiled knowing that being the genius that he is he would understand. It’s like Keys says in their interview, words will fail you, but code never does. His coding worked and now she understands so rather than try and say it all and fail she just looks at him and smiles to show him that she finally gets it. She finally understands what he’s been trying to say to her all this time. And you can see the exact moment Keys realizes why she’s there. The moment where he goes from being confused as to what she wants to realizing that she saw the video and she knows how he feels and that she wouldn’t be standing there smiling at him like that if she didn’t feel the same way. When I watched the scene the first time around, I was anxiously clutching my nachos the entire time because when Keys ran towards her my immediate thought was, “Oh my god he’s gonna get hit by a car and they’re never gonna get to be together! Oh my god!” But then he didn’t get hit by a car and Millie ran out to meet him and for the first time in their relationship she met him halfway and they kissed and it was beautiful! I think because Free City had so much violence in it that’s where my mind went and I’m very glad they didn’t go that route. One of my only criticisms about the movie is that I wish they had stayed on Millie and Keys just a little bit longer. They kiss and embrace and then very quickly they cut to black. I wish they’d linger on that moment just a little bit longer because I love those characters so much and in the scene that follows where Guy and Buddy are reunited we see them hug and then walk away together to start their new lives and I wish we’d gotten just a bit more time with Millie and Keys. I also really loved the parallel between the different kinds of relationships within the movie and how platonic relationships are just as important as romantic ones. The reveal at the end about Guy being Keys’ creation and a love letter to Millie and her realizing she’s been loving Keys vicariously through Guy and them finally coming together and being on the same page is beautiful because from the very beginning the movie is full of clues, hints, and foreshadowing that all comes together at the end. Meanwhile, we see the friendship between Guy and Buddy and how important that friendship is to him because it’s something that he created on his own. His love for Millie is born out of the programming that Keys gave him, but his friendship with Buddy is something that Guy created all on his own of his own volition. Which is part of what makes Buddy’s death on the bridge so tragic. I cried when Buddy disappeared. Reynolds and Howery play their characters with such sincerity that his death pacts an emotional punch you don’t expect. I love that the security guards at Soonami are so moved by Buddy’s heroism and are so captivated by what’s happening with the live stream that Millie is able to sneak past them into the server room and stop Antwan from destroying what’s left of the game. Something else I noticed on rewatch is that during the final battle after Millie gets booted from the game and Guy has to fight Dude on his own the glasses he’s wearing are very similar to the ones Keys wears in the movie which I thought was a cool nod to Guy being Keys’ creation. This really is a movie in which you find something new every time you watch it. For instance, the second time around I noticed that the foreshadowing that Keys is in love with Millie, but she’s oblivious to it because she’s so focused on the game was really well done. In the video from the indie game conference that Millie plays for Keys at his apartment when asked by the interviewer about their chemistry Millie responds first and says that their friends, their relationship is completely platonic, and laughs off the idea that they have chemistry. In contrast Keys falters and is silent and then eventually says meekly that they’re just friends. Millie is looking ahead at the interviewer and to the side away from Keys as she’s laughing and so she doesn’t see Keys’ reaction. At the end of the apartment scene after Millie breaks in to ask Keys for his help, he tells Millie he cares about her and he almost says something else. It feels like he’s about to say, ‘I love you’ but then he catches himself and instead tells her that she needs to leave. When Keys visits Millie’s apartment to tell her that she was right and they’re sitting on the couch he reaches out and puts his hand on her knee and then snatches it back when he realizes he’s gotten too close. He wants so desperately to be closer to her and in his excitement, he gets closer than he normally would before realizing that putting his hand on her knee in that close proximity is not a platonic gesture. Millie is so caught up in the realization that Guy, the person she’s fallen in love with, is an AI and not a real person that she doesn’t notice. My heart broke for Keys in that scene as he realized that Millie had fallen for Guy and kissed him and was so upset about it and meanwhile, he was right in front of her desperate for her to see how much he cares. It must have just wrecked him to go home that night and realize that Guy was based on the lovelorn character he created and that Millie had fallen in love with his creation while at the same time being so oblivious to his real world affection for her. In the scene at Millie’s apartment after they’ve gotten the server from Antwan and Mouser encourages Keys to say something, I noticed on rewatch just how weak and meager Keys’ attempt to ask Millie out is. He stumbles his way through asking her to get a coffee and trails off at the end so it’s no wonder Millie doesn’t clue in that he’s trying to ask her out. And in Keys’ defence he sent her a whole video confessing his feelings for her and all of the little things he loves about her and then told her to watch it and he has no idea if she did or not. We the audience know that Millie only saw half of it, but Keys has no idea if she saw none of it, part of it, or all of it. He knows she got Guy to remember, but she’s also sending him mixed messages. One minute she’s saying he’s cute when he brags and the next, she’s turning him down for coffee to talk to Guy. From the outside it’s so obvious that Keys is in love with Millie, but she doesn’t see it because she’s always looking the other way, not paying attention, so caught up in the game, and too focused on their work to see what’s right in front of her. On rewatch one of the big things I noticed is that Keys is always on the edge of telling Millie how he really feels but he always stops himself because she brushes him or the idea off and because he’s scared of what will become of their work and their friendship if she doesn’t feel the same way. It’s a huge leap. If Millie doesn’t feel the same way it’s going to make their relationship incredibly awkward and could potentially destroy their partnership so Keys decides it’s better not to say anything or only hint at how he feels rather than run the risk of ruining everything. Something else I noticed on rewatch is that in the interview they give Keys says he thinks of himself as an author and that code is what gets him up in the morning and that he loves the ones and zeros of binary because words can fail you and let you down but code never does. At the end of the movie when Millie goes to talk to Guy in Free Life he tells her that he loves her and while he knows that’s his programming he’s realized that he’s a love letter to her and that somewhere out there in the real world is the author. Such a great callback. All in all, I can definitely say that Free Guy has been my favourite movie so far this year! Definitely my favourite movie of the summer. I went to see it twice in theatres and I’ve never done that for any other movie before. I’ll rewatch them at home sure, but I’ve never actually paid money to see something twice on my own. I’m very excited to see the sequel and my hope is that it will be just as good as the first. Until next time.

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9worldstales · 3 years ago

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MCU Loki: Why I fear they failed to deliver what they promised

At this point I’m kind of confused by who the “Loki” series is trying to reach or which is the goal/message they’re trying to pass along.

They had tried to intrigue assorted audience but, if you ask me, the series has often failed to deliver what it seemed to promise.

Of course I might be wrong. Or maybe I'm not seeing another type of audience the series aimed and managed to reach.

When the series started I wanted to keep a positive mentality and hope whatever seemed not to work would be fixed along the way or have a reason for existing that I just wasn't seeing because I hadn't seen the full story yet.

However, after 5 episodes I'm starting to lose hope the series will make a genuine effort to reach the fans at whom it seemed to aim.

PART 1 – “LOKI” IS NOT FOR THE OLD FANS WHO PRODUCED META SHOWING HOW HIS TRAUMA DAMAGED HIM

"I think it's the struggle with identity, who you are, who you want to be. I'm really drawn to characters who are fighting for control. Certainly you see that with Loki over the first 10 years of movies, he's out of control at pivotal parts of his life, he was adopted and everything and that manifest itself through anger and spite towards his family." [Loki's Struggle With His Identity Confirmed To Be A Focus Of His Disney+ Series]

What was it about Loki as a character that attracted you? He’s just fun, for one. He has a very playful sense of humor about him. I like how he never quite lets you know what he’s thinking. Beyond that, what I connect to about him is the same thing the legions of fans do, which is his humanity and his vulnerability. This is a guy who—yes, on the one hand, he was the prince of Asgard, seems like a nice life—but his father, in fact, killed his actual birth father, adopted him, lied to him about his heritage and parentage his entire life, he was forced to live in the shadow of his oafish older brother who was born to be king. He’s experienced a lot of trauma, and I think that what he’s looking for is just a little bit of control over his life. Which he feels like maybe he’s never quite had. That’s something I think we can all relate with. [From Loki to Doctor Strange and Star Wars, Michael Waldron Is the New Franchise Whisperer]

Let’s be honest, the audience for the “Loki” series is not really meant to be Marvel movies old time fans who enjoyed “Thor” and “The Avengers”, made countless Meta analyzing Loki’s behaviour and who wanted answers about what happened to Loki prior to “The Avengers” or wanted to see Loki’s family terrible dynamics be discussed, or at least to see explored the wrong dynamics of Loki’s interracial adoption (he’s taken away from his planet, the truth is hidden from him, his look is changed to disguise him as an Asgardian, nothing is done against the racial hate for the Jotuns at which Loki is exposed, even witnessing it from his brother) or talk how much in control of himself Loki was during “The Avengers” (okay, the web said the sceptre manipulated Loki, but what about acknowledging that in his own series? It doesn’t have to come from Loki who had no idea he was manipulated but someone could mention ‘think yourself lucky here the stones don’t work, they’ve the nasty tendency to manipulate people’).

The series has avoided digging into all that as much as they could.

Even when Loki talks with Sylvie, the most we get is a small big about how Frigga was awesome in his eyes and taught him magic, but this isn’t meant to explain any of the issues Loki had with his family, it just make Sylvie feel bad because she can’t remember her adoptive mother, as for the D.B. Cooper born out of a bet with Thor, yeah, fun but completely random. What’s meant to be the message about family dynamics here, that it was the bets between Thor and Loki that caused Loki to decide to conquer Earth? Or what about the Sif loop? Is it there to push on Loki the blame of his poor relation with Sif?

No, clearly not.

In regard to Loki the Frigga flashback is there to remark he had a loving and supportive family while the other two are there to have Loki admit he is ‘a mischievous scamp’, ‘a horrible person’ and ‘a narcissist’.

To put it in Classic Loki’s words: ‘Damn it! Animals, animals! We lie and we cheat, we cut the throat of every person who trusts us, and for what? Power. Glorious power. Glorious purpose! We cannot change. We're broken, every version of us. Forever. And whenever one of us dares try to fix themselves, they're sent here to die.’

In short it’s all Loki’s fault if he does bad, nothing happened to him that could have messed him up, he’s just a horrible person… however…

PART 2 – “LOKI” IS NOT FOR THE OLD AND NEW FANS WHO BELIEVED LOKI TO BE A DANGEROUS, EVIL, PSYCHOPATH VILLAIN EITHER

"Loki is an a**, and that makes my life as a writer, easy." ... "Due to the trauma in Loki’s life, I would even [accept a story] in which he is committed to being all bad." [Michael Waldron on Loki: He’s an a**. That makes things easy]

Considering the series is trying to pin SOLELY on Loki his wrongdoing, completely skipping the toxic way in which he was raised you might think they want to paint him as an evil, psychopath who was just born bad.

But no, that’s not the intention, we see it from the start.

Loki is given a quick briefing on how his beloved family loved him despite him hurting them, a briefing that contains false information which would work if we accept the briefing as manipulative but, at this point I’m not so sure that was the author’s intent. The Doylist purpose of the briefing is clearly to show the audience how Loki cares for his family, how he still has feelings, feels pain at the idea Frigga and Odin died and wish to make up with his brother.

It’s not just they loved him and did nothing wrong toward him, it’s also he who loved them and didn’t mean to harm them. That’s why we’re fed that damn discourse about Loki sending the Dark Elves to kill Frigga, because the series wants to remark that no, Loki didn’t want to kill his family, he loved them.

Tom Hiddleston used to say what Loki is came from a place of pain but the series didn’t explore that place of pain… it just gave him more pain and not just in episode 1. Episode 2 has him discovering Asgard is destroyed, episode 3 has him remembering Frigga, episode 4 shows him believing Sylvie die and watching Mobius being pruned. He doesn’t cry in Ep 5, episode 5 wants us to truly feel bad for Sylvie, not for him, but there’s a lot of bitterness from Classic Loki who commits a heroic suicide so you might say we get a sad Loki anyway.

And this also works as a shock to make him change his mind about his ‘glorious purposes’. Sorta, with Thor reminding us he’s not so bad and Loki explaining his behaviour as “I don't enjoy hurting people. I... I don't enjoy it. I do it because I have to, because I've had to. Because it's part of the illusion. It's the cruel, elaborate trick conjured by the weak to inspire fear.”

Plot-wise, this is completely useless.

The show will prove Sylvie is not Loki and has completely different motivations and Mobius, being an expert in Variants, should know.

What’s more why would Mobius care if Loki enjoys hurting people or not?

His goal is to capture Sylvie with Loki’s help. The most he should care about is how to keep Loki loyal to him, not if Loki has fun hurting people or not which, in fact, is a knowledge that won’t be used in his investigation.

No, this is here for the viewers, to tell them Loki isn’t a sadistic, evil villain, he’s someone weak who tries to scare others so as not to look weak. As Mobius will put in ‘a scared little boy, shivering in the cold’ who has an ‘insecure need for validation’.

What’s more?

The show will try his hardest to establish he’s not even competent.

Let’s talk of him as a fighter.

In the movies Loki is a competent fighter and side material establish he’s pretty strong, definitely much more than a human.

In “The Avengers” we see Captain America needs Iron Man’s help to beat him and, anyway, Loki’s plan was to be captured. Loki manages to walk away on his feet when Coulson hits him with that superspecial weapon and it’ll take him to be Hulk smashed after a fight with Thor and a meeting with an explosive arrow of Hawkeye before he can’t fight any longer.

This doesn’t happen in the “Loki” series.

Loki gets beaten up by various people in 4 episodes, preferably women (B-15, the people possessed by Sylvie, the guards on the train, Sif). You might say in episode 5 he’s not but actually Classic Loki is the one who gets swallowed by Alioth and our Loki instead survives because he has Sylvie supporting him as, on his own he couldn’t even distract Alioth.

Let’s talk of him as a wizard.

He can use magic, impressive magic but… it serves him mostly nothing. In the TVA his magic doesn’t work. Outside of it is mostly useless. It doesn’t help win fights. The Tempad he caused to disappear gets broken. To beat Alioth they needs enchantment, not his own magic. What’s more, when they’ve to go on the train his disguise wouldn’t have worked without Sylvie’s enchantment and, if this wasn’t enough, he got drunk, removed the disguise and wasn’t even able to make tickets appear.

Classic Loki too, with his impressive illusions is ultimately a distraction. Alioth tears easily through his illusions which aren’t even solid.

Let’s talk of him as a planner.

All Loki will accomplish is to escape from the Time theatre for a brief period in episode 1 and figure out Sylvie hides in apocalypses in episode 2. The rest of his plans fails or are not plan or are mocked over and not even put into practice.

Let’s talk about him as a manipulator with a silver tongue.

He can’t even persuade Mobius when he’s telling him the truth, Mobius dismisses it as a lie due to ‘cockroach's survival mechanism’.

And psychologically?

He’s just someone who crave attention because he’s a narcissist scared of being alone. Not a psychopath.

Loki is not meant to be a dangerous, evil, psychopath villain in this series, he’s a not serious man, a clown, a scared little boy in need of attention, a narcissist who needs to be loved.

Welcome to cartoon villain Loki, this Loki isn’t the Variant of “The Avengers” Loki, he’s the Variant of “Avengers Assemble”Loki… only he’s even less competent than him.

PART 3 – “LOKI” IS NOT EVEN HERE FOR GENERAL MARVEL MOVIE FANS

"That's a lot of Infinity Stones. That's true but they are useless there in the TVA, so I don't know. Is that gun loaded or not? We'll see..." [Loki Writer Comments On Whether TVA’s Infinity Stones Will Return In MCU]

“We had to create an insane institutional knowledge of how time travel would work within the TVA so the audience never has to think about it again. It was a lot of drawings of squiggly timelines.” Marvel already made its case for how time travel works in Avengers: Endgame, but that, Waldron points out, “is the way the Avengers understand it.” With a TV show it’s a little different. “I was always very acutely aware of the fact that there’s a week between each of our episodes and these fans are going to do exactly what I would do, which is pick this apart. We wanted to create a time-travel logic that was so airtight it could sustain over six hours. There’s some time-travel sci-fi concepts here that I’m eager for my Rick and Morty colleagues to see.” [How the Man Behind LokiIs Shaping Marvel’s Phase 4 and Beyond]

BC: The TVA is there to clean everybody up? MW: Yeah, Avengers: Endgame… that's how The Avengers understand time travel. 'Loki,' episode one, is how the TVA explains time travel to Loki and we're certainly building on what's come before us. [Loki: Michael Waldron On Gender Fluidity, Mephisto, Time Travel & More]

It’s true “Loki” is focusing on a new corner of the MCU but it interconnects very poorly with the movies before it.

Although Loki escaped with the Tesseract... it just dismisses completely the Infinity Stones.

Despite talking a lot about timelines and creating branching realities it waved away the whole plot of "Avengers: Endgame" as apparently supposed to happen even though it should have created branching realities.

We see Renslayer wave away how the Avengers went in the past causing the Tesseract to end up in Loki’s hands... and all the other things the Avengers did that affected the past goes unmentioned.

Bruce meeting the Ancient, Thor meeting his mother and taking away Thor’s hammer, Rocket being seen as he steals the reality stone from Jane, Tony stealing a suitcase and damaging the place in which the Tesseract was kept then meeting Howard Stark, 4 flacons of Pyn particles missing, an alarm given to the military bases, how Steve managed to bring back the sceptre if that timeline was pruned, how a timeline handled being without Thanos and Co as they went in the future or how they clearly didn’t bring the orb back the second they took it as Nebula remained unconscious there and nobody came and when she woke up Thanos could get her. It didn’t even explain why Steve remaining with Peggy didn’t change anything.

It's not that the audience has all explained... it's that they were told to dismiss it as 'meant to happen' and that was it.

What's more, the TVA apparently didn't list a finger to stop 2014 Thanos from going in the future and causing Tony Stark's death.

As if this wasn't enough, “Loki” just skips any possible connection with the movies, even hands Loki false information about them (he lead the Dark Elves to his mother when Loki had no idea the Kurse was a Dark Elf and they would have found her anyway as they were searching for the Aether which Malekith could sense, he’s born solely to cause pain and suffering and death, overlooks how he saved Jane twice or helped the Asgardian escape Hela) and never discusses them again.

Even with Classic Loki, who’s a Variant of “Avengers: Infinity War” Loki, they don’t talk about what happened after Loki’s supposed dead, apparently hinting it was better if he died, nor explain how Loki knew Thor survived.

PART 4 – “LOKI” IS NOT REALLY OFFERING A GOOD REPRESENTATION FOR FEMALES EVEN THOUGH IT CLEARLY AIMS AT FEMALE AUDIENCE

Let’s make a quick experiment.

Everyone, let’s name all the characters we remember which appeared in more than 1 episode of “Loki” for more than one minute.

We’ve, of course, Loki, Mobius, B-15, Renslayer, Sylvie, C-20 and Miss Minute.

5 females versus 2 males.

What’s more, females are not sexualized, they remains completely dressed, they’re clearly not there to attract male gazes, they’re represented as strong, dangerous, in control, something archived often by showing them beating males either physically or intellectually or in rank.

It seems promising. At first.

Is there someone who’s sexualized?

The “Loki” series takes care to offer us Tom Hiddleston naked.

So since there’s an abundance of females in the cast and Tom Hiddleston is shown naked is it aiming at a female audience?

Very, very likely but… but how’s then handled all this?

When Loki is seen undressed he’s not in a situation of power, like Thor who’s twice shows half naked in his movies but because he’s changing/washing and perfectly comfortable in showing his body and once in a situation which could be a male forbidden fantasy, to have many women massage your naked body, no, he’s shown as he’s powerless while being stripped by a machine. Clearly not a male power fantasy, more like a male nightmare.

And, in a totally not surprising way, pictures of this scene were spread by many female fans because it was aimed at them… though a part of them, was also honestly appalled at seeing this scene in contest, finding the forced stripping humiliating and degrading.

Sure, a naked Tom Hiddleston makes a nice eye-candy but this wasn’t how Loki’s many fans wanted to see Loki naked.

But let’s talk of female representation here, since the show seems to be interested in female audience… only who even though this was the representation women wanted doesn’t understand much of women representation in the first place.

Why?

For start because women here are all the same type of woman.

Strong fighters who’re in control and confident, with no real characterization beyond this to speak of despite the large amount of screen time.

Renslayer is an ex-hunter who can fight one on one against Sylvie and who clearly has the position of power she has because she was good as a hunter and shows her abilities in fighting after that Sylvie had beaten 2 guards at the same time. B-15 is introduced by beating Loki and is the commander of a squad. C-20 is another commander and, albeit possessed, can dispose of a part of her squad members.

Do I need to spend words on how Sylvie is depicted as this awesome fighter who has learnt to fight by herself, can keep at bay more than 1 Minuteman, can use a sword, has learnt enchantment on her own and is feared by all the TVA? Do I?

And it’s awesome to have women who are strong fighters in positions of command/power/control… but why women has to be represented as just that?

Even when they add a female as an one episode cameo, it's Sif, beating the hell out of Loki. And what about the Lady in Lamentis 1 who was too old to be strong but managed to blast away both Loki and Sylvie seeing through their deceptions?

Even the harmless Miss Minute can avoid being hit by Loki and gets she has to pretend to do researches to stall Sylvie and save Renslayer.

Women kick asses here… but that’s all they’re good for.

And so we get to Sylvie, who is the superior Loki Variant… because she’s female.

Kid Loki: You're different. Why? Loki: No, I'm not, you see? I'm the same, really. I'm the same as all of you. Have any of you met a woman Variant of us? Classic Loki: Sounds terrifying. Loki: Oh, she is. But that's kind of what's great about her. She's different. She's not trying to take over the TVA, she's trying to take it down. And she needs me. Now, you said Alioth is what keeps us here. You said it's a living thing. You said it's a shark. Well, if it lives, it dies. So I'm gonna kill the shark. I'm gonna kill Alioth, and I could use all the help I can get.

That’s what Loki preaches to his fellow Lokis who think a woman Loki would be terrific.

I mean, they’ve an alligator Loki, a POC Loki, but the one who has to be different is the female Loki. Because being female is a character trait.

Mobius: Okay. I feel like I'm always looking up to you. I like it. It's appropriate. [Ep 1]

Basically females in the “Loki” series are all representation of the Action girl trope and aren’t even different representation of said trope. I mean, “The Avengers” have 5 actions boy who’re clearly as different as they could be. Girls can be represented as different too, if they really aim at young audience they can take good old “Sailor Moon” as an example. 5 action girls who are strong and determinate AND DIFFERENT, more than just someone who kicks the adversary away.

And it’s not like they don’t know how to characterize people in a different way.

Mobius is an analyst who shows sympathetic traits toward the Variants and a certain level or intelligence. U-92 and D-90 are hunters who are shown to held Variants in little regard (U-92 wanted to attack the boy they found in the church, D-90 mistreated the scared people in the shelter). Casey is an harmless and naïve guy who had never seen a fish. The guy who made Loki sign the papers about what he said seemed emotionless but he clearly loved cats as not only he had one but on his cup there was also the image of a cat. Martin is clearly a bossy daddy’s son, who think too high of himself to the point he can’t respect rules. The boy in the church, despite thinking Sylvie was a demon, accepted and ate food she gave him and remained in the place despite the crime. He’s clearly more brave than he looked like but he’s also naïve as he easily trusted ‘the demon’ and Mobius.

What’s C-20 character trait when she gets described by Sylvie?

Sylvie: Yeah. She was just a regular person on Earth. Loki: A regular person? Sylvie: Loved margaritas.

She’s a regular person who loves margaritas. Liking a drink is not a character trait!

There’s a more diverse female representation in “Thor” than in “Loki”.

In “Thor” we’ve Frigga, queen of Asgard, loving mother and wife who’s powerless to erase Thor’s banishment. We’ve Sif, a dangerous and loyal warrior. We’ve Jane, the amazing scientist with a lot of enthusiasm. We’ve Darcy, who’s funny and who seems focused mostly on herself but who, when the city is attacked, worried to save all the animals at the pet store.

But maybe the one who gets the worst treatment is the supposed heroine, Sylvie, because the poor girl is turned into a Mary Sue.

In case someone isn’t familiar with the term:

“The prototypical Mary Sue is an original female character in a fanfic who obviously serves as an idealized version of the author mainly for the purpose of Wish Fulfillment. She's exotically beautiful, often having an unusual hair or eye colour, and has a similarly cool and exotic name. She's exceptionally talented in an implausibly wide variety of areas, and may possess skills that are rare or nonexistent in the canon setting. She also lacks any realistic, or at least story-relevant, character flaws — either that or her "flaws" are obviously meant to be endearing. She has an unusual and dramatic Back Story. The canon protagonists are all overwhelmed with admiration for her beauty, wit, courage and other virtues, and are quick to adopt her as one of their True Companions, even characters who are usually antisocial and untrusting; if any character doesn't love her, that character gets an extremely unsympathetic portrayal. She has some sort of especially close relationship to the author's favourite canon character — their love interest, illegitimate child, never-before-mentioned sister, etc. Other than that, the canon characters are quickly reduced to awestruck cheerleaders, watching from the sidelines as Mary Sue outstrips them in their areas of expertise and solves problems that have stymied them for the entire series.” [tvtropes.org]

So let’s see how she fits this checklist:

1) She's exotically beautiful, often having an unusual hair or eye colour: Sylvie painted her hair blonde even though the Lokis are supposed to be black haired

2) has a similarly cool and exotic name: She is the only Loki Variant who has changed her name from Loki to Sylvie.

3) She's exceptionally talented in an implausibly wide variety of areas, and may possess skills that are rare or nonexistent in the canon setting: Awesome at fighting she can enchant people, an ability the Lokis don’t posses, that she magically learnt on her own and that is necessary in the story. Also she figured out how a Tempad worked BEFOREseeing it in action.

4) She also lacks any realistic, or at least story-relevant, character flaws — either that or her "flaws" are obviously meant to be endearing: No flaws, all her plans involve fighting and brute force is no substitute for diplomacy and guile, which could be a flaw… if it wasn’t for the fact that the series will prove Sylvie can plan just fine without using fighting and brute strength and also be successful at it.

5) She has an unusual and dramatic Back Story: She was taken by the TVA when she was younger than Kid Loki but managed to escape them and had to live alone and on the run till then.

6) The canon protagonists are all overwhelmed with admiration for her beauty, wit, courage and other virtues, and are quick to adopt her as one of their True Companions, even characters who are usually antisocial and untrusting: Loki, who has never loved anyone, falls for her, Mobius saves her and apologizes to her, B-15, who used to look down at Variants, basically asks her what should they do and is shown admiring her, the Lokis don’t criticize her plan, Classic Loki dies to save her, everyone views her as the superior Loki Variant.

7) if any character doesn't love her, that character gets an extremely unsympathetic portrayal: Renslayer, the hunter who has arrested her, is currently playing the part of the antagonist who’s fascist and believes in a murderous, lying cult.

8) She has some sort of especially close relationship to the author's favourite canon character — their love interest, illegitimate child, never-before-mentioned sister, etc.: She’s the Variant and love interest of the titular character.

9) Other than that, the canon characters are quickly reduced to awestruck cheerleaders, watching from the sidelines as Mary Sue outstrips them in their areas of expertise and solves problems that have stymied them for the entire series: Loki, the title character, has conveniently been turned into someone who’s a weak fighter and incapable of planning which Sylvie has to save by enchanting guards or giving him her sword or pruning herself or teaching him how to enchant and coming up with all the plans.

Now all she needs in order to be a perfect Mary Sue is to know how to sing well as Mary Sue usually do this as well, though I’m sure she can do it because Loki could so she surely can.

Sylvie is amazing, Loki himself said so:

Loki: No. We may lose. Sometimes painfully. But we don't die. We survive. I mean, you did. You were just a child when the TVA took you, but you nearly took down the organization that claims to govern the order of time. You did it on your own. You ran rings around them. You're amazing!

There’s nothing inherently wrong in having a new female character who’s competent, for whom the hero falls and who changes him… if all this is built around a solid plot.

Think at “Iron Man”.

Tony Stark is, to quote Tony Stark himself a “genius, billionaire, playboy, philanthropist”.

It’s amazing, isn’t it? But the movie shows us why he’s that.

It spends time setting up his pedigree, how he inherited the money and intelligence from his father, how he was supported as he grew and studied becoming always a greater genius. Tony shows himself to be charming before seducing his first woman onscreen so that when he does it makes sense. His philanthropic activities are, at first, just mentioned but seems rooted in how his father was a hero who helped fighting Nazi and then they became his mission. He felt guilty he was a merchant of death and tried to make up for it.

Sylvie too could have a solid plot behind herself.

Instead than magically knowing what a TemPad does and how it works and managing to escape with it, she could have escaped with, let’s say, a hunter that discovered the truth and decided to rebel to the TVA or just had pity of her. Maybe another Mobius Variant who used to work at the TVA prior to Mobius and that, instead than an analyst was a hunter. She might have learnt fighting from him and then he too died and she was left alone.

Enchantment might have been an ability she might have learnt coming in contact with a mind stone. It could have been an occasion also to talk how mind stones can influence people negatively. Or it could have been taught to her by Frigga who, with a female daughter, decided to teach her a different type of magic than Loki.

Her past could have been explored more instead than being tragic for the sake of tragic. We might have seen her fall in love and either be betrayed or have to say goodbye to her loved one because that reality got pruned. We might have seen her being interested in males and females alike as she’s supposed to be interested in both.

She could have had discussions with Loki that weren’t just about Frigga or about how the TVA kidnapped her from Asgard, she escaped and from that point on she was always on the run, or about how love didn’t feel real, but more about how they were, how they felt, what hurt them and what made them happy, what they liked and what they disliked, their ideals and their fears, things that can built up a relation.

Loki basically fall for her because she’s on a mission for revenge instead than power and seems confident. That’s his reasoning.

She falls for Loki… because apparently he’s the person who spend time with her who praised her. That’s not a solid love story, that’s desperation.

SYlvie could have flaws, she could have learnt diplomacy or persuasion from Loki or could have something she lacks and Loki has so that they would complete each other.

And since the purpose was to have Sylvie and Loki fall for each other… they could have let Loki have characteristics that can motivate the exceptional heroine to fall in love for him PRIOR to him falling in love for her. He might be shown good at something, instead than just a clown.

Even if we say the real purpose of this series was to turn Sylvie into the protagonist, the heroine, a good Loki character was still needed to explain why this awesome girl would fall for him.

So okay, there will surely still be women who can see themselves in Sylvie and imagine they got Loki… and it’s not bad really… but I think we deserved more.

Long story short, yes, “Loki” has many females in its cast and this is meant to draw the female audience… but the representation is poor as almost all of the females have no character traits and Sylvie is just a Mary Sue with no realistic characterization.

A good female representation is diverse and solid. Women don't need to be born irrealistically perfect out of nothing to be good, they can inherith and grow and learn to be as such like any human being.

Last but not least…

PART 5 – DOES “LOKI” REALLY OFFERS REPRESENTATION TO THE LGBT COMMUNITY?

BC: There is a lot of talk on social media about Loki being gender fluid. Wouldn't that actually be a natural fit for the character? MW: Yeah, I guess as, with all questions pertaining to that stuff, I think those answers, truly, are best experienced in the watching of the show, as opposed to me trying to answer them. Because it's just watching it and the way that's addressed and everything will just be more fulfilling. BC: Why do you think it's important that Loki is gender fluid? MW: I think that Loki is a character that a lot of fans see representation in. People that haven't felt represented before, and they see themselves in Loki and everything. So we want to do justice to the character, to who the character is in the comics and in Norse mythology as well. And you also … you know you want folks to feel represented, and everything. That's why it's important. It always has been. It comes from everybody on the creative team. [Loki: Michael Waldron On Gender Fluidity, Mephisto, Time Travel & More]

The series hugely spread the info that this Loki would be fluid and Bisexual. The news were welcomed with delight and it’s awesome how the series didn’t hesitate to put it on paper.

Loki being fluid was written for everyone to see, and Loki having male and female interests was spelled out for everyone to hear.

IT’S A GREAT THING!

However…

It’s all we got.

It had no relevance into the plot whatsoever, it’s just a random info we’re given.

Him being fluid was on a paper along with his other data like eye colour and birth planet.

Him being interested in males and females seems to be put there just to imply he tried a large amount of people before deciding love didn’t feel real.

Assuming the other Lokis too were fluid, they actually found terrific the idea of a woman Loki in a not positive way. They weren’t interested or asking for clarifications about what Loki meant.

Loki’s bisexuality doesn’t even get a side story, them sending Fandral to beat Loki instead than Sif because Loki cheated on him or something. I’m not upset Loki ended up with a female, this is one of the possibilities of a Bisexual person. I’m upset that this was used merely to attract the audience but then wasn’t explored. They could have said Asgard was open minded with it, or disapproved it so Loki had to keep it hidden, or it could have been Sylvie who discussed some experience in that regard.

We were told over and over it was a show about identity. We expected it to be explored instead we were just told ‘ah, by the way, Loki is bisexual, let’s move on.’ And that was all.

Having representation from an important Marvel character is always important, especially considering the shortage of representation. But honestly I expected more.

PART 7 – TO SUM IT UP

Many of the people who worked in “Loki” are fantastic actors. They worked hard for this series, I can see they tried their best.

The premises for the “Loki” series are interesting.

We get a Loki who hadn’t experienced most of what happened in the movies yet, we make him confront with someone who knows his life, the one he lived and the one he was meant to live and we also make him confront with Variations of himself.

Loki has the Tesseract and the TVA has plenty of infinity stones, we could explore them.

The TVA itself have a fascist organization that dictates people’s lives and murders whoever tries to do differently, that goes so far as to brainwash the people working in it, which mistreats and belittle the Variants and establish a manipulative cult around the Time-Keeper with elements of police brutality which could be very actual.

Time travelling was the plot of "Avengers: Endgame" they could have tied the movie to the series, esplore the why some time travels were allowed and some weren't or their effects.

There were references to plenty of awesome comics they could take inspiration from.

But unless it redeems itself with the last episode… well, so far it’s failing to deliver what it promised due to a really poor plot which doesn’t give the characters a chance to be themselves or to be characterized as they’ve no real story nor real differences to speak of.

They’re given more time than a movie as they’re a series… but that’s no good excuse for wasting said time.

I’m still hoping the last episode will be spectacular, that it’ll manage to erase the messes of the other 5… but, as of now I’m disappointed.

I’ll just keep my fingers crossed and hope they’ll surprise me.

#mcu loki #loki #loki laufeyson #loki odinson #9 worlds study

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mostlymovieswithmax · 3 years ago

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Movies I watched in July

Once again I’m doing my monthly round-up of movies I’ve watched. This was a good month for the cinema getting back on track and seeing new releases including the new M. Night movie, Old and James Gunn’s The Suicide Squad. Pretty sure Marvel put out a new movie also. I’m hoping that this list can help in guiding a decision about what to watch (or what to avoid) and introduce people to movies they may otherwise not have heard of or bothered to see. These short reviews are my own subjective opinions on each individual movie and maybe a more informal approach to movie criticism can help include others who are just passing through. Here is every film I watched from the 1st to the 31st of July.

Bridesmaids (2011) - 4/10

Off to a good start. I won’t say Bridesmaids is a terrible movie but I don’t think I’m exactly the target audience. As far as I know, this is a beloved comedy but I just can’t get on board with all the boring, juvenile humour; with Maya Rudolph shitting in the street, with Rose Byrne and Kristen Wiig trying to one-up each other at a toast that went on forever, with Melissa McCarthy shitting in a sink… the conflict is so done to death and makes the movie feel unspecial. I do understand the appeal of the film, especially for women in that before this movie the likelihood of seeing something like this, where women play up the more crass and gross side of comedy, was probably few and far between. But the story is very tired and while I did appreciate some moments, namely a couple of decent jokes and some of the more intimate scenes, for the most part it felt like they wanted to corner a more quiet type of line delivery in a way that was supposed to be understated but very funny so as to not rely on over the top body language or musical cues, and it ended up being super dull.

Spectre (2015) - 7/10

As far as I can tell, a lot of people don’t like this instalment of the James Bond franchise… but I really enjoyed it! I’ve really taken a shine to these Daniel Craig-era Bond movies and while I can’t say any of them are the most amazing thing, I have a lot of fun with them. The biggest problem I have with Spectre is the villain being utterly pointless and uninteresting in basically every way. The idea of every villain Bond has fought before being tied to this one organisation controlled by this one guy is ridiculous, and what makes it worse is that the villain is barely in it! There’s so much that doesn’t come together in this but as it goes, I still had a really good time. Daniel Craig holds the whole thing together; he is excellent as 007 and the main reason I’m up for each of these movies is because of him. Sam Mendes directs again after the previous instalment and for what it’s worth I do think he does a good job with some of the action set pieces and the locations. I’m so ready for No Time To Die.

Shazam (2019) - 7/10

Shazam is a genuinely fun superhero movie that doesn’t take itself seriously at all. I was having a great time throughout and while it could conform to some of the same tropes we’re used to with these kinds of movies, it still remained playful and used the character of Shazam to his fullest potential in a way that showed an understanding of just how silly the idea of a kid who can turn into an adult and shoot lightning out of his hands is.

High School Musical (2006) - 6/10

So as you may or may not know, I co-host a podcast: The Sunday Movie Marathon. It’s a film podcast and every week I get together with my other co-hosts and watch movies. For episode 38, we watched the High School Musical trilogy. This first movie blew me away. I was really surprised with just how much fun I had, and if you want to hear more of my thoughts on the film, please listen to episode 38 of the podcast.

High School Musical 2 (2007) - 4/10

We then jumped into the second and while it’s certainly not as good as its predecessor, there are still some brilliant songs that manage to top the last movie. Again, more of what I have to say can be heard on episode 38 of the podcast.

High School Musical 3: Senior Year (2008) - 3/10

Senior Year was pretty hard to get through. I don’t remember it being as bad as it was, but then I didn’t really remember it anyway. It did however have one redeeming quality, which you can discover on episode 38 of the podcast.

The Piano Teacher (2001) - 9/10

What the fuuuckkkk. The Piano Teacher is horrendously affecting and I was so upset when it ended, maybe not because it’s not what I wanted but because it’s just so fucking dour and unrelenting. This is the second Haneke movie I’ve seen (after the original Funny Games) and I’m so impressed with how well executed it is. Following a woman who teaches piano, we get a glimpse into the life she lives, how sheltered she is from living with her mother at an age where you’d reasonably expect a person to be living alone or with a partner or friends (even going so far as to be sleeping in the same bed as her), and how repressed she is sexually. It’s clear she’s never experienced any kind of sexual interaction or romantic love with another person, so she goes out of her way to take control and make that happen. The upsetting nature of it comes from just what she does in pursuit of it or as a result of her repression, and what is done to her. It is by no means a movie to recommend to your parents but The Piano Teacher offers so much in terms of the ideas it presents (and I’ll admit there seems to be a lot more going on than I think I picked up on a first go round) about women in modern society, and about the portrayal of sex and expectations of people when it comes to how that is represented in a person’s character depending on their gender. I really enjoyed this movie but it is not for the faint of heart.

Sharpay’s Fabulous Adventure (2011) - 1/10

My podcast co-hosts decided it’d be a right laugh to add Sharpay’s Fabulous Adventure to this episode and that might have been a fun idea for them because they got to watch it together, but I was just watching it alone. Just a 24-year-old man watching Sharpay’s Fabulous Adventure alone and having a miserable time, I might add. But for a short and sweet ramble on what we all thought, please listen to episode 38 of The Sunday Movie Marathon podcast.

Dr. No (1962) - 6/10

A lot of very iffy parts of this movie. A lot of discomfort arising from how black people are portrayed that really didn’t sit right with me. As far as a Bond movie goes, this first instalment in the series is one I’ve seen before and it’s not wholly engaging but it plants the seeds for the rest, with Sean Connery breathing life into the role and making an otherwise lacklustre plot bearable.

Black Widow (2021) - 6/10

I think probably the best part about Black Widow is the experience I had while watching it. It was great being back in the cinema with a couple of friends in a packed theatre. The energy was high and I’m sure for a lot of people, this is the first time they’d been to the cinema since Endgame. For what it’s worth, I did have a lot of fun with Black Widow and I’ve explained more of what I thought about the movie in episode 39 of the podcast.

The Climb (2020) - 10/10

The Climb was added to Now TV recently and I already knew I loved it, having seen it in an empty cinema theatre last year, which I had an absolute blast with. The Climb details the years of a rocky friendship told over scenes filmed as one-shots. Not only is the presentation something to gawk at, but the performances by the two leads playing these friends with a terrifically dysfunctional dynamic is truly captivating. They’re both trying to figure out their own lives and where one can come across as being rather selfish, the opposite is true in his counterpart, whom everyone loves. This is a truly funny and heartwarming movie with a lot to say about how we choose to live our lives and who we choose to be with. It’s a shame the distributors of The Climb didn’t do a very good job because if not for it being available on Now TV, it would be near impossible to watch without forking out more money than is necessary to purchase a film.

From Russia With Love (1963) - 5/10

The second Bond movie. I thought perhaps I’d change my mind on it with another watch, having seen it for the first time maybe a year ago. But no, it’s still largely boring and it treats women like absolute garbage. From Russia With Love is one of those movies I forget as I watch it, and I was trying very hard (in the middle of the day!) not to fall asleep.

The Good, The Bart, and The Loki (2021) - 1/10

I don't usually talk about the short films I watch but for this I'll make an exception. As we all should know, Disney owns The Simpsons now, through their acquisition of Fox, so, coupled with another of their properties, that being Marvel, they decided to make a six-minute animated film wherein Marvel’s Loki is stranded in Springfield. This felt as though it was a minute long due to the horrendously jarring pacing; it is a movie that feels adamant that it needs to exist, while trying as hard as it can to be over as soon as possible. It serves only to stare the audience directly in the face and say “look, characters from The Simpsons are dressed as Avengers”, shit out three credit scenes, then end before you’ve even processed the atrocity you just bore witness to.

Russian Ark (2002) - 8/10

For this next episode of the podcast, we watched a few Russian movies, starting with Russian Ark, a film shot completely in one take as the camera moves about a luxurious museum in a first-person perspective as this main character watches what is happening around him, seeing people moving about the place but unable to interact with them, guided only by another man who seems to be just slightly out of his own perception of reality. This is a tremendous feat in filmmaking and more can be heard about what I have to say in episode 39 of The Sunday Movie Marathon podcast.

Ivan’s Childhood (1962) - 7/10

For my own pick of Russian movies to discuss on the podcast, I chose the debut feature from one of my favourite directors, Andrei Tarkovsky. It’s amazing that while this is not his best film by far, Ivan’s Childhood is still such a stellar debut, jumping around in its timeline as it details a child’s experience in the second world war. Again, I do go into more depth in episode 39 of the podcast, so be sure to check that out.

Outlaw (2019) - 1/10

The third movie chosen for this marathon is apparently the fourth Russian LGBTQ+ movie ever made. I’m unsure of the ultimate goal of this movie but what seems to be clear is that it hates the LGBTQ+ community. This is perhaps the worst film we’ve discussed on the podcast to date, so listen to episode 39 to understand exactly why it’s such trash.

Almost Famous (2000) - 7/10

I too love heavy music and also studied journalism so it stands to reason that a movie about a teenager who makes his way onto a band tour, following them through America and interviewing them as they hang out and play shows is going to be a premise that resonates with me. This certainly did. I enjoyed Almost Famous a lot; this kid is living the dream and I was so along for the ride, seeing a lot of myself in what was being portrayed. That said, the story itself is at times a bit by the numbers and I really would’ve been more on board if the visual component was more interesting. For what it is, technically it’s fine enough but nothing in that department ever jumped out at me.

Minari (2021) - 8/10

It’s crazy that this didn’t get a theatrical run where I live in the UK. It feels as though I complain about film distribution all the time but I really don’t understand the process by which a movie gets no cinematic release and yet, months later will pop up on the front shelf of hmv, taking pride of place. But of course I got the blu-ray straight away. Minari has a lot to say about the immigrant experience, specifically in America as a family comes over from Korea and tries to start a business and make something of themselves. You get to see a lot of what you might not think twice about when you think about immigration: the hardship of coming from a place where you know everyone to somewhere rural and sparsely populated, having to make friends with locals and integrate within the community; the strain it can put on a family and on a marriage where this idea is presented about the importance of making it on your own in order to live and not just survive, while also taking into account why you’re doing it in the first place and the value you place on being part of a family that you decided to make because that was more important than money, than economy, than proving you were good enough to make it in a place that gave you very little advantage from the offset. This concept of the promised land, of the American dream is a construct. There are times when it’s not pretty, when you have no running water, or you’re in debt, or a family member is dying and it just feels like you’ve been dealt as bad a hand as you can get. But it is better to know you’re not facing all that alone.

Roma (2018) - 10/10

This was my recommendation for the podcast episode on Alfonso Cuarón movies. Roma is as beautiful as it is heart-wrenching and I would recommend listening to episode 40 of the podcast to find out more about my thoughts.

An American Werewolf In London (1981) - 8/10

In all fairness, London is enough to make anyone a little crazy at the best of times. An American Werewolf in London showcases some fantastically grotesque effects, akin to something like Carpenter’s The Thing, in showing the dead brought back to life and a horrifically gory transformation scene. Although the film is from the perspective of an American protagonist, directed also by an American, the depiction of British culture and climate is something I’ve not seen many films pull off quite so well, and I was pleasantly surprised at the more comedic tone the film has overall, which is something that works more in its favour than straight horror would.

The Party’s Just Beginning (2018) - 6/10

Karen Gillan’s directorial debut is… pretty good! There are a lot of ideas I like in this movie: a woman living life and through convenient circumstances, is confronted with death in many ways. Gillan obviously knows her homeland as well as she can, imbuing the whole thing with an intensely Scottish vibe (though maybe not in the same vein as something like Trainspotting) that makes it a bit more unique than a more run of the mill movie of this ilk, backed up in no small part by her own main performance. The plot itself is no great diversion from the kind of story I’m used to with these smaller movies and for something that’s trying to include messaging about transgender issues and suicide, it probably could have been handled better or done in a different way.

Solaris (1972) - 9/10

Another Tarkovsky joint, one I thought I’d revisit to see if there was indeed more to get out of it a second time. Well, it’s no surprise that yes, there was certainly more to get out of it. Solaris is a crazy trip of a movie and I would liken it to Kubrick’s 2001 in terms of how grand the scale of it feels. Yet this is a film that comes across as deeply personal, choosing to focus on a specific character as he goes to a space station to help those on board who are experiencing some kind of emotional crises, only to feel the effects of the planet, Solaris invading his own mind as it has the crew. To many, I can see this lengthy Russian sci-fi being a tad slow but my personal experience is one of deep engagement. Solaris pulls its viewer in a lot of different directions and it is always doing something unexpected in terms of where its narrative goes. There’s a lot to think about with the movie and thankfully it’s no chore to watch again.

Y Tu Mamá También (2001) - 9/10

Another recommendation for the podcast episode on Alfonso Cuarón movies. This is a very relaxed experience, following three young people as they go on a road trip, visit different places and have sex. Listen to episode 40 of The Sunday Movie Marathon podcast for more of my thoughts.

Children of Men (2006) - 10/10

My favourite Cuarón movie, one that never stops being tense as its characters are constantly moving towards the end goal. Set in a future where humans are infertile, the oldest living person is 18, and London is the last city in the world that’s still keeping it together, somewhat. This is masterclass filmmaking. Listen to episode 40 of the podcast for more insights.

Minority Report (2002) - 5/10

I’m really not the biggest fan of Spielberg… Minority Report is an interesting movie in terms of its concept of stopping crimes before they happen by way of prediction, but I just didn’t connect with the heart of it. The colouring is way too overexposed in a way that’s supposed to be eliciting a futuristic vibe but instead feels so early-2000’s in the worst way. My biggest problem with Minority Report is just how long it is, clocking in at two hours and twenty-five minutes which allows for a lot of meandering, all while never quite developing characters enough for you to care about.

Caché (2005) - 9/10

Oh god! Another Michael Haneke movie! Here we see a couple periodically sent video tapes featuring hours of footage of the outside of their house. The anxiety ratchets up and the mystery gets deeper with every minute. There’s always at least one moment in any of his films that have so far made me realise just how out of my depth I am. Caché is no exception, and I won’t spoil anything here because I think it’s better just to watch the movie and see for yourself. He is a director that wants the audience to know something and that something is never what is explicitly shown at face value; it is pressed into the fabric of the film - plainly evident, yet hidden. Caché is so stupidly clever in displaying its themes and messaging - making reference to the Siene Massacre of 1961 as well as a deeper study of colonialism - and there’s no way to change a single detail of it without risking the Jenga tower crumbling to the ground. It all works in tandem. It is passion and fury and haunting.

Coco (2017) - 7/10

Pixar had a string of around seven forgettable movies before this point so thankfully Coco emerged to show the company still had something good in them. Coco deals a lot with themes of death and legacy, remembering those who are gone in order to preserve them and while its plotting is quite basic and there are certainly moments that either drag or cannot escape the same Pixar formula, most of what the movie has to offer is a lot of fun, with creative, colourful animation and emotional beats that resonate the way they’re supposed to.

Incredibles 2 (2018) - 5/10

Oh, they almost had it! There's a lot here that could have been explored in far more interesting ways. Setting Incredibles 2 directly after the events of the first movie was not a good idea. If it had taken place five or ten years after, the characters could have been in different places in life and it would feel as though they'd actually changed and developed. But instead of trying to be a film that actually cares about its characters and the journeys they go on, a lot of the film is wrestling with the idea that Bob isn't supportive of his wife and Jack-Jack has to fight a raccoon… They have to shoehorn in a villain that in no way compares to the genius of the original. The ending of the original introduces another antagonist that gets wrapped up within this film's first ten minutes, except they don't catch him and he's never mentioned again. It's a real shame because the animation is fantastic and the acting is superb and there are great ideas sprinkled throughout. It just doesn't come together.

Toy Story 4 (2019) - 6/10

I was rather reluctant to watch Toy Story 4 because from the get-go I’m not really here for sequels being made just for the sake of it. Everyone loves Toy Story and making another one is a sure fire way to make money. This is the first time I’ve seen Toy Story 4 and for what it’s worth, I did enjoy it. The animation is immaculate and that alone feels like a huge flex from Pixar who tend to step up the game when it comes to animation in film, despite not having the best track record for films generally at this point. While it was nice to see these characters again, I found a lot of them to be side-lined (namely Buzz) in favour of a story that focuses mainly or entirely on Woody, who I just don’t like as much as in the previous movies. Generally the movie is good and decent enough but there’s no real antagonist and the plot is quite loose… it doesn’t feel as though it needed to be made from a story point of view.

Onward (2020) - 6/10

And with that I have seen every Pixar movie. And Onward is a fine one to go out on. While I don’t think it compares to the likes of earlier Pixar it’s still pretty fun. Or maybe I’m just a sucker for a medieval setting filled with bright colours and magic! Speaking of which, the animation was super and the medieval quest element is something that hooked me with the film. Again, plot-wise it does feel very familiar and I don’t know, maybe I’m past the point now of expecting Pixar to mix it up where their formula for story-telling is concerned but the movie is quite predictable. Nonetheless, while I’m not rushing back to see Onward I would hardly turn it off or refuse if someone wanted to watch it.

Old (2021) - 3/10

Oh boy! New M. Night movie dropped and my word, was it fun! For more of my thoughts on this… masterpiece (?) of a movie, please direct your attention to episode 41 of The Sunday Movie Marathon podcast.

T2 Trainspotting (2017) - 5/10

Trainspotting is perhaps one of my favourite movies and I had never bothered with the sequel, 20 years on, because the ending of that first movie is so conclusive. T2 felt more an excuse for these guys to get together again and in that, I probably would have preferred a couple of pictures on Twitter of the main cast and director, Danny Boyle having dinner or something. This is a fine movie - very arty in its presentation but meandering and dull in its story that doesn’t offer much in the way of proof that it had to exist.

Taste of Cherry (1997) - 9/10

What makes life worth living? This is a central question and theme of Taste of Cherry, and one that leaves such interpretation not only up to its central character but to the viewer as well. This film got me thinking about times in my life when I truly have had no answer to hard questions. Because it’s hard to convince people of things they are so adamantly against and harder still to rationalise what you believe if you’re not even entirely sure why you believe it in the first place. We are all of us alive and in recognising that, does that make it precious? And if indeed living is not a happy thing, why then should we fight so hard to preserve it? I felt upset as I watched this movie because I’ve been asked these kinds of questions before and it makes me feel stupid when I’m unable to answer. But the only real answer I can give is, everything. And if you can’t see the point then you’re not looking hard enough. Taste of Cherry is beautiful in its exploration of these topics and in its overall presentation, offering some of the best visuals in any movie I’ve seen - fitting for a feature with so much to say about the beauty of life - and an ending that as much pulls the rug out from under you as it does pull you out of the dark and make you realise just how lonely you’ve felt.

Bones (2001) - 2/10

Snoop Dogg is Jimmy Bones! This film is super funny but I’m not sure it’s trying to be and I really didn’t love it overall. But I do talk more in depth about it in episode 41 of the podcast.

The Duchess (2008) - 5/10

Another recommendation for the podcast. The Duchess was pretty much exactly what I thought it was going to be and there’s a lot to like about it but generally it’s a bit sparse. For more chat on the movie, listen to episode 41 of the podcast.

The Man With One Red Shoe (1985) - 1/10

This was another one for the podcast and man, was it awful. We had to watch it at 1.5x speed towards the end because it just wasn’t getting finished otherwise. To find out more, make sure to listen to episode 41 of the podcast.

The Emperor’s New Groove (2000) - 7/10

Pull the lever, Kronk! Haha! Slays me. I do quite miss this era of Disney, where the animation was hand-drawn and the stories were actually compelling and funny. The Emperor’s New Groove is vibrant, it’s got great characters and memorable moments that will forever be ingrained in the memory of culture. All in all, it’s just a solid flick that doesn’t waste time, developing the standard fall from glory type of arc but smoothly and in an entertaining way.

The Suicide Squad (2021) - 8/10

Oh, bloody hell! They actually made a good one! The Suicide Squad is not only better than the ‘Suicide Squad’ of 2016 in every way, it’s a genuinely great film! This time, James Gunn (director of Marvel’s Guardians of the Galaxy movies) is at the helm and it seems clear that Warner Bros. basically let him do what he wanted with the movie, as it doesn’t seem to bog itself down with the restrictions of a more family-friendly rating. The result of this is a far cleaner, colourful film with a clearer vision that takes from early Vietnam movies and uses that style to craft a superhero/villain movie that differentiates itself among the copious amount of existing films of the genre. The Suicide Squad wastes very little time, introducing fun, crazy characters we’ve not seen on the big screen before and isn’t worried about killing a whole bunch of them, with standouts being Elba’s Bloodsport, Melchior’s Ratcatcher 2, Stallone’s King Shark (expertly rendered with fantastic visual effects), and Robbie’s returning interpretation of Harley Quinn. A lot of Gunn’s trademark sense of humour is laced throughout and more often than not, it hits. The audience at the cinema were truly loving this movie and I’ll admit, I was right there with them. This mix of the gritty, gory and absurd is not something that should work as well as it does but the basic premise of the film is already so silly (and boy, do they know it) that it just works! Certainly one of the best DC movies since The Dark Knight and one I’d be more than happy to watch again. This is what the modern comic book movie should be: just balls to the wall fun!

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charminglyantiquated · 5 years ago

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I just saw cats

bc I’ve heard it’s an indescribable feverish neon nightmare. and that’s … sort of up my alley actually. and boy howdy it delivered.

(full disclosure: my fiance and i smuggled whiskey into the theatre, because we were both fully adamant we weren’t seeing it sober. I do not know if this helped or hurt the experience. but it certainly enhanced it.)

the first scene alone is just. god. it feels like how sleep paralysis feels. all the cats are creeping around on all fours, and some of them have human feet and some of them have furry, sort of club-like human feet and some have sneakers, and all of them have human hands and human fingers, which was somehow more upsetting than the CGI. they move like nightmares. there’s no logic to it. gravity doesn’t act upon them.

the protagonist cat - victoria? - is told that victoria can’t be her only name, and she needs a new cat name, and also a new secret cat name. she doesn’t gets either of these.

the magician cat’s eyes are so red and watery. i hate it. get eyedrops

look, i’ve seen the posts much like this one going around. i knew jennyanydots unzips her flesh. I knew the cockroaches had human faces, and the mice had human children faces. i wasn’t ready for all the cats to eat the cockroaches, which crunched. or for the cat lingerie. at this point i was covering my mouth with both hands to stifle my horrified laughter.

the grey cat that helps victoria through the whole thing and gets more screentime than most of the named characters isn’t ever introduced. maybe I missed it? he’s just there always. a mystery

all the actors genuinely seemed like they were giving their all. jason derulo especially seemed like he was having a blast. I don’t know if the sincerity made it better or worse.

sometime in here I became aware of how heavily the soundtrack is focused on cats breathing. and I remained aware of it for the rest of the film.

the sizing is wild. there’s one scene where a cat is holding dice the size of his head, and in the very next shot it’s the size of a golf ball.

I couldn’t understand most of what they were saying, which is fine because, again, it progresses like a nightmare rather than a story.

I actually quite liked the tap dancing cat. I am ashamed of this.

i was ready for jennyanydots to unzip her flesh. I WASN’T ready for it to happen twice. beside me, my fiance lost their composure entirely.

idris elba says ‘come with me!’ and zaps taylor swift. they both disappear. idris elba appears again. taylor swift does not.

i don’t want to write about the catnip part. there was a lot of writhing. better writers than me have described it. so much writhing. and panting.

at the very end old deutornomy breaks the fourth wall, turning to look you dead in the eye and address you, the viewer, directly. I legit full-body flinched. i don’t have words to express how much this distressed me.

as old deuteronomy pins you to your seat with her gaze and tells you a cat is not a dog, the magician cat, victoria, and the mystery grey cat are gathered close around her. the mystery grey cat goes through every possible human emotion during five minute monologue. anger. disgust. uncomfortable arousal. outright orgasm? skepticism. yearning. heartbreak. cautious joy. irritation. it all passes over his face, with no apparent connection to anything actually being said.

as we were watching the credits, my fiance said, “judi dench was in this? I didn’t recognize her!” which is, i think, the kindest thing you could say about any of the actors in this movie

there were about a dozen other people in the theatre when we arrived. when we left there were two

I got home and my fiance’s cat wanted snuggling and I realized a few minutes into petting him that I was trying v hard not to actually look at him

in summary: the movie is a surreal garish trainwreck. the experience of watching the movie, knowing what’s coming, is... actually kind of great. it’s exactly as bad as people are saying. that’s impressive. I had fun.

#cats #cats 2019 #alcohol mention

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watevermelon · 4 years ago

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Cheater!Akaashi x Reader

✧ Summary: (Continuation) Akaashi is still in love with you and begs for your forgiveness.

➳ A/N: It surprised me how many people wanted a part 2 to Akaashi’s initial cheating imagine, but here we are!! Ask and you shall receive. People want good things for the reader and I agree -- that’s too bad this is what we got instead LMAO ➳ Masterlist ➳ Part One

--------xXxXxXxXxXx--------

You could’ve gone the rest of your high school career without ever having to hear the word volleyball ever again. The only interest you had in it was from your ex-boyfriend and now any reminder just left a bitter pang in the pit of your stomach.

Thankfully, Akaashi was not in your class and there actually were not any volleyball players in your homeroom. But that didn’t stop them from popping up in your peripherals or in some rumours around school.

Some of the members of the volleyball team would shoot looks at you, whether out of pity or curiosity, you couldn't care less. You fostered your own relationships with the athletes individually - whether it was Haruki’s strange brand of humor, Sarukui’s constant references to memes, or Wataru’s lopsided smiles - you knew them.

You shared, or rather suffered together, in a class with Konoha the year before. A bright first year with no friends yet, Konoha was a nice person and the first one of the entire volleyball team to actually speak to you. He was even the one to introduce you to both Akaashi and Bokuto.

Out of the bunch, Konoha was often a tag-along when it came to hangouts. Whether it was to the arcade or the movie theatres, you and your (ex)boyfriend were quick to include the others. And usually Bokuto and Konoha would come along as well. Looking back, now you felt like an idiot, Konoha was one thing, but Bokuto was always there.

Nonetheless, as a member of the volleyball team, you knew Konoha was close to Akaashi. And there was no doubt which side he would be taking, no matter the moral high-ground.

There was too much history there and there would be no attempt on your part to salvage the friendships you had with the volleyball team.

There was no doubt of the curiosity in everyone’s minds the moment you and Akaashi were broken-up and there was a new person he was holding hands with. It went from general confusion to malicious rumours. Akaashi was the silent boy next door, the person everyone thought to be the perfect boyfriend without a bad bone in his body.

Some said that he broke up with you because you were too mean, too boring, or he simply lost interest in your boring lifestyle.

If only other people knew what he had done to you and Bokuto.

You didn’t believe this was the hill you wanted to die on. And so you ignored the carefully whispers that followed you in the hallways. Your best friends urged you to clear your name - you were the wronged party so why must you be the one to continue suffering? But this was not something you wanted to bring up again, not something you wanted to think about and relive after how painful it was the first time.

But it seemed the volleyball Gods really hated you.

Konoha approached you one day, after class had just ended but before extracurricular clubs were about to start.

“Hi.” He stood beside your locker as you organized your things, “Can we talk?”

You nodded wordlessly, packing up your bookbag and following him out the door. He guided you toward the outside fountain by the athletic building, not many students passing by as they rushed home through the main entrance. A part of you worried that some of the other volleyball members would pass by as you sat there together, but then you realized that it was no longer your problem.

You were seated on the edge, silently watching his pensive expression before he finally turned to you.

“I feel like I owe you an apology.” He started.

“What, why?”

“I could’ve told you a year ago that something strange was happening between Akaashi and Bokuto.”

You felt a lump in your throat, not sure what to say.

He shook his head and turned away, “There was something there even before you two were dating. And so even when Akaashi asked you out, I bet you were surprised?’

You frowned, but agreed quietly with a nod of your head.

“We barely knew each other at the time.”

Konoha scoffed, you were unsure why exactly, but he continued, “Out of curiosity, why did you agree?”

You smiled back wistfully at the memory, remembering how you had excitedly texted your friends on how the Akaashi Keiji had asked you to be his girlfriend.

“It was so simple back then.” You explained, “He was the kind, pretty setter of the nationally-ranked volleyball team. It was shallow, based off of what little I heard about.”

“But you grew to love him.”

“Yeah.” You scoffed, “And look what that brought me.”

“I’m sorry.”

Haruki passed by, texting away on his phone, mind on something else before he spotted the two of you. He waved at Konoha first before his eyes landed on you, widening in obvious surprise before he shot you a genuinely wide smile.

“A lot of them miss you too.” Konoha explained.

“Well sorry, I tend to avoid anything regarding the volleyball team these days.”

“Don’t worry, as much as this sucks, we understand.” Konoha frowned, clenching one of his hands into a fist in annoyance at the situation.

“But I do miss you guys too.” You added.

Konoha smiled, fondly remembering the last time you had all gone to the arcade, “Who could forget the time you beat Haruki at Dance Dance Revolution?”

“He certainly did not.” You recalled, “He kept challenging me all the way up to mid-terms.”

Konoha laughed, no one on the team was able to defeat the libero. And yet here you were, all smiles and confidence radiating off of you, bringing the third year to his knees. It made Konoha wonder if the last year could have been different.

When Akaashi had approached you, Konoha had dutifully stood to the side. The setter was one of his closest friends and never had he approached anyone in the past. He was often busy with the team or Bokuto. And for Akaashi to have asked you, it meant he was serious. And so Konoha had stood to the side, his crush on you mollified if that meant you’d be happier with the setter your age.

If Konoha had the courage to ask you out instead, would you still be close to the volleyball team? Would you be celebrating an anniversary together rather than crying over some lecherous bastard he called a friend?

You sighed and turned to Konoha, registering his earlier words. “Why are you sorry?”

“What?”

“Why are you sorry about what happened with Akaashi?”

“Ah.” He raked an open palm through his hair. “Maybe I could have stopped you.”

“What?” You asked, a confused smile on your face.

“I introduced the two of you after all.” He explained.

“Shut up.” You said in a teasing tone, “No one could have stopped it. I was just dumb enough to fall for him.”

Konoha shot a small grin back at you, “Yeah, you were.”

Sighing loudly, you made sure you had all your stuff before standing. “I’ll see you around?”

“Yeah.” Konoha held out a hand for you to shake, “I hope we can still be friends.”

It was odd, to feel the small blossom of something in the pit of your stomach. This was Konoha, your friend of two years at this point. This was nothing more than him trying his best to affirm your friendship, you reminded yourself.

“I hope so too.”

And, to his credit, he really did try. It was simple things - you had each other’s chat ID’s from your shared class together and, every once in a while, he would send you a meme or a small tidbit of information. You still had things in common, subjects ranging from the current shounen anime and TV shows you kept up with.

It was refreshing to talk to him. Your friends had your back, but the school’s curiosity was not easily satisfied with time. People were naturally nosy, eager to know the true reasons behind your failed relationship. Both you and Akaashi had yet to even address it and it only got worse with Bokuto’s increasing PDA.

Thankfully, no one was audacious enough to actually approach you about the situation. No one else was involved in your relationship and they had no right to actually point fingers.

That was until someone had the audacity to come up to you during the free period, most of everyone on campus enjoying their lunches.

You were sitting at your usual table, waiting for your friends to come from their respective classrooms when one of the more annoying third-years came up to you.

You recognized her as president of the Fukurodani Volleyball fanclub, this should be fun.

“I think you should apologize to Akaashi-san.”

You closed your book and looked up. The usual bustle of the lunchroom was dying down, many people silencing as they turned to the interaction.

“What?”

“For wasting his time - he deserved so much better than you.” She bit out cruelly, the other girls behind her nodding in agreement. “And we all think it’s high time you beg for forgiveness.”

You stood up, pure annoyance rolling off of you. “You don’t even know what you’re talking about.”

“Oh? I don’t?” She challenged, “Why would Akaashi date you of all people? And now that the two of you are broken-up he’s been sadder than I’ve ever seen him! This is your fault!”

You slapped your book down and raised your chin, “If that’s what you honestly think then you’re as ignorant as you are a meddling piece of shit.”

The murmurs that followed were obvious, people listening in to your harsh response.

She raised her hand as if to slap you, obviously offended at being called out to the entire lunchroom. “Why I outta --”

But the offending hand never came.

“Leave her alone.”

You could recognize your ex-boyfriend’s voice anywhere. Turning, you saw Bokuto enter your field of vision and grasp at her wrist in a tight hold, held high above your head. Akaashi was standing on the other side in front of you, an arm-outstretched as if to protect you from the group of girls.

“She didn’t do anything wrong.” Akaashi stated clearly, his gaze was unwavering from the girl, but you were sure that the entire room was now listening in. “It was me.”

She stuttered, attempting to save face, “Akaashi-san, surely that’s not true.”

He turned to her, his blank expression now marginally colder. “You have no idea what you are talking about.”

The mean third-year visibility recoiled, turning to you and apologizing under her breath. Bokuto swung her arm away, his glare enough to scare away the rest of the group, but the room was still obviously silent. Bokuto scanned the rest of the room with his tough stare, many people turning away and vainly attempting to restart their conversations.

Akaashi turned to you, an unsure expression on his face. There were words on the tip of his tongue, you were sure, since he looked as if there were a thousand things he wanted to say.

“I’m not going to say thanks.” You decided to start for him.

“I know.”

You wanted to turn away from him again, no words left for you to say or even scream at him through your anger. This was more than just some ex, you genuinely loved Akaashi and thought he was going to be your future. And from the way he acted, it seemed like the setter wanted that as well.

“There’s something I want to say.” Akaashi stated before you could flee.

“Maybe not here.” Bokuto tugged at your elbow, motioning to the nearest hallway with his chin.

You followed Akaashi wordlessly, Bokuto behind you to make sure you didn’t just run away. You sure that there were more than a few dozen pairs of eyes sticking to the backs of your strange trio.

Akaashi led you to a corner, no one to spy on your conversation unless they hung outside the building from the window. He moved to gently grasp your forearms, but you pushed him off before he could get a firm hold on you.

He frowned, but looked at you intently. “I wanted to say I’m sorry.”

“Okay.” You stated back plainly, “I can’t forgive you.”

Akaashi hesitated, a dejected look on his face. “I know.”

Every bone in your body was screaming at you to walk away, to stop looking at his despondent pout and not fall for his sad look. You remembered the first time you fell in love with his smile - how easy he would flash that beaming expression at you. How Akaashi would tell you how much he loved you and it filled your heart until it overflowed.

And now all of those memories were worth nothing.

Screw being a bigger man, your heart had a thousand things it wanted to say.

“I really loved you, you know.” You pushed at his shoulder, “And now I can’t look at you without feeling like I hate you.”

“I know.”

“I was so in love with you I thought this would be it.” You felt your heart crying, but urged the motion down. “Why kiss me and tell me you love me when you had someone else on your mind the entire time?!”

“I’m sorry. I’m so sorry.” Akaashi looked just as anguished, trying to reach out to you with shy hands on your shoulders. “Please just listen to me.”

But you shoved him away this time, “What could you possibly have to say to me?”

“I love you.”

His blue eyes bore right into your own, determined and sure of his previous statement. Looking over his shoulder, Bokuto was standing to the side, his gaze stuck on you as well. How the hell was this normal?

“What?”

Akaashi paused, hands coming up to hold you but stopping short again when he realized that was the last thing you needed. “I’m in love with both of you.”

You huffed and took a step back, what could you possibly say to that? There was a sudden flurry of emotions just whirring around your mind - a rush of elation at being loved, immediately squashed down by the annoyed at Akaashi’s selfishness.

You turned to Bokuto, “You believe this?”

The wing-spiker frowned, but affirmed it in a loud voice. “Yes.”

“No.” You started back quickly, shaking your head. “I refuse to be part of this.”

“It’s true.” Akaashi pushed, moving toward you with an ernst expression on.

“I don’t care if it’s true or not.” You moved away again, but this time Akaashi did not let you evade him. Putting firm hands on your shoulders, he pulled you against his chest. “Stop.”

“I’m so sorry I hurt you, but I can’t.” Akaashi continued, “I love you and it hurts me so much that I hurt you in the process.”

You struggled against his hold until he let go. “How could I listen to you be so selfish?”

“I know.”

“Don’t involve me in this.” You motioned at the both of them in a wide circle.

“(F/N).” Akaashi stressed, eager to get you to see his side, but you wanted nothing to do with him or Bokuto. He broke your heart enough, there was no way you were willing to entertain him back in your life.

“What don’t you understand about leaving me alone?” You raised your voice, annoyed that Akaashi was asking anything of you after treating you so cruelly.

“Please let me explain.” Akaashi kept repeating.

There was nothing, absolutely nothing that Akaashi could say that would ever make you think about introducing him back into your life. He was terrible for lying to you for months, maybe even as long as a year, but you didn’t want to exactly ask the length of his infidelity. He was a terrible boyfriend and an even worse person - you were ready to raise hands at both boys if they didn’t let you go this instant.

Bokuto blocked your path this time, “(L/N), come on we just -- “

“What’s going on here?” A gentle hand fell on your shoulder, pushing Bokuto aside as a new person entered your conversation.

Konoha stood tall behind you, his sudden appearance quelling your rising anger. If not, you were sure that you were going to throw hands with the volleyball boys. Bokuto would probably fight you off, but slapping Akaashi would feel cathartic in a way.

“Ah, don’t worry about it.” Bokuto tried to wave away the other wing spiker. “We’re just talking.”

“(F/N), please. Let me explain it all to you.” Akaashi stressed, moving a step in your direction, to which Konoha challenged when he tilted his head upward.

“Right, just talking.” Konoha murmured in disbelief before turning to you. “And how do you feel?”

“I’ve had enough of this conversation.”

Both Akaashi and Bokuto exclaimed your name in contrasting tones, but you hardened your expression before turning away from them. Konoha still had a hand on your shoulder as you walked back to the lunchroom.

Your friends were already at your table, some of them standing around pacing while others were angrily chewing into their food. A chorus of your name followed as the two of you neared the table, some of them getting up from their seats to give you a comforting hug.

“(F/N)!” Your best friend was quick to rush you, crushing you between her arms. “We heard that Akaashi and Bokuto basically ushered you away.”

“The whole lunchroom was basically watching that door.” Another stated, pointing to the one you just came from.

Your best friend put her hands on your shoulder, steading your attention back to her. “Please tell me you remembered that men ain’t shit.”

Konoha laughed as he put a mocking hand of offense over his heart.

“Yeah, yeah.” You assured her, “I’m not about to make the same mistake again.”

“Good.” She confirmed, before turning to Konoha. “Okay, only Konoha has rights.”

“Thanks.” He stated back half-heartedly, guiding you back to your lunch and taking the seat beside you.

“When people told us they took you away, we weren’t sure what to do. Go after you? Call you to give you an out? We didn’t even know how long you had been gone for!” She explained, “Thankfully Konoha here came to the rescue.”

You turned to the wing-spiker, smiling as you did so. “He really did, thank you.”

He reflected a similar expression back at you, holding your gaze before springing away to take out his own lunch out of his bag.

“I take it back, the volleyball team has no rights with the exception of Konoha.” One of your friends joked.

As for you, you could not help but think back to the fond expression Konoha just shot you. It was so quick, and yet so genuine, you felt it pierce your heart so suddenly just to rip away from you when he turned away. But not in a bad way, per se.

If anything, this was a nice feeling, for a lack of a better term, to have again. You were not totally healed, still angry at both Akaashi and Bokuto for being complete fuckheads. But a part of you was still alive, happy to see Konoha as your friend and just maybe… maybe something else.

Akaashi and Bokuto returned back to the lunchroom silently, having left their stuff at their now fully occupied table. Bokuto didn’t bother to even turn in your direction, but Akaashi shot you a devastatingly sad frown as he passed.

A part of you wanted to comfort it, to leap out at the man who loved you for the past year. But you were thankfully steadied back to reality when Konoha put a gentle hand on your own. Akaashi’s gaze fell to the contact, making him stop entirely in his tracks. It was only when Bokuto grabbed his hand did the setter continue walking, but the shock on his face was palpable.

No matter, Akaashi was the last thing you wanted on your mind right now.

You upturned your hand and squeezed Konoha’s smiling at the third-year before turning back to your lunch.

The situation was far from resolved, you still had another two years at this drama-infested school and Akaashi seemed keen on explaining something to you. You were far from completely healed and it seemed the student body would not let this drama go unnoticed.

But you were getting there.

Little by little, you were re-learning to smile and laugh more. Places on campus were no longer bitter memories, but quiet lessons for you to remember. You had your loving best-friends and suddenly, the kind Konoha, at your side.

You had no worries about the rest of the school year, you would get through this with a head held high.

--------xXxXxXxXxXx--------

A/N: TBH for myself i could see this going both ways; reader saying nah OR reader entering a poly relationship. idk - i’ll write it if someone wants to see that ending but otherwise here we are :):

➳ Masterlist

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mitiass · 3 years ago

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“the untamed” acting ranking

I’ve been a “Mo dao zu shi” fan for a while now but only recently I’ve finished watching “The Untamed”. The show has brought me lots of fun and I genuinely enjoyed watching it. I tend to find the ‘asian style of acting’ more cringey at the times (like yk for example those Indian dramas...) but I was positively shocked with how good the acting is in “The Untamed” so I’ve decided to praise my favourites online.

Disclaimer: English is not my first language; I’m not a professional nor do I have any experience with acting (except for middle school theatre club but yeah...); the ranking contains spoilers; this is only my opinion and I’ll be more than happy to see you sharing your rankings!

1. Jin Guangyao played by Zhu Zanjin

I think that many people would agree with this one. He made it hard for others to beat him when it comes to acting. Not only did he have a hard role but also he managed to make a support role into one of the most eye-catching characters. He made an incredible job with all the facial expressions. Especially I loved the moments when he acted angry/sad but then immediately turned back into smiling (off topic but he has a gorgeous smile). The smile itself was also very special, it showed how much his character was rather mysterious and suspicious than genuine and kind. Many times I caught myself taken aback by all the gestures and movements that reflected Jin Guangyao’s personality perfectly. The last episodes when we got to know more about Mengyao’s intrigues and his past were more than a pleasure to watch. Basically Zhu Zanjin carried the show even though the character he played wasn’t the main one. (pls i can’t shut up about how good Zanjin’s acting was)

2. Wei Wuxian played by Xiao Zhan

He would’ve been on the first place if not for Zhu Zanjin. Of course he had been picked for a main role for a reason. He had lots of hard scenes to play. Some of them were more aggressive, some more moving, touching and some funny. He gave in all of those scenes his all and it shows. Although some of his scenes I found ‘cringey’ he did an amazing job capturing Wei Wuxian’s personality, style of being and facial expressions. I fell in love with his mischievous smiles, smirks and chuckles. Just as perfectly as he gave away Wei Wuxian’s funny side he also acted just on the point in more serious moments. I’m not the type to cry while watching movies, TV series or anime but some of the touching, moving moments made my vision go blur. The scene on Burial Mounds when he couldn’t do anything when Wen Qing, Wen Ning and the rest of still alive Wen sect were giving themselves away to other cultivators made me cry a lil’ bit. Xiao managed to make all the scenes move me deeply. Sometimes I felt heartbroken, sometimes pissed off, sometimes I laughed so hard i couldn’t catch a breath and sometimes his acting made me feel warm. Xiao Zhan really deserved the main role. Not only his amazing and helpful skills as an actor (like memorising his lines very fast) but also the fact that he managed to evoke so many emotions in me whitin those 50 episodes, are the cause why “The Untamed” is such a high quality TV series.

3. Xue Yang played by Wang Haoxuan

Wang Haoxuan played one of the darker characters and he did it perfectly. Xue Yang himself is also a very well-written character. After we get to know his backstory, even though we hate him for all the things he’s done we cannot decide whether to still despise him or pity him instead. He’s just that type of a villain. But now, about the acting, there’s the similar situation like with Jin Guangyao. I just fell in love with the facial expressions and body language. Xue Yang’s evil smirks, posture and gestures just scream ‘menace behaviour!’. I totally fell in love with Haoxuan’s acting during the ‘blind girl arc’, especially that one scene when Xue Yang cried after Xiao Xingchen’s death even though he was long-life enemies with Xingchen and Song Lan. It is quite common in many books, series, movies, etc. that villains are better written characters personality and backstory-wise than some of the main protagonists and “The Untamed” isn’t an exception (maybe except for wei wuxian:]]).

4. Jiang Cheng played by Wang Zhuocheng

Even though I found Zhuocheng’s acting rather awkward quite often I still placed him on the 4th place because he really deserves it. I think that Jiang Cheng is one of the hardest characters to play with all his strong facial expressions and bold, effective movements. Zhuocheng captured Wanyin’s temperament perfectly and countenance was mostly just on point although sometimes a little bit too much. Also Jiang Cheng had quite a lot emotional scenes with lots of crying involved and he did and amazing job going through them. For example one of my favourite scenes of all(!!) was this one when they were kind of held hostage by Jin Guangyao and Su She and they talked about Wei Wuxian giving his golden core to Jiang Cheng. I was entirely moved when Wuxian brushed away Jiang Cheng’s tears.

Special mention: Lan Wangji played by Wang Yibo

Of course I wouldn’t ignore Yibo’s acting, it’s just, I couldn’t place him anywhere in this ranking since his acting is quite special. He had to play more of a gentle and peaceful character while others had a lot of strong facial expressions and sudden movements. Wang Yibo had a hard job since he had to act more with some subtle body language. Also he had a lot of fighting scenes which are really difficult to act since battling with a blade is not so common these days. He did an amazing job and in my opinion he just fits perfectly to the role of our beloved Lan Zhan.

~~~~~~~~~~~~~~~~~~

So there are the actors who really moved my soul and mind while I was watching “The Untamed”. Of course all the actors did a great job and I don’t want to forget about my ladies Wen Qing and Jiang Yanli and also about other characters like Lan Xichen, Nie Huaisang, Jin Ling, Lan Sizhui or Jin Zixuan who also had their moments of glory. I would be able to talk about everyone’s acting skills for hours and hours but the post would be just too long to go through it in one go. I really had a great time enjoying mdzs content and I hope you had too! :]]

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organic-guacamole · 3 years ago

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showtime

episode 211 let's go

ok first of all, this is the second to last episode guys... I don't even wanna think about how much pain I'll be in after next week's episode

mr mazzara doing the recap-

this is so weird to me and I don't know why

WHY DIDN'T YALL JUST ASK BENJAMIN FOR HELP, THATS LITERALLY HIS THING

is Nini giving out the cards a callback to season 1 when Natalie Bagley said that Nini gave her a card or something on opening night of another musical?

STEPHY AS THE ENCHANTRESS OMG YES

Ricky in the crown gives me Harry styles in that photoshoot vibes

he's so pretty.

ok but why did we never see Ricky and Ashlyn interact before? it's been like 5 seconds and I already love how they bounce off each other and it's just so natural

OH THEY REALLY DON'T HAVE ANY UNDERSTUDIES-

well that explains a lot...

so Ricky fell on top of Ashlyn and all that broke for both of them was their wrist-

insert Jake Peralta *coolcoolcoolcoolcoolcool no doubt no doubt no doubt*

of course howie was amazing as the beast, were we expecting anything less??

Ricky is so beautiful and I will not shut up about it....

let me enjoy this before the makeup crew slaps mud on his face.

Nini and Ricky talking to eachother? in a civil manner? wasn't she avoiding him just in the last episode? hm ok

HAHAHAHAHAHAHAHAH THEY CANT EXPRESS THEIR FEELINGS JUST LIKE ME HAHAHAHAHA THIS IS HILARIOUS, WHATS NEXT? THEY CUT EVERYONE OFF CUZ THEY CANT HANDLE EMOTIONS? ...ha

yes Kaden and Rico, my favourite east high boys 🥰

I mean....where's EJ?

THERE HE IS

EJ AND GINA IN THE BACKGROUND... doing something idek

KOURTNEY'S MOM IS BACK YAY

Howie is a shining star, ofc ofc

the smallest fOrk

can't wait to see the fork burst into song about how she deserves more than to be used to eat salad😌

the duster and the bluster.... ok😃

hi Gina!

hi- oh wow I didn't know Robbie Rotten was in this show!!!!!

the portwell look.

that my friends, is a married couple's look✋

GOSH EJ WHAT DID THEY DO TO YOU

aww Gina's so excited for this

D word?

Die?

Delicious?

Dom Toretto?

"good, clean fun all alone with someone I dig...a lot"

sir that does not sound very clean to me

SEBLOS

Seb looks so cute standing there next to pope Carlos

DID THEYEY REALLY LIGHT ANTOINE ON FIRE-

I NEED TO SEE THAT

Seb's reading Carlos better than big red read the script in episode 102, this is great development after the "fight"

Kourtney really just made the best outfit for herself and let the rest of them suffer

the way Gina immediately goes to hold on to EJ after the announcement

"tonight we're going to put the U in UTAH"

...

"hey where are you from?"

"TAH"

SEB'S SINGULAR CLAP KILLED ME-

he's officially salt lake city's resident thanos

just wity clapping because for some reason I have a feeling he doesn't know how to snap his fingers...don't ask why

Ms Jenn do you mind encouraging your leads before the show? idk just an idea

pepto bismol product placement smhsmh

those flowers are bigger that big red himself-

*bops along to the opening theme*

that whistle at the end slaps everytime

WHY IS THE AUDIENCE SO MASSIVE

I guess they're all here to see Ms Jenn go on as a fork after Nini decides to *go her own way*

wow i am so funny

so they couldn't do many group scenes cuz of covid, but this 300 person crowd is cool? nice

OO THE VIOLIN GIRL FROM EPISODE 6 IS IN THE ORCHESTRA

HOWIEEEEEE

"Mr Caswell", he said, in the loudest voice possible while backstage at a show that's about to start.

Mazzara what are you trying to pull-

I usually like Benjamin but I don't like his tone

"iS yOuR wHoLe FaMiLy HeRe?" LIKE YOU DON'T ALREADY KNOW THATS A SOFT SPOT FOR EJ

"we've had some good conversations these past few weeks"

right so what's going to happen after you graduate?

what does he think of you not going to Duke?

what did he say about you giving the sweatshirt that's been in the family for 3 generations to a girl you're not even dating?

good old Mr. M

therapist Mr. Mazzara, they all need it.

start with Ricky though.

"Michael Bowen"

dude why did you shave, now you look less like "hot lumberjack" and more "creep at the gas station"

OH-

does she not like Mike anymore?

why does it sound like jennzzara started dating and now they just sit back and talk smack about everyone in their freetime

break the fourth wall-

uhhhh im scared

why am I scared

he's scary

hehe flowers for Ricky, obviously for Ricky, ObViOuSLY

oh boy poor Michael

this man is in love, rip

why does Ms Jenn always look at people with her eyes open so wide

LILYYYY

I'm only excited because I really like the idea of lily and Ricky being friends, nothing more.

ha this guy's got jokes

a MOAT AROUND THE SCHOOL

wheeze

also he's very pretty.

"the wolves and very talented humans"

how dare he forget to mention the very talented wolves and normal humans, smh erasure

"being nice, what a concept" ted talk by Lily who still doesn't have a last name

did she just say lol out loud

same with the hug emoji last episode-

go touch some grass babes

the way he didn't say no, but said he didn't know how the east high kids would react-

not saying he does want to date her but that's an interesting thing to think about, also another thing to write an essay analysis on just to leave it in my drafts for a few months

awww lily genuinely trying to help him

sorry guys, I've been taken by the Lily charm (didn't know it existed until now but oh well)

REMEMBER WHEN I SAID I'LL NEVER SHIP PORTWELL?

just look at me now

the Lily wink I can't she's so cute-

HELP ME I'M BEING HELD HOSTAGE BY LIL-

David Attenborough?

oh nvm it's Benjamin narrating the show in a really weird British accent for some reason.

STEPHY GOT MORE LINES YAY GOOD FOR HER

also is this to show that Nini doesn't care about being the star of the show anymore? the way she's supporting everyone else even though she's a fork?

I would pay for a special of the full musical ngl

OOO THE TRANSFORMATION WAS SMOOTH

shockingly

yo where did the makeup come from

man I wish I was a theatre kid

THIS IS STEPHY'S EPISODE NOW IDC✋

my girl is starring

"needs an X-factor"

Simon Cowbell creeps in

"it's a yes from me"

and them boom, he takes Nini and mistreats her horribly and then she comes back to theatre after deciding music isn't for her👍

"I thought she just hog-tied him?"

don't ask sebby, it's better if you don't know.

imagine they spotlight the wrong person and this dude is just some random person that likes writing down stuff during shows.

Ms Jenn just let them do what they rehearsed (at some point we never saw) or else this is gonna end horribly wrong

"help"

same Carlos, same

I love how seb is just his translator rn

I thought he said "great displeasure" instead of "greatest pleasure"....help?

big red coming out from throwing up to see his girlfriend star is the cutest thing in this show.

Ash and Gina dancing is so fun

I'm imagining them practicing at night at their home, watching the movie for the 100th time and making sure their one dance together is perfect

KOURTNEY YES

HOWIE IS IN LOVE AHHHH

I LOVE HOWIE SO MUCH

SEBBY

THIS SCENE HAS SO MUCH GOING ON I CAN'T KEEP UP

THIS IS SO GOOD

HOW???

no because I'm actually crying

I'm dead serious.

we need this musical released as a special

big red is so proud and I love to see it

Natalie: "if you do not by at least 20 dollars in concessions, you do not support art"

rando in the audience: "but I pay for ad free Spotify"

Mr Mazzara clapping in the distance

Gigi, the guy you like is talking to you, complimenting you and hyping you up

YOU LUCKY LITTLE FEATHER DUSTER

aw EJ teasing her about the chocolates in a way that doesn't make her feel bad? take notes Richard

JORDAN FISHER

there is no rest of the show idc Jordan is it for me

THE WIG CAP ON RICKY OMG

they look like they're high and having "deep" conversations on the floor

THE MEAN GIRL WITH THE EYES-

@sunshine-julie-molina YOU HEAR THAT

Natalie really just be coming for them all

Howie what is happening rn

I'm scared

"did you enjoy it"

"very much"

dude wants a kiss so bad

ASHLYN OMG

NO DON'T DO IT BECAUSE OF LILY, PUT YOUR OWN TWIST ON IT

I want a Jordan autograph please

just keep swim- oh pushing...

Gina is literally a giant next to him and I live for it

am I about to cry for the 3rd time in this episode?

yes.

Ricky's leg kicks under the table makes me so happy aw

the portwell glances will kill me.

ah yes, mashed potato snow

Mr. M.... I'm not a theatre kid but even I know you can't have your phone on backstage.

Howie please just do it

CHIP'S BIG LINE I CANT

I LITERALLY HAD TO PAUSE IT AMD SCREAM INTO MY MASK FOR A SOLID 2 MINUTES (I'm not at home rn) HES SO CUTE

oh ok bye Jordan

oo tea

NOT HIM BEING STARSTRUCK BECAUSE HE'S MEETING HIS FUTURE BROTHER IN LAW-

"we're all just glad Gigi has a big brother figure in her life"

excuse me for a few thousand hours while I laugh hysterically

THE CAMERA ZOOM ON EJS FACE AND EVERYTHING-

STOP EJ LOOKS LIKE HE'S GONNA CRY BUT I CAN'T TAKE HIM SERIOUSLY WITH THE STAGE MAKE-UP

someone else said this already but I think it's hilarious that they had to bring in 2 guest characters to create some portwell angst

omg this really is Cici's episode, found family is their thing

elevator music lol

I'm gonna bet that big red took the harness for his surprise for Ashlyn without realising what it was

did Ms. Jenn just....tell her most mentally unstable student....to commit suicide....on a disney show...was that....I'm very....well....what the actual-

oh and there she goes running off instead of trying to make it right

oh wow Nini's the hero, she's gonna save the show 🤩

😐

the judge is doing a sudoku

honestly if I went to the hsm show as well, I'd come prepared for this one too

Lily why are you looking like that-

I WAS JUST STARTING TO LIKE YOU DON'T MESS THIS UP

wow ok, there goes that.

omg

what if Howie was acting weird because he knew what Lily did and wanted to tell Kourtbut Lily threatened him so he was scared to-

anyways see y'all clowns next week when we all simultaneously lose all motivation for the week without Fridays to look forward to.

#hsmtmts #hsmtmts s2 #hsmtmts season 2 #hsmtmts spoilers #ej caswell #gina porter #ricky bowen #nini salazar roberts #seb mathew smith #carlos rodriguez #big red #ashlyn caswell #kourtney greene #howie my pizza king #lily hsmtmts

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terpia · 3 years ago

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Early Modern Drama Rec List (Non-Shakespeare)

So I just spend a year reading a lot of early modern drama and I thought I might as well put my degree to a good use and make a list of some of my favourite lesser known (i.e. not written by Shakespeare) early modern plays. All of these plays are in the public domain, so it should be very easy to find them online.

Comedies:

The Roaring Girl by Thomas Middleton and Thomas Dekker - a fictional story featuring a dramatized portrayal of a real person, Mary Firth, also known as Moll Cutpurse. Moll was a notorious pickpocket, wore a doublet and breeches, smoked a pipe, cursed, and was generally infamous for her 'mannish' behaviour. And she's a character in this play!

It is open to interpretation how positive the play's depiction of Moll really is, but she does play a very important role in getting the main pair of lovers together and ends the play happily continuing to live her life the way she wants, which is in itself pretty incredible. Overall, just a really fun read.

Galatea (or Gallathea) by John Lyly - a 16th century play that is both gay and trans??? Sign me up! In a village where the fairest virgin needs to be sacrificed to Neptune every 5 years (or he'll drown everyone), two fathers decide to disguise their beautiful daughters as boys and hide them in a nearby forest. While wandering around the forest the two girls meet and, falling for each other's disguises, fall in love. In the end (spoilers for the ending, but this is not exactly a play you read for the plot, lol), Diana stops Neptune, the two girls find out each other's true identities and decide they're still in love, and Venus turns one of them (we never find out which one) into a boy so that they can get married.

As must be clear from this summary, this comedy plays around with gender a lot. To add to the gender cocktail, remember that the two girls would have been originally played by boys. Although the ending was seen as heteronormative by early queer critics, the emergence of trans criticism within queer theory has led to a lot of interesting readings of the play. Well worth a read.

(also, if you have a device on which you can play DVDs and some money to spare, consider buying a DVD of the Edward's Boys production of the play. Edward's Boys is a group that replicates the format of early modern boys' companies, with all roles in their productions being played by boys. I will admit, when I bought a DVD of their 2014 production of Galatea, I expected to watch a glorified high school performance, but it turned out to be so good. All the boy actors were amazing, way better at performing Shakespeare than a lot of Hollywood actors. This just straight-up felt like a professional theatre production, I highly recommend it.)

The Knight of the Burning Pestle by Francis Beaumont - I don't even know how to describe this play other than 'fantastic and fun'. A meta-theatrical city comedy, which starts with a pair of audience members (who were actually two dressed-up boy actors from the boys' company performing the play) jumping onto a stage and demanding to see a different play than the the one being set up. Things get only wilder from there.

A genuinely really funny play. I don't know of anyone who has read it and hasn't immediately loved it.

The Sea Voyage by John Fletcher and Philip Massinger - one of the least well known plays out of this list, which is unfortunate because this play is really fun. Short and sweet, it's a story of a bunch of (surprisingly honorable) pirates, who get shipwrecked on an island inhabited by a tribe of Amazon-like women. Predictably, hijinks ensue. An interesting look into early modern gender relations (apparently the main reason why living without men would be difficult for women is because of how horny they would get? I think Fletcher and Massinger need to take a lesson or two from Lyly).

The Alchemist by Ben Jonson - want to see three assholes con a bunch of idiots in increasingly ridiculous ways? Then this is the play for you.

Jonson's city comedies, which satirize the people of early modern London, tend to be much meaner in tone than Shakespeare's comedies and the other comedies on this list, but in many ways, that's what makes them fun. Viciously clever and at times really funny, there's an edge to the writing that makes it very entertaining. I had a lot of fun reading this (Jonson's Epicoene is also great, if you want a comedy that's even meaner and also has some very questionable gay stuff in it).

Tragedies:

Doctor Faustus by Christopher Marlowe - probably the most famous non-Shakespeare early modern play, and for a good reason. It has everything; pacts with the devil, a melodramatic anti-hero protagonist, homoeroticism (I mean of course, it's Marlowe), and a suitably gory and tragic ending. What more can you ask for?

The Tragedy of Mariam by Elizabeth Cary - this play is more interesting than fun, but I think it's still well worth a read. It's the first original play written in English by a woman. The play takes place in ancient Palestine. It looks at the way Mariam, a Jewish queen, reacts to the news of the death of her husband, the tyrannous Herod (yes, the baby-killing guy from the Bible). Most people seem to be relieved. Except oops, Herod is not actually dead.

A fascinating look at gender ideology in the early modern period, with the play centering around the conflict of a woman who tries to live up to the ideals of a perfect wife and woman, while stuck in a marriage to a tyrant. This play would also be a great read for anyone interested in how gender and sexuality intersected with race in early modern England, because this play uses a lot of racialized language to describe women.

The Duchess of Malfi by John Webster - a classic revenge tragedy. A recently widowed Duchess wants to marry her steward, but her asshole brothers throw a fit. Intrigue and death ensue. At one point a fake wax hand and some fake wax corpses appear on stage.

This play basically reads like a good thriller. Fucked up in a way that only an early modern revenge tragedy can be, this is a fun and thrilling read.

The Changeling by Thomas Middleton and William Rowley - speaking of fucked up. If you're planning to read it, be mindful that this play contains sexual assault. It's a story of a young noblewoman called Beatrice, who wants to get rid of her fiancé after falling in love with a visiting nobleman. To do it, she enlists the help of her villainous servant De Flores. Things end up going extremely badly.

This play can get very uncomfortable at times, but just like The Duchess, it's as gripping as any good modern thriller. Very engaging. The ending is as engrossing as it is stomach-churning, although probably not for the reasons it was originally meant to (reading criticism about The Changeling, it is genuinely shocking and disheartening to see how long it took for critics to start addressing the clear issues of consent in the play). The story also includes a bizarre virginity test that uses a potion which makes you drowsy or which makes you sneeze and laugh depending on whether you had sex or not, so hey, at least that's fun?

Antonio's Revenge by John Marston - ok, so this is definitely the least... good of the plays I've recommended so far, but listen. Do you like trainwrecks? Do you like violence so over-the-top that people to this day wonder whether it's actually supposed to be a parody of the revenge tragedy genre? Are you looking for a reading experience that will make you go 'what the fuck' throughout? If so, this is the play for you!

Very much in the so bad it's good category. Ridiculously gory. The only thing that makes it better is knowing that it was originally played by children (on a related note, I haven't seen this production, but I know that this play has also been played by Edward's Boys). If you like horrible, gory horror movies, you'll probably enjoy this play.

That's it for now! Hopefully at least a few of these plays catch your interest.

Btw, LibriVox, which is an organisation that makes public domain recordings of public domain texts, has most of these plays available as free audiobooks, if you're interested!

#early modern drama #early modern england #book rec #i don't know how else to tag this #i keep spending way too much time on these extremely niche posts #but hey i had fun writing this and maybe it'll end up being useful to someone who knows #alex's boring history corner #kind of???#shakespeare

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wistfulwatcher · 4 years ago

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Hello I saw your tag on that "im 25 and dying post" please tell us how it got better for you. Im 26, still living with parents, currently having a fight with my boyfriend, and i still have a year until I get my bachelors. The comparison to everyone younger than me is killing me.

I'm really sorry to hear that you're struggling, but I hope you can take some solace in the fact that that post has a lot of notes and you are absolutely not alone in feeling the way you do! I can certainly try and share my experience, but unfortunately I think the biggest factor is just time (and like, a buttload of self-reflection).

I moved back home after college and worked full time at an administrative job I was doing during school breaks. I majored in psychology and anthropology in college, and was planning to eventually go into forensic psychology, but wasn't interested in going straight into grad school. So I did that administrative job for about a year, and tried to find something that was a bit more stable and at least semi-related to my field. I did end up finding a new job when I was 23 - stable, semi-related to my field (a psych/research background was required), and decent pay (especially as I was still living at home). Exactly what I needed, since I still wasn't ready to start looking into grad school.

I was doing pretty well, until I started getting comfortable at that job, and then I started getting hit with the "I'm not doing enough," and "I need to look into grad school," and "will I ever find a boyfriend?" (friendly reminder that 23-year-old me thought she was straight, yikes), "how will I afford to move out, I have to save my money and do it soon!", "I'm not doing anything but watching TV, I'm wasting my life," "I'm lonely, but I'm too tired to try and make friends," etc., etc.

But it wasn't constant. I'd have a flurry of those questions and fears, and then days where I was just living life and doing my job and taking care of my dogs, without any of that. And I don't think I felt good or particularly comfortable those days, it was more like I just wasn't actively thinking about it, like when you feel "good" after a physical pain goes away and you're just normal.

Eventually, I started thinking about all of these concerns I had, and the fact that it felt like it was URGENT whenever I thought about them. It felt like I needed to get my shit together immediately. I also started to acknowledge that there was this big sense of guilt around those concerns; I was too old to be living at home, I was too old to be single, I was too old not to be starting a career. I felt like I was wasting my life (cue the guilt), and I realized that part of why I felt like I was wasting it was that I felt like I was missing milestones I wouldn't be able to do at a later time because the older I was past "normal" the more humiliating it would be to try (cue the shame and embarrassment, hard).

I also started to doubt that I wanted to go into forensic psychology. More importantly, I started to seriously doubt that I wanted a "career" at all. My job (as I kept that same semi-related to my field one) was absolutely a job, not a career. And I think this was a huge tipping point for me, because a career had always been a given in my life. I'm passionate about what I'm interested in, so it literally just never occurred to me that I would be content with a job. I also started acknowledging that I had some messed up associations about being content with a job meaning that I was lazy (because the only way to be ambitious is with a career and, more damaging, a lack of ambition is fundamentally bad).

Now, I need to clarify that all of the above occurred over the course of years. I was constantly seeing "friends" (i.e., of the facebook variety) go to grad school, start careers, get married, buy homes, etc. And with all of that alongside the entire mess I've outlined in the above paragraphs, it was really, really, tough. It gets hard to find a foothold in better thinking, I believe, when seeing all of these people (some younger) doing things "right" was really just compounding my guilt and shame. (I feel like it's worth mentioning, too, that I was always "an individual" growing up, march-to-the-beat-of-my-own-drummer, yada yada. I feel like that's worth pointing out for others who may be in the same boat, because I think it can lead to another layer of shame in comparing yourself to those around you - especially if it's a big part of your identity that you DON'T do that, because I think it's inevitable as you get older, and you're looking to reach these milestones that prove you're an adult.)

So, here I am, acknowledging that I feel guilt and shame about what I'm not doing. And suddenly I ask myself my first really important question: Do I want a career? The question hot on its heels is: Do I want to go to grad school? Honestly, my answer is no. There is nothing in me that's excited by the prospect. But what, does that mean I'm just going to work my job for the rest of my life? How is giving up going to make me feel better about Not Doing Enough?

As I'm opening this door (remember, years), three things happen: 1) I realize I'm gay, 2) I watch Dirty 30, 3) I start playing D&D.

First, realizing I'm gay. Woohoo! Not only was this exciting because girls are amazing, but it made me seriously look at myself. Realizing I had spent 25 years assuming one thing about myself that turned out to be completely wrong made me question everything for a while. I started to ask myself, "Do I really like this?" more often, which seems like a really obvious question, but I'm not convinced that it's one people ask themselves consciously all that often. But once I did, I realized how freeing it was to answer, "No," and move on to something I did like.

Second, I watched Dirty 30, the Grace Helbig/Mamrie Hart/Hannah Hart movie. It feels dramatic to say that it changed my life, but the older I get the more I honestly think it did. Mamrie Hart's character is a dental hygienist who is freaking out about turning 30 and feeling very much like that text post I reblogged. But (spoilers), at the end of the movie, she decides that she loves her job (job, not career!) because it's comfortable and she has fun at work, and that it makes her happy. She has other things going on, but the idea that a character in a film is content with her job and choosing to "settle" into her life as-is and she's genuinely happy about it? I honestly can't think of a single other time I've seen that happen on-screen. I still think about that ending very often. And after seeing it, I started to ask myself another question regularly: "Am I happy?" Again, this feels pretty obvious, but I think there is something incredibly empowering about making sure you are happy on a regular basis, instead of just assuming that you're fine until something hurts.

Third, I started playing D&D. This is not a plug for D&D! (Well, maybe a little.) One thing that happened to me when I started to get into the urgent-guilt-shame-confusion mess of my mid-20s was that I got very much into a routine of go to work, come home, sleep, go to work, come home, sleep, be totally brain-dead on the weekend, repeat. I found it very difficult to feel creative because I was just wiped, and as all of my creative outlets (gifs, fanfic) are self-motivated, it was really easy to brush them off. I ended up starting Critical Role (this is also not a plug for CR! well, maybe), and I wanted to give D&D a try myself. (I was VERY lucky - my best friend happened to be listening to the Adventure Zone at the same time I started CR, and she wanted to try to run a game. The stars truly aligned!)

I started playing, then DMing, and found that it was a great fit for my interests. I used to be a theatre kid, and I was getting to act again (something I didn't realize I was missing). I was getting to build and flesh out characters, which is what I love the most about writing fanfic. I was also discovering that I was stretching myself - world building and plot had never been my strong suit, but as a DM it became the majority of my creative effort. It gave me soft deadlines with people I didn't want to let down, and it made me truly social again for the first time since college. Essentially, it was filling in all of the gaps of what I felt lacking in my life. This isn't a D&D plug because it wasn't D&D specifically, but rather a hobby that satisfied what was missing in my life. For example, I didn't realize how isolated I was before D&D until I had regular interactions with friends, and that isolation absolutely made the urgent-guilt-shame-confusion worse.

D&D gave me that final push to realize that I was OK with having a job and being passionate about hobbies instead of trying to fit myself into a career, because I was getting out of that hobby what I had been convinced I would get out of a career. I started to really value that I could punch out and go have fun doing exactly what I wanted to do. (It feels so obvious as I type this, but it took me a long time to get here! Sometimes it really is that simple!)

The above is specific to my job vs. career struggle which may not be in the mix of things you're struggling with. But what I do think is universal/can be your take away, is that sometimes you just have to actively choose to let go of the pressure to be doing things. Which, I know, sounds so much easier than it is (and part of why I think it just takes time/is part of growing older). But I think it's something that can be worked at over time, by checking in with yourself about what you feel, why you feel it, and what you need to make yourself feel better in the present.

It's been 6 years since I started that semi-related job, and I'm still there. I still live with my mom. I'm still single. My circumstances have not changed since 24, but honestly? I'm OK. When I check in with myself about it, I do enjoy living with my mom and our dogs (even though I'm 30 and "real" adults move out). I am happy more often than I'm not (much more, actually!). I have a job that allows me to be done after 8 hours, and I have hobbies I look forward to doing each night (and the energy to do them, most of the time). My weekends are free to play D&D with my friends and laugh until I cry. That is what I've worked out as my definition of what I want life to be right now. You'll notice it includes none of the "milestones" that those younger than me have hit.

As I noted on that text post tag, I still struggle with this. I definitely have days where I think, I'm a mess, I'm not DOING anything. It's hard. But time does help, those days become fewer and farther between.

I know that was probably a hundred times longer than you wanted it to be, but I did want to illustrate just how much of a process it is. It takes time. My summary advice is to check in with yourself often, be honest about what you want and what you need, do not let anyone else define where you "should" be. And if you aren't living life how you want to be, identify what you can do (however small) to make yourself feel like you're getting closer.

#ask #me #personal #i am so sorry this is a novel #i hope that it helps you even a little!#can you believe i can write about myself for 2 hours? embarrassing lmao #long post

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hecallsmehischild · 3 years ago

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Recent Media Consumed

Books

The Silmarillion by J.R.R. Tolkien. About ten or fifteen years ago, I tried to read this and was totally overwhelmed by it. I kept it around, hoping maybe someday I might be able to read it. I finally have, and here are my impressions: WHY SO MANY NAMES. WHY YOU HAVE TO NAME EVERYBODY, AND EVERY TRIBE OF PEOPLES, AND EVERY INANIMATE OBJECT, AND EVERY LANDSCAPE FEATURE. WHY. *ahem* So. I have a general comprehension of the events of The Silmarillion, but I dealt with it by doing what you do for an impressionist painting. I (mentally) stepped way back and let all the names flow by me, and if there were names that were repeated a lot, then I mentally attached appropriate plot points and character details to those names so I could track with who they were and what they were doing. And, actually, I found myself able to hang on and enjoy the book for the most part. This is going to lead into a re-reading of the Lord of the Rings books, since I haven’t read those in about as long…

The Hobbit by J.R.R. Tolkien. I haven’t read some of these books since pre-teen years, with one required re-read of The Two Towers in high school (i.e. it’s been many an age since I’ve read these and my memory of the stories has been far more heavily influenced by the movies). In re-reading the first book, I was struck by the extreme tone shift for the Elves and Dwarves. Elves seem much closer to happy, mischievous fairies than these ethereal, solemn pillars of elegance and grace the movies show them to be. And Dwarves are far more bumbling and craftsmanlike than the movies show. Aside from that, The Hobbit was a pretty solid adaptation from the book, and the book also reminded me that this story was the first time I experienced “NO, MAIN CHARACTERS DON’T DIE, HOW DARE YOU,” and probably was the first book to make me cry. I must have been 8 or 10 years old. I FORGOT HOW MUCH THIS STORY INFLUENCED ME.

A Conflict of Visions by Thomas Sowell. I have a longer-than-usual list of things to say about this book. First is that it was just that level of difficult that I was struggling to understand while reading it (on Audible), but I think I got it. Sowell has several base concepts that I see repeated throughout his books, though he does like to dedicate whole books to specific aspects of the same topic. He is pretty damn thorough that way. So, for example, I would put this book in the middle of a three-book spectrum of similar concepts: Intellectuals and Society (most concrete and easiest to read), A Conflict of Visions (next-level abstraction, a little difficult to read), Knowledge and Decisions (root abstract concept, very difficult, I have not been able to get past chapter 2). The second thing I have to say is about a couple interesting concepts it proposes. Its whole point is to help readers understand the roots of two ways of seeing the world that come into severe conflict politically, and he calls them by their root titles: the constrained and the unconstrained visions. He traces the path of each back through the intellectuals that most spoke of them (tending to contrast Adam Smith with William Godwin and Condorcet). Though he leans heavily toward the constrained vision (based on reading his other works) he does his best to make this book an academic study of both, with both of the visions' strengths and flaws and reasoning and internal consistencies fairly laid out. In doing so, he helped me understand a few things that make this situation really difficult for people on opposing sides to communicate. One of them is that root words and concepts literally mean different things to different people. I had some vague notion of this before, but he laid out three examples in detail: Equality, Power, and Justice. It was kind of astounding to see just how differently these three words can be defined. It makes me think that arguing about any specific issues rooted in these concepts is fruitless until first an understanding has been reached on terms, because otherwise two parties are endlessly talking past each other. Another really interesting idea he brought up is the existence of “hybrid visions” and he named both Marxism and Fascism as hybrid visions. This was especially fascinating to me because I have seen the accusation of “Nazi” flung around ad nauseam and I wondered how it was that both sides were able to fling it at each other so readily. Well, it’s because Fascism is actually a hybrid vision, so both sides have a grain of truth but miss the whole on that particular point. In any case, this was a little difficult to read but had some fascinating information. For people who are wondering what on earth this gap is between political visions, how on earth to bridge the gap, or why the gap even exists in the first place, this is a really informative piece.

Movies

The Hobbit & Fellowship trilogies (movies). I mean, it’s definitely not my first watch, not even my second. But I went through it with Sergey this time and that means the run-time is double because we pause to talk and discuss details. This watch came about partly due to Sergey’s contention that Gandalf’s reputation far outstrips his actual powers, so we ended up noting down every instance of Gandalf’s power to see if that was true. Conclusion: Gandalf is actually a decently powerful wizard, but tends to use the truly kickass powers in less-than-dire circumstances. That aside, this movie series was always a favorite for me. I rated The Hobbit trilogy lower the first time I saw it but, frankly, all together the six movies are fantastic and a great way to sink deep into lore-heavy fantasy for a while. And I’m catching way more easter-egg type details after having read the Silmarillion so it’s even more enjoyable. (finally, after about a week of binge-watching) I forgot how much this story impacted me. I forgot how wrenchingly bittersweet the ending is. I forgot how much of a mark that reading and watching this story left on my writing.

Upside-Down Magic. Effects were good. Actors were clearly having fun and enjoying everything. Story didn’t make enough sense for my taste, but it was a decent way to kill flight time.

Wish Dragon. So, yes, it’s basically an Aladdin rewrite, but it’s genuinely a cheesy good fluff fest that made me grin a whole lot.

Plays

Esther (Sight and Sound Theatres). < background info > This is my third time to this theatre. There are only two of these in existence and they only run productions of stories out of the Bible. The first time I went I saw a production of Noah, the second time I saw a production of Jesus. My middle sister has moved all the way out to Lancaster, PA in hopes of working at this theatre. My husband and I came out to visit her. < /background info > So. Esther. They really pulled out all the stops on the costumes and set. I mean, REALLY pulled out all the stops. And the three-quarters wrap-around stage is used to great effect. I tend to have a general problem of not understanding all the words in the songs, but I understood enough. I highly recommend sitting close to the front for immersive experiences. This theatre puts on incredible productions and if you ever, ever, EVER have the opportunity to go, take it. Even if you think it's nothing but a bunch of fairy tales, STILL GO. I doubt you'll ever see a fairy tale produced on another stage with equal dedication to immersion.

Shows

The Mandalorian (first two seasons). Well. This was pretty thoroughly enjoyable. It felt very Star-Wars, and I’d kind of given up after recent movies. Felt like it slipped into some preaching toward the end? Not sure, I could be overly sensitive about it, but I enjoyed this a lot (though I did need to turn to my housemate and ask where the flip in the timeline we were because I did NOT realize that the little green kid IS NOT ACTUALLY Yoda).

Games

Portal & Portal 2. Portal is probably the first video game I ever tried to play, back when I had no idea what I was doing. Back then, I attempted to play it on my not-for-gaming Mac laptop. Using my trackpad. Once the jumping-for-extra-velocity mechanic came into play, I just about lost my mind trying to do this with a trackpad and gave up. Later I returned to the game and played it with my then-boyfriend on a proper gaming computer. Now, after having played several games and gotten better at "reading the language" of video games, I decided I wanted to see if I could beat the Portal games by myself. Guess what. I BEAT 'EM. Yes, I remembered most of the puzzles in Portal so that's a little bit of a cheat, but I'd say a good 2/3 of Portal 2 was new puzzles to me. It is crazy how proud I feel of myself that I could beat Portal 2, especially. Learning how to play video games at this age has really knocked down the lie, "You can't learn anything." Though I still suck at platformers and games that require precision. Since I find those types frustrating, I probably won't be playing many. Games are about enjoyment, so I'll push myself a little, but not to the point where I can't stand what I'm playing.

The Observer. I like the concept and the art but I don't think I could keep trying to play this game. It's really depressing. My in-game family members all died of illness or accident or committed suicide. I also kept getting executed by the state. In order to keep us all alive I'd have to do pretty terrible things that I have a hard enough time contemplating even in a fictional setting.

Baba Is You. Fun and interesting concept, but I got stuck pretty early on. Don't think I want to push as hard on this one.

#recent media consumed #n00b gamer child #child loves books #child loves movies #child loves shows

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gossip-girl-of-middleearth · 3 years ago

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Please tell us about the cinema, I beg you

Oh boy...that accursed night. If you think fanfic plots are chaotic, just wait for this story.

Story under the cut:

So, I just got this job at my small town’s local theatre. I genuinely enjoyed it, and was quite content with the way things were going—fun shifts, cool coworkers, and a nice boss. So I thought.

I was only two weeks in when the “incident” occurred.

At the theatre, we had to collect a walkie talkie radio at the start of every shift, and sign it in and out with a piece of paper in the office.

It was a little clunky and annoying when cleaning cinemas with vacuums, but nothing to cry over.

One night, I’m put to work with a new supervisor I hadn’t met before and some new coworkers (they’d all been there a while, but this was my first shift with them).

For a little context, I’m 19, and most of the other employees were like 15-17. So, I was basically being bossed around by pretentious, power-tripping kids. Fun.

King Kong vs Godzilla had just been released, so of course, the theatre was packed that night — 130 people per room.

Now, we usually have 20-30 minute intervals between sessions to clean the cinemas, but with the release of a new movie, it was cut down in half, sometimes less.

I was cleaning the most popular cinema that night, and was first told to take my time, as it needed to be spotless. Also, side note, can people please not throw popcorn everywhere? It’s a pain to clean. Then again, I don’t work there anymore nor ever will, so do what you want, I suppose.

My little coworker told me to take my radio off my belt and put it aside to get a good vacuum going through each aisle, as it apparently made it easier, as the cord would sometimes get wrapped around the radio stem.

Fair enough.

I did so, and left it on the wooden platform of the rows to begin vacuuming. He leaves and I get to work.

However, he comes rushing back a few minutes later and says, “what the hell are you still cleaning for?? We’ve got a hundred people waiting outside???”

I’m over it™️ at this point because I only took this job to see the behind the scenes of how a cinema works. I shrug and go, “okay”

I pack the vacuum up and try to leave hastily, as he’s being very antsy and pushy.

He gets frustrated and grabs the rest of my cleaning crap to leave, and tells me to hurry up behind him.

My hands are full and I can’t grab the radio, so I say, “what about the walkie talkie?”

I swear I hear him say, “leave it, there’s no time!”

I shrug and think it’s weird, but trust him to know better.

However, once I dump my crap and prepare to leave, as a hundred people are pushing in behind me, my intuition tells me to grab the walkie talkie.

I rush back in to where I left it, and find it missing

I have a brief moment of “oh shit”

However, I think to myself, “it’s okay, you only took this job for shits and giggles. If they fire you, you have your other job anyways. What’s the worst that can happen?”

If only I knew.

An hour goes by into my shift, and I’m cleaning another cinema with the same coworker. I’ve kind of shoved the walkie talkie thing to the back of my mind, because I was doing a closing shift that night and could probably get away with not facing my manager about the sign out sheet.

However, at one point the boy goes, “where’s your radio??”

Sheepishly, I say, “uh...I left it in cinema 3, like you told me to?”

He sort of pales and I think this little skinny high schooler is about to pass out.

He starts yelling at me and tells me that I need to get my flashlight and start checking every single row in there.

I go, “fuck no, the movie is still going? You want me to flash a torch in the peoples’ faces during King Kong?? The one cinema hosting the entirety of the sweaty balls side of reddit right now???”

He gets very shitty and says, “I’ll do it myself, wait here.”

By now I know I’m in the shit, but shrug and remember I can always escape through the vents if need be.

Now, there was this really fucking annoying 15 year old boy I was working with that night, who’s the definition of the “well aCtUaLlY” guy irl

He comes sprinting into the theatre I was cleaning, and starts literally interrogating me over this walkie talkie. Like, he thinks he’s the “bad cop” or some shit. Other coworkers closer to my age had already warned me about him before I even met him.

The other boy I was working with apparently couldn’t find it, and just didn’t want to deal with the consequences that night so much, that he called his mum to come pick him up early.

Weakling child.

It was at this point that I quietly arrived at the conclusion of “they think I stole it”

I didn’t understand why, it’s a fucking walkie talkie? What’s the big deal? Go get a Dora the Explorer one to replace it from Target??

I let my inner Mickey Milkovich come out, and play cool.

Him: you fucking stole it

Me:

This 15 year old Ben Shapiro-looking fucker starts grilling me, and literally places me under theatre arrest. I wasn’t allowed to leave the room I was cleaning, in other words.

He gets uncomfortably close—just me and this weird boy in this dark theatre—and goes, “I want you to be brutally honest with me...did you take the walkie talkie? I won’t tell the manager that you did.”

If you guys know me well enough from my blog, then you know this boy suffered a great deal of aggressive sarcasm in response.

He gets pissed (brown-noser), and tells me to continue cleaning, as he leaves the theatre.

Only ten minutes go by until he comes back, but this time with “good cop”.

I roll my eyes, and turn the vacuum off.

They stand at the bottom of the cinema blocking my entrance with their arms folded, and start interrogating me about stealing it.

I give them some more Mickey Milkovich sarcasm, as I had already explained to them a hundred times what happened.

They involve the manager (snitches) and now I’m really in trouble.

They force me to go into the cinema whilst the movie is still playing to look for it. Begrudgingly grabbing my flashlight, and preparing for rightfully angry people as I search their crotches in the middle of a highly anticipated movie, I head inside theatre 3.

Fuck doing that though, I watch the movie instead with the people and eat some popcorn.

Figuring a reasonable amount of time to search had gone by, I sadly leave the cool laser battle scene, and head back out.

Me: “I searched and couldn’t find it.”

Power-complex 15 year old with a punchable Ben Shapiro face: “Did you look everywhere in the cinema??”

Me: “Yeah, I shoved a flashlight up seat 33’s asshole and checked it myself.”

Some more pissy exchanges take place, and I’m told to go clean another cinema.

I’m having fun at this point, because I’ve worked enough jobs to know this situation was being dealt with incredibly immaturely by the other staff.

Regarding accidents like these in the workplace, and given how big the cinema chain is, they should know insurance covers a simple walkie talkie, and that assuming the new employee stole something which is misplaced is a bad way to integrate them into your company. It’s simply a bad look for your business.

I’m cleaning another cinema when all three come in, and tell me they’re going to put cinema 3 on lockdown when the movie ends, and check everyone’s bags.

I’m amused at this point, so I really just go “damn bro that’s wild”

They do exactly that, and it’s as awkward as you can imagine.

People are angry and annoyed—all 130 of them at 9:30pm huddled in a group, having their bags searched for a damn walkie talkie.

After discovering no one had actually stolen it, like I said, they start interrogating me again.

“Are you sure it was cinema 3??? Is your memory perhaps failing you???”

“If I say yes, will I go home sooner?” (my shift ended 15 minutes ago, and I wasn’t allowed to leave)

Naturally, I stayed another 40 minutes, and had to search the entire building. I’m talking arcade, toilets, offices—everywhere.

It is eventually deemed completely lost, and I basically end the night saying, “well, I ain’t about to strip nude for you all for a full body search, and although I’ve never had such a fun shift anywhere else, I’m not a fan of work environments that promote skepticism and cohort-wide distrust. I ain’t coming in next week, or the week after that, or the...well, I think you get the point.”

I leave my badge behind, and basically book it out of the cinema an hour after my shift was supposed to end. I worked illegally longer than I was supposed to, and wasn’t given the legal shift break.

I received text messages and emails from the head office shortly after, asking if I was coming back, and ignored them for a little while, as although I can handle irl confrontation, virtual ones spook me?

Anywho, the walkie talkie actually costs $1000, but as mentioned before, I, an adult, recognise insurance covers these sorts of things, especially in companies as big as these.

So, moral of the story, don’t leave 15 year olds in charge of adults, because most of the time, they’re too young to realise what insurance policies are :)

#I have so many more stories like this #and I’m pretty sure I left a few good details out #but it was like 2 months ago so I don’t remember #was a wild night #and I can’t wait to tell it around a fellowship campfire #or to my kids #I’m not kidding when I say I am literally Alvin the chipmunk given how many times I get myself into trouble and sticky situations #xoxo gossip girl

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aceofshitposts · 3 years ago

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I saw that you like CATS the musical. What are your thoughts on the movie?

AAAAH AHHAHA oh man oh boy y'all should BUCKLE IN cuz it's a ride

my simple thoughts? it's entertaining if only because it butchered the stage show so badly in an attempt to idk modernize it? Well, modernization is one part of it I think. The other part I'll go into below lol. I don't necessarily hate some of the more modern renditions of the songs (mostly the ensemble sets like Jellicle Song for Jellicle Cats) but then others are just... so poorly done it's insulting.

I've said this at the end of this whole rant too but I'm gonna put it up here in case people don't (justifiably) wanna see me go on and on about it:

The movie wasn't made for fans of the musical. It was made to make money and I believe they choose, at least partially, to do that through making it the weirdest and worst possible adaptation they could so that people would want to go see the train wreck. Which, really, worked! It was all people could talk about for a good while so like... Goal achieved, I guess.

A MUCH MORE COMPREHENSIVE ANALYSIS UNDER THE CUT cuz i don't wanna. flood your dash with... this

ALRIGHT SO. Most of my friends know I'm actually a huge fan of new adaptations of things. I love remakes (provided the people making it are coming at it with some form of heart and not just... cash grabbing which is more often the case) I love seeing other peoples interpretations of characters, or changing settings. It's one of the reasons I like American comics so much, getting to see different writers takes is fascinating.

I think musical movies can be wonderful ways to introduce people to a stage show that might have been unavailable to them otherwise! Chicago, for example, is one of the BEST musical to movie adaptations in my opinion. It kept the heart of the show, it's funny and the song numbers are done really well.

There are of course other famous examples, such as Grease or Bye Bye Birdie. Hairspray was also a wonderful take. These are simply off the top of my head, there are of course more.

CATS in particular has a history. If you go through my CATS tag you may see a few posts from @catsnonreplica which posts photos from non broadway productions of CATS! It's a fascinating read and I love, love, love looking at the other interpretations of the characters! CATS is a musical full of fun and wonderful characters if you take the time to see past the ridiculousness haha and the Korean and Japanese runs of CATS especially have some of my favourites.

How does this relate to the movie, I hear you say well. As you might has noticed the movie's interpretations of the characters is........ lackluster at best and downright uncanny valley at best.

CATS is, at its core, a ridiculous thing. I will fully admit that! But it's fun, it's entertaining and if you pay a little attention you can actually get the plot. (Honestly I don't understand when people complain it has no plot but that's a whole other rant for another day)

The movie was... obsessed with this idea of like... semi realism? Like obviously, as a fan, I think they should have leaned into the over the top character designs but instead we got...w ell:

Bombalurina:

Demeter left and Bomba right. Demeter was actually cut! From the movie which is. upsetting lmao.

Macavity is one of the worst offenders for me:

Macavity was... I wish I could know what the hell they were thinking there cuz it's even in his song? Ginger cat??? THAT IS NOT... A GINGER CAT...... but I digress. I would show more examples but I think you get the point.

So. We've butchered the characters appearances. Okay that's fine but what about their personalities?

ALSO BUTCHERED.

There's... there's a lot to unpack here. Just for context: the Jellicle Ball happens once a year and the Jellicle leader chooses a single cat to be reborn into a new life. In the stage play all the cats who are nominated for this honour are on the older side (Jenny-Any-Dots, Bustopher Jones, Skimbleshanks, Gus The Theatre Cat, and eventually Grizzabella) AND are always nominated by another cat. Not themself, unlike the movie where they all seem to nominate themselves.

Jenny-Any-Dots went from a doting grandmother figure who's celebrated for her selfless volunteering and tireless work into a conceited, vain younger cat who is obsessed with fame.

It's an incredibly strange dichotomy. I don't doubt some of it isn't the result of the uh people playing the characters honestly. I do think some of them did the best they could! I don't really blame Jason Derulo, for example, for Tugger. And honestly, Tugger was probably closest to his stage version (while being a trouble maker, he's shown to show Deuteronomy an immense amount of respect)

Speaking of Tugger! This will bring us to one of the biggest grievances with the movie and that is how they handled Mr Mistoffelees.

So... Ugh. So. We have Victoria as the pov character, which imo is like whatever in the grand scheme of things, and then we have Misto who they have decided will be get live interest cuz... Of course. Misto is shown throughout the musical to be awkward, unsure of himself and well. Really, kinda incompetent. Which is Wild cuz in the stage show he might be aloof but he's fairly confident in his powers.

So, Old Deuts gets kidnapped. In the stage show Tugger is the one to bring Misto forward! It's really quite sweet, imo, and I'm showing myself as a Tuggoffelees shipper here, but again Tugger is previously shown to be pretty conceited but then here he is boosting and hyping up Misto to bring Deuteronomy back. My friends and I have lovingly dubbed this the boyfriend hype song.

SOMEHOW. The movie manages to make this, easily, the MOST BORING number in the whole thing. Which, again, WILD. Misto awkwardly stumbles through his whole song, which again is... Boasting of his supreme magical powers which movie Misto clearly. Does not have or believe to have. The song, to me, feels super awkward and unnecessarily drawn out in the movie which sucks cuz it's one of my favourites in the show.

The declawing (heh) of Mr Mistoffelees actually reminds me strongly of how they changed Gaston in the live action Beauty and the Beast movie. He's gone from a beloved figure in the animated movie to someone so disliked in the town that Le Fou has to pay people off to say nice things about him. It's just. Wild character choices were made!!

Skimbleshanks the Railway Cat is probably my favourite in movie non ensemble number. It feels the most... Genuine? Compared to the other nomination songs.

Other problems include but are not limited to:

The inconsistent size scale of the CATS which throws me off constantly.

The weirdly overt sexual overtones added to MANY of the songs (Jenny and Bustopher being the worst)

This is just a personal gripe and opinion but I don't like that they used the UK version of Mungojerrie and Rumpleteazer. The American version is both better known and tbh way more fun. Teazer's giggle? Adds ten years to my life every time.

Victoria's added solo song, Beautiful Ghosts, while I like the song as a song it doesn't fit the style of message of the musical. In the movie she's singing directly to Grizzabella who's being an outcast for years that she should be grateful she even has memories of being part of the tribe?? What?? But I know they had to add an original song to be able to be nominated for awards in like the Grammys n shit (which is why all musical movies will have an original song, fun fact!!) kinda funny they went to the effort though considering........... I don't think anyone could have genuinely believed CATS 2019 was gonna win anything but golden rhaspberries.

Movie Mr Mistoffelees has made repeated appearances as my sleep paralysis demon

The various cut characters, shout outs to Jemima, Demeter and Jellylorum especially

Bombalurina being a henchman to Macavity rubs me the wrong way

God I've written... So much. You probably get it by now haha. Like I said at the beginning, I try to go into any adaptation with an open mind but... Let's be honest, this movie wasn't marketed to people who are fans of the musical.

It was marketed, and made, to make money. And they choose to do that through, I think, intentionally making the worst possible version ever. Bad press is still press and the more outrageous people said the movie was the more people wanted to go see exactly what kind of train wreck it was.

Which is a disservice to the stage show, honestly, and all the people who've worked on it over the years.

But what can we do, right?

And besides all that, I do... Still own the movie version and I do still rewatch it on occasion. It is entertaining even if it's in a train wreck kind of way. I usually end up watching the 1998 version, then 2019 and then various tour runs that are on YouTube. (I highly recommend the 2016 tour, it's very good)

So in conclusion. It's fun (?) to watch. I enjoy picking things apart and doing analysis (if you couldn't tell!) so like... I don't hate it?

It did what it set out to do, I guess, and I can't fault it for that but. It's not a fair metre with which to judge the stage show imo. But I know it's not everyone's cup of tea, haha.

Jazz hands. I'm more than happy to elaborate or just chat about CATS if anyone wants! I grew up listening to the Broadway CD since I was a toddler so it's been! A very long standing obsession haha. Probably the only other thing on par with CATS is my obsession with Jurassic Park which I've also been a fan of since I was 3 (but that's a whole story in and of itself)

#astrix thoughts #cats the musical #Thanks for the opportunity to talk about one of my hyperfixations anon!#And to anyone who reads this whole mess lmao

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