#it was 'for the different experience' or some such | Explore Tumblr posts and blogs

spatialwave · 2 days ago

Text

"my ambition" - part three | the prequel

➸ pairing: jayvik x fem!reader ➸ word count: 4.5k ➸ tags: mdni! minimal nsfw, fluffly, poly relationship, relationship beginnings, blossoming love, s1 act 1, no mention of y/n, alcohol use. ➸ notes: so excited to get this out! had a fun time giving this relationship history and i spent way too much time overthinking whether the ending was too rushed or if it was too self-indulgent... and then i realized its a fic so i get to do what i want LOL! pls let me know if you would like more parts, or if you want some drabbles about this specific trio. i would really appreciate it.🥹

<- part 2

You had always been academically gifted. Rising to the top of your classes each semester, pushing aside anyone in your way. Especially for a young woman, who had been accepted into the Academy before you had even finished your secondary schooling – a gifted student with the proudest of parents and professors.

Born with an influx of ambition flowing through your veins, knowing from a young age your duties to the world. It took more than wordy false promises to make a difference to Runeterra, it took action. That’s why you vowed to help Zaun.

What better way to take action, than to help those who had been long forgotten about. You were smart enough to see the way the city had been tossed aside, forgotten about, while Piltover only continued to grow and thrive. There was sickness festering underneath, people dying because of the less-than living conditions and poverty that swallowed it whole.

There were many days when you wondered if it was too much, if you, as a topsider, could actually make a difference. Would anyone want your help? The bigger question being – how were you going to help?

Then, you met Viktor.

That was when your ambition rose higher than ever. A smart, young man a handful of years older than you – a man from Zaun himself. The youngest assistant to the dean, a title that was hard to come by, and rather jealousy inducing.

You’d weaseled your way into his life quite easily, finding him in the halls and striking conversation whenever you could. He was polite, and good at slipping away when your attention became overbearing. You couldn’t help your over-excitement for a scholar from the undercity. Someone who matched your levels of ambition. Someone who was able to teach you about the place that had been nothing more than whispers and off-hand comments by your peers.

You fell in love. Quickly, and hard.

Viktor, too. It was your smile, your innate excitement, the genuine intrigue you had of him and how he was able to share the experiences of chronic illness with someone who wasn’t just a damned doctor – someone who understood the pain. How could he not fall in love?

Viktor found himself appreciating you more and more with each passing day, wondering when you’d sneak through the halls to find him to share your newest revelation.

Wondering when he could be expected to be pulled into a broom closet so you could ravage his lips with your own. He hadn’t been so experienced with romance until you appeared in his life, content with focusing on his studies at the academy. You changed the trajectory of his life—and so had Jayce.

”Hextech?” You raised an eyebrow, sitting on a stone bench within the academy courtyard and holding a half-eaten apple in your hand, “I don’t know. Sounds… unstable,” you murmured honestly, looking between Viktor’s eyes as he stood in front of you. You took another bite, the sweet flavour calming you.

You had to admit, as much as you were uncomfortable with this new scientific breakthrough, so to speak, you had never seen Viktor quite this excited about anything.

“Precisely,” Viktor said, eyes practically shimmering as he spoke to you, “that’s why you’re going to help.”

“No way,” you huffed, standing on your feet and waving him away, “you just told me that all the work got confiscated, how the hell would I even help?” You spoke in a hushed whisper, as if Heimerdinger himself was listening in to the conversation.

“Eh, confiscated is a loose term,” he said, taking a step toward you, a gentle hand on your shoulder. You tensed at the touch, turning your head from his gaze and shaking your head adamantly.

You had morals, and perhaps you listened to the dean a bit too much at times. Science was incredible, but ethics were important, and the explosion was proof that it was an unpredictable type of magic. If Heimerdinger made the call that hextech was unsafe, a yordle with decades over your own experiences, then you should listen, no?

“It has the capabilities of helping more than just the city,” he urged, fingers tightening on your shoulder, “Please. Let us show you.”

Those words tugged at your heartstrings, leaving you conflicted as your heart yearned to know more. You took a deep breath, closing your eyes momentarily as your mind reeled at all the possibilities.

The first image to pop in your mind was the proper union of Zaun and Piltover, an incredible feat that no one could ever pull off. No more distinction between the two – just one beautiful place to live. Your dream.

Could hextech really be the key?

“Fine,” you sighed, crinkling your nose and opening your eyes, “but I’m under no obligation to like this Jayce guy, he sounds like he doesn’t know how to properly take care of his research.” You looked up at Viktor through your lashes, watching the way the corners of his lips curved into a small smile, “Why are you smiling like that?”

—

“Crank it!” Jayce exclaimed from his chair, eyes full of childlike wonder, as Viktor stood at the chalkboard, crossing through equations and murmuring about the research he was still properly acquainting himself with.

You, however, stood next to Jayce, chewing hard on your bottom lip as your partner agreed with his words.

It all seemed fine, plausible, even. Yet, you remained apprehensive.

“And it if it doesn’t stabilize, what then? Part two of the great blue explosion that destroyed your apartment?” You asked, eyes focusing on the man sitting, his honey-coloured eyes shining as they watched you. Your stomach twisted tight, hating the way he made you fill with butterflies.

You knew him for less than twenty-four hours, and he already had you twisted around his fingers. Gods.

It was completely unfair to be caught between them both.

“It’s worth a test,” he was adamant, then a sigh left his lips, “but we don’t have access to my equipment.”

“Which is being destroyed tomorrow,” Viktor murmured, eyes back on the chalkboard and fingers touching his chin as he was lost deep in thought.

You jumped when Jayce stood quickly, the chair he sat on nearly toppling over.

“What?” he asked, panic rising in his throat.

“Oh, yeah,” Viktor cringed, looking over his shoulder at Jayce, “Sorry. I meant to tell you.”

You could sense the way Jayce was teetering on the edge of a breakdown, his breath hitching in his throat as he rambled on about how it was his life work, how they could show the council the equations to show them the proof. There had to be something!

But Viktor was right, proof wasn’t reliable on paper. They needed physical proof. A real test.

“We can’t do it without the crystals. The enforcers took them all, they’re gone,” Jayce ran his hands over his face as he collapsed onto the chair once more, deflated from the situation.

Your hand rested atop his shoulder, giving a gentle squeeze, much like Viktor did with you when you were overworked. Jayce flickered his gaze to you, those puppy-like eyes offering a silent ‘thank-you’.

“Mhm,” Viktor hummed, “locked away in Heimerdinger’s lab,” he continued, eyes settling on you.

“No,” you were quick to know where he was going with this, “Count me out, we are not breaking in.”

“She’s right,” Jayce said, eyes widening, “you heard the council, if we’re wrong–”

“Better be right then,” Viktor interrupted, and Jayce’s eyes sparkled with possibility.

You felt a tightness in your chest, shaking your head as you took a step back. The two of them spoke back and forth, but you hadn’t been listening. Just as you reached the boiling point, you turned on your heels and took a step away, but Jayce was quick to turn his attention back to you. He stepped forward, hand grabbing your wrist, and you felt your heart jump up into your throat.

“Stay,” he pleaded, hand tightening.

You huffed a loud sigh through your nostrils, brows creasing together and lifting. Gods, why did he have to be so goddamned charming? You hardly noticed the curious look that Viktor gave you two before rolling his eyes and turning back to the chalkboard. The smirk on his lips well hidden.

“Fine!” You snapped, pulling your arm from his grip, “but if we get caught I’m telling everyone that you two made me do it. I am not taking the fall for this.”

Jayce grinned, a toothy smile that lit your cheeks aflame, “Deal.”

You stayed a few feet behind the two men, arms crossed over your chest, as you careened through the halls quietly. You were hardly a rule breaker, in fact, usually a stickler for keeping peace. It was in your nature, like many topsiders.

When the three of you reached the door, you felt panic rising as footsteps echoed down the hall from where you had just come from.

“Shit,” Jayce whispered, “hurry.”

Viktor was fiddling with the keys, fingers filtering through them until he found the one for Heimerdinger’s lab. With practiced ease, he slipped the key into the door lock, twisting back and forth until it clicked.

Both you and Jayce were standing side-by-side, watching a flashlight in the distance, pointing in your direction, but too far to pick up on the three figures breaking in.

Viktor opened the door, and they stepped inside, but you were frozen. Unable to tear your gaze away from the enforcer that had been doing patrols and walking right toward you.

“Ah!” You gasped when there was a harsh tug on your arm, stumbling into the laboratory and crashing against Jayce’s chest. Viktor closed the door behind you without even the slightest creaking – a perfectly silent entrance.

“You've never broken a rule in your life, have you?” Jayce smiled, eyes watching you with curiosity as you pulled away from him yet again. You opened your mouth to answer but Viktor cut you off.

“She is a law-abiding citizen,” he answered, supporting himself on his cane as he walked further into the lab, looking around for the confiscated equipment.

“Can you guys keep it down? They’ll hear us.” You whispered, pushing past Jayce. Annoyed, and thankful the redness on your cheeks wasn’t visible in the darkened room.

“Huh,” Jayce grinned in response to Viktor, walking behind you as he looked around the lab, “you’re not kidding.”

“Shut up.” You hissed.

Settling in the lab, you stood off to the side, peering at some of Heimerdinger’s books as Jayce scrambled to find the pieces of his work. You listened to the sounds of the electrical whirring as he welded the parts back together, lost in thought as your fingers traced over the spine of a book.

A hand lifted to the small of your back, startling you for a moment.

“Sorry,” Viktor murmured, eyes watching you.

“It’s okay,” you chuckled, smiling as you leaned against him. Silence grew between you two as you slowly dropped your hand from the bookcase. You glanced at Viktor, biting down on the inside of your lip in habit, “Do you think hextech really has the strength to help people? Like us?”

Those honey-eyes softened as they flickered over your nervous expression, and he nodded, “I do.”

With a deep inhale, you tried to let go of your apprehension to the situation. This was for the best. If you wanted to reach your dreams, you had to run over a few toes, right?

“It’s all here,” Jayce called from his spot at the table, pulling the goggles off of his face and turning to look over at you two.

Viktor held up a blue hextech crystal to you, one from the handful that was confiscated, and when you offered him a questionable look, he insisted with the forward movement of his hand. Slowly, you reached out and took it in your fingers, feeling the rigid orb press against your skin.

This was it.

You pressed a kiss to his cheek before making your way to Jayce, who had been looking at you two with a small smile.

“Here,” you said, offering the crystal with an open palm as you stood next to him, Viktor coming up beside you.

Jayce reached out, taking the crystal, but not without a lingering touch to your hand. Viktor took notice, a sparkle in his eyes that you hadn’t noticed as you watched in curiosity as the hextech crystal was placed into the machinery.

It glowed a bright blue hue, sparks from the crystal illuminating the room. You had never seen anything so beautiful.

“It’s time to crank it!” Viktor said excitedly as he snapped close one of Jayce’s notebooks he had spent time looking through the past few days, looking in front of you and toward Jayce.

“Are you sure you know what you’re doing?” He asked, growing uncertain as Viktor sucked back a breath and shook his head.

“Do it,” you interjected, eyes wide as you stared at the beauty of the hextech. The inner scientist in you couldn’t be tamed any longer, you needed to see what this could do. It was almost addicting, and you couldn’t look away. It had sucked you in completely, “you have to try.”

They shared a look between each other, swallowing lumps down their throats. Viktor leaned forward, pressing the button of the machine, and it began to spin. It gained enough speed that it created a constant blow of wind that pushed your hair back wildly – electric currents flying wildly.

“I don’t think it’s going to hold!” Jayce said loudly, the electrical crackling of the machine deafening all other noses, “look at the buildup!”

“The resonance will stabilize it, trust me,” Viktor returned, sharing a thoughtful look with Jayce, an attempt to calm him.

You, however, were unable to look away. You stared at the wild glows of blue, a smile on your face, and blissfully unaware of the enforcers that were making their way up to the laboratory after seeing the blue light shining from the windows of the lab.

Moments later, the chaos settled, and you gasped with a big smile, hands slamming on the tabletop, “this is incredible!” You exclaimed in awe, watching as it stabilized.

Viktor smiled to himself, his hand finding your back yet again, “told you it would work,” he said encouragingly, eyes flickering to Jayce, “all yours.”

“It’s never done that before,” he murmured to himself, unable to tear his gaze from the slowly spinning crystal that sent waves of electricity to the surrounding runes, “...alright. Here we go.”

Hesitantly, he reached to the button Viktor had pressed, twisting the knob several times, so the surrounding runes began to spin and orbit the crystal.

You watched expectantly as Jayce twisted it over and over, creating different pathways for the crystal to spark energy. You couldn’t help but lean closer, even when the out flowing electricity stung your cheeks.

What the three of you hadn’t expected was a surge of energy to blast out, nearly toppling you all and breaking the lab’s windows. Within the impact, you fell right into Jayce with a yelp. Strong arms wrapped around you as he reached for the knob, and you clung to him, face buried into his chest.

The energy was strong, and for a moment you prepared for the untimely death of three scientists who just wanted to change lives. How fitting.

Then, the glass from the window flew back into place, as though time around you reversed, causing a brief moment of respite and enough time for Jayce to push forward and slam his hand on the button. The crystal fell back into place, and you were all able to breathe.

Slowly, you peeled yourself away from Jayce, feeling around your face and body to make sure your body was still completely intact.

“Incredible,” Viktor beamed, smiling, “we need to try again.”

You and Jayce shared a look, silently agreeing that it was now or never. And for you, there was no more backing out.

This time, you took a few steps back, not wanting to be caught up in the aftermath of a worse explosion, but still curious enough to peek over their shoulders. As you settled back, you swore you heard sounds coming from the hallway, but it was hard to tell over the crackling sounds of the hextech.

Pressing your ear against the door, you closed your eyes to focus, and you gasped.

“Someone’s coming,” you told them, hands holding the doorknob tight, “you better hurry.”

Viktor took a few steps to the door, sliding his cane through the handles of the door so it was snug, “better than nothing.”

The two of you shared a startled gasp, the rattling of the door loud when the enforcers reached the door and began to hit it with force, kicking and yelling for you to open up. Heimerdinger was with them.

“Stop this lunacy at once!” He called from beyond the door, and your gut twisted in guilt.

A few more heavy kicks and the door creaked.

“They’re almost through,” Viktor said, turning around back to Jayce’s side, “no pressure.”

“That sounds like pressure!” Jayce yelled, working hard to synchronize the runes with the knob. He looked over his shoulder at you, who was now pressing against the door with your weight. With each kick of the door, you huffed, doing your best to keep them from pushing it in.

A rather heavy kick caused you to stumble, but you got right back to it, watching over your shoulder as Jayce closed his eyes and focused on the hextech.

Your attention was pulled back to the door when the cane cracked, and you tried to push against the door, but it was no use. One more kick and you’d be goners.

But the hextech won.

The sound of another surge pushed you against the door, and you panicked at the intensity that felt like it was going to crush you, and then suddenly… you were weightless. You turned to Jayce and Viktor, eyes wide, as you all had begun to float up into the air.

After one more kick, they broke inside, but the surge reached them, too. They stumbled back, while you had started laughing.

It was incredible, absolutely incredible.

“Excuse me, underfoot,” Heimerdinger spoke, pushing past the enforcer and stepping inside his lab, gasping when his eyes landed on you three.

You were nearly touching the ceiling, floating with your belly to the ground and caught slowly spinning between Jayce and Viktor. Your giggles erupted into a fit of laughter, unable to control it as you twisted around in the air.

Jayce flicked a piece of metal, where it floated through a glowing blue orb that was just above you, and it shot out right at Viktor. You collectively gasped, taking everything in.

This was magic and science blurred together, a medley of perfection. Hextech worked. You did it!

“Will you please stop hovering?” Heimerdinger spoke, looking up as you spun your body around, touching and prodding at debris.

It was like swimming, you were able to push yourself, and you accidentally collided against Jayce, the two of you sharing a laugh. You couldn’t quite place it, but as your eyes caught his, you felt something – like a mutual intrigue of each other. Was attraction too strong of a word? Your cheeks reddened, matching his own, then he cleared his throat and turned his gaze away.

“I’m not sure how to do that, sir,” Viktor finally responded, pushing toward you both and smiling as the three of you moved around together smoothly, not touching. Floating. Feeling free.

Like all things in life, it didn’t last. The surged power of the hextech settled, and thankfully it was a smooth descend that kept you three from any broken bones.

Viktor had been wrangled by Heimerdinger, only after a good verbal lashing that included you and Jayce. Blabbering about the rules, ethics and how dangerous this was. At the end, your partner had been whisked away for damage control, trying to explain everything and to keep any of you three from penalties and punishments.

It left you and Jayce to clean up, gathering everything together into the back area of the lab, still in awe over everything that had happened.

Once finished, you stepped out into the brisk night air first, somehow still chipper enough to bounce down the steps while Jayce hustled behind you. You hadn’t been so inclined to do goodbyes, but he stopped you with a hand on your wrist, much like earlier. It sent a shiver up your arm.

“Wait,” he said, and you faced him, battling the redness that crept up your neck as you tried to remain composed, “will you stay?” he asked, grip loosening on your wrist, “to help us, I mean.”

“With the hextech? Of course,” you answered, rolling your eyes playfully, “Who in their right mind would see that and not want to explore it? That was incredible, Jayce. You should be really proud of yourself.”

A smile lifted at the corners of his cheeks, the compliment doing wonders to the insecurities that lie deep within him.

“Wanted to make sure,” he eventually said, dropping your wrist as you both ventured away and into Piltover, toward your homes, “I like you. Well, I mean – you’re good to have around. Smart, you know.”

A giggle bubbled up, a hand lifting to your mouth to try to stifle it, “you’re a dork, just like Viktor.”

Jayce smiled at you, biting down on his bottom lip as the two of you ventured down the streets together, “how long have you two been together?”

The question was quick to fluster you as you met Jayce’s curious gaze. You wondered if the question accidentally slipped out, and you could ignore it, but you could tell he was waiting for an answer.

“Oh, uh, just a couple of months. Officially.” You answered shyly, hands clasped behind your back as you walked side-by-side.

“That’s nice,” he murmured, “...so, has he always been so absurdly intense about science? Don’t get me wrong, I like everything about his ambitions, he’s a great guy for even wanting to help me. He’s just—“

“Surprisingly eccentric?” You laughed, nodding, “when he gets excited about something, it’s like his brain goes haywire. I suppose that’s the way of being an ambitious innovator”

“Yeah, I suppose so,” Jayce smiled, quietly admiring you in the moonlight. Studying and memorizing everything he could.

The two of you ended up walking around aimlessly, indulging in small chatter as you shared your hopes and dreams. You shared nearly everything you could about your life, and he told his story about him and his mother, and how that sparked his discovery towards hextech. It was easy to talk to Jayce, to get lost in his voice – he was just so damned kind.

Nearly an hour passed when you finally approached your apartment, which was rather close to the Academy. The two of you had simply taken a few detours around the neighbouring streets.

“Trust me, if you want to get on the dean’s good side, then you need to…” your voice drifted off when your eyes settled on a certain individual sitting outside on a stone bench. Broken cane in his hand and looking up at the sky. “Viktor!” You called out, rushing ahead, “if I had known you were coming back to mine, I would’ve hurried back.”

He turned to look at you two, raising a curious eyebrow and smirking as Jayce slowed his pace behind you, “I have only been here a few minutes, it’s all right.”

You dug around for your keys in your pocket, walking up to him and outstretching an arm for support as he stood. He could walk relatively okay without his cane, but you still enjoyed the way he would lean on you. It became habitual between you two.

“I should leave you both to it,” Jayce cleared his throat, giving an awkward wave as you two ventured toward the apartment.

“Why don’t you come in?” Viktor asked, motioning for him to follow.

You looked up at him in interest, figuring the two of you would be falling asleep the moment you got inside. Nonetheless, you went along with it.

“No, no, it’s late. I don’t want to overstay–”

“Come inside, Jayce. We don’t bite.”

Viktor was convincing enough, or perhaps Jayce had too much of a soft spot for him because he was quick to accept the invitation.

It ended up being a great night, the three of you crowding around your kitchen table. Drinking some nicely aged wine you had hidden away for only the most important occasions. You celebrated your shared success and discussed everything hextech, the possibilities and what you hoped it would provide. You shared laughs, especially as the night went on, and you had all begun to feel a bit delirious at times as the sun began lighting the sky above the horizon and the wine settled in your stomachs.

“Well, I hate to be the one to end the night,” you smiled, sleep beginning to win its war over you, “I’m tired and sore, I should get some sleep.”

“Yeah, I should get back to mine, or, what’s left of it,” Jayce agreed with a dampened chuckle, eyes flickering out of the window to gauge the time with the colour of the skyline.

“Why don’t you stay the night?” The question fell from your lips much too quickly, unsure if it was your overt politeness or an underlying desire that lead it, “if you’re okay with that.” You shot your gaze to Viktor.

It felt like hours, but the few seconds you took to share a look said lots. A silent agreement about your shared feelings for Jayce.

“Sure,” he answered. A shy smile tugged at your lips, and your lover turned back to Jayce.

The man seemed a bit uncertain, and maybe a bit too tipsy to understand the looks thrown at him. His amber eyes jumped between you two, “I’ve intruded far too mu–”

“Stay.” Your voice mixed with Viktor’s almost too perfectly, in complete synchronization.

“Okay.”

The night became a blur. It was Viktor who had led you both to the bedroom, the wine clouding all judgment from the three parties and allowing you to just be. To indulge in each other without wondering what would come next. To allow yourselves to act on attraction and lust with nothing holding you back.

“I’m glad you stayed,” you murmured, lips lingering along the stubble on Jayce’s jawline. Viktor, who was behind you, peppered kisses along your bare shoulders.

“Me too,” Jayce breathed in response, hands careening your naked body and intertwining with Viktor’s fingers with they met over your hip.

“Let’s stop talking,” Viktor mumbled with a quick nip at your skin, the confidence in his voice sending a shiver down your spine.

Jayce wasn’t quite certain how he managed to be wrangled in by you both, but he wasn’t going to complain. Not when, for once, everything felt right.

#jayvik x reader #jayvik x you #jayce talis x reader #viktor x reader #viktor x you #arcane x reader #arcane x you #arcane jayce #arcane viktor #arcane fanfic #jayvik #jayce x reader #jayce x you #arcane #jayce talis fic #viktor fic #wordsbyspatial #too many tags loool

449 notes · View notes

vaspider · 23 hours ago

Text

I've been thinking about the one post that had some weirdo TIRF on it talking about how "men 👏 don't 👏 experience 👏 misogyny" and everybody just kind of skipped to talking about how ofc trans men experience misogyny but like

We can't just skip how fucking asinine that sentence is on its face. That is not ground that should be conceded, bc trying to state as if it's a plain fact that "men don't experience misogyny" should get you laughed out of any room you're in.

Every time a boy is told he "throws like a girl" or is called a "little baby girl" for crying, he's experiencing misogyny because he's being devalued for traits that others see as feminine, traits which those doing the mocking see as belonging to women. Every time a fat dude's "moobs" get mocked, he's experiencing misogyny. Every time a girl makes fun of a dude for enjoying something she perceives as feminine, he's experiencing a double whammy of misogyny and homophobia.

There is no other reasonable way to discuss what these men are experiencing. That's misogyny.

The longer I talk with people in all kinds of marginalized groups online, the more convinced I am both that it's very understandable that people want their experiences and their hurts and their oppressions to be totally unique and unable to be experienced by anybody who isn't part of their group and also that anybody who hammers away on the idea that "only [X] can experience [Y]" and devotes excessive time to guarding the borders of their little fiefdom is not just not helping the cause of liberation, but is actively degrading our chances of making meaningful change.

I would go so far as to say there probably isn't a man alive who has zero experience of misogyny. Misogyny is leveraged against men constantly as a form of social control. Just because it's "do X or we will devalue you by calling you a woman" doesn't make it not an experience of misogyny.

Is it exactly the same thing that women experience? No, but also what different groups of women and different individuals experience is also different. There is no flawlessly singular experience of oppression experienced only by women, experienced the same way by all women, and never endured by men.

With that very simple fact in mind, spending time endlessly trying to police the way that another marginalized individual speaks about the method and effect of their own oppression rather than finding solidarity and commonality is fucking fed shit. It does not serve us and actively sabotages all of us, serving only those who actively benefit from our subservience and our infighting.

So fucking stop it.

#feminism #misogyny #queer #trans #trans issues

654 notes · View notes

maliwart · 2 days ago

Text

Some Star Trek portraits I managed to eke out after work/on weekends. I've been experimenting with different brushes again, we're back to loving texture lol

(Image IDs in alt text)

Deanna Troi

Kira Nerys

#Star Trek #tng #ds9 #deanna troi #kira nerys #star trek deep space nine #star trek the next generation

455 notes · View notes

cupidsdolll · 2 days ago

Text

The Feeling Came Late (I'm Still Glad I Met You)

pairings: grumpy!college student! Harry x fem! sunshine!reader

summary: Harry hates Y/N, it seems like it's been like that forever. He's quick to insult and correct her even when she's right, he's just always been the only one to pick on her no matter what she does. She doesn't understand why it's like this between them or what she did to make him dislike her so much, but what if it's all just a lie?

overall warnings: slow burn, eventual smut, sexual tension, kind of enemies to lovers, angst, alcohol consumption and drug mentions, foul language, Harry is a major asshole in this toh, heavy on the grumpy x sunshine in this.

chapter 3/? (wc: 4.8k)

masterlist

001 | 01 | 02 | 03

Chapter 3 - The First Session

The sound of a muffled alarm is barely heard in Harry's room, he’s too busy being occupied with other things.

"Oh fuck, just like that baby. Doing s'good f'me." Harry moans as his grip tightens in the brunette's hair. Her mouth feels heavenly as she chokes on him, her throat tightening around his tip when she takes too much. He rolls his eyes back and curses out loud when she slows her pace, her tongue circling his tip when she reaches it before slowly gliding back down.

She pulls away long enough to spit onto her hand and quickly takes his leaking dick back into her more than welcoming mouth. She begins to bob her head slowly as she uses the hand she spit on to quickly jerk off the rest she can't fit in her mouth. Harry hums in appreciation as she slows her pace again, taking her time to suck him off.

Harry can feel the spit dripping from her lips and onto the fern tattoos on his v-line as she continues, alternating between fast and slow, and she experiments with different things. As she comes back to his leaking tip, she runs her tongue over the slit and Harry shakes in pleasure.

"Oh fuck, just like that baby. You're g'nna make me cum, your mouth feels so good." He says between moans when she picks up her pace and uses the hand that was wrapped around him to cup his balls as she moans softly around him.

He can feel his stomach beginning to tighten as he slowly begins to fuck her mouth. He's close, he's so close he can taste it as she goes lower and lower. More spit falls from her lips and she begins to get messy, more careless, just wanting to taste his seed going down her throat. The sound of her soft gags and the wet sounds of him slipping in and out of her mouth only egging him on.

She speeds up just slightly and goes back up, choosing to suck softly on just the tip. He can feel his balls drawing up and his length beginning to twitch as his hips begin to falter.

"Oh fuck, I'm cumming, s'good baby. So good for me, that's it, swallow it all." He moans as he slowly continues thrusting in her eager mouth, milking himself for all he's worth as his eyes flutter shut and he releases the grip on the brunette's hair.

He sighs as she gets up and sits next to him, her hand gently rubbing small strokes on his thigh as he comes down. He can feel her begin to kiss his jawline softly, slowly trailing down his neck and he hums softly.

"Wait, what’s that sound? Do you hear that?" He asks as his eyes open and he looks around, the sound of his alarm is audible but just only barely. He quickly gets up from his bed and scrambles around his room in search of the small item.

Quickly grabbing a pair of black Calvin Klein boxers from his dresser, he yanks them on before searching the pile of clothes on the floor. In the process of him pulling his pants up to search the pockets, the desired phone falls and lands onto the brunette's discarded shirt, the sound of the alarm becoming louder. He grabs it and stops the alarm and curses under his breath when he sees the time, the alarm’s been going off for over fifteen minutes.

He instinctively turns his attention to the halfway dressed girl sitting on his bed, and frowns.

"You gotta go." He says as he throws on a hoodie and some shorts, messily throwing his hair in a bun as he gets dressed.

"What do you mean you gotta go? Don't tell me your girlfriend is on the way?" She asks, her voice raspy as she frowns at him.

"No, but you gotta get out like now. I gotta go somewhere." He watches her shake her head as she searches for her discarded bra and curses at him, yelling at how horrible he is and what she's supposed to do now as he yanks a pair of socks on.

She angrily huffs as she walks out of his part of his dorm and slams the front door. He rolls his eyes as he slips on a pair of vans before grabbing his lone textbook sitting on the edge of the bed, heading to the front door. He gives a small pet to Delilah as he opens the door, telling the small kitten he'll be back soon and closes the door. He quickly locks it and jogs through the dorm building, down the stairs and outside towards the parking lot.

He's never been more grateful for parking nearest to the building as he quickly spots his car. He picks up the pace slightly as he gets closer to his car, the wind pricking at his eyes causing him to squint. The short jog feels like forever as he gets closer, close enough to unlock the door and reach a tattooed arm to the door and pull it open. He rushes into the car, pulling the door closed behind him as he puts the keys in the ignition and turns them, the car stuttering to life as he quickly backs out and begins his journey to the library.

He passes different trees, stores and restaurants on his way. The world seems to move in slow motion and he huffs angrily.

Fuck Y/N for being so smart and fuck her and her stupid schedules. He hates her, if it weren't for him needing a tutor, he'd be balls deep inside of the brunette from earlier.

— — —

He huffs in annoyance as he pulls into the parking lot of the library, choosing to park in the spot closest to the building he spots her bike sitting in the rack all tied up and he's kinda grateful she chose to stay. He turns off the car and quickly heads to the entrance as he clicks the button on his keys to lock the door. He opens the door and looks around, tall bookshelves lining the walls and standing in straight rows block his view of finding Y/N.

He huffs as he wanders through the library, eyes scanning for any sign of her in between the walls of books and at the tables scattered throughout the empty spaces. As he wanders through the building and makes his way to the back of the library, he can't help but to feel a slight flutter in his chest; it's definitely,actually there’s no way in hell that it could be, not one of excitement but he doesn't think he's nervous so he's not sure what exactly he's feeling.

His eyes scan over his surroundings and he finally spots her standing at one of the empty tables in the corner. He begins to slowly make his way over to her and he watches as she begins to put all of her belongings into the tote bag. Even though he can tell she's upset, it’s written all over her face, she still manages to gently place everything away. He clears his throat and she quickly turns around, her eyes narrowed and a frown sits on her face as she glares at him.

She gently places her bag on the back on a nearby empty chair and begins to cross her arms.

"You're late.." her voice wavers but he knows better than to comment on it. He chooses to avoid the conversation, simply nodding in response as he moves to sit down next to her bag.

"No explanation? I think I deserve something since you're over an hour late Harry. You were supposed to text me and let me know." She pulls her textbooks out from her tote bag and sets them gently on the table.

She sighs softly as she pulls a couple worksheets from one of her binders and sets them alongside the textbook.

"You know.. don't even know why I allowed myself to get upset, you were never one to be on time. This is normal for you, it’s my fault for expecting something more out of you, " She says with a small laugh and he furrows his eyebrows ever slightly, the frown only increasing with every sentence that comes from her lips.

He's never been so close to her like this and it throws him off. He can make out the mascara coated lashes that fan her cheeks with every blink and her perfume fills his nose which only increases his already grumpy mood. In a feeble attempt to distract himself, he scoots his chair away from her subtly and rests his head on the back of his hand.

The library's quiet, the only sound in the room is the humming of the air conditioner and the faint shuffling from the students as they walk around. The smell of old books fills the air and a few rays of light filter through the glass windows sitting high on the white painted walls. Students walk in, idly whispering among each other as they quickly silence their phones as they walk over the tall wooden shelves and search for the book they need.

His eyes quickly flit back to hers, green orbs meeting soft irises filled with annoyance as she tilts her head to the left ever so slightly.

"You're not even listening to me. I'm trying to explain all these so your attention would be very much appreciated." She says and he hums quickly, eyes staring straight ahead as he crosses his arms and leans back into the uncomfortable wooden chair.

As she begins to explain the basics of poetry, pointing to all the different elements as she lists them off, Harry can feel his mind wandering once again. Small glimpses of happier times, easier ones flash through his mind, quickly jumping from one scene to the other. He breathes through his nose in annoyance, the action not going unnoticed by Y/N but she chooses not to speak on it. She figures she'll allow him to wallow in his grumpiness as long as he pays attention.

She can't help but to sneak peeks of Harry as she speaks, turning her head ever so often as she explains what each element is and why it's important. A couple stray curls have fallen from his bun and framed his face, a furrow formed in the middle of his brows as he stares at the middle of his side of the table, and she can't help but smile softly at the fond memories.

"Reminds you of something?" She asks and all she gets in return is a very soft grunt, one that could be considered either agreement or disagreement.

She gently turns the pages towards the grumpy boy sitting next to her, her polished finger points to the beginning part of the poem.

"Can you tell me what this is?" She asks, her voice slightly above a whisper so he can hear her. He hums once, turning his gaze to her as a small smirk begins to form on his lips. He shrugs once as he pushes the paper away with one hand, his intense gaze never leaving hers. He watches her features begin to harden and turn into frustration.

Her brows begin to furrow and her mouth turns downwards, her eyes darting between his and the paper on the table as he pushes it away. She stares at him in disbelief before shaking her head and shutting her eyes, one hand coming up to pinch the bridge of her nose as she sighs.

"I can't do the work for you Harry, you have to do it so you can remember it. You don't wanna repeat again do you?" He hums twice as he keeps his gaze on her face, mapping out the three little lines resting in the middle of her eyebrows.

She brings one hand over to the discarded paper and pulls it back towards him, her eyes narrowing just slightly as she pulls her hand away. The silence is deafening as they stare into each other's eyes, frustration meeting stubbornness, warmth colliding with cold, two complete opposites fighting internally as the stare-off continues.

The sound of someone laughing breaks the silence, but it's only briefly; the air conditioning fans cold air throughout the building and goosebumps begin to form on the back of her neck. She sighs softly as she breaks her gaze away from his intense gaze, moving her hands to fidget with the ends of her long sleeves as she stares at the paper laying on the desk.

She knows he's always been stubborn so this shouldn't be a surprise. He's like this with everybody but she can't help but to wonder why he seems to treat her worse. She doesn't expect them to be best friends but he definitely shouldn't hate her. As her thoughts run through her head, she brings one hand back to the table and moves the discarded paper in between them.

"I cannot do the work for you and I will not do it. You should want to pass this exam Harry. I get that it's the first lesson and I wasn't expecting this to be smooth sailing - but I was at least expecting even the tiniest bit of cooperation here. It's okay if you don't like me, but for your sake can you work with me here? This will all be done a lot faster if you try." She says as she points to the paper between them, a finger pointing towards the beginning of the poem where they left off.

Harry stares at the paper briefly before reluctantly opening up the textbook laying in front of Y/N and flipping the pages to the section she's attempting to teach from. His eyes skim over the page, aiming to get the session done as soon as possible and for him to not have to hear her voice more than he has to.

He quickly finds the answer and he silently points to it. He can hear her sigh sadly and it's full of disappointment, he can’t bring himself to care though. It’s not like he asked to be tutored by her so of course he’s not going to make things easier for her, he only technically agreed to this because he’ll have so much fun making things annoyingly difficult for her. All of this is overwhelming for him, there’s just so much happening all at once. The ends of her hair graze his hand as she leans over just slightly to check his textbook page and her floral scented perfume fills his nose once more and he frowns at just how well it suits her, soft and sweet, inviting and comforting. Being this close to her for this long is affecting him, he thinks, messing with his brain and ruining his plan. He can’t let that happen though, it’d fuck everything up. A soft smile begins to form on her lips as she leans back to her own seat after looking over his answer.

"It wasn't that bad right? You got it right, good job Harry." She murmurs as she turns to look at him.

She takes note of the way his mouth is turned downward and she wonders how his muscles

aren't in pain constantly from having to sit like that all the time. It’s a little funny the more she thinks about it, seeing him always having a frown and the worst attitude and having his face stuck like that forever. She imagines him years down the line, working at maybe a tattoo parlor or wherever he chooses, at his wedding (if he ever manages to actually settle down) with his signature frown plastered on his face. She can’t stop the laugh that spills from her mouth, but quickly stops it. That doesn’t stop Harry from looking at her with narrowed eyes and raised eyebrows, it’s a brief look like always. His frown comes back as he shakes his head as if he’s shaking some thoughts from his mind. She pulls the paper to her and quickly marks it with her pen, highlighting important parts and little things she thinks might help him remember. She gently slides the paper back over to him and smiles softly.

"I've left some notes about everything so as long as you study this after we're done, next time won't take as long."

— — —

The time passes rather slowly but Y/N thinks it's simply because she's the only one talking. She's tried to initiate conversation with him, asking him about his classes, the latest tv show, and even attempting to talk about the weather! He refuses to talk to her, either replying with a blank stare, a simple huff or gruff hum accompanied by a shrug.

She doesn't mind the silence usually, but not when there's supposed to be a conversation. She thought he would take this at least somewhat seriously and she'd have to answer all of Harry's questions - work related and unrelated because she knows he likes to try to annoy her and get under her skin - and at least they'd make small talk about school, after all this is a tutoring session and she knows that he doesn’t understand everything she’s talking about. This silence is anything but comfortable, it's awkward and full of tension, it’s smothering and claws at her throat as it tries to pull out any sense of conversation; it's the kind of silence that makes her blurt out all these random questions and statements to try to fill it so she won't end up packing up all her things and running out as fast as her legs can carry her.

She should be used to this type of tension between them, the way he's always picking on her, throwing harsh words and nasty glares that she does her best to ignore. But to her, this tension feels different, it feels thicker; it could have something to do with the fact they're in close proximity, sharing the same table and the way her hair keeps grazing his hand which causes him to freeze up and scowl at her until she moves back to her side of the table, not that it’s much further than where she is as she looks over the paper.

She doesn't have to wonder if she's the only one to feel the difference because Harry's body language tells her everything she needs to know. She can see how tense his shoulders are, how he's been bouncing his leg from underneath the table for the past hour and the way he's moved his chair as far as the table will allow him but kept the worksheets and textbook in the middle so she can see.

Her phone buzzes from in her back pocket as she explains the different types of poems, she quickly excuses herself as she grabs her phone and unlocks it. She sees a message from her best friend asking her to come over so they can binge watch their favorite tv show, she smiles softly as she replies quickly - telling her that she'll be over as soon as her study session with Harry is over. She quickly puts her phone back into her pocket and goes to apologize to Harry when she's met with him already looking at her.

The frown is still plastered in his face and his eyebrows are furrowed. He still looks angry but he also looks confused, like he’s angry that he’s confused and curious about whatever is going on inside of his head. He looks lost in his own thoughts as his emerald eyes stay locked on her face. The silence that fills the building seems to become even more deafening because the look on his face is one she hasn't seen before and it confuses the hell out of her.

She doesn't know whether to comment on it or to simply ignore it and move on with their session. There's two ways this interaction can go; if she comments on his behavior there's a chance he'll get upset and leave early, and if she ignores it she's afraid whatever tension is happening between them will get awkward (even though it’s already awkward as hell).

She exhales loudly as she breaks eye contact, her eyes choosing to focus on the textbook in front of her instead of the viridescent orbs beside her. Her hands play with the corners of the pages, her thumb running upwards causing the pages to slide against it as they fall.

She bites her bottom lip nervously as her eyes graze over the words written on the page explaining all the different kinds of poems and the best way to use each one.

She can't tell how much time has passed, but she can't help but to wonder how long until their session is up. All of the silence and tension between them is draining her, all she wishes to do now is curl up on her bed and take a much needed nap. Her eyes feel heavy as she continues scanning the pages, her hand now resting on the bottom corner of the page.

She slowly turns her head to face Harry, she can't help but to see how tense he looks. His hands enclosed in a tight fist as they rested on top of the table, the frown prominent in his face seems to grow deeper every time she looks at him, accompanied by the deep furrow in his eyebrows, his leg bouncing rapidly underneath the table and his green eyes focused on the wall ahead of him. The question she was gonna ask is now stuck inside her throat, the fear of upsetting him any more takes over the want to make sure he understands the information they've gone over today.

She hums softly as she gently begins to pull the worksheet from beside him and closer to her. She grabs her favorite pen and begins to write a few small notes on the empty space on the bottom, leaving a few smiley faces in the corner as she makes sure to write clearly so he can understand everything.

Her notes are simple, but she feels like it's just enough to pass him over until they decide when to meet up next for their next session. She smiles softly as she looks over everything and then slides it back over to him. His eyes quickly glance over in her direction as her hand gets closer in his space and then quickly moves back to their original spot focused on the wall.

She can't believe how he's acting as if being close to her is such a problem, she's only seen him this quiet and stiff once but that was years ago. After he got over whatever it was, he started hanging out with different people, becoming louder and completely changed who he was.

That's when everything changed and now her mere presence bothers him deeply, one strong enough that he looks like he's about to explode if he has to stay at this table any longer. There's a faint beeping from the elderly librarian checking out books combined with the soft tapping of the keyboard as other students type up papers for classes and doing research that fills the silence that sits between them.

She opens her mouth but quickly shuts it, she's afraid that she's just going to upset him even more and then he'll call off for the rest of their session. She hates this, she hates how he always makes her afraid to speak and she hates how he knows that he has this effect on her.

She clears her throat and shuts her eyes, if she can't see him then she should be able to talk to him properly.

"I've written some more notes on it, and if it's hard to understand I can type it all out on a separate document and give it to you. I'll probably do that anyways if I'm being honest. Hopefully it all makes sense to you! If you have any questions or if you don't get something, you can always text me and I'll respond when I can!" She opens her eyes just in time to watch his figure make its way through the space and towards the entrance.

Her mouth opens and closes a couple of times before she finds her voice and at this moment, the frustration takes over the logic that she's still in the library. She huffs in annoyance as she slams the textbook shut.

"You could've at least grabbed the textbook!" She yells as his frame exits through the door, causing all the students and the librarian to look at her with accusatory looks on their faces.

She's too annoyed to even think about apologizing, gathering all the extra paper and the textbook as she stacks everything together. She grabs her tote bag and stuffs everything in there, mumbling under her breath as she clears off the table. She's upset, she's mad, and she's confused as fuck.

She can feel the tears begin to well in her eyes as she stares at the door, her hand clutching the strap of her tote bag as she holds it close to her body. She sniffles as she makes her way to the entrance, softly apologizing to the librarian as she passes. The short walk feels as if she's walking in slow motion, the door feels heavy against her hand as she pushes it open.

As soon as she steps outside and the sun setting in the sky paints the sky with beautiful pink and orange meshing together, the soft breeze blowing her hair behind her slightly makes her feel even more upset. The tears begin to fall freely from her eyes, staining her cheeks as they cascade down her cheeks.

She's upset at him for leaving so coldly after being late and barely even acknowledging her existence. She's mainly upset at herself though, she gave herself this stupidly false hope that this one session would somehow make it easier for them to tolerate one another. She's upset about arriving early and staying up later than she would've liked to plan out everything and print out the worksheets for him. She's just sad!

She knew that this wasn't just gonna magically change anything, and she knew that the first session more than likely wasn't going to be easy, but she wished that it went better than how it did. She felt a little embarrassed at how little attention he gave to the lesson, let alone her during the hour and a half they spent in the library as she checks her phone and sees the time.

She sighs as she heads to the bike rack and bends down to undo the lock holding her bike to the metal rack. She wipes her tears before setting the chain and lock in her tote and pulls her bike away, swinging one leg over the middle as she gets situated. She begins to pedal, her bike moving on the far end of the sidewalk as she begins to make her journey over to her friend's house.

— — —

She huffs, slightly out of breath from the long ride from the library to her friend's house as she sets her bike against the front of the house. She gingerly walks up to the white framed door and raises her hand to knock on it as the door

swings open. She's met with her friend sporting a big smile as she wraps her arms around her friend.

"Oh my gosh, I'm so happy to see you! Come in, come in!" she exclaims and Y/N nods happily. She follows her friend inside and sits beside her on the beige colored couch.

"So how was the session?" With the reminder of how it ended, a frown forms on her face.

"Oh it was so bad! First he arrived late, and then didn't even explain why! To make matters worse, he didn't even speak to me for the whole hour and a half we were in the library, and then he just walked out without even letting me know he was leaving!" Y/N exclaims, she can feel her eyes begin to burn as tears start to form in her eyes.

Her friend doesn't waste a second before she's embracing the young girl in her arms, wrapping around her shoulders tightly as Y/N begins to sob in her shoulder. She can't recall a time she was so upset, and it's almost embarrassing how this little incident is making her so upset. She just wishes everything that has to do with Harry wasn't so.. hurtful.

#harry styles #harry styles fanfiction #harry styles imagine #harry styles x reader #harry styles fic #harry edward styles #harry styles fanfic #harry styles one shot #harrystyles #— 𝐀𝐍𝐆𝐄𝐋 𝐖𝐑𝐈𝐓𝐄𝐒 #harry styles fan fic #harry styles one direction #harry fanfic #harry styles angst

334 notes · View notes

badnewswhatsleft · 1 day ago

Text

rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be?

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails.

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can...

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band.

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music.

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special.

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

#sir the ''schlubby dad'' in question is getting on stage and GROWLING. people are dying and creaming and dying and cr #time capsule #read the charts #fall out boy #patrick stump #pete wentz #joe trohman #andy hurley

320 notes · View notes

deepestdelulu · 3 days ago

Text

A cosy guide to a cosy December ‧͙*̩̩͙❆ ͙͛ ˚₊⋆

Have a Christmas movie marathon.

Cinnamon oatmeal... or just oatmeal in general... winter is oatmeal season... make it cute, though!! :)

Having hot Chocolate by the fireplace

Bows. Bows. Bows.

Visiting Christmas markets and going ice skating

Cute Knitted sweaters and uggs

Baking cute Christmas cookies and decorating them with your friends

Spending hours making your wish list

Writing cute Christmas cards to friends and family who live far away :)

Start working on your 2024 vision board

Buying cute ornaments for the Christmas tree

Fluffy socks and fuzzy blankets <3

Experiment with your coffee order!! I've been OBSESSED with mochas; cinnamon is also a MUST.

Trying. a different make-up style. I always love the frosty/blushy look for winter <3

Planning your Christmas outfit

Buy some cute Christmas-themed pyjamas (Victoria's Secret always has cute ones!!)

Scented candles to set the mood. My current fav is the salted caramel one from ZARA Home!! <3

Go see the Nutcracker

A good Christmas playlist is a MUST. I already made mine :)

As always, please feel free to add your own suggestions and tips in the comments!! •̩̩͙❅*̩̩͙‧͙♡*̩̩͙❆ ͙͛

❆‧₊*:・love ya ･:*₊‧౨ৎ

242 notes · View notes

whumpster-fire · 2 days ago

Text

Oh boy okay I think my smallest / least known fave is Ambersun (formerly known as Albion, changed because of how many other bands have the same name), and I am begging everyone to listen to this band because seriously it is so good.

Summary: it's a power metal band which I think may be basically a one man show plus various guest vocalists I'm not sure, which does story-based concept albums based on different works of fiction. Possibly qualifies as Rock Operas? Anyway I love "fandom music" and this is one of my all time favorites even though two of the albums are for "I don't even go here" fandoms and the other is for a book I found through the music, because the sound is awesome, the lyrics are awesome, and you can just hear the passion put into them.

I'm now going to post a bunch of lyrics under the cut please please please listen to these songs. Actually just listen to the albums in order, this is one of those bands where the songs are already good as standalones but you really need to listen to the full album to get the full experience.

We are lost, in an endless night, the sun drained from our eyes

Gone, when we sold our lives to the plague that stole the sky

"Life Before Death," from The Poison Skies

Erased and they don't care, but you would still be here if only you'd stayed, been mine only mine

It's so unfair to leave me, the tribe I formed deceived me, but now I'll fight in your name

There's no way to hide from their stare,

I still feel their eyes everywhere

And the hatred that clouds all their minds, it hides the truth of it all

"Out In the Wilds" from The Poison Skies

The one to keep the noble name, to carry all their hopes and dreams, a future severed when one night became forever

"Run" from The Poison Skies. This. Freaking. Song. Has changed me. "Run" is a banger on its own, but reading The Afflicted and reaching the scene this song is about made it so much better and also slightly painful. Which can be said about the entirety of The Poison Skies but this song especially, because the entire song is a character high on adrenaline, deluding himself into believing he can actually pull off the promise he made to his friends that he was going to survive the badass self-sacrificing stunt he was pulling. Also I have no idea how I have not gotten a speeding ticket while playing this in the car yet.

Visions that I can't erase, every time I see her face,

She reminds me of how I never tried

Now I watch us as we fall, can't help anyone at all,

Why did I alone survive?

Survivor's Guilt!

"Survivor's Guilt" from The Poison Skies

This worthless weapon symbolizes who I am

Remaining silent, offer no resistance,

And I become the iron mask

"Disappear" from The Poison Skies

Survive one last dance through the wind and the cold,

We can't change our stories, but they still can be told

"Snow" from The Poison Skies

Sealed in cryogenic cold, I'll dive into the dark, reanimate your soul

Together we will rise up hand in hand this blackened night

"Morning" from The Day the Night Slept

I'll burn in the night, I'll light up the sky, you'll see,

And I'll be the Scorpion's Fire!

"The Scorpion's Fire" from The Day the Night Slept

Lost in the night, but still he survives

I'll tear apart time so his heart never dies

"Asriel Must Be Saved" from Buried Souls. Yes this is exactly what it sounds like from the title. A 15 minute musical fix fic about finding a way of saving Asriel Dreemur from Undertale with some sort of timeline fuckery I don't understand because I haven't played the game. And it's glorious.

Mighty wheels will turn again, flames of faith ignite

Chase the legend of the sun, and bathe our world in light

"Bring Back the Sun," currently a single release.

enough about taylor swift already. reblog and tag the smallest, least known artist you listen to

#music #power metal

32K notes · View notes

meansevika · 2 days ago

Text

okay so very long thinkpiece about meljay and jayce' treatment of mel / the writers treatment of mel and how i think that all things considered she hasnt really won as much as we think she did

the thing about this that makes me so mad or rather sad (both, actually) is that we learn in season 1 how mel was brought up, that she didn't get to be soft and kind, that her surroundings were hard and rough just like her mother was, that love isn't a thing she knows like that especially not in relation to vulnerability. now if you think about media in general there is a pattern we know. the black woman is always the strong woman, the independent woman, the woman who doesnt get to be vulnerable bc of the first two points. so here comes this man she's trying to use not just for her own endeavors but for the good of piltover, clearly having a different mindset than her mother, and he cracks her open just like that. he's vulnerable with her and he lets her be vulnerable with him and it allows this woman this kind of vulnerability that she was never allowed to feel. she feels and she loves and there is someone who holds her and looks out for her when things go bad. he is his first thought after the bombing and hes so loving and endearing unlike her mother who is concerned, of course, but straight back to business too. and oh what a lovely thing that was to watch as a black woman who to this day still doesn't get to see this as often as we really should

so mel gets to experience something she hasnt before and you can tell it means something to her because when she gets back in act 3 the first reaction to him is an excited, hopeful one.

this is the man she cares deeply for and it is also the man who shes comforted before many times. something she needs in those very confusing times too. something she might be looking out for. something she might hope to get herself. some comforting after what shes been through for months. someone to share what is going on with her and how confusing it is to find out all those lies and secrets about herself.

until she notices how changed he is, how different he looks, so instantly she is worried. of course! who wouldnt be! she very likely didnt even know he was missing since its the first time we see her back in the city so she must've assumed he has been here and well for the whole time being (does she even know how long its been?) but it isnt fine as we know. she puts herself second! immediately! (and rewatching that scene now it actually makes me mad how she does that. and how anyone can question any of her feelings for him when shes immediately all jayce. or how in general people think shes only interested in her own goals) she asks this man who has shown her to be vulnerable around him and it BEING FINE, what happened, shes opening herself up to him, again, over and over, and he not only tells her it doesnt matter (what happened to him) but TURNS HIS BACK ON HER. he is literally shutting her off. he is saying with his body she does not get to do that. and for someone who has grown up like this, with a mother cutting off any kind of displays of weakness, this must be a familiar feeling, something that goes off like a bell

but she still tries! she still tries! she sees something is wrong but she tries to get comfort anyway, because this is jayce, right, this is the man she cares for deeply, the man who has opened this door for her and the door she's let herself through, the man who has always had compassion for her. of course she tries again. why wouldn't she? so she starts that something has happened to her but he doesn't even let her tell him what happened (actually it makes me so mad seeing this again and how crazy hostile he is towards her, its like im looking at the mel hating part of arcanetwt and him repeating beat for beat what theyve been saying for years) he doesnt give her room to speak, just takes it for himself, prioritizing himself and his own feelings. and, yes, figuring out the bombing thing and wanting to talk about it is valid and i think in general this could've been a great angsty way to deal with this topic IF they would've had the opportunity to talk this out properly but what happens instead is that the man that makes mel feel safe starts INTERROGATING her like she is a criminal that should be held for trial FOR SAVING HIM something she doesnt even undestand herself. and suddenly she is in a whole different position and i think by now she knows that this kind of compassion and understanding and room for vulnerability isn't part of their conversation anymore

she loses her composure and that of course isnt a first because she has started to be less put together around him, allowing her more room to "sway" but this kind of destruction is a different one because she feels at trial, feels cornered, feels like she has to explain herself but - and thats what is important - isnt heard. and i think that is something she knows very well, something shes grown up with, trying to explain herself and not being heard.

all of that happens while he is, mind you, still holding onto that hammer. something she surely notices too. the man who's usually quick to let down his defences around her, who isnt councilor talis or mister talis but just jayce around her, is holding onto that hammer like shes a threat. so he tells her he thinks shes lying and she asks him why he would think she'd do that, obviously, because her understanding of their relationship and their trust is a different one than his or at least this jayce that has come back from the arcane, because clearly this kind of understanding comes from somewhere and it comes from the times they've spent together alone throughout season 1 and a little in the beginning of season 2.

he throws at her that shes been using him, something that surprises her, because clearly she doesnt know what has happened, but she tries to explain anyway, because she doesnt know what has happened at least not in full (as you can tell by her reaction to viktor appearing, sensing the hostile mood between both, but also the way she reacts when viktor mentions the noxians intentions), and you can see that these thoughts of his are a result of months in the arcane alone with them and imagining conversations over conversations (although for me its still hard to understand how he grew that hostile towards her this quickly as if she were responsible for everything that happened but those are thoughts for a different post). he crashes out during that conversation, his face is warped with hatred and that is. all. for. her. to. see. and then BOOM goes the hammer off. mid conversation. a conversation that should feel safe with a man she should feel safe with but none of that is there. there is no space for her. (and yes i know hes aiming at viktors puppet but that isnt somethng mel is aware in that moment)

it all leads up to a fight and eventually they walk together and he apologizes, although very distantly and without much explanation, and despite it all, despite having good reasons to shut off and not share what she's feeling, she does. she talks to him about what is on her mind and they have a short, bittersweet exchange but it's just nowhere to what they've established in the first season. as a shipper of course that is super frustrating, but as a mel fan it's just sad to see that the person she felt safe enough to seek comfort in is just so closed off. but not only that, it's obvious they're parting ways and it's very obvious this is coming from his side and i think that is also why she so wilingly accepts it. she doesn't fight much back throughout their whole fight earlier either, she tries to explain herself, but doesnt demand that room for herself even though in this relationship she should be able to take just as much room for herself and her feelings as he does, but she doesn't. she just lets it happen and i understand it bc you have this man you trust and probably love and his first reaction to you is hostile when hostile has never been a response to her. he made a complete u-turn and of course that's off putting, maybe even scary, of course it shuts her down, makes someone who's so good with words and fighting just try to cause as little damage as possible because that is how she's grown up, isn't it?

and that is why i am sad about this. she learned that love doesnt have to look like her mothers and that being vulnerable isnt a weakness and its his doing but here she is met by this kind of hostility she only knows from noxus and it hurts even more that it COMES FROM HIM and over something as SAVING HIS LIFE when its clearly was an act out of love and not investment bc if i'd would've been just that than she would've saved viktor as well? but it wasnt about that. it was her subconscious making a decision and it was something her mother would describe as an act of weakness (theres a reason she gets renni to attack him bc she sees how fond mel of him is maybe even because shes been fond of a man herself once and she knows what itll do) and i think the worst part about it is that she doesnt ever get to truly articulate this or anything else and now that jayce is gone (dead? in a stone? who knows?) she won't get to ever probably. she won't get to say what she thinks and explain herself truly and she won't have anyone to confide in, to be comforted by or comfort. elora is dead, kino wasn't real and the real one is actually dead too, jayce is well whatever he is, and her mother died in her arms. yes, mel is a mage and that is fucking awesome and i was so happy to see her go off and get so many spotlights in battle, but shes also so fucking tragic actually. because here she is with a fuck ton of weight on her shoulders, the noxian army looking up to her, the whole name, not knowing who her father is or what any of her powers mean, the whole black rose thing, everything unresolved between her and jayce, the death of the people she loves, and shes all alone with it. shes all alone with it and she gets no one. man im just fucking sad that this woman got a glimpse of what it could be like to be loved and have someone to "come home to" just for her to have literally no one left like why do you hate black women so much why cant they get a fucking good ending and why cant they be fucking loved even when things get hard

also im lowkey mad that jayce got to find comfort in her lap so many times and not once did she get that in return, not even a squeeze of her shoulder, but dont let me get started on that....

#mel medarda #jayce talis #meljay #onlymeljay #goldenforge #arcane #arcane season 2 spoilers #arcane spoilers #kds.txt #im sorry this is a lot but i have so many thoughts #a lot of them hurt me #but i think this one just kills me the most #i wanted her to have something she didnt have before #it was so nice to see her being treated this well #only for it to end like that #and so cold too

246 notes · View notes

foone · 9 hours ago

Text

Along the lines of my previous posts about a "maid that doesn't realize everything is kink" and "other maid that's just tired of all the horniness" and "guy in an all-lesbian polycule and doesn't realize everyone thinks he's got a harem":

Guy who has several people simultaneously trying to feminize him (with varying degrees of force) and he's both unaware of and no-selling their attempts.

They try to talk to him about if he ever liked wearing dresses as a kid and he's like "oh, yeah! I used to borrow on of my sister's dresses all the time when I was a kid, because when you do a 180 in a skirt it swishes like Vader's Cape."

Someone else tries to put estrogen in his coffee and it looks like he drank it... but it turns out he traded with someone else because he was in the mood for a pumpkin spice latte.

His girlfriend gets him to put on a long blonde wig and show him how he looks in the mirror, and he's just like "dude! I look like a heavy metal guy!" and now he's listening to Swedish power metal and headbanging. His dog is confused but trying to join in the fun.

Someone convinces him to try different pronouns as an in-class experiment and he ends up using h3/h1m, because "he used to be a fan of that video game webcomic, home struck".

His mom got worried because he was eating so much soy and she'd heard it can feminize you but he launched into an explanation about how it's an important part of his nutrition if he's gonna build muscles.

(we thought the gym thing might lead him down the path of breast growth through steroid overuse and we could maybe do something with that, but nope. He's all nutrition and hard work, we can't even get him to try steroids. We sent in a guy about the size of a Volvo to try to convince him to try some steroids, and somehow he persuaded our bodybuilder guy to start estrogen?!)

Naturally this is just making his assorted feminizers more angry and determined. They're joining forces. Having meetings. Making plans.

And he's just off living his life, unaware of the shadowy council determined to make him a woman.

#trans shitposting

290 notes · View notes

ahgasegotarmy116 · 1 day ago

Text

BANG-ABLE | Jeon Jungkook | Drabble 1

Summary: When your very curious robot boyfriend finds all of your old sex toys. Pairing: f!reader x Sex Bot Jungkook Word Count: 2k~ Warnings: Smut but that goes without saying for this fic p.s. I put out a mini drabble as well right before this in case you didn't catch it hehe p.p.s I have another temperature play drabble request so keep an eye out for that one in the future 🤭 Requested by an anon 💜

"What are these?" Jungkook asks when he walks into the living room where I'm sat down watching Hidden Love for the fifth time, holding up my little black box that I had hidden away and had completely forgotten about.

"NOTHING!" I say hurriedly, scrambling to get off the couch and tripping over the blanket I was using in the process. I regain my footing, run up to him and reach for the box but he holds it over my head, completely out of my reach.

"Are you cheating on me?" he teases, the objects in the box being ones I used before I got him. "You seriously think I would use those anymore? Now give it here!" I jump but once my fingers just barely touch it he grabs onto my hips to keep me from trying again.

I glare, waiting for him to give them back and when all I'm given is a stupid smug smile I resort to threats. "Give that to me or I will turn you off and make you charge on the floor instead of in bed with me" his eyes widen, not expecting that and deciding to do as I say, handing me the box of various sex toys that could never truly satisfy me.

"Why do you have so many?" he asks, picking up one very elaborate and confusing looking one that I snatch out of his hand immediately and put back in the box, shoving it in the back of my closet.

"Because none of them did everything I wanted them to" I sigh and close the door in hopes to help change the subject. When I try to walk past him though he stops me by wrapping an arm around my waist and bringing me back to stand in front of him.

"I don't know why I asked since I know how needy my baby is" he says, his voice dropping a bit while he places kisses on my neck, knowing that'll help take the edge off.

"Why do you always have to go through my t-things?" I stutter, my resolve of trying to stay upset with him faltering. "Because I wanna know everything about you baby, and that includes all of your dirty little secrets" he says directly into my ear before sucking on the sensitive skin right below.

I shudder at the thought of letting him in that much and I know I will eventually but his want to figure out as many ways as he can to please me on his own is way too fun to experience, no matter how embarrassing it might seem.

"You like that huh? The thought of me knowing everything about you, all your deepest darkest desires that you haven't even dared to say out loud. My baby likes to hide that away huh? Too afraid to even tell me what she wants sometimes. That's pretty selfish don't you think?" he says, his grip on my waist tightening when he pulls me closer, his sensors picking up on my arousal and in turn hardening his length for me to use as I see fit.

"Why don't you let me use some of those on you tonight hm? Or better yet, let me watch you use them to get yourself off. I bet you'd look adorable, so frustrated and begging for release but never quite getting exactly what you wanted" he says but I shake my head.

"Too cold, want you" his presence tonight being one that drove me into submission so easily. I can't help but become putty in his hands sometimes. He was made for me and knows exactly what I like so why not give into what his programing is telling him to do to me.

"Aw, too cold for you? Needed me to warm you up?" he says, his condescending way of talking to me one of the easiest ways to tip me into that submissive headspace, only with him though. With him things are different. With him I know I'm safe.

I nod my head and my lip juts out the slightest bit leaving him running his thumb along it before I decide to open my mouth and run my tongue across it. His robotic pupils dilate as if they were human and the next second I'm on my back on my bed, him hovering over me with that sexy smug look on his face.

"Does my pretty baby want something?" he asks, caressing my cheek with a featherlight touch, and I blink up at him, still reeling from his sudden actions. He hums as a way to get my attention on him again, wanting me to answer his question.

"Want you" I say, hoping he'll accept my simple answer but I know he won't settle for that. "You've gotta be a little more specific love" he teases making me huff. "Oh come on, be a good girl for me and tell me what you want hm?" he mumbles and peppers kisses all along my neck and collarbone, having worn just a tank top and shorts today.

His hands heat up and run along my skin, warming me up just like he said he would but suddenly his hands turn ice cold, making me push him away but as always he doesn't budge at all.

"What the matter love?" he taunts, his hands quickly going back to a normal temperature. "Don't do that" I scowl, not liking the sudden change. "Lemme play around a bit yeah? Wanna try something" he says, clearly ignoring my scolding.

I squint my eyes at him when he looks down at me, a stupidly tempting look on his face. "Just trust me" he says, leaning down to mumble it against my lips, just barely kissing me before pulling back and looking at me again for confirmation.

After thinking for a couple more seconds I nod my head and he tongues his cheek, a habit that he picked up from who knows where but something that's become so sexy to me and he knows it.

He helps me strip out of my clothes and lets out a groan in approval, running his fingers through my folds.

"Baby is so wet for me already and I've barely done anything. How adorable. Been waiting all day for me to touch you huh?" he says, watching as my mouth falls open when he applies pressure on my clit just how I like it, tracing circles around it and alternating with just barely dipping a finger into my entrance, never giving me what I really want, playing with me just like he said he would.

When his fingers start to touch me with more precision, one finger pumping inside of me while his thumb circles my clit I feel that same chill run though my body and I realize his hands have gone cold inside me making me yelp and back away from him but he growls and uses his other hand to grip my hip pinning me down on the bed to keep me from moving.

"Stay still for me love, promise it'll feel good" he says and I decide to trust him. He knows what my body wants and what it can handle, the signs to look out for to know what's going on in my head.

"So good for me" he says, kissing me and starting to pump his fingers in and out of me again, adding a second one right away but switching the temperature back to a warmer one to help with the stretch.

Once he starts to feel that I've gotten used to the intrusion he changes the temperature just cold enough so I can feel it, my back arching as the only way I can move about since he's still got my hips pinned against the mattress.

"Shh I know I know. You can take it though, it's just a little cold love" he coaches, his cold fingers dragging along my warm walls making me wince. "This is w-why I stopped using them, t-too cold" I admit although I already had before, hoping that in some way that would make him stop but he doesn't.

"You know I'll take care of you though" he says, the temperature of his fingers changing back to normal now, giving me a bit of a breather but soon he's pulling them out of me making me wince for another reason.

"Where are you going?" I whine but he only laughs and gets off the bed to take off his clothes before crawling back on top of me. "My baby is so impatient, aren't you?" he chuckles, settling between my legs and dragging his tip along my folds, his brows furrowed in concentration while collecting my slick and rubbing it all over his cock.

"Just put it in already, please" I basically cry out, the temperature play leaving me incredible sensitive and he knows it, not letting up with this sick form of torture. He places his tip against my entrance, not pushing in and just teasing my hole and when I open my mouth to protest he shoves himself into me, knocking the wind out of me, his response a hum, clearly satisfied with the results of his actions.

"Couldn't even wait for me to fuck you like I wanted to, needed my cock in you so bad that you couldn't even shut up and wait. Thought you wanted to be good for me tonight" he grunts, slamming into me at a relentless pace, his robotic strength being unparalleled in bed. I sob, the intensity and the need to catch my breath overwhelming me in the best way possible but when he chances the temperature of his dick I'm screaming for him to change it back.

"Stop running" he growls, grabbing my hips and sitting back on his heels so he can fuck me onto him, pushing and pulling my hips so fast making my breasts bounce up and down. "Fuck play with your tits. Wanna ruin you but my baby can lend me a hand or two can't she?" he says, talking down to me like I'm fucking stupid when I clearly am, cock drunk and barely able to see straight.

I slowly bring my hands up my torso, ghosting my fingers along my breasts, "S-shit" he stutters, his programing really playing the part and making me moan at his reaction. "Play with your nipples baby, get them nice and hard for me" he says, his hands dragging my hips back and forth making his length disappear inside of me over and over, never ceasing making my cock drunk mind go blurry, my reaction speed severely diminished.

He decides to give me a breather, stopping his movements and putting his fingers in my mouth, my lips closing around them right away. "Make a mess baby" he say, encouraging me to get them as wet as possible, my tongue swirling around them, a pool of saliva now gathered and making a complete mess, exactly how he wanted.

He takes them out of my mouth and my brows furrow, not wanting to stop since the approving gaze he gave me while I did it being something I didn't want to give up just yet. He chuckles and rubs his fingers together, making sure his thumb, pointer and middle finger are covered before using them to play with my nipple making me whine at the harsh pressure.

"Shh it's okay, I got you" he coaches, the cold temperature making my nipples harden painfully, goosebumps now present all over my body.

"My baby gets so cold so easily. Want me to warm you up again?" he taunts and I nod my head, the rate of his thrusts though making it difficult to decipher but he knows and so he switches to a warmer temperature making me sigh in delight. It quickly goes from too cold to way too warm making me moan in delight, the scorching temperature being painfully pleasurable.

"Don't worry baby, it's not gonna leave a mark, I wouldn't hurt my pretty girl. Unless she wanted me to" he says, the offer enticing enough to make me think twice but I shake my head 'no' and he take it. "Baby doesn't wanna be branded? That's okay, I'll take good care of you" he coos and that he does.

Over and over and over.

Drabble Masterlist

Taglist: @jkslipppiercing @trina864 @kaitieskidmore97 @goddesofimortality @coolbluedude @coralmusicblaze @whoa-jo @00frenchfries00 @pastelpinkjoon @joonwater Rest of the tags are in the comments 💜

Join my Taglist!

Feel free to fill out the form or just comment on any of my fics to be added :)

209 notes · View notes