#it usually is just me going to my notes and talking to myself

[osakanone]

Speaking as someone with a traumatic brain injury, I'm not sure that PSAs alone will never be enough. I do have an idea, and I am curious about your thoughts.

If you want effective change you have to reach out to the people either do not remember PSAs or more likely, don't read PSAs, who think they are good people but are actually terrible in ways they cannot accept and thus cannot grow from -- who chase respectability as social clout instead of making babysteps needed to get things done.

So here it is:

Your alternatives don't work for sociolinguistic reasons

Your chosen word of interest is an adjective form of a verb.

R-word can be used easily, interchangably and with little effort when someone is stressed because every form of it is grammatically correct and socially incorrect, which is what is usually craved in an insult.

Language is an ecology: A space of predator words and prey words based on which words replace each in their fashionableness.

As with any ecology, there are niches: pockets of success where a need exists and a word slips into the gap to fill it.

In Europe we didn't get your word of interest until the mid 2000's, and it was occupied by a form of the word spastic (the medical condition) shortened to the slur "spaz" (which I've been on the recieving end of many times).

Consequences create martyrs and those seeking to differentiate themselves will adopt waning or discouraged language to differentiate themselves (PSA culture got us edgelord culture).

When a word goes out of popularity is when another word which is significantly cleverer takes its place, which is more biting and more cutting.

A great example is how "the slur beginning in F ending in T" in many progressive circles is front-loaded with the expectation of one word, and then instead people say "fascist" and everybody smiles.

It is one of the ways of controlling language:

You take the second-association added to an instrinsic thing eg, the "other" meaning of gay used on xbox live) and you attach it to something else

You outsource sentiment to a different target.

You retire one word, and inject another which better aligns with your sentiment and intentionality.

You MUST do this in a way which punches up instead of down, or you risk watering down the perception of a word -- and you must likewise be able to answer the question "how is that <other word>?" on the spot with a single sentence and shut down a conversation.

Back to this context, I genuinely use

"mentally redacted",

This replaced my previous go-to

"mentally retired",

which I felt licked of ageism and made me uncomfortable.

Meaning, that something was censored or removed or deleted intentionally. I make this about thoughtless intentionality of action, not intrinsic nature of a person or their situation or whatever has happened to them.

It shifts from medicalism to mentality.

The imperfectionism of it is the scar-tissue of culture as words fall out of favour.

Maybe that's not good enough for Americans? I don't know!

Does it just read of hiding the word and playing slight of hand instead? Does it have some third other reason? There's no good answer here, I feel.

But it makes me personally feel one hell of a lot better about my slowness instead of slipping up when talking about myself and throwing a slur at the person I'm talking to.

I'd genuinely like to know your thoughts!

e:

There's a great bit in the notes by op about how swearing disrupts civility; disruption is the only way to make any protest get noticed. I will say, a slur is often just a culturally acceptable swearword, which again is miserable. I hate to say it but we do need to get meaner if we're gonna survive. We do need to invent our own words about the people who oppress us that are robust descriptors with ride recognition.

e2:

I came very close to using dysthymic as an insult to describe "I need more" greedy "more lanes bro" VC/corpo-brain types before realizing good people would be caught in the cross-fire despite the fact dysthymia is one of the major medical roots of their behavior and damn that is a hard one for me to figure out. The great thing about medicine is it gives us lots of great complex descriptors that are easy to look up. The downside is when we use medicalization as a callout or attack there is always friendly fire. An oppressor will never care about friendly fire, which means we are always stuck playing defense and its fucking bullshit and makes me so mad.

e3:

I really wish there was a way to make words which disrupted civility without... disrupting... civility... okay that's a paradox. Fine, then are there words which can disrupt anti-civility? I want those.

e4:

Found one. The crushing response. "human pet guy"

Since the r-slur is making a comeback (you know, the word that starts with R, has six letters, and ends in D), I'm gonna make a little PSA:

Yes, it's an ableist slur.

Terms like "asshat," "head-up-ass," "up their own ass," and "high on their own farts" exist. There's also words like crap, dogshit, half-assed, assclown, and chucklefuck. And on the less vulgar side, there are terms like ridiculous, nonsense, train wreck, pointless, insipid, self-absorbed, pretentious, annoying, boring, contemptible, vile, and disgusting.

Substituting words like restarted, poptarted, brain damaged, smoothbrain, etc. is still ableist, because either 1. you obviously still mean the r-word, or 2. you're still using disability as an insult.

[peterman-spideyparker]

The Great War (Babe Part 2) (Matt Murdock x fem!Reader)

Author’s Note: Hey everyone! At the risk of forgetting to post part two, I'm doing it now! Like I mentioned in the first post, it's only a part two if you want it to be--you can just have read Babe and leave it at that, but this is just more idea to go with it that I couldn't stop my brain from working on. Enjoy! :)

Summary: It's been almost a month since you left Matt. Everything hurts, and you're doing what you can to get through. Foggy calls, and it turns out Matt's not doing much better. For the first time, you have no idea what your future with Matt Murdock looks like.

Listening rec: The Great War by Taylor Swift

Warnings: ANGST, Matt and reader are separated (Matt cheated), they’re both heartbroken at the situation, swearing, fighting/shouting/anger, throwing, Matt grabs reader (NO VIOLENCE, but the Devil of Hell's Kitchen pokes out), depression (mention of the word "borderline suicidal" in reference to season three Matt), Matt being reckless, lots of crying, drinking

Other Characters: Foggy Nelson

Word Count: 2,820

Before you can even say a feeble hello, Foggy is already speaking. “Matt’s devastated,” he breathes. 

You’re hurt. Offended, even. You left because of what he did in California, and he has the audacity to feel sorry for himself? “And I’m not?” you say, probably with more venom than appropriate. “Goodbye, Foggy.”

“Wait, hold on!” You don’t know why you don’t hang up, but you stay on the line. “I’m sorry. That wasn’t the right way to start this. How have you been?”

“I’m awful, Foggy. My marriage is done, my heart hurts, I’ve lost the man I love . . . I’ve never been worse.”

“(Y/N) . . . I’m sorry.”

“It’s not your fault, Fog. All this is between me and Matt. It’s why you called, I’m guessing? Get all the answers for what exactly happened between us?”

“That’s between you guys. It’s none of my business or anyone’s. I’ve already ripped Matt a new one for doing what he did, and so did Karen and Frank, but he’s . . .” He stops and lets out a sigh. “Do you remember hearing from Maggie what Matt was like after Midland Circle? Despondent, depressed, borderline suicidal?”

Of course you remember, how could you ever forget? You’ve never seen him like that in your life. But the term “borderline suicidal” makes a pit grow in your stomach as you straighten up.

“He hasn’t tried to—?” you start to ask. 

“No, no, that was shitty wording on my part. But Matt’s not himself. It’s like watching a hollow corpse with a temper move about. He either doesn’t care at all, or a little thing will set him off. He’s being reckless on patrol, he’s drinking more than he usually does. I’ve been covering for him at the office, but . . . You need to talk to him.”

You close your eyes, tears rolling down your cheek. “I can’t, Foggy.”

“(Y/N)—.”

“He broke my heart, and I broke his in return. I stomped on it. I love him and I hurt him. If I talked to him . . . That’s salt on the wound for both of us.” More tears stream down your face as you think about it. “We both vowed not to hurt one another. H-He hurt me, but he wanted to fix it. I hurt him and don’t have that same courage to try.”

“Try now,” Foggy pleads. “Try now, help one another. Even if it’s for the last time.”

“O-Okay,” you say before you can realize it.

Foggy breathes a sign of relief. “Come to the loft.”

The loft. The scene of the crime.

You breathe a quiet confirmation before you hang up, taking time to mentally prepare yourself before you grab your purse and leave your sister’s place to talk Matt off whatever ledge he’s currently perched on. 

It’s a short trip, and Foggy meets you in the lobby of Matt’s building. He pulls you in for a long hug, and you actively tell yourself not to cry. 

“He’s that bad, huh?” you sniffle.

“Yeah,” Foggy sighs. “I’ve never been for him like this before. It’s like he’s not the same person.”

“I know what you mean,” you say quietly. “I haven’t felt like myself since that day.”

Foggy looks at you with a crestfallen expression, and you give him one more hug before you make your way up to the loft. 

Your key still works—you’re afraid if you knock, he won’t let you in. Hell, he probably heard you turn the block on your way here and wouldn’t answer out of anger or annoyance. Your stomach churns when you see Matt sitting in the chair. He’s in sweats, his posture is curved, his hair is disheveled, and he’s growing a thick beard. Beer bottles are on the table in front of him mixed with trash.

“Matt?” you breathe, but he remains unmoved. As you move closer toward him, he sits there like a statue, not caring to look your way. “Matt, it’s me.” Still, he doesn’t gaze your way. 

Putting your purse in its usual spot, you make your way over to him in the chair, gently cupping his face in your hands to tilt him up toward you. You suck in a small breath when you see the bruises and cuts on his cheeks, nose, and chin. If this is what his face looks like, you can only imagine the other injuries that his clothes are hiding.

“Matt,” you breathe. “What happened?”

He just closes his eyes in shame, starting to turn. You don’t let him, though, bringing his face back to center.

“Matty,” you plea. “Matt, talk to me, sweetheart.”

“You’re not my sweetheart anymore,” he finally says, and it burns like acid. You deserve it—you gave it just as good to him when he came back from California. “And I’m not yours.”

“We didn’t sign any papers yet,” you breathe, trying to lighten the mood as you hold back your own tears. “So, legally, I am.”

Matt peels back from my touch like he’s getting out of an itchy sweater. Okay, you deserve it. You deserve all of it.

“Matt—.”

“You left,” he spits. “You left just like everyone else, even when you swore you wouldn’t.”

You sit back on your heels. It hurts, but it’s the truth. “I did.” He turns back toward you like he’s shocked you actually admitted it. “I didn’t try to hear you out, and I’m sorry. I should’ve. It was . . .”

He turns toward you, ice in his blind gaze. You’ve never seen Matt like, this, and as he starts to slowly rise from his chair, it’s the first time you can say that you’ve ever been afraid of him. 

You spring to your feet as well, trying to at least keep things on the same level posture wise. 

“Now you’re trying to make things better?” he growls low. “You’re the one that tore it up in front of us. I wanted to stop the breakage, but you readied the wrecking ball. This shit is your mess. It’s like this because of you.”

Now you start to get mad. “Oh, just me? Any breakage that was the breakage that you started. Those images and videos were circulating for two whole days before you came home. I didn’t hear a single word from you—a ‘good morning’ or ‘I’m boarding my plane’ or otherwise. You just showed up here expecting it to all be fine—.”

“You don’t get to assume in this,” he grits, the space between you dangerously nonexistent as one of his hands tightly grab on to your wrist.

“Yes, I can. There’s two people in this mess. I’m saying what it seemed like on my end,” you say, your heart thundering in your chest. Matt wouldn’t hurt you—he’d never do that. But with how his hand is on your arm and the mood he seems to have been in since you left, you’re not entirely confident in that statement anymore.

“You never really knew a damn thing about me, did you?” he frowns. “You just kept a version of Matt Murdock in your head and lived with it this entire time, huh?”

“Maybe I did. Because this isn’t the Matt Murdock I came over to talk to. This is the Devil of Hell’s Kitchen. So, if you’re gonna let the Devil out, let him out on me, Murdock. Do your worst.”

“Get the fuck out of here,” he threatens, the muscle in his jaw feathering as he clenches his teeth. 

“No. I came here to talk, and that’s what we’re gonna—.”

Before you know it, his hand is off your wrist, wrapping around the neck of a beer bottle before he whizzes it past your head like a threat. You flinch, moving to cover your head before the bottle leaves his hand, and you remain curled as the glass hits something behind you, knocking it over as they both crash to the ground. You slowly turn to see what was caught in the crosshairs—the beer bottle had hit a picture frame, knocking it down off the side table and breaking it. You can tell by the shifts in his body language he immediately regrets it, his shoulders slumping as tears start to sting your eyes. You notice he starts to take a step toward you out of the corner of your eye, but you’re on the move toward the broken picture frame. One of the pictures from our wedding.

Huh, you think. How fitting. 

You lower yourself to your knees, carefully picking it up and looking at how your faces were beaming with nothing but joy, how you held onto one another with love . . . and now how it’s the opposite. How you’re broken. You wouldn’t look at him the day you left, and he won’t look at you know. You curl over the photo, freely weeping on the pile of glass. You just want it things to go back to normal.

You hear Matt pad softly over to you, squatting as if he wants to put a hand on your back to soothe you, but he backs away to let you cry. Tears pour out of you like a geyser, a constant flow down your cheeks as you sit alone in the living room. Maybe it was an accident that he hit the picture, but his senses are so sharp . . . maybe he did want to hit it. Maybe he was trying to prove a point. Maybe he wanted to show you that by you leaving, you were the one who put the final nail in the coffin of your marriage.

Maybe he really doesn’t want you anymore. Maybe he stopped wanting you before he went to Los Angeles. Maybe he stopped wanting you a long time ago.

You’re still crying when you hear Matt come back over toward you. Through your limited vision, you watch him clean up the broken glass from the bottle and the frame. It takes him a few trips, but it’s eventually all cleaned up. He leaves again before walking back toward you, holding out a box of tissues. With a shaking hand, you grab one and wipe at your nose, desperately trying to calm yourself. 

“This is my favorite picture of us from our wedding,” you sniffle. “This is what I would grab if I could only take one thing from the loft in an emergency. This would be it. And now . . .”

You can’t finish your sentence, just weeping uncontrollably in your little ball on the floor over your two deepest treasures—this photo and your marriage. Shattered. 

“Angel . . .” Matt says so softly, so tenderly, you almost forget that your life has essentially imploded.

“This is all my fault,” you cry, spiraling, trying to trace it all back to you, your actions. The big explosive things all seem to have their root in something you can place back to yourself. Matt slept with someone else, but it goes back to something you did— you had a short attention span and a bit of a short fuse before he left because a bunch of shit at work that kept piling up, and you knew he was frustrated . . . how much he hates planes. You egged him on. You did nothing to help, and when he left to go to California, he found someone who understood him in a way you couldn’t. You need an answer for this, and that seems to be it.

“This is my favorite picture of us, and it’s all my fault,” you sniffle, repeating what you said earlier, your chest burning from the tears and hyperventilation. 

“It’s just a picture—,” he starts to say softly.

“It’s not just a picture,” you weep. “This, us, it’s all my fault. We’re broken because of me. This is all my fault.”

You hear Matt pad softly over to you, squatting down and taking the picture from your hands, putting it on the arm of a nearby chair before pulling you in for a hug. All you can do is sob against his shoulder as he holds onto you. 

“This isn’t because of you,” he tries to soothe, sounding like he’s about to cry as well. “It . . . It was my poor judgement, it was my shortcomings that did this. You’re in the flaming wreckage, and it’s not fair.”

“I just want things how they were,” you sniffle. “I want to come home. I want us to be okay.”

Matt’s silence is terrifying. “I don’t think I’ve ever felt rage like that. Darkness like that,” he says softly. You feel a tear fall from his cheek to the top of you head. “Shit, I grabbed you . . . Fuck, I’m so sorry. I-I would never—(Y/N), please—.”

“I . . . I,” you start. He’d never hurt you. For all his anger, for all his strength, Matt would never hurt you. But when you’re facing off with the man that patrols the streets? The man that brought down Wilson Fisk not once, but twice? You just didn't know. 

“I scared you.” Tears are flowing down his cheek. “I could hear your heart race . . . I knew you were scared and for a moment, and I didn’t care. It’s like I wanted you to be scared, and I liked it. I was glad you were scared of me.” He sounds disgusted with himself. “You really thought I was going to hit you.”

“I did. For a moment,” you admit. It catches in your throat, but there’s no use in lying if you’re trying to fix this. 

Is that what you came over to do? To fix this? 

He lets out a long breath, slumping to the floor. “What happened to us?”

“I . . . I don’t know,” you say. And it’s the truth. You don’t really know how you got to this point. Yes, you know why you walked out, but it’s like there were the small hairline fractures in glass—so fine that you couldn’t see them—and then a hammer came down on it and a million little pieces was left in its wake. But how he sounds . . . you know that tone. When it’s been a rough night on patrol, it coats his words like sap—he’s going into a dark headspace, and when he gets too far in, it’s hard to get him out, and you need to get him out. You move around to carefully sit next to Matt, putting a hand on his forearm. You can feel a thick bandage on his arm before you can process that he winces, so you move to slide your hand in his. 

“I know you’d never hurt me,” you breathe. “I know you’d never lay a hand on me like that.”

“But I did, though. If I added more pressure, I could’ve snapped your worst. It would have been easy for me to do.” You see him swallow the lump forming in his throat, his own self-hatred inflating at a dangerous rate. “I was full of rage. You were scared of me.”

“I’m scared of all of this,” you admit, your voice small. “What’s happening to us. How it’s effecting you and me. We’re . . . We’re not ourselves. I-I don’t recognize either of us. I don’t like it. I want things back how they were.”

“But they can’t go back.” He sounds broken, hollow—just how you feel. 

“Are . . . Are we too far gone?” you ask just above a whisper, terrified of the answer. 

“I don’t want us to be.”

You hang your head. “I haven’t been sleeping,” you admit. “It doesn’t feel right without you, your arms around me.”

He places a gently hand on your chin, lifting your face up and wiping tears off of your cheeks before pulling you in for a hug. It feels like warmth. Like love. “I can’t sleep in the bed. It smells like you, and with you gone . . . I just patrol all night.”

It’s like when you think your heart can’t break any more, it does. “I still feel so upset, but, I feel hollow more than anything. Like part of me is missing.”

“I’m sorry,” he breathes. “I’m so, so sorry.”

“I’m sorry, too. I-I’m so sorry.” He kisses the top of your head. “I should’ve listened, I shouldn’t have left like that, but I was just so upset. I couldn’t be around you without feeling like screaming or crying or both.”

“We . . . We can get through this. Can’t we?”

You think about it. Is this something you can do? You’ve been through worse— you’ve seen him near death more times than you would like, you’ve seen how the toll of Daredevil and the stress of being an attorney wear him down. Even the debate on how we should bring up our children should you choose to have them strained you both. But your happiness, your life together, it’s bigger than your low points. It has to be.

It has to be. 

Right?

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[ihearthes]

Abbey Road Studios:

A Harry Styles Meet Cute

Author: @ihearthes

Pairing: Harry x Original Unnamed Female Character

Rating: Fluffy Meet Cute

Word Count: 3439

“You’re shitting me?” I gaped at my manager. “THE Abbey Road Studios? How did you…? When am I…? What the actual fuck?” 

Her grin across the desk was wider than a grand piano. “When I talked to the publishers about the audiobook, I assured them that being in the quintessential studio where the Beatles recorded The End would lead to a more inspired audiobook recording of your book The End.” 

Leaping out of my chair, I rushed around her desk and hugged her tighter than a guitar string nearing its breaking point. Her laughter was rich, the hearty kind that could be served with both a spoon and a fork. Maybe even a knife thrown in for good measure. 

“I’ll make you proud,” I vowed before releasing her and returning to the other side of the sparse wooden desk with its ornate carvings on each of the four legs.

“You already have,” she grinned. “After all, you have the most popular music podcast in the world.” Her statement was a major overstatement. Although my 2 year old podcast Time Machine Tunes was growing, it was barely in the top 100 music podcasts. Maggie was convinced the book would drive more listeners my way. “This book is going to be the icing on the cake of your popularity. You’re going places, kid.” 

While I could have managed without the ‘kid’ tacked onto every sentence the 72-year-old American dynamo spoke about me, I was keenly aware that I still had a long way to go in establishing my career as a historical music writer. Without Maggie fighting on my behalf, I would still be shopping my manuscript to publishers. Meticulously researched despite the subjects not honouring me with an interview, my book was garnering buzz from the musical world before the final manuscript was even sent to the publisher. 

“If you’ve heard the author’s podcast, you’ll understand her fascination with the greatest band of all time. You’ve heard the stories of how they ended, but this book delves more deeply into the stories surrounding their breakup,” read the promotional blurb written by Cameron Crowe. 

Maggie never would tell me how she managed to convince the great Cameron Crowe to write a blurb for my book, but I suspect it had something to do with the past she never mentions, likely involving a stint as a groupie in the late sixties. 

Days later, the popular zebra crossing was laid out before me with a steady stream of fans lined up to record their personal rendition of the most famous band photograph ever taken. I took a deep breath. In one tote bag, I carried my favourite teas, biscuits, and a bag of fresh fruit. The other tote bag held a copy of my bound manuscript with notes written in the margins of how I want to sound when I read certain parts of the text aloud. Places to pause were marked in pink highlighter. Sentences to be spoken with more emphasis were underlined. The usual. 

This is how I prepare for my podcast, so I shouldn't have felt as strange as I did. At the bottom steps of the studio, I took a deep breath, closing my eyes and whispering to myself, “Just act normal.” 

My fingers pressed on the wooden door, and it surprisingly opened at my touch. Inside was a reception desk with a stony-faced twenty-something female sitting behind it, tapping lightly on the keyboard keys, and a security guard wearing a uniform that must have weighed double the young man wearing it. 

“No tours. The shop is next door, Miss,” the receptionist politely used her pen to point the way. 

Gulping air, I nodded, then spoke in a rush. “I’m here to record. I mean, I have an appointment. I mean I’ve – my manager, really – has reserved a studio for me.” 

So much for acting normal. 

“Which studio?” 

“The Front Room?” I ventured. 

She tapped her pen on the book in front of her before shrewdly surveying me from head to toe. “Oh yes. Hand over your ID please so we can verify your identity.” 

I fumbled my way through my pocketbook, seeking the one item that always seemed to fall to the bottom, no matter how large or small my bag might be. Just as I felt the leather of the small wallet touch my fingers, it slipped away again until I finally had to set the bag on her desk to more effectively dig through it. In triumph, I finally withdrew the offending item, raising it above my head. 

The security guard simply stared at me until I freed my licence from its card slot, handing it over with a flourish. With a brusque nod, he took it from me with two fingers, exiting the room to another office. 

“Should I – follow him?” I inquired, my voice a combination of shaky and firm. 

“No.” Her reply was curt. 

Minutes later, he emerged, handing me back my licence before directing me to another door. “That’s the Front Room. The team is waiting for you.” 

My insides quivered like a bowl of elderflower jelly as I took the steps necessary to walk to the identified door. 

“Ta!” I waved to the front office team before opening the studio door and stepping inside. Closing the door behind me, I slumped against it, eyes closed, and whispered, “You daft git.” Because of course I would see them again. Soon probably. And every day for the week while I would be recording. 

“Excuse me?” The voice caused me to stand up straight. 

“Oh, I didn’t mean you.” My eyes took in the slight man standing before me in blue jeans and a cosy oversized jumper. His curls were ringlets that reached his shoulders, and his beard was neat and trim. 

“Who did you mean?” 

Wincing, I frowned, my face cycling through about five different expressions before settling on a smile that, I hoped, lit up my whole face. “Me. I meant me. I’m —” Freezing, I held out my hand to this man, briefly forgetting my name. 

“I know who you are. I’m Sean, your engineer.” 

“Oh! It’s so nice to meet you. Thank you for helping me.” 

Sheepishly, he shuffled his feet. “Don’t thank me too profusely. This is my first time doing this on my own.” 

“Congratulations!” My voice squeaked out a little too loudly. “This is my first time recording in a real studio. My podcast is normally recorded in a tiny room at home that I’ve converted into a studio.” 

“I’ve heard your podcast,” Sean reveals. “My partner and I never miss an episode.” 

Grasping my hands together, I hold them over my heart. “Really? Thank you so much. It’s my baby.” 

“One of these days you’re going to need a producer, you know. You can’t keep doing it all on your own. Not if you want to get bigger. And you’ll need a recordist. And an engineer too.” 

“Oh.” My voice was tiny. His words felt like a scolding and a dismissal of my teensy podcast and my dream to grow it into something larger. 

“No, no. I didn’t mean anything by it.” He was quick to correct my assumptions. “You’ll continue to expand your audience, and more people will want to be part of your team. It’s the natural evolution of recording. Unless you’re not any good – which I’ve already said you are.” 

Choosing to take him at his encouraging word, I set my totes on the sofa in the control room. “Sean, I’m confident we’re going to get along just fine this week.” 

“I’m sorry that you’ve just got me. It’s usually a bigger team here for the Front Room, but…” His voice trailed off, and I focused on his face. 

“But?” 

“It’s nothing.” He mindlessly picked some lint off of the immaculate sound board. “Some of the rest of the team thought it was sacrilegious for you to come into Abbey Road Studios to share your book about how THEY ended.” 

The emphasis on the pronoun made it clear who he meant. “Ah, I see. They refused to work with me even though they had no idea what the book actually says or how much research I did?”

His shoulders raised and lowered, and his eyes roamed the floor. “Like I said, I’m sorry.” 

The reluctance of the rest of the team set like a stone in my stomach, but I shook off the negativity. Oh well. Fuck them. 

“Their loss,” I grinned. 

He smiled back at me. “Agreed. Let’s do this.” Sean gestured around the space, pointing out everything I needed to know, and I unpacked my totes in preparation for the day. “Nice selection of teas,” he commented. 

“My throat gets dry sometimes.” 

As if he needed my explanation. He had worked with loads of people who probably needed tea to lubricate their throats, so it couldn’t be unusual. Why I felt like I needed to justify every bit of my practice was beyond me. I was a professional after all. 

A professional who had no idea what she was doing in a fancy studio like this. 

Apparently I was feeling a twinge of imposter syndrome. 

“Shall I heat some water now?” Sean asked as I unpacked the manuscript with all of its sticky notes resembling the jagged cliffs of Dover. It was really sweet of him to offer, so I agreed. The control room wasn’t very big; other than the sofa, it housed a couple of plants and, of course, the prominent sound board. Sean flicked the switch on the electric kettle to the left of his console and turned back to where I was standing, my manuscript tucked to my chest as though it contained a pirate’s treasure. 

“Let’s get you into the booth,” he said, leading me through the only other door in the small studio. “We mostly do music here, as I’m sure you know. But I think I’ve got things set up well for an audiobook. I brought in this small desk and a chair. If you don’t like the chair, I can find another one. Oh, and I found this.” He directed my attention to a book stand. Sheepishly, he smiled. “I was worried a music stand would be too flimsy.” 

His simple preparations were touching, and my gratitude was boundless. 

My arse settled into the chair, and I sighed at how luxurious it felt on my bum. “Perfect!” I proclaimed, placing the first chapter of the manuscript on the book holder. 

“Great! Let’s try some different microphones and test your voice.” 

An hour plus a few minutes later, we had finalised the microphone choice as well as the calibration of the sound board controls with my voice. My cup of tea was to my right and my coloured pencils were to my left so I could easily grab them to indicate changes to my delivery. 

To record, Sean closed the door between the control room and the booth, but I could see him through the full sized soundproof glass inset on the door between us. During the first couple of hours, he would encouragingly nod to me at times. Or he would grimace, and I would know I had to read a section differently. Or louder. Or softer. Or with more expression. 

“Uh, this first chapter will probably take a long time to record,” Sean shuffled his feet as we finished our morning tea. “Don’t panic. Once we get into a groove, the rest of the book will go much faster. It’s just that we have to, you know…” 

“I understand,” I commented, nodding graciously. “It’s fine. As long as we get finished with the book by the end of the week…” 

“Oh, that won’t be hard.” He flapped his hand at me. “We might even have time on the last day to record a few of your upcoming podcasts.” 

“Really?” I was intrigued at the thought.

“But only if we don’t get too distracted.” 

Ha! What could possibly distract me from my work? 

I found out the answer to that question that very afternoon. 

Sean and I were finally recording chapter two, our bellies full of the lunch he’d convinced a studio runner to take away from a nearby Indian restaurant. The remnants, half-full boxes of rice and curry with naan bread, covered the top of the coffee table by the sofa. 

We had switched out the comfy chair for a wooden stool so that I could sit upright, practise my best posture and, most importantly, not fall asleep after the heavy meal. Sean played the roles of engineer, recordist, and director with joy and a skill that I came to both appreciate and disparage as the early afternoon flew by. 

 When I looked up from the script in front of me as we were in the middle of chapter three, I was surprised to find Sean turned towards the main studio door, his lips moving as though he were talking to someone. 

“Hey!” My voice expressed my gentle offence in his headphones. “I thought we were a team, but you’re not even listening!” 

He shook his head, removing his headphones and punching the button for his microphone. 

“Take five. There are a couple of fans of yours out here who want to meet you. I think you might recognize one of them.” 

Ugh. Fine. 

Standing from the stool, I stretched my arms over my head, my vintage Beatles t-shirt rising and revealing my belly button. Through the large window between the booth and control room, I watched as Sean stood, his head bobbing up and down and a grin on his face. 

When I could stall no more, I opened the door, leaning against the door jamb as I examined the two men standing by the studio door.

“Hi,” said one. 

My jaw dropped as the other man’s face came into focus. Holy shit. How was he here? Had Sean joked about him being a fan? He must have been because there was no way… 

“Jeff Azoff,” I breathed, attempting to speak coherently. “You’re Jeff Fucking Azoff.”

“Yes” was his smooth answer. “And I’m sure you know who this is…” He gestured to the man with him, and I shifted my gaze briefly to him. While extremely handsome, his face didn’t ring any bells, but I decided I’d better be polite and go along with the implication that I should know him by sight. 

“Nice to meet you,” I muttered, quickly turning back to THE Jeff Azoff. “How did you…? I mean, holy shit. The number of times your father’s name has appeared in my research is staggering. Did you grow up surrounded by all of those musicians? REO Speedwagon? Dan Fogelberg? The fucking Eagles?” 

“Yes,” he nodded. 

Man of few words. 

“What was it like? Oh wow. What I would give to pick your brain. Did I hear Sean correctly? You’re a fan? You listen to my pod?” 

Once more, he bobbed his head in answer to my multiple questions. And then he tried to hoist me off on his friend again. 

“Harry has worked with some other great artists,” Jeff began, nodding towards his companion. 

Dismissively, I waved my hand in the direction of the handsome man who simply grinned, an extraordinary dimple appearing. 

“YOU know my podcast?” I demanded of Mr. Azoff.

“Yes.” 

Holy shit. Confident I would need to pry any future responses out of him, I placed my hands on my hips. 

“You’ve heard my series about the Eagles then?” 

“Indeed.” 

“And? What did you think? Are you going to tell me everything I got wrong?” 

“No, but I really think you might want to talk to Harry about…” 

I interrupted. Whoever this Harry was, I was much more curious about this man’s take on my podcast. “Has your father heard my podcast?” My voice may have squeaked a little when I asked the question. 

A nod was the only reply I got before he turned back to the bloke with him. 

“Is this weird for you?” 

“No.” The handsome man appeared to be amused as his lips twitched to the side, and his eye crinkles magically appeared. “Unique, but not weird.” 

Narrowing my focus on the handsome one, I squinted. “You’re a musician recording here?” 

“As a matter of fact, I am,” he grinned. “I’m Harry.” When my face still showed no signs of recognition, he added in a smooth voice with a northern accent, “You might have heard of me. My music has won a few awards. Harry Styles.” 

The blood drained from my face. I had been freaking out over Jeff Azoff when the muse to Stevie Nicks was standing in front of me? It was Harry who grasped my elbow when I started to fall over from a lack of oxygen, gently guiding me to the sofa. 

“Maybe some water?” he asked Sean who rushed into the booth to grab my water bottle, handing it to Harry quickly. 

“Sip it slowly,” the Grammy winner said, and I ignored his instructions, nearly choking as I sucked water into my lungs. “Hey, hey. Easy there.” Glancing at Azoff, Harry laughed, “This feels more normal.” 

“You –” I choked, coughing between words. “You – know – Stevie – Fucking – Nicks.” 

Curiosity furrowed his brow. “That’s why you nearly passed out? Because I know Stevie?” 

“You not only know her.” My voice was filled with incredulity and awe. “You’re her muse. You’ve performed with her – and with Fleetwood Mac. And you were the one who inducted her. Holy fuck. You must have done something right in life.” Stopping, I swallowed. “Holy fuck. I must have done something right in my life.” 

He had settled on the sofa next to me, his face a mass of confusion. His head was tilted, and his lips were pursed as he scratched at his head. 

But I didn’t have time to wait for him to catch up. “You can introduce me! Fleetwood Mac is my next podcast series, and if this book does well, I might write a full book about them. I’ve been engaged in a deep dive of reading about their time as a band. I’ve read everything I can find – official or not. In fact, there is a stack of books on my nightstand about Stevie and Mick and the rest. You have to introduce me. It would mean the world to me.” 

My pleading must have broken through his confusion, and he cleared his throat. “You want me to vouch for you to Stevie? I don't really know anything about you.” 

“But you listen to my podcast, right?” My head swivelled between Harry and Jeff. “Oh! You could read my book. See what my style is. I swear I would do right by Stevie. I’m so disappointed that I didn’t get to meet Christine before she… Anyway, I’ll do anything for an introduction. What do you need from me?” 

“Anything?” Harry humoured me. 

“Yes.” Swallowing, I nodded eagerly. 

“You’re saying I could read your book? The one that’s not yet published? The one you’re recording now?” 

My head bobbed like a cormorant. 

“The one that’s about The End? That book?” 

I hadn’t stopped my silly affirming as my head continued to move in the same up and down pattern. 

“And maybe Jeff could read it too? And my friend Paul?” 

My head froze, mid-bob. “Paul? Sir Paul? Sir Paul Fucking McCartney?” 

Harry laughed, a delightful tinkling sound, his head rearing back with his joy. “Does everyone in your world have the same middle name?” 

“Huh?” 

“Fucking. Jeff Fucking Azoff. Harry Fucking Styles. Stevie Fucking Nicks. Sir Paul Fucking McCartney.” 

Slapping my hand over my eyes and forehead, I groaned. “Please don’t tease me or joke with me. I’ve been trying to get Sir Paul to talk to me and read the manuscript since I started writing it. Not a single response to my queries.” 

“Hmmm…” Harry murmured, tilting his head to one side. “So if you would do anything to meet Stevie, what would you be willing to do to meet Paul?” 

“Name your price.” I was hoping he wouldn’t ask for much. All I had was the flat I shared with a friend from uni and a wardrobe of vintage clothing I’d carefully culled from a variety of charity shops.

“I get to be there when you meet them.” My head whipped up so that our eyes connected. “Plus five dinner dates with me.” 

My eyes narrowed, “In addition to any meals we share with Stevie or Paul?” 

Nervously, he licked his lips and glanced at Azoff who shrugged, seemingly disinterested. 

“Yes.” 

Author's Note: This really is just an introduction to these characters as part of a series on Meet Cutes. Who hasn't dreamed of meeting Harry Styles somewhere? Live vicariously through these women who randomly run into Harry Styles as part of their normal lives. How might one chance meeting change their lives forever?

[almostempty]

What’s Love Got to Do with It

(oberyn x f!reader)  wc: 4.6k | other fics 

note: hey y’all it’s me ya gurl, here to defile another prompt with a silly idea <3 Sooo, from the three brain cells that brought you fuckboy!joel and divorced dad rock dilf!joel 🫡i now humbly present …. Frat bro Oberyn, Aka The Red Viper, aka the Prince of Pong, aka the Slut of Delta Psi (i did steal the frat name from the film Neighbors—in which they do sing a line from Creed in their frat chant, so in some twisted way, they’re kind of all connected right??) 

I fear this may have just been funny to me so feel free to skip, but thank you to everyone who tolerates my shenanigans <3. 

ANYWAY, The lovely @baronessvonglitter bestowed upon me Oberyn x What’s Love Got to Do with It for fucktober (happy belated bday babe) but naturally, i made it weird. Thanks to @sunshinehaze1 for reminding me that modern AUs exist when I got scared of the GOT universe and to @auterdelabre for reminding me that the answer is always fuckboy. Don’t blame them for anything else.

Summary: You attend a fraternity toga party, and you catch the eye of Delta Psi’s notorious Red Viper. He shows you how he got the nickname and then he shows you something else he’s known for. 

tags/warnings: explicit 18+ smut, alcohol/partying, gratuitous flirting, piv, fuckboy behavior aka on to the next one, infidelity, i couldn’t bring myself to write his dialogue in frat bro™ –aka i didn’t fully commit to the bit bc that man just had to be smooth and had to fuck no matter what universe i put him in, apologies if that ruins your immersion in my pwp, per usual: no y/n, f!reader is able bodied otherwise no specifics, unprotected piv as if it’s no biggie because it’s fiction (don’t do that irl), no beta/limited proofreading sorry for all mistakes 

“Oh my god, that’s him!” Your best friend shouts into your ear as you walk down the sidewalk. You blend into the sea of toga-clad college kids, sandals slapping against the pavement. Liv leans on you, pointing out the guy she’s talking about. You can hear the music pouring out into the street and people inside yelling and chanting over someone doing a keg stand or something equally as exciting and alcohol-related, you assume. 

The guy she pointed out is leaning casually against the banister, letting some ripped blond dude entertain him on the porch. “That’s the guy your roommate was talking about?” you question your friend. Liv agrees with a smile as you walk towards the front steps. 

Everyone else on the porch looks like a frat bro wrapped in a wrinkly bedsheet, but for some reason, he seems almost godlike. He’s luminous under the warm lights. As if he knew you were checking him out, he turns his head just as you walk past, and his eyes sweep over you, making your face hot. Something sparks between you before he turns away, taking a swig of his drink. 

Liv had given you a rundown on what to expect at your first Delta Psi party. You had argued that you knew what college parties were like. You transferred this quarter as a senior, and you just didn’t have Greek life at your other school or your best friend to convince you to go out. But now, you’re here, dressed up and entering a party that really does feel a little more intense than the ones back at your small-town university. 

Liv’s roommate had given you the rundown on the guys she knew in the fraternity, but you didn’t pay much attention to her descriptions. You figured there was no way a Brad, Dylan, Connor, or a Brent would actually be hot. And then, when she started with the ones with nicknames, you completely checked out after Viper and Rooster. It has to defy the laws of nature for a frat bro that goes by Rooster to be able to find your clit—even if he IS hot. 

Yet, now you realize you might be eating your words because you get it. You were too quick to judge, whoops. “Which one was that?” you ask in Liv’s ear as you both make your way through the people sloshing drinks and dancing. 

“Viper!” 

You can’t help the immediate grimace that emerges on your face. “That’s so douchey!” you shout back over the noise before she pulls you down a hall toward that kitchen. She leans in close to your ear, telling you that her roommate swears she got the best head of her life from him. “No fucking way,” you argue. 

“Way,” she smirks back. “He’s got a girlfriend now, though. They’re, like, totally in love, it’s all over social media.” She mocks puking at the idea, and you share a laugh.

You explore the party together. The house is huge; one room on the main floor is blasting EDM, and another is blasting top 40 hits. There are a couple of beer pong tables in the backyard and a detached garage filled with stoners on old couches giggling to themselves. You know that Liv is itching to park her ass on one of those sofas and find a girl or guy to whom she can woo with her French inhale and makeout with for the rest of the night. 

But, she’s a loyal ass bitch who wouldn’t abandon you. You circle back through the house. You spend a little while dancing together and taking your time to see if there’s anyone else who catches your eye. Nobody really sticks out to you in the first room until you catch his eyes again. You have to do a double-take as you circle your waist and roll your body against Liv. 

He’s semi-shrouded in the corner; with the dim lighting and the packed house, it would be easy to miss the two of them altogether. But when the girl clinging to him turns around to grind her ass against him, he locks eyes with you, and you swear that fucker winks at you before a group of girls prance into the room, shouting oh my god, it’s our song! You try to shake it off. You were definitely just seeing things with the lights. 

You signal to Liv, and she follows you into the other room. You dance together a bit longer. She offers you a swig from her rhinestone-encrusted flask, but you turn her down, staying sober tonight. You feel euphoric enough with the strobe lights and the thrumming bass from the EDM remixes blasting in the room. 

You turn down a few wasted white dudes who try to dance up on the two of you. Too drunk. Not your type. Too handsy. You’re not afraid to punch a man in the throat or the nuts if they don’t get the hint, but they back off when you give them a gentle shove and a shake of your head. The most recent suitor is turning and scoping for another girl to approach when you see him again. 

He’s moving towards you, looking right at you, but there’s no girl on his arm–or crotch, now. For some reason, it makes you feel too hot. You’re sweating from the dancing anyway, so you ignore the electric look in his eye that makes your clit twitch and grab Liv’s arm to make a dash for the backyard to get some fresh air. 

You debrief with each other and come to an agreement. You tell Liv to do her thing, urging her to head towards the couch with the skater dude wearing the toga made from a dinosaur patterned sheet and the high-top vans. She agrees to text you if she plans to relocate or wants to leave before you finish taking another lap around the party. 

You sort of lie to her, claiming someone inside caught your eye. They did, but you aren’t planning to do anything about it. Instead, you part ways and head back through the house, past the pledge posing as a bouncer at the front door, and onto the front porch. The music is still loud, but it’s quieter out front. People still trickle in and out of the party. You stare out at the night sky, searching for the moon. In your own little world, you’re basking in your own peace. 

“I haven’t seen you here before,” a rich, velvety voice washes over your shoulder. It should make you jerk away, give you goosebumps, and raise your hackles. But, instead, the interruption stirs liquid heat in your core and makes your nipples hard. Because it’s him. 

You turn your head and confirm. He’s so close to you. 

“You know every girl here?” you challenge him. 

“I know the ladies and gentlemen that pique my curiosity,” his voice is so smooth. He’s a charmer, for sure. He offers you a drink, holding out two plastic cups in one hand. The size of his hand does make you tingly, but his smile falters when you shoot him one of your signature dirty looks. 

Before he can ask about the look, you take one of the cups, give him a cloyingly sweet smile, and pour it out over the railing into the grass below. The tail of his brow quirks, and he gives you a sly smile that widens into a grin and a full-chested laugh. “Oops,” you mock. 

“You’re a bold woman,” he muses, “I like that.” 

He doesn’t back down after you toss out his drink. He doesn’t take it as a rejection. He understands when you explain you don’t take open drinks from strangers at a frat party, but you roll your eyes hard when he gloats about not needing tricks or drugs to find a lover. 

He banters with you as he downs the remaining drink. He’s quick, with sharp wit and a devious smile. You can’t keep your eyes off his exposed chest, his arms, his neck, his eyes. It’s still confusing how he can look so regal, whereas everyone else in the party looks a little…goofy? Cliche? He pulls you back to the present, asking for your name before he gives you his. 

“They call me ‘the Red Viper,’” he gives you a provocative grin like he knows exactly how hot he looks, even with a bedsheet draped over his shoulder. 

You play into his hand, “Is that some kinda of euphemism?” Feeding his ego with a suggestive arch of your brow. Maybe you’re bold, but you don’t think he’s the type to be deterred by a confident woman. In fact, it seems to make him glow even brighter.

His voice lowers, dripping with an enticing challenge, “Are you looking to find out?” he asks. 

His jaw quirks, and you’re mesmerized watching him suck at his lower lip. It looks so perfectly plump and kissable, curling into a smirk as his eyes gleam with mischief. “Come,” he beckons for you to follow him deeper into the party. 

“I thought you had a girlfriend,” you say stiffly, remembering what Liv had said as you walked in. He looks at you curiously before shaking his head lightly. 

“You mean Cora? From earlier? She’s not my girlfriend. We were just dancing.” 

“No,” you shake your head, “I heard it’s all over social media. That you’re loved up.” 

“Oh, so you’ve heard of me?” he gives you that cocky smile that absolutely shouldn’t work but somehow makes you feel warm like you’re laying on the warm sand on a beach listening to the waves crashing. You don’t say anything else, and he leans in a little closer, “What’s love got to do with it?” he asks huskily. Dangerously. 

It makes you shudder with something warm and twisted. 

“Now,” he guides you gently but firmly, “Come.” You need him to stop saying it like an order before you do. 

You let him walk you through the party. Weaving through the boisterous crowds. They part easily for him, clearing a path like he’s royalty. 

“They call me ‘the Red Viper’ because I’m lethal at any game involving a red Solo cup.” He murmurs it into your ear like it’s a sexy secret. 

You laugh brightly at that, giving him a gentle shove. “That’s the lamest thing I’ve ever heard!” 

He gives you a coy shrug. “It’s the truth.” He leads you into the backyard, towards the beer pong tables. “I’ll show you,” he says just for you to hear. The string lights illuminate the yard in soft light; however, the mood is anything but romantic, with the drunk cheering college kids taking their drinking games very seriously. 

You watch, amused, as one team high-fives each other over their trick shot. At another table, both teams heatedly argue about “house rules.” 

“It’s the prince of pong!” one of his fraternity brothers shouts across the lawn. He gives you the most dramatic I told you so glance, and you mouth “lame” back at him. He calls ‘next game,’ and as if he were their lord, one table immediately clears out, forfeiting in a demonstration of fealty. 

“Ladies first,” he offers once he’s set up all the cups to his liking. He’s so arrogant about it, and it shouldn’t turn you on, but it absolutely does. 

You grin across the table at him. “You’re on.” 

He’s merciful at first. You land a few cups, giving you enough confidence to talk shit and tease him. But it rapidly becomes apparent that he’s a man of his word as he easily picks off every cup on your end of the table with precision.  

Despite your rapid descent towards a loss, you eat up his charm. His magnetic energy. He makes the rest of the party disappear when he looks at you. It makes your heart tingle and your pussy flutter. He’s a gracious winner, only gloating a little as he reracks the table and offers it up to other party-goers. 

“Alright, Viper, you won. You can retain your title.” You admit defeat as he slinks up close to you, ushering you along to the side of the house, only a few steps away but more secluded from the rest of the party. 

“And now, will you allow me to claim my prize?” he asks in his smoky, deep voice. 

Despite his clear intentions, you feign confusion as he wraps one wide hand around your waist and tilts your chin towards his face with the other. “I didn’t know we were playing for stakes,” you smile brashly. Your skin blazes under his touch and his seductive gaze as his eyes drop to your mouth. 

He starts to dip towards you, but you swerve away from him. It’s on the tip of your tongue to ask again if he’s in a relationship. He growls softly, almost a purr, next to your ear. “What’s wrong, my lady?” he murmurs. The intimacy of it is heady, and your surroundings fade. 

You want to take whatever he’s offering, no questions, so instead you whisper, “Tell me your real name.”

He sighs softly before giving in and telling you his name. 

“Oberyn,” you repeat back, “that’s unique.” 

He starts muttering about how he’s an international student, but you’ve got all the info you needed. Now you don’t have to add a guy named Viper to your mental list of hookups. 

“I like it,” you cut him off before slotting your mouth against his and making up for ducking out of his last attempt at a kiss with your eagerness. He wraps his arm around you, and you’re transported. One large hand presses against your lower back, urging your hips toward his, and the other cradles your jaw, giving you a sense of stability as he matches your ferocity. 

You briefly wonder if you’d have melted if he wasn’t holding you so tightly before your thoughts are consumed by the sensation of his lips against yours and his tongue running along yours. It’s not a kiss you would’ve expected from a frat guy. It’s romantic and passionate, and you feel your body rolling against his, caught up in the sensation and intensity. 

You keep going, letting yourself enjoy the moment, eating up the flavor of him, the scent of him, and the throbbing intensifying between your legs. You slip one of your hands along the back of his neck into his soft hair, and he groans into your mouth. It makes your knees weak. 

You chase his mouth as he pulls back and looks into your heavy-lidded eyes. Sharing the hot air between you, it feels like a current is looping through your bodies, buzzing with need. 

“Let’s go upstairs,” he urges in a gravelly whisper. You can feel him hardening against you. His hand on your back is firm, keeping you flush, pelvis to pelvis, making you nearly dizzy. However, his hand on your jaw is gentle, brushing his thumb along your cheek sweetly. You still can’t help goading just a little. 

“What for?” you ask playfully. 

“To fuck.” 

It makes your cheeks hot. Maybe there should be red flags popping up in your mind, but you don’t care. He likes a bold woman, and you like a direct man. 

“Unless you’d rather do it in the grass here,” he tilts his head toward the ground. You act like you’re considering the option seriously, making him laugh before he releases you from his arms. “Don’t tease,” he says with a severe look, “It wouldn’t bother me.” 

Me either, you consider before deciding not to say that part aloud. You tell him to take you to a real bed, and he does. Swiftly guiding you into the house and up the stairs, past the pledge guarding the rooms, and into his bedroom. He spins around, pinning you against the door for another searing kiss. It’s more urgent this time. He’s quickly moving to your neck, trailing open-mouthed kisses down your tender skin as you both greedily run your hands along each other’s bodies. 

Before you can get your hands under his toga, he’s detaching from you and sinking to his knees. He moves efficiently, bunching up your toga and asking you to hold it. Then he’s hovering his hot mouth over your mound before kissing you over your lacey panties. 

“Mmm,” he hums into you and traces the crease of your thighs with one hand, following the line until he’s softly running his fingers along the edge of your panties, the tips of his fingers barely dipping beneath the hem as he moves towards your core. You watch, staring down with your mouth parted as he holds your gaze. 

He teases you, running his fingertips along your seam over the soaked fabric, tapping and teasing at your swollen clit through the fabric as he watches your needy expression morph into frustration. You shift, spreading your legs wider, but he stops you with a large hand on each thigh. 

“Hold still,” he orders, and you feel compelled to listen. He pulls your underwear down and off of you, then hooks one of your legs over his shoulder, spreading your cunt open. “That’s better.” 

You can’t tell if he’s talking to himself or to you. You don’t have a chance to ask before he’s burying his face into your soft, wet pussy. Your breath hitches at the sensation and one of your hands flies out to grab at the door frame to steady you, while the other one digs into Oberyn’s hair. 

He’s unbothered by your dramatics. Oberyn moves with enthusiasm, drawing his tongue along your slit and pressing into your sex with his jaw. His facial hair tickles at your tender skin deliciously and his nose grazes over your clit as if his face were molded to maximize your pleasure. He changes his strategy, mouthing at your clit and sweeping his tongue over it like he’s making out with it, with the same passion that he kissed you with outside and a moment ago. 

You can feel it starting to build. Your hip flexors straining and thighs starting to tremble as your breathing gets quicker and more shallow. Closer and closer and closer. He’s perceptive and diligent. Repeating the same tricks that make you moan and dig your fingers into his hair. 

You’re stuck on the precipice, so close but not quite there. Your eyes roam around the dimly lit room, the bed, the bookshelf, the tapestry pinned to the wall, the collection of cologne bottles lined up on the desk, the mirror on top of the desk–pointing right at the bed. 

It starts to frustrate you. Not the decor choices, but the tension and the building pressure. You squirm slightly, hoping the smallest adjustment will somehow bring everything into a sharper focus. You let your eyes close, letting the roar of the party downstairs fade, focusing on the pressure and warmth of Oberyn’s mouth. 

More, more, more. 

It’s all you can think as Oberyn stays dedicated to getting you off on his tongue. He sucks firmly at your clit before releasing you with a slick sound. He hovers, mouth fanning warm air over your core looking up at you. His eyes are lit with hunger.  

“More?” he asks in his deep, rich voice. 

You can’t tell if you were chanting out loud or if he’s somehow reading your mind. “Please,” you respond with a needy edge, “more.” You catch the sparkle in his eye and the flash of a grin. He works you up again, towards the brink, relishing in your responses as you whine with need as he resumes holding you in a purgatory of pleasure.

Mercifully, he does give you more. Oberyn grips your thigh with one hand, steadying you, while he swipes two fingers along the length of your pussy once, twice, coating them in your arousal before plunging them inside of you. The increased pressure and friction from his fingers pumping into you causes you to moan. It’s a lower register than your breathy panting from earlier, layered with satisfaction as you can feel the anticipation starting to crest. 

“Don’t stop,” you beg, “I’m so close.” 

He doesn’t stop, groaning at your words, rumbling against you. That snaps the tension and you cry out his name and a string of curses as your orgasm hits. He doesn’t slow down when your cunt contracts around his fingers and he doesn’t lose focus when you shake and writhe against mouth. Not until you’re pulling him off of you, oversensitive and wrung out.  

Oberyn stands, wiping at his chin before pulling you in close for another breathtaking kiss. He walks you back toward the bed and you fall into it, pulling him with you. You tangle together, frantically, you want him inside of you now. He laughs softly against your hot neck, sensing your frustration. 

“Shh,” he murmurs as you huff with defeat. He moves deftly, braced over you with one arm, and freeing his cock with the other. Your hands stroke up and down his shoulders and back, and you hook one leg around his hip, encouraging him. “You want me to fuck you now?” he asks and you whisper a yes that turns into a gasp as he runs his tip through your soaked center. “And how do you want it?”

“Hard.” 

“Yeah,” he agrees, sinking into you deeper and deeper, and pulling back, all the way out, then all the way in. “Fuck,” he says to himself as he sets a quick pace, slaming his hips into yours making the bedframe creak with every thrust. If the noise from the party didn’t drown everything else out, you might be embarrassed to have strangers over hear, but you would be surprised if anyone could hear a thing. And, even if you were louder than the party, you could care less about being caught as Oberyn fucks you into the mattress. 

“Harder,” you goad him, hoping for more. To your horror he pulls out of you completely, but you swiftly find yourself flipped onto your stomach as he lifts your hips and enters you from behind. You press back, meeting his thrusts, bouncing off of his hips until he presses his palm between your shoulder blades. He forces your chest into the mattress, holding you still so he can fuck you like he means it, with enough force that all you can do brace yourself and ball your fists, twisting the bedding between your fingers. 

With your cheek against the bed you can watch your reflection in the mirror. It’s hot, even with your togas draped and bunched up, you look good together. It makes you grin. He catches you looking and turns, meeting your eyes in the mirror before watching your bodies. He grips your hips firmly and you can barely keep your eyes open to watch as he continues. 

He overwhelms you with his stamina, keeping up a pace that has your mind feeling blissfully fuzzy. He says something else before folding over you and slipping his hand around towards your clit, determined to feel you come around his cock. You’re so close already, it’s only a moment, a few more thrusts, before shuddering beneath him. He tries to fuck you through it, but you clench and constrict around him so tightly that he pulls out while you’re still moaning. 

You can hear the slick wet sounds as he strokes himself, cursing under his breath again, before you feel the warmth as he comes across the swell of your ass and your fluttering cunt. You sink, dropping your hips and relaxing onto the bed while he catches his breath. Oberyn squeezes at your thighs, offering praise you don’t quite hear, then he’s slipping off the bed. He cleans you up with a towel, but you remain still for a little longer, enjoying the satisfaction and the sweet ache from the intensity. 

“Take your time,” he tells you, leaning down to press a kiss to your shoulder. It’s gentle. You murmur a thanks at him before breaking into an airy giggle. It makes your ribcage shake, bouncing slightly on the mattress, realizing that Liv is going to die when you tell her you can confirm her roommates story. Oberyn doesn’t question your reaction. 

He pauses to readjust his toga and his hair in the mirror. Once seemingly satisfied, he turns back towards you, watching you sit up. “I’ll see you out there,” he says with a smile before he slips out of the room. 

You linger for just a little. Allowing yourself the privacy to revel in the sweet satisfaction of the post-sex chemicals flowing through your body. You let yourself grin while you check your phone to see where Liv is at. 

You take another minute, using the mirror to fix your own appearance, aiming for a slightly less obvious version of I just got railed, before meeting your own eyes. For a sobering second you remember you didn’t get a real answer about if he has a girlfriend. He sure as fuck doesn’t act like it, you decide. You shake off the thought. 

He might be a frat bro, he might be a piece of shit, all you know for sure is that he is hot, a good kisser, and he knew how to make you come. Three things you didn’t think you’d find in one guy under this roof. You give yourself a final onceover before heading out of the room and down the stairs. 

You don’t see Oberyn in the first few rooms you pass. You keep looking; he couldn’t have gone far. You’re barely finished that thought when you spot him in the kitchen. The sight makes you stumble, shooting a hand out to the wall to catch your balance. 

He’s leaning casually, with his hip against the counter, as a starry-eyed girl looks up at him, giggling flirtatiously, as she lays a hand along his bicep. 

It’s in slow motion. The way he looks at her hand, the way his eyes trail along her arm, over the curve of her breasts, and down her legs before flitting back to her face with that same sinful smirk you just fell for. 

Your shoulders drop. It’s not like you were planning your wedding or that you even thought a date was on the table—but you didn’t think he’d be on to the next girl before you made it down the stairs. 

You start to recenter yourself, reaching to check your phone again before you look for Liv. 

He sees you before you can mind your business and plan your next move. Catching your eye through the doorway. Before you can formulate a reaction, you’re stuck, held in his gaze. He winks at you again, only this time there’s no question if you were making it up. He winked at you and despite everything, it makes your whole body tingle. 

“I saw that!” Liv shouts into your ear, wrapping an arm around you. “You have to tell me what the fuck that was about. But first can we please get pancakes or cheese fries?”

You don’t bother turning back for a second glance as you follow Liv toward the front door. 

You must understand though the touch of your hand

Makes my pulse react

That it's only the thrill of boy meeting girl

Opposites attract

It's physical

Only logical

You must try to ignore that it means more than that

Oh, oh, oh

What's love got to do, got to do with it?

…..

tags for babes, but no presh:

@lovely-vamp-princess

@gothcsz

@auteurdelabre

@adoreyouusugar

@swankyorange

@itwasntimethatdidit40

@ivoryandflame

@magneticecstasy 

[lifenconcepts]

if you don’t stay in constant touch and produce enough messages within a 2 minute time frame (preferably 2 messages) I will disappear under unknown reasons

[phagodyke]

in a hilarious turn of events my flatmate didn't even know I use any pronouns....

[yappingmil]

Mmm having another like venting in my head but knowing the second im done venting im gonna be like you didnt mean that tho moment

[strawberryfaced]

I NEED. TO DO. OR MAKE SOMETHING. PLEASE

[no1ryomafan]

I still have NOT started my Kikaider rewatch because I swear I have adhd and can’t focus right now to do anything besides build dragon ig but I keep rotating back to like- how similar mitsuko and michirus families are and I’d love to do a comparison on them but I don’t know how I’d do it given not just “well mitsuko and her fam got to be more fleshed out in especially the anime cause they didn’t have to juggle three main characters” but also like they’re two families who aren’t necessarily a family trope themselves but rather are compromised of multiple tropes from that era:

Michiru/Mitsuko: The supporting girl who is friends with the main character, potentially their love interest

Saotome/Komyoji: The old man scientist who works for the good guys and sometimes may or may not either be the father of the MC or the supporting girl

Genki/Masaru: The little boy support character who tends be the little brother of the main character, but sometimes can be the little brother of the support girl

And then they both get slapped with a dead older brother and a mother who is MIA both of which don’t always happen in tandem with these tropes but I think it’s more of a coincidence both Michiru and Mitsukos families are so similar so they just line up these tropes that were super common back then. (Though since Kikaider came first Ishikawa could’ve POSSIBLY took inspiration especially because Nagai knew Ishinomori but I have no clue if they ever met)

[rutadales]

I think my least favorite thing that happens in fandom spaces is how overly familiar people act towards you. Like whenever I get a post over 200 notes I have people making jokes in the tags that aren't like outright distressing or gross or anything but that just. idk! are jokes I would only make with people I know. Like "fuck you!" or "oh this is awful" or whatever that's done in a joking tone but it's still weird. You don't know me like that

And it's not so much a problem over here because we are so insular as a community so even if I don't know you guys by name or if we don't follow each other I still recognize the person commenting on my stuff. enough to almost certainly recognize the joking tone instantly and for that familiarity there to be warranted. we're not friends but it's like, yeah! I know this person they've been here forever. It's comfortable.

But in larger spaces that casual familiarity is gone. I've literally never interacted with you before. It's like if you overheard a conversation on the street and just walked in and started joking around with them like you knew them. it's uncomfortable!! and like yes obviously I'm looking for interactions when I post and tag things that's the whole point, so it is inherently different than say a private conversation being intruded on but djakfoofjf just don't act like you know someone you've literally never engaged with at all before.

[icelogged]

*2015 voice* i wish i had the chillness instead i got the mental illness

[todayisafridaynight]

YEAH........... YEAH..... LIKEWISE, NO NOTES AT ALL, THAT'S EXACTLY IT... Main antagonist deaths are often treated as "comeuppance," but that would be the ultimate comeuppance for Aoki. As it stands, the only people who actually suffer for it are Ichiban and Jo, and Ichi didn't even do anything wrong. Also please I'm positive there's more to wring out of Aoki and Jo for an essay 😭😭at the very least, I always love to hear your perspective!

"he'd made a social circle for himself where people predominantly liked him for the power and influence" <- incredibly Mine-core of Aoki btw (I also feel the rest applies a little in terms of Mine probably being very quick to write off people who Do care about him as not caring about him, as with Katase, but it's nowhere near the extent of the Arakawas)

Wait actually it's kind of funny... for both Mine and Aoki, I was so sure their endings would go a certain way. Mine and Kiryu'd fight Richardson off together and Ichi'd, I don't know, shield Aoki or hug him so Kume couldn't get to him in the first place, or after that INSANE direct parallel to Arakawa running to the hospital with Masato, he'd miraculously pull through like he did on New Year's. Tormented with visions of the better timeline... With Aoki in particular, it makes me want to tear my hair out because the moment of him choosing to put the gun in the locker was REVOLUTIONARY for the series, looking at the characters he was most heavily based on.

Anyway. Bottom line. These bitches need to hug it out. It was so evil Arakawa didn't hug Ichi at Omi HQ or on the waterfront like bro stop being """manly""" for five seconds you're ruining my life you're ruining your own lives

There'd genuinely be nothing more painful yet more satisfying for an antagonist than being confronted with the consequences of their actions and having to navigate life after having making those decisions, ESPECIALLY when it comes to mending the bonds that- for anyone else- would have shattered long ago. With Aoki being motivated by the want to be loved and appreciated for himself, it would've been nice to see him finally acknowledge that he did have that love and start to better himself as a result (however much he'd be able to while in prison anyway lmao).

The Mine and Aoki comparisons are so real though, I remember joking to myself about it days after beating the game but it just fuels my mental illness every time I think about it ☠️ I LEGALLY AM NOT ALLOWED TO GO OFF ABOUT THE Y7 ENDING I'VE DONE IT TOO MUCH it makes me so mad every time I think about it 😭 ESPECIALLY THE PARALLELS WITH ARAKAWA AND THE LOCKERS UGGGHHH IT COULD HAVE BEEN SUCH AN EPIC CONCLUSION WITH THAT... Arakawa running from the lockers at the start of Aoki's life compared to Ichiban running from the lockers and getting Aoki to the hospital so Aoki can restart life I'm Going To Kill Someone (myself) (in Minecraft)

[firendgold]

Since I saw that you're doing the violence ask game can you answer 22, 25 and 7??

I sure can.~

This one got long af though, so another readmore.

(still choosing violence)

22. your favorite part of canon that everyone else ignores

This is another one I've answered already, but tbf... it was yesterday. So I can pull my second favorite part of canon instead so you don't have to re-read an older answer.

There's two moments that tie: one in year 5 and one in year 6. Year 5's moment is a nice warm-and-fuzzy "the trio are such good friends" scene, in the midst of Umbridge torturing Harry with her quill:

It was nearly midnight when Harry left Umbridge’s office that night, his hand now bleeding so severely that it was staining the scarf he had wrapped around it. He expected the common room to be empty when he returned, but Ron and Hermione had sat up waiting for him. He was pleased to see them, especially as Hermione was disposed to be sympathetic rather than critical. “Here,” she said anxiously, pushing a small bowl of yellow liquid toward him, “soak your hand in that, it’s a solution of strained and pickled murtlap tentacles, it should help.” Harry placed his bleeding, aching hand into the bowl and experienced a wonderful feeling of relief. Crookshanks curled around his legs, purring loudly, and then leapt into his lap and settled down. “Thanks,” he said gratefully, scratching behind Crookshanks’s ears with his left hand. “I still reckon you should complain about this,” said Ron in a low voice. “No,” said Harry flatly. “McGonagall would go nuts if she knew—” “Yeah, she probably would,” said Harry. “And how long d’you reckon it’d take Umbridge to pass another Decree saying anyone who complains about the High Inquisitor gets sacked immediately?” Ron opened his mouth to retort but nothing came out and after a moment he closed it again in a defeated sort of way. “She’s an awful woman,” said Hermione in a small voice. “Awful. You know, I was just saying to Ron when you came in . . . we’ve got to do something about her.” “I suggested poison,” said Ron grimly.

Just seeing the trio bounce off each other is soothing (especially after reading days or weeks worth of fanfics where they all suddenly hate each other or were never really that good of friends or whatever). Harry's gratitude and stubbornness, Hermione's caretaking and forethought and plotting, Ron's voice of reason and necessary dash of humor... all perfect. Also, just... Harry is so used to going things alone, toughing things out by himself. It's heartwarming and sad that he still doesn't expect Ron and Hermione to do something as simple as waiting up for him to get back from hellish detention. Also also: Crookshanks curling up with him. ^^

Year 6's moment is just between Harry and Hermione:

Hermione stopped dead; Harry had heard it too. Somebody had moved close behind them among the dark bookshelves. They waited and a moment later the vulture-like countenance of Madam Pince appeared round the corner, her sunken cheeks, her skin like parchment and her long hooked nose illuminated unflatteringly by the lamp she was carrying. ‘The library is now closed,’ she said. ‘Mind you return anything you have borrowed to the correct – what have you been doing to that book, you depraved boy?’ ‘It isn’t the library’s, it’s mine!’ said Harry hastily, snatching his copy of Advanced Potion-Making off the table as she lunged at it with a clawlike hand. ‘Despoiled!’ she hissed. ‘Desecrated! Befouled!’ ‘It’s just a book that’s been written in!’ said Harry, tugging it out of her grip. She looked as though she might have a seizure; Hermione, who had hastily packed her things, grabbed Harry by the arm and frogmarched him away. ‘She’ll ban you from the library if you’re not careful. Why did you have to bring that stupid book?’ ‘It’s not my fault she’s barking mad, Hermione. Or d’you think she overheard you being rude about Filch? I’ve always thought there might be something going on between them …’ ‘Oh, ha, ha …’ Enjoying the fact that they could speak normally again, they made their way along the deserted, lamplit corridors back to the common room, arguing about whether or not Filch and Madam Pince were secretly in love with each other.

Very, very cute scene showing Harry and Hermione getting along casually, something we're not often treated to even in canon. A frankly disturbing amount of fans (particularly fans of A Specific Ship I Will Not Mention Here) have bought into the propaganda that Harry and Hermione aren't really that good of friends just because during GOF, when he'd just experienced his first ever schism with a close friend, Harry privately confessed to missing Ron and enjoying the things he did with his male best friend more. The trio is not "Harry and Ron, then Ron and Hermione". It's "Harry, Ron, and Hermione"; all three of them are necessary pieces of the whole. Harry and Hermione's friendship is different than Harry's with Ron, but it's no less valuable, and not any weaker, or else Hermione wouldn't have stayed in that damned tent.

25. common fandom complaint that you're sick of hearing

Every bit of discourse about Sirius not getting a trial. We know. The injustice is the point. The cruelty is the point. The POINT is to show that wizarding Britain is glitz and glamor and not all that fair to its marginalized peoples and underclass, you nimrods. Frankly, the fanfics that purport to 'fix' it by giving Sirius his "restored Lordship" or a bunch of seats on the Wizengamot or immediate "wizarding guardianship" over Harry or some unnamed hot babes for him to fuck on or off-screen are very... shallow and unsatisfying. Either that or they give him a bunch of money, though this would at least be on brand for the Ministry. But like... yeah. I'm tired of this complaint always going in the same direction and not being a gateway to Greater Commentary On The Series and the World. Because it's not like Sirius and/or Harry become the type of people who rebel against this ideology. If anything, they embrace the pureblood nonsense in a lot of these fics and are just mad that Sirius was the target that one time. Gaaaah.

And, and. Every bit of discourse about Dumbledore leaving Harry at the Dursleys and/or the sacrificial lamb throwaway line by Snape, especially because 99.9% of people discussing it either haven't read the books, haven't read them since the first time and desperately need a re-read, have only seen the movies, are parroting opinions from some other wrong person on the internet, are all read-up but blatantly ignoring what Dumbledore and Harry say (and don't say) over what they THINK they mean, or some other lovely form of ignorance that leads to the same long-debunked takes being re-introduced as GASP-DID-YOU-EVER-CONSIDER soundbites over and over and over and OVER again. I'm so sick of it.

I get it, JKR's a TERF, you don't want to re-engage with her work, and you don't have to. You don't have to give her any more money. Hell, you shouldn't, ever again. But please, fucking make sure your knowledge is correct and not fandom telephone when it comes to Harry's childhood and Albus Percival Wulfric Brian Dumbledore. I'm not-even-lowkey sick of some of y'all at this point.

7. what character did you begin to hate not because of canon but because of how the fandom acts about them?

I... don't have an immediate answer for this, so I'm going to have to think about it. To you it's only going to take me one line, but for me it'll actually be like... an evening or something.

...

Okay.

This is difficult because (to use the exact terminology) I can't think of a character I've come to hate because of how the fandom acts about them. I definitely have characters whose most popular fanon versions are so irritating or repulsive that it has caused me to look more critically on the real versions of them, though. I guess maybe I'll list those here.

Fleur came to mind first. She seems (and can be) very shallow and haughty in canon at first, but shows compassion and hidden depths in all three of her appearances. She has some veela hair in her wand from her grandmother, and a deep devotion for her younger sister. However... many fanfics (especially harem fanfics or flowerpot fanfics) paint her as either this femme fatale who uses her "veela allure" at will and Cannot Fathom the idea of a man who can resist her (and is thus more vulnerable to falling in love with such a man) or as a super-powerful witch whose family is basically running Magical France (since of course, she is the only French character we know, so why wouldn't she be the most influential person there? /s). Basically, the "foreign" version of what people do to fanon Daphne Greengrass. Ironically, the best fanfic portrayals of Fleur I've seen are the ones that keep her shipped with Bill (with a few flowerpot exceptions, see A Beautiful Lie by MaybeMayba as the prime example), or ship her with Hermione or Ginny... which is sad because I love me some ship variety. (And I still think Bill/Tonks would've been rad as hell.) So I don't dislike canon Fleur, but fanon's "over-attention" to that possible veela heritage and the weird implication that Harry was just "forced" not to notice this perfect woman in his life, rather than just noticing her beauty and not being interested, rubs me the wrong way and disinclines me from including her in many of my own works.

The Bones family is next. Yes, both Amelia and Susan. Susan isn't as bad (I think she has... two lines in Order of the Phoenix? maybe?), but as with most "mostly undefined" HP girls, the personality the fandom has given her (the super sweet politically-savvy Hufflepuff girlfriend of "just do independent!Harry with Lordships and pro-Ministry propaganda and plenty of Wizengamot meetings between Hogwarts classes") is one I've seen so many times it has come to negatively affect my view of the real girl, even though I think the way she calls Amelia "auntie" in canon is adorable. As for Amelia, fanon likes to make her either the Only Sane Man in the Ministry or the leader of the sane faction, who magically is able to fix or ignore all the corruption in said Ministry and can railroad through whatever decisions Harry needs done once he needs to Do Political or Pureblood Stuff Outside of Hogwarts--provided, of course, he's been nice enough to Susan recently.

The closest actual answer to this question I have is Tom Riddle. I didn't like him in canon by any means--I'd probably say I was neutral toward him, just seeing him as "the young Voldemort before he did his magical girl transformation". But fanon kind of acts like he and Voldemort are... two different people? There's these pervasive ideas that either Tom could've been "saved" if Certain People Just Did More (to stop him sneaking around and bullying and murdering???), or that Tom wasn't really so bad when he was gathering up supporters, murdering his family members and the few people who trusted him, and generally going around Becoming the Dark Lord--it was just when he made the switch that he became bad. And like... no. I can't buy that. Even in fanfic, I can't get fully behind the idea of a sane Tom Riddle who was Doing Good until he got sidetracked Oh Nooo. He wasn't. I believe Voldemort was saner before he tried to kill a baby and it backfired, but I don't think there was ever a point where he could have been saved. At every fork he made the wrong decision--to soothe his ego, to feel powerful, to feel special, to feel better than others and make them feel that way too. Tom Riddle's a prick. If anything, we should've seen him squirm a little more before he died.

The last one stings, because it's a character I adore: Hermione. Hermione is a very polarizing figure in canon and always has been, I get it. But what particularly hurts me about her fanon portrayals is that they are VERY SELDOM accurate, or even balanced. Either the author sees her as Their Wife and so she is perfect and never does any wrong and basically becomes the main character of the fic (even if she is not actually the main character), or they overinflate her flaws and use it as a reason to hate on her and bash her to oblivion. There's rarely an in-between. I'm not sure which one is worse. If you held my feet to the fire, I might say the former because a character without any flaws or one who takes over the entire narrative and doesn't let other characters breathe is not fucking interesting to me in the slightest.

This especially hurts because I am a huge Harmony fan and like 60% of bad Harmony fanfics are always the same fucking tropes/plotlines. Hermione is unironically referred to as The Brightest Witch of THE Age (incorrect, not what Remus said. he said "the brightest witch of your age I've ever met", basically meaning she's unusually smart for a fourteen year-old girl). She's treated like the next female Dumbledore who has all the answers (even about stuff she wouldn't know) and often guides Harry's every move.

And speaking of Dumbledore--the same girl who is supportive of him in canon and (after Harry) is MOST likely to recognize Dumbledore as a human who can make mistakes is ALWAYS turned into a Dumbledore Skeptic Who Has Been Suspicious of His Motives All Along, and who will do whatever it takes to get her boyfriend away from his manipulations... by taking manipulative!Dumbledore's place. That's right. This version of fanon Hermione ALWAYS becomes the same thing the author is supposedly railing against, because Harry becomes her mouthpiece, spends all his time with her to the exclusion of anyone else, and can't have a single meeting or meaningful scene with any other character unless she is also present.

Haphne fics do this too, but I swear they got it from bad Harmony fics and it makes me so mad. For once, I would love to read a Harmony fic where Dumbledore is portrayed accurately and both Harry AND Hermione are equal, independent partners who don't have panic attacks if separated for more than five minutes. Especially because as a child Hermione never struck me as the kind of person who even would get married or have a serious relationship distracting her from her Great Work!

But yeah. That last one hurts the most because I love Hermione as an individual, as the very important third of the trio, as a potential partner for Harry (though this isn't the right blog for that!), and just as an iconic character.

I... think that's all? Yep. Thanks~!

[ratbastarddotfuck]

This goes out to every single person who has tagged this with "well maybe they just want to clarify" or "you should at least clarify how you want them used they might just be nervous".

Thank you, yes, I addressed this in the original post.

I explicitly want people to ask me if I would prefer neopronouns or if I'd like to switch it up often or whatever else. I want that, I like that, it's good. My personal answer to all of those questions is "do whatever you want i do not care".

In this post I am talking about people who outright just ask me to pick a favourite or who tell me "it makes me stressed" with no further information. It is not my problem if my pronouns make you stressed. Make an effort or just use my name, I really don't care, I just dont want to hear about how difficult I'm making your day by not having One True Pronoun.

Sorry babe but if me saying I use "any and all" pronouns stresses you out, that's honestly a you problem. It's not my job to pick a "true" or "most preferred" pronoun for you to call me by when my preference is, in fact, use everything chaotically and change it up often.

If you want to ask for clarification on how I'd like various pronouns used, that's fine. But saying to my face "ah I always get stressed about any pronouns - what do I call you"? Just rude tbh. I told you my preference, figure it out. It/they/he/she/xe/zir/fae/rat/bitch/ass/motherfucker I don't care, it's not my problem.

[neverendingford]

.

[exopelagic]

one day I’ll stop vagueposting abt The Guy but that day is not today