#it somehow turned into this ship

[naturecalls111]

unorthodox murder mystery

[sunfyrisms]

of course the show that is fundamentally centered around two sisters and their tragedies becomes centered around men and said sisters are sidelined and their arcs are pushed to the sidelines and all the phenomenal care that went into their characters went down the drain. ​one’s arc is literally “the traumatized / mentally unwell character’s happy ending is committing suicide because they are simply too broken to heal and be happy” trope, and her mental instability is forgotten. the other is reduced to a mere plot device, has no agency of her own, and her trauma and anger is treated like a complete and utter joke for the sake of a shitty ship, and because the writers literally, point blank, were bored with her. it’s so sad because the tragedy of these sisters is so utterly devastating, so encompassing and so intricately woven into the narrative. but make it about two men i suppose?

[eyeofthebrainstorm]

You know what makes me particularly happy? GET ROMANCED LIAM O BRIAN! Seeing him just sitting there al red and shy getting a bucket full of love dumped on him was good for my soul.

In campaign one he was the trail blazer of romance and did most of the heavy lifting with confessions and general romancing.

In campaign two he said "I'm not doing that again, been there done that". We all know how that went ... But it did mostly happen behind the curtains, off game, so he didn't get to experience it.

But ROBBIE WENT ALL OUT with this declaration, he really said I'll do romance and I'll do it good and Liam really deserved to be on the other side of that. I'm glad Orym couldn't gather his courage first, I think that was just right

[nevertoomanyspiders]

more Oz nonsense with the poly triad of Scarecrow, Tin Woodman and Scraps the Patchwork Girl

[ew-selfish-art]

Dpx Dc AU: Ectoplasm is required for Ghosts to be visible to the human eye- And Danny creates his own ectoplasm.

Danny is visiting Jazz in Gotham and its weird how friendly everyone is. Like, the city gets a really bad rapport, everywhere he goes there is someone trying to strike up a conversation or answer his questions about getting around to the tourist spots. A few people even pointed out restaurants and ways to find off the beaten path gems! Jazz seems to role her eyes at him, but when he brings up her 'roommate' being kind of cute she flat out laughs.

Danny then comes to understand the Jazz doesn't have a roommate and that Ghosts in Gotham don't move far from their haunts- He's just been inadvertently turning these undead folks visible by accident of generating abnormal amounts of ectoplasm.

Which, is comforting in a way, he's never walking this dangerous city alone and really, most of the ghosts have been really friendly! They disappear once he's a few blocks away from them anyway.

---

Tim Drake is having a horrible day.

He'd been given intel that one of Black Mask's guys was going to snitch but that he'd died before given the opportunity to reach out to the GCPD. He tracks down the guy's last know whereabouts and yikes. Its next to the Theater. Tim was often grateful for his childhood obsessions, this time it backfired.

Tim and Bruce get into an argument about trust and respect and, worst of all, mental health. And even though Tim was vehemently against Batman accompanying Red Robin to the alleyway - that's exactly what happens.

They arrive and Bruce is closing up faster than a clam in the contaminated Gotham Bay- Clearly being in the Alley bothers him. No fucking shit. RR gets started on collecting evidence, there are a few extra blood splatters and a single left shoe... When a kid walks into the Alley.

"Uh, sorry to intrude-" The kid looks scared shitless, and runs away. And then, all of a sudden, Batman and Robin aren't alone in the Alley.

Tim can hardly believe his eyes as the dead man appears and quickly blabs Black Mask's bank passwords and what the plan had been- and While he's over joyed to have that closure, he turns around to Batman weeping in the arms of his parents.

The ghosts fade, and the emotions are certainly charged as this was never something Bruce or Tim would have ever dreamed of happening. Ghosts in Gotham. Talking, floating, granting closure.

"RR, Bats, come in." Oracle calls into their ears.

"Reporting in, but, uh, we need a minute."

"A minute? We have a case on 4th and-"

"O, we just saw the ghosts of the Waynes. It's going to be a minute."

"...Lots of Ghost reports lately then. Any chance you saw a kid looking like he could be adopted?"

"Yeah, actually, black hair and blue eyes. He was super polite before he ran away."

"We have work to do. Oracle, lets prioritize finding our person of interest and divert Nightwing and Robin to the case on 4th." Batman cut between them on the comms and he sounded... calmer than either of them anticipated.

---

Jazz is no longer laughing when Batman appears at her door explaining that he's looking for Danny (Who already flew away from town to get a good night's sleep before class on Monday). Turns out Danny reunited the man with his dead parents just briefly- and then the second guy appears and mentions how Danny had also given a guy who'd been murdered by a Mob enough time to explain the ongoing threats the city faced.

Jazz just rolls her eyes and says that it's not like the ghosts are going anywhere anytime soon and Danny will visit in another month. When pressed, she just explains that her brother is a weirdo. No of course he doesn't have powers. Gaslight and Girlbosses her way out.

And Jazz thinks that the game is up for at least another month, obviously when Danny visits more shit will stir up, but then this new guy appears.

Unlike the other Bats who are keen on watching her from a distance, the Red Hood knocks on her door. Are her eyebrows all the way into her hairline when Red Hood asks her to send his thanks along to Danny because somehow this whole situation led to his Dad expressing remorse for his actions and apologizing? Yes, yes they are.

But Jazz can smell Dissertation Data off of these vigilantes- Who is she to send them away? Jazz welcomes Red Hood into her place for a cup of tea and a small chat.

The story then devolves into Jazz getting shit done, Danny being cute by proximity and also bringing ghosts to the party, and the Bats having trauma resolve between them.

[ironunderstands]

Sunday’s worldview sucks, his outlook and perception of himself and others sucks… and that’s why he’s so interesting

In honor of his drip marketing releasing tonight (or maybe yesterday for you depending on when I get this out), I’d like to talk about why I think Sunday’s beliefs and perspective is very, very flawed and how his own biases rather than the actions of those who oppose him are what led to his downfall.

Sunday is entirely responsible for his own failure, and that’s exactly why he’s incredible.

This contains mentions of leaks and spoilers for the Penacony quest line… you have been warned

To start with, oh my lord do Sunday’s preconceived notions kick him in the ass. 

I think the best example of this is his conversation with Dr. Ratio in which Ratio pretends to betray Aventurine, selling out his plan to Sunday. Now, what’s incredibly interesting about this exchange is that Ratio doesn’t fully lie to Sunday once in this exchange, rather he says half truths and makes vague statements which Sunday himself interprets as being in support of him. 

Take what Ratio said the whole, “A scholar knows their position and wouldn’t forsake it for the sake of petty pride.” In retrospect, we know this line is actually referring to Aventurine- aka Ratio is saying he’s not just going to sell him out to Sunday for the sake of information about the Stellaron (which he would get anyways if the IPC attained Penacony, plus Mr. Incredibly Dedicated Knowledge Spreader probably has other means of gaining it then through The Family). 

However, since Ratio answered the invitation Sunday gave him, Sunday assumes that Ratio is on his side, believes his cause is righteous, and that he won Ratio over with offering him information about the Stellaron, therefore making that previous statement of Ratio’s null, because Sunday interpreted it as, “convince me this is worth my time + prove to me you’re correct,” when it really meant, “there is no way in hell I’m about to sacrifice my friend to you, and there is nothing you could offer me to make me do so you crazed lunatic.”

But why did Sunday not weigh the options? Why did he unquestioningly believe his perception of the situation was the correct one?

Well- partly it’s because Ratio and Aventurine were doing their damndest to make it seem like they hate each other and that their plan was going off the rails.

But the more important part is that even without Ratio saying a word or even accepting the invitation, Sunday already believes he’d be on his side. 

Let me demonstrate this through Sunday's perspective:

I am a righteous person, I am doing the correct things, my worldview is the correct one. Dr. Ratio is also a righteous person who seems to be doing the correct things. Therefore, since we are both on the side of good, and Aventurine is clearly not on that side considering his status as Stoneheart and his negative relationship to Ratio, then Ratio will naturally want to be on my side. After all, the good guys work together, do they not?- and together will vanquish this evil villain.

This perspective is a simple one, but Sunday’s unshaking belief (up until the end of 2.2) that he is 100% in correct and in the right, that any and everyone who he also perceives to be in the right (like Ratio) would believe/side with him without truly needing to be convinced. Sunday doesn’t come out the gate offering the Stellaron information- he only keeps it as a backup just in case. 

However, this is complicated because Sunday is also not an idiot, and he’s extremely paranoid, so he’s going to make sure that the way he views the world is 100% correct on the off chance he’s wrong which could foil his plans- which is why he invited Ratio in the first place. Nevertheless, this isn’t him hunting for new perspectives, but rather him desiring to prove himself right again, which is a bad thing because Sunday is very much not right. 

A perfect world is a perfect pris- *gets shot*

Reference that approximately 2 ½ people will get beside, Sunday’s ideology that he is fully confident in.. sucks. It sucks ass, it’s terrible, and let me explain.

I’m not going to try going over all the little intricacies to how the dreamscape works because I a) don’t know and b) don’t particularly care because they aren’t relevant to the argument I will be making- which is that Sunday’s ideology is inherently flawed and immediately falls apart under scrutiny.

Essentially, he desires to create the perfect fake reality, enveloping the whole galaxy in Ena’s dream and fulfilling their every desire and whim within it, with himself as the sacrifice to allow it to exist. The seven rest days, no illness, no pain, no challenge, you get the idea. 

And, this perfect world paradoxically sucks ass because of its perfectness.

Improving society is great, eliminating hardship is great, increasing quality of life is great.

But declawing reality itself- absolutely not.

I’m going to try to explain this through my favorite strangely specific anecdote- the process of obtaining diamonds in Minecraft.

Stay with me now.

You essentially have two options- go out and mine them yourselves the hard way, which takes hours, gives you less diamonds per the amount of time spent on it, and likely with you exhausting some of your resources like food, torches, and tools which you will need to replenish.

Or.

You can just.. get them from creative mode or commands, and you can get as many as your heart desires.

However, despite the fact that option one is harder, gives you less diamonds and takes significantly more time, I, as well as hopefully you, would pick it every time (at least in a survival world, although honestly idk why you would even need pure diamonds in creative).

And that’s because the first option is rewarding. 

You did not earn the diamonds you easily and magically summoned into your inventory, there is no struggle, no journey, no challenge to it, therefore it feels entirely unremarkable, as compared to the feeling you (hopefully) get from mining diamonds, which makes you happy because you earned it. Yeah, it was harder, but the process itself is fun- the anticipation of not knowing when you’re going to find them, if at all, the danger, the fighting and digging and mauvering you will have to do in the process.

And with this unconventional example, the fatal flaw with Sunday’s ideology is revealed- it’s boring. 

It’s boring as shit.

Yeah, for the first few months or even years it might be enjoyable- having everything you could ever want served on a silver platter. However, humans are a) inherently a bit greedy and b) desire challenge, and this scenario fulfilles neither of those things. Naturally having everything means your desire for more can never be fulfilled, leaving the wanter forever unsatisfied, whereas in the real world, things are truly out of your reach, meaning that even if you never end up getting them, they are still a tangible thing just out of reach… as strange at it sounds, we like being tantalilus-ed more than you think. After all, if what you want is so easy to get, you will never run out of things to want, and eventually that gets draining. 

Continually, if everything is easy, if everything is just right there whenever you want it- existence itself no longer has stakes. 

And that’s the problem, because much like how a story with no stakes is extremely hard to find compelling, a life with no stakes feels boring at best and downright pointless and meaningless at worst.

I’m just saying, there is a reason why the Nihility was such a strong presence and problem in Penacony.

Anyways, like with the diamond problem, a lack of stakes means that nothing you do feels rewarding, because you didn’t truly earn it. 

Which is where the Sunday’s idea of a “perfect” reality falls apart, because the most enjoyable reality for humans to live in is not one literally devoid of any possible flaw.

So why does he believe in it? When it’s so clearly flawed?

Well, it’s because Sunday doesn’t think a better alternative exists.

The world made you this way.. and you chose to continue what it started.

I’m sure I don’t need to repeat the story of the Charmony Dove all over again because trust me, we’ve all heard it before. Nonetheless, it reveals something important both about Sunday’s personality and his ideology- he’s fundamentally a defeatist.

He doesn’t believe that there is any alternative for the dove, that it could ever be able to fly again with its deformed nature, so instead of being “cruel” and letting it “inevitably fall to its death,” he’d rather keep it in a cage all its life where it has no freedom, but at least it would he alive and “happy”.

And this is where his defeatism reveals itself- Sunday doesn’t believe reality itself can get better because improving it when there are so many factors and things out of your control is hard at best and impossible at worst. Therefore, he resorts to creating an escapist, false version of it- a perfect golden cage, because constructing that is far, far easier than trying to help the dove fly again. 

The universe has endless possibilities, if Robin and Sunday had tried hard enough, they probably could have found a solution. Sure, they were both children, so the capabilities necessary to even attempt that were likely far out of their reach. However, it was still possible, but Sunday doesn’t believe in possibilities- he believes he’s right above all else, which is where that stubbornness and arrogance comes into play again.

Sunday doesn’t think better solutions than his exists, and he believes everyone would could possibly stand in his noble way are either villains, or horribly misguided; so it’s his job to show them the light.

This is why he lets the Express Crew + Firefly try to change his mind- Sunday wasn’t actually interesting in shifting his perspective, or really what they wanted to say. Rather, he just wanted to let them say there peace, because well, Sunday’s a good, righteous person (at least from his perspective), and good, righteous people listen to others. Good, righteous people will let these poor, ignorant souls offer their foolish words before exposing them to the harsh truth- or at least that’s how Sunday sees it. 

Moreover, this also explains his arrogance. If he believes his worldview is the sole correct one, then why listen to anyone else? He’s this world's savior, or at least he’s been raised to believe that- so why not relish in it? He enjoys punishing Aventurine, enjoys the bastard who stood in the way of Sunday’s plans, shrinks away in “defeat” and get what he “deserves.” Despite how miserable it sounds, Sunday also takes pride in having to be a martyr to bring about his beautiful dream. The belief that he is a selfless, good person is a selfish desire of his, even if a genuine one, and it’s what leads to his downfall.

Sunday could have actually listened. He could have reevaluated his loss to Aventurine and realized it was not through the others clever deception, but through his own biases. He could have actually taken the Express’s and Firefly’s advice. He could have looked for other avenues to help the people he truly does care about. 

Despite Gopher Wood’s manipulation- Sunday’s decision to go forward with the pain is entirely his own, because he truly believes- even with all the evidence for the contrary- that he is correct.

And that’s why he fails. Not because of the Express. Not because of Ratio. Not because of Aventurine. Not because of Gopher, or even the rest of The Family.

No, Sunday fails because he is flawed, and he is wrong, and he is the arrogant, selfish and biased one, and his worldview is wrong.

So what now?

This might have seemed like I think Sunday is pure evil and irredeemable, but I think it’s quite the opposite.

He has very good intentions, and he does genuinely care about it the well being of other people around him. He gives Aventurine a chance to prove his innocence, even if he never intended on changing, he does listen to what the Express + Firefly have to say. He pauses when Robin shows up, as she’s the one person (until the very end) he’s actually willing to accept the perspective of. The whole reason he ended up here in the first place is because Gopher Wood twisted Sunday’s good intentions into a fatal arrogance and utmost belief in a flawed worldview. 

However, what really sells me on Sunday’s goodness is when eyes widen at that final moment, the light draining from him as he realizes he is wrong. 

And once Sunday realizes he is wrong, those flaws that bind him can finally be examined and improved upon, as they all stem from that worldview he no longer believes in. 

His whole life, Sunday has been enacting out someone else’s plan for him, even if he’s come to internalize it over time, at the end of the day- it was never his, and without it, he’s empty.

Which is exactly why the only place he can go now is the Express, and the only thing left for him is redemption and growth.

Dan Heng is right- Sunday has a noble soul, and now that he has stopped believing in himself, he’s no longer shackled by the past either. Improvement or utter demise (in a likely nihility-flavored manner) are his only options remaining.

I understand a lot of people want to see him become a Stellaron Hunter, but imo, that just does nothing for him. He’d still be following someone else’s path/script, and Mr. I Will Sacrifice My Whole Existence To Become The Sun To Illuminate These Wandering Souls probably wouldn’t be so on board with the whole.. terrorism part of being a SH. Like yeah, they are our friends (kinda), but they absolutely kill innocent people and cause millions of dollars in property damage to people who don’t deserve it. 

Also, being on the Express Just Makes Sense. This is a game about choices, a game about accepting the mistakes of your past, but not letting them define you in order to move on and forge a better future for yourself and others- with the Astral Express + Trailblaze as a concept being the literal embodiment of it. There’s a reason when you switch to the Trailblazer’s POV in stories, it includes Kafka’s most important words to us- “When you have the chance to make a choice, make one you won’t regret.”

Therefore, I hope the choices Sunday will make in 2.7 are ones he’s proud of, and I can’t wait to see how exactly they get him on board with the crew, because there still is a LOT of development he needs to do before then. 

Anyways, thank you so much for reading, and if you have any thoughts I’d love to hear them. This was a stream of consciousness mess, but I hope it was still valuable nonetheless! Also if you are reading this on the day it was written, I hope we don’t get disappointed by his drip marketing!

[kissingarthurclaus]

I've kinda been going through it lately so I wanted to draw something kinda simple and comforting 🥺💖 this is also the first time I've drawn him with freckles which is a headcanon I ADORE!!

Taglist♡: @me-myself-and-my-fos @tiny-cloud-of-flowers @sunstar-of-the-north @dearly-beeloved @adoredbyalatus @changeling-selfship @crushes-georg @miutonium @cherry-bomb-ships @rosieaurora @rejaytionships @sunflawyer @in-true-blue-love @tropicalgothships @little-miss-selfships @hotrodharts @cupiidzbow @frozenhi-chews

[netmors]

I'm practicing drawing Grand Admiral Thrawn.

References from comics, cartoons and TV series show him differently.

frame from a comic… hmmmmmm, drawing Tarkin turned out to be even more difficult...

+ bonus Admiral of the Eleventh Fleet - Karyn Faro, and Senior Captain Eli'van'to (Eli Vanto).

I'm more than sure that these two continue to collaborate with each other… and also troll Brierley Ronan.

[justtakeout]

sheldon x amy - 500 days of summer trailer

“500 days of summer” is a romantic comedy-drama film that follows the story of sheldon cooper, a theoretical physicist, who is dumped by his girlfriend, amy farrah fowler. sheldon reflects on their 500 days together to figure out where their love affair went wrong, and in doing so, rediscovers his true passions in life.

it’s a fan-made video of sheldon and amy that i saved a while back and forgot about. thought i’d share it here since i haven’t had much time to draw lately hahhahaha.

[clowningcrows]

not sure if i’m projecting or crazy or stupid or just actually incredibly good at characterization but will graham is extremely ethel cain coded 2 me

this man would drunkenly listen to strangers on repeat on his bathroom floor and bawl his eyes out while murmuring along to, “i tried to be good, am i no good? am i no good? am i no good?” while thinking about abigail and alana and beverly and and and….

[irellia]

Her hands are rough. She always marvels a little over that, when they’re lying together amid the rich silks and linens of her bed. Her hands are rough—calloused where a sword would sit in her palm, scarred from old burns and older fights. She wears it around her eyes too, a short life lived hard, with all its ghosts and old blood. She looks older than she ought to, cut out of stone: cold; hard; stolid; like shards of glass—like a blade, sharpened, the last thing men see before darkness falls— but when she presses her mouth — slick and soft, sweet with lipstick— to her neck, Mizu warms under her touch, becomes liquid; she flows, grasps at her waist softly, delicately, as though afraid she'll somehow break her.

I am not made of glass, Mizu she says, a little abashed, the first time she kisses her, gathers her face into her hands and sinks her teeth into the curve of her lower lip, hungry, desperate for her mouth her hands her smell, her her her — god, she wants her — and Mizu gasps, a sharp, low sound torn from her throat, and draws back, touches her as though she's never touched something this fragile before; unmarred by death. Clean. Pure. Hers.

I shall not break.

She traces the cross mark, the little black dot inked into the inside of her arm,  feels the heat of her body seeping through the silks of her dress, her pulse throbbing beneath her skin.

She does not understand Mizu when she murmurs in that detached, cool voice, like riverwater, flowing darkly through her, I can't - I can't... when her hands rise to caress her neck anyway, despite her protestations, her thumb, rough, made hard from all the blood they've spilled, rubbing against her throat, with such gentleness, it makes her ache.

Hidden away, sheltered from a world brimming with death, Mizu does not crack for her - she cannot let the walls around her be torn down in the name of desire, lust, want want want - this is weakness; she tells herself, fighting against the fire that swells in her blood; this is wrong, but she does not pull away when she looks at her through the thicket of her lashes, long and dark as soot; does not shrug her off when she sits near her, presses her shoulder against hers, hungered for her attentions. She would give anything to be seen, to be known, as she is: violent; furious; hungered and empty and aching- to be wanted, in spite of it all... To be... To be. She is warm under her, around her, and that same humanity, that fragile, small thing that growls its agony inside of her, that thing that makes her, when the hour grows late and she too deep in the darkness, the softness that claws at her heart that she always taught herself to despise in her, is what draws her to this strange creature she does not deserve but has somehow made her way into her life.

She laughs; Mizu, too, does not understand her when she says Come here; let me look at you, when she laughs at her aloof detachment, her cool, stony face, how she looks away when she smirks, how her hand twitches at her side.

(Every time Mizu is gone longer than she said she would be, she panics—what if she does not come back? She is beautiful and strong, brown from the sun and scarred, flaming, why would she come back to her?)

Her hands are rough from touching a world she has never known, and she carries the smell of strange forests in her hair. She presses herself into the warmth of her body (scarred and lithe, slim yet hard with muscle) as they lay amidst the silks of her bed. You’re the only real thing I have, Mizu breathes.

She does not say anything; she does not understand her; only looks at her, as though afraid something will take her from her if she blinks. Her response is to kiss her, over-eager, warm and willing and imprecise, desiring, and, if only for tonight, that suits them both.

[factoseintolerant]

My head turned a long time ago.

[hauntingblue]

CAUSE THIS IS THRILLER (bark), THRILLER (bark) NIGHT

Usopp's outfit is so funny for reals

He got the whole squad laughing

Luffy enablers at it again.... (Robin.... I know.....)

The humor panels so far have been so good!!! God this arc is so funny

HE SAID IT‼️‼️

They look like birds 😭😭

It's just too good... luffy taking cerberus and zombies what can't he do

It's just banger after banger what can I say

Franky feeling for other people because of his guilt complex and sanji lying through his teeth and pulling out the women excuse to seem unaffected... yeah

Look at them.... look how they ate

Omg joyboy reference?? (No)

Sanji is rubbing off on usopp.... also chopper noticing that is sogeking's weapon akdhaksjak

ANOTHER SLAY!!!!!

Their priorities: I'm not strong enough, there isn't enough food, and nami isn't here

Franky going from wanting to kill brook for his jokes to making a joke like his after he hears his backstory... exactly (Robin was already enabling him before the backstory even fdagjsfha)

Sanji is altering his body and actually being on fire to communicate to us how fucking mad he is..... I need more of him going insane I do I do

My god what is he doing ALDJALAJALA

AHSAHAHQHAH THEY ARE THE SAME!!! naaah sanji wouldn't force a woman to be his wife

You cant see me but I am nodding my head in agreement over and over

You don't understand he altered his body to communicate to us how mad he is. He inploded himself and then reconstituted again. Those germa 66 genes are insane

You tell em usopp!!!! The first of many girls you've scared into defeat!!! Akdjqknql

Zoro zombie regressed to not trusting robin akdjaks he's still in there

ROBI-CHO SUPLEX??? HELL YEAAAAAH

There is zosa- [GUNSHOT GUNSHOT GUNSHOT GUNSHOT]

Super frapper gong.... he is doing combo shots with frobin... omg.... parents....

Everything is so fun I'm having such a good time reading.... and then zosan angst like damn I am being fed well here

[eddiediazismyhusband]

okay i feel like im going crazy yall bc everyone keeps calling this brown but it looks gray with a hint of green to me like especially compared to everything else that’s brown/beige around him this doesn’t read brown to me at all 😭😭

but maybe im just sleep deprived and my brain isn’t processing colors correctly like it looked brown in that one blurry bts selfie w the PA, but in everything else it’s gray to me

[yuseirra]

I've been thinking over this god thing over and there's another idea I have related to it!

Earlier I've said that ame-no-uzume(god of the arts) and her husband sarutahiko(the great bright god) may be related to Ai and Hikaru.

Their story might also have been inspired from Izanagi and Izanami and they're very famous, so I believe I wouldn't have to explain a whole lot, (and I bet there are people who know it in more depth) but.. Izanagi and Izanami (the creator gods of Japanese Mythology) have Amaterasu(the sun god), Tsukuyomi(the moon god) and Susanoo(the god of the sea and storms) as their children. Ruby has something to do with Amaterasu and we have a girl who goes by Tsukuyomi as a character, Aqua, with the full name being "Aquamarine" has a name that has to do with the sea.

The reason I've brought this up is because of the lore between Izanagi and Izanami. Izanami dies, and Izanagi tries to bring her back to life but fails. It rings a bell, right?

Yes, this story of theirs also aligns with the things that have been mentioned in Mephisto and Fatal. Those songs revolve around a person who desperately wants to meet their love again (who's likely passed away) but cannot.

I've been wondering just why the ED's title was named Mephisto. Mephisto is the name of the devil, right? When you have a wish and the devil in the same picture, it means there's some kind of pact.

If the person singing in the song's been kamiki (which I've been pretty much stressing over and over through multiple posts now) it'd mean he's had gone through something like that too, to revive the one he loves.

This could be why there is a "stage" that's mentioned in BOTH of the songs, he's in a deal that he can't back out from.

この舞台で足掻くことをやめない

I will not stop to struggle on this stage(Fatal)

だけどステージが逃がさない いついつまでも憧れ　焦がれているよ

But the stage won’t let go I'll keep yearning and longing forever(Mephisto)

At this point, I'm so sure kamiki HAS done something to bring Ai back. He's made some sort of sacrifice for Ai it seems, he's probably made wishes regarding it, that come with a price but he didn't really care about his life in the first place after she's gone so he was willing to risk it. The efforts were probably in vain, though. But it could be really close to being granted if something's "filled in"

あなたがいないと生きていけない 何もかも捧げてしまってもいい あなたの愛がまだ足らない 欠けたものは何で埋めたらいい？

Without you, I cannot live anymore I would sacrifice anything for you I can’t get enough of your love What should I use to fill in what’s missing?(Fatal)

compared to Mephisto, Fatal seems more.. eager? energetic? but in an insane way. The speaker is actively doing something to fulfill their end goal. That's why I feel kamiki's missions are probably close to finish- he's all right with dying after having completed it

but in ch 154 he's heard that Ai wants to "help him" along with her children. and that she loved him dearly. This is going to leave him so devastated and conflicted lol because he's probably way past hope at this point. He can't be saved. He can't fulfill what Ai wants, that's going to make him very miserable. That's my guess. It's like everything he's doing had him stray even further off from what Ai wants.

Or it could be that he can't give up on Ai EVEN MORE now since he KNOWS that she loves him back too. Who'd give up on someone like that? She was like the only person who understood him and loved him. I can totally see why he couldn't let her go after all these years (may it be twisted. there is still some ambiguity in his words and we can be backstabbed) she was the one for him and he was to her, too, at least that's how he's felt when they were together. So he'd do ANYTHING for her. That lines up very well with those lyrics too.

So yeah. If my speculations are right Kamiki's so doomed... and doomed because of all the things he did that he thought was for Ai. Aligns with the respective mythologies too~.. I'd be surprised if these have NOTHING to do with the plot that's going to be revealed in the future because it just WORKS. It starts making so much sense to me.

[rbbess110]

guys do you remember any ideas from when you were a kid/were only beginning the writer journey that would be technically considered "cringe" or "stupid" but brings a smile to your face still?? like damn it does not make sense now but i had so much fun with it. be it an oc, world you've created, plot idea you loved. tell me about it