#it should have provoked actual change!

[featherymainffins]

i love how absolutely horrifying TLQ gets when you up the brightness. What the fuck IS that

[billpottsismygf]

.

[thehealingsystem]

nate please please please please I am shaking you by the shoulders right now no one needs to do this please you can make a actual thought provoking interesting thumbnail for the song you don't need to appeal to clickbait algorithms anymore you're still letting yourself be bound to it people loved your early original songs for what they were without this. please stop doing this please stop changing thumbnails I am going to cry

[peachylynnie]

you make him lose his cool

word count: 900-1k per lead synopsis: in which you provoke them, and they love it. (inspired by kiss of life's igloo) contains: fem!reader x lads men (separate, non!mc), established relationship, downbad men, NSFW CONTENT MDNI (i'm talking grinding, oral sex implications, etc), song lyrics, and cursing. a/n: UPDATED WITH CALEB AS OF 2/1/25 i feel hot whenever i listen to this song. i hope you do too while reading. enjoy! do not plagiarize or translate. lads men do NOT endorse plagiarism. reblogs & comments appreciated. lads masterlist | tagged: @vvintqz (ik this is technically the reader teasing xavier but u said to tag u when i write xavier so i hope u enjoy)

caleb

What you heard? (What you heard?) But it's never what you think, trust

it's impossible to surprise caleb.

he always knows what you're up to.

whether you're just waking up from a heavenly two-hour nap or going out to get your hands on the latest edition of your favorite blind box series, he's always there.

last time you tried to cook yourself a meal (ever since you started dating, he hasn't let you lift a finger), he came home early and snatched the spatula away from you, insisting that you sit down and look pretty for him while he makes his signature braised wings.

you're not sure how he does it. maybe he has a secret camera or a tracker installed (ha). though, you don't have any complaints. you think it's fucking hot how he's never away from you.

even so, you've been wanting to surprise him for a while now. blame it on your desire to fluster him as much as he flusters you. you're going to surprise him AT LEAST once in your lifetime.

which explains why you're in an apron right now, with absolutely nothing underneath.

to be honest, you were hoping to surprise him with homemade apple pie since he's always cooking for you. but again, you want to fluster him. thus the apron, a long piece of denim fabric wrapped tightly around your waist and hung dangerously low at your chest. you can't deny how delectable you appeared when you looked in the mirror, admiring your exposed arms, legs, back, and neck—anything that would drive the esteemed colonel insane. you felt jittery just thinking about the look he would have on his face when he walked in through the door of your shared home.

however, your joy is short-lived when your phone rings while you slice up some apples in the kitchen.

"what's with the apron, pipsqueak?"

you put the knife down with a sigh. "do you have a camera installed in here or what?"

caleb chuckles into the phone. "wouldn't you like to know?"

"i would like to know so i can turn the damn thing off and actually surprise you for once, dipshit," you retort playfully as you adjust your phone between your ear and shoulder, picking up the knife to continue chopping. you suppose you should still make the pie since you already got the ingredients out.

"aw," he mocks, his voice dripping with arousal. "did my little pipsqueak dress up just for me?"

"yes," you snap, rolling your eyes. "but this little pipsqueak is about to change since you ruined her surprise."

your threat does little to faze caleb, as evidenced by his endearing laughter.

"don't be upset, pips," he teases into the phone. before you can scoff at his audacity to tell you not to be upset, your ears catch the hurried footsteps in the background of the call. it doesn't take long for you to hope your boyfriend is on his way home—on his way to you. sure enough, his next words cause heat to pool between your bare legs.

"keep the apron on. i'll be home soon."

after he hangs up, you put your phone down with a giggle, eager for what's to unfold once he arrives. however, you still can't help but wonder if he actually has a camera installed because how the fuck does he always know what you're up to? you frown as you turn your head left and right. you don't see any red flashing lights in places that could provide him an optimal view. nope. nothing in the corners of the ceilings and nothing in the walls either. before you can convince yourself your boyfriend is somehow omniscient, you notice something out of the corner of your eye.

his dog tag. seems like he forgot to put it on after putting on his uniform. you pocket it, hoping to give it to him when he gets home.

but your mind is truly one of a kind. as caleb likes to put it, resourceful during the most critical moments.

because when he's balls deep inside of you, coaxing your second orgasm out of you, you get the bright idea to fish your shaky fingers into the pocket of your bunched-up apron and put. it. on.

caleb's eyes widen upon seeing his dog tag on you. there it was, the important item he forgot this morning, resting between the delicious valley of your breasts, bouncing up and down while jingling an enticing melody.

"fuck—pipsqueak, you—" he thrusts harshly, pistoning into your sopping heat. you throw your head back at the sensation, allowing him an even better view of his chain, mingling with the beads of sweat on your collarbone. shit, he's so turned on right now. not only were your swollen, sweet lips adorning his name, but so was your pretty little neck. it filled the young colonel with pride. and enough vigor to bring you to your third release, as evidenced by the endless slamming of his hips and the clenching of your thighs.

"good girl," he helps you through your high before letting go of your waist, hoping to give you a break. "i'll go get a towel. stay here."

but when your pilot of a lover goes to leave, you wrap your legs around him and pull him to you, causing him to collide with you. caleb hisses at the contact, sensitive more than ever.

"don't push it, pipsqueak," he warns as he plants both of his arms on the kitchen counter, caging you in. "you need to rest."

"i don't think so, colonel," you prop yourself on your elbows, meeting his eyes boldly. "i don't think so at all."

caleb swears he feels his mechanical arm short-circuit because what you do next is just fucking tantalizing.

you pinch his dog tag and bring it to your mouth.

his breathing quickens substantially when your teeth take the shiny piece of metal as their prisoner. it's not long before his dog tag is trapped between your seductive canines and your thighs are tightened around his waist.

with a shameless smile, you jut your chin towards the man, signaling to him to make his move.

caleb growls, seizing the chain with both hands and bringing you to his face.

"i warned you, pips."

extra (in honor of his official installment)

as you munch on some apple pie in caleb's embrace on the couch, you can't help but ask.

"how did you know about the apron but not the dog tag?"

your boyfriend sniffs before answering, a little bit of pie still in his mouth.

"i couldn't check the cameras on the way home."

"oh that makes sense."

"…"

"wait, what?!"

sylus

Glass room, perfume, Kodak on that lilac (alright) Slipping on my short dress, know he like that (like that)

there's nothing like getting ready in sylus' bathroom. not because of the sheer size of it (it takes at least a day to explore his residence), but because of how good you look in the mirror right now. you can't help but smile as you step back to get a full look at yourself.

sylus went all out for tonight's auction.

he gifted you a tight-fitting ebony dress, its gorgeous silk straps accentuating your shoulders perfectly. he also gifted you a pair of evening gloves, its velvet fabric wrapping around your arms flawlessly. of course, the dress came with priceless jewels and heels. as you twirl in front of the mirror, the scarlet gems on your ears glimmer, and the cherry kitten heels on your feet click. oh, you look so good, you can kill.

but what seals the deal is the neck accessory he got you.

an intricate, black choker made out of lace. fucking lace. a scoff leaves your mouth when you notice the ruby medallion hanging at the center. his taste is as clear as day.

as you reach behind your neck to clip the choker, the man of the hour walks in. you meet his eyes through the mirror, your hands still at the back of your neck. "sylus."

"miss," he acknowledges in return, an unmistakable smirk appearing on his lips. his eyes trail down your figure. "you look stunning."

"thanks," you giggle as you hook the choker clasp. "you don't look bad yourself."

and you're absolutely right. although he has his usual dress shirt on, his outerwear is completely new. a gorgeous red blazer, adorned with inky brush strokes, sits proudly on his shoulders. moreover, his accessories are new (he's never worn any before). cuffed around his right hand is a sleek platinum watch, spotlighting his forearm deliciously. hanging from his left ear are silver chains, shining unashamedly. you can't help but bite your lips as you admire your lover in the mirror.

yeah, sylus went all out tonight.

catching the hazy look in your glittered eyes, he tilts his head before grinning, "like what you see, sweetie?"

you roll your eyes playfully before returning to the sink. "yes, actually. didn't know you were capable of wearing something other than black."

sylus chuckles as he leans against the wall, arms crossed. "i've worn colors other than black before."

"if you're talking about the two outfits that have the belt around the sleeve," you list nonchalantly as you pick up your lip gloss. "they don't count. they have black on them."

"i'm talking about the red cardigan, sweetie," he counters smoothly, eyeing the lip gloss in your hand.

"ah." you run the wand over your parted lips, enjoying the feeling of gloss on them. "touche," you say, bending over the sink to see if you missed a spot. you do, however, miss the way sylus' fingers tighten around his arms when your dress hikes up. smacking your lips together, you lift the wand to reapply. "but you barely even wear that. so that doesn't count either."

sylus hums, barely paying attention to what you just said. his eyes are transfixed on the wand. he's mesmerized by how it travels across your lips, slathering them with sticky, shimmery syrup, leaving him thirsty for a taste. not to mention the sounds leaving your lips whenever you press them together. sweet, squelching sounds that have him pressing against you in mere seconds, his hands gripping the edge of the sink.

at first, you were taken aback by his sudden proximity. but after feeling something prod at your back, you smile amusingly before placing the wand down. "i'm assuming," you swiftly turn around and wrap your arms around his neck, his eyes widening as you pull him closer. "there's been a change of plans." you slowly lick your lips, collecting some excess gloss. as it drips from the tip of your tongue, you ask with a tilt of your head, "how late are we going to be?"

that's it.

sylus crashes into you, his tongue desperately trying to lap up the excess gloss. his hands haphazardly roam all over your body before lifting you onto the sink, pinning you down as his lips smear your lip gloss everywhere. you moan, trying to match his fervor. the sinful mixing of breaths, saliva, and gloss floods your mind, causing you to wrap your legs around him and bring him closer to you. he welcomes the action, gasping and grinding into you.

by the time he pulls away for air, both of you are left panting like dogs, mouths and chins smothered in sheen.

your eyes never leave sylus' as you wipe your chin, a string of gloss and saliva hanging prettily from your gloved palm. with a groan, he dives into your neck and sinks his teeth into your collarbone. you throw your head back at the pain, whimpering when he soothes the spot with his tongue.

but when sylus traces a finger up your back, you freeze immediately.

why?

oh, because he's unzipping your dress.

"sorry, sweetie," he chuckles into your perfumed skin, savoring your surprised reaction when he drags the zipper all the way down. "we won't be late."

you look at him in confusion, barely processing the silk straps falling off your shoulders.

he leans in and whispers into your ear.

"we won't be going at all."

xavier

Heart attack, IV when I walk the street Vitamins that D, I'm good, I'm healthy

your starlight of a boyfriend collapses onto the bed, his legs hanging off the edge and his pants dangling pathetically from his ankles.

you giggle at the sight, wiping your lips clean of his release. as you rub a drop between your index finger and thumb, you notice the texture's a bit thick, almost like jelly.

"xavier," you call lovingly, rising from your knees and crawling on top of him. he barely responds; his eyes are screwed shut with beads of sweat trailing down his face, neck, chest, legs, everywhere. shit, what did you do to him? he can't get his chest to stop heaving, his mouth to stop watering, and his ears to stop ringing. he can't do anything. not with the way you looked so pretty on top of him, especially after making him release so intensely in your mouth.

"xavier," you repeat as you cradle his face, making his dazed eyes meet yours. "when was the last time you drank water?"

"water?" he pants. "i'm not sure. why do you ask?"

"well," you show him your fingers. he gulps, flushing a deeper shade of red. "this tells me you haven't been drinking enough water."

you get up to retrieve some water from the kitchen. xavier whines at the loss of contact. although he tries to stop you from leaving, you easily slip out of his weak embrace (he literally got his life sucked out of him; cut him some slack). after you reassure him with a kiss on his forehead, you open the door. "i'll be back soon."

he responds with a whimper before closing his eyes. before he knows it, he falls asleep.

not even five minutes have passed when you return to the room, a glass of water in your hand and a packet of vitamins in the other.

"xavier?" after placing the items down on the nightstand, you sit on the bed to admire the view. there he is, sleeping soundly with his shirt unbuttoned and pants unbuckled, his chest slowly rising up and down and his cute nose scrunching every so often. you almost feel bad when you wake him up. almost. as much as you like watching your boyfriend sleep, he needs his water and vitamins, considering how much energy he uses to fight wanderers.

"wake up, xavier," you coo. "you need your vitamins."

he stirs, peeking one eye open to look at you. cute, you think. "i'm too tired, angel." he whines before closing his eye again. "i'll have some later."

"come on," you chuckle. "at least drink some water. you're dehydrated."

hoping to keep him awake, you litter his face with kisses, repeatedly pecking his adorable features. his droopy eyelids, his button nose, his fluffy cheeks, his moist forehead, his small chin—not a single spot is missed.

his little laughs repay your efforts. before you can continue your bombardment of kisses, his arms wrap around your shoulders, successfully pinning you down to him. you're surprised by how quickly he replenished his strength.

"you're trapped," he points out cheekily. "now we can both sleep."

"xavier," it's your turn to whine. "you need to drink some water. besides," you try to get up but fail miserably due to his tight embrace. "you need to scoot up, and i need to lay down properly if we both want to sleep." still no signs of letting you go.

you sigh before poking at your boyfriend's waist, causing him to yelp.

he immediately lets go of you, rubbing the spot you just touched. taking the chance to escape, you stand up and reach for the glass and vitamins.

"meanie," he pouts. "i thought we agreed to not tickle each other for today."

"that's because you try to tickle me all the time," you retort playfully, opening the packet of vitamins. "besides, i only tickle you as a last resort. unlike you, i'm nice." you pop the vitamin in your mouth and bring the glass to your lips.

"as if." he yanks up his pants and crosses his arms. "last time i checked, being nice means letting your boyfriend sleep peacefully," he quips as he turns away from you, hoping his grumpy little act will coax more kisses from you.

instead, a hand comes into his view and grasps the sheets. furrowing his brows, he shifts back to ask what's wrong but is startled to find your face hovering above his. 

"angel, what—"

you press your lips into his, your free hand gripping his chin. on instinct, xavier opens his mouth, expecting your tongue to greet his. however, his eyes widen when he feels something pour in. oh. he greedily swallows the water and vitamin, his fingers weaving into your hair.

you pull away abruptly, a drop of water trickling down the corner of your lips. before he can say anything, you grab the glass of water and drink from it again, your hooded eyes never leaving his. xavier groans at the sight, his chest heaving for the third time today. and it's barely afternoon. oh, you're going to be the death of him.

he's sure of it when you return to his lips, water flowing into his mouth so sensually as his tongue reaches out for more. this time, you rest your entire body on top of him, allowing him to grab at your hips and thrust upward, desperately rubbing against your clothed core and seeking any type of friction that could relieve him of this growing desire you satiated with your mouth less than ten minutes ago. he never wants to drink water alone ever again.

“a-angel,” he moans when you pull away again. “why?” 

“you need more water, xavier.” you tease with a lick of your lips. “gotta make sure my boyfriend is hydrated, ya know?”

with that, you go to stand up and reach for the glass. however, the room spins as xavier pins you down, your positions switched and your wrists restrained above your head. your eyes widen, realizing you might've pushed your boyfriend too far. 

"angel," dark, cerulean eyes burn into you before glancing at the glass. “that's not enough water.”

rafayel

Yeah, white tippy-toe summer, I make him go dumb, duh He doubled down on that text, says that I'm the only one

(heads up, reader doesn't have to be mc but they know about rafayel's identity as the sea god and he calls you his beloved bride)

rafayel isn't sure how he got here.

you, on top of his bare chest, nibbling at his neck and dragging a finger down his clenched abdomen.

"c-cutie," he stammers. "someone might see."

he's not wrong. you're at the beach after all. but it's a private beach, one the artist rented for a date. so really, what's the harm in pinning your boyfriend down in the sand and showing him how much you appreciate him?

"you're the one who said this place was private, raf." you giggle before sinking your teeth into him, eliciting a moan. "besides, we both know why you suggested a date at the beach. don't tell me you forgot." you trail your finger along the waistband of his swim trunks. he jolts, his half-lidded eyes meeting your misty ones.

of course, he didn't forget. but considering the current, scandalous situation he's in right now, his memory is a bit hazy. as you twirl the drawstring with your index finger, rafayel bites his lip and tries to remember how exactly he got here.

last thing he remembers is you excitedly texting him about your package coming in.

a package, pft. no big deal, right?

wrong.

he almost dropped his phone when you sent him a picture of the package, more specifically, you wearing its contents.

a gorgeous two-piece swimsuit in the color of his hair. fuck, lavender has never looked so good on you. the way the tight, skimpy fabric hugged all the right places, making you seem so so malleable. the way you posed in front of the mirror, your face bridling with innocent excitement but your body positioned so so temptingly. shit, he hopes this exhibition ends soon because his slacks feel suffocating all of a sudden.

it wasn't long before he spammed you with a hurricane of texts consisting of flattering emojis and praises about how you're the only one he'll ever love (dramatic but heartwarming) and how he would love to take you on a date at the beach as soon as this stupid exhibition is over so you can swim in your new set to your heart's content (totally not because he wants to see the real thing).

yeah, now he remembers. he got himself into this situation. you even tried to stop him.

"uh," he recalls you hesitating through the call. "aren't you tired from your exhibit?"

"nope," he immediately answers, causing you to raise a brow. "not at all, cutie. i'm in tip-top shape. what better place for us to test your swimsuit than the beach?"

"us?" you repeat amusingly. "since when was testing a swimsuit a two-person thing?"

shit, he got caught.

"raf," you giggle at his silence. "if you want to see me wear this in person, you can always just ask, you know?"

"w-what?! no!" he acts as if you insulted his artwork. "i just thought it'd be a good opportunity for us to go on a date and to test the quality of your swimsuit! what if one day you go into the water and it gets untied or something? what if i'm not there to protect you from prying eyes? you can never be careful enough with swimsuits, especially shipped ones!"

"uh-huh," you drawl skeptically. "i'm sure a triple-knotted bikini will SOMEHOW get untied by the waves."

"come on, cutie," rafayel whines. "i know a perfect, private place! i'll even bring the food, the blankets, everything! please?" (he purposely emphasized "private" because no way in the seven seas is he going to let anyone look at you in a bikini)

you sigh before observing yourself in the mirror once more. the bikini DID look good, and you DID buy it for future swimming dates with rafayel. might as well, right? besides, you can't say no to him, especially when he begs so cutely like that.

"fine, raf," he remembers you giving in with an endearing sigh. "send me the address of the beach once you're done. i'll stop by your place to pack your swimming trunks."

and here you are, resting on top of him and drawing figure eights with your fingertips IN his swimming trunks.

he would laugh at the irony if it weren't for your provocative actions. you were the one who brought him his swimming trunks, and now, you were the one making him wish you didn't bring them so he could see how pretty your fingers looked right next to his—

yeah, he definitely got himself into this situation. he has no one to blame but himself for his predicament. it's his fault he's currently twitching and throbbing underneath you as you breathe into his neck and tease doodles into his thighs.

"oh fuck, cutie—" rafayel jerks his head back when you suck on his adam's apple. your mouth felt so good. you felt so good. 

after pulling back with a 'pop,' you trace the red mark with your free hand, admiring your artwork on your artist of a lover. unfortunately for him (fortunately, really), this causes him to squirm uncontrollably. the simultaneous stimulation from your right hand on his thigh and your left hand on his neck was just too much for the lemurian. he swears he's this close to bursting all over the sand like a messy, wet bubble. 

suddenly, you stop, withdrawing both of your hands from his body. 

"c-cutie?" he lifts his neck to look at you but finds himself confused as to why you're sitting up. though, his confusion is quelled when you reach behind your neck. 

oh. 

your hands come into view, each one tugging on the strings of your top.

oh fuck. 

he doesn't even see your top fall. no. he's completely frozen (and hard) when you lay back down on him, smushing your now-exposed chest into his abdomen, allowing him a view that brings roses to his cheeks. (he can feel your nipples rubbing against him).

"oh, god of the tides," you purr with a smirk as you press your ear into his chest, relishing in his rapid heartbeats. "you promised you would test this swimsuit with me." before he can deny your reminder of his mistake from the earlier call, you grab his hand and bring it to rest against your swimsuit bottoms, causing his breath to hitch. "won't you make good on your promise?" 

rafayel swallows shakily before nodding. 

"anything for my beloved bride." 

zayne

Mm, yeah, I make him lose his cool Yeah, I make him go mmmmmm ah! ah!

doctor zayne, the epitome of calm and control, reduced to this.

a red-faced mess, losing his cool in a rocking chair, thanks to his lover shaving his chin on his lap.

his lover, who just so happens to be wearing a nightgown, a silk, sapphire nightgown with lace ruffles and ribbons that drove the man insane.

to make matters worse (better), your bare thighs were on either side of his hips, caressing and stroking him whenever you would move to shave his chin.

don't even get him started on the fact that you're sitting right on top of his crotch. he prays to any merciful soul out there that you don't feel him growing down there-

he inhales sharply when you reach behind him for a towel, your chest mere millimeters from his face.

"you okay, zayne?" you ask with faux concern.

"yes," he clenches his jaw. it's taking him everything to not dive in and lick, suck, bite—anything to relieve him of this torment. "please hurry."

"hurry?" you pout with a tilt of your head. "but why?" you lift his chin to wipe some excess shaving cream. "do you not want me to shave you?"

"no, darling. it's just—" his hands fly to your waist for stability when you place the towel back in its place. shit, every time you lift yourself onto your knees to reach behind him, the chair moves more and more, resulting in a pattern where when he leans back, you press into him, and when you lean back, he presses into you. it's not helping that this pattern deliciously resembles a certain rhythm in bed.

"it's just?" you repeat to him, stroking his jaw to inspect for stray hairs.

he doesn't say anything. how can he? he can't just spill about how badly he wants to kiss your sweet lips, squeeze at your delectable chest, rip your enticing nightgown apart, and take everything you have to offer. no, he can't. not when you approached him so innocently with a cute smile on your face after he came home, asking if you could shave him. (he almost fell to his knees when he saw what you were wearing). not when you look so beautiful gazing at him from above, handling his skin with addictive yet gentle touches, and glowing underneath the moonlight from the open windows. shaking his head, he grips your waist with renewed resolve.

"it's nothing," he closes his eyes. "please continue." he would rather drink alcohol than misinterpret your innocent intentions.

except there was nothing innocent about your intentions at all. you admit, it's fun to tease zayne like this. the way his lips would chase after your fingers whenever you traced them, the way his eyes would falter whenever you leaned in, the way his breath would hitch whenever you moved your hips, oh it all made you feel wanted. and who could want more than a gorgeous, capable doctor who looks at you as if he's going to die if he can't have you?

you. you want more. you WANT him to have you, take you, right here on this rocking chair. you thought teasing him with a few shifts of your hips and some purposeful closings of distances between his face and yours would relay the message. but no. he's either completely oblivious or has the will of a steel that's been fortified ten times over. because even though he's made it incredibly clear that he wants what you want (his blushing cheeks and shortage of breaths are hard to miss), all he's done is sit there and take your teasing.

you frown, retracting your hand. what's it going to take for doctor zayne, the epitome of calm and control, to give in?

a lightbulb flashes in your head.

"hang on, i missed a spot," you lie, lifting yourself up once more to reach for the shaving cream next to you. "i'll make this quick."

and with that, you slam your hips down.

he groans out loud, eyebrows furrowing and fingers tightening around your hips. he still hasn't opened his eyes though.

"are you sure you're okay, zayne?" you ask innocently, twisting left and right. "i'm worried about you."

"w-why," he starts hoarsely, his fingers gripping for dear life, trying to stop you from moving so damn much. "why would you be worried?"

"oh, i don't know," you smear shaving cream all over his jaw before trailing your fingers down to his neck. "you just seem so…" you slowly trace a heart on his collarbone, eliciting a pretty gasp from him. "out of it."

zayne's eyes jerk open, glaring at you with unprecedented focus. you smile cheekily before pressing yourself deeper into him, eager to bear witness to what he'll do and say since he finally opened his eyes.

though, your smile doesn't last long. in an instant, his hands pin yours behind your back, causing your back to arch and your lips to part.

"i'm starting to think," he secures your wrists in his right hand and brings his left to his face, wiping away the mess you made. "you're doing this on purpose."

you grin. finally. he finally got the message. unable to hide your excitement, you lean in next to his ear and whisper, "what are you going to do about it, doc-tor?"

he inhales sharply, yanking your wrists.

"perhaps," he growls. "it's time you get a taste of your own medicine. prescribed by yours truly."

[bookdragonideas]

Here's the thing. I'm a girl, and as a girl, I really like it when girls are portrayed in fiction. Especially fantasy.

But so much fiction/fantasy mixes up 'girls' with 'unstoppable forces of female badass' and there's not necessarily anything wrong with having a character who is an 'unstoppable forces of female badass'. But it gets old real quick. And it is not the same as portraying normal girls, or having good female characters.

And that's one of the many reasons I love Avatar the Last Airbender.

Because all the girl characters have flaws and weaknesses and sometimes act like idiots or jerks. They get emotional and make mistakes. They lose fights or arguments or are just wrong sometimes. Some of them are amazing warriors, and some aren't. Some are powerful or special and some are normal, with nothing special about them.

And I Love that.

I was around the same age as Katara when I first watched Atla. And I instantly connected with her as a character. I loved her optimistic attitude and her fighting spirit. And I could relate with her anger, and with her maternal instinct. I admired her fighting skills of course, but I loved how the show portrayed her compassion and kindness, the way she could both beat up a bunch of bullies AND enjoy a relaxing day at the spa. She was a baddass warrior that should never be crossed. But she was also a normal teenage girl who had a lot of the same internal struggles and problems that I did.

(I never connected to Toph on the same level, but I did relate to her on a few things. She's an adorable trash gremlin who would commit any crime for fun and I love that. But she struggles with being both independent and letting people help her, and I still struggle with that sometimes. I've learned that sometimes, you can help others by letting them help you.)

Yue is, in my opinion, a perfect example of a type of hero that seems to be disappearing. She is not a warrior. She is not a fighter. She's not even a bender.

Yue is a perfect princess, a perfect daughter. She is extremely feminine in a rather older sense.

And she was the only one who could save the world. She gave up everything for her people. She saved everything, everyone, the entire world. Without ever becoming a fighter.

Yue is a perfect example of a girl who was never more than a girl, and how that's okay. Not every girl has to be rough and tumble and fight for her rights in order to change everything. Sometimes it's okay to just be a quiet obedient girly girl. Sometimes that's all it takes to be a hero.

And I love that. Yue is strong in her own way. She is unique and interesting. She appears in only a few episodes and yet manages to be one of my favorite characters.

Song is another great example of this. Song is a healer in a small town. We don't see much of her but we see her compassion and empathy. She is gentle and generous. A healer not a fighter.

She watches Zuko steal her ostrich horse and does nothing.

Is that because she's kind and generous and knows he needs it more? Or is it because she's a healer girl who knows she can't actually stop those two from taking the horse? Maybe neither, maybe both. I have always thought that the scene where Zuko steals the horse and only the audience knows she saw it is one of the most thought-provoking in the series.

Suki is a badass warrior woman who is an awesome fighter and good leader. She is one of the best non bender fighter we see in the entire show. She was one of the smartest, most efficient, and powerful characters we ever saw.

She kissed a boy she had just met because she thought he was cute.

Now don't get me wrong I love SokkaxSuki. Its one of the best couples in the show.

But Suki totally did the old 'love at first sight' thing. And that is awesome. Because when she kisses him she delivers one of the best lines, not only from her, but, I think, in the entire show.

"I AM a warrior, but I'm a girl too."

Being a warrior doesn't mean that she isn't also a teenage girl. She might be a fighter, but she still gets crushes and likes to flirt with cute boys. And hey, she picked a good one. Not every boy is going to come break you out of prison.

Anyways, let's have more realistic girls in fiction. And please enjoy the next 24 hours.

[just-jordie-things]

headcanon request: how would the jjk guys react if someone's trying to flirt with them but they're already in a relationship with their s/o?

YES i love some light jealousy teehee ___

GOJO SATORU

has no chill if someone's flirting with him. or worse, he thinks someone's flirting with him, but they're just taking his order, or letting him know his shoe is untied.

he's literally "I'M MARRIED"

(for the untied shoe one, he definitely trips when he runs off)

he's so annoying abt it fr. always throwing "i have a wife" (even long before you're married) around even when unnecessary

and ppl do flirt with him, he's gojo, but sometimes... he's just a lot.

even if someone looks at him too long, he's wrapping his arm around you and loudly announcing "in front of my wife? you're lucky i'm holding her back!"

and you're just standing there bewildered with the box of cereal you were about to toss into the cart and wondering who the hell he's talking to- and when the hell did he propose??

FUSHIGURO MEGUMI

for the most part he doesn't really notice when someone's flirting with him. i think it would take some very obvious hints.

so say someone is really trying to get him to catch on, pulling all the stops- fluttering eyelashes, unnecessary touching, one too many comments about his eyes, and finally, slipping a piece of paper into his hand with their phone number.

megumi can accidentally be a little cold.

he scowls at the phone number before crumpling the paper and dropping it.

"i don't want that," he's completely expressionless when he speaks, and honestly, the flirt-er is lucky he said anything at all rather than straight up walking away. "i have a girlfriend"

and then he walks away.

and when he meets up with you again he's a little more affectionate than usual, holding you a little longer, pulling you closer when you settle on the couch or bed or wherever, kissing you a few extra times for good measure.

don't get him wrong, it's not out of guilt or anything. he just wants you to know that he thinks of you when you're apart, and that he appreciates and loves you to death. nothing could ever change that.

ITADORI YUUJI

i don't often add him to my brainrot posts but i SHOULD and i had the most brilliant thought for him specifically

if he's getting hit on, he'll shut it down casually enough, and just blatantly tell them they're not his type.

and then he'll just start listing everything about you. and lover boy is BABBLING ok, no one could shut him up

he's describing your hair your eyes your nose your hands your style- and once he gets thru the physical stuff, it gets random

he's talking about your hobbies, your weird interests or collections, how sometimes you're a bad driver but you try your best lmfao he gets on such a tangent i don't think he'd even realize his tactic for defusing the flirting is just confusing the other person to the point of no longer wanting to give him their number

and once he's done with his dreamy little speech, he just goes "like my partner!!" all excited and bubbly

he's always rushing off to meet up with you then, having got himself so eager to be around you some more

OKKOTSU YUUTA

he's polite, but firm. he can also be a little quick to say he's taken, but it's only because he wants to let people down easy!

he's very kind when urning down phone numbers or flirty advances, always giving a gentle smile and saying no thank you, or actually i have a girlfriend. and he never apologizes when he says the second one, but that doesn't mean he's cruel! he's just thoughtful and respectful of you!

yuuta's a total gentleman.

but. god forbid. if he gets one of those nasty ppl that pull the "your girlfriend doesn't have to know" bullshit. oh boy. he does not handle that well.

toxic!yuuta jumps out a little!!

for as polite as he can be, he can get nasty when provoked just right, and someone disrespecting you? his beloved?

first it's a lecture- how dare you suggest such a thing? do you often try to break up people's perfect love lives?

then it's standing up for your honor- do you know how wonderful and lovely my partner is? you couldn't even understand the lengths that their radiance extends to. this part usually gets a little messy. he can get carried away when talking about you.

and lastly, he gets personal. deeply. personal. if they're having a not-so-great hair day, or if their attempts at slipping him their number were particularly weak, he's pouncing on that. he sniffs out weakness like a goddamn Chivalrous Boyfriend Bloodhound and sinking his claws in. i think yuuta could be really mean if he wanted to.

but that's kinda hot tho

INUMAKI TOGE

definitely the funniest of all of them. bcuz if he's getting hit on, he kinda just... stands there.

._.

CAUSE HE LITERALLY CANT SAY ANYTHING ???

sure, he could play it off like he doesn't understand what they're saying, or even type a little note in his phone saying he has a partner... but...

toge definitely prefers to stand there, completely blank faced, and stretch out the discomfort as long as possible.

sometimes people just scowl and walk away, finding it rude

one time tho someone actually started tearing up and completely ran away

(you came back just as it happened, an ice cream cone in each hand and a confused look on your face. but there's no way your sweet, mute boyfriend made a person cry, right?)

[auroracalisto]

Hey can you do a fiyero x reader where the reader is afraid of being vulnerable and he helps them?

yes, superfartninja, i think i can.

to be changed.

movie!fiyero x gn!reader, 3.4k words summary: to be vulnerable meant to be defenseless. it was a liability and that's all it ever would be. fiyero couldn't have that, now could he? a/n: please remember that i only have movie knowledge, so this will be based solely on what i saw in the movie. :P also, shout outs to house song by searows (was on repeat for this fic). erm. this kind of got away from me. i started it was 12 AM and now it's nearly 2 AM. hope it's coherent.

It wasn't like you to be vulnerable. It just didn't happen. It was like... asking a fish or an elephant to climb a tree, or some other weird analogy that you heard oh-so-long ago, when vulnerability aged you more than it helped.

To be vulnerable meant to be hurt. To be ridiculed, to be laughed at, to be made a fool in front of anyone who cared to look your way. It was something that you knew was not needed. You would be fine living by yourself. You came into this world alone and screaming, and you would leave this world the same way.

If you cut out the wound before it began to fester, you solved the problem immediately. Or so they say.

So that's what you did, long ago, when you swore to yourself that the pain you felt would be the very last time. It would never happen again. It couldn't happen again.

Oh, Oz, it couldn't. Your heart couldn't take it.

What was left of your heart, anyway. Sometimes you feared you no longer had one, especially when you feared the pain that would haunt you if someone else came along and made you feel that way again.

It's not that you were afraid. No, fear of being vulnerable was foolish. At least... you believed that you weren't afraid of being vulnerable.

Perhaps that was an act of foolishness in itself. Pretending that you weren't afraid. Pretending that having few friends and few moments of happiness didn't pierce your heart with every passing second.

Perhaps you needed to be better. To be vulnerable, to swear off that silly promise you made to yourself so many years ago.

But it was so difficult.

Being vulnerable was to be in pain. To be lost to a world of sorrow. To be... hurt by the very thing you swore you'd never be hurt by again.

It wouldn't happen.

You wouldn't let it.

He existed in the back of your mind. His beautiful blue eyes, the way those pretty locks fell in front of his eyes when he actually studied his books (if he ever did, of course).

When was the last time he actually tried...? No. You couldn't think of him like that. Too much thinking about his pretty face would ruin you.

You had only talked to him a few times here and there, and the first time was to merely ask him to move out of the way. He took up quite a lot of space—or at least, maybe it was his confidence. It oozed from him like an air of upmost superiority.

No...

You were just being cruel. He was just standing in the way, out of breath from singing to Galinda in the library (because of course—who didn't sing to pretty girls in libraries anymore?).

The second time you spoke to him was over the essay you had to write in your literature class. Peer reviews were the bane of your existence, and this essay, because of course it did, had a simple prompt in response to one of your readings: Taking into account the author's sheer disdain for the idea of magic, write what you believe Oz would be like without magic.

Thought-provoking, yes. You wrote a decent two pages, handwritten of course.

He gave you a paragraph.

If the world of Oz existed without magic, perhaps we would all be better off. No more bickering over the usages of it all, no more idiosyncrasies, no more debates on whether you are intelligent or mediocre if you hadn't the ability to wave a wand or utter a simple spell. If we didn't have magic, perhaps life would be far more difficult, but I also feel as if we should see what it would be like. Maybe there would be less heartbreak. More happiness to go around.

Okay. A piss-poor paragraph that made you wonder how he was even passing Madame Lillabet's literature class.

Maybe he wasn't.

You didn't feel pity for the man—nobility had the ability to do so many things that you would only ever dream of. Why should you feel pity—vulnerability—for a man you didn't know, let alone understood?

Oz, even now, his essay haunted you. You did your best with your review, pointing out the obvious things missing—a decent thesis, body paragraphs that proved his thesis, and just in general, an entire essay that was expected of the entire class.

He merely read over your essay and made one simple comment: Excellent.

Oh, yes, excellent. It was excellent to know that he was just trying to help your essay, yes? Leaving that little comment, even though you didn't make full marks—how was it supposed to help you?

Pity be damned. He was a fool, through and through.

Things muddled in your mind like they often did. Thoughts racing, heartbeat close behind the quick pace.

If you had magic, you'd be sure to quell it.

These thoughts were the one thing that you wished you could squash under the heel of your boot. They were the bane of your existence, the utterance of a foolhardy penance to the god of whatever looked down upon you and wished for pain.

Perhaps that was what was meant for you.

A life of pain—of pity from others, of the amenability to be swayed by those around you even when you tried, desperately, to stay away from those who may catch your attention.

Like him.

Oh, Oz, just like him.

Fiyero.

The man who'd lose his head if it wasn't attached to his shoulders. The man who once told you in passing that if he hadn't a brain, perhaps classes would be easier—then he wouldn't truly be all there, and he'd easily get around the... well, specifics of it all. The man whom you felt tugging at your heartstrings, even when you told yourself no.

It would not happen.

It could not happen.

You would not let it.

In typical, terrible luck fashion, you found yourself wandering the halls of Shiz late at night, unable to sleep. The thoughts racing through your head of so many things, not just him (although they kept leading back to the fool), they just weren't stopping.

An exam was to be held tomorrow. Perhaps you could create a distraction—keep the professors from being able to do as they needed. There were a box of fireworks hidden in one of the many corridor closets, kept for special occasion. You could whip a few of them out and create so much chaos that they'd surely have to cancel the exam!

You leaned against the railing, looking down at the stonework of Shiz's courtyard. A chill ran down your spine from the cold breeze, and for once, all was silent if only for a moment.

His voice brought you out from your thoughts.

"Y/n," he said, an obvious smile playing at his lips.

You squeezed your eyes shut and glanced back at him. Without saying a word, you acknowledged him.

"Doesn't look like your dorm," he continued. "What are you doing out here, all alone?"

"Thinking."

His eyebrow quirked. "Thinking? Oh," he softly hummed, coming to stand beside of you. "Well, that's no fun, now is it? What are you thinking about?"

"Nothing."

He snorted softly. "You're thinking about... nothing?"

"Whatever I'm thinking is none of your business," you retorted.

He stared you down for a moment, tilting his head curiously. He hummed again and looked out at where you had been staring moments prior.

"You are right," he softly said, voice much quieter this time. "Let me lead you back to your room. We have an exam tomorrow, remember? You at least need to pretend to sleep."

You paused. Since when did he care about exams? You glanced at him, fighting the urge to question him. You let out a soft sigh and shrugged, allowing him to lead you to your dorm.

The walk was quiet, and you almost questioned how he knew where your dorm was, but you didn't. He seemed to pay attention better than most (it was part of that aloofness, you've noticed), and it wasn't the first time he had seen you near your dorm.

It was at least the third. The number had to be easy to memorize by now. 133.

As you opened your door, Fiyero spoke. "You know, I've been thinking..."

"Dangerous thing for you, isn't it?" you quipped, not looking at him as you stepped inside.

He let out a soft chuckle. You amused him to no end.

"Yes, perhaps," he softly said. "But besides. I was still thinking. I've been... well, wondering if perhaps you would—"

"—no."

He blinked slowly. "What? No? Y/n, you didn't even hear what I had to say—"

"—the answer is still no," you said. You glanced up at him from the spot you had been staring at, frowning. "I don't know what this is, but we are not friends. Do not ask me for favors."

"Not friends, hm?" he softly hummed, leaning against the doorway as he locked eyes with you. So knowing your dorm number was just a fluke.

"Not friends. Now if you'll excuse me, I should probably go and pretend to sleep."

His upper lip quirked in a faint smirk. Not friends, but you still joked with him as a friend would do. He rolled his eyes and gave you a rather joking half-bow.

"Of course," he said. "Do not let me keep you up. Perhaps I should find my dorm as well."

"You should do that," you simply said, shutting the door right after.

You didn't give him a chance to say anything else, quickly locking the door and heading back to your bed.

Heart pounding, mind still racing, but not with the thoughts of earlier. No, dear reader, your mind raced with thoughts of him.

So impressionable, so—so kind, so—well, was he really kind?

To you.

He was kind to you.

Nearly a week passed you by. The exam went rather well, without any kind of distraction. Passing marks and a somewhat decent night sleep.

You do everything you can to try and avoid Fiyero. Running this way and that, going through all of the longer corridors instead of the shortcuts you knew by heart. You did everything you could to avoid his handsome face.

You did everything you could to avoid the vulnerability that plagued your heart every time you thought of him.

If you simply embraced the wants of Fiyero, perhaps not having a brain would keep you from thinking this way. You'd still have a heart, sure, but it was much better than keeping yourself on your toes wondering if you'd see the damned man at any passing second.

On the hour of the rising moon, almost exactly on the dot, Fiyero spotted you. And this time, you were not evading him.

He practically took off after you, leaving his friends behind. They scoffed and called after him, but he didn't look back. His focus was on you.

He grabbed onto your wrist as you went to leave, not letting you go.

"Y/n! There you are," he softly said. "I have been looking everywhere for you. I wouldn't have thought it would be so difficult to find you, but—"

"—there you go, thinking again," you blurted, unable to stop yourself. Your tongue was wagging faster than your brain was working.

He weakly smiled. "Yes. I know. How ironic, hm?"

You watched as he stared you down.

"Look," he softly began. "I truly—I do not know what I did to deserve you ignoring me at any which way, but I wish you would tell me why. What did I do, Y/n? I thought—well, I assumed that we were friends, but perhaps I was wrong. I find myself wrong quite often nowadays."

"I—well, Fiyero, I—" you paused. You squeezed your eyes shut and inhaled a deep breath. "I don't have friends."

He blinked slowly. "You don't have friends? What of the one girl you were with the other day? Milla?"

"I do not have friends," you repeated. "I have... acquaintances. People I do not get attached to."

"That is sad."

"What?"

He raised an eyebrow. It seemed like a commonality when he spoke with you. The staple eyebrow raise had to happen or else he wasn't really chatting with you.

"It is sad. Why wouldn't you want to get attached to people?"

"I don't want to have meaningless relationships," you said. You avoided saying, I don't want to have relationships at all. "Not everyone can be as friendly as you, Fiyero."

He rolled his eyes. "Friendly. Yes. I talk to people, but I would rather not have all the attention that I do."

"Oh, that's rich," you said, scoffing. "You play the popular little prince and then claim you do not want it? What is that, Fiyero?"

Fiyero pursed his lips. "It is just—this is not a conversation about me. I wanted to have an intervention for you since you seemed as though you were avoiding me every which way. Now. Just—"

"—an intervention? What? Please. You sound ridiculous."

"So do you!" he returned, hands to his hips like an older man scolding a child for something they broke. "You vex me, Y/n! You act as if you are interested in me, then run away hiding like a scared little pup. You act as if you are afraid to get close to anyone."

You stared at him, lips parted ever-so-slightly. But it was enough. You were done for.

He let out a curt laugh. "You are."

"What?"

"You are. Scared. I can see it in you. You listen to what I have to say, even when the others don't. I've made an effort to pay attention to you. To see what you—"

"—Fiyero, stop."

"Do not tell me to stop, Y/n," he said, voice low with conviction. "Not now. Not when I've finally figured you out. You are scared. But of what? Being close to someone? Having a friend?"

You frowned. "I am not scared—"

"—you look at me like if I were to touch you, you'd melt."

"That doesn't mean anything!"

"I can see it in your eyes, Y/n," he said, not looking away. He held eye contact with you and hoped that you would continue to do the same. "You—you're scared. To open your heart to the people around you."

You frowned, again. It was perpetual anymore. "And you're a sad man who dances and pretends everything is fine because Galinda said you looked pretty one day."

He blinked slowly, a smile quirking on his lips. "Maybe. But this—this isn't about me, Y/n. This is about you."

"What even is this? I didn't agree to have you psychoanalyze everything I've ever done."

"Neither did I, yet here we are," he said. "I've had a lot of time to think, to mull it over, and I know it. I know it now. You are scared. I don't know what happened to you. I don't know who hurt you in your past, or if something tragic happened to make you so cold inside, but there is absolutely nothing wrong with being... with being vulnerable, Y/n. There's something... magical, even, about opening up to others."

"Oh, and you would know, wouldn't you?"

He frowned. "Y/n—"

"—no. Absolutely not. You do not get to sit there and ridicule me for not wanting to be close to people and then not take what I give you," you said. "You do not let anyone close to you. Sure, Galinda, but what does she know about you? Does she know how you half-ass everything? How you hardly even talk to your 'friends' and just let them float along with you like everything is fine and dandy? You're as sad as I am, if that's what you're trying to say. Don't try to fool yourself."

"I am not trying to fool myself," he softly said. "I am only trying to make it known that I see you. I see myself in you."

"Oh, that's rich," you said, scoffing. "The rich, popular boy sees himself in little ol' me. That's perfect."

"Y/n—"

"—no. Don't. Stop. Just. I don't want to talk to you anymore. We're not friends. We never were friends. Just leave me alone."

It's simple, but it shuts him down. And with that, you run from his side, rushing to hide away in your dorm.

You couldn't believe what you did. Blowing up at him instead of listening to what he had to say. He read you like the children's book your heart truly was—while everyone else focused on the words, he focused on the pictures. The minute details that seemed to pass by everyone's mind because the story was flowing far too quickly.

He saw the delicate brush strokes, the intricate colors, the pieces of you that the words did not show.

He knew you.

And it scared you.

Only you knew yourself. If anyone else were to know who you were, deep inside, well, that would be disastrous.

It couldn't happen.

You couldn't let it.

Fear.

Perhaps fear was the best way to describe the way you felt.

You sat by the edge of the lake in the forest just beyond Shiz's campus, fingers gently brushing against the water. The surface rippled, sending small waves to the end of the shore.

You were afraid.

Of what?

Of a man knowing you?

Of Fiyero knowing you better than even your family once knew you?

You sat there, thoughts racing through your mind. It was as if you couldn't avoid them anymore.

Days had passed since you blew up at Fiyero and ran. You couldn't avoid him forever, you knew that, but it seemed as if your thoughts believed the same.

Tears pricked at your eyes. The warm, salty tears began to fall before you could even try to stop them, and a soft sob bubbled at the back of your throat.

"Y/n?"

Shit.

You quickly wiped your tears away and looked back at him—at Fiyero. But your tears wouldn't stop. A soft sob rippled through you and you turned your head away.

Fiyero came to your side, kneeling down in the soft earth beside of you. He inwardly grimaced at the dirt, but he said nothing of it. He'd bathe in mud if it meant you would stop your tears.

He reached forward, gently placing a hand to your cheek. He turned your head to face him.

"Y/n," he softly said. "It's alright. You... you're alright."

Another sob.

He pulled you into his arms, and you let him. You didn't pull away, melting into his embrace as he said you would before. He pressed his chin to the top of your head, situating himself so he would be more comfortable near you.

He softly hummed a soft tune—you remembered it. The one thing he hummed quite often when you caught him alone, or trying to focus on his school work.

Dancing through life, skimming the surface... Life's more painless for the brainless.

He was just a sad boy with needs of his own, much like you were scared of being seen. Of being known.

Of being loved.

Oh. Oh, that's what it was.

It terrified you to no end.

Fiyero pressed a soft kiss to the top of your forehead, gently cupping your cheeks in his hands.

"What's got you so upset, love?" he softly asked, wiping your tears away gently with his thumbs.

You shook your head. "I... later," you mumbled. You leaned into his grasp, and you could have sworn you saw his eyes soften.

He released a soft, shaky sigh of his own, before he pulled you back into his arms. He'd hold you until the end of the world if that's what you needed him to do.

Being vulnerable—it was the one thing you had told yourself you would never do. Ever again. And here you were, letting this man hold you and practically lull you into a calmness you'd never felt before.

Is this what it felt like? To be... weak? To be... frail?

No.

Vulnerability... it didn't mean that.

It meant that you were... open. That you had managed to open your heart to a more... malleable form.

To be changed.

To find the one thing in life that you knew would keep you going for as long as it could.

To be vulnerable meant to be loved.

[lunaa007]

Astrology observations #3

These are my personal observations and should be taken in the context of the whole chart, never isolated 😊

Some of this is 18+, no minors allowed

♦️Mars-Uranus aspects can indicate a liking for risky activities and extreme sports, like motorcycling or base jumping. They can even like to put themselves in danger as they need the adrenaline. Routine is super boring for them, they need to try new things very often. They should be careful to release this nervous energy with sports, work they're passionate about or things like that or it can backfire. This aspect can be tempered down with Saturn aspects or a lot of earth energy in the chart.

♦️Venus square mars aspect: can often be mean to the person they like, classic "if he pulled your hair it's because he likes you" stuff. Can be very passionate, might have difficulty to separate feelings from lust. They might have talent for artistic sports like dancing or ice skating. For women, they might like a more sporty fashion style.

♦️Sun-saturn aspects: especially for harsh ones, this can really change the expression of the sun sign. I know someone with sun and several planets in Leo, but they are all square to Saturn and you could never tell she's a Leo; she is very reserved, shy and restrained in life. But as with all Saturn aspects this can change with age, the personality coming through more and more while keeping an amazing sense of discipline, wisdom and grounding.

♦️Moon-uranus aspects: with harsh aspects (conjunction, square, opposition), the mother might have been emotionally cold during the childhood, and she might have been a bit erratic and unpredictable. This could have showed up as frequently moving places, or having a mother considered weird or crazy by society. With soft aspects like trine or sextile this could show up as an untraditional family, maybe having two fathers or two mothers, or parents very into technology, but this was not hard on the person and it helped them develop their individuality and independence.

♦️Taurus mercury: these people can learn much slower than other people (this does not mean they are not as intelligent, their rhythm is just different). At school they might have felt behind their schoolmates or felt like they didn't have enough time to finish their exams/homework. It is important that they don't feel bad about this and take the time they need to do their work. This might be less strong with Uranus influence on mercury. ♦️ Aquarius moon natals and their need to always read and watch self-development content without ever actually feeling their feelings 🙃

♦️ Venus conjunct moon: these people are so kind, they have such a big heart and do not wish harm on anyone, please stay mindful of who has access to you as many people might want to be in contact with this energy but sometimes also energy vampires.

♦️ Mercury conjunct/square pluto and their dark humor! I have this in my chart and one of my colleagues actually said to me three days after she started: "your jokes can be really dark sometimes" 😂 it gets worse when I'm tired as I don't filter my jokes so much before saying them. These aspects might also think a lot about death and dark themes, they can be the type to think "what happens if I die tomorrow", or "I could die if I do this" but not in a worried way, just thinking rationally about what is possible.

♦️ Leo mars women and their secret backup plan of becoming a stripper or an exotic dancer 💃 these women often have a talent for dancing, and performing can make them feel desired and confident.

♦️ Aries moon/mars placements and their road rage! Both my parents have these placements and my god the number of stressful rides to school I had when I was a child 😂 this can also apply to the other fire mars.

♦️ Lilith conjunct ascendant: these people often provoke reactions everywhere they go, they rarely go unnoticed whether it is positive reactions or negative. The women with this aspect might get sexualised a lot, and the men with this aspect might attract animosity from other men. ♦️ Sun-jupiter and moon-jupiter aspects: they might always see the bright side of things, "it will get better", "this is temporary", seeing the glass half-full. A lot of optimism, faith in a higher meaning, maybe too optimistic sometimes and too trusting that things will unfold in the right way.

♦️Mars square pluto women often attract creepy men on the street, interactions with aggressive men might be unfortunately common. It is important to not repress their anger and channel their power in something like martial arts.

♦️Gemini moon/IC: they might love to talk with their loved ones at home, a lot of communication and learning in their private life. If they live alone they might be a lot on the phone or always have music or tv or radio on.

♦️Mercury square saturn: they might doubt their intellectual abilities when young, their learning style might not fit the classic school system. It is important that they are encouraged by their family, and with time they will gain confidence and master the learning techniques that fit them best.

♦️Mars in virgo might care too much about pleasing their partner in bed and have a hard time receiving pleasure without giving anything. They might also feel self-conscious if they do not feel "clean" like not fresh out of the shower. It is important for them to practice letting go of their thoughts and doubts and be present in their body. They deserve pleasure as much as everybody else!

♦️ Jupiter in the 2nd house might have a very good self-esteem, if the moon and venus are not too afflicted. And if it is the case it helps the native deal with the harder aspects.

♦️ That's why it is so dangerous to interpret an  aspect in isolation of the rest of the chart, a challenging aspect might be very beneficial in a chart and less in another one. For instance moon conjunct saturn might be more challenging for a Capricorn moon which is already quite controled and closed off, but in the sign of Aries it might help the native tame their impulsivity and control better their emotions. 

♦️ Or moon square Uranus might be beneficial for a Capricorn moon or a Taurus moon as it might help them break out of their routine and become more adaptable and flexible to change.

Thank you for reading!

@lunaa007

[mrabubu]

/the ref is a bit old, but the info is mostly accurate/

So, I did kinda sketch ref for my Kraang character and make her more of a person, or something, with a name and all. I'm still going to use they/them pronounce and Y/N when people will be asking something about Krangified AU.

More information about her below.

So, her name is Ana now.

About her personality before she was turned into the Kraang zombie I still can't say much at the moment (because I'm mostly focused on their interactions in the present timeline), except for her being the person who was genuinely worried about Leo and what's been going on in his head. She saw his attitude and for her it was obvious it was mostly a facade to hide his real emotions and wanted to help him, being a shoulder to lean on. I see her being the weirdo to others that found his jokes actually funny.

After Kraangification, I can describe her with one word: DEPRESSION. I mean, you've been a mindless zombie for about 10 years that practically flashed before your eyes. You wake up facing the facts that the world has been at war with the Kraang for all this time, everyone you knew grew up, your family is long gone, your boyfriend been through hell and lost his arm, and, yeah, your still kinda a zombie also facing some self-control issues. Your Kraang half is taking control over you from time to time, attacking others and even friends if provoked. Not to mention that a lot of things that used to be casual to you are now something you need to learn to be used to again, like bed or actual food. Yeah and also that little inconvenience that she has to eat people now.

She's been dozing off a lot at first, after Leo got her to their base, just staring at one point, processing the whole situation and still feeling like it's just a very long nightmare. And only Leo could snap her out of this state at least for a short amount of time.

When I've been making first sketches with her I gave her this pointed ear and horn like Kraang appendage on her forehead, and thought this kinda reminded of oni's (demons) from Japanese folklore, which kinda resonated with this whole Kraang AU concept.

I also can't stop thinking about Beauty and the Beast (original Disney animated movie) concept, only with them swapping roles in contrast to the original story.

I really like the concept of the turtles being able to make this chirping and churring sounds, and thought, why can't she make something like this? So, yeah, she can churp and purr (I don't know if there's a difference between churring and purring, still didn't understand, and this churring sound is still mostly fictional, fanon thing..? but, anyway). I like this idea of Leo and Ana being able to communicate with the language only they (and other turtles) understand.

A few more sketches with her and a couple of scenes.

Her claws on the Kraang arm can extend. I thought about her being able to shapeshift her arm further, but for now it's either extended claws, or something like a sword or some other sharp pointy thing...

I've been thinking about her fighting style, and for a reference I used the The Witcher 3 again (yeah) There's a vampire species, Bruxa and Alp, and I'm thinking her fighting style would be something like of an Alp. Fast and agile, also pretty strong (tho still not strong enough to take out big enemies like the Kraang in their suits).

I have this scene in my head that I actually been sketching already, where she's fighting the Kraang hounds, and pretty much able to lift one grabbing it by it's throat and throwing it into the tree like a rag doll.

Another thing is her screech she uses to intimidate/immobilize her enemies. It's also more of an alp than bruxa, especially in this video time code 00:36, this is pretty much how I imagine it.

I also know that I've messed up her eyes when she's in her Kraang mode, because they should be turning purple, like Raph's left eye that wasn't covered by Kraang flesh, but, uuuh, I don't want to change that at this point...

I think that's it for now...? If I'll have more ideas I'll either be making other posts, or updating this one.

[cece693]

Enemy (Edward Cullen x Werewolf GN! Reader)

Summary: Imprinting was supposed to be a good thing, not for you though. Fate seemed to be mocking you by having your imprint be a leech—Edward Cullen, to be more specific.

tags: gender-neutral reader, reader is a werewolf, post-Eclipse, Edward is your imprint, mentions of wanting to be dead, no established relationship

You were on enemy land, yet you didn’t care. Let them come. Let them do their worst. Maybe it’d be a mercy, a reprieve from the torment you’d been living. The trees around you stretched endlessly, their branches clawing at the sky like the fingers of ghosts, haunting you with every step you took into Cullen's territory.

Imprinting on a vampire—it should’ve been your death sentence. An abomination, they called it. The whispers, the disgusted glares, the sneers from your packmates. Your family wouldn’t even look you in the eye. So, why not wander where you weren't wanted? Why not provoke those you should be avoiding?

A snap of a twig echoed through the forest, and you halted, every muscle tensing. You knew he was there. You always knew. It was a curse, this damn imprinting, a cruel joke from the universe to force you to feel everything for the last person you should.

“Edward,” you spat, the bitterness in your voice impossible to hide. “I know you’re watching me. You may as well come out.” Silence stretched and then he emerged—graceful, quiet, like a shadow having been given a form. His golden eyes were fixed on you with such an intensity, it made your blood boil.

“You shouldn’t be here.” he said, his voice irritatingly soft, like he actually cared about your wellbeing.

A laugh escaped you, the sound harsh and bitter in the stillness. “And where should I be, huh? With my pack? My family?” You took a step toward him, your fists clenching at your sides. “Because let’s be honest, they’d prefer me dead. I imprinted on a vampire, Edward. That makes me as good as a traitor to them.” You forced yourself to meet his gaze, defiance burning in your eyes. “And you—you hate me, too. Don’t pretend you don’t.”

Edward’s expression tightened, but he didn’t break eye contact. That infuriating calm, as if nothing could shake him. It only fueled your anger. “I don’t hate you.” he whispered.

“Oh, don’t lie,” you snapped, shaking your head. “I know you do. How could you not? I broke up your happy little life with Bella, didn’t I? You were supposed to be with her, not be tied to…” You gestured toward yourself with a bitter laugh, “…whatever this is.”

A flicker of something crossed his face—pain, perhaps regret—but it was quickly replaced by his usual composure. “Bella and I were never meant to last,” he said with great honesty in his voice, catching you off guard. “We loved each other, but things changed. We changed. It was my choice to let her go.”

“Your choice?” You scoffed, narrowing your eyes. “Then why are you even here, Edward? Why bother with me? I’m just a mess—your sworn enemy, for crying out loud. If you hate this as much as I do, then do us both a favor and end it.”

He moved so quickly that you barely registered the motion. One second, he was standing a few feet away, the next he was in front of you, his hand gripping your arm with a surprising gentleness that left you frozen. His eyes bored into yours, a fire burning in their depths. “I told you, I don’t hate you,” he repeated, his voice edged with a hint of frustration. “And you’re not a mess, not to me.”

“You’re…” He hesitated, his jaw tightening as he searched for the right words. “You’re my imprint. I didn’t ask for this, nor did you, but here we are. And I…I can’t stand to see you like this. I won’t lie and say it’s easy,” he admitted.

“But that doesn’t mean it’s wrong. We can’t change what happened, but we can try to make something of it. Maybe we start with being friends?"

You barked a laugh, though it was devoid of humor. “Friends,” you echoed, tasting the word like it was foreign. “You think we can be friends?”

“It’s a start,” he said, his voice gentle but firm. “And maybe, in time, it can be more. If we both want it to be.”

The vulnerability in his words caught you off guard. You expected pity, maybe even indifference, but not this—this honest hope that things could be different. You let out a shaky breath, feeling some tension drain from your shoulders. “Alright,” you murmured, the fight leaving you. “Friends…We can try.”

A small, tentative smile crept onto Edward’s lips, and for a moment, warmth spread through your chest, easing some of the ache that had settled there. It wasn’t a solution, not by far, but it was a beginning.

[youneedsomeprompts]

~ I HATE YOU BUT I LOVE YOU ~ ENEMIES-TO-LOVERS PROMPTS

requested by: anonymous request: hello I'm writing a lovers to enemies to lovers book but I really need some prompts bc I think there's too much bickering and not enough fluff 😭😭 pls help

Feel free to use and reblog!

saying one thing but meaning the other aka acting hateful but having loving feelings

^ "You're the worst person" *while being super gentle/caring with the other*

"I'd do everything to ensure that they don't get away with it." *literally helping them get away with it*

A: "Ugh, I hate [Person B] so much" C: "But they're so sweet and nice to you." A: "Yeah, exactly. That's so hateful of them."

the other person has always made their blood boil but it takes them a while to realise that the reasons have changed

how can someone be so aggravating and so arousing at the same time?

being mean and provoking upfront just to do nice and thoughtful things behind their back

*both bickering* *Person A suddenly going quiet and grinning at Person B* Person B: "What? Why are you looking at me like that?" Person A: "Because you're just arguing so much with me because you like me." *Person B turning red*: "... nOo..."

realising their feelings for the other person but it just makes them meaner because they're overcompensating (after all, no one should know that they're actually in love with person B)

they have been very snippy and full of snide remarks towards person B but since they realised they have feelings for them their mind goes blank and they go mute in front of person B

avoiding the other person as they're enemies but full on ghosting them once they realise their own feelings for their enemy

trying to mask their feelings in the least obvious way: just openly telling them how they're feeling because they wouldn't believe it anyway

^ "Do you know that you actually have a special place in my heart? Oh, how I love and cherish you!" "Yeah, fuck you too!"

A: "Do you sometimes feel that the line between hate and love can be very thin?" B: "They are the strongest feelings after all. Maybe they're actually the same and it doesn't make a difference whether you hate or love."

A: "Stop messing with me! You could never love me!" B: "Oh, if only you knew! I hate how much I love you!"

[crevicedwelling]

hello! i am a relatively new user here on tumblr, less than a year, and i have heard a comment or two about a 'wasp discourse' that happened here, that wasps are much more nice than bees or something among those lines

this caught my curiosity as im writting a wasp based character whos just an ahole as i did it on what i knew abt them from general internet and im stuck on wether i should maaayybe change them up a bit

if its not too much to ask do you happen to know a bit abt this discourse? or have a link to it? or if not to the discourse itself some other link that elaborates abt the same topic? perhaps even someone else i can ask this?

thank you very much!

to start off, there are a lot of bees and wasps in this world and it is not easy to generalize about them. there are ~20,000 bee species, and the vast majority of these are solitary bees that nest in the ground, plant stems, or in holes in wood, and because they produce no honey or have a colony to guard, have no need to be defensive or aggressive towards humans (because “towards humans” seems to be what most people base this idea off of). colonial bees, like honeybees, are actually much more defensive than solitary ones; they have huge food stores and many defenseless larvae, hence their nasty stings (or bites, for the stingless bees) and swarm defense of their hives.

bees, however, are just a family of wasps. their closest relatives are believed to be the crabronid wasps (example: cicada killers) and sphecid thread-waisted wasps (ex. mud daubers). these wasps, and most others, are also largely solitary, and hunting prey aside, don’t typically use their stings for anything other than personal defense. of the hundreds of thousands of wasps, most of them (75%) are not just solitary but also parasitoids that develop inside other insects. it’s hard to say “all wasps are assholes [to people]” when some 100,000 of them are tiny specks smaller than sesame seeds that nobody other than scientists notice.

two parasitoids: a braconid ~3mm long & something else ~0.3mm long

the wasps most people take issue with are vespids, since they like the same foods we do (sweets, meat) and have powerful stings to defend their nests. these include the social hornets, yellowjackets, and paper wasps, but many mason wasps and the like are solitary (and, you guessed it, want nothing to do with people). vespids are great predators of caterpillars, flies, and other pests that humans don’t like in addition to being pollinators.

a yellowjacket: Vespula squamosa

the usual anti-wasp, pro-bee sentiments go: wasps attack for no reason, don’t pollinate, don’t make honey, and are “assholes.” wasps do pollinate (most wasps, bees and ants don’t eat solid food, and therefore largely drink flower nectar; some plants are only pollinated by wasps).

some tropical wasps do actually make honey, though it’s not harvested by humans. it’s sort of silly to say that making honey is what makes bees “good” though—a very selfish mindset, and for example butterflies are well-liked by people despite not making any edible products for us.

wasps also attack only when provoked, either because you’re near a wasp nest or when you lean on one accidentally. they are defending their baby sisters and themselves, same as bees would. at least in the US, I think the reason that wasps are so hated is that we have many species of paper wasp and yellowjacket that are willing to nest on or under houses, while the (invasive) honeybees prefer trees or are kept by beekeepers in artificial hives, so it’s just more likely you’ll run into problems with wasps than bees.

tl;dr:

wasps and bees are neither “nice” nor “mean.”

bees are mostly loners that don’t bother people. colonial bees will sting to defend their nests or themselves from predators. most bees are pollinators, who gather pollen to feed their larvae. a few species make honey that humans harvest.

wasps are mostly loners that don’t bother people. colonial wasps will sting to defend their nests or themselves from predators. most wasps are pollinators, and most hunt or parasitize other insects to feed their larvae.

[yandere-daydreams]

tw - unhealthy relationships, financial abuse, reader is implied to be a sugar-baby/sex worker, unbalanced power dynamics.

Mei is a woman who can put a price on anything.

You've seen her talents first-hand. Hell, you'd only gotten together in the first place because she decided you were a commodity worth the expense, or in her words, because 'you'd be more valuable with me than anywhere else'. Some of her earliest gifts were little more to foder to prove that she had enough wealth stowed away to not only afford you, but make you hers exclusively - skin-tight diamond chokers, ornate harnesses strung with crystals and pearls, rings studded with pale sapphires that were nearly too heavy to lift. You'd kept the pricetags from everything she gave you in a drawer in your shoebox of an apartment, and as a show of kinship, she decided to keep you.

Really, you could only be thankful you fell into the hands of someone so appreciative. As someone so easy to buy, you can't think of a customer more suited to you than Mei.

Your relationship's too far along for her to be so blatant with her intentions, now, carrying a pretense of affection that means she can't slip you a stack of bills and tell you, in no uncertain terms, that you'll be spending the night with her, but she still finds ways to mark you, to make sure she's always going to be the majority shareholder of your time. All your clothes are tailor-made, her initials embroidered into everything she has designed for you, and you can't remember the last time you wore a scent that she hadn't personally selected. She's careful with what she owns, but not so careful that she isn't willing to offer you tens of thousands of yen to wear the lipstick stain she left on the side of your throat like a designer product. She has a jealous streak, despite how indifferent she tries to act. That, or she just doesn't like it when other people tamper with her investments.

It's become an ongoing joke between the two of you - her possessive habits and your attempts to provoke them. You'll straddle her thigh and slot your chest against hers and pout as you ask how much she thinks the white-haired man across the room would offer for an hour with you, and she'll purse her lips and assure you that none of her 'coworkers' could afford such a gem. Once or twice, you've managed to pester a real answer out of her, always something in the millions and delivered in a clipped tone that meant it was time to stop asking, but more often, she'll take you by the hips and ask you if you plan on replacing her so callously. It's a fair reaction. You can't say she's ever made you think you might be up for sale.

When you can't bite back your curiosity, you drape yourself across her and ask how much she would give up to have you permanently, to keep you at her beck and call without having to stifle herself with allowances and borrowed platinum cards. She likes that question, practically purrs as she promises that, to her, you're priceless. It should be more comforting than it is, but somehow, you can't shake the implication that it's something she's considered, that if there was an amount she could forward to some unknown account, she would've done it long before you'd ever made the offer. You're glad she came to the conclusion she did. You're glad that, no matter how entitled she acts to every fiber of your being, every second of your time, she knows she'll never actually own you.

You're glad that, if she changed her mind, if she ever put a price on your head and decided it was worth the loss, she's kind enough not to tell you that you've already been paid for.

[rickyriddle]

Agatha All Along Theory: The Road isn't real

(Disclaimer: I'll be using Teen's real name at some point so you better be up to date before reading)

Here's a theory I need to post before the last episodes air in case I'm right.

The actual Witches Road never existed. It was just a con Agatha created to trick witches and steal their magic. The reason why people think you can't survive the road is because everyone who tried to get there died (killed by Agatha). Alice even said the Road was just a con, because it was. Agatha's first reaction to Teen mentioning the Road is that it's not real, because she knows it's not. She even told him the Road would kill him- because the Road was always a con to kill witches and take their powers.

Agatha never intended to get her current coven there, she always planned for the song to fail and to provoke them so they'd attack her and she could get her magic back. She didn't want Teen to be there to spare him that fate.

That's why Agatha looked genuinely surprised when the Road does appear, and she doesn't seem to actually be familiar with it. She probably spread the rumour that she is the only one who survived in order to lure witches who are interested. The reason why she said she takes power from the undeserving is because she considered that witches who want to walk the road are too lazy to learn magic on their own, it's a way for her to justify killing them. She even told Teen that he wanted to take a "shortcut" with a bit of contempt in her voice when he mentioned looking for the Road.

Now as for this Witches Road... it's prob a hex Billy created without realizing it. The door only appeared after he started to be afraid of the Salem Seven, and it had a hexagon shape. Sounds familiar? Just like Wanda's hex. And I bet Agatha always had a doubt it was him, since she knew damn well the Road wasn't real since she made it up. She looked genuinely confused when it first appeared and definitely do not know anything about it and kept bullshitting her way to the others and acting as an expert.

Billy said "this is exactly how I pictured it" and Agatha replied "it suits you" because she knew he made it. It actually suited him. A lot of the stuff in the hex are based on him, lots of reference to his room as Billy Kaplan. And that's what Agatha meant by "you and your mother have the same tell". They both created an alternate reality unconsciously due to strong emotions. That's how she knew he was Wanda's son, the major clue. His magic works similarly to hers.

That would also explain Agatha's reaction to Sharon's death. "I didn't know you had it in you" was directed at Billy. Agatha wasn't expecting people to actually die since he created the road. So at that moment, she realized that child created a deadly hex, and didn't think he had it in him (not that he killed Sharon on purpose, but the road he made did).

That might explain Rio's reaction, usually the con of the road doesn't go that far, so she's feeling impatient because these witches should have been dead a while ago when Agatha lured them. That could also explain why Rio herself didn't seem familiar with the Road, since it never existed before.

That could also explain why Agatha argued with Jen regarding the lyrics of the ballad. If the road is her con, then she wrote the original lyric and might be unaware that some terms changed over time (like two becoming through).

So, the current road was created by Billy subconsciously, but the concept of the road was created by Agatha as long time ago as a con and ironically, it became real because of Billy. So, the title is true. It really was... Agatha all Along.

[linkspooky]

Ciel-Noel post

Revenge is bad, actually. Simple revenge in stories is boring and uninteresting and Kill Bill is a bad movie.

I dislike the idea of punitive justice in stories to begin with, at least in stories that don't look critically at it. However, I also think people often get punitive justice (a branch of moral philosophy) with the idea of narrative punishment (actions have consequences in stories). I'm not against narrative punishment at all, well-written stories should have direct consequences for all the important characters actions. If a character is a noble gas and no one reacts to their actions, then they are stagnant and unchanging. A character who is constantly reacting to other people, and provoking reactions in return, is a dynamic character.

Now that I've thoroughly buried the lead six feet under, let's get to the main event. Ciel and Noel is a tightly written tragedy in the horror genre. If you've ever watched a slasher movie before, horror operates on like, an extreme kind of narrative punishment. People always joke that if you have sex, or do drugs, or drink alcohol in a horror movie the slasher will kill you and yeah, that's basically it. Horror movies are relenting and unforgiving, you basically take one step out of line and get stabbed in the back for it. So, it's not at all surprising that in the same story where Ciel experiences a change of heart and goes from seeing Shiki not as a victim but another vampire to kill, to being willing to sacrifice everything to save him, Noel does not get saved. Doesn't that make Ciel a huge hypocrite going the extra mile to save her boyfriend, but putting a bullet in the head of the partner she's known for years to put her out of her misery? Why, yes. Yes it is. That's also the point.

Ciel (and Noel's) route in the Tsukihime remake are about two girls who are the victims of the same tragedy. One gets saved, one does not. One finds a person who will do anything to reach and redeem their humanity, the other does not. They both get worse and worse, but one is given a helping hand at their lowest point, and the other gets a bullet between the eyes. This is unfair, and cruel, and again the point. Nasu in the remake turned one of the routes with the happier ending into a bitter tragedy no matter which of the two endings you pick and it's great.

Nasu is a writer who understands the tools of storytelling and with Ciel and Noel, wrote a tightly constructed tragedy where both characters face a narrative punishment. Once again, narrative punishment means for every action the character takes in the story, there is an equal and opposite reaction. Characters don't get away scott free with anything. They reap what they sew. This gives the characters actions meaning, and feels like they are building towards an arc because there is an underlying point that the author is trying to make to us, by framing these characters actions in a certain light.

Nasu employs narrative punishment, sometimes even incredibly harsh narrative punishment (read every wrong choice in FSN where Shirou gets horribly maimed or just Shirou's life in general). However, Nasu does not believe in punitive justice. I mean, I made a joke about Oberon up above but like, Nasu literally wrote an entire FGO Lostbelt chapter showing how chaotic evil the fairies were, and then he still underlined it's wrong to punish people without a chance for redemption or atonement by making Oberon the final boss. Even Castoria who is an ultimate victim of the fairies who was locked in a barn and treated like an animal, and didn't even want to save them was still like "This is wrong, we should have given them some chance to redeem themselves."

That belief that punishment without the chance of redemption is wrong, is written into the core of Ciel and Noel's tragedy.

So anyway, let's get to the part where I start recapping the story with analysis so you guys have some frame of reference for what I'm talking about. Noel is a previous victim of Roa, a vampire that continually reincarnates by hijacking bodies. A victim of ROA slowly becomes possessed until the two personalities effectively merge, at which point Roa goes on a killing spree. This happened to Ciel in her french village, Ciel noticed intrusive thoughts of a voice in her head telling her to kill her family, kill her family, kill her family, and did her best to ignore and suppress them until she couldn't. She then tore out her parent's throats, and then went on a rampage only to be killed by arcueid a short while after. Not before killing basically everyone in the town except for Noel.

Ciel and Noel are the lone survivors of ROA's massacre, and both victims of ROA himself. Ciel and Noel are also the same person, so like, write that down. Are you taking notes? This is gonna be a long post you better be writing down bullet points. Big bullet point number one, Ciel and Noel are the same person this is going to be on the test later.

Is the massacre, and all the deaths that occurred Ciel's fault?

No, you'd think logically being possessed by someone else and only having your agency taking away from you would clear you from responsibility.

However, Ciel was taken in by the catholic church afterwards and they weren't having any of that forgiveness shit. Ciel after miraculously recovering from her death at Arcueid, no longer under Roa's possession, is killed repeatedly by the church, only to find she's immortal now. No matter how many times they try to torture her, or execute her to give her justice for the victims of the massacre it doesn't work. So, instead they eventually just recruit her to be a vampire hunter. Bla bla bla, metaphor for how punitive justice doesn't actually accomplish anything, bla bla bla, metaphor for how Ciel's way of redeeming herself by hunting down and punishing other vampires (which is also just revenge) doesn't work because there's no end to it, there's no forgiveness or absolution, it's just eternal suffering. Would a loving god who created the world and preaches about forgiveness really make a hell where all the really bad people get sent to, and never get any chance of redemption?

“A God who could make good children as easily a bad, yet preferred to make bad ones; who could have made every one of them happy, yet never made a single happy one; who made them prize their bitter life, yet stingily cut it short; who gave his angels eternal happiness unearned, yet required his other children to earn it; who gave is angels painless lives, yet cursed his other children with biting miseries and maladies of mind and body; who mouths justice, and invented hell--mouths mercy, and invented hell--mouths Golden Rules and forgiveness multiplied by seventy times seven, and invented hell; who mouths morals to other people, and has none himself; who frowns upon crimes, yet commits them all; who created man without invitation, then tries to shuffle the responsibility for man's acts upon man, instead of honorably placing it where it belongs, upon himself; and finally, with altogether divine obtuseness, invites his poor abused slave to worship him!” ― Mark Twain, The Mysterious Stranger

So, already we're touching on both justice, and also the hypocrisies of certain western religions, by Nasu demonstrating that justice without forgiveness accomplishes nothing. Ciel trying to redeem herself in the eyes of the church is truly the sisyphus pushing the boulder up the hill of redemption arcs, because there's no forgiveness, only hard labor for her sins. Ciel will just keep killing vampires to atone until she dies, but she can't die, so that boulder will keep rolling up that hill.

This is the underlying point of Ciel's entire arc, Ciel does not save anybody. She kills vampires. By killing vampires she hypothetically stops them from killing future victims, but that's not saving them. One of the most poignant things I've ever read from Nasu was from UBW where Shirou says more or less if there's a bank robber holding up a bank, and a cop comes in and shoots the robber through the chest, that might save all the hostages but the bank robber didn't get saved. You might say, well obviously, you can't save everyone. It makes sense that you'd save the innocent victims first. At which point I would say yes, I know, I have in fact consulted the ancient texts, UBW is my most replayed route.

However, Ciel and Noel's conflict gets that same point across because there are no innocent victims between the two of them. Ciel and Noel are both victimized, robbed of their agency, and go on to do terrible things, but one of them is saved and one is not. Noel isn't the bank robber in that metaphor, she's the hostage who was cooperating with the bank robber because the robber had a gun to her head, who the swat team decided to snipe through the window.

Noel is introduced as an entirely new character in the remake, she is the only other survivor of the massacre. While Ciel has memories of herself committing the crimes and feels guilt for that, Noel watched everyone die and was tortured for days on end by Roa in Ciel's body for their amusement (someone who was so insignificant to them, that Noel refers to herself as just one chip in a bag of chips Roa was snacking on. That's right, Noel is a cheeto in the grand scheme of things). There is one quote I love from John Dies at the End where John talks about how they're not chess pieces, they're not pieces on the board, they're so insigificant that they're just a cheeto sitting on the outside of the board. That's Noel, she's a cheeto.

The thing is Noel seems to be somewhat narratively aware of the fact that in the grand scheme of things she is a cheeto. Noel and Ciel are both victims of the massacre turned vampires, Ciel is a vampire killing machine and Noel sucks at it. Ciel despite being some rando apparently is born with enough magic circuits to make ancient magus families jealous, and on top of that is the only one who ever survived Roa's possession (and got immortality to boot). In every generation there is a chosen one, she alone will stand against the vampires and the demons and the forces of darkness. She is the slayer. So you've got Ciel the Vampire Slayer, and Noel who's just a cheeto. The cosmically ordained protagonist of reality, and just some guy. Noel has to basically beg and scrape to get by, no matter how hard she works she doesn't get stronger, she doesn't get any cool super powers from the night roa burned down her home town she just gets trauma. She also doesn't get a special boyfriend who will do anything to try to give her a normal life. This is illustrated in true tragic irony, by showing that Noel had a crush on a japanese foreign exchange student who's clearly meant to foil Shiki and he was basically the support she leaned on for the entirety of the tragedy, he dragged her away from danger multiple times, only to find out the reason he saved her was to use her as zombie bait so he could make his escape.

Here's where Noel starts to shine because in a typical narrative, Noel would be the more sympathetic character. People like rooting for the underdog. However, Nasu dares to be different by making Noel extremely difficult to empathize with. For one she's extremely predatory in the way she makes constant uncomfortable advances on Shiki the main character. She's also predatory in the sense she enjoys preying on things weaker than her. She says it line for line, weak people have to pick on those weaker than them. Noel goes after small fry vampires for revenge, and to vent her frustrations, however, she doesn't just kill them she rips them to pieces and tortures them in the most inhumane way possible until they're begging for death.

Why would anyone sympathize with the weak, predatory, pathetic noel who only ever makes excuses and blames others to run away from responsibility, over the stoic, strong ciel who is willing to hunt vampires forever to take responsibility for her actions.

Well here's the thing, *gestures for you to come closer, and then whispers in your ear* all the shit that Noel pulls, Ciel does that too. Ciel and Noel are either the same age, or around the same age, so if Noel is a predator for hitting on Shiki than so is Ciel. It's almost like something happened to them in their youths that stopped all their mental development rendering them both like mentally 16. Noel mercilessly slaughters vampires for revenge, and so does Ciel. She just does it offscreen. We don't know if she tortures them or anything, but remember when Ciel hunts Shiki, how she knows that Shiki is a helpless victim in all this and still goes out of her way to twist the knife, hurt him both physically and emotionally in every way possible before making the final blow.

The reason she acted that way during her and Shiki's confrontation isn't because she was stoically forcing herself to kill Shiki because that was the right thing to do, no she was projecting herself and her survivor's guilt for not killing herself before Roa went on his massacre all over Shiki. She was getting her revenge on a helpless victim because projecting on Shiki was a way for her to punish herself. Noel hates herself for being weak, Ciel hates herself for not being strong enough to slit her throat before everything happened (ergo being weak). They both deal with this self hatred by projecting that onto vampires, even vampires who were turned against their will (especially those ones tbh) and slaughtering them. They were both taken in by the church and taught to do that, so the church could get two child soldiers to send to die fighting vampreis. Ciel is Noel, and Noel is Ciel.

Not only does Noel project her past self and her weaknesses onto vampires, she projects herself onto Ciel. In that Noel really wants to be Ciel. Which is understandable, would you rather be, a girl who's only super power is... having an axe, or a girl with like seventeen million cool weapons, has more mana circuits than most mages, and is fucking immortal.

That's just the surface though, Noel is on like fifteen levels of projection with Ciel. Noel's identity is incredibly tied up in her complicated feelings towards Ciel, both because Ciel is the face of the person who committed every atrocity to Noel, but also because they are the two lone survivors of the same tragedy. Noel and Ciel both try to make themselves into tools for killing vampires to cope with their survivor's guilt, and their inability to conceive of themselves having a normal life after what they have been through. They also were both denied any chance at healing, because the church swept in and fashioned them into hunting dogs to sick on the vampires, and fight those vampires until they die. They are also both convinced that the church is right for doing this, and that deep down they either cannot have (Noel) or do not deserve (Ciel) normal lives while they both secretly pine for it anyway. Both of them are denied the chance for recovery, (because revenge does not heal), and Noel takes that one step further by deliberately driving a wedge into Ciel's recovery.

To quote you Comun, even though you're the one that sent this ask:

And Noel is a character inserted in Tsukihime to thwart Ciel's steady recovery. A constant reminder of what she lost and how the blood is in her hands. To cope with the sins Roa used her body for, Ciel chose to be the Holy Church's most professional extermination machine. Noel is the only survivor of her village because Elesia also died that night, being replaced with Ciel, who is fueled not by emotions but by a vampire kill count. And while Noel is a petty bitch at heart, she genuinely believes Ciel's post-trauma life choice and respects her capability to pull it off. There's no sabotage to their partnership not because Noel is afraid to defy someone a million times stronger than her, but because Noel wholeheartedly agrees with Ciel's choice to never recover and to pay blood for blood for the rest of her potentially eternal life. As long as Ciel stays Ciel, Noel's vengefulness is directed solely at Roa. But then Shiki enters Ciel's life bringing with him semblances of normal happiness. The murder machine began to regain emotions. And to Noel, that's a problem.

So part of this is you know, buying church propaganda. Ciel and Noel are both victims of the same church that does not heal or save people, and only doles out punishments on the guilty.

Part of this is an interesting twist that adds complexity to Noel's character, because like she could blame Ciel for the massacre like the church does, and like Ciel does herself, but as you point out Noel clearly wrestles with that. Noel feels a mix of envy for a twisted respect, one could even say love for Ciel's strength. Noel shows a much more nuanced reaction to Roa wearing Ciel's face and killing her entire family and torturing her for days on end, when she could take the church's approach, or even Ciel's approach towards Shiki. Noel even talks about at length how her and Ciel used to bond together by talking at night about how they were going to get revenge for everyone who died that day. Noel can't just see Ciel as the villain who took everything away from her, because they are the only two survivors of the massacre.

As you said there's no sabotage to their partnership, because despite Noel being the most petty bitch ever she never does anything to hurt or betray Ciel. The reason their partnership falls apart is entirely Ciel's fault. Sure, Noel was dancing on the edge of a cliff and not the most stable person to begin with, but it's Ciel's actions that push her off that cliff.

Not only does Noel drive thwart Ciel's recovery, she also makes Ciel look like a terrible person. Because, Ciel is a terrible person. In the same route where Shiki constantly lovebombs Ciel and constantly talks about all her good traits and what a hero she is, and Ciel gets several very cool action scenes making her look like a cool vampire slayer, we also witness to Noel's soul and heartcrushing downward spiral that is caused in part by Ciel kind of not really giving a shit about Noel's feelings. Noel's downfall could have been stopped at any point by Ciel simply lifting a finger, or just noticing her partner's obvious distres but instead what Ciel does is Noel completely out of the loop (like not telling Noel that she was waiting for Roa to reveal himself before attacking Shiki) .

Like, the scene where Noel turns into a vampire is directly caused by Ciel's actions. Noel reveals to Shiki that he's currently possessed by Roa. Ciel stands up for Shiki, in what we think is Ciel not wanting to believe that Shiki is possessed by Roa. However, what we learn instead is that Ciel only approached Shiki in the first place because she assumed he would be Roa's first target, and has been keeping by his side constantly waiting for Roa to appear so she can murk him.

So, all Ciel needed to do was TELL NOEL that she was playing the long game and ask Noel to wait a little longer before showing their hand, but apparently basic communication with her partner is too much effort for Ciel.

This leads into a scenario where not only does Noel think Ciel has broken their partnership (i mean she kinda has) but Ciel directly injures Noel pretty badly and leaves her alone. When Arach shows up to prey upon Noel, Noel can't even fight back by that point. Arach is the bus that hit Noel, but Ciel sure did throw Noel under that bus for no real reason.

I mean there is a story reason - it shows that Ciel may be an instrument of justice but she doesn't save people, in fact she does not give two figs about whether or not people are saved by her actions. Ciel obsessively hunting vampires, is not really that far off from Noel torturing vampires for her own sense of petty vengeance. However, Ciel hunts vampires offscreen so we as an audience don't see really the way, she treats the vampires she kills, but from the way she both foils Noel and also the sadistic way she draws out killing Shiki possessed by Roa as long as possible you can infer that she's not all too different from Noel. That's good actually, that Ciel seems like a good heroic person, but if you squint at her she's not much better than Noel, because like that's the entire point of her character the good, altruistic senpai never existed in the first place. All of Ciel's words about atonement and forgiveness are empty platitudes, just her regurgitating the words the church fed to her.

So finally to conclude, we have the culmination of the moebius strip, where Noel the apparent opposite of Ciel, slowly morphs into Ciel. Noel's flaws in a narrative sense led to her downfall, but let's be clear Noel had no fucking agency in her transformation into a vampire. She was hysterically begging for Arach not to do it. She was pinned and helpless to escape when it happened. It is Arach and Ciel's fault what happened to her.

Noel does make choices, but her choice amounts to not immediately killing herself the moment she became a vampire. She does take like 500 shots to become an ubervamp, but like, the story clearly states that once people become vampires their moralities and personalities are radically altered. So if that's a choice it's an influenced choice.

Therefore the only choice in that moment Noel is truly responsible for is not killing herself while she was still lucid. Irony upon ironies because that's exactly what she yells at vampires to do, bow down and let their heads be cut off by the executors. However, if Noel is guilty for not immediately offing herself, so is Ciel, so is Shiki. Both of these characters get saved while Noel gets old yeller'd. This is unfair and also, you guessed it, the point. Ciels revenge against vampires accomplishes nothing. Noel giving up her humanity for the shot at revenge against Ciel accomplishes nothing. It's almost like revenge doesn't heal, it just puts more pain and misery into the world. No one is saved by revenge.

Noel is fridged for Ciel's arc, and neither Ciel nor Shiki ultimately save her even though she's not all that responsible for her own downfall. This is not the narrative playing good victim and bad victim. If anything it makes Ciel look way worse as a person. The narrative even goes out of its way to say that both Ciel and Noel have a right to their revenge and in a situation like this the winner wasn't determined by who was right but who's stronger. Ciel has no moral high ground she just happens to be stronger, that's it. She doesn't take the higher road with Noel even after Shiki went to such great length to try to reach her emotionally and tell her she was still human, no Ciel makes no attempt to talk to Noel or take a third route she just murks her.

Noel is my favorite character for this route probably second favoeite overall behind Kohaku and I one hundred percent agree with fridging her, because it makes Ciel's character a hundred times better by giving her consequences for her flaws. It's one thing for Ciel to break down crying about how much she hates herself for being a cold merciless machine. It's another thing to have this demonstrated by Ciel letting her partner fall to the wayside by just not giving a shit about anyone's feelings or anything except for her personal quest against vampires.

Noel is a victim of the cycle of revenge, a pointless and harmful cycle. In a story that's thoroughly anti revenge as evidenced in the true end of hisuis route where Kohaku having achieved absolute perfect revenge and having her plan gone entirely right, takes a knife and gouges out her own heart with it. If that's not on the nose I don't know what is.

Its poignant comun that you told me that Nasu stated there's no good ending to Ciel's routes just a normal and a true because a good ending would have saved Noel. It might look like Ciel got off scott free but if you look at it, by killing Noel and denying Noel the chance at salvation Ciel damns herself too. Ciel has not escaped the cycle in the true ending, she's still hunting vampires at the behest of the church the only real change is she has a boyfriend now. I'd compare it to the ending of UBW vs Heavens Feel. In one Shirou has Rin's support but it's implied he'll eventually leave Rin anyway and become Archer, he just won't regret saving people as Archer did. He has not escaped the self destructive cycle. Whereas in Heaven's Feel, Shiro dies and is reborn and has to you know live as a person from now on.

Ciel did not end the cycle, she perpetuated it by killing Noel. You don't end the cycle of revenge with more revenge. Since Ciel did not end it she's still trapped in the cycle herself, and she still has support in the form of Shiki but the cycle will probably consume her the way it eventually consumed Shirou. She even broke out what was essentially the UBW with black keys when fighting against Vlov. It's just like that one post on Twitter said every few years or so someone reinvent the unlimited blade works!

[hermajestyimher]

This year I’m making a change—I’m done with the news-cycle doom scroll.

A few days ago, I felt a heavy burden in my spirit, and the Lord revealed to me why: I was spending too much time on headlines designed to keep us anxious and angry, often leading to toxic social media posts. As a result, my mind became clouded with negativity and sorrow, harming my spiritual life and creating a ripple effect of other issues.

Social media sites deliberately expose us to content that provokes anger and emotional investment because their algorithms reward engagement. The easiest way to boost engagement is by sowing discord through hate and division. Twitter is particularly bad in this regard, and no one who wants a healthy mind should spend time on that site.

Scripture tells us that our eyes are the lamp of the body. If we constantly expose ourselves to harmful content, darkness takes root, making us more vulnerable to depression, anxiety, and pessimism. That’s why I’m choosing to be intentional about what I allow my eyes to see. In my world, I choose optimism, opportunity, and abundance.

Matthew 6:22-23 "Your eye is like a lamp that provides light for your body. When your eye is healthy, your whole body is filled with light. But when your eye is unhealthy, your whole body is filled with darkness. And if the light you think you have is actually darkness, how deep that darkness is!"

Philippians 4:8 "And now, dear brothers and sisters, one final thing. Fix your thoughts on what is true, and honorable, and right, and pure, and lovely, and admirable. Think about things that are excellent and worthy of praise."