#it makes me so sad bro

[newrhys]

still think about how we never got a newt and tina kiss that was literally a crime

[lotus-pear]

charm stat at debonair ‼️‼️

[cosmosnout]

And in the end, Rouge was like, “You know what? Sure.”

[xxplastic-cubexx]

chair + helmet for funsies

[heart-of-the-morningstar]

My man was so happy and they took that away from him...

[palskippah]

Hi!

I drew this because I was feeling really sad, but it works as a Bowser's birthday thing too woooo!!

[0vergrowngraveyard]

i wanted to practice backgrounds and i just reread @skimmingmilk’s fic chart a course to second chances for the millionth time so there was only one logical conclusion

[wickjump]

“Undertale and it’s FOUL community” STOP IT!!!!!!! IM MADE FUN OF ENOUGH!!!!! STOOPPPPP!!!!!!!!!!!! (this kind of thing makes me so angry)

[turtleblogatlast]

Small but significant character moments that I actually really adore are from both the times we see the boys as tots. There is a reoccurrence that happens in both of them that I find so incredibly interesting.

For the turtle tot short, Splinter leaves the boys with weapons. In the short, Raph is the one who suggests they do “what Lou Jitsu would do” and Leo is the one who takes point when Splinter comes back to reprimand them. Leo, in taking point, is the one to defend them and get Splinter off their tails.

And then, in the flashback regarding the Kuroi Yōroi helmet, Raph is the one who grabs and throws “Skully” as a way to replace their missing ball which breaks it into pieces, but Leo is the one who speaks for the group and rushes into action to fix the teapot.

I love this for multiple reasons, but the biggest are how it shows that Raph has always been inclined toward the bold and fun and making the plans to include his brothers in what he loves and believes they’d love, whereas Leo has always been inclined to be the “Face” of the group and shoulder the attention even if it’s potentially negative all while coming up with on the spot attempts to fix the situation.

[iszapizza]

they……..

[sergle]

the idea of dogs needing a Firm Hand to learn (aka mild to medium animal mistreatment) is so funny to me, because Hugo had his feelings MORTALLY WOUNDED while being taught to Play Dead because I gently pushed him into a laying-on-his-side position... heartbroken from being gently pushed

[silusvesuius]

stream https://www.youtube.com/watch?v=ncLoEunRqCc

:)

[smytherines]

This is such an interesting like 20-30 seconds to me. We go from this wholesome Sears portrait studio setup where Cynthia asks "is that Owen??" and they both grin like lovesick fools

Then Cynthia insults Curt and praises Owen and tries to recruit him. Owen looks surprised and shuts her down immediately, but Curt is (understandably) not thrilled about it and ends the call in a hurry

Owen says "what are you, jealous? You know I'd never work for the Americans," but Curt is already getting the flask out (hello rsd spiral my old friend)

And then we have Owen seeing the flask and saying "Oh Curt, no, not until we're out of here," and Curt responding defensively by mocking his accent and his concern, and then handing him the flask

Whenever I listen to 54 Below and hear Tessa say "when these two spies are together they are gay and unstoppable" I imagine that first image, and when Lauren says "until Curt's ego gets in the way" I think of the flask

I just find it fascinating because, to me, this is the moment it all starts falling apart. When it was just the two of them, before this call, they seem pretty happy to see each other. You certainly get the sense that they're competitive, and Curt initially seems a bit annoyed or embarrassed about Owen rescuing him, but uhh. I mean just look at them:

It isn't until Cynthia sort of pits them against each other, until the outside world starts to intrude on them, that things start to get tense. Curt starts dismissing Owen's concerns and taking bigger risks to prove himself, lying to Owen to take a bigger risk than Owen agreed to (Owen saying "make it four," and Curt deciding to set the timers for three minutes instead)

Just. Something about how painful it must have been for Curt to believe that he lost Owen not to some grand fateful accident that he never could have seen coming, but over something as small and petty and ultimately temporary as his own insecurity. That he wanted so badly to save face in front of a partner he loved and respected that he ended up getting that partner killed

And how painful it must have been for Owen to love Curt and trust him, only for Curt to lie to him and leave him for dead. How Owen must have thought back to this a thousand times and believed that it happened because Curt cared more about being the best than about him (which I don't think is correct, but is understandable from his perspective)

To have the kind of relationship that seemingly survived being separated by an ocean, and being property of two different governments, and being gay in the 1950s, and they still look at each other like that, and then to lose it all because you're so used to having to maintain this stereotypically masculine role in your hypermasculine profession. That seeing the man you love is dependent on you being the best, and trying to live up to that impossible standard is what ends up destroying the both of you

There's just something so fucking... tragic and futile about it

[mimicmew]

The world in your hands

[dukeofthomas]

"They were never really that close pre-death" "Dick was mean to Jason before warming up" etc etc are the worst Dick&Jason takes possible. Why would you even say that about them

[franticold]

When nothing you do will ever be enough.

🗣 first ghost fanart!