#it makes it safe for me

[years-n-feather]

My weird relationship with the She-Ra franchise

[poorly-drawn-mdzs]

I love you Safety Wizard.

(Inspired by @keroascrazy)

[rittzart]

a fat fluffy femme and her scrawny little butch <3

[flwrkid14]

Love and Obsession: The Tim Drake Way

part 2

Everyone in the Batfamily knows Tim Drake has… issues with boundaries. They’ve spent years trying to teach him what’s appropriate and what’s—well—deeply unsettling and completely invasive. To be fair, he’s learned. Mostly. He doesn’t stalk his family anymore (much), and he no longer pulls up files on every single person they talk to (okay, maybe just sometimes). But it’s progress.

But then Tim starts dating Danny Fenton. And, oh boy, a few screws come loose.

It starts small, as always. Just little things. Tim’s a detective, after all—background checks are second nature. Danny’s living in Gotham, and Gotham isn’t safe. So, really, what’s the harm in knowing a little more about Danny’s friends? And his professors? And maybe also his classmates? It’s just standard protocol. Okay?

“Tim, you’ve run a full dossier on my entire biology class?” Danny asks one day, laughing as he flips through a file on the coffee table. Tim shrugs. “What if one of them is dangerous?” “Pretty sure the most dangerous thing in that class is the midterm.”

Danny doesn’t think much of it. He’s a little flattered, even. Tim’s protective. It’s sweet.

But Tim’s mind doesn’t stop there. Danny’s too handsome. Too charming. What if someone tries to hurt him? What if someone tries to take him away? It’s not obsessive—it’s just concern. So, a tracker on Danny’s phone? Necessary. Cameras in his apartment? Standard. Monitoring his sleeping patterns and hangout spots? Logical.

Tim tells himself it’s love. And maybe a little insecurity.

“You have a tracker on his phone?” Dick asks, trying not to sound alarmed. Tim nods, like it’s the most normal thing in the world. “Of course. What if something happens to him?” “And the cameras?” “Safety.” “The background checks on his professors?” “Gotham U isn’t exactly known for its stellar staff, Dick.”

It doesn’t stop there. Tim knows everything. Danny’s eating habits, his favorite places to go when he’s stressed, his childhood allergies. Tim’s mapped out Danny’s entire life. He knows about Danny’s ghost powers too—of course he does. He’s Tim Drake. The moment he realized Danny was Phantom, it just… clicked.

Danny being half-ghost? That’s just one more reason to worry. Tim’s up late at night, watching for any signs of ectoplasmic interference. He tracks the energy spikes. He monitors Danny’s fights.

He doesn’t think Danny knows. He’s terrified of what will happen if he finds out.

But then he does.

One evening, Danny walks into Tim’s apartment and casually drops a folder on the table. Tim’s heart stops.

“What’s this?” Danny asks, raising an eyebrow. Tim swallows hard. “I… it’s just…” “You’ve been tracking me?” Danny opens the file, glancing through pages of surveillance reports, background checks, even analysis of his ectoplasmic energy. Tim feels like his world is about to shatter.

“I… I can explain,” Tim says, his voice tight. “I’m just… worried about you. You’re in danger all the time, and I—” Danny walks over, cupping Tim’s face in his hands. Tim braces for the worst.

But Danny just smiles. “Can I put a tracker on you too?”

Tim blinks. “What?” Danny kisses his cheek. “If you’re watching my back, it’s only fair I watch yours. I need to make sure you’re safe too.”

Tim stares at him, speechless. Danny doesn’t look scared. Or angry. He looks… fond. Like Tim’s obsessive tendencies aren’t a problem at all.

“I’ve never had someone care about me this much,” Danny says softly. “I trust you with my life, Tim. This? This just proves how serious you are.”

Tim thinks he’s just fallen deeper in love.

-------------------

The Batfamily? They’re worried.

Jason corners Tim in the cave. “Okay, so let me get this straight. You’ve got cameras in his apartment. You’ve mapped out his entire life. You’ve got a tracker on him and a heartbeat monitor. And he’s… fine with it?” Tim nods, a dreamy smile on his face. “Yeah. He even wants to put a tracker on me.” “That’s not… healthy, Tim,” Dick says carefully. “That’s—” “It’s mutual,” Tim interrupts. “We’re protecting each other.”

Bruce pinches the bridge of his nose. “Tim, this isn’t how relationships are supposed to work.” Tim shrugs. “It’s how ours works.”

Damian watches the whole thing with narrowed eyes. “This is deeply unsettling,” he mutters.

They try to talk to Danny. Intervention style. They invite him over, sit him down, and gently (or not so gently) try to explain that Tim’s behavior isn’t normal.

Danny just laughs. “You guys do know I’m half-ghost, right?” “That doesn’t mean—” Dick starts. “I spent my entire life being hunted by ghost hunters. I’ve had worse invasions of privacy.” Danny smiles. “Tim cares. He keeps me safe. That’s all I need.”

The bats don't quite know what to say.

-------------------

Tim and Danny, two slightly unhinged souls who think mutual surveillance is the ultimate act of love.

The bats? They’re just trying to keep up.

(“At least they’re happy?” Barbara offers weakly. Bruce sighs. “For now.”)

Gotham’s version of love was never going to be normal. But this? This is a whole new level.

[hinamie]

self-indulgent sukuna sheet

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[o0kawaii0o]

FULL THROTTLE - Congrats on season 2!

[milktrician]

(what the. who threw a wife plot device in the middle of a peak lord meeting)

i thought about this bit at the end of the airplane extras the other day. bro why are you looking at your coworkers like that rn

[uncanny-tranny]

The leftism/anticapitalism leaving people's bodies the zeptosecond you imply that disabled people who aren't "productive" still matter in society and need to be treated like intrinsic equals who have a place in this world:

[buggachat]

honestly what I love about miraculous and what I think a lot of people seem to hate about it is that the show is completely character-driven. it absolutely follows the rule of "would" rather than "should". episodes and plot lines and everything make so much sense and are so easy and engaging to follow when you understand that everything happening is because that's what the characters would do. things like: marinette would lie to protect someone's feelings, chloe would need more than just being queen bee to change her, adrien would forgive someone and try to see the best in someone who has shown him nothing but red flags. these aren't things they should do, it's just what they would. they don't change their behavior to tie up every loose end, they aren't vessels to give the audience moral lessons, their interpersonal conflicts are sometimes never addressed head-on and instead remain as a constant noise in the background of their relationship, they are all so stubborn and complicated. the plot bends to them, not the other way around. i see all the time people complaining about how the show is so bad/a failure but in the same breath say that they love the characters, as if the show's primarily goal is not to create and facilitate those same compelling characters that you love and let you watch as the story unfurls around them.

i mean, it's completely fine if you hate it. it's fine if you'd prefer every loose end to be tied, if you prefer the plot and story to take center stage, if you don't like it when a plotline seems to be forming but the characters decide against it, etc. it's a narrative choice, and not a "good" or a "bad" choice, just a choice. we all have our preferences. but your hatred of it is not any more "objective" than someone else's love for it. sometimes being a character-driven-story lover is difficult when online media criticism seems to always see it as a bug and not a feature.

[bluenoisen]

plunged into the deep end

[vaguely-concerned]

rook falling asleep on the red couch in the lighthouse dining room while lucanis is making dinner....... they were helping out by keeping him company and peeling and chopping potatoes for a while there but then the potatoes are done and the room is so safe and warm and smells like coffee and good food and lucanis is trying to explain something to spite and his voice is low and soft and good to listen to and rook's eyes only slip closed for a moment. they'll get up to save the world again or whatever in a second just. one moment. while the world is warm and kind. and then they're being shaken gently awake an hour later because it's time to eat and everyone's starting to drift hopefully dinner-wards

[stockholmgf]

i think everyone deserves to have sex with someone who treats you like you’re the most precious thing on the planet

[ballistic-goat]

I'm just trying to imagine what OSHA compliant sex work would be like

[shot-by-cupid]

There’s nothing wrong with wanting unconditional love from your f/o, there’s nothing wrong with being ‘the exception’ there’s nothing wrong with making ur self ship super lovey dovey- there is nothing wrong with making your f/o love you in the way you want to be loved!!!!! It’s your ship do whatever you want

proship/variants + neutrals and RPF DNI

[chocohedgie]

The cat girl fan art.…

Wait I also drew stuff like that

Pomni sweetie I AM SO SORRY