#it just made me laugh so much

[agendratum]

我。。。可能吗？

[thirstghosting]

"What I mean by 'woke' in the case of Disney is that they put a few gay people in their films, a few people of colour, just like the real world. This has actually scared some grown adults in their 50s who are scared that their grandchildren, or children, are gonna turn into a gay black person. Or. A woman. Who is gay. And Mexican. [...] And you know what? I never saw gay people on TV growing up and look at me now."

Robert Welsh, Robert Reacts; People are Angry at Disney's "BISEXUAL LIGTHING!"

[joliespages]

Have been studying Victor Hugo's Notre-Dame de Paris for a class and while doing some research I found some examples of critics published when the book came out and... some are hilariously bad 🤣

For those of you who have no idea what I'm talking about... Victor Hugo is probably the greatest French writer who ever lived. We adore him around here. And Notre-Dame is one of his most famous and beloved books (yes, that's the book that inspired the Disney movie, but really, you should not compare the two 🤣).

Anyway, here is a lose translation of some of my favourite parts:

"I've read, these past few days, Notre-Dame de Paris, and I had to gather a fair amount of patience to suffer the tourments this book inflicted on me. This is the most awful book that was ever written."

"His book is without any naturalness or truth."

"What a strange time we live in, where not only such a book is possible but we find it bearable and even entertaining."

Final proof that critics can't be trusted... it is now considered one of the greatest books ever written in the French language 🤣

[eliotbaum]

just perfect

LMAO I screamed

[royalarchivist]

Phil: I have something to show you first, hold on... you might want to stand back for this, Cellbit.

Phil:

[nick-nellson]

MYSTERY FILES 2.01 Circleville Letters

[scintillatingshortgirl19]

house's little laugh as wilson openly flirts with him through an MRI microphone is Doing Things to me

[fishfingersandscarves]

the real tragedy of episode six

[zarla-s]

hi omori fandom i'll show myself out

(from this!)

[patreon]

[rharyx]

Love how RTD was like, "I got a great new character in mind," then just combined all three main characters from the last time he wrote the first season of Doctor Who into one single guy.

[sleepycentric]

//wild life session 3 spoilers!!

.

there were so many more deaths in this one omg but it was so silly with the snails chasing after them LMAO it was so cute

praying for u lizzie

my fav snails cus the designs made me laugh for like 5 mins the bdubs one is so funny

WHEN IT PARACHUTED IT WAS SO CUTE but so menacing

anyway enjoy more poorly drawn favorite moments of wild life !! im having a blast drawing these and im glad people like them!!

[raptorrobot]

'ohhh shadow of the erdtree left more questions than answers' 'oooohhhh i want to know what this open part of the lore means for this character' idgaf about any of that . why did messmer have that fucking hippo in his basement

[basketobread]

my dumb fuck ass just spent 30 minutes trying to find Save Us White Girl and caved and "help white girl bg3" immediately returned it via google,,,,, had help white girl, white girl help stuck in my head,,,,,

THIS MADE ME LAUGH SO MUCH TBH I CANNOT BELIEVE IT CAN IMMEDIATELY BE FOUND LIKE THAT???? everyday this comic finds its way back to me and i'm unsure if i'll ever be able to outdo it... it might be my magnum opus, i fear... (this is a good thing)

[arttuff]

cmon man

[watchfuldeer]

last night i went to a really fun and informal fundraiser evening with jesse and lucy at westminster school, where they were interviewing each other. i got to ask a question which i’ve mused upon for some time about tom, shiv and greg. enjoy! full transcript under cut

Transcript

me: so i’m gonna have to look at what i wrote down.

jesse: that’s alright, you’re highly in credit since you know more about the show than us. more about john berryman.

(laughter)

lucy: tell us what we’ve done wrong so far!

me: god, no. i wouldn’t! so my question, this is a character based question, and one thing that probably got a bit subsumed in the fourth season just because everything was happening. but i’d like to know more about tom and shiv, and also greg. because my read on the situation between the three of them is that greg is a source of marital strife (laughter) that shiv never noticed, and what would it have taken for shiv to notice the depth of greg’s presence in their marriage.

jesse: uh huh.

me: and tom’s attachment to him.

jesse: uh huh. sometimes you get little bits in life or you see something and you’re like, i wish we were making the show, because i suddenly do want to hear shiv say ‘greg you’re a source of marital strife’.

(laughter)

jesse: that’s like, when you’re like, that’s gonna be in, we’re not gonna cut that.

lucy: absolutely.

jesse: (doing greg voice) wh-wh-what?!

(laughter)

lucy: yeah. well we enjoyed that, didn’t we. we had a scene in america decides, which was the only scene between shiv and greg.

jesse: oh yeah.

lucy: the election episode in the final season where she takes him into a little room and threatens him.

me: ah, but it’s jealousy over lukas, over the greg and lukas thing, and it’s like, have you forgotten your husband, who is also very attached to this limpet?

lucy: yeah. i would also say that there are marriages in which a third party is not an unuseful thing, as well. not in a forgiving way about infidelity, but i would say that there are things that tom can express with and at and on greg (laughter) as it were, to greg, that are useful because he’s both a - you know the great, the interesting thing about tom is that he’s both a courtier and a bully. he’s that rare combination of someone who you totally believe as being almost like (mimes bowing and doffing cap) ‘oh yes sorry thank you yes ma’am’ and also like, ‘i’m gonna kill you’ and that juxtaposition is what makes him so interesting.

but in his marriage to shiv he has no real way, until quite late i guess in the final season, where we explore it, to hold power over her and to use that part of himself. so he’s accepted the acquiescing, he’s accepted the role of courtier in that marriage, and greg is quite a useful place where he gets to express all of that, the bully in him so that maybe it doesn’t have to come out in the marriage. which might be bad, because perhaps it should do and then the marriage would’ve ended much earlier, yknow, when shiv would just be like ‘i’m not dealing with you challenging me in any way’. so it’s not until that balcony scene i think where he really challengers her much at all. possibly the beach scene, where he sort of says that he’s considered leaving her, and how that would feel. but with aggressive challenge? it’s all directed at greg, and greg is allowed to be the place where all those feelings go.

me: but the affection - there’s also affection between them.

jesse: YEAH. and i think that’s the other thing maybe you’re alluding to is like, she… i think, some things you know you’re putting in the show because you talk about them and other things just naturally occur, and audiences and people tell you what the show is and what you put in there and you didn’t even realise, but i think we were aware of this - she’s oblivious. her obliviousness is a big part of her wealth and her upbringing and… so there’s something homoerotic going on between greg and tom.

me: i mean it’s not for me to say.

(laughter)

jesse: and does she… i think there’s two ways of reading that, either she’s oblivious, and that’s intriguing and possible. the other is that she sort of - there’s a scene in, you know that one, in the sun valley media conference in argestes, where we wrote a bit where shiv shows up unexpected and tom’s sort of flirting with someone, and it never really landed that much. i think we were like, oh this really gonna, shiv’s gonna spark up when she sees him flirting with someone. and it’s one of those things where you were like, you know what? i don’t think she gives a hoot, really, does she.

(laughter)

jesse: it’s like, she hasn’t got that, that’s not in her belly, that fear of loss.

lucy: no.

jesse: so i think that goes, that probably goes for a same-sex relationship or flirtation as much as it does for with a woman.

lucy: i think that’s true.

jesse: like she really… even if he was like - and this is not the way that tom would be like - ‘i think i’d like to sleep with greg’, i think she’d be like (mimes looking at watch) ‘when?’.

(laughter)

jesse: (as shiv) ‘not when i’m in the city, that’s weird, tom’.

(laughter)

jesse: i don’t think she’d have any fundamental objection to that.

lucy: that’s true. i think jealousy is quite a low status emotion.

jesse: yes.

lucy: and i think that she would struggle to feel it.

(jesse laughs)

lucy: even if it was present in some way, she would never be able to access it because it would put her too much at a disadvantage. so i think yeah exactly that, it would be like, ‘oh i guess you’re going to fuck that boring woman now are you, tom’ or do that, like… she has to be here (mimes one hand above another hand) so jealousy can’t really be accessed by her. so she might be irritated by greg, but in the way you would be by a mosquito.

me: to her detriment.

lucy: to her detriment, sure, ultimately yeah.

[royalarchivist]

Quackity: We're gonna talk about it on our way there, ok?

Tommy: Just tell me where you went right and where I went wrong.

Quackity: This is where I went right. You're white, I'm not.

Tommy: PFTT— Yeah, ok.

Quackity: So that's– we're gonna start off with that, Tommy.