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omgeto · 1 year ago

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☆ GIMME, GIMME MORE — GETO SUGURU

summary: you were just a stripper who had no desire to fuck with any customers, but there was just one you couldn’t shake. once he laid his eyes on you, he wanted you. and with every little piece of you he got — he wanted more.

wc: 6.5k (my longest fic ever, lord help me) its a lot of plot with a nice chunk of smut

cw: afab!stripper!reader, angst to fluff, smutty smut, you fuck in his car, you fuck in a private room (i remembered condoms this time) so mdni sassy geto, if you squint.

an: listen to this song to feel the vibe, I love me some geto and I’ve yet to do a fic for him so I hope you enjoy this one.

the entrance to the high-end club exudes an air of opulence, with its glimmering lights and sophisticated clientele. geto suguru strolls in alongside his best friend, gojo satoru, the low hum of the music washing over them. the glances around, a mixture of boredom and detachment etched on his face. this isn't really his scene, but gojo had insisted on a night out.

as they find their way to a table, surrounded by plush seating and an atmosphere of indulgence, geto's attention wanders. the dancers on stage move with practised sensuality, but his gaze remains distant. until, that is, a change in the music's tempo signals a shift in the performance.

the spotlight illuminates the stage, revealing a figure that seems to command the room's attention effortlessly. you move with a fluid grace, your body swaying in time with the sultry rhythm. the way your hips move, the confidence in your eyes, it's as if you own the room. gojo's earlier detachment gives way to fascination he can't deny.

he couldn’t take his eyes off the way you were sliding down the pole, leaning forward in his seat to see more of you. the star shaped nipple covers and the gem encrusted thong you were wearing left nothing to the imagination. but still he couldn’t help but picture it all off of you, leaning forward in his seat to try and get a closer look.

gojo nudges him playfully. "not bad, right?"

geto’s response is a low, appreciative whistle as his eyes remain locked on the captivating dancer. his heart races as he watches you command the stage, a magnetic presence that draws him in despite his earlier disinterest. he couldn’t help but feel that you were dancing for him, call him cocky but the way your eyes were locked on him as you threw your ass back against the pole — he knew that was just for him. he looked around the room and saw that everyone else was just as captivated by you as he was.

“she’s the best performer here, she doesn’t do private dances, she doesn’t even do a long set,” gojo brags to geto but he’s barely listening, his eyes too focused on you, “this is as much of her as we can get.”

as the performance reaches its climax, geto’s lips curve into a slow smile. gojo’s grin is knowing. "looks like someone's found their muse." geto’s tears his gaze away just as you exit the stage, his interest piqued.

“you’ve got a request,” your boss announces insistent and smug, cornering you immediately after you exit the stage.

“you know i don't do requests, i come here, i do a 30 minute set and i leave remember?” you retort, stepping to walk straight past him, but he stops you, standing in front of you to block your path.

“this is a request you can’t refuse,” he adds, a smirk forming on his lips. your eyes narrow at his words, already feeling a sense of unease.

“oh i think i can,” your intention is clear as you step forward, intending to brush past him and continue on your way. but he remains unmoved, determined to stand in your path, his stance a physical barrier you can't easily circumvent.

“there’s a special guest tonight, someone who’s willing to pay handsomely for a private performance,” he explains, his tone implying much more than his words reveal.

you pause, folding your arms, sceptical. “how much are we talking about?”

he names a figure that makes your eyebrows shoot up. It’s a significant sum, the kind that could cover your bills for months, or even help you save for a future beyond the club. but still, you hesitate.

“like i said, i don't take request,” you conclude, brushing past your boss.

“i don’t think this particular patron will like that,” he tries to argue, following directly behind you.

“ask me if i care,” with those words, you step forward once more, your purpose clear as you attempt to carry on. but his presence remains a persistent shadow at your side, his attempts to sway you far from over.

his argument falters momentarily, but he regains his composure quickly, his tone becoming insistent. "this particular patron isn't accustomed to denial. I don't think he'll take kindly to it."

a defiant smirk tugs at your lips, your patience waning as you find yourself driven further by your own principles. "well, here's a thought—perhaps he should learn."

with that final retort, you pivot on your heel, striding purposefully toward the locker room. the temptation of the significant sum and the vague promise of this special patron tug at the edges of your thoughts, but your determination remains resolute.

“if you don’t do it your fired.” he calls out after you, a desperate final attempt to get you to agree.

you knew you were going against your better judgement, but you turn back to face your boss and with a deep sigh you agree, “fine, i’ll do it. but you owe me.”

with simmering frustration bubbling beneath the surface, you push open the door to the private room, your entrance punctuated by the subtle swish of the heavy fabric. the air within was charged, a blend of anticipation and tension, as you found geto suguru lounging on the plush sofa, his presence an unwelcome sight that intensified your irritation.

your words come out abruptly, a firm reminder to both him and yourself, “i don’t fuck clients,” you state, a touch of defensiveness in your tone. you wanted to establish your boundaries, to make it clear you wouldn’t be swayed easily.

he chuckles, catching you off guard, his amusement evident. “thats nice…” he adds, with a hint of playfulness, “i just wanted to talk anyways.”

“to talk?” you question, surprised at his request, as you knew what went on in the private rooms and talking was far from that.

“yeah, just wanna get to know you,” he explains casually, his eyes studying you.

“i don’t do time wasters,” you complain, ready to leave the room, “and i don’t have time to waste.”

“even if im paying for your time?” he bargains, raising his eyebrows, “im sure your boss told you the pretty expensive bill im footing just for your time.”

crossing your arms, you met his gaze with a steady one of your own. “look, mr…?”

“just call me suguru,” he interjected with a smile that held a hint of charm.

“alright, suguru,” you continued, your tone resolute, “i'm not here to entertain idle chit-chat. i’ll dance for you for an hour and thats it. just abide by the club rules, otherwise im out.”

“why don’t you take private requests?” he inquiries, disregarding your comments.

“because i don’t have to,” you respond nonchalantly, “why are you so persistent that you pay for my time. there’s tons of other great strippers in this club.”

“because i want you.” he shrugs.

“well too bad,” you mock, “just because you have money doesn’t mean you can buy everything.”

“everyone’s got a price,” he argues, chuckling softly, a condescending tone underling his words, “ah, but isn't that the way the world works? everything has a price, even principles.”

the audacity of his statement ignited a fire within you, your voice heated with defiance and scorn. “you think im for sale? you think i’d compromise my integrity just for a fat stack of bills? you’re delusional.”

“oh but isn’t your integrity already compromised,” he teases, raising his eyebrows, “is miss, ‘i dont do private dances,’ not in a private dance with me right now?”

“you know wha–”

“i changed my mind. i don’t want to talk anymore,” there was a shift in his tone, amusement danced in his eyes, “strip for me.”

you were pissed. but you couldn’t actually argue – he was right. he was paying for your time and he could spend it anyway he wanted to. you’d rather have him silently watching you anyways than talking to you.

the music blared through the speakers in the room, and you immediately straddled geto, you could feel his dick harden underneath you. the only thing separating you two was the thin layer of fabric of your thong.

you could see him smirk at you, but you ignored him, grinding your hips down on him to the beat of the music. his starts to trail down your sides, but you give him a pointed look reminding him of the rules – no touching. he surrenders his hands placing them besides his head, content in watching you dance on his lap.

you moved off of him, using the pole that was in the room, his eyes stayed fixed on you. you wanted to put on a show for him, so you move your body expressing a mix of sensuality and power, your eyes lock onto his, daring him to challenge you further, to push your boundaries even more.

the hour was eventually up, and geto didn’t say anything as he left, he just leaves a fat stack of bills on the table, and for some reason you couldn’t bite your tongue, “is that it? you’re just going to leave?”

“well the hours up, no?” he responds, checking his watch, “and, i’ve paid you for your time.” you couldn’t argue with that, so you remain silent watching as he turns his back on you to leave the room.

“suguru,” you call out, getting him to pause, “wait.”

“i thought you didn’t fuck clients,” he smirks, coming up from in between your thighs, “but i am not complaining”

“s-shut up,” you exhale, you’d like to believe that you didn’t expect this to happen, but you knew that was a lie. you didn’t get far out of the club, in fact you didn’t make it out of the parking lot. the back of geto’s car seemed to be perfect with the way he was eating you out.

the feeling of geto sucking on your clit, had your head empty. his head being pressed between your thighs makes your back arch as you push up against his face. he laps against your folds, drowning in your wetness.

“‘i don’t do private dances,’” he mocks your previous words, amused with himself, “oh if only you could see yourself now.” he enjoyed you like this, pinned under him, your pussy dripping all over his face, you were a writhing mess; no longer complaining to him about his actions, you were reduced down to moans and incoherent sentences, the only thing he could hear clearly was his name.

“suguru ah s-shit,” you curse, as he presses down on your clit, “do you always talk this much?” you tangle your fingers in his hair, guiding his face closer in your pussy, his nose deep in your arousal. he was practically inhaling you, swirling his tongue deep inside, trying to taste every inch of you.

“‘m close suguru,” you whine, thrust up against his face aiming to reach your peak on your own.

“calm down princess,” he teases, pulling his lips away from your pussy, “didn’t know you were this eager.” he presses his lips down on yours, making you taste yourself as his hand goes behind your neck to hold you in place. “see how sweet you can be?”

he takes his dick out of his pants, quickly putting on a condom, not even giving you much time to think before he’s slamming into your cunt. your eyes widen as your pussy stretches, and geto can only bite his lip as he feels you clench around him.

“you feel so good, y’know that right” he murmurs, forcing himself into you deeper, “so fuckin’ tight.”

he was merciless, gripping his hands on your tits, as he pistons out of you. he could only focus on how your cunt tightens around him with every push. you were pushing yourself down on him, fucking him right back. you didn’t care for his praise, you just wanted to cum.

“‘you’re t-too much, i-it’s too much”

“but you’re taking me so well,” he argues, with a grin. peppering kissing against your neck as he fucks you to a hilt. your hands find their way back into his hair, pulling and tugging at it as you moan out his name.

his dick twitches inside you as you call at his name, you could feel that he was about to cum. his strokes were getting sloppier, and his mouth went from biting to sucking on your neck. you could feel yourself about to climax, clawing at his back, as he continues to hit your spot.

“suguru, i’m about to–”

“cum with me,” he demands, swiftly pulling out of and leaving his cum all over your stomach. you release onto his car seats, your cum spilling out of your pussy, pooling into his car seats.

after coming down off your high, you come to your senses. “this doesn’t change anything.” you remove yourself out of his hold, pushing him off you.

“you really gonna say that after i gave you the best time of your life?”

"'best time of my life?'" you echo, a smirk tugging at your lips as you gather your belongings, "someone's cocky."

“i'm starting to feel you like me that way,” he teases, his words a playful challenge.

you roll your eyes, not willing to engage in his banter any longer. "goodbye, suguru," you reply, opening his car door. "don't return to the club."

“oi princess,” he calls after you, “you left your thong.”

“keep it.” you wink as you step outside of the car, “think of it as a souvenir.”

“why would i need that, when im going to see you again?” you don't respond, shutting the car door with a smile on your face as part of you hoped that he did return.

geto did see you again, practically every day after that. it became a consistent routine, he’d book a private room for a couple hours, you’d fuck, you’d talk and see each other whenever he wanted. he came when he needed you – and he always needed you.

as a stripper, you’ve always had one rule ‘don’t fuck with clients,’ but the moment that geto suguru laid his eyes on you – you were his. there was something about him that made him different from all the other patrons, although they were all snobby rich guys, the way that geto carried himself made you feel like he was worth breaking your rule. or at least that's what you told yourself.

you didn’t just fuck each other �� sometimes he just wanted to talk to you, to ask you about your day, to get to know you. and you could tell he was starting to catch feelings that you weren’t prepared to deal with. however, despite him being rich, there was something endearing in knowing that he went out of his way, every day, to pay just to see you. even when you were mean and standoffish.

you always spoke for longer than you expected – longer than he even paid for. geto surprised you, he was actually interested in talking with you. as the minutes turned into an hour, the conversations flowed in unexpected directions. you found yourselves sharing stories, discussing interests, and laughing at each other’s jokes. geto’s charming demeanour and genuine interest gradually chipped away at your initial reservations.

“did you always want to be a stripper?” he asks, you had just finished fucking and he still had an hour left of paid time with you, and he was going to use it.

“do you always pillowtalk?” you retort smartly, evading his question.

“who would’ve thought you’d still be this bitchy after being fucked so good,” he jokes, pulling you into his hold that you quickly ease into, “girl just answer the question.”

“i don’t know,” you sigh, “i needed the money, i loved to dance, so being a stripper was a no brainer to me.”

“do you like working here?”

you shift slightly in his embrace, your fingers idly trace patterns on his chest. "liking it? well, it pays the bills, if that's what you're asking."

his fingers brush against your hair in a soothing gesture. "but is that all? just a means to an end?"

you sigh, a mixture of vulnerability and honesty in your tone. "i mean, it's not like i dreamt of becoming a stripper when I was a kid. but it's a job that's allowed me some financial stability, even if it's temporary."

geto's voice was gentle, his curiosity evident. "temporary for how long?"

you hesitate for a moment, contemplating how much to reveal. "i don’t know, i haven’t thought that far. i just wanna make money.”

"well, if you ever get tired of dancing, i can always buy the club for you." his response was unexpected, a mixture of humour and absurdity. “i think you’d make a good boss.”

“ha, if you did that i’d know that you’re truly obsessed with me,” you chuckle, his words catching you off guard. “i know you enjoy this place, but that's a little extreme, don't you think?"

"maybe, but you're worth it." he grins, his playful demeanour unwavering. "you're more than what you do here, you know."

a soft, ironic chuckle escapes your lips. "funny, coming from someone who's always here."

his grip on you tightens slightly, his voice holding a trace of seriousness. "perhaps I come here because I want to be around you. not just the dancer."

it was as if his presence had chipped away at the walls you had erected, leaving you exposed to a whirlwind of feelings you hadn't anticipated.his gaze, unwavering and intense, held yours as if searching for a sign—a spark of recognition that you too were experiencing this undeniable pull.

"suguru," you begin, your voice a whisper that barely bridged the distance between you, "this... whatever it is between us, it can't be as simple as you wanting to be around me."

he smiles softly, a gentle curve of his lips that holds both understanding and patience. "you're right, it's not simple. but isn't that what makes it worth exploring?" his words were a delicate melody, an invitation to step beyond the boundaries you had created.

you met his gaze with a mixture of uncertainty and longing. the weight of his presence was undeniable, a force that had drawn you in and left you yearning for more. but your insecurities whispered caution, reminding you of the differences that set you apart.

"suguru," you admit, your voice softer now, "i've never let anyone get this close. it's complicated, and I don't even know where this could lead."

“it doesn’t matter where it will leads,” he says, “what matters is that you like me? right?”

his words hung in the air, a direct question that pierced through the layers of uncertainty and vulnerability that surrounded you. the room seemed to hold its breath, the weight of his question settling like a delicate veil over the intimate space you shared.

your breath caught, and for a moment, time itself seemed to pause. the truth, the raw honesty that had eluded you, stood before you—bold and unyielding. you looked into his eyes, his gaze unwavering and patient, as if he was giving you the space to find your own truth within the question.

your voice, soft and tinged with a mixture of trepidation and longing, finally found its way to the surface. "i..." you pause, the words catching in your throat. but in the depth of his gaze, you found a strange sense of comfort, an assurance that you could be honest without judgement.

"maybe," you admit, your voice a whisper that carries the weight of your emotions. "maybe i do like you, suguru." the admission felt like a release, letting go of the barriers you had constructed to protect yourself.

a slow smile curved his lips, a genuine expression that lit up his features. it was as if your honesty had unlocked a door, allowing both of you to step closer to a truth that had been waiting to surface. he replies with deep content, "maybe is a good start,"

the room felt charged with an energy you couldn't quite define, a tension that simmered beneath the surface. your eyes held his, a silent conversation that spoke volumes—an acknowledgement of the unspoken connection that had grown between you.

as you lay there, cocooned in the aftermath of both physical intimacy and heartfelt conversation, an internal struggle brewed within you. your heart was stirred by the sincerity of geto's words, by the connection that seemed to grow stronger with every interaction. yet, amidst the warmth and comfort, a sense of bittersweet uncertainty gnawed at you.

the boundary you had set, the rule you had vowed to uphold, wavered under the weight of emotions you hadn't anticipated. you were drawn to geto, but a tangle of reservations held you back.

in the embrace of the night, you found yourself torn between the allure of a connection you had come to cherish and the lingering fear of what being with him might entail.

“you’re here early,” you comment, seeing geto in his usual seat. at this point, you were practically excited to see him, happy to go to work knowing that he’d show up.

“i guess i thought i’d change things up a bit,” he mutters his tone of voice off, “we’ve got to make this quick, though” he starts to undo his belt, “i’ve only got an hour till my next meeting.”

“wow no talking today?” you ask amused. geto usually is the one that likes to take his time, he always says he prefers to stimulate your mind before anything else, but today was different.

he gives you a pointed look, not bothering to respond so you continue to say, “an hour?” smirking as you straddle his lap, freeing his dick, “i think that’s more than enough time.”

“new outfit?” he muses, pulling at the straps of the lingerie you were wearing. you nod, focusing on stroking his dick, “red’s your colour, i like it. but i’d rather see it off you.” suddenly, he rips off your bra and forces you up to take off your panties. you bend down to take off your heels, but he pauses you, “keep those on.”

“get my fingers wet for me,” he commands, dragging you back onto his lap. you happily comply, taking in two fingers into your warm, pouty mouth. he caresses your jaw as you greedily nibble on his fingers.

he pulls them out thoroughly coated with your saliva and shoves them into your pussy. you gasp at the contact, and crumble into his side but he forces your head up with his hand pressing a rough kiss to your lips.

“w-whats with you today?” you query, as you see the look on geto’s face – something was off with him. although you couldn’t deny the pleasure you were getting from his current roughness, you were used to a gentler geto.

“nothing,” he dismisses you, slipping in another finger into your soaking pussy. his thumb rubs against your clit as his fingers easily glide in and out of you. you felt like you cum off of his fingers alone, you grind down hard against his fingers aiding yourself in reaching your climax. but just as you were nearing, he swiftly removes his fingers landing a fat smack against your clit, “i know i said i had to make it quick, but i didn’t think you’d be this excited.”

geto swiftly puts on a condom, raises you up slightly before slamming you down on his dick. he smiles as your legs wrap around his back, pleased by the sound of your heels clacking together. you shudder as he immediately fills you, your pussy stretching, taking all of him.

he thrusts into you hard, and you try to meet his pace and fuck him back as hard as he was doing to you – but you were no match for him. you were practically a ragdoll as he hammered into you, your arms flinging around his neck to hold yourself up.

“f-fuck,” you moan, clawing at his back, “im gonna cum.”

“hold it,” he demands, continuing to give you strong, relentless strokes. your head falls into his shoulder in submission, you were already gushing all over him, but he keeps going, hard and fast. he lifts up your head, and presses a soft peck against your lips before saying, “cum.”

geto movements turn sloppy as he finishes into the condom. you release all over his dick, shuddering as you feel your peak surge through you. he presses one more kiss to your neck, before you move off of him.

“are you good?” you finally ask him, as you put back on your outfit, “you seemed a little out of it tonight.”

he shifts on his feet, his restlessness palpable as he watches you. "yeah," he mumbles, looking around the room at everything but you, his fingers fumbling with his belt as if seeking something to anchor himself. "i'm alright."

"you sure?" you persist, a touch of concern pushing you to press further. usually, you wouldn't challenge him this way – because whatever he says goes in the time that he pays for. but the stark contrast to his usual demeanour gnaws at your thoughts. "i just want to make sure that you're okay–"

"didn't I say I was alright," he sneers, a defensive edge entering his tone, "it's like you don't listen or something."

“see, there is definitely something wrong with you,” you snap, screwing your face up at his tone, “since the usual geto that walks up in here knows that he’ll have my heel shoved up his asshole before he can talk to me like that.”

your words hang in the air, the charged tension growing thicker as you each hold your ground. he shifts his weight, his gaze flickering toward you briefly before skittering away. the air seems heavy with unspoken words, a tangible unease settling between you.

"i've actually been wondering how long we're going to be doing this for," he finally says, his voice low, almost as if he's reluctant to voice the thought.

“this?” you question, a confused look appears upon your face as you fold your arms. you knew what he was getting at – you just wanted to hear him say it, “you mean my job.”

his gaze finally lifts to meet yours, a sardonic smile tugging at his lips. "oh, I didn't know it was your job to fuck the customers here. I thought you were just a stripper… not a prostitute."

his words hit like a jolt, a rush of emotion flooding your senses as you absorb their implications. your jaw tightens, a surge of frustration warring with a pang of hurt. "don't be condescending."

he chuckles, the sound a mix of amusement and something else you can't quite place. "why not? you seem to be a pro at it."

“fuck you.”

“y’know, i’ve figured a lot about you in these times we’ve spent together – despite the fact that you don’t talk much,” he starts to say, his grin getting wider with every word, “i’ve worked out that you liked to be chased, you like the fact that I was intrigued enough to make you break your dumb ass rule, you like the fact that even after I managed to break down your pussy walls, I still wanna take your rude ass to dinner.”

his words cut deep, the truth laced with a mocking tone. you glare at him, the mixture of attraction and anger churning within you. he was right in a way – you did like the chase, the thrill of his attention.

"you really have it all figured out, don't you?" you retort, your voice dripping with sarcasm. his observations stung because they hit too close to the mark. but there was a small part of you that reminded yourself that he was just like the rest of the rich assholes that strolled through the club – and he was proving you right in this very moment.

“well suguru, i’ve worked some things about you.” you sneer, “you’re not the first wealthy lame that has walked into this club demanding more from me than a lap dance and some ego stroking–”

“but i’m the first to get it though aren’t i,” he interrupts, his tone teasing, “what does that say about me?”

you scoff, rolling your eyes as you cross your arms defensively. "it says that you're just like the rest of them, thinking you're different, thinking you're special."

his gaze narrows, the spark of something more intense gleaming in his eyes. "oh, I never said I was different. but I am special, darling, and you know it.” you huff defiantly, sitting back down on the couch – this was an argument you couldn’t. because although he was cocky, he was right.

geto joins you, his hand coming gripping your thigh to get your attention, “look i don't want to be doing this with you, all i want is to spend time out with you outside these four walls,” he says as you gnaw on your lip, considering it, “it would be nice to see you with some clothes on for a change.”

he holds your gaze, his fingers tightening slightly on your thigh as if trying to anchor himself in the midst of the storm of emotions you've stirred. his vulnerability is a stark contrast to the confidence he usually exudes, and it catches you off guard. for a moment, you're caught in a whirlwind of conflicting feelings – his words tugging at something deep within you that you're not quite ready to acknowledge.

but then, you remember the rules you've set for yourself, the boundaries you've fought so hard to maintain. no matter how much he may want to blur those lines, you can't afford to give in.

without giving him a direct answer, you shift slightly, his hand sliding off your thigh as you put some distance between you. your gaze flickers away from him, focusing on some distant point in the room as you compose yourself.

"well, hour's over," you finally say, your tone a touch colder than before. "leave the money where you usually do."

his face falls, the vulnerability replaced by a mixture of disappointment and frustration. he opens his mouth, as if he wants to protest or say something more, but the words seem to die on his lips. the atmosphere between you turns tense once again, the unspoken words and desires hanging heavily in the air.

you don't meet his gaze as you move to gather your things, your actions brisk and efficient. you've mastered the art of detachment, of creating a barrier between yourself and the clients who come and go, no matter how they may affect you.

as you head toward the exit, your heart beats a little faster, a mix of regret and longing that you refuse to entertain. this is how it has to be – business, no matter how much your heart might argue otherwise.

behind you, you hear him sigh, a sound heavy with frustration and resignation. the door clicks shut behind you, the echo of the room's tension lingering in the silence.

he never returned after that. days turned into weeks, and still, geto's presence remained absent from the club. while you hadn't expected him to return, a small part of you had held onto a glimmer of hope that he might. but the weeks turned into months, and the emptiness left by his absence lingered.

life settled back into its routine – the dimly lit stage, the rhythmic music, you danced, you entertained, you put on a show. yet, there was an ache within you, a void that refused to be filled.

as time went on, you found yourself replaying memories of his presence in your mind – the teasing glint in his eyes, the genuine concern in his voice, the way his smile could light up a room. the connection you had shared, brief as it was, had left an indelible mark on your heart.

you missed the daily banter, the way he would surprise you with his insights, the simple pleasure of knowing he was there. the club felt different now, as if it had lost a part of its vibrancy. the nights were quieter, the laughter more subdued, and the glamour that once surrounded your performances felt somewhat dimmed.

despite your best efforts, you couldn't shake the longing that had settled within you. you had a taste of something more with him, a glimpse of a world beyond the club's confines. and now, as you danced under the neon lights, you couldn't help but wonder if you would ever find that connection again.

the longing in your heart grew with each passing day, a constant reminder of what had been and what might have been. yet, even as you missed him, you were grateful for the moments you had shared – moments that had shown you a different side of life, a side you had almost forgotten was possible.

as you stepped into the club again to start your shift, an unsettling feeling settled in your stomach. the club, which was typically alive with the pulsating beat of music and the murmurs of patrons, was eerily quiet. it was as if the very essence of the place had been stripped away, leaving behind an empty void.

confusion crept into your mind as you glanced around, searching for any sign of movement or life. your footsteps echoed in the emptiness, the sound feeling unusually loud against the backdrop of silence. what was going on? had something happened that you weren't aware of?

just as you were about to turn and leave, the sense of unease growing stronger, your eyes land on a figure sitting on the main stage. your heart skipps a beat, a mix of surprise and a rush of emotions flooding over you. it was him – geto. he was here, his presence filling the void that had gripped the club.

he sat there, as if he belonged on that stage, his posture relaxed but his gaze intense as he watches you. the familiar, cocky smirk was ever present on his lips, and despite the confusion that clouds your mind, a warmth spreads through your chest at the sight of him.

as you draw closer, his smirk softens into a genuine smile, a glimmer of something unspoken in his eyes. the air was thick with tension, a mixture of anticipation and uncertainty hanging between you. your heart races in your chest, the space between you charged with unspoken words and unresolved feelings.

"suguru," you finally breathe his name, your voice a mere whisper in the stillness.

he stands, his movements fluid and confident, as he closes the distance between you. "hey," he greets, his voice carrying a warmth that echoed through the empty club.

"what are you doing here?" you ask, your voice tinged with a mixture of surprise and curiosity.

“let’s just say there’s new management here”

“you bought the club.” you interrogate, “why?”

“i don’t know, im a guy with a lot of money, so i bought a business.” he shrugs blatantly lying, “that’s what guys like me do…”

"you missed me," you conclude, with a grin.

he nods, "I guess I missed you...or whatever," his facade drops immediately. "it's just after you rejected me, i was pissed. all i wanted to do was to show you that i actually cared about you, for you to give me a chance.”

“and buying the club was the most logical way for you to show me that you care?” you argue. “you didn’t have to do that,” emotions swirled within you – a mixture of surprise, hope, and a spark of something you hadn't allowed yourself to feel in a long time. before you could respond, he took a step closer, his fingers gently brushing against yours. it was a simple touch, but it held a promise, a connection that went beyond words.

"why do you always have to be so difficult?” he questions fiercely, “why can’t you just let me show you that i do care about you?”

the weight of his words hung in the air, and as you looked into his eyes, you saw the vulnerability, the sincerity that had always been there, hidden beneath the surface. “why do you care?” you retort, almost childishly. you knew that he cared, you knew why he cared – you just had an affinity for making things difficult.

he rolls his eyes at your hard front “if it was anybody else, he would’ve given up a long time ago. but for some reason you were worth it. “because i see you for more than just the standoffish dancer who doesn’t let anyone get to her, im sure you know this by now.” he pulls you closer to him, into a strong hold. “now will you stop fronting and let me have you – all of you?”

you nod with mock reluctance, practically melting in his arms, “but what about my job? I’m not gonna stop being a stripper just because of you.”

“and i wouldn’t even ask you too,” he says quick with reassurance, “besides i find it hot that everyone gets to see you this way but they just can’t have you like i do.” he starts to work your top off your body, unhooking your bra, exposing your tits, “like just imagine, a crowd full of people watching me fuck the shit out of you — wanting you so badly, but not getting to touch.”

“we can’t do this here,” you gasp out as his fingers start to toy with your hard nipples, pinching and twisting them.

“why not?” he smirks, “you’re the boss aren’t you?”

“me, but i thought you bought the club.”

“you’re the one who said if i bought it you’d know that im truly obsessed with you,” he reasons, his lips pressing a kiss under your ear as he whispers, “do you get the picture now?”

“like I said you really d-didn’t have to do that,” you say, “i was the one that fucked things up here. you didn’t have to buy a whole business for get me to tell you that i like you.”

“oh so you do like me,” he comments sarcastically, “who would’ve thought.”

“shut up,” you grumble, swatting at his chest as he laughs, “i am sorry though. i don’t know why i pulled you into my little game, i knew i liked you a long time ago — but I just couldn't bring myself to admitting it. and I'm sorry for that .”

“it’s fine,” he reassures, “i knew dealing with you would be a challenge — granted i didn’t think it would be this hard — but i knew in the end it would be worth it.” his hands lower down your body, shimmying your pants off of you, “so now you gonna show me how sorry you truly are?”

AN: um so this was A LOT my longest fic ever, please lemme know what you thought since I am SOOOO UNSURE ABOU THIS ONE. thank you to my baessss @kazushawty @satoruhour for beta reading (I owe you two my life) also ur boss was pissed asf to find out that the club he owned was bought and given to you when he was the one that basically got you and geto together in the first place. ill make a part two where gojo comes back to the club to see the pretty little stripper who's got all of his besties attention looool jk

#stampedwithanE★#jjk x reader #jjk smut #jujutsu kaisen smut #geto x reader #geto smut #geto suguru x reader #geto angst #jjk angst #jujustsu kaisen x reader #jujutsu kaisen x reader #geto suguru #jujutsu kaisen angst #geto x you #geto suguru smut #geto suguru x you

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verstarppen · 9 months ago

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haiii plz ignore this if your requests are closed 🙇🏻‍♀️ but I'm begging you to give us george who's totally in love with someone from the camera crew and the drivers start making fun of him for it but it's all fluff ♥️

summary; mercedes have a strict policy regarding office romance, but that can't stop Totally Spies because they can't read

pairing; george russell x fem! camera operator! reader [ no faceclaim ]

a/n; im so sorry if this isn't as funny as usual im rusted and dusted from exam season anyway HERE WE GOOO HERE WE GOOO ON A MISSION UNDERCOVER AND WE'RE IN CONTROL HERE WE GOO HERE WE GOOO WE'RE TOTALLY SPIES SO WE'LL GET ON WITH THE SHOW

liked by charles_leclerc, landonorris, lilymhe and 625,801 others

alex_albon He's going to look back at this post and curse my entire bloodline isn't he

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georgerussell63 Alright then, what's all this about

alex_albon It'll all be revealed in time... georgerussell63 Your old wizard impression is serving

scuderiayummy the f1 gc must be booming rn bc what does this even mean, alexander.

charlielecunt If I see "breaking news: george russell found dead in a ditch" in 30 mins I'm gonna lose it

pierreleftsock "time to take george to football, live up the bugatti weeee"

liked by alex_albon, landonorris, charles_leclerc and 755,105 others

georgerussell63 I won in the name of the people

view all 200,005 comments

miss.sainz55 this is better than 95% of the enemies to lovers books i've read

typicallyleclerc what happened to the original plot of the movie

applenorizz bitches be like "can't stand her fake ass" 10 minutes later "me and the bestie"

landonorris i feel the urge to bash your head in a wall

georgerussell63 Digital footprint

liked by 36rg, britney_alex_clover and 15 others

ynusername on a mission undercover and we're in control

view all 5 comments

36rg Alexa, play "They Don't Know About Us" by One Direction

ynusername THEY DON'T KNOW HOW SPECIAL YOU AREEEE

britney_alex_clover Now all you have to do is avoid being spotted together by the public eye, your boss, all of your friends, your family and also the entire human population

britney_alex_clover also please stop flirting on promo vid sets that shit is cringe as fuck britney_alex_clover I find it adorable britney_alex_clover no one cares what u think charles britney_alex_clover Wow. britney_alex_clover Guys britney_alex_clover Sorry britney_alex_clover Hello 👋 britney_alex_clover alright who let maximilian in 36rg Who let any of you menaces in britney_alex_clover careful loverboy, i've got HR on the phone 36rg And I know what you did with the trophy after Vegas britney_alex_clover OKAYYYY LET'S ALL JUST CALM DOWN britney_alex_clover what the fuck 36rg Eyes and ears everywhere, Norris britney_alex_clover Wait, is that why I still can't get it to light up? Did you break another one??? britney_alex_clover can someone ban max off this account thank you

britney_alex_clover and while you're at it can you tell the trophy company to start making trophies that look less edible

pic credits: instagram and pinterest

blog taglist: @coffeehurricanes @iifloweringnightsii @jsjcue @lanando4 @fastcarsandshit @christianpulisic10 @allygatcr @marshmummy @ravisinghs-wife (happy race week everyoneee im so glad to be back)

#george russell #george russell x reader #george russell x you #f1 social media au #f1 instagram au #f1 x reader #f1 imagine #f1 fanfic #f1 #f1 fic

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fallingfavourites · 2 months ago

Text

the fisher king - cm fanfic

summary: Everyone on the team had gotten 2 weeks off. Elle and Derek decided to not waste a second of it and flew away to Jamaica. Hotchner went to spend time with his family. Gideon would most likely be birdwatching in his cabin if you had to guess, he doesn’t like sharing much about his personal life. Neither does Reid who is heading back home to Las Vegas. You stayed at home to relax. no one had expected the terrifying turn this vacation would take.

pairing: bau team x reader (platonic), hints/alludes at spencer reid x reader and elle greenaway x reader

cw/tw: typical cm violence, shooting, blood

word count: 8,568

a/n: basically just follows the fisher king episodes plot, english isn't my first language and im dyslexic so sorry in advance, tried to edit as best as i could! i hope this fic makes sense i dont even know anymore, enjoy!! feedback is always appreciated just dont be mean about it pls

main masterlist - cm masterlist

Everyone on the team had gotten 2 weeks off. Elle and Derek decided to not waste a second of it and flew away to Jamaica. Hotchner went to spend time with his family. Gideon would most likely be birdwatching in his cabin if you had to guess, he doesn’t like sharing much about his personal life. Neither does Reid who is heading back home to Las Vegas. You had just ended up on your couch with a cozy blanket and a movie you had been meaning to watch. A sudden loud ringing made you jump up. Rubbing your eyes so they can refocus.

You had fallen asleep. You would’ve laughed at yourself if it wasn’t for the constant loud ringing. Finally, finding your phone between the blanket you picked up without looking at the caller ID. “Y/n? Y/n?” It took a second for you to register JJ’s voice as she repeated your name.

“Yeah, Yeah, I’m here is everything okay?” you asked, running a hand through your hair. “You need to get to the office. Now.” She sounded serious.

“What happened?” You asked as you vaguely heard someone talk to JJ. It kind of sounded like Gideon. If he came to the office, it must be serious.

“Tell me when I get there, I’m on my way.” You said, not even waiting for her to respond to your question and you hung up. A million thoughts race through your head as you put on a work-appropriate outfit. As soon as you were ready you got in your car and drove to the bau as quickly as you could.

When you arrive JJ immediately walks up to you and starts filling you in. Elle got arrested, Gideon received a head in the mail, Hotch had a strange phone call, and she had just gotten a framed butterfly. “So, someone is targeting the team?” Crossing your arms over your body. You’ve worked for the bau a few years now and have never experienced anything like this.

“You didn’t get anything?” JJ questioned. It was strange. “No, I haven’t.” You replied.

“Huh, that’s strange.” She said what you were just thinking. JJ frowned, clearly trying to think of a reason why you didn’t. “I’ll keep my eye out for anything strange.” You nodded as you told her.

After about 30 minutes of looking over all the evidence the team had gathered so far, Elle, Morgan, and Hotch stepped out of the elevator. JJ walked up to them, so you got up and made your way over.

“Virginia? You mean that son of a bitch is from here?” This is the first thing you hear Elle say as you open the glass doors. Talking about Frank Giles.

“I don’t know if he’s from here, but this is where he flew to. Arlington.” JJ started explaining as you stepped up next to her and Morgan. He gave you a nod as he acknowledged you.

“He’s got a long criminal record. Manslaughter, robbery, rape.” She continued as she read from the file.

“What about the victim?” You asked crossing your arms, “Marty Harris.” Derek filled in.

“Uh, he’s a two-time convicted fetish burglar, registered child sex offender…” JJ read from the other file. “And we have his head.” Gideon interrupted her. “CSU just positively identified the one delivered to my cabin.”

“Don’t waste time on the first victims. They were unrepentant, bad men. They only got what they deserved.” Hotch spoke up. “What is that?” Morgan asked him.

“I got a phone call last night before you called from Jamaica.” He said looking over at Derek.

“Any mention of a ‘her’?” Elle asks Hotch. “You must help him save her.” he replies.

“Oh, so there’s a ‘him’ now, too?” Elle responds, clearly annoyed. Which is totally reasonable after getting arrested for murder and barely having any sleep.

“I think he means Reid.” You look over at Gideon. “Reid?” You and JJ both say at the same time. “We need to regroup.” Hotch says as last, and you all walk into the office.

You, JJ, Morgan, and Gideon are sitting at the round table. Hotch stood behind you and Elle stood near the tv screen. “So, clearly we have a psychopath intent on drawing us into his game.” Hotch said with his arms crossed. “Playing with us.” Gideon looked at his hands on the table. “Then let’s return the favor.” Elle says.

“He kept telling us repeatedly to save her. What ‘her’?” Derek questions.

“Items he’s sent must be some kind of clues.” You nod at what Gideon says. “Let’s get them up on the board.” Hotch nods towards the board as he says that.

“I got a Nellie Fox baseball card from 1963, and I got a head in a box.” Gideon starts as JJ gets up walking up to the board. “I got a rare butterfly in a shadow box.” She says as she starts writing it down on the whiteboard. “And repeated messages to ‘save her.’” Hotch adds.

“I got the decapitated body.” Elle says smiling sarcastically. “And a nice visit to the Jamaican Police Headquarters.”

Hotch looks over to you to say what you got. “I didn’t get anything.” You shrug.

“Not even a phone call?” He questions, raising an eyebrow. You shake your head. It looked as if Hotch was going to say something, but Gideon changed the subject. “Reid called from Nevada. He's on the way back here with a skeleton key and a note he got, too.”.

“And the guys who called me said, ‘the youngest holds the key’” Hotch adds on. “That’s Reid.” Elle says as she keeps pacing.

“Okay but wait a minute.” You look over at Derek. “Unsubs, they don’t contact us this way. I mean they might taunt us, dare us to catch them, but they don’t drag us into their fantasy.”

“Why not?” JJ asks Morgan when he finishes.

“Because their fantasies are sexual fantasies.” You answer before he can. “Right, taunting us is a show of power, but making us the object is…” He tries to search for the right words, “I don’t know what the hell that is.”

“There’s something else about the baseball card.” You look back to Gideon as he starts a new theory. “Nellie Fox was one of the stars of the 1959 White Sox. I went to almost every game with my father that year. Fox was my hero.” He says as he leans back in the chair. “So, is it a coincidence that he sends this to me, or does he know how I feel about him?” He questions looking over at Hotch. This makes JJ turn around.

“I collected butterflies when I was a little girl.” You all look over at her. “That’s how I knew what butterfly was in the box.”

“So, he knows us?” You question. “I got an anonymous message.” Hotch slightly shrugs. “I got a police raid.” Elle adds on. “But he knew exactly where we were.” Morgan says, supporting your theory. “Hotel in Jamaica Gideon at the cabin, Reid in Vegas, you at your home.” He lists off.

“He got that from the Bureau computers.” Penelope's voice makes you turn around in your chair; she looks nervous and has a file in her hand. “Your locations are always in there so they can find you if they need you. And I checked the log. The hacker was definitely in the personnel folders” She explains. Your brows furrow, how could this happen. “There were room numbers to the hotel in Jamaica, the address of Gideon’s cabin… There’s a lot of information in those databases.” She finished. Something about the way she’s talking is putting you off. There is something she isn’t telling you.

“Have you figured out how he was able to get into the Bureau’s computers?” Hotch asks her. She is silent. Just for a second. “I’m still working on that.” Lying to a room full of profilers probably isn’t the smartest thing to do. “Garcia, if you know something…” Hotch asks, clearly also picking up some things off.

“No, it’s, um…” Penelope's voice breaks slightly. “It’s just… I…” She’s clearly trying to find the right words, scared of upsetting the team. You give her a supportive smile. You’ve known her for years and know she would never do a bad thing on purpose. “I was playing a game yesterday.” She is silent for a second.

You look back to the team and catch JJ’s reaction. She clearly knows what Penelope is talking about. “An online game.” You look back over at the blonde with glasses. Tears shined in her eyes under the LED lights.

“A game?” Gideon asks. “Not on the Bureau computers, sir.” She quickly clarifies. “On my own personal laptop.”

“No, Garcia. No, no, no.” Derek says shaking his head. You close your eyes and lean your head on your hand. “I don’t understand.” Hotch looks for clarification.

“Wireless Internet.” You simply say. “By wirelessly hooking into the Net here to get online, the hacker could have gotten into my computer first, and… I have far less protection on my own laptop.” Penelope stoically explains it to him.

“And he could have gotten into the entire Bureau computer system this way?” You can’t see Hotch’s face as he says it but by the tone of his voice, you have some idea. “Yeah, it’s possible.” Penelope nods.

“Playing a game?” Gideon says as he gets up. “How could you be that stupid?” Seeing the look on Penelope's face, you have to resist the urge to defend her. Yes, she did do something stupid, but Gideon didn’t have to talk to her like that. “Information, files. You have a responsibility.”

“I know, sir. I’m so sorry.” Penelope replies to him. Gideon doesn’t reply. He just turns around. There is an awkward silence that hangs in the air. “But I found him.” Penelope eventually says. Almost full-on crying by now.

“You did?” You ask hopefully. “I know who he is, the hacker. His name is Giles. Frank Giles.” You all look at each other hearing this information. “He lives in Arlington, Virginia, four miles from here. I have his address” She continues as she hands the file she was holding to Hotch.

“Garcia, you said Giles?” Morgan asks her, wanting to confirm he heard it right. She nods quickly. “Let’s go.” Hotch only has to say those two words, and everyone is up and walking out of the office.

The team and you put on your bulletproof vests and got into the black SUVs. Sirens blared as you raced through the streets to get to Frank Giles as quickly as you could. The adrenaline is already pumping through your veins. Finally getting answers about why this is happening. You entered the building with the swat team. Derek kicked the door in, as usual. Everybody walks in with their guns raised. You hear some yell out that it’s clear. You, Derek, and Elle stand for a closed door.

“Frank Giles. FBI.” Derek yells out.

“Come out Giles.” Elle yells. They look at each other and both give a small nod. Then open the doors. As you enter you lower your gun immediately. You see Frank Giles’s lifeless body, only wearing underwear, laying on a dirty old mattress. A sword stuck in him.

“You got to be kidding me.” Elle’s the first one to speak.

“Hotch! Gideon! I think you’re gonna want to see this.” Derek calls out to them. You tear your eyes away from the gruesome scene to look at Elle. But she’s looking at the wall in front of you. So you look up to see ‘here thy quest doth truly begin’ written on the wall in blood.

All of you start taking in the crime scene. Vests already taken off. “He’s definitely playing with us.” Hotch speaks up. “His identification checks out.” Elle says handing his wallet to Hotch. “That’s Frank Giles.”

“There’s a big ol’bag of money sitting right here on the dresser.” Morgan says as he walks over to the bright blue bag. “So, Giles took Harris to Jamaica to kill him.”

“And then the unsub killed Giles.” You finished Hotch’s sentence.

“Yeah, but he paid him first.” Morgan says, confused about it.

“And left the cash?” Elle questions. “He must be well off.” You say, putting your hands on your hips.

“He said these were ‘unrepentant, bad men.’ Are we looking for some kind of vigilante?” Hotch asks, looking over at Gideon.

“No. The bodies are nothing but a way to get us interested. They’re game pieces. The killings are secondary.” Gideon explains nonchalantly.

“Well, this guy likes to write things in blood on the walls.” Elle says as she inspects the bloody walls.

Suddenly your phone starts ringing. All eyes are on you, but you look to Hotch. Silently asking for permission to step out for a bit. He gives you a nod and you step out to the hallway of the apartment building.

When you're alone you answer your phone.

“L/n.” You say but it stays silent on the other end. Pulling the phone away from your ear to check if you hadn’t accidentally declined the call. “Hello?” You ask as you put the phone back to your ear but it’s silent again.

About to hang up suddenly a voice comes through your phone.

“Agent Y/n L/n.” The voice sounds hoarse, you don’t recognize it. “Who is this?” You ask confused. Putting your right hand on your hip.

“It is your task to make sure they hear, and they listen.” The person ignores your question. You release this is the Unsub. “Do not let them stray.” He’s talking about the team.

He has to be. You’re about to respond as he hangs up.

“Damn it.” You let out a frustrated sigh. What could he have possibly meant by that? You keep staring at your phone.

“Hey,” a comforting voice takes you out of your thoughts, “You okay?” You look up to see Spencer walking up to you.

“What?” You look at him confused. Putting your phone back into your pocket. “Yeah. Yeah, I’m alright.” You smile, somewhat awkwardly.

Reid nods and sends a just as awkward smile back. It’s good to see him again. He looks around the empty hallway, hands in his pockets, hair slicked back behind his ears.

“Why are you out here?” He asks you.

“Oh, uh, no reason.” You shrug and let out a laugh. Why did you just lie to him? You honestly don’t know. It just slipped out. He also clearly doesn’t believe you, but before he can question you, you speak up.

“Let’s go, we can use you in there, genius.” You say as you nod towards the room the team is in. This time the smile you give each other isn’t awkward. They both are genuine smiles. Reid always gets a slight blush when someone calls him genius.

You never say it to embarrass him though. You say it full of affection. When you joined the bau, in your first case you got paired up with Spencer. He had been working at the bau for about a year. The two of you hit it off very well.

Walking back into the room you hear Hotch and Derek, “Midnight wouldn’t cast a shadow.” “‘Hour be none.’”

“3 P.M.,” Reid says as you walk in side by side. “Hey, guys. Garcia told me where to find you.” Hotch crouched near the body glances past Reid to look at you with a questioning gaze, silently asking about the phone call. You shake your head telling him it wasn’t important. And again, you don’t know why you are lying to your team about this. You tell yourself it’s because there are more important things right now and that phone call didn’t even make sense.

“3 P.M?” Gideon asks disrupting your thoughts.

“It’s medieval. The days used to be broken into hourly intervals, the canonical hours of the breviary.” Spencer begins to explain, “Prime, 6 A.M”., terce, 9 A.M., sext, 12 noon, none, 3 P.M., and vespers 6 P.M.”

Elle smiles at him fondly and points her finger at him, “Reid, do not ever go away again.” He smiles at her as Gideon starts talking. “Medieval. That’s why the language changed. ‘doth’”

“Everything this guy does is a clue.” Hotch says looking at the team.

“Okay, but, guys, it’s 4:35. What do we do? Leave to the blade in till 3 P.M. tomorrow?” Derek asked.

“What if we block that window out?” You asked, pointing towards the window. Reid nodded at what you said and turned to one of the crime scene investigators. “Do you have any spotlights in your car?” He asked Gina.

“Sure.” She says as she's getting up, Elle thanks her.

When she came back with a flashlight she gave it to Reid. He crouched down next to where you were standing and pointed the light to the sword.

“See, this sun is right here at 5 P.M., Morgan, follow the shadow as I move the light higher.” Derek starts to move a small table out of the way to get closer to the wall. “Okay, and do what?” He asks when he’s finished.

“Tap.” Hotch instructs him. Derek starts tapping on the wall. He stops when he finds a hollow spot. “It’s hollow.” He says as he looks back at Hotch.

“Definitely an Indiana Jones movie.” Elle says looking over at you when you laugh at her joke.

“Feels like the wallpaper’s been replaced.” Morgan says to Hotch. “Tear it open.” He replies. Derek takes a knife out of his pocket and starts cutting open the wallpaper. Pulling back the wall.

“It’s a box.” He states looking back at the team. “Pull it out.” Hotch instructs him again. “Wait, are we sure that’s safe?” Spencer asks as he stands up. You look over at him. “You think it’s a bomb?” You ask him questionably.

“It isn’t. You think he’d be playing this game just to blow us up?” Hotch retorts. “He’d have already done that as long as we’ve been standing here.” Derek agrees with him and pulls out the box from the hole. He placed it on the table from earlier.

Hotch crouches next to Gideon to get a better look at it. You make your way over to see what it is, while Spencer doesn’t move. Morgan tries to open it, but it seems like it won’t budge.

“It’s locked.” He confirms, “You want me to break it?”

“No, we should process it first.” Hotch answers his question.

“The youngest holds the key.” Gideon suddenly speaks up. And you, Hotch, and Morgan all look at Reid. Spencer searches his pants pockets for the key. Only to realize he put it in the pocket of his button-up.

He does a little jog up to the box and goes to open it. Putting the key in and backing up slightly as he turns it. Music starts to come from the box.

It takes a second for you to recognize it. Turns out all those failed piano lessons are good for something. “Schubert.” Gideon says but before he can say which piece you beat him to it.

“The Trout Quintet.” He looks over at you confused, clearly, he didn’t expect you to know it. You just shrug in reply as you focus on the note that Spencer pulled out of the box. “Five people fishing.” Hotch says, giving context to the song.

“Never would it be night, but always clear day to any man’s sight.” Reid starts reading off the paper. “Well, that was worth it.” Elle says as she turns away.

“The lid.” Gideon points at the box, “Little tab right under the lock.” Morgan leans over Reid to open the lid.

As he opens it there’s a dvd in it, but also a blonde lock of hair tied with a pink bow.

“Jesus.” Slips out of you. “Oh, god.” Elle says at the same time.

Morgan pulls both out as Gideon lets out a tired sigh. Derek gives Elle the lock of hair. “Do you have that evidence bag?” She asks one of the CSI’s. “Here you go.” He replies as he holds out a bag for her to put the hair in.

“Thy quest.” Morgan says standing up and holding out the dvd so you all can see it. Out of the corner of your eye, you see Gideon putting his head in his hand. After everything is mostly wrapped up at the crime scene you all make your way back to the office.

Everyone is clearly tired and wants to catch this guy.

On the car ride back all you can think about is that phone call. It keeps repeating in your head. “Agent Y/n L/n.” “Who is this?” “It is your task to make sure they hear, and they listen. Do not let them stray.” You just can’t seem to make sense of it. What is it that you need to make sure they listen to? Maybe this dvd?

Without even releasing you’re back, sitting at the round table. The dvd is playing.

You see a barely lit office. A man stumbles into the frame and sits down at the chair, you can’t make out a face though.

“He moves funny.” Hotch noted. Derek looks back at Hotch to reply, “It’s like he’s injured or something.”

The man in the video starts talking. “I assure you, you will all understand in the end why it must be this way.” It’s the same voice of the man who called you at Frank Giles’s place. You shift in your seat as he continues. “You might even thank me.”

“Don’t hold your breath, scumbag.” You see Hotch glance over at Elle as she says this.

“You know now you’re on a quest. A young girl’s life depends on the successful completion of it.” The video shows a blonde girl being held captive. She’s throwing things at the camera and hitting the bars of the cage. “As you can see, she is quite beautiful and in distress.” The way he talks about her along with the footage makes your skin crawl.

“Now please listen closely for there is one rule and this rule must be followed.” You sit up straighter in your chair. The things he said on the phone call must be about this.

“The one rule is, only the members of your team may participate in the quest: Jason Gideon, Aaron Hotchner, Derek Morgan, Elle Greenaway, Y/n L/n, Spencer Reid, Jennifer Jareau, Penelope Garcia.” As he said, all your names and pictures of everyone on the team showed on the screen.

“A quest must be completed in the proper way, or it isn’t a quest, is it? That’s it. One rule. Simple. Now, you will be receiving an item soon that will hold the final clue you will need to finish the quest. You will find you will also need a book which has inspired many adventures like mine. Believe me, when I tell you I truly hope to see you all soon. It will mean a successful end to this adventure for all of us.” The video stopped playing. You look at everyone on the team.

“This guy’s got pictures of us?” Elle is the first one to speak up.

“What do we do now?” Reid asks Hotch.

“Well, the lock of hair’s being analyzed for DNA. There might be something on file.” He answers Reid.

“I’ll get Video to enhance the shots of the girl.” JJ says as she gets up to leave.

“Let's get the clues up on the board. Maybe we can make some sense of something.” Hotch instructs.

“Wait, we’re going to play this guy’s game?” Elle asks him, frustrated.

“Do we have a choice?” Spencer replies. But you’re not focusing on their conversation anymore, you’re focused on Gideon. You can’t figure out what he’s up to as he’s about to leave the room.

Everyone else turns around when they hear the click of the door opening.

“Be right back. You guys keep working.” Hotch says as he gets up to talk to Gideon. However, you don’t listen. The rest of the team looks at you as you follow him.

You’re following him out of the room for two reasons. Wanting to know what’s going on, everyone has always told you you’re too curious for your own good. And thinking now might be a good time to also mention to Hotch that you got a call from the Unsub.

“Jason?” Hotch calls out as he follows Gideon, “Jason!” He calls out again when the older man doesn’t stop. Gideon walks into his office and lets the door slam closed behind him. Before Hotch follows Gideon into his office, he gives you a disapproving look for following him. “We’ll talk about this later.” He says dismissively and walks into Gideon's office.

You let out a sigh. Why did you think this would work. You turn back around to have your walk of shame back to the rest of the group.

Morgan lets out a small laugh as he sees you walking back into the room. Reid gives you a questioning look, but you just shrug it off.

Not long after Hotch handed a paper over to Reid and said Haley received it. You, Morgan, Elle, and Reid had been staring at these numbers for a while now.

“My eyes are so heavy I can barely see it.” Elle says with a sigh.

“It has to be some kind of code, right?” You question, leaning against the table next to Reid. “The Unsub said we needed a book, didn’t he?” Reid brings up. You look over at him, curious about where he’s going with this.

“Yeah. ‘a book that inspired many an adventure.’” Morgan quotes from the video.

“It’s a book code. Each one of these sets of numbers represents a particular word.” Spencer explains and points at one of the codes on the paper, “For instance, page 118, line 30, word three. We need to figure out what the words are and fill in the blanks.”

“Right, but we don’t know what book.” You respond, another dead end.

“And the trouble is, it has to be the exact same edition of the exact same book that he used.” Reid adds on.

“Just got a DNA hit on the lock of hair.” JJ says as she walks into the room, “Rebecca Bryant.” She hands Elle a picture after showing it to you, “She’s been missing out of Boston for two years.”

You look over at her shocked, “Two years?” She nods as she looks at you.

“Guys, how are we supposed to figure out which book this code was copied out of?” Derek brings the conversation back after being handed the picture from Elle. “I have no idea.” Spencer replies. JJ walks up to the whiteboard and sticks the picture of Rebecca on it.

Reid was standing in front of the whiteboard, “He said we have everything needed to complete the quest.” he said as he turned around to look at you, Elle, and Derek. Derek was sitting on the chair backward, Elle practically laying in the leather chair, you were leaning against the table and JJ was sitting normally at the table looking over the evidence.

“The answer’s got to be up there somewhere.” Elle mumbles, very clearly tired.

“JJ, get some reporters here as soon as you can.” You quickly turn around as you hear Gideon say this. Alarm bells going off in your head.

Once again, the things the Unsub said on your phone call repeating themselves. It is your task to make sure they hear and they listen. Do not let them stray. Gideon’s not listening. “For what?” JJ asks him. “Just say we need help on a new case.” Is all he gives in response before he walks away.

You get up to follow him, again. You have to stop him from doing this. Gideon is always surprisingly fast for his age. You just barely catch up to him when he reaches Hotch again. “Sirs, you can’t do this.” You say, well it more sounds like you're begging.

Gideon and Hotch, both give you confused looks.

You take a deep breath. “He called me.” You say looking at them.

Their reactions are exactly what you expected. Gideon stays silent, he’s profiling you. “What? What do you mean he called you L/n? When did this happen?” Hotch asks you with a stern look on his face as he crosses his arms. You feel ashamed. You should’ve told them. You know that. You just hoped you had figured out what he meant earlier so you could’ve given the team helpful evidence and not more questions. “Back at the apartment.” You say, placing your hands behind your back so they don’t notice how nervous you are.

Gideon just shakes his head and walks away. Obviously thinking he has better things to do than deal with you.

“Why didn’t you say something before?” Hotch asks you.

“I… I don’t know,” The unsatisfied look Hotch gives you makes rethink your answer, “I wanted to figure out what he meant.”

“So, you could show off?” Hotch fills it in for himself. You quickly shake your head. That’s not why you did it. “No, no I didn’t want to add more unanswered questions for the team.” It sounds stupid and you realize that.

Hotch sighs and rubs his forehead, “What did he say to you?”

“He told me to make sure they hear, and they listen and to not let them stray. I think he was talking about the video.” You reply to him, “I think the press conference is a mistake, Hotch.”

“Gideon knows what he’s doing L/n, I trust him. You should’ve told us sooner.” He says before walking away. You couldn’t shake the nervous feeling. You went to get some coffee. Not ready to face your team yet.

On your third cup, you see Hotch walking back into the office. The press conference is over, there’s nothing you can do about it now. You see Elle walking out with Hotch.

“Anderson, take Greenaway home.” He says, looking over at him. “Yes, sir.” Anderson immediately replies.

“No, I’m fine.” Elle protests. “I’ll have your car brought over later.” Hotch tells her. “Alright, come on, Anderson.”

Do not let them stray. It repeats in your head.

“Sir, is it okay if I go with them? I can come back whenever you need me.” You ask Hotch. He hesitates for a moment, thinking it over. Elle smiles over at you, she appreciates it.

“Alright but keep your phone on and close L/n.” Hotch tells you.

Elle was struggling to stay awake the whole drive back to her house. Anderson dropped you both off and went back to the office. Elle let you into the house. You’ve been here before, many times, you and her occasionally have a drink after a case when neither of you wants to be alone.

Elle tosses her keys on the coffee table and drops her bag next to the couch and flops down on it. You can’t help but let out a laugh. She doesn’t even have the energy to glare at you, shifting on the couch to get into a more comfortable position.

You put down your own bag next to hers and take off your gun and gun holster placing them next to her keys on the table. You walked into her kitchen, you hadn’t eaten yet and doubted she had.

Opening the fridge just to find it practically empty. There are some leftovers, but they don’t look edible anymore. You grab them to throw them away, the smell hits you and you pull a face.

“Gross.” You mutter under your breath and throw it in the trash can. “Hey, I'm going to get some food, you want any?” You ask her as you walk back into her living room.

She lets out a noise that’s something between a hum and a groan.

“Alright, I’ll take that as a yes.” You say with a smile on your face, “I’m taking your keys, I’ll be right back.” Reaching for her keys on the table.

She gives you a thumbs-up while trying to stifle a yawn.

So, you lock the door behind you as you leave for the small supermarket near her house. It’s about a 10 minute walk away.

You grab some iced coffees and some simple heat-up meals. You’re done in about 5 minutes, pay for everything and walk back. The plastic bag is heavier than you expected it to be, it leaves imprints on your fingers.

You reach Elle’s front door and reach for the keys in your jacket. You try to open the lock as quietly as you can, not wanting to wake her up.

As you open the door you freeze. The plastic bag somehow becomes ten times heavier, and it drops to the floor. The ice coffee starts to leak but it’s the least of your concern.

Elle is laying on the floor covered in her own blood.

“Oh my god…” You whisper. You rush forward to her somehow without falling over your own feet. You fall to your knees. Hands reach up to her face. She isn’t conscious. You give her a few taps on her cheek and her eyes flutter slightly.

“Shit, Elle. You gotta stay awake, okay?” You look around helplessly. Her phone is on the floor next to her. Did she call 911? You place one hand on the wound to try and stop the bleeding, knowing it isn’t doing much as you feel the red hot liquid slip right past your fingers.

You reach over her to check her phone. Luckily you know her password.

You check her out going call and see 911. A sigh of relief escapes you.

Help is on the way. You just have to do everything you can to keep her alive until then.

Blood is staining your hands as you try to stop the bleeding. Her eyes closed.

“No, no, no, no, Elle, stay with me. Come on, you gotta keep your eyes open. Keep them open for me. Fuck. Elle. Come on. Please… I… I can’t lose you. Please.” A million things ran through your head. If you had been here, you could’ve stopped him.

If you hadn’t left, Elle would be okay. God, why did they have that press conference. Why hadn’t you been more demanding with Hotch that it was a bad idea.

Vague sirens interrupted your train of thought. Taking one hand to check Elle’s pulse. Time stopped. You couldn’t feel a heartbeat.

“Fuck.” Panicking. What would cpr do if she was bleeding out? Not like you had any other choice. You started compressions.

No thoughts run through your head anymore. Just pure focus on the task. Not even noticing the sirens getting louder and louder.

A paramedic pulls you away from Elle. Only now realizing they had arrived. Their mouths were moving but you couldn’t make out any of the words.

You stepped back. Letting them do their job.

Everything is hazy, you blink rapidly. Tears fall on your cheeks.

Have you been crying this whole time? You didn’t even realize it. They place Elle on a stretcher and make their way back to the ambulance. You follow them without saying a word. You don’t think about the fact that your phone is still in your bag.

Getting ready to step into the ambulance you noticed a car arriving. Anderson. He stumbled out of the SUV.

“L/n, what happened?” He tried not to show his fear but the tremble in his voice gave him away. “Call Hotch. Meet me at the hospital. I- I’ll explain there.” You spoke hurriedly while getting into the ambulance.

The paramedics are rushing the stretcher into the ER. You’re having a hard time keeping up with them. The doctors take Elle over.

“I’m sorry, we are taking her into surgery. You aren’t allowed any further.” One of the nurses is holding you back. You have no fight left in you, so you just nod and make your way to the waiting room.

Anderson is already there. His eyes are red. Had he been crying? He looked like a mess. You didn’t even want to think about what you looked like right now. The way Anderson’s eyes widened when he saw you back at the house told you enough. You definitely looked worse than him.

“I called Hotchner. Him and Agent Gideon are on their way now.” Wringing his hands as he spoke. He’s nervous. “Do you... um, do you know anything yet?” He barely could get the question out without tears threatening to spill.

“She’s in surgery.” Was all you could manage to get out as you spoke. Wanting to run your hand over your face but as you reached you noticed the deep maroon stains and how much it was shaking so you put your hand back down.

“If you want to, I can wait here, so you can get cleaned up.” He offered. You gave him a thankful but tired smile.

Making your way over to the bathroom. The door handle stuck to your hand slightly, leaving a slight red imprint on it.

You let out a heavy sigh, resting your head against the door as you closed it behind you. Walking up to the sink you didn’t dare to look into the mirror.

You turned on the faucet and put your shaky hands under the ice cold water. The water colored red instantly. You tried not to think about the fact it was Elle’s blood you were washing off.

Keeping your hands under the water until it turned clear again made them start to tingle from the freezing water. Turning the faucet off, you placed your hands on the sides of the sink. Not daring to look at your own reflection.

Involuntarily you let out a shaky breath. Trying to recollect yourself.

Hotch and Gideon would arrive any moment. They would have questions for you. Questions that would force you to think back to what happened not even an hour ago, while all you’ve been trying this whole time is to forget about it. You couldn’t bear to try and remember.

You dried your hands and walked out of the bathroom, scanning the waiting room for Anderson. He was talking to two men in suits. Two men you could recognize anywhere. How did they get here so soon? How long had you been in the bathroom? You looked at your wrist. The face of your watch is stained with blood. You quickly pulled the sleeve of your jacket back over it.

“It appears she dialed 911 herself before she passed out.” You hear Anderson say as you get closer to them. Hotch and Gideon turned around when they noticed Anderson's gaze shifting to you.

The pity and maybe even guilt that Anderson feels when he makes eye contact with you is clear on his face. Or maybe it’s clear to you since profiling is your job, but then how come you couldn’t prevent Elle from dying. No. She isn’t dead. Not anymore. The paramedics shocked her back to life. She’s alive. She’ll be okay. She has to be. You would never be able to live with yourself if she wouldn’t be. Hotch keeps his eyes on you for a minute while Gideon turns back around.

“Why weren’t we notified?” He asks Anderson.

“The offender apparently took her ID and gun. The uniform I talked to didn’t even know she was in the Bureau until I arrived on scene.” He replies to Gideon quickly.

“Get back over there.” Hotch says turning back to look at Anderson. “This is a federal crime scene. Nobody touches anything. We process it.” He instructs the younger agent. “Go.”

“Yes, sir.” Anderson replies as he leaves to go and do exactly what Hotch told him to.

The two agents turn back around to observe you. You are staring into space; your mind is clouded. Nothing feels clear anymore. Hotch and Gideon glance at each other. Both concerned with the state you’re in currently. Gideon takes out his phone and walks a few steps away, going to call the office.

“L/n? Hey L/n?” An authoritative, yet comforting voice made you reorientate. Hotch squinted his eyes and ever so slightly tilted his head. He was profiling you. And you would’ve noticed if you weren’t so tired.

“Sorry, what were you saying sir?” Crossing your arms over each other.

“You’re lucky you weren’t there as well.” He said touching your shoulder. But you didn’t feel lucky. All you felt was guilt, but you simply nodded. “Is there anything you remember?” He crosses his arms just like you did.

“I-” You choke on your words. You close your eyes and shake your head trying to get your thoughts in order. “I wasn’t even gone for 30 minutes. If I had just… If I hadn’t left, she would be okay.”

“If you had been there, he most likely would’ve shot you as well L/n.” Hotch tells you. Before you can say anything, else Gideon walks back over to the two of you.

“Trap and trace got nothing.” He says leaning against the wall and putting his phone away. “Unsub used a disposable cell.” You look confused at that. Hotch notices.

“The unsub, he called us. Taunting us about Elle.” He explains to you. You let out an exhausted sigh. It’s as if this case never ends.

“We got our best CSU team. If he left anything, a print, a hair, sweat, anything…” “They’ll find it.” Gideon cuts Hotch off. You look down at your hands, they are still shaking.

“I’m going to grab a coffee.” You mutter out and leave the two agents.

After grabbing your coffee, you go and sit in the waiting room. It is completely empty. Would you rather have it be busy? You’re not sure which would be worse. Because now you must sit here in this hurt. This constant tight feeling in your chest, as if you’re not getting enough air.

A few minutes later Gideon walks in. He nods at you as you look at him. He sits down a few chairs away from where you’re sitting, giving you some space. You sit in silence, it’s not uncomfortable but it also isn’t exactly comfortable. “Hotch is calling JJ and Morgan.” He says, explaining where the other agent is. You just nod, not having the energy to reply. You look down at the coffee in your hands, you haven’t taken a single sip. It’s pretty much cold now. Out of the corner of your eye, you see Gideon scrabbling things down on the magazines that lay down on the table. You don’t ask him about it.

After a while, Hotch walks in and you look up from your drink. He’s gotten rid of his suit jacket. “Any word?” He asks Gideon.

“Nope.” Gideon replies simply.

“I called JJ. I told her we’d call them if anything changed.” Hotch tells the two of you as he leans on the two chairs in front of him. Gideon and you simply nod at what he says.

“What’s all that?” Hotch asks as he notices the writing on the magazines.

“This unsub’s extremely organized.” Gideon explains instead of answering his question, “He sounded truly shocked that we didn’t follow the rules. He honestly believed we would simply listen to his directions.”

“He’s delusional. He thinks he’s a mythological king.” Hotch says, his eyebrows furrow slightly.

“But delusion and this level of organization are almost mutually exclusive.” Gideon corrects Hotch, “You don’t meticulously plan contacts in the real world if you’re suffering psychotic breaks from reality.” Before Hotch can reply to Anderson walks back in. “How is she?” he quietly asks. You stare back down at your coffee again.

“No word yet.” Hotch replies to him, “Is the scene processed?”

“They’re finished. We still have it locked up tight, though.” Anderson explains.

“They find anything?” Hotch asks, he sounds exhausted.

“CSU found a partial print.” You look up as Anderson says this. “The shooter wrote a message on the wall in blood and,” He did? How did you not notice that? Hotch and Gideon glance at you just for a second, probably thinking the same. “In one of the smudges, they found a whorl pattern.” Anderson hands over the file to Hotch. “They made a lift. They aren’t sure whether it’s enough to get a hit, but they are processing it now.” Anderson continues as Hotch hands the file over to Gideon. You get up from your seat, still holding your coffee, you walk closer to Gideon to look at the file.

He grabs the top picture of a bloody fingerprint to reveal what the unsub wrote on the wall. RULES. Dripping down the wall. You try to think back as hard as you can but don’t remember seeing it. You should’ve seen it. Gideon reads what’s on the picture and looks up at Hotch. He places the file back down on the table in front of him.

Hotch leaves to get coffee. Leaving you and Gideon alone again. You go to sit back down in the chair but stop.

You can’t help the words that slip out of your mouth. “You shouldn’t have done the press conference.” You turn around to face him. “I tried to warn you.”

Gideon doesn’t say anything. He just stares down at the file. You want to yell at him. Scream that it’s his fault. But you bite the inside of your cheek.

“I was just doing my job.” He says quietly, so quiet it’s barely a whisper. You can’t help but let out a scoff and stare at him. If looks could kill Gideon would be six feet under by now. You respect him, you truly do, but he made a bad call and can’t own up to it.

The reasonable part of your brain tells you, you are projecting your own feelings of guilt and anger on him, but you don’t have it in you to be reasonable right now. So, you storm out of the waiting room. You throw your coffee in a trash can as you walk past it. Hotchner passes by you with two coffees in his hand, he’s put his jacket back on, he raises an eyebrow when you don’t acknowledge him. He looks back at you but keeps walking back to the waiting room.

You let out a frustrated sigh. You notice one of Elle’s doctors and go to ask if they have any new information.

She just tells you the same thing, “No, I’m sorry.” And she walks away.

You just wish someone could tell you something, anything. You’re tired, exhausted, angry, sad, terrified, guilty. Your eyes start to sting as you try and hold back your tears. You look around and walk into the nearest bathroom.

When the door closes the damn breaks and tears fall down your face. A sob escapes you and you place your hand over your mouth. You try to focus on your breathing to try and calm down. It works a little bit.

You decide washing your face might help you get grounded again, so you walk over to the sink. Turning it on and putting your hands under the water. Somehow the water of this sink is even colder than the one from before. You cup your hands under it and splash the water on your face.

You reach to grab a towel to dry your hands and face but catch a glimpse of yourself in the mirror. You look even worse than you imagined. Your mascara is all over the place and so is your hair. There even is some dried blood on your face, you quickly scrub it off with a damp paper towel.

So many thoughts and feelings have been racing through your head over the past few hours, you can barely keep up with them. Did you overstep with Gideon just now? Possibly. You just couldn’t handle bearing all the guilt you were feeling anymore.

Before you leave you check yourself in the mirror again. You look… less chaotic to put it nicely. You smooth over your hair and clothes and walk out of the bathroom.

You start looking for Hotch and Gideon but only find the latter. He’s staring into space, the thing you’ve seen him do all day. You look around before approaching him, hoping to find Hotch instead.

“Hey…” You clear your throat as you stand next to the chair he’s sitting in. He takes a second to look up to his left and gives you a nod of acknowledgment. A certain awkwardness flows between you two. Neither saying a word.

His fingers are interlaced, resting on his lap. He’s trying to appear calm and collected, but his shaking knee is giving him away.

There’s a free chair next to him. You debate with yourself whether you should sit down or not. Gideon nods over to the chair as if he was reading your mind. “Just sit down, kid.”

A quick nod is all you give him in response as you go and sit down.

After sitting in this silence for a few minutes, you speak up. “She’s going to be okay right?” You rub your palms over your thighs, trying to shake the nervous feeling.

“Greenaway is strong, she’s a fighter.” He doesn’t know if she’ll be okay. He is probably as terrified as you are right now. Once again, you just nod. You wring your fingers. Letting out a sigh, you look over at Gideon.

“Sir, I’m sorry if I overstepped…” He looks over at you with a raised eyebrow, “Earlier, in the waiting room.” You remind him.

Gideon nods, he hadn’t expected you to bring it up again. He wasn’t mad at you; he was mad at himself. He should’ve listened. And he would regret the choice he made, along with all the other choices over his career. Gideon waved his hand at you, telling you that what happened didn’t matter.

You and Gideon sat in the hallway for another half hour before a doctor finally approached both of you. Hearing the news a sigh left you. Relief flooded your body.

Elle is okay. Elle is alive.

Gideon went to call the team as you followed the doctor. Elle was laying in the hospital bed. She looked peaceful. You can’t remember the last time you saw her this relaxed. You approach her bed and sit down in the chair next to it. All the memories of today wash over you again, the thought that you could’ve lost your friend. You wipe away a single tear that falls.

Gideon walks up next to you after a few minutes. Laying his hand on your shoulder.

“They caught him, he’s dead.” You turn around to look at him, “They saved Rebecca.” You look back to Elle as you nod at what he says. Part of you wished you could’ve been there with the team. Gotten some justice for Elle. But you were where you needed to be. Right here. In the hospital, sitting next to Elle as she wakes up.

#criminal minds x reader #criminal minds fanfiction #spencer reid x you #spencer reid x reader #spencer reid fanfiction #elle greenaway x reader #elle greenaway x you #aaron hotchner x reader #jennifer jareau x reader #penelope garcia x reader #jason gideon x reader #derek morgan x reader #criminal minds

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physalian · 7 months ago

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10 More Character Types the World Needs More of

Part 1 was specifically character dynamics, but I’m considering this a sequel anyway.

1. Fiercely independent character’s lesson isn’t to “trust people”

I’m not projecting. You’re projecting. There is a divide wide enough to fit the Grand Canyon between “trusting that someone isn’t lying” and “trusting someone to follow through on a promise”. Most dumpster fire attempts at these characters (almost exclusively women) rely solely on mocking them for the former because “not all men” or something.

Being consistently let down in life makes you hesitant to a) gain friends, b) pursue romantic interests, c) maintain familial relationships, d) get excited about any event that demands participation from someone who isn’t you. None of this is simply a bad attitude—it’s a trauma response. There is no lesson to be learned, and not even exposure therapy can help because it’s a real, legitimate, and common stunt people pull, whether they mean it or not.

So write one of these characters and legitimize their fears, give them someone who proves the exception to the rule, but do not let the lesson be “well they just haven’t found the right person yet”. Even the “right person” can let them down. It's about not becoming a self-fulfilling prophecy by sabotaging a good thing to prove it will inevitably go bad.

2. Conventionally attractive men who aren’t horndogs

I’m going to find every way I can to tell you to write more aces. This is to fight the stigma that attractive people must be attracted to people. Give me gorgeous aces and demi’s, men, women, enbys and everyone in between, who put a crap ton of effort into looking their best, and yet happen to not have a very loud libido. They look good for themselves, and not to impress anyone else.

Give me someone who could have anyone they wanted, gender regardless, and just simply has no interest. Or, they do actually have a significant other, but sex, how hot their partner is, or how horny they are, isn’t their internal monologue. I don’t even care if it’s unrealistic, it’s annoying to read.

And, you know, giving men male characters who aren’t thinking about sex all the time can be good, right? Right?

3. Manly warrior men who also write poetry

A.K.A Aragorn, Son of Arathorn. Just give me more Aragorns, period. This dude is either covered in filth, blood, guts, and the last 30 miles of rugged terrain, or singing in Elvish at his own coronation while pink flower petals fall. A man can be both, and still be straight.

A man can also drink Respect Women juice, you know? He ticks off all the boxes—he’s gentle when he needs to be, not afraid to hide his emotions, kind to those who are vulnerable and afraid and need a strong figure to look up to, resolute in his beliefs, skilled and knowledgeable in his abilities without being arrogant or smug, and the first boots on the battlefield, leading from the front.

4. Characters who are characters when no one is watching

This is less a specific type and more a scene that doesn’t get written enough. This whole point comes from Pixar’s Cars. I. Love. This. Movie. It’s not Pixar’s best, for sure, but this is my comfort movie. The best scene, one that’s so unique, is when Doc (aged living legend) thinks he’s alone when he rolls out onto the dirt race track and comes alive tearing around the oval.

This character’s unbridled, unabashed glee and euphoria at proving to himself that he’s still got it, when he’s completely unaware of his audience, is perfection. Not enough credence is given to characters to just… enjoy being themselves. He’s not doing it to prepare for the climactic race, he’s not doing it for the plot, he’s doing it just to do it, not even to prove Lightning wrong—just for himself.

Give your characters a “Doc Racing” scene. Whatever their skill is. Maybe they’re a dancer, a skater, a swimmer, a painter, sprinter. Just let your character love being alive.

5. Characters whose neurodivergence isn't “cute”

A.K.A. Lilo Pelekai from Lilo and Stitch. Really, her relationship with Nani is peak sibling writing. But Lilo herself is just so realistic with how she interacts with the world, how she interprets her relationships with her so-called friends, how she organizes her thoughts and rationalizes what she can’t quite understand, and how friggen smart she is for an… 11-year-old?

But she’s not “cute”. As in, she wasn’t written by generic Suits who were trying to cash in on the ND crowd by writing what they think will sell, but also making her juuust neurotypical enough to still be palatable by the rest of the audience. Lilo’s earnestness is what endears her to everybody. But also, she doesn’t get a free pass for her behavior, either. Her “friends” aren’t forced to accommodate her and Nani isn’t written as the cold-hearted villain for trying to discipline her.

6. Straight male characters with female friends

Am I double-dipping a bit here? Yes. While I completely understand how tempting it can be, this type of character is in dire need of exposure and representation to prove it’s possible. No weird tense moments, no double-glances when she isn’t looking, no contemplations about cheating on his girlfriend (and no insecure jealous girlfriend either). Just two characters who enjoy each other’s company and are able to coexist in a space and be in each other’s spaces without hormones getting in the way. Peak example? Po and Tigress from Kung Fu Panda.

Let these two rely on each other for emotional strength in times of need, let them share inside jokes, let them have a night alone together at a bar, at home, cooking dinner, getting takeout, talking on the patio in a porch swing… with zero “will they/won’t they.”

7. The likable bigot

I’m actually on the fence with this one but it’s something I also don’t see done often enough and I’m adding it for one reason: Bigots aren’t always obvious mustache-twirling villains and the little things they do might seem inconsequential to them, but are still hurtful. So showing these characters is like plopping a mirror down in front of these people and, I don’t know, maybe something will click. They don’t have to be MAGAs to be dangerous, and only writing the extremes convinces the moderates that they aren’t also the problem.

Example: I have a “friend” who recently said something along the lines of “I have lots of gay friends” followed up shortly by “I don’t think this country should keep gay marriage because it’s a slippery slope to legalizing pedophilia.” You know. The quiet part being that she *actually* thinks being gay is as morally abhorrent as being a pedo. But she totally has lots of gay friends. Including one who was driving her during that conversation. (It’s me. Hi. I’m apparently the problem, it’s me.)

She’s absolutely homophobic, but the second she stops announcing it, she’s a very bubbly person. She’s a ~likable~ bigot and thus thinks she can distance herself from the more violent ones.

8. The motherly single father

I say “motherly” merely as shorthand for the vibe I’m going for here. “Motherly” as in dads who aren’t scandalized by the growing pains of their daughters, and who don’t just parent their sons by saying “man up boys don’t cry”. Dads who play Barbie with their kids of either gender. Dads who go to the PTA meetings with all the other Karens and know as much if not more than they do about the school and their kids’ education.

Dads who comfort their crying kids, especially their sons. Dads that take interest in “feminine” activities like learning how to braid their daughter’s hair, learning different makeup brands, going on nail salon trips together. Dads who do not pull out the rifle on their daughter’s new boyfriend and treat her like property. Dads who have guy friends that don’t mock him and call him gay. Dad who does all this stuff anyway and is *actually* gay, too, but the emphasis is on overly sensitive straight men’s masculinity here.

Wholesome dads: a shocking amount of single-parents to female anime protagonists.

9. The parent isn’t dead, they’re just gone

Treasure Planet is an awesome movie in its own right, but what’s even better? This is a Disney movie where the parent isn’t dead, he’s just a deadbeat who abandoned his son and isn’t at all relevant to the plot beyond the hole he left behind for Jim to fill. The only deadbeat dads Disney allows are villains and those guys are very vigorously chasing an aspiration, that aspiration just doesn’t include quality fatherhood. Or motherhood. Disney has yet to write a deadbeat mom, I’m almost certain.

I just wrote a post about the necessity of the “dead parent” cliche, but what is perhaps more relatable because it’s more common, and what earns even more sympathy and underdog points for the protagonist? The hero with the parent who left. Then there’s a whole extra layer of angst and trauma available when your hero can now plague themselves with the question of if the parent leaving is their fault. Death is usually an accident. Choosing to abandon your kid is on purpose.

10. Victim who isn’t victim-blamed or told by their friends (and the narrative) to forgive their abuser

Izuku Midoriya lost so much support from me the moment he told his friend, bearing the consequences of domestic violence across half his face, that Midoriya thinks he’ll be ready soon to forgive his abomination of a father. I am firmly in the “Endeavor is a despicable human and hero” camp and no I’m not taking criticism. I audibly gasped when I heard this line and realized Deku was serious. Todoroki needs friends like the Gaang to remind him that he's allowed to hate the man who's actions caused the burn scar across his f*cking face.

I understand that the mangaka apparently didn’t anticipate the vitriolic backlash toward Endeavor during his debut and reveal of his parenting tactics but the tone-deafness of telling a fifteen year old with crippling emotional management issues and a horrible home life that his abusive dad in any way deserves and is entitled to forgiveness on the grounds of being related is disgusting.

Take it back further to a more famous Tumblr dad: John Winchester. Another despicable human who got retroactively forgiven by his sons after his death in a “he wasn’t so bad, he really did try” campaign. It’s one thing if the character believes it, it’s a whole different matter if the narrative is also pushing this message.

Katara is a perfect example: She lets go of her grudge for her own peace of mind and stops blaming Zuko for something he had no hand in, stops blaming him simply because he’s a firebender and he’s around to be her punching bag. She doesn’t forgive the man who killed her mother, because that man doesn’t deserve her forgiveness. Katara heals in spite of him, not because of him, and had she let him off the hook, she would have gotten an apology for getting caught, not for what he did (which is exactly what happened).

#writing advice #writing resources #writing tips #writing tools #writing a book #writing #writeblr #character design #character development #aragorn #pixar cars #kung fu panda #lilo and stitch #treasure planet #atla #katara #my hero academia

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bogleech · 26 days ago

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ALSO ON STORENVY HERE

ONCE UPON A DARK TIME IN THE TERROR AGES SOME MORON SCARED THE WORLD TO DEATH (GEE THANKS PAL!!!!!!!) BY WRITING A STORY CALLED "THE DAY OF ALL THE BLOOD." THE STORY WAS SO DARK AND GROSS THAT ANYONE WHO READ IT GOT SCARED IN REAL LIFE ALSO.

NOW MANY CENTURIES LATER THE SAME TWISTEFIED AUTHOR IS PUTTING THE STORY IN REAL PAPER YOU CAN TOUCH ALTHOUGH THE STORY IS STILL FAKE (………OR IS IT…………..) ALONG WITH SEVERAL OF THE ORIGINAL RELATED STORIES AND A BUNCH OF BRAND NEW ONES TOO SCARY TO PUT ON THE INTERNET!! ALSo the new stories aren't entirely in caps lock anymore because that got old if they were LOUDER you would get scared so hard you would quite possibly die to death for all time. This small thin paperback prints and ships in time to ruin thanksgiving or maybe christmas!!!!!!!

BRAND NEW STORIES INCLUDE:

THE MOST MURDERED GIRL IN THE WORLD: One day a girl did not listen to her mother, and got murdered by all the murderers in the world at once. The power of almost 100 murders at once transformed her forever…but into what!? The clue is in the title, but you'll never guess. heh heh heh.

THE TRUEST CRIME: one day there was a crime so terrible you will not be able to read what the bad guy did without throwing up your guts at how evil it was. Let's just say it sends 100 MILLION BABIES to prison…and that's only the beginning………

THE BODYLESS DOG: what happens when a dog gets its body cut off and doesn't die!? Well he isn't happy about it I can tell you that much.

VAMPIRE HANDS: this story is about YOU and the time your hands turned into the hands of a vampire. Maybe you think having to keep your hands in tiny coffins all day long doesn't sound so bad but that is only one of the more than one things you have to do when you have vampire hands!!!!!!

THE INVISIBLEST KNIFE: in this story you accidentally kill everyone and everything you care about and even ruin a hot dog completely. Don't worry! There's no such thing as the invisiblest knife! I am looking around right now and I don't see it anywhere. Do you??

WHEN ALL THE STEEL TURNED INTO WORMS (and it was not my fault!!!) this is one of the LONGEST stories (more than two pages!) in the book and is about when one day all the steel in the world became worms that were scared of humans so if you even looked at a car it would fall apart from all the worms running away into the dirt. Again these are descriptions and not the whole stories so this is just one of the things that happens!

THE DAY IT RAINED THE HEADS FROM SPACE: what happens when a really sharp human space probe meets a planet where everyone is the same exact height and always stands in a line on a perfectly flat plane?!?!?!?!?!!?!!?? Well they aren't happy about it I can tell you that much.

THE DOG THAT WAS TOO LONG: you like dogs, do you??? Well sometimes wishes come true but sometimes…sometimes wishes suck and were stupid to make actually. Fool.

THE WEIRD GUY: don't worry, there's no such thing as a weird guy, and if there was, it would not turn out to have been you all along! Pretend you didn't read this massive spoiler.

THE GHOST'S GHOSTS: everyone knows a ghost is twice as scary as a regular person, but what about a ghost's ghost? Obviously that would be twice as scary as a regular ghost. A twisted tale of how the human race is exterminated several hundred times in a row.

DARKNESS MOM: the worst most awful most disgusting scariest monster in the WORLD!! You will TERRIFIED to read about this mom who is TOO TALL and has a GROSS TOO LONG TONGUE and SHARP MONSTER HANDS and if she GETS YOU she will make you be IN TROUBLE all the time for like NO reason!!! NOOOO!!!!!!

THE THINGS THAT DID THE WRONG THINGS: you better not read this secret government list of things that do the wrong stuff!! The secret guys will catch you and you'll have to go to secret jail so you don't go telling everyone about anomanolies such as THE WORST TURTLE (three words, FOOL: spikes on it) or THE CLOCK THAT TELLS TIM (tim is alright though this is not his fault)

THE HALF MURDERER: what if a normal person and a murderer had a baby? It's more likely than you think! Or shall we say…half more likely…mwa ha ha ha

THE REVENGE OF THE DAY OF ALL THE BLOOD: THE LONG FEARED SEQUEL (WARNING: this one is in capitol letters again, it is PULLING NO PUNCHES!)

…………AND MAYBE SOME MORE IF I FEEL LIKE IT! *actually some more are already in it I just might add a couple more than that even

#horror #creepypasta #halloween #halloween 2024

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shewhowas39 · 6 months ago

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a quick note on elven maturity

all right. time for another lore dump, brought to you by a big DnD fangirl.

so i see a lot of conversation around Astarion's age at the time of being turned (39 years old) and how, in DnD, that would make him a "child." this comes from rules and lore that state that elves can live to be about 750 years old (or older) and are considered adults at 100 years old. and i can absolutely see why that is confusing, but let me break it down a bit.

Elves reach physical maturity at the same age as humans, but after that point, their aging slows down tremendously. a 39 year old elf may be "considered a child" but has the physical maturity of a human in their 20s and mental maturity of a 39 year old human.

so let's talk about that "considered a child" business. this might be cleared up by adding the caveat "by other elves" at the end.

the distinction of "childhood" is cultural. because elves live so long, they see those under the age of 100 as youthful. think about it: if you had seen five hundred years of shit, you'd think an 80 year old was a sweet summer child, too. hell, i'm in my 30s and sometimes it's hard not to look at people in their early 20s as "kids" because we're just in such different places in our lives, even though they are legally adults.

even in the real world, maturity and adulthood are seen differently across cultures. different countries have different drinking ages, different ages for driving cars, different ages of consent. those standards may seem odd to an outsider, used to their own cultural norms, but every community is different.

elves don't just see other elves under age 100 as children. they see other races this way as well. high elves tend to view humans as immature - even in their old age - because 80 years to them is nothing.

i was a legal adult at 18, but 18 year old me didn't know half the shit 33 year old me does. and i'm sure 45 year old me will think 33 year old me was "young" by comparison.

now, i've seen some takes that Astarion might be lying about being a magistrate because he was "a child" and why would they make a child a magistrate? that argument might hold up in an elven dominated city, but Baldur's Gate is mostly human. by human standards, Astarion had the same mental capacity as any other 39 year old man.

Astarion, at age 39, may have been seen as a "child" by other high elves, but this isn't literal. it merely means he had yet to reach a major cultural milestone of a very, very long lived race. a milestone even the most elderly of humans likely will never reach.

would you call an 80 year old human a child? no. but a high elf very well might see them that way. not in the physical sense, but in a "oh to be young and naive and know less of the world than I do" sense. the way that we all inevitably look at those a decade younger than us, even though they are adults, and see their youth in comparison to our own.

it's 5am here and i'm babbling. the point is, the "child" bit of elven lore in DnD is confusing, i get it. but it's purely cultural. in Baldur's Gate, a city primarily run by humans, Astarion was not seen as a child by most. he was a grown man. he had the mental maturity of a 39 year old man. the only people who would have seen him as a child are other, older high elves (mostly those who grew up in a place like Evermeet) and maybe elders of other races - even humans - who were like "oh, to be 39 again!" (lol, me the day i turn 40 probably.)

tl;dr elves in dnd are not LITERALLY children until they turn 100. it's an elven culture thing, similar to how in real life different cultures have different standards for things like driving, drinking, joining the army, and age of consent.

#astarion #astarion ancunin #dnd #dungeons and dragons #forgotten realms lore #baldur's gate 3 #dnd lore

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lellalombardiapologist · 3 months ago

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it pains me to no end when i see people make those tragic f1 rivalry posts and they start from prosenna, but prosenna would be nothing without villeroni

alain prost received phone calls from gilles villeneuve when he was upset after what he perceived as a betrayal at imola in '82, if you're familiar with the phone calls senna made to prost ten years later that's gonna ring a bell (no pun intended)

alain prost saw gilles villeneuve die at the next gran prix without ever making peace with didier

alain prost would not have stopped the '84 monaco race in the rain if it hadn't been his car upon which didier pironi's ferrari impacted horribly in the rain at hockenheim two years earlier, getting airborne in a tragic repetition of gilles' accident and resulting in didier' legs being horribly mangled (he had to undergo more than 30 surgical operations, never recovered full functionality and thus could never race cars again). alain himself said that he used to like racing in the rain before that.

alain prost probably knew that didier pironi had his house filled with photographs of him and gilles and alain kept very little f1 memorabilia in his study, except for ayrton's helmet

alain became the first french world champion only because didier's accident gave way to keke rosberg's championship win in '82

alain was also aware of didier's death in a powerboat crash in '87, and is probably aware that the narrative between him and senna is more nuanced than the gilles/didier narrative in popular journalism and media because he is still alive to tell his version of the story after ayrton's death, while didier isn't here anymore and most remember him as a traitor to gilles.

#also. pet peeve but if both people are still alive IT'S NOT A TRAGEDY #they can still talk to each other #prosenna #villeroni #alain prost #ayrton senna #didier pironi #gilles villeneuve

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redflagshipwriter · 8 months ago

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Hot Ghouls in your area ch 6

Masterpost

Danny felt like something scraped off the pavement. Through an act of absolutely heroic willpower (and outright fear of Jazz trying to help him rebalance his workload) he made it through his morning classes.

He staggered away from campus, brain buzzing tiredly over numbers and formulas and also his accidental concubine.

Nope. He shook his head rigorously. “I need a pick me up,” Danny decided. He ignored the common sense that said ‘coffee isn't going to fix this.’ Sure. That was true. But it wouldn't hurt, would it? And he was way overdue for the first meal of the day.

He shouldered his way into a café near campus. This wasn't one of the most convenient ones or one of the trendy ones with different seeds or organic whatever baked goods on rotation.

Nah. It was dark, mostly empty, and multiple tables were along the wall with nice views of the windows and door. The only other customers he had seen in this place were 50+. Well, there had been a high school girl inside once, but she'd clearly come in because her grandmother was the owner. Danny beelined to his preferred table and unloaded his backpack onto the spare chair before he gratefully collapsed.

Ah. Dark. Quiet. He slouched onto the table a bit.

“You look tired,” said the owner.

Danny lifted his head just enough to give her a cheesy smile. “Can I get a coffee, please?” He croaked. “And- is it still lunch hours?” They stopped doing lunch at two, didn't they? Shoot. What time-

“I can do lunch,” she reassured. She scribbled something deftly onto a pad of paper. “Roast beef sandwich set?”

“I will protect you with my life,” Danny vowed.

She laughed and turned away, but he was for real for real. Danny forced himself to sit up enough to look around his surroundings. He wanted to stay awake. He had just one more class today - a 4 to 5:30 lab. Once he got through that, he could go to bed.

Huh.

He accidentally made eye contact with a young guy holding up a book. Danny lifted a single wave and then looked away awkwardly.

‘Wait a second.’

Danny did a double take.

Yes. Yes, that fucker was holding up a copy of a book from the library in Pariah's keep. It had ghost writing on it.

The guy slowly, pointedly lifted an eyebrow. He was- he was hot and huge and Danny had seen him lift like 200 lbs of books like they were nothing at all.

Danny flushed bright red and buried his face in his hands.

Okay. Okay, so that was Jason's face. How had he found Danny??? That was absurd. …Was it a threat? It felt kinda threatening. Was he in like, danger? Danny pulled his hands away from his face and squinted as subtly as he could at his hellion of a ghost spouse. What kind of sick mind game was it to lurk along his daily route and passive aggressively remind him that he should be working on their divorce?

Worse than that. This was the fastest anyone had ever found his personal identity. Fear and confusion trawled around his gut. How? Literally how? Danny raced back through his memory of their conversation and kicked himself over every misstep he could remember. Clearly, Jason had been prodding him for enough information to trick him into doxxing himself. It was a betrayal, honestly.

Wait. The burner phone. Danny didn't know how, but Jason must have been able to track it. It was a trick.

Danny gave him a nasty look when he figured that out.

Jason pretended to be absorbed in his book. The bastard!

Danny got tenser and tenser, the tendons in his hand flexing into visibility on top of the table.

He felt guilty about not dropping everything and then resentful that apparently Jason wanted him to. He had other things to do, okay? His school life was important.

“Here's your coffee.”

“Thanks,” Danny said automatically, and moved his hands to free up space for the cup and little container of cream. He immediately spooned in sugar and dumped in all the cream. He was way too grateful for something to do with his hands. He breathed in steam and then took a careful sip. It was a good chance to steal another glance at Jason through his lashes.

Jason was still pretending not to pay attention to him.

What was his deal?

His plate came. Danny ate mashed potatoes and gravied meat with more viciousness than usual, casting dark looks at Jason over the vividly orange carrots he speared into his mouth.

The sugar, caffeine, and confused anger hit his nervous system and converted itself helpfully into energy. Danny buzzed with energy. He was going to tell Jason to back off, he decided. The guy still hadn't moved other than to sip at what had to be ice cold tea by now.

“Do you have a problem?” Jason drawled. For the first time, he shut the book and fixed his green eyes directly on Danny.

“I was wondering what your problem is, actually,” Danny shot back. He gave a pointed look to the book. “Real funny bringing that out in public.” His gaze tracked back up to make eye contact and then his brain stuttered.

Holy cow. That was an ecto sheen on his eyes.

‘... I've already contaminated him?’

“It's just a book,” Jason said, voice full of fake confusion. As if he hadn't brought it there to make a point!

Yeah, okay. Danny scoffed. “Whatever, asshole,” he dismissed. He dug money out of his wallet and slapped it on the table to cover his lunch. He barely remembered to grab his backpack through the haze of anger. “I'm sure I'll see you soon.” He took the time to aim an ugly face at Jason on the way out, pulling his lower eyelids down and sticking out his tongue. He barreled out the door while Jason was still sputtering in his fake ass shock.

Boo! That jerk!

#red hot ghouls #dp x dc #dc x dp #dead on main #jason todd #danny fenton #Jason fails to enjoy a nice cup of chamomile

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curioscurio · 4 months ago

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Genuine question, if you are voting for Biden why not just vote independent? Biden is not going to win regardless. Why not just skip the vote for genocide and vote for someone that actually cares about Palestinians

Because I live in Florida, which is a powerful swing state. Giving my vote to anyone other than the person who has the best chance at beating Trump is throwing it away. If Trump dies, I'll vote someone else. If Biden dies, I'll vote someone else. If it seems like everyone in the world has finally agreed on a unanimous third party vote by november, I'll vote someone else. Anything can happen before then, and my vote isn't set in stone.

Until then, the majority of undecided voters are going to vote Biden. There's a lot more people in Florida who are tired of the Trump train than you think. They're seeing his trials, his lies, and they're tired. There are a lot of students in Florida who are now eligible to vote. 4 years worth of 18 year olds who all have tik tok and are very much against all the bullshit in the world. And they all understand how the electoral college works. They know their votes could turn Florida blue.

America does not run on Popular vote, it runs on the electoral college. This means that every US state gets a certain number of votes out of 538 total. Some states, like Wyoming, get 3 votes. That means that my state, Florida, effectively gets 30 votes out of the 270 needed to win the presidency. But, here's the catch, ALL of those votes can only go to ONE candidate. (There are exceptions in 2 states, Nebraska and Maine.) If Trump gets more votes than any other single candidate in Florida, all 30 votes go to Trump.

It's called a swing state for a reason, because it can swing the race heavily in one candidates favor. Only Texas and Califorina get more votes at 40 and 54, respectively.

If all the Republicans in Florida vote for Trump, but all the Democrats and Independents are voting for people other than the person on the ballot, Trump will still get 30 votes. Even if some Republicans vote Biden, if everyone else is writing different candidates in, when everything is tallied, Trump could still win.

Imagine you have 270 red delicious apples, 200 Green apples, 38 yellow apples, and 30 macintosh apples. There are still more Red Delicious apples than any other kind, so Red Delicious gets the Presidency. Luckily, people in Florida who liked Red Delicious apples last year are getting tired and might pick Green apples instead this time. They are almost guaranteed to not pick a golden or macintosh apple, though.

This is what happened in 2016 that allowed Trump to win when he LOST to Hillary Clinton for the popular vote. More electoral college votes went to Trump than they did to any other person. From person to person, more Americans as a whole voted for Hillary. It's all about where you live physically.

This is the reason why I'm voting for Biden at the moment. If things change, I'll happily change too!

And Obviously I don't support Genocide. My point is that realistically speaking, Trump has flat out said to just "finish them" already, so it's not out there to assume he will push to accelerate this genocide using nuclear retaliation. I'm not trying to fear monger, I'm saying this system is broken, and they're lying to you about how it works in order to take advantage of your ignorance. Whoever gets the most votes win? Not exactly, but if you don't bother to look any closer, you'll never know you were playing a rigged game from the start.

Vote however you need to for your state. But understand where your vote is going. One vote is the difference between 30 and 3 electoral votes.

#long post #ugly election politics #i'll try and keep that tag from now on #also im not perfect so feel free to fact check me on this but I cant afford to vote for who I actually agree with this time.#if you were to ask me whos policies im not repulsed by i couldnt give you an answer. AOC feels like the least scummy but also the least #least experience #maybe she'll officially step up in her birthday. thats when she turns 35 and is eligible for candidacy. idk #4 more months and anything can happen

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jesncin · 2 months ago

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Caped Crusader, "Safe Diversity", and Catwoman

We're at a point where it's expected that a new incarnation of any story previously with a white-dominated cast would be reimagined with a "more diverse" cast. This can mean racebending them, genderbending them or making them queer, but for the purposes of this analysis we'll be focusing on racebends. Most of the time, executives will take the "safer" routes with diversifying their cast- pick a couple of unproblematic supporting characters to be incidentally "diverse this time". Other times, there might be "braver" takes where more prominent characters (perhaps even the main character) are racebent. This doesn't necessarily mean racebending prominent characters is an inherently better thing to do.

I've been more than critical of MAWS' portrayal of BIPOC characters but especially their Asian Lois before. Sometimes BIPOC representation is just a decorative palette-swap change for these shows. Caped Crusader however, is different. It's more complicated- but it's rooted in very similar problems. Unlike MAWS (though I can only speak for S1), CC is far more willing to take on political topics: classism, sexism, police corruption and brutality, even beauty standards in the entertainment industry! Yet, in choosing to portray these topics in their stylistically anachronistic 30s-40s set piece- it makes it so the show's reluctance to discuss race intersecting with any of these topics far more apparent.

(spoilers for all of Caped Crusader)

Take for instance, episode 2: "...And Be A Villain". The story is about Basil Karlo, a less than handsome actor who wishes his appearance wasn't holding him back from both love and playing roles saved for better looking people. He makes a deal with Jack Ellman, an experimental makeup artist who turns him into Clayface. This story is set in motion when Miss Yvonne Francis, a beautiful actress, goes missing. Miss Francis is a woman of color (brown skinned, unspecified) played by Lacey Chabert: a white actress. CC goes for a generally colorblind casting what with Stephie (a white girl) being voiced by Amari McCoy (a Black actress) but it always feels icky when a white actor voices a character of color. Prominent characters of color in CC are more accurately casted. However I do think animation should be wary of using their medium to get away with their show appearing more diverse than the actual talent behind it.

The episode's theme is pretty clear on how unfair the entertainment industry is in regards to who it prioritizes in leading roles. Basil is constantly emphasized as a tragically talented actor whose appearance is holding him back. "With your talent you should be a leading man, Basil." Yvonne says to Basil in a flashback. Meanwhile as Alfred is watching through movie clips featuring Yvonne and Basil together, he comments "while lovely to look at, Miss Francis is no Gloria Swanson." So Yvonne has the looks, but not the talent and still gets prestigious roles because that's showbiz. The only time this is weirdly inconsistent is when Yvonne calls out Basil/Clayface in the finale, saying:

"I don't believe your performance. You're chewing on scenery. Relying on makeup effects to enhance weak characterization. It's insincere, Basil. It's not real."

I honestly feel like this scene was just meant to quickly "subvert" Yvonne being a damsel in distress by having her call out Basil's acting. It's a moment that isn't reinforced by anything the episode set up. After all, according to Alfred, she's not as good an actor compared to Basil. That's supposed to be how they foil each other, so this moment feels unmotivated. Again, I get what they're going for, that Basil's performance ironically relies on his newfound appearance so much that even a bad actress like Yvonne can spot his meager acting. But it doesn't work when our protagonists were actually convinced by his imitation of others. She's still a damsel in distress character regardless of her having a bit of attitude when calling her captor out.

What I don't understand is: why make Yvonne a woman of color if this was the story you wanted to tell? It's not like they're paying homage to how her voice actress looks, after all. Why, in your story set in purposely anachronistic 30s-40s era noir, did the character who was meant to represent the epitome of "not talented but gets by the industry because of her conventional beauty and pretty privilege" a woman of color? We're missing the very obvious conversation here where Tinsel Town is a white industry with white biases to what it considers attractive. It doesn't matter how many attractive actors of color exist, they're still pigeon holed into stereotyped and often racist roles (especially back then), and have to work twice as hard to get the opportunities their white colleagues get. Why is Basil, a white man, the only one afforded a marginalized narrative when Yvonne is quite literally a woman of color right next to him? The episode is especially painful to sit through when Basil is afforded so much sympathy compared to Yvonne.

"He didn't have the right look. He didn't have the right face."

"The camera is kind to some, but cruel to others."

This is transparently a colorblind narrative. Yvonne is written and even casted as a white woman. The CC crew just decided she should be a WOC likely because "wouldn't it be neat if the beautiful actress in this story is POC" without thinking about how that would drastically change a narrative already critical of the showbiz industry based on appearances. It's not intersectional and flattens the narrative to being selective of the prejudices Tinsel Town has. This episode is a great example to what CC generally does with diversity. It's not afraid to be critical of society, but it gets oddly squeamish with discussing how race intersects with these topics- opting mostly for a palette-change type of representation.

It's not entirely fair to say CC doesn't ever touch on the topic of racism. It sort of does: if you read between the lines for why the mayor gives Jim Gordon his commissioner role, and more prominently with the Gentleman Ghost (a rich aristocrat ghost that steals from the poor, believing wealth is his right) being offended that his mansion is sold to Lucius Fox (saying "and you would sell it to rabble like this?")- racism is somewhat present in the world of CC. We see the women in this show experience misogyny, but it's ambiguous if any of their struggles are intersectional with that of race. But that's... just about it. Racism isn't discussed more than it is alluded to, whenever the writers decide it's relevant. Because of this, CC has a spectrum of hits and misses when it comes to integrating characters of color in their reimagined cast.

Here's how I would visualize that spectrum using canonized instances of Asian Lois Lane. I should emphasize that representation of people of color doesn't entail the narrative owing us "a racism arc" or what have you. This spectrum is more used to measure how much racial identity was integrated in the characterization of the character: whether that be cultural identity or history. Being a person of color isn't just "person who goes through racism".

This is how I'd personally place the prominent characters of color in CC on my "spectrum of racebends" chart. Generally most of the characters of color (whether reimagined that way or were originally POC already) are fairly harmless in how they were integrated into CC's world, but none of the characters feel bespoke as a reimagining of the character and are interchangeable with their white counterparts. To quote cartoonist Juni Ba (in a discussion on CC):

"...stripping characters of color in these time period stories of any cultural, [a]esthetic or social signifiers that’d make them true to the groups being represented. Instead they dress, act and speak very western."

In my opinion, the only character that is an exception to this is Linton Midnite (or as he's popularly known as: "Papa Midnite"). Midnite is a character so interlinked with Haitian culture and mysticism that even CC couldn't erase that aspect of his identity (important note: historically, the portrayal of Midnite since his creation is riddled in racism, but that's not my place to discuss here). Midnite at most speaks with an accent, dresses more nonconformingly compared to the western standard dress of all the other characters, and practices occultish stuff (though I don't think there was anything culturally specific in that episode, please correct me otherwise if someone has more insight!). That's a lot more cultural representation than just about any other character of color in CC. Midnite can't be changed to a white character, his African identity is too interlinked with who he is.

There are a few characters I consider in poor taste to be POC- that being Arnold Flass, Yvonne Francis (who we've covered already), and Harley Quinn (who will be getting her own post, as her case is complicated). So let's talk about cops, then.

I tend to be indifferent about media choosing to diversify cop characters because it feels like choosing the most "respectable to society" role for a marginalized character to play. Cops uphold bigoted systems of power at the end of the day, so that's a very comfortable place to represent your marginalized characters. It's why we keep getting gay or lesbian cops, which Batman media absolutely perpetuates as well with Renee Montoya. It's hard to cheer for two women of color being allowed to date and kiss in public when one of them is a cop, y'know? But this doesn't mean re-imagining cop characters doesn't have narrative merit.

In regards to Jim Gordon being reimagined as a Black cop, I'm gonna refer to La'Ron Readus' video on "Fixing the Batman's Copaganda problem" where he goes into detail about the missed potential of Black!Jim Gordon from Reeves' The Batman (2022). Generally, I felt that opportunity was missed in CC as well. While I love that Barbara Gordon is in CC, nothing about her being a WOC is integrated into this version of her. It felt like if either character was white, the story wouldn't be that different. The bigger issue here is the choice to racebend Arnold Flass- a previously white, blonde, cunningly smart, and brutally corrupt cop.

CC follows some of this in their version of Arnold Flass- he's paired with Harvey Bullock (also a corrupt cop). While Bullock is the brawns of the duo, Flass is the smarts. He's cunning and even implied to be willing to frame Bullock if the worse comes to it. It isn't an inherently bad idea to racebend a corrupt white cop into a Black cop. If the writers want to tell a story about how the police force assimilates people of color into the system and forces them to be just as if not more brutal than their white counterparts, then by all means tell that story.

But that's not what CC gave us. By rarely acknowledging race, we don't get to have a conversation or themes surrounding that delicate intersection of identities. We just have "diverse Flass". Look at these panels from Year One for example, can you imagine how Flass' casual disrespect for Gordon by constantly calling him "Jimmy" could be re-contextualized with a race change? Unlike other characters who just feel like missed opportunities for not integrating race into their characterization, Flass is an elephant in the room. To not acknowledge his race in themes of police corruption and brutality is to white wash the narrative with diverse paint.

I personally think the stronger narrative decision would have been to racebend Bullock as Black instead of Flass. Flass could still be the conniving cop, but he encourages Black!Bullock to be the more "violent brute" who does the dirty work for him. It would put a newfound racial layer to how Flass considers Bullock disposable. Then we could have some kind of commentary on how the police force encourages a system of abuse that makes even fellow POC turn on each other. It'd also make it so a certain scene would be better in optics.

I have many criticisms for the scene where Batman holds a gun to Flass in the finale of CC. It's a narratively unmotivated (see my criticisms for CC's Two Face here for elaboration) and weak moment that relies on metatextual shock value to cover up how underdeveloped this take on Batman is. But it's also just very uncomfortable optics-wise. It's a common and valid criticism that Batman as a character can very easily fall into copaganda, with his status, goals, and collaboration with the police force. In many ways, Batman is often written to be committing his own kind of vigilante police brutality.

Caped Crusader wants to be a deconstruction of a Batman tied to power and hellbent on his mission to eliminate crime. But because CC occasionally omits race from its narrative, the scene where Batman holds a gun to a Black cop-a man stripped of his ability to fight back-just falls flat for me. There's no acknowledgement in this scene that Batman basically gets to be an anonymous cop, "warning shots" and all. Batman shoots at an unarmed Black man several times. It's meant to be shocking to us how Bruce is willing to stoop to such a level and indulge in gratuitous gun violence, but it honestly hits too close to real incidents where this is racially the case for me to enjoy the narrative point of this scene.

You know a character who would be perfect for calling out Batman's many privileges? Selina Kyle. Let's talk about Caped Crusader's biggest downgrade.

I've heard just about all the arguments in favor for CC's reimagining of Catwoman and none have convinced me that this was in any way a good take on the character. I see people saying that this Catwoman is a return to her golden age roots, and there's a lot of misconception surrounding that assumption. So bear with me as looking at Catwoman's history is necessary to discuss race and how a character evolves.

Catwoman debuted in the 1940s as a jewel thief who disguised herself as an old lady. She was just called "The Cat" and would not don her more feline appearance until later. True to the mystery woman femme fatale trope she was inspired by, her backstory was left unknown for a long time. 10 years later, in Batman #62 it is revealed that after a plane accident bonked her head, the now named Selina Kyle got amnesia and went on a crime spree. Giving her leeway to reform and be an ally to Batman. This would historically inform how Selina Kyle toed the line between good and evil as an anti-hero.

Her origin would be revisited in 1983, in the Brave and the Bold #197. Although not canon to the mainline universe, it is still a crucial development for her character's history. In this story, Selina reveals that she lied about having amnesia to get out of facing punishment. Her true story was that she entered a life of crime to escape an abusive relationship with a rich man. The only loss her husband understood was material loss, loss of property, so stealing was how Selina fought back.

This crucial re-examination of her character transformed her from shenanigans inducing femme fatale, to a marginalized fighter. Shortly later in 1987 in Batman Year One, Catwoman is reimagined as a street-hardened sex worker in poverty. She is inspired by the Batman to become a vigilante for her own goals and gets annoyed that she's assumed to be his sidekick.

The moment Catwoman became marginalized by power, was the point where she became worthy of solo-character status. She was not only a compelling foil to Batman-capable of going toe to toe with him and make him question his motives even though she did not share his privilege-she could lead her own adventures reflecting a side of Gotham Bruce Wayne's perspective doesn't. She actively makes the setting of Gotham stronger because of how she's evolved as a character.

Catwoman's character would continue to evolve, with some iterations reimagining her as a latina woman and others where she's canonically bisexual.

While Catwoman has been portrayed by Black actresses before, I want to focus on the most recent and prominent iteration of a race-swapped Catwoman. When Matt Reeves' The Batman (2022) featured Zoe Kravitz as Selina Kyle, an explicitly biracial character within the text of the story, we see another step this character evolves. I think La'Ron Readus' video on "Why Race-Swapped Characters Are Not The Full Story" does a fantastic job of explaining why this is a narratively great race swap. To summarize (though I do encourage watching his video as he goes into depth about 2022 Batman's Jim Gordon as well among many other examples) and add analysis of my own: Selina being the byproduct of an Italian crime lord and a Black sex worker is a brilliant marriage of her original backstory (being connected to and abused by powerful men) and her modern backstory where she's poverty stricken (and tangentially related to a sex worker if we're talking about Batman Year One).

We understand why someone of her background would have an affinity for stray cats because of how she lost her mom at a young age, she is sympathetic to fellow people from the lower class, and explicitly calls out privileged white people- including Batman who attempted to over moralize Selina's partner as a sex worker.

"All anyone cares about in this place, are these white privileged assholes."

It's especially that last line that makes it so Selina's character isn't interchangeable with her white counterpart. She's a textually rich character to contrast Bruce in Batman 2022, and we can see how years of history and evolution has brought such an empathetic character to the screen. Interestingly, Readus feels that while 2022 Selina was an example of a race-swap that works, he believes it was great by coincidence, because of the miss that was Gordon's characterization in the same movie. I think with Reeves as a collaborator on Caped Crusader, that assumption was correct.

Selina in CC is back to being a rich socialite, but (unlike her Golden Age counterpart) she's not married into wealth- she's got generational wealth (with a dad serving jail time for tax evasion). Worse yet, she's taking what little remains of her money and spending it on superficially imitating the Batman to create her Catwoman persona. She even has her own reluctant Alfred, a Catmobile, the works. Selina steals things because. She likes shiny things. And is something of a kleptomaniac. Catwoman is instantly discovered to be Selina because of course she's not as good as Batman is with keeping a secret identity (another key difference from her Golden Age counterpart, whose backstory was shrouded in mystery for a decade).

It is laughable to me that CC touts that their version of Harley Quinn has an origin of her own outside of the Joker, only to turn around and make a Catwoman that is completely tied to copying a man as her origin (did they decide Harley's goofyness as a character needed to be replicated in Selina for some reason? In their supposed dark and edgy show?). What a strange choice to fixate on the part in Year One where Selina didn't like being mistaken for Batman's assistant despite being inspired by him and turn it into a quirky bit. It feels like such a regressive take that frames Selina as a sillier, whimsical version of Bruce that just spends money on a whim because women just aren't smart enough to know how to keep track of their money. They're too busy looking for shiny things to steal. The fact that both 2022 Batman and CC have a scene where Selina is looking through her many bills she's yet to pay is wild to me. How am I supposed to care for a Selina that has the expendable wealth to create a Catwoman costume, car, and gadgets, but delay paying her maid? One of these versions of Selina is far more sympathetic than the other.

Again, I get what CC is going for. Batman is characterized to be hellbent on catching criminals, Catwoman is supposed to serve as some kind of reflection of his obsession. They're both self destructive in their goals, but one is vengeance and the other is chasing thrills. But is that really as interesting a foil as having Catwoman be marginalized, just as skilled, and making Batman second guess himself? Is it a take that strengthens Gotham as a setting by shedding light on its lower class characters? Is it a take that makes her worth revisiting as a perpetual rogue and not a one off episode where's she's basically a shenanigans-inducing nuisance to Batman? Evolved takes on Catwoman have talked about her desire to seek thrills and paired it with how she dismantles power. So it's not like CC's take is particularly unique, it just lacks all the depth that usually surrounds Selina's thrill seeking.

In a show that is frankly desperate to make it so Bruce doesn't have a personal relationship to his rogues gallery because he's too busy being "A cold, remorseless avenger of evil, seemingly more machine than man. Forged in the fire of tragedy, every fiber of his being is dedicated to the eradication of crime." (according to promo) that's how we end up with Barbara as the foil and humanity to both Harvey Dent and Harley Quinn. How the show focuses on the police force more than Bruce. It feels especially pointed that Catwoman is characterized this way. When she doesn't contrast Bruce, she becomes less personal to him as a character that is poverty stricken but still matches up to him in skill. She can't challenge him or his worldview, he can't find her fascinating as an equal, all of their chemistry and intrigue is erased.

All this to say that of the characters revealed for CC, I was honestly surprised that Selina wasn't one of the many characters racebent. CC followed up on a Black Jim and Barbara Gordon, two characters that have been race swapped before in previous media. Most prominently! Harley is Asian in this iteration, something never done before. So why is it that Selina doesn't follow up on the many times she's been portrayed by Black actresses?

It's because it's an actual good racebend if written well. It wouldn't be a "safe" racebend because writing Selina this way means you'd have to acknowledge racism, and it would be much more noticeable if you didn't. There is no canonized version of Asian Lois Lane that parallels her relationship to Superman as an immigrant. But there is a version of Selina as a Black woman who directly calls out white people and is aware of systemic power. It's in something as prominent and mainstream as Matt Reeves' 2022 Batman. So instead it just reads as cowardice to me that CC couldn't follow up on this evolution of Selina.

Not only does it weaken Catwoman and Batman's relationship to regress Selina this way, but it actively weakens Gotham as a setting and the very themes of Caped Crusader. I personally think all the energy that went into Harley Quinn should have been shared with (or straight up gone to) Selina Kyle. Because unlike CC's take on Harley, the way Selina Kyle's marginalization intersects with race and queerness would have actually critiqued Gotham's class corruption effectively. As a Black queer woman, Selina would be among the most vulnerable people in Gotham. We don't have prominent characters in CC that truly reflect the lower class, there are these unnamed characters Harvey Dent sits next to on a train. There are some orphans with Batfam names. A proper Catwoman reimagining that takes advantage of her evolution would have filled this gap in their narrative.

But that's not how "safe diversity" works. CC would rather racebend and canonize the queerness of a character like their take on Harley Quinn. A WOC who gets to kiss a cop and call out powerful men, but not in a way that makes white people uncomfortable.

If I could edit the Sandman quote that "The great stories will always return to their original forms" for Superheroes, I'd say "The great stories will always return to their most resonant forms" because without iterations we don't get characters like the Kents, Alfred or Catwoman as we know her today. Classics are good to look to, but we like these characters because they evolve. In my opinion, none of CC's takes on these characters of color feel resonant. They're not definitive to the level of Mister Freeze's tragic love story in BTAS, among many standout narrative choices in BTAS that continue across media iterations.

In my opinion, CC isn't as thoroughly clumsy as MAWS is in regards to POC representation and race-swaps (all characters of color in MAWS get put in the left side of that chart I made. In the Sunken Place. Where they all Missed The Movement). However, I can't help but see Caped Crusader's take on the world of Gotham as nothing more than an anecdote in the evolution of Batman's story for the modern era. "It's BTAS but superficially more diverse and with less compelling narrative choices."

#ramblings #caped crusader spoilers #jesncin talks caped crusader #jesncin dc meta #long post under the cut #catwoman #rememberrr pls be nice these are just my thoughts

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