#it is incredibly well written and i think says what you all want to say
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jamiepaige · 2 days ago
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Constant Companions Closeup #10: MY DARLING, MY COMPANION
(also on spotify!)
It's the Constant Companions Closeups! A series of in-depth dives into the songs off of my latest album, Constant Companions! Last time, we talked about gender with Object of Affection! Today, we've made it to the title track (kinda?)! My Darling, My Companion! Do you think she's figured out what she wants to hear yet
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Every time I first embark on the process of making another album, I always think I know what the final product will look like. This is a fairly recent phenomenon, born of the part of me that thinks that planning things out and being somewhat disciplined in the act of creation will ultimately lead to a better final product. That's fair and all, but it's also genuinely never how things actually shake out, as I almost always toss that out the window and just start writing shit the first chance I get.
Constant Companions, however, is the closest I've gotten to actually following through on those initial ambitions. Well, maybe not the initial ambitions - without fail, every time I finish an album, there's a two week period where I start writing new material thinking "this next album's gonna be the MOODY one" and it's never the moody one - but rather the plan I developed once my pile of works-in-progress started looking album-shaped.
There's always been some amount of self-referential leitmotif-loving song-series energy in what I've written - Imaginary, Effervescent and Secret Girlfriend; sampling myself on Too Much Autotune or Second Hello; that little four note motif. I had been leaning even further into it with People Posture Play Pretend and 🤼‍♀️, bringing the little interconnected background radiation straight to the forefront, and I wanted to keep going.
So, I would take that mindset and write about motifs - the things that have stuck with me and gotten me to where I am - the hopes that I've clung to, the dreams I want to make real, the patterns that I keep finding myself in. The things that haunt me and the things that keep me living.
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My constant companions, if you will.
wait didn't i already do that bit. what was i talking about when i did that
This might be incredibly obvious if you've already read the Closeup for Breeze Blows, but yes, this is another song about being plural.
Like I said previously, writing these self-directed songs portraying internal conversations has been a very big part of finding peace within myself. Having to confront a part of myself both alien and overly familiar with seemingly a mind of her own is, understandably, scary as shit in countless ways! If nothing else, it feels like sometimes I can't even talk about it out loud without sounding completely gone.
But it's made me realize and really think about something I think most people take for granted, something that feels silly to even say out loud given how obvious it is but that has completely changed my relationship with myself - you are always a part of your own life.
The overwhelming, ceaseless negative self-talk I lived with for however many years never went away because it was a part of me, and no amount of compartmentalizing or boxing-up or repression or anything helped even in the slightest compared to the act of showing her kindness and patience, letting her be a genuine part of me, being a friend to her. Doing so revealed to me a happier, more hopeful part of myself I thought I'd lost forever.
Letting yourself be yourself, and loving yourself for who you are, is the best way to be!
or something. that feels so fucking dr seuss of me to say whatever we're corny here we will Be corny
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The working title of this song was "Hathaway", inspired entirely by my friend Lexie messaging me one morning about a dream in which I had released a song named as such. Naming and writing songs based on dreams is maybe my most beloved bit at this point, but my girlfriend ultimately convinced me to make the title My Darling, My Companion. Mostly because she (correctly) thought it'd be cooler than just a pure title track.
The verses were written by sampling my own previous demo for a title track, turning it into a call-and-response between me and GUMI, and the chorus was lifted almost word-for-word from another demo of mine using Teto. That second demo was partially inspired by the character Morgan from the visual novel Heart of the Woods - which I mostly bring up because it's just a really good yuri VN that is near and dear to my heart. And also because my friend Teffi voices the character Tara in said VN. And also because I recorded my vocals for this song at her house. And also because the voice that says "me when I'm goated as fuck" right before the second verse is in fact Teffi in the recording booth with me. Yuri runs deep in my veins.
Speaking of which, this song, in my mind, is one dedicated to advancing my agenda of GUMI x Teto, albeit subtly and in a roundabout way.
See, GUMI has always been something of an idealized voice in my other work. The songs of mine she sings historically have always been hopeful, upbeat, expressing some sense of comfort - I Wish That I Could Fall maybe being the only exception, and even then still offering some hope in the end.
On the flipside, there's a part in verse two where my voice is swapped out for Teto for a couple lines. I couldn't really tell you what it is, since it's not in terms of timbre or range, but Kasane Teto - her Synth V voicebank especially, but really all iterations of her - is the vocal synth that feels the most like a stand-in for my own voice. And really, writing with her almost seems to bring out parts of myself that are a bit too honest.
These two juxtaposed against each other made perfect sense. It helps that they have The Color Scheme, too.
Finally, this song is basically just one big reference to my song Destiny, from back in 2018, and it even closes out with lyrics based very directly on its closing refrain. I don't have much else to say on that front - but there's another Jamie Paige song this bears some shared DNA with, and a blatant reference to it is hidden in plain sight right as the bridge transitions to the outro.
Do you know what it is?
That's the post! If you have any questions, feel free to send them my way - I'm planning on doing a big AMA style bonus post after the album's finished!!
Speaking of which, tomorrow, we'll be talking about the eleventh and final track on the album - a simple little song about a computer falling in love... :~)
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idolomantises · 9 hours ago
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I’ve seen people make excuses for the writing by mentioning it’s all just set up for spin offs and sequels but… I don’t want that? Why on earth would I want to wait 3 years for a show to say “oh by the way these characters will get proper conclusions in the spin offs”.
Just tl:dr I’m over this series and don’t plan on watching any of the sequels or spin offs. Maybe if they introduce a hot robot character I’ll check it out.
There’s not even a promise that every single character that has an inconclusive ending (which is all of them btw) will have spin offs and sequel shows. I’m pretty sure they’re likely going to just use a completely different cast since League has a lot of characters.
I’ve seen arguments that the season is bad because it has very few episodes and wasn’t spaced out, and while I do agree the pacing is terrible I also… don’t even think this show could have been salvaged if they gave it a full 4 seasons. Because either way, it was going to end with a lot of characters being badly written, sideline and having arcs unfinished so it can be explored in sequels and spin offs (if that even happen).
One thing I liked about arcane is that it avoided a lot of really bad tropes that I’ve seen modern queer media weirdly struggle with. Arcane avoided the pitfalls written female characters, female characters used to push male relationships and very clearly abusive couples that are dismissed just because they’re gay.
Then season 2 happens and Mel becomes a disposable black woman trope, Sky only existed for male angst, Maddie is literally there for shock value and adds nothing to the narrative, Vi just… turned into that and Caitvi is toxic yuri in a way that’s very unfun and frustrating. These two are seriously so incompatible for each other, but they make out and have sex a lot so I’m sure this destructive relationship with warring idealogies will be fine. Please queer shows for the love of god stop assuming gay characters kissing and fucking makes up for their lack of communication and horrible behavior to each other.
Honestly I’m really disappointed that all these things happened to Sky, Mel and Maddie because watching fans tear apart female characters for 4 years just for existing and getting in the way of ships only for them to be exactly that and for fans to cheer about their suffering pisses me off so bad like girl… what the hell happened did the writers have amnesia. How do you write this show right after season one and fuck up this bad.
Maybe we should stop making videos about how tv shows write female/queer characters well until they’re actually done because this is getting ridiculous.
And yes I want to come back to the issue with how black characters were treated because I do find it pretty gross for Mel and Ekko to be absent for most of the show but then come back to basically save the day so fans don’t complain about how they were obviously sidelined for the sake of other characters. I dont really care for Ekko/Jinx but I did enjoy their time together in the AU.
And another annoyance is that this show did such an incredible job at introducing moral greyness to the show but then got scared to really commit to giving these characters any consequences. And I don’t mean like death or going to jail, but I mean holding grudges. I think Jinx is a very interesting and tragic character but she’s also… a terrorist? She caused the death of their friends and father? Like she’s a grown woman making these decisions. Having characters run around and risk their lives to save her felt a bit frustrating because yeah circumstances lead to this but half of these circumstances are also her fault. I really wish the entire season was about Vi choosing whether or not she was ready to forgive Jinx instead of basically accepting her back because Vander is back.
And VANDER…. Actually I won’t say anything because the more I mention him the more it pisses me off.
I have more thoughts but I gotta draw some comics so I’ll just leave at that. Disappointing season that I think is a lot worse than fans insist it is. It’s not one or two issues, it’s just compounding problems that won’t improve.
Thoughts on Arcane season 2
I didn’t like this season
It’s not bad, but I found it incredibly rushed, cramped and deeply unsatisfying
While season 1 had several protagonists it was also pretty obvious that Vi and Jinx were the emotional core of the entire show so why on earth was their dynamic barely explored here
Vi went from being my favorite character to a character I found deeply frustrating and annoying. What the hell is her personality of getting her sister back and fucking the hot lesbian. She has no consistency whatsoever and it’s something I don’t think the show realizes how batshit the constant flip flopping in. What do you mean you sister tells you she’s going to kill herself and then you start fucking your messy situationship
I don’t really care for Jayvik but I found Jayce’s confession very sweet.
Mel my beautiful queen they’re gonna call you a Mary Sue
What the fuck was with all that Witch shit and Ambessa’s death was incredibly unsatisfying
Victor fans who kept begging the team to not make him a hot buff robot so he can still be a skinny twink pisses me off so bad because now we have an inferior twink robot design. I know fans probably didn’t influence this but I also need to complain about their lack of taste like what do you mean you didn’t want to see a hot buff robot man.
Ekko feels like an incredibly unimportant character and I’m pretty sure fans only like him because of what he can do for Jinx. A part of me wished he actually did hold a grudge just to see how fans reacted.
Season 1 was all about setting up emotional complexities and how nobody was truly evil and the show made it seem like there was no way for anyone to fully recovery from this but everyone is holding hands and singing kumbaya’s so alright nevermind then
This show was honestly a little too in love with Jinx. I did not enjoy her writing in acts 1 and 2.
The jokes were really bad this season
The songs oh my god the SONGS. I didn’t mind them in season 1 but in season 2 it started to remind me of love is blind and anyone who has watched that show would know what a massive insult that is.
Caitvi lesbian sex scene and I couldn’t even enjoy it because the writing was pissing me off
Caitlyn should’ve continued her little fascist arc.
Mel’s arc this season felt like weird fanfiction.
A bunch of random side characters die off unceremoniously after the show gave them so much unnecessary screen time
I hated Isha sorry. I’ve never seen a character more clearly made to die.
Jinx death means nothing to me because I know she isn’t dead so why even do all that lol
I will never call this show sexist but it has done a massive disservice to its female characters.
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stillness-in-green · 2 days ago
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why do you think Deku never tried to talk to Shigaraki? doylist reason is obvious but what's the watsonian reason?
Honestly, this one’s pretty tricky to answer.  It’s very hard to get myself into the headspace of Deku (and the people in his own headspace!)—mainly because I get extremely uncharitable, extremely quickly.  Mainly about Horikoshi, yes, but that does extend to Deku, too, as well as the broader world he lives in.
The brain goes immediately to answers like, “His world is so incredibly slanted towards retributive models of justice that the fact that he even thinks about wanting to know Shigaraki’s motivations makes him a candidate for mad sainthood to the people around him.  The fact that he doesn’t follow that impulse through all the way to actually asking is immaterial; while Villains have to be punished for their actions, for Heroes, it’s the thought that counts.”
See how I’m already drifting back towards meta-narrative analysis at the end there?  Deku brings a lot of that out in me, especially from Villain Hunt onwards.  Like the wooden doll he’s named for, he comes off to me as a vessel for the plot to happen through more than he does a consistently written, well-thought-out character.  Trying to think of him through a purely Watsonian lens—no refences made at all, period, to what I think the story was trying to express or what Horikoshi’s intentions towards that story were—I almost immediately jump the tracks into territory that is all but certainly incompatible with what I was “supposed” to take away from MHA as a story.
But, you did ask, so I’ll follow the thought experiment through.  If I were to try and set down to paper an explanation for Deku’s actions from a purely in-universe stance—say, for writing canon compliant post-series fanfic—what would be my explanation?
(Hit the jump.)
Right off the bat, from a cultural perspective, I think Deku is afraid that if he tries to make excuses for Shigaraki, it would be disrespectful to Shigaraki’s victims.  That’s why you get the heroic characters constant harping on about how they can’t forgive the Villains, even though, as adjuncts to the police, “forgiveness” is utterly immaterial to them doing their jobs.  Too much sympathy for criminals, in some peoples’ eyes, becomes indicative of a lack of proper regard for the victims of crime; this is very much a dynamic in play in Japan’s legal system.[1]  Ochaco initially has the same impulse, where she’s terrified that even thinking about Toga Himiko’s human circumstances puts her in danger of forgetting the suffering Toga and the League brought about.
1: That’s a meta consideration, yes, but one that I think the target audience would understand to be implicit in the canon as written, so I’m treating it as a Watsonian detail.
Ochaco and Deku commiserate and ultimately encourage each other to embrace their desire to understand their respective Villains, which leads to Ochaco talking to Toga at some length!  Ochaco must do this because asking Toga these questions if the only way she has to reach that understanding.  Deku does not have to ask, however, because he has a cheatmode to fall back on: the mindscape shared between All For One and One For All.  If Deku thinks too much open communication with Villains risks dishonoring Shigaraki’s victims, well, he doesn’t have to openly communicate.  He doesn’t have to talk to Shigaraki the person at all.  He just has to find that crying little boy in the mindscape again.
I also think it’s notable that Deku very much does stop talking about wanting to save Shigaraki after he talks to Gran Torino.  From that point on, everything he says about Shigaraki becomes about wanting to understand him instead.  Coupled with the idea that he insists upon not forgiving Shigaraki, I get the sense that what Deku wants is not to help Shigaraki at all, but rather to simply bear witness to his truth.  And even that much feels self-serving to me—as if Deku doesn’t care so much that Shigaraki is in pain, but rather that Shigaraki might have a point, that Shigaraki’s pain might be valid.  Shigaraki having a valid point would destabilize everything Deku believes about Heroes and Hero Society, and Deku has, by that point, seen enough that he’s too upright to look away, to “sweep things back under the rug,” so he has to find out Shigaraki’s story to judge it for himself.
The fact that he feels he has the right to judge Shigaraki’s story speaks to the arrogance of Heroes—the same arrogance that leads them to declare their lack of forgiveness as if it’s in some way relevant to doing the job in front of them—as well as a deeply rooted defensiveness: that they must have, and be perceived as having, the moral high ground over those evil Villains.  I think, for example, of the Flamin’ Sidekickers and their cringingly awkward self-justifications to Dabi about their continued association with Todoroki Enji.  Their reasoning has zero bearing on either Dabi’s pain or their own heroic responsibilities to assist in the arrest of a known murderer/terrorist/arsonist, but they feel the need to spell that reasoning out to the child abuse victim/volatile Villain anyway, seemingly for no in-character reason save to rationalize the deep discomfort that Dabi’s video accusations provoked in them.
Heroes must be seen as morally just—this is the whole basis for the authority they’ve been granted to wield their powers against other people.  Best Jeanist talks about this idea explicitly, as does Police Chief Tsuragamae.  Far more damningly, it’s what led to the HPSC using agents like Lady Nagant and Hawks to quietly dispose of anyone that would present a threat to the public image of Heroes and, by extension, the fragile peace that rests on that public image.
Heroes must be pure and righteous, and Deku is just as apt to believe that as any other Hero—maybe even more apt, given that he’s also had All Might leaning on him about the bearer of One For All being the Pillar and the Symbol of Peace.  All this baggage winds up conflicting, however, with the horror and reflexive need to help Deku feels upon seeing the small, crying child within Shigaraki.
Saving small crying children is the absolute, innermost core of Deku’s personal framing of Heroism—seriously, he says this nearly word-for-word in Chapter 1!—and so, like Shouji says of the heteromorph riot, it isn’t something he can ignore and still call himself a Hero.  He’s unprepared for that personal brand of Heroism to conflict with the demands of professional Heroism, because he never expected to face someone who was both Evil Villain and Crying Child at the same time.  This is what he wrestles with over the course of his time away from UA and why, ultimately, he decides to use the mindscape as a way of resolving the conflict.
(Note again that I'm talking about my fanfic explanation here. Deku's reasoning is much murkier in the canon because of the canon's late turn towards locking us hard out of Deku's personal feelings and thoughts when they're about anything more complex than chain OFA combo moves.)
Remember that Deku begins the Villain Hunt Arc with a tentative desire to ���understand Villains” so that he can perhaps use that understanding to avert or at least deescalate conflicts with them—and then the very first Villain he falteringly tries to understand is fucking Muscular, who shuts him down cold.  Deku never tries that hard[2] to understand a Villain again—Lady Nagant dumps her backstory on him with very little prompting from him, he has nothing but ultimatums for Overhaul, he doesn’t seem to ask any of AFO’s other minions any personal questions whatsoever, and with Shigaraki, he goes straight to the mindscape instead of even attempting a dialogue.
2: Insomuch as you could call asking three invasive, judgy questions in the middle of combat and then throwing in the towel “trying hard”.
My take is that Muscular scared him off of trying to verbally uncover the backstories of Villains—even though Shigaraki is ready to all but hand the first Hero to ask an illustrated history of his grievances with Hero Society, Deku can’t trust that anything Shigaraki tells him will be the unvarnished truth.  Unlike Shouto, he has no one to corroborate the truth with, but unlike Uraraka, he doesn’t just have to make the best of it, either.  He can instead utilize the mindscape, an approach that sidesteps all of the issues that a spoken dialogue would entail:
Getting Shigaraki’s truth via the mindscape means he can trust the answers he gets, rather than having to filter those answers through Shigaraki’s warped worldview.  This allows him to honestly evaluate Shigaraki’s perspective, gauging whether Shigaraki has a real point that Deku has any responsibility to address, some injustice that needs to be corrected independently of Shigaraki being held accountable for his crimes.    
Having decided that—for reasons of justice, All Might’s Pillar mentality, and his own peace of mind—he has to know Shigaraki’s truth, Deku comes to feel self-righteously entitled to that truth.  Thus, even though Shigaraki always seemed perfectly willing to share his thoughts in their previous encounters, Deku can’t take the chance that he’ll change his mind and rebuff Deku like Muscular did.  Using the mindscape takes that agency away from Shigaraki, rendering his willingness to share moot.    
No one other than people with access to the shared mindscape can perceive the interactions happening within it.  This means that, no matter what Deku learns or how he reacts to it in the moment, he doesn’t risk being seen as disrespecting Shigaraki’s victims by prioritizing the feelings and perspective of a vicious terrorist.    
Finally, on a tactical note, the encounter Deku has with Shigaraki in the mindscape during the Jakku battle seems to happen nigh instantaneously.  If he can get his answers at the speed of thought, that means he doesn’t have to specifically draw out his battle with Shigaraki until he’s resolved things to his personal satisfaction.  This is ideal, since Shigaraki presents an incredibly dangerous threat to everything and everyone around him, and Deku’s Hero education has repeatedly emphasized the importance of ending battles quickly.
There's just one problem with all this: Deku is assuming access to Shigaraki’s mind.  And why wouldn’t he?  He got in there without even trying last time, after all!  I assume that’s also why he rolls up to the battle with zero plans of any kind: he doesn’t understand how the mechanics of the shared mindscape work and none of the prior bearers can advise him because it’s a brand-new phenomenon for him as the ninth bearer, so they’re just as clueless about it as he is. 
Lacking that knowledge, he opts to simply take it on faith that he’ll be able to access that mental space again, find the crying child in it, and uncover enough about Shigaraki’s history to render his own judgement of it.  He's the Deku who does his best, after all; if it doesn't work, at least he'll know he tried. The good faith attempt, however it turns out, will allow him to satisfy his own sense of justice while not interfering with whatever temporal justice the adult Heroes are planning for Shigaraki—to which Deku fully believes he must be subjected as punishment for his crimes!—be it arrest or an execution broadcast to the entire world.
Unfortunately for Deku, thanks to his being waylaid by Toga, he turns up late to the battle only to find Shigaraki’s psyche sealed up tighter than an All Might-themed wall safe.  Then, since he never had any kind of plan for talking to Shigaraki, and his own ability to plan things is strictly limited to combining quirk abilities on the fly, he has to wing it until Kudou is able to come up with a plan for him.  Naturally, because Kudou is Kudou, and Heroes’ solutions are tailored to Heroes’ strengths, this involves violent psychic assault.  And why not?  It’s not like Deku believes Shigaraki deserves the mercy of a gentler approach.  Just think of all those people he hurt!
Now, is this all heckin’ uncharitable?  Does it paint Deku as well-intended but blindly self-righteous and ethically timid? Oh, for sure.  And I do think there was a point at which Deku wanted to save Shigaraki in a truer sense—indeed, he’s quite plain-spoken about it in the OFA Mental Conference in the aftermath of the first war!  However, it’s absolutely within his established characterization to run into things that make him uneasy and take the first out an authority figure offers him that spares him the work of demolishing and rebuilding his entire world view.  Look no further than the aftermath of the mall scene. You can draw a straight line from Deku taking Tsukauchi's out (that Shigaraki is just a sore loser) to him also taking Gran's (that killing Shigaraki could be a way of saving him).
That’s the mentality I would lean on to explain Deku’s anemic efforts to truly save Shigaraki in the end: an inherent desire to help people that has been hamstrung by a learned dehumanization of Villains, a repeated emphasis on swift, unthinking action as a Heroic virtue, a culture that regards sympathy for those involved in a crime as a zero sum game, and, last but not least, a psychological complex about the basic nature of Heroism rooted in his fraught childhood.
Deku says he’ll “never forget” Shigaraki. If it were me writing the sequel, “never forgetting” would look an awful lot like, “Following a particularly frustrating day of the Pro Hero grind, Midoriya Izuku opens his eyes at 4AM one cold winter night in his early-40s with the horrible, inescapable realization that what he did as a teenager to a deeply victimized young man barely older than he was himself back then was fucked up in ways he can never repair or take back.  And further that now, not only is he going to have to spend the rest of his life trying to make up for that act, it’s going to be much, much harder than it would have been back then, specifically because he did what he did back then and let the world get away with calling it heroism.”
Thanks for the ask, anon! I hope you find the answer interesting and at least somewhat believable, for all that it certainly isn't tonally in-line with the story's portrayal of its much-lauded protagonist.
   
(P.S. On top of convincing both All Might and Deku to not pursue saving Shigaraki in any concrete sense, Gran Torino also takes partial credit for Nana's decision to abandon Kotarou. Torino Sorahiko might actually be the all-time world champion of convincing OFA bearers that preserving One For All is worth abandoning children to their grim fates. Give him a hand, everyone. What a great and admirable Hero who absolutely deserved to survive all the way to the end of the story and who definitely is not a symbol of all the most jaded and cynical priorities of the old order.)
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hryniewiecki · 11 hours ago
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Grand Arcane S2 review
because I really need it to move on
Remember how I mentioned I could write an entire book about everything that went wrong with this season? Well, this is what a little excerpt from it would look like.
Let's start with a personal note to clarify my relationship with this hell of a piece of media.
S1 was this miracle show that was able to break through the several years of depression and anhedonia and make me interested in something, make me try to get back into making art (or at least try to try), to put myself out there on the internet a bit, to try be a part of something and not ashamed of enjoying it, which I never allowed myself before. Coincidentally, I've been at what I thought then was the worst place in my life when it aired and it helped me a lot to get through it. I didn't even think I would make it to see S2, as thee years felt like forever then. Taking all that into consideration, I think you can already tell where this is going.
I honestly thought I was prepared for S2 not being good, as no show could be this perfect. Turns out I wasn't prepared at all. Act 1 made me very happy, so happy I watched it two times, but the rest is something I would've never watch again and rather forget about.
The characters I wanted to see the most were Warwick (body horror, The Wrath of Zaun haunting the streets - got just a glimpse of that, but it felt like nothing) and Viktor (cyborgs and cyber gore, misunderstood idealist, Blitzcrank - got basically nothing; the idea was kinda there somewhere, but got changed so much it didn't matter at all).
I can't believe they took a godforsaken champion like Viktor and not only ruined his story completely, but also managed to fuck up everything else by all of a sudden making him a center of all of this mess. The center being the arcane/hextech/magic, which never even gets resolved/explained. Still no idea why it got corrupted and what was the nature of it; the void was never taken anywhere despite being heavily hinted - everything was evil because it was, but luckily the magic of friendship saved us!! (I'll get to that)
Speaking of crucial plotlines that weren't taken anywhere.. Basically every character got screwed over and made empty. Let's use Vi for a quick example (may not actually be the best example, but hopefully you'll get what I mean) - when I saw the pit fighter scene released early, I expected to see it have a continuation in the show, but instead it ended up just being the exact same music video, nothing more. And that goes for some more events - they get compressed into music videos that make it all incredibly hollow. Fight scenes are fine like this, sure, but not something that was supposed to be a bit more emotional and serious. Anyway, they successfully made me hate most of the characters. Either hate or just straight up not recognize them, and in a bad way.
Long story short the pacing is awful (it only gets back to normal in ep7, as it resembles the structure of S1) and the writing sucks ass. I can't for the love of god believe it was written alongside S1. There's no way in hell - it's literally all the worst fan theories I've seen come to life and get mixed with fanservice. *puts on a tinfoil hat* Maybe this is the real why they needed an extra year or two, as S2 was initially supposed to be released earlier. No way in hell the same people who wrote S1 and cared so much about the characters would do anything like this. Riot must've gotten heavily involved, making us believe they cut the story short (I think 5 seasons in Piltover/Zaun were planned initially?) for the benefit of it, but all it really was is greed - let's make a bunch of bullshit happen and quickly move to another region to sell more skins for new champions.
Now let's get back to the ending. Man, it really had it all - the nonsense, the multiverse bullshit which basically makes nothing make sense anymore (if there was anything left), the (yes, I'm going to say it, because that's exactly what I felt) cringe and embarrassment. Never seen anything more hollow trying to convince me it was deep and emotional (sums up the whole show perfectly).
How the hell the only thing that was supposed to save Viktor from himself was Jayce telling him he's perfect the way he is? Sure, don't try to cure your illness (that my city caused, but "fortunately" another crucial part of the plot, which is the sister cities conflict, ceased to exist), it makes you beautiful, this is who you are (miserable, unwanted, feeling meaningless and like a burden, dying). I am at loss of words.
Now buckle up jayvik fans. I wasn't a fan of the ship as I'm not a fan of any ships in general, but now I despise it. I wouldn't mind if they actually went on with it, which no, they didn't. We don't want two men kissing (women making out is fine tho, won't make the gamers too angry), so let's play extra safe to make sure it could be explained as any type of other close bond (and that's exactly what Christian Linke does when asked about it). You disgusting cowards, either you show me this in plain sight and I wouldn't give it a second thought, or don't even try bring it up at all (and you can't deny it wasn't implied in S1 with all the Viktor's looks and parallels to Mel).
Where do I even begin? Because I don't think you have any idea on how many levels it actually sucks. If you read it as romantic it's basically telling me that if I was a gay man struggling with my feelings and not being able to confess for years, because I'm convinced I'm unworthy of love as something is inherently wrong with me, then the best I could get after surviving all this (what honestly seems like hell) is a hug, because you're ashamed of me and thus I should be ashamed of who I am till the very end.
Something equally bad is Jayce finding out (or rather we finding out) how wonderful the world could look like if he let go of his beautiful dream, his life's work, and killed himself - it never gets denied, as the corruption of hextech doesn't get explained.
Long story short, if you're struggling with your mental health, trauma issues, disability or any of the problems the characters you related to deal with, this show spits you in the face.
I could go on forever about everything that's wrong (even Jinx got played dirty), but let's finish with the few things I liked: act 1 was promising (it's when I believed they could still make sense of Viktor), fun Sevika's arcade arm fight, the epic fight at the Janna's temple (Woodkid goat), Jayce killing Salo (I felt something) and Jayce's glitchy madness in general, young Vander flashback (felt something), ep7 and Singed's story (the only one that makes any sense).
Other than that the show left me with nothing but void in my heart (I guess that's when it all went). The saddest thing being the masses love it anyway, as it seems they'll watch anything that's colorful enough. And Riot will make lots of money of off it, because in the end they never loose. I'm not denying Fortiche absolutely outdid themselves with the art, it's just heartbreaking nothing else even remotely stands up to it.
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juneiper-art · 10 months ago
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I simply am immune to discourse. I inhabit a universe of my own takes that has a population of 1 (me) and like a being from a higher dimension, I cannot comprehend anything Else
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arcane-ish · 2 days ago
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I would never put it as there being no reason for Isha to be in the story.
She clearly has a function. Her purpose is to show us another side of Jinx and to serve as the glue or lubrication to encourage Jinx and Vi to team up and maybe also as the trigger for the next stage of Jinx.
And yes, of course one can say that these things could also have been achieved in a different way, there was no need for it to specifically happen through this character. But then again, this can be said for almost any choice made in fiction. That there were always many other options the author could have gone with.
I wonder if critique like this would be more likely to come from Jinx and Vi fans who feel that the show is maybe taking the easy way out to invent Isha to facilitate the reunion between Jinx and Vi rather than Jinx and Vi having to make those tough decisions and relationship building themselves. Like if that is too hard, maybe that is a sign you should work harder rather than introduce a new element to make it easier for you.
Or if it comes more from Jinx and Silco fans who think Jinx's final phase should have been triggered by Silco's death already and taking this road with Isha is redundant. Here imo I can imagine why the writers might feel different. That Silco's role in season 1 was very dominating of the narrative and maybe they felt like they hadn't gotten the chance to fully explore all aspects of Jinx that interest them while he was still around.
Or they wanted to have that arc of the sister, where they both wanted the "Vi hits rock bottom what her faith in Jinx is concerned and has truly written her off" as well as a tenative reunion and that wouldn't work if Jinx was full murder Jinx for most of season 2.
However, while I fully see the purpose of Isha and the role she plays within the structure and narrative, I do see the flaw that she doesn't really feel like a real/realistic person. We/many don't care because she's incredibly cute and and charmingly animated and what she lets us learn about Jinx is moving and interesting. But her existance and actions just don't feel very plausibly grounded in the world. (which again, I'm willing to overlook and go with the flow, but the point still is that I have to do this going with the flow action rather than she feeling like she is a natural part of the world. She feels like a walking symbolism, not a real person with a past and connections within the world)
Seeing a lot of “there was no reason for Isha to be in the story” complaints and aside from the fact that story wise I actually love having new and varied characters interacting in interesting and unexpected ways that’s kind of a large part of what I come to stories for, and aside from the whole narrative weight of a character who’s being called Jinx trying a “do over” of her major incident and having it go so catastrophically wrong, I think there’s definitely something to be said for an arc exploring the whole “is it better to have loved and lost than to never love at all?”where sometimes getting the thing you ever wanted and losing it can fuck you over way more. Like, they take Jinx, who adopts this kid and through her reconnects with her childhood self who she’s been struggling to either cast aside or integrate, and also her older sister who she now has a bit of better understanding of having walked a mile in her shoes, and the father who raised her, and for a moment it actually looks like it’ll work this time. And then she loses it all, this wasn’t the same scenario as the end of s1, this was specifically and textually intended as a conscious and deliberate do over, an extension of “it was something I could fix”, and she’s gonna feel like she jinxed it. Jinx was apathetic to her own death at the beginning of s2 but it feels like it’s gonna be way worse now. But Isha did it all so the girl who saved her could live. Jinx is going to have to reckon with the fact that you will love and lose in life, and it’ll be painful, but painful as it is it’s better than never having it at all, and it’s part of that thing that Isha wanted for her, living. And I think that’s a very interesting and crucial question to be asking, especially of a character called Jinx
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panharmonium · 1 year ago
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Hi! I love your Naruto thoughts and meta posts with all my heart and I want to ask your thoughts on something that has been on my mind literally since I was 13: what do you think about the relationship between Sasuke and Sakura? I went from being a hardcore shipper when I was a teenager, to being against any romantic relationship in Naruto after finishing the anime when I was in my early twenties. Nowadays I'm very into platonic love and depictions of friendship and I think the anime's obsession with forcing the "romantic interest" curse upon the main female character robbed us of... so much. There are a few wonderful moments in the anime where Sasuke and Sakura acknowledge each other, but because she's always "the girl with the crush", her actions are so often interpret as irrational or selfish by the fandom.
Hi @riemmetric!  It's great to talk to you again! Sorry it's taken me so long to answer this; RL has been making demands of me lately and it took me way longer to finish writing this up than I wanted it to (then again, I knew from the minute I read your original ask that my reply was going to get long, so I suppose I should have predicted a delay XD)
It's funny, my sister once asked me to choose between Sasuke or Sakura for an “unpopular opinion” meme, and I ended up doing Sasuke solely because I think the negative fandom opinions about Sakura are so unhinged and divorced from the actual text that I wouldn’t even know where to start.  People are entitled to dislike whatever characters they want, obviously, but there are some fandom takes that are, for me, so obviously rooted in bad faith viewings/readings that there’s no urge in me to discuss them.  That said, since you asked, I’m happy to go into my own thoughts on this a bit, with the disclaimer for other potential readers that I only write about fandom things for my own personal enjoyment, not as a contribution to The Discourse. If you don’t like Sakura, great!  I have no interest in changing your mind. Please consider this a sincere invitation to scroll on by and go enjoy whatever parts of the fandom appeal to you.
In general terms: I love Sasuke and Sakura’s relationship as much as I love all of the relationships in Team 7.  If we’re talking about them specifically as a romantic couple, then I probably fall somewhere in the middle of the spectrum, because I do like them together in a post-canon (to be clear: non-Boruto) setting, after time has passed and they’ve continued to develop individually and reconnect with each other, but I also wouldn’t exactly call myself an intense “shipper,” in the sense that I have no interest in pulling things out from the text and incorrectly citing them as evidence that Sasuke has hidden romantic feelings for her during the canon period. He cares about her in the canon period, just like he cares about Naruto and Kakashi.  That’s not up for interpretation; it’s the text.  But Sasuke during the canon time period does not demonstrate specifically romantic interest in anyone.  
[A note before people who might ship Sasuke with Someone Else emerge to rail against this statement - please just scroll past and continue enjoying fandom in whatever way is most fun for you. It is cool to ship whatever fanon thing you want; I think that’s great!  But earnestly citing any loving or emotional thing Sasuke does re: various characters in this story (yes, Sakura included) as indicative of specifically romantic love isn’t supported by the text. I know there are always going to be enormous subsets of any fandom who insist that it is, and I'm certainly not going to barge into anyone else's space to complain about that (because other people having fun together is harmless and none of my business), but I'm not obligated to indulge it on my own blog, either.]
Anyway, that said - the reason why I love Sakura and Sasuke’s relationship (from here on out I’ll use “relationship” in a general, non-romantic sense) is precisely because Sakura isn’t just “the girl with the crush.” Sakura has an arc when it comes to Sasuke, and its trajectory moves in the exact opposite direction of “irrational” or “selfish.”  She specifically goes from “the girl with the crush” to “the girl who steels herself and tries to put her personal feelings for Sasuke aside for the greater good” to “the girl who knows she can’t put her feelings aside, but who also knows full well that Sasuke doesn’t reciprocate them, and who still wants to save him regardless, because he matters to her as a person and a friend.”
[I'm putting the rest of this under a cut to save everyone's dash, and also to emphasize once again that this is a personal post on my personal blog which I wrote in response to a question from a personal acquaintance, the full content of which no one is obligated to read. I am not sending this post to random strangers and forcing them to look at it. I'm not even putting it in the character tags. I'm typing it up on my own blog and putting it under a cut. If you already know that you don't like Sakura, but you still click the link/read the post and then feel an urge to comment and complain, I am going to copy-paste this disclaimer and remind you that I specifically recommended that you scroll past and go have fun with fandom in your own way. Thanks in advance for responsibly curating your own fandom experience!]
So, from the top:
1. the girl with the crush
Sakura is, obviously, completely obsessed with Sasuke at the beginning of Part 1.  She’s also deeply clueless about him and his history (bizarre though it is, the story seems to indicate that she initially doesn’t know what happened with his family, the same way young!Obito is initially clueless about Kakashi’s father).  But what I like about Sakura and Sasuke’s Part 1 relationship is how this changes over time.
The critical scene that kicks this off happens right at the beginning of the manga, when she and Sasuke are talking by that bench - she complains about Naruto and blames his behavior on him being all alone/having no family to scold him; and even says she’s jealous that he doesn’t have parents to nag him all the time.  This obviously triggers an outburst from Sasuke, who tells her she has no idea what loneliness means and that she “makes him sick”/she’s “annoying” (importantly, the exact same thing Sakura said to Naruto in anger earlier that day), which in turn prompts Sakura to reassess herself and wonder whether she’s been making Naruto feel this terrible all the time, too:
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From that point on, it’s a process of her putting little pieces together.  She still has a MAJOR crush, and she still acts like a twelve year-old, but as we approach the end of Part I, Sakura actually has a more accurate grasp on Sasuke’s current state of mind than Naruto does.  Naruto is initially excited to fight Sasuke on top of the hospital, because he feels like Sasuke’s finally acknowledging him, whereas Sakura is the one who immediately recognizes that something is wrong about this situation.  She is also the one who, after this fight, is concerned that Sasuke is really unwell and might do something drastic like run off in pursuit of the power Orochimaru promised him, but when she communicates this to Naruto, he assures her that this would NEVER happen:
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(Sakura isn't convinced, though, because she goes to monitor the exit out of the village anyway.)
I’m not criticizing Naruto for his response here.  I ADORE hearing him say that Sasuke is too strong to need Orochimaru, with such perfect confidence - I love seeing how much respect and admiration he has for Sasuke underneath all their fighting, because that’s the whole reason he’s always baiting Sasuke and yelling at him and claiming “you're not so great!” He looks up to Sasuke; he wants to be like Sasuke; he thinks Sasuke is awesome! (It’s that Obito @ Kakashi behavior, you know?) But the fact remains that he is clueless about what’s actually going on with Sasuke in Part 1, and he remains clueless(ly optimistic) for a long time.  
(Eg, when he catches up to Sasuke during the retrieval arc and Sasuke climbs out of that cursed seal coffin, Naruto waves at him and calls "Come on, let's go!" as if Sasuke has been successfully rescued and is now going to come running home.  Even in Part II, when Naruto hears that Sasuke killed Orochimaru, he beams and immediately says, “So he must be on his way back to the Leaf Village!”  And everyone else in the room is like, “....,” because they know better.  Naruto doesn’t yet fully understand [or doesn't want to accept] the extent to which Sasuke has willingly chosen this path, and it’s not until after Jiraiya’s death/the Pain attack/the Five Kage Summit that Naruto really starts to understand Sasuke more clearly, which is something he himself admits.)
Sakura, in Part 1, has access to more information about Sasuke - she’s there for his first dissociative monologue during the bells test, she’s there for the curse mark’s placement, she’s there for his first violent transformation in the Forest of Death - she is, in fact, the unwitting catalyst for it (“Sakura…who did this to you?”), and her compassion is the reason Sasuke is later able to overcome the curse mark’s influence - so she has a more accurate/complete picture of “how he’s doing,” for lack of a better phrase, whereas Naruto, who doesn’t know about the curse mark in the first place, is still in the dark.  This means that Sakura is able to accurately discern that Sasuke is struggling more than Naruto realizes, and specifically to predict that he’s going to run away.  
(This dynamic is then interestingly flipped in the back half of Part II, since at any point after the Five Kage Summit, Sakura doesn’t have access to extremely relevant [if currently questionable and unproven] details that would in any other circumstance inform her behavior).
Of course, just because she has more info in Part 1 doesn’t mean she has some kind of miraculous insight into Sasuke’s every thought and feeling.  There are parts of her attempt to convince Sasuke to stay in the village that are as clueless as any of Naruto’s assumptions, and they showcase the kind of magical thinking common to childhood - like when she says that if he stayed with her, she could give him happiness, she’d do anything for him, even help him get his revenge - this idea that she herself can do something to make him feel better, that she can love him powerfully enough to defeat his pain - obviously none of that is rooted in realism.
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Is this part of her approach irrational and immature and inadvertently self-centered?  Of course it is!  But it’s no more irrational and immature and inadvertently self-centered than Naruto’s stated plan to drag Sasuke back to the village even if he has to “break every bone in [his] body!” 
Hating on Sakura for her Part 1 attempt to convince Sasuke to stay in the village while simultaneously lauding Naruto for his feels like a bad faith misread of what is, to me, pretty clear narrative intention.  The story doesn’t at any point intend for us to see her begging him to stay as a selfish or conniving attempt to get something she wants.  She’s begging him to stay for the same underlying reason that Naruto is: she cares about him.  She thinks he’s making a mistake that will only cause him more pain in the end (she’s right) and she wants to make it so he feels less pain right now (she can’t.  But she doesn’t understand that/isn’t able to admit that, and she’s willing to try ANYTHING that might help).  
It’s critical that this farewell scene is set in front of that same bench from their first important confrontation - she references that day and how angry he got at her, and this time she tells him that she understands his reaction.  She’s learned things and she recognizes how insensitive she was being back then (“I know what happened to your clan, Sasuke”), even though she still can’t fully grasp all the complexities of the situation. She tells him that him blowing up at her back then helped her understand what loneliness actually meant (as opposed to her previous shallow understanding of it), and she challenges him about his choice right now: "So that's it, you're choosing the lonely path?" And when she tells him that she'll be very lonely if he leaves, we're immediately shown a panel of Sasuke thinking of both his friends, with the very clear implication that if he goes through with this, he will be lonely without them, too - that he's still struggling with the idea of leaving them, no matter how hard he tries to pretend:
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Sakura at this point knows that Sasuke isn’t interested in her the way she is in him, but she still wants to give him happiness, however fantastical and immature her ideas sound to us (and, I’m sure, to him).  “I’ll do anything, even help you get your revenge/we'll have fun every day, and...and you'll be happy! I'll make sure of it!” - of course, it’s completely childish.  It’s irrational.  It’s ridiculous to think that any of this would ever be effective, but no more ridiculous than Naruto’s belief that he can simply break every bone in Sasuke’s body and keep him in the Leaf by force.
Both Naruto and Sakura are children who have a deeply oversimplified understanding of Sasuke’s situation.  They both still think they can fix him themselves.  They both think they can save him themselves.  They both think they can convince (or force) him to do what they want, what they think is in his best interests.  Both of them don’t yet understand that he has to want to come back, if it’s ever going to mean anything.  Their attempts to keep him in the village are immature and unrealistic, yes.  What they aren’t, however, is selfish, because neither Sakura nor Naruto are doing any of this with the intention of advancing their own interests.  They’re only thinking about Sasuke - how to keep Sasuke safe, how to make Sasuke happy - even when neither of them are taking an approach that will actually work.
Naruto and Sakura are children.  They’re afraid of losing somebody they care about.  Their attempts to prevent that from happening are desperate and messy and ultimately ineffective, but they are also genuinely felt and rooted in a true desire to rescue Sasuke from his pain, which - and this is the single most important thing that should impact our viewing of Part 1 - is something that Sasuke RECOGNIZES.  He doesn’t spend that agonizingly long moment bowed over Naruto’s defeated body so we can pretend he doesn’t understand that Naruto was just trying to help him.  He doesn’t take the time to murmur, “Sakura…thank you,” before laying her out carefully on a bench, just so we can discount it and pretend that he doesn’t recognize and appreciate her genuine intention to make things better for him, however clumsy that attempt might have been.
2. the greater good
If Stage 1 Sakura is "the girl with the crush," then Stage 2 Sakura is a progression to “the girl who decides to put her feelings for Sasuke aside in order to protect innocent people, including (but certainly not limited to) Naruto.”  She’s driven to this decision by interactions with Shikamaru, who all too recently had to grow up fast himself (“We're not kids anymore...we can't allow a war to break out between the Hidden Leaf and the Hidden Cloud because of Sasuke") and Sai, who risks his new friendship with Sakura and Team 7 in order to speak some hard truths and deliver one of my favorite lines in the whole story: “I don’t know what promise Naruto made to you, but it’s really no different than what was done to me.  It’s like a curse mark.”
(INCREDIBLE.  How can anybody be complaining about a season where Sai gets to say something that goes THIS HARD and Sakura LISTENS and takes DRAMATIC ACTION that actually propels the story forward in a meaningful way - )
[Okay, yeah, brief personal opinion interlude - it is just bonkers wild to me that there are people who complain about Sakura in the Five Kage Summit arc. That entire season is the greatest character arc she ever has.  Literally she has never been more interesting and dynamic than in Season 10; it’s the first time she ever gets to be as deep and fascinating as the boys; what is everybody so worked up about?  Oh, “she lied to Naruto that one time” - Sasuke joined infant-kidnapping baby-murdering human experimentation machine Orochimaru when he was twelve years old in order to (dare I say it????) selfishly pursue his personal goals and yet, somehow, we are still able to root for him.  He abandoned his friends/allies to imprisonment and death (Suigetsu and Jūgo) or outright stabbed them in the chest himself (Karin) in order to (SELFISHLY) get what he wanted, and yet, somehow, we are still able to love him, understand him, and be on his side.  Naruto is canonically not upset with Sakura about her lie after receiving context for the situation and I think we can probably take our cues from him without feeling the need to bring her up on war crimes; please calm down]
[Sorry, I just really love most of Season 10 and think it’s one of the best examples of how good this story can be when every single character gets to do something that matters (as opposed to things being all Naruto, all the time) so I get a little bit worked up over people complaining about some of the best writing Sakura ever gets.  I don’t understand what certain elements of fandom want from her. People complain about her being “useless” and not doing anything that contributes to the story, but then they complain just as much when she does finally get to act decisively and have just as complex/dynamic an inner world as the boys.  She’s “weak” for being unreasonably in love with Sasuke, but when she tries to be “strong” and put her love for him aside and eliminate him in order to protect Naruto and the rest of the world, she’s evil, because she should have been more understanding of his situation (despite the fact that she doesn’t KNOW anything about his situation).  But then when she can’t go through with killing him after all because she cares about him too much despite the things he’s done, she’s not "compassionate" or "kind" or "a good friend," she’s “weak” again. Nothing Sakura does in S10 is more wrongheaded or rash than any of the batshit, buckwild things Naruto and Sasuke have done in the past (and will continue to do in the future), but when Naruto and Sasuke have big feelings or take bold action, it makes them interesting characters, whereas Sakura can’t breathe in anyone’s direction without being minutely scrutinized for moral impurities.]  
Anyway. Back to a more measured response.  
Every single piece of development Sakura has with regard to Sasuke in this season satisfies me so much.  Her initial shock and disbelief at hearing that Sasuke had joined the Akatsuki?  Good, appropriate.  The fact that she starts to acknowledge the reality of what Sasuke’s done sooner than Naruto does?  Also extremely appropriate, very in-character for both of them.  Her taking Sai’s words to heart and deciding that the promise she asked Naruto to make when they were children is causing him to suffer and she has to relieve him of that burden?  Juicy!  AND thematically significant (promises!!!!  the burden that a promise places on a person, especially when it can't be kept - we've seen that before in this story and we'll see it again).  Her anguished pivot from wanting to protect Sasuke to realizing that she has a responsibility to protect the countless innocents who will die because of the war he’s trying to start?  HELLO THIS IS INCREDIBLE CHARACTER DEVELOPMENT.  Her knocking out the classmates who agreed to help her so they don’t have to share in her burden (and so the only person Naruto will hate when it’s over is her)?  BRUH.  Her being so committed and focused on her goal of saving innocents and protecting Naruto (not just from being harmed by Sasuke/the Akatsuki, but by the possibility that Naruto will someday have to hurt Sasuke himself) that she tries to take everything on by herself and walks into a confrontation that she absolutely cannot win??  INCREDIBLE.  (Literally the first time I watched this, I said, “Finally!!!  It’s Sakura’s turn to go off the rails!”  I laughed with my sister about how Kakashi isn’t even mad, because Naruto and Sasuke have been pulling stunts like this for years and Sakura was way overdue for her own meltdown.)  And then, after Kakashi intervenes in the fight - Sakura barreling back into the battle when she realizes he’s going to take on the burden of killing Sasuke himself in order to spare her and Naruto the horror - “I can’t let Kakashi-sensei bear this burden!”  I love her for that.  
And then, of course, in the end - her not being able to do hurt Sasuke after all.  Despite committing herself to the act, despite forcing herself to put her feelings for him aside, despite resolving to stop him from starting a war and killing innocent people, she can’t harm him.  She cares about him too much.  This, too, is thematically significant - think about Itachi’s “you don’t have enough hatred” - she doesn’t have enough hatred to kill someone she cares about, even if it seems like he deserves it, even if would be the right thing to do to protect others.  She can’t do it, and Sasuke almost kills her for her compassion.  
I love the dynamic this sets up between her and Sasuke, for a few reasons:
1) Personally, I think Sasuke respects Sakura much more for trying to kill him than he would have if she’d just tried to talk him out of his behavior or beg him to come home (a la their original confrontation in Part 1).  This is the first significant interaction he’s had with Sakura in years, and the fact that she does something SO contrary to his memory of her is an important demonstration of the fact that she’s not the same girl she used to be.  Sasuke spends a lot of time after his defection declaring to his old team “I’ve changed; I’m not that person anymore,” but this is one of the moments where he’s forced to acknowledge that his teammates have changed, too.  Time didn’t just stop for them when he left.  While he was turning into someone new, so were they.  They grew up without him, and his old memories of them can’t encompass the whole picture of who they are now.  
(This is a little tangential, but in general, I love the spectrum of reactions that Naruto, Sakura, and Kakashi have in this sequence, and the way that all of them are ultimately messages Sasuke needs to hear.  Sasuke - who we know textually regrets what he did here, who apologizes to Sakura for it later - for “everything,” in fact - needs Naruto’s aggressively optimistic open-arms policy, yes, needs that potential, that unconditional possibility of return.  He also needs Sakura’s refusal to let him hurt her friends and start a war that will kill thousands of people, needs her surprisingly ruthless attempt to take him down; needs just as much her failure to do so, because it shows him that she still loves him too much to kill him even as she condemns him.  And he needs Kakashi’s grim line in the sand, needs someone who very possibly won't hesitate like Sakura (despite the horrifying personal cost), someone who will try to reach him but also won't let him escape and become the next generation’s Orochimaru, who won't let him cause untold suffering to untold numbers of people just because a teacher loved him too much to stop him when he had the chance. 
(And then even Kakashi chooses not to deliver a killing blow when he has the opportunity -)
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(I know that in fandom people are more likely to be all, “oh, Naruto Good, everybody else Bad,” but I don’t think the narrative frames Sakura or Kakashi as “worse” than Naruto in any way.  The story goes out of its way to make it clear how desperately they don’t want to hurt Sasuke and how much they care about him.  And [this is just my interpretation, so obviously I won’t claim it as fact], I personally think that Sasuke - Sasuke, who, looking back, can see how lost he was then and how tortured he would have been if he’d gone through with many of his plans - would be grateful to Sakura and Kakashi for making an attempt to stop him when he couldn’t stop himself.)
2) On the other side of this, the fact that Sakura wasn’t able to deliver the killing blow means a lot. Sasuke was incapacitated under that bridge; he was completely at her mercy - but she stopped with the kunai an inch from his back.  She couldn’t kill him, even though she knew that he was completely willing to kill her (because he'd attempted to Chidori-assassinate her from behind just a few minutes ago).  That’s huge!  Sasuke is too out of his head right now to process this or understand it, but later, it's going to matter.  She stayed her hand.  She spared his life.  She loved him too much to hurt him, even when he’d given her every reason to take him down.  She hesitated, and he almost killed her for it, but her inability to strike him ultimately gave him yet another chance to come home, another chance to get better, another chance to have a life outside of his pain.  Despite everything, some part of her still hadn’t really given up on him, and that knowledge will matter later, when he’s finally able to acknowledge it.  
The point of all this is to say that I really have no complaints about Sakura and Sasuke’s dynamic in their S10 confrontation.  This season is the point where Sakura fully grows past her “girl with a crush” stage and into her “shinobi must make very harsh decisions” adulthood, but it never means that she doesn’t care about the person she’s trying to take down.  Her ultimate inability to deliver the killing blow remains a dangling lifeline for her relationship with Sasuke, an open door that Sasuke is able to walk through at the end of the story (literally, in fact, when Sakura opens that portal for him and saves him from Kaguya’s desert prison, and figuratively, too, when Sasuke apologizes to her).
3. she only wants to save you
The last stage in their relationship is what Sakura settles into during the war arc.  She started off Part 1 being just a girl with a crush, then tried to harden her heart and put her feelings for Sasuke aside in service of the greater good, but she was unable to actually follow through and kill him, and because of that, what she’s come to accept by the war arc is actually two things: that 1) Sasuke truly is willing to let her die if it furthers his goals, and 2) she wants to save him anyway.  
She has no intention of pursuing Sasuke romantically.  She knows full well that Sasuke isn’t interested in her.  She even knows that Sasuke isn’t really on their side (there’s a great scene where Sai questions Sakura about Sasuke’s return, and she reassures him that everything is fine, and Sai sadly thinks to himself “even I can tell your smile is fake”).  She’s well-aware that Sasuke didn’t try to help her when Madara stabbed her.  She’s well-aware that he left her to die in the lava pit.  She’s also well-aware that none of this is enough to make her stop loving him.  He doesn’t have to care about her - she still cares about him.  She still wants to help him.  She still wants to save him.
This is not hidden, hard-to-parse character development.  It’s explicitly articulated on the page:
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Sakura’s not trying or wanting to make you hers!  She only wants to save you.
I’m not sure if people look at this last confrontation and unquestioningly take Sasuke at his word (as if we haven’t just read 71 volumes/watched 700 episodes showing us how how painfully distorted his thinking is), or if they stop reading/watching before the end of the scene, or if they don’t understand that Sasuke saying something doesn’t make that statement an accurate representation of reality.  The entire point of this scene is to show us how deeply mistaken Sasuke is about Sakura (and, by extension, the rest of Team 7).  He’s locked into a false pattern of thinking.  His single-minded focus on revenge and destruction has blinded him to the unconditional love his friends feel for him; he’s become so accustomed to using others and being used that he can’t understand or accept that someone would care about him without needing a reason, without needing him to love them back, without needing to receive something from him in exchange.
Sakura’s not trying or wanting to make you hers!  She only wants to save you.
Sasuke matters to Sakura as more than a love interest.  He always has.  She does love him romantically, yes, but she doesn’t only love him romantically, and her desire to help him is not and has never been contingent on him returning her feelings, romantically or otherwise.  Sasuke isn’t able to acknowledge that in this scene, but that doesn’t mean we’re supposed to just sit back and agree with his warped perspective.  Kakashi is the one who’s explicitly positioned as the voice of the narrative here.  We, as the audience, are supposed to recognize that Kakashi is the one telling us the truth.
[tangential thing 1: You don’t have to love Sakura's last plea to Sasuke here. It’s not my favorite, either - the best part, other than Kakashi’s speech at the end, is the moment after Kakashi collapses when Sakura’s expression changes from pained uncertainty to pure rage, when she grits her teeth together - when I first saw that, I almost leapt out of my seat like “Oh my god.  She’s finally going to let him have it.  It’s finally happening - ”  I wanted that so badly, and I still think it would have been a more effective writing choice for Sakura’s last words to lean more into her anger at the suffering Sasuke is causing all of them (himself included!) and less into yet another of Kishimoto’s “let me have Sakura articulate what a shame it is that she can’t do as much as Naruto despite the fact that I literally just went through a major reveal sequence in the war to show that she’s caught up to the boys; I can’t make up my mind about whether I want her to progress or not” - it’s extremely frustrating (and it's something he does at the very end of the S10 Team 7 reunion, too, which is the ONLY moment of S10 that falls flat for me).  But at the same time, even if there are ways this sequence could be more satisfying, it doesn’t change the fact that her plea to him is not remotely motivated by a desire to be with him romantically and not anything to condemn her for.]
[tangential thing 2: I do like how she remembers that moment when Sasuke says “Thank you.”  That panel precedes her saying “If there’s even a tiny corner of your heart that thinks about me…” (which I’m sure is one of the things that people like to criticize about this scene, aka “oh she’s sooooo self-centered” etc), but that particular line of dialogue is preceded by that particular flashback panel for a reason: Sakura knows that Sasuke DOES think about her.  He thinks about all of them.  Sakura remembers that “thank you,” and it reminds her that despite everything Sasuke has done and said since, despite all evidence to the contrary, she knows in her bones that his expression of gratitude back then was genuine.  He cared about her once.  He cared about all of them.  She’s trying to reach the part of him that still does, if it exists.]
[tangential thing 3: The fact that Kakashi says “she suffers from loving you,” and it triggers Sasuke to remember his own family - thinking about how much he suffered (and still suffers) from loving them - “Perhaps…those are the ties to a failed past” - the idea that it’s not worth it to have bonds if it means you suffer this much…that it’s too difficult, it’s too painful, and if Sakura and the rest of Team 7 were smarter they would just give it up (all Sasuke knows how to do now is sever potential bonds before they can hurt him; so why aren’t Sakura and the rest of his teammates doing that, why can’t they let it go, why are they making this so hard - ) << yeah, he clearly doesn't care about her/them at all.]
4. the shadow of my family
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This has all been a really long way to answer the original question, but the short response to “What do you think about the relationship between Sasuke and Sakura?” is “I really care about it,” just like I really care about the relationship between Sasuke and Naruto, just like I really care about the relationship between Sasuke and Kakashi. And I don’t think the story ever asks me to choose between them.
I’m not sure whether it’s the impact of Boruto-era “canon” that gets in the way of other people approaching things this way (I don’t consider sequel material when I evaluate the original story), or if it’s Kishimoto’s frequent disinterest in/disrespect towards female characters, which yes, does sometimes make it harder, or if it's a shipping thing (bane of my existence), or some combination of factors, but for me, taking one member of Team 7 out of the equation hobbles the rest of the story.  I can’t read/watch Naruto while hating one of the protagonists and loving the other three.  It doesn’t work like that for me.  The story wasn’t written that way, and there’s nothing in the text that would cause me to receive it that way.
That doesn't mean there's anything wrong with disliking one of the main foursome (or any character, for that matter) - obviously we're all going to have different preferences, and everyone is free to enjoy or reject whatever parts of a story they want, or to like or dislike whatever characters they want. I know that some people have more fun disregarding canon and doing their own thing, which is fine.  My own personal zone of enjoyment comes from receiving the story as closely to how I think it was intended to be read as I can, and personally, when I look at this particular story, what I see is that all the members of Team 7 clearly demonstrate their love for Sasuke in ways that he himself later recognizes and acknowledges. All of them are driven by their desire to save him and their unwillingness to hurt him. All of them make repeated choices to chase after him when he runs away, to trust him when he hasn't exactly earned it, to give him another chance when he doesn't appear to deserve it. ALL of them, not just Naruto, do these things multiple times throughout the story, and Sasuke owes his life (and thus his eventual recovery) to ALL of them, many times over. Kakashi disobeys Hokage-elect Danzō and breaks the law to negotiate for Sasuke's life with a foreign head of state. Sakura and Kakashi both have opportunities to kill Sasuke in the Land of Iron, and they choose to spare him instead. Kakashi stops Sasuke from killing his only friends at two different points in the story, which would have been a mistake Sasuke couldn't have recovered from. Sasuke would have died in Kaguya's desert dimension if Sakura hadn't saved him (Sakura, who knew that Sasuke wasn't even truly on her side yet, who knew he'd abandoned her for dead multiple times already that day). Kaguya's bone bullet would have killed Sasuke too, if Kakashi, with his intention to die in Sasuke's place, hadn't leapt in front of it (Kakashi, who also knew that Sasuke wasn't fully on their side yet, who also knew that Sasuke had abandoned him for dead earlier that day). Sasuke and Naruto would have BOTH died in the Final Valley if Sakura and a severely injured Kakashi hadn't chased after them to heal their injuries.
Remove any one member of Team 7, and Sasuke never makes it home. Without the combined efforts of all three of his teammates, he doesn't survive.  That’s the way it should be, thematically, for a story whose first and most foundational premise was the importance of teamwork, and since Sakura was just as essential to that framework as everyone else, I’m just as invested in her relationship with Sasuke as I am in his relationship with everyone else.  You can’t remove one leg from a four-legged stool without damaging the integrity of the entire structure, and for me, discounting any single member of Team 7 irreparably damages the integrity of the entire story. 
TL;DR: I love all of the Team 7 relationships, including Sakura and Sasuke's, because despite what some segments of fandom seem to believe, the text of the story never gives me any reason not to.
#naruto#meta#replies#anyway that's that! hopefully that is a helpful answer#thank you for the question! i honestly don't think i would have ever gotten around to writing about this if i hadn't been directly asked#i love talking about the stories i enjoy (obviously; we all do; that's why we're here)#but i'm usually ¯\_(ツ)_/¯ about responding to takes that blatantly misread the narrative to justify hating a particular character or ship#mostly because a) it's whatever. as long as people mind their own business and leave me to enjoy myself they can do what they want#and b) some opinions are so divorced from the actual text that they're not worth discussing#like. what's the point of responding to random internet posts saying that sakura was selfishly pursuing sasuke as a lover the entire time#when that is textually and provably not the case?#if you're that committed to experiencing things in direct contradiction to what the narrative is asking of us then just go ahead#is it mildly annoying to me? sure. but so are lots of things and it's better to just let stuff go#like - i initially planned to take this piece of meta all the way up through sakura and sasuke's last scene together#the one where he tells her 'maybe next time' and finally reclaims and redefines itachi's forehead tap (INCREDIBLE. THIS SCENE.)#but ultimately i changed my mind because everything i wrote for that last section was coming out too harsh#i generally prefer to talk about fandom stuff in a chill/friendly approachable way#but i kept thinking about the most obscenely & disrespectfully inaccurate read of that scene i'd ever seen#and i couldn't figure out how to talk about it in a non-scathing way#that scene and the one where naruto gives sasuke's headband back are the ONLY well-written things about the finale of naruto#they are SO perfectly constructed and i can't respond to people slandering either one without feeling an urge to kill#so i just deleted it. partially because again - this is fandom; it's not that serious; people can do what they want#but also because i know i get extra frustrated about people picking over the text and plucking out isolated bits and pieces#to contort into blatantly misinterpreted mutant shapes that 'confirm' whatever pre-existing judgments or ships they had#instead of experiencing the story as a cohesive whole & keeping in mind the greater context of what it's always been trying to communicate#people on this website say 'we all interpret things differently :)' as if it means no one can ever be wrong about what a text is saying#newsflash: not all interpretations of a text are valid. things can't in fact mean whatever you want them to mean.#the ***story*** persists and exists even if the author is dead to you#if you choose to ignore that then that's fine; it's just fandom; who cares. but i'm not going to pretend you're 'analyzing' anything.#(ok now i'm really done. you can see why i deleted this section XD)
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permanentreverie · 2 years ago
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The way that first love: hatsukoi is just hurting and pain but so good
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musical-chick-13 · 10 months ago
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I'm the LAST person to suggest that you have to preface every single comment you make about a character/fictional relationship/etc. you like with a reminder that you Know™ it's pRoBLeMaTiC, but I DO question what the point of acting genuinely for real like there were no problems is.
#I don't even mean in a 'what would it look like if this relationship were healthy' or 'what if this character were a good person'#because I think that's interesting to explore and I have several things I'm working on with elements of that#but I genuinely will hear people go 'there ARE no flaws in this thing' with their whole chest in a completely serious manner#when they could just. talk about how they like the thing without that qualification? and I feel like...#...idk. just because *I* am someone who enjoys horrible characters and deranged unhealthy fictional relationships#I feel like it's a disservice to act like there were never any faults or problems or [insert applicable noun here] at all? it gets rid of#the narrative complexity that's present#I was talking to long-distance best friend last night and I went on a rant about how I wouldn't like jaime as much if he actually WAS as#Super For Real Actually A Completely Good Person Who Was Never Flawed In Any Way as some people act like he is.#it's BECAUSE he does shitty things and isn't A Super Good Person™ that makes him particularly interesting#if you want to imagine a version of this story where he doesn't act horribly and is a 100% Stand Up Guy then go for it you don't need to#justify that by saying that that is completely for real without exception who he actually is in canon?#(this wasn't even the example that brought this on. he's one of many MANY examples.)#and you know I could write a story (I won't) where like. idk altena for example. handles her issues and doesn't become The Antagonist™#where she gets therapy and ends up with a fulfilling life where she participates in society as a more well-adjusted person.#but again it would be an INCREDIBLE disservice to the way this character (a complicated fascinating character) is written to act like#she was Always Like That or that this turn of events was intended by the story or that She Genuinely Never Did Anything Wrong Actually#it's less 'oh people are having sympathy for [xyz] in a story context that I think isn't merited' & it's more 'acting like this is the way#the story was all along and the way it was meant to be interpreted all along is a misreading of the text and I don't think that's fair'#mel's media criticism
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crystallizedday · 24 hours ago
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HELL YEAH!!
Gonna use this as an excuse to ramble a bit cause I love this lil fella so much…
Like I keep saying
Fusionfall has the BEST version of his character. It is NOT even close.
There’s just
SO much more to his character.
He HAD a bit of character in his debut episode
But Fusionfall makes him so much more well-rounded.
Yeah, you’ll occasionally have the world third person talk for some reason
But he’s like
Actually smart.
He actually STUDIES stuff related to magic.
He KNOWS his shit.
He is portrayed as THE most knowledgeable magic character in the entire game
Which
Says a LOT considering the roster.
He’s also incredibly crafty
Kinda being on par with the likes of the KND with how he utilizes average materials to benefit himself (even if uh… it most likely doesn’t work out for him since he’s trying to make himself look intimidating, but he’s trying, & that’s all that matters to me).
He’s incredibly snarky & smug, to such a pathetically adorable degree.
He keeps throwing around names like “child,” “human,” & “mortal” to make himself look like the tougher presence, even though he’s completely powerless in this point of Fusionfall’s story & he KNOWS it.
He copes SO hard, & it’s just adorable OQMWOSMSOXMMWOX
Not to mention
Just
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I love when he genuinely gets invested in shit
Like his fuckin one sided beef with Billy.
Bro wants that kid DEAD, & it’s hilarious.
He FEELS.
He will try to be strictly logical & focus on the task at hand, but he STILL lets his emotions get to him.
Hell
Jack can’t even talk to Demongo himself cause Demmy is SO FUCKIN PETTY about his loss to the samurai that he doesn’t wanna even hear a PEEP out of the guy.
He’s so emotionally driven
& it’s only emphasized in his nano lines.
He isn’t like Aku, who is only fueled by hatred, pleasure in the suffering of others, & the occasional fear from getting killed by the samurai.
No.
When Demongo panics
He PANICS.
When he’s heartbroken
He starts SOBBING.
He can even get romantically attached if the stars ever aligned in his favor.
That’s not me being biased.
That’s just what his nano lines directly imply
& considering each nano is written to speak in a way that’s pretty much canon to their og counterpart (including Aku)
Any implications from the nano lines can apply to the original counterparts as well
& that is AMAZING to me, ya know?
That this DEMON
This guy who was birthed from the PIT OF HATE
Is written in a way where he can actively express a wide variety of emotions
But only seldom lets them show to ensure he can keep up appearances, just as he’s trying to do for at least 1/3rd of all his missions in-game.
He THINKS with his HEART!!
THIS is Fusionfall’s take on Demongo
& I LOVE him so much…
He is SUCH an adorable & interesting character that I wish we got to see more of.
I would’ve loved to have seen the original devs flesh out his character a bit more.
Like
Could you imagine if the og game touched upon the idea that he wasn’t working for Aku anymore?
That he at some point decided to be his OWN villain once Aku wanted nothing to do with him anymore?
& it makes him double down on keeping up appearances & growing stronger up until the invasion happened?
That would’ve been SO COOL to see such a concept unfold…
& maybe see Demongo be conflicted about whether he should return to Aku or not since he had some vital information on the resistance that the Shogun of Sorrow would have absolutely rewarded him for offering up, hence why Demongo did not confirm or deny working for Aku when the player & Jack question him on the subject.
Cause he legit doesn’t know his stance at that moment.
He’d love to have his safety ensured by Aku, but he had also grown to value his independence as well.
GOD, this game should have never been cancelled, bro…
The POTENTIAL!!!
I've been seeing alot of hear me out cakes so I've decided to make my own
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feyburner · 2 months ago
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I ??? woke up at 3am with this scene fully written in my mind palace and quickly jotted it down in the Notes app
*
Clark’s shaking his head before he realizes he’s doing it, and feels a twinge of embarrassment at his own bad manners when Bruce stops mid-word to look at him, brows raised.
“No?” he says.
“No,” Clark says, again without thinking, and again with the reflexive urge to apologize. Somewhere his mother is tutting without knowing why. But he doesn’t apologize, because he’s already saying, “No, it can’t—it can’t be that.”
“Okay,” Bruce says slowly. “Can you elaborate?”
He is, honestly, having trouble taking his eyes off the screen. The mockup design of his new suit is there, dark and sleek, ridged like tactical gear. The blue is like the last shade of evening before you can’t call it evening anymore, the color of nine PM in Kansas in July, so exact there’s a strong chance Bruce color-picked it from a photo. The yellow accents are the cool fluorescent yellow-green of lightning bugs. The red is dark as arterial blood. Every aspect of the suit has been updated—the colors deeper, the angles sharper, the S extending to the corners of its frame—but Bruce has done it without changing the fundamentals. It’s immediately recognizable as the Superman suit, just… well, a little cooler, maybe. A little more of the times. Even the tailoring is modernized. The neckline. The shape of the boots. Where the belt hits at the waist. Clark can tell just by looking that Bruce has not only spent a lot of time on this in general, he’s spent a lot of time designing it specifically with Clark in mind, Clark’s needs and preferences and the small discomforts of his current suit, things he might have mentioned offhand after a mission but never with the assumption that Bruce was listening or filing it away. No doubt the next slides of this presentation will detail all the hidden features of the new suit, and they’ll all be incredibly thoughtful if not slightly overkill, and Bruce will pretend his sole motive here was practicality and risk reduction and respond to any thanks with a curt nod.
And Clark wants to thank him. He will. It’s just.
“It can’t be… cool,” he says, inane. Bruce is watching him with that steady look that used to feel clinical, piercing, and now mostly reads as attentive. “It can’t be—like yours. Tactical, military-grade.”
“Lightyears beyond, actually.”
“It has to—Ma said once, a kid should be able to draw it with crayons. You know? I can’t look like a weapon. I have to—I want to look like a friend.”
He can feel himself flushing. It’s rare that he speaks like this, and rarer still that he does so while being stared at intently. Bruce may think of himself as the darkness, but his gaze is a spotlight: unwavering and revealing and more a little sweat-inducing, for one reason or another.
“Sometimes, when I show up, people laugh,” Clark says. “If it’s somewhere out of the way, where they haven’t seen me before. I show up and I look like a festival performer. It’ll be the worst day of their lives, and they’ve got no reason to trust my face, but when they see what I’m wearing—it goes from ‘Who are you?’ to ‘Who is this guy?’ And that’s a good thing.”
“Hard to be afraid of a man dressed in primary colors,” Bruce says, almost to himself.
“Exactly.”
“I see. Thank you,” he says, “for explaining.”
Clark tries not to show how surprised he is to hear that. Judging by the crook of Bruce’s mouth, his success is negligible. “Of course. Sorry I didn’t—I mean, thank you, obviously, for going to such trouble. I didn’t mean to come in here and—I really do appreciate it, I can tell you put a lot of work in—”
Bruce’s eyes cut away. “No. No need. I didn’t ask, before I…. It was only a first draft. If you’re amenable, I’ll incorporate your feedback into the second one.”
“Oh! Yeah. Yes, of course, but you really don’t have to—”
“If you have any further notes, I would like to hear them.”
There’s something determined in the lines of his face. Clark has the sense that this moment is important, that it’s a turning point, even if he’s not sure why. It feels like striking out into a sea of ice, a blank white expanse under which something precious and vital is hidden, has been hidden all along, just waiting for him to find it. To want to.
“Sure,” he says. He looks back at the suit and swallows, and knows Bruce will see the flicker of his throat and take some meaning from it, and wishes he knew what the meaning was. Or maybe Bruce won’t notice or read into it at all. Maybe Clark needs to calm down, in fact. “Um. I don’t want to assume, but does it… do things?”
“It does things,” Bruce confirms, after the barest pause. “Let me show you the next slide.”
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simpjaes · 8 months ago
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BIG D*CK FOR DUMMIES (s.jy)
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The one where you find out that your boyfriend has a huge cock and you’re not entirely sure if you can take all of it. 
MDNI!!! | pls leave feedback and reblog your fave writers!
PAIRING ― jaeyun x afab reader  
WORDCOUNT ― 2.4k
CONTENT ―  first time, established relationship, top jaeyun, painful sex
NOTE ― this was originally written for a different idol on my other blog [ncteez] but i pictured jake in that one en o’clock episode doing this and went feral so……here’s ur giant package. 
smut tags― he’s a little cocky (lmao), i guess you could say size kink but it’s more like huge cock / tiny pussy size kink, theres some crying, praising, reader gets off like almost instantly and becomes incredibly cock drunk the second he’s able to actually fuck
・・・・・・・・・・・・・・
Things you knew about your boyfriend before dating: he’s very protective, super smart, has good taste in music, his hands are big and warm, and he’s very down to earth.
Things you didn’t know about your boyfriend until after dating and he’s on top of you during a moody and rainy night makeout session: his cock is huge and it’s very intimidating.
One might ask, how could you have not known? Well, that’s easy. It’s a fairly new relationship and a very shy relationship at that. It’s a bit embarrassing for you, actually, because it’s not like you don’t want to be intimate with him. You definitely do, and apparently so does he. 
It’s the first time in the three weeks you’ve been dating that you’ve gotten to be completely alone with him in an intimate setting. For one, you live with your parents, and secondly, he lives with three other dudes who like to be all up in his business. It’s not exactly easy to get alone time with him. Thankfully, your parents are out on a five-day holiday somewhere in the Bahamas and you’re here on your family couch with Jaeyun’s hands cradling your neck as you kiss him. 
It got heated very fast, presumably because the two of you haven’t really had the privacy to do more than a standing makeout session without someone listening in, or worse, walking in. It almost makes the air feel electric now, kind of like a breath of fresh air except the fresh air tastes like the fruity chewing gum he had in his mouth when he originally came over.
Here’s the thing though, and man, it’s a thing. Looking at Jaeyun you’d think he’s average at best and you’re not really the type to go around guessing dick sizes.  So, naturally, when he slots a leg between yours as he got on top of you and you fucking felt it against your leg, you were a little more shocked than anticipated. Maybe he let out a little snide chuckle at your reaction too, you wouldn’t know, you were kind of busy wondering when he was going to let you in on the secret. 
Now, here you are deep in thought of how the hell that thing is going to fit anywhere while simultaneously one hundred percent willing to make it fit because god, does he know how to makeout and feel someone up. 
The more he kisses you, the more his hands roam, the more you experience intimate touches with him, the more you feel like your skin is on fire and replacing that intimidation with extreme arousal and lust. All the way until the point that the presumed makeout playlist starts over and he finally pushes a bit further with you.
“Is this okay?” He asks, now slotting himself entirely between your legs and essentially pressing his length directly against the pool that is threatening to seep through your fucking denim shorts. 
You give him a half nod, trying to pretend that he’s definitely a normal man with a normal cock. He smiles though, knowing full well that this isn’t what you were expecting. No one ever expects it from him. 
“You seem occupied,” he comments, pressing himself against you a little more and leaning down on his arms to nip at your lips. “or shocked, maybe?”
You try to kiss him to shut him up, not wanting to expose yourself for being entirely inexperienced with a size like his. 
“Hm?” He encourages you, pulling back again and looking directly into your eyes with a confident smirk. 
“Well,” you shift your eyes away and sigh out, “you’re kind of huge…” 
He takes that compliment and runs with it. It’s not like the two of you have to finally have sex or anything, but you both knew what was happening and you both definitely knew what the other wanted. At least ten minutes ago that was the situation.
“Is it too much?” He asks, this time a bit more concerned that his own biology could ruin this for you. 
“Probably? no, maybe?” 
Jaeyun pulls away from you, moving himself to sit back against the couch and give you your space. Considering probably and maybe isn’t a yes, he feels no need to push or pressure you into doing something you don’t want to do. There have been times where he’s hurt another person while being intimate, though not intentionally, he’s not exactly willing to do that to you unless you’re like, you know, jumping his bones for it. 
“Still, i’d like to try–” You start, looking at him as you sit up and feel your entire body tingle at the cold air that replaces his warmth. “Maybe if we take it slow– like, really slow?”
He looks at you with shining eyes. He asked you to be his girlfriend because he genuinely likes you. He likes your voice, he likes the way you smell, likes when you talk about your favorite songs and favorite movies. He was definitely smitten from the moment he saw you trip on your own two feet down the front porch of a house party months ago. Taking it slow with you was pretty normal, and the fact that you want him too just makes him all the more willing to take his time. 
“I’ll take care of you, ” he hums, spreading his legs a bit across the couch to give himself more space to re-adjust himself. “Just tell me if I need to slow down?” 
You nod, staring directly between his legs and rubbing your own together on instinct. If anyone’s gonna split you open, it might as well be your boyfriend.
・・・・・・・・・・・・・・
When he said he would take it slow with you, he really meant it. The fact that he curled three fingers into you for a solid twenty minutes and you still feel like your legs will buckle on you at any moment knowing that this is just for prep– oh damn. 
 The fact that he even used his tongue on you for the first time, making sure you were more slippery than you already were for another twenty minutes? The fucking fact that you were on the verge of orgasm when he pulled it out and presented it to you like a cock you could totally sit on without issue? 
Fuck.
Reality washes over you far too quickly when you actually make that attempt. 
You’d be lying if you said it didn’t feel like you were being torn apart by him, but part of you loves the way his gentle hands hold you steady as you try to sink down. You can feel the wet heat between your legs coat his length inch by inch as you start to slide down.
He stops you only for a moment when he notices you wincing. 
“Breathe, baby, just a little more.” He encourages, getting a nod from you before guiding you down further.
You breathe, clenching around him and doing your best to stop doing that so you can relax. You can tell he’s struggling to actually take it slow by now too, only because you can feel his hands shake against you as he holds himself back from obliterating you, probably. You’d think it would be quite endearing to see, if it weren’t for the fact that your eyes are blurring from the tears threatening to fall. 
Feeling embarrassed, you wipe your eyes and focus on how he feels inside of you. The pain is still there, but as you “sit” here, that pain somehow does replace itself with a strange sensation of pleasure little by little. You’ve always wondered what it felt like to be full, and it appears that this is exactly it.
It’s overwhelming.
“Do you want to stop?” He asks after noticing your tears, a bit of panic in his voice despite the fact that you could have sworn hearing a moan come out alongside it, “Pull up, it’s okay, you can–”
You sink down further instead, now bottoming yourself out on him and releasing a broken whine of both pain and pleasure. He grunts in unison to your whine, gripping your hips even harder than he already was and squeezing his eyes shut. 
“Fuck,” he sighs out, lazily opening his eyes to look at the way you perch yourself on him so perfectly. “Such a tight fit.” 
You nod, mostly unable to hear a word he’s saying as you try to relax your body enough to get rid of that small hint of pain. The consistent clenching of your adjustments send your boyfriend spiraling a bit, unable to contain his sighs of pleasure as your tight and wet heat squeezes his cock.
“Tell me when I can move, please, tell me–” He groans out almost frantically, staring down at where you sit flush against him and wanting so badly to fuck into you.
 He’s wanted to do this to you since you started dating, now that it’s finally happening, and now that you’re quite literally jerking him off simply by adjusting to his size– you know, it’s not exactly easy to contain himself. 
You take a few more seconds to breathe before your body finally relaxes and you give him a reluctant nod. 
Instantly it’s like you’re seeing stars. He barely moves, all he does is flex his abs and press his hips up and it’s like he manages to fit another non-existent inch inside of you. 
You groan out, falling forward against his chest and gripping onto his shoulders as you feel your body adjust to even that small movement. To you, this is so fucking embarrassing, but to him? 
Hottest thing ever. Really. 
He can hear your whiny gasps against his neck when he moves and it’s driving him fucking wild, especially considering the fact that his cock is driven so deeply inside of you that he thinks you’d tell him to stop— but you don’t. 
You’re so good to him, and for what it’s worth, he wants to make sure this will be the best orgasm of your life.
Slowly, his hands fall to your ass and guide you up. You feel slight relief as a few inches leave you, and your stomach bubbles with that same sensation of both pleasure and pain when he slides you back down.
He moans out at you, almost like he’s cooing in pity at how much you’re trying to take for him. It’s incredibly sexy to hear now that your ears have stopped ringing and you’re beginning to believe that you’d never want anything smaller than him anyway.
This time, you lift on your own and sink back down just as fast, wincing again against his neck but releasing a moan that sounds more like pleasure than anything else. He sees this as a green light, gripping your ass and encouraging you to lift slightly again.
“Stay like this.” he mutters with a deep breath before kissing against your forehead and thrusting his hips up once, hard. 
The tight heat you’re offering sends him into a frenzy when paired with the wet slap of his pelvis hitting your pussy, and the sounds you’re making offer little in terms of stopping because by now, you’re both loving it. 
He thrusts into you with ease, the drag loud and slippery, the moans of pleasure you release only make him go faster, harder. Almost releasing a whimper of his own at how fucking perfect you are for taking all of it.
“Look.” he tries to let out, waiting for you to pull yourself up from his chest and look at him.
You do with ease, that broken face from before now replaced with lustful and blown out pupils. 
“Look how good you take it,” he praises with a groan, almost punctuating each word with a thrust, “knew you could take it.” 
Your broken smile that falls into a slack mouthed string of nonsense only continues to push him.  All the way until you can’t think straight at all, and you’re feeling your body tense up with such pressure that you can’t even warn him before your walls are clenching so tightly that it even hurts him. 
You grasp onto him for dear life as your orgasm washes over you, drenching his entire length as you hold your breath. Never have you gotten off while feeling so fucking full, and arguably, you don’t think you could ever feel an orgasm so intense without him being the one to split you open.
“There you go baby.” he hums, watching you breathlessly fall apart on top of him before picking up his rhythm again and chasing his own high.
By this point, you’re so well adjusted that even the searing pain of his restless thrusts feel good. Your brain is foggy but you can’t help but just fucking watch him.
This is your boyfriend and this is what it looks like when you’re making him feel good. 
“Are you close?” you start to bounce on him, meeting his rhythm and allowing him to rest his own hips. 
He nods as he looks at you, awestruck with how you’re already able to ride him as if you weren’t whining just moments before. Seeing you take him in full like this is enough to have his cock pulsing.
“Just a bit more, baby.” He closes his eyes and runs his hands up your waist. “Keep riding me, fuck.” 
And that, you do. Feeling proud of yourself for being able to actually take this literal monster, you focus on the twitch inside of you as he releases with a deep and breathy moan.
It’s entirely too sexy to ignore, and you continue to bounce even as he tries to hold you in place to subdue the sensitivity of his cock being fucking strangled by how tight you are. 
Once his body stops jerking and you feel the last twitching release inside of you, you fall forward and both of you groan from the sensitivity. 
“There are pros and cons to having a big dick, i guess.” he admits in a groan. 
Even when you laugh, there’s another wince from both of you followed by a groan.
“Pros: big dick.” he whispers, holding you still against him so you don’t move again before he can soften up and pull out. “Cons: big dick.” 
You still laugh, and it still hurts. 
・・・・・・・・・・・・・・
me and my lame ass endings lmfaooooooooooooooooo
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yangcherie · 1 year ago
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bathing.
𐀔 pairings: cast (astarion, gale, wyll, lae’zel, shadowheart, karlach, halsin) x female!tiefling!tav (reader).
𐀔 content warnings: suggestive, everybody is a little freak, non-consensual voyeurism, implied scent kink (gale), mentions of scars, afab anatomy. tiefling anatomy.
𐀔 sypnosis: what is a warrior to do when all their companions are peeping toms?
𐀔 author’s note: they are freaks and its been very long since i’ve written. please forgive a lady if what she’s written is unappealing.
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“Can you keep it – fucking quiet?!”
Astarion whisper-yells at the entire party of people hiding within bushes and treelines, all fighting tooth and nail like rabid animals for a peek (and taste) of their ragtag, frustratingly attractive leader’s curves.
They didn’t even mean to stumble into eachother, each to their own blindly traversing through the thickets of the woods towards the nearest river. Tav simply mentioned having to retire early to take a bath (much to Gale’s dismay), and they all hungrily jumped towards the opportunity like dogs to a meatless bone, the one of the hopefully many chances they’ll see you naked, vulnerable, and shivering – even if it’s only due to the lack of warmth in the river’s streams.
It’s wrong, debauched, even. Hells, even literal devils, Karlach and Wyll, wear faces ridden with shame. Of course, they (namely Astarion and Lae’zel) poked at the others stalking as if they weren’t shamelessly doing the same.
The tension in the air was thick, each a barrel on the verge of explosion ready to wipe out the recently discovered possibility of rivalries and competition – but they couldn’t blame eachother; there was just something about you that made you so very enticing. They all thought it was incredibly silly to think only one person would want you.
“Well,” Astarion clicked his tongue in displeasure, having his private time foiled. Still, he smiled sardonically. “we’re all degenerates, it seems. We’re all looking forward to having a... fun time.”
A deep rumble came, and it surprisingly did not come from the forest ground. It was simply Halsin, all too polite and calm smiles. Astarion groaned; he was sick of this big fucking oaf with hearts for eyes and a log of wood for brains. “We are not depraved for simply yearning to admire our friend in a state of tranquil—”
“Oh, please! Don’t act like a saint in front of me!” The vampire spawn huffed, hands on his hips. “We’re all here for the same reason, we all want to see Tav fucking naked, no point in lying now!”
Tints of red and pink all rushed to everyone’s faces, and even Shadowheart was reduced to fiddling with her fingers together. Though awkward coughs ensued in the air, not a single word of denial was uttered.
Karlach is first to speak up, ever brazen. “It’s true!” She says with her signature sharp smile. “I wanted to see her tits!”
(Lae’zel and Astarion nodded approvingly to Karlach’s honesty. Halsin and Gale quietly shared their sentiments on their preference to your ass. Shadowheart and Wyll could not disagree to both.)
Amidst their busy conversation and debate regarding your body’s fine qualities, the alarmingly close and approaching noises of branches snapping and leaves crunching had rendered them silent, panicked shivers and goosebumps on their skin. With shared glances and only a few split seconds to react, the party floundered and flailed for whatever they could use to stay hidden.
“Settle down, you circus; Tav’s coming!” Wyll is the first amongst the party to silently and comically dive into a bush with Karlach, clutching their tails to avoid it rustling about in excitement. Halsin had thrown Gale and Astarion atop a tree’s thick branches before joining them. Lae’zel, disappointingly, camoflauges just well with the greenery, watching Shadowheart flounder about and settle for lying on the ground with grass over her face.
“All you filthy ska'keth.” Lae’zel hisses, letting everyone know of your now visible presence, the halting of your footsteps along the other edge of the river. “Enjoy the show.”
Across the distance, their focus had been shifted to you and now solely you.
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You quietly groan, trudging towards the river you’ve been searching to no end, you set down your basket of fine oils, herbs and waxes as your armored limbs ache and practically cry for a dip in the clear stream. With no haste, you take in the cool night air, this little moment of peace, away from prying eyes you’ve fought long and hard to obtain. Sweat trickles down your throat, your tail swaying in contentment in the calm atmosphere.
Quickly deciding you’ve had enough of the crisp air, you reach towards your body to unclasp and unfasten the many buckles on your durable armor – starting with the iron top, quickly taking it off to reveal your bare, battle-worn chest and hastily discarding the metal on your legs, throwing them aside in favor of letting the cold air bite at your naked, scarred body before you go into the water; allowing your body a little moment of respite from the suffocation and heat of tight, bloody armor – even letting your tail sway around freely instead of being constricted to being stiff. A content smile creeps its way onto your face.
You lightly step your way from the sand to the edge of the water, continuing to walk until you’re trembling from the cold, until you’re hips-down in the water. A grateful sigh is pulled from your lips as you start to wade about, your hands subtly working to wash the dried blood, gore and grime off of your body and hair – using the oils and wax soaps of sweet woodruff and wine from your basket, even scrubbing your horns. A little part of you finds this normalcy almost unfamiliar, uncomfortable; it’s been quite a while you’ve taken care of yourself. Your thoughts start to drift; prior to your abduction by the Nautiloid ship, were you ever taken care of, like this? By other hands, even?
(You hope so.)
Another sigh is dragged out of you, though wearier as guilt treads within you. Just a little moment of peace, of indulgence before you go back to the dreadful task of keeping your companions and yourself alive and fighting. Just a little more time. You think you deserve it.
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A silence was washed over the forest, and the party as they all beheld you and your battle-worn body. It felt almost sacred, like doing this would have them damned to the Hells and below but it was simply too captivating. Your bodice was a web and a product of war, and they were caught mesmerized – with only the dense forest and one another to witness their quickly unravelling need for you. But even then, they felt some semblance to pity. What they wouldn’t give to the gods right now to be by your side and give you some tending to.
The ridges down your back, the swaying base of your tail, the alluring image of your hips and ass teasingly disappearing into the water below, the silhouette of your horns – that untroubled smile on your lips – they all drink it in with their eyes in a fashion similar to Astarion’s throat would with your blood.
They savor it for as long as they can, before stepping out of the trance as Gale himself not-so-quietly attempted to clamber down from the rough-bark tree he was settled in, dropping down to the dirt and crushing the leaves loudly and ungracefully. Shadowheart gaped with mortification at him from the ground, everyone wishing to every god above you would have mistaken the sound as a particularly large animal, perhaps an owlbear and not a wizard along with an entire party intruding on your privacy.
“Gale! What in the Nine Hells are you doing?!”
Astarion had settled for whisper-yelling once again, pointing at him accusingly from his position atop the tree’s branches besides Halsin. Gale waved his hand, silently telling him to shut the fuck up, before urgently pointing at your discarded armor and clothing, then proceeding to give him a big smile and two thumbs up.
Surely enough to the mortification of the party, he quickly cast Misty Step over himself to travel to your area and hastily swiped (stole) anything soft – including your unattended bandages and undergarments, taking a small moment to put it to his nose and re-casting the spell to return below the tree within a few seconds. He wallowed in his pride before with a swift motion, tucked the newly acquired materia into the pockets of his robe much to the discomfort (and mild envy) of all of them.
“A man has to do and take what he can.” Gale reasoned to nobody in particular, nodding solemnly as if he just shared a piece of wisdom. He suppressed a yelp as Lae’zel then threw a rock at him, followed by another as Astarion thwacked a small branch straight to his forehead from above.
“Just leave it.” Wyll snidely commented, fighting with his life to tear away his eyes from your moonlit form, breaking out of a trance. “We should leave, go back to camp. It’d be suspicious if everyone just disappeared.”
“Ugh, you are such a killjoy, Wyll.” Astarion rolled his eyes but complied, scaling down the tree quietly, much unlike Gale earlier, who was still fiddling around his pockets with your intimates. “A party pooper, even.”
As repulsive the idea to leave you was, it was reasonable. Begrudingly, everyone quietly sat up or climbed down and quietly attempted to find their way through the dense, dark forest, sharing little observations and hushed chitchat along the way. And soon enough, the party found themselves in familiar territory, now gathering around and settling down near the campfire like they previously had before you announced your leave, as if they didn’t just claw their way through eachother earlier to see a scrap of your vulnerability.
The fire cast a warm glow over the party as they immersed in chitchat, a few (namely Shadowheart and Astarion) pestering and even offering a bargain to Gale for the underclothes he had nicked earlier. The wizard was not deterred; fair and square, he wagged his finger as if to say nuh-uh to the seething two. It was only shortly after, that you came stumbling back into camp like a lost fawn, hair and body language calm and loose but the armor remaining stiff on your body.
Karlach coughed to let the others know you had arrived from your personal time. “Soldier! You’re back!” You greeted her with a nod, before raising a brow and sweeping your eyes amongst them. Gale swallowed, placing a protective hand over the pocket that held your garments.
“You would not believe what happened.” You sighed in utter distress before plopping yourself down besides Halsin and Astarion on the log to let the fire embrace you with warmth, piquing everyone’s interest and attention with intense ease. “A wandering owlbear ate my clothes.”
They all collectively either guffawed or choked on their spit, Lae’zel scoffing and Astarion groaning amongst them. Right. Of course, you would have thought it was a fucking owlbear. Thieving owlbears that take normal, musky clothes instead of shiny armor.
“Ah, owlbears.” Gale tutted and sighed with faux sympathy, nervously chuckling and shifting to hide the lump in his pockets. “They’d eat almost anything, really.”
Astarion shot him a bewildered look, as if to ask, don’t you? You swallowed two of my books last night!
“You can borrow my clothes, for the night.” Shadowheart butted in, suddenly slotting herself behind you and setting a reassuring palm on your shoulder. You smiled at her, gazing up at her gratefully. “Thank you, Sha—”
“Well, you can have my clothes!” Karlach and Lae’zel shot up in unison.
“Sharing your old filth, I can sew them new clothes!” Astarion argued, until everyone started refuting eachother and proposing that you take theirs and whatnot.
You sighed with exasperated fondness, immensely troubled but somewhat used to it as you watch your companions pointlessly banter, having little doubt that by the end of the night, you’d have a fair share of everyone’s wardrobe into yours.
Still, you hope to the very bottom of your heart that the “owlbear” that stole your clothes had a full tummy, at least.
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bluetimeombre · 3 months ago
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𝐓𝐡𝐞 𝐋𝐚𝐝𝐲𝐩𝐨𝐨L 𝐚𝐧𝐝 𝐖𝐨𝐥𝐯𝐢e
Deadpool and Wolverine but your lady pool and an absolute SLUT for Wolverine.
[this is a complete self insert with just everything I was thinking about during the movie and since then I’ve watched it three times. It gets better every time. Snippets of the movie, will probably do a part two. SPOILERS!]
part two
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Warning/disclaimer: femreaderxwolverine, sexual content, sexual language, offensive language, just being a whore the man, cursing, repeat daddy issues, never proof-read.
After digging up Logan and expecting to find a shirtless and oiled-up Hugh Jackman, you were a little more than disappointed to find the bones and metal. 'Damn it! Shit! Fuck! They Les Mis'd him!'
Eventually, you settled down next to the remains, against the same log that had impaled him. 'That was weird,' you chuckled. 'I'm much calmer now. Look, I'm not a woman in stem but you seem incredibly dead to me. Oh, you sexy lump of bones and metal. I would have let you slide them into me any day.'
'But it's good to see you,' you pat his knee. 'I gotta be honest, I've always wanted to ride you, Logan. Oh, whoops, I meant with you. Ha! Who am I kidding, no I didn't. Just you and me, getting into it. And I mean into it. Every style. Doggy. Sixty-nine. On the kitchen counter to the bathroom. Till my back broke. Yea, we'd have been good together.' You ranted, fantasies flying across your mind too quick to focus on one.
With your red-gloved hand, you jerk the chin. 'G'day mate, there's nothing that'll bring me back to life faster than a big bag of Marvel cash. Ha- I hear you, Hugh. But no, no, no, no you had to go and get all noble and die for real. I could really use your help right now. And a massage. Your big manly hands just rubbing all over me-'
Just as you were about to go into further detail about what you want him to do to you, the sound of portals opening and heavy boots stomping closer alerted you.
Quickly, you pulled the skeleton down on top of you.
'There are two hundred and six bones in the body. Two hundred and seven if i'm watching Van Helsing.'
Que the fucking montage.
You have a mission. Find a Logan to take back with you. First up you end up in a bar, catching an axe as it was thrown at you. 'Logan! I'm gonna need you to come with me.'
The Logan sitting at the bar slowly turned to you. 'Who's asking? ' He slipped from the bar stool to reveal a 5'3 Logan.
You coo. 'Well, who's this little ankle biter. Did you stick the landing little guy? Yes you did, comic-accurate short king. Such a cute little Wolvie.'
The little guy started stalking toward you.
'Que the fucking montage.'
You found a Wolverine for the seventies, or eighties, something close enough to that, one hand missing. 'Oh yea, sexy, you have anchor being written all over you.'
You found patch Logan. 'Oh hello, Patch. Should've worn my white suit.'
You found another old man Logan, sitting solemnly on his front porch. 'Howdy! Oh, I see, you're the daddy issues one. Good to see god has answered my prayers. So soldier, do I need to be a bad girl so you put me over your knee, daddy?'
Another was tied to a cross with red bloody skulls acting as a floor.
One was dressed in a tight yellow and brown suit, walking through the woods. 'Hubba hubba. Classic! Now, you fought the Hulk in this suit, right?' as he snicked his claws out, the green of the beast reflected from behind you. 'I am Marvel Jesus you dull creature and I will not be-'
One, your favourite, was working on a bike in a tight white vest and dark pants. You drooled. 'That's the whole goddamn package right there. You know from behind you look a bit- holy Shit!' he turned, and everything about him was Wolverine. Except for the fact he was Henry fucking Cavil. 'The Cavalry has arrived. The prophecy has been fulfilled. Can I say, sir, sorry, daddy- on behalf of all of humanity, this just feels right! We will treat you so much better than those shit fucks down the street!'
He took the cigar from his mouth, stalking to you. You had never been so aroused in your life. 'You were just leaving'
Giggling and twirling your hair, you hold a hand out, ghosting over his chest. 'Can I just, one- one touch. Oh my god! You're like Superman or something.'
He punched you right into the Logan you needed. Thank you Cavil.
'You two gonna fuck or fight?' asked the bartender. 'Both if i'm lucky,' you said.'
'Oh look at those sexy little jammies, that only took twenty fucking years!'
The trash heap was the last place you wanted to end up, but when you woke to Logan looming over you, a snarl on his face, you sighed in relief.
'Well, hello sexiest man alive, 2008. Wanna give me a hand? Or head?'
He sniked his claws out.
'Kinky! That's new for Disney!'
He dug his claws into your ribs and dragged you up with them. 'Where the fuck are we?'
'I dunno, but it looks a bit mad maxxy to me. But that would be IP infringement right?'
'Fucking jokes,' Logan uttered. He threw you over his leg, your back breaking.
'Till my back breaks, Wolvie!' you yelled out, quickly rolling yourself back up and shaking it off. 'Look, I think we got off on the wrong foot. I'm a big fan. How about we strip off our suits, take a tumble in the sand, get to know one another you know. Personally, I'm more of a cowgirl fan but I'm willing to do whatever you want baby.'
'You're unbelievable,' he grumbled. It was still sexy. He turned his back to you.
'Oh, I see, is that what you did when your world went to shit!'
He paused, his head slowly turning to you. 'Say again, bub?'
'Oh, I am so horny right now.'
The two of you engaged in a fight, and not the sexy stradling fight that would happen later, but the guns firing, swords slashing kind of fight. that was only interrupted by a familiar voice.
The only other voice that could have you dropping your panties as quick as Wolverine. He was hooded, hidden, but you knew him from your sex dreams.
'Dear god almighty, it's him.'
'Who?' growled Logan.
'Don't be jealous baby, I have two holes for a reason. Don't worry gorgeous, you're gonna encounter some delicate language, a smidge of ass play but we've been prohibited from using cocaine, at least on page.'
He raised a hand. 'They're coming.'
'Who's they?'
The three of you watch cars and trucks drive through the waste, keeping you trapped. There were familiar faces, Pyro, Toad. And Sabertooth.
The mysterious figure jumped down and mastered the superhero landing that had you clapping your hands and jumping up and down.
'Oh my god! Oh my god!' you held onto Logan's shoulder as you jumped while he just glared at you.
'I've got this,' the man takes down his hood, showing the beautiful, hot, strong, handsome, hubba-hubba worthy, Chris Evans.
'Oh yes, you do sexiest man alive, 2022!' you cheer.
'Stay close,' Chris- or Steve- called back to you.
You stalk over to him. 'Aye aye, Captain.' you wrap your arms around his stomach, fingers trailing over his abs. He removes you and you groan, sulking. You walk back to Wolverine and jump onto the side of his hip.
Instinctively he holds your ass which makes you giddy before he realises his mistake and drops you.
'You're not gonna love what happens next,' shouted the captain.
Your jaw dropped from behind the mask. 'Holy shit, omg! No way, he's gonna say it! He's gonna say it!' you flick one of your swords that was still poking out of Wolverine's chest. 'Avengers-'
'Flame on!' Steve- no, Johnny- yelled and took to the skies in a ball of fire.
It was sort of stupid in hind sight as Pyro lifted a hand and extinguished him, causing him to fall from the skies and go crotch first into a billboard.
'No!' you screamed, rushing to him and rolling onto his back to get a look at him. 'No, no baby, stay with me. Let me take a look!' you tried to pull down his pants but Logan literally pulled you off him.
You were tied up with Wolverine on the front side of you and Johnny on the back. When you woke, you giggled. 'Woah, just like my dreams.'
Johnny woke to, lifting his head from your shoulder. 'How long was I out?'
You smirk under the mask, looking back to him. 'Not all of you was asleep, say Cap, is that a Glock in your pocket or are you just happy to see me?
'Is that Chuck? Hey Chuck, over here! Hope it's you young, god, we got James Macovy in this?' you yelled as a wheelchair rolled out as you entered the thing that was apparently large Paul Rudd.
'Cassandra Nova. Charles's twin,' the villain introduced herself.
'Holy shit,' said Logan.
'How was anal birth?' you asked.
Cassandra smirked. 'You two are cute. I have a good feeling about this.'
'Right!' you cheered. 'Just wait till this ends, the smut is off the charts!'
She took the chain from around the two of you but you wrapped yourself around Logan's arm, he only grunted at you. He only pushed you off when you started to go off and off about what Johnny said about Cassandra. 'People think i'm a shit talker but this guy-' you chef's kiss. 'Next level!'
Cassandra, with a flick of her hand, shed the skin from him as he fell in a heap of bones and blood and skin,
You cried out, holding onto Logan for dear life. 'My favourite Chris!'
'You silly little bitch, you just got him fucking killed!' yelled Logan.
'Fine, spank me then! P.S. Do you know what he was doing to the budget!'
You were brought to Ultimatum with Cassadra, Oliath or the other British villain, but all you wanted was to save your world, bang Wolvy and go home.
'I didn't want it to come to this, either you help us or my boyfriend here is gonna perform the whole of Greatest Showman as a one-man show,' you warn.
'I'm not her boyfriend,' Logan grumbled.
Cassandra went on a trauma dump that had you groaning. 'Couldn't you just turn into accomplishment like the rest of us?'
But I'm not like the rest of you, except maybe the Wolverine, now we could be truly terrifying together.'
'Sorry lady, he's taken!'
'Not for long,' Cassandra smirked and as Logan attacked, she sent him in the ground and away from you. You only whined at his disappearance, a whine that turned into a groan when Cassandra's fingers entered you in the worst way possible. Through your head.
'What can I see here?' she asked. Cassandra gasped. 'Oh, you are a whore.'
Oh yes, she saw the million filthy things you wanted to do to Logan.
The two of you made it out and to the diner where Logan was intent on finding food and taking rubbing alcohol shots. When he sat across from you, chucking a tin of spam at you, you pulled of your mask.
Logan stilled, looking at you with finally something a little different than anger.
'What?' you asked.
'I thought you'd be ugly under there.'
'No- no, that's the Deadpool. I'm better, and a self-insert.'
The two of you took to walking through the rather nicer side of the waste. You had his hand in yours, swinging it happily like you were a couple before he threatened to chop your hand off.
'You said Logan was a hero, what happened?' he asked.
'You died. Technically you were chest fucked by a tree, but really you just ran out of batteries trying to save this girl- a kid really. Always wanted a man who's good with kids. The shit heels who grew her in a lab called her x-23, but she was just a kid. A smaller, cute and mean version of you. Yep, you saved her, very hero, very demure.'
The two of you were interrupted when a bark sounded over the hill and the BEST DOG EVER ran out to you, ears flapping in the wind, tongue out as it always was. The little boots. The collar. It was Dogpool.
You threw off your mask and picked her up, cuddling her close. 'She's coming with us.'
'No she's not!' he argued.
'Yes, she is!'
'No!'
You pulled out your puppy dog eyes and lifted the dog to your face and slowly the resolve in his face slipped.
'Sorry!' another man ran out, chasing after the dog.
'Fucking shit bag!' you cursed.
It was another dead pool, a good-looking one with long hair.
'What's Ryan Reynolds actually doing here, I thought I replaced him?' you said.
'In here everyone calls me Nicepool.'
'Can we have your dog?' you asked immediately.
He laughed. 'over my dead body!'
You nod, thinking about it but Logan holds out his arm before you can even move.
Whatever Nicepool was saying was you didn't care as you cooed and hugged the dog closer and Logan watched.
Fuck, he was paying attention to you.
'Why are you so nice?' you asked eventually.
'It costs nothing to be kind,' he said.
'Shutting the fuck up is also free,' said Logan.
You bite your lip in his direction. 'God I am so attracted to you right now. This is Logan, he's usually shirtless but he's let himself go since the divorce.'
Finally, the Nicepool took you to his ride to get you and Logan and the dog to the borderlands.
It was a honda fucking odyssey.
Logan wasn't willing to listen to your complaints. 'Get in the fucking car.'
'Make me, Daddy,' you said.
He took one step closer to you and you backed away with the dog. 'No, we're running away!'
Logan forced her from your arms and handed him back to the Nicepool.
'The corn was to dense girl!' you called after her, pouting.
Logan shoves you into the passenger seat while he takes the wheel.
You pull of your mask, hair falling around you like you were in an advert. 'So, what shall we do to pass the time...'
Honda Odyssey coming soon, that my friends, is called edging.
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fastandcarlos · 2 months ago
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My Little Graduate : ̗̀➛ Max Verstappen
summary: you're all prepared to graduate with your family by your side, and an unexpected extra sneaking into the crowd
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“There she is...my little graduate!” Max cheered as he watched you walk through the crowd of people, opening his arms up and inviting you straight into the room. 
You were lifted up of your feet as soon as Max’s arms wrapped around you, your hand reaching up to keep a hold of your cap that was on the top of your head. Max pressed a gentle kiss to your cheek before pulling away, studying you closely. His hand slipped into yours as he twirled you around, his eyes drawn to the wide smile on your face. 
It was everything that Max wanted to see, after watching you stress and suffer for so many months, he was finally seeing the proper you in front of him again. 
“You’ve got no idea how proud I am of you,” Max smiled, taking both of your hands into his, “you’ve worked so hard to get that moment today.” 
He was in awe of how hard you’d worked, relentlessly researching, typing, proofreading, whatever you needed to do in order to get yourself your degree that you’d dreamed of for so long. Max was hardworking himself, but nothing could compare to how hard you’d pushed yourself. 
Little did Max know the part that he had played though. The constant late night visits, dashes to the shop to help you, offers to read over what you’d written to make sure that it made sense in your sleep state.  
“Graduation suits you too,” Max complimented, taking a closer look at you. 
The slight breeze blew your gown up slightly, showing off the dress that you wore underneath. The finishing touch for Max though was the cap that you wore on top of your head, the one thing you’d talked about wanting to wear for so long, and at last it was finally yours. 
“I can’t believe I’m dating a graduate,” Max smiled, keeping his eyes firmly on you. “How does it feel to finally receive the recognition that you deserve?” 
“This is the moment I dreamt of when I sent that application in all those years ago,” you chuckled, smoothing down your gown. “There were plenty of moments too when I was sure that I wasn’t actually going to see the end of this degree.” 
There had been many conversations between you and Max when you felt like giving up. He was there every time though, reminding you of how hard you’d worked and how rewarding it would be if you saw it through to the end. 
He wasn’t sure at the time whether you truly believed him, but now as you celebrated your moment, he was relieved that you had listened and stuck it out, no matter how many times you wanted to turn around and say no. 
“I always knew you’d get here,” Max shrugged, as if it was the easiest thing in the world that you’d achieved. “There was no doubt in my mind with that incredibly smart mind of yours.” 
Your hands rested against Max’s chest, tilting your head back to look up at him. “I don’t think I’d have got to this moment without you, you’ve always been my biggest cheerleader.” 
As your eyes met Max’s, you couldn’t help but smile, reaching up and taking your cap off. You twirled it in your hands before placing it on top of Max’s head instead, taking a step back so that you could admire how well it suited him. Although your degree was yours, Max had played a huge part in it too. His smile turned up as he positioned the cap so that it was straight, allowing you to pull your phone out and take a picture of him. 
Once he had it, Max didn’t want to take it off, finding himself quite comfortable with a graduate cap on his head. He knew it was never going to be his, but he didn’t take for granted how appreciative you were of everything that he had done for you over the past couple of years. 
“You deserve to wear that for a moment,” you told him, handing it back as Max went to take it off. “It probably doesn’t compare to all those fancy trophies that you win on a podium, but that to me is probably the biggest trophy I’ll ever earn. So, I want you to hold it, like you tell me to do with yours.” 
“This is all yours,” Max protested, taking the cap and popping it back onto the top of your head. “I’m just enjoying the fact that there’s so many graduates around here today, and yet I’m dating the best one.” 
“I’m emotional enough as it is today without you getting soppy.” 
You hit hard against Max’s chest as his arms snaked back around your frame. He pressed a kiss against the top of your head, blocking out everything that was going on around you. Despite the hundreds of names that had been read as people walked across the stage, there was only one that meant anything to him. 
A hand poked against your side, dragging you out of your daydream. “What’s the plan now that you’ve got a super official degree to your name?” 
“I guess I have to go and get a job now,” you chuckled, “I can’t study and travel the world supporting you forever, as nice as it’s been for the past couple of years.” 
“You’ll still come to some races though, won’t you? Even though you’re going to be busy?” Max nervously asked you. 
It didn’t matter how career driven you were, there was no way you were going to stop going to races completely. Depending on what direction you were about to go in, you knew every race would be impossible, but if there was any chance that you could get there, then you absolutely would. 
“Wherever you go next, I’ll be supporting you,” Max assured you, “and wherever that place is, I know you’re going to go on and do absolutely amazing things too.” 
“I should probably go and collect a few more degrees to try and match all your world championships.” 
“Yours is a lot more impressive than mine,” Max grinned. 
Your eyes narrowed back at him, “millions of people get degrees, but there’s only one champion of the world, and that just so happens to be you.” 
Although you had a point, Max was still far more impressed by what you achieved then what he had. He was at the top in his field, and he knew now that the world was your oyster that you were absolutely going to rise to the top of your field too. 
“I really am proud of you,” Max told you once again, kissing against your forehead. 
“I know you are,” you giggled, “it’s taken a lot of blood, sweat and tears to get to this moment, but I’m so happy that we’re finally here.” 
“I’m just looking forward to having you back, without the stress, the late trips to the library,” Max couldn’t help but joke, “it’s just going to be you again, with that big, beautiful smile on your face.” 
Your eyes widened as Max spoke, “are you suggesting that I’ve been stressed and stroppy over the past few months?” You challenged. 
“Love, you’ve been an absolute nightmare.” 
˗ˏˋ 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓 ! ´ˎ˗
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kisseobie · 5 months ago
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piwons favourite positions? 😋
p1harmony’s favorite positions
pairings: ot6 p1harmony x reader
warnings: nsfw (mdni)
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a/n: i could have sworn that i had written this before because it’s such a common smut prompt but i guess i haven’t?? anyways enjoy :P i included some oral positions as well lol
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౨ৎ keeho
full nelson, lotus
kyo has a bit of a strength kink (i know yall saw he said in a gov ball interview that his summer goal is to get buffer), and his aura as a leader extends to the bedroom as well. loves fucking you in full nelson—with your back against his chest, legs propped up, and body in his full control. loves how the position makes it impossible for you to do anything but take his girthy cock, and how it’s sure to have you babbling and brainless. if he’s feeling a bit more romantic, however, the lotus position is his go-to. makes him feel incredibly close to you. loves to cradle your face and stare into your eyes as he slowly ruts his hips into yours <3
౨ৎ theo
butterfly, facesitting
you can’t convince me that taeyang isn’t a lover of women’s legs. whether their height is accentuated with red stiletto heels, or they are covered with fishnet stockings, he’s always had a secret affection for legs. in the butterfly position, he’s able to slam into you at whatever pace he likes, whilst your legs are hoisted up in the air, making them so easily accessible to his wet kisses. just imagine theo pounding into your heat and keeping eye contact with you as he kisses up your leg… oh and we all know theo is a munch. would love having your pussy sat on his face even more than you :P
౨ৎ jiung
missionary, spooning
a sucker for eye contact and sweet intimacy. jiung is nothing but a service top—if you exclude the time he got jealous of the attention you got at a party he dragged you to and fucked you mercilessly in his backseat—so it goes without saying that he’d love fucking into you in missionary. allows him to really look at you and hear your every hitched breath. tucks his head into your neck and groans when he’s coming in you, and the scent of your hair eases him back onto earth. ji also loves spoon fucking you when you both are sleepy but still want to be intimate .. the closeness of it makes him insane. grunts a lot into your ear and plants kisses on the back of your neck :3
౨ৎ intak
doggy style, reverse cowgirl
intak’s favorite positions have gotta be the most obvious. being true to his puppy-self, he almost always has you in doggy style, with tak standing up with his feet planted on the floor, and your ass up on the edge of the bed. the way your ass jiggles every time he plows into your pussy only makes him more desperate… oh and he loves to fold into you, with his chest leaning over your frame when he’s about to come. if he’s feeling more needy, he’s begging you to ride his dick in reverse cowgirl—and yes, his hands will always find home on your ass
౨ৎ soul
against the wall (no idea what this is called), 69
loves feeling in control, and being desperate and messy really gets him going… i can’t not fantasize about shota fucking you against a wall, maybe even his dorm room door. whether he’s eating you out against it, or has you lifted into the air, with him bouncing you up and down his length.. he lovessss the dirty feeling of fucking you somewhere a little more untraditional than a bed. and of course, 69 with shota is something i’ve mentioned before.. but i genuinely think he’d be so enthusiastic about it. would make silly “who’ll cum faster” competitions out of it too :O
౨ৎ jongseob
cowgirl, g-whiz
oh jongseob loves a good ride, loves the view of your head thrown back, cunny gushing against his dick, and tits jiggling in front of his face. would beg you to ride him nearly every time the pair of you decide to have sex.. he’s just obsessed with it. his favorite thing to do when your riding him cowgirl style is to grab at your hips and plow up into you, and your surprised reaction makes him laugh out loud every time. when he’s wanting to be a bit more in control, he pushes you onto your back and crawls on top of you, grabbing your legs and propping them up onto his shoulders, the heavenly position making both of your eyes roll back from how deep he feels inside…. i’m fucking crazy
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౨ৎ ₊˚𓂃ᡴꪫ
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