#it is canon if you play the true ending of the game

[batmanisagatewaydrug]

you're so right about harlivy and can i be honest? the way the riddler story made him a shy virgin who doesn't know what flirting is was so boring too? it felt weirdly infantilizing to me (not being a virgin per se, ofc, but the way it was written) and like it also tried to erase the character's edges (no care for personal boundaries, too forward, the whole canon masochist fequenter of bdsm clubs thing) just like the harlivy story in favor of doing the played out awkward virgin nerd thing? also no 'canon' bisexuality acknowledgement but that was expected

the way that the story was going I genuinely thought they were building up to Eddie having a very special episode moment where he learns about demisexuality or being aroace or something, but it wasn't even that? he just annoys two women (couldn't even pull off a rule of three???) and then goes "oh well! at least I have my true love, Gotham City!"

which is like. okay. historically the Riddler's exact motivations and personality fluctuate as much as any other character, sure, but he's generally not in the game for a love of Gotham??? like he does this because he wants attention and money and to feel like smartest specialist little boy. if he's juvenile it's generally in the way he's self-centered and overconfident and prone to tantrums when he doesn't get his way, not because he's a sixth grader who's just learning that the other kids have crushes for the first time.

and like you alluded to, yeah, there are MULTIPLE iterations of the Riddler where he has clear Issues With Women not in the "uwu Eddie can't talk to girls because he's shy and awkward" way but in the "Eddie can't talk to girls because he's a fucking creep" way. particularly in recent years, several writers have been a very deliberate choice to give him traits lifted straight from pickup artist and incel circles to emphasize the their take on the character sucks in a way that's inseparable from misogyny.

which isn't to say every Riddler is on reddit crytyping about looksmaxing, of course, but those ones are certainly indicative of a persistent trend.

a couple of people had sent me asks about this story to ask if I'd read it, known Riddler enjoyer that I am, and included a quick description. I replied to one and said, mostly as a joke, that this is blowback from DC editorial against a valentine's story by Ram V published a few years ago, in which Eddie sends Batman on a valentine's-themed chase that introduced Batman to several of Eddie's past crushes and romances—including a male friend from college, which is presented as being as straightforward and unsurprising as any of the others. the story ends how you think it does: Batman lured to a romantic rooftop dinner with the Riddler, who complains about being unable to approach an attractive woman but is still very much on a date with Batman after casually peppering in that he's bisexual. I don't this there's ACTUALLY any kind of editorial mandate to quash the notion that the Riddler has a messy romantic history and maybe fucks guys sometimes, but man. how far we've fallen in just a few years.

[nexkoyotl]

Warrior dump facts.

As a teenager, The Warriors was my special interests and I LOVE the movie and I used to play the Rockstar game when i was younger and now I LOVE the Lin & Eisa album so, here are some facts from the movie (+the comics) and game (Not canon to each other) to give you guys ideas for fanfics, fanarts, etc.

I'll refer to them as their masculine counterpart since I'm talking about the movie/comic/game, where all (except Mercy) are men.

Warrior facts.

The most known fact, 2 warriors weren't included in the album, Vermin and Snow

The Warriors get their money by mugging, and selling Stereos they steal from cars

Cleon has a Girlfriend named Lincoln, she was supposed to appear at the start of the movie but they deleted the scene

Mercy hated that his then boyfriend Sully (Yes, the guy from the Orphans) care more for his car

The warriors and the riffs brake Ajax out of prison

Cochise lived in Harlem until he and his mother moved to Brooklyn

Rembrandt is gay

Ajax has like a few girlfriends

The warriors started as part of another gang "The Destroyers" they had problems with the leader so Cleon and Vermin left and formed the Warriors

(Not sure if this is true) Fox was supposed to be Mercy's love interest at first

The warriors make some Coney businesses pay them for protection, 25$ weekly I think

Their hangout is an old abandoned building that, to me, looked like a storage for the amusement park

Cochise lived in Harlem, yes but didn't join the boppers 'cuse he thought they weren't tough and he didn't like their colors.

In a deleted scene, Cleon said there's like 120 warrior members

Mercy dated a rich guy. He gets her an apartment and other stuff. This, of course, causes trouble between her and Swan

Ajax sucks at pinball

Rembrandt can use both hands, he's ambidextrous (dunno if I wrote it right)

Cowboy is really protective of his hat, and calls it buddy

Rembrandt also goes to an art class

Swan was a destroyer too, but him and Cowboy left the gang before Cleon created the warriors

Then Cleon ask Swan to join the warriors, and he accepts only under the condition of them accepting cowboy too

Only Cleon, Vermin, Swan, and Cowboy were Destroyers first. The rest arrived directly to the Warriors

Mercy dated the rich guy to get her apartment because she thought the Warriors life was no way to live

Technically, Mercy and Swan are not really together, tho Swan insist for her to go back to Coney with him

They (Mercy and Swan) end up reconciliating, and she goes back to living with him in Coney

Rembrandt sprays paint on his enemies faces as a fighting attack

Before Fox, they also lost a member named Ash, the leader of the Destroyers killed him

He (Ash) was also really close to Vermin, and his death affects him pretty deeply

Rembrandt's art teacher tries to convince him that the gang is only using him and to leave it so he drops his class

Mercy was not only Sully's girlfriend but also the Orphans' prostitute

Rembrandt gives Swan a drawing of Mercy that he made for him

After Cyrus' death, everything went back to the "normal". The truce was off, and the gangs went against each other again

This is not an IN movie/game fact, just a movie/game fact, but still interesting

You may know the movie symbol, a skull with feathers. Well, this symbol looked too similar to an actual gang that sued them, so it changed to a snake in flames

These are some of it, if I remember more, I'll do another list, but I think this are the most important. Do with this information as you guys pleased.

[hwbmsource]

Yes, you’re missing the true ending - mod Neptune

Canon Polycule Showdown

(vote for your favorite! check the description if you don't know them)

[ID: 1. Logo for the Love and Luck podcast. 2. Screencap of Neptune, Venus, Jupiter from We Know the Devil. /end ID]

Meet the contestants!

Storm/Helen/Mira

Status: Canon

Description: Lot's of in-canon communication & negotiation, plus Love & Luck is just a gorgeously realistic queer narrative with a dash of casual magic, highly recommend it in general. Plus there's a song that Storm writes for Helen and Mira in the feed.

Neptune/Venus/Jupiter

Status: Canon 

Description: They're from a game about three girls in a christian summer camp coming to terms with their sexuality/gender. Venus is a canon trans woman as well! It’s a really incredible game and they're all amazing complex characters.

[elisedonut]

I've been playing the ootp game on ps3 (because Colin's in it) and really out of the hp games I've played so far its the one the feels closest to what I would actually want from an hp game

it emulates pretty well too

Like I like that there's a giant list of da members you have to find and talk to just wish we could talk to them more ngl

[bright-cloud]

✨The Absolute✨

My cleric Basil dominating the Absolute! (Not canon, my sweet lad could never)

The evilness was just a treat ✨

[lord-squiggletits]

Man, it doesn't matter what the medium or fandom is, truly the debate that ruins fandom discussions the fastest is when people try to decide which characters "deserve" what. Especially when it comes to them deciding which characters are evil, how evil they are, and how severe their punishment should be for their evil deeds.

It's really annoying/harmful on multiple levels. For one, morally speaking, the line between "evil, but can repent/compensate for their deeds" and "evil, cannot be redeemed, suffer and die forever" is harder to define than you think, and who has the authority to define it anyways?

But also, fictional stories (especially the better, more nuanced, more mature ones) are rarely ever about "deserving" and don't divide their characters neatly between the "good" and the "evil." Every time I see fans debate about "how evil" a Problematic Fave is, or if Fave 1 is better/worse than Fave 2, all I see is people ruining their own fun and stirring up bad blood between other fans. Why would you add this dichotomy of "deserving" to a FICTIONAL story and start real life beef with people over it? At that point you're getting more invested in your discourse over imagined good/evil binaries than you are invested in watching/reading/consuming the actual story itself.

[ohsweetflips]

on the one hand i love harping and moaning over missed opportunities for previous dragon age companion cameos bc sometimes bioware really whiffs it (i long for the world where merrill is the eluvian expert instead of morrigan) but. on the other hand. sometimes it’s like. why would that character show up. answer quickly. the answer can’t be that it’s because you like them. it feels very reminiscent of having to accept that our wardens will never make another appearance.

[j-esbian]

i keep finding Lore Discrepancies and i’m like. boy i hope they explain this one, but judging from the number of mistakes the game has already made, idk if they’re ever going to address it!

[lovebugism]

Kissing eddie just as you’re both about to get out of the car and now he’s got a problem cause he’s hard, and all your friends are waiting for you and you’re both a little late and Eddie we really gotta hurry up! what’s the issue? and the poor boy is bright red to his neck over how gone he is on you

ty for requesting :D ps: i'm gnawing at the bars of my enclosure over this prompt –– when eddie's about to leave for a show, you make sure he knows exactly what he's missing out on (established relationship, st4 canon divergence, allusions to smut 18+ | 1k)

“How do I look?” Eddie wonders aloud as you trail down the creaking porch steps behind him. He plants his feet on the gravel driveway and spins on the heel of his sneaker to face you –– already bare-faced and clad in your pretty PJs for the night, a striking contrast to the lead guitarist of Corroded Coffin standing before you.

You pause on the second-to-last step and reach for his face. Eddie leans instinctively into your warm touch as you swipe your thumbs under his eyes, gently smudging his dark liner a bit more. 

“Like a rockstar,” you answer with a proud smile.

Eddie scrunches his nose sheepishly in response, ‘cause he has nowhere to hide with you cradling his blushing face like this. He’s still not immune to the way you look at him, even after all this time. “You’re just sayin’ that,” he mumbles, kicking a lone rock with the toe of his show.

You hum in agreement as your hands fall from his face. “Yeah. ‘Cause it’s true.”

“To you, maybe,” Eddie scoffs, trying hard to ignore the pang of anxiety in his chest. “No one else seems to think so.”

He never used to be nervous performing before Vecna tried to kill him. It was the world that was scared of Eddie Munson, not the other way around –– until it nearly ended, anyway. Now, just leaving the house is enough to induce a panic attack. A part of him is always distantly fearful that a stranger’s face will turn out to be the dark wizard’s, back to life and hiding in plain sight again.

“Hey,” you scold, only partially playful. “I think the crowd of five drunks who watch you perform every Tuesday would agree with me.”

Despite the ice-cold apprehension making his limbs feel numb, Eddie manages a breathy chuckle. “You’re right. We could bomb, and they’d still act like we were playing Madison Square Garden or something.”

You soften then, as though sensing his worry. “You’re not gonna bomb, Eds. You guys are gonna do great. Just like always.”

“Sure you can’t come?” Eddie wonders quietly, blinking up at you with a pair of chocolate button eyes that are hard to say no to.

“You know I can’t… I have an early morning tomorrow,” you coo sympathetically, fighting back a smile when the boy’s rosy bottom lip juts in a pout. “But I’ll be right here when you get back, okay? And I’ll make sure to heat up dinner when you’re on your way. So you have something to soak up the alcohol and adrenaline with.”

You tilt your cheek to your shoulder, squinting suspiciously when Eddie’s frown curls into a cheeky grin. He reaches for you with a pair of ringed hangs and squeezes at your clothed hips. “Just like a good little housewife, huh?” he croons mischievously.

You roll your eyes at him ‘cause you’re not a housewife by any means. 

You live in a trailer with his uncle, for one. And you work five days a week, for another. Besides, you’re not even his wife, which you think is usually the first step. (You have no idea Eddie’s already picked a ring out for you. Or that he plans on keeping that a secret until he plays enough shows to afford a house). 

You decide to humor him, anyway. 

“Sure,” you monotone with a slow nod.

Eddie’s grin widens.

“C’mon on, Munson! We’re gonna be late!” Jeff lisps from the passenger side window of the van. The rusted tin can is parked a ways down the drive, packed to the brim with all their band equipment like a perfect game of Tetris.

You lean forward to press a chaste kiss to his mouth.

“Wear that dress I like when I get back?” Eddie murmurs lowly.

You hum with your lips pursed to the side of your mouth, pretending to be deep in thought. “Hmm… I was kinda thinkin’ about wearing nothing, actually,” you answer, shrugging innocently. “You know, for easy access and whatnot.”

Eddie warms all over. His wild head starts to swim at the visual –– one he’s seen a hundred times before that he’s not quiet sure he’ll ever get over. “Have mercy…” the boy mumbles under his breath.

“Just try not to think about it too much while you’re gone…” you lilt knowingly, smoothing both your hands up and over the lapels of his leather jacket. “All alone… Naked in our bed… Trying to get myself off while I wait for you…”

Eddie stares at you with heavy, lidded eyes. He can’t take the chocolates of them off your lips as they curl into a mischievous, tightlipped smile. “How ‘bout I just stay home?” he offers lowly.

A resounding honk blares from the van in a wordless answer. 

Gareth leans out the driver’s side window, face screwed and sandy curls wild. “C’mon, Eddie!” the boy yells like an impatient younger brother. “Put your dick in your pants already so we can go!” 

Eddie’s head swivels back to face you again, chest deflating with a grieving sigh. 

“You have to go,” you tell him, soft and sympathetic, as you press another kiss to his pout. “Have fun, honey,” you croon and step back from him –– knowing exactly what you’re doing as you trek back up the wobbly wooden porch steps.

Before you shut the front door behind you, you flash the boy a curt wave and a pretty smile. It takes a world of strength to keep from following behind you. 

In a perfect world, Eddie would already have the door bolted shut with you pressed against it by now. He’d have your oversized shirt balled up at your ribs and your shorts pulled down to your ankles and his mouth licking over your pretty cotton panties.

He shakes his head in a physical attempt to remove the sinful thoughts from his brain as he stalks back to the van. He keeps his head bowed as he goes, trying to hide his reddened cheeks behind his wild curls. Gareth watches from the window as Eddie tugs at the crotch of his jeans, trying to un-strangle his hard cock like a teenager.

The boy leans between the front seats as Eddie climbs into the driver’s side, slamming the screeching door shut behind him. “You’re pathetic,” Gareth teases through a fit of boyish laughter.

“Shut up,” Eddie grumbles.

[dreamerimpossible]

Slasher Jealousy Scale

Warnings: Unhealthy relationships, in certain cases yandere tendencies, +18 content.

Michael Myers 3/10

Not too jealous. He usually doesn't understand the reason for those feelings. Furthermore, no one would be able to touch what he marked for him, his superhuman strength and imposing figure would be on top of anyone who dared to look in your direction. So, he would never get jealous. There's just no need.

Chucky 8/10

Completely canonical that he's a jealous bastard. Just tell him he's not man enough for you and he'll get on top of you without thinking twice forcing you to back off. The person who set his sights on you doesn't have a good destiny, obviously. In reality, it's not good to play with him, his pride as a man is too strong.

Billy Loomis 9/10

Abandonment issues become too present. He doesn't like you getting close to too many guys. If his partner knows his true nature, he will be overly controlling and possessive, he would not like his partner to get too close to friends who could be a threat to their relationship. He is quite manipulative and will use such tactics to get you to stay away from those he doesn't like.

Stu Macher 6/10

Medium level of jealousy. He doesn't like being replaced by someone else, but he won't show much of a reaction if you talk to friends who like you. Anyway, he is also popular and will interact with all types of people. However, if he sees something very noticeable, he will pull the strings underneath and that person who made him jealous will magically disappear. For the sake of the relationship, don't talk about it.

Patrick Bateman 10/10

All your attention should be directed at him. The more genuine your interest and compliments, the more he will seek your attention, so making him jealous and paying attention to someone else would be the end of it. He needs complete devotion. He won't tolerate distractions and could take care of them. Making him feel insecure indirectly is not the best option you could take. It is better to dedicate everything to him.

Jason Vorhees 10/10

He literally keeps you locked up, that is the most representative indication of the matter. He does not like those people standing over you looking at you with lust. He is the only one you need. Yes, he will take care of you and protect you. You should be calm.

Leatherface 10/10

Too insecure with himself, so he expects you to have impeccable behavior. Although luckily for you, you will not have too many moments in which he will get jealous because your only environment is his family. So you must treat them with respect and with certain limits and distance. If not, he will get frustrated. And we know his way of dealing with that.

Art The Clown 2/10

He is not jealous, everything for him is a violent game. If someone flirts with you, he will laugh and do his thing with the same energy as always. Although he won't tolerate you ridiculing him, if you flirt with someone, you will pay, but not because he gets jealous, but because he is the one who makes the rules, not you.

Jason Dean 10/10

Dependent, possessive and obsessive. He's literally a warning in and of himself. Seriously, don't flirt or let yourself be flirted with. Don't break up with him, don't walk away from him, don't stop paying attention to him. Just don't leave him, he's very jealous and won't let you go for any reason. Oh, he's also manipulative, so he'll definitely get you to walk away from that harmless guy in your class.

Alex DeLarge 2/10

He doesn't formally qualify as a slasher, but I'm including him anyway. I don't really see him as jealous, he's more of a controlling guy. He doesn't like having his first choice role in other people's lives taken away from him, he is the leader and the one who commands, but he won't get jealous of anyone, because he thinks highly of himself and is charming when he wants to be. He probably has you wrapped around his finger, so…why get jealous?

Brahms 15/10

He won't let you leave the house for that reason. He doesn't want you to leave him, any outsider is a threat. You are only his, you must accept that. However, even if you accept it, he will still be jealous, because he can't help it. If you want to go out somewhere, he will wonder if it is because you want to see someone.

[corollaservant]

Night in the Net // Shigaraki x f! reader (18+)

Synopsis: You find yourself stranded in one hell of a sexist environment: the small town's internet café. Shigaraki's on the night shift. (3.6k)

Warnings: sex with Shiggy basically, mild degradation and misogyny from our fav incel, dom!Shiggy with a twist (no quirk obviously), use of “dollface” (i like it)

A/N: No dark themes here, peace n luv. Also.. yeah he is always linked to some gaming/electronic business ik!! but I like the trope/hc/almost canon.

You'd never imagine this was how your night would end.

Why are you there again? Right, your friends wanted to go to that after party, as if the club wasn't enough. What was supposed to be a night out ended up with you in the local internet café (the only after hours spot) while your friends decided to go to a house party with loud techno music, which definitely wasn’t your vibe. You and your friends lived close and would often call a taxi on your way home, money wasn’t enough for you to ride solo today though—you prayed in times like these that you at least had a job; you wouldn’t have to rely on anyone then. 

You knew pretty much everyone there, it’s not like the town had more than ten thousand residents and considering the age group and schools you’d all gone to, the internet café only had a few unknown members. On today’s shift was none other than Tomura of course, that guy was taking up as many shifts as his body would allow him to, apparently there was this rumor a family member was in crucial condition and they were in need. Tomura Shigaraki was one of these people you had branded as incel. Though hardworking (he kept a house of his own, cleaning and doing all chores by himself while providing for whomever he had), you still considered the guy as one. Now—you know the term is heavy, matter of fact, quite offending and serious as an allegation but it’s not like there weren’t rumors. Rumors he’d bash women and call them prostitutes, try to sleep with girls and trash them to his friends a day later, hating them for anything they did and claiming true love didn’t exist nowadays because “all women are sluts, who need money and validation.” Plus, he worked at the local internet café (should be enough reason), engaging in heated conversations with his friends and fellow streamers. God, one look in their chats and you'd get as violent as possible— (not much, you'd discovered it the hard way). Thus, it was no surprise that when you enter the place, you hear whispers and scoffs.

‘’The hell are you doing here?’’ A voice was heard from within, the café had the computer screens up front, a bar and a couch with TV in the back. Tomura was occupied in the designated bar the place had (you often wondered what kind of needs these people had—all they ever consumed was energy drinks and pre-packaged meals, takeouts were for reasons of competitive market prohibited).

‘’Just dropping by for a couple of hours, will leave soon.’’ You sigh as you take a seat on the couch, not bothering to talk to anyone, it wasn’t like they cared anyway. Loud noise and laughter can be heard all around, a couple of guys swearing and some younger boys excitedly standing above their screens. The store had a 16+ policy, but of course, no one ever checked so kids could practically stare unattended. Tomura also encouraged younger boys to play, such a piece of shit, you think, getting them to learn young. 

‘’Oh my fucking God, a slut just joined!’’ You hear some guy swear, presumably because a girl joined their online server. These guys were so disgusting, you cringe, it was no wonder they were celibate without wanting it. You stand up, you need to kill some time and you're feeling bored, you think about starting a fight with Tomura, how else could you have a little bit of fun?

You weren’t ever necessarily afraid of the guy, even though you had to admit, he looked intimidating. Quite tall with a pale complexion, ashy, dull hair and scars across his face; no one actually knew much about him and whether he was troubled, it’s not like he ever showed to work beaten up or high and usually kept a low profile. The only frightening thing this man had was his smile, it terrified you sometimes as it looked downright evil. 

‘’Getting them to learn young, huh?’’ You ask him, he’s washing up some cups from the previous round of gross gaming guys, who have now left.

‘’What?’’ He responds, not bothering to look up. 

‘’How to not get women, I mean.’’ You sigh as he huffs in annoyance.

‘’You should be grateful I let a female in my store in the first place.’’ He retorts, but doesn’t seem very angry, just ironic. Usual.

My store (you decide to skip over 'female') sounds funny but you choose not to comment on it. 

‘’So how long until you guys close?’’ You don't bother with the vocabulary—it’s routine at this point. It also never ends well and you had a great night so far, why ruin it now?

‘’Two hours.’’ 

‘’Mind if I sit on the couch? I’ll be quiet I promise’’ You ask—technically beg, as you see no other options.

‘’Ugh.. yeah I mind. There’s some guys wanting to use it, I have a group for GTA on the PS5.’’

‘’Seriously? People still play that?’’ You whine but force yourself to continue.

 ‘’Can I sit with you then?’’ It takes strength—but you say it regardless. You came to terms with the fact he was your last resort minutes ago.

‘’Sure. But you need to make yourself useful. Here, take this.’’ He hands you a wet sponge, ‘’Wash these up... carefully, while I go clean the floors.’’ He orders, as if you’re part of the staff (and new on the job apparently.)

‘’Do you actually want me to wash freaking dishes? I just came here to chill, I don’t even bother anyone!’’ You start feeling annoyed with the chores, you aren’t 16 and he isn’t your mom.

‘’You can always leave.’’ The running tap stops and he turns to you, practically shoving the wet gloves on your chest. 

‘’Or...you can stop being a brat and be of use during your stay, I have two hours left.’’ He smiles, that same smile that makes your skin crawl and blood boil as he moves away.

‘’Fuck! My dress, you asshole!’’ A wet patch now covers the too short dress as you glance at the time on your phone. 

Two hours. Two hours until your friends leave and he closes up anyway.

-

Tomura was at least true to his words. Within two insufferable hours of having to listen to appalling conversations between men (hardly to be considered as such), plate washing and the toilet being constantly occupied, the last customers get up to leave. 

You dry your hands and plop down the couch exhausted.

‘’Finally.’’ You exhale checking your phone, your friends hadn’t given you any life signs in the meantime, so you decide to patiently wait, they’d message eventually. Tomura is done sweeping the nasty floors from crumbs and dried Monster remnants, which he still has to mop (for the fourth time, you note and you've only been there some hours). You notice how restless he seems—the guy has been running the whole night after ignorant customers, who had not once shown basic respect for the order of the place yet never complained. Truly a shame he has such a misogynistic mindset, you think. He could get women, if he wanted to. 

It’s around 6:30 AM, when he presses a button to close the store's roll-up shutters halfway. Small light outside makes its way in but the place is still relatively dark, as he places the mop near the wall and takes a seat next to you.

‘’Fuuck, I’m so tired.’’ He sighs, making sure to spread his legs on the couch as much as he can, not caring (of course) about you also sitting on it. 

You always branded Tomura as an incel, that you knew about. But despite that, you now can’t help but feel for him, not knowing much about him at the same time. Sure, he technically isn’t the nicest guy but a look around would show you that he tries enough for a job kicking his ass. You find yourself sympathizing with a man, whose ideals you hate and try to brush these thoughts off.

‘’And why the fuck am I an incel anyway?’’ He asks, his head rests on the couch and his eyes are closed, he is scrunching severely—almost threatening to fall down. And he manspreads. A lot.

‘’W-well– I..’’ You never thought he’d caught on to that, stammering to stand your ground as you continue. ‘’Well, there have been rumors about you.’’ You say, but it doesn’t come off as confident as you’d hoped for. You also realize, it sounds kind of stupid.

‘’Reaaally? And you made sure to believe them, right?’’ His tone’s laced with irony but the way he talks like he whispers in a raspy voice doesn't annoy you anymore. It makes you more... uncomfortable? On the edge? Excited?...what?

‘’It’s not like you don’t claim it yourself.’’ You retort, finally finding some courage. You notice him looking at you as you awkwardly shuffle in your seat.

‘’All I’ve ever said was that I think women are good for nothing. And I still believe that, but I wouldn’t waste more of my time on that.’’ The statement makes you roll your eyes.

‘’How can you generalize a whole group of people, who are literally in no way inferior to you, you can’t tell me you’ve tried—’’ 

‘’Listen dollface, unless you want to change my mind there’s no reason to fuss that much, my opinion won’t change.’’

Unless you want to change my mind?

‘’I-I don’t.’’ You stammer, because the answer and pet name (dollface??) takes you by surprise and he laughs.

‘’Relax, you branded me an incel.’’ He jokes, ‘’don’t want the rape allegations on me too.’’ 

The more he talks, the more your mind races and you curse yourself. He seems..funny? He has a mole under his lips—fuck, it looks cute...He also looks good so (stupid as it is, yes!) you silently want his attention. Why can’t he just look you in the eyes more?

This is so wrong. He must've noticed your lost gaze as he speaks up.

‘’Wanna watch a movie?’’ He proposes and you nod, anything is better than the silence hanging in the air. Silence you caused. For thinking... things about him. 

Of course Tomura ends up choosing the most depressing film anyone can possibly watch in an internet café at 6 AM, Fallen Angels, and the dramatic cuts make it hard for you to concentrate. He at a certain point leans closer to you but you justify it, how else would he be able to see?

During this one scene, the woman pleasured herself with her legs closed, rubbing together and that’s when you feel a soft hand touch on your thigh. The dress you wore rode up, because your legs rested on the table ahead so it gave him the space he needed. The movement made you tingle and your core involuntarily contracted. The smooth fingers teasingly trailed up and down your leg, from your knees to your inner thighs. You didn’t want to look at him—he was too close and the scene seemed endless. But…he went on about it as if nothing was happening. 

Without saying a word, he carried on. A pad of his finger tip dangerously close to your now heated entrance, the images flashing before your eyes lewd, his hand tempting and threatening to reach your already soaked cunt—all this while the two of you hadn’t even shared a kiss. But he doesn't stop, looking ahead and acting like everything’s fine, until he touches your lower lips and you hiss, his finger traces the wet spot over your underwear while you try to move and speak up. 

‘’W–what are y—’’

‘’Shh..’’ is all he says. 

You want to tell him no. But no to what? You like the feeling of his two fingers against your folds. His palm moves your panties to the side and he stuffs them inside—they dampen from the fluids. How is he that quick? You can’t form a response but you’re about to ask him why—

‘’All that and I haven’t even kissed you.’’ He murmurs, gaze still fixated on the television ahead as you moan, when he slowly pumps them within your walls. Fuck, are you turned on by this?

‘’P-please..’’ You whisper, turning to look at him and for the first time, his eyes are removed from the stupid TV, a sly smile on his features as he tears away his hand.

‘’What is it? Want the incel to kiss you? Maybe even fuck you to prove a point?’’ He says and you frown.

‘’I—no, I have to go.’’ You get up, fixing (lowering) your dress—you have nowhere to go but you’ll figure it out eventually. You think staying longer only plays into his cruel intentions and whilst you can’t deny the pleasure he could give you, your pride’s in the way.

‘’You’re not going anywhere.’’ A wet hand clasps around your wrist and brings you on his lap, as he grins; you seem confused at the sensation. You are hiding the TV screen but he couldn't care less, he never paid attention to the movie.

‘’Feel the stain you left, too?’’ He says as he brings your face closer with the sticky palm grabbing you by the hair. You softly moan, noticing the small mole up close and feeling a bulge poke where your bodies meet. You sway your hips in a silent effort to have him initiate a kiss, you feel desperate and curse yourself again internally. He can only smile.

(You were so clueless, walking around in that slutty dress earlier—making him hard like that, did you even know it?)

He’s quick to kiss you, eager for more already, as mouths clash, teeth collide, the need you both have exceeds proper manners. You sloppily grind against him, the friction from a long outline beneath you makes it hard to think.

‘’I’m guessing, you’re really fucking the incel then.’’ He half smirks as he grabs you and repositions you to sit on his now fully hard cock that throbs in his pants; he lifts your dress above your ass and guides your hips sluggishly back and forth—he’s tormenting you and he enjoys it to the fullest.

‘’T-tomura..p-please.’’ You whine, the urge to have him inside you makes you blabber.

‘’Please what?’’ He slides a hand behind your waist, lowering it to find your slit from behind, his fingers pet your cunt and you moan. Loudly. He is tugging at your panties, the fabric annoys him and he wants full access and the words. The words to prove his point.

‘’P–please...fuck me already!’’ You breathe out and he groans to the sound of your voice. 

The ironic remark he prepared evaporates as he quickly pushes you back, just enough to not fall off his lap and quickly unzips his pants, thanking god for not wearing a belt. 

His pants and underwear are sloppily moved down his knees, as his cock jumps with a pop on his lower abdomen, stiff with a weeping tip. Pretty veins throb around it as your eyes widen.

Shit, he’s big, can you take him?

‘’I’d ask for a nice blowjob, dollface, but wouldn’t want the feminists after me.’’ He says as he brings you close, kissing you yet again, a string of spit runs down your jaw, as your hands roam his tangled, uncombed hair. 

He positions you on his cock, one hand snakes around your waist while the other one clings to the back of your scalp and you’re swiftly lifted by the head and pushed down on him, as you let out a scream.

‘’Shut the fuck up.’’ He hisses, quickly looking around, the sensation from almost his whole length makes you tremble, he feels too full, too painful...too good.

‘’Shit, c’mon now you got this.’’ He encourages as you hesitantly move up and down his cock, gripping his shoulders and looking at him; he seems more concentrated on the sensation than your body, staring at you while you wrap around his length.

‘’Fuck...dollface, this too much for ya?’’ He tries not to grunt and you give your best not to cry, each moment that goes by turning the initial pain to pleasure—your cunt adjusts slowly and bit by bit to his girth. 

‘’T-tomura... y-yes..it’s too much!’’ You whine, sweat forms in your forehead as his hand finds your swollen clit and circles it while your nails dig deeper in his shirt.

‘’You can take it.’’ He says, he feels you squeezing him in, you bounce with dedication on his legs, making the couch squeak as if on some sex tape—you want to bring yourself even closer. So nasty, aren't you? Acting righteous, only to fuck yourself on his cock like a desperate whore.

‘’I-ugh-p-please..’’ You try to speak but he secures his hand around your torso and sinks (lower than before) down the couch. Two strong hands force you to stay still in the air while he drills himself into you at a steady pace, kind of sloppily too. Both of you moan, the position gives equal pleasure, your clit bumps on his groin and his cock reaches your g-spot with ease.

‘’S–Shit, you’re squeezing way too much, haven’t you been fucked like this before?’’ He sounds annoyed but the stammer in his voice betrays him.

Not like this, you want to say but can’t really speak the words. Your weight falls entirely on him, he doesn’t mind one bit—he loves it actually, this skin on skin contact as he guides you on his cock, it feels surreal. He hits soft and spongy spots inside while you slowly fall apart. 

‘’T-Tomura right there..I ugh—I'm close!’’ The sensation overwhelms you, his eyes are still fixated on your face, yeah I can tell, he thinks. He gets off on your desperation, mouth parted all for him? Your eyes threaten to spill by the way he tears apart your cunt and morals bit by bit.. it’s–

‘’Tomura, aren't you closing yet?’’ Someone asks from outside, interrupting the moment. The shutters only reveal a pair of shoes. 

‘’Yeah, I’m on it.’’ Shigaraki stops composed, cockwarming you in a funny way, while a hand, his hand covers your mouth. Your eyes widen as slick trickles down his thighs in silence.

‘’Alright, see you then.’’ The man leaves and he cusses him out. (''Cunt.'')

‘’We’re not done.’’ He turns his attention back to you and seizes your face, bringing your mouth closer.

‘’Open up.’’ He orders and you do, clenching around him in anticipation.

He spits in it and closes the gap with his index finger. 

‘’Swallow or I won’t continue.’’ You quickly gulp down.

‘’So obedient all of a sudden, aren't you?’’ Sarcasm evident as he gives your ass a solid hit, before starting to get back on his pace, only more rough this time, he longs for your release on him. You’re moving up and down his length, trying to grab anything accessible really, his hair, the back of the couch, under his shirt and you feel your orgasm resurface stronger; the delay highlighted all of your senses.

‘’T-Tomura—’’ You shudder, as his cock hits your g-spot expertly–fuck, this guy wasn't some incel–and your swollen clit has to brush one last time past his groin before you feel an overwhelming orgasm take over. You clamp down his length and moan embarrassingly (Fuck Tomura! I–I'm...too good!) This time he lets you, he needs to hear this.

‘’Fuuck—agh, look at you dollface.’’ He hums, a feminist creaming herself on my cock, he wants to add but it’s too many words and you just came so he wastes no time. He brings your neck close to his mouth and bites on it, teeth sink into your flesh and hands force you all the way down. His cum spills inside and he groans, trying to stifle his moans by biting down the sensitive skin even harder. 

And fuck if that isn’t hot.

He keeps you on him, arms fasten around your waist with cum dripping onto his lowered pants but neither of you bother to care; ragged breaths and the sounds of the film still playing are audible as more light enters through the rolled shutters.

God must’ve been on your side that day because a message appears on your screen moments after you both wordlessly got up and cleaned yourselves in the bathroom. Tomura would have to clean again, you think, as the message on your phone signals your time to leave.

You turn to look at him, he has removed his shirt and small nail scratches decorate his pale back and you..smile. What the hell? Was this..? Oh no—You try to find an appropriate goodbye.

See you soon? Thanks for the mind blowing dick? You aren’t the incel I thought you were? Everything seems embarrassing at present time. 

‘’I-I’ll be seeing you soon.’’ You opt for that, stupid as it is, you still look at him in anticipation. He turns to you, hands on the mop cleaning near the couch and nods. 

Great, you think, that was a disaster. You defeatedly walk (actually stoop to get past the almost closed door) feeling like a hooker after a client, miserable and kind of used. This is always the worst part. 

You feel an arm touch your shoulder, you’ve only taken a few steps in the daylight.

‘’Take this in case you revoke your incel statement.’’

Tomura hands you a piece of paper and quickly disappears behind the store’s shadows.

[dimepdf]

★  𝐓𝐎𝐔𝐂𝐇-𝐀, 𝐓𝐎𝐔𝐂𝐇-𝐀, 𝐓𝐎𝐔𝐂𝐇 𝐌𝐄. + 𝐌𝐈𝐆𝐔𝐄𝐋 𝐎'𝐇𝐀𝐑𝐀

masterlist. / taglist. / tip jar. synopsis. no matter how many times you try to convince yourself that Miguel is the bane of your existence, the way you react during training proves otherwise.

─── ☆ notes. i need fics of miguel being an absolute dick, like a petty bitch just for the hell of it i need more attitude yk? Like if that man isn't calling me a slut it ain't canon! | — feedback is always welcomed & don't forget to reblog 🤍

─── ☆ length. 4.3k (33 min read).

─── ☆ genre and warnings. +18 nsfw under the cut. minors dni | no spoilers | smut, enemies to lovers, maybe mutual pining, fighting and violence, semi public sex, gym sex, mentions of abuse, size difference, pain kink, strength kink, degradation kink, manhandling, power play(?), begging, rough sex, cervix kissing, choking, fangs, biting, marking, cunnilingus, eye contact, hair pulling, creampie, open ended, not an taiyo fic without a few typos.

IF YOU ASKED any of the other Spider-men what they loved so much about being Spider-Man, their answers would all be the same, ranging from "the suit" to "the enhanced abilities." It was a no-brainer that being a superhero came with a few awesome perks.

Which was why your answer was just a bit confusing, "the combat." You would always smile, despite the many eyebrows raises and looks that convinced you you had to be some type of overcover masochist, especially since you would never really go into true detail about why.

Your reasoning behind putting on the mask was similar to all the others: another traumatized kid being thrown into a whole new reality that you never would have dreamed of being possible.

Sadly, you had been raised with the loss of most of your loved ones, and your family was in shambles from the abuse you would go through from them. It was the reason why it was difficult for you to grow up and make many friends, let alone navigate your abilities on your own accord, which was why it was a whole different ball game when you first joined the spider society.

When you first met Miguel O'Hara, you thought he was an overly intimidating man with an even more scary personality. Your aesthetics and morals would clash in the first few run-ins you would have with him.

In all honesty, you first thought him to be a massive dick who surprisingly needed more therapy than you did. From his bored expression to his unnerving glare, it was clear upon the first introduction that you two just would not get along.

Which was why the universe made him the only spider person willing and with enough free time to train you. It came as a surprise to you both, who are usually butting heads. Miguel was adamant about not wanting to waste his time training some little girl who didn't even know how to throw a punch.

With much shit-talking on your part and a lot of teasing claims of him being afraid that you were going to kick your ass, training had quite literally started in full swing.

It was probably a bad move on your part to push the buttons of the guy who was teaching you how to fight. Miguel was clear with his fight-style techniques. He was nimble with his limbs and swift on his feet. It was hard for anyone to get a hit on him, especially since he wasn't the type to hold back his punches. 

His teaching style was the same: your sessions included throwing you around as if you were some ragdoll and picking you up as if you weighed nothing, just to slam you into the ground with full bruising force.

There would be some very rare occasions when you would manage to get the upper hand on him. Miguel was about a foot taller than you, not to mention how pathetically compressed you looked standing next to him. You learned that the only way you could manage to get the upper hand was by using your size difference to your advantage.

All the sessions you won were hosted by you managing to tangle yourself from his claws and climb his towering figure into a headlock, praying that you had enough strength in your legs to make him tap out.

"How is she not dead yet?" Miles would mutter, looking concerned, as he stood from the sidelines of the training room, watching one of your sessions, as the blonde by his side didn't even wince at the sound of Miguel untangling you from the headlock you had him in.

His arms moved faster than you could process as he managed to loosen your hold enough to slam the air from your lungs as you fell back facing against the mat so hard that even Miles was convinced he could feel the blow in the lower spine.

"I mean, at this point, I'm kind of convinced she’s turned into his personal punching bag." Miles strains to watch Miguel not even wipe a sweat as he sprung back on his feet. He stretched out his full body, towering over you, curled flat against the mat, trying to collect your breathing as well as your broken ego.

Gwen nodded in agreement. "I don't even know how someone could hit someone so...squishy? She’s just so cute." She muttered, watching with her arms crossed. 

"This punching bag needs to learn that in the real world, people aren't going to go as easy on her just because she’s cute." Miguel, despite glaring at the two bystanders, leaned down and yanked you back onto your stumbling feet. 

Your fingers combed through the matted curls now drenched in sweat away from your forehead, using your water break as the perfect excuse to help cover up the reaction to the sudden compliment that came from his lips and the way he had made you feel.

"And her being my personal punching bag is completely at her fault, if you want to learn how to fight, you have to learn how to take a few punches." You couldn't help but roll your eyes and wave your hand out in annoyance at another one of Miguel O’Hara’s famous lectures.

"I’m not a punching bag, did you not see the hold I had on him early?" You huffed, almost choking on your water, trying to protest. Gwen humored your claim, the blonde reaching out and rubbing your shoulder out of support as you continued with your defense. "Any tighter, and I would have easily snapped his neck."

Of course, Miguel only smirked as you continued grasping at straws at the point of trying to prove to your friends your improvement, his eyes flitting back and forth at the exchange, expressionless at the sight of you managing to still joke around as if you weren't about to pass out from fatigue at any second.

"And was that before or after the part where I kicked your ass, little girl?" He shot out, chipping away at the final lock that held back your annoyance, you hadn't even had time to process the insult before he bumped his shoulder into you on his way out of the training room.

His rude exit enticed a round of reactions from Miles and Gwen trying their awkward best to comfort the boiling pot of anger they saw written all over your face, rolling your eyes, you pushed past the two, not without grumbling a string of insults in Miguel’s name to the washrooms.

You blessed the spider lords for somehow having the ability to shower under running water, let alone the unexplainable strange amount of amenities that the spider society dimensions had. 

Like a web shooter's wonderland, you quickly shed the sweating clothes you trained in and stepped foot into the cold cubicle shower booth, letting the water run for a bit until enough steam fogged clouded stepping under the stream. Even with the hot water splashing pressure against your aching muscles, no amount of water could manage to wash away the annoying feeling in your legs. 

It was enough of a jab at your pride to even find Miguel attractive in the first place, and here your body was betraying you once more, begging, throbbing desperately for his every touch in its every form, and having the nerve to grow more intense during your training.

The feeling had yet to fully disappear the next day, even with your session starting off with you fueled from yesterday's comments. You tried pushing the feeling as you were just ready to have Miguel mutter another word insult with the ass kick you were ready to give him. It was the only possible explanation for why you were so jittery about getting to training on time.

"It took you long enough." Was the first thing you heard Miguel announce throughout the empty room.

He wasn’t wearing his suit—neither of you did while training—instead, he was wearing dark gray sweatpants paired with some random dark red graphic shirt that fit him a bit too snuggly to leave room for imagination around his arms.

"Almost thought you were gonna skip out."

You were aware enough to spot this quick observation of your outfit as well. Keeping it casual and opting for better mobility, you shimmied yourself into plain Nike shorts that stopped higher up than you had expected them to on your thighs with a loose tank top that peeked out the straps of your sports bra.

Nothing about your clothes screamed attention grabbing—at least that's what you thought before you caught Miguel’s red-tinted stare on the way your shorts hugged your thighs.

He glanced away, muttering something in Spanish you couldn't quite translate the moment your fingers fidgeted with the bottom hems of the shorts, tugging them slightly more down while deciding to break the tense silence that had managed to sneak up on you. "So what are we doing today?"

"Huh, I’ve been thinking." He answered, followed by the clearing of his throat, "We try something a little different." You could never get used to the roughness of his voice or the way he spoke with so much arrogance that it reminded just about everyone that he thought he was better than just about everyone.

Even now that you stepped towards the middle of the mat, standing rigidly just a few paces away from him, you could tell from that stupid, cocky expression as he stood looking down at you that there was no possible way that he would ever see you as a real threat. "I want you to try to hit me." 

Your brows creased together in confusion. 

"What?" was all you asked, which seemed to be the wrong question to ask as Miguel stretched out a sigh from his mouth, his hands coming close to his to pinch the bridge of his nose. 

"I said hit me." He speaks more slowly, making sure to mockingly over pronounce every symbol in every word as if you were a child. "Preferably soon and as hard as you can." A grimace finds itself twisting on your lips before you can even process your bubbling annoyance. Your body moved on autopilot because of your keen senses, jumping over the swing of his left leg with ease.

You couldn't say that swift grace stuck with your attempt at a counterattack. Bending your knee just enough to reach out and kick, you were only met with the bottom of your foot stomping flat against the floor mat and Miguel dodging your kick, standing just a few paces away. "Too predictable," he scolded in that annoyingly deep voice you hated oh so much and totally did not turn on you at all. You sprung yourself up by the heels of your feet and charged at him with full determination to land at least one punch on his stupidly chiseled, handsome face.

It had been your second mistake, giving him too much time to brace himself. Already regretting your emotionally impulsive start, resulting in the punch you swung being easily deflected by Miguel.

His hand wrapped entirely around your wrist, bending your arm almost out of your socket and kicking the back of your knee to the mat with his heel. You feel down to a kneel with a hissing pain in your arm threatening to get worse at any wrong twist.

"Lose that fucking attitude, or you’ll get sloppy." As if your body could radiate any more anger, you knew he was just trying to push your buttons, trying to throw you off your game with smack talk that was not working on you or anything.

"Again," he prompted, letting your arm go and stepping back, egging on another attack from you.

"Give me a damn minute." No matter how much you wanted to snap back at him with something snarky, you knew it would only prove his point entirely—not only that but also the fact that he was mentally hitting you in all the places that he knew counted the most to throw you off your game. 

Biting back the insult you already had threatened to slip from your tongue instead of making a point by rolling your eyes as you stumbled back to your feet. Rolling your sore shoulder back as your eyes scan over his stance, trying to find the best opening for a better attack, you steady your breath and cloud your mind in thought. "You aren't going to get anywhere but dead standing around like that, you know."

So much for wanting to consider your options. Miguel took the first swing at you and was on the verge of kicking you on your ass if it weren't for your shoddy dodge.

"Didn't you just say I had to be less fucking predictable?" You snarled, lifting your foot with most of your weight pointed in the direction of his jaw. Surprisingly, the kick landed just not in the place you wanted it to; instead, Miguel’s arm blocked the blow, much to your annoyance.

"I also said—" All he was doing was using dodging moves on you, swiping your other foot from under you as he held the other one that you kicked up in his arm, resulting in you landing once again flat on your ass. "to lose that fucking attitude."

You had not gone down without a fight, twisting and kicking, trying to wrestle your limbs free by any means. Miguel had almost embarrassingly quickly ceased your squirming, his palm cuffing your arms and pressing hard against your chest as his other hand pressed tightly into your thighs, folding your legs in place under his hips.

The position was interesting, to say the least, but you still had some fight in you, wiggling against his grip with any strength you had left to break free. It was a useless battle, but the man had his grip around you tight as well as an overpowering size difference that blanketed your entire figure like one big rock.

And that's how you caught yourself in another web of misfortune. Your nerves are surging at the feeling of something—him brushing against your calf. Maybe it was all the adrenaline pumping through your veins or the fact that you were practically being manhandled so easily that did another thing to your body, or maybe it was just pure horny instability that your brain couldn't even process the lewd whine that tugged from your throat after the fact that it had happened.

Watching in pure horror as Miguel loomed on top of you, his mouth slightly agape as his chest heaved and his brows pulled together, the embarrassment from his confused, almost offended looking expression hit you fast. Here your body was betraying you once more, this time going absolutely haywire and melting like a stupid pile of putty at the fact that you were being body pressed against some mat with some guy's hard junk pressed into your leg.

You couldn't bear to even look him in the eye anymore, your head tilting to the side, pressing your cheek into the mat, and squeezing your eyes closed, not suddenly envying the spidermen with teleportation powers. "Fucking Christ, can you get off now?"

A beat of silence hovered between the small distance between you two, neither moving nor talking. It was starting to become unbearable how tightly Miguel had folded your legs against him, in the sense that you could already feel his body heat radiating. The close proximity did not help with how unbearably your heart was beating against your chest. "How do you manage after all of that to still have that shameless fucking attitude?"

You stilled at how his voice had managed to cut through your own thick cloud of betraying thoughts as well as the ringing in your eardrums. "Shameless? As if you don't have your dick pressed against me right now."

"By the sounds of it, you don't seem that bothered at all." Miguel taunted, You thought you were bound to die of embarrassment.

Yeah, this is how you went out—by dying from the sheer effect of your own extremely horny though—not some overpowered supervillain with a vendetta against you but Miguel O'Hara and his dick print.

You could already hear the new taunts that he would use against you, "Not even in your fucking dreams." being the only comeback that you could muster, your limbs tingling with slight pins and needles, threatening to go stiff under his unbound grasp. 

"Oh, like you wouldn't love to," he sneered, shifting the weight from his hips flat against your thighs. "Probably thinking about me taking off these tight fucking shorts and having my way with you?" Your body reacted first to the accusation, cursing under your breath as you felt your second heartbeat flutter in between your legs.

His lingering stare hadn't helped one bit, and you watched from the sidelines as his eyes raked over your body with interest.

"I bet this was your plan the entire fucking time, huh?" He asked, leaning in as the distance dwindled until you could feel the brush of his breath against your face. "Put on some sweet naive act in front of everyone, knowing that you're getting yourself off on me throwing you around, touching yourself like some bitch in heat."

You hadn't bothered covering the whine that parted from your lips at the feeling of his erection slowly rutting against your thigh, the cocky smirk on his lips wanting you to melt away against the mat.

Miguel practically growled at the pathetic sounds that parted from your lips, tugging your legs apart to rut his hips down against your core. You shivered at the intrusion of his bulge pressed against your eagerness, the foreign feeling of him grinding against you left your thoughts in a dizzy fog.

"What? Can’t fucking speak now," he said as if he were dangling your most prized possession in front of your face, his fingers creeping into dangerous territory, making it a point for his fingertips to drag down your lower torso only to halt right above the elastic waistband of your shorts. "Go on, use your words."

"...fuck you."

The small amount of distance made the space between you two fall tensely thick, and the words spoken from your lips were different from the feelings that made your heart thud against your ribs. You weren't stupid, you knew Miguel could sense it, he could sense just about everything about your body from how close he kneeled on top of you.

Maybe that was why he had closed the distance so quickly after, letting the tight grip around your wrists give way to his hand finding a new objective, wrapping his fingers around your neck, not bothering to be gentle as he guided your lips towards his. The kiss was as rough as you had dreamed it to be. Eager for each other's kiss, you couldn't even process the noise that vibrated sharply from your throat before Miguel could pull away first, leaving you panting for more of his touch.

"First time I've ever seen you so quiet," his deep taunts were starting to grow unbearable, shifting your hips at the brush of his fangs against the jugular of your neck with every word, "who knew all you needed was some dick?" The harsh kisses he left trailing down to your collarbone made you feel like a hot, needy mess of putty. If it weren't for the tight grasp he had on your body, you were convinced that you would feel like you'd melt into some type of puddle. The growing frustration had only started to build up more as Miguel let go of your thighs, his hand trailing between your legs ruthlessly as the bud of his fingers rubbed against your clothed pussy. 

As for why you shifted your hips up and let him impatiently tug and yank at the bow knotted around the waist of your shorts, breaking away from the red splotching light bruises already forming against your brown skin and wiggling you out of your shorts, Miguel thought it was quite the image, his eyes were fixated on the drooling sight of you under him, so vulnerable with your thighs hugging to your chest, spread open, revealing yourself in your pants.

All sanity was thrown out the window the moment he tugged you closer by your knees, your lower half lifted in his arms just enough for him to sit face to face with your cunt. His eyes darkened, his pupils blown as his tongue lapped over his lips, leaving you feeling restless. It was a slow and almost painful battle of trying to reach down and shove his face closer or buck your hips as his fingers sheathed and explored themselves against the fabric of your underwear.

As if Miguel could read your mind, his fingers hooked the fabric under the bend of his finger, followed by a quick tearing sound. "I’ll get you new ones," the comfort emitting a whine from your throat as you couldn't even scowl at him for ruining your underwear because you were too busy admiring the work his fingers were doing. Without warning, Miguel leans in closer, the warmth of his mouth almost sending you into a frenzy as his fingers spread open your lips, his lips sucking at your clitoral area, prompting you to let out a very lewd moan.

"Too loud," Miguel mumbled against your pussy, too busy webbed up in your own pleasure to even notice how every embarrassedly sloppy wet noise had seemed to perfectly echo throughout the empty room. You couldn't even explain the number of emotions that were flowing through you, from shame from being tongue fucked and fingered against the floor about the one man you hated so much to bashfulness from holding eye contact with him as he lay between your legs and ate your pussy like he was starving for you.

"I can't help it," you whined, shivering at the string of spit that contacted Miguel as he lifted his head in an idea. It took a second to process Miguel picking you up and turning you on your stomach, his hands guiding your hips up and stripping your torn panties down your legs to stuff them in your mouth.

Without a word, Miguel grabbed your ass with another hand, guiding your lower back into an arch as the other made small indents from his nail bearing into your cheeks as he spread them apart.

Before you could even feel embarrassed at the new position, he shoved his face between them, your moan being muffled by your makeshift cloth gag that worked a bit too well in lowering your whines as Miguel’s mouth sought his tongue out for your pussy once more.

"You're close I can smell it," you almost missed Miguel's groan over your building ecstasy, "just let it go, baby, let me take care of you. That's what you want, right?" His voice is drastically different from his usual rough, rude tone, softened to something of a coo that has managed to unknot your pleasure with his tongue. Your body tensed against his mouth for a moment as he had the nerve to suck his fingers clean. No grace period was given before he could lift you once more with a grunt, laying you flat on your back.

Slotting himself back between his legs, Miguel chuckled at the dazed look on your face. "It's alright, baby, I can take it from here." taking the balled up drool covered panties from your mouth and instead replaced them with his lips. The sensual change of pace wasn't enough to stop the shiver that rid your nerves of the feeling of his bare cock rutting against your slit, using his thumb to spread your lips apart to sink his tip inside of you with a low hiss against your mouth.

A gasp left yours as his girthy length intruded deeper inside of you, the burying stretch of his dick having your nails roughly grasping at the nape neck of his hair tugging a handful as his pace hadn't bothered to even get familiar already. Miguel’s hips weren't letting out as he fucked you almost animalistic against the floor. You were convinced he was trying to fuck you into the mat, to be one with the floor, which would perfectly explain the rough pace that left you breathless with each piston of his hips. 

The graphically lewd sounds of your weak groans were nothing compared to the pornographic sound of your skin meeting his, your brain empty with nothing but greed, wanting to take everything and more of what Miguel was giving you. His fingers reach to unwrap your fingers tangled in his hair to intertwine them in his. "That's it, mama, that's it," he whispers against the shell of your ear, earning a whimpering reply from you, almost close to spilling the tears clouding your waterline.

Your mind couldn't process anything other than how good Miguel’s dick felt being shoved inside of you, his cock dragging against your tight, flustering walls with each shaky breath brushed against your ear. Your cunt seemed to react to Miguel’s lashes tickling against your neck as his eyes screwed tightly shut, muttering a string of compliments in his mother tongue.

You weren't lucky enough to be more stable, surprised that your throat hasn't gone horse with how ruined your vocal cords sounded in the pace of his pistoning hips. Only going up an octave higher as one of Miguel’s hands reaches down to pay attention to your clit, he doesn't stop even when your limbs start to tremble from your climax. 

With one last hard thrust, he finally stills, your name being the only thing you could make out through his mumbling as his unfamiliar warm sensation welcomed itself inside of you. 

Groaning right in your ear, he cums inside of you with his entire dead weight pressed against you, caging you against the floor. "Alright," Miguel sighs, settling on top of you once more with his arms holding himself just a few inches away from your face. "Again."

🔖 @adonis-is-dead-lmaoo @thesebitcheslovesosadotcom @inumakiiz @iheartlinds @creamyarishi @marzipaanz

tap here to be added to taglist.

[crushedsweets]

Can we get more BEN content? Please?

Something super quick!! I’m just tryna get a feel for his character again cuz I just realized how long it’s been since I’ve worked with him in my AU?! I’ll ramble a bit under the cut

Mandatory reminder that my AU is filled with rewrites largely inspired by my childhood understanding/memories of the stories … it’s not canon in the slightest

Tw for kidnapping(?sorta) and murder under the cut

Ok imma do a better finished pre/post death comparison later. But for now.

Ben in my AU went to a garage sale, found majoras mask, got really excited, and the one selling it to him was like “I have the console come over and we can beat the game together” so Ben started going to this 40 yr old guys house every week.

Once they beat the game, the guy ended up drowning Ben in his bathtub. It’s cuz he had this huge grand plan to create a true virtual reality where you can really put your soul into a video game, cuz he himself was addicted to video games and escapism and whatnot … specifically inserting himself into a Zelda game. and he had killed several young blonde boys who he thought resembled link, cuz he was doing all these different methods and rituals he read online that he believed would transport a persons soul inside. After he drowned Ben, he put the green tunic over bens zelda shirt + put boots and that damn hat on him + cut his hair to try and resemble link. He waited and waited and reopened the game and played it and tried tweaking it and did everything he could to find evidence that bens soul was in the game. EVIDENTLY THAT SHIT DIDNT WORK.

Well it sorta worked. Bens soul DID get trapped in that game cartridge. But it was more in the way a ghost possesses a doll, not transporting him into the game….

Eventually the man was caught for murder, charged, and the video game cartridge (with Bens soul) went into evidence. And it just sat there for a long while.

Eventually it broke, I haven’t exactly fleshed out how… maybe a dumb detective.. OH MY GOD MAYBE A DETECTIVE WORKING ON JEFFS CASE ??!?! LOL we’ll see

And when the cartridge broke, Bens Soul sorta got. Released ?! And obviously he was mad ..

So he just spent a while haunting people, driving people to suicide, being a massive menace on the internet and in people’s homes till slendy got involved and was like Benjamin. Do not do this.

Ok obviously this is super messy and I did it on a school bench on my phone cuz my class got cancelled today 😞 but. I’ll try to get more solid Ben content out cuz he’s just a guy

[shsl-analyzer-guy]

In-Depth Character Analysis On All The DR Characters Because What, Are You Gonna Try And Stop Me? Who Are You, My Mom? Yeah, I Didn't Think So- Part 5: Junko Enoshima

Oh boy, this is gonna be a big one. In fact, I wouldn't be surprised at all if this turns out to be the longest analysis in this entire series of ~100 characters. Why did I not save her for last. Why is this part 5. Why do I do this to myself-

Jokes aside, I am so so so excited to make this; Junko has become the face of this franchise for a reason, and the depth of her character and role in the series as a whole is massive. I won't be surprised if this takes over a month to complete. In fact, just for fun, let's track it. I'm starting the analysis on 7/5/24. When will we finish? Nobody knows!

(Final edit Crane here. It has been more than 5 months. Christ.)

This analysis uses only official material for the sake of analyzing the character, primarily sourcing official English localizations. It'll be um, lengthy, to say the least, so if you aren't that interested, just keep scrolling. Also, if there's even one canon installation of Danganronpa that you haven't played/watched/read yet (THH, DR0, SDR2, UDG, DR3, and/or V3) don't read this; the ripple effect of Junko in every corner of the franchise will be discussed and thus, there will be spoilers aplenty.

Also, a disclaimer that though I try to remain as objective as possible with these analyses, it will be at its core, an interpretation. Not everything will match up with how you interpret it, and that's okay! I don't claim to be perfect, and this isn't an infallible source of canon, only my interpretation of the source. Let's get into it!

Foreword

Real quick, before we get too far in: readers of my previous analyses know that I normally try to move in chronological order of release and events in-game to keep the analyses easier to follow. Due to the nature of Junko's characterization and the fact that she's present throughout the entire series, that isn't really possible here, as to talk about any one aspect of her, I may need to pull from multiple installations. I'll be sure to cite where I'm pulling from and provide evidence where necessary, but it definitely won't be perfectly in order by release or timeline. So hopefully it won't be too messy. Also, characters very closely tied to Junko, like Monokuma, Ryoko, Mukuro, etc. will be analyzed separately at a later date, so those sections may end up feeling incomplete as a result. For the sake of releasing this before 2025, I need to cut corners a little bit and focus primarily on how these relationships affect Junko, and not the other way around.

Part 1- Monokuma

In order to understand Junko, you must first have a basic understanding of Monokuma, mascot of the Danganronpa series and self-declared Headmaster of Hope's Peak Academy. Monokuma introduces himself to the cast as their superior and oversees the killing games, providing motives and passing judgement on the class trials, all while reveling in the Despair of the students. There are multiple iterations of Monokuma, but most of them exist in order to carry out the killing games without issue.

Like Junko, Monokuma remained a staple of the franchise, appearing in every official installment, whether he was being actively piloted by Junko or not. As we see in DR3: Despair Arc, she personally designed him to become the face of her movement of Despair, and thus, he was used to carry out her will at every turn.

1.1- Trigger Happy Havoc

In the first DR game, Monokuma was just a robot piloted by Junko. His mannerisms were a character invented by her to appear as the psychopathic Headmaster, but regardless, her true nature of Despair is directly infused into the character as she acts him out. Through him, she's able to reveal hidden information about each of her classmates and torment them personally, all without them knowing she was once a dear friend to them. As a robot, though, he came with drawbacks- Junko couldn't pilot him and watch the cameras at the same time, and once the charade of his all-seeing Headmaster was seen through by Kyoko, he lost most of his power. Thus, Monokuma's existence was designed to deceive, and could only function through deception. He created the illusion that hope was outside, that escape was solely on his terms, and that the class had no unification- all according to Junko's design.

1.2- Goodbye Despair

When the sequel game arrived, Monokuma was once again a character being played by Junko. Unlike last time, however, the two had blended together, becoming one and the same. This Monokuma was a Despair Virus, created with Chihiro's Alter Ego technology, and implanted into the Neo World Program with the intent of continuing the real Junko's plans for the spread of Despair. This version of Monokuma is extremely similar to the previous in terms of its personality and beliefs, but appears much more powerful within the artificially generated world, now able to apparently power-up, bleed, and transform plushies into duplicates without logical explanation.

Rather than targeting certain themes in an attempt to teach Despair, this Monokuma created directly-targeted motives, attempting to use class 77's personal connections to a whole other level and banking on the fact they were friends, rather than try to cover it up. He also acts as if they're his dear friends and like they're on the same side, directly inverse to his apparent attitude towards class 78. This is intentional, though as to why, we'll get into much later.

1.3- Ultra Despair Girls

Rather than being present as a character, Monokuma exists solely as mascot in this game, as thousands of Monokumas are programmed and piloted to slaughter the majority of adults in Towa City. He exists solely as a tool used by the Warriors of Hope.

In chapter 4 of the game, you get the reveal that all the physical Monokumas that exist were built and sold in Towa Group's factories, and later, that Monaca Towa was directly responsible. This exists to demonstrate how Junko was able to financially and physically afford the amount of power and technology she accrued in her crusade for Despair. More on this later.

1.4- Danganronpa 3- Future Arc

Near the end of the first episode, Monokuma seemingly appears on a monitor in the meeting room of Future Foundation's HQ, announcing his survival and a return of the killing games, starting with the Future Foundation higher-ups. At the beginning of the following episode, an act is put on between this version of the character and "Miaya Gekkogahara", as they fake an argument where Monokuma alters her avatar Usami into Monomi, making it appear as though he's again being piloted by a real person from some remote location.

As the season comes to a close, though, we learn that it was the chairman who set up the killing game, and that Monokuma's appearance, along with the video that would play during every nap, were falsified recordings, aided in part by Monaca Towa pretending to be Miaya. Thus, his likeness was used for a cheap recreation in an attempt to manipulate one person and kill nearly everyone else in charge of the Future Foundation, all set in motion by Junko's own brainwashing videos.

1.5- Killing Harmony

This is the only version of Monokuma that Junko herself doesn't have a hand in recreating, and is the only time he exists solely as a robot personality of his own accord. Created by Team Danganronpa, he's a physical conception of the fictional character Monokuma in-universe, and thus, is a character in his own right. Birthed by a Motherkuma machine for the mastermind's benefit, Monokuma acts once again as Headmaster, but a significant amount of soul is noticably absent from the presentation. This is in part due to the amount of focus on the Monokubs, using their unique characteristics for comic gags with the cast in the way Monokuma used to in the previous games, and his appearance feels like more of a checkbox than an actual return of Monokuma. Simply put, without Junko's influence, Monokuma's character becomes more flat, and starts to fade into the background in a convoluted mess of references and callbacks. All of which is done on purpose- Monokuma is a facet of Junko, and without Junko, Monokuma becomes empty.

Part 2- Character Design

Junko Enoshima is designed as a gyaru, a subgenre of fashion known for its more 'rebellious' style. She's dressed in a modified uniform, with a black jacket with her sleeves rolled up and unbuttoned, allowing her cleavage and bra to show, with a black-and-white tie, a red bow, and a red plaid miniskirt. She also has Monokuma pins holding up her ponytails- one with the white half, and one with the black half. Asymmetricality and the use of exclusively black, white, and red all align her with Monokuma, an asymmetrical black-and-white bear with a red eye. She has styled blonde hair and blue eyes, and has the title of SHSL Gyaru, or Ultimate Fashionista.

2.1- What's A Gyaru?

Gyaru as a fashion style first originated in the 1970s, emerging from Japanese women's nonconformist desire to embrace their own sexuality and rebel against societal standards of the traditional housewife. As time passed and more women latched onto the trend, it became a major point of discussion, initially shaming these women for being too racy or delinquent, before shifting to an increase in streetwear fashion and being recognized as its own genre of fashion, evolving with new subgenres as time continued to pass. It went from a wholly shameful style to an expensive, trendy one as expressly gyaru clothes started to be made and sold in stores. The increase in popularity also led to discussions of placing laws against child prostitution, as younger girls were getting into the expensive fashion and started finding alternative ways to afford this showy clothing.

There are many, many subgenres of gyaru known, but Junko Enoshima is specifically referred to as a kogal or kogyaru, a high-school gyaru. Her school uniform is modified into a showy jacket and miniskirt with big bows, she wears knee-high boots, and her hair is blonde, implied to be dyed based off of the common hair-dying of kogals. In DR 0, we also see her with red hair and eyes as opposed to the blonde and blue, suggesting that red may be her natural hair and eye color. Kogal culture has a lot of stereotypes around it regarding the extracurricular activities of the girls who subscribe to it, but the general idea around it is for the girls that participate in it to break social norms and claim their sexuality for themselves to get what they want, all within a consumerist guise. This type of mentality matches Junko extremely well, as a character bent on breaking the world for her own pleasures by advertising herself as Despair.

Part 3- The Mastermind Reveal (THH)

We don't actually meet Junko Enoshima until the final showdown in THH, though we are well-acquainted with the idea of her before then, as not only do we meet an imposter-Junko in the first chapter, but her magazines are specifically shown to us in the intro of the game, and are scattered throughout the school(laundry room). There are also little hints as to her identity as mastermind sprinkled into the game.

"Whenever I spot a cute girl, I have a tendency to stare. I can't help it- I just gaze with intensity. The other day, I rode my bike to the train station... I was in the bathroom, just looking at myself in the mirror..." -Monokuma Theatre, THH

Despite these hints, the characters don't know who the mastermind is yet, only being able to reason at her motivations for the killing game and why it came to be based off of what clues Monokuma leaves out for them, like how the main track that plays when interacting with Monokuma is called '100 Mile Junk Food Dash'.

"But first, I have a question for you... Who are you? What do you want from us?" "Well, if you really must know... Despair. That's all." -Kyoko Kirigiri & Monokuma, THH

"And for those of us who represent hope to kill each other and sink into Despair... The mastermind wants the world to see that, to try and prove that Despair is better than hope." -Kyoko Kirigiri, THH

We know that whoever this mastermind piloting Monokuma is, they're someone that's engineering this entire killing game expressly to spread Despair. With the knowledge that the killing game is being televised, that Despair isn't just for the students, but is being put on display for the entire world to see. Manufacturing and televising such a sadistic game using public figureheads under governmental protection is a behavior akin to terrorism (Despairism?) and is an act that, by itself, seems nigh impossible for some high-school student to be capable of. Yet, we know it is a high-schooler- Monokuma insists that the only people involved in the killing game are the 16 students of their class.

Through the investigations of chapters 5 and 6, it becomes increasingly more apparent that whoever this SHSL Despair is, Junko has some level of involvement. For example, more observant players will recognize Mukuro's corpse almost immediately as 'Junko's' from chapter 1, as her bright red nails and the same high-heeled, red-laced boots are clearly visible. And while this doesn't immediately incriminate Junko herself, it does at least call into question the identity of the dead SHSL Despair, as the body being Mukuro's isn't ever really contested(save for a 'dumb Hiro' gag insisting it's Kyoko while standing next to Kyoko).

"And don't forget about the Fenrir tattoo. There's absolutely no mistake... Our victim in this case is, without a doubt, Mukuro Ikusaba...!" -Kyoko Kirigiri, THH

Throughout the final investigation, the player's job is to solve 'all the mysteries of the school', AKA their erased memories and the identity of the mastermind. This investigation intentionally doesn't talk about Junko, voiding her involvement to the point that her own face is scrubbed from the evidence. The hints given by Monokuma picture Junko's face covered up in every photo, and the recordings of the students agreeing to live in the school is cut off before it can cycle over to her. It's not her presence that matters, it's the lack of presence, because we haven't actually met her yet, juxtaposed to the repeated mentions of Mukuro, a girl who'd been a part of the group since the very beginning without anyone realizing.

When we do realize this, it comes with the realization that Mukuro's and 'Junko's' body were one and the same, and with Kyoko's old pocketbook revealing that "Despair walks among us, and so we survive... There's a second 'Despair'", we can come to the conclusion that the reason the mastermind was able to pull this off was because there was actually more than one, working in sync, and thus, the reason both bodies were one was because they were the SHSL Despair together.

Part 4- The Despair Sisters: Mutual Abuse (CW: Incest)

Despite the fact Junko was the brains behind the operation, there was never really a time where she was working alone towards Despair. She was actually one of two Ultimate Despair- as she called them, the Despair Sisters. Her twin sister, Mukuro Ikusaba, was Ultimate Despair as well, and assisted her every step of the way.

In her first appearance, we don't actually get to know anything about her, as she spends her time with the class pretending to be Junko. As such, any and all information gathered on Mukuro is given by someone else- official school records state her title and physical attributes, and Junko tells us her role as Ultimate Despair and goes on about her flaws.

"She had what I call the 'three atrocities'- atrociously rank, atrociously filthy, atrociously repulsive. It was atrociously clear just how out of touch she was with the rest of society." -Junko Enoshima, THH

"The older sister, tough and proud, that was Mukuro. The younger sister, smart and cute, that was... Hyaaaahaha! Me! Junko fucking Enoshima! And together, we were the Despair Sisters! AKA, the Ultimate Despair!" -Junko Enoshima, THH

Mukuro reappears as herself in DR 0 and DR3's Despair Arc, as well as the official AU novel DR IF. In these, we get more insight into her feelings, and see her display an overt attraction to her sister at multiple instances.

"Consumed by ecstasy, even Ikusaba-san's breath became ragged. 'Only I am able to understand her. That's why she needs me. She still hasn't realized that but, maybe she's only pretending not to realize. Ufu, that's because she's so shy. Ufufufu.' Seeing this intoxicated Ikusaba-san continue to talk like that repelled me. I knew that she definitely didn't have normal feelings for Junko Enoshima". -"Mukuro Ikusaba" & Ryoko Otonashi, DR 0

This is pretty obviously incestuous in nature. She blushes at her sister's attempts to kill her with an ice pick, has an internal dialogue about how much said attention affects her, and 'goes into ecstasy' talking about her sister's madness. It's intentionally uncomfortable because it's intentionally incestuous*. I've seen arguments for Mukuro's behaviors being out of character and only there for fanservice in the anime, but this behavior being found in DR 0 first pretty clearly contradicts that. I've also seen an argument for Mukuro's behavior being an act meant to make Junko feel Despair and not having any legitimacy. The crux of the argument comes from the assertion in DR IF that Mukuro is able to numb her emotions in battle, so therefore, she could also mimic such an attraction when around her sister. This argument quickly falls apart as well, considering that a) she has both internal and external dialogue directly referencing her attraction where Junko can't actually hear her, and b) going numb in the heat of battle is not at all the same thing as faking sexual desire outright.

*(Mukuro being incestuous is immediately relevant to the way the Despair Sisters interact with each other, and understanding that I'm talking about their relationship under the lens that she is will hopefully prevent questions about why I'm talking about them as I am throughout the analysis, particularly when she pops up in other sections here and there later. Please do not go into the replies or reblogs and explain to me why I'm wrong; you are not going to change my mind. Believe it or not, I don't like Despaircest either, but that doesn't mean Mukuro's behavior in canon is some accident to be shrugged off. These are meant to be OBJECTIVE analyses. I'm going to look at what the games and novels and anime are presenting, whether I actually like all the points or not.)

Junko Enoshima yearns for Despair. Despair is her reason for being, and everything she does, she does with the intent of eventually bringing Despair upon herself. That pain of Despair is the strongest feeling in the world to her. And the way she treats Mukuro directly stems from that desire. Despair stems from grief, and what brings more grief then the people you love most despising you? Mukuro is her twin sister, who stands by her no matter what. Junko even tests this, having her kill an entire class of students to prove her strength and loyalty in manga series Killer Killer(though, admittedly, Killer Killer hasn't been confirmed as canon to my knowledge, it still aligns with what we know for both characters without altering anything about their characterization).

Mukuro is capable- very capable, and definitely has the ability to betray her, or even kill her if she wanted to. So at every turn, she treats Mukuro like garbage, actively trying to kill her with an ice pick when they first reunite and talking down to her at every opportunity. She describes her sister as fat, flat-chested, ugly, stupid, a pervert, any insult she can think of. She critiques her murders, chastising her when she kills the guards in Despair Arc while looking for Izuru for not doing a clean enough kill. But despite all this, Mukuro never strays from Junko's side. She continues to fawn over her, not just taking all the abuse, but displaying an attraction to her Despairing nature, and refuses to leave her side, the exact opposite reaction of what Junko wants to see from her.

"'Yes, she really is ridiculous…to the point of Despair, she's the lowest, worst sister ever but…that's why I can't leave her alone. That's why I have to help her. After all, I'm the only one who can understand her.'" -Mukuro Ikusaba, DR 0

This kind of loyalty isn't Despair-inducing at all; that dedication is exactly what she predicted from her obsession. What Junko actually wanted from her, we get a brief taste of when she speaks in the final trial of THH- "Because naturally, she turned out to be the letdown of the family. Leaving me behind to run off and join some band of mercenaries... Such a disappointment." The Despair of abandonment, of betrayal, was what she wanted. But Mukuro is too loyal for her own good. That's just annoying.

Mukuro is emotionally abusive, or would be if her sister were anyone but Junko, lusting after her own blood sister in a way that's considered taboo and perverse. This lust develops from an obsessive need to stay loyal to her sister, while Junko verbally abuses her right back, talking down to her and keeping her under her heel, mocking her at all available opportunities and treating her in a way that would make anyone else feel like shit. Not so for Mukuro, the person who's been next to her since birth and has stood by her side through all her Despair. They abuse each other, but there's an unspoken bond that allows for their relationship to function regardless, albeit in a twisted way. They're sisters, equally matched, and together, they become two halves of a whole terrorist. Despair is toxic for anybody, and Junko's own affliction leads Mukuro's obsessiveness to chain herself to Junko's side. They're twins who were born together, after all, and who else could even begin to understand Junko's Despair?

4.1- Despaircest & Anime (CW: Still Incest)

We've seen the relationship that Mukuro and Junko have with each other, both as it was alluded to in earlier depictions and how they interact with each other immediately in the anime. And, despite the fact that it wasn't directly shown to us before said anime, there were hints of the intention of a one-sided incest in DR 0, as well as repeated examples of Junko treating her sister poorly on a surface level and how much she actually valued her within THH and DR IF. Going into the anime, this would be the first time we'd actually see Junko and Mukuro interacting directly with each other as themselves. This could have been the time where we get to see just how twisted their relationship actually is, getting to see how, and maybe even why, they began treating each other in this way. We could've gotten more of a glimpse into their backstory, when they separated, and the inherently self-destructive cycle they pull each other into. Here's what we got instead:

Rather than actually explore the real depth of their fucked up relationship, the anime elects to play it up for the sake of fanservice. This is admittedly an ongoing problem in most of DR3, as it throws most of its female characters into very compromising positions and focuses in on their bodies when they're being brutalized in one way or another and not doing the same for the men, but that only makes this lack of tact worse. There's no interest in actually addressing this darker plot point beyond the most basic surface level because to go any deeper would make it more difficult to get your rocks off to it. It's a shame to create such a conceptually fascinating relationship that would've made for a fantastic way to develop Mukuro as a villain more and Junko as a human more, and just use it for cheap servicy gags. I feel like it isn't an unreasonable statement to say that this was lazy. Danganronpa is supposed to be a series that explores dark topics and uses them to create tragedy and develop its characters. In the face of that, this was cheap.

Hell, this very scene says it itself: they're using Despair to create a fucked up pleasure for the viewer! The incest being played up for fanservice instead of acknowledging Mukuro as a character is, from a meta perspective, Despair-inducing. To the writers and to Mukuro, Mukuro doesn't matter outside of Junko. Her suffering is pleasurable to the audience in a way that's outside of social acceptability, in the way she needed to be used for so long just to exist. BUT WE ALREADY KNEW THAT. We didn't need to boil Mukuro down to an extension of Junko; Mukuro already did that to herself. Maybe this is just me complaining because it's not what I wanted to see from this plotline; I'm not ashamed to admit that. I think being able to acknowledge your biases as a consumer is important when critically looking at a piece of media. But I stand by my assertion that the presentation of this point is sloppy and surface-level, and should've been handled with more tact.

Part 5- The Murder of Mukuro Ikusaba

Junko treats her sister like trash, but despite this, we know that she does respect her. In fact, she has to consider Mukuro as an equal, because if she didn't, she wouldn't hold her as equal parts Despair as herself. Yet, when she reveals herself at the end of THH, she affirms that they were equals- both the Despair Sisters, who worked together("We were the Ultimate Despair, ya know?"), and in the same breath, describes her atrocities and mocks her memory as a disappointment. She sees Mukuro as not just a person, but a legitimate danger and a harbringer of Despair that's worth recognizing. Thus, as a sister, it causes her Despair to prevent anyone else from seeing that and paints Mukuro as just another victim of hers("She was nothing more than a bit player, an extra unworthy of lines."). Playing up her betrayal of Mukuro and her supposed disdain for her sister strips her of her agency as Ultimate Despair to their classmates, without letting them see her true self either. She becomes just another faceless victim, and Junko holds the memory of the true Mukuro Ikusaba, merciless killer and all, wholly to herself.

In the au light novel DR IF, Makoto remembers Mukuro, and inadvertently saves her from this fate. This leads the rest of the LN to focus on Mukuro and her relationship with Junko from her perspective as she copes with the reality that her sister betrayed her. It differentiates herself from Despair, and from her POV, we learn how she thought Junko felt vs how she actually did. Junko lives her life hopelessly- she's too smart for her own good, and can predict the moves of society and of the people around her. Mukuro believed she was the only one who fully understood Junko, so she acted perfectly in accordance with her plans, never once rebelling or going against her. She tries to convince herself to crave her sister's Despair so she would feel Despair from that desire, so she can remain close to her. But that wasn't the Despair Junko wanted. All along, what Junko wanted was for Mukuro to betray her because of her love for her. Without Mukuro, her plans would fall apart. She wouldn't be able to break into Hope's Peak as she did, nor would she be able to protect herself when attacked. Mukuro was what allowed her to gather as much power as she did over Hope's Peak, infiltrating and gathering blackmail, kidnapping chairmen, and so on. Mukuro was the brawn to Junko's brain. So the one thing that could destroy her plans, and bring her a Despair greater than any other, would be if her other half abandoned her. In DR IF, she learns this as Junko finally tells her that she loves her to her face. She breaks Mukuro's chains, and sets her free from her Despair to heal without her by rejecting her help, in a roundabout, Junko-esque way. In canon, though, Mukuro doesn't get to have that realization. She doesn't have the emotional intelligence to put those pieces together herself, and tired of waiting, tired of hoping, Junko gives herself an alternate Despair- the Despair of killing her own sister in cold blood.

The identity and death of Mukuro exist to keep the identity of the mastermind shrouded in mystery. Within THH, she's someone who's important from a narrative perspective- not as a person, but as an entity- designed to facilitate the reveal of the real Junko. Her murder is thus a murder of both her literally, and the murder of her personhood, as Mukuro is the one character that never gets to introduce herself. Junko makes it so, and wipes the memories of the class so that Mukuro Ikusaba will no longer exist outside of herself.

We're introduced to Mukuro not as Mukuro, but as Junko, wearing a wig and costume to appear as similar to her well-known sister as possible, and acting out her sister's fashion diva personality as convincingly as possible. It's tropey and typical of a fashionista- she cares about her looks a little too much during a killing game, acts like she's above the killing game and wants out of it, and explains away any imperfections as 'oh you haven't heard of photoshop before?'

There's no reason not to trust her at that point because no one thinks they've met her before. In DR IF, Makoto is able to recognize her through the outfit and charade, but that's only with his memories intact. Those memories have been thoroughly covered up by Junko in reality, and so the Mukuro Ikusaba she knows dies invisibly, betrayed and unrecognized as her classmates and friends mourn her killer instead. Junko gives her sister the worst Despair of all- being truly forgotten. After this, no one would remember who she was ever again, locked away in the mind of the person who'd never show her affection.

Not only that, Junko killing Mukuro and emphasizing how little she cared about that decision served to make the survivors hate her- her old friends now despised even looking at her, and brought her more Despair.

"Which is precisely why I killed her- to meet everyone's expectations." "That... can't be your only reason, can it?" "Well no, of course not. I also did it to avoid becoming bored." -Junko Enoshima & Makoto Naegi, THH

Despite that, being the one to kill Mukuro brings her a Despair like no other, with her describing it as "super super super super super Despair. No, more than that... Super super super super super super super super super super super super super super super Despair... It just feels... so... good..."

Junko did love her sister, and made everyone else she loved believe otherwise so she could feed off the Despair from their hatred.

Part 6- Ultimate Despair and Junko Enoshima

"The Ultimate Despair... A group of people who caused the Tragedy one year ago... Those same people put together this killing game and began broadcasting it around the entire world. The most desperately awful group of people ever... *That* is the mastermind's true identity." -Makoto Naegi, THH

Make no mistake- despite what the surface level of the series would have you believe, Junko Enoshima isn't the Ultimate Despair. There is no the Ultimate Despair because Despair isn't confined to any one person. Rather, Junko Enoshima is afflicted with Ultimate Despair. Despair, by nature, is grief. It's a pain inflicted by the death of hope, whether that be through the loss of a dream, a person, or whatever else. You grieve that loss, and it takes the form of Despair. Ultimate Despair takes that grief and amplifies it, destroying any sense of self and replacing it with the desire for more Despair. This is the type of Despair that Junko Enoshima feels, and thus, uses her own talents to embody it and spread it. It's a bold claim to make, I realize, that she isn't the SHSL Despair she defines herself as, but it's the basis this entire analysis leads to, and as the evidence over the course of the series develops her character more and more, it goes from some theoretical musing to legitimate design, all the way through to the end of V3. Though she immerses herself within Ultimate Despair, she herself is not Despair incarnate like she'd have you believe.

As we see her in THH, Junko is repeatedly hammered in as 'one of two' by the narrative. It's not just Junko that's formed Ultimate Despair; it's also Mukuro, and they're not referred to as 'Ultimate Despair and her sister', they're 'the Despair Sisters'. For all her charisma she displays, she alone isn't responsible for the Tragedy. Everyone is capable of feeling Despair. It's that foothold Despair has within her that creates an 'Ultimate Despair'. And while yes, Junko was definitely the most afflicted with Ultimate Despair, she didn't get as far as she did just by being horny for grief. She has a title, a real one, and it's not SHSL Gyaru. That was her cover, something she could use thanks to her real talent. Her real talent was only ever known by a select few, and to know what that is, you have to dive into the (criminally underrated, may I add) 2-volume novel set, Danganronpa 0.

Part 7- Ryoko Otonashi (DR 0)

(Little disclaimer here: Before I actually talk about the novel, I did want to quickly assert that DR 0 is both a mainline release to the Danganronpa series and 100% canon. Written and released by series creator Kazutaka Kodaka himself in 2011, it was written specifically to fill out Junko's character more. As such, everything contained within them are unquestionably canon to the world and its characters, something critically important to understand when talking about how it pertains to Junko Enoshima. I think just about anyone who's read DR 0 before knows all this already, but for the sake of anyone reading this who hasn't, I wanted to assert that.)

Ryoko Otonashi is the protagonist of DR 0, and is introduced to us as an audience in a 1st-person perspective. While she isn't the only character we follow in this series, she's the only one to speak to the reader straight-up, introducing herself and reacting immediately to the people and events in front of her. This is for good reason, as Ryoko is suffering from some form of amnesia. Not only does she not remember anything about her childhood or her identity, she also forgets things as they're happening. She can't even remember her name, and is only able to recall it by reading the cover of her notebook- 'Ryoko Otonashi's Memory Notebook,' where she's writing down everything in front of her as it happens so she can try to remember later.

Most of the story is told through Ryoko's perspective as she tries to avoid being caught up in some massive conspiracy within the school- all without actually remembering the conspiracy she's avoiding. Junko Enoshima is the one responsible for this, directing her from place to place and slowly forcing her to confront the conspiracy as she starts to figure out who she is and how she fits into it all. She insists over and over again that it has nothing to do with her, that she's innocent and has never met any of these people before and desperately tries to believe it- her memory is gone, therefore she could not be responsible.

But she is responsible, because she's not Ryoko Otonashi. Her real name is Junko Enoshima, and she's the SHSL Analyst, a girl with such a strong logical capacity that given enough information, she can perfectly understand and predict anything. This could be the actions and personality of a person, or it could be upcoming trends in fashion; whatever it may be, Junko is capable of perfectly analyzing and understanding what will happen in any given situation, long before the world does. And that type of intelligence has rotted away her mind.

Simply put, the human brain requires stimulation. Boredom is her opponent, and in a world where she can fully understand and predict anything at any time, Junko has nothing to stimulate her, and almost nothing can bring her any joy, because she fully anticipates it. Everything is normal, predictable, boring- it's left her with a case of intense anhedonia. Therefore, the only way she could find any happiness is in a world where that talent is stripped away from her. As Ryoko Otonashi, a girl with no memory, she can remember nothing and therefore predict nothing. Analysis requires data, and a blank slate offers none. Even her name is in reference to this, as 'Otonashii' translates to English as 'no sound' or 'quiet'. Only without memory can Junko's mind be silent and let her be genuinely happy.

Ryoko Otonashi is essentially a personality created by Junko as a test, not just for the people around her, but also for herself. Throughout the novel, Mukuro and Yasuke interact with her with opposing goals- Mukuro pushes her into the fray of Despair she's created, while Yasuke tries his best to keep her eyes and ears covered. Ryoko is in a unique position between the two- she's starting to remember and understand herself again, but is terrified of what she'll find, and wants to hold onto her peace with Yasuke. The ongoing question of the novel, which only reveals itself on a reread, isn't within Ryoko's identity itself. It asks the question of whether or not Junko could have been saved from Despair. And the answer, sadly, is no. Remembering anything for too long makes her forget her happiness, and she falls back into Despair, killing Ryoko Otonashi, the epitome of her peace, with her own hands.

Mukuro and Yasuke act as opposing forces within the novel, as both feel a loyalty to Junko that makes them act in what they believe to be her benefit, and both fail. Mukuro drags her kicking and screaming back into the depths of Despair to bring back the madness she sees Junko as, while Yasuke wipes her mind of everything that made her Junko to remove what plagued her. For Junko, balance isn't an option, and the people within her orbit fall victim to that same mentality.

7.1- Personality Disorders In Danganronpa

I'm not a psychologist, nor do I have any sort of split personality(DID, OSDD, etc). So my knowledge on the subject isn't that great, and everything said within this section should be taken with a grain of salt. But, to the best that I can tell, Ryoko's existence as an alter is sort of... mixed up. Other characters in the DR series (Toko & Genocider) make it pretty clear that Kodaka doesn't really have a fantastic understanding of people with DID outside of how they're stereotyped in the horror genre. And that background knowledge, combined with the presentation of Ryoko in DR 0, makes me think she was likely intended to be an alter, but as one that Junko had almost absolute control over, as at multiple instances, she was able to knock Ryoko out at will, and fully killed her once she'd outlived her usefulness for the experiment. There are parallels to Jekyll and Hyde in that aspect, though of course Jekyll was aware of also being Hyde- an alternate version of yourself created to rid yourself of everything about yourself that you despise is very reminiscent of Jekyll's motivations, down to the permanent erasure of the "good" side by the very end. It's also worth noting that Jekyll and Hyde weren't intended as an example of DID, but rather, an exploration of how every person is multifaceted with good and bad parts, even if modern day interpretations often read it as another example of the evil DID trope from 1960 and beyond(thanks a lot, Psycho).

There are several interactions between Ryoko and Junko that support them being two personalities within the same body rather than just a case of memory erasure. For example, when Ryoko is nearly killed by one of the SHSL Octuplets, Junko emerges just to make sure she isn’t killed, citing it as a minor nuisance.

“‘Upupu, I wonder if I was a bit too harsh.’ The voice said, it sounded close. ‘... But it can’t be helped. It’d just be embarrassing if you died here. After all, you’re the protagonist in this scene for once!’” -Junko Enoshima, DR 0

When Ryoko wakes up in the underground bunker of the Reserve Course cult forming, she comes across a captured member of the Steering Committee. And because she genuinely doesn't know who he is or where she is, he ends up giving her classified information that Junko needed, and the second he reveals it, she's immediately able to knock Ryoko back out and take over once again, having used the Ryoko personality as a front specifically to gain information.

“'The old school building… Kamukura Izuru’s there.' 'P-Please wait..' I ended the conversation prematurely with an interruption. Quickly, I wrote in ‘Otonashi Ryouko’s Memory Notebook’. .... But then… Huh? I suddenly felt an attack of dizziness, I struggled to stay upright. What’s happening?" -Steering Committee Member & Ryoko Otonashi, DR 0

"'Oy, did you hear me?' I didn’t. The beating in my ears was only growing louder, it completely drowned out all other sound, I couldn’t hear anything anymore. I shouldn’t be able to hear anything anymore, and yet I could hear a single, eerie laugh. '...Upupu.'" -Steering Committee Member & Ryoko Otonashi & Junko Enoshima, DR 0

Ryoko's memory of Yasuke is also contingent on whether or not Junko wants her to recognize him, suggesting that to some degree, her memory issues aren't just forcefully induced, but rather, are a conscious choice on Junko's part for Ryoko, as once Junko's plan is in place, she suddenly can't recognize him and is then forced to kill him in self-defense.

"'Are you…talking to me?' He looked exhausted. A face of someone who lost everything. The face of someone who lost all his thoughts, all his senses, and all his emotions. '…You don’t remember me?'" -Ryoko Otonashi & Yasuke Matsuda, DR 0

It's pretty unclear whether this was an intended conclusion from Ryoko's and Junko's behavior in DR 0, or if these are just remnants of Kodaka not knowing how personality disorders work and simply having Junko be so powerful that she can purposefully create, manipulate, and kill personalities at will, but I think looking at it from a more psychological viewpoint like this certainly puts Junko's actions as a manipulator into more perspective. The intention behind Ryoko suggests that Junko's manipulative abilities extended even into her own psyche, almost to a supernatural degree. Do actual systems in the real world function like this? No, but thanks to Toko/Genocider, we know that the representation of DID isn't gonna be good in this series.

If we wanted to put this into a more realistic lens, we could come to the conclusion that Junko's apparent control over Ryoko and the discrepancies behind her existence is a result of Junko having Munchausen Syndrome. Also called factitious disorder, Munchausen is a subconscious psychological condition in which the patient fakes symptoms of other kinds of conditions, whether mental or physical, without realizing they're mimicking the symptoms. Under this lens, we could say Ryoko was a factitious alter that Junko created after Yasuke wiped her memory, hence why she could have control over her over the course of the novel. This was almost definitely not the intended explanation, but it's the conclusion I came to. So there.

Part 8- Relationships

Due to just how many corners of the franchise Junko's present in, there's no convenient place to dump all the relationship analyses like I normally do. Ergo, I'll be breaking part 8 up, and will talk about the different core relationships Junko forms when they're most relevant.

8.1- Yasuke Matsuda

Yasuke Matsuda is the SHSL Neurologist, and a childhood friend of Junko's introduced in DR 0. Because he's the boy she's in love with, he remains the only tangible thing Ryoko can remember outside of her procedural memory, and is treating her memory loss. He's also the one primarily responsible for wiping her mind and assisting the school in the coverup of the student council massacre that Junko was responsible for, though he takes no pleasure in it.

"The silence continued for a while until Matsuda sighed and muttered, 'You should worry.' His voice was low and depressing. 'What if you’ll always be like this......'" -Yasuke Matsuda, DR 0

Despite his tsundere behaviors towards Ryoko whenever the two are face-to-face, he's very much in love with her, and spends the novel trying to look out for what he believes is in her best interests by methodically attempting to remove the Despair from her mind and covering up the Tragedy she's already set into motion. Throughout the novel, he works in cahoots with the Hope's Peak Academy Steering Committee to find more information about the Incident. He does this specifically to defend Ryoko and keep people from interrogating her further, and to hopefully extricate her from the whole situation permanently.

"'I said shut the fuck up.' Matsuda easily quieted the men by saying that and then he continued in a soft voice. 'People might call her an idiot, but she doesn’t even bother to stick up for herself, thinking she can’t do it. So I don’t think I’d be able to forgive myself if I don’t do it for her.'" -Yasuke Matsuda, DR 0

Though we never see it directly, we realize with the help of Kyoko that he's also the one taking the bodies of the Steering Committee and SHSL Octuplets after Mukuro kills them and disposing of them, in the hopes they won't be discovered and Junko will eventually be absolved of both suspicion and Despair.

“Finally she looked at me. ..... ‘The dead body, the body that was dead. There was a post-death body here before!’ ‘Huh?’ .....  ‘There’s not mistake, I know there was definitely a corpse here before!’” -Ryoko Otonashi & Mukuro Ikusaba, DR 0

“Matsuda-kun’s voice was definitely coming from beneath me. There’s no mistaking he was under the bed. ‘But... what would require so much concentration to be under the bed?’ ‘This situation.’ Somehow, Matsuda-kun’s way of putting it could allure to several different meanings.” -Yasuke Matsuda & Ryoko Otonashi, DR 0

"I stood next to the girl, crouched down and peeked under the bed. At the back I could see a large opening, .... 'It’s not a terribly impressive hidden room… a storage room at best.' '…A storage room?' 'For hiding dead bodies.'” -Ryoko Otonashi & Kyoko Kirigiri, DR 0

But despite his best efforts, Junko's talents of analysis were just too great, and she'd already come up with a plan to send her back into Despair before he ever touched her mind. With the help of Mukuro and the growing underground Reserve Course cult of Despair, Ryoko is forced to face Despair after Despair, and is hunted for her involvement in the student council massacre. Junko confronts him and taunts him for his failure, leaving him to wallow.

"'I get it, you feel sorry for her… even so, you’re troubled. You’re incredibly troubled. That’s what it seems like after what I’ve been hearing…'” -Junko Enoshima, DR 0

“'You know, in this scenario, only you can make the choice, Matsuda-kun. So think carefully, worry about it, and choose the choice you think it best. Hope or despair… the choices are so diverse and yet, surprisingly, intricately connected. Anyway, have a good think about it…'" -Junko Enoshima, DR 0

In one final attempt to see if he can salvage her, he approaches Ryoko outside of his lab, pretending as if he's Izuru Kamukura, and questions her. She doesn't recognize him, and he, too, falls into Despair, finally accepting that despite his feelings, he was a pawn to Junko's game, and tries to kill her, sending Ryoko towards Despair as she realizes who she's speaking to and can't convince him she loves him anymore. Defending herself, she ends up stabbing him, sending herself spiraling as she becomes her lover's killer, and Junko reemerges from her mind, killing her off in front of him and forcing him to die in Despair.

He dies believing Junko never actually loved him. He becomes thoroughly convinced that she was pretending, and that Ryoko was nothing more than a part of the game to send him into Despair. And that perception of Junko combined with her causing his death brings Junko an indescribable Despair. The man she loved died by her hands, hating her existence. Truly, this was Despair!

"'I was right, wasn't I? About you remembering? That's why you can't remember me? You remembered that I wasn’t a particularly important person to you…so that's why you can't remember?' Kamukura then revealed his eyes, their glint was tainted with deadly hatred. '…You're such a bitch.'" -Yasuke Matsuda, DR 0

"'There's no way this would have nothing to do with me…' There was a hint of sadness laid somewhere in that murmuring voice. 'After all…you were the most important person to me of all…' Those were her true feelings. Yasuke Matsuda was an especially important existence for Junko Enoshima." -Junko Enoshima, DR 0

She loved Yasuke intensely. She cared about him moreso than anyone else, save Mukuro. And yet, despite how attached he was to her, Yasuke couldn't realize in his own Despair that there'd be no reason for someone like Junko to bother dragging herself through so much mental torment and manipulation at his expense if she wouldn't get a magnificent Despair out of it. Yes, she causes Despair for others, but she doesn't throw herself directly into the fray unless she gets something out of it. Despite loving her, he never actually understood her. That truth, too, would bring her Despair.

Part 9- How Junko Shaped the Game

Turning back towards THH, Junko's reveal shakes the class. Most of them believed that finding the mastermind and forcing them to show their face would end the game. But that's not the case for Junko Enoshima. She's not through with them yet, and takes the opportunity to rub everything they've lost in their faces.

"Puhuhuhu... Did you really think the story would end once we reached the climax of the case? Wrong! There's still plenty more to go!" -Monokuma, THH

Throughout all of THH, Junko's plan is hinged on Despair, and thus, she takes her class, which had become close friends and confidants over the past two years of their lives, and attacks what would bring them the worst Despairs possible for each. Her talents as SHSL Analyst allowed her to analyze her own classmates and tear at what would've made their 16-to-20 year old selves when they first met snap. And each one of the motives she used was designed specifically for that, something she makes sure to cite when taunting them ("Did you notice that each motive I presented you had a specific theme to it?")

The first motive's theme was 'human connections', and everything surrounding the first chapter reflects this. Sayaka's motive wasn't just about her career. It was about the family she'd found and not letting down the people who loved her. And on a meta perspective, the first chapter was also about relationships, specifically that between Sayaka and Makoto and how that relationship's end motivated Makoto to eventually become SHSL Hope, and to a lesser degree, starting the development of the critical relationship between Hina and Sakura.

The second motive's theme was 'the past', something the 2nd chapter very much reflects. The secrets that Junko uses against the class are extremely personal to each of their histories, and can be used to twist each of them to head towards Despair, whether that be through their own hand or their own poor judgements of the people around them from their lack of memories. Mondo's secret isn't just tragic; Junko purposefully warps it in his letter to affirm his own belief that Daiya's death was murder and not just an accident, and because no one knows its contents, it sends him into a spiral. The same can be said for Chihiro, whose secret implies that their gender presentation is a lie, forcing them into a conformatory decision that leads to tragedy. Her classmates' memories of the past are presented in a warped way to suit Junko's needs. Toko's secret of having DID and a serial killer alter, Genocider Syo, is also revealed and used to develop her more as a character when she's the one most afraid of opening up to the class.

The third motive's theme is 'greed', using the promise of wealth to lure Celeste to murder. Even if you could argue other characters within the class could have fallen victim to the first two motives, this one is undoubtedly meant to target the Yasuhiros on Junko's part, as realistically, no one else in their class has any reason to even consider killing for money by itself, especially not when there's already been two class trials. The Yasuhiros are the only ones who consider themselves to be in any level of financial need. This theme is also meta-reflected by the possessive nature Kiyondo and Hifumi both develop over Alter Ego. Because neither of them can keep themselves away from them, they became easily manipulated, and it became harder for the rest of the class to obtain information and watch out for each other, forming a tunnel vision towards Alter Ego in their minds. This contrasts Celeste and Hiro greatly as well- Celeste is consumed by her own greed, while Hiro doesn't even consider killing for the money, opting instead to try and look out for the class and develop him as a survivor. Hiro's the one that looks out for Taka and calls out Hifumi on his obsession; Hiro's lured into Celeste's trap by promise of a way to save everyone, while Celeste rejects her class in favor of fighting for a selfish dream she didn't even need.

The 4th motive is that of 'betrayal', and this one is where the cracks in Junko's plan finally reveal themselves. Each and every trial before this one ended in tears and Despair, and a sense of hopelessness that wasn't alleviated until they were given new distractions. Sakura's betrayal is meant to mirror Junko's own betrayal of her classmates, and when half the class instantly turns on her, things go exactly as Junko plans. Sakura swears to destroy Junko by any means necessary, and takes her own life in an attempt to take the fun from Junko. With Monokuma's meddling, Hina is instead pushed into attempting a murder-suicide, one she's caught for by Kyoko and Makoto. But once the truth comes out, Sakura and Hina aren't condemned. Those that attacked her end up defending her. Sakura doesn't betray her class; Sakura betrays Junko, and it puts her on the path to failure. Junko even admits to this, though indirectly: "Once I revealed Sakura's betrayal, that led to everything that came afterwards..." Note this is the only time where she doesn't expressly explain to the survivors why her motive was successful, because in this instance, it wasn't. It also fills out Hina as a character and uses her arc of an attempted self-destruction to contrast Junko, as Hina let herself be forgiven by her classmates, something Junko could never let herself do.

Part 10- Self-Destruction (Junko vs Sakura)

Despite the fact that Makoto is the character christened as SHSL Hope at the end of THH, there are a lot more parallels between Junko's self-destructive nature and Sakura's self-sacrifice that often go unnoticed, and these parallels are quintessential to the overarching narrative of THH and why Junko functioned as its villain.

Both Sakura and Junko do the things they do because they love the people around them. Both Sakura and Junko find themselves to fall short of who they'd rather be. Both Sakura and Junko kill themselves. But their goals are fundamentally, diametrically opposed.

Sakura Ogami, as a martial artist, is a woman of honor and principles. She believes in the inherent worth of the people around her because of this, and strives to become the strongest person alive not because it's a desire of her own, but because that's the destination the people who loved her had in mind for her(her father, Kenshiro, etc). And therefore, she's someone who fundamentally wishes to act in the best interests of the people she loves, even when it's at her own detriment.

Junko Enoshima, as a hyperintelligent analyst, is able to predict anything. And because she can predict anything, she can enjoy nothing, because she always knows what will happen before it gets there. Ergo, the only way she can enjoy herself is via the only thing that can make her feel- Despair. Grief and pain still feel like something in a world where she can't be pleasantly surprised by anything. She despises herself for it, and so in order to feel, she decimates anything that brings her joy. Joy is boring; joy is nothing; joy is just part of the default setting because she still sees it coming. And therefore, she's someone who fundamentally acts in the worst interests of those she loves, for the sake of her own detriment.

When Sakura kills herself, and Hina is filled with Despair, Junko wants to revel in the Despair this brings everyone else. Sakura killed herself for people that weren't giving her the time of day, and the one person who gave a crap tried to kill you all! Isn't it so tragic, so Despair-inducing, don't you just want to break down and crumble?! And then they don't. Instead, after hearing the truth of Sakura's actions, the entire rest of the class is uplifted and united by her honor. Even Byakuya is feeling hopeful now! What the actual fuck is happening?! Is this how they'll feel when I die, too? Will my death bring no Despair?

8.2- Class 78-B

We never get to actually see any of her classmates interacting directly with her in their school days, or in any way that was positive. Outside of THH's and SDR2's final trials, we as an audience don't get to see them interact as friends. So we have to draw these conclusions from what little context we were given within her dialogue in these few rare moments in THH and the mentions of her class in DR 0.

"There was a tap inside [Junko's] skull, like someone pressed a switch and slowly her entire brain lit up with a notion. Several faces appeared. Of course, they were faces she knew… they were the faces of her Hope’s Peak Academy classmates." -DR 0

Without any doubt, Junko loved her classmates. They were people she considered in high regard and had unwittingly fallen for their unique charms. While Junko had come to Hope's Peak with the intention of causing Despair, she'd accidentally found people that made her happy. When entering the school, she intended to use the people around her to damage the school of Hope's reputation, but inadvertently became attached: "Once your school life here began, I thought about you constantly. It's only natural that I would... fall in love." This made for a fantastic happy accident for Junko, as finding something beloved made for a much more fantastic Despair for her later.

"Remembering the faces of the people who would bring her such despair, she felt something that was similar to a person in love, and she danced to the rhythm of Despair. 'This is it! This is a fantastic despair!'" -Junko Enoshima, DR 0

We can also reasonably assume Junko was someone her classmates had considered dear to them in turn, as she not only knew how to motivate their past selves into murder, but also their deepest secrets and fears, and was able to attack their relationships when they themselves couldn't even remember them. Could you handwave that level of connection with her SHSL Analyst talent? Actually, no, because as stated previously, analysis requires data. And the only way she could gather enough data to understand them at a depth that let her plan her killing game to perfection was by getting to know them firsthand.

There's also a strange implication within Junko's explanation of how she put the killing game together that I think gets often overlooked. When she prepares to infodump to the remaining survivors, she says this:

"So since I love you guys so much, I'll tell you all about it! All about the idea we came up with as the Ultimate Despair- our plan to bring Despair to all mankind!"

It's an interesting choice of pronoun, to say the least. "We." It implies that the group she's referring to when she speaks is herself and the people she's speaking to at this moment in time. Could she just be switching gears and talking about Mukuro, and later, the RoD, Kamakura, the WoH, etc? Yeah, absolutely. But none of these characters had even been mentioned, whereas she was just speaking on her love for her classmates in the dialogue prior and continues to talk about her classmates after.

In listening to Junko's explanation of how she put the killing game together, it made me come to a pretty disturbing realization. One of the biggest things about Junko is how she's always able to seemingly pull together everything to form this killing game almost entirely by herself. Later installments to the series include some level of explanations- Towa Group becoming a financial and robotic sponsor, a SHSL Mechanic that could've made the executions, etc- but her success within the killing game hinges fully on her knowing how to best bring her classmates to Despair. And she's not just an analyst; Junko is a master manipulator. Throughout her entire explanation of how she created the killing game, she never says she threw them into the killing game against their will. Instead, she very deliberately calls attention to her classmates' choice in the matter, over and over again. They chose to enter the shelter, they chose to lock the doors and cover the windows, they chose to be there with the SHSL Despair, though they didn't know who they were with at the time. Makoto is the one to assert that they did so because they believed in the hope of survivng, and giving the world a fresh start. But it's not just their year's worth of fun school classes missing from their memories. There's also a year of hopelessness within the school erased, too. Combine this with a few well-placed lines from Junko.

"You see, by taking away your memories, I gave you hope."

"You absorbed all that Despair, but then you forgot it all."

"Despair is contagious, you know. It's almost like... a natural phenomenon."

"Once you'd finished building your little shelter, it was time for me and Mukuro to get to work. And thus began the killing game!"

If Junko is making the claim that she was able to give them hope by removing their memories, that meant none of them had any to begin with. She emphasizes how much Despair her classmates absorbed, and even Kyoko herself states that it's impossible for all this to have been put together by just the Despair Sisters. If an additional year of hopelessness waiting around within the school were also erased, and Junko is intentionally avoiding saying she started the killing game herself, is it beyond reason to suggest that at least some of the 78th class had fallen to Despair in that timeframe? Look at the survivors that are left- Byakuya, Toko, Syo, Hina, Hiro. All characters that Do Not Like each other by this point. Most of the meaningful connections between the classmates have been murdered. Their past is scrubbed away. They've basically all betrayed each other at least once by now, and have been pushed to the brink of Despair. If you got a collection of THH characters most likely to fall to Despair, it'd be this group.

Junko even takes a point to emphasize just how Despair-inducing the truth can become, targeting Kyoko directly with this. As Kyoko comes to the realization the Junko purposefully designed the game with the possibility of being caught, she revels in Kyoko's Despair. She taunts her with the fact that their solving the mystery only made things worse. She is purposefully trying to drive the rest of her surviving classmates into SHSL Despair alongside her. She's manipulated the game and her classmates to get what she wants- the people she loves slaughtered, the survivors joining her in Despair, the world reborn by her hands. She quite likely manipulated her classmates into plotting each other's deaths not only inside the game, but in preparation for it as well.

Out of all her classmates, there was only really one you could argue wasn't perfectly analyzed and manipulated. One stood out among the rest as the unknown variable- a concept otherwise foreign to Junko- that was able to act as a wrench in her plans. And this, too, could cause her Despair.

8.3- Makoto Naegi (Hope vs Despair)

Makoto Naegi's SHSL Luck, AKA SHSL Hope, is the one who takes down Junko Enoshima's SHSL Despair. But why and how was this possible, and what does that mean for the relationship that he and Junko had prior to the game? If I wanted to fully delve into their relationship specifically, I'd need to really tear into Makoto's character, and I don't really have the time for that today(again, still hoping to get this out before 2025), so we'll just do the best we can based off the scenes they've had together and what we know about Junko to put the pieces together thematically.

Makoto is an average guy in just about every sense of the word. He likes average things, he looks plain, he's chosen randomly by lottery instead of earning his place in the school, he doesn't have any noticeable traits or beliefs- at least, not at first.

"But you know, if I had any one kind of strong point, so to speak, I'd say I'm a little more gung-ho than other people." -Makoto Naegi, THH prologue

By his own admission, he has a grand total of two character traits- abnormal normalcy, and enthusiasm. He's optimistic, and that's kind of it. By all intents and purposes, he's the SHSL Joe Schmoe, and that should make him another blank canvas on the wall of pawns Junko can knock over whenever she gets a little bored. And yet, SHSL Joe Schmoe is the one directly responsible for Junko's failure, and the one person who, by her own admission, she cannot predict. So why and how exactly is that?

I recall reading a story about a coding competition, where coders were meant to design an AI for a gambling competition. One entry proceeded to make an AI that would go all in every single time it was its turn, and the simplicity of it was so intimidating that it broke every other AI that was in the competition. That mentality is the exact strategy Makoto unintentionally employs. He doesn't have any strong sense of self or moral complexities; he's a dude that exists, and he throws everything he is into everything he does. He's an optimist to the highest possible sense. He leaves his door unlocked even after 4 murder cases and a break-in. He refuses to fathom anything but the best possible outcome, and so he's able to combat Junko's total Despair with pure hope. Makoto's head is so completely simple and empty that it acts as the exact opposite to Junko's highly intelligent, analytical mind. When she tries to force-feed him Despair in the final trial, he hits her with the power of 'nuh-uh,' and it works. It's that emptiness that fascinates Junko, and makes him and his random chance luck unpredictable to her.

Part 11- "Defeating" Despair

When Junko loses, it's not just because she failed to convince the others of Despair, or that Makoto's hope was just naturally the stronger conviction of the two. Rather, Junko's loss can be attributed to her own conscious choice to lose. Even if we're looking solely at THH, this is the case. And the source is found in a single line.

If her conviction to win in this moment was absolute to the point where only one person had to vote for Despair, she just had to include herself in the votes. After all, she is one of the 16 students participating, and by all accounts, she should receive a vote for this trial. But she casually refuses, instead leaving it in the hands of the survivors to make the final call. And that in and of itself is indicative of Junko's desires. When faced with a situation she can easily control, she leaves it to fate to decide, allowing that glimmer of unpredictability to take over and surprise her. She'll always believe in the Despair she's dedicated herself to; it doesn't actually matter who wins here. What matters is that she feels Despair. Either Makoto succeeds in convincing his classmates of hope and kills her, ruining all her plans, or he fails, and she exterminates the one unpredictable person in her life and locks herself out of that rush of adrenaline for the rest of her life. Either ending would fill her with Despair, and in that sense, there is no way for her to lose. She won the killing game, whether the survivors realized it or not, because she succeeded in destroying herself. She built herself a Saw trap, and her loved ones set it off.

Part 12- Execution Analysis

Junko is the only character to walk willingly into her execution, even being the one to hit the red button to start up the punishment rather than having Monokuma do it. You can first attribute this to her no longer being in the control room to pilot Monokuma to do so, which is true, but it's also representative of her desire for self-inflicted Despair. Her eyes are swirling with Despair and she goes on about how good it feels, how everyone should die in such Despair, how this punishment is 'extra special', because it's one she brought on herself. After methodically destroying the most important relationships of her life one by one, she'd now be killed by her friends in a series of recycled contraptions in an 'Ultimate Punishment'.

As she goes through each step of the execution, we see her bearing a wide grin, flying through the machinery that'd killed every one of her executed friends over and over again. She hits every baseball, handles the Cage of Death with ease, calmly survives the firetruck, and bobs her head with the excavator. She doesn't struggle, not once, and this is because in prolonging her Despair, her SHSL Analyst talent is keeping her alive. She's watched every one of these executions, and thus, knows how to survive them all. It's not just a retrospect of every prior execution as a callback for the audience; it means something. With a punishment meant to bring the character's worst ironic death via their most hated parts of themselves, then of course Junko's analytic abilities are keeping her alive through everyone else's Despair.

The execution ends with the return of the After-School Lesson, and this is the one that finally kills her, because it's the only one in which she doesn't know how it ends. Makoto's execution was tampered with by Alter Ego, so there's no way to know if she'll actually die or not. Junko can't know if it still works or not. Junko doesn't know whether she'll live or die, and that's what makes it so exciting. She's driven to the edge of death and left to sit there for a moment too long, long enough for the Despair to be replaced with disappointment- only to kill her right when her Despair abandons her. She stops smiling, looks up at the press, and dies abruptly. In her final moments, she is denied her Despair. Makoto did win, after all.

Part 13- Answering the 'How' (SDR2)

One of the biggest 'what-the-fuck's people tend to have after walking out of their first playthrough or watchthrough of THH is the How of the entire game. The first game is good and all, but it leaves Junko's skills and how she set up and pulled the killing game together pretty vague. This is intentional, as in the first game, she exists as a kind of force of nature, representing Despair as an inherent part of life in the same way Makoto represents hope. But after Spike Chunsoft commissioned a sequel, and Kodaka set to work on DR 0, the question of 'how' had to be answered as the series was expanded upon. This started with the introduction of Yasuke Matsuda's memory erasure technology and the reveal of Junko's SHSL Analyst status in DR 0, but continued to expand well beyond that.

In SDR2, we're introduced to an entirely new cast of characters, all with new and less conventional talents in comparison to the first cast. Whereas THH had plenty of more mentally-oriented talents like programming, writing, and hall monitor to balance out their more eclectic ones, the SDR2 cast is almost entirely physical or social talents like a yakuza, animal breeder, and mechanic. These talents also put them into more social or powerful positions than the 78th class on an overall skill, as you find yourself full of people that could command full armies and people proficient with making weaponry or fighting and potentially killing the people around them. This differentiates the casts, and automatically makes them more threatening in the ways they could attack each other in a killing game. This also makes them Junko's perfect weapons.

8.4- Remnants of Despair

Class 77 is revealed by the end of SDR2 to be the Remnants of Despair, pawns swayed over to SHSL Despair by unknown means. Makoto refers to this conversion as 'brainwashing', though whether this is him literally knowing they were brainwashed or making an inference and later being proven right is unclear. Regardless, the RoD are part of the SHSL Despair movement, and exist to explain a lot of how Junko was able to not only set up the killing game mechanically, but continue to end the world and send it into ongoing war after the initial Incident.

This is something especially apparent with the remaining surviving cast, as they're the most immediately powerful amongst the cast for Junko to use. Sonia and Fuyuhiko are both in direct command of massive amounts of people, with Sonia being the heiress to an entire country and Fuyuhiko being the leader of the largest mafia in Japan. Kazuichi as the SHSL Mechanic explains how and why so many elaborate executions were able to be designed ahead of time for the killing game, and Akane is a wicked fast athlete who's already accustomed to tragedies and will eat anything. On top of all this, there's Hajime, a human experiment worked on by those in league with the values of hope, and that was forcefully imbued with every talent that's ever been documented, including Junko's.

This sums up everything that made the RoD useful, but doesn't explain how any sort of meaningful connection was established between them and Junko. That's because on the overall, there isn't one. With two notable exceptions, the SDR2 class is largely unimportant to Junko emotionally speaking. They're useful, and that's about it. They weren't in the same class; they didn't interact at school or bond in any important way. She just dragged them down with the bare minimum brainwashing video because of their usefulness.

We also know Junko didn't care because of just how differently she speaks to and treats class 77 as opposed to the characters that we know she does love. The series painstakingly makes sure you know that Junko tears up everything she loves- Mukuro, Yasuke, class 78. She gores through them because hurting the ones she loves hurts her right back, and gives her an excellent Despair. But with class 77? Beyond the initial conversion, she doesn't really touch them. She doesn't need to waste her time with people who are virtually strangers. Their pain just is Despair; it's not her Despair. It's good for a laugh, but not much else, so she lets them run rampant on their own.

On an overall scale, Junko didn't give a fuck about these people. They existed solely as tools to her, and she interacted with them as little as possible. Unlike with her classmates, whom she loved, she did the absolute bare minimum required to get them to feel Despair by showing them a video and letting them do their own thing. The RoD were Remnants and not full-fledged SHSL Despair because their Despair was artificial. It was inauthentic, and so they could never ascend to true Despair in the way characters like Mukuro, Junko, or Monaca can.

8.5- Mikan Tsumiki (The Relevance of Junkan)

When we're first introduced to the concept of Junkan, it's portrayed as a one-sided infatuation from Mikan's perspective. She tells her classmates about the one person who forgave her existence and loved her anyway, with the choice of language emphasizing her beloved's need for Despair and asking for forgiveness for hoping suggesting that this beloved is Junko.

"Ahhh, this feeling of freedom where you no longer care about anything! My beloved and I are the only ones within that thin veil, and I'm just looking out through it..." -Mikan Tsumuki, SDR2

Whether intended at the time of SDR2's release or not, this line of dialogue ended up foreshadowing Mikan's heightened importance in comparison with the rest of her class to Junko as an RoD. When everyone else were just tools, remnants formed by brainwashing, Mikan is ultimately differentiated as special, not necessarily craving Despair but happily parroting it for the sake of a twisted love.

"It's like nothing matters! I could just die, that's how little it matters! Who cares about hope or despair! It's love, only love!" -Mikan Tsumiki, SDR2

This 'beloved' being Junko is proved true when AI Junko emerges in the final trial and reveals that class 77 are also the RoD. At this point, though, there's almost no evidence that Junko feels anything back for Mikan besides a vague sense of usefulness shared with the rest of her classmates, as she mimes seeing them as friends because of their actions as Remnants of Despair.

Something that's important to remember, however, is that Junko's need for Despair drives her to destroy everything she loves. We've seen this multiple times, over and over again with Mukuro, Yasuke, and her classmates before now. The reason we know she didn't care about class 77 is because there are no such personal attacks to tear them apart and make them despise her specifically- their pain brings her no Despair. There's no evidence of a personal attachment. Once DR3 comes into focus, though, that changes for one RoD in particular- one Mikan Tsumiki.

DR3 made the decision to bring Chiaki back as a human character, and made her the central figure for class 77's bond. Junko dragging out Chiaki's suffering and forcing her classmates to watch became the titular event that drove the rest of class 77 to Despair. But there was no personal attachment to this act, because she'd only just met Chiaki, and there was no dynamic to speak of between the two of them besides maybe a vague sense of interest based off of their single interaction.

So, if there's no established rivalry or connection to Chiaki, why does Junko single her out and kill her specifically? Easy; Junko doesn't. She sets up the maze, sure, but she is not and never was the one targeting Chiaki specifically. That was Mikan, and the show makes sure the audience sees this more than once.

When Mikan and Junko meet, it's because of a chance interaction. Mikan runs into Mukuro by mistake when going to check on Ryota, and is captured. In this sense, she's literally presented as a gift to Junko. Junko learns she's a nurse, and decides she'll let her hang around while she works on the brainwashing video.

In their next scene together, Junko is having Mikan massage her leg, listening as Mikan presents her classmates and friends to Junko. She's the one who tells Junko of how close her class has become, and how Chiaki is the central figure behind their bond. It's where we get this from Junko:

Though you might not immediately know it, it's swiftly revealed to us that Mikan is now in love with Junko via this and Ryota's mention that something appears 'off' with Mikan. From Ryota's discovery of the prototype video that was used on the Reserve Course students being immediately followed by Mikan's appearance and saying he souldn't have watched the video, it's easy to fall into the assumption that Mikan's fall is purely because of the brainwashing. But that's not necessarily true. Mikan having seen the video prototype is very different from being brainwashed entirely, and considering Junko herself says that the video is insufficient and that she can't brainwash people like Ryota can, there's an inference to be made that while the prototype video may have helped, it didn't rob Mikan of her free will in the way Chiaki's death did for everyone else. Ryota didn't fall into Despair from the video by itself, and neither did Chisa Yukizome. We also know from her FTEs in SDR2 that even before falling to Despair, Mikan was already a little fucked up, as her idea of a good time includes telling you all the ways in which you could die and begging people to treat her like garbage just for a taste of acknowledgement.

We also see what motivated her to nurse not only herself, but others as well- not empathy, but power and control.

"Sick people and injured people... are weaker than me. .... But if I know the proper way to treat them, that means my words are absolute. Which means... They'll need me. They'll depend on me completely." -Mikan Tsumiki, SDR2

Again, all this can be found in her FTEs, in a situation in which she's mentally reverted to the way she was entering the school, before she and Junko were so much as in the same city. By this line of information, it's just as believable that her falling in love with Junko was because Junko and her video actually connected with Mikan, taking Mikan's craving for attention via mistreatment and using it to her advantage. It's also worth noting that the anime makes a point to use 'spiral eyes' to demonstrate when a character has been brainwashed. This is something used with Chisa, with the characters in the Future Arc, and when the RoD are shown Chiaki's murder. But Mikan does not have these spiral eyes in the scene where she nearly assaults Ryota. She's horny, and it's extremely disconcerting, but her eyes are still her own, suggesting that the video didn't take a hold on her the way it did for the Reserve Course students.

Mikan is also one of the most similar characters to Junko in that she craves pain. Not emotional Despair in the way that Junko does, but physical pain, not only from Junko, but from just about anyone. Pain means attention, and that's something she needs more than anything. By this metric, she and Junko are actually quite similar, needing the worst from the people they love, and this makes for a formula that can create an incredibly abusive relationship. Junko can do literally anything to Mikan, and she'll lap it up like a dog. Mikan makes for a perfect punching bag, and suddenly, their relationship is intentionally paralleling the way Junko treats her sister. She kicks her around, calls her a disgusting horny piglet, and Mikan thanks her for it. It becomes a challenge of seeing how far she can push Mikan before she snaps and attacks her back, just like how she tries and fails to do with Mukuro. Simply put, there's no reason for her to treat Mikan in this way if she doesn't care about her as a person, romantic or otherwise.

This connection Junko forms with Mikan also serves to answer that earlier question: why did she bother with a class full of people she's never met? It's because of Mikan. Mikan is the one to present class 77 to her, and with the context that she goes on to set up a murder maze specially for Chiaki, and specifically says that Mikan has 'made a compelling case', that means Mikan was asking her to make them SHSL Despair. And not only does she do so, she does so in a way that forces Mikan to be the one to lead them into the trap. She brings her classmates to the bunker, she separates Chiaki from the group, she's responsible for sending her loved ones to Despair. This isn't a plot that's personal to Junko; it's a plot that's personal to Mikan, and Junko helping drive Mikan's loved ones into Despair saddles Mikan with a Despairing guilt tied to Junko.

Driving class 77 to become RoD is an act of love for Mikan- a twisted, abusive love, but a love nonetheless, and one that's in line with the way she drives her own class to Despair and makes herself the crux. Should her classmates realize what's happened, they'll know that Mikan brought them here. The rest of class 77 are Remnants, but Mikan is a SHSL Despair like Mukuro, valued like Mukuro, and her being the one to regain her memories and turn on all her friends once more, betray them once more, is a remnant of Junko's love.

8.6- Izuru Kamukura

When Junko first approaches Kamukura, she does so with the intention of offing him then and there. He's the artificial SHSL Hope, lab-grown by Hope's Peak Academy, and represents everything their research stands for. To kill him would be to kill their work, and that's what she walks in with the intention of doing.

Naturally, she fails, as Izuru's been imbued with every talent known to man. This wasn't outside to realm of possibility for Junko, though. There were several different ways to kill the SHSL Hope invented by Hope's Peak. Whether or not she killed him literally or metaphorically wasn't the point.

Izuru Kamukura exists as an empty symbol. He's filled with talent and nothing to use it on. Because his existence is an artificial one, he has no passion with which his talents were born, and no drive to use them. If anything, he's not the SHSL Hope, he's the SHSL Talent, but regardless, his creators have labeled him their SHSL Hope so that he can become their puppet-symbol. So to kill the SHSL Hope the trustees have created, all Junko really has to do is get her hands on the puppet first.

The actual convincing of him isn't really what matters to Junko. Similar to the trustees, she also sees Kamukura as a symbol, albeit one to be knocked down instead of bolstering up, so she uses him like a token symbol, too. All she has to do is pique his interest, just enough to get him to follow her, and her job is done. She talks on about her love of Despair, how grief and pain are something that actually makes you feel, and because he's had his emotion removed, that unknown variable is enough to get him to watch, just in case.

Despite his having every known talent, Kamukura is tricked. He's framed by Junko as being responsible for the murders of the student council. And in addition, he sees the power of Despair, as adrenaline from the final survivor pushes him to attack Kamukura even when it should've been physically impossible. When moved by that animalistic need to survive, he manages to cut Kamukura's face even after getting his own sawed in half. Thus the SHSL "Hope" is introduced to the world as creating Despair, and his job is complete.

Junko doesn't really bother with Kamukura after this framing. She lets him hang around, but when he decides to leave, she doesn't make any sort of fuss or try to attack him anymore, because she doesn't really care about him. He was only as important to her as his title was to the school, and once that title was tarnished, any connection between them she pretended to have was dropped. The next time these characters meet, it will no longer be the real Despairing Junko tainting some artificial husk of a person, filled with talent and emptied of heart, but rather, an artificial Despair combatting a survivor's true identity.

Part 14- The Brainwashing

Okay, let's talk about this. Was the brainwashing a good move for the story? Was it actually planned from sdr2? Or was it something half-assed at the last second because Kodaka didn't think that far ahead? Well, imo, it was almost definitely intended from their conception, and is very reflective of Junko's own motivations and goals.

From as early as DR 0, brainwashing tactics are evident within Junko's work. When Ryoko meets the reseve course's underground cult, she finds them watching a single video of mutual killing over and over again, with a fixation on its contents that's unnatural.

"[The cultists] didn‘t even bother to glance at me. Their eyes were still plastered to the monitors in front of them. .... Every monitor was a pitch black, none had a single image projecting on it.

'It‘ll… start again soon… so…' the monobear heads sitting in front of me said in monotone." -DR 0

Brainwashing is again brought up within SDR2, as not only is Hajime expressly a human experiment due to alteration of the brain specifically, but the entire class is referred to by Makoto as 'brainwashed'. At this point in the series, there's no reason for him to actually know this short of Kamukura possibly telling him they were brainwashed, so we can reasonably assume this statement is rooted in Makoto's inability to understand Despair and seeing anyone's craving of it as a mental disease that can be cured(not an unreasonable conclusion to reach, considering the Everything About Junko he was led to witness). Ergo, it's not beyond reason to assume that brainwashing was well within the bounds of possibility for the characters even at that time.

While the idea of brainwashing the class into Despair appears to rob the class of their moral complexities that came from being RoD, the view we as an audience are given by Makoto, Kyoko, and Byakuya within SDR2 is only ever that the RoD were victims of Despair. The survivors are already established as more reliable narrators than AI Junko thanks to the first game, so there's no reason not to trust that what they say is likely true. In addition, Junko never actually directly states that they did it of their own free will, just that they were on the same side and tries to get them not to listen to Makoto, her already-established opposite.

The idea of class 77 being brainwashed went from theory to canon in DR3, and while the method of their brainwashing is controversial(the line 'cutting through their free will like swiss cheese' from the dub is pretty aggravating), it still lines up with Junko's pre-established goals and motivations. She goes to Hope's Peak to tear down Hope and replace it with Despair, and after being shown a class full of Hope united by their love for the same person, she exploits it and is able to use their love against them to create Despair as an outsider. She's introduced to the class, uses them, and then lets them all go do their own Despairing thing because she doesn't actually care what they do. What matters most is her own Despair, and tearing hope to pieces. So her interaction with class 77 remains minimal, a mere experiment for Despair in the same way Hajime was an experiment for hope, and then keeps going about her business, calling on them presumably only if she needs something like the execution contraptions.

14.1- The Despair Videos & Knowing the Difference

There's not just 1 Despair video. Over the course of the anime, we're introduced to three, and each one has different levels of effect on those who watch it. Knowing the difference between these three videos is quintessential when talking about the brainwashing and how each character to watch a video is affected, as well as understanding different characters' roles in the narrative as they pertain to the videos. So let's establish the differences between these 3 videos and their effectiveness before we move forward.

14.1.1- The Student Council Massacre

The first Despair video, aka "the prototype", aka the Mutual Killing Video, is the one created using the footage of the student council's beta mutual killing game. This is the one made solely by Junko's attempted mimicry of Mitarai's animation talents, taking security footage of the mutual killing and sharing it with the Reserve Course and Mikan as a test run. And while it does have some level of effect on them, inspiring 'the parade' and having a hand in Mikan falling for Junko, it doesn't work nearly well enough to actually rewire their brains for Despair or strip them of their hope in the way that Junko would like. Even in the context of a parade, it's still very much a protest in the hopes of change. There's still the demands of a refund, of being let into the main course. Even when shown the Despair of the truth, there is still hope that things can be changed or fixed. And that's not what Junko wants. The only character that we've seen to watch this video to end with the aforementioned 'spiral eye' telltale of true brainwashing is Chisa, who we know was also being actively lobotomized by Mukuro during a repeated viewing to force it to work. This instruction came from some manual Mukuro was left with, presumably written by either Junko or Ryota.

While this video is what starts the parade, what eventually pushes the parade to violence isn't Junko. It's the inaction of Hope's Peak Academy and refusal to acknowledge their mistakes. Instead of coming clean, they bury everything wrong they've done even further and have their security beat the shit out of anyone that tries to find answers for themselves, doing so in the name of 'protecting them' from information. They keep the wrongdoings of their 'real' students under wraps at the expense of their underlings, fully buying into a talent-based hierarchy they created. Those without special talents are sources of finance- nothing more, nothing less. And when that overwhelming majority questions that, and finds evidence that HPA doesn't care, of course they'll retaliate. The video itself isn't a brainwasher, but when combined with the very real negative effects of the classism which the Reserve Course students find themselves hurt by, it makes its influence that much stronger.

14.1.2- Human Chiaki's Death

The second Despair video is Chiaki's execution, and is a live recording shown to her classmates. As far as we've ever seen, this is the only instance in which this is ever shown. This live recording is enough to send class 77 into Despair properly, spiral eyes and all, but there's an underlying implication that the primary reason for this is because of how important Chiaki specifically was to them. Throughout the season, and especially in this episode, Chiaki is established as the glue that holds the class together. Despite not being an extremely sociable person, she connected to her class with her love of games, and her earnest love of it endeared her to them, and their love of her did vice versa. The footage locked them each into place, unable to look away, and once they were at their lowest, at the very end of the video, Junko swoops in to dub them all Remnants and decides for them that they will now cause Despair for her. And because she says this when the live footage has brought them to their lowest, they each fall into this trap, at least to some extent. Whether or not they truly belive in what they're doing, they do it, because that feeling of Despair is their last connection to Chiaki left.

But, similarly to the prototype, it's still ultimately insufficient. Granted, it's much more effective than the prototype, but it isn't a full mindwipe, either. We know this because when we meet Nagito Komaeda in UDG as the Servant, he's still himself. He still has some level of self-control, able to speak and act as an individual even when following the orders of Monaca or the other WoH. He says himself that he despises Junko more than anyone else in the world, and follows through with Despair with the faith that it'll inspire a newer hope to conquer it. He says something similar in that moment of brainwashing as well.

"Nanami is our hope. Look what she did to her. What Despair... What a horrific sight! This is... This is the Despair we must overcome? Ah, Nanami... You understand, right? At this moment, you are becoming a stepping stone to hope!" -Nagito Komaeda, DR3

You could possibly attribute this to Nagito's luck cycle and history with tragedy just making him have a higher resistance to the brainwashing, and honestly, there's no strong way to contradict that, since Nagito and Mikan are the only ones we ever see in Despair outside of a montage, but narratively, I doubt they'd make a point to show one of the RoD hating Junko if it weren't to make the point that they had agency. Nagito was just the fan favorite, so of course it was gonna be him. You saw the fanservice in UDG.

14.1.3- Mitarai's Animation

The third and true Despair video is the inversed Monokuma Theatre, which is used to mentally hack its viewer and drive them into such a strong state of Despair that they kill themselves right then and there. This is objectively the strongest of the Despair videos, and the most effective, with the only character it doesn't immediately convince to kill themselves being the Future Foundation chairman Kazuo Tengan. This is mostly for plot reasons, but I'll address this specific exception to the rule later on and why this was the case.

The Monokuma Theatre video is mass-emailed to the Reserve Course students after they destroy the shiny new building their parents were tricked into paying for. The video hacks their minds when in an already vulnerable state, and each and every one of them jumps out of the building and kills themselves. Just as quickly as they take some control and uproot the system that hurt them so, they fall victim to the games of another who never cared for them in the first place. The purpose of the video was to create a horde of faceless victims to spurn others into action, and it worked like a charm, spiraling the world into a state of Despair. The RoD used their influence to ensure a smooth transition into this state of worldwide chaos as well, having significantly more social power and reach to spur more and more people into the fray.

The Monokuma Theatre video is also what makes the members of the Future Foundation kill themselves in the Future Arc, hacking their minds and then dropping a knife with which to stab themselves with. It works on every character that watches it- Chisa, Gozu, Seiko, Ruruka, and Makoto. Each of these characters are in various mental states when they watch it, yet all of them fall to it, without exception. It doesn't matter who you are or what you believe in. If there's even one thing you regret in your life, the video can and will work on you. It just does. And by that logic, it's the only real 'brainwashing' video, because it can work on anyone who watches it. The one character who seems to withstand it is the one who builds an entire killing game using said video just to force its creator to action, and doesn't even seem so much as affected by it. Really, it calls into question whether or not he was even affected by it.

14.1.4- The Flashback Light (Bonus Brainwashing!)

The Flashback Lights are used solely in V3, and are invented by the mysterious Team DR to reprogram the memories of their victims to play along in their scripted killing game. We see this work on both Kaede and Shuichi, as well as see the aftereffects it has on the rest of the class.

We learn while investigating that Tsumugi is the one responsible for creating the Flashback Lights, and that she's been the mastermind who knew what was happening the entire time. However, this initially opens up a plot hole in that Tsumugi has also been shown the Flashback Lights multiple times. There are 3 viable explanations for this. The first one is that she just closed her eyes, which is extremely boring and kind of a copout. The second is that she didn't know she was the mastermind until near the end, and Kaede's murder plot failing was a ruse by Team DR for the story, but that makes that entire reveal lose a lot of its impact. The third explanation, therefore, makes the most logical and narrative sense, and actually doubles as a reason why Tengan would be the only one to withstand the Monokuma Theatre in DR3: Tsumugi wears glasses.

Yeah, I know, that sounds silly, but let's actually break it down. In NDRV3, two characters are shown to wear glasses, and only two- Tsumugi Shirogane, and Gonta Gokuhara. Gonta, however, has two unique traits that are relevant here. One, he has 20/0.625 vision(strong enough to see the near microscopic Monokuma cameras), and two, he wants nothing more than to appear as a gentleman. I don't think it's a stretch to say he's wearing empty frames to appear more gentlemanly, especially considering they're paired with a full suit.

Tsumugi is the mastermind, and the one who has the most insight into what's happening in the game. She's the one who knew the difference between her actual self and the character Tsumugi that she played(it's implied in the dating sim that Tsumugi isn't her real name), despite having seen the Flashback Lights with the class several times. So isn't it entirely possible that having glasses to reflect the light of those Flashbacks was what let her pass for being affected as well? And, if that's the case, then it would also explain why Tengan, who wears glasses, would be resistant to the effects of the animated video, as everyone else who we know watched the animated version before their death didn't wear glasses. The faceless Reserve Course students don't have glasses, and neither do any of the five characters in Future Arc to watch it. It's completely ridiculous, and simultaneously totally plausible, for the idea of glasses reflecting off light and lessening the effects of such a video to be the explanation for why the videos or lights exclusively didn't work on these masterminds.

8.7- Ryota Mitarai

Junko's connection to Ryota is objectively the weakest part of her story, and admittedly a major part of why the brainwashing of class-77 falls under such scrutiny. Whereas every other part of Junko's plan is pretty well-established within her characterization, the connections she makes having actual sense to their conception and development, and just general consistency within the narrative, her meeting Ryota is not only a stroke of random luck on her part, but emphasized as one, and this just does not make sense for a character within said narrative to have never once been characterized as having any level of luck or fortune prior. This is especially glaring in a world that has established luck mechanics via characters like Makoto, Nagito, and Celeste. Junko just isn't a character meant to have luck like this, and never has any sort of moments or accomplishments stemming from luck before or after this outright.

When Junko and Ryota meet, it's because they walk past each other going in and out of the infirmary, and Junko, for no visible reason, decides to start talking to him right then and there. She starts squealing and hugging him, jumping up and down, and says this upon Mukuro's asking why: "I don't know, but... this is what I'm telling myself: This is yet another... fateful encounter!"

There's no rationale to this. There just isn't. It's not her SHSL Analyst talent having picked up on him over time, or her recognizing him via someone else, or anything of the sort. It's totally unjustified random chance for the convenience of the plot, and that's what makes this introduction so weak.

Really, the issue of Ryota's involvement falls more in their introduction than his actual function in the anime. Considering his characterization and the connections Ryota had prior to this, it would've made infinitely more sense if Junko had met Mikan first while in the infirmary, and buttered her up enough for Mikan to introduce the two of them. Knowing Mikan, it wouldn't have taken much, and would've made more sense for Ryota to be so willing to share a part of his life's work while still incomplete if he was introduced to Junko by someone he already trusted. Regardless, that's not what happened, but I say this mostly because I want to affirm that with Junko and Ryota's connection, it's the introduction that doesn't make sense, not what follows.

That said, once the awkwardness of how they meet is out of the way, what follows is fairly reasonable. She asks about his talent, purposefully mocks his interests to trick him into showing off, and then takes advantage of what she learns about him, which just so happens to be brainwashing techniques that she'd already be somewhat familiar with thanks to Yasuke.

Once they're acquainted, Junko uses her knowledge of the school and what she's stolen from the kidnapped trustees to set up Ryota underground where she can keep him under control, and so he can't mistakenly squeal about what she's setting up. She uses his passion against him to bastardize it into what she needs and manipulates him into walking into his own cell by doing so. It's not her most genius move of all time, and it's not a difficult one to understand either, but it's one that works.

What matters most to understand, though, is that she doesn't seem to develop any sort of affection for him in the way that she did for Mikan. When he finally uncovers what she's doing, Junko gives him a simple sales pitch, and threatens him indirectly with Mikan's friends.

By now, she knows damn well that he's met a grand total of two of his classmates, one of which just tried to sexually assault him mere moments prior, so this doesn't seem like the most effective tactic she could've used. But Ryota is a sensitive person. A victim of bullying growing up, the whole point of his brainwashing animations was to make people more empathetic subliminally. So to force him to help her, Junko is able to target this empathy by targeting Mikan over Ryota himself. Her abuse of Mikan is painful for Ryota to look at, and he wrongfully puts all the blame for the way Mikan acts solely on Junko because he doesn't know any better. And Junko lets him, because it's convenient for her to manipulate.

"As you have inferred, the mutual killing video you watched is the reason Tsumiki ended up this way. However, in order to reach my objective, this is insufficient. My lack of brainwashing ability is the cause." -Junko Enoshima, DR3

As we know, Junko is an unreliable narrator. She can and has lied to people's faces for the sake of manipulating them, telling half-truths and intentionally warping the truth to shift her victims' perspective in a way that she wants. We never see Mikan's fall, only cutting from her first meeting Junko to her already being in love with her, and as we've established, not only was Mikan already pretty fucked up prior to meeting Junko, but she doesn't exhibit the symptoms of a complete brainwashing at this point. She still has her mental faculties about her. So logically, that means she's doing the same here. Yes, Mikan watched the prototype video, and yes, it was insufficient. Hence why we as an audience can understand with our meta-context that Mikan still has her mental faculties intact. Ryota, on the other hand, doesn't have that benefit, so when Junko says this, the implication is that Junko took the meek, shy, kind version of Mikan that Ryota knew and twisted her into an evil, hypnotized slave of Junko's. It's an intentionally warped perception of the truth that Junko uses to her advantage, to the point where she flat-out says she can't brainwash at this point and brainwashing is still commonly attributed as the sole reason for Mikan's behavior in this scene.

Ryota cares about the few friends he does have, taking Mikan's and the SHSL Imposter's requests to take care of himself by resting and going to the infirmary even when he doesn't want to to ease their worries. So of course, when faced with the idea that he could prevent Mikan's loved ones from getting hurt, even though he doesn't know the vast majority of them, he caves regardless. It doesn't have to affect him. The people around him are important enough for this threat to work anyways. They're not his precious classmates, but they are the Imposter's; they are Mikan's. And Ryota is a very weak man. So he complies.

Later, when he escapes, she hunts him down to thank him for his help, and then allows him to run away, letting him believe that he's the reason why class 77 were the ones to be brainwashed.

"The video I had you help me with. The complete version of that. I'll have your whole class watch it now!"

The 'video' that Junko has them watch is a live recording of Chiaki's death maze. Meanwhile, the Despair video that the Reserve Course goes on to watch after the riots, and that Chisa Yukizome is subjected to, are different videos entirely, forcefully reprogramming them and removing their hope outright. Since Ryota's an animator, we can ascertain he's responsible for the one the Reserve Course watches, with an animated Monokuma. In other words, Junko does not, in fact, have his class watch the video he helped her make. She's lying to him to send him further into Despair.

"Imagine it... Because of you, all your classmates will fall into a deep, deep Despair. They'll become people who think of nothing but plunging this world into Despair, the Super High-School Level Despairs!"

It's a bold-faced lie, and one that Ryota has no knowledge with which to contradict it. Because he's a coward, and because Junko's already messed with his head so much, he runs and hides rather than face what he's done. She even leaves him with parting words of responsibility, twisting what happened with sarcasm so he'll always blame himself for her actions.

Ryota is by no means a perfect victim, but that doesn't change the fact that he is one. He was manipulated, and when he found out he was manipulated, he was threatened, albeit indirectly. But Junko was always planning to send Hope's Peak and the world into Despair. His video made it easier for her, but he is not and never was responsible for her actions. And by making him carry the guilt of her choices, she leaves him in a state of pathetic, guilty Despair akin to a genuine 'thank you' from her.

Part 15- AI Junko

AI Junko(or Kaijunko, as I like to refer to her as) appears as the reincarnation of Junko, created by Chihiro's AI technology and forming a Despair virus to infect the Neo World Program. She doesn't allow the Hope Restoration Program to follow through, instead taking Usami's teacher role and manipulating the world to be a Despair Restoration Program. The motives she uses are extremely personal and targeted, hyperfocusing in on specific members of the class each time to ensure a murder happens the way she needs it to.

Something that's important to remember, though, is that Kaijunko IS NOT Junko. She's an artificial recreation of the real Junko intended to continue programming Despair into the world after she'd inevitably passed. And as such, she isn't a 1:1 replica, and there are key differences between the two in the same way Alter Ego is different from Chihiro and Observer Chiaki is different from the human Chiaki.

The reason Junko fell into SHSL Despair was because her intellect combined with human need for stimuli left her with such a deep depression and boredom that pain and suffering were the only ways to make her feel alive. But as an AI program, Kaijunko isn't burdened by that same need. She's programmed to have the same goal of spreading Despair, but she doesn't have a personal, insatiable need for Despair in the way that Junko did. And this leads her to have a different endgoal for the final trial than what the real Junko might have chosen.

Kaijunko observes and learns from Izuru Kamukura and the RoD, as well as the Towa City residents, in the same way Alter Ego learned from class 78. The brainwashing video forcefully reprogrammed them, yes, but ultimately, they still loved each other as friends and classmates, even if Chiaki wasn't there with them, and it's that dedication to each other that Kaijunko learns about. It's why those connections are the ones tested within the SDR2 killing game; Kaijunko, who actually came into contact with the RoD personally and was toted around by Kamukura, would know what to use to create a killing game that would leave the most desperate group of survivors at the end to follow through on Junko's plans to reconstruct them all into her.

However, because Kaijunko isn't constricted to the same need to destroy herself, she can afford to bend the plan around impulsively in the way Junko herself had in the past, but in a way that'd align with the original Junko's goals to harm others around her without needing to harm herself anymore. Thus, in the final trial, she doesn't push those desperate survivors to want to escape. Instead, she uses her knowledge gathered to make them want to stay in the world Makoto provided to them, where none of them have to face the consequences of the RoD's actions, Kaijunko included.

One of the ongoing themes across the board for SDR2 is how artificial everything about it is. The island is artificial. Chiaki is artificial. Hajime is an artificial hope. The RoD are artificial Despairs. Similarly, Kaijunko is an artificial Junko. She goes through those same motions as the original Junko, but she is not, cannot be Junko. She can only mimic, never be, and so she tries to escape altogether by resetting the game to a state where the RoD live an escapist dream, and she's locked in the game with 'her' classmates forever. But despite this, because she's mimicked Despair, she's become part of it, and Hajime and the others do the one thing Junko can't ever succeed in doing: they choose themselves, and she disappears without a chance of hope, just like Ryoko before her. Hajime and class 77 forge a new future, and Kaijunko dies trapped in the shadows of the past.

8.6.1- Hajime Hinata

If the battle between Makoto and Junko in THH is a battle of ideologies- hope and Despair- then the battle between Hajime and Junko is a battle of wills. This is the battle between self-love and self-hatred, and both Hajime and Junko are faced with their opposite, only to reject it in favor of what they want for themselves most.

Hajime's main character arc is one of self-discovery. When we meet him, he's been stripped of everything that's made him himself, having a gap in his memory that has his identity within it. This is a direct parallel to Ryoko Otonashi's lack of memory, having no identity or memories of the past with which to identify herself. She has only the words others tell her. But in the case of Hajime, it's revealed that the supposed gap is virtually nonexistent. He has no special talent or ability that differentiates him from the rest. He's a blank slate- empty, one might say. And this is quite similar to Ryoko. In a similar way, Izuru and Junko are both burdened by the weight of their talents. In the case of Izuru, he was operated on to remove all emotions and thoughts to be a symbol for Hope's Peak, while Junko's Analyst talent left her burdened with the inability to enjoy anything.

There are also similarities to Izuru and Ryoko, having both had their minds operated on to remove all memories of their true identity and become someone new, while Hajime and Junko both feel a heavy burden of who they are and feel as if that makes it impossible for them to enjoy their lives as they are. This parallel is exactly why Hajime's choice to live, and choosing to live in the face of retreating into the NWP, is so impactful, especially when faced with the shadow of Junko Enoshima.

Junko never chose herself. She never could choose herself, and when given the opportunity to, she rejected it entirely, too addicted to the cycle of self-destruction she'd created for herself. She felt as though Despair was the only answer for her, so she could never stop searching for it, even from beyond the grave. That not just she should feel it, but everyone should. Everyone needed to know the way she felt. And she used anything and anyone at her disposal to make sure the world burned, because she wanted to feel, and what was the point of such a world pretending not to feel Despair anyways?

Hajime chose himself. It wasn't for anyone but himself. When looking in the face of what he'd turned himself into for hope, he was able to come to the conclusion inverse to what Junko did- that he didn't need to change for the sake of anyone else. It didn't matter that he wasn't SHSL like the people he admired, so long as he lived for himself. Meanwhile, when Junko reverted back to herself, it was like dragging herself back into a cage, being burdened by the same kind of talent that Hajime never needed. A talent she never asked for was the source of her undoing, while Hajime's lack thereof almost killed him in the pursuit of one.

The dichotomy of the talented vs the talentless is one that can be felt extremely strongly between dr0, sdr2, and dr3, but especially when in regards to the divide between these two characters, as it again circles back to the damage the hierarchy they find themselves in creates. Junko is a heralded SHSL Analyst and Gyaru, dubbed by Japan as superior and handed the influence that makes it so much easier for her to poke holes in the system until it collapses. Even when all the evidence is placed on her, she's the SHSL Analyst, and can convince HPA to keep quiet for her. They cover up her crimes, and when they can't anymore, she's part of the 'chosen' that receive protection from the government while the Reserve Course and their families are never mentioned again. Hajime has nothing, is considered nothing, is even beaten and told to 'take to the leash and collar already' to keep him complacent. His choice to become Kamukura is weighted by the pressures of the system he's trapped within, holding him not only to his desire to be considered important, but to be equal, not to mention the debt he's placed in just for the right to participate in said hierarchy. Those treated like nothing are downtrodden to accept the system and uphold it, and those with power can do whatever they want and the system will protect them.

In a lot of ways, Hajime and Junko are more similar to each other than any other two characters in the franchise, all the way down to the sacrifice of the ones they closest around them sending them on their final path- Junko with Mukuro, and Hajime with Nagito. And in mirroring this, Nagito eventually returns, while Mukuro never can.

Mukuro and Junko are twins, and work to attain the same goal, but they're still very different people. Junko is absolutely fucked up, and Mukuro follows her out of a twisted need to be by her side, even when it leads to her eventual death. Hajime and Nagito are repeatedly called out as similar, both needing the other to get through the trials and survive and being forced to come to an understanding, but still retaining their individuality and separate beliefs. When Mukuro dies, it's directly because of her loyalty to Junko, even at the cost of herself, and Junko's betraying her resulted in both their deaths. Nagito died because of his loyalty to hope, even at the cost of himself, and Hajime's trust in him was what allowed him to survive and eventually bring Nagito back. Where Mukuro was metaphorically absorbed into Junko and forgotten, Nagito's individuality was what became critical to Hajime.

15.1- Shirokuma & Kurokuma

This part will remain brief. Shirokuma and Kurokuma are the AIs found in an all-white and all-black bear in UDG, each positioned on one side of the Towa City genocide and perpetuating the war by manipulating the Towa siblings.

Shirokuma is the 'good' one, and is positioned with the adult survivors. He's the one responsible for creating the underground safe house, and is Haiji's right-hand. Even when making it appear as though he wants peace first and foremost, he goes on to pilot Big Bang Monokuma and stands with Haiji, playing him and Komaru to escalate things.

Kurokuma is the 'bad' one, and is the one who gave Monaca the plan to create a Successor in the first place. He's a chatterbox that's an advisor to the WoH, presumably left behind by Junko or created by Monaca, and pushes the kids into their murder games by standing with Monaca.

Near the end of the game, Kurokuma reveals that Shirokuma is his little brother, and later in the epilogue, we learn that they were actually not distinct AIs, but rather, the same AI Junko as in SDR2 that was working both sides to destroy Towa City. Them taking the form of siblings mirrors that Junko herself was a twin, and isn't truly complete if she doesn't have her sibling still present.

Part 16- Big Sis Junko (UDG)

Following SDR2, UDG returned a master-manipulator Junko to the scene via the Warriors of Hope. Though AI Junko is present and perpetuating the war through her manipulation of the Towas, Junko herself is all but gone, survived only through the kids' memory of her, and what they have to say is extremely telling to the capability Junko really had to push people further towards her Despair.

Her role as 'Big Sis Junko' came when she prevented them from killing themselves, though how she knew to be there at the right time is unknown. We can assume she'd been keeping eyes on Monaca already and, through her Analyst talent, figured out when the right time to be to show up.

From there, they became the Warriors of Hope, not missed by their parents that hated them or worried for by the world, and Junko was free to mold them however she liked. She did this by teaching them to lash out at the people responsible for their suffering- not just their parents and abusers, but any and all adults. She was a teenage girl who'd taken pity on them, as far as most of them saw, and so they trusted her as the first and only person besides each other to show them kindness. They became ideological, lumping all adults within the same box of 'demon' because they were given no other comparison, and they did it for Junko.

"As far as I remember, the first adult we defeated was a random person we didn't even know. .... From there, we leveled ourselves up by killing Demons. Big Sis Junko was so pleased..." -Nagisa Shingetsu, UDG chapter 4

They came to rely on her as their one true savior, and even those of them who knew they were being manipulated didn't care, if only it meant they weren't the ones being beaten anymore.

"At least, at the time I thought it was a miracle. But later I learned it was inevitable. She came into my life just to take advantage of me." -Monaca Towa, UDG chapter 5

"'You guys... were completely deceived by Junko Enoshima.' 'And what's wrong with that? Did I not tell you that we are her possessions? We would rather her take advantage of us than horrible adults.' 'Sounds like it's too late.' 'Say what you like. Big Sis Junko... gave us hope. That's the truth.'" -Toko Fukawa & Nagisa Shingetsu, UDG chapter 4

And when she died, she was martyred, a victim of the cowards who'd believe in the adults and Hope's Peak. By dying, she completed her manipulation of them, ensuring in her absence, they would only remember the kindness she offered them. Anyone who said otherwise must be a demon.

"No matter how much you hate us, no matter how much we're shunned, we're definitely not wrong. That's the real truth, because Big Sis Junko said so. .... Those adults who took her away from us and said that she was the bad one! They're the filthy ones; they're the ugly ones, the disgusting ones!!!" -Jataro Kemuri, UDG chapter 2

This manipulation and creation of the WoH stemmed from a practical source, as we learn in the game. By Monaca's own admission, Junko only ever cared about getting access to Towa City tech for her Monokumas and for spreading Despair wide-scale. Having highly talented and abused kids to carry out her will when she was gone was just a very welcome bonus; having the youth primed to continue spreading Despair when she was gone would create a legacy, and her ghost would continue to haunt those with hope for at least another generation. Enter Monaca Towa.

8.8- Monaca Towa & the WoH (CW: Mentions of Incest & Pedophilia)

Monaca is differentiated from the rest of the Warriors of Hope almost immediately as being more aware of what the fuck is going on than her friends. She's the L'il Ultimate/SESL Homeroom that loves hearing everyone else talk about their thoughts and feelings, she's the one who invented the Captives game, and she has swastikas in her eyes, because Nazi symbolism was the only way we could convey she's a dictator I guess. As the game goes on, we see that her relationship with Junko is different from the rest of the class- a bit more substantial. She has much more knowledge of Junko's desire for Despair and knows the real reason Junko sought them out in the first place. She uses her friends' idolization of her to trick them into helping her make a new generation Junko to carry her memory. She also has a hidden bedroom full of photos of Junko, and one in particular stands out among the rest.

Junko and Monaca, all by themselves, posing for a photo. None of the other WoH are present for this photo. It's also worth noting that Monaca's in her WoH outfit, even though in every other flashback or cutaway to the past before Junko's death, they were all in their Hope's Peak Elementary uniforms. If it weren't already obvious, these two were spending more time together than with the rest of the WoH. This is primarily because of the explanation we've already been given- Junko needed tech, Monaca was the one that had it. Of course extra work was gonna be put into her, and if she felt special in comparison, she'd become more like Junko.

Both Monaca and Junko are a younger sister, and their older siblings are established as pretty creepy in their own ways. Mukuro is incestuous and lusts after Junko whenever they're together, or even just when thinking about her. Haiji, meanwhile, is a pedophile, mentioning he likes girls younger, "as young as I can get 'em." I don't have to explain why the knowledge he has an extremely younger half-sister he expressly doesn't think counts as family is a bloodcurdling realization given this information. While they seem to have very different levels of connection with their siblings, this is a pretty distinct commonality to give both masterminds, especially when one is meant to immediately succeed the other. Both girls are also considered the "genius" of their families, while their older siblings use more brute strength.

Monaca is a character built upon the mimicry of Junko. We know this because we pay attention to the game, but also because if we look at the concept art and beta forms of the Successor, we can see without question that creating a "New Junko" was always going to be a major part of UDG, as not one, but two unused Successor characters were considered before Monaca eventually became who she is today as the mastermind and true Successor.

Monaca throughout UDG undergoes a similar behavior to Junko in the way that she treats the WoH, but it's in a way the fundamentally misunderstands why Junko acts the way she does. Monaca is a child, and idolizes Junko, but that doesn't mean she actually understands her, even if she got much closer than her friends.

Monaca manipulates and discards the other WoH one by one, making herself the center of their movement and letting them believe they have control over what they're doing. She motivates them with a Paradise that'll never exist, similar to how Junko motivated the reserve course to stand up against Hope's Peak, and they take over Towa City. Whenever a WoH disappears, she decides whether or not they're mourned, but it appears as though she doesn't care and never did. She quickly forgets Masaru's name, barely bothers with Jataro, and later in her backstory monologue, proudly claims that when Junko met them, she was planning to let her only friends all kill themselves as a prank and not jump herself. She takes all the steps possible to Not Care about these people, similar to how Junko seemed not to care about the people she loved.

If Monaca spent enough time around Junko to observe and pick up this pattern, it likely means she also saw how little Junko actually cared for herself and her friends. This would explain why she starts acting as though she doesn't care at all for her only friends in the world and discarding them, wanting to emulate Junko, her idol. It also means she knew Junko didn't care about her, but her talents, and just didn't care because it was Junko. Again, this is a mentality not just held by her within the WoH, but because she was given a peek behind the curtain, she filled in the blanks in her head and let herself continue to be manipulated by Kurokuma, all in the hopes that Junko could return and manipulate her again. She needed a Successor, someone to fill that sisterly void again. And in that desperate desire, she inadvertently set herself up to someday become the SESL Despair.

Nagito's intervention is directly stated as the reason why she ends up abandoning this role as SESL Despair and fucking off to space as SESL Apathy instead, shrugging it off as 'not wanting to end up like he did'. This appears to be a deviation from what was originally intended for her, as not only was this wrapped up in a singular episode of an anime not actually about her, but the teaser images for a UDG 2 in UDG's credits ultimately ended up unused, and V3 totes a teaser of a canceled UDG 2.

Part 17- Junko's Apocalyptic Crash Course

"Right now, Hope’s Peak Academy is set up in a pyramid sort of idea that a third world country would use; it’s only really there to concentrate it’s effort on the 'super high school levels', for their benefit, and then below them are the reserve students from the preparatory school. .... The teachers here don’t really think any of the reserve students really belong here." -Yasuke Matsuda, DR 0

As we've seen repeatedly throughout the previous games and DR 0, Junko's strengths don't come from sheer force of will. She didn't take some perfect world of hope and twist it into a world of Despair by flipping some ideological switch. She's charismatic, but still human. Junko's strength comes from her ability to analyze, her high intelligence, and her charisma combining to create a master manipulator. Using the skills and people at her disposal, she was able to amass a cult following, and inspire the downfall of a society that was already flawed by attacking the weak points that were already present. Ergo, Junko's SHSL Analyst talent led her to not only infiltrate the school, but also to find the flaws within it and the lies it covered up by taking advantage of the Kamukura project wearing the school thin.

She may have been the face of the Despair movement, but she wasn't a singularity. She had a small group of people she trusted with a certain amount of information, and who had skills that would become beneficial to her. Mukuro is the obvious right-hand, as previously discussed, and perhaps the only one she legitimately believed to be an equal, but there was also Yasuke, Izuru, Ryota, Mikan, and Monaca, all of whom she attached herself too and all of whom had an extremely useful talent or title that was immediately beneficial to her cause. These people were able to directly carry out her desired acts of Despair and work alongside her, reporting back to her to ensure things were running smoothly. These were people who were needed directly as they were, and who were most useful when they believed she genuinely took interest in them, whether she actually had or not.

In a world already so flawed, with thinly veiled atrocities already taking place by people who believe in a caste system of talent, earning a downtrodden majority's trust is as simple as taking the blindfold off. Manipulating the people she'd attached herself to let her reveal key information at her leisure and drive the school and its inhabitants to Despair without them noticing or knowing to take action until it was too late to stop it. Something manmade, that turned into a disease and spread across the world, infesting it with the Tragedy and burning the oh-so-predictable world to the ground, all while standing as the eye of the storm- that was the power of the SHSL Despair that Junko worshipped, and she became its spokesperson, sending the world into a spiral.

Part 18- Junko's Legacy (Death of the Human, Birth of the God)

Everyone that loves Junko, misunderstands Junko. This is a fact that we see more than once. Mukuro obsesses, not loves. Yasuke romanticizes a childhood he can never return to. Monaca idolizes her. Mikan overtly sexualizes her. Her classmates know nothing of her self-destructive nature. Junko knew this and Despaired every time. But this fundamental misunderstanding of who Junko is didn't just exist in the game. In real life, Junko Enoshima became an iconic villain, the teenage girl that burned the world, the Ultimate Despair. She was insanely popular, and still is. And the more popular a character gets, the more susceptible they become to misinterpretations, fanon, oversimplification, etc.

In becoming such a well-known figure, Junko Enoshima the person got lost in translation. There was now Junko Enoshima, the mascot, the figurehead. This isn't a phenomenon exclusive to Junko, of course, but as the titular villain of the series until this point, how could the series continue without her? To this very day, people can't agree on who Junko was or who she actually cared about or if she ever even cared for anyone at all. And when NDRV3 was made, it took advantage of this to tell its own story, utilizing Junko Enoshima specifically to demonstrate flanderization of characters within its lore.

Junko Enoshima is not a real person. She's a fictional character. All her motivations, her thoughts and feelings, are fabricated stories and vague implications from the writing of real people. And in V3, that 'real person' is Tsumugi Shirogane, one of many cogs in the machine of Team Danganronpa, who dresses up as Junko and uses her face to become 'Junko Enoshima the 53rd'. Junko has been used and reused over and over and over, to the point where the original vision has been muddied beyond belief. What she was at the beginning, way back in THH, no longer exists. She's now a silly mascot, a familiar face that fans can point at and dress as and draw fanart of, and a face that Team DR can profit off of. Tsumugi's portrayal is laughably inaccurate to the original Junko. It's a costume, nothing more, and the dialogue she gives when 'in-character' is simplistic and insignificant. All its weight comes not from the meaning, but from the reference for reference's sake.

Junko's appearance in V3, like many other moving parts of V3, reference real-world fandom culture. It's appealing to both the in-universe fandom and the real one, bringing back character sprites and voice actors and poking fun at its own ridiculousness because none of it is real, none of it ever was. It was because Junko was fiction that she could do everything she ever did. Her Despair has meaning, but that doesn't mean she felt the feelings we're told she did, because she never existed to feel them. And that's the thing that lets her forever remain an enigma; she is Danganronpa's villain, and to become immortalized in Despair, she deconstructed into nothing but the word Despair, a fate that is in and of itself Despairful.

8.9- Tsumugi Shirogane

Tsumugi Shirogane is the mastermind of V3, and believes wholeheartedly in Junko Enoshima as the true villain of Danganronpa. Tsumugi is built as the fandom insert of DR, being immersed in fandom culture in every conceivable way- winking at the camera, making references to other fandoms, the love and joy of making cosplay- but also the less palatable parts of major fandoms, like her purist views of cosplay, her usage of incest as both a serious plot point and as a gag, and even does blackface when cosplaying as the dark-skinned DR characters of dr1 and 2. She's also the in-universe producer of the season. Therefore, Tsumugi also represents content creators, and how even the creator themselves can lose the plot of the character in their attempts to create what they perceive to be a compelling story.

As Tsumugi is explaining her story and why she tied it back into the Hope's Peak era, she pretty openly admits that a) she sees it as a perfect reproduction and b) a necessary writing choice in order to make it interesting. Both are false, as not only is V3's continuity in a separate world from the Hope's Peak era, but her presentation of Junko and the voice lines aren't displayed the same way Junko had acted in previous installations.

"'So... you're just a freak pretending to be Junko Enoshima, huh!?' 'No, a perfect reproduction! Perfect reproductions are exactly the same as the original.'" -Maki Harukawa & Tsumugi Shirogane, V3

She presents Junko as a singularity, the Ultimate Despair, and brazenly parades her face around as the immortal and ever-present true Despair. She's the 53rd Despair simply because her influence wouldn't allow her to fade away. She's become Despair-incarnate, but in making new games, Team DR has forgotten why Junko caused Despair in the first place. She didn't do it just to do it; she threw the world into Despair because it made her feel human to feel Despair. And yet when Tsumugi explains Junko the 53rd's plans, it's nothing but a big show, and that's exactly what a surface-level Junko looks like to the masses- a high-school girl that ended the world for fun.

Junko's games had meaning. Even when she didn't feel particularly connected to a person, like the RoD, she still brought them into Despair for a purpose. She was an analyst, and did the things she did with intention and with care. Attention to detail and careful manipulation with the face of a charismatic gyaru was her forte. But Tsumugi's so-called "perfect reproduction" is a story full of plot holes and contradictions, all caused by some need to deify Junko. In other words, as they refused to let Danganronpa go, they lost the plot, and Junko's humanity went with it in a desire to continue using her image when writing new stories. In becoming a god of Despair, her origins as a human were forgotten.

Part 19- Despair Into Tomorrow (Why We Care)

Junko Enoshima is an enigma. She is Despair incarnate, a pillar of the Danganronpa world created by her own hands, hellbent on burning herself to the ground. She's a character of poetic irony, unknown to all as anything but Despair. She was born with a perfect mind, and in trying to feel human, feel pain, feel Despair, she became permanently deified by all that she loved and all that she met, whether that was as a savior who killed a cruel world or a demon that detested hope.

At every turn, Junko's actiona are filled with malice, and yet so often that malice is directed at herself. Living in a peaceful world pains her because it leaves her bored. Anhedonia is a cruel mistress, and those who claimed to love her could never once comprehend it, because they couldn't feel the way she felt. The only thing she had that connected her in any human way to others or to herself was grief, and her entire story becomes one of self-sabotage. Despite that, though, she's not the only character burdened by anhedonia, and her self-destructive nature outstretching to the people and world around her is designed as a story of caution.

In each and every installation of Danganronpa, Junko and the other masterminds inspired by her fail because of their key difference in connections. When Makoto appeals to his classmates, they're reminded of their own desires to live and their love for each other- Hina's memory of Sakura, Syo's love of Byakuya, Kyoko's and Byakuya's love of Makoto himself. The same can be said of when Hajime chooses himself, to fight for himself, and is inspired to do so by Chiaki. Every other survivor has someone that inspired them to live for themself- Peko, Nakomaru, Gundham, the people around them. When Komaru is saved by Toko, it's because she took the time to connect with her and with Syo, and that love saved her from destruction. When Munakata gave up hunting Makoto, it was because of his love for Chisa. And when Shuichi declared he wouldn't vote, it was so that Maki and Keebo wouldn't be forced into sacrifice of a system that would hurt them over and over again.

Junko had connections. Junko had people she loved. Junko had another half. But she burned them one by one, until there was nothing left but her, and then she burned that too. She's a villain even to herself, and she knows it. She feels Despair upon Despair and even then can't regret it, because she wouldn't let anything else touch her heart besides it. It's an inherently self-fulfilling prophecy to only feel Despair, because in order for that Despair to exist, she must have felt love first. But she doesn't acknowledge her love and her vulnerabilities because she believes those fall under her 'factory settings'. Comfort is boring; safety is boring, and boredom was her enemy, an enemy second only to herself.

Junko's actions stem from a deeply embedded self-hatred. She was too smart and too comfortable, and so her boredom became everything she was. She believed the lie she told herself, that pain and grief and Despair was the only answer. Don't be like Junko. Don't believe the lies you tell yourself. Even in an unjust world, you can try to make things better without making them worse. Feel your Despair and let it go. It is okay to let it go. You are still human, no matter what image the people around you have, and to be seen, you must first be vulnerable.

Afterword

JESUS FUCKING CHRIST IT'S BEEN OVER 5 MONTHS. I made jokes and gags about 'getting this out before 2025' but I didn't think that would actually end up as my deadline. Holy fuck.

Junko's analysis is by far the beefiest I've done so far, and very well could remain the biggest one in this entire series of analyses (I think Kyoko, Makoto, and mayyybe Chiaki or Hajime might get close, but otherwise? Those are def gonna be the big 5 though) But hey, that's what being the mastermind of the franchise gets you. In retrospect, Junko probably should've been the grand finale, not part 5/17 of this series' part 1, but whatever. I'll save that grand finale for Kyoko instead

This will probably be the most controversial analysis I put out, alongside the eventual Mukuro one. I know people are, uh, divided on their relationship, but I did my best to stay objective and look at it from an unbiased viewpoint for what they offer narratively and its effectiveness. And I hope people are able to see that. Just in case, though, I'm gonna have anons off for a bit until whatever circulation this post gets dies down lol

Honestly, my perception of Junko has changed so much over the course of these past several months. It's not like I didn't like her before, but she's morphed into one of my favorite villains in all of media after this. This girl just cannot fucking die, no matter how much she wants to, and I think there's something so deeply compelling about a villain that wants nothing more than to self-destruct and burn the world with them, especially if you've fallen into a depressive state like the one she's in before

Good news, though! The next analysis set is Hifumi's, which means it won't take nearly as long as this whopper of a tumblr post! I'm actually very eager to deconstruct him, so hopefully we can go back to the summer days where I was able to crank out an analysis after 2 weeks. Please, god, can we go back to the summer days where I cranked out an analysis after 2 weeks

Catch ya later! :P

[littledeathh]

Quick rant but I'm honestly super mad when people say "Elden Ring is dead", "DLC proved there's no coherent plot", "Game has no depth" etc. I understand your complaint, but at the same time, this is a JRPG. You're supposed to roleplay, not just sit back and be entertained by the visuals. I know it's a dumbass opinion, but I think it's absolutely legit to make your own headcanons the canon, and if two theories contradict, they are both true. Make them AUs. I've also felt frustrated by how vague the setting and characters can be, but just make it yourself. You've been playing it for minimum 100 hours thinking it'll never end and now you're like "What now?" If you love the game enough that you wish you had more to experience from it, fill in the gaps. Want to believe there were other areas in the Lands Between we didn't get to explore? Eochaid is real. There had to be monsters in the oceans, right? Imagination is the basis of a fandom and no one can take that away from you. Not even Sony.

Stardew Valley has the exact same issue. Grinding slowly, you become more and more efficient and more greedy, until you become the capitalist you hated. Eric Barone created the Beach Farm specifically to remove sprinklers and inhibit min maxing, because it defeats the point of playing a game. What do I do after 1000 hours of Stardew Valley? Gardening in real life, listening to the OST. Roleplay!

[defectivevillain]

the games we play

pairing: Gi-hun/Young-il/Reader

the reader's race & gender are ambiguous; no pronouns or physical descriptors are used.

summary: “And surely you’ve seen the way Young-il looks at you,” you press on, motivated by Gi-hun’s silence. “Like he wants to pick you apart, break you into pieces, and then put you back together again.” Gi-hun is quiet for several moments. “I… haven’t noticed that,” he eventually admits. He pauses for a moment, evidently thinking. “I’ve seen Young-il look at you like that.” Something unpleasant jumps in your chest. “Then we’re both in trouble,” you huff, rubbing a hand over your eyes.

Gi-hun and you attempt to navigate the 33rd Squid Game, under the watchful eye of the enigmatic Oh Young-il.

word count: 10.3k | ao3 version | fic playlist

warnings: spoilers to Squid Game season 2; canon-typical blood, violence, and death.

author's notes: This is Gi-hun/Reader/In-ho (Young-il) centric. Leaning heavily on Gi-hun/Reader, with subtle In-ho moments. The reader is written to have incurred debt from their undergraduate studies in America.

This fic does not have a happy ending. Also, it’s canon non-compliant/divergent.

I made a playlist for this fic too. Feel free to listen, if that’s your vibe :3

Thank you to @connorhasabigtip for beta reading this & watching the first four eps with me! love you bitch. and jun-ho is in love with you. so I guess that makes us related fr now.

You first meet Seong Gi-hun in a sandy arena, under the watchful eyes of a killer doll figurine as you play Red Light, Green Light. At the time, you only know him as Player 456—the strangely vocal man who insists that the game comes with the risk of imminent death. You’re not quite sure why you decide to believe him. Maybe it’s because you have no other choice; or maybe it’s just because there’s less risk. Either way, you choose to follow his advice. You end up near the front of the group of players scattered across the field, which means you are forced to remain frozen as you hear gunshot after gunshot. There are people screaming and attempting to escape, but you know it’s no use. They are all shot down, until the doll finally seems to have enough and turns its back on the field once more. 

You take the proffered opportunity to continue running down the field, until it begins to turn around again and you’re forced to freeze. 456 and you are the frontrunners, with 456 focused on helping everyone. He’s calm and collected under pressure—keeping his mouth hidden behind his elbow as he shouts out orders. 

Thanks to his help, the majority of the remaining players survive. And while most of them appear to scorn him for his relentless optimism, you can’t help but feel grateful that he warned everyone. You steal glances at him from across the dorm before gathering the courage to walk up to him and introduce yourself, dipping your head in a mock bow. He returns the gesture, introducing himself as Seong Gi-hun. You talk for a while, before finally relenting and asking him if he’s played these games before. The troubled expression that passes over his face is the only answer you need, but he confirms it verbally anyways. He won the game a few years ago. As for why he came back… he hopes to stop the games once and for all. 

“You’ll need some help then.” You remark, sounding far more confident than you feel at the present moment. “I can join you.” You offer. 

He looks askance. “It’ll be dangerous.” Gi-hun warns you. 

“Everything about these games is dangerous.” You point out. It’s true. If you’re going to die, you’d rather die fighting for something—instead of solely being a victim to these fucked up games. 

“True.” He acquiesces, before sliding over and giving you enough room to sit next to him. You take the proffered space and rest your forearms on your knees, clasping your hands and staring at the players across the dorm. 

“You may want to keep it a secret,” you say after a few moments, tapping your fingers restlessly. “That you’ve played these games before, I mean.” You clarify after seeing his confusion. 

“Why?” Gi-Hun frowns. You’re not surprised by his reaction—while you don’t know Gi-hun very well, it’s clear he has a good heart. He sees the best in people. And while that’s normally an admirable quality, it doesn’t quite help him here. 

“If you warn everyone about the second game now, and then it turns out you’re wrong…” You continue. You’ve been thinking about his show of resistance during the first game, and you suspect whoever is running the game will do whatever it takes to ensure he doesn’t do the same thing again. “You’ll be a pariah. No one will trust you. And that’s exactly what they want. They’re betting on the fact that you’ll tell everyone about the second game. They’ve probably changed it so you’ll lose credibility.” You finally seem to get through to Gi-hun with that remark, as he sighs and pinches the bridge of his nose. 

“That’s… a fair point.” He eventually agrees. It seems he hadn’t thought of it. He pinches the bridge of his nose. 

Feeling eyes on your back, you turn around to find a player staring at Gi-hun and you. Your skin burns under his intense gaze, and he shows no embarrassment at the prospect of being caught staring. Instead, he only blinks. You stare at him for a moment, before eventually convincing yourself to turn away. Your skin crawls for the rest of the day, even as you get into bed and try to get some sleep. 

The second game takes place early the next morning, after the majority of players vote to continue the game. You’re once again led through those winding pastel halls and stairs, only to find yourself in an arena reminiscent of a playground. You look over at Gi-hun, who looks a bit troubled by what he sees. Evidently, it’s a bit different from what he saw in the second round of his previous game. 

Once the surviving players are gathered in the space, an announcement confirms that the next game will be a six-legged race. Gi-hun shoots you a relieved look and you remember what he told you after your conversation the previous day. The second round last time was dalgona. It appears the game masters changed the game, just as you predicted. Gi-hun is still looking at you with gratitude and it makes you feel a bit uneasy, knowing the feeling is wasted on you. The announcer’s voice breaks through the static in your mind, directing players to gather in groups of five. 

“I’m with you.” You say after a moment, looking at Gi-hun. It’s meant to be a question, but it comes out more confident and assertive. Internally, you’re a bit more unsure. Sure, you spoke with Gi-hun a lot yesterday, but that doesn’t mean he sees you as an ally yet. 

Thankfully, Gi-hun doesn’t object. “Of course.” He nods. You feel a slight smile slip onto your face, relieved that you won’t have to look around for a group. With the addition of Player 388, your group now has three members. You only need two more for the game. 

“May I join your group?” You blink to find Player 001 standing in front of you. He was the one staring at you two last night. The man looks between Gi-hun and you. You don’t trust yourself to speak, instead letting Gi-hun and 388 decide. 

“Sure.” Gi-hun agrees. You’re secretly a bit suspicious, but you let it go. 

With the addition of a young girl, your group is complete with five members. Since the game is a six-legged pentathlon, there will be five games interspersed along the track. Your group decides on the following pairings: Player 222 and Ddakji; Gi-Hun and Jegi; 001 and spinning top; 388 and Gonggi; & you and flying stones. 

As you’re watching the first group stumble through the obstacles, you feel a sudden presence behind you. “A miss in Flying Stone will eat up a lot of time,” 001 says. And wow, this guy needs to learn about personal space. You swear his breath is hitting your neck as he hovers over your shoulder. You instinctively flinch and turn around, comprehending his remark.

“Shut up,” you then respond, your nerves high enough without this guy’s comments. “Stop with your mind games. We’re on the same team, in case you didn’t realize.” You snap before you can stop yourself. You immediately turn back around to watch the team playing; and in your eagerness to look away, you miss the slight quirk of the man’s lips. 

The first two groups die. The gunshots still ring in your ears, even after the guards remove their corpses and the game continues. There are growing puddles on the ground, marring the childish appearance of the arena. 

Desperate for a way to distract yourself, you turn to 001 again. “Who are you, anyway?” You soon ask, unable to hide your curiosity. He just blinks at you, that infuriatingly blank expression on his face. He almost seems like an android, with how little emotion he shows. “I didn’t see you here for the first round.” You frown. And sure, the first round had hundreds of people. But you think you’d remember a guy like him. He’s… Well. You hate to admit it, but he’s very conventionally attractive. And his stare is eerie. If you had seen him, you would’ve remembered.

Gi-hun overhears and freezes, looking at you before following your gaze to stare at 001. He seems curious. “And you knew my name, when I never told it to you.” Gi-hun continues. 

Your eyes widen. You’re about to press the guy for more information when the buzzer rings, summoning your group to the starting line. That was suspiciously good timing. But it doesn’t matter—you can worry about 001’s origins later. Right now, you have a game to win. 

Fortunately, your group makes it out alive. The group you share the arena with isn’t so lucky, and the sound of gunshots echoes in your ears long after you head back to the dorms. All of you are dejected as you see how many people died last round. You feel particularly worried for 222, who had revealed herself to be pregnant. Just how in the hell is she getting through this? She must be in immense pain. 

When you’re given your rations for the day, you give her your bread. 001 gives her his milk, and before long, each member of the group has sacrificed something to ensure her wellbeing. You can’t help but feel sickened at the thought of her presence here—she’s so young, and she’s carrying a baby while fighting for her life to survive. You don’t necessarily pity her, since she’s proven she’s very capable and athletic. Still… You resent the circumstances that brought players like her here. 

You think back to the game you just played. Everyone did very well and succeeded on the first try, except for 001—who took several tries to successfully wind and throw the spinning top. It’s ironic, considering he was trying to warn you all earlier and put more pressure on you. All of that talk… just for him to buckle under the pressure. It almost makes you want to laugh. If the rest of you hadn’t done so well, he could’ve gotten you killed. 

A sharp bolt of anger rushes through you. “Don’t think I’ve forgotten our conversation,” you say to the guy, the words slipping from your lips before you can stop them. 001 blinks at you innocently. The gesture just irritates you even more. “Who are you? How much debt do you have? What’s your job?”

“I think you can stop interrogating him,” 388 interjects, clearly sensing the tension settling across the group. You grit your teeth. 

“No; he’s suspicious,” you argue persistently, your spine tingling uneasily as you’re met with 001’s blank stare. “He beat the shit out of those two guys and pretended like it was nothing.” Indeed, when two contestants had been messing with a third guy, 001 had promptly walked up to them and overpowered them with ease. “He knew Gi-hun’s name when he never told him, and he was playing mind games all through the last round.” You finish scrutinizing him. The guy stares right back, seemingly unaffected by your skepticism.

“Hey, enough of that,” 388 remarks placatingly. You bite your tongue and allow him to keep speaking, if only because you’re so frustrated you can hardly think. Your fists are clenched at your sides. 001 is still staring, and he’s likely getting enjoyment from your irritation. “We should be celebrating our victory! And if you’ll excuse me…” He gets to his feet and stares at the group. “I don’t know your names yet. Mine’s Kang Dae-ho. It means ‘big tiger’.”

All of you proceed to introduce yourselves, before it gets to 001. Supposedly, his name is Oh Young-Il. “It’ll be easy to remember, because it corresponds to my number.” He remarks. This guy is only getting more and more suspicious with each thing he says. There’s no way in hell that’s his real name. And he seems to recognize you don’t believe him, because he’s staring at you again. 

The group is a bit more withdrawn today, after the events of the previous game. As your adrenaline dies down, you realize you’re quite tired. The others seem to feel the same; yet the day passes with infinite lethargy. It feels like a whole lifetime until the lights-out announcement. Upon hearing the announcement, Gi-hun guides the group through building a kind of fort and assigning members for guard duty. Supposedly, people can get violent at night—and kill one another just for the promise of more prize money. You’re not exactly surprised by that, so you go along with his orders. Gi-hun offers to take the first shift—leaving the rest of you to sleep peacefully (or, at least, as peacefully as a person can sleep in a place like this).

When you wake for the next shift a few hours later, you find Gi-hun still awake—staring off into the distance with a frown on his face. You sidle up next to him and the two of you sit in silence for a while. It’s not necessarily an uncomfortable silence. The two of you are both deep in thought, as you evidently reflect on the horrors you’ve witnessed. 

“...I don’t trust Young-il.” You admit quietly. There’s a persistent but quiet hum in the air, the only companion to the silence. 

“Why not?” Gi-hun asks. He doesn’t look suspicious, but he doesn’t exactly look believing either. He always believes the best in people, though. And his desire to stop the games has kept him too busy to notice the way 001 is acting. 

“He’s… slippery,” you settle for saying after a few moments. “He messes with people just to see their reactions. Plus, did you see him in the first game? Because I swear I didn’t see him, and then suddenly, when it was time to vote, he just… appeared.” 

“I mean, isn’t that strange?” You continue, unable to stop talking now that you’ve finally spoken your mind. “Especially when his vote was the one that ushered in the second game. It’s just… I don’t know, it’s really fishy.”

Gi-hun hasn’t spoken a word, instead looking ahead in sincere contemplation. “And surely you’ve seen the way he looks at you,” you press on, motivated by Gi-hun’s silence. “Like he wants to pick you apart, break you into pieces, and then put you back together again.”

Gi-hun is quiet for several moments. “I… haven’t noticed that,” he eventually admits, fully turning to look at you. He pauses for a moment, evidently thinking. His eyes are searching your face for something—but it’s a different kind of scrutiny than Young-il’s covert malice. “But I’ve seen him look at you like that.” Gi-hun says quietly. 

Something unpleasant jumps in your chest. “Then we’re both in trouble,” you huff, rubbing a hand over your eyes. 

(And little do you both know, Young-il has been lying awake the entire time, digesting every word of your conversation.)

“You should rest, Gi-hun,” you suggest. “I’ll take over from here.” It takes some argument, but you manage to persuade Gi-hun to sleep. You spend the rest of your guard shift staring ahead and fighting off sleep. Your eyes are dry and you’re beginning to get a headache, but you’re happy to keep watch if it ensures the safety of your group members. 

You must zone out for quite a while, because there’s soon a hand on your shoulder. You flinch and blink dazedly, only to find Young-il staring at you imploringly. “It’s my turn to keep watch. You should rest.” He suggests. His hand hasn’t moved from your shoulder. Gi-hun’s words echo in your ears: I’ve seen him look at you like that. Young-il’s dark eyes are glittering. You’re immediately assaulted with one unshakeable conviction: he wants to rip you apart and eat you alive. 

You’re not sure how long you remain there, pliant under the man’s grasp, before you shake yourself out of it. All you know is the faux concern knitting his brows together, and the lingering hand on your shoulder that only slips away after you’re out of reach.

…You don’t sleep very well. 

The third game, Mingle, is quickly proving to be the worst one so far. It should be simple: the players stand on a spinning carousel, and when it stops moving, a number is announced. Players must then assemble a group of that number and gather in one of the nearby rooms before the time expires. Elementary.

Except… it’s utter mayhem when the numbers are announced. The lights go out, the countdown is ever present in a loud chirping tone, and it’s loud. 255 people is far too many for the enclosed space you find yourself in. And while your impromptu group develops a hesitant strategy, there’s no telling what number will come next. Hell, at this point, they could announce “1” and eliminate three-quarters of the players. You hope it doesn’t come to that. 

As the rounds continue, you grow more and more restless. There’s a horrible pit in your stomach as you return to the spinning stage each time, stepping over corpses and puddles of blood. You almost feel as if you’re stuck in some strange sort of limbo, cursed to continue this stupid game over and over again. To make matters worse, there are slits in each of the doors that conceal the rooms—giving you a front row seat to the brutality of the guards. 

Finally, after what feels like far too long, you’re at the last round. You swallow hard, fighting off the dizziness and vertigo that the spinning stage is inciting in you. Jun-hee, Dae-ho, Young-il, and Gi-hun have all survived thus far, thankfully. You all had to split up a few times when the numbers were smaller, but you survived nonetheless.  

“What do you think the last number will be?” Gi-hun asks the group. 

You contemplate the question. Before you can respond, Young-il speaks. “Two.” he answers with frightening certainty. You pay him a wary glance, only to find that there is no trace of hesitation in his expression. Everything he does only makes you more unnerved. He must be doing it on purpose, at this point. 

You look at Gi-hun wordlessly. But just as you’re about to ask him to be your partner, the lights are going out and the number is appearing on the screen above. Indeed, as Young-il predicted, the last round requires a pair to enter a room.  

You barely get a moment to think before Young-il latches his hand onto your wrist, yanking you after him and leaving you no choice but to follow. You spare a glance behind you at Gi-hun, relieved to see he’s running to a room with Dae-ho. Your attention is quickly recaptured by the people you’re running near, and you have to push past them to get into the nearest room. With Young-il’s help, you manage to get inside and slam the door behind you. 

You’re about to breathe a sigh of relief when you lock eyes with another guy. It’s a third player, who was inexplicably standing in the room. Everything falls to an eerie silence as you come to terms with the situation. The timer is quickly counting down. He needs to leave for Young-il and you to fit the requirements. If you have too many people, you’ll fail and die. But the clock is already counting down, and the door locked behind you, and there’s just no time, not enough time- 

You feel yourself slide down the wall and onto the ground, shakily covering your head in your hands as if that will do anything to stop the oncoming onslaught of bullets from the guards. You can only hear the sound of your own ragged breathing reverberating through your ears, as you try and fail to keep it together. 

The sound of shuffling breaks you from your thoughts; you look up to find Young-il with his arms wrapped around the guy’s neck as he chokes the life out of him. The guy’s face is turning red from the strength of his grip, as he scrambles to get some air. His eyes meet yours and you just… stare. 

Three… Two… One.

The other player slumps on the ground. 

A few seconds pass. There’s nothing but silence. It seems the guy died just before the countdown ended—bringing the number of players back down to two and ensuring your victory in the game. 

Your eyes are locked on the other player’s corpse. Then, as if against their own volition, your eyes find Young-il’s, and every one of your prior suspicions is confirmed. 

…You’re frozen. 

He gets to his feet, pushing the corpse away as if it’s nothing more than an obstacle. The casual nature of the gesture makes you feel sick. Then Young-il politely offers you a hand, as if you had merely stumbled on the ground. As if he hadn’t just killed someone right in front of you. 

You’re frozen. You think there’s blood spattered across your face from one of the previous rounds. You can’t speak, can hardly breathe.

Unperturbed, Young-il crouches down before you. He takes your forearms and deftly tugs you up to your feet. 

You’re 

still

frozen. 

He’s guiding you out of the room now, his grip on your shoulder tight and loose all at once. The door slides open with a menacing sound. The other players are leaving their rooms. You want to search the crowd, but the contestants’ faces are all blurring together. There’s a helpless sound trapped in your throat. 

“Oh, thank God, you guys-” A familiar voice says. Gi-hun is running towards you. You want to be touched by the sheer relief in his voice, but you’re too busy trying not to pass out, or punch something, or just sob. You wrap your arms around yourself and try not to think about the blood flooding the floor, the ringing in your ears, the maleficence of the man at your side. Gi-hun claps a hand on your shoulder, his expression morphing into a concern you don’t deserve. “What happened?”

You can hardly breathe. Gi-hun’s looking at you expectantly and it takes all your effort not to just break down right there. You look at the ground, see the bloodstains, look back up. The doors on the far side of the space are opening, marking the end of the round. There’s a swarm of teal as players make their way back to the dorms. 

You think you’d stand there forever, if not for Gi-hun’s guidance. He pulls you after him gently. You follow. You feel Young-il’s gaze burning into the back of your head. Your tongue is locked to the roof of your mouth. You think you’re shaking, but it’s hard to think straight over the roaring sound in your ears.

Oh Young-il. 001. 

The inexplicable combat skills. The ease with which he killed the other player. That eerie look on his face, as if he’s viewing the game through the eyes of an observer. The gleam in his eyes as he stares at Gi-hun, you, and tests your resolve. This game, these players… they’re all an experiment to him. And he is the mad scientist engineering the entire thing. 

You’re fucked.  

You don’t remember much of what happens after that. The survivors make their way through the winding pastel corridor once more. You nearly trip on the steps several times, just barely catching yourself each time. Your ears are ringing. Even Jun-hee seems worried for you, and she’s carrying a baby.  

To make things worse, you keep hearing people calling your name. At first, you think you’re just imagining it. But you hear it again and again; and when you turn around, you hear the crazy shaman lady beckoning you closer. She’s slipping through the line and walking towards you now, crooning about fate and destiny and your imminent death. You don’t know what to say, can’t seem to summon that fire that has kept you safe, skeptical, this entire time. Before you can respond, Gi-hun’s leading you away from her with an arm around your shoulders. You can just vaguely hear Young-il speaking with Dae-ho and Jun-hee behind you, likely providing a sugar-coated lie for your state right now. You want to vomit. 

You blink and you’re on one of the bunks. Gi-hun’s saying something, looking at you worriedly, but his voice sounds garbled and warped like he’s underwater. You blink, blink, blink. Your hands are trembling still. You can’t rid yourself of the memory: of that player, in his dying moments, looking to you for help. You could’ve done something, should’ve done something. 

But what could you have done? If you had stopped Young-il, all three of you would’ve died anyway for having an incorrect number of people. Right? Young-il only did what was necessary to ensure your survival. Should you be grateful to him? 

No. You don’t want to feel thankful for a person who snuffed out the life of another before your very eyes. You don’t want to feel any positive emotion in this place. It’s all a lie. Everything is just… a feeble exercise to fight off despair. But it always comes back. Always. 

You hide your head in your knees, trying to gather the shattered pieces of your composure. You want to hate yourself for this—for the way you just shut down—but, at the same time, it only seems rational. Young-il is one of the game masters. You’re not sure just what his role is, but it must be something important—for him to be able to slip into the players’ ranks with ease. And you just saw him kill a contestant before your very eyes. What’s stopping him from doing the same thing to you, or Gi-hun, or Jun-hee, or Dae-ho? He could’ve easily strangled you in that tiny room. What prevented him from doing so? What guided his arm to wrap around the other player’s neck, instead of your own?

Moreover, if Young-il really is a part of executing these games… Who’s to say he doesn’t have advanced knowledge of the rounds to come? That only increases the despair you feel. What’s the point of fighting, if the game is rigged? If Young-il has adjusted the odds to his favor? Your head aches as you attempt to rationalize it all. Nothing about it makes sense.

…But you can’t let 001 win. You can’t let him break your resolve. That’s what Young-il’s here to do: he wants to stop Gi-hun’s insurgence—and, by extension, yours.

You run through your thoughts for a while, attempting to string together the tangled mess of information you’ve learned and witnessed. “Gi-hun.” You eventually say. Your voice is raspy, somehow. You haven’t spoken in a few hours now. Everyone in the group looks over at you. Your voice sounds like a stranger’s. “I need to speak with you. Alone.” You get to your feet and make your way to the ground, before shoving your hands in your pockets as you wait for him. Gi-hun stands up. 

Gi-hun is at your side as you walk, looking at you. “Let’s go to the bathroom.” You suggest as you walk away. He nods at your suggestion and the two of you head into the giant restroom. It’s not the ideal place for a conversation, but here, none of the other players will eavesdrop. There are cameras, but you doubt they have audio. 

You stand in the center of the empty bathroom for a long moment. Gi-hun seems to take the initiative, leading you into one of the stalls. The space seems far too small, with the two of you practically pressed together as you evade the cameras. The edges of your dirtied white shoes nearly touch. 

If Gi-hun is uncomfortable with the proximity, he doesn’t show it. After all, you both have far bigger problems. “What happened?” He asks you carefully. There are muted pink stains on his shirt—blood from the past games. You’re sure your clothing looks much the same. 

“I-” You choke out. This is much harder than you expected. Your sentences are choppy and fragmented as you continue speaking. “You remember our conversation last night?” It almost hurts to speak. 

“Yes.” He confirms, likely recalling your suspicions about Young-il. At this point, you almost wish you were wrong—that 001 was merely another player, just like the rest of you. But you know that contradicts the facts. 

“Young-il’s working for them.” You manage to say. 

Gi-hun is silent as he processes what you’ve just said. 

“He killed a man in front of me,” you say, your voice shaking. “When we were in the- the room. There were three of us. And I thought I was going to die-” You’re fighting for air again, your words interrupted with involuntary shudders. 

You look down at your feet to hide the tears you’re fighting off. But Gi-hun only leans forward and pulls you into an embrace. You can’t help but clutch at him like a lifeline. 

“He put the guy in a chokehold and killed him.” You manage to say, once you’ve calmed down a little.  “Gi-hun, the look on his face-” You choke off, shaking your head. His hold on you just tightens, as if reassuring you of his presence. You feel so weak for allowing yourself this moment, so vulnerable and desperate as you fall apart in the arms of the man who has lost so much more than you can possibly fathom. 

“Any attempt we make at stopping the games, he’ll be there listening.” You state, trying to take a breath and gather your thoughts once more. You could easily spend the rest of the night falling apart, but you know it won’t get you anywhere.  

Gi-hun swallows, bringing a hand across his chin as he evidently attempts to puzzle out what your next move should be. “That’s a problem.” He eventually says. You nod. 

“I think Young-il joined to mess with you.” You confess. “And if that’s the case, he must be more than a mere guard. The guards don’t have that kind of power. He’d have to be pretty high up in the hierarchy.”

“No wonder you were despondent earlier.” Gi-hun sighs. He laughs, a gesture completely devoid of any positive emotion. He rubs a hand over his face. “I had a plan: take the guards’ guns from them, get to the control room and demand answers.”

You just shake your head. You both know an exercise like that would be futile, and result in countless unintentional casualties. 

“It’s probably him.” Gi-hun continues. “He’s been right in front of us the whole time.” Us. Not me, but us. You feel momentarily touched by the remark, before you see the distressed look on his face. You can’t imagine what Gi-hun’s thinking right now, as he attempts to find a way to end this game system. System, because these games are far more than isolated events. A group—hell, an organization—with this kind of resources wouldn’t just give up after one game. It’s a constant cycle of despair and greed. 

Is there even a way to break the cycle? Gi-hun is only a single player. Dismantling an entire system—and, moreover, the predatory tactics it uses to ensnare people—is an impossible task. And you both know it. These games rely on the corruption in the outside world… and that can’t be wished away by an uprising here. People will always be greedy. People will always fight for their lives. And people will always resent being controlled. You shake your head. 

There’s a harsh banging on the door of the restroom; the two of you flinch, hearing a guard summoning you back to the dorms. You exchange worried looks before complying with his orders, stepping out of the bathroom and heading back to the group. 

“What took you guys so long?” Another player asks when you get back. He’s been sitting on the outskirts of your impromptu group since you got back from the game. “Don’t tell me you hooked up in there; that’s where we all go to piss.”

You stare at him in disbelief. Gi-hun must be wearing a similar expression, because he’s also silent. 

“What?” He asks, looking to the others for support. “Come on, it’s not that crazy of an assumption to make.”

Jun-hee looks like she’s fighting off the urge to smile in amusement; Dae-ho is laughing; and Young-il is silent as always. You could convince yourself there’s an extra tension to the set of his shoulders, but you won’t. 

Dae-ho continues attempting to keep the group’s morale up, but you can’t seem to move past your conversation with Gi-hun—and neither can he. When the countdown to lights out begins, the two of you are volunteering for guard duty. 

You want nothing more than to go to sleep, but your mind won’t let you. You’re stuck sitting in silence, fighting off stinging eyelids and persistent fatigue. 

Eventually, you lose the battle to exhaustion; and you wake some time later to feel a slightly stiff neck and hear an amused exhale of breath. Your awareness comes back slowly, as you exit your dreams and return to the nightmare of your waking life. The dorms slowly sharpen before your eyes and you blink blearily, wondering why your side feels so warm. It doesn’t take you long to connect the dots on that particular puzzle—as you look over to find yourself nearly nestled into Gi-hun’s side, your head resting on his shoulder. 

“Sorry,” you say quickly, straightening up and sliding away a little. It takes a concerted effort to ignore the heat racing across your skin. 

Gi-hun doesn’t look particularly bothered, instead blinking. “You needed the rest.” He says, considerate as always.

“And you didn’t?” You ask with a raised brow. 

Gi-hun’s about to respond when you both hear rustling. Dae-ho’s sudden presence behind you makes your heart jump. 

“You should rest.” Dae-ho suggests, crouching behind you both. “Both of you. It’s my turn anyways.”

Neither of you can come up with a good argument, so you go back to your respective beds and fall asleep. 

The next night isn’t a very restful night either. The fourth game takes the lives of far too many players. Dae-ho, Jun-hee, and countless other contestants die. The majority of the beds in the dorms are empty now. Many players appear dejected and overwhelmed with the situation. Yet, the majority still consistently votes to continue the game. You are well and truly trapped here.

You reconvene with Gi-hun after the game and quickly decide that you should attempt getting some more information from Young-il. Gi-hun is quick to volunteer you for the task, citing his somewhat mediocre lying abilities. This is how you find yourself seated next to Young-il in the near darkness that night, fighting off your nerves as you try to convince yourself to speak. 

“What do you want?” You ask when you can finally suppress your nerves. Your fingers twitch and you clasp them in your lap. Young-il is silent for a moment, before raising a brow. Maybe he didn’t hear you. “What do you want? What are you doing this for?”

He’s still quiet. You choke on a sharp, broken laugh. Even direct confrontation isn’t enough to get him to admit his role in the games. 

“How did you fall into debt?” Young-il asks you instead.

You decide to humor the question, if only so that he’ll be more talkative later on. Maybe he’ll be more motivated to tell the truth if you’re self-disclosing too. “I studied in America,” you reply. “Took a lot of loans, but it wasn’t enough. Obviously.” You huff, looking around. To think you spent all that money to get a degree… only to end up here.  

“Hm.” He doesn’t seem to have much to say regarding that. Young-il doesn’t look particularly surprised at your response either. 

“How did you actually get here?” You ask after a few seconds. “Are you even in debt?” Young-il does give off a bit of a businessman vibe—someone who’s more responsible with his money. It’s kind of hard to imagine him being in the same kind of crippling debt that keeps many of the players participating in the game. 

“I was.” He answers eventually, his arms resting on his knees. 

“You were.” You repeat, a bit surprised that he entertained the question. You recall what he told the group regarding his wife and her liver cancer, back when you first met. “Because of your wife’s treatment, I assume. Did she…?” You trail off quietly.

“Dead.” He answers, before you can stammer and stumble through an appropriate way to ask. 

“I see.” You remark. “But you’re still here. You won a game in the past, and then joined the game masters?” No response. You continue anyways. “Why? Did you have nothing else left?” You’re sure he can feel you staring at him expectantly, but he doesn’t crack under the pressure. 

“You’re persistent.” He notes after several moments. 

“And you’re very tight-lipped.” You respond immediately. Your heart is racing in your chest. This is a bit dangerous. There’s no telling what could make Young-il snap and grow angry. But, you suppose, anger would at least be a reaction. For the entirety of the games so far, he’s been infuriatingly emotionless. “That’s surprising, that you were a participant in the games once. Going through that is enough for anyone to leave and never return.”

“But you returned,” you speculate. “And to the wrong side, no less.” You’re just saying anything at this point—attempting to provoke some sort of reaction, regardless of what it is. So far, nothing really seems to be working. Maybe you need to go a bit below the belt. “I can’t imagine your wife thinks highly of you. Watching from whatever afterlife she’s in.” And that’s easily the rudest thing you’ve ever said to him, but, oh well. You could die tomorrow in the games, or here at his hand. Does it really make a difference? 

Young-il’s eyes immediately flash and you know you’ve trapped him. “Are you attempting to make me feel guilty?” Young-il asks, his voice devoid of emotion. But you know the brief flicker of anger in his eyes wasn’t a trick of the light. And while his anger is likely volatile, at least you're getting something. He’ll be more likely to talk if he’s feeling emotional. 

“Is it working?” You blink, still looking at him. He’s silent. “...Guess not.” You mutter resignedly. You swear you hear an amused exhale of breath from him, as if he’s holding back a laugh.  

“How do you get all this money, then?” You ask, genuinely curious. “This kind of operation can’t be easy to maintain.” After all, there are more than just the players that they have to worry about: there are the guards, the game masters, and whoever is watching these games. Because you know someone is watching. You can’t quite prove it, but you know regardless. 

“You are very perceptive.” Young-il says in lieu of an answer, a note of something complex in his voice. 

“Don’t patronize me.” You scoff, annoyed by the empty flattery. 

“I’m not patronizing you.” He continues, turning to look at you for one of the first times since you started speaking. “You have been a thorn in my side this entire time.”

“Oh,” you remark, surprised. You certainly weren’t expecting him to admit that you’ve been annoying him. “Thanks, I guess.”

“You really are quite strange,” he huffs.  

“And you aren’t?” You ask, taking the bait he’s dangling in front of you. “You could’ve been safe up there, or wherever the control room is. But instead you’ve joined the players once more. For… no reason. Or for entertainment, I suspect.”

Silence. 

“Do you know what games are next, then?” There’s no answer from him. You’re getting more irritated. “You realize I’m not going to stop asking questions.” You pester, if only to get him to say something. 

“That does seem to be part of your charm.” He says. It’s weirdly difficult for you to tell if his tone is sincere or sardonic. Perhaps a bit of both? No, surely not. He must be joking.  

You blink. “Okay… has there ever been more than one winner of the game?” You ask. You’re not sure why that question comes to mind. And you think you already know the answer. 

“No.” Young-il replies, confirming your suspicions. 

“How are you going to survive then?” You question, looking at him curiously. “Gi-hun’s going to win.” Will he sneak away before the last game? Or perhaps he’ll be given an advantage for it? 

“How are you going to survive?” He reasons, breaking you out of your thoughts.  

You shrug. “Not sure I will.” You admit. You’re not necessarily okay with that, but you pretend that you are. “But surely you can just sneak off or something. Fake your death in a game and disappear.” You raise a brow at him. 

“You have accepted your fate already.” He analyzes, ignoring your attempts at getting more information. He’s good. 

“The odds are against me,” you confess. “And I’d rather Gi-hun win.” Gi-hun has a lot more to live for. He would be the optimal person to carry out the end of the games, not you. 

“Why?” There’s genuine emotion on Young-il’s face, for what must be the first time. But it’s not surprise or suspicion—it’s confusion. Pure, complete confusion. He doesn’t understand what you just said or why you said it. 

“Because I care about him?” You respond, the statement coming out as a question despite it being the truth. Something passes over Young-il’s face, but it’s so quick you can’t even begin to decipher what emotion it is. “He’s the only good person in this place.” You say, your gaze wandering over the beds across the room. The remaining players are mostly asleep, awaiting the fifth game tomorrow. 

“Rest.” Young-il says, effectively terminating your conversation. “It’s my turn to keep watch.”

You don’t want to go to sleep. But Gi-hun and you agreed that you both need rest if you want to perform well in the games. And Young-il has had many opportunities to kill you already. He hasn’t done it yet. For some reason, you think he wants you both alive. And that is truly a frightening thought.  

As you head to your bed, you lock eyes with Gi-hun. The two of you have a lot to talk about, it seems. 

“Well, I tried my best.” You sigh, looking over at Gi-hun in the dim lighting of the restroom that morning. The two of you had decided to try to get more information out of Young-il—hence, your conversation with him the other night. You’re not sure if it was very helpful, but at least you can say you tried. 

“You did very well,” Gi-hun reassures you easily. “Thank you.”

“Of course.” You respond easily. The two of you are standing close together in the same stall, just like last time. “I want to end the games too… Did you get any ideas from that conversation?” 

“A few,” Gi-hun says with a frown. He seems distracted now, and almost apprehensive. You squint at him. “Is it true?” 

“Is what true?” You ask, a bit confused. 

“You said you care about me,” he recalls. 

Oh. Shit. You had forgotten he was listening to the conversation, at that point. “Of course I do,” you respond after a few seconds, recognizing Gi-hun isn’t the type of person to throw your feelings back in your face. You do care about him, yes. “You didn’t know?” You ask.

Gi-hun stares at you for a long, long moment. He’s scrutinizing you, searching your face for something. Whatever it is, he must find it, because he eventually settles. Then he’s continuing on as if he hadn’t said anything in the first place. “There’s nothing we can do about the game tomorrow… But I’m thinking the final game will be our chance.” 

“Okay.” You say after a moment, filing that previous reaction to the back of your mind. “What was the final game, when you played?” 

“Squid Game.” He responds. The expression on Gi-hun’s face is a heartbreaking mix of resignation, grief, and frustration. His fists clench at his sides as he recounts the rules. By the end, he’s practically shaking—and you realize he’s digging his nails into the palms of his hands. Concerned, you reach out and pry his fists apart, before slipping your fingers through his and clasping his hand. He looks surprised by the gesture, before he settles and nods. 

The two of you try to sleep that night as best as you can, given the circumstances. You’re worried about the final game—and the way Gi-hun ended your conversation, as if there was something he wasn’t telling you. You know he’d never hide something from you that you needed to know. You’re just… worried. Worried he’ll do something stupidly noble or self-sacrificing when it gets down to it. Of course, there’s no point in agonizing over the final game just yet. You have to make it through the fifth game, after all. 

You’re awoken along with the 30 remaining players early the next morning to begin the next game. And it is a brutal one. It is nothing like the challenge Gi-hun recalled from his own experience, where contestants jumped on glass panels, at a height that promised death for anyone who fell. It appears to involve a lot more dexterity than the last few. And, even more troubling, players have the opportunity to impede each other’s progress. 

Players are placed into groups of three and given a few minutes to complete their tasks. Gi-hun is in the first group, by some stroke of bad luck. Thankfully, he survives—but the same can’t be said for his other two group members, who are quickly shot in the head and dragged off into the darkness. You’ve been selected for the final group, which means you’re forced to watch as group after group dies in their failure to complete the challenge. This game seems designed to only let a few people survive. 

By the time it’s your turn, Gi-hun and Young-il are the only two players who managed to finish the game successfully. That’s not exactly a good omen for your survival, but you made sure to watch each player’s attempt and learn from their mistakes. You think you have a good idea of how to accomplish this task. You can only hope the pressure doesn’t get to you. 

The countdown begins and you get to work. Your hands are shaking as you scramble to finish what feels like a far too complex task for the few minutes you’re given. It’s down to the wire as your shaking hands rearrange pieces and build upon them, to the point where the timer is at ten seconds. 

Against all odds, you complete the game. The two players at your side are pleading and begging the guards to show mercy, but they are swiftly eliminated—all while you’re standing near them, close enough to hear the gunshots ring in your ears painfully. 

You can just barely recognize the guard’s arms rising to make a circle over their head, indicating that you passed the game. Sweat is beading down your neck; your hands are shaking so badly that you look as if you have extra fingers; and your chest almost hurts, as if your ribs are attempting to squeeze your internal organs and crush them. There are colors passing before your eyes at lightning speed. Shadows morph and blur at the edges of your vision. You feel unsteady on your feet. The guard standing in front of you is ordering you to exit the arena. You take a slow breath. It’s okay. You’re okay. You’ll be fine. 

You take a step. It’s more of a laborious effort than it should be. Why does it feel like you’re trapped in quicksand? Another step. You lurch forwards, catching yourself and straightening up.  The exit looks so far away. You’ve been walking for minutes now, but you haven’t even made it halfway across the arena. 

There are puddles of blood everywhere. The white sneakers they gave you are practically pink now. Your skin feels like it’s on fire, but your teeth are chattering as if you’re freezing. Everything seems to catch up to you. Days of improper nutrition and lackluster sleep; of constant vigilance and ceaseless stress; of grief and regret; of physical strain and exertion. 

It’s strange. One moment, you’re walking along just fine (albeit a bit slowly); the next, your entire world is tilting as you crumple and fall to the ground like a broken marionette. There’s a pink blur of a guard before you, and you can only hope they’ll give you a swift end to this endless series of games.

You wake up to a stiffness in your joints and a dryness in your eyes. You blink several times, your vision slowly sharpening to reveal the dorms. You’re situated on your bed, and if not for the memory of the last game, you’d think you were just waking up from a nap. You bring a hand to your temple and groan, slowly pushing yourself up. 

Then you notice a presence at your side. Gi-hun sits on the bed across from you, looking at you worriedly. “Gi-hun?” You ask, blinking past dry eyes.

Gi-hun settles, redirecting his attention and seemingly realizing you’re awake. He immediately lingers at your bedside, staring down at you with a torn expression. “I thought you were dead.” He says immediately, so quietly that you nearly hear the remark. 

“Young-il and I were waiting for you.” Gi-hun continues, his gaze exploring your face as if drinking in the sight. “But you didn’t appear… until the guards came back. And one of them was holding you in their arms.”

“I thought-” Gi-hun chokes off. “They wouldn’t tell me anything-” He says, clearly frustrated by the lack of information. He shakes his head. You reach out to grasp his hand, only to realize he’s already holding yours. His grip is delicate, as if afraid he’ll hurt you. You squeeze his hand lightly, hoping the gesture is reassuring. “And there was so much blood.” His voice cracks.

You look down to find your clothes absolutely splattered in blood (hell, nearly drenched). “It’s not mine,” you say aloud, thinking back to the game. Your opponents had gotten eliminated, and the two of you were standing quite close at the end. The guard hadn’t even waited for you to get out of the way before blowing their brains out. Their blood went all over you. “I passed out. I think- Everything must’ve caught up to me.” You press a hand to your temple and wince at the headache you find. 

“I’m glad you’re okay.” Gi-hun admits. He strengthens his grip on your hand and his other hand falls to your bended knee. 

“I’m glad you are too.” You return the sentiment. Gi-hun stares for a long moment, before shaking his head and pulling you into a hug. He grasps you tightly. 

“And Young-il?” You ask later, some time after the two of you have broken apart. You’re not necessarily worried for him—more worried about him. There’s no telling what he has planned. 

(Recognizing your exhausted state, Gi-hun decides not to tell you about Young-il. He doesn’t tell you about the look on the man’s face, or about the mechanical way with which the man entered the empty arena moments later. He doesn’t detail the ringing gunshots that echoed throughout the nearby space, or the brief glimpse he caught of Young-il as he walked away… There was blood splattered across the man’s face and a vindictive gleam in his eyes. Meanwhile, Gi-hun returned to the dorms with the rest of the guards, nearly begging them to tell him something, anything-)

“He left, I imagine.” Gi-hun says instead. It almost seems as if he wants to say more, but he’s holding himself back.  

“It’s just us?” You ask, grasping his hand tightly. You need some sort of anchor to reality. You feel as if you’re starting to slip.  

Sensing your distress, Gi-hun moves to sit next to you on the bed—all without letting go of your hand. “It’s just us.” He confirms. 

There is so much you wish you could say. But in your exhaustion, only one thing comes to mind. “Can finally get a good night’s sleep,” you say tiredly. You have no intention to hurt Gi-hun; and you doubt he will harm you. You won’t have to stay up all night guarding the group. (Because the group is gone. Because Jun-hee and Dae-ho are dead. Because Young-il left.) 

Gi-hun stares in disbelief, before laughing. The sound breaks you out of your spiraling thoughts. You don’t think you’ve ever heard him genuinely laugh before. “I guess so.” He relents. 

The two of you sit there for a while, before the lights-out announcement breaks through the uneasy silence in the dorms. It’s far too quiet—you’re used to hearing pieces of conversations, shuffling as people move about the room. You feel sick to your stomach. And so, so horribly alone. 

You decide to abandon your dignity and ask Gi-hun if you can sleep next to him. Fortunately, before you can overthink the question, Gi-hun is nodding with relief. The two of you then push your mattresses together on the floor and get settled in.

Before long, you’re staring up at the ceiling. Gi-hun’s hand finds yours. You twist to your side and look at him. He looks at you. The distance between you almost seems to shrink, as the two of you gravitate towards one another. There is so much you wish you could say. Dread, guilt, grief, frustration, and exhaustion all battle for prominence in your chest. You lean into him; he leans into you. It feels far too natural. 

This moment is a brief reprieve from the reality of the situation, and the fate that awaits you tomorrow. This glimpse at quiet domesticity is the most you will ever get. 

All things considered, it’s… nice.

The final game is Squid Game, just as Gi-hun predicted. The two of you walk to the arena together, entirely silent. You feel nauseous. You don’t want to die. But you definitely don’t want Gi-hun to die. He must be thinking along the same lines, as his lips are drawn in a tight frown. You trudge up the pastel steps a bit more slowly than usual, as if that will somehow delay your death. (It won’t.)

There’s a knife on the floor in the middle of the squid drawn in the sand. You almost want to laugh. If they think you’ll kill Gi-hun, they’re sorely mistaken. The two of you have chosen to wait until arriving at the final game to announce your decision to end. This way, you may have a chance at meeting the game masters.  

The walls around you are painted a cheerful blue. It couldn’t look more unsettling. You take a slow breath, steeling your nerves as you fight to speak. There’s an eerie silence in the air. “We choose to end the game.” You announce, slowly turning around at the cameras that must be scattered around the area. 

“We’re in agreement.” Gi-hun maintains, his eyes flitting about warily. “Clause 3 allows the majority to end the game.”

Your heart is roaring in your ears as you are met with nothing but silence. Will they really permit you to do this? Are you really allowed this ending? You’re breathing hard, despite the fact that you’re locked in place. 

“Congratulations, Player 228 and Player 456. You have won the 36th Squid Game.”

“What?” You choke. 

“What?” Gi-hun echoes. The two of you exchange bewildered looks. You chose to end the game, so why are you being granted victory? 

You hear sardonic slow applause coming from the other side of the space and you whip around, only to find a man in a geometric black mask. “Well done,” he says, his voice distorted. 

Dread prickles along your skin. Even with the mask and voice distortion, you know who is standing before you both. “Young-il,” you say guardedly. “If that’s even your name.” You add on. You strongly suspect it isn’t. 

The man removes his mask, revealing himself to be 001: Oh Young-il. Your suspicions are confirmed. You don’t quite react, save for subconsciously clenching your jaw. 

“You don’t seem surprised,” Young-il remarks, looking between the both of you. “I suppose that is to be expected. You were quick to catch on.” He says, staring at you intently. You feel restless and fidgety under the weight of his gaze. 

Gi-hun looks… furious, betrayed, and resigned all at once. It’s clear that, despite the fact that he believed you, he still gave Young-il the benefit of the doubt. He is too good for this place, you are reminded once more. 

“Hwang In-ho.” 001 says, apropos of nothing. 

“What?” You hear yourself say.

“My name.” He explains. “You will need to know it, as we are working together from this point forward.”

“What?” You repeat, horror crawling up your throat. Working together? “No, we’re supposed to leave-” You look at Gi-hun helplessly. He looks just as nauseated and disturbed as you are, which is a small ressurance. The winners of the Squid Game are allowed to return home. Right?

“You will receive the prize money, split amongst you both,” Young-il—no, In-ho—continues. As if either of you care about that at the moment. The prize money is the least of your concerns. “However, your continued survival comes with a condition: you must work alongside me to oversee the games.”

Gi-hun and you are both quiet for a long time. “Why?” Gi-hun finally asks, the first to regain his composure after that remark. He shoots you a helpless look, before staring back at In-ho firmly. “Because we’re both alive?” 

“Precisely.” He agrees. In-ho cuts an imposing figure in his all-black clothing and you’re once again reminded of the feeling you got when he first arrived—the sense that he didn’t belong. “You said it yourself a few days ago: there has only ever been one winner. I have negotiated for your continued survival, on the promise that you will remain here.”

“For how long?” You ask. You don’t particularly care to hide your fear and dread. 

“As long as you have.” He responds easily, clasping his hands behind his back. As long as you have—so, for the rest of your life. 

You pay another glance at Gi-hun, knowing there’s no way he’ll accept this. Sure enough, he looks troubled… then contemplative. You’re hit with an instant feeling of foreboding. Gi-hun seems to be planning something. “If one of us dies,” he says, his voice hollow. “Will the other one be free to go?”

“...I suppose.” In-ho says, his brows furrowing minutely. He doesn’t seem to understand the point of the question.  

“Gi-hun,” you say, suddenly sensing what he’s about to do. The knife is still in the middle of the arena, untouched and neglected. But not for long, you suspect. “Don’t.” You plead. 

Gi-hun is already lunging for the knife. “No-!” You scream, immediately trying to grab the weapon. Gi-hun’s faster—wielding it and attempting to stab himself. You just barely grab his arm in time, the change in momentum sending you both sprawling to the ground. You try to wrestle the knife out of his hands, but it’s an increasingly difficult effort. Your hands are shaking, your arms burning as you use every muscle in your body to keep him from sacrificing himself. 

“Go,” he says, tugging the knife towards him again. You’re pulled along with it, straining to fight his strength. “Live a happy life, away from here.” A happy life. You both know that’s not possible. 

“Not without you,” you choke, your hands trembling on Gi-hun’s. Gi-hun is determined, but you have a height advantage as you lean over him—and you use it to pry the knife from his grip. You don’t hesitate to bring the blade to your own throat. 

“No, no, no-!” Gi-hun immediately grabs at your forearm, attempting to pull the blade away from your neck. There are tears streaming down his face, and your own vision is blurred. Your grip is growing sweaty as your adrenaline keeps you fighting to bring the blade back, if only to spare Gi-hun. The blade is getting closer and closer, already kissing your skin and drawing blood- 

“Enough!” 

In-ho's voice cuts through the air. And you suddenly feel an intense pain in your ear. The knife in your hand clatters to the ground, but you barely notice as your knees crumple under you. You’re practically writhing on the ground, your every nerve thrumming and buzzing. Your vision is pulsing around you; you slam your hands over your ears and whimper. You’ve never felt such intense, relentless pain before. Blood drips down the skin of your palms—your ears are bleeding. Tears run down your cheeks as you try and fail to recognize anything but the blinding pain. 

Finally, it stops. You choke on a breath and hear Gi-hun gasp, evidently reeling just as you are. The sand beneath you almost seems to dig into your palms. There’s a liquid feeling itching at your ears and you wonder just how much blood is trickling down your jaw and neck.

“Enough.” In-ho repeats. You’ve never seen so much emotion on his face: he is furious. He takes the knife from the ground and wields it in a tight grip. “You both will live to oversee the games,” he orders. In-ho’s eyes are still flitting between the both of you warily, as if making sure you won’t try anything again. “That decision is final.” 

With that parting remark, In-ho leaves Gi-hun and you to fall apart in the arena.

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