#it is canon if you play the true ending of the game

[jullbnt]

Thank you!! That cake sounds amazing! I ate way too much during the holidays and I don't regret anything haha

As an OoT fan I enjoy my share of tragedy, but I have come to associate SS with canon happy Zelink and I really want it to stay that way ^^

I also feel like such a sad ending doesn't really fit in SS. In OoT for example the tragic ending feels earned because the entire game revolves around this idea that "the flow of time is always cruel" and Link and Zelda are carrying the guilt of letting Ganon into the Sacred Realm. This isn't present in SS in my opinion, and Zelda already makes her sacrifice by sealing herself for thousands of years. It also feels unfair that one Zelda would pay such a high price and not the other. But otherwise yes imagining this second Zelda watching Link leave with another version of herself is heartbreaking and would make a memorable ending!

Nayru could be the Goddess of Time, true! But she's already known as the Goddess of Wisdom and she created the fundamental laws of the world, which doesn't limit her to time. The way I see it Hylia inherited her time powers from Nayru, which lead to her being known as the Goddess of Time. And then it makes sense that the Goddesses would leave the Triforce in the hands of a deity who can foresee the future and plan accordingly. Other things to consider:

To me the Gate of Time looks more violet than blue, like Zelda's bracelets and hair accessories.

It can be activated by the Master Sword, a weapon created by the Goddess Hylia, and the Gates play a huge role in Hylia's plan.

Hylia speaks to Link "from the edge of time" according to Fi.

TotK Zelda is the Sage of Time and I believe OoT Zelda is as well.

OoT Zelda is also able to send OoT Link to a new timeline, which is a lot more than what Sages are usually able to do.

Hylia is known to create very complicated plans that involve time travel.

These are some of the reasons why I believe Hylia is the Goddess of Time, but Nayru makes sense as well. I just think it's a bit restrictive for her.

I know that was not your argument, I was just thinking while writing, sorry haha. I don't expect to get an explanation either, and I like being able to search for one myself!

Rauru making dad puns would be hilarious! I'm sure Link would answer with even worse puns 😆

Honestly I don't have very interesting ideas for Malon's mom, I never thought she was much of a mystery. I like the idea that Talon could have married a Gerudo (though I'm not sure they would suffer such a lazy husband 😅), but in my understanding the children of Gerudo are always Gerudo and can't be Hylians with red hair. But maybe that's just me, I'm not even sure that was ever confirmed. Otherwise I think Malon's mom probably was hard working, she could even be the one who founded the ranch (cause Talon doesn't seem that invested in it). He either inherited it or did what his wife wanted him to do in my opinion.

Oh a Rito using the Roc's Feather/Cape is such a fun idea! I'd love to see that 😆

Same for the Sheikah researchers! They could share their knowledge about technology with the other races and welcome new scientists.

Glad you like this idea!! I thought the towers wouldn't only be protected by Sheikah warriors but that the different races would cooperate. Like the Gerudo would protect their tower, same for the Gorons, and so on. And then Link could recruit new fighters and send them to any tower as the Yiga threat increases. Something like that.

If they ever do a sequel to the Wild games I hope it will be either what you described with sea travel and visiting other countries or an entirely rebuilt Hyrule. I think sea travel would be a bit much in my version, but it sure would be cool if Link could steal the pirate ship and start exploring.

You can go with brasserie or bar à vin! Bar à dégustation can work but I'd say it's not used as often as bar à vin. Vin à dégustation isn't something we would say though. I've also seen some restaurants call themselves "cave à manger" (but it's not widely used and I find it doesn't sound so nice), meaning that they're both a cave à vin and a place that serves food while a bar à vin isn't necessarily a restaurant.

You could also use the name of the place to convey what you're trying to say, like I would expect a place called "Restaurant/Brasserie du Vignoble" (vineyard) to serve local food paired with the wine produced there.

Thank you so much! I'll keep that in mind if I need help with something! :D

@aikoiya The post was getting too long so I’m replying here, hope that’s okay! If anyone is looking for the beginning of this discussion, it's here.

Your extended pantheon is amazing! I just knew that Gàlondo would end up being Demise haha. I'd say I prefer not to associate Demise with any race in particular (and the Gerudo already have quite a heavy burden with Ganondorf), but otherwise I like that backstory you came up with. So what's Hylia's role in your version then if he’s the guardian of the Triforce? I'm curious ^^

I'd say my reasoning isn't so much "I hate this" but rather "this doesn't make sense/contradicts something else" or "previous games did this better". I also want to show that it's still possible to create stories without ignoring everything that was established previously because to me this idea that the timeline is too restrictive doesn't stand. In fact I tend to believe being a bit restricted and working inside a frame can trigger more creativity (after all they did wild stuff like flooding Hyrule before and it fits perfectly in the timeline). I also would prefer to see the existing lore extended or clarified instead of them adding new confusing stuff and leaving it extremely vague.

Oh I LOVE your Outset Timeline!! Though the ending is indeed very bittersweet. It always makes me so happy when someone else points out the inconsistencies in Skyward Sword's story. That's exactly my reasoning for my fourth timeline, it exists because of Ghirahim and Link's victory over Demise in the distant past. Though you are right, adding a timeline split while keeping the Master Sword in the official timeline requires some gymnastics! At the moment I'm going with a lazy theory about the Sealed Temple being the future Temple of Time, so the Temple's magic somehow allows the Master Sword to exist in both timelines (I said it was lazy haha). Impa’s bracelet is another story though. In my timeline the Goddess Sword is also left untouched in Skyloft because Skyward Sword doesn't happen, which could be useful in case someone accidentally broke the actual Master Sword 😁 It's very intriguing to me that Sky left the sword in the past when he had no reason to (and it shouldn't even be possible since it's in the exact same spot as Zelda's crystal). It's probably just a mistake on Nintendo's part but I like to think there could be something else there, and that Fi had a reason to stay in the past.

About the DLC items the thing is that most sets are found in the Depths in random Zonai chests if I remember correctly, or in the coliseums, and there was no explanation as to how they got there. In Misko's little shrines we find the Fierce Deity set and the LA set, but also the barbarian armor, the shock-resistant outfit and the climbing gear. I can understand building shrines for the Fierce Deity or LA Link following what you said, but then for three random armor sets? Not to mention that Link already owned them in BotW, so making us look for them a second time was kind of a joke. I like this shintai/yorishiro idea, but I think it would work a lot better if there were only a few items to collect and not… the outfits of all the Links ever INCLUDING WILD'S (how!!). It feels really meaningless and more like a catalogue for you to choose from so you can look like your favorite Link (which is a bit insulting to Wild, you can just replace him at this point and go as far as changing his hair or even his entire appearance with the LA set). I also didn't really believe they were the actual items from past games, it made no sense (the same way Link wouldn't actually wear a red Nintendo Switch t-shirt or something from Xenoblade). It just really felt like fanservice.

The dictionary thing might help, but I think the story should be explicit enough on its own and I don't really want to study Buddhism/Shintoism in depth so that I can play Zelda games and understand what's happening haha. I mean of course it's fine if knowing a bit about it adds new context and all, but if you can't understand things like malice vs. gloom without it then I think it's a bit of a problem. Speaking of Fujibayashi I feel like this wasn't really an issue before he was in charge.

Yes the French translation for Demise is very misleading, that's another problem: depending on your language things are sometimes interpreted very differently.

I really like the English names for the three dragons, I think they're so much better than what we got in French. Nedrac, Ordrac and Rhordrac, really?? At first I didn't even understand the link with the Goddesses, and then the last two sound way too similar. Btw I remember from my very basic Japanese courses that it's common in Japanese to create new words by mixing a few syllables of other words together. For example "rimokon" means remote controller (remo + con), or there's the well known Pokemon = pocket monsters. So naturally we end up with stuff like Ordinn + dragon etc.

I thought as well about the dragons going by names given to them by mortals instead of their true names. The thing is, I don't really want to create new names because I'm already changing so many things and my timeline stuff can be a bit complicated, so I need to keep at least a few things familiar. And I really like Dinraal, Farosh and Naydra :D

I agree about Farore being more associated to wind and plants than thunder (I mean she's kind of Link's patron goddess and he has nothing to do with thunder). What's even more confusing in BotW/TotK is that the Gerudo are now also related to thunder for some reason, but they're definitely more Din than Farore in my mind.

Maybe I should give you some context about my dragons haha. The beginning of my story is quite similar to TotK, though I still made some changes. Ganondorf completely destroys the Master Sword, Link looses his arm (except here Rauru isn't there to replace it), and Zelda still travels through time (but not because of a Secret Stone since I got rid of everything Zonai). She arrives in ancient Hyrule one century after Sky killed Demise (because this is set in my alternate timeline), and she's stuck there so she needs to find a way back home. Before that she learns a lot about SS, the Triforce, the timeline split and Hyrule's past. After meeting various characters and most importantly Sonia (who's still a priestess, the Sage of Time and her ancestor), Zelda learns that this era has two Master Swords: the one left by Sky in the Sealed Temple, and the Goddess Sword that is still somewhere above the clouds. She understands then that she needs to retrieve the Goddess Sword in Skyloft and forge a second Master Sword in order to help her Link in the future, and to do so she needs the three Sacred Flames. Where are the flames? The dragons "swallowed" them since they weren't needed anymore after Sky left his own Master Sword, which turned them into the giant immortal dragons we see in BotW/TotK. So that's Zelda's quest: find a way to go to Skyloft and then get the dragons to lend her their power. Along the way she'll also meet the ancient Sages, who can help her return to her own time by using the Triforce (but of course this won't work because of Ganondorf, and Link will have to fight him in the present and bring her back himself).

I'm trying to make this both a story I could adapt in comic form and something that could work as a game. The idea is that Zelda's memories would be playable sequences with places to explore, fights and maybe even mini-dungeons and bosses. And of course there's an entire story for Link as well. At the moment I'm trying to come up with interesting arcs and quests for each race/Sage, both in the past and the present.

Anyway, that's why I'm so focused on the dragons. Zelda (and Link) will need their help and they will talk this time. And since they will remember being apointed by Hylia and they're supposed to absorb their respective sacred flames, I need things to make sense. This is also a timeline without climate change in Lanayru (here it's the same province as in BotW with the addition of Mount Lanayru and a good part of central Hyrule), so the thunder dragon has no business being up there. That's why the swap would make sense.

No need to apologise! I appreciate your perspective and that you're interested enough to share your own ideas! :D

I agree on Zelda's magic being her own and what you said makes sense! Love the part about her only thinking about how she's a failure (though I guess it's only natural if she's been trying for 10 years without result). I don't know if she would have had the same reaction had she witnessed her father's death though. AoC isn't canon but Zelda doesn't unlock her power when Rhoam "dies" in front of her and Link forces her to run. The memory where's she's crying in Link's arms in BotW also shows that she knows everyone is dead, it's even possible that she saw some of it happen (maybe in the same way as AoC for Rhoam, or they saw what happened to the Divine Beasts from afar). I guess they must also have seen some terrible things on the roads, so she could have unlocked her power trying to save her people. But it only happened when Link was about to die.

Haha yes, I'm probably one of the most obsessed Zelink shipper there is and even I can't stand that power of love trope. It really has no place in a LoZ game. In my headcanon Zelda wouldn't access her power only because of her love for Link, though it definitely helps, but rather because the Hero dying is kind of an emergency situation and would trigger her divine magic even if the necessary conditions were not met. I don't know if that makes sense to anyone but me though 😆

Yeah I'm okay with the women of the royal family having some sort of power though not as powerful as Zelda. I think some part of it could also be attributed to their Sage of Time abilities. And the gift of prophecy being inherited from Sky is such a cute idea!!

I don't know about Terrako, I only remember that Zelda built it when she was just a child?

I'd send you an ask to rant about TotK but I'm not sure about the character limit and I fear it would just turn into a second wall of text haha! Here are some thoughts:

– I could live with new lore that contradicts older games, if only things made sense and were sufficiently fleshed out. Then I could just enjoy the story and accept that this is a different continuity. But here everything is so vague and sometimes even confusing. Like if we're going to meet the Zonai and make them such central figures in Hyrule's history, then I want to know more about them and learn about their culture. What's the point if we're only going to see two of them and have no clue about how they created all that technology, mined the Depth, lived with the Hylians, and then disappeared? Same for ancient Hyrule: if the different tribes were at war, I want to see it, and I want to learn more about them. Ganondorf also had so much potential for an interesting backstory. What kind of king is he? How did the Gerudo feel about him becoming the Demon King? What about the Gerudo Sage? And so on. It feels like this could be so much more.

– Other things I would love to see explained: where is the Master Sword in ancient Hyrule and why does no one seem to know anything about it or the Hero? How does it travel through time to reach Zelda? What about Rauru and Sonia's descendants? Also what was the point of the fake Zelda, and why did Ganondorf stay in his bathtub the entire game instead of rehydrating himself right away and getting stuff done? There's also everything I said about the secret stones the other day, but I know you don't see it as a problem ^^ (Also I just rewatched the memories and I had completely forgotten what Rauru tells Zelda in front of Sonia's grave: "Remember, that was a future where you never appeared in this world". So does this mean this is a new timeline that kind of retcons BotW? If not then where did all the Sheikah tech go and how were the shrines replaced by the Zonai ones? I really need an explanation for all of that!!)

– The game also barely mentions what happened in BotW, except for the history class about the Calamity in Hateno, the statues in Zora's Domain, and the memorials left by Zelda to honor the dead. I wanted to see Hyrule starting to rebuild and to get some sort of follow-up on the story. Did Link regain all his memories? Was Zelda planning to take the throne? Does she have some sort of trauma after her century-long battle against Ganon at Hyrule Castle? Why does she react to Ganondorf's name, but doesn't link him to Calamity Ganon? Why did the Sheikah tech that was so central in BotW disappear, especially the Divine Beasts? I care about this world and its characters, I want it to feel like a real place and to see it evolve. But then stuff like this really reminds you that this is just a video game world, and that Nintendo doesn't really seem to care. And if things can be retconned any moment even in a direct sequel, then… why should I feel invested?

– There was a real waste of potential with the Light Dragon and Zelda just transforming back thanks to Rauru and Sonia (btw couldn't they have helped if they could appear anytime and still had that kind of power?). I find it so disappointing that Link doesn't have to do anything to help Zelda, it almost happens by accident. Mineru also said it was irreversible, but in the end it's no big deal (they shouldn't establish something and then ignore it like that). If only Link had to use the Triforce or something. I didn't want Zelda to stay a dragon but sometimes I wonder if it wouldn't have been a better ending.

– It also really doesn't help that Link feels so disconnected from the main story. In BotW he was also experimenting the story through flashbacks but at least they were his own memories and they fleshed out his relationship with Zelda and the other Champions. Here Zelda is the one experimenting the best part of the story, and to make it worse you can find the memories in any order and get badly spoiled. It could have been so cool if Link also time traveled at some point and could explore ancient Hyrule (and they could have done something crazy like Link and Zelda being the ones to seal Ganondorf in the past, which would lead to his transformation into Calamity Ganon). Link is also so expressionless (except when cooking and all) that I find it hard to care when he doesn't seem to. Imagine how different Zelda sealing herself would feel in Skyward Sword if Sky didn't act so distraught. In the same way TotK would hit a lot harder if Link did stuff like falling to his knees after seeing Zelda's last memory.

– I also think that the hands/cooperation theme the devs talked about in interviews is a bit weak and cliché (with characters reminding Link and Rauru that they don't have to do things alone and that they're stronger together, stuff like that). First I don't find it very interesting compared to what games such as OoT, MM or Wind Waker did, and then Link being able to fight Ganondorf alone from the start kind of throws it out the window (and Rauru also ends up sealing Ganondorf on his own). The Sages are not even with Link outside of the dungeons, they just create creepy copies of themselves (and I found them so annoying I never activated them, except for Tulin when flying). But yeah sure they shake hands and vow to help Link. I still think him being accompanied by the Champion's spirits in BotW worked a lot better, and their powers were also more useful. I guess seeing everyone working together to rebuild Hyrule would have made that theme more meaningful. The thing I really liked about this though was Link finally catching Zelda in the end after failing at the beginning of the game, that was a really beautiful scene.

– Also I said it above but I don’t want everything to be explained by Buddhism/Shintoism parallels, especially if the game just expects you to get it without providing context. Let Hyrule be it’s own thing.

So I know this isn't only about lore, but these are the main reasons why I'm not very interested in TotK. To sum up I'd say that the game lacks some kind of depth and has a lot of wasted potential, and it also makes it clear that it's pointless to care about continuity. BotW Hyrule was interesting and I think a lot of things could have been done about existing races instead of adding a new one but not bothering to do much with it. Just bringing Ganondorf back in this version of Hyrule and see how the Gerudo react to him could be so interesting!! Some concepts were also excellent but didn't really go anywhere, like the Depths and the Sky Islands.

Honestly I haven't thought about all these side quests and minor characters yet, I'm still trying to sort things out with the main story ^^ But I don't think I'll touch the ones you mentioned, they were fine. I liked the thing with the Eighth Heroine as well, I've seen a lot of people complaining about it but it's one of the only things in the game I actually found interesting. I just can't unsee the parallel with Link and the Seven Sages (of course).

What I'll be doing for sure is making some of the quests and events more serious, I'm kind of aiming for a darker tone. Most of the quests are quite fun (especially the "potential princess sightings" ones), but I feel like this game really lacks some sense of danger and urgency. For example couldn't the people in Hateno have more pressing problems than making cheese or choosing between Cece and Reede? Or was it really a good idea to make lighthearted little quests about misanderstandings with Zelda when her disappearance should be driving Link mad? (I should have included that in my little rant above haha)

I'd also love to make the pirates in Lurelin something more interesting than just a bunch of Bokoblins, but I'm not there yet. And rebuilding the exact same village was kind of meh.

About the Gerudo questioning their traditions, I'm actually planning for my Ganondorf to be a lot more active and go to Gerudo Town in order to meet his people (I want him to care about them, so he wouldn't attack them the same way he targets the others). I don't have all the details yet but I'm pretty sure there will be a conflict between Riju's supporters and other Gerudo who believe he's their rightful ruler (at first they wouldn't know he's actually that one king who turned into Calamity Ganon). So that's another tradition for them to question.

The consequences of Ganondorf being the only Gerudo male are something I've been wondering about as well. Add to that the fact that he's raised to be king because he's male (and maybe even kind of worshiped by his people) and you get something that can turn nasty real quick. Though I also wonder if Gerudo aren't different from Hylians. You said you hc that the Gerudo are only women because they were cursed so it makes sense that you would view it this way, but on my part I believe that's just how they were created. For that reason I think this is natural for them, so it's possible that it doesn't cause exactly the same problems it would for us or for Hylians.

About Demise, yes of course Ganondorf is more than just Demise's hatred. But in this game it doesn't seem to matter, he kind of turns into a second Demise as soon as he gets his secret stone and his motivations instantly go from conquering/ruling to destroying everything and everyone. They could have done something a lot more nuanced or at least shown a more gradual transition, with him being more and more consumed by his hatred and loosing control for example. I don't know, anything that would look less like a comically caricatural villain riding a demon unicorn.

Also about Demise's curse, I always thought it sounded more like a warning than an actual curse, and I remember reading somewhere that this was the intention in the original Japanese text. In French Demise even says something like "you must never forget, history will repeat itself" instead of "I will rise again", and he and speaks of the curse of the demon tribe (implying that it existed before). Even in English it doesn't sound like Demise himself is casting a curse: "Those like you… Those who share the blood of the Goddess and the spirit of the Hero… They are eternally bound to this curse". He doesn't say "I curse you" or "I bound you to this curse". I feel like this makes a difference (the curse already exists). This is why I interpret it as him basically saying that evil will not die with him and that Link and Zelda/the Hylians as a whole will always have to fight the demon tribe, but not necessarily his reincarnation. So I don't even believe that Demise himself is influencing Ganondorf in any way.

About the Zonai Zelda explains she studied them at the beginning of TotK and recognizes what's depicted on the murals, so it seems strange that sky beings could get mixed with a tribe of barbarians living in the woods. But yeah history getting lost and mixed is the only explanation for this.

Oh you're completely right about the Mogma, I got the same vibe from them! And a Mogma mafia sounds hilarious ^^ I love the Rocktato, Link would definitely eat something like that 😆

I need to take some time to read through your master list, it all looks very promising!

[elisedonut]

I've been playing the ootp game on ps3 (because Colin's in it) and really out of the hp games I've played so far its the one the feels closest to what I would actually want from an hp game

it emulates pretty well too

Like I like that there's a giant list of da members you have to find and talk to just wish we could talk to them more ngl

[bright-cloud]

✨The Absolute✨

My cleric Basil dominating the Absolute! (Not canon, my sweet lad could never)

The evilness was just a treat ✨

[lord-squiggletits]

Man, it doesn't matter what the medium or fandom is, truly the debate that ruins fandom discussions the fastest is when people try to decide which characters "deserve" what. Especially when it comes to them deciding which characters are evil, how evil they are, and how severe their punishment should be for their evil deeds.

It's really annoying/harmful on multiple levels. For one, morally speaking, the line between "evil, but can repent/compensate for their deeds" and "evil, cannot be redeemed, suffer and die forever" is harder to define than you think, and who has the authority to define it anyways?

But also, fictional stories (especially the better, more nuanced, more mature ones) are rarely ever about "deserving" and don't divide their characters neatly between the "good" and the "evil." Every time I see fans debate about "how evil" a Problematic Fave is, or if Fave 1 is better/worse than Fave 2, all I see is people ruining their own fun and stirring up bad blood between other fans. Why would you add this dichotomy of "deserving" to a FICTIONAL story and start real life beef with people over it? At that point you're getting more invested in your discourse over imagined good/evil binaries than you are invested in watching/reading/consuming the actual story itself.

[hwbmsource]

Yes, you’re missing the true ending - mod Neptune

Canon Polycule Showdown

(vote for your favorite! check the description if you don't know them)

[ID: 1. Logo for the Love and Luck podcast. 2. Screencap of Neptune, Venus, Jupiter from We Know the Devil. /end ID]

Meet the contestants!

Storm/Helen/Mira

Status: Canon

Description: Lot's of in-canon communication & negotiation, plus Love & Luck is just a gorgeously realistic queer narrative with a dash of casual magic, highly recommend it in general. Plus there's a song that Storm writes for Helen and Mira in the feed.

Neptune/Venus/Jupiter

Status: Canon 

Description: They're from a game about three girls in a christian summer camp coming to terms with their sexuality/gender. Venus is a canon trans woman as well! It’s a really incredible game and they're all amazing complex characters.

[j-esbian]

i keep finding Lore Discrepancies and i’m like. boy i hope they explain this one, but judging from the number of mistakes the game has already made, idk if they’re ever going to address it!

[lovebugism]

Kissing eddie just as you’re both about to get out of the car and now he’s got a problem cause he’s hard, and all your friends are waiting for you and you’re both a little late and Eddie we really gotta hurry up! what’s the issue? and the poor boy is bright red to his neck over how gone he is on you

ty for requesting :D ps: i'm gnawing at the bars of my enclosure over this prompt –– when eddie's about to leave for a show, you make sure he knows exactly what he's missing out on (established relationship, st4 canon divergence, allusions to smut 18+ | 1k)

“How do I look?” Eddie wonders aloud as you trail down the creaking porch steps behind him. He plants his feet on the gravel driveway and spins on the heel of his sneaker to face you –– already bare-faced and clad in your pretty PJs for the night, a striking contrast to the lead guitarist of Corroded Coffin standing before you.

You pause on the second-to-last step and reach for his face. Eddie leans instinctively into your warm touch as you swipe your thumbs under his eyes, gently smudging his dark liner a bit more. 

“Like a rockstar,” you answer with a proud smile.

Eddie scrunches his nose sheepishly in response, ‘cause he has nowhere to hide with you cradling his blushing face like this. He’s still not immune to the way you look at him, even after all this time. “You’re just sayin’ that,” he mumbles, kicking a lone rock with the toe of his show.

You hum in agreement as your hands fall from his face. “Yeah. ‘Cause it’s true.”

“To you, maybe,” Eddie scoffs, trying hard to ignore the pang of anxiety in his chest. “No one else seems to think so.”

He never used to be nervous performing before Vecna tried to kill him. It was the world that was scared of Eddie Munson, not the other way around –– until it nearly ended, anyway. Now, just leaving the house is enough to induce a panic attack. A part of him is always distantly fearful that a stranger’s face will turn out to be the dark wizard’s, back to life and hiding in plain sight again.

“Hey,” you scold, only partially playful. “I think the crowd of five drunks who watch you perform every Tuesday would agree with me.”

Despite the ice-cold apprehension making his limbs feel numb, Eddie manages a breathy chuckle. “You’re right. We could bomb, and they’d still act like we were playing Madison Square Garden or something.”

You soften then, as though sensing his worry. “You’re not gonna bomb, Eds. You guys are gonna do great. Just like always.”

“Sure you can’t come?” Eddie wonders quietly, blinking up at you with a pair of chocolate button eyes that are hard to say no to.

“You know I can’t… I have an early morning tomorrow,” you coo sympathetically, fighting back a smile when the boy’s rosy bottom lip juts in a pout. “But I’ll be right here when you get back, okay? And I’ll make sure to heat up dinner when you’re on your way. So you have something to soak up the alcohol and adrenaline with.”

You tilt your cheek to your shoulder, squinting suspiciously when Eddie’s frown curls into a cheeky grin. He reaches for you with a pair of ringed hangs and squeezes at your clothed hips. “Just like a good little housewife, huh?” he croons mischievously.

You roll your eyes at him ‘cause you’re not a housewife by any means. 

You live in a trailer with his uncle, for one. And you work five days a week, for another. Besides, you’re not even his wife, which you think is usually the first step. (You have no idea Eddie’s already picked a ring out for you. Or that he plans on keeping that a secret until he plays enough shows to afford a house). 

You decide to humor him, anyway. 

“Sure,” you monotone with a slow nod.

Eddie’s grin widens.

“C’mon on, Munson! We’re gonna be late!” Jeff lisps from the passenger side window of the van. The rusted tin can is parked a ways down the drive, packed to the brim with all their band equipment like a perfect game of Tetris.

You lean forward to press a chaste kiss to his mouth.

“Wear that dress I like when I get back?” Eddie murmurs lowly.

You hum with your lips pursed to the side of your mouth, pretending to be deep in thought. “Hmm… I was kinda thinkin’ about wearing nothing, actually,” you answer, shrugging innocently. “You know, for easy access and whatnot.”

Eddie warms all over. His wild head starts to swim at the visual –– one he’s seen a hundred times before that he’s not quiet sure he’ll ever get over. “Have mercy…” the boy mumbles under his breath.

“Just try not to think about it too much while you’re gone…” you lilt knowingly, smoothing both your hands up and over the lapels of his leather jacket. “All alone… Naked in our bed… Trying to get myself off while I wait for you…”

Eddie stares at you with heavy, lidded eyes. He can’t take the chocolates of them off your lips as they curl into a mischievous, tightlipped smile. “How ‘bout I just stay home?” he offers lowly.

A resounding honk blares from the van in a wordless answer. 

Gareth leans out the driver’s side window, face screwed and sandy curls wild. “C’mon, Eddie!” the boy yells like an impatient younger brother. “Put your dick in your pants already so we can go!” 

Eddie’s head swivels back to face you again, chest deflating with a grieving sigh. 

“You have to go,” you tell him, soft and sympathetic, as you press another kiss to his pout. “Have fun, honey,” you croon and step back from him –– knowing exactly what you’re doing as you trek back up the wobbly wooden porch steps.

Before you shut the front door behind you, you flash the boy a curt wave and a pretty smile. It takes a world of strength to keep from following behind you. 

In a perfect world, Eddie would already have the door bolted shut with you pressed against it by now. He’d have your oversized shirt balled up at your ribs and your shorts pulled down to your ankles and his mouth licking over your pretty cotton panties.

He shakes his head in a physical attempt to remove the sinful thoughts from his brain as he stalks back to the van. He keeps his head bowed as he goes, trying to hide his reddened cheeks behind his wild curls. Gareth watches from the window as Eddie tugs at the crotch of his jeans, trying to un-strangle his hard cock like a teenager.

The boy leans between the front seats as Eddie climbs into the driver’s side, slamming the screeching door shut behind him. “You’re pathetic,” Gareth teases through a fit of boyish laughter.

“Shut up,” Eddie grumbles.

[corollaservant]

Night in the Net // Shigaraki x f! reader (18+)

Synopsis: You find yourself stranded in one hell of a sexist environment: the small town's internet café. Shigaraki's on the night shift. (3.6k)

Warnings: sex with Shiggy basically, mild degradation and misogyny from our fav incel, dom!Shiggy with a twist (no quirk obviously), use of “dollface” (i like it)

A/N: No dark themes here, peace n luv. Also.. yeah he is always linked to some gaming/electronic business ik!! but I like the trope/hc/almost canon.

You'd never imagine this was how your night would end.

Why are you there again? Right, your friends wanted to go to that after party, as if the club wasn't enough. What was supposed to be a night out ended up with you in the local internet café (the only after hours spot) while your friends decided to go to a house party with loud techno music, which definitely wasn’t your vibe. You and your friends lived close and would often call a taxi on your way home, money wasn’t enough for you to ride solo today though—you prayed in times like these that you at least had a job; you wouldn’t have to rely on anyone then. 

You knew pretty much everyone there, it’s not like the town had more than ten thousand residents and considering the age group and schools you’d all gone to, the internet café only had a few unknown members. On today’s shift was none other than Tomura of course, that guy was taking up as many shifts as his body would allow him to, apparently there was this rumor a family member was in crucial condition and they were in need. Tomura Shigaraki was one of these people you had branded as incel. Though hardworking (he kept a house of his own, cleaning and doing all chores by himself while providing for whomever he had), you still considered the guy as one. Now—you know the term is heavy, matter of fact, quite offending and serious as an allegation but it’s not like there weren’t rumors. Rumors he’d bash women and call them prostitutes, try to sleep with girls and trash them to his friends a day later, hating them for anything they did and claiming true love didn’t exist nowadays because “all women are sluts, who need money and validation.” Plus, he worked at the local internet café (should be enough reason), engaging in heated conversations with his friends and fellow streamers. God, one look in their chats and you'd get as violent as possible— (not much, you'd discovered it the hard way). Thus, it was no surprise that when you enter the place, you hear whispers and scoffs.

‘’The hell are you doing here?’’ A voice was heard from within, the café had the computer screens up front, a bar and a couch with TV in the back. Tomura was occupied in the designated bar the place had (you often wondered what kind of needs these people had—all they ever consumed was energy drinks and pre-packaged meals, takeouts were for reasons of competitive market prohibited).

‘’Just dropping by for a couple of hours, will leave soon.’’ You sigh as you take a seat on the couch, not bothering to talk to anyone, it wasn’t like they cared anyway. Loud noise and laughter can be heard all around, a couple of guys swearing and some younger boys excitedly standing above their screens. The store had a 16+ policy, but of course, no one ever checked so kids could practically stare unattended. Tomura also encouraged younger boys to play, such a piece of shit, you think, getting them to learn young. 

‘’Oh my fucking God, a slut just joined!’’ You hear some guy swear, presumably because a girl joined their online server. These guys were so disgusting, you cringe, it was no wonder they were celibate without wanting it. You stand up, you need to kill some time and you're feeling bored, you think about starting a fight with Tomura, how else could you have a little bit of fun?

You weren’t ever necessarily afraid of the guy, even though you had to admit, he looked intimidating. Quite tall with a pale complexion, ashy, dull hair and scars across his face; no one actually knew much about him and whether he was troubled, it’s not like he ever showed to work beaten up or high and usually kept a low profile. The only frightening thing this man had was his smile, it terrified you sometimes as it looked downright evil. 

‘’Getting them to learn young, huh?’’ You ask him, he’s washing up some cups from the previous round of gross gaming guys, who have now left.

‘’What?’’ He responds, not bothering to look up. 

‘’How to not get women, I mean.’’ You sigh as he huffs in annoyance.

‘’You should be grateful I let a female in my store in the first place.’’ He retorts, but doesn’t seem very angry, just ironic. Usual.

My store (you decide to skip over 'female') sounds funny but you choose not to comment on it. 

‘’So how long until you guys close?’’ You don't bother with the vocabulary—it’s routine at this point. It also never ends well and you had a great night so far, why ruin it now?

‘’Two hours.’’ 

‘’Mind if I sit on the couch? I’ll be quiet I promise’’ You ask—technically beg, as you see no other options.

‘’Ugh.. yeah I mind. There’s some guys wanting to use it, I have a group for GTA on the PS5.’’

‘’Seriously? People still play that?’’ You whine but force yourself to continue.

 ‘’Can I sit with you then?’’ It takes strength—but you say it regardless. You came to terms with the fact he was your last resort minutes ago.

‘’Sure. But you need to make yourself useful. Here, take this.’’ He hands you a wet sponge, ‘’Wash these up... carefully, while I go clean the floors.’’ He orders, as if you’re part of the staff (and new on the job apparently.)

‘’Do you actually want me to wash freaking dishes? I just came here to chill, I don’t even bother anyone!’’ You start feeling annoyed with the chores, you aren’t 16 and he isn’t your mom.

‘’You can always leave.’’ The running tap stops and he turns to you, practically shoving the wet gloves on your chest. 

‘’Or...you can stop being a brat and be of use during your stay, I have two hours left.’’ He smiles, that same smile that makes your skin crawl and blood boil as he moves away.

‘’Fuck! My dress, you asshole!’’ A wet patch now covers the too short dress as you glance at the time on your phone. 

Two hours. Two hours until your friends leave and he closes up anyway.

-

Tomura was at least true to his words. Within two insufferable hours of having to listen to appalling conversations between men (hardly to be considered as such), plate washing and the toilet being constantly occupied, the last customers get up to leave. 

You dry your hands and plop down the couch exhausted.

‘’Finally.’’ You exhale checking your phone, your friends hadn’t given you any life signs in the meantime, so you decide to patiently wait, they’d message eventually. Tomura is done sweeping the nasty floors from crumbs and dried Monster remnants, which he still has to mop (for the fourth time, you note and you've only been there some hours). You notice how restless he seems—the guy has been running the whole night after ignorant customers, who had not once shown basic respect for the order of the place yet never complained. Truly a shame he has such a misogynistic mindset, you think. He could get women, if he wanted to. 

It’s around 6:30 AM, when he presses a button to close the store's roll-up shutters halfway. Small light outside makes its way in but the place is still relatively dark, as he places the mop near the wall and takes a seat next to you.

‘’Fuuck, I’m so tired.’’ He sighs, making sure to spread his legs on the couch as much as he can, not caring (of course) about you also sitting on it. 

You always branded Tomura as an incel, that you knew about. But despite that, you now can’t help but feel for him, not knowing much about him at the same time. Sure, he technically isn’t the nicest guy but a look around would show you that he tries enough for a job kicking his ass. You find yourself sympathizing with a man, whose ideals you hate and try to brush these thoughts off.

‘’And why the fuck am I an incel anyway?’’ He asks, his head rests on the couch and his eyes are closed, he is scrunching severely—almost threatening to fall down. And he manspreads. A lot.

‘’W-well– I..’’ You never thought he’d caught on to that, stammering to stand your ground as you continue. ‘’Well, there have been rumors about you.’’ You say, but it doesn’t come off as confident as you’d hoped for. You also realize, it sounds kind of stupid.

‘’Reaaally? And you made sure to believe them, right?’’ His tone’s laced with irony but the way he talks like he whispers in a raspy voice doesn't annoy you anymore. It makes you more... uncomfortable? On the edge? Excited?...what?

‘’It’s not like you don’t claim it yourself.’’ You retort, finally finding some courage. You notice him looking at you as you awkwardly shuffle in your seat.

‘’All I’ve ever said was that I think women are good for nothing. And I still believe that, but I wouldn’t waste more of my time on that.’’ The statement makes you roll your eyes.

‘’How can you generalize a whole group of people, who are literally in no way inferior to you, you can’t tell me you’ve tried—’’ 

‘’Listen dollface, unless you want to change my mind there’s no reason to fuss that much, my opinion won’t change.’’

Unless you want to change my mind?

‘’I-I don’t.’’ You stammer, because the answer and pet name (dollface??) takes you by surprise and he laughs.

‘’Relax, you branded me an incel.’’ He jokes, ‘’don’t want the rape allegations on me too.’’ 

The more he talks, the more your mind races and you curse yourself. He seems..funny? He has a mole under his lips—fuck, it looks cute...He also looks good so (stupid as it is, yes!) you silently want his attention. Why can’t he just look you in the eyes more?

This is so wrong. He must've noticed your lost gaze as he speaks up.

‘’Wanna watch a movie?’’ He proposes and you nod, anything is better than the silence hanging in the air. Silence you caused. For thinking... things about him. 

Of course Tomura ends up choosing the most depressing film anyone can possibly watch in an internet café at 6 AM, Fallen Angels, and the dramatic cuts make it hard for you to concentrate. He at a certain point leans closer to you but you justify it, how else would he be able to see?

During this one scene, the woman pleasured herself with her legs closed, rubbing together and that’s when you feel a soft hand touch on your thigh. The dress you wore rode up, because your legs rested on the table ahead so it gave him the space he needed. The movement made you tingle and your core involuntarily contracted. The smooth fingers teasingly trailed up and down your leg, from your knees to your inner thighs. You didn’t want to look at him—he was too close and the scene seemed endless. But…he went on about it as if nothing was happening. 

Without saying a word, he carried on. A pad of his finger tip dangerously close to your now heated entrance, the images flashing before your eyes lewd, his hand tempting and threatening to reach your already soaked cunt—all this while the two of you hadn’t even shared a kiss. But he doesn't stop, looking ahead and acting like everything’s fine, until he touches your lower lips and you hiss, his finger traces the wet spot over your underwear while you try to move and speak up. 

‘’W–what are y—’’

‘’Shh..’’ is all he says. 

You want to tell him no. But no to what? You like the feeling of his two fingers against your folds. His palm moves your panties to the side and he stuffs them inside—they dampen from the fluids. How is he that quick? You can’t form a response but you’re about to ask him why—

‘’All that and I haven’t even kissed you.’’ He murmurs, gaze still fixated on the television ahead as you moan, when he slowly pumps them within your walls. Fuck, are you turned on by this?

‘’P-please..’’ You whisper, turning to look at him and for the first time, his eyes are removed from the stupid TV, a sly smile on his features as he tears away his hand.

‘’What is it? Want the incel to kiss you? Maybe even fuck you to prove a point?’’ He says and you frown.

‘’I—no, I have to go.’’ You get up, fixing (lowering) your dress—you have nowhere to go but you’ll figure it out eventually. You think staying longer only plays into his cruel intentions and whilst you can’t deny the pleasure he could give you, your pride’s in the way.

‘’You’re not going anywhere.’’ A wet hand clasps around your wrist and brings you on his lap, as he grins; you seem confused at the sensation. You are hiding the TV screen but he couldn't care less, he never paid attention to the movie.

‘’Feel the stain you left, too?’’ He says as he brings your face closer with the sticky palm grabbing you by the hair. You softly moan, noticing the small mole up close and feeling a bulge poke where your bodies meet. You sway your hips in a silent effort to have him initiate a kiss, you feel desperate and curse yourself again internally. He can only smile.

(You were so clueless, walking around in that slutty dress earlier—making him hard like that, did you even know it?)

He’s quick to kiss you, eager for more already, as mouths clash, teeth collide, the need you both have exceeds proper manners. You sloppily grind against him, the friction from a long outline beneath you makes it hard to think.

‘’I’m guessing, you’re really fucking the incel then.’’ He half smirks as he grabs you and repositions you to sit on his now fully hard cock that throbs in his pants; he lifts your dress above your ass and guides your hips sluggishly back and forth—he’s tormenting you and he enjoys it to the fullest.

‘’T-tomura..p-please.’’ You whine, the urge to have him inside you makes you blabber.

‘’Please what?’’ He slides a hand behind your waist, lowering it to find your slit from behind, his fingers pet your cunt and you moan. Loudly. He is tugging at your panties, the fabric annoys him and he wants full access and the words. The words to prove his point.

‘’P–please...fuck me already!’’ You breathe out and he groans to the sound of your voice. 

The ironic remark he prepared evaporates as he quickly pushes you back, just enough to not fall off his lap and quickly unzips his pants, thanking god for not wearing a belt. 

His pants and underwear are sloppily moved down his knees, as his cock jumps with a pop on his lower abdomen, stiff with a weeping tip. Pretty veins throb around it as your eyes widen.

Shit, he’s big, can you take him?

‘’I’d ask for a nice blowjob, dollface, but wouldn’t want the feminists after me.’’ He says as he brings you close, kissing you yet again, a string of spit runs down your jaw, as your hands roam his tangled, uncombed hair. 

He positions you on his cock, one hand snakes around your waist while the other one clings to the back of your scalp and you’re swiftly lifted by the head and pushed down on him, as you let out a scream.

‘’Shut the fuck up.’’ He hisses, quickly looking around, the sensation from almost his whole length makes you tremble, he feels too full, too painful...too good.

‘’Shit, c’mon now you got this.’’ He encourages as you hesitantly move up and down his cock, gripping his shoulders and looking at him; he seems more concentrated on the sensation than your body, staring at you while you wrap around his length.

‘’Fuck...dollface, this too much for ya?’’ He tries not to grunt and you give your best not to cry, each moment that goes by turning the initial pain to pleasure—your cunt adjusts slowly and bit by bit to his girth. 

‘’T-tomura... y-yes..it’s too much!’’ You whine, sweat forms in your forehead as his hand finds your swollen clit and circles it while your nails dig deeper in his shirt.

‘’You can take it.’’ He says, he feels you squeezing him in, you bounce with dedication on his legs, making the couch squeak as if on some sex tape—you want to bring yourself even closer. So nasty, aren't you? Acting righteous, only to fuck yourself on his cock like a desperate whore.

‘’I-ugh-p-please..’’ You try to speak but he secures his hand around your torso and sinks (lower than before) down the couch. Two strong hands force you to stay still in the air while he drills himself into you at a steady pace, kind of sloppily too. Both of you moan, the position gives equal pleasure, your clit bumps on his groin and his cock reaches your g-spot with ease.

‘’S–Shit, you’re squeezing way too much, haven’t you been fucked like this before?’’ He sounds annoyed but the stammer in his voice betrays him.

Not like this, you want to say but can’t really speak the words. Your weight falls entirely on him, he doesn’t mind one bit—he loves it actually, this skin on skin contact as he guides you on his cock, it feels surreal. He hits soft and spongy spots inside while you slowly fall apart. 

‘’T-Tomura right there..I ugh—I'm close!’’ The sensation overwhelms you, his eyes are still fixated on your face, yeah I can tell, he thinks. He gets off on your desperation, mouth parted all for him? Your eyes threaten to spill by the way he tears apart your cunt and morals bit by bit.. it’s–

‘’Tomura, aren't you closing yet?’’ Someone asks from outside, interrupting the moment. The shutters only reveal a pair of shoes. 

‘’Yeah, I’m on it.’’ Shigaraki stops composed, cockwarming you in a funny way, while a hand, his hand covers your mouth. Your eyes widen as slick trickles down his thighs in silence.

‘’Alright, see you then.’’ The man leaves and he cusses him out. (''Cunt.'')

‘’We’re not done.’’ He turns his attention back to you and seizes your face, bringing your mouth closer.

‘’Open up.’’ He orders and you do, clenching around him in anticipation.

He spits in it and closes the gap with his index finger. 

‘’Swallow or I won’t continue.’’ You quickly gulp down.

‘’So obedient all of a sudden, aren't you?’’ Sarcasm evident as he gives your ass a solid hit, before starting to get back on his pace, only more rough this time, he longs for your release on him. You’re moving up and down his length, trying to grab anything accessible really, his hair, the back of the couch, under his shirt and you feel your orgasm resurface stronger; the delay highlighted all of your senses.

‘’T-Tomura—’’ You shudder, as his cock hits your g-spot expertly–fuck, this guy wasn't some incel–and your swollen clit has to brush one last time past his groin before you feel an overwhelming orgasm take over. You clamp down his length and moan embarrassingly (Fuck Tomura! I–I'm...too good!) This time he lets you, he needs to hear this.

‘’Fuuck—agh, look at you dollface.’’ He hums, a feminist creaming herself on my cock, he wants to add but it’s too many words and you just came so he wastes no time. He brings your neck close to his mouth and bites on it, teeth sink into your flesh and hands force you all the way down. His cum spills inside and he groans, trying to stifle his moans by biting down the sensitive skin even harder. 

And fuck if that isn’t hot.

He keeps you on him, arms fasten around your waist with cum dripping onto his lowered pants but neither of you bother to care; ragged breaths and the sounds of the film still playing are audible as more light enters through the rolled shutters.

God must’ve been on your side that day because a message appears on your screen moments after you both wordlessly got up and cleaned yourselves in the bathroom. Tomura would have to clean again, you think, as the message on your phone signals your time to leave.

You turn to look at him, he has removed his shirt and small nail scratches decorate his pale back and you..smile. What the hell? Was this..? Oh no—You try to find an appropriate goodbye.

See you soon? Thanks for the mind blowing dick? You aren’t the incel I thought you were? Everything seems embarrassing at present time. 

‘’I-I’ll be seeing you soon.’’ You opt for that, stupid as it is, you still look at him in anticipation. He turns to you, hands on the mop cleaning near the couch and nods. 

Great, you think, that was a disaster. You defeatedly walk (actually stoop to get past the almost closed door) feeling like a hooker after a client, miserable and kind of used. This is always the worst part. 

You feel an arm touch your shoulder, you’ve only taken a few steps in the daylight.

‘’Take this in case you revoke your incel statement.’’

Tomura hands you a piece of paper and quickly disappears behind the store’s shadows.

[dreamerimpossible]

Slasher Jealousy Scale

Warnings: Unhealthy relationships, in certain cases yandere tendencies, +18 content.

Michael Myers 3/10

Not too jealous. He usually doesn't understand the reason for those feelings. Furthermore, no one would be able to touch what he marked for him, his superhuman strength and imposing figure would be on top of anyone who dared to look in your direction. So, he would never get jealous. There's just no need.

Chucky 8/10

Completely canonical that he's a jealous bastard. Just tell him he's not man enough for you and he'll get on top of you without thinking twice forcing you to back off. The person who set his sights on you doesn't have a good destiny, obviously. In reality, it's not good to play with him, his pride as a man is too strong.

Billy Loomis 9/10

Abandonment issues become too present. He doesn't like you getting close to too many guys. If his partner knows his true nature, he will be overly controlling and possessive, he would not like his partner to get too close to friends who could be a threat to their relationship. He is quite manipulative and will use such tactics to get you to stay away from those he doesn't like.

Stu Macher 6/10

Medium level of jealousy. He doesn't like being replaced by someone else, but he won't show much of a reaction if you talk to friends who like you. Anyway, he is also popular and will interact with all types of people. However, if he sees something very noticeable, he will pull the strings underneath and that person who made him jealous will magically disappear. For the sake of the relationship, don't talk about it.

Patrick Bateman 10/10

All your attention should be directed at him. The more genuine your interest and compliments, the more he will seek your attention, so making him jealous and paying attention to someone else would be the end of it. He needs complete devotion. He won't tolerate distractions and could take care of them. Making him feel insecure indirectly is not the best option you could take. It is better to dedicate everything to him.

Jason Vorhees 10/10

He literally keeps you locked up, that is the most representative indication of the matter. He does not like those people standing over you looking at you with lust. He is the only one you need. Yes, he will take care of you and protect you. You should be calm.

Leatherface 10/10

Too insecure with himself, so he expects you to have impeccable behavior. Although luckily for you, you will not have too many moments in which he will get jealous because your only environment is his family. So you must treat them with respect and with certain limits and distance. If not, he will get frustrated. And we know his way of dealing with that.

Art The Clown 2/10

He is not jealous, everything for him is a violent game. If someone flirts with you, he will laugh and do his thing with the same energy as always. Although he won't tolerate you ridiculing him, if you flirt with someone, you will pay, but not because he gets jealous, but because he is the one who makes the rules, not you.

Jason Dean 10/10

Dependent, possessive and obsessive. He's literally a warning in and of himself. Seriously, don't flirt or let yourself be flirted with. Don't break up with him, don't walk away from him, don't stop paying attention to him. Just don't leave him, he's very jealous and won't let you go for any reason. Oh, he's also manipulative, so he'll definitely get you to walk away from that harmless guy in your class.

Alex DeLarge 2/10

He doesn't formally qualify as a slasher, but I'm including him anyway. I don't really see him as jealous, he's more of a controlling guy. He doesn't like having his first choice role in other people's lives taken away from him, he is the leader and the one who commands, but he won't get jealous of anyone, because he thinks highly of himself and is charming when he wants to be. He probably has you wrapped around his finger, so…why get jealous?

Brahms 15/10

He won't let you leave the house for that reason. He doesn't want you to leave him, any outsider is a threat. You are only his, you must accept that. However, even if you accept it, he will still be jealous, because he can't help it. If you want to go out somewhere, he will wonder if it is because you want to see someone.

[dimepdf]

★  𝐓𝐎𝐔𝐂𝐇-𝐀, 𝐓𝐎𝐔𝐂𝐇-𝐀, 𝐓𝐎𝐔𝐂𝐇 𝐌𝐄. + 𝐌𝐈𝐆𝐔𝐄𝐋 𝐎'𝐇𝐀𝐑𝐀

masterlist. / taglist. / tip jar. synopsis. no matter how many times you try to convince yourself that Miguel is the bane of your existence, the way you react during training proves otherwise.

─── ☆ notes. i need fics of miguel being an absolute dick, like a petty bitch just for the hell of it i need more attitude yk? Like if that man isn't calling me a slut it ain't canon! | — feedback is always welcomed & don't forget to reblog 🤍

─── ☆ length. 4.3k (33 min read).

─── ☆ genre and warnings. +18 nsfw under the cut. minors dni | no spoilers | smut, enemies to lovers, maybe mutual pining, fighting and violence, semi public sex, gym sex, mentions of abuse, size difference, pain kink, strength kink, degradation kink, manhandling, power play(?), begging, rough sex, cervix kissing, choking, fangs, biting, marking, cunnilingus, eye contact, hair pulling, creampie, open ended, not an taiyo fic without a few typos.

IF YOU ASKED any of the other Spider-men what they loved so much about being Spider-Man, their answers would all be the same, ranging from "the suit" to "the enhanced abilities." It was a no-brainer that being a superhero came with a few awesome perks.

Which was why your answer was just a bit confusing, "the combat." You would always smile, despite the many eyebrows raises and looks that convinced you you had to be some type of overcover masochist, especially since you would never really go into true detail about why.

Your reasoning behind putting on the mask was similar to all the others: another traumatized kid being thrown into a whole new reality that you never would have dreamed of being possible.

Sadly, you had been raised with the loss of most of your loved ones, and your family was in shambles from the abuse you would go through from them. It was the reason why it was difficult for you to grow up and make many friends, let alone navigate your abilities on your own accord, which was why it was a whole different ball game when you first joined the spider society.

When you first met Miguel O'Hara, you thought he was an overly intimidating man with an even more scary personality. Your aesthetics and morals would clash in the first few run-ins you would have with him.

In all honesty, you first thought him to be a massive dick who surprisingly needed more therapy than you did. From his bored expression to his unnerving glare, it was clear upon the first introduction that you two just would not get along.

Which was why the universe made him the only spider person willing and with enough free time to train you. It came as a surprise to you both, who are usually butting heads. Miguel was adamant about not wanting to waste his time training some little girl who didn't even know how to throw a punch.

With much shit-talking on your part and a lot of teasing claims of him being afraid that you were going to kick your ass, training had quite literally started in full swing.

It was probably a bad move on your part to push the buttons of the guy who was teaching you how to fight. Miguel was clear with his fight-style techniques. He was nimble with his limbs and swift on his feet. It was hard for anyone to get a hit on him, especially since he wasn't the type to hold back his punches. 

His teaching style was the same: your sessions included throwing you around as if you were some ragdoll and picking you up as if you weighed nothing, just to slam you into the ground with full bruising force.

There would be some very rare occasions when you would manage to get the upper hand on him. Miguel was about a foot taller than you, not to mention how pathetically compressed you looked standing next to him. You learned that the only way you could manage to get the upper hand was by using your size difference to your advantage.

All the sessions you won were hosted by you managing to tangle yourself from his claws and climb his towering figure into a headlock, praying that you had enough strength in your legs to make him tap out.

"How is she not dead yet?" Miles would mutter, looking concerned, as he stood from the sidelines of the training room, watching one of your sessions, as the blonde by his side didn't even wince at the sound of Miguel untangling you from the headlock you had him in.

His arms moved faster than you could process as he managed to loosen your hold enough to slam the air from your lungs as you fell back facing against the mat so hard that even Miles was convinced he could feel the blow in the lower spine.

"I mean, at this point, I'm kind of convinced she’s turned into his personal punching bag." Miles strains to watch Miguel not even wipe a sweat as he sprung back on his feet. He stretched out his full body, towering over you, curled flat against the mat, trying to collect your breathing as well as your broken ego.

Gwen nodded in agreement. "I don't even know how someone could hit someone so...squishy? She’s just so cute." She muttered, watching with her arms crossed. 

"This punching bag needs to learn that in the real world, people aren't going to go as easy on her just because she’s cute." Miguel, despite glaring at the two bystanders, leaned down and yanked you back onto your stumbling feet. 

Your fingers combed through the matted curls now drenched in sweat away from your forehead, using your water break as the perfect excuse to help cover up the reaction to the sudden compliment that came from his lips and the way he had made you feel.

"And her being my personal punching bag is completely at her fault, if you want to learn how to fight, you have to learn how to take a few punches." You couldn't help but roll your eyes and wave your hand out in annoyance at another one of Miguel O’Hara’s famous lectures.

"I’m not a punching bag, did you not see the hold I had on him early?" You huffed, almost choking on your water, trying to protest. Gwen humored your claim, the blonde reaching out and rubbing your shoulder out of support as you continued with your defense. "Any tighter, and I would have easily snapped his neck."

Of course, Miguel only smirked as you continued grasping at straws at the point of trying to prove to your friends your improvement, his eyes flitting back and forth at the exchange, expressionless at the sight of you managing to still joke around as if you weren't about to pass out from fatigue at any second.

"And was that before or after the part where I kicked your ass, little girl?" He shot out, chipping away at the final lock that held back your annoyance, you hadn't even had time to process the insult before he bumped his shoulder into you on his way out of the training room.

His rude exit enticed a round of reactions from Miles and Gwen trying their awkward best to comfort the boiling pot of anger they saw written all over your face, rolling your eyes, you pushed past the two, not without grumbling a string of insults in Miguel’s name to the washrooms.

You blessed the spider lords for somehow having the ability to shower under running water, let alone the unexplainable strange amount of amenities that the spider society dimensions had. 

Like a web shooter's wonderland, you quickly shed the sweating clothes you trained in and stepped foot into the cold cubicle shower booth, letting the water run for a bit until enough steam fogged clouded stepping under the stream. Even with the hot water splashing pressure against your aching muscles, no amount of water could manage to wash away the annoying feeling in your legs. 

It was enough of a jab at your pride to even find Miguel attractive in the first place, and here your body was betraying you once more, begging, throbbing desperately for his every touch in its every form, and having the nerve to grow more intense during your training.

The feeling had yet to fully disappear the next day, even with your session starting off with you fueled from yesterday's comments. You tried pushing the feeling as you were just ready to have Miguel mutter another word insult with the ass kick you were ready to give him. It was the only possible explanation for why you were so jittery about getting to training on time.

"It took you long enough." Was the first thing you heard Miguel announce throughout the empty room.

He wasn’t wearing his suit—neither of you did while training—instead, he was wearing dark gray sweatpants paired with some random dark red graphic shirt that fit him a bit too snuggly to leave room for imagination around his arms.

"Almost thought you were gonna skip out."

You were aware enough to spot this quick observation of your outfit as well. Keeping it casual and opting for better mobility, you shimmied yourself into plain Nike shorts that stopped higher up than you had expected them to on your thighs with a loose tank top that peeked out the straps of your sports bra.

Nothing about your clothes screamed attention grabbing—at least that's what you thought before you caught Miguel’s red-tinted stare on the way your shorts hugged your thighs.

He glanced away, muttering something in Spanish you couldn't quite translate the moment your fingers fidgeted with the bottom hems of the shorts, tugging them slightly more down while deciding to break the tense silence that had managed to sneak up on you. "So what are we doing today?"

"Huh, I’ve been thinking." He answered, followed by the clearing of his throat, "We try something a little different." You could never get used to the roughness of his voice or the way he spoke with so much arrogance that it reminded just about everyone that he thought he was better than just about everyone.

Even now that you stepped towards the middle of the mat, standing rigidly just a few paces away from him, you could tell from that stupid, cocky expression as he stood looking down at you that there was no possible way that he would ever see you as a real threat. "I want you to try to hit me." 

Your brows creased together in confusion. 

"What?" was all you asked, which seemed to be the wrong question to ask as Miguel stretched out a sigh from his mouth, his hands coming close to his to pinch the bridge of his nose. 

"I said hit me." He speaks more slowly, making sure to mockingly over pronounce every symbol in every word as if you were a child. "Preferably soon and as hard as you can." A grimace finds itself twisting on your lips before you can even process your bubbling annoyance. Your body moved on autopilot because of your keen senses, jumping over the swing of his left leg with ease.

You couldn't say that swift grace stuck with your attempt at a counterattack. Bending your knee just enough to reach out and kick, you were only met with the bottom of your foot stomping flat against the floor mat and Miguel dodging your kick, standing just a few paces away. "Too predictable," he scolded in that annoyingly deep voice you hated oh so much and totally did not turn on you at all. You sprung yourself up by the heels of your feet and charged at him with full determination to land at least one punch on his stupidly chiseled, handsome face.

It had been your second mistake, giving him too much time to brace himself. Already regretting your emotionally impulsive start, resulting in the punch you swung being easily deflected by Miguel.

His hand wrapped entirely around your wrist, bending your arm almost out of your socket and kicking the back of your knee to the mat with his heel. You feel down to a kneel with a hissing pain in your arm threatening to get worse at any wrong twist.

"Lose that fucking attitude, or you’ll get sloppy." As if your body could radiate any more anger, you knew he was just trying to push your buttons, trying to throw you off your game with smack talk that was not working on you or anything.

"Again," he prompted, letting your arm go and stepping back, egging on another attack from you.

"Give me a damn minute." No matter how much you wanted to snap back at him with something snarky, you knew it would only prove his point entirely—not only that but also the fact that he was mentally hitting you in all the places that he knew counted the most to throw you off your game. 

Biting back the insult you already had threatened to slip from your tongue instead of making a point by rolling your eyes as you stumbled back to your feet. Rolling your sore shoulder back as your eyes scan over his stance, trying to find the best opening for a better attack, you steady your breath and cloud your mind in thought. "You aren't going to get anywhere but dead standing around like that, you know."

So much for wanting to consider your options. Miguel took the first swing at you and was on the verge of kicking you on your ass if it weren't for your shoddy dodge.

"Didn't you just say I had to be less fucking predictable?" You snarled, lifting your foot with most of your weight pointed in the direction of his jaw. Surprisingly, the kick landed just not in the place you wanted it to; instead, Miguel’s arm blocked the blow, much to your annoyance.

"I also said—" All he was doing was using dodging moves on you, swiping your other foot from under you as he held the other one that you kicked up in his arm, resulting in you landing once again flat on your ass. "to lose that fucking attitude."

You had not gone down without a fight, twisting and kicking, trying to wrestle your limbs free by any means. Miguel had almost embarrassingly quickly ceased your squirming, his palm cuffing your arms and pressing hard against your chest as his other hand pressed tightly into your thighs, folding your legs in place under his hips.

The position was interesting, to say the least, but you still had some fight in you, wiggling against his grip with any strength you had left to break free. It was a useless battle, but the man had his grip around you tight as well as an overpowering size difference that blanketed your entire figure like one big rock.

And that's how you caught yourself in another web of misfortune. Your nerves are surging at the feeling of something—him brushing against your calf. Maybe it was all the adrenaline pumping through your veins or the fact that you were practically being manhandled so easily that did another thing to your body, or maybe it was just pure horny instability that your brain couldn't even process the lewd whine that tugged from your throat after the fact that it had happened.

Watching in pure horror as Miguel loomed on top of you, his mouth slightly agape as his chest heaved and his brows pulled together, the embarrassment from his confused, almost offended looking expression hit you fast. Here your body was betraying you once more, this time going absolutely haywire and melting like a stupid pile of putty at the fact that you were being body pressed against some mat with some guy's hard junk pressed into your leg.

You couldn't bear to even look him in the eye anymore, your head tilting to the side, pressing your cheek into the mat, and squeezing your eyes closed, not suddenly envying the spidermen with teleportation powers. "Fucking Christ, can you get off now?"

A beat of silence hovered between the small distance between you two, neither moving nor talking. It was starting to become unbearable how tightly Miguel had folded your legs against him, in the sense that you could already feel his body heat radiating. The close proximity did not help with how unbearably your heart was beating against your chest. "How do you manage after all of that to still have that shameless fucking attitude?"

You stilled at how his voice had managed to cut through your own thick cloud of betraying thoughts as well as the ringing in your eardrums. "Shameless? As if you don't have your dick pressed against me right now."

"By the sounds of it, you don't seem that bothered at all." Miguel taunted, You thought you were bound to die of embarrassment.

Yeah, this is how you went out—by dying from the sheer effect of your own extremely horny though—not some overpowered supervillain with a vendetta against you but Miguel O'Hara and his dick print.

You could already hear the new taunts that he would use against you, "Not even in your fucking dreams." being the only comeback that you could muster, your limbs tingling with slight pins and needles, threatening to go stiff under his unbound grasp. 

"Oh, like you wouldn't love to," he sneered, shifting the weight from his hips flat against your thighs. "Probably thinking about me taking off these tight fucking shorts and having my way with you?" Your body reacted first to the accusation, cursing under your breath as you felt your second heartbeat flutter in between your legs.

His lingering stare hadn't helped one bit, and you watched from the sidelines as his eyes raked over your body with interest.

"I bet this was your plan the entire fucking time, huh?" He asked, leaning in as the distance dwindled until you could feel the brush of his breath against your face. "Put on some sweet naive act in front of everyone, knowing that you're getting yourself off on me throwing you around, touching yourself like some bitch in heat."

You hadn't bothered covering the whine that parted from your lips at the feeling of his erection slowly rutting against your thigh, the cocky smirk on his lips wanting you to melt away against the mat.

Miguel practically growled at the pathetic sounds that parted from your lips, tugging your legs apart to rut his hips down against your core. You shivered at the intrusion of his bulge pressed against your eagerness, the foreign feeling of him grinding against you left your thoughts in a dizzy fog.

"What? Can’t fucking speak now," he said as if he were dangling your most prized possession in front of your face, his fingers creeping into dangerous territory, making it a point for his fingertips to drag down your lower torso only to halt right above the elastic waistband of your shorts. "Go on, use your words."

"...fuck you."

The small amount of distance made the space between you two fall tensely thick, and the words spoken from your lips were different from the feelings that made your heart thud against your ribs. You weren't stupid, you knew Miguel could sense it, he could sense just about everything about your body from how close he kneeled on top of you.

Maybe that was why he had closed the distance so quickly after, letting the tight grip around your wrists give way to his hand finding a new objective, wrapping his fingers around your neck, not bothering to be gentle as he guided your lips towards his. The kiss was as rough as you had dreamed it to be. Eager for each other's kiss, you couldn't even process the noise that vibrated sharply from your throat before Miguel could pull away first, leaving you panting for more of his touch.

"First time I've ever seen you so quiet," his deep taunts were starting to grow unbearable, shifting your hips at the brush of his fangs against the jugular of your neck with every word, "who knew all you needed was some dick?" The harsh kisses he left trailing down to your collarbone made you feel like a hot, needy mess of putty. If it weren't for the tight grasp he had on your body, you were convinced that you would feel like you'd melt into some type of puddle. The growing frustration had only started to build up more as Miguel let go of your thighs, his hand trailing between your legs ruthlessly as the bud of his fingers rubbed against your clothed pussy. 

As for why you shifted your hips up and let him impatiently tug and yank at the bow knotted around the waist of your shorts, breaking away from the red splotching light bruises already forming against your brown skin and wiggling you out of your shorts, Miguel thought it was quite the image, his eyes were fixated on the drooling sight of you under him, so vulnerable with your thighs hugging to your chest, spread open, revealing yourself in your pants.

All sanity was thrown out the window the moment he tugged you closer by your knees, your lower half lifted in his arms just enough for him to sit face to face with your cunt. His eyes darkened, his pupils blown as his tongue lapped over his lips, leaving you feeling restless. It was a slow and almost painful battle of trying to reach down and shove his face closer or buck your hips as his fingers sheathed and explored themselves against the fabric of your underwear.

As if Miguel could read your mind, his fingers hooked the fabric under the bend of his finger, followed by a quick tearing sound. "I’ll get you new ones," the comfort emitting a whine from your throat as you couldn't even scowl at him for ruining your underwear because you were too busy admiring the work his fingers were doing. Without warning, Miguel leans in closer, the warmth of his mouth almost sending you into a frenzy as his fingers spread open your lips, his lips sucking at your clitoral area, prompting you to let out a very lewd moan.

"Too loud," Miguel mumbled against your pussy, too busy webbed up in your own pleasure to even notice how every embarrassedly sloppy wet noise had seemed to perfectly echo throughout the empty room. You couldn't even explain the number of emotions that were flowing through you, from shame from being tongue fucked and fingered against the floor about the one man you hated so much to bashfulness from holding eye contact with him as he lay between your legs and ate your pussy like he was starving for you.

"I can't help it," you whined, shivering at the string of spit that contacted Miguel as he lifted his head in an idea. It took a second to process Miguel picking you up and turning you on your stomach, his hands guiding your hips up and stripping your torn panties down your legs to stuff them in your mouth.

Without a word, Miguel grabbed your ass with another hand, guiding your lower back into an arch as the other made small indents from his nail bearing into your cheeks as he spread them apart.

Before you could even feel embarrassed at the new position, he shoved his face between them, your moan being muffled by your makeshift cloth gag that worked a bit too well in lowering your whines as Miguel’s mouth sought his tongue out for your pussy once more.

"You're close I can smell it," you almost missed Miguel's groan over your building ecstasy, "just let it go, baby, let me take care of you. That's what you want, right?" His voice is drastically different from his usual rough, rude tone, softened to something of a coo that has managed to unknot your pleasure with his tongue. Your body tensed against his mouth for a moment as he had the nerve to suck his fingers clean. No grace period was given before he could lift you once more with a grunt, laying you flat on your back.

Slotting himself back between his legs, Miguel chuckled at the dazed look on your face. "It's alright, baby, I can take it from here." taking the balled up drool covered panties from your mouth and instead replaced them with his lips. The sensual change of pace wasn't enough to stop the shiver that rid your nerves of the feeling of his bare cock rutting against your slit, using his thumb to spread your lips apart to sink his tip inside of you with a low hiss against your mouth.

A gasp left yours as his girthy length intruded deeper inside of you, the burying stretch of his dick having your nails roughly grasping at the nape neck of his hair tugging a handful as his pace hadn't bothered to even get familiar already. Miguel’s hips weren't letting out as he fucked you almost animalistic against the floor. You were convinced he was trying to fuck you into the mat, to be one with the floor, which would perfectly explain the rough pace that left you breathless with each piston of his hips. 

The graphically lewd sounds of your weak groans were nothing compared to the pornographic sound of your skin meeting his, your brain empty with nothing but greed, wanting to take everything and more of what Miguel was giving you. His fingers reach to unwrap your fingers tangled in his hair to intertwine them in his. "That's it, mama, that's it," he whispers against the shell of your ear, earning a whimpering reply from you, almost close to spilling the tears clouding your waterline.

Your mind couldn't process anything other than how good Miguel’s dick felt being shoved inside of you, his cock dragging against your tight, flustering walls with each shaky breath brushed against your ear. Your cunt seemed to react to Miguel’s lashes tickling against your neck as his eyes screwed tightly shut, muttering a string of compliments in his mother tongue.

You weren't lucky enough to be more stable, surprised that your throat hasn't gone horse with how ruined your vocal cords sounded in the pace of his pistoning hips. Only going up an octave higher as one of Miguel’s hands reaches down to pay attention to your clit, he doesn't stop even when your limbs start to tremble from your climax. 

With one last hard thrust, he finally stills, your name being the only thing you could make out through his mumbling as his unfamiliar warm sensation welcomed itself inside of you. 

Groaning right in your ear, he cums inside of you with his entire dead weight pressed against you, caging you against the floor. "Alright," Miguel sighs, settling on top of you once more with his arms holding himself just a few inches away from your face. "Again."

🔖 @adonis-is-dead-lmaoo @thesebitcheslovesosadotcom @inumakiiz @iheartlinds @creamyarishi @marzipaanz

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[crushedsweets]

Can we get more BEN content? Please?

Something super quick!! I’m just tryna get a feel for his character again cuz I just realized how long it’s been since I’ve worked with him in my AU?! I’ll ramble a bit under the cut

Mandatory reminder that my AU is filled with rewrites largely inspired by my childhood understanding/memories of the stories … it’s not canon in the slightest

Tw for kidnapping(?sorta) and murder under the cut

Ok imma do a better finished pre/post death comparison later. But for now.

Ben in my AU went to a garage sale, found majoras mask, got really excited, and the one selling it to him was like “I have the console come over and we can beat the game together” so Ben started going to this 40 yr old guys house every week.

Once they beat the game, the guy ended up drowning Ben in his bathtub. It’s cuz he had this huge grand plan to create a true virtual reality where you can really put your soul into a video game, cuz he himself was addicted to video games and escapism and whatnot … specifically inserting himself into a Zelda game. and he had killed several young blonde boys who he thought resembled link, cuz he was doing all these different methods and rituals he read online that he believed would transport a persons soul inside. After he drowned Ben, he put the green tunic over bens zelda shirt + put boots and that damn hat on him + cut his hair to try and resemble link. He waited and waited and reopened the game and played it and tried tweaking it and did everything he could to find evidence that bens soul was in the game. EVIDENTLY THAT SHIT DIDNT WORK.

Well it sorta worked. Bens soul DID get trapped in that game cartridge. But it was more in the way a ghost possesses a doll, not transporting him into the game….

Eventually the man was caught for murder, charged, and the video game cartridge (with Bens soul) went into evidence. And it just sat there for a long while.

Eventually it broke, I haven’t exactly fleshed out how… maybe a dumb detective.. OH MY GOD MAYBE A DETECTIVE WORKING ON JEFFS CASE ??!?! LOL we’ll see

And when the cartridge broke, Bens Soul sorta got. Released ?! And obviously he was mad ..

So he just spent a while haunting people, driving people to suicide, being a massive menace on the internet and in people’s homes till slendy got involved and was like Benjamin. Do not do this.

Ok obviously this is super messy and I did it on a school bench on my phone cuz my class got cancelled today 😞 but. I’ll try to get more solid Ben content out cuz he’s just a guy

[littledeathh]

Quick rant but I'm honestly super mad when people say "Elden Ring is dead", "DLC proved there's no coherent plot", "Game has no depth" etc. I understand your complaint, but at the same time, this is a JRPG. You're supposed to roleplay, not just sit back and be entertained by the visuals. I know it's a dumbass opinion, but I think it's absolutely legit to make your own headcanons the canon, and if two theories contradict, they are both true. Make them AUs. I've also felt frustrated by how vague the setting and characters can be, but just make it yourself. You've been playing it for minimum 100 hours thinking it'll never end and now you're like "What now?" If you love the game enough that you wish you had more to experience from it, fill in the gaps. Want to believe there were other areas in the Lands Between we didn't get to explore? Eochaid is real. There had to be monsters in the oceans, right? Imagination is the basis of a fandom and no one can take that away from you. Not even Sony.

Stardew Valley has the exact same issue. Grinding slowly, you become more and more efficient and more greedy, until you become the capitalist you hated. Eric Barone created the Beach Farm specifically to remove sprinklers and inhibit min maxing, because it defeats the point of playing a game. What do I do after 1000 hours of Stardew Valley? Gardening in real life, listening to the OST. Roleplay!

[m-musings]

Crawl Out Through the Fallout with Me: Cooper "The Ghoul" Howard X Fem! Reader

A/N: never played an official fallout game in my life but i still love this man so it's time to bullshit some stuff, let's gooooooo

Word Count: 1.1k

Summary: After a fight with raiders, a argument between lovers ensues when one of them gets hurt.

Warnings: typical fallout vibes, mentions of fighting, blood and wounds, pre-established relationship, Cooper being Cooper but also being a bit ooc, this is cheesy as hell and def not canon compliant lmao

"Damnit, (Y/n), just what the hell were you thinkin'?!"

An upset voice rang out into the evening air of the Wasteland as a pair of figures rested up inside the crumbling walls of an abandoned building.

Lit by the fading light of the sun, (Y/n) hissed in pain as her irradiated companion tried to sew a sizable gunshot wound on her arm shut.

As he passed the needle back and forth through the gash, the girl rolled her eyes with an exasperated groan as a few rivulets of blood rolled down her arm.

"Gimme a break, Coop! Did you wanna be the one to be shot?! I don't- ow!- think so!"

During a journey to find their next cash-out, the partners were ambushed by a large group of raiders & fiends. After managing to get rid of most of them, one had managed to sneak up and send a bullet flying straight for Cooper.

Noticing the weapon before Cooper could even turn to see the shooter, (Y/n) dashed over and shoved the ghoul out of the path of the shot, causing her arm to be hit instead.

Now- a few hours after killing the remaining enemies- they took shelter in a decrepit shack in order to patch themselves up in peace and rest for the night.

"I'd still be better off than you are right now. I mean, for fucks sake, darlin', I'm a ghoul. I've been through worse than just being shot at."

"Well then, that's the last time I try to be helpful. Next time, I'll sit back and relax while you get absolutely slaughtered by raiders, how about that?!"

"Go right on ahead, see if I care! Now, hold still. Can't close this cut if you keep on squirmin' around." Cooper huffed as he gave the suture one final tug before snipping the end off with a pocket knife and tying it into a knot.

After he was finished, (Y/n) rolled the pain out of her bicep before reaching into her bag to grab a somewhat clean cloth to wipe up any remaining blood.

With a sputter of her lips, she got up from her spot next to Cooper to sit upon the old mattress in the other corner of the room in order to apply a stimpak to herself. It wouldn't be enough to heal the wound completely but it would be enough for her to be able to use her arm properly.

Satisfied with the sight of her flesh knitting back together, Cooper finally relaxed in his chair as he crossed one leg over the other.

"Now don't go doin' anything that stupid again, y' hear me? Don't wanna have to use any more stims than we have to."

"I just... don't understand why you're so worked up about this. Something like this was bound to happen eventually, it's literally a warzone out here. A scar or two isn't unusual." (Y/n) griped as she fell back onto the bed while crossing her arms.

"Yeah, for someone like me it isn't. But it shouldn't ever happen someone like you. You shouldn't have to get hurt like that..." Grumbled Cooper as he leaned back against the wall.

"I'm not made of glass, Coop, I can handle a few hits."

"Don't care. You're way too valuable for me to lose."

(Y/n)'s glare softened at that, realizing the true intention behind the cowboy's scolding was worry. As Cooper sets up a small lantern on the floor to combat the growing darkness, (Y/n) watches the man with a fondness gleaming in her eyes.

"Is that what this is all about? You didn't wanna see me get hurt?" Whispers the girl as she turns onto her side.

Although the action is rather subtle, the ghoul's body visibly tenses up as he fixes his gaze away from the woman across from him.

"I never said that."

"It's clear that you thought it, though." (Y/n) chuckled as she softly grinned at the cowboy.

Heaving out an irritated sigh, Cooper hunches over to look at her as he readjusts his hat.

"What do ya wanna hear from me, sweetheart? That I care about you? That I love ya? Well, if you don't know that by now, then you might be much dumber than I thought you were."

"Hey, I resent that! You'd be lost with me and you know it!"

"Sure I would. Just like how you'd do great out there if you were all alone."

(Y/n) shakes her head with a scoff before she gets up from the mattress to walk over plop herself onto Cooper's lap after he sits back down on the beat-up dinner chair.

As she shuffles into place, Cooper places his hand on the small of her back to ensure she doesn't topple over. He silently glances at her face, analyzing her now troubled expression as she fiddles with the lapel on his duster.

Mouth opening and closing as she tries to find the words to say, she presses her lips together before finally speaking her thoughts.

"Y'know, I worry about you too... I'm always so worried that there's gonna be a day where that one gunner you miss is gonna be the one that gets you." (Y/n) admits sadly as she rests her head on Cooper's shoulder.

Cooper's eyes widen slightly and peer down at her as he begins to rub a hand up and down her arm in an attempt to comfort her.

"Hey now, look at me. That'll never happen. Not on my watch."

"What makes you so sure?"

"I got too much to fight for. I already lost one family to this nonsense and I'll be damned if you get taken away from me too. I'll fight tooth and nail before I let anything touch me or you again, understand?"

"But why? What's so special about me?"

"If I allow you to get hurt anymore, I will never be able to live with myself again. I love you, so...so much, darlin'." Cooper states with a resolute nod.

(Y/n) eyes water and crinkle with a gentle smile before she leans up to place a couple light kisses upon his charred lips, which he returns immediately upon receiving.

"I love you too, Cooper..." Mutters (Y/n) as she closes her arm around his shoulders.

With a laugh rumbling in his chest, Cooper wraps both of his hands around her waist as he holds her as close as he can.

"Your sweetness is what's gonna be the death of me one of these days, doll... Not some dumbass bullet." Cooper jokes quietly, placing a kiss atop her hair & resting his head on hers as he rocks back and forth to lull her to sleep.

Listening to the calming sound of her breathing as she slumbers, Cooper thinks about how lucky a man like him is to have found a love like (Y/n) in such a desolate situation.

[shsl-analyzer-guy]

In-Depth Character Analysis On All The DR Characters Because What, Are You Gonna Try And Stop Me? Who Are You, My Mom? Yeah, I Didn't Think So- Part 5: Junko Enoshima

Oh boy, this is gonna be a big one. In fact, I wouldn't be surprised at all if this turns out to be the longest analysis in this entire series of ~100 characters. Why did I not save her for last. Why is this part 5. Why do I do this to myself-

Jokes aside, I am so so so excited to make this; Junko has become the face of this franchise for a reason, and the depth of her character and role in the series as a whole is massive. I won't be surprised if this takes over a month to complete. In fact, just for fun, let's track it. I'm starting the analysis on 7/5/24. When will we finish? Nobody knows!

(Final edit Crane here. It has been more than 5 months. Christ.)

This analysis uses only official material for the sake of analyzing the character, primarily sourcing official English localizations. It'll be um, lengthy, to say the least, so if you aren't that interested, just keep scrolling. Also, if there's even one canon installation of Danganronpa that you haven't played/watched/read yet (THH, DR0, SDR2, UDG, DR3, and/or V3) don't read this; the ripple effect of Junko in every corner of the franchise will be discussed and thus, there will be spoilers aplenty.

Also, a disclaimer that though I try to remain as objective as possible with these analyses, it will be at its core, an interpretation. Not everything will match up with how you interpret it, and that's okay! I don't claim to be perfect, and this isn't an infallible source of canon, only my interpretation of the source. Let's get into it!

Foreword

Real quick, before we get too far in: readers of my previous analyses know that I normally try to move in chronological order of release and events in-game to keep the analyses easier to follow. Due to the nature of Junko's characterization and the fact that she's present throughout the entire series, that isn't really possible here, as to talk about any one aspect of her, I may need to pull from multiple installations. I'll be sure to cite where I'm pulling from and provide evidence where necessary, but it definitely won't be perfectly in order by release or timeline. So hopefully it won't be too messy. Also, characters very closely tied to Junko, like Monokuma, Ryoko, Mukuro, etc. will be analyzed separately at a later date, so those sections may end up feeling incomplete as a result. For the sake of releasing this before 2025, I need to cut corners a little bit and focus primarily on how these relationships affect Junko, and not the other way around.

Part 1- Monokuma

In order to understand Junko, you must first have a basic understanding of Monokuma, mascot of the Danganronpa series and self-declared Headmaster of Hope's Peak Academy. Monokuma introduces himself to the cast as their superior and oversees the killing games, providing motives and passing judgement on the class trials, all while reveling in the Despair of the students. There are multiple iterations of Monokuma, but most of them exist in order to carry out the killing games without issue.

Like Junko, Monokuma remained a staple of the franchise, appearing in every official installment, whether he was being actively piloted by Junko or not. As we see in DR3: Despair Arc, she personally designed him to become the face of her movement of Despair, and thus, he was used to carry out her will at every turn.

1.1- Trigger Happy Havoc

In the first DR game, Monokuma was just a robot piloted by Junko. His mannerisms were a character invented by her to appear as the psychopathic Headmaster, but regardless, her true nature of Despair is directly infused into the character as she acts him out. Through him, she's able to reveal hidden information about each of her classmates and torment them personally, all without them knowing she was once a dear friend to them. As a robot, though, he came with drawbacks- Junko couldn't pilot him and watch the cameras at the same time, and once the charade of his all-seeing Headmaster was seen through by Kyoko, he lost most of his power. Thus, Monokuma's existence was designed to deceive, and could only function through deception. He created the illusion that hope was outside, that escape was solely on his terms, and that the class had no unification- all according to Junko's design.

1.2- Goodbye Despair

When the sequel game arrived, Monokuma was once again a character being played by Junko. Unlike last time, however, the two had blended together, becoming one and the same. This Monokuma was a Despair Virus, created with Chihiro's Alter Ego technology, and implanted into the Neo World Program with the intent of continuing the real Junko's plans for the spread of Despair. This version of Monokuma is extremely similar to the previous in terms of its personality and beliefs, but appears much more powerful within the artificially generated world, now able to apparently power-up, bleed, and transform plushies into duplicates without logical explanation.

Rather than targeting certain themes in an attempt to teach Despair, this Monokuma created directly-targeted motives, attempting to use class 77's personal connections to a whole other level and banking on the fact they were friends, rather than try to cover it up. He also acts as if they're his dear friends and like they're on the same side, directly inverse to his apparent attitude towards class 78. This is intentional, though as to why, we'll get into much later.

1.3- Ultra Despair Girls

Rather than being present as a character, Monokuma exists solely as mascot in this game, as thousands of Monokumas are programmed and piloted to slaughter the majority of adults in Towa City. He exists solely as a tool used by the Warriors of Hope.

In chapter 4 of the game, you get the reveal that all the physical Monokumas that exist were built and sold in Towa Group's factories, and later, that Monaca Towa was directly responsible. This exists to demonstrate how Junko was able to financially and physically afford the amount of power and technology she accrued in her crusade for Despair. More on this later.

1.4- Danganronpa 3- Future Arc

Near the end of the first episode, Monokuma seemingly appears on a monitor in the meeting room of Future Foundation's HQ, announcing his survival and a return of the killing games, starting with the Future Foundation higher-ups. At the beginning of the following episode, an act is put on between this version of the character and "Miaya Gekkogahara", as they fake an argument where Monokuma alters her avatar Usami into Monomi, making it appear as though he's again being piloted by a real person from some remote location.

As the season comes to a close, though, we learn that it was the chairman who set up the killing game, and that Monokuma's appearance, along with the video that would play during every nap, were falsified recordings, aided in part by Monaca Towa pretending to be Miaya. Thus, his likeness was used for a cheap recreation in an attempt to manipulate one person and kill nearly everyone else in charge of the Future Foundation, all set in motion by Junko's own brainwashing videos.

1.5- Killing Harmony

This is the only version of Monokuma that Junko herself doesn't have a hand in recreating, and is the only time he exists solely as a robot personality of his own accord. Created by Team Danganronpa, he's a physical conception of the fictional character Monokuma in-universe, and thus, is a character in his own right. Birthed by a Motherkuma machine for the mastermind's benefit, Monokuma acts once again as Headmaster, but a significant amount of soul is noticably absent from the presentation. This is in part due to the amount of focus on the Monokubs, using their unique characteristics for comic gags with the cast in the way Monokuma used to in the previous games, and his appearance feels like more of a checkbox than an actual return of Monokuma. Simply put, without Junko's influence, Monokuma's character becomes more flat, and starts to fade into the background in a convoluted mess of references and callbacks. All of which is done on purpose- Monokuma is a facet of Junko, and without Junko, Monokuma becomes empty.

Part 2- Character Design

Junko Enoshima is designed as a gyaru, a subgenre of fashion known for its more 'rebellious' style. She's dressed in a modified uniform, with a black jacket with her sleeves rolled up and unbuttoned, allowing her cleavage and bra to show, with a black-and-white tie, a red bow, and a red plaid miniskirt. She also has Monokuma pins holding up her ponytails- one with the white half, and one with the black half. Asymmetricality and the use of exclusively black, white, and red all align her with Monokuma, an asymmetrical black-and-white bear with a red eye. She has styled blonde hair and blue eyes, and has the title of SHSL Gyaru, or Ultimate Fashionista.

2.1- What's A Gyaru?

Gyaru as a fashion style first originated in the 1970s, emerging from Japanese women's nonconformist desire to embrace their own sexuality and rebel against societal standards of the traditional housewife. As time passed and more women latched onto the trend, it became a major point of discussion, initially shaming these women for being too racy or delinquent, before shifting to an increase in streetwear fashion and being recognized as its own genre of fashion, evolving with new subgenres as time continued to pass. It went from a wholly shameful style to an expensive, trendy one as expressly gyaru clothes started to be made and sold in stores. The increase in popularity also led to discussions of placing laws against child prostitution, as younger girls were getting into the expensive fashion and started finding alternative ways to afford this showy clothing.

There are many, many subgenres of gyaru known, but Junko Enoshima is specifically referred to as a kogal or kogyaru, a high-school gyaru. Her school uniform is modified into a showy jacket and miniskirt with big bows, she wears knee-high boots, and her hair is blonde, implied to be dyed based off of the common hair-dying of kogals. In DR 0, we also see her with red hair and eyes as opposed to the blonde and blue, suggesting that red may be her natural hair and eye color. Kogal culture has a lot of stereotypes around it regarding the extracurricular activities of the girls who subscribe to it, but the general idea around it is for the girls that participate in it to break social norms and claim their sexuality for themselves to get what they want, all within a consumerist guise. This type of mentality matches Junko extremely well, as a character bent on breaking the world for her own pleasures by advertising herself as Despair.

Part 3- The Mastermind Reveal (THH)

We don't actually meet Junko Enoshima until the final showdown in THH, though we are well-acquainted with the idea of her before then, as not only do we meet an imposter-Junko in the first chapter, but her magazines are specifically shown to us in the intro of the game, and are scattered throughout the school(laundry room). There are also little hints as to her identity as mastermind sprinkled into the game.

"Whenever I spot a cute girl, I have a tendency to stare. I can't help it- I just gaze with intensity. The other day, I rode my bike to the train station... I was in the bathroom, just looking at myself in the mirror..." -Monokuma Theatre, THH

Despite these hints, the characters don't know who the mastermind is yet, only being able to reason at her motivations for the killing game and why it came to be based off of what clues Monokuma leaves out for them, like how the main track that plays when interacting with Monokuma is called '100 Mile Junk Food Dash'.

"But first, I have a question for you... Who are you? What do you want from us?" "Well, if you really must know... Despair. That's all." -Kyoko Kirigiri & Monokuma, THH

"And for those of us who represent hope to kill each other and sink into Despair... The mastermind wants the world to see that, to try and prove that Despair is better than hope." -Kyoko Kirigiri, THH

We know that whoever this mastermind piloting Monokuma is, they're someone that's engineering this entire killing game expressly to spread Despair. With the knowledge that the killing game is being televised, that Despair isn't just for the students, but is being put on display for the entire world to see. Manufacturing and televising such a sadistic game using public figureheads under governmental protection is a behavior akin to terrorism (Despairism?) and is an act that, by itself, seems nigh impossible for some high-school student to be capable of. Yet, we know it is a high-schooler- Monokuma insists that the only people involved in the killing game are the 16 students of their class.

Through the investigations of chapters 5 and 6, it becomes increasingly more apparent that whoever this SHSL Despair is, Junko has some level of involvement. For example, more observant players will recognize Mukuro's corpse almost immediately as 'Junko's' from chapter 1, as her bright red nails and the same high-heeled, red-laced boots are clearly visible. And while this doesn't immediately incriminate Junko herself, it does at least call into question the identity of the dead SHSL Despair, as the body being Mukuro's isn't ever really contested(save for a 'dumb Hiro' gag insisting it's Kyoko while standing next to Kyoko).

"And don't forget about the Fenrir tattoo. There's absolutely no mistake... Our victim in this case is, without a doubt, Mukuro Ikusaba...!" -Kyoko Kirigiri, THH

Throughout the final investigation, the player's job is to solve 'all the mysteries of the school', AKA their erased memories and the identity of the mastermind. This investigation intentionally doesn't talk about Junko, voiding her involvement to the point that her own face is scrubbed from the evidence. The hints given by Monokuma picture Junko's face covered up in every photo, and the recordings of the students agreeing to live in the school is cut off before it can cycle over to her. It's not her presence that matters, it's the lack of presence, because we haven't actually met her yet, juxtaposed to the repeated mentions of Mukuro, a girl who'd been a part of the group since the very beginning without anyone realizing.

When we do realize this, it comes with the realization that Mukuro's and 'Junko's' body were one and the same, and with Kyoko's old pocketbook revealing that "Despair walks among us, and so we survive... There's a second 'Despair'", we can come to the conclusion that the reason the mastermind was able to pull this off was because there was actually more than one, working in sync, and thus, the reason both bodies were one was because they were the SHSL Despair together.

Part 4- The Despair Sisters: Mutual Abuse (CW: Incest)

Despite the fact Junko was the brains behind the operation, there was never really a time where she was working alone towards Despair. She was actually one of two Ultimate Despair- as she called them, the Despair Sisters. Her twin sister, Mukuro Ikusaba, was Ultimate Despair as well, and assisted her every step of the way.

In her first appearance, we don't actually get to know anything about her, as she spends her time with the class pretending to be Junko. As such, any and all information gathered on Mukuro is given by someone else- official school records state her title and physical attributes, and Junko tells us her role as Ultimate Despair and goes on about her flaws.

"She had what I call the 'three atrocities'- atrociously rank, atrociously filthy, atrociously repulsive. It was atrociously clear just how out of touch she was with the rest of society." -Junko Enoshima, THH

"The older sister, tough and proud, that was Mukuro. The younger sister, smart and cute, that was... Hyaaaahaha! Me! Junko fucking Enoshima! And together, we were the Despair Sisters! AKA, the Ultimate Despair!" -Junko Enoshima, THH

Mukuro reappears as herself in DR 0 and DR3's Despair Arc, as well as the official AU novel DR IF. In these, we get more insight into her feelings, and see her display an overt attraction to her sister at multiple instances.

"Consumed by ecstasy, even Ikusaba-san's breath became ragged. 'Only I am able to understand her. That's why she needs me. She still hasn't realized that but, maybe she's only pretending not to realize. Ufu, that's because she's so shy. Ufufufu.' Seeing this intoxicated Ikusaba-san continue to talk like that repelled me. I knew that she definitely didn't have normal feelings for Junko Enoshima". -"Mukuro Ikusaba" & Ryoko Otonashi, DR 0

This is pretty obviously incestuous in nature. She blushes at her sister's attempts to kill her with an ice pick, has an internal dialogue about how much said attention affects her, and 'goes into ecstasy' talking about her sister's madness. It's intentionally uncomfortable because it's intentionally incestuous*. I've seen arguments for Mukuro's behaviors being out of character and only there for fanservice in the anime, but this behavior being found in DR 0 first pretty clearly contradicts that. I've also seen an argument for Mukuro's behavior being an act meant to make Junko feel Despair and not having any legitimacy. The crux of the argument comes from the assertion in DR IF that Mukuro is able to numb her emotions in battle, so therefore, she could also mimic such an attraction when around her sister. This argument quickly falls apart as well, considering that a) she has both internal and external dialogue directly referencing her attraction where Junko can't actually hear her, and b) going numb in the heat of battle is not at all the same thing as faking sexual desire outright.

*(Mukuro being incestuous is immediately relevant to the way the Despair Sisters interact with each other, and understanding that I'm talking about their relationship under the lens that she is will hopefully prevent questions about why I'm talking about them as I am throughout the analysis, particularly when she pops up in other sections here and there later. Please do not go into the replies or reblogs and explain to me why I'm wrong; you are not going to change my mind. Believe it or not, I don't like Despaircest either, but that doesn't mean Mukuro's behavior in canon is some accident to be shrugged off. These are meant to be OBJECTIVE analyses. I'm going to look at what the games and novels and anime are presenting, whether I actually like all the points or not.)

Junko Enoshima yearns for Despair. Despair is her reason for being, and everything she does, she does with the intent of eventually bringing Despair upon herself. That pain of Despair is the strongest feeling in the world to her. And the way she treats Mukuro directly stems from that desire. Despair stems from grief, and what brings more grief then the people you love most despising you? Mukuro is her twin sister, who stands by her no matter what. Junko even tests this, having her kill an entire class of students to prove her strength and loyalty in manga series Killer Killer(though, admittedly, Killer Killer hasn't been confirmed as canon to my knowledge, it still aligns with what we know for both characters without altering anything about their characterization).

Mukuro is capable- very capable, and definitely has the ability to betray her, or even kill her if she wanted to. So at every turn, she treats Mukuro like garbage, actively trying to kill her with an ice pick when they first reunite and talking down to her at every opportunity. She describes her sister as fat, flat-chested, ugly, stupid, a pervert, any insult she can think of. She critiques her murders, chastising her when she kills the guards in Despair Arc while looking for Izuru for not doing a clean enough kill. But despite all this, Mukuro never strays from Junko's side. She continues to fawn over her, not just taking all the abuse, but displaying an attraction to her Despairing nature, and refuses to leave her side, the exact opposite reaction of what Junko wants to see from her.

"'Yes, she really is ridiculous…to the point of Despair, she's the lowest, worst sister ever but…that's why I can't leave her alone. That's why I have to help her. After all, I'm the only one who can understand her.'" -Mukuro Ikusaba, DR 0

This kind of loyalty isn't Despair-inducing at all; that dedication is exactly what she predicted from her obsession. What Junko actually wanted from her, we get a brief taste of when she speaks in the final trial of THH- "Because naturally, she turned out to be the letdown of the family. Leaving me behind to run off and join some band of mercenaries... Such a disappointment." The Despair of abandonment, of betrayal, was what she wanted. But Mukuro is too loyal for her own good. That's just annoying.

Mukuro is emotionally abusive, or would be if her sister were anyone but Junko, lusting after her own blood sister in a way that's considered taboo and perverse. This lust develops from an obsessive need to stay loyal to her sister, while Junko verbally abuses her right back, talking down to her and keeping her under her heel, mocking her at all available opportunities and treating her in a way that would make anyone else feel like shit. Not so for Mukuro, the person who's been next to her since birth and has stood by her side through all her Despair. They abuse each other, but there's an unspoken bond that allows for their relationship to function regardless, albeit in a twisted way. They're sisters, equally matched, and together, they become two halves of a whole terrorist. Despair is toxic for anybody, and Junko's own affliction leads Mukuro's obsessiveness to chain herself to Junko's side. They're twins who were born together, after all, and who else could even begin to understand Junko's Despair?

4.1- Despaircest & Anime (CW: Still Incest)

We've seen the relationship that Mukuro and Junko have with each other, both as it was alluded to in earlier depictions and how they interact with each other immediately in the anime. And, despite the fact that it wasn't directly shown to us before said anime, there were hints of the intention of a one-sided incest in DR 0, as well as repeated examples of Junko treating her sister poorly on a surface level and how much she actually valued her within THH and DR IF. Going into the anime, this would be the first time we'd actually see Junko and Mukuro interacting directly with each other as themselves. This could have been the time where we get to see just how twisted their relationship actually is, getting to see how, and maybe even why, they began treating each other in this way. We could've gotten more of a glimpse into their backstory, when they separated, and the inherently self-destructive cycle they pull each other into. Here's what we got instead:

Rather than actually explore the real depth of their fucked up relationship, the anime elects to play it up for the sake of fanservice. This is admittedly an ongoing problem in most of DR3, as it throws most of its female characters into very compromising positions and focuses in on their bodies when they're being brutalized in one way or another and not doing the same for the men, but that only makes this lack of tact worse. There's no interest in actually addressing this darker plot point beyond the most basic surface level because to go any deeper would make it more difficult to get your rocks off to it. It's a shame to create such a conceptually fascinating relationship that would've made for a fantastic way to develop Mukuro as a villain more and Junko as a human more, and just use it for cheap servicy gags. I feel like it isn't an unreasonable statement to say that this was lazy. Danganronpa is supposed to be a series that explores dark topics and uses them to create tragedy and develop its characters. In the face of that, this was cheap.

Hell, this very scene says it itself: they're using Despair to create a fucked up pleasure for the viewer! The incest being played up for fanservice instead of acknowledging Mukuro as a character is, from a meta perspective, Despair-inducing. To the writers and to Mukuro, Mukuro doesn't matter outside of Junko. Her suffering is pleasurable to the audience in a way that's outside of social acceptability, in the way she needed to be used for so long just to exist. BUT WE ALREADY KNEW THAT. We didn't need to boil Mukuro down to an extension of Junko; Mukuro already did that to herself. Maybe this is just me complaining because it's not what I wanted to see from this plotline; I'm not ashamed to admit that. I think being able to acknowledge your biases as a consumer is important when critically looking at a piece of media. But I stand by my assertion that the presentation of this point is sloppy and surface-level, and should've been handled with more tact.

Part 5- The Murder of Mukuro Ikusaba

Junko treats her sister like trash, but despite this, we know that she does respect her. In fact, she has to consider Mukuro as an equal, because if she didn't, she wouldn't hold her as equal parts Despair as herself. Yet, when she reveals herself at the end of THH, she affirms that they were equals- both the Despair Sisters, who worked together("We were the Ultimate Despair, ya know?"), and in the same breath, describes her atrocities and mocks her memory as a disappointment. She sees Mukuro as not just a person, but a legitimate danger and a harbringer of Despair that's worth recognizing. Thus, as a sister, it causes her Despair to prevent anyone else from seeing that and paints Mukuro as just another victim of hers("She was nothing more than a bit player, an extra unworthy of lines."). Playing up her betrayal of Mukuro and her supposed disdain for her sister strips her of her agency as Ultimate Despair to their classmates, without letting them see her true self either. She becomes just another faceless victim, and Junko holds the memory of the true Mukuro Ikusaba, merciless killer and all, wholly to herself.

In the au light novel DR IF, Makoto remembers Mukuro, and inadvertently saves her from this fate. This leads the rest of the LN to focus on Mukuro and her relationship with Junko from her perspective as she copes with the reality that her sister betrayed her. It differentiates herself from Despair, and from her POV, we learn how she thought Junko felt vs how she actually did. Junko lives her life hopelessly- she's too smart for her own good, and can predict the moves of society and of the people around her. Mukuro believed she was the only one who fully understood Junko, so she acted perfectly in accordance with her plans, never once rebelling or going against her. She tries to convince herself to crave her sister's Despair so she would feel Despair from that desire, so she can remain close to her. But that wasn't the Despair Junko wanted. All along, what Junko wanted was for Mukuro to betray her because of her love for her. Without Mukuro, her plans would fall apart. She wouldn't be able to break into Hope's Peak as she did, nor would she be able to protect herself when attacked. Mukuro was what allowed her to gather as much power as she did over Hope's Peak, infiltrating and gathering blackmail, kidnapping chairmen, and so on. Mukuro was the brawn to Junko's brain. So the one thing that could destroy her plans, and bring her a Despair greater than any other, would be if her other half abandoned her. In DR IF, she learns this as Junko finally tells her that she loves her to her face. She breaks Mukuro's chains, and sets her free from her Despair to heal without her by rejecting her help, in a roundabout, Junko-esque way. In canon, though, Mukuro doesn't get to have that realization. She doesn't have the emotional intelligence to put those pieces together herself, and tired of waiting, tired of hoping, Junko gives herself an alternate Despair- the Despair of killing her own sister in cold blood.

The identity and death of Mukuro exist to keep the identity of the mastermind shrouded in mystery. Within THH, she's someone who's important from a narrative perspective- not as a person, but as an entity- designed to facilitate the reveal of the real Junko. Her murder is thus a murder of both her literally, and the murder of her personhood, as Mukuro is the one character that never gets to introduce herself. Junko makes it so, and wipes the memories of the class so that Mukuro Ikusaba will no longer exist outside of herself.

We're introduced to Mukuro not as Mukuro, but as Junko, wearing a wig and costume to appear as similar to her well-known sister as possible, and acting out her sister's fashion diva personality as convincingly as possible. It's tropey and typical of a fashionista- she cares about her looks a little too much during a killing game, acts like she's above the killing game and wants out of it, and explains away any imperfections as 'oh you haven't heard of photoshop before?'

There's no reason not to trust her at that point because no one thinks they've met her before. In DR IF, Makoto is able to recognize her through the outfit and charade, but that's only with his memories intact. Those memories have been thoroughly covered up by Junko in reality, and so the Mukuro Ikusaba she knows dies invisibly, betrayed and unrecognized as her classmates and friends mourn her killer instead. Junko gives her sister the worst Despair of all- being truly forgotten. After this, no one would remember who she was ever again, locked away in the mind of the person who'd never show her affection.

Not only that, Junko killing Mukuro and emphasizing how little she cared about that decision served to make the survivors hate her- her old friends now despised even looking at her, and brought her more Despair.

"Which is precisely why I killed her- to meet everyone's expectations." "That... can't be your only reason, can it?" "Well no, of course not. I also did it to avoid becoming bored." -Junko Enoshima & Makoto Naegi, THH

Despite that, being the one to kill Mukuro brings her a Despair like no other, with her describing it as "super super super super super Despair. No, more than that... Super super super super super super super super super super super super super super super Despair... It just feels... so... good..."

Junko did love her sister, and made everyone else she loved believe otherwise so she could feed off the Despair from their hatred.

Part 6- Ultimate Despair and Junko Enoshima

"The Ultimate Despair... A group of people who caused the Tragedy one year ago... Those same people put together this killing game and began broadcasting it around the entire world. The most desperately awful group of people ever... *That* is the mastermind's true identity." -Makoto Naegi, THH

Make no mistake- despite what the surface level of the series would have you believe, Junko Enoshima isn't the Ultimate Despair. There is no the Ultimate Despair because Despair isn't confined to any one person. Rather, Junko Enoshima is afflicted with Ultimate Despair. Despair, by nature, is grief. It's a pain inflicted by the death of hope, whether that be through the loss of a dream, a person, or whatever else. You grieve that loss, and it takes the form of Despair. Ultimate Despair takes that grief and amplifies it, destroying any sense of self and replacing it with the desire for more Despair. This is the type of Despair that Junko Enoshima feels, and thus, uses her own talents to embody it and spread it. It's a bold claim to make, I realize, that she isn't the SHSL Despair she defines herself as, but it's the basis this entire analysis leads to, and as the evidence over the course of the series develops her character more and more, it goes from some theoretical musing to legitimate design, all the way through to the end of V3. Though she immerses herself within Ultimate Despair, she herself is not Despair incarnate like she'd have you believe.

As we see her in THH, Junko is repeatedly hammered in as 'one of two' by the narrative. It's not just Junko that's formed Ultimate Despair; it's also Mukuro, and they're not referred to as 'Ultimate Despair and her sister', they're 'the Despair Sisters'. For all her charisma she displays, she alone isn't responsible for the Tragedy. Everyone is capable of feeling Despair. It's that foothold Despair has within her that creates an 'Ultimate Despair'. And while yes, Junko was definitely the most afflicted with Ultimate Despair, she didn't get as far as she did just by being horny for grief. She has a title, a real one, and it's not SHSL Gyaru. That was her cover, something she could use thanks to her real talent. Her real talent was only ever known by a select few, and to know what that is, you have to dive into the (criminally underrated, may I add) 2-volume novel set, Danganronpa 0.

Part 7- Ryoko Otonashi (DR 0)

(Little disclaimer here: Before I actually talk about the novel, I did want to quickly assert that DR 0 is both a mainline release to the Danganronpa series and 100% canon. Written and released by series creator Kazutaka Kodaka himself in 2011, it was written specifically to fill out Junko's character more. As such, everything contained within them are unquestionably canon to the world and its characters, something critically important to understand when talking about how it pertains to Junko Enoshima. I think just about anyone who's read DR 0 before knows all this already, but for the sake of anyone reading this who hasn't, I wanted to assert that.)

Ryoko Otonashi is the protagonist of DR 0, and is introduced to us as an audience in a 1st-person perspective. While she isn't the only character we follow in this series, she's the only one to speak to the reader straight-up, introducing herself and reacting immediately to the people and events in front of her. This is for good reason, as Ryoko is suffering from some form of amnesia. Not only does she not remember anything about her childhood or her identity, she also forgets things as they're happening. She can't even remember her name, and is only able to recall it by reading the cover of her notebook- 'Ryoko Otonashi's Memory Notebook,' where she's writing down everything in front of her as it happens so she can try to remember later.

Most of the story is told through Ryoko's perspective as she tries to avoid being caught up in some massive conspiracy within the school- all without actually remembering the conspiracy she's avoiding. Junko Enoshima is the one responsible for this, directing her from place to place and slowly forcing her to confront the conspiracy as she starts to figure out who she is and how she fits into it all. She insists over and over again that it has nothing to do with her, that she's innocent and has never met any of these people before and desperately tries to believe it- her memory is gone, therefore she could not be responsible.

But she is responsible, because she's not Ryoko Otonashi. Her real name is Junko Enoshima, and she's the SHSL Analyst, a girl with such a strong logical capacity that given enough information, she can perfectly understand and predict anything. This could be the actions and personality of a person, or it could be upcoming trends in fashion; whatever it may be, Junko is capable of perfectly analyzing and understanding what will happen in any given situation, long before the world does. And that type of intelligence has rotted away her mind.

Simply put, the human brain requires stimulation. Boredom is her opponent, and in a world where she can fully understand and predict anything at any time, Junko has nothing to stimulate her, and almost nothing can bring her any joy, because she fully anticipates it. Everything is normal, predictable, boring- it's left her with a case of intense anhedonia. Therefore, the only way she could find any happiness is in a world where that talent is stripped away from her. As Ryoko Otonashi, a girl with no memory, she can remember nothing and therefore predict nothing. Analysis requires data, and a blank slate offers none. Even her name is in reference to this, as 'Otonashii' translates to English as 'no sound' or 'quiet'. Only without memory can Junko's mind be silent and let her be genuinely happy.

Ryoko Otonashi is essentially a personality created by Junko as a test, not just for the people around her, but also for herself. Throughout the novel, Mukuro and Yasuke interact with her with opposing goals- Mukuro pushes her into the fray of Despair she's created, while Yasuke tries his best to keep her eyes and ears covered. Ryoko is in a unique position between the two- she's starting to remember and understand herself again, but is terrified of what she'll find, and wants to hold onto her peace with Yasuke. The ongoing question of the novel, which only reveals itself on a reread, isn't within Ryoko's identity itself. It asks the question of whether or not Junko could have been saved from Despair. And the answer, sadly, is no. Remembering anything for too long makes her forget her happiness, and she falls back into Despair, killing Ryoko Otonashi, the epitome of her peace, with her own hands.

Mukuro and Yasuke act as opposing forces within the novel, as both feel a loyalty to Junko that makes them act in what they believe to be her benefit, and both fail. Mukuro drags her kicking and screaming back into the depths of Despair to bring back the madness she sees Junko as, while Yasuke wipes her mind of everything that made her Junko to remove what plagued her. For Junko, balance isn't an option, and the people within her orbit fall victim to that same mentality.

7.1- Personality Disorders In Danganronpa

I'm not a psychologist, nor do I have any sort of split personality(DID, OSDD, etc). So my knowledge on the subject isn't that great, and everything said within this section should be taken with a grain of salt. But, to the best that I can tell, Ryoko's existence as an alter is sort of... mixed up. Other characters in the DR series (Toko & Genocider) make it pretty clear that Kodaka doesn't really have a fantastic understanding of people with DID outside of how they're stereotyped in the horror genre. And that background knowledge, combined with the presentation of Ryoko in DR 0, makes me think she was likely intended to be an alter, but as one that Junko had almost absolute control over, as at multiple instances, she was able to knock Ryoko out at will, and fully killed her once she'd outlived her usefulness for the experiment. There are parallels to Jekyll and Hyde in that aspect, though of course Jekyll was aware of also being Hyde- an alternate version of yourself created to rid yourself of everything about yourself that you despise is very reminiscent of Jekyll's motivations, down to the permanent erasure of the "good" side by the very end. It's also worth noting that Jekyll and Hyde weren't intended as an example of DID, but rather, an exploration of how every person is multifaceted with good and bad parts, even if modern day interpretations often read it as another example of the evil DID trope from 1960 and beyond(thanks a lot, Psycho).

There are several interactions between Ryoko and Junko that support them being two personalities within the same body rather than just a case of memory erasure. For example, when Ryoko is nearly killed by one of the SHSL Octuplets, Junko emerges just to make sure she isn’t killed, citing it as a minor nuisance.

“‘Upupu, I wonder if I was a bit too harsh.’ The voice said, it sounded close. ‘... But it can’t be helped. It’d just be embarrassing if you died here. After all, you’re the protagonist in this scene for once!’” -Junko Enoshima, DR 0

When Ryoko wakes up in the underground bunker of the Reserve Course cult forming, she comes across a captured member of the Steering Committee. And because she genuinely doesn't know who he is or where she is, he ends up giving her classified information that Junko needed, and the second he reveals it, she's immediately able to knock Ryoko back out and take over once again, having used the Ryoko personality as a front specifically to gain information.

“'The old school building… Kamukura Izuru’s there.' 'P-Please wait..' I ended the conversation prematurely with an interruption. Quickly, I wrote in ‘Otonashi Ryouko’s Memory Notebook’. .... But then… Huh? I suddenly felt an attack of dizziness, I struggled to stay upright. What’s happening?" -Steering Committee Member & Ryoko Otonashi, DR 0

"'Oy, did you hear me?' I didn’t. The beating in my ears was only growing louder, it completely drowned out all other sound, I couldn’t hear anything anymore. I shouldn’t be able to hear anything anymore, and yet I could hear a single, eerie laugh. '...Upupu.'" -Steering Committee Member & Ryoko Otonashi & Junko Enoshima, DR 0

Ryoko's memory of Yasuke is also contingent on whether or not Junko wants her to recognize him, suggesting that to some degree, her memory issues aren't just forcefully induced, but rather, are a conscious choice on Junko's part for Ryoko, as once Junko's plan is in place, she suddenly can't recognize him and is then forced to kill him in self-defense.

"'Are you…talking to me?' He looked exhausted. A face of someone who lost everything. The face of someone who lost all his thoughts, all his senses, and all his emotions. '…You don’t remember me?'" -Ryoko Otonashi & Yasuke Matsuda, DR 0

It's pretty unclear whether this was an intended conclusion from Ryoko's and Junko's behavior in DR 0, or if these are just remnants of Kodaka not knowing how personality disorders work and simply having Junko be so powerful that she can purposefully create, manipulate, and kill personalities at will, but I think looking at it from a more psychological viewpoint like this certainly puts Junko's actions as a manipulator into more perspective. The intention behind Ryoko suggests that Junko's manipulative abilities extended even into her own psyche, almost to a supernatural degree. Do actual systems in the real world function like this? No, but thanks to Toko/Genocider, we know that the representation of DID isn't gonna be good in this series.

If we wanted to put this into a more realistic lens, we could come to the conclusion that Junko's apparent control over Ryoko and the discrepancies behind her existence is a result of Junko having Munchausen Syndrome. Also called factitious disorder, Munchausen is a subconscious psychological condition in which the patient fakes symptoms of other kinds of conditions, whether mental or physical, without realizing they're mimicking the symptoms. Under this lens, we could say Ryoko was a factitious alter that Junko created after Yasuke wiped her memory, hence why she could have control over her over the course of the novel. This was almost definitely not the intended explanation, but it's the conclusion I came to. So there.

Part 8- Relationships

Due to just how many corners of the franchise Junko's present in, there's no convenient place to dump all the relationship analyses like I normally do. Ergo, I'll be breaking part 8 up, and will talk about the different core relationships Junko forms when they're most relevant.

8.1- Yasuke Matsuda

Yasuke Matsuda is the SHSL Neurologist, and a childhood friend of Junko's introduced in DR 0. Because he's the boy she's in love with, he remains the only tangible thing Ryoko can remember outside of her procedural memory, and is treating her memory loss. He's also the one primarily responsible for wiping her mind and assisting the school in the coverup of the student council massacre that Junko was responsible for, though he takes no pleasure in it.

"The silence continued for a while until Matsuda sighed and muttered, 'You should worry.' His voice was low and depressing. 'What if you’ll always be like this......'" -Yasuke Matsuda, DR 0

Despite his tsundere behaviors towards Ryoko whenever the two are face-to-face, he's very much in love with her, and spends the novel trying to look out for what he believes is in her best interests by methodically attempting to remove the Despair from her mind and covering up the Tragedy she's already set into motion. Throughout the novel, he works in cahoots with the Hope's Peak Academy Steering Committee to find more information about the Incident. He does this specifically to defend Ryoko and keep people from interrogating her further, and to hopefully extricate her from the whole situation permanently.

"'I said shut the fuck up.' Matsuda easily quieted the men by saying that and then he continued in a soft voice. 'People might call her an idiot, but she doesn’t even bother to stick up for herself, thinking she can’t do it. So I don’t think I’d be able to forgive myself if I don’t do it for her.'" -Yasuke Matsuda, DR 0

Though we never see it directly, we realize with the help of Kyoko that he's also the one taking the bodies of the Steering Committee and SHSL Octuplets after Mukuro kills them and disposing of them, in the hopes they won't be discovered and Junko will eventually be absolved of both suspicion and Despair.

“Finally she looked at me. ..... ‘The dead body, the body that was dead. There was a post-death body here before!’ ‘Huh?’ .....  ‘There’s not mistake, I know there was definitely a corpse here before!’” -Ryoko Otonashi & Mukuro Ikusaba, DR 0

“Matsuda-kun’s voice was definitely coming from beneath me. There’s no mistaking he was under the bed. ‘But... what would require so much concentration to be under the bed?’ ‘This situation.’ Somehow, Matsuda-kun’s way of putting it could allure to several different meanings.” -Yasuke Matsuda & Ryoko Otonashi, DR 0

"I stood next to the girl, crouched down and peeked under the bed. At the back I could see a large opening, .... 'It’s not a terribly impressive hidden room… a storage room at best.' '…A storage room?' 'For hiding dead bodies.'” -Ryoko Otonashi & Kyoko Kirigiri, DR 0

But despite his best efforts, Junko's talents of analysis were just too great, and she'd already come up with a plan to send her back into Despair before he ever touched her mind. With the help of Mukuro and the growing underground Reserve Course cult of Despair, Ryoko is forced to face Despair after Despair, and is hunted for her involvement in the student council massacre. Junko confronts him and taunts him for his failure, leaving him to wallow.

"'I get it, you feel sorry for her… even so, you’re troubled. You’re incredibly troubled. That’s what it seems like after what I’ve been hearing…'” -Junko Enoshima, DR 0

“'You know, in this scenario, only you can make the choice, Matsuda-kun. So think carefully, worry about it, and choose the choice you think it best. Hope or despair… the choices are so diverse and yet, surprisingly, intricately connected. Anyway, have a good think about it…'" -Junko Enoshima, DR 0

In one final attempt to see if he can salvage her, he approaches Ryoko outside of his lab, pretending as if he's Izuru Kamukura, and questions her. She doesn't recognize him, and he, too, falls into Despair, finally accepting that despite his feelings, he was a pawn to Junko's game, and tries to kill her, sending Ryoko towards Despair as she realizes who she's speaking to and can't convince him she loves him anymore. Defending herself, she ends up stabbing him, sending herself spiraling as she becomes her lover's killer, and Junko reemerges from her mind, killing her off in front of him and forcing him to die in Despair.

He dies believing Junko never actually loved him. He becomes thoroughly convinced that she was pretending, and that Ryoko was nothing more than a part of the game to send him into Despair. And that perception of Junko combined with her causing his death brings Junko an indescribable Despair. The man she loved died by her hands, hating her existence. Truly, this was Despair!

"'I was right, wasn't I? About you remembering? That's why you can't remember me? You remembered that I wasn’t a particularly important person to you…so that's why you can't remember?' Kamukura then revealed his eyes, their glint was tainted with deadly hatred. '…You're such a bitch.'" -Yasuke Matsuda, DR 0

"'There's no way this would have nothing to do with me…' There was a hint of sadness laid somewhere in that murmuring voice. 'After all…you were the most important person to me of all…' Those were her true feelings. Yasuke Matsuda was an especially important existence for Junko Enoshima." -Junko Enoshima, DR 0

She loved Yasuke intensely. She cared about him moreso than anyone else, save Mukuro. And yet, despite how attached he was to her, Yasuke couldn't realize in his own Despair that there'd be no reason for someone like Junko to bother dragging herself through so much mental torment and manipulation at his expense if she wouldn't get a magnificent Despair out of it. Yes, she causes Despair for others, but she doesn't throw herself directly into the fray unless she gets something out of it. Despite loving her, he never actually understood her. That truth, too, would bring her Despair.

Part 9- How Junko Shaped the Game

Turning back towards THH, Junko's reveal shakes the class. Most of them believed that finding the mastermind and forcing them to show their face would end the game. But that's not the case for Junko Enoshima. She's not through with them yet, and takes the opportunity to rub everything they've lost in their faces.

"Puhuhuhu... Did you really think the story would end once we reached the climax of the case? Wrong! There's still plenty more to go!" -Monokuma, THH

Throughout all of THH, Junko's plan is hinged on Despair, and thus, she takes her class, which had become close friends and confidants over the past two years of their lives, and attacks what would bring them the worst Despairs possible for each. Her talents as SHSL Analyst allowed her to analyze her own classmates and tear at what would've made their 16-to-20 year old selves when they first met snap. And each one of the motives she used was designed specifically for that, something she makes sure to cite when taunting them ("Did you notice that each motive I presented you had a specific theme to it?")

The first motive's theme was 'human connections', and everything surrounding the first chapter reflects this. Sayaka's motive wasn't just about her career. It was about the family she'd found and not letting down the people who loved her. And on a meta perspective, the first chapter was also about relationships, specifically that between Sayaka and Makoto and how that relationship's end motivated Makoto to eventually become SHSL Hope, and to a lesser degree, starting the development of the critical relationship between Hina and Sakura.

The second motive's theme was 'the past', something the 2nd chapter very much reflects. The secrets that Junko uses against the class are extremely personal to each of their histories, and can be used to twist each of them to head towards Despair, whether that be through their own hand or their own poor judgements of the people around them from their lack of memories. Mondo's secret isn't just tragic; Junko purposefully warps it in his letter to affirm his own belief that Daiya's death was murder and not just an accident, and because no one knows its contents, it sends him into a spiral. The same can be said for Chihiro, whose secret implies that their gender presentation is a lie, forcing them into a conformatory decision that leads to tragedy. Her classmates' memories of the past are presented in a warped way to suit Junko's needs. Toko's secret of having DID and a serial killer alter, Genocider Syo, is also revealed and used to develop her more as a character when she's the one most afraid of opening up to the class.

The third motive's theme is 'greed', using the promise of wealth to lure Celeste to murder. Even if you could argue other characters within the class could have fallen victim to the first two motives, this one is undoubtedly meant to target the Yasuhiros on Junko's part, as realistically, no one else in their class has any reason to even consider killing for money by itself, especially not when there's already been two class trials. The Yasuhiros are the only ones who consider themselves to be in any level of financial need. This theme is also meta-reflected by the possessive nature Kiyondo and Hifumi both develop over Alter Ego. Because neither of them can keep themselves away from them, they became easily manipulated, and it became harder for the rest of the class to obtain information and watch out for each other, forming a tunnel vision towards Alter Ego in their minds. This contrasts Celeste and Hiro greatly as well- Celeste is consumed by her own greed, while Hiro doesn't even consider killing for the money, opting instead to try and look out for the class and develop him as a survivor. Hiro's the one that looks out for Taka and calls out Hifumi on his obsession; Hiro's lured into Celeste's trap by promise of a way to save everyone, while Celeste rejects her class in favor of fighting for a selfish dream she didn't even need.

The 4th motive is that of 'betrayal', and this one is where the cracks in Junko's plan finally reveal themselves. Each and every trial before this one ended in tears and Despair, and a sense of hopelessness that wasn't alleviated until they were given new distractions. Sakura's betrayal is meant to mirror Junko's own betrayal of her classmates, and when half the class instantly turns on her, things go exactly as Junko plans. Sakura swears to destroy Junko by any means necessary, and takes her own life in an attempt to take the fun from Junko. With Monokuma's meddling, Hina is instead pushed into attempting a murder-suicide, one she's caught for by Kyoko and Makoto. But once the truth comes out, Sakura and Hina aren't condemned. Those that attacked her end up defending her. Sakura doesn't betray her class; Sakura betrays Junko, and it puts her on the path to failure. Junko even admits to this, though indirectly: "Once I revealed Sakura's betrayal, that led to everything that came afterwards..." Note this is the only time where she doesn't expressly explain to the survivors why her motive was successful, because in this instance, it wasn't. It also fills out Hina as a character and uses her arc of an attempted self-destruction to contrast Junko, as Hina let herself be forgiven by her classmates, something Junko could never let herself do.

Part 10- Self-Destruction (Junko vs Sakura)

Despite the fact that Makoto is the character christened as SHSL Hope at the end of THH, there are a lot more parallels between Junko's self-destructive nature and Sakura's self-sacrifice that often go unnoticed, and these parallels are quintessential to the overarching narrative of THH and why Junko functioned as its villain.

Both Sakura and Junko do the things they do because they love the people around them. Both Sakura and Junko find themselves to fall short of who they'd rather be. Both Sakura and Junko kill themselves. But their goals are fundamentally, diametrically opposed.

Sakura Ogami, as a martial artist, is a woman of honor and principles. She believes in the inherent worth of the people around her because of this, and strives to become the strongest person alive not because it's a desire of her own, but because that's the destination the people who loved her had in mind for her(her father, Kenshiro, etc). And therefore, she's someone who fundamentally wishes to act in the best interests of the people she loves, even when it's at her own detriment.

Junko Enoshima, as a hyperintelligent analyst, is able to predict anything. And because she can predict anything, she can enjoy nothing, because she always knows what will happen before it gets there. Ergo, the only way she can enjoy herself is via the only thing that can make her feel- Despair. Grief and pain still feel like something in a world where she can't be pleasantly surprised by anything. She despises herself for it, and so in order to feel, she decimates anything that brings her joy. Joy is boring; joy is nothing; joy is just part of the default setting because she still sees it coming. And therefore, she's someone who fundamentally acts in the worst interests of those she loves, for the sake of her own detriment.

When Sakura kills herself, and Hina is filled with Despair, Junko wants to revel in the Despair this brings everyone else. Sakura killed herself for people that weren't giving her the time of day, and the one person who gave a crap tried to kill you all! Isn't it so tragic, so Despair-inducing, don't you just want to break down and crumble?! And then they don't. Instead, after hearing the truth of Sakura's actions, the entire rest of the class is uplifted and united by her honor. Even Byakuya is feeling hopeful now! What the actual fuck is happening?! Is this how they'll feel when I die, too? Will my death bring no Despair?

8.2- Class 78-B

We never get to actually see any of her classmates interacting directly with her in their school days, or in any way that was positive. Outside of THH's and SDR2's final trials, we as an audience don't get to see them interact as friends. So we have to draw these conclusions from what little context we were given within her dialogue in these few rare moments in THH and the mentions of her class in DR 0.

"There was a tap inside [Junko's] skull, like someone pressed a switch and slowly her entire brain lit up with a notion. Several faces appeared. Of course, they were faces she knew… they were the faces of her Hope’s Peak Academy classmates." -DR 0

Without any doubt, Junko loved her classmates. They were people she considered in high regard and had unwittingly fallen for their unique charms. While Junko had come to Hope's Peak with the intention of causing Despair, she'd accidentally found people that made her happy. When entering the school, she intended to use the people around her to damage the school of Hope's reputation, but inadvertently became attached: "Once your school life here began, I thought about you constantly. It's only natural that I would... fall in love." This made for a fantastic happy accident for Junko, as finding something beloved made for a much more fantastic Despair for her later.

"Remembering the faces of the people who would bring her such despair, she felt something that was similar to a person in love, and she danced to the rhythm of Despair. 'This is it! This is a fantastic despair!'" -Junko Enoshima, DR 0

We can also reasonably assume Junko was someone her classmates had considered dear to them in turn, as she not only knew how to motivate their past selves into murder, but also their deepest secrets and fears, and was able to attack their relationships when they themselves couldn't even remember them. Could you handwave that level of connection with her SHSL Analyst talent? Actually, no, because as stated previously, analysis requires data. And the only way she could gather enough data to understand them at a depth that let her plan her killing game to perfection was by getting to know them firsthand.

There's also a strange implication within Junko's explanation of how she put the killing game together that I think gets often overlooked. When she prepares to infodump to the remaining survivors, she says this:

"So since I love you guys so much, I'll tell you all about it! All about the idea we came up with as the Ultimate Despair- our plan to bring Despair to all mankind!"

It's an interesting choice of pronoun, to say the least. "We." It implies that the group she's referring to when she speaks is herself and the people she's speaking to at this moment in time. Could she just be switching gears and talking about Mukuro, and later, the RoD, Kamakura, the WoH, etc? Yeah, absolutely. But none of these characters had even been mentioned, whereas she was just speaking on her love for her classmates in the dialogue prior and continues to talk about her classmates after.

In listening to Junko's explanation of how she put the killing game together, it made me come to a pretty disturbing realization. One of the biggest things about Junko is how she's always able to seemingly pull together everything to form this killing game almost entirely by herself. Later installments to the series include some level of explanations- Towa Group becoming a financial and robotic sponsor, a SHSL Mechanic that could've made the executions, etc- but her success within the killing game hinges fully on her knowing how to best bring her classmates to Despair. And she's not just an analyst; Junko is a master manipulator. Throughout her entire explanation of how she created the killing game, she never says she threw them into the killing game against their will. Instead, she very deliberately calls attention to her classmates' choice in the matter, over and over again. They chose to enter the shelter, they chose to lock the doors and cover the windows, they chose to be there with the SHSL Despair, though they didn't know who they were with at the time. Makoto is the one to assert that they did so because they believed in the hope of survivng, and giving the world a fresh start. But it's not just their year's worth of fun school classes missing from their memories. There's also a year of hopelessness within the school erased, too. Combine this with a few well-placed lines from Junko.

"You see, by taking away your memories, I gave you hope."

"You absorbed all that Despair, but then you forgot it all."

"Despair is contagious, you know. It's almost like... a natural phenomenon."

"Once you'd finished building your little shelter, it was time for me and Mukuro to get to work. And thus began the killing game!"

If Junko is making the claim that she was able to give them hope by removing their memories, that meant none of them had any to begin with. She emphasizes how much Despair her classmates absorbed, and even Kyoko herself states that it's impossible for all this to have been put together by just the Despair Sisters. If an additional year of hopelessness waiting around within the school were also erased, and Junko is intentionally avoiding saying she started the killing game herself, is it beyond reason to suggest that at least some of the 78th class had fallen to Despair in that timeframe? Look at the survivors that are left- Byakuya, Toko, Syo, Hina, Hiro. All characters that Do Not Like each other by this point. Most of the meaningful connections between the classmates have been murdered. Their past is scrubbed away. They've basically all betrayed each other at least once by now, and have been pushed to the brink of Despair. If you got a collection of THH characters most likely to fall to Despair, it'd be this group.

Junko even takes a point to emphasize just how Despair-inducing the truth can become, targeting Kyoko directly with this. As Kyoko comes to the realization the Junko purposefully designed the game with the possibility of being caught, she revels in Kyoko's Despair. She taunts her with the fact that their solving the mystery only made things worse. She is purposefully trying to drive the rest of her surviving classmates into SHSL Despair alongside her. She's manipulated the game and her classmates to get what she wants- the people she loves slaughtered, the survivors joining her in Despair, the world reborn by her hands. She quite likely manipulated her classmates into plotting each other's deaths not only inside the game, but in preparation for it as well.

Out of all her classmates, there was only really one you could argue wasn't perfectly analyzed and manipulated. One stood out among the rest as the unknown variable- a concept otherwise foreign to Junko- that was able to act as a wrench in her plans. And this, too, could cause her Despair.

8.3- Makoto Naegi (Hope vs Despair)

Makoto Naegi's SHSL Luck, AKA SHSL Hope, is the one who takes down Junko Enoshima's SHSL Despair. But why and how was this possible, and what does that mean for the relationship that he and Junko had prior to the game? If I wanted to fully delve into their relationship specifically, I'd need to really tear into Makoto's character, and I don't really have the time for that today(again, still hoping to get this out before 2025), so we'll just do the best we can based off the scenes they've had together and what we know about Junko to put the pieces together thematically.

Makoto is an average guy in just about every sense of the word. He likes average things, he looks plain, he's chosen randomly by lottery instead of earning his place in the school, he doesn't have any noticeable traits or beliefs- at least, not at first.

"But you know, if I had any one kind of strong point, so to speak, I'd say I'm a little more gung-ho than other people." -Makoto Naegi, THH prologue

By his own admission, he has a grand total of two character traits- abnormal normalcy, and enthusiasm. He's optimistic, and that's kind of it. By all intents and purposes, he's the SHSL Joe Schmoe, and that should make him another blank canvas on the wall of pawns Junko can knock over whenever she gets a little bored. And yet, SHSL Joe Schmoe is the one directly responsible for Junko's failure, and the one person who, by her own admission, she cannot predict. So why and how exactly is that?

I recall reading a story about a coding competition, where coders were meant to design an AI for a gambling competition. One entry proceeded to make an AI that would go all in every single time it was its turn, and the simplicity of it was so intimidating that it broke every other AI that was in the competition. That mentality is the exact strategy Makoto unintentionally employs. He doesn't have any strong sense of self or moral complexities; he's a dude that exists, and he throws everything he is into everything he does. He's an optimist to the highest possible sense. He leaves his door unlocked even after 4 murder cases and a break-in. He refuses to fathom anything but the best possible outcome, and so he's able to combat Junko's total Despair with pure hope. Makoto's head is so completely simple and empty that it acts as the exact opposite to Junko's highly intelligent, analytical mind. When she tries to force-feed him Despair in the final trial, he hits her with the power of 'nuh-uh,' and it works. It's that emptiness that fascinates Junko, and makes him and his random chance luck unpredictable to her.

Part 11- "Defeating" Despair

When Junko loses, it's not just because she failed to convince the others of Despair, or that Makoto's hope was just naturally the stronger conviction of the two. Rather, Junko's loss can be attributed to her own conscious choice to lose. Even if we're looking solely at THH, this is the case. And the source is found in a single line.

If her conviction to win in this moment was absolute to the point where only one person had to vote for Despair, she just had to include herself in the votes. After all, she is one of the 16 students participating, and by all accounts, she should receive a vote for this trial. But she casually refuses, instead leaving it in the hands of the survivors to make the final call. And that in and of itself is indicative of Junko's desires. When faced with a situation she can easily control, she leaves it to fate to decide, allowing that glimmer of unpredictability to take over and surprise her. She'll always believe in the Despair she's dedicated herself to; it doesn't actually matter who wins here. What matters is that she feels Despair. Either Makoto succeeds in convincing his classmates of hope and kills her, ruining all her plans, or he fails, and she exterminates the one unpredictable person in her life and locks herself out of that rush of adrenaline for the rest of her life. Either ending would fill her with Despair, and in that sense, there is no way for her to lose. She won the killing game, whether the survivors realized it or not, because she succeeded in destroying herself. She built herself a Saw trap, and her loved ones set it off.

Part 12- Execution Analysis

Junko is the only character to walk willingly into her execution, even being the one to hit the red button to start up the punishment rather than having Monokuma do it. You can first attribute this to her no longer being in the control room to pilot Monokuma to do so, which is true, but it's also representative of her desire for self-inflicted Despair. Her eyes are swirling with Despair and she goes on about how good it feels, how everyone should die in such Despair, how this punishment is 'extra special', because it's one she brought on herself. After methodically destroying the most important relationships of her life one by one, she'd now be killed by her friends in a series of recycled contraptions in an 'Ultimate Punishment'.

As she goes through each step of the execution, we see her bearing a wide grin, flying through the machinery that'd killed every one of her executed friends over and over again. She hits every baseball, handles the Cage of Death with ease, calmly survives the firetruck, and bobs her head with the excavator. She doesn't struggle, not once, and this is because in prolonging her Despair, her SHSL Analyst talent is keeping her alive. She's watched every one of these executions, and thus, knows how to survive them all. It's not just a retrospect of every prior execution as a callback for the audience; it means something. With a punishment meant to bring the character's worst ironic death via their most hated parts of themselves, then of course Junko's analytic abilities are keeping her alive through everyone else's Despair.

The execution ends with the return of the After-School Lesson, and this is the one that finally kills her, because it's the only one in which she doesn't know how it ends. Makoto's execution was tampered with by Alter Ego, so there's no way to know if she'll actually die or not. Junko can't know if it still works or not. Junko doesn't know whether she'll live or die, and that's what makes it so exciting. She's driven to the edge of death and left to sit there for a moment too long, long enough for the Despair to be replaced with disappointment- only to kill her right when her Despair abandons her. She stops smiling, looks up at the press, and dies abruptly. In her final moments, she is denied her Despair. Makoto did win, after all.

Part 13- Answering the 'How' (SDR2)

One of the biggest 'what-the-fuck's people tend to have after walking out of their first playthrough or watchthrough of THH is the How of the entire game. The first game is good and all, but it leaves Junko's skills and how she set up and pulled the killing game together pretty vague. This is intentional, as in the first game, she exists as a kind of force of nature, representing Despair as an inherent part of life in the same way Makoto represents hope. But after Spike Chunsoft commissioned a sequel, and Kodaka set to work on DR 0, the question of 'how' had to be answered as the series was expanded upon. This started with the introduction of Yasuke Matsuda's memory erasure technology and the reveal of Junko's SHSL Analyst status in DR 0, but continued to expand well beyond that.

In SDR2, we're introduced to an entirely new cast of characters, all with new and less conventional talents in comparison to the first cast. Whereas THH had plenty of more mentally-oriented talents like programming, writing, and hall monitor to balance out their more eclectic ones, the SDR2 cast is almost entirely physical or social talents like a yakuza, animal breeder, and mechanic. These talents also put them into more social or powerful positions than the 78th class on an overall skill, as you find yourself full of people that could command full armies and people proficient with making weaponry or fighting and potentially killing the people around them. This differentiates the casts, and automatically makes them more threatening in the ways they could attack each other in a killing game. This also makes them Junko's perfect weapons.

8.4- Remnants of Despair

Class 77 is revealed by the end of SDR2 to be the Remnants of Despair, pawns swayed over to SHSL Despair by unknown means. Makoto refers to this conversion as 'brainwashing', though whether this is him literally knowing they were brainwashed or making an inference and later being proven right is unclear. Regardless, the RoD are part of the SHSL Despair movement, and exist to explain a lot of how Junko was able to not only set up the killing game mechanically, but continue to end the world and send it into ongoing war after the initial Incident.

This is something especially apparent with the remaining surviving cast, as they're the most immediately powerful amongst the cast for Junko to use. Sonia and Fuyuhiko are both in direct command of massive amounts of people, with Sonia being the heiress to an entire country and Fuyuhiko being the leader of the largest mafia in Japan. Kazuichi as the SHSL Mechanic explains how and why so many elaborate executions were able to be designed ahead of time for the killing game, and Akane is a wicked fast athlete who's already accustomed to tragedies and will eat anything. On top of all this, there's Hajime, a human experiment worked on by those in league with the values of hope, and that was forcefully imbued with every talent that's ever been documented, including Junko's.

This sums up everything that made the RoD useful, but doesn't explain how any sort of meaningful connection was established between them and Junko. That's because on the overall, there isn't one. With two notable exceptions, the SDR2 class is largely unimportant to Junko emotionally speaking. They're useful, and that's about it. They weren't in the same class; they didn't interact at school or bond in any important way. She just dragged them down with the bare minimum brainwashing video because of their usefulness.

We also know Junko didn't care because of just how differently she speaks to and treats class 77 as opposed to the characters that we know she does love. The series painstakingly makes sure you know that Junko tears up everything she loves- Mukuro, Yasuke, class 78. She gores through them because hurting the ones she loves hurts her right back, and gives her an excellent Despair. But with class 77? Beyond the initial conversion, she doesn't really touch them. She doesn't need to waste her time with people who are virtually strangers. Their pain just is Despair; it's not her Despair. It's good for a laugh, but not much else, so she lets them run rampant on their own.

On an overall scale, Junko didn't give a fuck about these people. They existed solely as tools to her, and she interacted with them as little as possible. Unlike with her classmates, whom she loved, she did the absolute bare minimum required to get them to feel Despair by showing them a video and letting them do their own thing. The RoD were Remnants and not full-fledged SHSL Despair because their Despair was artificial. It was inauthentic, and so they could never ascend to true Despair in the way characters like Mukuro, Junko, or Monaca can.

8.5- Mikan Tsumiki (The Relevance of Junkan)

When we're first introduced to the concept of Junkan, it's portrayed as a one-sided infatuation from Mikan's perspective. She tells her classmates about the one person who forgave her existence and loved her anyway, with the choice of language emphasizing her beloved's need for Despair and asking for forgiveness for hoping suggesting that this beloved is Junko.

"Ahhh, this feeling of freedom where you no longer care about anything! My beloved and I are the only ones within that thin veil, and I'm just looking out through it..." -Mikan Tsumuki, SDR2

Whether intended at the time of SDR2's release or not, this line of dialogue ended up foreshadowing Mikan's heightened importance in comparison with the rest of her class to Junko as an RoD. When everyone else were just tools, remnants formed by brainwashing, Mikan is ultimately differentiated as special, not necessarily craving Despair but happily parroting it for the sake of a twisted love.

"It's like nothing matters! I could just die, that's how little it matters! Who cares about hope or despair! It's love, only love!" -Mikan Tsumiki, SDR2

This 'beloved' being Junko is proved true when AI Junko emerges in the final trial and reveals that class 77 are also the RoD. At this point, though, there's almost no evidence that Junko feels anything back for Mikan besides a vague sense of usefulness shared with the rest of her classmates, as she mimes seeing them as friends because of their actions as Remnants of Despair.

Something that's important to remember, however, is that Junko's need for Despair drives her to destroy everything she loves. We've seen this multiple times, over and over again with Mukuro, Yasuke, and her classmates before now. The reason we know she didn't care about class 77 is because there are no such personal attacks to tear them apart and make them despise her specifically- their pain brings her no Despair. There's no evidence of a personal attachment. Once DR3 comes into focus, though, that changes for one RoD in particular- one Mikan Tsumiki.

DR3 made the decision to bring Chiaki back as a human character, and made her the central figure for class 77's bond. Junko dragging out Chiaki's suffering and forcing her classmates to watch became the titular event that drove the rest of class 77 to Despair. But there was no personal attachment to this act, because she'd only just met Chiaki, and there was no dynamic to speak of between the two of them besides maybe a vague sense of interest based off of their single interaction.

So, if there's no established rivalry or connection to Chiaki, why does Junko single her out and kill her specifically? Easy; Junko doesn't. She sets up the maze, sure, but she is not and never was the one targeting Chiaki specifically. That was Mikan, and the show makes sure the audience sees this more than once.

When Mikan and Junko meet, it's because of a chance interaction. Mikan runs into Mukuro by mistake when going to check on Ryota, and is captured. In this sense, she's literally presented as a gift to Junko. Junko learns she's a nurse, and decides she'll let her hang around while she works on the brainwashing video.

In their next scene together, Junko is having Mikan massage her leg, listening as Mikan presents her classmates and friends to Junko. She's the one who tells Junko of how close her class has become, and how Chiaki is the central figure behind their bond. It's where we get this from Junko:

Though you might not immediately know it, it's swiftly revealed to us that Mikan is now in love with Junko via this and Ryota's mention that something appears 'off' with Mikan. From Ryota's discovery of the prototype video that was used on the Reserve Course students being immediately followed by Mikan's appearance and saying he souldn't have watched the video, it's easy to fall into the assumption that Mikan's fall is purely because of the brainwashing. But that's not necessarily true. Mikan having seen the video prototype is very different from being brainwashed entirely, and considering Junko herself says that the video is insufficient and that she can't brainwash people like Ryota can, there's an inference to be made that while the prototype video may have helped, it didn't rob Mikan of her free will in the way Chiaki's death did for everyone else. Ryota didn't fall into Despair from the video by itself, and neither did Chisa Yukizome. We also know from her FTEs in SDR2 that even before falling to Despair, Mikan was already a little fucked up, as her idea of a good time includes telling you all the ways in which you could die and begging people to treat her like garbage just for a taste of acknowledgement.

We also see what motivated her to nurse not only herself, but others as well- not empathy, but power and control.

"Sick people and injured people... are weaker than me. .... But if I know the proper way to treat them, that means my words are absolute. Which means... They'll need me. They'll depend on me completely." -Mikan Tsumiki, SDR2

Again, all this can be found in her FTEs, in a situation in which she's mentally reverted to the way she was entering the school, before she and Junko were so much as in the same city. By this line of information, it's just as believable that her falling in love with Junko was because Junko and her video actually connected with Mikan, taking Mikan's craving for attention via mistreatment and using it to her advantage. It's also worth noting that the anime makes a point to use 'spiral eyes' to demonstrate when a character has been brainwashed. This is something used with Chisa, with the characters in the Future Arc, and when the RoD are shown Chiaki's murder. But Mikan does not have these spiral eyes in the scene where she nearly assaults Ryota. She's horny, and it's extremely disconcerting, but her eyes are still her own, suggesting that the video didn't take a hold on her the way it did for the Reserve Course students.

Mikan is also one of the most similar characters to Junko in that she craves pain. Not emotional Despair in the way that Junko does, but physical pain, not only from Junko, but from just about anyone. Pain means attention, and that's something she needs more than anything. By this metric, she and Junko are actually quite similar, needing the worst from the people they love, and this makes for a formula that can create an incredibly abusive relationship. Junko can do literally anything to Mikan, and she'll lap it up like a dog. Mikan makes for a perfect punching bag, and suddenly, their relationship is intentionally paralleling the way Junko treats her sister. She kicks her around, calls her a disgusting horny piglet, and Mikan thanks her for it. It becomes a challenge of seeing how far she can push Mikan before she snaps and attacks her back, just like how she tries and fails to do with Mukuro. Simply put, there's no reason for her to treat Mikan in this way if she doesn't care about her as a person, romantic or otherwise.

This connection Junko forms with Mikan also serves to answer that earlier question: why did she bother with a class full of people she's never met? It's because of Mikan. Mikan is the one to present class 77 to her, and with the context that she goes on to set up a murder maze specially for Chiaki, and specifically says that Mikan has 'made a compelling case', that means Mikan was asking her to make them SHSL Despair. And not only does she do so, she does so in a way that forces Mikan to be the one to lead them into the trap. She brings her classmates to the bunker, she separates Chiaki from the group, she's responsible for sending her loved ones to Despair. This isn't a plot that's personal to Junko; it's a plot that's personal to Mikan, and Junko helping drive Mikan's loved ones into Despair saddles Mikan with a Despairing guilt tied to Junko.

Driving class 77 to become RoD is an act of love for Mikan- a twisted, abusive love, but a love nonetheless, and one that's in line with the way she drives her own class to Despair and makes herself the crux. Should her classmates realize what's happened, they'll know that Mikan brought them here. The rest of class 77 are Remnants, but Mikan is a SHSL Despair like Mukuro, valued like Mukuro, and her being the one to regain her memories and turn on all her friends once more, betray them once more, is a remnant of Junko's love.

8.6- Izuru Kamukura

When Junko first approaches Kamukura, she does so with the intention of offing him then and there. He's the artificial SHSL Hope, lab-grown by Hope's Peak Academy, and represents everything their research stands for. To kill him would be to kill their work, and that's what she walks in with the intention of doing.

Naturally, she fails, as Izuru's been imbued with every talent known to man. This wasn't outside to realm of possibility for Junko, though. There were several different ways to kill the SHSL Hope invented by Hope's Peak. Whether or not she killed him literally or metaphorically wasn't the point.

Izuru Kamukura exists as an empty symbol. He's filled with talent and nothing to use it on. Because his existence is an artificial one, he has no passion with which his talents were born, and no drive to use them. If anything, he's not the SHSL Hope, he's the SHSL Talent, but regardless, his creators have labeled him their SHSL Hope so that he can become their puppet-symbol. So to kill the SHSL Hope the trustees have created, all Junko really has to do is get her hands on the puppet first.

The actual convincing of him isn't really what matters to Junko. Similar to the trustees, she also sees Kamukura as a symbol, albeit one to be knocked down instead of bolstering up, so she uses him like a token symbol, too. All she has to do is pique his interest, just enough to get him to follow her, and her job is done. She talks on about her love of Despair, how grief and pain are something that actually makes you feel, and because he's had his emotion removed, that unknown variable is enough to get him to watch, just in case.

Despite his having every known talent, Kamukura is tricked. He's framed by Junko as being responsible for the murders of the student council. And in addition, he sees the power of Despair, as adrenaline from the final survivor pushes him to attack Kamukura even when it should've been physically impossible. When moved by that animalistic need to survive, he manages to cut Kamukura's face even after getting his own sawed in half. Thus the SHSL "Hope" is introduced to the world as creating Despair, and his job is complete.

Junko doesn't really bother with Kamukura after this framing. She lets him hang around, but when he decides to leave, she doesn't make any sort of fuss or try to attack him anymore, because she doesn't really care about him. He was only as important to her as his title was to the school, and once that title was tarnished, any connection between them she pretended to have was dropped. The next time these characters meet, it will no longer be the real Despairing Junko tainting some artificial husk of a person, filled with talent and emptied of heart, but rather, an artificial Despair combatting a survivor's true identity.

Part 14- The Brainwashing

Okay, let's talk about this. Was the brainwashing a good move for the story? Was it actually planned from sdr2? Or was it something half-assed at the last second because Kodaka didn't think that far ahead? Well, imo, it was almost definitely intended from their conception, and is very reflective of Junko's own motivations and goals.

From as early as DR 0, brainwashing tactics are evident within Junko's work. When Ryoko meets the reseve course's underground cult, she finds them watching a single video of mutual killing over and over again, with a fixation on its contents that's unnatural.

"[The cultists] didn‘t even bother to glance at me. Their eyes were still plastered to the monitors in front of them. .... Every monitor was a pitch black, none had a single image projecting on it.

'It‘ll… start again soon… so…' the monobear heads sitting in front of me said in monotone." -DR 0

Brainwashing is again brought up within SDR2, as not only is Hajime expressly a human experiment due to alteration of the brain specifically, but the entire class is referred to by Makoto as 'brainwashed'. At this point in the series, there's no reason for him to actually know this short of Kamukura possibly telling him they were brainwashed, so we can reasonably assume this statement is rooted in Makoto's inability to understand Despair and seeing anyone's craving of it as a mental disease that can be cured(not an unreasonable conclusion to reach, considering the Everything About Junko he was led to witness). Ergo, it's not beyond reason to assume that brainwashing was well within the bounds of possibility for the characters even at that time.

While the idea of brainwashing the class into Despair appears to rob the class of their moral complexities that came from being RoD, the view we as an audience are given by Makoto, Kyoko, and Byakuya within SDR2 is only ever that the RoD were victims of Despair. The survivors are already established as more reliable narrators than AI Junko thanks to the first game, so there's no reason not to trust that what they say is likely true. In addition, Junko never actually directly states that they did it of their own free will, just that they were on the same side and tries to get them not to listen to Makoto, her already-established opposite.

The idea of class 77 being brainwashed went from theory to canon in DR3, and while the method of their brainwashing is controversial(the line 'cutting through their free will like swiss cheese' from the dub is pretty aggravating), it still lines up with Junko's pre-established goals and motivations. She goes to Hope's Peak to tear down Hope and replace it with Despair, and after being shown a class full of Hope united by their love for the same person, she exploits it and is able to use their love against them to create Despair as an outsider. She's introduced to the class, uses them, and then lets them all go do their own Despairing thing because she doesn't actually care what they do. What matters most is her own Despair, and tearing hope to pieces. So her interaction with class 77 remains minimal, a mere experiment for Despair in the same way Hajime was an experiment for hope, and then keeps going about her business, calling on them presumably only if she needs something like the execution contraptions.

14.1- The Despair Videos & Knowing the Difference

There's not just 1 Despair video. Over the course of the anime, we're introduced to three, and each one has different levels of effect on those who watch it. Knowing the difference between these three videos is quintessential when talking about the brainwashing and how each character to watch a video is affected, as well as understanding different characters' roles in the narrative as they pertain to the videos. So let's establish the differences between these 3 videos and their effectiveness before we move forward.

14.1.1- The Student Council Massacre

The first Despair video, aka "the prototype", aka the Mutual Killing Video, is the one created using the footage of the student council's beta mutual killing game. This is the one made solely by Junko's attempted mimicry of Mitarai's animation talents, taking security footage of the mutual killing and sharing it with the Reserve Course and Mikan as a test run. And while it does have some level of effect on them, inspiring 'the parade' and having a hand in Mikan falling for Junko, it doesn't work nearly well enough to actually rewire their brains for Despair or strip them of their hope in the way that Junko would like. Even in the context of a parade, it's still very much a protest in the hopes of change. There's still the demands of a refund, of being let into the main course. Even when shown the Despair of the truth, there is still hope that things can be changed or fixed. And that's not what Junko wants. The only character that we've seen to watch this video to end with the aforementioned 'spiral eye' telltale of true brainwashing is Chisa, who we know was also being actively lobotomized by Mukuro during a repeated viewing to force it to work. This instruction came from some manual Mukuro was left with, presumably written by either Junko or Ryota.

While this video is what starts the parade, what eventually pushes the parade to violence isn't Junko. It's the inaction of Hope's Peak Academy and refusal to acknowledge their mistakes. Instead of coming clean, they bury everything wrong they've done even further and have their security beat the shit out of anyone that tries to find answers for themselves, doing so in the name of 'protecting them' from information. They keep the wrongdoings of their 'real' students under wraps at the expense of their underlings, fully buying into a talent-based hierarchy they created. Those without special talents are sources of finance- nothing more, nothing less. And when that overwhelming majority questions that, and finds evidence that HPA doesn't care, of course they'll retaliate. The video itself isn't a brainwasher, but when combined with the very real negative effects of the classism which the Reserve Course students find themselves hurt by, it makes its influence that much stronger.

14.1.2- Human Chiaki's Death

The second Despair video is Chiaki's execution, and is a live recording shown to her classmates. As far as we've ever seen, this is the only instance in which this is ever shown. This live recording is enough to send class 77 into Despair properly, spiral eyes and all, but there's an underlying implication that the primary reason for this is because of how important Chiaki specifically was to them. Throughout the season, and especially in this episode, Chiaki is established as the glue that holds the class together. Despite not being an extremely sociable person, she connected to her class with her love of games, and her earnest love of it endeared her to them, and their love of her did vice versa. The footage locked them each into place, unable to look away, and once they were at their lowest, at the very end of the video, Junko swoops in to dub them all Remnants and decides for them that they will now cause Despair for her. And because she says this when the live footage has brought them to their lowest, they each fall into this trap, at least to some extent. Whether or not they truly belive in what they're doing, they do it, because that feeling of Despair is their last connection to Chiaki left.

But, similarly to the prototype, it's still ultimately insufficient. Granted, it's much more effective than the prototype, but it isn't a full mindwipe, either. We know this because when we meet Nagito Komaeda in UDG as the Servant, he's still himself. He still has some level of self-control, able to speak and act as an individual even when following the orders of Monaca or the other WoH. He says himself that he despises Junko more than anyone else in the world, and follows through with Despair with the faith that it'll inspire a newer hope to conquer it. He says something similar in that moment of brainwashing as well.

"Nanami is our hope. Look what she did to her. What Despair... What a horrific sight! This is... This is the Despair we must overcome? Ah, Nanami... You understand, right? At this moment, you are becoming a stepping stone to hope!" -Nagito Komaeda, DR3

You could possibly attribute this to Nagito's luck cycle and history with tragedy just making him have a higher resistance to the brainwashing, and honestly, there's no strong way to contradict that, since Nagito and Mikan are the only ones we ever see in Despair outside of a montage, but narratively, I doubt they'd make a point to show one of the RoD hating Junko if it weren't to make the point that they had agency. Nagito was just the fan favorite, so of course it was gonna be him. You saw the fanservice in UDG.

14.1.3- Mitarai's Animation

The third and true Despair video is the inversed Monokuma Theatre, which is used to mentally hack its viewer and drive them into such a strong state of Despair that they kill themselves right then and there. This is objectively the strongest of the Despair videos, and the most effective, with the only character it doesn't immediately convince to kill themselves being the Future Foundation chairman Kazuo Tengan. This is mostly for plot reasons, but I'll address this specific exception to the rule later on and why this was the case.

The Monokuma Theatre video is mass-emailed to the Reserve Course students after they destroy the shiny new building their parents were tricked into paying for. The video hacks their minds when in an already vulnerable state, and each and every one of them jumps out of the building and kills themselves. Just as quickly as they take some control and uproot the system that hurt them so, they fall victim to the games of another who never cared for them in the first place. The purpose of the video was to create a horde of faceless victims to spurn others into action, and it worked like a charm, spiraling the world into a state of Despair. The RoD used their influence to ensure a smooth transition into this state of worldwide chaos as well, having significantly more social power and reach to spur more and more people into the fray.

The Monokuma Theatre video is also what makes the members of the Future Foundation kill themselves in the Future Arc, hacking their minds and then dropping a knife with which to stab themselves with. It works on every character that watches it- Chisa, Gozu, Seiko, Ruruka, and Makoto. Each of these characters are in various mental states when they watch it, yet all of them fall to it, without exception. It doesn't matter who you are or what you believe in. If there's even one thing you regret in your life, the video can and will work on you. It just does. And by that logic, it's the only real 'brainwashing' video, because it can work on anyone who watches it. The one character who seems to withstand it is the one who builds an entire killing game using said video just to force its creator to action, and doesn't even seem so much as affected by it. Really, it calls into question whether or not he was even affected by it.

14.1.4- The Flashback Light (Bonus Brainwashing!)

The Flashback Lights are used solely in V3, and are invented by the mysterious Team DR to reprogram the memories of their victims to play along in their scripted killing game. We see this work on both Kaede and Shuichi, as well as see the aftereffects it has on the rest of the class.

We learn while investigating that Tsumugi is the one responsible for creating the Flashback Lights, and that she's been the mastermind who knew what was happening the entire time. However, this initially opens up a plot hole in that Tsumugi has also been shown the Flashback Lights multiple times. There are 3 viable explanations for this. The first one is that she just closed her eyes, which is extremely boring and kind of a copout. The second is that she didn't know she was the mastermind until near the end, and Kaede's murder plot failing was a ruse by Team DR for the story, but that makes that entire reveal lose a lot of its impact. The third explanation, therefore, makes the most logical and narrative sense, and actually doubles as a reason why Tengan would be the only one to withstand the Monokuma Theatre in DR3: Tsumugi wears glasses.

Yeah, I know, that sounds silly, but let's actually break it down. In NDRV3, two characters are shown to wear glasses, and only two- Tsumugi Shirogane, and Gonta Gokuhara. Gonta, however, has two unique traits that are relevant here. One, he has 20/0.625 vision(strong enough to see the near microscopic Monokuma cameras), and two, he wants nothing more than to appear as a gentleman. I don't think it's a stretch to say he's wearing empty frames to appear more gentlemanly, especially considering they're paired with a full suit.

Tsumugi is the mastermind, and the one who has the most insight into what's happening in the game. She's the one who knew the difference between her actual self and the character Tsumugi that she played(it's implied in the dating sim that Tsumugi isn't her real name), despite having seen the Flashback Lights with the class several times. So isn't it entirely possible that having glasses to reflect the light of those Flashbacks was what let her pass for being affected as well? And, if that's the case, then it would also explain why Tengan, who wears glasses, would be resistant to the effects of the animated video, as everyone else who we know watched the animated version before their death didn't wear glasses. The faceless Reserve Course students don't have glasses, and neither do any of the five characters in Future Arc to watch it. It's completely ridiculous, and simultaneously totally plausible, for the idea of glasses reflecting off light and lessening the effects of such a video to be the explanation for why the videos or lights exclusively didn't work on these masterminds.

8.7- Ryota Mitarai

Junko's connection to Ryota is objectively the weakest part of her story, and admittedly a major part of why the brainwashing of class-77 falls under such scrutiny. Whereas every other part of Junko's plan is pretty well-established within her characterization, the connections she makes having actual sense to their conception and development, and just general consistency within the narrative, her meeting Ryota is not only a stroke of random luck on her part, but emphasized as one, and this just does not make sense for a character within said narrative to have never once been characterized as having any level of luck or fortune prior. This is especially glaring in a world that has established luck mechanics via characters like Makoto, Nagito, and Celeste. Junko just isn't a character meant to have luck like this, and never has any sort of moments or accomplishments stemming from luck before or after this outright.

When Junko and Ryota meet, it's because they walk past each other going in and out of the infirmary, and Junko, for no visible reason, decides to start talking to him right then and there. She starts squealing and hugging him, jumping up and down, and says this upon Mukuro's asking why: "I don't know, but... this is what I'm telling myself: This is yet another... fateful encounter!"

There's no rationale to this. There just isn't. It's not her SHSL Analyst talent having picked up on him over time, or her recognizing him via someone else, or anything of the sort. It's totally unjustified random chance for the convenience of the plot, and that's what makes this introduction so weak.

Really, the issue of Ryota's involvement falls more in their introduction than his actual function in the anime. Considering his characterization and the connections Ryota had prior to this, it would've made infinitely more sense if Junko had met Mikan first while in the infirmary, and buttered her up enough for Mikan to introduce the two of them. Knowing Mikan, it wouldn't have taken much, and would've made more sense for Ryota to be so willing to share a part of his life's work while still incomplete if he was introduced to Junko by someone he already trusted. Regardless, that's not what happened, but I say this mostly because I want to affirm that with Junko and Ryota's connection, it's the introduction that doesn't make sense, not what follows.

That said, once the awkwardness of how they meet is out of the way, what follows is fairly reasonable. She asks about his talent, purposefully mocks his interests to trick him into showing off, and then takes advantage of what she learns about him, which just so happens to be brainwashing techniques that she'd already be somewhat familiar with thanks to Yasuke.

Once they're acquainted, Junko uses her knowledge of the school and what she's stolen from the kidnapped trustees to set up Ryota underground where she can keep him under control, and so he can't mistakenly squeal about what she's setting up. She uses his passion against him to bastardize it into what she needs and manipulates him into walking into his own cell by doing so. It's not her most genius move of all time, and it's not a difficult one to understand either, but it's one that works.

What matters most to understand, though, is that she doesn't seem to develop any sort of affection for him in the way that she did for Mikan. When he finally uncovers what she's doing, Junko gives him a simple sales pitch, and threatens him indirectly with Mikan's friends.

By now, she knows damn well that he's met a grand total of two of his classmates, one of which just tried to sexually assault him mere moments prior, so this doesn't seem like the most effective tactic she could've used. But Ryota is a sensitive person. A victim of bullying growing up, the whole point of his brainwashing animations was to make people more empathetic subliminally. So to force him to help her, Junko is able to target this empathy by targeting Mikan over Ryota himself. Her abuse of Mikan is painful for Ryota to look at, and he wrongfully puts all the blame for the way Mikan acts solely on Junko because he doesn't know any better. And Junko lets him, because it's convenient for her to manipulate.

"As you have inferred, the mutual killing video you watched is the reason Tsumiki ended up this way. However, in order to reach my objective, this is insufficient. My lack of brainwashing ability is the cause." -Junko Enoshima, DR3

As we know, Junko is an unreliable narrator. She can and has lied to people's faces for the sake of manipulating them, telling half-truths and intentionally warping the truth to shift her victims' perspective in a way that she wants. We never see Mikan's fall, only cutting from her first meeting Junko to her already being in love with her, and as we've established, not only was Mikan already pretty fucked up prior to meeting Junko, but she doesn't exhibit the symptoms of a complete brainwashing at this point. She still has her mental faculties about her. So logically, that means she's doing the same here. Yes, Mikan watched the prototype video, and yes, it was insufficient. Hence why we as an audience can understand with our meta-context that Mikan still has her mental faculties intact. Ryota, on the other hand, doesn't have that benefit, so when Junko says this, the implication is that Junko took the meek, shy, kind version of Mikan that Ryota knew and twisted her into an evil, hypnotized slave of Junko's. It's an intentionally warped perception of the truth that Junko uses to her advantage, to the point where she flat-out says she can't brainwash at this point and brainwashing is still commonly attributed as the sole reason for Mikan's behavior in this scene.

Ryota cares about the few friends he does have, taking Mikan's and the SHSL Imposter's requests to take care of himself by resting and going to the infirmary even when he doesn't want to to ease their worries. So of course, when faced with the idea that he could prevent Mikan's loved ones from getting hurt, even though he doesn't know the vast majority of them, he caves regardless. It doesn't have to affect him. The people around him are important enough for this threat to work anyways. They're not his precious classmates, but they are the Imposter's; they are Mikan's. And Ryota is a very weak man. So he complies.

Later, when he escapes, she hunts him down to thank him for his help, and then allows him to run away, letting him believe that he's the reason why class 77 were the ones to be brainwashed.

"The video I had you help me with. The complete version of that. I'll have your whole class watch it now!"

The 'video' that Junko has them watch is a live recording of Chiaki's death maze. Meanwhile, the Despair video that the Reserve Course goes on to watch after the riots, and that Chisa Yukizome is subjected to, are different videos entirely, forcefully reprogramming them and removing their hope outright. Since Ryota's an animator, we can ascertain he's responsible for the one the Reserve Course watches, with an animated Monokuma. In other words, Junko does not, in fact, have his class watch the video he helped her make. She's lying to him to send him further into Despair.

"Imagine it... Because of you, all your classmates will fall into a deep, deep Despair. They'll become people who think of nothing but plunging this world into Despair, the Super High-School Level Despairs!"

It's a bold-faced lie, and one that Ryota has no knowledge with which to contradict it. Because he's a coward, and because Junko's already messed with his head so much, he runs and hides rather than face what he's done. She even leaves him with parting words of responsibility, twisting what happened with sarcasm so he'll always blame himself for her actions.

Ryota is by no means a perfect victim, but that doesn't change the fact that he is one. He was manipulated, and when he found out he was manipulated, he was threatened, albeit indirectly. But Junko was always planning to send Hope's Peak and the world into Despair. His video made it easier for her, but he is not and never was responsible for her actions. And by making him carry the guilt of her choices, she leaves him in a state of pathetic, guilty Despair akin to a genuine 'thank you' from her.

Part 15- AI Junko

AI Junko(or Kaijunko, as I like to refer to her as) appears as the reincarnation of Junko, created by Chihiro's AI technology and forming a Despair virus to infect the Neo World Program. She doesn't allow the Hope Restoration Program to follow through, instead taking Usami's teacher role and manipulating the world to be a Despair Restoration Program. The motives she uses are extremely personal and targeted, hyperfocusing in on specific members of the class each time to ensure a murder happens the way she needs it to.

Something that's important to remember, though, is that Kaijunko IS NOT Junko. She's an artificial recreation of the real Junko intended to continue programming Despair into the world after she'd inevitably passed. And as such, she isn't a 1:1 replica, and there are key differences between the two in the same way Alter Ego is different from Chihiro and Observer Chiaki is different from the human Chiaki.

The reason Junko fell into SHSL Despair was because her intellect combined with human need for stimuli left her with such a deep depression and boredom that pain and suffering were the only ways to make her feel alive. But as an AI program, Kaijunko isn't burdened by that same need. She's programmed to have the same goal of spreading Despair, but she doesn't have a personal, insatiable need for Despair in the way that Junko did. And this leads her to have a different endgoal for the final trial than what the real Junko might have chosen.

Kaijunko observes and learns from Izuru Kamukura and the RoD, as well as the Towa City residents, in the same way Alter Ego learned from class 78. The brainwashing video forcefully reprogrammed them, yes, but ultimately, they still loved each other as friends and classmates, even if Chiaki wasn't there with them, and it's that dedication to each other that Kaijunko learns about. It's why those connections are the ones tested within the SDR2 killing game; Kaijunko, who actually came into contact with the RoD personally and was toted around by Kamukura, would know what to use to create a killing game that would leave the most desperate group of survivors at the end to follow through on Junko's plans to reconstruct them all into her.

However, because Kaijunko isn't constricted to the same need to destroy herself, she can afford to bend the plan around impulsively in the way Junko herself had in the past, but in a way that'd align with the original Junko's goals to harm others around her without needing to harm herself anymore. Thus, in the final trial, she doesn't push those desperate survivors to want to escape. Instead, she uses her knowledge gathered to make them want to stay in the world Makoto provided to them, where none of them have to face the consequences of the RoD's actions, Kaijunko included.

One of the ongoing themes across the board for SDR2 is how artificial everything about it is. The island is artificial. Chiaki is artificial. Hajime is an artificial hope. The RoD are artificial Despairs. Similarly, Kaijunko is an artificial Junko. She goes through those same motions as the original Junko, but she is not, cannot be Junko. She can only mimic, never be, and so she tries to escape altogether by resetting the game to a state where the RoD live an escapist dream, and she's locked in the game with 'her' classmates forever. But despite this, because she's mimicked Despair, she's become part of it, and Hajime and the others do the one thing Junko can't ever succeed in doing: they choose themselves, and she disappears without a chance of hope, just like Ryoko before her. Hajime and class 77 forge a new future, and Kaijunko dies trapped in the shadows of the past.

8.6.1- Hajime Hinata

If the battle between Makoto and Junko in THH is a battle of ideologies- hope and Despair- then the battle between Hajime and Junko is a battle of wills. This is the battle between self-love and self-hatred, and both Hajime and Junko are faced with their opposite, only to reject it in favor of what they want for themselves most.

Hajime's main character arc is one of self-discovery. When we meet him, he's been stripped of everything that's made him himself, having a gap in his memory that has his identity within it. This is a direct parallel to Ryoko Otonashi's lack of memory, having no identity or memories of the past with which to identify herself. She has only the words others tell her. But in the case of Hajime, it's revealed that the supposed gap is virtually nonexistent. He has no special talent or ability that differentiates him from the rest. He's a blank slate- empty, one might say. And this is quite similar to Ryoko. In a similar way, Izuru and Junko are both burdened by the weight of their talents. In the case of Izuru, he was operated on to remove all emotions and thoughts to be a symbol for Hope's Peak, while Junko's Analyst talent left her burdened with the inability to enjoy anything.

There are also similarities to Izuru and Ryoko, having both had their minds operated on to remove all memories of their true identity and become someone new, while Hajime and Junko both feel a heavy burden of who they are and feel as if that makes it impossible for them to enjoy their lives as they are. This parallel is exactly why Hajime's choice to live, and choosing to live in the face of retreating into the NWP, is so impactful, especially when faced with the shadow of Junko Enoshima.

Junko never chose herself. She never could choose herself, and when given the opportunity to, she rejected it entirely, too addicted to the cycle of self-destruction she'd created for herself. She felt as though Despair was the only answer for her, so she could never stop searching for it, even from beyond the grave. That not just she should feel it, but everyone should. Everyone needed to know the way she felt. And she used anything and anyone at her disposal to make sure the world burned, because she wanted to feel, and what was the point of such a world pretending not to feel Despair anyways?

Hajime chose himself. It wasn't for anyone but himself. When looking in the face of what he'd turned himself into for hope, he was able to come to the conclusion inverse to what Junko did- that he didn't need to change for the sake of anyone else. It didn't matter that he wasn't SHSL like the people he admired, so long as he lived for himself. Meanwhile, when Junko reverted back to herself, it was like dragging herself back into a cage, being burdened by the same kind of talent that Hajime never needed. A talent she never asked for was the source of her undoing, while Hajime's lack thereof almost killed him in the pursuit of one.

The dichotomy of the talented vs the talentless is one that can be felt extremely strongly between dr0, sdr2, and dr3, but especially when in regards to the divide between these two characters, as it again circles back to the damage the hierarchy they find themselves in creates. Junko is a heralded SHSL Analyst and Gyaru, dubbed by Japan as superior and handed the influence that makes it so much easier for her to poke holes in the system until it collapses. Even when all the evidence is placed on her, she's the SHSL Analyst, and can convince HPA to keep quiet for her. They cover up her crimes, and when they can't anymore, she's part of the 'chosen' that receive protection from the government while the Reserve Course and their families are never mentioned again. Hajime has nothing, is considered nothing, is even beaten and told to 'take to the leash and collar already' to keep him complacent. His choice to become Kamukura is weighted by the pressures of the system he's trapped within, holding him not only to his desire to be considered important, but to be equal, not to mention the debt he's placed in just for the right to participate in said hierarchy. Those treated like nothing are downtrodden to accept the system and uphold it, and those with power can do whatever they want and the system will protect them.

In a lot of ways, Hajime and Junko are more similar to each other than any other two characters in the franchise, all the way down to the sacrifice of the ones they closest around them sending them on their final path- Junko with Mukuro, and Hajime with Nagito. And in mirroring this, Nagito eventually returns, while Mukuro never can.

Mukuro and Junko are twins, and work to attain the same goal, but they're still very different people. Junko is absolutely fucked up, and Mukuro follows her out of a twisted need to be by her side, even when it leads to her eventual death. Hajime and Nagito are repeatedly called out as similar, both needing the other to get through the trials and survive and being forced to come to an understanding, but still retaining their individuality and separate beliefs. When Mukuro dies, it's directly because of her loyalty to Junko, even at the cost of herself, and Junko's betraying her resulted in both their deaths. Nagito died because of his loyalty to hope, even at the cost of himself, and Hajime's trust in him was what allowed him to survive and eventually bring Nagito back. Where Mukuro was metaphorically absorbed into Junko and forgotten, Nagito's individuality was what became critical to Hajime.

15.1- Shirokuma & Kurokuma

This part will remain brief. Shirokuma and Kurokuma are the AIs found in an all-white and all-black bear in UDG, each positioned on one side of the Towa City genocide and perpetuating the war by manipulating the Towa siblings.

Shirokuma is the 'good' one, and is positioned with the adult survivors. He's the one responsible for creating the underground safe house, and is Haiji's right-hand. Even when making it appear as though he wants peace first and foremost, he goes on to pilot Big Bang Monokuma and stands with Haiji, playing him and Komaru to escalate things.

Kurokuma is the 'bad' one, and is the one who gave Monaca the plan to create a Successor in the first place. He's a chatterbox that's an advisor to the WoH, presumably left behind by Junko or created by Monaca, and pushes the kids into their murder games by standing with Monaca.

Near the end of the game, Kurokuma reveals that Shirokuma is his little brother, and later in the epilogue, we learn that they were actually not distinct AIs, but rather, the same AI Junko as in SDR2 that was working both sides to destroy Towa City. Them taking the form of siblings mirrors that Junko herself was a twin, and isn't truly complete if she doesn't have her sibling still present.

Part 16- Big Sis Junko (UDG)

Following SDR2, UDG returned a master-manipulator Junko to the scene via the Warriors of Hope. Though AI Junko is present and perpetuating the war through her manipulation of the Towas, Junko herself is all but gone, survived only through the kids' memory of her, and what they have to say is extremely telling to the capability Junko really had to push people further towards her Despair.

Her role as 'Big Sis Junko' came when she prevented them from killing themselves, though how she knew to be there at the right time is unknown. We can assume she'd been keeping eyes on Monaca already and, through her Analyst talent, figured out when the right time to be to show up.

From there, they became the Warriors of Hope, not missed by their parents that hated them or worried for by the world, and Junko was free to mold them however she liked. She did this by teaching them to lash out at the people responsible for their suffering- not just their parents and abusers, but any and all adults. She was a teenage girl who'd taken pity on them, as far as most of them saw, and so they trusted her as the first and only person besides each other to show them kindness. They became ideological, lumping all adults within the same box of 'demon' because they were given no other comparison, and they did it for Junko.

"As far as I remember, the first adult we defeated was a random person we didn't even know. .... From there, we leveled ourselves up by killing Demons. Big Sis Junko was so pleased..." -Nagisa Shingetsu, UDG chapter 4

They came to rely on her as their one true savior, and even those of them who knew they were being manipulated didn't care, if only it meant they weren't the ones being beaten anymore.

"At least, at the time I thought it was a miracle. But later I learned it was inevitable. She came into my life just to take advantage of me." -Monaca Towa, UDG chapter 5

"'You guys... were completely deceived by Junko Enoshima.' 'And what's wrong with that? Did I not tell you that we are her possessions? We would rather her take advantage of us than horrible adults.' 'Sounds like it's too late.' 'Say what you like. Big Sis Junko... gave us hope. That's the truth.'" -Toko Fukawa & Nagisa Shingetsu, UDG chapter 4

And when she died, she was martyred, a victim of the cowards who'd believe in the adults and Hope's Peak. By dying, she completed her manipulation of them, ensuring in her absence, they would only remember the kindness she offered them. Anyone who said otherwise must be a demon.

"No matter how much you hate us, no matter how much we're shunned, we're definitely not wrong. That's the real truth, because Big Sis Junko said so. .... Those adults who took her away from us and said that she was the bad one! They're the filthy ones; they're the ugly ones, the disgusting ones!!!" -Jataro Kemuri, UDG chapter 2

This manipulation and creation of the WoH stemmed from a practical source, as we learn in the game. By Monaca's own admission, Junko only ever cared about getting access to Towa City tech for her Monokumas and for spreading Despair wide-scale. Having highly talented and abused kids to carry out her will when she was gone was just a very welcome bonus; having the youth primed to continue spreading Despair when she was gone would create a legacy, and her ghost would continue to haunt those with hope for at least another generation. Enter Monaca Towa.

8.8- Monaca Towa & the WoH (CW: Mentions of Incest & Pedophilia)

Monaca is differentiated from the rest of the Warriors of Hope almost immediately as being more aware of what the fuck is going on than her friends. She's the L'il Ultimate/SESL Homeroom that loves hearing everyone else talk about their thoughts and feelings, she's the one who invented the Captives game, and she has swastikas in her eyes, because Nazi symbolism was the only way we could convey she's a dictator I guess. As the game goes on, we see that her relationship with Junko is different from the rest of the class- a bit more substantial. She has much more knowledge of Junko's desire for Despair and knows the real reason Junko sought them out in the first place. She uses her friends' idolization of her to trick them into helping her make a new generation Junko to carry her memory. She also has a hidden bedroom full of photos of Junko, and one in particular stands out among the rest.

Junko and Monaca, all by themselves, posing for a photo. None of the other WoH are present for this photo. It's also worth noting that Monaca's in her WoH outfit, even though in every other flashback or cutaway to the past before Junko's death, they were all in their Hope's Peak Elementary uniforms. If it weren't already obvious, these two were spending more time together than with the rest of the WoH. This is primarily because of the explanation we've already been given- Junko needed tech, Monaca was the one that had it. Of course extra work was gonna be put into her, and if she felt special in comparison, she'd become more like Junko.

Both Monaca and Junko are a younger sister, and their older siblings are established as pretty creepy in their own ways. Mukuro is incestuous and lusts after Junko whenever they're together, or even just when thinking about her. Haiji, meanwhile, is a pedophile, mentioning he likes girls younger, "as young as I can get 'em." I don't have to explain why the knowledge he has an extremely younger half-sister he expressly doesn't think counts as family is a bloodcurdling realization given this information. While they seem to have very different levels of connection with their siblings, this is a pretty distinct commonality to give both masterminds, especially when one is meant to immediately succeed the other. Both girls are also considered the "genius" of their families, while their older siblings use more brute strength.

Monaca is a character built upon the mimicry of Junko. We know this because we pay attention to the game, but also because if we look at the concept art and beta forms of the Successor, we can see without question that creating a "New Junko" was always going to be a major part of UDG, as not one, but two unused Successor characters were considered before Monaca eventually became who she is today as the mastermind and true Successor.

Monaca throughout UDG undergoes a similar behavior to Junko in the way that she treats the WoH, but it's in a way the fundamentally misunderstands why Junko acts the way she does. Monaca is a child, and idolizes Junko, but that doesn't mean she actually understands her, even if she got much closer than her friends.

Monaca manipulates and discards the other WoH one by one, making herself the center of their movement and letting them believe they have control over what they're doing. She motivates them with a Paradise that'll never exist, similar to how Junko motivated the reserve course to stand up against Hope's Peak, and they take over Towa City. Whenever a WoH disappears, she decides whether or not they're mourned, but it appears as though she doesn't care and never did. She quickly forgets Masaru's name, barely bothers with Jataro, and later in her backstory monologue, proudly claims that when Junko met them, she was planning to let her only friends all kill themselves as a prank and not jump herself. She takes all the steps possible to Not Care about these people, similar to how Junko seemed not to care about the people she loved.

If Monaca spent enough time around Junko to observe and pick up this pattern, it likely means she also saw how little Junko actually cared for herself and her friends. This would explain why she starts acting as though she doesn't care at all for her only friends in the world and discarding them, wanting to emulate Junko, her idol. It also means she knew Junko didn't care about her, but her talents, and just didn't care because it was Junko. Again, this is a mentality not just held by her within the WoH, but because she was given a peek behind the curtain, she filled in the blanks in her head and let herself continue to be manipulated by Kurokuma, all in the hopes that Junko could return and manipulate her again. She needed a Successor, someone to fill that sisterly void again. And in that desperate desire, she inadvertently set herself up to someday become the SESL Despair.

Nagito's intervention is directly stated as the reason why she ends up abandoning this role as SESL Despair and fucking off to space as SESL Apathy instead, shrugging it off as 'not wanting to end up like he did'. This appears to be a deviation from what was originally intended for her, as not only was this wrapped up in a singular episode of an anime not actually about her, but the teaser images for a UDG 2 in UDG's credits ultimately ended up unused, and V3 totes a teaser of a canceled UDG 2.

Part 17- Junko's Apocalyptic Crash Course

"Right now, Hope’s Peak Academy is set up in a pyramid sort of idea that a third world country would use; it’s only really there to concentrate it’s effort on the 'super high school levels', for their benefit, and then below them are the reserve students from the preparatory school. .... The teachers here don’t really think any of the reserve students really belong here." -Yasuke Matsuda, DR 0

As we've seen repeatedly throughout the previous games and DR 0, Junko's strengths don't come from sheer force of will. She didn't take some perfect world of hope and twist it into a world of Despair by flipping some ideological switch. She's charismatic, but still human. Junko's strength comes from her ability to analyze, her high intelligence, and her charisma combining to create a master manipulator. Using the skills and people at her disposal, she was able to amass a cult following, and inspire the downfall of a society that was already flawed by attacking the weak points that were already present. Ergo, Junko's SHSL Analyst talent led her to not only infiltrate the school, but also to find the flaws within it and the lies it covered up by taking advantage of the Kamukura project wearing the school thin.

She may have been the face of the Despair movement, but she wasn't a singularity. She had a small group of people she trusted with a certain amount of information, and who had skills that would become beneficial to her. Mukuro is the obvious right-hand, as previously discussed, and perhaps the only one she legitimately believed to be an equal, but there was also Yasuke, Izuru, Ryota, Mikan, and Monaca, all of whom she attached herself too and all of whom had an extremely useful talent or title that was immediately beneficial to her cause. These people were able to directly carry out her desired acts of Despair and work alongside her, reporting back to her to ensure things were running smoothly. These were people who were needed directly as they were, and who were most useful when they believed she genuinely took interest in them, whether she actually had or not.

In a world already so flawed, with thinly veiled atrocities already taking place by people who believe in a caste system of talent, earning a downtrodden majority's trust is as simple as taking the blindfold off. Manipulating the people she'd attached herself to let her reveal key information at her leisure and drive the school and its inhabitants to Despair without them noticing or knowing to take action until it was too late to stop it. Something manmade, that turned into a disease and spread across the world, infesting it with the Tragedy and burning the oh-so-predictable world to the ground, all while standing as the eye of the storm- that was the power of the SHSL Despair that Junko worshipped, and she became its spokesperson, sending the world into a spiral.

Part 18- Junko's Legacy (Death of the Human, Birth of the God)

Everyone that loves Junko, misunderstands Junko. This is a fact that we see more than once. Mukuro obsesses, not loves. Yasuke romanticizes a childhood he can never return to. Monaca idolizes her. Mikan overtly sexualizes her. Her classmates know nothing of her self-destructive nature. Junko knew this and Despaired every time. But this fundamental misunderstanding of who Junko is didn't just exist in the game. In real life, Junko Enoshima became an iconic villain, the teenage girl that burned the world, the Ultimate Despair. She was insanely popular, and still is. And the more popular a character gets, the more susceptible they become to misinterpretations, fanon, oversimplification, etc.

In becoming such a well-known figure, Junko Enoshima the person got lost in translation. There was now Junko Enoshima, the mascot, the figurehead. This isn't a phenomenon exclusive to Junko, of course, but as the titular villain of the series until this point, how could the series continue without her? To this very day, people can't agree on who Junko was or who she actually cared about or if she ever even cared for anyone at all. And when NDRV3 was made, it took advantage of this to tell its own story, utilizing Junko Enoshima specifically to demonstrate flanderization of characters within its lore.

Junko Enoshima is not a real person. She's a fictional character. All her motivations, her thoughts and feelings, are fabricated stories and vague implications from the writing of real people. And in V3, that 'real person' is Tsumugi Shirogane, one of many cogs in the machine of Team Danganronpa, who dresses up as Junko and uses her face to become 'Junko Enoshima the 53rd'. Junko has been used and reused over and over and over, to the point where the original vision has been muddied beyond belief. What she was at the beginning, way back in THH, no longer exists. She's now a silly mascot, a familiar face that fans can point at and dress as and draw fanart of, and a face that Team DR can profit off of. Tsumugi's portrayal is laughably inaccurate to the original Junko. It's a costume, nothing more, and the dialogue she gives when 'in-character' is simplistic and insignificant. All its weight comes not from the meaning, but from the reference for reference's sake.

Junko's appearance in V3, like many other moving parts of V3, reference real-world fandom culture. It's appealing to both the in-universe fandom and the real one, bringing back character sprites and voice actors and poking fun at its own ridiculousness because none of it is real, none of it ever was. It was because Junko was fiction that she could do everything she ever did. Her Despair has meaning, but that doesn't mean she felt the feelings we're told she did, because she never existed to feel them. And that's the thing that lets her forever remain an enigma; she is Danganronpa's villain, and to become immortalized in Despair, she deconstructed into nothing but the word Despair, a fate that is in and of itself Despairful.

8.9- Tsumugi Shirogane

Tsumugi Shirogane is the mastermind of V3, and believes wholeheartedly in Junko Enoshima as the true villain of Danganronpa. Tsumugi is built as the fandom insert of DR, being immersed in fandom culture in every conceivable way- winking at the camera, making references to other fandoms, the love and joy of making cosplay- but also the less palatable parts of major fandoms, like her purist views of cosplay, her usage of incest as both a serious plot point and as a gag, and even does blackface when cosplaying as the dark-skinned DR characters of dr1 and 2. She's also the in-universe producer of the season. Therefore, Tsumugi also represents content creators, and how even the creator themselves can lose the plot of the character in their attempts to create what they perceive to be a compelling story.

As Tsumugi is explaining her story and why she tied it back into the Hope's Peak era, she pretty openly admits that a) she sees it as a perfect reproduction and b) a necessary writing choice in order to make it interesting. Both are false, as not only is V3's continuity in a separate world from the Hope's Peak era, but her presentation of Junko and the voice lines aren't displayed the same way Junko had acted in previous installations.

"'So... you're just a freak pretending to be Junko Enoshima, huh!?' 'No, a perfect reproduction! Perfect reproductions are exactly the same as the original.'" -Maki Harukawa & Tsumugi Shirogane, V3

She presents Junko as a singularity, the Ultimate Despair, and brazenly parades her face around as the immortal and ever-present true Despair. She's the 53rd Despair simply because her influence wouldn't allow her to fade away. She's become Despair-incarnate, but in making new games, Team DR has forgotten why Junko caused Despair in the first place. She didn't do it just to do it; she threw the world into Despair because it made her feel human to feel Despair. And yet when Tsumugi explains Junko the 53rd's plans, it's nothing but a big show, and that's exactly what a surface-level Junko looks like to the masses- a high-school girl that ended the world for fun.

Junko's games had meaning. Even when she didn't feel particularly connected to a person, like the RoD, she still brought them into Despair for a purpose. She was an analyst, and did the things she did with intention and with care. Attention to detail and careful manipulation with the face of a charismatic gyaru was her forte. But Tsumugi's so-called "perfect reproduction" is a story full of plot holes and contradictions, all caused by some need to deify Junko. In other words, as they refused to let Danganronpa go, they lost the plot, and Junko's humanity went with it in a desire to continue using her image when writing new stories. In becoming a god of Despair, her origins as a human were forgotten.

Part 19- Despair Into Tomorrow (Why We Care)

Junko Enoshima is an enigma. She is Despair incarnate, a pillar of the Danganronpa world created by her own hands, hellbent on burning herself to the ground. She's a character of poetic irony, unknown to all as anything but Despair. She was born with a perfect mind, and in trying to feel human, feel pain, feel Despair, she became permanently deified by all that she loved and all that she met, whether that was as a savior who killed a cruel world or a demon that detested hope.

At every turn, Junko's actiona are filled with malice, and yet so often that malice is directed at herself. Living in a peaceful world pains her because it leaves her bored. Anhedonia is a cruel mistress, and those who claimed to love her could never once comprehend it, because they couldn't feel the way she felt. The only thing she had that connected her in any human way to others or to herself was grief, and her entire story becomes one of self-sabotage. Despite that, though, she's not the only character burdened by anhedonia, and her self-destructive nature outstretching to the people and world around her is designed as a story of caution.

In each and every installation of Danganronpa, Junko and the other masterminds inspired by her fail because of their key difference in connections. When Makoto appeals to his classmates, they're reminded of their own desires to live and their love for each other- Hina's memory of Sakura, Syo's love of Byakuya, Kyoko's and Byakuya's love of Makoto himself. The same can be said of when Hajime chooses himself, to fight for himself, and is inspired to do so by Chiaki. Every other survivor has someone that inspired them to live for themself- Peko, Nakomaru, Gundham, the people around them. When Komaru is saved by Toko, it's because she took the time to connect with her and with Syo, and that love saved her from destruction. When Munakata gave up hunting Makoto, it was because of his love for Chisa. And when Shuichi declared he wouldn't vote, it was so that Maki and Keebo wouldn't be forced into sacrifice of a system that would hurt them over and over again.

Junko had connections. Junko had people she loved. Junko had another half. But she burned them one by one, until there was nothing left but her, and then she burned that too. She's a villain even to herself, and she knows it. She feels Despair upon Despair and even then can't regret it, because she wouldn't let anything else touch her heart besides it. It's an inherently self-fulfilling prophecy to only feel Despair, because in order for that Despair to exist, she must have felt love first. But she doesn't acknowledge her love and her vulnerabilities because she believes those fall under her 'factory settings'. Comfort is boring; safety is boring, and boredom was her enemy, an enemy second only to herself.

Junko's actions stem from a deeply embedded self-hatred. She was too smart and too comfortable, and so her boredom became everything she was. She believed the lie she told herself, that pain and grief and Despair was the only answer. Don't be like Junko. Don't believe the lies you tell yourself. Even in an unjust world, you can try to make things better without making them worse. Feel your Despair and let it go. It is okay to let it go. You are still human, no matter what image the people around you have, and to be seen, you must first be vulnerable.

Afterword

JESUS FUCKING CHRIST IT'S BEEN OVER 5 MONTHS. I made jokes and gags about 'getting this out before 2025' but I didn't think that would actually end up as my deadline. Holy fuck.

Junko's analysis is by far the beefiest I've done so far, and very well could remain the biggest one in this entire series of analyses (I think Kyoko, Makoto, and mayyybe Chiaki or Hajime might get close, but otherwise? Those are def gonna be the big 5 though) But hey, that's what being the mastermind of the franchise gets you. In retrospect, Junko probably should've been the grand finale, not part 5/17 of this series' part 1, but whatever. I'll save that grand finale for Kyoko instead

This will probably be the most controversial analysis I put out, alongside the eventual Mukuro one. I know people are, uh, divided on their relationship, but I did my best to stay objective and look at it from an unbiased viewpoint for what they offer narratively and its effectiveness. And I hope people are able to see that. Just in case, though, I'm gonna have anons off for a bit until whatever circulation this post gets dies down lol

Honestly, my perception of Junko has changed so much over the course of these past several months. It's not like I didn't like her before, but she's morphed into one of my favorite villains in all of media after this. This girl just cannot fucking die, no matter how much she wants to, and I think there's something so deeply compelling about a villain that wants nothing more than to self-destruct and burn the world with them, especially if you've fallen into a depressive state like the one she's in before

Good news, though! The next analysis set is Hifumi's, which means it won't take nearly as long as this whopper of a tumblr post! I'm actually very eager to deconstruct him, so hopefully we can go back to the summer days where I was able to crank out an analysis after 2 weeks. Please, god, can we go back to the summer days where I cranked out an analysis after 2 weeks

Catch ya later! :P

[3igbootyl0ver]

who hurt you? [ii]

pairing: tara carpenter x reader

summary: Tara mistakenly puts herself in a relationship she thought would be full of love.

word count: 1822

warnings: (Tara's POV), mentions of abuse, violence, angst, swearing

a/n: ok hi guys this is mostly Tara's POV and won't really be focusing btwn her and r's relationship. the next part would probably be the last one too but im always up on doing head canons for this pic. anyways apologies for any inaccuracy for this part, if ya'll have any feedback or suggestions feel free to dm me or send anonymously.

part [i] | part [iii] | part [iv] | part [v]

Tara never meant for any of this to happen.

She first met Amber a year ago, at a party that invited everyone from both Blackmore and Woodsboro High. Tara went with you at first, but you quickly got caught up in the chaos of the event, drinking with friends to drown your frustrations over the rivalry, leaving Tara to wander through the crowd alone.

Tara glanced around the room, feeling a bit out of place without you. It was her first real taste of a high school party, but somehow, she couldn’t shake the feeling that something was missing. You were missing. Some were celebrating—laughing, dancing, and basking in the glory of their win over Blackmore—while others attended this party just for an excuse to get drunk, but Tara wasn’t feeling the same rush. That was when she noticed Amber standing off to the side, holding a drink and watching the crowd with a knowing smile.

Amber had been a wild card that night. No one expected her to show up, least of all Tara. But Amber’s reputation preceded her—everyone knew she was sharp, calculated, and, most importantly, she knew how to play the game. She wasn’t just there to celebrate; she was there to get ahead.

Tara’s initial impression of Amber was a mix of admiration and curiosity. Amber seemed to hold herself in a way that suggested she knew something no one else did. And that intrigued Tara, even if she couldn’t quite explain why.

As Tara wandered away from the chaotic center of the party, she ended up near Amber. The two of them started talking, mostly small talk at first—what they were doing after high school, the thrill of their victory, and the peculiar tension between Woodsboro and Blackmore. Tara found herself drawn to Amber’s cool confidence, the way she seemed to have everything under control.

But what started as a simple conversation slowly shifted into something deeper. Amber had a way of making Tara feel like she was the only one in the room, even when there were dozens of people around. Tara’s mind kept drifting back to the feeling Amber gave her: like maybe she could be something more, something beyond the quiet girl who never quite fit in.

And so, things began to unravel.

Tara never meant for it to go this far. It wasn’t supposed to be anything serious, just a casual connection. But somewhere along the way, Amber made it clear that she wasn’t just interested in Tara’s company—she had a plan, and Tara was a part of it. Tara hadn’t realized how deep Amber’s intentions went until it was already too late. Now, Tara was left to figure out how she’d let herself be pulled into something so complicated—something that, in hindsight, was far more than just a meeting between two people at a party.

Everything was bliss when Tara and Amber started dating. She was kind, gentle, and attentive—the kind of person who made Tara feel understood and like the most important person in the world. It felt like a dream. Amber would send her thoughtful texts, surprise her with little gifts, and always knew how to make her laugh. Tara felt safe, seen, and loved in a way she hadn’t before.

But as time went on, Amber’s true colors started to surface—slowly, almost imperceptibly at first.

It started with small criticisms. At first, they were disguised as concern, little comments about Tara’s appearance or habits that Amber claimed were meant to help her. "You know, if you ate healthier, maybe you wouldn't feel so tired all the time." Or, "I don’t think that outfit is really doing you any favors." Tara tried to brush it off, telling herself it was just Amber wanting her to be her best. But the comments grew sharper, more frequent.

"You always mess things up," Amber would say when Tara made a mistake, like forgetting to pick up groceries or missing a text. "Why can’t you ever get anything right?" Her tone wasn’t playful anymore. It was condescending, even cruel. Tara began to feel like she couldn’t do anything without Amber pointing out what she’d done wrong.

The verbal jabs escalated when Amber started to get possessive. At first, Tara thought it was just a sign of how much Amber cared. But Amber's jealousy started to feel suffocating. She'd ask Tara where she was going, who she was with, and why she didn’t tell her first. "You don't really need to hang out with them, do you?" Amber would ask, her voice dripping with insinuation. It would have been even worse if she had hung out with you. It was as if you were Amber's breaking point. "They don’t even care about you like I do." "I’m better than them; why are you still hanging out with them?"

Tara found herself apologizing constantly—for things she didn’t even understand; she would say sorry just to avoid the tension. 

It was always the same cycle: Amber would get irritated for no reason, her voice would grow cold and sharp just to insult Tara. "You always do this; you always make everything more difficult than it has to be. Why can’t you just do things right?". The next day, Amber would be apologetic, trying to console Tara, making her forget everything that happened the day before. She said all the right things, but Tara couldn’t ignore the knot of anxiety that lingered in her chest. She had a way of twisting everything, making Tara feel like she was always in the wrong, walking on eggshells.

And soon, the emotional abuse turned into physical fights. One day, Tara had dinner plans with Mindy when Amber confronted her again, "You always do this," she snapped. "You always choose them over me." Her voice was cold, venomous.

Tara tried to explain, but Amber wasn’t hearing it. "You think you can just leave whenever you want? No, you’re not going anywhere." Before Tara could react, Amber grabbed her by the arm—tightly, her fingers digging into Tara’s skin. "You’re hurting me, Amber; let me go!" Tara shouted, trying to pull away, but her grip tightened. She twisted Tara’s arm painfully, forcing her to sit down.

Tara’s heart was racing. She didn’t recognize this version of Amber—this wasn’t the woman she had fallen in love with. The love they once shared felt like a distant memory, replaced with anger, control, and fear. Tara was terrified, but she didn’t know how to escape. Before the day ended, Tara made up an excuse to Mindy that she couldn’t make it. She thought about her friends. Chad, Mindy, You. How will she be able to explain herself? She’s embarrassed and ashamed of herself if she were to ever face either of you. 

There was once when Amber picked up Tara from school when she saw her talking to you, both of you giggling like lovestruck teenagers, like you were in love with each other. And Amber simply couldn’t have that. Once both of them got back to Amber’s house, she gripped Tara’s arm, demanding an explanation. "So you’re just whoring around your school with someone else? Especially them? You’re just a slut, aren’t you?" Amber seethed, her nails digging into Tara’s skin, leaving another mark on her skin. Tara stood there, tears streaming down her face, knowing no matter what she said, it would be dismissed, twisted, or ignored. "You’re mine, Tara. I’m not letting you go anywhere," were the last words she heard before being shoved down the stairs, undoubtedly leaving bruises all over her body. She knew the next day Amber would whisper apologies, giving her kisses and hugging her in an attempt to make her forget.

Tara began pulling away, distancing herself from you, from Chad, from Mindy, from Anika—everyone. It wasn’t that she didn’t care anymore, but she couldn’t bear the thought of Amber’s wrath falling on them, especially you. She couldn’t risk you getting hurt because of her, couldn’t risk Amber turning her anger on the people she loved. The more Tara tried to protect her friends, the more she isolated herself.

Every moment felt like a calculation; every text, every phone call, every plan made without Amber’s approval felt like a risk. Tara started to feel like a prisoner in her own life, like Amber was always there—watching, waiting for her to slip up, to make a mistake.

Amber had a way of making her feel like she was constantly under surveillance, always one misstep away from an explosion. Tara couldn’t shake the feeling that Amber was breathing down her neck, that every time she laughed too loudly with a friend or spent too much time away from her, Amber would find out. And when Amber found out, the consequences would be brutal. Tara had learned that the hard way.

It was like living in a constant state of fear. Tara’s heart would race whenever she saw a message from you or heard from one of her friends. She hated that it had come to this—that Amber’s control over her had stretched so far that she couldn’t even speak freely without worrying about the fallout.

But more than anything, she hated that the woman she loved, the woman she had trusted, had become someone she feared. Every day, she woke up wondering how much longer she could live like this. How much longer until Amber's control over her—and over everyone she cared about—was too much to bear?

Amber’s behavior spiraled even further. The emotional abuse had crossed into physical violence, and Tara was left unsure of where it would go next. Amber would apologize, beg for forgiveness, and then turn around and hurt her again. Tara began to feel like she was losing herself. She was afraid of what might happen if she tried to leave, afraid of what Amber might do. 

Though she would still post pictures of them together, of them being in a happy relationship for people to see online, the reality was far different. Behind the carefully staged photos, the smiles seemed forced, the laughter hollow. She knew the posts didn’t reflect the late-night arguments or the hidden marks on Tara’s body. Yet, there was comfort in the illusion, in maintaining a facade that everyone else admired. It was easier to keep up the pretense than to confront the discomfort of what was really happening—of the slow unraveling that no one could see. The attention, the validation from likes and comments, provided a temporary sense of relief, a distraction from the gnawing uncertainty she felt every time she looked at Amber when the camera was off. It became a blurred line for Tara to interpret what was the reality and the sick image she created of her and Amber online. 

But one thing was clear: this wasn’t love anymore. And Tara didn’t know how much longer she could stay in a relationship that was slowly suffocating her.

-----------------------------

a/n: next update might be awhile bc exam season is coming up and im a chill girl that needs to rest so you'll probably hear from me in like 2-3 weeks :p

[thescarletwitchsapprentice]

Rio Vidal Yandere Letter.

Author’s Note: So it seems like people like the idea of a Yandere Rio Vidal, which honestly, Rio’s kind of a canon yandere and also I’m not surprised that y’all would want it. I mean, you’ve seen her, haven’t you?

(CW: Typical yandere stuff)

Hello, my love.

I’ve missed you. I suppose you’re curious about how this letter’s reached you. Let’s just say that I have my ways. You’ve been fluttering in and out of my mind like a curious little butterfly, highlighting some of the best things you hold; that laugh full of sincerity and joy, that smile of yours that brightens the room without even trying, that hair I could run my fingers through for hours, those eyes I get so easily lost in, those perfect lips of yours just begging for me to kiss them. Even simply writing about it all makes my black heart beat even more for you.

There’s an unbreakable connection between us, a bond that simply cannot be ignored. You can deny it all you want, but deep down, you know it’s true. You know that you’re meant to be mine and mine alone. Running will do you no good, hiding is impossible, fighting is fruitless. And yet, if you wish to, I don’t mind; the thrill of the chase is quite alluring, after all. Playing the long game will make my victory all the sweeter. That victory is all but assured; it’s simply a matter of when you’ll truly accept that you belong at my side for all of eternity, our souls bound together in ways mortal couples can only dream of. Because in the end, all roads lead to me, my love.

Te veo,

Rio Vidal.