set after leafpool dies, before the bonus scene w jayfeather dealing w that grief gets resolved. guess who was bitter over a certain cardboard character bitch not being included in that
this truly is the hardest question. :( but after much consideration, I think Endless Halloween Night wins out for me, because it's nonstop Characters Being Silly the whole way through. the whole thing is just lots of these little dorks having the most ridiculous interactions, which is always my favorite! and of course the big twist is SO delightfully stupid and doubles down SO hard that it becomes AMAZING and I 100% unironically adore it. AND it's Halloween! everyone is in their cute little costumes and having a spooky adventure! it's great!
however, I am ALSO a big fan of the Harveston event! how can I not be! everyone is wearing comfy winter outfits and getting along really weirdly well with Epel's grandma and he's getting a little worried about that! my terrible loud son sews a plush squirrel and then gives it a silly little nickname and refuses to leave it behind when it breaks! the ending shot with the sled! I LOVE IT.
Yin and yang, is a concept that originated in Chinese philosophy, describing an opposite but interconnected, self-perpetuating cycle. Yin and yang can be thought of as complementary forces that interact to form a dynamic system in which the whole is greater than the assembled parts.
Jude in TCP was something else. Imagine poisoning yourself on the daily, still doing physically challenging missions while balancing the mental load of being bullied and harboring a secret life, sleep depriving yourself and STILL attending daily family dinners and classes.
there HAS to be a scene where sayaka sprays a fire extinguisher at someone in the new movie. if the fire extinguisher doesnt strike again im gonna sue them.
Deanna is the fridged wife from the tragic backstory of your good ole adventurer, and they meet in frigid wastes. Except this time, it's her story, and coping with the decisions made by this person, to return what was lost to this world, though she was at peace. And, yet, she came at his call.
The setting, the word choice, everything feels painfully symbolic and I really can only applaud the whole thing.
No one expects it, no one’s faded in Valinor since Miriel. The War of Wrath is won and he comes back, waving off the courtiers, well wishers, and congratulators with his usual grace, and walks into the palace of Tirion. To rooms abandoned since their owners left so long ago. Winding deeper and deeper his feet take him to what was once Finwë’s favourite garden.
He’s so tired.
He’s fulfilled his promise to Fëanaro and Nolofinwë, to avenge them. To make the agony of their final moments - agony Finarfin felt, falling to the floor screaming as fire and darkness consumed his spirit - count for something. Now Morgoth is finally gone, but he’s not the only one.
His brothers, larger than life, larger than death, are gone. With them his sons. Niece. Nephews. Grandchildren. His daughter is never to return. He Saw little Nelyo’s death in his dreams and is sure hopes for the child’s own sake that Makalaurë will be close behind.
Little remains. Even less on these golden shores.
So Finarfin sits on a bench long overgrown with vines and weeds, and watches the sun filter through the thicket, wishing the ghosts he sees in his father’s garden would flesh out.
Obsessed with the way Evadne's relationship with Apollo is described. Obsessed with the way Apollo was especially gentle with her because she was sheltered, hidden away and hadn't had any sort of experience with love prior to Apollo (and due to it being described as her 'first learning Aphrodite's joy' through Apollo', it was probably her first time even being attracted to someone). Obsessed with the way when she runs away, she stops in a violet patch to give birth. Y'know, violets, very famously the flower so strongly associated with Aphrodite that they were used in love potions? Those violets. Obsessed with the way that when Apollo realised his lover was going to have to deliver their child alone, he sent BOTH the goddess of childbirth and ALL THREE OF THE FATES to help and support her. Obsessed with the way that Apollo sends snakes to feed his baby honey straight from their fangs because Evadne abandons their son out of straight primal fear when her stepfather finds her and how the description of that honey is 'sweet venom' [ἰός] of the bees and is DEFINITELY a poetic pair/pun with [ἴον] aka violets and that every single thing about this relationship, conception and birth is a complete and utter fairytale down to Evadne's insanely overprotective stepfather having an immediate change of heart when he learned Evadne's child was an actual, legitimate Son of Apollo and the babe, after being cared for by his dad's honey-fanged snake buddies, was found perfectly healthy five days later swaddled in a blanket of violets (y'know the flowers so strongly associated with Aphrodite that they were used for lo-) and they called him Iamus aka Boy of the Violets which is AAAAAARRRR I AM GNAWING AT MY ENCLOSURE
Iamus was made of love. Everything about him was surrounded by deep and profound love and like, let's not even talk about his whole Thing of when he came of age and was like "I need to find out what my purpose is" and he literally had a Disney Protagonist moment where he ran out into the wilds and was like "Father!! Grandfather!! Tell me what I'm supposed to doooo!!" and then APOLLO FUCKING ANSWERED AND LED HIM TO ONE HIS TEMPLES ENTIRELY BY TALKING WITH IAMUS AND LETTING HIM FOLLOW HIS VOICE FOR THE WHOLE JOURNEY LIKE -
What do y'all know about the kind of SSS tier romantic escapades Apollo had fr?